Browse content similar to The Homecoming. Check below for episodes and series from the same categories and more!
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COCKEREL CROWS | 0:00:02 | 0:00:03 | |
DOG BARKS | 0:00:08 | 0:00:11 | |
CHEERING | 0:00:13 | 0:00:15 | |
Wait, wait. | 0:00:20 | 0:00:21 | |
LOW CHATTER | 0:00:24 | 0:00:26 | |
CROWD CHEERS | 0:00:26 | 0:00:27 | |
Don't worry. He's made this shot a hundred times. | 0:00:30 | 0:00:33 | |
He's drunk. | 0:00:33 | 0:00:34 | |
He's never made it sober. | 0:00:34 | 0:00:37 | |
PISTOL COCKS | 0:00:37 | 0:00:39 | |
MEN: Five, four, | 0:00:43 | 0:00:45 | |
three, two, | 0:00:45 | 0:00:47 | |
one! | 0:00:47 | 0:00:48 | |
THEY ALL CHEER | 0:00:52 | 0:00:54 | |
HE CHUCKLES | 0:00:56 | 0:00:58 | |
LOW CHATTER AND LAUGHTER | 0:01:00 | 0:01:03 | |
How about we try it blindfold? | 0:01:08 | 0:01:09 | |
HE PANTS | 0:01:12 | 0:01:15 | |
HE GROANS | 0:01:18 | 0:01:21 | |
HE SIGHS | 0:01:23 | 0:01:25 | |
HE GRUNTS | 0:01:26 | 0:01:29 | |
Take him! | 0:01:42 | 0:01:44 | |
Musketeers. | 0:01:59 | 0:02:00 | |
Always good for a little street theatre. | 0:02:02 | 0:02:05 | |
It's not what it looks like. | 0:02:06 | 0:02:09 | |
No? | 0:02:10 | 0:02:12 | |
So, what is it, then? Hmm? | 0:02:12 | 0:02:14 | |
LOW CHATTER | 0:02:58 | 0:03:00 | |
MAN SCREAMS | 0:03:00 | 0:03:02 | |
You must remember something. | 0:03:02 | 0:03:04 | |
The dead man. Do you know who he was? | 0:03:04 | 0:03:06 | |
-Where you...met him? -You didn't kill him. | 0:03:06 | 0:03:10 | |
Is there anything you need? | 0:03:11 | 0:03:13 | |
-MAN SCREAMS -A decent lawyer. | 0:03:13 | 0:03:16 | |
There's been a misunderstanding. We'll clear it up. | 0:03:16 | 0:03:19 | |
And you never know. We-we...we might get lucky with the judge. | 0:03:20 | 0:03:24 | |
I think it's quite clear what happened here. | 0:03:24 | 0:03:27 | |
Your Honour, if I might say something? | 0:03:27 | 0:03:29 | |
We'll come to you, Captain Treville. | 0:03:29 | 0:03:32 | |
MURMURING | 0:03:32 | 0:03:34 | |
Well. | 0:03:36 | 0:03:38 | |
What do you have to say for yourself? | 0:03:38 | 0:03:40 | |
MURMURING | 0:03:41 | 0:03:44 | |
It was my birthday. | 0:03:45 | 0:03:47 | |
The party was over, so I took a walk. | 0:03:52 | 0:03:54 | |
-And what did you do on this "walk"? -I, um... | 0:04:06 | 0:04:10 | |
..admired the beauty and the serenity of Paris after dark. | 0:04:12 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:17 | |
LAUGHTER AND CHATTER | 0:04:25 | 0:04:27 | |
-SLURRED: -What brings your sort to this part of town? | 0:04:30 | 0:04:33 | |
I grew up around here. | 0:04:36 | 0:04:39 | |
It's my birthday. | 0:04:39 | 0:04:40 | |
Many happy returns! | 0:04:40 | 0:04:42 | |
How old are you? | 0:04:42 | 0:04:45 | |
No idea. | 0:04:45 | 0:04:47 | |
I don't know when I was born. | 0:04:48 | 0:04:50 | |
This is just the day I picked when I was a kid. | 0:04:52 | 0:04:54 | |
One day is as good as another to celebrate. | 0:04:56 | 0:04:58 | |
HE CHUCKLES | 0:05:06 | 0:05:08 | |
Get this fine lady a drink. | 0:05:10 | 0:05:12 | |
-What happened next? -I don't exactly recall. | 0:05:13 | 0:05:16 | |
I must have fallen asleep. | 0:05:19 | 0:05:21 | |
To wake alongside a dead man with a bullet in his head? | 0:05:21 | 0:05:24 | |
Yes. | 0:05:31 | 0:05:33 | |
And you claim to have no idea how that happened? | 0:05:33 | 0:05:37 | |
Porthos du Vallon is a man of fine reputation, | 0:05:42 | 0:05:45 | |
-a good soldier and a Musketeer of many years' standing. -Du Vallon? | 0:05:45 | 0:05:49 | |
Another of these fellows who adopts a noble name | 0:05:49 | 0:05:52 | |
so he can play the gentleman? | 0:05:52 | 0:05:54 | |
I know many born gentlemen who could not hold a candle to Porthos. | 0:05:54 | 0:05:57 | |
Let me tell you something that life has taught me, Captain! | 0:05:57 | 0:06:01 | |
You can dress your dog in a fine suit... | 0:06:01 | 0:06:04 | |
-Oh... -..but once a mongrel, always a mongrel. | 0:06:04 | 0:06:07 | |
MURMURING | 0:06:07 | 0:06:08 | |
A man lies dead, murdered! | 0:06:08 | 0:06:10 | |
An example must be made! | 0:06:10 | 0:06:12 | |
Porthos du Vallon... | 0:06:13 | 0:06:15 | |
..I find you guilty and sentence you to death. | 0:06:17 | 0:06:19 | |
Sentence to be carried out immediately. | 0:06:19 | 0:06:21 | |
This is irregular, sir! I will lodge an appeal with the King. | 0:06:27 | 0:06:31 | |
That is your right, Captain. Take this man to the gallows. | 0:06:31 | 0:06:34 | |
PORTHOS GROANS | 0:06:44 | 0:06:46 | |
Delay them. | 0:06:46 | 0:06:48 | |
Strap him to the cart! | 0:06:56 | 0:06:57 | |
PISTOL SHOTS OUTSIDE | 0:07:06 | 0:07:08 | |
Get off! | 0:07:17 | 0:07:19 | |
Athos. | 0:07:26 | 0:07:28 | |
Porthos! | 0:07:32 | 0:07:34 | |
Musketeers! Go! Go! | 0:07:34 | 0:07:37 | |
The mark of a criminal. | 0:07:48 | 0:07:50 | |
I know where they're heading. | 0:07:52 | 0:07:54 | |
LOW CHATTER | 0:07:56 | 0:07:59 | |
HORSES SNORT | 0:08:07 | 0:08:09 | |
Shh, shh, shh, shh. | 0:08:12 | 0:08:13 | |
KNOCKING AND HAMMERING | 0:08:16 | 0:08:18 | |
-Why are they doing that? -It's a warning. | 0:08:40 | 0:08:43 | |
Do nothing, unless you're attacked. | 0:08:45 | 0:08:46 | |
