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-I expect my nephew today. -Edwin will do more good | 0:00:02 | 0:00:04 | |
-than a dozen medicine chests. -My Jack's an opium eater. | 0:00:04 | 0:00:07 | |
-I'm sorry about your father. He died in action? -No, mining accident in Upper Egypt. | 0:00:07 | 0:00:12 | |
Mr Neville! | 0:00:12 | 0:00:13 | |
-I will have your weapon! -John Jasper is more than an uncle to him, he is a guardian and protector. | 0:00:13 | 0:00:18 | |
Your little rosebud's been picked by another. | 0:00:18 | 0:00:21 | |
-You do know he loves you? -He terrifies me. He pursues me. | 0:00:21 | 0:00:26 | |
What else are you not telling me, Jack? | 0:00:26 | 0:00:29 | |
Jack! | 0:00:33 | 0:00:35 | |
HE CHOKES | 0:00:35 | 0:00:37 | |
NED! | 0:00:43 | 0:00:45 | |
Lost some lead off the roof too, sir. | 0:02:46 | 0:02:49 | |
And the hands in the clock's all bent and twisted. | 0:02:49 | 0:02:52 | |
Dear me, what a night. | 0:02:52 | 0:02:54 | |
We must pray no lives were lost. | 0:02:54 | 0:02:55 | |
Jasper? | 0:02:57 | 0:02:58 | |
My bright boy is gone. | 0:02:58 | 0:03:00 | |
Rosa, to your room this minute. | 0:03:07 | 0:03:11 | |
-What is it? -When did you last see Edwin? -Yesterday afternoon. Why? | 0:03:11 | 0:03:15 | |
You saw or heard nothing of him last night? | 0:03:15 | 0:03:18 | |
What has happened to Eddy? | 0:03:18 | 0:03:20 | |
He departed my house last night with Neville Landless and he never came home. | 0:03:20 | 0:03:24 | |
Neville left at first light to walk by the coast. | 0:03:26 | 0:03:30 | |
Thank you, Miss Twinkleton. | 0:03:30 | 0:03:33 | |
They will blame my brother. | 0:03:33 | 0:03:36 | |
They will punish my brother. | 0:03:36 | 0:03:38 | |
This is my fault. | 0:03:42 | 0:03:44 | |
Mine. | 0:03:44 | 0:03:46 | |
What are you, huh? | 0:03:53 | 0:03:56 | |
A pack of thieves? | 0:03:56 | 0:03:58 | |
-What have you done with my nephew? -I don't understand. -Gently, Jasper. -What have you done with him? | 0:04:01 | 0:04:07 | |
-How should I know? -His bed was not slept in last night. He never came home. | 0:04:07 | 0:04:10 | |
We said our good nights in the cathedral and I went home. | 0:04:10 | 0:04:13 | |
So you left him there alone? | 0:04:13 | 0:04:15 | |
There was no danger in it. He was restless. | 0:04:15 | 0:04:18 | |
He said he wanted fresh air and the smell of open water. | 0:04:18 | 0:04:22 | |
So he came down to the estuary? | 0:04:22 | 0:04:25 | |
Jasper, the storm. | 0:04:25 | 0:04:28 | |
Come along. | 0:04:38 | 0:04:41 | |
A most agonising summons! | 0:04:47 | 0:04:49 | |
The messenger brought a note | 0:04:50 | 0:04:53 | |
which was addressed very personally to me, I see, Mr Hiram Grewgious. | 0:04:53 | 0:04:58 | |
Being, as I am, your assistant, I must be privy to all events, | 0:04:58 | 0:05:00 | |
of which you will agree, there are precious few hereabouts. | 0:05:00 | 0:05:03 | |
And being, as I am, your assistant, | 0:05:03 | 0:05:05 | |
I dare predict there'll be a great deal for you to do today, sir, | 0:05:05 | 0:05:09 | |
in the investigating and comforting line, and you will be requiring me | 0:05:09 | 0:05:13 | |
to be of service in the organising and, and, and catering line. | 0:05:13 | 0:05:17 | |
I am not so awkward that I cannot find my own sandwiches, thank you. | 0:05:17 | 0:05:21 | |
