Episode 1 The Hour


Episode 1

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Transcript


LineFromTo

The newsreels are dead.

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We've bored the public for too long.

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Give me this opportunity and I'll prove it.

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This programme contains some scenes which some viewers may find upsetting

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-PENCIL SNAPS

-Oh...

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Thank you!

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Of course, I'll need an assistant.

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Two minutes, Mr Lyon.

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But may I say one more thing...

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..you haven't seen my best yet.

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There needs to be more on mike.

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Track in on caption three, then lock off.

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-BELL RINGS

-Stand by, studio.

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Mr Lyon.

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Cue Grams.

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Five seconds...

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Five...

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..four...

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'Yes, I'm ready.'

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..three...

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two...

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..one.

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Cue Johnny.

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And here they are, the debutantes of 1956...

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Roll newsreel.

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Young ladies of distinction enjoying a day at the Royal Ascot,

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and one young woman in particular

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has caught the eye of a certain leading man - actor Adam Le Ray.

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Engagement looks set for the honourable Ruth Elms,

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Daughter of Lord Elms of Framlingham,

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to this eligible young bachelor.

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All of London society awaits the peal of wedding bells.

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Cue telecine.

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'And now, here is a summary of the news from abroad.'

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Did you get it?

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WE got it.

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Producer?

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Foreign desk.

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Bravo!

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I haven't told Freddie yet.

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Good luck.

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'In Egypt, election victory for the Arab Nationalist,

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'Colonel Gamal Abdel Nasser.'

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Here he is

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with Prime Minister Anthony Eden during last years' visit to Cairo,

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where they discussed the future of the Suez Canal Company.

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'And that is the end of the news and newsreel from Alexandra Palace.

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'Good night.'

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And thanking you, gentlemen - and Alice -

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for another fascinating evening.

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May you go home once again happy in the knowledge

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that we have delivered the important news of the day

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with the same brisk banality as a debutante coming out in Mayfair.

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Three...

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..two...

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one.

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-Good evening, madam.

-Good evening.

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'Tutankhamun did somewhat neglect his duties as a son, so...'

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See? Even the Pharaohs failed to write to their mothers.

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LAUGHTER

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Er, and on that note, papers in by Friday, please.

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Any late papers will be returned to you unread, be warned.

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PHONE DIAL WHIRRS

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Hello, operator, put me through to Bloomsbury 7428.

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PHONE RINGS

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Darling, our guests are arriving.

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Lipstick. I left my lipstick in the....

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Impeccable as ever, Johnny.

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Thank you.

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Moneypenny.

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James.

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Friday's running order. Next time, do it yourself,

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I am not your secretary.

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Night. BELL RINGS

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And what of tomorrow, Mr Wengrow?

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I'm gunning for Kennedy for the VP nom, but who knows?

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A new hat for the Queen Mother?

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A rare sow with 20 in her litter?

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Mr Lyon, tonight. The Claringdon.

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-You're covering the engagement.

-How could I forget, Georgie?

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-Who's getting married?

-Just another debutante.

-Night, George.

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-How was I?

-Bit slow on that last cue.

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Nice watch. Does the broker know it's missing?

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-Banker.

-Please. The details of your love life do not interest me at all.

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SHE LAUGHS

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Where did you dine?

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Sheekey's.

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We had oysters and afterwards he took me to the theatre.

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Dinner, then the theatre. I do love a man who plans.

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That way, no-one sleeps on a full stomach.

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Can I cadge a lift?

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Eight letters, 14 down. "Treacherous foe in bad or in good faith."

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Something-O, something-F, something-D.

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Bona fide.

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Ready?

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-We are calcifying in television news.

-Agreed.

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Hell, martial law may have been imposed in Poland

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but we've got footage of Prince Rainier on honeymoon with his showgirl.

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And, hallelujah, they're dining with the Queen.

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-We are the dose of reassurance that all's right in the world.

-Agreed.

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Because some edict sent down from God knows who

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is telling us what and how we broadcast. We will escape.

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Yes, b-but, Freddie...

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Don't worry, Moneypenny, I'll put in a good word for you.

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You're coming with me.

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STRING QUARTET PLAY "Voices Of Spring"

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Bravo, bravo.

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'Platform five, 10:30 to Boscastle.'

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'Hurry, please. Hurry.'

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HE GRUNTS WITH EFFORT

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HE GURGLES AND CHOKES

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TRAIN APPROACHES

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Freddie, listen. Your programme...

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..it's everything we've been waiting for, working together.

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It's exciting!

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But I need to talk to you before your interview.

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Stay and have a drink with me.

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And miss all the fun?

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You stay here and wait for your banker,

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but I warn you...

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he'll be late. They're always late.

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If he's still not here by nine, come and find me.

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Just try to keep a clear head.

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You're impossible!

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Evening, gentlemen. Shall we?

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Ladies and gentlemen.

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It's truly wonderful to be able to share our engagement

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with so many loved ones.