-So, where are we? -The Court of Miracles. | 0:08:49 | 0:08:52 | |
This is too dangerous. We should turn back. | 0:08:56 | 0:08:59 | |
What about Porthos? | 0:09:03 | 0:09:05 | |
He'll be safe for now. | 0:09:05 | 0:09:07 | |
He has friends here. | 0:09:09 | 0:09:10 | |
How do you propose to build a shining new city | 0:09:20 | 0:09:22 | |
if we leave the filthiest part of Paris untouched? | 0:09:22 | 0:09:25 | |
Sire, the Court of Miracles is a miniature kingdom of professional thieves, | 0:09:25 | 0:09:29 | |
highway robbers, whores and beggars. | 0:09:29 | 0:09:32 | |
I know what the Court of Miracles is, Cardinal. | 0:09:32 | 0:09:35 | |
All the more reason to get rid of it. | 0:09:35 | 0:09:37 | |
The inhabitants of the Court are violent and feral. | 0:09:37 | 0:09:40 | |
Persuading them to join the march of progress is no easy task. | 0:09:40 | 0:09:42 | |
They remain strongly attached to their depravity. | 0:09:42 | 0:09:45 | |
Then they must be taught otherwise. | 0:09:45 | 0:09:47 | |
The Court should be one of the first districts cleared for rebuilding. | 0:09:47 | 0:09:51 | |
The matter is in hand, Your Majesty. | 0:09:51 | 0:09:53 | |
I'm glad to hear it. | 0:09:53 | 0:09:55 | |
A modern capital city for a modern France. | 0:09:55 | 0:09:58 | |
It will be my legacy to a grateful nation. | 0:09:59 | 0:10:01 | |
Your Majesty! | 0:10:02 | 0:10:04 | |
-Ah, Treville. -One of my Musketeers is... | 0:10:06 | 0:10:09 | |
Mistook a man's head for a melon and shot it off. | 0:10:09 | 0:10:13 | |
It is the talk of Paris. | 0:10:13 | 0:10:15 | |
Surely there are safer forms of target practice, Captain! | 0:10:15 | 0:10:18 | |
The facts of the case are as yet unclear. | 0:10:18 | 0:10:21 | |
Your Majesty, I'm here to plead for a stay of execution | 0:10:21 | 0:10:24 | |
until such time as I can prove his innocence. | 0:10:24 | 0:10:27 | |
I know Porthos. He did not do this. | 0:10:27 | 0:10:29 | |
What do you think, Cardinal? | 0:10:31 | 0:10:32 | |
About this whole melancholy business! | 0:10:32 | 0:10:36 | |
I think you should grant the stay, Your Majesty, | 0:10:39 | 0:10:41 | |
until such time as this murderer can be retrieved from the Court of Miracles | 0:10:41 | 0:10:46 | |
where he has fled to escape justice. | 0:10:46 | 0:10:49 | |
GRUNTS AND GROANS | 0:10:52 | 0:10:54 | |
Porthos was an orphan, born and raised here. | 0:10:59 | 0:11:02 | |
Amongst thieves? | 0:11:02 | 0:11:04 | |
-He never said a word. -Little touchy about it. | 0:11:08 | 0:11:11 | |
So, why do they call it the Court of Miracles? | 0:11:11 | 0:11:14 | |
-Because entering it opens the eyes of blind men... -BLADE RINGS | 0:11:14 | 0:11:18 | |
..and gives more cripples the use of their legs than our Lord ever did. | 0:11:18 | 0:11:21 | |
DOG BARKS NEARBY | 0:11:21 | 0:11:24 | |
Buy an instrument. You have the hands of a musician. | 0:11:24 | 0:11:27 | |
I'm going in to find him. | 0:11:30 | 0:11:32 | |
Look, Porthos was drunk. | 0:11:34 | 0:11:37 | |
I'm sure it was an accident, but...what if he's guilty? | 0:11:37 | 0:11:41 | |
This is Porthos. | 0:11:41 | 0:11:44 | |
-You understand? -Yeah. | 0:11:44 | 0:11:47 | |
Go to the Wren. See what you can find out. | 0:11:56 | 0:12:00 | |
GRUNTS AND GROANS | 0:12:00 | 0:12:02 | |
GASPS AND GRUNTS | 0:12:05 | 0:12:08 | |
Charon. | 0:12:20 | 0:12:21 | |
Do that again, I'll break your leg. | 0:12:27 | 0:12:29 | |
It's been a while, huh? | 0:12:35 | 0:12:37 | |
Are you not glad to be back? | 0:12:37 | 0:12:40 | |
Yeah, of course. | 0:12:42 | 0:12:44 | |
-Why? -Cos we are still friends. | 0:12:45 | 0:12:48 | |
Though you forgot about us a long time ago. | 0:12:48 | 0:12:51 | |
I didn't forget. | 0:12:51 | 0:12:53 | |
You really don't remember whether you killed that man? | 0:13:03 | 0:13:06 | |
No more idea than you. | 0:13:06 | 0:13:07 | |
-You seem disappointed. -I have a reputation to think of. | 0:13:09 | 0:13:13 | |
People here believe I just saved the life of a murderer. | 0:13:13 | 0:13:17 | |
Maybe you did. | 0:13:19 | 0:13:21 | |
Are you the king here now? | 0:13:37 | 0:13:39 | |
A king of sorts. | 0:13:42 | 0:13:44 | |
-SLURRED: -Is it raining Musketeers outside? | 0:13:48 | 0:13:52 | |
I'm guessing you saw my friend here. | 0:13:54 | 0:13:56 | |
Yes. | 0:13:56 | 0:13:58 | |
Tall, better-looking than you. | 0:13:58 | 0:14:01 | |
There's no accounting for taste. Did you talk to him? | 0:14:03 | 0:14:06 | |
He bought me a drink. | 0:14:06 | 0:14:08 | |
He was a gentleman. | 0:14:08 | 0:14:10 | |
And did you notice anything unusual? | 0:14:10 | 0:14:12 | |
There was an argument involving a young man. | 0:14:12 | 0:14:15 | |
Did you know this young man? | 0:14:15 | 0:14:17 | |
Never seen him before. | 0:14:17 | 0:14:19 | |
He didn't look the type to drink here. | 0:14:19 | 0:14:22 | |
Now I look properly, I can see you're the handsome one. | 0:14:30 | 0:14:35 | |
GOAT BLEATS | 0:14:40 | 0:14:42 | |
Where's the blood? | 0:14:43 | 0:14:46 | |
I saw a man take a musket ball in a street fight once. Pff! | 0:14:46 | 0:14:50 | |
Contents of his skull painted a pretty picture all around. | 0:14:50 | 0:14:53 | |
