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This programme contains some strong language. | 0:00:02 | 0:00:03 | |
It's a risk, but Jesse is worth the risk. We're so close. It's my work. | 0:00:03 | 0:00:06 | |
I need to get it back, and I can't do it alone. | 0:00:06 | 0:00:08 | |
He opens it, what sort of trouble is he getting into? | 0:00:08 | 0:00:10 | |
Cos the strength of that encryption | 0:00:10 | 0:00:11 | |
suggests that whoever you stole it from | 0:00:11 | 0:00:13 | |
is pretty invested in keeping it unopened. | 0:00:13 | 0:00:15 | |
I think "stole" is the wrong word. | 0:00:15 | 0:00:17 | |
Jan Roth used to work for Offensive Cyber Ops. | 0:00:17 | 0:00:20 | |
They're one of the hardest-core intelligence units | 0:00:20 | 0:00:22 | |
working for the American government. | 0:00:22 | 0:00:26 | |
-How's Alyse? -She's good. | 0:00:26 | 0:00:27 | |
She's applied for this design degree. | 0:00:27 | 0:00:29 | |
I think this is going to really turn things around for her. | 0:00:29 | 0:00:32 | |
Hello, Hani. | 0:00:32 | 0:00:33 | |
WILL: We grant asylum to the leader | 0:00:35 | 0:00:37 | |
of one of Indonesia's designated terrorist groups, | 0:00:37 | 0:00:39 | |
they're going to pop an artery. | 0:00:39 | 0:00:40 | |
-One man's terrorist... -Is another man's freedom fighter. | 0:00:40 | 0:00:43 | |
This is the man accused of killing | 0:00:43 | 0:00:44 | |
Eric Bell and Christo Borst in West Papua, | 0:00:44 | 0:00:46 | |
shot with a single bullet to the forehead. | 0:00:46 | 0:00:49 | |
The Minister's not making statements to the press. | 0:00:49 | 0:00:52 | |
She's been sold a lie! | 0:00:52 | 0:00:53 | |
Gary decided to use my website | 0:00:53 | 0:00:55 | |
to open up a fun park for paedophiles. | 0:00:55 | 0:00:57 | |
-HE GRUNTS -Fuck! | 0:00:57 | 0:00:59 | |
This is an extradition order for both of us. I thought we had a deal. | 0:01:00 | 0:01:04 | |
-I know. -This is Lara, isn't it? | 0:01:04 | 0:01:06 | |
-HANI: -Mama joon, what's going on? -Baba's visa has been cancelled. | 0:01:06 | 0:01:10 | |
I'm going to try to fix things. | 0:01:10 | 0:01:13 | |
I'm going to get the files they want and trade them for your dad. | 0:01:13 | 0:01:16 | |
GENERAL HUBBUB | 0:01:35 | 0:01:38 | |
GUNSHOT | 0:01:39 | 0:01:40 | |
You OK? | 0:03:25 | 0:03:26 | |
-Can we not do that? -Do what? | 0:03:27 | 0:03:29 | |
The "Jesse, are you OK?" "Yes, I am." | 0:03:29 | 0:03:32 | |
"Are you sure?" "Yes, I'm sure." | 0:03:32 | 0:03:34 | |
ad nauseum thing that we do. | 0:03:34 | 0:03:36 | |
Sure. | 0:03:36 | 0:03:37 | |
Do you want to, er, go through | 0:03:37 | 0:03:39 | |
what we're going to say to Roth one more time? | 0:03:39 | 0:03:40 | |
No, I don't want to go over it. | 0:03:40 | 0:03:42 | |
I'm so tired I don't even know what language you're speaking. | 0:03:42 | 0:03:44 | |
We just stick close to the truth. | 0:03:44 | 0:03:46 | |
The extradition warrants were served and we needed to get out of there. | 0:03:46 | 0:03:49 | |
Could've sworn I said, "No, I don't want to go over it." | 0:03:49 | 0:03:53 | |
Maybe I just said it in my head. | 0:03:53 | 0:03:56 | |
No, no, no. You said it out loud. I just ignored you. | 0:03:56 | 0:03:58 | |
-Didn't she say that they were no longer... -What? | 0:04:00 | 0:04:03 | |
"Attached" was the word she used. That looks kind of attached to me. | 0:04:03 | 0:04:07 | |
Sometimes, when you break up with someone, | 0:04:07 | 0:04:09 | |
you know, not everything dies. | 0:04:09 | 0:04:10 | |
Sometimes you still want to hug that person for ten minutes, eh? | 0:04:10 | 0:04:13 | |
Hasn't been ten minutes. | 0:04:13 | 0:04:15 | |
See? Hugging over. | 0:04:15 | 0:04:17 | |
So you're sure he won't mention this little unscheduled detour | 0:04:26 | 0:04:30 | |
in his flight log? | 0:04:30 | 0:04:31 | |
What unscheduled detour? | 0:04:31 | 0:04:33 | |
Pretty big favour, given what would happen if he got busted. | 0:04:34 | 0:04:37 | |
He gets rewarded well enough. | 0:04:38 | 0:04:40 | |
Now we just have to hope that Budi turns up before anyone else does. | 0:04:45 | 0:04:48 | |
I gave some people my word, | 0:04:58 | 0:04:59 | |
and because that's not worth a pinch of shit to you lot, | 0:04:59 | 0:05:02 | |
they've gone and got themselves into a much worse situation. | 0:05:02 | 0:05:04 | |
Oh, really, Nolan, I'm flattered you think I wield so much power. | 0:05:04 | 0:05:07 | |
Which is quite a different answer from, | 0:05:07 | 0:05:09 | |
"I didn't have Nasim Parande's visa cancelled." | 0:05:09 | 0:05:11 | |
I know you don't like it, but there is a line in the sand. | 0:05:14 | 0:05:19 | |
Jesse Banks was your responsibility | 0:05:19 | 0:05:21 | |
as long as he was contributing to the Callum case. | 0:05:21 | 0:05:23 | |
In relation to everything else, he's my responsibility. | 0:05:23 | 0:05:27 | |
-Oh. -Your job here is done, Nolan. | 0:05:27 | 0:05:29 | |
I know it hasn't always been smooth sailing | 0:05:30 | 0:05:32 | |
but I really hope we can cross swords sometime in the future. | 0:05:32 | 0:05:35 | |
I think you're meant to say "cross paths." | 0:05:35 | 0:05:37 | |
-Slip of the tongue. -I don't believe in 'em. | 0:05:37 | 0:05:40 | |
Oh, Constable Freud, is it? | 0:05:40 | 0:05:42 | |