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Lord and Lady Elms,

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it's an honour and a privilege to join this eminent family.

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And so without further ado,

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I ask you to raise your glasses to my beautiful fiancee...

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-ALL:

-Ahh.

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..and we look forward to seeing you a week on Saturday.

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And do let's keep our fingers crossed and hope the sun shines.

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LAUGHTER

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Ruth and Adam.

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-ALL:

-Ruth and Adam.

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TAPPING

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Are you hiding?

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No...

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Yes.

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I hate parties.

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And I'd just written,

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"The newly-engaged, honourable Miss Elms was glowing."

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Hello, Freddie.

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Miss Elms.

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Would you like to comment?

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Yes...

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..if you pour me another one of those.

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How old are you now? 20? 21?

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Old enough.

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I was ten when you left.

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Well...

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Congratulations. I wish you...

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..the absolute best.

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"A conspiracy is nothing but a secret agreement of a number of men

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"for the pursuance of policies which they dare not admit in public."

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You wrote that.

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-Actually, Mark Twain did, but...

-Damn!

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Tilt your head.

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Pinch the bridge.

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I'm sorry.

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It's only a handkerchief.

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You see it, don't you, Freddie?

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You always have.

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DOOR OPENS

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There you are, darling.

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Good night, Miss Elms.

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God, you're drunk.

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Not nearly enough.

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Would you like to take the lady's coat, sir?

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I'm sure she'll pick it up later.

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# My landlady's too rude

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# In my affairs she likes to intrude

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# My landlady's too rude

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# In my affairs she likes to intrude

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# Five o'clock in the morning

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# My landlady is peeping

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# No, it isn't fair

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# This prosecution I got to bear

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# And every Monday

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# "Mister give me the rent"

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# Although I try I cannot prevent she telling me

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# "Mister give me the rent..." #

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-Hello?

-It's just me, Dad.

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Go inside, Mary's out for the evening.

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I wouldn't trouble you, see, but I have to speak with you privately. It's very important.

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Good day, Frederick?

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You should have the light on.

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Mrs B not been in?

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The washing up's still in the...

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What you watching?

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The only thing wrong with her is her weight.

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You should see her now. Blimey - she's enormous!

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-Did you see the news tonight?

-The usual rubbish.

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How's that nice girl?

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Miss Rowley?

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She's...

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fine.

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-TV:

-'Look, will you leave it to me for a day or so?

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'I just want to give it a bit of thought. Chew it over.'

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Good morning, Broadcasting House.

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One moment, please.

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8:30.

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I said 8:30.

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Don't mix single malt with Martini.

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Oh, wonderful(!)

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-Frederick Lyon for the Director of Programmes.

-Of course.

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I've brought the manifesto.

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That was written years ago, when we were very drunk.

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You were drunk.

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I was sober.

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You've put three Ts in topicality.

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7th floor, please.

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Thank you.

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Freddie...

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Think I should start with the Marx quote?

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-Freddie, you really need to focus.

-No, you're right.

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Don't want to scare them off straight away.

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Not when one is looking to run...

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It doesn't have a name yet.

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..this changing-face-of-television news programme with no name.

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I'd pitch on balancing London news with the provinces.

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It's important they know you're interested in stories in Bradford, Manchester, Leeds...

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Why?

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Because you need to show them...

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Show them what?

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..that you're familiar with the demands of home affairs.

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That's your job.

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You need to keep your options open.

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Moneypenny, your eyes look piggy when you lie.

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I'm the producer.

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The new programme. Clarence wants me to be the producer.

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LIFT PINGS

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GIRLS GIGGLE

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Right.

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You produce, I'll present.

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-LIFT PINGS

-Bel, Freddie, there you are.

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-Now, breathe, Freddie...

-Clarence!

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He's waiting but he has a packed day. Later!

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We speak in full sentences, we listen,

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-we don't try any funnies.

-Yes, right.

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Your reputation goes before you. The good, I have been able to confirm,

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the bad was youthful recklessness, which in your more mature years,

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-you have left behind.

-Clarence, I can...

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Freddie, this is my programme.

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It's very important that I get the right team

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and that you are part of it.

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Ditch the manifesto.

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Bel told me.

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Top button.

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13 minutes, 36.8 seconds.

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Remarkable.

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There.

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There...

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ballsed it. Top of the frame, bloody boom.

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How do we run that?

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I want two men at Lord's next week to film Jim Laker.

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One to hold the camera, the other to keep the bloody boom out of sight.

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-You play?

-Yes.

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No.

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Do I need to?

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I like football.

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Which team?

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Derby County. My mother was born...

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So, not really.

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You're something to do with natural history.

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Heard a rumour they're setting up a unit somewhere in the BBC.

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I'm a big fan of animals.

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Clarence tells me you're a brilliant journalist.

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Give me tomorrow's news.

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Well, a lot can happen in 24 hours.

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Eisenhower looks like he'll run for another term, but that's obvious.