And yet there's not a drop of blood...or a shard of bone. | 0:14:53 | 0:14:57 | |
He wasn't shot here. | 0:14:58 | 0:15:00 | |
Perhaps we should pay a call on the victim himself. | 0:15:00 | 0:15:03 | |
See what he has to say about it. | 0:15:04 | 0:15:07 | |
Here we wash the cadavers and remove the internal organs. | 0:15:09 | 0:15:13 | |
After the body has been salted and stuffed with straw to prevent bad odours, | 0:15:13 | 0:15:17 | |
it will be put on display until somebody identifies it. | 0:15:17 | 0:15:21 | |
Not necessary in this case. | 0:15:21 | 0:15:23 | |
Nuremberg egg. Portable timekeeping. Expensive. | 0:15:23 | 0:15:28 | |
Jean de Mauvoisin, a son of the nobility. | 0:15:28 | 0:15:31 | |
A tragedy indeed. | 0:15:31 | 0:15:33 | |
-Put the key down. It's evidence. -One question. | 0:15:33 | 0:15:36 | |
-The victim was shot in the head, right? -Yes. | 0:15:38 | 0:15:41 | |
-Why carve him up? -This is science. | 0:15:41 | 0:15:43 | |
We can learn a great deal from a fresh cadaver. | 0:15:43 | 0:15:46 | |
Oh, I see. | 0:15:46 | 0:15:48 | |
-The pistol was close. -Conjecture. | 0:15:50 | 0:15:53 | |
Based on extensive experience on the battlefield. | 0:15:53 | 0:15:55 | |
Hardly a clinical observation. | 0:15:55 | 0:15:57 | |
Well, killing is not an exact science, Monsieur, but a messy business. | 0:15:58 | 0:16:03 | |
And, as soldiers, | 0:16:03 | 0:16:05 | |
it is our business. | 0:16:05 | 0:16:07 | |
The killer was no more than a foot away when the shot was fired. | 0:16:09 | 0:16:13 | |
This was no accident. | 0:16:13 | 0:16:16 | |
It was murder. | 0:16:16 | 0:16:18 | |
LOW CHATTER | 0:16:18 | 0:16:20 | |
Flea! Is that you? | 0:16:33 | 0:16:36 | |
All these years, never one letter. | 0:16:36 | 0:16:38 | |
How d'you know I learned to write? Hmm? | 0:16:38 | 0:16:41 | |
HE CHUCKLES | 0:16:41 | 0:16:43 | |
You two are together now. | 0:16:50 | 0:16:52 | |
Ah, it makes sense. | 0:16:54 | 0:16:55 | |
-HE CLEARS HIS THROAT -I'm happy for you. | 0:16:55 | 0:16:58 | |
You had your chance, Porthos. | 0:16:58 | 0:17:00 | |
If you wanted Flea, you should have taken her with you. | 0:17:00 | 0:17:03 | |
You think I didn't try? | 0:17:04 | 0:17:06 | |
HE CHUCKLES | 0:17:07 | 0:17:09 | |
Rest now. Tomorrow we'll get you out of here. | 0:17:12 | 0:17:15 | |
Every minute you stay increases the risk to us all. | 0:17:17 | 0:17:20 | |
-Charon. -> | 0:17:21 | 0:17:22 | |
HE CLEARS HIS THROAT | 0:17:24 | 0:17:25 | |
I'll be back. | 0:17:25 | 0:17:27 | |
We've got a visitor. | 0:17:28 | 0:17:30 | |
You forgot about us. | 0:17:32 | 0:17:34 | |
I didn't fit here. | 0:17:36 | 0:17:38 | |
We should get you out of those clothes. | 0:17:40 | 0:17:42 | |
Someone might mistake you for a gentleman and slit your throat. | 0:17:42 | 0:17:47 | |
And watch where you lay your eyes. | 0:17:49 | 0:17:51 | |
CHATTER | 0:17:56 | 0:17:59 | |
PISTOL COCKS | 0:18:21 | 0:18:23 | |
I'm looking for Porthos. | 0:18:23 | 0:18:26 | |
-He's safe. -Then take me to him. | 0:18:29 | 0:18:31 | |
He doesn't want to see you. | 0:18:31 | 0:18:33 | |
Give him a message. Tell him his friends will clear his name. | 0:18:33 | 0:18:37 | |
You left him to die. We saved him. His real friends. | 0:18:37 | 0:18:41 | |
Friends who'd murder each other for the sake of a coin. | 0:18:41 | 0:18:45 | |
Escort him out of here. | 0:18:47 | 0:18:48 | |
And forget about Porthos. | 0:18:48 | 0:18:51 | |
He's with us now. | 0:18:51 | 0:18:53 | |
The de Mauvoisins were once amongst the great families of France. | 0:18:53 | 0:18:57 | |
They've fallen on hard times of late. | 0:18:57 | 0:18:59 | |
But Emile de Mauvoisin is still in the King's inner circle. | 0:18:59 | 0:19:02 | |
What was his son doing drinking in a place like the Wren? | 0:19:02 | 0:19:04 | |
FOOTSTEPS | 0:19:04 | 0:19:06 | |
No trace of Porthos, but I ran into a friend of his. | 0:19:06 | 0:19:09 | |
He thinks that we left him to hang, that we abandoned him. | 0:19:09 | 0:19:12 | |
Porthos fought harder than any of us to become a Musketeer. | 0:19:12 | 0:19:14 | |
He wouldn't give us up that lightly. | 0:19:14 | 0:19:16 | |
Start by making a call on Monsieur de Mauvoisin. | 0:19:16 | 0:19:18 | |
Find out what kind of company his son kept. | 0:19:18 | 0:19:21 | |
BIRDSONG | 0:19:24 | 0:19:26 | |
I can see from your faces this is serious business. | 0:19:31 | 0:19:33 | |
Do you come on behalf of the King? | 0:19:33 | 0:19:36 | |
Our duty is of a more personal nature. | 0:19:36 | 0:19:38 | |
Then speak, please. | 0:19:40 | 0:19:42 | |
My son. | 0:19:47 | 0:19:49 | |
My God, what has he done? | 0:19:49 | 0:19:52 | |
-It's not what he's done, sir. -He's injured? | 0:19:53 | 0:19:57 | |
Dead. | 0:19:57 | 0:19:59 | |
-How? -He was shot. | 0:20:09 | 0:20:11 | |
A Musketeer stands accused of his murder. We believe him innocent. | 0:20:13 | 0:20:17 | |
Can you think of any reason why someone would kill your son? | 0:20:20 | 0:20:24 | |
Any grudge or argument? | 0:20:24 | 0:20:26 | |
Jean is... | 0:20:26 | 0:20:28 | |
..was a man of conscience and honour, he had no enemies. | 0:20:29 | 0:20:32 | |
May we see your son's rooms? | 0:20:33 | 0:20:35 | |