Detective, if you want to get all formal. | 0:05:44 | 0:05:47 | |
DOOR CLATTERS KEY RATTLES IN LOCK | 0:05:53 | 0:05:55 | |
NASIM: I spoke to the Legal Aid solicitor this morning. | 0:05:57 | 0:06:01 | |
He's put in the application | 0:06:01 | 0:06:04 | |
to challenge the cancellation of my visa, but... | 0:06:04 | 0:06:08 | |
-What? -He didn't sound very confident. | 0:06:08 | 0:06:11 | |
He also sounded 14. HE CHUCKLES | 0:06:11 | 0:06:13 | |
We need someone who specialises in immigration law, Baba. | 0:06:15 | 0:06:20 | |
Mama joon and I spoke to a couple of barristers this morning. | 0:06:20 | 0:06:23 | |
One of them is very good. | 0:06:23 | 0:06:24 | |
We cannot afford it. | 0:06:24 | 0:06:26 | |
There's nearly 20,000 left in my uni fund. | 0:06:28 | 0:06:30 | |
-No, this is your future. -Baba, I don't care! | 0:06:30 | 0:06:33 | |
No, Hani, I don't want it to be like this. | 0:06:33 | 0:06:36 | |
But we don't have an alternative. | 0:06:36 | 0:06:38 | |
-CLEARS THROAT -I, um... | 0:06:41 | 0:06:43 | |
I spoke to Navid yesterday | 0:06:45 | 0:06:49 | |
and, um, he has a friend at the Persian Times, an editor, | 0:06:49 | 0:06:54 | |
and they're interested in our story, so... | 0:06:54 | 0:06:57 | |
No, this is not how it is going to be. | 0:06:57 | 0:06:59 | |
If we fight, it will only make your situation more dangerous. | 0:06:59 | 0:07:04 | |
-They will target you. -I don't care! | 0:07:04 | 0:07:06 | |
I care! | 0:07:06 | 0:07:08 | |
I'm telling you, Alilah, it will make more trouble. | 0:07:08 | 0:07:11 | |
The second - the second - we are silenced | 0:07:13 | 0:07:17 | |
because we are scared of making more trouble, | 0:07:17 | 0:07:21 | |
in that moment, they've won. | 0:07:21 | 0:07:22 | |
You will not do this. We wait. | 0:07:22 | 0:07:25 | |
We follow procedure and we pray that this will work out. | 0:07:25 | 0:07:29 | |
-No. I'm talking to them. -No! | 0:07:31 | 0:07:34 | |
As your husband, I forbid it. | 0:07:34 | 0:07:37 | |
This is not the talk of a man that I married. | 0:07:39 | 0:07:42 | |
Yeah. | 0:07:48 | 0:07:50 | |
Talk to her, yeah? Talk to her. HE SOBS | 0:07:56 | 0:07:59 | |
"Marina Baxter, laughing in the face of the UN Refugee Convention." | 0:08:22 | 0:08:27 | |
Please, can you just take a proper look at the site? | 0:08:27 | 0:08:30 | |
We're talking "Obama and Putin are lizards from outer space | 0:08:30 | 0:08:33 | |
"carrying out their crazy lizard war here on Earth." | 0:08:33 | 0:08:35 | |
I mean, it's...it's hilarious. | 0:08:35 | 0:08:37 | |
I think the thing to focus on | 0:08:37 | 0:08:39 | |
is that the photos were sent to all of the majors | 0:08:39 | 0:08:41 | |
and no-one bit - not one. | 0:08:41 | 0:08:43 | |
We sent Remsey Gangi and his family back | 0:08:43 | 0:08:45 | |
under the Memorandum of Understanding | 0:08:45 | 0:08:47 | |
and that picture proves - and I quote - | 0:08:47 | 0:08:50 | |
"There can be no doubt that the Minister knew the Gangi family | 0:08:50 | 0:08:53 | |
"were in direct flight from persecution." | 0:08:53 | 0:08:56 | |
No, those pictures don't prove that at all. | 0:08:56 | 0:08:58 | |
Those pictures prove that there were questions to be asked about the case | 0:08:58 | 0:09:01 | |
and you asked them. | 0:09:01 | 0:09:03 | |
You did exactly what was required of you | 0:09:03 | 0:09:05 | |
and, thankfully, any questions that come up now | 0:09:05 | 0:09:08 | |
can be legitimately handballed to Immigration. | 0:09:08 | 0:09:10 | |
And that makes it OK, does it? | 0:09:10 | 0:09:12 | |
Thank goodness those thorny questions | 0:09:12 | 0:09:15 | |
don't belong to us any more. | 0:09:15 | 0:09:16 | |
It makes your position tenable, Minister. | 0:09:18 | 0:09:20 | |
I'll be in in 20 minutes. We'll talk about it then. | 0:09:20 | 0:09:23 | |
-Excuse me? -Can I help you? | 0:09:39 | 0:09:41 | |
Hi. I'm, er... | 0:09:41 | 0:09:43 | |
I...I want to talk to someone about my daughter. | 0:09:43 | 0:09:46 | |
-She's applying for the design degree. -Mm-hm. | 0:09:46 | 0:09:48 | |
And she was unable to get to the interview yesterday. | 0:09:48 | 0:09:52 | |
Her name's Alyse Baxter. | 0:09:53 | 0:09:55 | |
Yeah. She didn't turn up to her interview. | 0:10:01 | 0:10:04 | |
Yeah, as I said, she was unable to attend | 0:10:04 | 0:10:06 | |
so I'm just looking to make another time. | 0:10:06 | 0:10:08 | |
-SHE SCOFFS -Well, there are no provisions for second interviews. | 0:10:08 | 0:10:11 | |
-It's clear in the course outline. -Yeah, I read that. | 0:10:11 | 0:10:14 | |
I just, um... I just don't think it applies in this instance. | 0:10:16 | 0:10:21 | |
Clause 7 of the application outline is very clear. | 0:10:21 | 0:10:23 | |
We don't reschedule interviews. | 0:10:23 | 0:10:25 | |
Maybe I'm taking it too far, | 0:10:45 | 0:10:47 | |
but Roth worked for this high-level cyber unit in the US. | 0:10:47 | 0:10:50 | |
Just thinking about the files he took - | 0:10:50 | 0:10:52 | |
you're pitching "disgruntled employee leaves with a cardboard box | 0:10:52 | 0:10:56 | |
"full of things he's not entitled to take home." | 0:10:56 | 0:10:58 | |
That would account for the keenness to get them back. | 0:10:58 | 0:11:01 | |