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I'm more interested in the underdog.

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Rumour has it that the young Mr Kennedy is a contender

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for the Vice Presidential Democratic nomination.

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But in newsreels, we don't do scoops.

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Let me guess, accounts?

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Researcher. You're flying out with a crew to the Amazon, Monday.

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Something like that.

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Do you take sugar?

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That's a pretty blouse.

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So, 60 minutes, six days to get it together.

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Seventh day it's out there. Three slots. Tell me how it looks.

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At the top, New Commonwealth immigration.

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75,000 people arriving here every year from the colonies, but what does that really mean?

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Martin Luther King gives a public address in San Francisco.

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The birth of the new Negro, one who is not crippled by fear and self-loathing,

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but driven by dignity and destiny.

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But we don't even challenge the fact that in every hotel window

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we still, without shame, say "No Coloureds. No Irish".

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Second story, MacMillan and the credit squeeze, obviously.

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And third?

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13 minutes, 38.6 seconds. It's a good story.

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You've got a boom tracking in every shot.

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Seeing him cross that finishing line's the thing! It makes it more real,

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seeing the boom. It's the mechanics of how we bear witness, because that's what we do.

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What one tries to do. Reveal fleeting moments of history,

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not with apology, not as it is now, endless static newsreel.

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A man who never leaves his desk delivering the story

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as if it's the dry, five-minute warm-up act to Hancock's Half Hour!

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We all want to be entertained, but while we're all busy laughing,

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Russia's aligning its missiles and declaring World War Three!

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It has to be the hour that you can't miss.

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The hour you have to see.

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Putting real journalists in front of the camera

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is sending out the message that you take the news seriously.

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So you see yourself in front of the camera, Mr Lyon?

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I never understand women and magazines.

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They only ever buy them for the pictures.

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You're so right. And those things called novels, impossible!

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So many words...

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This is where I ask you for a drink.

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Sorry. I have to pack for South America.

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Is this some kind of joke?

0:21:450:21:47

Home affairs!

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House of Lords garden parties and outbreaks of foot and mouth in Keswick?

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-The audacity to even think you could present this programme!

-He asked for my opinion.

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And you gave it. Including telling him to stuff it!

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I said talk to him, calm him down.

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I said he's a risk... He's always a bloody risk.

0:22:010:22:03

But you said no. You don't lead the story.

0:22:030:22:06

The story leads you, Freddie. First rule of news, hmm?

0:22:060:22:09

Well, maybe you are better off where you are. Two minutes.

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You're not in accounts, are you?

0:22:170:22:19

No. Mr Lyon. I am a big fan of your work.

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How, exactly?

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I mean which bit? Of my work?

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Freddie.

0:22:300:22:31

Mr Madden, my apologies. This is Miss Rowley.

0:22:310:22:34

Yes, I know exactly who Miss Rowley is.

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May I introduce you to the face of our new programme.

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If you'd like to come this way.

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Christ, he's charming as well.

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Freddie...

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LIFT PINGS

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How could you do that?

0:23:000:23:01

How could you not warn me what I was being interviewed for?

0:23:010:23:04

-If you listened...

-I thought it was so sweet you wanted to meet me beforehand.

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It's still home affairs. You're still part of the team,

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and it's the team Clarence believes in.

0:23:100:23:12

What? You, me and Gregory Peck? What is he? Oxford-educated?

0:23:120:23:15

Well, at least you're with your own kind.

0:23:150:23:17

Oh, of course. You find him attractive.

0:23:170:23:20

You're pathetic.

0:23:200:23:22

It's you who said you were calcifying in newsreels.

0:23:220:23:25

Do you seriously want to die there? The last job I got you,

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you nearly closed us down - you accused the then Minister of Trade of accepting bribes.

0:23:280:23:33

He had. He was.

0:23:330:23:36

Clarence has championed you since day one.

0:23:400:23:44

He was giving you an opportunity

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and you have just thrown it back in his face.

0:23:480:23:51

You could be even more brilliant than you know, but you just have to ruin it.

0:23:510:23:55

A new programme, a new era.

0:23:570:23:59

And they want me as producer.

0:24:000:24:02

They're humouring you.

0:24:040:24:07

They don't want a woman. A woman is difficult. Hysterical.

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And you can never really find one who will ever stay.

0:24:130:24:15

-A couple more years, you'll probably want a baby.

-Oh, don't speak.

0:24:150:24:18

It's what they're thinking. Anything else is just your vanity making you believe...

0:24:180:24:23

What?

0:24:230:24:25

That I can do it? That I can actually do this?

0:24:250:24:30

Watch me.

0:24:320:24:33

Oh, Lyon, George wants to bump the Vice Presidential nominations for the Duke of Edinburgh...

0:25:080:25:14

-Not guilty. Mr Wengrow is on Royal duty.

-Well, he does look very smart on his horse.

0:25:140:25:19

Copy in by four, ladies and gentlemen.

