
Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
In all your years of dealing with the dead and dying, | 0:00:02 | 0:00:04 | |
-have you ever seen anything that you could not explain? -Never. | 0:00:04 | 0:00:07 | |
NATHAN: Are you there? Are you with me? | 0:00:07 | 0:00:08 | |
NATHAN: Gabriel drew a picture of a woman with a book and so did Harriet. | 0:00:08 | 0:00:12 | |
If you're suggesting that my pursuit | 0:00:12 | 0:00:13 | |
of the truth is in relation to Gabriel... | 0:00:13 | 0:00:16 | |
Only you can answer that. | 0:00:16 | 0:00:17 | |
God help me, I see the dead | 0:00:17 | 0:00:19 | |
and I have to understand why this is happening! | 0:00:19 | 0:00:22 | |
-DENNING: -You are transgressing against God and nature. | 0:00:22 | 0:00:26 | |
-Another one of us gone. -Where does it all end, Gideon? | 0:00:26 | 0:00:29 | |
What do they say about me? | 0:00:29 | 0:00:31 | |
They say you're raising the dead. | 0:00:31 | 0:00:32 | |
-CHILD'S VOICE ON RECORD: -Daddy! | 0:00:32 | 0:00:34 | |
Where are you, Daddy? | 0:00:34 | 0:00:37 | |
-WOMAN: -Nathan? Nathan? | 0:00:37 | 0:00:39 | |
Are you there? | 0:00:40 | 0:00:41 | |
NATHAN: I will protect you. | 0:00:42 | 0:00:44 | |
But can you protect our child? | 0:00:44 | 0:00:47 | |
This programme contains some scenes which some viewers may find upsetting | 0:00:47 | 0:00:54 | |
TAPPING | 0:00:54 | 0:00:57 | |
TAPPING INTENSIFIES DOOR OPENS | 0:00:57 | 0:01:00 | |
SUDDEN THUD | 0:01:04 | 0:01:05 | |
THUDDING | 0:01:10 | 0:01:12 | |
THUDDING | 0:01:21 | 0:01:23 | |
BANGING | 0:01:31 | 0:01:33 | |
-This was supposed to be a surprise. -I am surprised! | 0:01:40 | 0:01:43 | |
-I wasn't expecting this! -I'm beginning to suspect that | 0:01:43 | 0:01:47 | |
whoever constructed this crate | 0:01:47 | 0:01:49 | |
did so with the intention of it withstanding theft | 0:01:49 | 0:01:52 | |
and fire and acts of God. | 0:01:52 | 0:01:55 | |
See, that's what first attracted me to you. | 0:02:03 | 0:02:06 | |
Beautiful and so adept with a chisel! | 0:02:06 | 0:02:09 | |
SHE LAUGHS | 0:02:09 | 0:02:11 | |
-CHARLOTTE: -A crib! | 0:02:16 | 0:02:18 | |
I love it! | 0:02:20 | 0:02:21 | |
And things like this are what first attracted me to you, | 0:02:28 | 0:02:33 | |
my wonderful Mr Appleby. | 0:02:33 | 0:02:35 | |
SHE LAUGHS | 0:02:40 | 0:02:41 | |
Thank you. | 0:02:41 | 0:02:42 | |
PANTING | 0:02:49 | 0:02:52 | |
RHYTHMICAL PANTING | 0:02:54 | 0:02:57 | |
GROANING | 0:02:57 | 0:03:01 | |
WOMAN GASPS MAN GRUNTS | 0:03:01 | 0:03:03 | |
-SMITH: -What, you're leaving?! | 0:03:06 | 0:03:08 | |
Unless you've got something else I | 0:03:08 | 0:03:10 | |
haven't seen, don't see much cause for staying. | 0:03:10 | 0:03:12 | |
I've never had any complaints from the lasses. | 0:03:12 | 0:03:15 | |
Reckon I'm more particular than the usual rubbish you've been having. | 0:03:15 | 0:03:18 | |
Rubbish?! | 0:03:18 | 0:03:19 | |
I'll give you rubbish! | 0:03:20 | 0:03:22 | |
LAUGHTER | 0:03:22 | 0:03:24 | |
SMITH SCREAMS | 0:03:28 | 0:03:29 | |
GASPS | 0:03:29 | 0:03:30 | |
SCREAMS | 0:03:31 | 0:03:33 | |
CLATTERING HOOVES | 0:03:35 | 0:03:36 | |
Who's there? HORSE WHINNIES | 0:03:40 | 0:03:42 | |
Show yourself now! | 0:03:45 | 0:03:46 | |
DISTANT BANGING FAINT SCREAMING | 0:03:49 | 0:03:53 | |
SCREAMING CONTINUES | 0:03:54 | 0:03:56 | |
SWORD IS UNSHEATHED HOOVES CLATTER | 0:04:02 | 0:04:06 | |
CLATTERING INTENSIFIES SCREAMING | 0:04:06 | 0:04:09 | |
# This one night | 0:04:17 | 0:04:19 | |
# This one night | 0:04:19 | 0:04:22 | |
# Every night and all | 0:04:22 | 0:04:26 | |
# Fire and sleet and candlelight | 0:04:28 | 0:04:33 | |
# And Christ receive thy soul. # | 0:04:33 | 0:04:36 | |
MAUD: You know the stories of the Allhallows Massacre, we all do, | 0:04:53 | 0:04:57 | |
about how the Roundhead army rode on Shepzoy | 0:04:57 | 0:05:01 | |
with their muskets and swords, slaughtering all before them, | 0:05:01 | 0:05:05 | |
killed every man, woman and child, they did. | 0:05:05 | 0:05:09 | |
And those that tried to flee were given the worst death of all, | 0:05:09 | 0:05:14 | |
hunted down and strung up in the trees by their necks, | 0:05:14 | 0:05:19 | |
gutted like pigs. And there were that many hanging in the woods | 0:05:19 | 0:05:23 | |
that the ground was sodden with blood | 0:05:23 | 0:05:25 | |
and it was Allhallows time when it happened, just like now. | 0:05:25 | 0:05:31 | |
CAWING | 0:05:33 | 0:05:34 | |
PIG GRUNTS | 0:05:34 | 0:05:37 | |
PIG SQUEALS | 0:05:49 | 0:05:52 | |
Gwen didn't see it! He was just sitting on the floor in the woods, | 0:05:57 | 0:06:02 | |
he was that terrified, | 0:06:02 | 0:06:04 | |
just going on about what he'd seen. | 0:06:04 | 0:06:07 | |
A woman, strung up in the tree by her neck, | 0:06:07 | 0:06:10 | |