I follow you, sir. | 0:05:23 | 0:05:24 | |
Oh, but, oh, sir, how I do hate the indoors. Oh, the hellish indoors! | 0:05:25 | 0:05:30 | |
They also serve, Bazzard, who only hold the fort. | 0:05:30 | 0:05:34 | |
Take a trip to Doctors Commons, if it please you. | 0:05:37 | 0:05:41 | |
And take sight there of Edwin Drood's last will and testament. | 0:05:41 | 0:05:45 | |
You don't know he's dead yet. | 0:05:45 | 0:05:49 | |
Edwin Drood Senior. | 0:05:49 | 0:05:50 | |
Ned! | 0:05:54 | 0:05:56 | |
Mr Drood? | 0:05:56 | 0:05:58 | |
Ned! | 0:06:01 | 0:06:02 | |
Mr Drood? | 0:06:06 | 0:06:08 | |
I was so sure we'd find him. | 0:06:08 | 0:06:10 | |
Have courage. | 0:06:10 | 0:06:12 | |
-He may have simply left, gone back to London. -Without telling me? | 0:06:12 | 0:06:16 | |
-He'd never be so cruel. -Do not give in to despair, my friend. | 0:06:16 | 0:06:19 | |
My bright boy...is dead. | 0:06:19 | 0:06:22 | |
He seemed in agreement with me. | 0:06:24 | 0:06:27 | |
He seemed relieved. | 0:06:27 | 0:06:29 | |
As I was. | 0:06:29 | 0:06:30 | |
Rosa fears she made him unhappier than he admitted. | 0:06:36 | 0:06:40 | |
That he has brought himself to harm because of her. | 0:06:41 | 0:06:44 | |
You made no mention of a ring. | 0:06:46 | 0:06:50 | |
-Deputy, what you got there? -Nothing. | 0:07:03 | 0:07:06 | |
Eh? | 0:07:06 | 0:07:07 | |
There'll be some young lady somewhere crying her heart out over that. | 0:07:13 | 0:07:17 | |
It's mine. | 0:07:17 | 0:07:18 | |
Durdles don't entirely think so. | 0:07:22 | 0:07:24 | |
Have mercy upon me, O God, | 0:07:26 | 0:07:28 | |
according to thy loving kindness. | 0:07:28 | 0:07:32 | |
Blot out my transgressions. | 0:07:33 | 0:07:36 | |
Wash me thoroughly from mine iniquity, | 0:07:36 | 0:07:40 | |
and cleanse me from my sin. | 0:07:40 | 0:07:42 | |
NED! | 0:07:42 | 0:07:44 | |
Ned? | 0:07:44 | 0:07:46 | |
I can't even sing for him. | 0:07:49 | 0:07:51 | |
Then pray with me. | 0:07:53 | 0:07:55 | |
Our Father who art in heaven... | 0:07:58 | 0:08:00 | |
..hallowed be thy name. | 0:08:03 | 0:08:05 | |
-Thy kingdom come, thy will be done... -I cannot... | 0:08:10 | 0:08:13 | |
forgive those that trespass against me... | 0:08:13 | 0:08:16 | |
-In time... -..any more than I could forgive myself. | 0:08:16 | 0:08:20 | |
Do not reproach yourself. You have nothing to forgive. | 0:08:20 | 0:08:24 | |
-Anyone could see how you loved that boy. -I did. | 0:08:24 | 0:08:27 | |
I did love him. Of course. | 0:08:27 | 0:08:29 | |
All these years I cared for him and now some... | 0:08:31 | 0:08:34 | |
..some stranger... has taken him from me. | 0:08:36 | 0:08:40 | |
Let the monster that killed him hear my vow. | 0:08:47 | 0:08:51 | |
I devote myself to his destruction. | 0:08:51 | 0:08:54 | |
Mr Jasper asserts a history of violent words and even fisticuffs between you! | 0:08:56 | 0:09:00 | |
There was nothing ill-tempered in our meeting last night. | 0:09:00 | 0:09:03 | |
Nevertheless, while investigations continue, I have no option | 0:09:03 | 0:09:07 | |
but to issue a warrant and commit you forthwith to jail. | 0:09:07 | 0:09:10 | |
-On what grounds? -Circumstances of grave suspicion. | 0:09:10 | 0:09:14 | |
-And the case has a generally dark look to me. -No! No, that's absurd! | 0:09:14 | 0:09:19 | |
I mean, sorry, your worship. I mean no disrespect, | 0:09:19 | 0:09:22 | |