Mm-hm. Unless there's a different agenda running. | 0:11:01 | 0:11:04 | |
What if he gets the sack and goes off the radar? | 0:11:06 | 0:11:10 | |
What do you mean, they stage his exit | 0:11:10 | 0:11:12 | |
and he pops up here, like some kind of sleeper agent? | 0:11:12 | 0:11:14 | |
Nuts? | 0:11:14 | 0:11:16 | |
Indonesia is incredibly important to the US | 0:11:16 | 0:11:18 | |
in terms of regional security, | 0:11:18 | 0:11:20 | |
maybe even more important than Australia in the long run. | 0:11:20 | 0:11:22 | |
That would make the whole thing with Kiki and Tahila a lie. | 0:11:22 | 0:11:26 | |
I know I have a somewhat limited catalogue of experience | 0:11:27 | 0:11:31 | |
by which to assess these things, | 0:11:31 | 0:11:33 | |
but he loves her. | 0:11:33 | 0:11:34 | |
Loves 'em both. | 0:11:35 | 0:11:37 | |
Yeah, it's him. | 0:11:45 | 0:11:48 | |
Is he reliable, your guy? | 0:11:48 | 0:11:50 | |
He's the best fixer I've ever worked with | 0:11:50 | 0:11:51 | |
and the risk for him is extraordinary. | 0:11:51 | 0:11:54 | |
More or less than yours if you get busted? | 0:11:54 | 0:11:56 | |
Much more. I'm a foreign spy. He's one of their own. | 0:11:56 | 0:11:59 | |
You remember Jesse. This is Ned. | 0:12:09 | 0:12:12 | |
-Ned, Budi. -Hi, Budi. | 0:12:12 | 0:12:14 | |
There's a roadblock 2km up. That's why I'm late. | 0:12:15 | 0:12:17 | |
-Oh, great. -Is there another way out? | 0:12:17 | 0:12:20 | |
So do we just wait for them to go, or...? | 0:12:21 | 0:12:24 | |
They could stay there all week. | 0:12:24 | 0:12:26 | |
A patrol on foot could come through here any time. | 0:12:26 | 0:12:28 | |
It's better to meet it head on. | 0:12:28 | 0:12:30 | |
I told them you were taking pictures for the mine | 0:12:30 | 0:12:32 | |
and you hired me to pick you up. | 0:12:32 | 0:12:34 | |
And what did you say about us? | 0:12:34 | 0:12:37 | |
Nothing. You won't be in the car. | 0:12:37 | 0:12:39 | |
-What's happening? -Shh! | 0:13:01 | 0:13:02 | |
-Why are we stopping? -I need you to be quiet, Jesse. | 0:13:02 | 0:13:05 | |
-Selamat sore. -Paper! | 0:13:11 | 0:13:13 | |
SPEAKS INDONESIAN | 0:13:18 | 0:13:20 | |
He asks what's the purpose for you being out here is. | 0:13:20 | 0:13:23 | |
I am taking photos of the mine, | 0:13:23 | 0:13:26 | |
photos for the new exploration fields. | 0:13:26 | 0:13:28 | |
SPEAKS INDONESIAN | 0:13:28 | 0:13:31 | |
He wants to see your camera. | 0:13:39 | 0:13:41 | |
He's calling the mine. | 0:13:54 | 0:13:57 | |
-(What's going on?) -Shh. I need you to be quiet, Jess. | 0:14:12 | 0:14:15 | |
I need to know what's going on because I need to know | 0:14:15 | 0:14:17 | |
how long I'm going to be breathing this air for. | 0:14:17 | 0:14:19 | |
It's burning my nose, Ned. It's burning my nose. | 0:14:19 | 0:14:22 | |
-I can't breathe and I'm boiling... -Shh! Jesse! Jesse! | 0:14:22 | 0:14:24 | |
I need you to listen, OK? | 0:14:24 | 0:14:26 | |
You need to think of something that'll take you somewhere good, OK? | 0:14:26 | 0:14:29 | |
(It's OK.) | 0:14:33 | 0:14:35 | |
THUD! HE GASPS | 0:14:52 | 0:14:54 | |
SPEAKS INDONESIAN | 0:15:04 | 0:15:07 | |
He's recommending the wisdom of you registering your trips | 0:15:10 | 0:15:13 | |
with the local authorities in the future. | 0:15:13 | 0:15:16 | |
Terima kasih. Terima kasih banyak. | 0:15:16 | 0:15:19 | |
ENGINE STARTS | 0:15:23 | 0:15:25 | |
JESSE GRUNTS | 0:15:38 | 0:15:40 | |
BANGING | 0:15:41 | 0:15:43 | |
BANGING CONTINUES | 0:15:48 | 0:15:50 | |
HE HYPERVENTILATES | 0:15:53 | 0:15:56 | |
Slow down, buddy. Slow down. | 0:15:56 | 0:16:00 | |
HE COUGHS | 0:16:01 | 0:16:02 | |
Hi. It's me. | 0:16:31 | 0:16:33 | |
Sorry, that was a moronic thing to say, | 0:16:34 | 0:16:37 | |
unless, of course, you've gone blind since I saw you last. | 0:16:37 | 0:16:41 | |
I'm assuming you haven't. | 0:16:42 | 0:16:44 | |
This is my brother, Ned. | 0:16:47 | 0:16:49 | |
-Did you find the boy? -We did. | 0:16:56 | 0:16:58 | |
Good. That's good. | 0:16:58 | 0:17:00 | |
Thanks for the tip-off. | 0:17:02 | 0:17:04 | |
It was the least I could do. | 0:17:04 | 0:17:06 | |
Why are you back? | 0:17:10 | 0:17:11 | |
The police served our extradition warrants. | 0:17:14 | 0:17:17 | |
We decided to run. | 0:17:17 | 0:17:19 | |
Jesse said you'd offered him 20K in Bitcoin for... | 0:17:19 | 0:17:22 | |
-25 was where we landed. -25. | 0:17:22 | 0:17:26 | |
..for a decryption job. | 0:17:26 | 0:17:28 | |
We need money. We need new passports. | 0:17:28 | 0:17:30 | |
We thought we could help each other out. | 0:17:30 | 0:17:32 | |
You hungry? | 0:17:38 | 0:17:39 | |
So how did you get out? | 0:17:44 | 0:17:46 | |
Meg's friend, Peter, he... | 0:17:46 | 0:17:48 | |
No, I meant the Canberra Stasi. How did you slip their leash? | 0:17:48 | 0:17:52 | |
I, um... I don't really know. | 0:17:53 | 0:17:56 | |
I imagine they had pretty tight reins on you. | 0:17:56 | 0:17:59 | |
I'm just curious to know. | 0:17:59 | 0:18:01 | |
Unless they wanted you to come. | 0:18:03 | 0:18:06 | |
Maybe they were hoping to hitch a ride. | 0:18:06 | 0:18:08 | |
I-I don't have an answer. I just came here... | 0:18:08 | 0:18:11 | |
As soon as we knew that Meg could get us on the plane, | 0:18:11 | 0:18:13 | |
