Episode 5 The Living and the Dead


Episode 5

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Transcript


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In all your years of dealing with the dead and dying,

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-have you ever seen anything that you could not explain?

-Never.

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NATHAN: Are you there? Are you with me?

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NATHAN: Gabriel drew a picture of a woman with a book and so did Harriet.

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If you're suggesting that my pursuit

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of the truth is in relation to Gabriel...

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Only you can answer that.

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God help me, I see the dead

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and I have to understand why this is happening!

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-DENNING:

-You are transgressing against God and nature.

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-Another one of us gone.

-Where does it all end, Gideon?

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What do they say about me?

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They say you're raising the dead.

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-CHILD'S VOICE ON RECORD:

-Daddy!

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Where are you, Daddy?

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-WOMAN:

-Nathan? Nathan?

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Are you there?

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NATHAN: I will protect you.

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But can you protect our child?

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This programme contains some scenes which some viewers may find upsetting

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TAPPING

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TAPPING INTENSIFIES DOOR OPENS

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SUDDEN THUD

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THUDDING

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THUDDING

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BANGING

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-This was supposed to be a surprise.

-I am surprised!

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-I wasn't expecting this!

-I'm beginning to suspect that

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whoever constructed this crate

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did so with the intention of it withstanding theft

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and fire and acts of God.

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See, that's what first attracted me to you.

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Beautiful and so adept with a chisel!

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SHE LAUGHS

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-CHARLOTTE:

-A crib!

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I love it!

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And things like this are what first attracted me to you,

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my wonderful Mr Appleby.

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SHE LAUGHS

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Thank you.

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PANTING

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RHYTHMICAL PANTING

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GROANING

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WOMAN GASPS MAN GRUNTS

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-SMITH:

-What, you're leaving?!

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Unless you've got something else I

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haven't seen, don't see much cause for staying.

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I've never had any complaints from the lasses.

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Reckon I'm more particular than the usual rubbish you've been having.

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Rubbish?!

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I'll give you rubbish!

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LAUGHTER

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SMITH SCREAMS

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GASPS

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SCREAMS

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CLATTERING HOOVES

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Who's there? HORSE WHINNIES

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Show yourself now!

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DISTANT BANGING FAINT SCREAMING

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SCREAMING CONTINUES

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SWORD IS UNSHEATHED HOOVES CLATTER

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CLATTERING INTENSIFIES SCREAMING

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# This one night

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# This one night

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# Every night and all

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# Fire and sleet and candlelight

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# And Christ receive thy soul. #

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MAUD: You know the stories of the Allhallows Massacre, we all do,

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about how the Roundhead army rode on Shepzoy

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with their muskets and swords, slaughtering all before them,

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killed every man, woman and child, they did.

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And those that tried to flee were given the worst death of all,

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hunted down and strung up in the trees by their necks,

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gutted like pigs. And there were that many hanging in the woods

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that the ground was sodden with blood

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and it was Allhallows time when it happened, just like now.

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CAWING

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PIG GRUNTS

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PIG SQUEALS

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Gwen didn't see it! He was just sitting on the floor in the woods,

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he was that terrified,

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just going on about what he'd seen.

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A woman, strung up in the tree by her neck,

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she was, her guts hanging out.

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That's what the engineer saw.

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It's an omen, that they're coming for us.

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-All the railway boys are saying so.

-Well, of course they are!

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Them railway lads townies, every last one of them.

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You put them in the woods at night

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and they'll tell you they seen Lucifer himself.

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Thought you'd got more sense, Maud Hare,

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taking heed of stories like that!

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Just telling you what I heard, that's all.

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Well, some nonsense is best kept to yourself.

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Mr Smith.

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Can't you at least tell me what she

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looked like, this woman you saw hanging?

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-No, Mr Appleby, I can not.

-Mr Smith.

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Mr Smith!

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It is of the utmost importance that I know what occurred.

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-Where did you see this event?

-In the copse.

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By the old swing.

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Yes?

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Sorry, Mr Appleby, I...

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I have not the stomach to revisit

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what I saw last night, now or ever again.

