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This programme contains some strong language | 0:00:02 | 0:00:04 | |
Extradition orders from the US Department of Justice. | 0:00:04 | 0:00:06 | |
We've got a problem. If you help us fix it, | 0:00:06 | 0:00:07 | |
-it would go a long way to argue the case for keeping you here. -What kind of problem? -Jan Roth. | 0:00:07 | 0:00:12 | |
Roth is the brains behind this website on the darknet. | 0:00:12 | 0:00:15 | |
There were images of Callum, | 0:00:15 | 0:00:18 | |
and an offer to spend time with him for a fee of 15,000. | 0:00:18 | 0:00:21 | |
-I want to go home! -You can't go home. | 0:00:21 | 0:00:25 | |
I can get us out of it, Ned. Might even be able to save the boy. | 0:00:25 | 0:00:28 | |
I just need to try and get Roth's attention. | 0:00:28 | 0:00:31 | |
And, if he bites, we'll send him the keys | 0:00:31 | 0:00:33 | |
with the Trojan going along for the ride. | 0:00:33 | 0:00:36 | |
Which will give us a back door into his system and the chance | 0:00:36 | 0:00:38 | |
to find the IP address of the man who's trying to buy Callum. | 0:00:38 | 0:00:41 | |
Just in from intelligence - they got the guy responsible for the attack. | 0:00:45 | 0:00:49 | |
-It's Marcus. -This is bullshit. | 0:00:51 | 0:00:53 | |
They killed him and they dumped his body back there | 0:00:53 | 0:00:55 | |
so we could take the blame. | 0:00:55 | 0:00:57 | |
Lara, we've got a problem. | 0:00:58 | 0:01:00 | |
I'm more interested in you, Jesse. | 0:01:01 | 0:01:03 | |
Your insights into a particular technical problem that I have. | 0:01:03 | 0:01:06 | |
Hey, where are we going? | 0:01:06 | 0:01:08 | |
-What time's your game tomorrow? -You're doing the afternoon. | 0:02:31 | 0:02:34 | |
Oi! Thank you very much. | 0:02:34 | 0:02:37 | |
Are you trying to paint your face with your food or something? | 0:02:37 | 0:02:39 | |
Help me! Help me! | 0:03:22 | 0:03:24 | |
What are you doing? Help me! | 0:03:26 | 0:03:27 | |
Help me! | 0:03:30 | 0:03:32 | |
Jesse didn't exactly stick to the plan. | 0:03:37 | 0:03:39 | |
Which is exactly what I said would happen, didn't I? | 0:03:39 | 0:03:42 | |
So what happens to the idea of him getting us into Roth's computer? | 0:03:42 | 0:03:46 | |
Well, it still might happen. | 0:03:46 | 0:03:47 | |
As long as he's with Roth, there is still a chance. | 0:03:47 | 0:03:49 | |
Do you really think? | 0:03:49 | 0:03:51 | |
He's a nice boy, but he can't tie his shoelaces | 0:03:51 | 0:03:54 | |
without a team of helpers and a ten point plan. | 0:03:54 | 0:03:56 | |
I want to go public. | 0:03:58 | 0:04:00 | |
Look, at this critical stage, | 0:04:02 | 0:04:03 | |
we don't think that that's the way to go. | 0:04:03 | 0:04:05 | |
You keep saying that, you don't say why! | 0:04:05 | 0:04:07 | |
Detective Daniels isn't actually at liberty to say why. | 0:04:09 | 0:04:12 | |
There are some quite significant security implications | 0:04:12 | 0:04:14 | |
in the mix - national security implications - | 0:04:14 | 0:04:17 | |
that he hasn't been briefed on. | 0:04:17 | 0:04:19 | |
I can't even begin to imagine the horror you're going through, | 0:04:21 | 0:04:25 | |
but I need to tell you that we are dealing with a very smart | 0:04:25 | 0:04:29 | |
and dangerous man, and, if we tip our hand early, | 0:04:29 | 0:04:31 | |
let Roth know we're looking for him, he'll be gone. | 0:04:31 | 0:04:35 | |
We'll find Callum, with or without Jesse's help. | 0:04:35 | 0:04:38 | |
I need you to be strong - let us do our job. | 0:04:38 | 0:04:40 | |
Can you give us a second? Lara? | 0:04:41 | 0:04:44 | |
"We will find Callum"? You can't do that. | 0:04:51 | 0:04:53 | |
Really? | 0:04:53 | 0:04:56 | |
I know without a shadow of a doubt that, if we go to the media now, | 0:04:56 | 0:04:59 | |
the chances of finding Roth go through the floor. | 0:04:59 | 0:05:02 | |
So I make a promise I might not be able to keep to improve the odds | 0:05:02 | 0:05:05 | |
of actually finding that boy alive. I can live with that. | 0:05:05 | 0:05:09 | |
What national security implications? | 0:05:09 | 0:05:11 | |
You know the drill, Nolan. | 0:05:12 | 0:05:14 | |
If you were meant to know, I'd have told you. | 0:05:14 | 0:05:17 | |
Wait here. | 0:05:50 | 0:05:52 | |
ROTH WHISTLES | 0:05:57 | 0:05:59 | |
Seasick or panic? | 0:06:07 | 0:06:09 | |
I don't know, they feel kind of the same. | 0:06:09 | 0:06:12 | |
This is bad, Hani. | 0:06:12 | 0:06:13 | |
Unless you want to get all literal for a minute, in which case, | 0:06:14 | 0:06:17 | |
