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This programme contains some violent scenes, strong language | 0:00:02 | 0:00:09 | |
and scenes which some viewers may find disturbing from the start. | 0:00:09 | 0:00:16 | |
For the safe. | 0:00:16 | 0:00:17 | |
You witnessed the division of the gunpowder | 0:00:19 | 0:00:22 | |
and you heard its destination? | 0:00:22 | 0:00:24 | |
On direct instruction of James Delaney himself, sir. | 0:00:24 | 0:00:27 | |
We have Delaney, we have Nootka, we have the China trade. | 0:00:27 | 0:00:32 | |
They will walk you along a tightrope. | 0:00:32 | 0:00:35 | |
A line between life and death. | 0:00:35 | 0:00:37 | |
I will give you all the information that you request. | 0:00:37 | 0:00:40 | |
In return, I will need a single meeting with Sir Stuart Strange. | 0:00:40 | 0:00:43 | |
If your witness is Delaney, he is being held in the Tower of London, | 0:00:43 | 0:00:48 | |
charged with treason. | 0:00:48 | 0:00:49 | |
No, I have another witness. | 0:00:49 | 0:00:52 | |
When my ship is ready, I will send for you. | 0:00:52 | 0:00:54 | |
You don't have a bloody ship! | 0:00:54 | 0:00:55 | |
Brace, I spoke to a witness. | 0:00:55 | 0:00:57 | |
It wasn't James that killed the girl, | 0:00:57 | 0:00:59 | |
it was the East India Company. | 0:00:59 | 0:01:00 | |
-I need to tell James. -They've got him. -Where is he? | 0:01:00 | 0:01:03 | |
They took him to the Tower. | 0:01:03 | 0:01:05 | |
I'm here. | 0:01:05 | 0:01:06 | |
I have a use for you. | 0:01:06 | 0:01:08 | |
-ZILPHA: -'Dear James... | 0:02:12 | 0:02:15 | |
'at last, I have found a way out of the cage | 0:02:15 | 0:02:17 | |
'in which I have been living. | 0:02:17 | 0:02:19 | |
'Eyes I didn't know I had were opened. | 0:02:20 | 0:02:24 | |
'I saw the limits of my life, the iron bars around my soul. | 0:02:24 | 0:02:30 | |
'At last, I found a way to slip between them. | 0:02:30 | 0:02:33 | |
'I intend to leave society, leave London, leave England behind, | 0:02:35 | 0:02:39 | |
'travel to a place where I will be free. | 0:02:39 | 0:02:42 | |
'It is a place where, someday, | 0:02:42 | 0:02:45 | |
'I hope we will meet and be happy.' | 0:02:45 | 0:02:48 | |
BELL RINGS | 0:02:51 | 0:02:53 | |
In those days, I always chose boys who had the shadow of death on them. | 0:03:08 | 0:03:14 | |
I thought they would be less likely to return. | 0:03:14 | 0:03:17 | |
Of course, they do return... | 0:03:17 | 0:03:19 | |
..as ghosts. | 0:03:21 | 0:03:22 | |
-Now I'm older... -How many boys? | 0:03:24 | 0:03:26 | |
How many Company boys did you send to crew your private ships? | 0:03:28 | 0:03:33 | |
Please, don't believe that I will say anything to confirm or deny | 0:03:34 | 0:03:39 | |
any action past, present or future, | 0:03:39 | 0:03:42 | |
in any regard whatsoever to this business. | 0:03:42 | 0:03:47 | |
Hmm... | 0:03:47 | 0:03:48 | |
But the point is, you see... | 0:03:53 | 0:03:54 | |
..YOU didn't die, did you? | 0:03:56 | 0:03:59 | |
Not even over there, where everyone dies. | 0:03:59 | 0:04:04 | |
No. | 0:04:08 | 0:04:09 | |
No, I did not. | 0:04:11 | 0:04:13 | |
I was rescued by an African... | 0:04:15 | 0:04:18 | |
..who saved me... | 0:04:20 | 0:04:21 | |
..and he cured me... | 0:04:22 | 0:04:24 | |
..and he showed me to myself. | 0:04:26 | 0:04:28 | |
The things I did in Africa make your transactions look paltry. | 0:04:33 | 0:04:38 | |
I witnessed and participated in darkness that you cannot conceive. | 0:04:41 | 0:04:47 | |
And will you be including that in your account | 0:04:50 | 0:04:53 | |
to the Royal Commission? | 0:04:53 | 0:04:54 | |
No. | 0:04:54 | 0:04:55 | |
Luckily, I'm not being tried for that today. | 0:04:57 | 0:05:00 | |
-Oh. -SIR STUART CHUCKLES | 0:05:07 | 0:05:09 | |
They serve good hock to traitors. | 0:05:14 | 0:05:17 | |
Perhaps you'll be served the same. | 0:05:17 | 0:05:19 | |
HE LAUGHS | 0:05:19 | 0:05:20 | |
Hmm... | 0:05:20 | 0:05:22 | |
I understand you asked poor, sweet Godfrey | 0:05:26 | 0:05:31 | |
-to write an account, too. -Hmm. | 0:05:31 | 0:05:34 | |
HE SIGHS | 0:05:37 | 0:05:39 | |
I assume you want to make some sort of a deal? | 0:05:41 | 0:05:44 | |
Is this the extent of your ambition? | 0:06:05 | 0:06:07 | |
SIR STUART LAUGHS | 0:06:10 | 0:06:11 | |
It is in return for my silence, | 0:06:11 | 0:06:15 | |
and for Godfrey to burn his account. | 0:06:15 | 0:06:17 | |
No. | 0:06:19 | 0:06:21 | |
I can't deliver that. | 0:06:21 | 0:06:23 | |