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-Mr Smith...

-I have travelled the length

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of our great empire with the railway, but this place...

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There is something wrong here.

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Something very, very wrong.

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-CHARLOTTE:

-They can't just suspend work.

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They can, they have.

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-For how long?

-Until they can find new workers willing to come here,

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which Smith reckons won't be easy, not when word spread about the

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-things that have been occurring here.

-What if they can't find new workers?

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The railway will chart an alternative route, bypassing our land.

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SHE SIGHS

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Well, damn them! Damn the railway!

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We can survive without their money. The harvest fetched a good price,

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-we don't need them.

-It feels like every time

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we make any progress, something intervenes to thwart us.

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It's to be expected, all this -

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the farm, the fields, it's unfamiliar territory.

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I'm not talking about that,

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I'm talking about something more sinister.

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Whatever Smith saw last night was so

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terrible he would not stay another night.

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What he imagined he saw.

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It was late and dark and the copse is... unsettling even in daylight.

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But being wilfully blind to what's

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occurring around us is not a solution.

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These events will continue without our intervention.

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I am not being wilfully blind.

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I accept what I see, that is all.

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You're concerned, I see that,

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but I cannot believe that every ill

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that befalls us is the work of a ghost.

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We must focus on the farm, on the future...

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...for us and our child.

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CONVERSATION OUTSIDE

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-GIDEON:

-Ma'am, would you... would you like a smile?

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I think that would detract from the sense of Allhallows, Gideon!

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Well, what about a scowl?

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-Arghh!

-LAUGHTER

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No, as you are is fine.

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-Is everyone ready?

-ALL: Yeah.

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Three...two...one.

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Toby!

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LAUGHTER

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Toby!

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ROPE CREAKS

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HOOVES CLATTER

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HORSE WHINNIES

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BREATHES HARD

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NATHAN PANTS

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Nathan!

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You're just in time.

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One photograph, that's all I'm asking.

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All right.

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Everybody ready?

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-Yes.

-Ready.

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GIDEON GROWLS GIGGLING

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EERIE LAUGHING THEATRICAL HISSING

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Three...two...one.

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Perfect.

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-SCATTERED CHEERING GIDEON:

-Is that it, ma'am?

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Yes, you're all done.

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I'll take this off, then.

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MURMURED CONVERSATION

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BABY CRIES

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BABY CRIES

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CRYING INTENSIFIES

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I'm coming, Mummy's coming.

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CRYING CONTINUES

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BABY CRIES

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SILENCE

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SHE GASPS

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ROPE CREAKS

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HORSE WHINNIES

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HOOVES CLATTER

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-Harriet.

-Mr Appleby.

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I need your assistance in an important matter.

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Of course.

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But...I am expected home.

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-Perhaps it could hold until tomorrow?

-No,

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this is very important, Harriet,

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it requires your attention this evening.

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I'm sure your parents will forgive your tardiness

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when they hear you've been helping me.

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You remember how we did this before?

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Yes.

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Good.

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I want you to concentrate on the watch, Harriet.

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WATCH TICKS

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Look steadily at the watch.

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Let everything else fade away.

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BANGING

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DISTANT SCREAMING SWORD IS UNSHEATHED

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HOOVES CLATTER

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SCREAMING

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HORSE WHINNIES

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NATHAN: Invite her to come forward and make her presence felt.

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Tell her I know she's been causing all these hauntings.

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Tell her that.

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Tell her I've seen her.

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In the woods, in the house.

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You know who I'm talking about.

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You know who this woman is, you saw her.

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You...you drew her...

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..in this very room.

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Ask her what she wants.

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Ask her, Harriet.

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Ask her.

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Ask her.

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I'm going to wake you up now, Harriet.

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-When I get to the number...

-They're coming for you.

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Nathan, they're coming for you.

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Who?

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Who is coming?

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Harriet!

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What do they want? Harriet!

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If what the engineer saw last night

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is nonsense, then why are they leaving?

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Railway's not just going to pack up and go without cause, is they?