nothing actually bad has happened yet. | 0:06:17 | 0:06:19 | |
We're in the middle of God knows where in the company of a man | 0:06:19 | 0:06:22 | |
who thinks selling small boys on the internet is OK, | 0:06:22 | 0:06:25 | |
and whose last travel companions finished up being shot to death | 0:06:25 | 0:06:28 | |
on a road that looked horribly just like this one. | 0:06:28 | 0:06:31 | |
That doesn't seem actually bad to you? | 0:06:33 | 0:06:35 | |
And there's the fact that we no longer have a plan. | 0:06:36 | 0:06:39 | |
Which is why we move on to Plan B. | 0:06:39 | 0:06:41 | |
Come on, kids, let's go. | 0:06:41 | 0:06:43 | |
We go to his place, you solve his technical problem, | 0:06:48 | 0:06:51 | |
and, while you're at it, we find a way to copy his entire hard drive. | 0:06:51 | 0:06:54 | |
Instead of them getting into his system with the Trojan, | 0:06:54 | 0:06:56 | |
we just give them a copy of the lot? | 0:06:56 | 0:06:58 | |
You can do this, Jesse. | 0:06:58 | 0:06:59 | |
You can still save Callum. | 0:06:59 | 0:07:01 | |
In you get. On the floor. | 0:07:01 | 0:07:03 | |
-Why? -Not that I think you would turn me in intentionally, | 0:07:03 | 0:07:06 | |
but, once you're back in the loving arms of the intelligence community, | 0:07:06 | 0:07:10 | |
shit happens. | 0:07:10 | 0:07:11 | |
I just want to clarify our arrangement. | 0:07:12 | 0:07:16 | |
I take a look at your problem, you pay the 25,000, | 0:07:16 | 0:07:19 | |
and then you're taking us back, right? | 0:07:19 | 0:07:21 | |
-Mm. -That's what's happening? | 0:07:21 | 0:07:22 | |
Well, as much as I enjoy your charming company, | 0:07:22 | 0:07:24 | |
I'm not looking for a long-term relationship. | 0:07:24 | 0:07:28 | |
In you go. | 0:07:28 | 0:07:29 | |
Down there. | 0:08:25 | 0:08:26 | |
Who the hell are they? | 0:08:55 | 0:08:58 | |
-You're overreacting. -You don't know the first thing about them. | 0:08:58 | 0:09:01 | |
Oh, sorry, except that they are working with the police department | 0:09:01 | 0:09:03 | |
-to try and catch you. -They were bait, Kiki, nothing more. | 0:09:03 | 0:09:07 | |
I took them out right from under the cops' noses. | 0:09:07 | 0:09:10 | |
They're going to help me get the job done, | 0:09:10 | 0:09:11 | |
-and then I'm going to bring them back. -Oh, and, five minutes later, | 0:09:11 | 0:09:14 | |
the troops arrive, and then you're locked up for the rest of your life. | 0:09:14 | 0:09:17 | |
Yeah, it's a risk. But Jesse is worth the risk. | 0:09:17 | 0:09:19 | |
He's smarter than Eric and Christo put together. | 0:09:19 | 0:09:21 | |
Which one of you is Jesse? | 0:09:21 | 0:09:22 | |
Kind of a girl's name, isn't it? | 0:09:24 | 0:09:26 | |
-Jesse James was a boy. -Who's that? -He was an outlaw. | 0:09:27 | 0:09:32 | |
Are you an outlaw too? | 0:09:32 | 0:09:34 | |
-Um... -No. | 0:09:36 | 0:09:37 | |
He's a good guy. | 0:09:38 | 0:09:40 | |
I don't want to argue about this any more. We're so close, OK? | 0:09:42 | 0:09:45 | |
It's my work. I need to get it back, and I can't do it alone. | 0:09:45 | 0:09:49 | |
Jesse, Hani, my wife Kiki, | 0:09:54 | 0:09:59 | |
who is sometimes, but not always, a little more hospitable. | 0:09:59 | 0:10:03 | |
-Hello. -Hi. | 0:10:03 | 0:10:05 | |
Excellent. Now that that's out of the way, let's get to work. | 0:10:09 | 0:10:12 | |
Right. | 0:10:56 | 0:10:58 | |
We haven't been able to crack it. | 0:11:12 | 0:11:14 | |
Open it. | 0:11:14 | 0:11:16 | |
First impressions? | 0:11:21 | 0:11:23 | |
First impression is that, even if I can decrypt the file, | 0:11:23 | 0:11:27 | |
you don't have the authorisation to launch the programme. | 0:11:27 | 0:11:29 | |
Indeed. You can see where my problem is. | 0:11:29 | 0:11:32 | |
He opens it, what sort of trouble is he getting himself into? | 0:11:34 | 0:11:37 | |
Because the strength of that encryption suggests that | 0:11:37 | 0:11:39 | |
whoever you stole it from is pretty invested in keeping it unopened. | 0:11:39 | 0:11:41 | |
I think "stole" is the wrong word. | 0:11:41 | 0:11:43 | |
Really? Because the fact that you don't have the decryption key | 0:11:43 | 0:11:46 | |
is a pretty big clue that it doesn't belong to you. | 0:11:46 | 0:11:48 | |
I don't think these insights from the peanut gallery are helping, | 0:11:48 | 0:11:50 | |
so why don't you take a fucking walk? | 0:11:50 | 0:11:52 | |
You don't get to talk to her like that. | 0:11:52 | 0:11:54 | |
I also work better without an audience. | 0:12:04 | 0:12:07 | |
The sooner you get this job done, | 0:12:14 | 0:12:17 | |