Then you had better get used to the taste. | 0:06:23 | 0:06:25 | |
I'm working on this, here. | 0:06:31 | 0:06:34 | |
"When the Cornwallis left Cabinda | 0:06:34 | 0:06:37 | |
"and became the Influence, | 0:06:37 | 0:06:39 | |
"it was I, James Delaney, | 0:06:39 | 0:06:43 | |
"who stowed the Jack and Company flags." | 0:06:43 | 0:06:46 | |
Tut, tut, tut. | 0:06:48 | 0:06:49 | |
"An East India ship, renamed, | 0:06:49 | 0:06:55 | |
"laden with illegal slaves | 0:06:55 | 0:06:58 | |
"and flying the Stars and Stripes... | 0:06:58 | 0:07:01 | |
"..at the direct request of Sir Stuart Strange." | 0:07:06 | 0:07:09 | |
That's treason. | 0:07:12 | 0:07:13 | |
One living witness. | 0:07:19 | 0:07:21 | |
In one hour, I will be interviewed by the King's private secretary, | 0:07:21 | 0:07:24 | |
three attorneys and half a dozen clerks. | 0:07:24 | 0:07:27 | |
They will want it in writing. | 0:07:27 | 0:07:30 | |
Hmm? | 0:07:30 | 0:07:32 | |
And at midday, Godfrey, poor, sweet Godfrey... | 0:07:32 | 0:07:38 | |
..he will deliver his own account to the Royal Commission, | 0:07:39 | 0:07:42 | |
confirming how YOU concealed your ownership of this ship | 0:07:42 | 0:07:48 | |
and its cargo... | 0:07:48 | 0:07:49 | |
..by committing treason. | 0:07:53 | 0:07:55 | |
So that's one living witness | 0:07:58 | 0:08:01 | |
and one account from an East India Company clerk, | 0:08:01 | 0:08:04 | |
prepared to give information heard under a raised hand. | 0:08:04 | 0:08:08 | |
Keep it. | 0:08:20 | 0:08:21 | |
I remember it all. | 0:08:22 | 0:08:24 | |
I need a ship. | 0:08:30 | 0:08:31 | |
YOU have four hours. | 0:08:33 | 0:08:36 | |
BELL RINGS | 0:08:40 | 0:08:43 | |
Brace? I'm going out. | 0:08:45 | 0:08:47 | |
I need to see someone. | 0:08:48 | 0:08:50 | |
From Mr Delaney. | 0:09:03 | 0:09:04 | |
SNORING | 0:09:17 | 0:09:19 | |
-HURRIED FOOTSTEPS -Mr Cholmondeley! | 0:09:19 | 0:09:22 | |
Mr Cholmondeley! | 0:09:22 | 0:09:24 | |
Mr Cholmondeley! | 0:09:25 | 0:09:26 | |
I have a message for you, sir, from Mr Delaney. | 0:09:31 | 0:09:35 | |
How the hell did he find me? | 0:09:37 | 0:09:39 | |
Just humour me. I'm a scientist, so I'm curious. | 0:09:39 | 0:09:43 | |
He sees me in my dreams. | 0:09:43 | 0:09:45 | |
Is that it? | 0:09:48 | 0:09:49 | |
I just deliver messages, sir. | 0:09:51 | 0:09:53 | |
DOG BARKS | 0:09:59 | 0:10:01 | |
Atticus! | 0:10:07 | 0:10:08 | |
Good boy. | 0:10:11 | 0:10:12 | |
Wilton! | 0:10:15 | 0:10:16 | |
Pettifer! | 0:10:16 | 0:10:18 | |
Ah, fuck it! | 0:10:22 | 0:10:24 | |
HURRIED FOOTSTEPS | 0:10:31 | 0:10:34 | |
Gentlemen, there are things I need you to do. | 0:10:34 | 0:10:38 | |
Are you going to teach me, then? | 0:10:43 | 0:10:44 | |
Yeah, go on, go on, hit the ball. | 0:10:44 | 0:10:46 | |
SHE GIGGLES | 0:10:46 | 0:10:49 | |
Swing for it, then. | 0:10:50 | 0:10:52 | |
You're not holding it tight enough! | 0:10:52 | 0:10:53 | |
Where's the other one? | 0:10:58 | 0:11:00 | |
-Sorry, sir. -She don't speak, she's in mourning. | 0:11:00 | 0:11:03 | |
Fetch her. | 0:11:03 | 0:11:04 | |
I've had a coach drawn up. | 0:11:05 | 0:11:07 | |
You ladies are going on a tour of the grounds. | 0:11:07 | 0:11:10 | |
At the point of a bayonet, if necessary. | 0:11:11 | 0:11:13 | |
Bring her! | 0:11:13 | 0:11:14 | |
Come on! | 0:11:16 | 0:11:17 | |
I want to know where you're taking us. | 0:11:17 | 0:11:19 | |
In. | 0:11:19 | 0:11:21 | |
Go! | 0:11:27 | 0:11:28 | |
JAMES SPEAKS TWI | 0:11:38 | 0:11:41 | |
Tell them that I'm not ready. | 0:12:10 | 0:12:12 | |
I need to see a doctor. | 0:12:14 | 0:12:15 | |
JAMES GAGS | 0:12:17 | 0:12:19 | |
JAMES CHOKES AND GAGS | 0:12:26 | 0:12:28 | |
Watch him! | 0:12:30 | 0:12:31 | |
Mr Delaney is in need of a doctor, sir. | 0:12:38 | 0:12:40 | |
He must be bluffing. | 0:12:42 | 0:12:43 | |
Or has he fallen off the tightrope? | 0:12:45 | 0:12:47 | |
Well, you go and bring the doctor, then. | 0:12:53 | 0:12:55 | |
And we can all pray to God that we haven't completely fried his brain. | 0:12:57 | 0:13:01 | |
Hold up! | 0:13:14 | 0:13:15 | |
Out! The rest of you, out now! | 0:13:19 | 0:13:22 | |
These gentlemen are actually here to rescue you. | 0:13:26 | 0:13:28 | |
Atticus? | 0:13:29 | 0:13:31 | |
If it was down to me, you'd have been dead long ago. | 0:13:31 | 0:13:34 | |
Delaney orders you shouldn't be harmed. | 0:13:34 | 0:13:37 | |
There's still plenty of cocks left for you to suck. | 0:13:37 | 0:13:39 | |