0:25:190:25:21

Oh, a doctor's been seen arriving at Downing Street, apparently Eden's unwell again.

0:25:210:25:25

-Well, you know where rumour gets us.

-And Cairo?

-I'm covering the bobsleigh at Bergen and then I'm...

0:25:250:25:30

What to you is rumour, to the rest of the world is foresight, George.

0:25:300:25:34

-Have you done your copy for the Elms' engagement yet, Mr Lyon?

-Not remotely.

0:25:360:25:40

You know I have any number of men who would happily fill your post, Mr Lyon.

0:25:400:25:45

Is that a threat?

0:25:460:25:49

Four o'clock. No Eden. No Cairo.

0:25:520:25:56

Don't sulk, spoils your face.

0:26:000:26:03

They could have at least offered me foreign affairs.

0:26:030:26:06

Already taken.

0:26:060:26:08

You?

0:26:080:26:10

Traitor. I want my desk back.

0:26:100:26:13

As I recall, I won this desk.

0:26:130:26:16

You've got absolutely no poker face.

0:26:230:26:27

Mr Lyon, there's a lady to see you. She said you're old friends.

0:26:290:26:33

Nice coat.

0:26:440:26:46

Mother hates it. I wear it to annoy her.

0:26:460:26:49

One needs to find tiny acts of rebellion where one can.

0:26:490:26:52

Is this a joke?

0:26:560:26:57

That's funny. Most people think I'm too serious.

0:26:580:27:04

But I find it very serious indeed, the world.

0:27:040:27:08

-You have grown up.

-Oh, don't patronise me.

0:27:080:27:11

Why didn't you ever reply to my letters?

0:27:150:27:17

It didn't matter.

0:27:220:27:23

I've kept up with what you're doing. Read your odd articles.

0:27:230:27:28

That makes you quite unique.

0:27:280:27:30

I even found the short story you wrote in The Listener,

0:27:300:27:33

which, I may add, was not very good.

0:27:330:27:36

Though I suppose the novel is perhaps still the last domain of the free mind.

0:27:360:27:42

Where they can't tell you what to think, what to say.

0:27:420:27:46

That and art, I suppose.

0:27:470:27:49

They? Who are they? What are you talking about?

0:27:510:27:54

They.

0:27:540:27:56

They are everywhere.

0:27:590:28:02

Here in this building. Out in the street, in your office.

0:28:020:28:05

They even control what you write.

0:28:050:28:08

Have you heard of Peter Darrall?

0:28:130:28:15

He is...

0:28:170:28:19

He WAS one of the leading political minds this country had.

0:28:200:28:24

He was killed last night.

0:28:240:28:26

It will be reported in the evening papers as a robbery.

0:28:290:28:32

It wasn't.

0:28:320:28:34

There will be no investigation.

0:28:340:28:36

Even those who loved him the most will be told to forget him.

0:28:370:28:41

They will weave a web of deceitful lies.

0:28:410:28:45

You think it's ridiculous?

0:28:470:28:49

I wish it were.

0:28:490:28:52

I want you to find out why he was murdered.

0:28:540:28:57

-Go to the police, I'm not the right person.

-Yes, you are!

0:28:570:29:00

You think you live in a democracy?

0:29:000:29:02

You think this country stands for freedom of speech?

0:29:040:29:07

It does not.

0:29:070:29:09

No, I'll make my own way out.

0:29:160:29:18

They will kill me if they know I'm talking to you.

0:29:210:29:25

A man, stabbed, North London... Came in this morning.

0:29:480:29:52

Did anyone see it? Peter, his name was Peter something.

0:29:520:29:57

-Did he forgive you?

-Who?

0:30:070:30:09

Mr Lyon? You really should have told him, you know.

0:30:090:30:12

He's a big boy.

0:30:120:30:14

You found one another. Douglas is on his way.

0:30:140:30:19

-All right, Charlie? Here you are.

-No.

0:30:250:30:29

Suspected robbery. Came in last night.

0:30:290:30:34

BABY CRIES

0:30:340:30:38

You been frightening babies?

0:30:380:30:41

Plain clothes were in an hour ago.

0:30:500:30:52

Alexis Storm will be heading the foreign desk. She covered the...

0:30:540:30:57

Spanish Civil war in Madrid, broke the news in '40

0:30:570:31:00

that the British troops had arrived in France.

0:31:000:31:03

She has an extensive network of stringers all through Europe, the Middle East and Africa.

0:31:030:31:09

I'm presuming that you've resolved the home desk.

0:31:090:31:11

-There are a number of faces in the frame.

-Clarence.

-We'll have the claret.

0:31:110:31:15

I realise that Freddie wasn't at his best this morning.

0:31:150:31:17

-You don't need him.

-He is passionate.

0:31:170:31:20

He's dangerous.

0:31:200:31:22

There's that very nice chap in that Sunday news review. He might be an idea.

0:31:220:31:26

No. Freddie is infuriating and outspoken,

0:31:260:31:32

but he sees the extraordinary in the ordinary.