the sooner you two get to go back to your little lives together. | 0:12:17 | 0:12:21 | |
So unless you've got something positive to say... | 0:12:21 | 0:12:24 | |
MACHINES BEEP | 0:12:29 | 0:12:32 | |
I'll be right back. | 0:12:38 | 0:12:39 | |
I've just been with Marcus' kids. | 0:12:59 | 0:13:01 | |
How are they doing? | 0:13:01 | 0:13:02 | |
-KIKI SPEAKS OWN LANGUAGE -It's nothing. | 0:13:04 | 0:13:07 | |
'Give me your phone, Remsey. | 0:13:09 | 0:13:10 | |
'More threatening texts today. | 0:13:16 | 0:13:18 | |
'"Tell your wife to get your coffin ready, then she's next." | 0:13:18 | 0:13:21 | |
And you still don't want to fight back? | 0:13:21 | 0:13:23 | |
Scare tactics, which only work if they scare me. | 0:13:24 | 0:13:28 | |
Well, you should be. | 0:13:28 | 0:13:30 | |
You can't lead the movement from the grave. | 0:13:30 | 0:13:32 | |
You get started on that, | 0:13:38 | 0:13:40 | |
I'm going to go and find something we can copy his hard drive onto. | 0:13:40 | 0:13:43 | |
TV BLARES IN NEXT ROOM | 0:14:21 | 0:14:24 | |
Hey, Rambo, can you turn it down? | 0:14:24 | 0:14:26 | |
I think that's the medieval one, not the modern war. | 0:14:28 | 0:14:32 | |
-Right! -Dad! | 0:14:39 | 0:14:42 | |
A violent and chilling end for two young Australian surfers | 0:14:59 | 0:15:02 | |
caught in the crossfire, as tensions boil over | 0:15:02 | 0:15:05 | |
in the troubled Indonesian province of West Papua. | 0:15:05 | 0:15:08 | |
While the names of the young men have not been released, | 0:15:08 | 0:15:11 | |
new details are beginning to emerge which suggest the attack | 0:15:11 | 0:15:14 | |
could be linked to the pro-independence movement. | 0:15:14 | 0:15:17 | |
The attack is the latest in a series of incidents | 0:15:17 | 0:15:20 | |
on the road outside the Australian-owned Helmston Mine. | 0:15:20 | 0:15:24 | |
The mine has become a flashpoint in one of the region's most violent | 0:15:24 | 0:15:27 | |
and least talked about conflicts. | 0:15:27 | 0:15:30 | |
Fiona Walsh is on the line from the capital. | 0:15:30 | 0:15:33 | |
Fiona, what can you tell us about today's developments? | 0:15:33 | 0:15:36 | |
Paul, what I can tell you is that | 0:15:36 | 0:15:38 | |
the local police are taking things very seriously. | 0:15:38 | 0:15:41 | |
Interview tomorrow, right? | 0:15:41 | 0:15:43 | |
'A dedicated task force is on its way to the province... | 0:15:43 | 0:15:45 | |
You're not eating? | 0:15:45 | 0:15:46 | |
Oh, there's a security meeting I just can't get out of. | 0:15:46 | 0:15:50 | |
-Thought we'd hang out a bit later? -I'm not hungry. | 0:15:50 | 0:15:53 | |
SHE SIGHS | 0:15:53 | 0:15:55 | |
Marcus Kombian. Local law enforcement confirms he was shot | 0:15:59 | 0:16:03 | |
-and killed during the attack. -The Australians fired back? | 0:16:03 | 0:16:07 | |
Handgun was recovered from the vehicle. | 0:16:07 | 0:16:09 | |
We're waiting on ballistic reports. | 0:16:09 | 0:16:11 | |
-Do we know how many were involved? -Locals say three or four. | 0:16:11 | 0:16:14 | |
But everything points to Kombian being the leader. | 0:16:14 | 0:16:17 | |
He was a loud voice against the mine, and was a close associate | 0:16:17 | 0:16:20 | |
of one of the current leaders of the separatist movement, Remsey Gangi. | 0:16:20 | 0:16:24 | |
Remsey Gangi was there at the attack? | 0:16:24 | 0:16:26 | |
Unconfirmed. We need those lease negotiations finalised - | 0:16:26 | 0:16:29 | |
any sense of when that might be? | 0:16:29 | 0:16:31 | |
You'll have new draft amendments on your table by the end of the day. | 0:16:31 | 0:16:35 | |
It's scheduled for a public signing | 0:16:35 | 0:16:36 | |
as a centrepiece to the forum next Monday. | 0:16:36 | 0:16:39 | |
Sooner would take the heat out of the situation. | 0:16:39 | 0:16:42 | |
I'm sure it would, Neil. But they want to double the size of the mine. | 0:16:42 | 0:16:46 | |
There's a quid pro quo. | 0:16:46 | 0:16:48 | |
Terms of trade concessions, a revamp of the aid budget. | 0:16:48 | 0:16:51 | |
Look, expanding the mine's in everyone's interest, | 0:16:51 | 0:16:53 | |
but I'd prefer it if we're not left carrying the financial can | 0:16:53 | 0:16:55 | |
for the next decade or more. | 0:16:55 | 0:16:57 | |
Any good news on Roth? | 0:16:57 | 0:16:58 | |
No, he's keeping his head well and truly down. | 0:16:58 | 0:17:01 | |
I'm assuming you read last night's briefing? | 0:17:01 | 0:17:04 | |
I read it. And I've got a bunch of questions. | 0:17:04 | 0:17:07 | |