we switched mobiles and laptops | 0:18:13 | 0:18:15 | |
and didn't make a peep till we were in the air. | 0:18:15 | 0:18:17 | |
No-one hitched a ride with us. | 0:18:17 | 0:18:18 | |
If you'd be so kind, Ned, | 0:18:18 | 0:18:21 | |
would you mind letting Jesse answer the question? | 0:18:21 | 0:18:24 | |
As unhospitable as it may seem, | 0:18:24 | 0:18:26 | |
I just need to determine | 0:18:26 | 0:18:28 | |
whether I'm being sold a lot of bullshit here. | 0:18:28 | 0:18:30 | |
And the fact that you can't look me in the eye, | 0:18:31 | 0:18:35 | |
it's making me uneasy. | 0:18:35 | 0:18:37 | |
The truth is, I'm finding it hard to look at you | 0:18:38 | 0:18:42 | |
without seeing what happened last time I saw you. | 0:18:42 | 0:18:46 | |
How rude of me. | 0:18:54 | 0:18:56 | |
I haven't offered you any food, Ned. Please help yourself. | 0:18:56 | 0:19:00 | |
Jesse? | 0:19:00 | 0:19:01 | |
-You all right? -I prefer we stay together. | 0:19:06 | 0:19:09 | |
Not necessary. | 0:19:09 | 0:19:11 | |
Even so. | 0:19:11 | 0:19:13 | |
I'll... I'd concentrate better if he came. | 0:19:16 | 0:19:19 | |
If you're just going to stand there, | 0:19:57 | 0:19:58 | |
would you be so kind as to get us some beer? | 0:19:58 | 0:20:00 | |
I promise not to do anything while you're away. | 0:20:04 | 0:20:06 | |
What, like kill someone? | 0:20:06 | 0:20:08 | |
Right. | 0:20:08 | 0:20:09 | |
I promise not to kill anyone while you're out of the room. | 0:20:11 | 0:20:14 | |
Beer's on the veranda, in the fridge. | 0:20:17 | 0:20:19 | |
HE SIGHS | 0:20:31 | 0:20:32 | |
That was not how I intended to broach the subject, but, um... | 0:20:37 | 0:20:40 | |
I definitely was going to bring it up, but... | 0:20:40 | 0:20:44 | |
I wish that I could take it all back, Jesse. I wish... | 0:20:44 | 0:20:47 | |
I was angry. I wanted to scare him, and, um... | 0:20:50 | 0:20:53 | |
..I wanted to hurt him, but... | 0:20:55 | 0:20:57 | |
..I didn't intend for what happened. | 0:20:58 | 0:21:01 | |
I know that doesn't make any difference, I know that... | 0:21:03 | 0:21:06 | |
I'm sorry. | 0:21:09 | 0:21:10 | |
I'm sorry I dragged you into the middle of it. | 0:21:12 | 0:21:14 | |
DOOR CLATTERS | 0:21:19 | 0:21:21 | |
Where's Jesse's beer? | 0:21:26 | 0:21:28 | |
-CLEARS THROAT -He doesn't need a beer. | 0:21:28 | 0:21:30 | |
Fuck me. Is he always this condescending? | 0:21:30 | 0:21:32 | |
Not usually to my face, | 0:21:32 | 0:21:34 | |
but we're under a bit of stress at the moment. | 0:21:34 | 0:21:37 | |
Mm. | 0:21:37 | 0:21:38 | |
Done. | 0:21:46 | 0:21:47 | |
Chin down. | 0:21:49 | 0:21:50 | |
John Brown. | 0:21:51 | 0:21:53 | |
Why don't you go the whole way and make it Beige? | 0:21:53 | 0:21:56 | |
It's not too late. Mr Beige works. | 0:21:56 | 0:21:59 | |
-Who are you? -Claude LeMarr. | 0:22:00 | 0:22:03 | |
-You didn't make us brothers? -No. | 0:22:06 | 0:22:09 | |
Can't choose your family, right? That's what they say. | 0:22:10 | 0:22:13 | |
But there is a window here. | 0:22:13 | 0:22:16 | |
From this point on, you get to choose. | 0:22:16 | 0:22:19 | |
Would you grow the same family tree without the soil of obligation? | 0:22:20 | 0:22:24 | |
Lifted the picture off her Facebook page. | 0:22:42 | 0:22:45 | |
I'm not sure what your plans are, | 0:22:45 | 0:22:46 | |
whether she's going to join you or not, | 0:22:46 | 0:22:48 | |
but I thought I would make her one up too, just in case. | 0:22:48 | 0:22:51 | |
Endine LeMarr. | 0:22:51 | 0:22:54 | |
Yes, I married you in a simple garden ceremony. | 0:22:54 | 0:22:56 | |
It's your three-year anniversary | 0:22:57 | 0:22:59 | |
and, um, Mr Beige here was your best man. | 0:22:59 | 0:23:02 | |
You should marry her, Jesse, if you get the chance. | 0:23:04 | 0:23:07 | |
You don't mind if I talk out loud? | 0:23:08 | 0:23:10 | |
I'm just, you know, sharing my thoughts. | 0:23:10 | 0:23:13 | |
I think Hani's great, | 0:23:13 | 0:23:15 | |
but I probably wouldn't be so condescending | 0:23:15 | 0:23:17 | |
as to tell someone who to marry. | 0:23:17 | 0:23:18 | |
-ALILAH: -That's right. I have completely forgotten that day. | 0:23:32 | 0:23:35 | |
-ANTON: -Maybe you were trying to forget. | 0:23:35 | 0:23:37 | |
Hani? Hani, come here. | 0:23:37 | 0:23:39 | |
Look. Look who popped in for a visit, huh? | 0:23:39 | 0:23:42 | |
Hani? | 0:23:52 | 0:23:53 | |
Hani! | 0:23:55 | 0:23:56 | |
Hani, stop. | 0:23:58 | 0:23:59 | |
What the fuck? | 0:24:01 | 0:24:03 | |
You come into my house and talk to my mother, | 0:24:03 | 0:24:06 | |
after what your boss is doing to us? | 0:24:06 | 0:24:07 | |
Guilty. | 0:24:07 | 0:24:09 | |
SHE SCOFFS I don't want your jacket. | 0:24:13 | 0:24:16 | |
I don't know if you noticed. We didn't cook this whole thing. | 0:24:18 | 0:24:21 | |
We're just responding to what your mate dived into. | 0:24:21 | 0:24:23 | |
He's not my mate. He's my boyfriend. | 0:24:23 | 0:24:26 | |
Lara wants to, er... She wants you to reach out to him | 0:24:28 | 0:24:31 | |
with us, obviously, on your shoulder. | 0:24:31 | 0:24:33 | |
She thinks she'd be in a position to put in a good word for your dad. | 0:24:33 | 0:24:37 | |
Much as I'm sure you'd like to drive a star picket through my chest, | 0:24:38 | 0:24:41 | |