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SIMON: The bottle on the left, Lizzie.

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PUB CONVERSATION UPSTAIRS

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THUD

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RATTLING

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HINGE CREAKS

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HINGE CREAKS

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CREAKING CONTINUES

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SUDDEN THUD

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CREAKING

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RAT SQUEALS LIZZIE GASPS

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SWORD IS UNSHEATHED SCREAMING

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BLOOD TRICKLES

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ROPE CREAKS SCREAMING

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Appleby letting the railway go is bad for the whole village.

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Mr Nathan knows what he's doing.

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The Applebys have always wanted

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the best for this community at heart.

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I reckon the railway boys got more sense than we have,

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leaving here while they still can.

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A dose of the wanderlust, Maud?

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No.

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But I've got two eyes in my head

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and I can see what's going on around here. We all can.

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None of it's any good.

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Anyway, I'd rather leave now than end up like your Jack,

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buried up in Cain's Field with

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not so much as a cross above his head.

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But if I had a mind to, where would we go? This is our home.

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You'd find somewhere new.

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Somewhere where you're not living side by side with evil.

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MUFFLED CONVERSATION

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Gwen?

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-Ma'am.

-Who did this?

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Er, Mr Appleby, ma'am.

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He was here with Miss Harriet.

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It's the pig's blood, ma'am.

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What were they doing?

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I don't know, ma'am.

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But nothing good comes from inviting the dead back in your life.

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DOOR OPENS

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FOOTSTEPS APPROACH

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Where were you?

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I met Mr Appleby in the village and was delayed.

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He escorted me all the way home, I wasn't alone.

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Harriet, did something happen?

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You look perished. Are you all right?

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What happened, Harriet?

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Tell me!

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You should never have involved her! After all that time you spent curing

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-her, to drag her back into this business again.

-But it was not in vain!

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Harriet told me they're coming for me.

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Who is coming?

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I believe it's this woman, it's this ghost that I've been seeing.

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Clarity Winlove.

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No, it's another woman.

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LAUGHS DERISIVELY

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I understand.

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-You're sceptical.

-Just stop now.

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But she's real, I saw her again today.

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If I could show you the things I've seen, then you'd believe me!

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Amazing things!

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Impossible things.

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The woman carries a book with photographs of this house,

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but they are moving as if the photographs have come to life

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and then there is a voice in the photograph, a woman's voice,

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and she is calling out Charlie's name and Peter Hare and all the others.

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I'm worried about you, Nathan.

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This obsession isn't healthy.

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Why don't we get away to London for a few days, just us?

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No, we can't leave.

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-Not now.

-Why not?

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The harvest is sold, we can see

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friends and visit the theatre and galleries,

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it'd be like a tonic. Just a few days, that's all I'm asking,

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and then we can return rested and clear-headed.

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Please, please.

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For me.

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Very well.

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KNOCK AT DOOR

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That you'd use my daughter to commune with the dead!

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My 16-year-old daughter!

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It was a grave error of judgment

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-and we accept that.

-No, it was an unforgivable betrayal of our friendship.

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I meant no harm,

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I was merely trying to put an end to these hauntings.

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I don't care. You do not now involve my daughter in your misadventures!

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You're right, it was unforgivable. Nathan's sorry, aren't you?

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DISTANT BOOM

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Why would anyone set fire to a tree?

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I don't know, but I intend to find out.

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If it burns out now, you won't find it in the dark.

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Please don't go now, Nathan.

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-Please?

-Very well.

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First thing in the morning, you and I will investigate, Denning.

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You came.

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Only to satisfy my own curiosity.

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Well, there's nothing here, there's

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no scorch marks, there's no charred wood,

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there's no evidence of any kind that there was a fire here last night.

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-Then we must be searching the wrong field.

-No, it was here!

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We saw it, Charlotte saw it.

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If there are no remains, it can't have been here, it's impossible.

0:27:100:27:13

Well, of late, I've witnessed many things I'd once have called impossible.

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Please tell me we are not discussing the supernormal again!

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-If that's what you care to call it.

-I believe in God and man

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and very little in between!