And most of them start with, "who the fuck was the genius in charge of | 0:17:07 | 0:17:10 | |
"handing Jesse Banks over to Roth on a silver platter?" | 0:17:10 | 0:17:13 | |
Simpleton, really? That was completely uncalled for. | 0:17:15 | 0:17:18 | |
Hello, the Honourable Minister for Foreign Affairs and Trade. | 0:17:20 | 0:17:24 | |
God, it sounds completely ridiculous, doesn't it? | 0:17:24 | 0:17:26 | |
Fits you like a glove. | 0:17:26 | 0:17:27 | |
Hey, can you walk with me? I've got a presser. | 0:17:27 | 0:17:31 | |
I mean it, though. So deserved. | 0:17:31 | 0:17:33 | |
It's a big step up. | 0:17:33 | 0:17:36 | |
-How's Alyse? -She's good. | 0:17:36 | 0:17:38 | |
-All things considered. -She still in pain? | 0:17:38 | 0:17:40 | |
Mm-hm. Think there's always going to be a lot of pain, you know? | 0:17:40 | 0:17:44 | |
On good days, she's full of yoga and meditation, bad days, | 0:17:44 | 0:17:46 | |
more prescription meds than I'd like. | 0:17:46 | 0:17:48 | |
She's applied for this design degree, though. | 0:17:48 | 0:17:51 | |
I think this is going to really turn things around for her, | 0:17:51 | 0:17:53 | |
give her something positive to focus on. | 0:17:53 | 0:17:55 | |
Nothing like hitting the ground running, eh? | 0:17:57 | 0:17:58 | |
Yeah, this is a shit fight we could all do without. | 0:17:58 | 0:18:01 | |
But it will get sorted, | 0:18:01 | 0:18:03 | |
provided we all stay calm and hold off hitting the panic button. | 0:18:03 | 0:18:07 | |
It would be good to keep the message as contained as possible, | 0:18:07 | 0:18:09 | |
though, just keep Roth's past in the vault for now. | 0:18:09 | 0:18:13 | |
Watch out, Will, she's gunning for your job. | 0:18:13 | 0:18:16 | |
I did my time, just asking for a little tweak on message, | 0:18:16 | 0:18:18 | |
make my life easier, that's all. | 0:18:18 | 0:18:20 | |
-Nice to see you. -You too. | 0:18:20 | 0:18:22 | |
As I said, we've had investigative teams from Australia and West Papua | 0:18:28 | 0:18:33 | |
investigating this event. | 0:18:33 | 0:18:34 | |
We're in the process of repatriating the bodies of the young men. | 0:18:34 | 0:18:38 | |
PHONE VIBRATES Obviously our thoughts and prayers | 0:18:38 | 0:18:42 | |
go out to their families at this very difficult time. | 0:18:42 | 0:18:45 | |
What I can also tell you is that the bilateral investigative team have | 0:18:45 | 0:18:50 | |
found the body of a man we believe to be responsible for the attack. | 0:18:50 | 0:18:53 | |
Hey. | 0:19:13 | 0:19:15 | |
Just got off the phone from Paul. | 0:19:16 | 0:19:18 | |
Thinks you're holding out for more money. | 0:19:19 | 0:19:22 | |
If you don't come round soon, he's going to offer the job to Mark. | 0:19:22 | 0:19:24 | |
He should do that. Mark's perfect for it. | 0:19:24 | 0:19:26 | |
He's capable, but everyone knows you're five times the runner. | 0:19:26 | 0:19:29 | |
The two Australians killed in West Papua - | 0:19:29 | 0:19:32 | |
why aren't their names being released? | 0:19:32 | 0:19:34 | |
The only reason to withhold names | 0:19:34 | 0:19:36 | |
is if the families haven't been informed. | 0:19:36 | 0:19:38 | |
They're repatriating the bodies - the families obviously know. | 0:19:38 | 0:19:41 | |
Tell me what's going on, and I'll see what I can find out. | 0:19:41 | 0:19:43 | |
-I can't talk about it. -Can't or won't? | 0:19:43 | 0:19:46 | |
-Shit, Erin, does it matter? -Matters to me. | 0:19:46 | 0:19:48 | |
Can't, OK? | 0:19:48 | 0:19:50 | |
Joey. Yeah, hey, need a favour. Erm... | 0:19:54 | 0:19:58 | |
The names of the two Australians killed in the attack | 0:19:58 | 0:20:01 | |
on the mine road in West Papua. | 0:20:01 | 0:20:02 | |
OK. Yeah, talk later. | 0:20:06 | 0:20:09 | |
-I'll put it on your bill. -Yeah. | 0:20:15 | 0:20:17 | |
Come over later, five-ish? | 0:20:19 | 0:20:21 | |
Yeah. Oh, I can't, I've got the reading of the will. | 0:20:21 | 0:20:24 | |
Whose will? | 0:20:24 | 0:20:27 | |
My mum's. | 0:20:27 | 0:20:28 | |
Your mum died? | 0:20:30 | 0:20:31 | |
-When? -Last week. | 0:20:33 | 0:20:35 | |
It was a heart attack. | 0:20:37 | 0:20:40 | |
Hey, is there something I can do? | 0:20:42 | 0:20:45 | |
When's the funeral? | 0:20:45 | 0:20:47 | |
It was Saturday. | 0:20:48 | 0:20:49 | |
-I can call you when I'm done. -Yeah, sure, whatever. | 0:20:58 | 0:21:01 | |
What the fuck are you doing, mate? | 0:22:25 | 0:22:27 | |
Can you tell Geoff I'm not going to make the blast shoot this afternoon? | 0:22:46 | 0:22:50 | |
I feel sick. I'm going to go back to the hotel and crash. | 0:22:50 | 0:22:53 | |