maybe you also get that | 0:24:41 | 0:24:42 | |
Jesse is getting himself into very deep water. | 0:24:42 | 0:24:46 | |
If Roth gets him to do what he wants, | 0:24:48 | 0:24:51 | |
there's nothing we can do to help him. | 0:24:51 | 0:24:53 | |
MEG: Yeah, yeah. I'm still here. | 0:25:05 | 0:25:07 | |
OK. | 0:25:10 | 0:25:12 | |
Remsey's in the cells in town. | 0:25:17 | 0:25:19 | |
Budi thinks that he can get someone there in to see him. | 0:25:19 | 0:25:23 | |
-You can't go. -Well, you can't go. | 0:25:23 | 0:25:26 | |
-NED: -So Roth pays the bribe but he's not allowed in? | 0:25:31 | 0:25:34 | |
Yep. | 0:25:34 | 0:25:35 | |
Well, then there's the fact | 0:25:35 | 0:25:37 | |
that he wouldn't be Remsey's first visitor of choice anyway. | 0:25:37 | 0:25:39 | |
Roth's all too Black Panther to Remsey's Martin Luther King. | 0:25:42 | 0:25:46 | |
They're agreed on the outcome, | 0:25:46 | 0:25:48 | |
but not whether to get there via the ballot or the bullet. | 0:25:48 | 0:25:51 | |
We're good. Go to the back door. | 0:25:53 | 0:25:55 | |
Wait five minutes. Someone will let you in. | 0:25:55 | 0:25:57 | |
Oh, God. Remsey! | 0:26:11 | 0:26:14 | |
I'm OK. | 0:26:14 | 0:26:16 | |
It's OK. | 0:26:16 | 0:26:18 | |
This is Ned. He's been helping me try to get the story out. | 0:26:20 | 0:26:24 | |
-And Gracie and the kids? -They're home. Kiki's with them. | 0:26:27 | 0:26:32 | |
They're fine. HE SIGHS | 0:26:32 | 0:26:34 | |
You have to tell Theo to step up. | 0:26:36 | 0:26:39 | |
Now's the time. | 0:26:39 | 0:26:40 | |
This is a letter. | 0:26:47 | 0:26:49 | |
I want him to put it on the site... | 0:26:49 | 0:26:51 | |
..so everyone knows what has happened here. | 0:26:52 | 0:26:55 | |
And then he must step up and talk sense, | 0:26:55 | 0:26:59 | |
so that things don't get out of hand. | 0:26:59 | 0:27:01 | |
If he doesn't do it, people will start listening to Jan. | 0:27:01 | 0:27:05 | |
Did he say what he was planning? | 0:27:05 | 0:27:08 | |
He's asked my brother to decrypt some files. | 0:27:08 | 0:27:10 | |
We don't know what's on them | 0:27:10 | 0:27:12 | |
but, whatever it is, it's made the police | 0:27:12 | 0:27:14 | |
and the government in Australia very worried. | 0:27:14 | 0:27:16 | |
He talks big. | 0:27:16 | 0:27:18 | |
He talks about sending a message to the world, | 0:27:18 | 0:27:20 | |
something that will make them sit up | 0:27:20 | 0:27:22 | |
and take an interest in what is happening here. | 0:27:22 | 0:27:24 | |
What does that mean? Did he say how? | 0:27:24 | 0:27:27 | |
Most of the time, I'm trying not to hear his talk. | 0:27:27 | 0:27:31 | |
It's not the way. | 0:27:31 | 0:27:32 | |
We provoke them, then, when they say we are terrorists, | 0:27:32 | 0:27:36 | |
they are right. | 0:27:36 | 0:27:38 | |
Can I? | 0:27:46 | 0:27:48 | |
You cannot show Grace or Kiki. | 0:27:48 | 0:27:51 | |
Or Jan. | 0:27:53 | 0:27:54 | |
JESSE: Do you think you could sit down? | 0:28:20 | 0:28:22 | |
What? Am I bothering you? | 0:28:22 | 0:28:24 | |
Better still, perhaps you could pace about outside. | 0:28:27 | 0:28:30 | |
This encryption's insane. | 0:28:34 | 0:28:36 | |
I'm never going to crack it. | 0:28:37 | 0:28:39 | |
Ever been stoned, Jesse? | 0:28:40 | 0:28:42 | |
As in stoned with marijuana? | 0:28:44 | 0:28:46 | |
As in stoned with marijuana. | 0:28:46 | 0:28:48 | |
I can't say I have. No. | 0:28:48 | 0:28:50 | |
Hmm... | 0:28:52 | 0:28:53 | |
# If... | 0:29:20 | 0:29:24 | |
# I had a donkey and he wouldn't go | 0:29:24 | 0:29:26 | |
# You think I'd beat him? No, no, no... # | 0:29:26 | 0:29:28 | |
-Sing along if you know the words. -Nope. | 0:29:28 | 0:29:31 | |
# Give it some hay Give it some corn | 0:29:31 | 0:29:34 | |
# Best little donkey ever was born! # | 0:29:34 | 0:29:37 | |
-Oh! -Gee up, Neddy! HE CHUCKLES | 0:29:37 | 0:29:38 | |
Can't believe you don't know it! | 0:29:40 | 0:29:42 | |
Sadly missing from my musical catalogue. | 0:29:43 | 0:29:46 | |
Oh! | 0:29:47 | 0:29:49 | |
The floor was way closer than I was expecting. | 0:29:49 | 0:29:51 | |
Oh, fuck! Here. | 0:29:51 | 0:29:53 | |
Wow. How did you know? HE LAUGHS | 0:29:55 | 0:29:59 | |
My tongue has somehow been stuck to the roof of my mouth | 0:29:59 | 0:30:02 | |
and I was thinking about how much money I would pay | 0:30:02 | 0:30:04 | |
to someone that would help reverse that. | 0:30:04 | 0:30:07 | |
-Suddenly, beer appears. -Magic! | 0:30:07 | 0:30:10 | |
It's like you were inside my brain. HE CHUCKLES | 0:30:10 | 0:30:14 | |
Hmm! | 0:30:14 | 0:30:16 | |
Hey, listen, are you with me? | 0:30:16 | 0:30:20 | |
-Am I with you? -Yes. Are you with me? | 0:30:20 | 0:30:23 | |
I can see you're talking to me... | 0:30:23 | 0:30:25 | |
..but the audio seems to be coming from the light bulb. | 0:30:27 | 0:30:29 | |
HE LAUGHS | 0:30:29 | 0:30:31 | |
Let me ask you something. | 0:30:33 | 0:30:36 | |
Why did you come back, huh? | 0:30:36 | 0:30:38 | |
Why did you really come back? | 0:30:38 | 0:30:40 | |
BEEPING | 0:30:52 | 0:30:56 | |
Someone's coming. | 0:30:56 | 0:30:58 | |
Right? | 0:30:58 | 0:31:00 | |
That's what's happening? | 0:31:02 | 0:31:04 | |
Yeah. | 0:31:07 | 0:31:08 | |
That's what's happening. | 0:31:09 | 0:31:11 | |