she was, her guts hanging out. | 0:06:10 | 0:06:12 | |
That's what the engineer saw. | 0:06:12 | 0:06:14 | |
It's an omen, that they're coming for us. | 0:06:14 | 0:06:17 | |
-All the railway boys are saying so. -Well, of course they are! | 0:06:17 | 0:06:22 | |
Them railway lads townies, every last one of them. | 0:06:22 | 0:06:25 | |
You put them in the woods at night | 0:06:25 | 0:06:29 | |
and they'll tell you they seen Lucifer himself. | 0:06:29 | 0:06:31 | |
Thought you'd got more sense, Maud Hare, | 0:06:34 | 0:06:36 | |
taking heed of stories like that! | 0:06:36 | 0:06:38 | |
Just telling you what I heard, that's all. | 0:06:41 | 0:06:43 | |
Well, some nonsense is best kept to yourself. | 0:06:43 | 0:06:46 | |
Mr Smith. | 0:06:47 | 0:06:49 | |
Can't you at least tell me what she | 0:06:49 | 0:06:51 | |
looked like, this woman you saw hanging? | 0:06:51 | 0:06:53 | |
-No, Mr Appleby, I can not. -Mr Smith. | 0:06:53 | 0:06:55 | |
Mr Smith! | 0:06:56 | 0:06:59 | |
It is of the utmost importance that I know what occurred. | 0:07:01 | 0:07:04 | |
-Where did you see this event? -In the copse. | 0:07:04 | 0:07:06 | |
By the old swing. | 0:07:06 | 0:07:08 | |
Yes? | 0:07:09 | 0:07:10 | |
Sorry, Mr Appleby, I... | 0:07:12 | 0:07:13 | |
I have not the stomach to revisit | 0:07:13 | 0:07:15 | |
what I saw last night, now or ever again. | 0:07:15 | 0:07:18 | |
-Mr Smith... -I have travelled the length | 0:07:18 | 0:07:20 | |
of our great empire with the railway, but this place... | 0:07:20 | 0:07:23 | |
There is something wrong here. | 0:07:25 | 0:07:27 | |
Something very, very wrong. | 0:07:28 | 0:07:30 | |
-CHARLOTTE: -They can't just suspend work. | 0:07:35 | 0:07:37 | |
They can, they have. | 0:07:37 | 0:07:40 | |
-For how long? -Until they can find new workers willing to come here, | 0:07:40 | 0:07:43 | |
which Smith reckons won't be easy, not when word spread about the | 0:07:43 | 0:07:46 | |
-things that have been occurring here. -What if they can't find new workers? | 0:07:46 | 0:07:49 | |
The railway will chart an alternative route, bypassing our land. | 0:07:49 | 0:07:53 | |
SHE SIGHS | 0:07:53 | 0:07:54 | |
Well, damn them! Damn the railway! | 0:07:54 | 0:07:57 | |
We can survive without their money. The harvest fetched a good price, | 0:07:58 | 0:08:01 | |
-we don't need them. -It feels like every time | 0:08:01 | 0:08:04 | |
we make any progress, something intervenes to thwart us. | 0:08:04 | 0:08:07 | |
It's to be expected, all this - | 0:08:09 | 0:08:12 | |
the farm, the fields, it's unfamiliar territory. | 0:08:12 | 0:08:15 | |
I'm not talking about that, | 0:08:15 | 0:08:16 | |
I'm talking about something more sinister. | 0:08:16 | 0:08:18 | |
Whatever Smith saw last night was so | 0:08:18 | 0:08:20 | |
terrible he would not stay another night. | 0:08:20 | 0:08:23 | |
What he imagined he saw. | 0:08:23 | 0:08:24 | |
It was late and dark and the copse is... unsettling even in daylight. | 0:08:26 | 0:08:32 | |
But being wilfully blind to what's | 0:08:32 | 0:08:34 | |
occurring around us is not a solution. | 0:08:34 | 0:08:36 | |
These events will continue without our intervention. | 0:08:39 | 0:08:41 | |
I am not being wilfully blind. | 0:08:41 | 0:08:44 | |
I accept what I see, that is all. | 0:08:44 | 0:08:46 | |
You're concerned, I see that, | 0:08:48 | 0:08:49 | |
but I cannot believe that every ill | 0:08:49 | 0:08:51 | |
that befalls us is the work of a ghost. | 0:08:51 | 0:08:53 | |
We must focus on the farm, on the future... | 0:08:57 | 0:09:00 | |
...for us and our child. | 0:09:01 | 0:09:04 | |
CONVERSATION OUTSIDE | 0:09:36 | 0:09:38 | |
-GIDEON: -Ma'am, would you... would you like a smile? | 0:09:49 | 0:09:53 | |
I think that would detract from the sense of Allhallows, Gideon! | 0:09:53 | 0:09:57 | |
Well, what about a scowl? | 0:09:57 | 0:09:58 | |
-Arghh! -LAUGHTER | 0:09:58 | 0:10:00 | |
No, as you are is fine. | 0:10:00 | 0:10:03 | |
-Is everyone ready? -ALL: Yeah. | 0:10:03 | 0:10:05 | |
Three...two...one. | 0:10:05 | 0:10:09 | |
Toby! | 0:10:11 | 0:10:12 | |
LAUGHTER | 0:10:12 | 0:10:14 | |
Toby! | 0:10:14 | 0:10:16 | |
ROPE CREAKS | 0:10:18 | 0:10:21 | |
HOOVES CLATTER | 0:10:38 | 0:10:40 | |
HORSE WHINNIES | 0:10:40 | 0:10:42 | |
BREATHES HARD | 0:11:04 | 0:11:06 | |
NATHAN PANTS | 0:12:02 | 0:12:03 | |
Nathan! | 0:12:07 | 0:12:08 | |
You're just in time. | 0:12:10 | 0:12:11 | |
One photograph, that's all I'm asking. | 0:12:12 | 0:12:15 | |
All right. | 0:12:27 | 0:12:28 | |
Everybody ready? | 0:12:34 | 0:12:36 | |
-Yes. -Ready. | 0:12:36 | 0:12:38 | |
GIDEON GROWLS GIGGLING | 0:12:38 | 0:12:42 | |
EERIE LAUGHING THEATRICAL HISSING | 0:12:42 | 0:12:45 | |
Three...two...one. | 0:12:51 | 0:12:55 | |
Perfect. | 0:13:00 | 0:13:01 | |
-SCATTERED CHEERING GIDEON: -Is that it, ma'am? | 0:13:01 | 0:13:04 | |