The agreement is that you take the ladies away in the coach | 0:13:39 | 0:13:42 | |
and I walk back to the house and report that they were kidnapped. | 0:13:42 | 0:13:45 | |
But in truth, your beloved child was killed for a greater purpose. | 0:13:46 | 0:13:50 | |
Isn't that right, Mr Pettifer? | 0:13:52 | 0:13:55 | |
There is an agreement in place between my master and yours. | 0:13:57 | 0:14:01 | |
Indeed there is. | 0:14:02 | 0:14:04 | |
HORSE NEIGHS, WOMEN GASP | 0:14:04 | 0:14:06 | |
Get in. | 0:14:07 | 0:14:09 | |
Drive on! | 0:14:17 | 0:14:18 | |
DOOR OPENS | 0:14:26 | 0:14:28 | |
A brig called the Good Hope. | 0:14:28 | 0:14:31 | |
It is fitted out for a voyage to Constantinople | 0:14:31 | 0:14:33 | |
and is set to leave tomorrow on the ebb. | 0:14:33 | 0:14:36 | |
-Is it yet loaded? -No. | 0:14:36 | 0:14:38 | |
Draw up papers to have it diverted. | 0:14:42 | 0:14:44 | |
Have it rowed to Wapping Wall by a skeleton crew. | 0:14:44 | 0:14:47 | |
It's to be tied up, with only provisions onboard. | 0:14:47 | 0:14:50 | |
Enough for a crew of 15 for a... | 0:14:51 | 0:14:55 | |
two-month journey. | 0:14:55 | 0:14:57 | |
-For what reason, sir? -Hmm? | 0:14:57 | 0:14:59 | |
What I mean is, what is the official reason I should give | 0:14:59 | 0:15:03 | |
in the daybook? | 0:15:03 | 0:15:04 | |
The official reason. Well, let's see... | 0:15:04 | 0:15:08 | |
"The Good Hope was taken to Wapping Wall for an | 0:15:08 | 0:15:11 | |
"unannounced inspection of its hull for short measure of tar, in case of | 0:15:11 | 0:15:15 | |
"fraudulent accounting by the ship fitters, Master and Preece." | 0:15:15 | 0:15:18 | |
Hmm? Put that in the daybook. | 0:15:18 | 0:15:21 | |
And what is the official reason for sending two Company dray carts | 0:15:22 | 0:15:26 | |
to Bedlam Insane Asylum? | 0:15:26 | 0:15:28 | |
Because this whole thing is insane. | 0:15:30 | 0:15:33 | |
Because this day is insane, because Delaney is insane! | 0:15:33 | 0:15:38 | |
-Because -I -am insane! | 0:15:38 | 0:15:39 | |
Just do it. | 0:15:41 | 0:15:42 | |
Should we await Mr Pettifer's return? | 0:15:44 | 0:15:46 | |
No, we should not await Mr Pettifer's return. | 0:15:46 | 0:15:49 | |
Just fuck off, will you? | 0:15:53 | 0:15:54 | |
Come on, out. We need to burn this. | 0:16:21 | 0:16:24 | |
-Atticus, I want an explanation. -Helga, get in! | 0:16:25 | 0:16:28 | |
Come on! | 0:16:28 | 0:16:30 | |
It's all right. You've nothing to fear. | 0:16:37 | 0:16:39 | |
What? | 0:16:42 | 0:16:44 | |
Temple was on the foreshore. | 0:16:44 | 0:16:46 | |
He saw James sleeping in the mud and Winter lay down beside him. | 0:16:46 | 0:16:49 | |
He then saw a man arrive in a boat. | 0:16:51 | 0:16:53 | |
"Moving like a ghost," wasn't he? | 0:16:54 | 0:16:56 | |
It was this ghost that killed your Winter, as she slept. | 0:16:58 | 0:17:01 | |
The man then got back in the boat, Temple followed him along | 0:17:01 | 0:17:05 | |
the foreshore, where he was met by someone on the other side. | 0:17:05 | 0:17:08 | |
They were in a carriage, | 0:17:08 | 0:17:11 | |
like the one you just came out of. | 0:17:11 | 0:17:13 | |
The East India Company? | 0:17:14 | 0:17:16 | |
Is that the truth, little boy? | 0:17:20 | 0:17:22 | |
You know what happens to little boys that lie, don't you? | 0:17:23 | 0:17:26 | |
I swear, it's the truth. | 0:17:26 | 0:17:27 | |
James is offering you a new start. | 0:17:31 | 0:17:33 | |
So, James... | 0:17:42 | 0:17:44 | |
Things that go bang... | 0:17:51 | 0:17:54 | |
BIRDS CHIRP | 0:18:06 | 0:18:09 | |
There. | 0:18:18 | 0:18:20 | |
There. | 0:18:20 | 0:18:21 | |
Things that cause confusion. | 0:18:28 | 0:18:30 | |
His Majesty's representatives want to know how much longer. | 0:18:44 | 0:18:46 | |
Another half an hour, at least. | 0:18:46 | 0:18:48 | |
DOOR SLAMS | 0:18:51 | 0:18:53 | |
I swear to God, he was beaten half to death | 0:18:54 | 0:18:57 | |
before he yelped, "Enough!" | 0:18:57 | 0:19:00 | |
Why do so many of them choose to be beaten? | 0:19:00 | 0:19:02 | |
Power. One told me it's like pissing. | 0:19:02 | 0:19:06 | |
You build up the power inside your belly and then you need to let | 0:19:06 | 0:19:09 | |
it out, and a good thrashing from a Countess does the trick, apparently. | 0:19:09 | 0:19:13 | |
ALL LAUGH | 0:19:13 | 0:19:15 | |
Full house. | 0:19:15 | 0:19:16 | |
Shall we refer our opinions to Dr Gin? | 0:19:16 | 0:19:20 | |
(Who on earth is that?) | 0:19:21 | 0:19:23 | |
Countess... | 0:19:23 | 0:19:24 | |