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Then explain how there is not a trace of this tree

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we saw blazing so brightly last night.

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We just haven't found the remains yet.

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And we will.

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You'll see.

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-KNOCK AT DOOR

-Yes?

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-GWEN:

-Ma'am, the food is hot and ready to be taken into the fields.

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I thought it best we take them out while they're still piping, ma'am.

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Of course, you're right. We should.

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-I'll be down presently.

-Yes, ma'am.

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NATHAN: You'll find nothing

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because what we saw was not an actual tree on fire,

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it was just another of these events that have been haunting this village.

0:28:450:28:49

-Listen to me, Denning...

-Take your hand off me!

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I know you're angry with me for involving Harriet in this,

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but don't let your anger blind you to what's happening!

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I believe I know what's behind all this.

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There's a woman.

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The ghost, I have mentioned it to you.

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She has been present from the very

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beginning, throughout all these hauntings.

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Listen. I've even heard her

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reciting the names of Charlie Thatcher, Peter Hare and Harriet.

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Are you suggesting this ghost

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is orchestrating all these other supernormal events?

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Yes, she is the thread that is tying everything together.

0:29:210:29:25

-I'm certain of it.

-That is insane.

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Well, so is a tree that burns but leaves no trace behind!

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These events will continue and

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escalate unless we intervene to stop her.

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-Intervene how?

-An exorcism,

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to banish her and all the evil spirits from Shepzoy.

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Our Church forbids exorcisms,

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except in the most extraordinary circumstances.

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Without one, there will be no respite from these disturbances.

0:29:450:29:48

My answer is no!

0:29:480:29:49

Then she will continue to orchestrate these hauntings.

0:29:500:29:53

She will not cease.

0:29:530:29:55

Not unless we stop her!

0:29:560:29:57

Gwen?

0:30:060:30:08

Do you believe in ghosts?

0:30:080:30:09

Not sure "ghosts" is the word I'd use, but...

0:30:110:30:15

I do believe this world is inhabited by more than just man and beast.

0:30:150:30:18

Is it the dead, do you think, their spirits lingering?

0:30:200:30:24

Yes, ma'am. I do.

0:30:240:30:26

GUNFIRE SHOUTING

0:30:540:30:58

GUNFIRE SCREAMING

0:31:020:31:06

SWORD IS UNSHEATHED HORSE WHINNIES

0:31:070:31:08

GIDEON: Ma'am!

0:31:090:31:11

-Ma'am! Ma'am!

-What is it?

0:31:120:31:15

In the fields!

0:31:150:31:16

Horses, soldiers, spirits!

0:31:160:31:19

HUBBUB

0:31:190:31:20

Be gone, be gone!

0:31:200:31:22

-Hurry!

-Look, ma'am!

0:31:220:31:24

GASPING AND CRYING

0:31:240:31:27

WOMAN WHIMPERS

0:31:300:31:31

HOOVES CLATTERING

0:31:350:31:36

HOOVES APPROACH

0:31:420:31:44

Aaargh!

0:31:480:31:49

HORSE WHINNIES

0:31:490:31:51

SCREAMING

0:31:560:31:58

SWORD IS UNSHEATHED SCREAMING

0:32:000:32:03

WHIMPERS

0:32:140:32:15

Maud, where are you going?

0:32:150:32:18

-Away from here!

-No, Maud!

0:32:190:32:21

You know what this is!

0:32:210:32:23

Allhallows Eve, when the Roundheads rode on Shepzoy.

0:32:230:32:27

They slayed every man, woman and child.

0:32:270:32:31

They strung them up from the trees by their necks.

0:32:310:32:34

Look!

0:32:340:32:36

Look at me!

0:32:360:32:37

That's what Smith the engineer saw, the woman in the woods.

0:32:400:32:45

She was strung up and cut open!

0:32:450:32:47

It won't stop until they've shed blood.

0:32:470:32:51

My advice is to get away from here.

0:32:510:32:53

Get as far away from here as you can!

0:32:530:32:56

What is it you want?