Yeah, no worries. | 0:22:53 | 0:22:55 | |
PHONE RINGING | 0:22:55 | 0:22:58 | |
-Hello? -Yeah, sorry. | 0:23:04 | 0:23:06 | |
My earlier messages might not have made any sense. | 0:23:06 | 0:23:09 | |
-You're a journalist, right? -Yes, but this isn't for a story. | 0:23:09 | 0:23:11 | |
I'm actually looking for my brother. I think he's with someone | 0:23:11 | 0:23:14 | |
who was involved in the attack on the mine road. | 0:23:14 | 0:23:16 | |
Yeah? Who do you think that is? | 0:23:16 | 0:23:19 | |
The guy's name's Roth. | 0:23:19 | 0:23:20 | |
Jan Roth. Do you know him? | 0:23:20 | 0:23:22 | |
Maybe, but I don't know you from Adam. | 0:23:23 | 0:23:26 | |
Listen, if I could hassle somebody else, I would, | 0:23:26 | 0:23:29 | |
but you're the only name I've got. | 0:23:29 | 0:23:30 | |
And I'm sorry if this inconveniences you in your duties | 0:23:30 | 0:23:33 | |
singing the praises of the mining lobby, but I'm desperate, OK? | 0:23:33 | 0:23:37 | |
Do you have any idea what it takes to get permission to be here? | 0:23:38 | 0:23:42 | |
I needed to pitch a story that could offend nobody. | 0:23:42 | 0:23:45 | |
And then I had to get signatures from 18 departments. | 0:23:45 | 0:23:48 | |
-18. -I'm not... I'm really not... | 0:23:48 | 0:23:50 | |
Then I had to submit a list of people I'm going to talk to, | 0:23:50 | 0:23:52 | |
and pictures I'm going to take, | 0:23:52 | 0:23:53 | |
and these all need to be confirmed on company letterhead. | 0:23:53 | 0:23:58 | |
-All... All... -I am here singing the praises of the mine. | 0:23:58 | 0:24:01 | |
Lots of people are watching, making sure that I'm doing that. | 0:24:01 | 0:24:03 | |
My job is to make sure that they don't see what else I'm doing, | 0:24:03 | 0:24:06 | |
and, if you fuck that up, I will be very unhappy. | 0:24:06 | 0:24:10 | |
Don't know who your brother is, mate, or where he is, OK? | 0:24:11 | 0:24:13 | |
-I... I... -Don't contact me at the mine again, | 0:24:13 | 0:24:16 | |
and don't use my maiden name. | 0:24:16 | 0:24:18 | |
-Help me! -Where are you? | 0:24:57 | 0:25:00 | |
I'm in a flat. It's locked. | 0:25:00 | 0:25:03 | |
No can do, man. I'm already back at base. I'm on the eastern flank, | 0:25:03 | 0:25:07 | |
and there's a line of tanks coming my way. | 0:25:07 | 0:25:09 | |
I'm serious! | 0:25:09 | 0:25:11 | |
I'm being serious! | 0:25:11 | 0:25:12 | |
No! | 0:25:24 | 0:25:27 | |
No! | 0:25:29 | 0:25:30 | |
Ah, fuck you! | 0:25:36 | 0:25:39 | |
-Hey... -Get off me! | 0:25:42 | 0:25:44 | |
Sorry. | 0:25:44 | 0:25:46 | |
I'M sorry. I'M sorry. | 0:25:46 | 0:25:48 | |
I'm sorry we're here. I'm sorry I said I could do this. | 0:25:50 | 0:25:53 | |
I'm sorry that Callum's... | 0:25:53 | 0:25:55 | |
Are you done? | 0:25:57 | 0:26:00 | |
Tanty over, or is there more? | 0:26:00 | 0:26:02 | |
I'm most sorry that I dragged you into this. | 0:26:06 | 0:26:09 | |
Can you please take your jacket off? | 0:26:10 | 0:26:12 | |
It's making me hot just looking at you. | 0:26:12 | 0:26:14 | |
-I don't smell very good. -Me too. | 0:26:21 | 0:26:24 | |
Lucky we like each other so much. | 0:26:27 | 0:26:29 | |
BEEPING | 0:26:33 | 0:26:36 | |
Power surge. | 0:26:42 | 0:26:43 | |
Yeah, that UPS is not going to hold up for long. | 0:26:45 | 0:26:48 | |
I'm going to get some supplies. | 0:26:48 | 0:26:50 | |
Right, I'm just going to grab the generator out of here. | 0:26:54 | 0:26:58 | |
There's a couple of motherboards in there. You should grab them, | 0:27:01 | 0:27:04 | |
-just in case the surge burnt them out back at home. -Mm. | 0:27:04 | 0:27:07 | |
Hey! Ken! | 0:27:09 | 0:27:11 | |
Hey, Meg. | 0:27:12 | 0:27:15 | |
OK, but it'll take us 20 to get there. | 0:27:15 | 0:27:17 | |
Budi said he can get us into the morgue to see Marcus' body. | 0:27:29 | 0:27:31 | |
-When? -Now. I said we'd be there in 20 minutes. | 0:27:31 | 0:27:34 | |
-I'd better get these two home first. -Mm. No time. | 0:27:34 | 0:27:37 | |
The window's one hour, then the body's trucked back to the capital. | 0:27:37 | 0:27:41 | |
-You took your time. -Roadblock. | 0:27:54 | 0:27:56 | |
Had to take the long way around. | 0:27:56 | 0:27:58 | |
-Can we still go in? -It's going to be tight. | 0:27:58 | 0:28:02 | |
-You are? -Ah, these are my friends, Jesse and Hani. | 0:28:02 | 0:28:06 | |
-Friends is not accurate. -Oh, that hurts. | 0:28:06 | 0:28:10 | |
Friends don't kidnap one another and transport them to other countries | 0:28:10 | 0:28:13 | |
-without permission. -You're Ned's brother. | 0:28:13 | 0:28:16 | |