I thought you'd be alone. | 0:19:26 | 0:19:27 | |
Well, as you can see, I am not. | 0:19:27 | 0:19:29 | |
-What do you want? -Well, I believe we have an appointment. | 0:19:29 | 0:19:34 | |
My only appointment is with intoxication. | 0:19:34 | 0:19:37 | |
As you may recall, I represent a company which produces | 0:19:37 | 0:19:40 | |
products which restore and enhance female beauty. | 0:19:40 | 0:19:43 | |
And also a certain feminine product, | 0:19:43 | 0:19:47 | |
which you may prefer to discuss in private. | 0:19:47 | 0:19:49 | |
I don't recall. | 0:19:49 | 0:19:51 | |
Pixie, perhaps as well as medicine for your poor, worn-out chuff, | 0:19:51 | 0:19:54 | |
the lady may have something to repair a faulty memory. | 0:19:54 | 0:19:56 | |
Mm! | 0:19:56 | 0:19:58 | |
Do you have a beauty product which would bag me an admiral? | 0:19:58 | 0:20:00 | |
I have a product which would allow you to accommodate an entire fleet, | 0:20:00 | 0:20:04 | |
without discomfort - admiral and rear admiral. | 0:20:04 | 0:20:07 | |
ALL LAUGH | 0:20:07 | 0:20:08 | |
My products include paints and oils, | 0:20:08 | 0:20:11 | |
but...in particular, powder. | 0:20:11 | 0:20:14 | |
And for those of us who have secrets, marks, blemishes... | 0:20:16 | 0:20:20 | |
..we have ways of preserving those secrets. | 0:20:21 | 0:20:24 | |
Those who use it will do almost anything for it, | 0:20:24 | 0:20:28 | |
when their supply is exhausted. | 0:20:28 | 0:20:31 | |
The name of the powder is Collonade. | 0:20:31 | 0:20:33 | |
And you have samples? | 0:20:36 | 0:20:37 | |
Indeed. Perhaps I could show you in person how to apply it | 0:20:37 | 0:20:40 | |
for best advantage? | 0:20:40 | 0:20:41 | |
Ladies, I will be back before the sandwiches. | 0:20:41 | 0:20:45 | |
How dull life was before Musgrove. | 0:20:50 | 0:20:51 | |
-LORNA GASPS -What the fuck are you doing? | 0:20:55 | 0:20:58 | |
Coming to my house and talking of powder? | 0:20:58 | 0:21:01 | |
I work for James Delaney. | 0:21:01 | 0:21:03 | |
-He's in the Tower. -Not for long. | 0:21:03 | 0:21:05 | |
He sails today. | 0:21:05 | 0:21:06 | |
And he requires the letter for safe passage, | 0:21:07 | 0:21:09 | |
the codes for the flags. | 0:21:09 | 0:21:11 | |
And I get the Treaty in return? | 0:21:13 | 0:21:14 | |
No. | 0:21:16 | 0:21:17 | |
No, you see, there's a letter which we will send to Solomon Coop, | 0:21:17 | 0:21:21 | |
revealing that you titillate and intoxicate | 0:21:21 | 0:21:24 | |
on behalf of the Americans. | 0:21:24 | 0:21:26 | |
If I fail to return, it will be delivered by midday. | 0:21:27 | 0:21:31 | |
James Delaney also says to tell Collonade | 0:21:32 | 0:21:36 | |
that you do, indeed, have a leaky ship. | 0:21:36 | 0:21:39 | |
But he's found the leak and will fix it, | 0:21:40 | 0:21:42 | |
as long as YOU cooperate. | 0:21:42 | 0:21:44 | |
James? | 0:21:45 | 0:21:47 | |
What are you to him? | 0:21:48 | 0:21:50 | |
I'm Mrs Delaney. | 0:21:51 | 0:21:53 | |
His wife. | 0:21:53 | 0:21:55 | |
No. | 0:21:55 | 0:21:56 | |
His mother. | 0:21:58 | 0:21:59 | |
-OUTSIDE: -# Oranges and lemons, say the bells of St Clements | 0:22:18 | 0:22:22 | |
# You owe me five farthings, say the bells of St Martin's | 0:22:23 | 0:22:28 | |
# When will you pay me, say the bells of Old Bailey. # | 0:22:29 | 0:22:34 | |
This just arrived for you, sir. | 0:22:34 | 0:22:35 | |
Thank you. | 0:22:37 | 0:22:38 | |
# When I grow rich, say the bells of Shoreditch. # | 0:22:38 | 0:22:42 | |
"The whores are freed." | 0:22:43 | 0:22:45 | |
JAMES GRUNTS I'm ready. | 0:22:49 | 0:22:51 | |
No, you're not. I'm not finished. | 0:22:51 | 0:22:54 | |
I'm ready. | 0:22:54 | 0:22:55 | |
Come on! | 0:23:02 | 0:23:03 | |
So, erm, now the witness is sewn together... | 0:23:03 | 0:23:06 | |
..we can begin. | 0:23:08 | 0:23:09 | |
Please confirm that you are James Keziah Delaney | 0:23:09 | 0:23:13 | |
of Chamber House, Wapping Wall, London... | 0:23:13 | 0:23:15 | |
..lately accused of conspiring with the members of the | 0:23:17 | 0:23:20 | |
Secret Society of Correspondence... | 0:23:20 | 0:23:23 | |
against His Majesty the King. | 0:23:23 | 0:23:25 | |
And you have pledged to give us the names of the Americans | 0:23:26 | 0:23:31 | |
who conspired with you, and others unnamed, to commit acts | 0:23:31 | 0:23:35 | |
of treason within the confines of the City of London. | 0:23:35 | 0:23:39 | |
BIRDS SQUAWK | 0:23:42 | 0:23:44 | |
JAMES SPEAKS TWI | 0:23:44 | 0:23:47 | |
Mr Delaney... | 0:23:54 | 0:23:56 | |