0:33:160:33:17

Tell me.

0:33:200:33:21

Tell me.

0:33:250:33:26

HE LAUGHS

0:33:340:33:35

DOOR OPENS

0:33:520:33:53

No, Nathan! Stop!

0:33:530:33:55

BELL TOLLS

0:34:260:34:27

-DENNING:

-I searched the whole hillside.

0:34:290:34:31

Nothing, not a single scrap to prove the fire ever existed.

0:34:320:34:35

Perhaps the wind scattered the ashes?

0:34:350:34:37

-HARRIET:

-You forgot these, Father.

0:34:370:34:39

Er, thank you, Harriet. Put them in the sacristy.

0:34:390:34:43

A tree that size does not burn itself out without leaving a trace.

0:34:490:34:53

There must be an explanation for it.

0:34:530:34:54

Well, that is my belief too.

0:34:540:34:56

Everything can be explained...

0:34:560:34:58

..if not by faith, then by science and reason.

0:35:000:35:02

I'm a sceptic when it comes

0:35:050:35:06

to matters of the occult, but...this...

0:35:060:35:09

You don't think that's what it is?

0:35:100:35:12

I don't know what to think.

0:35:130:35:15

-KNOCK AT DOOR

-Help us! Let us in!

0:35:150:35:19

MAN: Please! KNOCKING CONTINUES

0:35:200:35:22

Wait here.

0:35:240:35:25

-WOMAN:

-Please! Please!

0:35:250:35:27

HORSE WHINNIES IN DISTANCE

0:35:430:35:46

SHE GASPS

0:35:500:35:52

SHE CHOKES

0:35:520:35:54

ROPE CREAKS

0:35:540:35:56

SHE GASPS

0:36:030:36:05

-It's all right.

-Really?

0:36:130:36:15

-There's no-one there.

-SHE LAUGHS

0:36:150:36:18

HARRIET GASPS

0:36:200:36:21

-Harriet?

-Harriet!

0:36:210:36:23

ROPE CREAKS Help me!

0:36:240:36:26

Help me!

0:36:280:36:29

Harriet!

0:36:300:36:31

-Oh, my God!

-Harriet!

0:36:310:36:34

Oh, God! God!

0:36:360:36:38

What's happening?

0:36:380:36:39

Please!

0:36:410:36:42

Do something!

0:36:440:36:46

She's choking!

0:36:470:36:50

Harriet!

0:36:500:36:51

Hurry, Matthew! Please hurry!

0:36:510:36:54

Harriet!

0:36:560:36:58

She's choking, Matthew, quick!

0:36:580:37:00

In the name of the Father and of the Son...

0:37:000:37:05

..and of the Holy Ghost...

0:37:060:37:08

HARRIET PANTS

0:37:090:37:11

It's fine. You're going to be fine.

0:37:130:37:16

Take Harriet home.

0:37:180:37:20

Lock the doors and don't open them until I return.

0:37:200:37:25

Where will you be?

0:37:260:37:27

There is something I must attend to...alone.

0:37:270:37:30

-DENNING:

-The circumstances we face require extreme measures.

0:37:370:37:41

You will perform the exorcism?

0:37:410:37:42

I warn you, I have no experience of such matters.

0:37:420:37:45

You are doing the right thing.

0:37:450:37:48

This will defeat this woman and whatever evil she's brought here.

0:37:480:37:51

Nathan!

0:37:510:37:52

There are apparitions in the woods, unexplainable visions and noises.

0:37:540:37:58

The workers are frightened, as am I.

0:37:580:38:01

You've seen them?

0:38:010:38:02

You've seen them.

0:38:040:38:05

Yes. I'm sorry.

0:38:050:38:07

I will go and reassure the workers and I will tell them

0:38:150:38:17

-that we are putting an end to these disturbances.

-How?

0:38:170:38:20

Denning will perform an exorcism.

0:38:220:38:24

This will be an end to it all.

0:38:260:38:28

All of you!

0:38:340:38:36

Go home!

0:38:370:38:38

Lock your doors!