Yes, you're all done. | 0:13:04 | 0:13:06 | |
I'll take this off, then. | 0:13:06 | 0:13:08 | |
MURMURED CONVERSATION | 0:13:08 | 0:13:10 | |
BABY CRIES | 0:13:28 | 0:13:31 | |
BABY CRIES | 0:13:40 | 0:13:42 | |
CRYING INTENSIFIES | 0:13:49 | 0:13:50 | |
I'm coming, Mummy's coming. | 0:13:50 | 0:13:53 | |
CRYING CONTINUES | 0:13:53 | 0:13:55 | |
BABY CRIES | 0:14:07 | 0:14:10 | |
SILENCE | 0:14:13 | 0:14:14 | |
SHE GASPS | 0:14:46 | 0:14:48 | |
ROPE CREAKS | 0:14:53 | 0:14:56 | |
HORSE WHINNIES | 0:15:05 | 0:15:06 | |
HOOVES CLATTER | 0:15:06 | 0:15:08 | |
-Harriet. -Mr Appleby. | 0:15:10 | 0:15:12 | |
I need your assistance in an important matter. | 0:15:12 | 0:15:15 | |
Of course. | 0:15:16 | 0:15:17 | |
But...I am expected home. | 0:15:17 | 0:15:20 | |
-Perhaps it could hold until tomorrow? -No, | 0:15:20 | 0:15:21 | |
this is very important, Harriet, | 0:15:21 | 0:15:23 | |
it requires your attention this evening. | 0:15:23 | 0:15:26 | |
I'm sure your parents will forgive your tardiness | 0:15:26 | 0:15:28 | |
when they hear you've been helping me. | 0:15:28 | 0:15:31 | |
You remember how we did this before? | 0:16:09 | 0:16:12 | |
Yes. | 0:16:12 | 0:16:13 | |
Good. | 0:16:14 | 0:16:15 | |
I want you to concentrate on the watch, Harriet. | 0:16:24 | 0:16:27 | |
WATCH TICKS | 0:16:27 | 0:16:29 | |
Look steadily at the watch. | 0:16:35 | 0:16:37 | |
Let everything else fade away. | 0:16:40 | 0:16:42 | |
BANGING | 0:16:59 | 0:17:01 | |
DISTANT SCREAMING SWORD IS UNSHEATHED | 0:17:13 | 0:17:15 | |
HOOVES CLATTER | 0:17:15 | 0:17:17 | |
SCREAMING | 0:17:17 | 0:17:20 | |
HORSE WHINNIES | 0:17:21 | 0:17:22 | |
NATHAN: Invite her to come forward and make her presence felt. | 0:17:29 | 0:17:33 | |
Tell her I know she's been causing all these hauntings. | 0:17:34 | 0:17:38 | |
Tell her that. | 0:17:39 | 0:17:40 | |
Tell her I've seen her. | 0:17:40 | 0:17:41 | |
In the woods, in the house. | 0:17:41 | 0:17:43 | |
You know who I'm talking about. | 0:17:45 | 0:17:46 | |
You know who this woman is, you saw her. | 0:17:49 | 0:17:51 | |
You...you drew her... | 0:17:51 | 0:17:53 | |
..in this very room. | 0:17:55 | 0:17:56 | |
Ask her what she wants. | 0:17:58 | 0:18:00 | |
Ask her, Harriet. | 0:18:04 | 0:18:06 | |
Ask her. | 0:18:06 | 0:18:07 | |
Ask her. | 0:18:11 | 0:18:12 | |
I'm going to wake you up now, Harriet. | 0:18:34 | 0:18:36 | |
-When I get to the number... -They're coming for you. | 0:18:36 | 0:18:39 | |
Nathan, they're coming for you. | 0:18:39 | 0:18:41 | |
Who? | 0:18:41 | 0:18:43 | |
Who is coming? | 0:18:45 | 0:18:46 | |
Harriet! | 0:18:48 | 0:18:50 | |
What do they want? Harriet! | 0:18:50 | 0:18:52 | |
If what the engineer saw last night | 0:19:19 | 0:19:21 | |
is nonsense, then why are they leaving? | 0:19:21 | 0:19:23 | |
Railway's not just going to pack up and go without cause, is they? | 0:19:25 | 0:19:28 | |
SIMON: The bottle on the left, Lizzie. | 0:19:35 | 0:19:37 | |
PUB CONVERSATION UPSTAIRS | 0:19:37 | 0:19:40 | |
THUD | 0:19:46 | 0:19:48 | |
RATTLING | 0:19:48 | 0:19:50 | |
HINGE CREAKS | 0:19:52 | 0:19:54 | |
HINGE CREAKS | 0:19:55 | 0:19:57 | |
CREAKING CONTINUES | 0:20:05 | 0:20:07 | |
SUDDEN THUD | 0:20:09 | 0:20:11 | |
CREAKING | 0:20:16 | 0:20:17 | |
RAT SQUEALS LIZZIE GASPS | 0:20:23 | 0:20:26 | |
SWORD IS UNSHEATHED SCREAMING | 0:20:40 | 0:20:44 | |
BLOOD TRICKLES | 0:20:44 | 0:20:46 | |
ROPE CREAKS SCREAMING | 0:20:49 | 0:20:53 | |
Appleby letting the railway go is bad for the whole village. | 0:20:54 | 0:20:58 | |
Mr Nathan knows what he's doing. | 0:20:58 | 0:21:00 | |
The Applebys have always wanted | 0:21:00 | 0:21:02 | |
the best for this community at heart. | 0:21:02 | 0:21:05 | |
I reckon the railway boys got more sense than we have, | 0:21:06 | 0:21:09 | |
leaving here while they still can. | 0:21:09 | 0:21:11 | |
A dose of the wanderlust, Maud? | 0:21:11 | 0:21:14 | |
No. | 0:21:15 | 0:21:17 | |
But I've got two eyes in my head | 0:21:17 | 0:21:18 | |
and I can see what's going on around here. We all can. | 0:21:18 | 0:21:22 | |
None of it's any good. | 0:21:23 | 0:21:24 | |
Anyway, I'd rather leave now than end up like your Jack, | 0:21:26 | 0:21:28 | |
buried up in Cain's Field with | 0:21:28 | 0:21:30 | |
not so much as a cross above his head. | 0:21:30 | 0:21:32 | |
But if I had a mind to, where would we go? This is our home. | 0:21:35 | 0:21:39 | |
You'd find somewhere new. | 0:21:42 | 0:21:43 | |
Somewhere where you're not living side by side with evil. | 0:21:45 | 0:21:48 | |
MUFFLED CONVERSATION | 0:21:50 | 0:21:52 | |
Gwen? | 0:22:18 | 0:22:19 | |
-Ma'am. -Who did this? | 0:22:23 | 0:22:25 | |
Er, Mr Appleby, ma'am. | 0:22:26 | 0:22:28 | |
He was here with Miss Harriet. | 0:22:28 | 0:22:30 | |
It's the pig's blood, ma'am. | 0:22:32 | 0:22:34 | |