He did not live...here. | 0:20:39 | 0:20:41 | |
He... | 0:20:41 | 0:20:43 | |
took lodgings on Rue Calbert a few months ago. | 0:20:43 | 0:20:46 | |
If you think of anything at all, please let us know. | 0:20:48 | 0:20:51 | |
That boy. | 0:21:12 | 0:21:14 | |
-What if I did kill him? -If I killed someone, I'd know. | 0:21:16 | 0:21:20 | |
Either way, we have to get you out of Paris. | 0:21:20 | 0:21:24 | |
It's that or you hang. | 0:21:24 | 0:21:26 | |
You know I'm grateful. | 0:21:28 | 0:21:31 | |
But maybe I should stay here in Paris, clear my name. | 0:21:31 | 0:21:34 | |
The risk is too great, for you and us. | 0:21:34 | 0:21:36 | |
Unless you don't care about this place any more? | 0:21:36 | 0:21:39 | |
You always did whatever Flea told you. | 0:21:41 | 0:21:44 | |
Except when I begged him to stay. | 0:21:45 | 0:21:47 | |
All right. | 0:21:59 | 0:22:01 | |
I'll go. | 0:22:01 | 0:22:03 | |
Thank you. | 0:22:03 | 0:22:04 | |
I've ordered the celebration for tomorrow. | 0:22:07 | 0:22:10 | |
The people here need a distraction from their misery. | 0:22:10 | 0:22:13 | |
It's the perfect cover for you to slip away, get out of France. | 0:22:13 | 0:22:17 | |
Bit down-market for a de Mauvoisin. | 0:22:21 | 0:22:23 | |
The family's bankrupt, been living off borrowed money for years. | 0:22:23 | 0:22:26 | |
No. | 0:22:41 | 0:22:43 | |
PISTOL COCKS | 0:22:43 | 0:22:45 | |
-You could always try knocking. -That's true. | 0:22:50 | 0:22:53 | |
HORSE WHINNIES OUTSIDE | 0:23:08 | 0:23:10 | |
FLOORBOARD CREAKS | 0:23:25 | 0:23:27 | |
PISTOL COCKS | 0:23:27 | 0:23:29 | |
HE GROANS | 0:23:29 | 0:23:31 | |
HORSE WHINNIES | 0:23:40 | 0:23:42 | |
Whoever he was, he was keen to cover his tracks. | 0:23:46 | 0:23:49 | |
Most of this is burned beyond recognition. | 0:23:49 | 0:23:51 | |
A page from a Protestant hymnal. | 0:23:51 | 0:23:54 | |
What would a Catholic like de Mauvoisin want with that? | 0:23:54 | 0:23:57 | |
Never mind about that. What would he want with 6,000lb of gunpowder? | 0:23:57 | 0:24:01 | |
Bought from a mill outside the city three weeks ago. It carries his signature. | 0:24:03 | 0:24:08 | |
Sermons And Prayers by Pastor Ferrand. | 0:24:10 | 0:24:12 | |
-Who's that? -A well-known Huguenot preacher. | 0:24:14 | 0:24:17 | |
Jean's father is known for his hatred of the Protestant faith. | 0:24:17 | 0:24:20 | |
Perhaps the boy was a radical. | 0:24:20 | 0:24:23 | |
He was planning to blow up this pastor's church. | 0:24:23 | 0:24:26 | |
People have done worse in the name of religion. | 0:24:27 | 0:24:30 | |
BOTH LAUGH | 0:24:31 | 0:24:34 | |
You. | 0:24:35 | 0:24:37 | |
You were the best thief here. | 0:24:37 | 0:24:39 | |
And you enjoyed it. | 0:24:39 | 0:24:41 | |
Ah, maybe. | 0:24:42 | 0:24:44 | |
Yeah, the thrill, the danger. | 0:24:46 | 0:24:48 | |
The brotherhood. | 0:24:50 | 0:24:52 | |
Ah, and then I found those things somewhere else. | 0:24:54 | 0:24:58 | |
A brotherhood with honour. | 0:25:01 | 0:25:03 | |
So, there's no honour amongst thieves? | 0:25:05 | 0:25:07 | |
-No, that's not what I meant. -Your Musketeer brothers. | 0:25:08 | 0:25:11 | |
Where are they? | 0:25:11 | 0:25:12 | |
And where were they? At the Chatelet this morning. | 0:25:12 | 0:25:16 | |
They're my friends, Charon. | 0:25:18 | 0:25:20 | |
Yeah, you believe that if it makes you happy. | 0:25:20 | 0:25:23 | |
HE GASPS | 0:25:28 | 0:25:30 | |
What's wrong? | 0:25:30 | 0:25:32 | |
LAUGHTER | 0:25:32 | 0:25:34 | |
INDISTINCT SPEECH | 0:25:36 | 0:25:38 | |
I remembered something from last night. | 0:25:38 | 0:25:41 | |
The boy. | 0:25:44 | 0:25:45 | |
The one who I...who was killed. He was there. | 0:25:45 | 0:25:48 | |
At the Wren. I saw him. | 0:25:48 | 0:25:52 | |
-Arguing with someone. -Who? | 0:25:53 | 0:25:56 | |
HE PANTS AND GROANS | 0:25:56 | 0:25:58 | |
Charon's busy, and lose your mask. | 0:26:11 | 0:26:13 | |
I need to clear my head. | 0:26:25 | 0:26:27 | |
If I could just remember what happened! | 0:26:27 | 0:26:30 | |
Perhaps you don't want to. | 0:26:30 | 0:26:32 | |
I mean, if you did kill that boy... | 0:26:32 | 0:26:34 | |
Flea's right! | 0:26:34 | 0:26:35 | |
I would remember, no matter how much I drank. | 0:26:36 | 0:26:40 | |
FOOTSTEPS | 0:26:40 | 0:26:42 | |
It's nothing. I'm fine. | 0:26:48 | 0:26:51 | |
Why would someone try to kill you? | 0:26:51 | 0:26:53 | |
How do you know it was me he was aiming at? | 0:26:53 | 0:26:56 | |
BELLS CHIME | 0:26:58 | 0:27:00 | |
Religion without art is so much less...seductive. | 0:27:00 | 0:27:04 | |
In this church, we worship God, not beauty. | 0:27:04 | 0:27:07 | |
Well, at least the Catholic faith allows us a little joy before we die. | 0:27:08 | 0:27:13 | |
But we Protestants will have joy eternal at God's right hand, while you... | 0:27:13 | 0:27:17 | |
Roast in Satan's inferno. | 0:27:17 | 0:27:19 | |
As all benighted heretics must. | 0:27:19 | 0:27:21 | |
Surely even Huguenots believe in windows. | 0:27:24 | 0:27:26 | |
The stained glass was removed. We do not have the money to replace it. | 0:27:26 | 0:27:30 | |
If you wish to make a contribution, the collection plate is behind me. | 0:27:30 | 0:27:34 | |