-He's in good spirits, but... -You take any pictures? | 0:31:26 | 0:31:30 | |
Well, there wasn't really much opportunity. | 0:31:30 | 0:31:33 | |
Really? | 0:31:33 | 0:31:35 | |
So, you don't have an SD card hidden away | 0:31:35 | 0:31:36 | |
in your sock or your shoe or wherever the fuck you keep it? | 0:31:36 | 0:31:39 | |
Seriously? | 0:31:40 | 0:31:42 | |
You're going to stand there and lie to my face? | 0:31:43 | 0:31:46 | |
He doesn't want everyone freaking out. | 0:31:46 | 0:31:49 | |
Oh. | 0:31:49 | 0:31:50 | |
Well, while he's busy not wanting people to freak out, | 0:31:51 | 0:31:54 | |
he's getting used as a punching bag from now to Christ knows when, | 0:31:54 | 0:31:57 | |
and I'm here. | 0:31:57 | 0:31:58 | |
I don't think he's the best judge of anything. | 0:31:58 | 0:32:00 | |
-He doesn't want Kiki to see. -The man's a rocket scientist. | 0:32:04 | 0:32:07 | |
HE SIGHS | 0:32:15 | 0:32:16 | |
Jan? | 0:32:38 | 0:32:39 | |
How bad? | 0:32:46 | 0:32:47 | |
He's in good spirits. | 0:32:50 | 0:32:52 | |
SHE SIGHS | 0:32:52 | 0:32:54 | |
He wants to make sure... | 0:32:56 | 0:32:57 | |
That I don't step in and stir anything up | 0:32:57 | 0:33:00 | |
because God forbid that we draw a line in the sand | 0:33:00 | 0:33:02 | |
and say enough is enough. | 0:33:02 | 0:33:04 | |
We are going to protest about it in the morning, | 0:33:06 | 0:33:10 | |
in town. | 0:33:10 | 0:33:13 | |
Come, Tahila. | 0:33:14 | 0:33:16 | |
Can you get me a secure line to Canberra? | 0:33:25 | 0:33:27 | |
Why? | 0:33:28 | 0:33:29 | |
The only reason Remsey's there is because we sent him back. | 0:33:29 | 0:33:32 | |
I want them to see what happens when they tick the right boxes. | 0:33:32 | 0:33:35 | |
Really? Are you that naive? | 0:33:35 | 0:33:37 | |
You don't think that | 0:33:37 | 0:33:38 | |
she sends pictures every week that should be on the front page? | 0:33:38 | 0:33:41 | |
Did you see pictures of Marcus being published | 0:33:41 | 0:33:44 | |
or any from the week before that or the week before that | 0:33:44 | 0:33:47 | |
or the 300 that are proof | 0:33:47 | 0:33:49 | |
that people are being hacked to pieces and shot in the street? | 0:33:49 | 0:33:52 | |
They only show up on social media for a reason. | 0:33:54 | 0:33:58 | |
Are you drunk? | 0:34:09 | 0:34:10 | |
I did have one beer | 0:34:14 | 0:34:15 | |
but I think "stoned" is the correct descriptor for my current state. | 0:34:15 | 0:34:21 | |
Ooh, um... Um, um, um... | 0:34:34 | 0:34:37 | |
-Oh, I've got decision fatigue. -You'll have tangerine. | 0:34:37 | 0:34:40 | |
Really? Will I? | 0:34:40 | 0:34:42 | |
Come on. Out with it. It's killing me. | 0:34:42 | 0:34:45 | |
-SHE LAUGHS -Come on! What? | 0:34:46 | 0:34:50 | |
Well, you know how much I hate | 0:34:50 | 0:34:52 | |
your "everything happens for a reason" crap? | 0:34:52 | 0:34:54 | |
-Yeah, I'm aware of that. -Well, I think I'm almost converted. | 0:34:54 | 0:34:59 | |
Oh, my God, Alyse. This is doing my head in. What happened? | 0:34:59 | 0:35:02 | |
I got a call from the uni this afternoon. | 0:35:02 | 0:35:05 | |
They've given me a scholarship. | 0:35:05 | 0:35:07 | |
What do you mean they've given you a scholarship? | 0:35:08 | 0:35:10 | |
Well, they must've had another look at the application | 0:35:10 | 0:35:12 | |
cos I didn't show up, and decided they had to have me. | 0:35:12 | 0:35:15 | |
But you...you only applied for a place in the course. | 0:35:15 | 0:35:18 | |
You didn't apply for a scholarship. | 0:35:18 | 0:35:21 | |
-Did... Did they say why? -Nope. | 0:35:21 | 0:35:24 | |
I don't understand. They must've given you a reason. | 0:35:26 | 0:35:28 | |
I'm not going to argue, Mum. | 0:35:28 | 0:35:30 | |
If they want to pay for my degree, they can pay for my degree. | 0:35:30 | 0:35:32 | |
I thought you'd be happy for me. | 0:35:32 | 0:35:34 | |
I am, sweetheart. I'm thrilled. | 0:35:36 | 0:35:39 | |
Just...I'm surprised, that's all. | 0:35:39 | 0:35:43 | |
MESSAGE ALERT | 0:35:43 | 0:35:45 | |
Give me a minute? | 0:35:54 | 0:35:55 | |
PHONE VIBRATES | 0:36:30 | 0:36:34 | |
Is he all right? | 0:36:35 | 0:36:37 | |
He's exactly as he looks in the photographs. | 0:36:37 | 0:36:40 | |
I can only assume, given that you've got access to these photographs, | 0:36:40 | 0:36:43 | |
that you must be there. | 0:36:43 | 0:36:45 | |
Well, I don't think that's the question of the hour | 0:36:45 | 0:36:48 | |
and I think you know that. | 0:36:48 | 0:36:49 | |
Right now, talking to you, you know what I should do? | 0:36:49 | 0:36:52 | |
Hang up right now, ring this in and tell them you contacted me | 0:36:52 | 0:36:56 | |
and that there's every chance that you're in West Papua | 0:36:56 | 0:36:58 | |
in close proximity to where Remsey's being held. | 0:36:58 | 0:37:01 | |
And yet the fact that you haven't done that | 0:37:01 | 0:37:03 | |
makes me think you were the right one to call. | 0:37:03 | 0:37:05 | |
FOOTSTEPS APPROACH | 0:37:13 | 0:37:15 | |
Celebratory spliff, was it? Managed to copy the files? | 0:37:15 | 0:37:18 | |
Please don't. I'm not feeling very good. | 0:37:20 | 0:37:24 | |
What was your answer about family? | 0:37:37 | 0:37:40 | |
If you had a choice? | 0:37:40 | 0:37:42 | |