He's been hassling me like mental, worried about you. | 0:28:16 | 0:28:19 | |
Can you let him know you're alive? Then he might get off my case. | 0:28:19 | 0:28:21 | |
Well, I have no way of doing that, thanks to my "friend" in the front. | 0:28:21 | 0:28:25 | |
Right, we're on. | 0:28:28 | 0:28:30 | |
You're not going to do anything silly, are you? | 0:28:32 | 0:28:35 | |
Not on purpose. | 0:28:35 | 0:28:37 | |
The bullet hole. | 0:29:00 | 0:29:02 | |
He said to photograph the wound. | 0:29:03 | 0:29:05 | |
The burn mark around it, see? | 0:29:05 | 0:29:07 | |
And the traces of gunpowder. | 0:29:08 | 0:29:10 | |
The doctor said this is a man killed at point-blank range. | 0:29:11 | 0:29:14 | |
Not from a distance. | 0:29:14 | 0:29:15 | |
-But what does this prove? -Proves his story is horse shit. | 0:29:16 | 0:29:19 | |
He said that Christo shot him from the car, | 0:29:19 | 0:29:21 | |
but they found him 20 metres away. | 0:29:21 | 0:29:23 | |
It gets worse. | 0:29:23 | 0:29:24 | |
These marks. | 0:29:27 | 0:29:28 | |
And at his ankles too. | 0:29:30 | 0:29:32 | |
Bruising and rope burn. | 0:29:32 | 0:29:34 | |
He'd been tied up. There was a struggle. | 0:29:34 | 0:29:37 | |
-CAMERA SHUTTER CLICKS -And around his throat... | 0:29:37 | 0:29:41 | |
See there? | 0:29:41 | 0:29:42 | |
Fingernail marks. | 0:29:42 | 0:29:44 | |
And there, haemorrhaging. | 0:29:45 | 0:29:47 | |
CAMERA SHUTTER CLICKS | 0:29:47 | 0:29:49 | |
If we get the power back up, | 0:29:54 | 0:29:56 | |
how long will it take you to copy the under counter files? | 0:29:56 | 0:29:58 | |
Including the entire cache and logs, one, one and a half hours. | 0:29:58 | 0:30:02 | |
And then it's a question of how to get them to the police. | 0:30:06 | 0:30:09 | |
We wait till they've cancelled the extradition orders, and THEN | 0:30:11 | 0:30:13 | |
we hand them over, otherwise they're still calling the shots. | 0:30:13 | 0:30:16 | |
But the longer we take, the more chance that Callum... | 0:30:16 | 0:30:18 | |
You can't think like that. | 0:30:18 | 0:30:20 | |
We've just got to put one foot in front of the other. | 0:30:21 | 0:30:24 | |
GUNSHOTS | 0:30:39 | 0:30:41 | |
Come on, get him up! Get him up! | 0:30:42 | 0:30:44 | |
Let's go, move, move, move! Come on! | 0:30:46 | 0:30:49 | |
Get in, get in, get in. | 0:30:49 | 0:30:51 | |
Ah, fuck! | 0:30:54 | 0:30:56 | |
Go, go, go! | 0:30:56 | 0:30:57 | |
-Run! -Come on! | 0:31:59 | 0:32:00 | |
-Run! -Go, go, go, go, go, move it. | 0:32:00 | 0:32:02 | |
Jesse! Jesse, come on. | 0:32:05 | 0:32:07 | |
Come on, Jesse, come on! | 0:32:07 | 0:32:09 | |
NO SPEECH | 0:32:10 | 0:32:12 | |
Jesse. Jesse, come on. | 0:32:15 | 0:32:17 | |
Come on, Jesse. Jesse, please. | 0:32:17 | 0:32:20 | |
-Fuck. -Please! | 0:32:20 | 0:32:22 | |
Come on. We've got to get out of here. | 0:32:22 | 0:32:24 | |
-I got him, I got him, I got him. -Move! | 0:32:24 | 0:32:26 | |
SPEAKS OWN LANGUAGE | 0:33:06 | 0:33:08 | |
Does this qualify us as friends? | 0:33:31 | 0:33:33 | |
Take it easy. It's all right, it's all right. | 0:33:38 | 0:33:41 | |
Take it easy. It's OK. | 0:33:41 | 0:33:43 | |
It's OK. | 0:33:43 | 0:33:45 | |
Breathe. | 0:33:45 | 0:33:47 | |
Just breathe. Breathe. | 0:33:49 | 0:33:51 | |
-You should see a doctor. -I don't need all this fuss, OK? | 0:33:53 | 0:33:56 | |
-It's not serious. -But it could have been. | 0:33:56 | 0:33:59 | |
She's right. These are not empty threats, Remsey. | 0:33:59 | 0:34:01 | |
-You should leave. -No. | 0:34:01 | 0:34:04 | |
Do you want your children to grow up without their father too? | 0:34:04 | 0:34:06 | |
Let's get to Cairns, and we can decide what to do from there. | 0:34:06 | 0:34:09 | |
No. I'm not sneaking in like a criminal. | 0:34:09 | 0:34:11 | |
I have applied for the visa to go to the forum. | 0:34:11 | 0:34:14 | |
-That's when I go. -Now Marcus, two weeks ago Rika, and before that Pok. | 0:34:14 | 0:34:19 | |
On and on it goes, too long, Remsey. | 0:34:19 | 0:34:22 | |
And I let this madman here do it his way. | 0:34:22 | 0:34:25 | |
We only want simple things. | 0:34:25 | 0:34:27 | |
A cut of the mine, not the whole pie. | 0:34:27 | 0:34:29 | |
For Christ's say, we want the same thing! | 0:34:29 | 0:34:30 | |
-Please, not this again. Not now. -A referendum before it is too late. | 0:34:30 | 0:34:33 | |
Fight fire with fire, Remsey. That's how you get attention. | 0:34:33 | 0:34:36 | |
But you're warmongering. We need to give the leadership a new chance. | 0:34:36 | 0:34:39 | |