HE CONTINUES TO SPEAK TWI | 0:23:56 | 0:23:59 | |
Mr Delaney, unless you give up the names of your co-conspirators... | 0:23:59 | 0:24:03 | |
..every single stitch they have just put into your flesh, | 0:24:05 | 0:24:10 | |
I will pull out myself with my fingernails. | 0:24:10 | 0:24:14 | |
HE CONTINUES TO SPEAK TWI | 0:24:15 | 0:24:18 | |
Give us the names, or you will be racked! | 0:24:21 | 0:24:24 | |
HE CONTINUES TO SPEAK TWI | 0:24:24 | 0:24:28 | |
I will squash your balls myself and make you eat the paste. | 0:24:28 | 0:24:33 | |
You promised to give me those names. | 0:24:33 | 0:24:38 | |
BIRDS SQUAWK | 0:24:38 | 0:24:40 | |
Did I? | 0:24:47 | 0:24:49 | |
Hmm... | 0:24:51 | 0:24:52 | |
I must've lied. | 0:24:55 | 0:24:56 | |
I will tell you one thing, though... | 0:25:06 | 0:25:08 | |
All the charges of treason brought against me | 0:25:10 | 0:25:12 | |
by the members of the East India Company... | 0:25:12 | 0:25:15 | |
..they will be dropped... | 0:25:16 | 0:25:18 | |
..before midday. | 0:25:19 | 0:25:20 | |
Witnesses vanish. | 0:25:22 | 0:25:23 | |
Testimonies, they burn. | 0:25:24 | 0:25:26 | |
Demands will be met, and pride will be swallowed. | 0:25:28 | 0:25:31 | |
And when morning becomes afternoon... | 0:25:31 | 0:25:34 | |
..then... | 0:25:36 | 0:25:37 | |
..I will become a free man. | 0:25:38 | 0:25:41 | |
BIRDS SQUAWK | 0:25:41 | 0:25:43 | |
How would you know that? | 0:25:43 | 0:25:44 | |
The ravens just told me. | 0:25:46 | 0:25:48 | |
BIRDS SQUAWK | 0:25:48 | 0:25:49 | |
Shit, shit, shit, shit! | 0:25:53 | 0:25:57 | |
So... | 0:26:08 | 0:26:09 | |
-This is the last one. -Yes, sir. -Mm. | 0:26:12 | 0:26:15 | |
I hear the case is altered. | 0:26:15 | 0:26:17 | |
Indeed, Your Majesty. We have to release Delaney. | 0:26:17 | 0:26:21 | |
MAN PLAYS MAKE-SHIFT STRING INSTRUMENT | 0:26:22 | 0:26:25 | |
# Put a feather in his hat... # | 0:26:35 | 0:26:39 | |
Psst! | 0:26:39 | 0:26:40 | |
BELL RINGS | 0:26:41 | 0:26:43 | |
Aye. | 0:26:47 | 0:26:48 | |
It WILL happen. | 0:26:48 | 0:26:50 | |
On you, Bill, yeah? | 0:26:57 | 0:26:59 | |
-GUNSHOT AND SCREAMS -Off my streets! | 0:27:04 | 0:27:07 | |
On you. | 0:27:08 | 0:27:10 | |
Brighton, Martinez, shut the street down, | 0:27:10 | 0:27:12 | |
we're expecting visitors! | 0:27:12 | 0:27:14 | |
Come on, shift it! | 0:27:14 | 0:27:15 | |
Everyone else, you heard the man, off the streets! | 0:27:15 | 0:27:18 | |
Quickly! | 0:27:18 | 0:27:19 | |
HE KNOCKS ON DOOR | 0:27:29 | 0:27:32 | |
Yes? | 0:27:32 | 0:27:33 | |
From Mr Delaney. | 0:27:35 | 0:27:36 | |
Uh... | 0:27:47 | 0:27:48 | |
HE GROANS QUIETLY | 0:27:51 | 0:27:53 | |
DOOR SLAMS | 0:27:59 | 0:28:01 | |
-ZILPHA: -'I'm planning to journey to heaven, James. | 0:28:21 | 0:28:26 | |
'I've realised the truth. | 0:28:26 | 0:28:27 | |
'My cage is my flesh, I can shed it. | 0:28:27 | 0:28:31 | |
'The River Thames will take me to God. | 0:28:31 | 0:28:34 | |
'Death is just the turning of a key in a lock. | 0:28:34 | 0:28:38 | |
'Whether God will accept me is another matter, | 0:28:39 | 0:28:42 | |
'perhaps my husband will have spoken of my betrayal. | 0:28:42 | 0:28:46 | |
'Or perhaps my feelings for you, unforgiveable feelings for you, | 0:28:46 | 0:28:51 | |
'will mean the Thames will take me to a different place. | 0:28:51 | 0:28:55 | |
'Whatever my destination, if you survive your recklessness, | 0:28:55 | 0:28:59 | |
'please, keep some part of my soul inside your own.' | 0:28:59 | 0:29:04 | |
James, James! | 0:29:18 | 0:29:20 | |
I have it, I have the safe passage. | 0:29:20 | 0:29:22 | |
It damn near killed me. | 0:29:22 | 0:29:23 | |
What are you doing? We should be leaving. | 0:29:26 | 0:29:29 | |
If she were dead, I would know it. | 0:29:53 | 0:29:54 | |
I would hear her... | 0:29:59 | 0:30:00 | |
..and I would feel it... | 0:30:02 | 0:30:03 | |
..as if there were a door open in this very house. | 0:30:05 | 0:30:09 | |
-Oh, James. -No. | 0:30:09 | 0:30:10 | |
No. | 0:30:11 | 0:30:12 | |
If she was in the river... | 0:30:17 | 0:30:19 | |
..she would sing to me. | 0:30:22 | 0:30:23 | |
And I would hear her. | 0:30:26 | 0:30:29 | |
Her words are very certain. | 0:30:29 | 0:30:30 | |
How did I not know? | 0:30:32 | 0:30:33 | |
Because the dead don't sing. | 0:30:34 | 0:30:36 | |
If they don't sing, then how do I hear them? | 0:30:48 | 0:30:52 | |
That is a question to be asked and answered in America. | 0:31:01 | 0:31:06 | |
Is it not? | 0:31:09 | 0:31:10 | |