HE CHUCKLES | 0:27:34 | 0:27:36 | |
Where did you serve? | 0:27:40 | 0:27:42 | |
Too many hellholes to recall. | 0:27:42 | 0:27:44 | |
You killed Catholics? | 0:27:44 | 0:27:46 | |
Not specifically. I fought for money. | 0:27:46 | 0:27:48 | |
And then you found God. | 0:27:48 | 0:27:51 | |
He found me. | 0:27:51 | 0:27:52 | |
Did you know Jean de Mauvoisin? | 0:27:53 | 0:27:55 | |
Well, he's dead. | 0:28:01 | 0:28:03 | |
The poor boy. | 0:28:06 | 0:28:09 | |
I will pray for his soul. How did he die? | 0:28:10 | 0:28:12 | |
He was shot. | 0:28:12 | 0:28:14 | |
Did you kill him? | 0:28:14 | 0:28:16 | |
-Why would I do such a thing? -Maybe because he was a Catholic | 0:28:19 | 0:28:22 | |
who intended to blow your Protestant church to kingdom come. | 0:28:22 | 0:28:25 | |
HE CHUCKLES | 0:28:25 | 0:28:28 | |
And why is that funny? | 0:28:29 | 0:28:31 | |
Jean was not a Catholic. He was a committed member of this congregation. | 0:28:31 | 0:28:36 | |
A Huguenot? | 0:28:37 | 0:28:39 | |
Well, his father is a prominent Catholic, | 0:28:39 | 0:28:41 | |
a man who hates Huguenots and urges the King to act against them. | 0:28:41 | 0:28:45 | |
Monsieur de Mauvoisin only converted to Catholicism to win favour at court. | 0:28:45 | 0:28:49 | |
Before him, the family were Protestant for generations. | 0:28:49 | 0:28:52 | |
Jean didn't find selling his conscience as easy as his father did. | 0:28:52 | 0:28:56 | |
BOLT CLICKS | 0:29:03 | 0:29:05 | |
There's something he's not telling us. | 0:29:05 | 0:29:08 | |
It's hard...for a man to see his son die before him. | 0:29:15 | 0:29:19 | |
It strikes a blow forward into time. | 0:29:25 | 0:29:28 | |
I'd hoped to witness Jean restore our family's greatness... | 0:29:31 | 0:29:34 | |
..and now... | 0:29:38 | 0:29:39 | |
A licence for the purchase of gunpowder, signed by your son. | 0:29:44 | 0:29:49 | |
What was Jean involved in? | 0:29:50 | 0:29:53 | |
Well, it's possible he was plotting with other Huguenot fanatics | 0:29:53 | 0:29:55 | |
to attack Catholics. | 0:29:55 | 0:29:57 | |
My God. | 0:29:57 | 0:29:59 | |
How many times did I beg him | 0:30:00 | 0:30:02 | |
to break with Pastor Ferrand and that nest of vipers? | 0:30:02 | 0:30:07 | |
Perhaps he had second thoughts... and broke with the other plotters. | 0:30:08 | 0:30:13 | |
Whatever my son did... | 0:30:13 | 0:30:15 | |
..I forgive him. | 0:30:18 | 0:30:19 | |
Oh, don't worry. I'm an old hand at this. | 0:30:25 | 0:30:28 | |
FLESH SQUELCHES | 0:30:28 | 0:30:29 | |
HE GROANS | 0:30:29 | 0:30:31 | |
HE PANTS | 0:30:31 | 0:30:34 | |
Right. | 0:30:34 | 0:30:36 | |
CHARON CRIES OUT | 0:30:36 | 0:30:37 | |
Suppose you're right and the shot was intended for me? | 0:30:37 | 0:30:40 | |
-Who'd go to all the trouble? -The Cardinal. | 0:30:40 | 0:30:43 | |
His guards can't reach you, so he sends a trained killer. | 0:30:43 | 0:30:48 | |
A shooting in some low dive in the worst part of Paris? | 0:30:48 | 0:30:51 | |
It doesn't add up. | 0:30:51 | 0:30:52 | |
HE GROANS | 0:30:52 | 0:30:55 | |
Why did you abandon us, Porthos? | 0:31:11 | 0:31:13 | |
I wanted more. | 0:31:15 | 0:31:16 | |
-Why didn't you come with me? -I always felt right here. | 0:31:19 | 0:31:22 | |
I belong. It wasn't like that for you. I saw that. | 0:31:22 | 0:31:26 | |
So, I let you go because I loved you. | 0:31:26 | 0:31:28 | |
Me? You chose Charon. | 0:31:28 | 0:31:31 | |
He feels the same way I do about this place, and I admire him for that. | 0:31:32 | 0:31:35 | |
Admire? Oh. I thought you loved him. | 0:31:35 | 0:31:38 | |
One thing I'd forgotten. | 0:31:38 | 0:31:40 | |
What an idiot you are. | 0:31:40 | 0:31:42 | |
Try that key again. | 0:31:53 | 0:31:55 | |
LOCK RATTLES | 0:31:57 | 0:32:00 | |
-A bomb-making factory? -No. | 0:32:11 | 0:32:14 | |
-A printing press. -Hey. | 0:32:16 | 0:32:17 | |
It's ink. | 0:32:21 | 0:32:22 | |
-Not in this one. -There's the gunpowder. | 0:32:25 | 0:32:28 | |
What are you doing here? | 0:32:29 | 0:32:32 | |
There are three of us, Pastor. | 0:32:34 | 0:32:36 | |
Then you are outnumbered. I have God on my side. | 0:32:36 | 0:32:39 | |
Oh, I do hope he's good with a sword. | 0:32:39 | 0:32:41 | |
You lied to us. You were in a conspiracy with Jean de Mauvoisin. | 0:32:41 | 0:32:45 | |
Conspiracy? I have a large congregation. | 0:32:45 | 0:32:48 | |
This printing press is the only way I can stay in touch with them. | 0:32:48 | 0:32:51 | |
Do you use gunpowder instead of ink? | 0:32:52 | 0:32:55 | |
As God is my witness, | 0:32:55 | 0:32:57 | |
this has nothing to do with me or my church. | 0:32:57 | 0:33:00 | |
I preach reconciliation, not hatred. | 0:33:00 | 0:33:02 | |
Someone intended to blow up your church, probably during a service. | 0:33:02 | 0:33:06 | |
-Catholics? -Is it possible Jean was lying to you about his beliefs, | 0:33:08 | 0:33:11 | |
that he infiltrated your church in order to destroy it? | 0:33:11 | 0:33:14 | |
Jean was no turncoat | 0:33:14 | 0:33:16 | |
and he was a gentle soft-hearted boy, not an assassin. | 0:33:16 | 0:33:20 | |
Then why did he need a dozen barrels of gunpowder? | 0:33:20 | 0:33:24 | |
Huh... | 0:33:29 | 0:33:32 | |