Smoke and mirrors. Why do you listen to the same bullshit? Over and o... | 0:34:39 | 0:34:42 | |
-Enough, both of you. -All right! | 0:34:42 | 0:34:45 | |
All right, we will go. | 0:34:45 | 0:34:47 | |
Good. I'll take you to Cairns tonight. | 0:34:47 | 0:34:49 | |
Today was bad. | 0:34:52 | 0:34:53 | |
-Today almost got us... -But it didn't. | 0:34:55 | 0:34:57 | |
We're here. | 0:34:59 | 0:35:00 | |
We're fine. | 0:35:02 | 0:35:03 | |
SPEAKS OWN LANGUAGE | 0:35:23 | 0:35:26 | |
We need a few litres for each person. | 0:35:28 | 0:35:31 | |
Remsey's your brother, right? | 0:35:31 | 0:35:34 | |
It must be tough being stuck between the two of them. | 0:35:34 | 0:35:37 | |
If I could melt them into one person, one with too much fire, | 0:35:37 | 0:35:41 | |
one without enough... | 0:35:41 | 0:35:43 | |
Papa is not good at being told what to do. | 0:35:43 | 0:35:45 | |
What about you? | 0:35:50 | 0:35:52 | |
Do you know what is happening here? | 0:35:53 | 0:35:56 | |
Do people know? Do your friends know? | 0:35:56 | 0:35:58 | |
You were a very cute baby. | 0:36:09 | 0:36:11 | |
It's not me. | 0:36:11 | 0:36:13 | |
There are another two near the door. | 0:36:20 | 0:36:22 | |
Ned, for Christ's sake, just calm down, will you? | 0:36:48 | 0:36:52 | |
-I can't even... -I didn't know your mother would... | 0:36:52 | 0:36:55 | |
I mean, why would she leave me the whole shebang? | 0:36:55 | 0:36:58 | |
No, I'm... I just thought maybe I'd get back some of the money | 0:36:58 | 0:37:01 | |
I invested in the house originally, that's all. | 0:37:01 | 0:37:05 | |
You're fucking unbelievable. | 0:37:05 | 0:37:07 | |
Just hang on. Hang on, hang on. | 0:37:07 | 0:37:10 | |
Now, I was a big part of her life as well, you know. | 0:37:10 | 0:37:12 | |
We were together 15 years. | 0:37:12 | 0:37:13 | |
Pretty bloody big innings, in my book. | 0:37:13 | 0:37:15 | |
Ah! | 0:37:16 | 0:37:18 | |
Oh, fuck! | 0:37:20 | 0:37:22 | |
Jeez! | 0:37:25 | 0:37:26 | |
-Sorry. -No, no. | 0:37:28 | 0:37:31 | |
No, no, don't be sorry. That was a long time coming. | 0:37:31 | 0:37:34 | |
Just... Just pinch right where the bone meets the cartilage. | 0:37:34 | 0:37:39 | |
Here. Just... | 0:37:40 | 0:37:42 | |
-Just up there. -I was crap at everything. | 0:37:43 | 0:37:45 | |
Crap father. | 0:37:45 | 0:37:47 | |
I know I was a crap father. I was a crap husband too. | 0:37:47 | 0:37:49 | |
Bloody crap everything. It's all right. | 0:37:49 | 0:37:52 | |
I know. And don't think for a minute that I didn't regret walking out. | 0:37:52 | 0:37:59 | |
-It doesn't matter. -It does matter. | 0:38:00 | 0:38:02 | |
-It doesn't... -Just hear me out, Ned, just for once. | 0:38:02 | 0:38:05 | |
I mean, I just didn't know what to do. | 0:38:07 | 0:38:10 | |
You know, from the moment he was born, Jesse... | 0:38:10 | 0:38:13 | |
..was difficult. | 0:38:14 | 0:38:16 | |
He never slept, he cried all the time. | 0:38:16 | 0:38:19 | |
And your mum... | 0:38:21 | 0:38:23 | |
Well, your mum was diagnosed with postnatal depression, | 0:38:24 | 0:38:27 | |
and it just went on and on, | 0:38:27 | 0:38:30 | |
and I just thought it was never going to stop, never end. | 0:38:30 | 0:38:33 | |
Marriage and family life didn't meet your expectations. | 0:38:33 | 0:38:36 | |
Just chuck it in, someone will pick up the slack. | 0:38:36 | 0:38:38 | |
-No. It actually wasn't like that. -No? | 0:38:38 | 0:38:40 | |
-That's what it looked like when I was 14. -No... | 0:38:40 | 0:38:41 | |
And it still pretty much looks like that now. | 0:38:41 | 0:38:43 | |
You know, it was a good call. | 0:38:43 | 0:38:45 | |
Because Mum's depression never did go away, | 0:38:46 | 0:38:49 | |
and Jesse was a difficult child, | 0:38:49 | 0:38:51 | |
who became a difficult teenager, and a pain in the arse adult. | 0:38:51 | 0:38:54 | |
Did I ever think about abandoning ship? | 0:38:55 | 0:38:58 | |
What do you reckon? | 0:38:58 | 0:38:59 | |
I've got to go, Dad. | 0:39:04 | 0:39:05 | |
I didn't come back for the money, Ned. | 0:39:06 | 0:39:09 | |
I came back to try and build some bridges with you and Jesse. | 0:39:09 | 0:39:11 | |
Yeah? I'm all out of bridge-building stuff right now. | 0:39:11 | 0:39:16 | |
DOOR SLAMS | 0:39:24 | 0:39:26 | |
COMPUTER BEEPS | 0:40:33 | 0:40:35 | |
GASPS | 0:40:50 | 0:40:52 | |
COMPUTER BEEPS | 0:41:16 | 0:41:17 | |
DOOR RATTLES | 0:41:46 | 0:41:49 | |
It's just me. | 0:41:49 | 0:41:50 | |
How are you going? | 0:41:53 | 0:41:55 | |
It's nearly there. | 0:41:55 | 0:41:57 | |
Well done, you. | 0:42:25 | 0:42:27 | |