Tide's rising. | 0:31:20 | 0:31:22 | |
You've lots of people waiting for you, | 0:31:24 | 0:31:26 | |
people who have given up everything for you, James. | 0:31:26 | 0:31:29 | |
The tide ebbs, she'll still be gone. | 0:31:34 | 0:31:36 | |
The tide won't bring her back. | 0:31:36 | 0:31:38 | |
You know, we could just sit here in these rotting chairs | 0:31:40 | 0:31:42 | |
in this shitty house | 0:31:42 | 0:31:44 | |
and die, like rats, like your father. | 0:31:44 | 0:31:46 | |
HE GROANS | 0:31:49 | 0:31:50 | |
We ought to go to Nootka. | 0:31:59 | 0:32:01 | |
If anything... | 0:32:05 | 0:32:07 | |
..it's a fine day to die at sea. | 0:32:08 | 0:32:11 | |
I have some unfinished business to take care of. I'll be back. | 0:32:31 | 0:32:35 | |
We'll board together. | 0:32:37 | 0:32:39 | |
Get over there! Get over there! | 0:32:45 | 0:32:46 | |
Come on! Yah! | 0:32:50 | 0:32:52 | |
Straight to the ship. Come on, boys, keep going. | 0:32:59 | 0:33:02 | |
Straight through. Yah! | 0:33:02 | 0:33:04 | |
Sir? Excuse me, sir? | 0:33:04 | 0:33:06 | |
-Sir! Sir, you can't just... -Let me through! | 0:33:10 | 0:33:13 | |
Let him in, let him in. | 0:33:13 | 0:33:15 | |
Mr Chichester, how goes your investigation? | 0:33:15 | 0:33:18 | |
THIS will not stand. | 0:33:18 | 0:33:21 | |
Oh, but it will! It always does. | 0:33:21 | 0:33:24 | |
Delaney would not make a deal with YOU. | 0:33:24 | 0:33:26 | |
The record will show that the EIC cooperated with your commission | 0:33:26 | 0:33:31 | |
into the sinking of the Influence, fully and without reservation. | 0:33:31 | 0:33:36 | |
-HE CHUCKLES -You're an idealist. | 0:33:38 | 0:33:41 | |
Delaney and I are realists. | 0:33:41 | 0:33:43 | |
But the difference between Delaney and me | 0:33:44 | 0:33:48 | |
is that I always make sure I have one last ace to play. | 0:33:48 | 0:33:53 | |
Good day, Mr Chichester. | 0:33:57 | 0:33:59 | |
I swear... | 0:34:01 | 0:34:03 | |
THIS...will not stand. | 0:34:03 | 0:34:06 | |
HE LAUGHS | 0:34:11 | 0:34:13 | |
Argh... | 0:34:18 | 0:34:19 | |
God! You look like you need laudanum. | 0:34:22 | 0:34:25 | |
I have an hour. I need to be on the water by high tide. | 0:34:30 | 0:34:34 | |
-You have a ship? -Hmm. | 0:34:34 | 0:34:36 | |
This laudanum is diluted somewhat with burdock, | 0:34:38 | 0:34:41 | |
so you can continue to function. | 0:34:41 | 0:34:42 | |
But I doubt you'd be able to steer a ship to America. | 0:34:42 | 0:34:46 | |
You have people with you? | 0:34:46 | 0:34:48 | |
Ah! | 0:34:50 | 0:34:51 | |
Mr Delaney, I'm sure that you're probably expecting me | 0:34:57 | 0:35:00 | |
to hand you your letter of safe passage. | 0:35:00 | 0:35:02 | |
But, I'm afraid, it isn't going to be that simple. | 0:35:03 | 0:35:06 | |
Nothing in this war between cousins is simple. | 0:35:07 | 0:35:10 | |
There's just a small hurdle that you have to leap over first. | 0:35:10 | 0:35:15 | |
Take a look. | 0:35:20 | 0:35:21 | |
It's a deed of transfer. | 0:35:26 | 0:35:27 | |
Hmm? | 0:35:29 | 0:35:30 | |
Transferring my title to Nootka Sound | 0:35:31 | 0:35:33 | |
to the East India Company? | 0:35:33 | 0:35:35 | |
And your friend, Stuart Strange. | 0:35:38 | 0:35:40 | |
Mm... | 0:35:43 | 0:35:44 | |
When I first met you, | 0:35:46 | 0:35:49 | |
you told me that a sheep can be meat, | 0:35:49 | 0:35:54 | |
but it can also be wool. | 0:35:54 | 0:35:56 | |
At first, the code eluded me. | 0:35:58 | 0:35:59 | |
But then I realised, it's not even a code, is it? | 0:35:59 | 0:36:02 | |
You're simply somebody's meat boy. | 0:36:02 | 0:36:04 | |
You present yourself as an agent of the free states of America, | 0:36:06 | 0:36:10 | |
like a good little sheep. | 0:36:10 | 0:36:12 | |
But long since, you've been dangled in front | 0:36:15 | 0:36:17 | |
of the King of England | 0:36:17 | 0:36:19 | |
by the East India Company. | 0:36:19 | 0:36:22 | |
Hmm? | 0:36:22 | 0:36:23 | |
Now you're scrabbling, desperate. | 0:36:23 | 0:36:26 | |
Pulling your wool over everybody's eyes. | 0:36:28 | 0:36:32 | |
Possibly even your own. | 0:36:35 | 0:36:36 | |
Does it even matter? | 0:36:45 | 0:36:46 | |
JAMES WINCES No. | 0:36:53 | 0:36:56 | |
JAMES GROANS | 0:36:56 | 0:36:58 | |
No-one in this city has only one master. | 0:37:04 | 0:37:08 | |
Pen. | 0:37:12 | 0:37:13 | |
I do. | 0:37:20 | 0:37:21 | |
JAMES GRUNTS | 0:37:24 | 0:37:27 | |
-ZILPHA: -'James, you came back. | 0:38:17 | 0:38:20 | |
'You told me you loved me.' | 0:38:22 | 0:38:24 | |