0:31:320:31:35

I truly believe we need him.

0:31:350:31:38

I need him, to make the programme the best that it can be.

0:31:400:31:45

And what is that?

0:31:450:31:47

The world that Freddie sees.

0:31:470:31:50

A train crash, a labour strike,

0:31:500:31:53

Freddie will be somewhere away from all the other journalists,

0:31:530:31:56

talking to the last person that should matter,

0:31:560:31:59

but that is the story that matters most to ordinary people.

0:31:590:32:02

He finds them.

0:32:020:32:03

Douglas.

0:32:030:32:05

Clarence. I hope you ordered for me. Please.

0:32:050:32:09

How many men?

0:32:100:32:12

Five.

0:32:120:32:13

MI5?

0:32:150:32:16

Box 850, governor says.

0:32:180:32:19

SIS?

0:32:210:32:23

You know you're someone when MI6 come to pay their respects.

0:32:250:32:27

Did they do this?

0:32:290:32:30

Someone's looking for something.

0:32:340:32:36

There's £15 in here. Wasn't much of a robbery.

0:32:440:32:49

Unless they stole his last cigarette.

0:33:030:33:07

Five minutes. We're done.

0:33:110:33:13

Yes. We're done.

0:33:190:33:20

LAUGHTER

0:33:260:33:28

McCain's in.

0:33:330:33:34

One of Eden's press minions.

0:33:380:33:40

Christ, he's coming over.

0:33:430:33:45

Leave it to me.

0:33:460:33:49

So, this is how Westminster feeds you, hmm?

0:33:490:33:52

Clarence. What a gathering we have here, and Mr Madden.

0:33:520:33:56

Yes.

0:33:560:33:58

Er... Oh, Miss Rowley. You did that lovely piece, "At Home With Lady Eden".

0:33:580:34:03

My friends so enjoyed that.

0:34:030:34:06

Is Prime Minister Eden in good health?

0:34:060:34:08

-Yes, he is, thank you.

-Only I heard he'd been unwell again.

0:34:080:34:11

Such maternal instincts, I do think you're rather wasted in news.

0:34:110:34:16

I was hoping to see you today,

0:34:170:34:19

Michael was very keen to have a word.

0:34:190:34:22

Pandit Nehru is coming to town.

0:34:220:34:24

Barton's been on the phone banging on at me for weeks about having an interview.

0:34:240:34:28

"No," I said, "sorry, BBC has first dibs."

0:34:280:34:31

Yes. Are we celebrating?

0:34:320:34:35

We're launching a topical news programme.

0:34:350:34:37

Oh! Good, Marvellous. Yes, um, does it have a name yet?

0:34:370:34:42

Oh, working on it.

0:34:420:34:44

Mr Madden will present it, Clarence at the helm

0:34:440:34:47

-and Miss Rowley as the producer.

-That must have been a surprise.

0:34:470:34:50

What a coup, Miss Rowley!

0:34:500:34:53

Douglas, I must introduce your team to...

0:34:530:34:55

It's the mackintosh.

0:34:550:34:57

You left it on the table.

0:35:030:35:04

-Thank you.

-How about a brandy to celebrate?

0:35:050:35:08

Well, I'd love to, but...

0:35:080:35:10

beyond that door women are not allowed.

0:35:100:35:13

What is it about you men?

0:35:160:35:19

You always need a tiny corner where we can't quite reach you.

0:35:190:35:22

Then we'll have to take you elsewhere.

0:35:230:35:25

Come on, I'm good at smuggling contraband.

0:35:250:35:28

This is highly illegal.

0:35:390:35:41

That's what makes it so much more enjoyable.

0:35:410:35:44

How can you bear that man talking to you like that?

0:36:030:36:05

We'd be foolish to make an enemy of anyone close to government, Mr Madden.

0:36:050:36:10

Hector.

0:36:100:36:12

Hero of Troy.

0:36:120:36:15

Father with pretensions of a scholar.

0:36:150:36:18

And mother?

0:36:200:36:21

Oh, she died, when I was ten.

0:36:210:36:25

I've been out long enough.

0:36:390:36:41

Some of us have work to do.

0:36:410:36:43

So it's true what they say?

0:36:430:36:44

You work twice as hard as any man and none is half as good as you.

0:36:440:36:49

I enjoy the company of men.

0:36:490:36:51

Is it true you covered McCarthy's Lincoln Day speech?

0:36:510:36:55

With a tape recorder that didn't work.

0:36:570:37:00

Well, I don't believe you're prepared to give up this job for Mr Lyon.

0:37:000:37:04

I think you'll do whatever it takes.

0:37:040:37:06

Take the afternoon off.

0:37:100:37:12

You'll be out by the end of the week anyway.

0:37:120:37:15

I hope you're not going to be this lax when I'm your producer.

0:37:210:37:24

Talk to Mr Lyon.

0:37:280:37:30

I intend to. He doesn't listen to anyone but himself.