What were they doing? | 0:22:38 | 0:22:39 | |
I don't know, ma'am. | 0:22:40 | 0:22:42 | |
But nothing good comes from inviting the dead back in your life. | 0:22:45 | 0:22:49 | |
DOOR OPENS | 0:23:06 | 0:23:08 | |
FOOTSTEPS APPROACH | 0:23:10 | 0:23:11 | |
Where were you? | 0:23:12 | 0:23:14 | |
I met Mr Appleby in the village and was delayed. | 0:23:14 | 0:23:17 | |
He escorted me all the way home, I wasn't alone. | 0:23:19 | 0:23:22 | |
Harriet, did something happen? | 0:23:22 | 0:23:25 | |
You look perished. Are you all right? | 0:23:27 | 0:23:31 | |
What happened, Harriet? | 0:23:31 | 0:23:32 | |
Tell me! | 0:23:33 | 0:23:35 | |
You should never have involved her! After all that time you spent curing | 0:23:36 | 0:23:40 | |
-her, to drag her back into this business again. -But it was not in vain! | 0:23:40 | 0:23:43 | |
Harriet told me they're coming for me. | 0:23:44 | 0:23:47 | |
Who is coming? | 0:23:47 | 0:23:49 | |
I believe it's this woman, it's this ghost that I've been seeing. | 0:23:49 | 0:23:52 | |
Clarity Winlove. | 0:23:52 | 0:23:54 | |
No, it's another woman. | 0:23:54 | 0:23:55 | |
LAUGHS DERISIVELY | 0:23:55 | 0:23:56 | |
I understand. | 0:23:59 | 0:24:01 | |
-You're sceptical. -Just stop now. | 0:24:01 | 0:24:03 | |
But she's real, I saw her again today. | 0:24:03 | 0:24:05 | |
If I could show you the things I've seen, then you'd believe me! | 0:24:06 | 0:24:09 | |
Amazing things! | 0:24:09 | 0:24:11 | |
Impossible things. | 0:24:11 | 0:24:12 | |
The woman carries a book with photographs of this house, | 0:24:15 | 0:24:18 | |
but they are moving as if the photographs have come to life | 0:24:18 | 0:24:20 | |
and then there is a voice in the photograph, a woman's voice, | 0:24:20 | 0:24:23 | |
and she is calling out Charlie's name and Peter Hare and all the others. | 0:24:23 | 0:24:26 | |
I'm worried about you, Nathan. | 0:24:26 | 0:24:28 | |
This obsession isn't healthy. | 0:24:29 | 0:24:31 | |
Why don't we get away to London for a few days, just us? | 0:24:35 | 0:24:38 | |
No, we can't leave. | 0:24:39 | 0:24:41 | |
-Not now. -Why not? | 0:24:42 | 0:24:45 | |
The harvest is sold, we can see | 0:24:45 | 0:24:46 | |
friends and visit the theatre and galleries, | 0:24:46 | 0:24:48 | |
it'd be like a tonic. Just a few days, that's all I'm asking, | 0:24:48 | 0:24:51 | |
and then we can return rested and clear-headed. | 0:24:51 | 0:24:53 | |
Please, please. | 0:24:53 | 0:24:55 | |
For me. | 0:24:56 | 0:24:57 | |
Very well. | 0:25:03 | 0:25:04 | |
KNOCK AT DOOR | 0:25:05 | 0:25:07 | |
That you'd use my daughter to commune with the dead! | 0:25:07 | 0:25:09 | |
My 16-year-old daughter! | 0:25:09 | 0:25:11 | |
It was a grave error of judgment | 0:25:11 | 0:25:13 | |
-and we accept that. -No, it was an unforgivable betrayal of our friendship. | 0:25:13 | 0:25:16 | |
I meant no harm, | 0:25:16 | 0:25:17 | |
I was merely trying to put an end to these hauntings. | 0:25:17 | 0:25:20 | |
I don't care. You do not now involve my daughter in your misadventures! | 0:25:20 | 0:25:25 | |
You're right, it was unforgivable. Nathan's sorry, aren't you? | 0:25:25 | 0:25:29 | |
DISTANT BOOM | 0:25:29 | 0:25:31 | |
Why would anyone set fire to a tree? | 0:25:45 | 0:25:48 | |
I don't know, but I intend to find out. | 0:25:48 | 0:25:50 | |
If it burns out now, you won't find it in the dark. | 0:25:55 | 0:25:58 | |
Please don't go now, Nathan. | 0:25:58 | 0:26:00 | |
-Please? -Very well. | 0:26:00 | 0:26:03 | |
First thing in the morning, you and I will investigate, Denning. | 0:26:04 | 0:26:08 | |
You came. | 0:26:51 | 0:26:52 | |
Only to satisfy my own curiosity. | 0:26:52 | 0:26:55 | |
Well, there's nothing here, there's | 0:26:55 | 0:26:56 | |
no scorch marks, there's no charred wood, | 0:26:56 | 0:26:58 | |
there's no evidence of any kind that there was a fire here last night. | 0:26:58 | 0:27:01 | |
-Then we must be searching the wrong field. -No, it was here! | 0:27:01 | 0:27:05 | |
We saw it, Charlotte saw it. | 0:27:07 | 0:27:09 | |
If there are no remains, it can't have been here, it's impossible. | 0:27:10 | 0:27:13 | |
Well, of late, I've witnessed many things I'd once have called impossible. | 0:27:13 | 0:27:17 | |
Please tell me we are not discussing the supernormal again! | 0:27:17 | 0:27:19 | |
-If that's what you care to call it. -I believe in God and man | 0:27:19 | 0:27:23 | |
and very little in between! | 0:27:23 | 0:27:25 | |
Then explain how there is not a trace of this tree | 0:27:25 | 0:27:27 | |
we saw blazing so brightly last night. | 0:27:27 | 0:27:29 | |
We just haven't found the remains yet. | 0:27:29 | 0:27:31 | |
And we will. | 0:27:32 | 0:27:33 | |
You'll see. | 0:27:35 | 0:27:36 | |
-KNOCK AT DOOR -Yes? | 0:28:09 | 0:28:11 | |