My sister. | 0:38:25 | 0:38:27 | |
'James. | 0:38:30 | 0:38:31 | |
'You shall see me again.' | 0:38:33 | 0:38:34 | |
DRIPPING | 0:38:51 | 0:38:54 | |
HE GRUNTS | 0:39:14 | 0:39:16 | |
-Yes, sir? -Both hands. Good boy. | 0:39:17 | 0:39:20 | |
Has he bothered to employ anyone who can actually sail that thing? | 0:39:31 | 0:39:34 | |
ROBERT GIGGLES | 0:39:34 | 0:39:36 | |
No sparks, no flames, no inflammatory comments. | 0:39:37 | 0:39:42 | |
I'm covered in explosives. | 0:39:42 | 0:39:44 | |
MEN ALL CHATTER | 0:39:45 | 0:39:48 | |
Oi! What you lookin' at? Get a move on. | 0:39:52 | 0:39:55 | |
Come on! Load her up! | 0:39:55 | 0:39:57 | |
Oi, get 'em. | 0:39:59 | 0:40:01 | |
Where is Delaney? | 0:40:01 | 0:40:03 | |
Busy. | 0:40:03 | 0:40:04 | |
She is now under the flag of the Honourable East India, | 0:40:05 | 0:40:08 | |
so you will have no hindrance. | 0:40:08 | 0:40:09 | |
Tell Mr Delaney he may have won this small battle, | 0:40:10 | 0:40:15 | |
but justice will be delivered to him by God. | 0:40:15 | 0:40:18 | |
Kind regards from Stuart Strange. | 0:40:18 | 0:40:21 | |
Get the body in the river, get the powder on the ship. | 0:40:25 | 0:40:29 | |
-Move! -Come on, shift your arse! Get it loaded now! | 0:40:29 | 0:40:32 | |
Oi! Get it loaded! | 0:40:34 | 0:40:36 | |
How is your religion these days, Coop? | 0:40:37 | 0:40:40 | |
My what? | 0:40:40 | 0:40:41 | |
Your religion, your faith. | 0:40:41 | 0:40:43 | |
After many years in your service, | 0:40:43 | 0:40:44 | |
it is in rags and tatters, Your Highness. | 0:40:44 | 0:40:47 | |
And have you spoken about all this with God? | 0:40:47 | 0:40:50 | |
Well, I discuss things... | 0:40:50 | 0:40:52 | |
..with my wife, in bed. | 0:40:54 | 0:40:56 | |
Oh. | 0:40:56 | 0:40:58 | |
I talk to God. | 0:40:58 | 0:41:00 | |
I spoke to Him just now. | 0:41:00 | 0:41:02 | |
And what did God say? | 0:41:02 | 0:41:04 | |
Conversations between monarchs and God are private, | 0:41:04 | 0:41:08 | |
but I will give you the gist of it. | 0:41:08 | 0:41:10 | |
Due to this monumental balls-up, | 0:41:10 | 0:41:14 | |
everyone must hang. | 0:41:14 | 0:41:16 | |
East India, Americans, Irish, French, | 0:41:16 | 0:41:21 | |
dogs, cats, rabbits. Why not? | 0:41:21 | 0:41:23 | |
-Your Highness... -Priests, clerks, fitters... -..there is little doubt | 0:41:23 | 0:41:26 | |
in my mind that senior directors at the East India | 0:41:26 | 0:41:28 | |
-have done a deal with Delaney. -..chimpan-fucking-zees. | 0:41:28 | 0:41:31 | |
Just fucking kill him! | 0:41:31 | 0:41:32 | |
If he dies, then Nootka goes to the Americans, as per his will. | 0:41:32 | 0:41:35 | |
Fuck Nootka! | 0:41:35 | 0:41:37 | |
Fuck wills! | 0:41:37 | 0:41:38 | |
Fuck treaties! | 0:41:38 | 0:41:40 | |
I'm the head of fucking state! | 0:41:40 | 0:41:42 | |
And by the command of His Majesty... | 0:41:43 | 0:41:45 | |
..kill him. | 0:41:47 | 0:41:49 | |
Mary, Mary, out of the way! | 0:41:55 | 0:41:56 | |
Where are you keeping everyone? | 0:41:59 | 0:42:01 | |
In there. | 0:42:04 | 0:42:05 | |
Right. | 0:42:07 | 0:42:08 | |
You good? | 0:42:17 | 0:42:18 | |
15 minutes until high tide. | 0:42:18 | 0:42:20 | |
So, charges? | 0:42:38 | 0:42:39 | |
Yeah, yeah, the chemist. | 0:42:39 | 0:42:40 | |
He's a nightmare. | 0:42:40 | 0:42:42 | |
Cole will kill him with his own cock if he's not shot today. | 0:42:42 | 0:42:45 | |
-Can't kill him. -Why? | 0:42:45 | 0:42:46 | |
We need him. | 0:42:46 | 0:42:47 | |
He's a doctor. | 0:42:47 | 0:42:49 | |
Is the powder on the ship? | 0:42:50 | 0:42:52 | |
55 kegs onboard, 15 on the dock and two in the water. | 0:42:52 | 0:42:56 | |
Right. Well, when we are 60 and ten, | 0:42:56 | 0:42:59 | |
I need you to take the pilgrims and put them on the ship | 0:42:59 | 0:43:01 | |
before the ebb. | 0:43:01 | 0:43:03 | |
Where are you going? | 0:43:03 | 0:43:04 | |
To explain the plans. | 0:43:05 | 0:43:06 | |
I don't want you to tell them the plans. | 0:43:06 | 0:43:08 | |
Besides, you're not coming. | 0:43:08 | 0:43:09 | |
What? | 0:43:11 | 0:43:12 | |
Brace, you have always been my father's man, in my father's world. | 0:43:12 | 0:43:17 | |
We're headed to my mother's now. | 0:43:17 | 0:43:19 | |
James, tell me this, too, is mercy. | 0:43:20 | 0:43:24 | |
I'm an old man, I would never survive. | 0:43:24 | 0:43:26 | |
Tell me that's the reason. | 0:43:29 | 0:43:31 | |
Brace, you were not born for freedom. | 0:43:35 | 0:43:38 | |