0:38:380:38:40

Reverend Denning is about to perform a ceremony

0:38:400:38:43

that will lift this darkness that has been hanging over Shepzoy.

0:38:430:38:47

Do you believe all this is the work of ghosts and the dead?

0:38:470:38:51

I know only this that I have seen terrible, unexplainable things

0:38:530:38:56

and whatever hand is behind them must be stopped.

0:38:560:38:59

When you awake in the morning, peace and calm will be restored.

0:38:590:39:04

Do you only banish the evil spirits and not the benign?

0:39:040:39:07

I have no room for such distinctions.

0:39:070:39:10

All that is present must be cast out.

0:39:100:39:13

Hurry, now! Go!

0:39:190:39:20

It is imperative if Shepzoy is to have any peace.

0:39:200:39:23

-Are we ready to begin?

-Almost.

0:39:260:39:28

Come on! Quick!

0:39:370:39:40

HUBBUB

0:39:400:39:42

Lock it, Simon, lock it!

0:39:460:39:48

Use the cellar.

0:39:490:39:51

-Quick!

-Get going!

0:39:520:39:54

In the name of the Father and of the Son and of the Holy Ghost,

0:39:540:40:00

I cast you out!

0:40:000:40:01

Unclean spirit!

0:40:030:40:05

With every Satanic power of the enemy,

0:40:080:40:12

every spectre from hell.

0:40:120:40:14

In the name of Jesus Christ, be gone!

0:40:160:40:20

And stay far from these creatures of God...

0:40:210:40:25

..for it is he who created the Earth and said, "Let there be light,"

0:40:280:40:33

for it is he who commands you,

0:40:330:40:37

he who cast the serpent from the garden,

0:40:370:40:41

he who formed man from the dust of the ground

0:40:410:40:45

and breathed into his nostrils the breath of life...

0:40:450:40:48

..and the man became a living being.

0:40:500:40:52

He who flung you from the heights of heaven, into the depths of hell.

0:40:540:40:58

GUNSHOT DISTANT SCREAMING

0:40:580:41:01

GUNSHOT GASPS

0:41:030:41:05

He who rained down burning sulphur on Sodom and Gomorrah...

0:41:050:41:10

..and inflicted ten plagues on the house of Egypt.

0:41:130:41:18

He who is all-powerful

0:41:180:41:23

and whose might is indestructible,

0:41:230:41:27

who will smite the forces of evil without mercy.

0:41:270:41:31

DOORS SLAM

0:41:330:41:34

Do you hear that?

0:41:370:41:39

The gunfire's stopped.

0:41:420:41:43

It's working.

0:41:460:41:47

For it is he who commands you,

0:41:490:41:51

he who once stilled a sea and the wind and the storm.

0:41:510:41:56

RECORD CRACKLES

0:41:580:41:59

-CHILD:

-Daddy!

0:42:050:42:06

RECORD CRACKLES

0:42:060:42:08

Daddy.

0:42:140:42:15

Daddy!

0:42:170:42:19

Ignore it, Nathan. It's a trick!

0:42:190:42:21

That is not your son. The Devil takes on many forms.

0:42:210:42:25

-Daddy, where are you, Daddy?

-I'm...

0:42:250:42:28

-Daddy!

-I'm here.

-Daddy!

0:42:280:42:31

Where are you, Daddy?

0:42:310:42:32

I want you to play with me.

0:42:350:42:36

Play with me, Daddy.

0:42:390:42:40

Why won't you ever play with me?

0:42:420:42:45

Harken and tremble in fear, Satan, you enemy of faith.

0:42:470:42:51

-I'm going to sail my boat.

-You foe

0:42:510:42:54

of the human race, corrupter of men.

0:42:540:42:57

I need to show you something now, something very important.

0:42:570:43:01

Nathan!

0:43:010:43:02

You corrupter of justice, you...you root of all evil.

0:43:020:43:06

DENNING CONTINUES IN OTHER ROOM

0:43:080:43:11

That's Gabriel, that's...

0:43:230:43:25

..his boat.

0:43:260:43:27

How is it possible that he's in this photograph?