0:37:310:37:35

-This shouldn't be open. They told me it was going to be kept locked.

-They?

0:37:480:37:54

I have an appointment with Mr Darrall.

0:37:540:37:57

Oh. Professor Darrall sadly passed away last night.

0:37:570:38:00

Oh, I'm so sorry.

0:38:010:38:03

You knew him?

0:38:030:38:05

No, but I hoped to.

0:38:050:38:07

-If you'd like to talk to the bursar...

-Was he married?

0:38:080:38:12

Professor Darrall? Er, no, I don't believe so.

0:38:120:38:15

Tragic.

0:38:170:38:19

Apparently it was a robbery.

0:38:190:38:21

You've spoken to the police?

0:38:210:38:23

Well, I'm sure it will be in the afternoon press.

0:38:230:38:25

All right, sir?

0:38:450:38:46

Um, do you recognise this man? He works near here.

0:39:030:39:06

Yeah, came in last night, just as I was closing up.

0:39:070:39:11

He didn't have no change. I told him he could pay me tomorrow,

0:39:110:39:14

but he insisted I take this as security.

0:39:140:39:17

It seemed a bit much for a packet of smokes.

0:39:170:39:20

The thing is that he didn't come back.

0:39:200:39:22

Orchids. You should talk to your banker.

0:39:340:39:38

They really are an awful cliche.

0:39:380:39:40

George.

0:39:420:39:43

George.

0:39:470:39:49

You know I'm leaving, don't you?

0:39:500:39:52

What?

0:39:540:39:56

If I'm about to lose two of my best journalists then I'm entitled to feel a little sore.

0:39:560:40:00

You're a big girl, Bel, so I'll tell you this for nothing.

0:40:010:40:05

I know, because there are no secrets in this place.

0:40:050:40:08

You'll have your strings yanked like the rest of us.

0:40:080:40:11

-No, George.

-You'll see.

0:40:110:40:14

There you are, Georgie.

0:40:140:40:15

An eminent professor is found with his throat cut

0:40:150:40:18

and it's reported as a robbery. No inquest. No search for suspects.

0:40:180:40:22

Every seam in his suit has been cut. MI6 visited the mortuary.

0:40:220:40:25

Missed your slot. Programme's been filled.

0:40:250:40:28

When does MI6 visit the body of a robbery victim?

0:40:300:40:33

-They won't even answer my questions.

-Why should they? They're MI6.

0:40:330:40:37

What? And we should never challenge that?

0:40:370:40:39

He still had his wallet and his watch.

0:40:390:40:41

Give me another 24 hours and I know I can follow it up, George.

0:40:410:40:44

Though I share your desire to live in the pages of an Ian Fleming novel, Mr Lyon,

0:40:440:40:49

I prefer to keep my life separate from a work of fiction.

0:40:490:40:52

No! This is happening now, right now, outside this building,

0:40:520:40:55

down on those streets, and we are doing a disservice to the public to deny it.

0:40:550:40:59

You won't run this, but you'll run footage of Ruth Elms smiling at her engagement?

0:40:590:41:03

No, the film blew. The bobsleigh - also gone.

0:41:030:41:05

-Eddie thinks there's something wrong with the machine.

-For God's sake.

0:41:050:41:09

Have you had a single original thought in your life?

0:41:090:41:12

Do you want to die knowing you were always a yes man?

0:41:120:41:14

If you'll excuse me, I have a news programme to get out.

0:41:160:41:20

Do you know more people watch The Sooty Show than us, George?

0:41:240:41:28

You're sacked.

0:41:280:41:29

Accepted.

0:41:300:41:32

Freddie.

0:41:320:41:33

Buzz off, Moneypenny.

0:41:380:41:39

It is true, I am asking myself why I am doing this,

0:41:430:41:46

especially as it is you who should be apologising to me.

0:41:460:41:49

-But that's what you do when you believe in someone.

-You let me go in there.

0:41:490:41:54

I should have told you. I'm sorry.

0:41:540:41:56

-But home affairs is...

-Not presenter. Not good enough.

0:41:560:42:00

But most of all not here! Don't you want to get out?

0:42:000:42:02

Who else is going to have you?

0:42:020:42:05

-You know some nice girl needs to rescue you.

-Who?

0:42:080:42:11

There's only ever been you.

0:42:110:42:15

And you're not even that nice.

0:42:190:42:21

All right, you sit here, pulling apart some stupid cigarette case

0:42:290:42:34

-when next week you could be...

-Before, it was an offer I declined.

0:42:340:42:37

Now, it's a pity post, which I just can't.

0:42:370:42:39

-Won't.

-No. And don't ask again, because, quite frankly,

0:42:390:42:42

it's getting very tedious, your inability to stand on your own two feet.

0:42:420:42:46

But then I suppose one should expect that from you.

0:42:480:42:51

I mean, for all your strong talk, Moneypenny,

0:42:510:42:54

you really are quite hopeless, aren't you?