It's a stupid question. | 0:37:43 | 0:37:44 | |
Regardless, I want to know your answer. | 0:37:44 | 0:37:47 | |
There is no answer, | 0:37:47 | 0:37:49 | |
because the point of family and the kind of beauty of it | 0:37:49 | 0:37:53 | |
is that you manage to love this person that you didn't choose | 0:37:53 | 0:37:56 | |
and that's kind of what makes it more important. | 0:37:56 | 0:37:59 | |
It takes more. | 0:38:00 | 0:38:02 | |
It's harder work. | 0:38:03 | 0:38:05 | |
Loving your friends, it's a doddle. | 0:38:15 | 0:38:17 | |
You pick 'em because they're easy to love. | 0:38:17 | 0:38:20 | |
I don't really have any friends. | 0:38:20 | 0:38:22 | |
Is that weird? | 0:38:24 | 0:38:26 | |
It's weird, isn't it? | 0:38:28 | 0:38:30 | |
He wrote her letters, Dad... | 0:38:37 | 0:38:40 | |
..when she was in the nursing home. | 0:38:41 | 0:38:43 | |
After she got her diagnosis | 0:38:43 | 0:38:45 | |
and she knew that her mind was going, | 0:38:45 | 0:38:47 | |
she asked him to write down memories | 0:38:47 | 0:38:50 | |
so that she'd have stuff to talk about with us. | 0:38:50 | 0:38:53 | |
When I ate the spider's eggs, | 0:38:54 | 0:38:56 | |
when you fell out the back of the blue car onto the road... | 0:38:56 | 0:38:59 | |
I hated that car. | 0:38:59 | 0:39:01 | |
When we went to the symphony for the first time. | 0:39:04 | 0:39:06 | |
It's a nice thing for him to do. | 0:39:06 | 0:39:08 | |
Hm. | 0:39:10 | 0:39:12 | |
Hard for you to let him be good, isn't it? | 0:39:16 | 0:39:20 | |
SOBBING | 0:40:01 | 0:40:04 | |
SOBBING CONTINUES | 0:40:09 | 0:40:12 | |
SHE SIGHS | 0:40:34 | 0:40:37 | |
Hm. | 0:41:07 | 0:41:08 | |
If you can copy the file today, then I can call Marina | 0:41:27 | 0:41:30 | |
and see if she'll broker a deal for us and Hani's dad. | 0:41:30 | 0:41:32 | |
And then what? | 0:41:32 | 0:41:34 | |
Given that, I don't know, | 0:41:34 | 0:41:36 | |
he spends a terrific amount of time in the bathroom | 0:41:36 | 0:41:38 | |
and I actually CAN copy the file. | 0:41:38 | 0:41:40 | |
I don't want to freak you out | 0:41:40 | 0:41:41 | |
but I don't have the answers for everything. | 0:41:41 | 0:41:43 | |
I'll going to file that under "I for irony." | 0:41:44 | 0:41:47 | |
-MEG: -OK. Show on the road, I think. | 0:41:48 | 0:41:51 | |
Is it hard not to go? | 0:42:08 | 0:42:10 | |
No. That's not hard. | 0:42:10 | 0:42:14 | |
What's hard is watching my wife bury half her family year after year | 0:42:16 | 0:42:19 | |
and then not fighting back. | 0:42:19 | 0:42:21 | |
I've made up my mind, Jesse. | 0:42:21 | 0:42:23 | |
The time for playing small is over. | 0:42:24 | 0:42:27 | |
I'm not sure I'm following you. | 0:42:27 | 0:42:30 | |
We're not going to fuck around trying to decrypt the file any more. | 0:42:30 | 0:42:33 | |
We're going back to steal the keys, Jess. | 0:42:35 | 0:42:37 | |
One thing to try and decrypt something | 0:42:43 | 0:42:46 | |
you might've found on the side of the road | 0:42:46 | 0:42:47 | |
but...to break into somewhere like this? | 0:42:47 | 0:42:50 | |
Mm. Very different. | 0:42:50 | 0:42:52 | |
I know the kinds of things they do in there. | 0:42:52 | 0:42:54 | |
It's not like breaking into the 7-11. | 0:42:54 | 0:42:57 | |
-Consequences for me are... -For me too, Jesse. | 0:43:00 | 0:43:03 | |
If we get busted in there and they get a fix on this location, | 0:43:03 | 0:43:06 | |
it's game over. | 0:43:06 | 0:43:08 | |
But it's a risk I have to take, so...sorry. | 0:43:08 | 0:43:11 | |
Sorry for what? | 0:43:11 | 0:43:12 | |
I made you do it. I attacked you and I forced you at gunpoint. | 0:43:14 | 0:43:18 | |
You don't have a gun. | 0:43:19 | 0:43:21 | |
I can get it out, if you want. | 0:43:21 | 0:43:23 | |
No, thank you. | 0:43:25 | 0:43:27 | |
Ow! | 0:43:27 | 0:43:28 | |
Jesse? | 0:43:31 | 0:43:33 | |
I need this, Jesse. | 0:43:38 | 0:43:41 | |
Trying to crack the decryption could take forever | 0:43:41 | 0:43:44 | |
and we're running out of time. | 0:43:44 | 0:43:46 | |
Surely, since the initial theft, | 0:43:55 | 0:43:56 | |
the security on the keys is going to be completely insane. | 0:43:56 | 0:44:00 | |
Mm-hm. | 0:44:00 | 0:44:01 | |
I've helped design the system | 0:44:04 | 0:44:07 | |
so I can get us over the firewall and into someone's machine, | 0:44:07 | 0:44:10 | |
but you're going to have to find the keys | 0:44:10 | 0:44:12 | |
and you're going to have to do it fast. | 0:44:12 | 0:44:13 | |
Distance has given me such a horrible perspective. | 0:44:33 | 0:44:35 | |
-Of what? -Of just what a sucker I was. | 0:44:35 | 0:44:39 | |
And all the horseshit that goes with it. | 0:44:39 | 0:44:42 | |
"We're a family. We got your back." | 0:44:42 | 0:44:44 | |
Ten years of my life. | 0:44:46 | 0:44:47 | |
Hm. | 0:44:51 | 0:44:53 | |
Only seven people inside the facility have access to the keys. | 0:44:56 | 0:45:00 | |
Damon Jade. | 0:45:00 | 0:45:01 | |
Ah, besides having a stupid name, Damon's a cat man. | 0:45:06 | 0:45:10 | |
Let's see. What's her name? | 0:45:11 | 0:45:13 | |
Chantelle? | 0:45:13 | 0:45:15 | |
Charlize? | 0:45:15 | 0:45:17 | |
-Constance. -HE CHUCKLES | 0:45:18 | 0:45:22 | |
OK. Let me see her file. | 0:45:22 | 0:45:25 | |
All right. Here we go. | 0:45:26 | 0:45:27 | |