You wouldn't know what to do with it. | 0:43:40 | 0:43:42 | |
It would torture you. | 0:43:44 | 0:43:45 | |
Now, go home. | 0:43:46 | 0:43:48 | |
Everything belongs to you now. | 0:43:48 | 0:43:50 | |
The soldiers are here! | 0:43:53 | 0:43:55 | |
Atticus! Bill! | 0:43:55 | 0:43:57 | |
Right, Robert, get down there, tell them to hurry up with that cargo. | 0:43:57 | 0:43:59 | |
Quick! | 0:43:59 | 0:44:01 | |
Keep moving, all of you. Fast! | 0:44:01 | 0:44:03 | |
All right, you lot, you heard him - move! | 0:44:03 | 0:44:06 | |
The soldiers are coming. Hurry up! | 0:44:06 | 0:44:08 | |
Come on, chop chop, let's go! | 0:44:08 | 0:44:09 | |
Easy... | 0:44:23 | 0:44:24 | |
Halt. | 0:44:26 | 0:44:27 | |
HE QUIVERS | 0:44:57 | 0:44:59 | |
SCREAMING | 0:45:05 | 0:45:06 | |
SHE GASPS | 0:45:06 | 0:45:08 | |
RINGING | 0:45:15 | 0:45:17 | |
GROANING AND COUGHING | 0:45:19 | 0:45:22 | |
MEN YELL AND GROAN | 0:45:30 | 0:45:32 | |
-SOLDIER: -Aah! | 0:45:39 | 0:45:40 | |
-SOLDIER: -Men, regroup! | 0:45:48 | 0:45:49 | |
TICKING | 0:46:02 | 0:46:05 | |
Tide's about to turn, James. | 0:46:15 | 0:46:16 | |
Go and get them, put them on the ship now. Move it. | 0:46:16 | 0:46:19 | |
SOLDIERS SCREAM | 0:46:19 | 0:46:21 | |
Not yet! | 0:46:24 | 0:46:25 | |
Everybody out! Come on! Move! | 0:46:38 | 0:46:41 | |
SOLDIERS YELL | 0:46:43 | 0:46:45 | |
HE GROANS | 0:46:59 | 0:47:01 | |
Come on, now. Move, move! | 0:47:03 | 0:47:05 | |
Get on there, quick. Come on. | 0:47:07 | 0:47:08 | |
-Wait. -Leave it! Leave it! | 0:47:10 | 0:47:11 | |
Helga! | 0:47:13 | 0:47:14 | |
Get in! Go. Go! | 0:47:14 | 0:47:16 | |
-SOLDIER: -Aah! | 0:47:18 | 0:47:19 | |
Aah! | 0:47:28 | 0:47:29 | |
Aah! | 0:47:36 | 0:47:38 | |
-Come here, come here. -LORNA PANTS | 0:47:39 | 0:47:42 | |
Argh! | 0:47:56 | 0:47:58 | |
HE YELLS | 0:47:58 | 0:48:00 | |
HE SCREAMS | 0:48:00 | 0:48:01 | |
BOTH GROAN | 0:48:08 | 0:48:09 | |
Bill! Bill! | 0:48:13 | 0:48:15 | |
Fuck! | 0:48:25 | 0:48:26 | |
Fuck! | 0:48:26 | 0:48:27 | |
(How many?) | 0:48:44 | 0:48:45 | |
Aah! | 0:48:54 | 0:48:55 | |
Bill! | 0:48:59 | 0:49:00 | |
SOLDIERS YELL | 0:49:04 | 0:49:07 | |
Aah! | 0:49:12 | 0:49:13 | |
After them! | 0:49:16 | 0:49:18 | |
THEY GROAN | 0:49:25 | 0:49:26 | |
CLOCK CHIMES | 0:49:48 | 0:49:50 | |
Fuck. | 0:50:00 | 0:50:01 | |
Sir. > | 0:50:04 | 0:50:06 | |
Aha, my final ace. | 0:50:10 | 0:50:12 | |
Still no word from Wilton or Pettifer, sir. | 0:50:14 | 0:50:16 | |
Ah. Perhaps they left early for the weekend. | 0:50:16 | 0:50:19 | |
As will I, I think. | 0:50:19 | 0:50:21 | |
How did this get here? | 0:50:22 | 0:50:24 | |
Some errand boy delivered it, sir, from a Dr Dumbarton. | 0:50:24 | 0:50:27 | |
Said you'd be expecting it? | 0:50:27 | 0:50:29 | |
Tea, I think. | 0:50:29 | 0:50:31 | |
Tea, sir? | 0:50:31 | 0:50:33 | |
Yes. | 0:50:33 | 0:50:35 | |
All the tea in China, | 0:50:35 | 0:50:37 | |
and a strip of land at the arse of a pig. | 0:50:37 | 0:50:40 | |
And an end to this business, at last. | 0:50:44 | 0:50:46 | |
-Hello? -DOOR SLAMS | 0:51:05 | 0:51:07 | |
Forgive me, the door was open. | 0:51:23 | 0:51:26 | |
I just received a note. | 0:51:28 | 0:51:30 | |
Mr Delaney said he had left his account | 0:51:36 | 0:51:38 | |
of the sinking of the Cornwallis | 0:51:38 | 0:51:40 | |
and the account of the East India clerk, Godfrey. | 0:51:40 | 0:51:44 | |
It said I would find it in his room. | 0:51:46 | 0:51:48 | |
Which one is his room? | 0:51:52 | 0:51:53 | |
His room is the attic. | 0:51:55 | 0:51:57 | |
The one looking out to the river. | 0:52:00 | 0:52:02 | |
-Hey. -HE CHUCKLES | 0:52:20 | 0:52:23 | |
HE EXHALES | 0:53:00 | 0:53:02 | |
Justice. | 0:53:08 | 0:53:09 | |
Maria? | 0:54:22 | 0:54:23 | |
Yes. | 0:54:27 | 0:54:28 | |
You always had such beautiful fingers. | 0:54:28 | 0:54:33 | |
Maria? | 0:54:33 | 0:54:35 | |
Yes? | 0:54:35 | 0:54:36 | |
I'm sorry for what I did to you. | 0:54:39 | 0:54:40 | |
I'm sorry. | 0:54:43 | 0:54:45 | |
You are forgiven. | 0:54:45 | 0:54:47 | |
(Thank you.) | 0:54:50 | 0:54:51 | |
-Take the helm. -Aye aye. | 0:54:55 | 0:54:57 | |
She's a good old girl. | 0:55:09 | 0:55:10 | |
Hmm. | 0:55:11 | 0:55:12 | |
America, then? | 0:55:12 | 0:55:14 | |
No. | 0:55:16 | 0:55:17 | |
Ponta Delgada in the Azores. | 0:55:18 | 0:55:20 | |
I need to see a man called Collonade. | 0:55:22 | 0:55:24 | |
I thought the gunpowder was for the Americans. | 0:55:26 | 0:55:29 | |
We ARE Americans. | 0:55:29 | 0:55:31 | |
Mm... | 0:55:34 | 0:55:36 |