This is Jean's name. | 0:33:33 | 0:33:35 | |
But it's not his handwriting. It's his father's. | 0:33:35 | 0:33:39 | |
All those years ago... | 0:33:45 | 0:33:47 | |
..you should have told me the way you felt. | 0:33:48 | 0:33:51 | |
Would it have made any difference? | 0:33:52 | 0:33:54 | |
We were on different paths even then. | 0:33:56 | 0:33:58 | |
So, what's this, then? Hmm? Nostalgia? | 0:34:00 | 0:34:03 | |
Charon can't know about this. | 0:34:10 | 0:34:12 | |
HE SIGHS | 0:34:12 | 0:34:14 | |
-I don't want to hurt him. -Hmm. | 0:34:14 | 0:34:16 | |
I told you to watch where you put your eyes. | 0:34:23 | 0:34:26 | |
Too late for that. | 0:34:26 | 0:34:28 | |
Don't get ideas. After tomorrow, you'll be gone. | 0:34:30 | 0:34:33 | |
There's a whole world out there, you know. You'd be good in it. | 0:34:35 | 0:34:39 | |
You're the smartest woman I've ever met. | 0:34:39 | 0:34:41 | |
If I'm so smart, what am I doing here with you? | 0:34:41 | 0:34:44 | |
BIRDSONG | 0:34:55 | 0:34:57 | |
DOOR CREAKS | 0:35:18 | 0:35:20 | |
Open it. | 0:35:24 | 0:35:26 | |
Treville needs to see this. | 0:35:33 | 0:35:35 | |
Looking at this map is like gazing at a beautiful face with an ugly wart on it. | 0:35:35 | 0:35:39 | |
It's hard to see the beauty for the imperfection. | 0:35:39 | 0:35:42 | |
After today, the blemish will be gone for ever. | 0:35:42 | 0:35:45 | |
And you can rely on your agent in this? | 0:35:45 | 0:35:48 | |
Completely. He hates the Court as much as I. | 0:35:48 | 0:35:51 | |
-What of its people? -As many as possible will be exterminated. | 0:35:51 | 0:35:55 | |
Those that survive may find some other hole to crawl into. | 0:35:55 | 0:35:58 | |
Your ally within the Court is aware of your plan to kill its people? | 0:35:58 | 0:36:02 | |
I have my own men to deal with that. | 0:36:02 | 0:36:04 | |
Besides, it is an act of mercy to put an end to their miserable existence. | 0:36:04 | 0:36:08 | |
Your compassion for the poor brings tears to my eyes(!) | 0:36:08 | 0:36:11 | |
Don't ask me to feel sorry for beggars and thieves. | 0:36:11 | 0:36:14 | |
A hundred years ago, my family was amongst the greatest in the land. | 0:36:14 | 0:36:17 | |
Now I can barely afford to pay my butcher's bill. | 0:36:17 | 0:36:20 | |
Once the Court is razed to the ground, | 0:36:20 | 0:36:23 | |
the de Mauvoisin fortunes will be restored overnight. | 0:36:23 | 0:36:27 | |
And you will have the King's gratitude, | 0:36:27 | 0:36:29 | |
by helping to build a new model Paris, | 0:36:29 | 0:36:32 | |
assuming everything goes as you expect. | 0:36:32 | 0:36:34 | |
I have sacrificed too much to fail now. | 0:36:34 | 0:36:37 | |
RAISED VOICES AND LAUGHTER | 0:36:38 | 0:36:41 | |
What's this? | 0:36:52 | 0:36:54 | |
What's a celebration without something to drink? | 0:36:54 | 0:36:56 | |
This is good stuff. Where did it come from? | 0:36:58 | 0:37:00 | |
Friends. | 0:37:00 | 0:37:02 | |
Must have cost a fortune. | 0:37:02 | 0:37:04 | |
Where's Porthos? | 0:37:06 | 0:37:07 | |
I don't know. | 0:37:09 | 0:37:11 | |
Thought you might have seen him. You two have got so much to catch up on. | 0:37:12 | 0:37:15 | |
Help yourselves! Drinks are on your king! | 0:37:19 | 0:37:22 | |
CHEERING | 0:37:22 | 0:37:23 | |
Charon! | 0:37:27 | 0:37:29 | |
Where's Charon? Charon? Where is Charon? | 0:37:30 | 0:37:33 | |
Charon! | 0:37:57 | 0:37:59 | |
Pack a bag. Now. You and I, we're leaving this dung heap for ever. | 0:38:00 | 0:38:04 | |
Are you drunk? It's Porthos that's leaving. | 0:38:04 | 0:38:07 | |
Are you going with him? | 0:38:08 | 0:38:10 | |
Is that what you planned in bed together last night? | 0:38:10 | 0:38:13 | |
Or were you too busy getting to know each other again? | 0:38:13 | 0:38:15 | |
-Charon, it's not what you think. -I saved Porthos for this?! | 0:38:15 | 0:38:18 | |
To watch him steal you from me? | 0:38:18 | 0:38:20 | |
-I don't belong to you or him! -Look, the Court is finished! | 0:38:20 | 0:38:24 | |
By tomorrow morning, it'll be nothing but a heap of ashes. | 0:38:24 | 0:38:27 | |
-What are you talking about? -Flea. | 0:38:27 | 0:38:29 | |
Just trust me. We have to go. | 0:38:29 | 0:38:32 | |
FOOTSTEPS APPROACH | 0:38:32 | 0:38:34 | |
You need to see this. | 0:38:37 | 0:38:38 | |
Both of you. | 0:38:38 | 0:38:40 | |
All these are for houses inside the Court of Miracles. | 0:38:45 | 0:38:48 | |
All bought for a pittance within the last few months, hundreds of them. | 0:38:49 | 0:38:53 | |
But no rents have been collected in the Court for decades. | 0:38:53 | 0:38:56 | |
Why buy something that's worthless? | 0:38:56 | 0:38:59 | |
The land these houses occupy covers most of the Court. | 0:38:59 | 0:39:02 | |
-DOOR OPENS -The paper value is immense, | 0:39:02 | 0:39:05 | |
if there was a way to make them pay. | 0:39:05 | 0:39:07 | |
A business mind like yours is wasted in the Musketeers, Captain Treville. | 0:39:07 | 0:39:11 | |
You're right. | 0:39:13 | 0:39:14 | |
If the Court wasn't there, that land would be worth a king's ransom. | 0:39:14 | 0:39:18 | |
Who knows when it might prove a wise investment? | 0:39:18 | 0:39:22 | |
And, by the way, this search is illegal. | 0:39:22 | 0:39:24 | |