0:42:540:42:56

You want to be, oh, so independent

0:42:560:42:58

but you just can't quite cut it alone.

0:42:580:43:02

Why else do you throw yourself at such unavailable men?

0:43:040:43:06

Bravo.

0:43:080:43:09

PHONE RINGS

0:43:200:43:22

Yes?

0:43:240:43:25

'Yes?'

0:43:260:43:28

Nothing. They've reported nothing.

0:43:280:43:32

I'm sorry, but...

0:43:340:43:35

you were stupid to ask me to help you

0:43:350:43:37

'and I was even more stupid to think that I could.'

0:43:370:43:40

Are you still there?

0:43:430:43:45

'Ruthie?'

0:43:470:43:48

Never give up, Freddie. Never.

0:43:480:43:50

'If it's something you truly care about, believe in,

0:43:500:43:54

'then you have to keep kicking back.

0:43:540:43:56

'Let the rest of them give up if they must,

0:43:560:43:58

'but if that is being a grown-up...'

0:43:580:44:01

..I'd rather stay 21 forever.

0:44:030:44:05

Ruthie?

0:44:080:44:10

-OPERATOR:

-'Sir, could you please hang up?'

0:44:100:44:13

Could you tell me where this call is being made from, please?

0:44:130:44:16

'The Claringdon Hotel, sir.'

0:44:160:44:17

Bel and I are leaving in five minutes.

0:44:260:44:29

Stop being such a coward.

0:44:290:44:30

When I was in France, there were these men.

0:44:330:44:35

I'd... I'd loosely call them journalists, but they were never at the front.

0:44:350:44:41

They never stuck their head above the parapet,

0:44:410:44:43

they were terrified of being shot.

0:44:430:44:45

Yet they wrote some of the best battle reportage I've ever read -

0:44:450:44:48

filched most of it from us and what they didn't know, they'd make up.

0:44:480:44:53

But you're not one of them. And you'll never truly know, Freddie,

0:44:530:44:56

unless you stick your neck out and get yourself a bit muddy.

0:44:560:45:00

Come on, jump. I dare you.

0:45:010:45:04

-Coming for a drink?

-Already drunk.

0:45:270:45:30

But I don't smoke.

0:45:320:45:33

Save it for later.

0:45:330:45:35

I wondered if you could have a look at this, Mr Lyon?

0:45:360:45:39

I'd really appreciate your opinion.

0:45:390:45:41

"The tradition of Freedom of the City of London dates back to

0:45:410:45:45

"the 13th century when it attracted privileges including

0:45:450:45:48

"being allowed to go about the city with a drawn sword."

0:45:480:45:52

-Did George ask you to write this?

-Yes.

0:45:520:45:54

It's very, um...

0:45:560:45:58

It's very, um...nice and clear.

0:45:580:46:03

It's... It's boring.

0:46:030:46:05

Yes.

0:46:050:46:07

I thought so.

0:46:070:46:08

You forgot your lamp.

0:46:430:46:44

It's just a piece of tat I picked up somewhere.

0:46:440:46:47

April. 1952. Your birthday. I bought it from John Lewis.

0:46:470:46:50

-A yellow desk light. Just what every girl needs.

-Isaac! In.

0:46:500:46:54

What are you doing?

0:46:540:46:55

I thought we'd come along for the ride.

0:46:550:46:57

-Douglas has invited us for drinks at Lime Grove Studios.

-Goody.

0:46:570:47:02

Children. There will be tears.

0:47:020:47:04

TV CHATTERS

0:47:110:47:13

Thank you.

0:47:300:47:33

Shall we leave our things over here?

0:47:350:47:38

I think that will be all right. >

0:47:380:47:40

What? Falling at the first hurdle?

0:47:500:47:53

You can do this job standing on your head, Moneypenny,

0:47:540:47:57

and don't let anyone tell you otherwise.

0:47:570:47:59

Not me, not George, not your stupid bloody banker.

0:47:590:48:03

You're the best man for the job, and you know it.

0:48:030:48:07

Is that your idea of an apology?

0:48:070:48:10

After I gave you that lamp, we ate at that terrible Chinese.

0:48:100:48:13

It's an angle-poise because you press your face too close to the page when you read

0:48:130:48:17

and there's never enough light.

0:48:170:48:19

You won't wear glasses because you say your nose is too small

0:48:190:48:22

and with glasses you'd look like a mole...

0:48:220:48:25

Which you don't... Wouldn't...

0:48:250:48:27

They'd suit you. You'd look just as...

0:48:270:48:30

fairly beautiful as you are.

0:48:300:48:32

It's yellow because you said no-one wants a yellow lamp.

0:48:320:48:35

So I thought if I got if for you in yellow then no-one would steal it from your desk.

0:48:350:48:39

I do give these things quite a lot of consideration, you see...

0:48:410:48:44

The devil is in the detail.

0:48:440:48:47

And what you said about my story...