0:43:290:43:32

When I developed it yesterday, he wasn't, but this morning...

0:43:330:43:37

You've known since this morning?

0:43:370:43:40

You said nothing.

0:43:400:43:42

I was going to tell you.

0:43:440:43:45

When exactly?

0:43:450:43:47

You... You had this and you deliberately kept it from me,

0:43:500:43:53

-an unforgivable lie!

-No.

0:43:530:43:55

Then why didn't you show this to me immediately?

0:43:550:43:57

I don't...know.

0:43:570:43:59

You don't know what - how important this may be to me?!

0:43:590:44:02

Proof that Gabriel is present,

0:44:020:44:04

his...his...his spirit is still here.

0:44:040:44:06

Present!

0:44:060:44:07

Stop!

0:44:090:44:10

You must stop this now!

0:44:100:44:12

Stop this ceremony!

0:44:120:44:13

My... My son is here! Gabriel is here!

0:44:130:44:16

I have proof, look! Look!

0:44:160:44:18

Look!

0:44:180:44:19

Your son's soul has been entrusted to God.

0:44:190:44:22

No, he's here, Denning! And I will

0:44:220:44:24

not risk banishing him with this ceremony.

0:44:240:44:26

-Consider what you are doing!

-My mind is set!

0:44:260:44:29

This community has paid a terrible price because of these hauntings

0:44:300:44:33

and it will pay an even greater one

0:44:330:44:36

-if we do not stop them now!

-I cannot allow it!

0:44:360:44:39

We must crucify this man.

0:44:460:44:48

He has slain!

0:44:480:44:49

You get out of my house!

0:44:490:44:52

Nathan!

0:44:520:44:54

-You are not welcome here, Denning!

-Appleby,

0:44:540:44:56

-consider what you're doing!

-Go!

0:44:560:44:59

I am warning you, if you do not

0:45:040:45:06

leave here now, I will take my gun to you.

0:45:060:45:09

WIND WHISTLES

0:45:390:45:40

SHE GASPS

0:45:580:45:59

HORSE SNORTS

0:46:050:46:07

GUNSHOT

0:46:070:46:09

DISTANT GUNFIRE

0:46:100:46:12

Do you hear that?

0:46:120:46:15

Because of what you have done, it has returned!

0:46:160:46:19

I have to think of Gabriel.

0:46:210:46:23

-He is dead!

-DISTANT GUNSHOT

0:46:230:46:25

He's still my son.

0:46:280:46:30

DISTANT GUNFIRE

0:46:370:46:39

FOOTSTEPS RETREAT

0:46:410:46:42

DISTANT GUNFIRE

0:46:500:46:52

GASPS FEARFULLY

0:46:560:46:58

GUNSHOT SCREAMS

0:47:020:47:03

HORSE WHINNIES GASPS FEARFULLY

0:47:040:47:06

FOOTSTEPS OVERHEAD SWORD IS UNSHEATHED

0:47:080:47:11

Forgive me my trespassers, as I

0:47:120:47:15

forgive him for trespassing against me,

0:47:150:47:18

for thine is the kingdom and the power and the glory for ever...

0:47:180:47:21

-MAUD SCREAMS

-Hello?

0:47:210:47:23

-Help!

-Is anybody there?!

0:47:260:47:28

DISTANT SCREAMING SWORD IS UNSHEATHED

0:47:370:47:41

SOBS HORSE WHINNIES

0:47:440:47:48

HOOVES CLATTER

0:47:480:47:51

MAN ROARS HOOVES THUNDER

0:47:520:47:55

MAN ROARS MAUD SCREAMS

0:47:560:47:58

Hello?!

0:47:580:47:59

MAN'S SCREAM ECHOES

0:47:590:48:01

Hello?!