I suggest you leave before I inform the Cardinal. | 0:39:24 | 0:39:26 | |
Did you forge this in your son's name? | 0:39:26 | 0:39:30 | |
It's a simple matter to compare the two signatures. | 0:39:32 | 0:39:35 | |
I'll ask you again. | 0:39:36 | 0:39:38 | |
Is this your handwriting? | 0:39:38 | 0:39:40 | |
Yes. | 0:39:42 | 0:39:44 | |
Acquiring gunpowder without a valid licence is an act of sedition, | 0:39:44 | 0:39:48 | |
punishable by death. | 0:39:48 | 0:39:49 | |
At first we thought this was about attacking Protestants, | 0:39:52 | 0:39:56 | |
the fanatical convert proving his loyalty to a Catholic king. | 0:39:56 | 0:39:59 | |
But it never had anything to do with religion, did it? | 0:39:59 | 0:40:02 | |
This was about greed, pure and simple. | 0:40:03 | 0:40:06 | |
You're planning to destroy the Court of Miracles. | 0:40:06 | 0:40:08 | |
You must have had help on the inside. No-one could have moved that amount of gunpowder into the Court | 0:40:08 | 0:40:12 | |
-without being seen. -When is the plan to be executed? | 0:40:12 | 0:40:16 | |
At midday. | 0:40:18 | 0:40:19 | |
You're too late. My men are already at the Court. | 0:40:26 | 0:40:30 | |
I'll light the fuses. | 0:40:34 | 0:40:36 | |
Keep guard and kill anyone that gets in our way. | 0:40:36 | 0:40:39 | |
Here... | 0:40:45 | 0:40:46 | |
Gunpowder? | 0:40:46 | 0:40:47 | |
Yeah, the fuses have all been primed. Someone's going to blow this place to hell. | 0:40:47 | 0:40:52 | |
-The Cardinal? -Perhaps. | 0:40:52 | 0:40:54 | |
But there are hundreds of people living here, women, children. | 0:40:54 | 0:40:58 | |
There's something else, Charon. | 0:40:58 | 0:41:00 | |
I didn't kill that boy. | 0:41:00 | 0:41:02 | |
When I left the Wren, he was already dead. | 0:41:04 | 0:41:06 | |
The killer was standing over him. | 0:41:07 | 0:41:09 | |
GUNSHOT | 0:41:24 | 0:41:25 | |
SHOUTS AND SCREAMS | 0:41:25 | 0:41:28 | |
GUNFIRE | 0:41:28 | 0:41:30 | |
It was you who planted the gunpowder in Pastor Ferrand's church. | 0:41:33 | 0:41:36 | |
-Ferrand poisoned my son against me. -Poisoned? | 0:41:36 | 0:41:40 | |
Thanks to him, Jean lacked the resolve to do what had to be done. | 0:41:40 | 0:41:43 | |
He was too worried for his precious soul. | 0:41:43 | 0:41:45 | |
He refused to buy the gunpowder. I had to obtain it in his name. | 0:41:45 | 0:41:49 | |
You deliberately incriminated him. | 0:41:49 | 0:41:52 | |
He betrayed his family! | 0:41:52 | 0:41:54 | |
He actually felt sorry for that filth in the Court. | 0:41:54 | 0:41:57 | |
Who really killed him? | 0:41:57 | 0:42:00 | |
I did. | 0:42:03 | 0:42:04 | |
When I find out who the old man was, I can prove my innocence. | 0:42:16 | 0:42:19 | |
I can't leave Paris now. | 0:42:19 | 0:42:20 | |
Let's get these fuses cut, make the gunpowder safe. | 0:42:20 | 0:42:24 | |
PISTOL COCKS | 0:42:24 | 0:42:25 | |
Step away. | 0:42:25 | 0:42:26 | |
Charon? | 0:42:29 | 0:42:30 | |
You were in the wrong place at the wrong time, Porthos. | 0:42:32 | 0:42:35 | |
Why did you have to go back to the Wren? | 0:42:36 | 0:42:38 | |
The old man, he argued with his son. | 0:42:38 | 0:42:41 | |
He shot him. | 0:42:41 | 0:42:44 | |
And there you were, the perfect scapegoat. | 0:42:44 | 0:42:48 | |
So, why save me from the noose? | 0:42:48 | 0:42:50 | |
We ran these streets together. | 0:42:50 | 0:42:51 | |
So much changes. | 0:42:53 | 0:42:54 | |
Everything becomes... | 0:42:54 | 0:42:56 | |
..complicated and compromised, but not that. | 0:42:58 | 0:43:01 | |
Not brotherhood. Loyalty. | 0:43:01 | 0:43:04 | |
Well, I couldn't leave you to hang. | 0:43:07 | 0:43:10 | |
But what does the gunpowder have to do with any of this? | 0:43:10 | 0:43:13 | |
The old man bought up all the land here. He paid me to smuggle it in. | 0:43:13 | 0:43:18 | |
SHE GASPS | 0:43:18 | 0:43:19 | |
-There's more after the job's done, a lot more. -And you were going to blow this place up? | 0:43:19 | 0:43:23 | |
I deserve better than this, Flea. | 0:43:23 | 0:43:25 | |
I just need a bit of money, a fair chance like everyone else. | 0:43:25 | 0:43:29 | |
But this is our home! | 0:43:29 | 0:43:30 | |
I'm sick of it! | 0:43:30 | 0:43:32 | |
-HE SCOFFS -The...the dirt! | 0:43:32 | 0:43:35 | |
The disease! The poverty! | 0:43:35 | 0:43:37 | |
Human beings rooting in filth like animals! | 0:43:37 | 0:43:41 | |
-They're poor, that's all! -This Court is finished! | 0:43:41 | 0:43:44 | |
The people here are doomed. | 0:43:45 | 0:43:47 | |
I don't want to leave you here, Flea. | 0:43:49 | 0:43:52 | |
Come with me. | 0:43:53 | 0:43:54 | |
If you love me, don't do this. | 0:43:54 | 0:43:57 | |
Last chance. | 0:43:57 | 0:43:59 | |
-Him or me. -That's not a choice! | 0:44:00 | 0:44:02 | |
You always loved him. | 0:44:02 | 0:44:04 | |
I was just all that was left. | 0:44:04 | 0:44:07 | |
No. | 0:44:07 | 0:44:08 | |
SHE SCREAMS | 0:44:10 | 0:44:12 | |
SHE GASPS | 0:44:20 | 0:44:22 | |
Go. | 0:44:27 | 0:44:28 | |
Go. I'll be fine. | 0:44:29 | 0:44:32 | |
Charon! | 0:44:32 | 0:44:34 | |
RAISED VOICES | 0:44:34 | 0:44:35 | |
De Mauvoisin's men! Get them! | 0:44:40 | 0:44:43 | |