Something's not right. | 0:42:35 | 0:42:37 | |
I couldn't open the folders, the ones about Callum. | 0:42:39 | 0:42:42 | |
Did...? Did you need to? | 0:42:43 | 0:42:46 | |
Not... Not really, but the point is | 0:42:47 | 0:42:49 | |
I couldn't open them from Roth's system. | 0:42:49 | 0:42:51 | |
Why would he protect his site in a way that he couldn't access himself? | 0:42:53 | 0:42:57 | |
He didn't set it up, Hani. | 0:43:00 | 0:43:02 | |
Someone else did, | 0:43:02 | 0:43:04 | |
so that Roth wouldn't see them, so that he wouldn't know they're there. | 0:43:04 | 0:43:08 | |
Who? | 0:43:08 | 0:43:10 | |
Most of the money from the main site goes to an account in Germany. | 0:43:13 | 0:43:18 | |
But the funds from the paedophilia stuff... | 0:43:19 | 0:43:22 | |
Somewhere else? | 0:43:23 | 0:43:25 | |
They go to an account in Belize. | 0:43:26 | 0:43:28 | |
This account only has a single signatory. | 0:43:28 | 0:43:31 | |
It's not Jan. | 0:43:33 | 0:43:34 | |
What if he's not who they say he is? | 0:43:36 | 0:43:38 | |
What do they say I am? | 0:43:40 | 0:43:42 | |
What do they say? | 0:43:46 | 0:43:48 | |
Someone needs to start talking. | 0:43:53 | 0:43:55 | |
There's a boy. | 0:43:59 | 0:44:01 | |
He went missing a few days ago. | 0:44:03 | 0:44:05 | |
He's for sale on your site. | 0:44:08 | 0:44:11 | |
On my site? | 0:44:11 | 0:44:13 | |
In a private forum. | 0:44:13 | 0:44:15 | |
Show me. | 0:44:17 | 0:44:19 | |
So this is why you're here, so you could poke around in my closet | 0:44:40 | 0:44:43 | |
-and see if I had any little boys stashed away. -They want to... | 0:44:43 | 0:44:47 | |
I was supposed to get them access to your hard drive | 0:44:47 | 0:44:51 | |
so they could try and find Callum... | 0:44:51 | 0:44:54 | |
..Callum, before the... | 0:44:55 | 0:44:58 | |
..transaction is complete. | 0:45:00 | 0:45:02 | |
Pack up. | 0:45:28 | 0:45:29 | |
Hey, Dad. | 0:45:42 | 0:45:43 | |
On Friday night, our 14-year-old boy went missing. | 0:46:10 | 0:46:14 | |
He was supposed to be staying at a mate's place but he didn't show up. | 0:46:14 | 0:46:18 | |
The police have tried to stop us from going public, | 0:46:19 | 0:46:21 | |
but we can't wait any longer. We... | 0:46:21 | 0:46:24 | |
We need anyone who might have seen him, or anything, | 0:46:24 | 0:46:27 | |
even if they think it's not important, to come forward. | 0:46:27 | 0:46:31 | |
Please, if anyone has seen anything, or knows anything, | 0:46:31 | 0:46:37 | |
please contact the police. | 0:46:37 | 0:46:38 | |
KNOCK AT DOOR | 0:46:44 | 0:46:46 | |
Oh, no, you should definitely not come in. | 0:46:53 | 0:46:56 | |
Assuming that I wanted to. | 0:46:56 | 0:46:58 | |
I've had a hideous day. | 0:46:58 | 0:47:00 | |
Jesse's still God knows where, and I've drunk too much. | 0:47:00 | 0:47:02 | |
And I punched my father in the face. | 0:47:02 | 0:47:05 | |
And I've drunk too much. I already said that. | 0:47:05 | 0:47:07 | |
-Twice. -Yeah. | 0:47:07 | 0:47:09 | |
So, save yourself. | 0:47:09 | 0:47:12 | |
-Don't come in. -Maybe you just need to let off some steam. | 0:47:12 | 0:47:16 | |
Away we go. MOTOR STARTS | 0:48:38 | 0:48:41 | |
Jesse. | 0:49:32 | 0:49:33 | |
Come. | 0:49:35 | 0:49:36 | |
I want you to show me how he did it. | 0:49:58 | 0:50:00 | |
It was there, if you were looking hard enough. | 0:50:09 | 0:50:12 | |
You're right. | 0:50:23 | 0:50:24 | |
It's my fault. | 0:50:25 | 0:50:27 | |
I set the serpent free in the garden. | 0:50:28 | 0:50:30 | |
What are you going to do? | 0:50:32 | 0:50:34 | |
What am I going to do? | 0:50:34 | 0:50:36 | |
I'm going to make things right. | 0:50:38 | 0:50:40 | |
Yeah, Gary. | 0:50:46 | 0:50:47 | |
Yeah, I'm coming into Cairns. | 0:50:48 | 0:50:50 | |
There's a few things I need to tie up. | 0:50:50 | 0:50:52 | |
No, no, I'll let you know when I get there. | 0:50:55 | 0:50:57 | |
Buy yourself a ticket. I'll pay for it. | 0:50:58 | 0:51:01 | |
OK. | 0:51:02 | 0:51:04 | |
Let's find the kid, and we'll figure out what to do next. | 0:51:11 | 0:51:14 | |
SIREN WAILS | 0:51:18 | 0:51:20 | |
This is Australian Border Security. | 0:51:20 | 0:51:22 | |
You are currently in Australian waters. | 0:51:24 | 0:51:27 | |
Let's go find this kid. | 0:51:32 | 0:51:34 | |
Cut your engines. We are coming along your starboard side. | 0:51:34 | 0:51:37 | |
We seek permission to board your vessel. | 0:51:43 | 0:51:45 | |
Come on. | 0:51:45 | 0:51:47 | |
Jesse! | 0:51:59 | 0:52:00 | |
Come on! | 0:52:01 | 0:52:02 | |
COMPUTER BEEPS | 0:53:37 | 0:53:39 | |
No. | 0:53:49 | 0:53:50 |