-GWEN: -Ma'am, the food is hot and ready to be taken into the fields. | 0:28:11 | 0:28:14 | |
I thought it best we take them out while they're still piping, ma'am. | 0:28:14 | 0:28:17 | |
Of course, you're right. We should. | 0:28:20 | 0:28:24 | |
-I'll be down presently. -Yes, ma'am. | 0:28:24 | 0:28:26 | |
NATHAN: You'll find nothing | 0:28:41 | 0:28:42 | |
because what we saw was not an actual tree on fire, | 0:28:42 | 0:28:45 | |
it was just another of these events that have been haunting this village. | 0:28:45 | 0:28:49 | |
-Listen to me, Denning... -Take your hand off me! | 0:28:49 | 0:28:51 | |
I know you're angry with me for involving Harriet in this, | 0:28:53 | 0:28:55 | |
but don't let your anger blind you to what's happening! | 0:28:55 | 0:28:58 | |
I believe I know what's behind all this. | 0:28:58 | 0:29:01 | |
There's a woman. | 0:29:01 | 0:29:02 | |
The ghost, I have mentioned it to you. | 0:29:02 | 0:29:04 | |
She has been present from the very | 0:29:04 | 0:29:06 | |
beginning, throughout all these hauntings. | 0:29:06 | 0:29:08 | |
Listen. I've even heard her | 0:29:08 | 0:29:10 | |
reciting the names of Charlie Thatcher, Peter Hare and Harriet. | 0:29:10 | 0:29:13 | |
Are you suggesting this ghost | 0:29:16 | 0:29:18 | |
is orchestrating all these other supernormal events? | 0:29:18 | 0:29:21 | |
Yes, she is the thread that is tying everything together. | 0:29:21 | 0:29:25 | |
-I'm certain of it. -That is insane. | 0:29:25 | 0:29:28 | |
Well, so is a tree that burns but leaves no trace behind! | 0:29:29 | 0:29:32 | |
These events will continue and | 0:29:32 | 0:29:34 | |
escalate unless we intervene to stop her. | 0:29:34 | 0:29:36 | |
-Intervene how? -An exorcism, | 0:29:36 | 0:29:37 | |
to banish her and all the evil spirits from Shepzoy. | 0:29:37 | 0:29:40 | |
Our Church forbids exorcisms, | 0:29:40 | 0:29:42 | |
except in the most extraordinary circumstances. | 0:29:42 | 0:29:45 | |
Without one, there will be no respite from these disturbances. | 0:29:45 | 0:29:48 | |
My answer is no! | 0:29:48 | 0:29:49 | |
Then she will continue to orchestrate these hauntings. | 0:29:50 | 0:29:53 | |
She will not cease. | 0:29:53 | 0:29:55 | |
Not unless we stop her! | 0:29:56 | 0:29:57 | |
Gwen? | 0:30:06 | 0:30:08 | |
Do you believe in ghosts? | 0:30:08 | 0:30:09 | |
Not sure "ghosts" is the word I'd use, but... | 0:30:11 | 0:30:15 | |
I do believe this world is inhabited by more than just man and beast. | 0:30:15 | 0:30:18 | |
Is it the dead, do you think, their spirits lingering? | 0:30:20 | 0:30:24 | |
Yes, ma'am. I do. | 0:30:24 | 0:30:26 | |
GUNFIRE SHOUTING | 0:30:54 | 0:30:58 | |
GUNFIRE SCREAMING | 0:31:02 | 0:31:06 | |
SWORD IS UNSHEATHED HORSE WHINNIES | 0:31:07 | 0:31:08 | |
GIDEON: Ma'am! | 0:31:09 | 0:31:11 | |
-Ma'am! Ma'am! -What is it? | 0:31:12 | 0:31:15 | |
In the fields! | 0:31:15 | 0:31:16 | |
Horses, soldiers, spirits! | 0:31:16 | 0:31:19 | |
HUBBUB | 0:31:19 | 0:31:20 | |
Be gone, be gone! | 0:31:20 | 0:31:22 | |
-Hurry! -Look, ma'am! | 0:31:22 | 0:31:24 | |
GASPING AND CRYING | 0:31:24 | 0:31:27 | |
WOMAN WHIMPERS | 0:31:30 | 0:31:31 | |
HOOVES CLATTERING | 0:31:35 | 0:31:36 | |
HOOVES APPROACH | 0:31:42 | 0:31:44 | |
Aaargh! | 0:31:48 | 0:31:49 | |
HORSE WHINNIES | 0:31:49 | 0:31:51 | |
SCREAMING | 0:31:56 | 0:31:58 | |
SWORD IS UNSHEATHED SCREAMING | 0:32:00 | 0:32:03 | |
WHIMPERS | 0:32:14 | 0:32:15 | |
Maud, where are you going? | 0:32:15 | 0:32:18 | |
-Away from here! -No, Maud! | 0:32:19 | 0:32:21 | |
You know what this is! | 0:32:21 | 0:32:23 | |
Allhallows Eve, when the Roundheads rode on Shepzoy. | 0:32:23 | 0:32:27 | |
They slayed every man, woman and child. | 0:32:27 | 0:32:31 | |
They strung them up from the trees by their necks. | 0:32:31 | 0:32:34 | |
Look! | 0:32:34 | 0:32:36 | |
Look at me! | 0:32:36 | 0:32:37 | |
That's what Smith the engineer saw, the woman in the woods. | 0:32:40 | 0:32:45 | |
She was strung up and cut open! | 0:32:45 | 0:32:47 | |
It won't stop until they've shed blood. | 0:32:47 | 0:32:51 | |
My advice is to get away from here. | 0:32:51 | 0:32:53 | |
Get as far away from here as you can! | 0:32:53 | 0:32:56 | |
What is it you want? | 0:33:16 | 0:33:17 | |
Tell me. | 0:33:20 | 0:33:21 | |
Tell me. | 0:33:25 | 0:33:26 | |
HE LAUGHS | 0:33:34 | 0:33:35 | |
DOOR OPENS | 0:33:52 | 0:33:53 | |
No, Nathan! Stop! | 0:33:53 | 0:33:55 | |
BELL TOLLS | 0:34:26 | 0:34:27 | |
-DENNING: -I searched the whole hillside. | 0:34:29 | 0:34:31 | |
Nothing, not a single scrap to prove the fire ever existed. | 0:34:32 | 0:34:35 | |
Perhaps the wind scattered the ashes? | 0:34:35 | 0:34:37 | |
-HARRIET: -You forgot these, Father. | 0:34:37 | 0:34:39 | |
Er, thank you, Harriet. Put them in the sacristy. | 0:34:39 | 0:34:43 | |
A tree that size does not burn itself out without leaving a trace. | 0:34:49 | 0:34:53 | |