MEN CRY OUT | 0:44:43 | 0:44:44 | |
They mustn't get to the gunpowder! | 0:44:48 | 0:44:50 | |
Hey! | 0:44:50 | 0:44:52 | |
GUNFIRE | 0:44:54 | 0:44:56 | |
SHOUTING AND SCREAMING | 0:44:57 | 0:44:59 | |
HE GROANS | 0:45:03 | 0:45:04 | |
Where is Porthos? | 0:45:04 | 0:45:06 | |
Where is he? | 0:45:06 | 0:45:08 | |
HE GASPS | 0:45:34 | 0:45:36 | |
SHE GASPS | 0:45:47 | 0:45:50 | |
Hey! | 0:45:51 | 0:45:53 | |
You. | 0:46:23 | 0:46:25 | |
Porthos followed Charon towards the main chamber. | 0:46:26 | 0:46:29 | |
I'll be fine. Save Porthos. | 0:46:34 | 0:46:37 | |
That way! | 0:46:39 | 0:46:40 | |
CLOCK CHIMES | 0:46:47 | 0:46:49 | |
FOOTSTEPS APPROACH | 0:46:51 | 0:46:53 | |
12 o'clock and no explosions. | 0:46:57 | 0:47:00 | |
There won't be any now, Monsieur. | 0:47:00 | 0:47:03 | |
It's over. | 0:47:03 | 0:47:05 | |
You murdered your son in vain. | 0:47:05 | 0:47:06 | |
Welcome to my empire of dust. | 0:47:15 | 0:47:18 | |
Flea loves this place. | 0:47:20 | 0:47:22 | |
I never understood it. Who'd settle for this? | 0:47:23 | 0:47:26 | |
You didn't. | 0:47:28 | 0:47:29 | |
You should have come with me all those years ago, Charon. | 0:47:29 | 0:47:31 | |
I wanted Flea! | 0:47:31 | 0:47:34 | |
I thought with you being gone that she'd be mine. | 0:47:34 | 0:47:37 | |
But she never was. | 0:47:40 | 0:47:42 | |
Not really. | 0:47:42 | 0:47:43 | |
I don't want to fight you, Charon. | 0:47:45 | 0:47:47 | |
Leave now. | 0:47:48 | 0:47:50 | |
I won't come looking. | 0:47:50 | 0:47:52 | |
I'm not like you, Charon. | 0:48:31 | 0:48:33 | |
That's why I left. | 0:48:35 | 0:48:37 | |
I'm a Musketeer. | 0:48:39 | 0:48:41 | |
Porthos! | 0:48:44 | 0:48:45 | |
HE SNARLS | 0:48:45 | 0:48:47 | |
Look out! | 0:48:49 | 0:48:50 | |
HE GROANS | 0:48:52 | 0:48:53 | |
HE GASPS | 0:48:55 | 0:48:57 | |
I told you, Porthos. | 0:49:00 | 0:49:01 | |
I told you I was get... | 0:49:03 | 0:49:05 | |
..getting out. | 0:49:06 | 0:49:08 | |
My full confession, completely exonerating your Musketeer. | 0:49:45 | 0:49:48 | |
I have a brother who will inherit my place as head of the family. | 0:49:53 | 0:49:57 | |
Perhaps he will do a better job than me... | 0:49:58 | 0:50:02 | |
of restoring this once-noble house. | 0:50:02 | 0:50:05 | |
Emile de Mauvoisin, it is my duty to arrest you. | 0:50:05 | 0:50:08 | |
That won't be necessary. You will lend me your pistol. | 0:50:08 | 0:50:12 | |
Whatever you may think of my actions, I am a gentleman. | 0:50:14 | 0:50:19 | |
PISTOL COCKS | 0:50:25 | 0:50:27 | |
DOOR CREAKS | 0:50:46 | 0:50:48 | |
GUNSHOT | 0:50:50 | 0:50:53 | |
-Are you all right? -I'll survive. | 0:50:58 | 0:51:00 | |
Hmm. | 0:51:01 | 0:51:03 | |
Charon, um... | 0:51:04 | 0:51:06 | |
he didn't want to kill you. | 0:51:06 | 0:51:09 | |
He loved you. | 0:51:10 | 0:51:12 | |
What now? | 0:51:15 | 0:51:17 | |
You could come with me. | 0:51:17 | 0:51:19 | |
You could stay here. | 0:51:19 | 0:51:20 | |
HE CLEARS HIS THROAT | 0:51:22 | 0:51:24 | |
We live in different worlds, you and me. | 0:51:26 | 0:51:28 | |
I belong with my friends, and...you with yours. | 0:51:28 | 0:51:32 | |
You know it's doomed, this place? | 0:51:33 | 0:51:35 | |
It's only a matter of time | 0:51:37 | 0:51:39 | |
before the Cardinal gets around to destroying your world. | 0:51:39 | 0:51:41 | |
And that's not true of yours? | 0:51:41 | 0:51:43 | |
Let's just enjoy what we have while we have it. | 0:51:47 | 0:51:50 | |
SHE SIGHS | 0:51:55 | 0:51:58 | |
Mm. | 0:51:58 | 0:52:00 | |
Goodbye, Porthos. | 0:52:00 | 0:52:02 | |
Maybe I'll come and...walk amongst the beggars and whores sometime. | 0:52:07 | 0:52:12 | |
Then you'd better watch your purse. | 0:52:12 | 0:52:14 | |
Ah, she's good. | 0:52:19 | 0:52:20 | |
You took your damn time getting here. | 0:52:28 | 0:52:30 | |
-We would never let you hang. -Of course not. | 0:52:30 | 0:52:32 | |
And if we had, the funeral would have been...beautiful. | 0:52:32 | 0:52:35 | |
We came looking. Charon said you were having such a good time, you didn't want to see us. | 0:52:35 | 0:52:39 | |
Be honest. | 0:52:39 | 0:52:41 | |
Did any of you think I did it? | 0:52:43 | 0:52:45 | |
Never even crossed my mind. | 0:52:47 | 0:52:49 | |
Did you ever think we'd abandoned you? | 0:52:49 | 0:52:51 | |
Never. | 0:52:53 | 0:52:55 | |
HORSE SNORTS | 0:52:55 | 0:52:57 | |
THEY CHUCKLE | 0:52:57 | 0:52:59 | |
Come on, let's get the hell out of here. | 0:53:00 | 0:53:03 | |
-I swear I'll kill you. Who are you? -My name is Aramis, of the King's Musketeers. | 0:53:17 | 0:53:20 | |
Advance! | 0:53:20 | 0:53:21 | |
So, you're the one all this fuss is about? | 0:53:24 | 0:53:25 | |
-I demand to see the King. -Mother. | 0:53:25 | 0:53:28 | |
One thing you need to learn, d'Artagnan - don't get involved. | 0:53:28 | 0:53:31 | |
-You know I could use a man of your talents. -Are you making me a proposition? | 0:53:31 | 0:53:35 | |
Make your choice now, Cardinal. | 0:53:35 | 0:53:36 | |
-Have you got this? -Absolutely. | 0:53:36 | 0:53:39 | |
If you'd told us what you were doing, | 0:53:39 | 0:53:41 | |
-we might have been able to plan this properly. -Sorry. -No, no, let's keep it suicidal. | 0:53:41 | 0:53:46 |