0:48:470:48:51

you're right. George will never run it.

0:48:510:48:55

An academic, seemingly eminent, has his throat slit in a suburban street.

0:48:550:48:59

Who wants to hear that? It shouldn't stop me.

0:48:590:49:01

-That's why I am pulling apart a cigarette case.

-I want to hear you say it.

0:49:010:49:05

I get first choice of desk. And I want an office with a window.

0:49:090:49:13

And an assistant.

0:49:130:49:14

I'll absolutely need an assistant.

0:49:140:49:17

And I won't do the farming slots.

0:49:190:49:21

And?

0:49:250:49:26

May I accept the offer that I so...

0:49:300:49:34

Rudely.

0:49:340:49:37

So rudely declined?

0:49:350:49:37

The Hour!

0:49:560:49:58

It'll never run.

0:49:590:50:01

-Mr Lyon.

-Mr Madden.

0:50:050:50:07

-Looking forward to working with you.

-At least that makes one of us.

0:50:070:50:11

-Thank you.

-Thank you.

0:50:150:50:17

Welcome on board, comrade.

0:50:190:50:22

GENERAL CHATTER MUSIC PLAYS

0:50:330:50:36

-Help us out, have a look, see what you can do!

-There's nothing to worry about.

0:50:400:50:45

Clarence. I...

0:50:500:50:52

Don't say it.

0:50:520:50:54

New slate, new day.

0:50:540:50:56

-You're always watching.

-I find it helps.

0:51:180:51:21

Otherwise one tends to walk into walls, doors, that sort of thing.

0:51:230:51:26

Yes, she said you were witty.

0:51:260:51:28

She's easy to make laugh.

0:51:280:51:31

So tell me about yourself, Mr Lyon.

0:51:310:51:33

No.

0:51:430:51:45

Isaac!

0:51:460:51:47

Isaac, the cigarette...

0:51:490:51:51

The cigarette that I...

0:51:510:51:53

Bingo!

0:52:120:52:14

MUSIC DROWNS SPEECH

0:52:210:52:25

How did you know I like them?

0:52:280:52:29

All beautiful women like orchids.

0:52:290:52:31

Do they really fall for that line?

0:52:310:52:34

Is it bad?

0:52:340:52:36

Very bad.

0:52:360:52:39

< Darling, there you are.

0:52:390:52:42

Well, somebody obviously did.

0:52:420:52:44

That's your...?

0:52:440:52:46

Wife.

0:52:460:52:48

Of course.

0:52:480:52:51

-And your?

-Father-in-law.

0:52:510:52:54

Douglas and he have been friends for years.

0:52:540:52:59

And I thought it was because you had such a pretty face.

0:52:590:53:03

Hello, you look so handsome!

0:53:050:53:08

Here he is - the face of tomorrow.

0:53:080:53:11

Congratulations, Hector.

0:53:110:53:13

Thank you, Wallace.

0:53:130:53:14

Ladies and gentleman, may I have your attention.

0:53:150:53:19

We are embarking

0:53:190:53:23

on what I hope is to become a truly exciting journey.

0:53:230:53:29

To the dawn of a new era.

0:53:290:53:32

The Hour is coming.

0:53:320:53:37

ALL: The Hour!

0:53:370:53:39

RADIO PLAYS INTERVIEW

0:53:450:53:47

RADIO PLAYS JIVE MUSIC

0:55:090:55:10

Ruth?

0:55:280:55:30

Ruthie, it's just me.

0:55:320:55:34

Hello?

0:55:360:55:37

CHOKING

0:55:440:55:47

Ruth!

0:55:480:55:50

SHE GASPS AND CHOKES

0:55:510:55:53

Ruth!

0:55:540:55:56

SHE GASPS

0:55:590:56:01

Ruthie! Ruthie!

0:56:050:56:08

TELEPHONE RINGS

0:56:310:56:36

Hello.

0:56:390:56:40

'Did you fire Mr Lyons?'

0:56:400:56:42

Yes, he's someone else's problem now.

0:56:420:56:46

'Good evening, Reception.'

0:57:100:57:12

Yes, hello. The police, could you call the police, please?

0:57:120:57:15

-'Which room, sir?'

-This is room 214.

0:57:150:57:18

'Could you hold, please?'

0:57:180:57:20

Are you in discomfort,

0:57:570:57:59

or does it just SEEM as if you have a pickle up your backside?

0:57:590:58:01

I want that man banned from the set!

0:58:010:58:03

-The World Service sent him up. This is Mr...

-Kish. Thomas Kish.

0:58:030:58:09

She wanted me to help her.

0:58:090:58:10

And did you?

0:58:100:58:12

I run a news programme.

0:58:120:58:14

I wanted to illuminate the situation.

0:58:140:58:16

But you cannot go ahead with this interview.

0:58:160:58:18

Subtitles by Red Bee Media Ltd

0:58:380:58:41

E-mail [email protected]

0:58:410:58:44

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