There must be an explanation for it. | 0:34:53 | 0:34:54 | |
Well, that is my belief too. | 0:34:54 | 0:34:56 | |
Everything can be explained... | 0:34:56 | 0:34:58 | |
..if not by faith, then by science and reason. | 0:35:00 | 0:35:02 | |
I'm a sceptic when it comes | 0:35:05 | 0:35:06 | |
to matters of the occult, but...this... | 0:35:06 | 0:35:09 | |
You don't think that's what it is? | 0:35:10 | 0:35:12 | |
I don't know what to think. | 0:35:13 | 0:35:15 | |
-KNOCK AT DOOR -Help us! Let us in! | 0:35:15 | 0:35:19 | |
MAN: Please! KNOCKING CONTINUES | 0:35:20 | 0:35:22 | |
Wait here. | 0:35:24 | 0:35:25 | |
-WOMAN: -Please! Please! | 0:35:25 | 0:35:27 | |
HORSE WHINNIES IN DISTANCE | 0:35:43 | 0:35:46 | |
SHE GASPS | 0:35:50 | 0:35:52 | |
SHE CHOKES | 0:35:52 | 0:35:54 | |
ROPE CREAKS | 0:35:54 | 0:35:56 | |
SHE GASPS | 0:36:03 | 0:36:05 | |
-It's all right. -Really? | 0:36:13 | 0:36:15 | |
-There's no-one there. -SHE LAUGHS | 0:36:15 | 0:36:18 | |
HARRIET GASPS | 0:36:20 | 0:36:21 | |
-Harriet? -Harriet! | 0:36:21 | 0:36:23 | |
ROPE CREAKS Help me! | 0:36:24 | 0:36:26 | |
Help me! | 0:36:28 | 0:36:29 | |
Harriet! | 0:36:30 | 0:36:31 | |
-Oh, my God! -Harriet! | 0:36:31 | 0:36:34 | |
Oh, God! God! | 0:36:36 | 0:36:38 | |
What's happening? | 0:36:38 | 0:36:39 | |
Please! | 0:36:41 | 0:36:42 | |
Do something! | 0:36:44 | 0:36:46 | |
She's choking! | 0:36:47 | 0:36:50 | |
Harriet! | 0:36:50 | 0:36:51 | |
Hurry, Matthew! Please hurry! | 0:36:51 | 0:36:54 | |
Harriet! | 0:36:56 | 0:36:58 | |
She's choking, Matthew, quick! | 0:36:58 | 0:37:00 | |
In the name of the Father and of the Son... | 0:37:00 | 0:37:05 | |
..and of the Holy Ghost... | 0:37:06 | 0:37:08 | |
HARRIET PANTS | 0:37:09 | 0:37:11 | |
It's fine. You're going to be fine. | 0:37:13 | 0:37:16 | |
Take Harriet home. | 0:37:18 | 0:37:20 | |
Lock the doors and don't open them until I return. | 0:37:20 | 0:37:25 | |
Where will you be? | 0:37:26 | 0:37:27 | |
There is something I must attend to...alone. | 0:37:27 | 0:37:30 | |
-DENNING: -The circumstances we face require extreme measures. | 0:37:37 | 0:37:41 | |
You will perform the exorcism? | 0:37:41 | 0:37:42 | |
I warn you, I have no experience of such matters. | 0:37:42 | 0:37:45 | |
You are doing the right thing. | 0:37:45 | 0:37:48 | |
This will defeat this woman and whatever evil she's brought here. | 0:37:48 | 0:37:51 | |
Nathan! | 0:37:51 | 0:37:52 | |
There are apparitions in the woods, unexplainable visions and noises. | 0:37:54 | 0:37:58 | |
The workers are frightened, as am I. | 0:37:58 | 0:38:01 | |
You've seen them? | 0:38:01 | 0:38:02 | |
You've seen them. | 0:38:04 | 0:38:05 | |
Yes. I'm sorry. | 0:38:05 | 0:38:07 | |
I will go and reassure the workers and I will tell them | 0:38:15 | 0:38:17 | |
-that we are putting an end to these disturbances. -How? | 0:38:17 | 0:38:20 | |
Denning will perform an exorcism. | 0:38:22 | 0:38:24 | |
This will be an end to it all. | 0:38:26 | 0:38:28 | |
All of you! | 0:38:34 | 0:38:36 | |
Go home! | 0:38:37 | 0:38:38 | |
Lock your doors! | 0:38:38 | 0:38:40 | |
Reverend Denning is about to perform a ceremony | 0:38:40 | 0:38:43 | |
that will lift this darkness that has been hanging over Shepzoy. | 0:38:43 | 0:38:47 | |
Do you believe all this is the work of ghosts and the dead? | 0:38:47 | 0:38:51 | |
I know only this that I have seen terrible, unexplainable things | 0:38:53 | 0:38:56 | |
and whatever hand is behind them must be stopped. | 0:38:56 | 0:38:59 | |
When you awake in the morning, peace and calm will be restored. | 0:38:59 | 0:39:04 | |
Do you only banish the evil spirits and not the benign? | 0:39:04 | 0:39:07 | |
I have no room for such distinctions. | 0:39:07 | 0:39:10 | |
All that is present must be cast out. | 0:39:10 | 0:39:13 | |
Hurry, now! Go! | 0:39:19 | 0:39:20 | |
It is imperative if Shepzoy is to have any peace. | 0:39:20 | 0:39:23 | |
-Are we ready to begin? -Almost. | 0:39:26 | 0:39:28 | |
Come on! Quick! | 0:39:37 | 0:39:40 | |
HUBBUB | 0:39:40 | 0:39:42 | |
Lock it, Simon, lock it! | 0:39:46 | 0:39:48 | |
Use the cellar. | 0:39:49 | 0:39:51 | |
-Quick! -Get going! | 0:39:52 | 0:39:54 | |
In the name of the Father and of the Son and of the Holy Ghost, | 0:39:54 | 0:40:00 | |
I cast you out! | 0:40:00 | 0:40:01 | |
Unclean spirit! | 0:40:03 | 0:40:05 | |
With every Satanic power of the enemy, | 0:40:08 | 0:40:12 | |
every spectre from hell. | 0:40:12 | 0:40:14 | |
In the name of Jesus Christ, be gone! | 0:40:16 | 0:40:20 | |
And stay far from these creatures of God... | 0:40:21 | 0:40:25 | |
..for it is he who created the Earth and said, "Let there be light," | 0:40:28 | 0:40:33 | |
for it is he who commands you, | 0:40:33 | 0:40:37 | |
he who cast the serpent from the garden, | 0:40:37 | 0:40:41 | |