0:48:030:48:04

DISTANT SCREAMING

0:48:040:48:06

SCREAMING

0:48:070:48:09

MAN GROANS ROPE CREAKS

0:48:310:48:36

SWORD IS UNSHEATHED SHE SCREAMS

0:48:510:48:53

ROPE CREAKS

0:48:560:48:57

HE SCREAMS

0:49:020:49:04

SHE CHOKES

0:49:070:49:09

SHE GASPS FOR BREATH

0:49:140:49:16

HE BREATHES HEAVILY

0:49:350:49:38

SILENCE

0:49:500:49:51

They have gone.

0:50:010:50:02

HE SOBS

0:50:040:50:06

SOBBING INTENSIFIES

0:50:110:50:15

-Maud!

-Maud!

0:50:310:50:33

Maud!

0:50:370:50:38

Here!

0:50:400:50:41

Maud!

0:50:440:50:46

This way. There she is!

0:50:480:50:50

Maud! Maud!

0:50:500:50:53

Maud?

0:50:560:50:57

Maud!

0:50:570:50:58

(I feel him...)

0:51:200:51:23

(..all around me.)

0:51:280:51:32

-CHARLOTTE:

-Nathan!

0:51:340:51:35

What happened?

0:51:370:51:38

They found Maud's body in the forest.

0:51:430:51:45

It must have happened last night.

0:51:470:51:50

What I don't understand is,

0:51:500:51:51

I thought Mr Denning was going to put an end to this business.

0:51:510:51:54

Yes...

0:51:540:51:55

I... I decided not to proceed with the...

0:51:580:52:01

ceremony.

0:52:010:52:03

MURMURING

0:52:030:52:05

Why, sir?

0:52:050:52:07

I had good reasons, very good reasons.

0:52:090:52:12

Very important ones and...

0:52:120:52:14

CHILD: # Rock-a-bye baby on the treetop... #

0:52:140:52:19

Did you hear that?

0:52:190:52:21

What's he talking about?

0:52:230:52:24

# ...When the wind blows the cradle will rock... #

0:52:240:52:27

-MAN:

-Gabriel!

0:52:270:52:28

Gabriel!

0:52:330:52:34

MURMURING

0:52:340:52:36

Give me my son!

0:52:410:52:42

FOOTSTEPS APPROACH

0:52:420:52:44

None of them will work for us again, you do realise that?!

0:52:440:52:46

Answer me!

0:52:470:52:49

You must have heard him!

0:52:490:52:50

He's here.

0:52:520:52:54

Gabriel is here, right now.

0:52:540:52:56

I know he is.

0:52:560:52:57

You can see him in the photograph. Look, you can't deny it.

0:52:590:53:03

-I just want him to leave us alone!

-No! No!

0:53:030:53:05

No!

0:53:220:53:23

Have you seen him?

0:54:330:54:34

No, ma'am.

0:54:350:54:36

You should leave Shepzoy now, ma'am. It would be best,

0:54:390:54:44

for you and the baby, to get far, far away from here.

0:54:440:54:47

It's not good for you here.

0:54:480:54:50

I can't leave, Gwen.

0:54:500:54:53

I'd go with you, you wouldn't have to be alone.

0:54:530:54:55

I can't abandon my husband, not now.

0:54:560:55:00

You can leave if you want.

0:55:030:55:06

No. I'm not going to abandon you.

0:55:060:55:09

You took me for a ghost of my former self.

0:56:010:56:04

Them that's gone got fainter hearts than some.

0:56:040:56:08

Thank you.

0:56:090:56:11

There is something wrong with your mind and your heart and your soul.

0:56:110:56:15

-DENNING:

-It's you pulling others into your unhappiness!

0:56:150:56:20

Me? A lost soul?

0:56:200:56:22

I must find a way out.

0:56:220:56:23

Gabriel!

0:56:250:56:26

I am not here to be punished!

0:56:260:56:29

# Voices from the wheat field

0:56:290:56:33

# Run, boy, run

0:56:330:56:35

# Voices from the wheat field

0:56:350:56:39

# 'Neath the blood-red sun

0:56:390:56:42

# Whispers in the moonlight

0:56:440:56:47

# You will come to me soon

0:56:470:56:50

# Whispers in the moonlight

0:56:500:56:54

# Sinks a blood-red moon. #

0:56:540:56:56

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