Dear Mr Jade, | 0:45:28 | 0:45:31 | |
we're writing to all our clients | 0:45:31 | 0:45:33 | |
whose pets underwent surgical procedures at the clinic | 0:45:33 | 0:45:37 | |
in the last 12 months. | 0:45:37 | 0:45:39 | |
We received a veterinary medicine health alert yesterday. | 0:45:39 | 0:45:42 | |
Emaxadyne... | 0:45:42 | 0:45:43 | |
..were tainted and a complete recall of the brand is underway. | 0:45:43 | 0:45:47 | |
We ask you to register pet details and the type of procedure | 0:45:47 | 0:45:51 | |
on the attached form | 0:45:51 | 0:45:52 | |
and return it to us so that we can lodge it with the company. | 0:45:52 | 0:45:56 | |
Let me just... | 0:45:56 | 0:45:57 | |
In case he does a bit of research of his own. | 0:45:59 | 0:46:01 | |
Oh, brilliant. Is the Trojan ready? | 0:46:01 | 0:46:04 | |
Yep. | 0:46:06 | 0:46:07 | |
OK. Let's hope he bites. | 0:46:09 | 0:46:11 | |
Come on. Come on. | 0:46:23 | 0:46:25 | |
How long do we have, once he clicks? | 0:46:26 | 0:46:28 | |
You'll two minutes to get the keys before the walls start falling in. | 0:46:28 | 0:46:31 | |
Come on. | 0:46:36 | 0:46:38 | |
Come on! | 0:46:40 | 0:46:41 | |
Yes! Ah! | 0:46:44 | 0:46:46 | |
-Security's good. -Yep. | 0:47:00 | 0:47:03 | |
-Everything good on your side? -Yeah. | 0:47:07 | 0:47:09 | |
-Jan, you noticing that? -Yeah, I got it covered. | 0:47:15 | 0:47:18 | |
They must have an anomalous pattern detection. We gotta go. | 0:47:25 | 0:47:28 | |
-One more minute. -We don't have a minute. | 0:47:28 | 0:47:31 | |
Come on. Come on, Jesse. | 0:47:31 | 0:47:32 | |
Come on! | 0:47:34 | 0:47:35 | |
Fuck it. We gotta go. Come on, Jesse! | 0:47:36 | 0:47:38 | |
HE CHUCKLES | 0:47:49 | 0:47:50 | |
PHONE RINGS | 0:48:08 | 0:48:11 | |
I ordered for you. Thought we don't have loads of time to waste. | 0:48:37 | 0:48:40 | |
Um, so what's on your mind, Lara? | 0:48:45 | 0:48:48 | |
SHE LAUGHS | 0:48:48 | 0:48:49 | |
Well, too much, probably. | 0:48:49 | 0:48:52 | |
But I needed to see you in person because there's talk this morning | 0:48:52 | 0:48:55 | |
about some pictures you got yesterday. | 0:48:55 | 0:48:57 | |
I haven't actually seen them but let's just say | 0:48:57 | 0:49:00 | |
there's some pretty heavy pressure not to go down that road. | 0:49:00 | 0:49:03 | |
CLEARS THROAT | 0:49:07 | 0:49:09 | |
Don't get me wrong, Lara. You're one of the smartest people I know. | 0:49:10 | 0:49:13 | |
But I don't remember appointing you to my advisory team. | 0:49:13 | 0:49:17 | |
SHE CHUCKLES | 0:49:17 | 0:49:18 | |
You're right. | 0:49:18 | 0:49:20 | |
But I crossed over that line because I care. | 0:49:20 | 0:49:25 | |
-WOMAN: -There you go. | 0:49:26 | 0:49:27 | |
-Thank you so much. -You're welcome. | 0:49:27 | 0:49:29 | |
I heard Alyse got a scholarship. That's fantastic news. | 0:49:30 | 0:49:33 | |
She must be thrilled! | 0:49:33 | 0:49:34 | |
Mm! | 0:49:34 | 0:49:36 | |
I'm ravenous. Eat! | 0:49:36 | 0:49:39 | |
WOMAN SINGING | 0:49:45 | 0:49:51 | |
ALL CHANT | 0:50:20 | 0:50:22 | |
-Free! -Remsey! | 0:50:27 | 0:50:28 | |
-Free! -Remsey! | 0:50:28 | 0:50:30 | |
CROWD CONTINUES CHANTING | 0:50:30 | 0:50:33 | |
HORN TOOTS | 0:50:35 | 0:50:36 | |
HORN BLARES | 0:50:36 | 0:50:39 | |
Trouble. | 0:50:39 | 0:50:40 | |
HORN BEEPS | 0:50:51 | 0:50:52 | |
-GUARD: -We got a convoy of trucks heading up to the mine. | 0:50:52 | 0:50:55 | |
There's a protest blocking the road. We need them moved. | 0:50:55 | 0:50:59 | |
HORN BLARES | 0:51:00 | 0:51:03 | |
HORN TOOTS | 0:51:08 | 0:51:10 | |
That would've taken me, | 0:51:12 | 0:51:14 | |
if I'd worked 24 hours a day, seven days a week, | 0:51:14 | 0:51:18 | |
about 300 years to crack. | 0:51:18 | 0:51:21 | |
MESSAGE ALERT | 0:51:23 | 0:51:24 | |
Don't open anything till I get back. | 0:51:34 | 0:51:36 | |
Thanks. | 0:52:31 | 0:52:32 | |
They got the Kaspion Keys. | 0:52:39 | 0:52:41 | |
What's Kaspion? | 0:52:44 | 0:52:45 | |
It's a crawler programme. | 0:52:47 | 0:52:48 | |
They release it across a network | 0:52:50 | 0:52:52 | |
and it red-flags every machine that's got a backdoor. | 0:52:52 | 0:52:54 | |
You know which systems have vulnerabilities, | 0:52:54 | 0:52:56 | |
you can let yourself in any time you want. | 0:52:56 | 0:52:58 | |
What kind of systems are we talking about? | 0:52:58 | 0:53:01 | |
Financial institutions, power grids, weaponry, hospitals. | 0:53:01 | 0:53:04 | |
It's not fussy. | 0:53:07 | 0:53:09 | |
It's just looking for the chips | 0:53:09 | 0:53:11 | |
which have had the flaws manufactured into them. | 0:53:11 | 0:53:13 | |
Manufactured in by who? | 0:53:13 | 0:53:15 | |
Who has the biggest budget for cyber operations on the planet? | 0:53:15 | 0:53:18 | |
CROWD CHANTS | 0:53:35 | 0:53:38 | |
SCREAMING | 0:54:34 | 0:54:36 | |
-Oh! -GASPS | 0:54:56 | 0:54:58 | |
SOUND FADES | 0:55:15 | 0:55:17 | |
LARA: There was a point where being silent was protecting him | 0:55:35 | 0:55:39 | |
but now...it's about saving him from himself. | 0:55:39 | 0:55:43 | |
SCREAMS AND YELLING | 0:55:55 | 0:55:59 | |
Kiki! | 0:56:02 | 0:56:04 | |
Kiki! | 0:56:05 | 0:56:06 | |
No. No, no, no! | 0:56:29 | 0:56:31 | |
GUNFIRE | 0:56:38 | 0:56:41 | |
GUNSHOT | 0:56:57 | 0:56:59 |