he who formed man from the dust of the ground | 0:40:41 | 0:40:45 | |
and breathed into his nostrils the breath of life... | 0:40:45 | 0:40:48 | |
..and the man became a living being. | 0:40:50 | 0:40:52 | |
He who flung you from the heights of heaven, into the depths of hell. | 0:40:54 | 0:40:58 | |
GUNSHOT DISTANT SCREAMING | 0:40:58 | 0:41:01 | |
GUNSHOT GASPS | 0:41:03 | 0:41:05 | |
He who rained down burning sulphur on Sodom and Gomorrah... | 0:41:05 | 0:41:10 | |
..and inflicted ten plagues on the house of Egypt. | 0:41:13 | 0:41:18 | |
He who is all-powerful | 0:41:18 | 0:41:23 | |
and whose might is indestructible, | 0:41:23 | 0:41:27 | |
who will smite the forces of evil without mercy. | 0:41:27 | 0:41:31 | |
DOORS SLAM | 0:41:33 | 0:41:34 | |
Do you hear that? | 0:41:37 | 0:41:39 | |
The gunfire's stopped. | 0:41:42 | 0:41:43 | |
It's working. | 0:41:46 | 0:41:47 | |
For it is he who commands you, | 0:41:49 | 0:41:51 | |
he who once stilled a sea and the wind and the storm. | 0:41:51 | 0:41:56 | |
RECORD CRACKLES | 0:41:58 | 0:41:59 | |
-CHILD: -Daddy! | 0:42:05 | 0:42:06 | |
RECORD CRACKLES | 0:42:06 | 0:42:08 | |
Daddy. | 0:42:14 | 0:42:15 | |
Daddy! | 0:42:17 | 0:42:19 | |
Ignore it, Nathan. It's a trick! | 0:42:19 | 0:42:21 | |
That is not your son. The Devil takes on many forms. | 0:42:21 | 0:42:25 | |
-Daddy, where are you, Daddy? -I'm... | 0:42:25 | 0:42:28 | |
-Daddy! -I'm here. -Daddy! | 0:42:28 | 0:42:31 | |
Where are you, Daddy? | 0:42:31 | 0:42:32 | |
I want you to play with me. | 0:42:35 | 0:42:36 | |
Play with me, Daddy. | 0:42:39 | 0:42:40 | |
Why won't you ever play with me? | 0:42:42 | 0:42:45 | |
Harken and tremble in fear, Satan, you enemy of faith. | 0:42:47 | 0:42:51 | |
-I'm going to sail my boat. -You foe | 0:42:51 | 0:42:54 | |
of the human race, corrupter of men. | 0:42:54 | 0:42:57 | |
I need to show you something now, something very important. | 0:42:57 | 0:43:01 | |
Nathan! | 0:43:01 | 0:43:02 | |
You corrupter of justice, you...you root of all evil. | 0:43:02 | 0:43:06 | |
DENNING CONTINUES IN OTHER ROOM | 0:43:08 | 0:43:11 | |
That's Gabriel, that's... | 0:43:23 | 0:43:25 | |
..his boat. | 0:43:26 | 0:43:27 | |
How is it possible that he's in this photograph? | 0:43:29 | 0:43:32 | |
When I developed it yesterday, he wasn't, but this morning... | 0:43:33 | 0:43:37 | |
You've known since this morning? | 0:43:37 | 0:43:40 | |
You said nothing. | 0:43:40 | 0:43:42 | |
I was going to tell you. | 0:43:44 | 0:43:45 | |
When exactly? | 0:43:45 | 0:43:47 | |
You... You had this and you deliberately kept it from me, | 0:43:50 | 0:43:53 | |
-an unforgivable lie! -No. | 0:43:53 | 0:43:55 | |
Then why didn't you show this to me immediately? | 0:43:55 | 0:43:57 | |
I don't...know. | 0:43:57 | 0:43:59 | |
You don't know what - how important this may be to me?! | 0:43:59 | 0:44:02 | |
Proof that Gabriel is present, | 0:44:02 | 0:44:04 | |
his...his...his spirit is still here. | 0:44:04 | 0:44:06 | |
Present! | 0:44:06 | 0:44:07 | |
Stop! | 0:44:09 | 0:44:10 | |
You must stop this now! | 0:44:10 | 0:44:12 | |
Stop this ceremony! | 0:44:12 | 0:44:13 | |
My... My son is here! Gabriel is here! | 0:44:13 | 0:44:16 | |
I have proof, look! Look! | 0:44:16 | 0:44:18 | |
Look! | 0:44:18 | 0:44:19 | |
Your son's soul has been entrusted to God. | 0:44:19 | 0:44:22 | |
No, he's here, Denning! And I will | 0:44:22 | 0:44:24 | |
not risk banishing him with this ceremony. | 0:44:24 | 0:44:26 | |
-Consider what you are doing! -My mind is set! | 0:44:26 | 0:44:29 | |
This community has paid a terrible price because of these hauntings | 0:44:30 | 0:44:33 | |
and it will pay an even greater one | 0:44:33 | 0:44:36 | |
-if we do not stop them now! -I cannot allow it! | 0:44:36 | 0:44:39 | |
We must crucify this man. | 0:44:46 | 0:44:48 | |
He has slain! | 0:44:48 | 0:44:49 | |
You get out of my house! | 0:44:49 | 0:44:52 | |
Nathan! | 0:44:52 | 0:44:54 | |
-You are not welcome here, Denning! -Appleby, | 0:44:54 | 0:44:56 | |
-consider what you're doing! -Go! | 0:44:56 | 0:44:59 | |
I am warning you, if you do not | 0:45:04 | 0:45:06 | |
leave here now, I will take my gun to you. | 0:45:06 | 0:45:09 | |
WIND WHISTLES | 0:45:39 | 0:45:40 | |
SHE GASPS | 0:45:58 | 0:45:59 | |
HORSE SNORTS | 0:46:05 | 0:46:07 | |
GUNSHOT | 0:46:07 | 0:46:09 | |
DISTANT GUNFIRE | 0:46:10 | 0:46:12 | |
Do you hear that? | 0:46:12 | 0:46:15 | |
Because of what you have done, it has returned! | 0:46:16 | 0:46:19 | |
I have to think of Gabriel. | 0:46:21 | 0:46:23 | |
-He is dead! -DISTANT GUNSHOT | 0:46:23 | 0:46:25 | |
He's still my son. | 0:46:28 | 0:46:30 | |
DISTANT GUNFIRE | 0:46:37 | 0:46:39 | |
FOOTSTEPS RETREAT | 0:46:41 | 0:46:42 | |
DISTANT GUNFIRE | 0:46:50 | 0:46:52 | |
GASPS FEARFULLY | 0:46:56 | 0:46:58 | |
GUNSHOT SCREAMS | 0:47:02 | 0:47:03 | |
HORSE WHINNIES GASPS FEARFULLY | 0:47:04 | 0:47:06 | |
FOOTSTEPS OVERHEAD SWORD IS UNSHEATHED | 0:47:08 | 0:47:11 | |
Forgive me my trespassers, as I | 0:47:12 | 0:47:15 | |
forgive him for trespassing against me, | 0:47:15 | 0:47:18 | |
for thine is the kingdom and the power and the glory for ever... | 0:47:18 | 0:47:21 | |
-MAUD SCREAMS -Hello? | 0:47:21 | 0:47:23 | |
-Help! -Is anybody there?! | 0:47:26 | 0:47:28 | |
DISTANT SCREAMING SWORD IS UNSHEATHED | 0:47:37 | 0:47:41 | |
SOBS HORSE WHINNIES | 0:47:44 | 0:47:48 | |
HOOVES CLATTER | 0:47:48 | 0:47:51 | |
MAN ROARS HOOVES THUNDER | 0:47:52 | 0:47:55 | |
MAN ROARS MAUD SCREAMS | 0:47:56 | 0:47:58 | |
Hello?! | 0:47:58 | 0:47:59 | |
MAN'S SCREAM ECHOES | 0:47:59 | 0:48:01 | |
Hello?! | 0:48:03 | 0:48:04 | |
DISTANT SCREAMING | 0:48:04 | 0:48:06 | |
SCREAMING | 0:48:07 | 0:48:09 | |
MAN GROANS ROPE CREAKS | 0:48:31 | 0:48:36 | |
SWORD IS UNSHEATHED SHE SCREAMS | 0:48:51 | 0:48:53 | |
ROPE CREAKS | 0:48:56 | 0:48:57 | |
HE SCREAMS | 0:49:02 | 0:49:04 | |
SHE CHOKES | 0:49:07 | 0:49:09 | |
SHE GASPS FOR BREATH | 0:49:14 | 0:49:16 | |
HE BREATHES HEAVILY | 0:49:35 | 0:49:38 | |
SILENCE | 0:49:50 | 0:49:51 | |
They have gone. | 0:50:01 | 0:50:02 | |
HE SOBS | 0:50:04 | 0:50:06 | |
SOBBING INTENSIFIES | 0:50:11 | 0:50:15 | |
-Maud! -Maud! | 0:50:31 | 0:50:33 | |
Maud! | 0:50:37 | 0:50:38 | |
Here! | 0:50:40 | 0:50:41 | |
Maud! | 0:50:44 | 0:50:46 | |
This way. There she is! | 0:50:48 | 0:50:50 | |
Maud! Maud! | 0:50:50 | 0:50:53 | |
Maud? | 0:50:56 | 0:50:57 | |
Maud! | 0:50:57 | 0:50:58 | |
(I feel him...) | 0:51:20 | 0:51:23 | |
(..all around me.) | 0:51:28 | 0:51:32 | |
-CHARLOTTE: -Nathan! | 0:51:34 | 0:51:35 | |
What happened? | 0:51:37 | 0:51:38 | |
They found Maud's body in the forest. | 0:51:43 | 0:51:45 | |
It must have happened last night. | 0:51:47 | 0:51:50 | |
What I don't understand is, | 0:51:50 | 0:51:51 | |
I thought Mr Denning was going to put an end to this business. | 0:51:51 | 0:51:54 | |
Yes... | 0:51:54 | 0:51:55 | |
I... I decided not to proceed with the... | 0:51:58 | 0:52:01 | |
ceremony. | 0:52:01 | 0:52:03 | |
MURMURING | 0:52:03 | 0:52:05 | |
Why, sir? | 0:52:05 | 0:52:07 | |
I had good reasons, very good reasons. | 0:52:09 | 0:52:12 | |
Very important ones and... | 0:52:12 | 0:52:14 | |
CHILD: # Rock-a-bye baby on the treetop... # | 0:52:14 | 0:52:19 | |
Did you hear that? | 0:52:19 | 0:52:21 | |
What's he talking about? | 0:52:23 | 0:52:24 | |
# ...When the wind blows the cradle will rock... # | 0:52:24 | 0:52:27 | |
-MAN: -Gabriel! | 0:52:27 | 0:52:28 | |
Gabriel! | 0:52:33 | 0:52:34 | |
MURMURING | 0:52:34 | 0:52:36 | |
Give me my son! | 0:52:41 | 0:52:42 | |
FOOTSTEPS APPROACH | 0:52:42 | 0:52:44 | |
None of them will work for us again, you do realise that?! | 0:52:44 | 0:52:46 | |
Answer me! | 0:52:47 | 0:52:49 | |
You must have heard him! | 0:52:49 | 0:52:50 | |
He's here. | 0:52:52 | 0:52:54 | |
Gabriel is here, right now. | 0:52:54 | 0:52:56 | |
I know he is. | 0:52:56 | 0:52:57 | |
You can see him in the photograph. Look, you can't deny it. | 0:52:59 | 0:53:03 | |
-I just want him to leave us alone! -No! No! | 0:53:03 | 0:53:05 | |
No! | 0:53:22 | 0:53:23 | |
Have you seen him? | 0:54:33 | 0:54:34 | |
No, ma'am. | 0:54:35 | 0:54:36 | |
You should leave Shepzoy now, ma'am. It would be best, | 0:54:39 | 0:54:44 | |
for you and the baby, to get far, far away from here. | 0:54:44 | 0:54:47 | |
It's not good for you here. | 0:54:48 | 0:54:50 | |
I can't leave, Gwen. | 0:54:50 | 0:54:53 | |
I'd go with you, you wouldn't have to be alone. | 0:54:53 | 0:54:55 | |
I can't abandon my husband, not now. | 0:54:56 | 0:55:00 | |
You can leave if you want. | 0:55:03 | 0:55:06 | |
No. I'm not going to abandon you. | 0:55:06 | 0:55:09 | |
You took me for a ghost of my former self. | 0:56:01 | 0:56:04 | |
Them that's gone got fainter hearts than some. | 0:56:04 | 0:56:08 | |
Thank you. | 0:56:09 | 0:56:11 | |
There is something wrong with your mind and your heart and your soul. | 0:56:11 | 0:56:15 | |
-DENNING: -It's you pulling others into your unhappiness! | 0:56:15 | 0:56:20 | |
Me? A lost soul? | 0:56:20 | 0:56:22 | |
I must find a way out. | 0:56:22 | 0:56:23 | |
Gabriel! | 0:56:25 | 0:56:26 | |
I am not here to be punished! | 0:56:26 | 0:56:29 | |
# Voices from the wheat field | 0:56:29 | 0:56:33 | |
# Run, boy, run | 0:56:33 | 0:56:35 | |
# Voices from the wheat field | 0:56:35 | 0:56:39 | |
# 'Neath the blood-red sun | 0:56:39 | 0:56:42 | |
# Whispers in the moonlight | 0:56:44 | 0:56:47 | |
# You will come to me soon | 0:56:47 | 0:56:50 | |
# Whispers in the moonlight | 0:56:50 | 0:56:54 | |
# Sinks a blood-red moon. # | 0:56:54 | 0:56:56 |