but no man can be accused of murder in the absence of the body. | 0:09:22 | 0:09:25 | |
Will you not be satisfied until they find my nephew's poor dead body? | 0:09:25 | 0:09:29 | |
-You twist my meaning. -Sirs! | 0:09:29 | 0:09:31 | |
Please do not sacrifice your friendship on my account. | 0:09:31 | 0:09:36 | |
I can end this argument now, as I could've done earlier, | 0:09:36 | 0:09:39 | |
had I told you the truth. | 0:09:39 | 0:09:42 | |
I did not kill Edwin Drood. | 0:09:42 | 0:09:45 | |
I could never have killed Edwin Drood. | 0:09:46 | 0:09:49 | |
He is my brother. | 0:09:51 | 0:09:52 | |
My sister and I came here as orphans | 0:09:54 | 0:09:59 | |
to seek our father, | 0:09:59 | 0:10:01 | |
Captain Edwin Drood. | 0:10:01 | 0:10:04 | |
Mr Jasper... | 0:10:04 | 0:10:07 | |
we are kinsmen. | 0:10:07 | 0:10:09 | |
That... | 0:10:09 | 0:10:12 | |
vile and groundless allegation would mean that Captain Drood, | 0:10:12 | 0:10:16 | |
the best of husbands, betrayed his marriage vows to my sister... | 0:10:16 | 0:10:21 | |
with a native concubine. | 0:10:21 | 0:10:23 | |
My mother was a Christian lady! | 0:10:23 | 0:10:25 | |
Neville, for shame! | 0:10:25 | 0:10:27 | |
Whether Mr Landless is right or wrong is immaterial, surely? | 0:10:31 | 0:10:35 | |
If he believes Edwin to be his brother, then why would want to harm him? | 0:10:35 | 0:10:38 | |
Angry, resentful, excluded, unloved and poor! | 0:10:38 | 0:10:42 | |
Everything Edwin had, he wanted, and stopped at nothing, not even murder, to get it. | 0:10:42 | 0:10:47 | |
Mr Sapsea may feel a duty to public safety... | 0:10:47 | 0:10:50 | |
-Indeed! Indeed I do. -BANGS GAVEL | 0:10:50 | 0:10:52 | |
Remanded in custody. | 0:10:52 | 0:10:53 | |
I give my solemn guarantee, as a man of the law, | 0:10:53 | 0:10:58 | |
that the young man will be confined to my house, | 0:10:58 | 0:11:01 | |
under my responsibility, and I shall produce him whenever demanded. | 0:11:01 | 0:11:07 | |
You cannot send my brother away. | 0:11:08 | 0:11:12 | |
-When did you plan to tell me? -Please, let us explain. -This year? | 0:11:13 | 0:11:18 | |
Next year some time, or never? | 0:11:20 | 0:11:23 | |
We only sought to find the father that abandoned us and throw ourselves upon his love. | 0:11:23 | 0:11:27 | |
-Upon his pocketbook, more like. -Ma! Not helpful. -Fortune hunters. | 0:11:27 | 0:11:31 | |
Your mother was never Mrs Drood. | 0:11:40 | 0:11:42 | |
No, sir. | 0:11:44 | 0:11:47 | |
So you have no document to prove the connection you claim? | 0:11:47 | 0:11:49 | |
-Our mother was a Christian woman... -Yes, so you said. | 0:11:49 | 0:11:52 | |
-..who never told a falsehood in her life. -A commendable trait - | 0:11:52 | 0:11:55 | |
one she failed to pass on to her offspring. | 0:11:55 | 0:11:57 | |
Do not clench your fist at me! | 0:11:57 | 0:12:00 | |
Neville, go and get your coat. | 0:12:01 | 0:12:04 | |
Mr Jasper may accuse my brother for his own reasons. | 0:12:10 | 0:12:13 | |
The poor man's beside himself with grief and fear. | 0:12:13 | 0:12:16 | |
No, sir, Mr Jasper is in love with Rosa. | 0:12:16 | 0:12:21 | |
If you can call it love, that raging, angry thing. | 0:12:21 | 0:12:24 | |
-Nonsense! -Dear God! | 0:12:24 | 0:12:26 | |
Mr Crisparkle, you have seen him with your own eyes, | 0:12:26 | 0:12:29 | |
sitting at your own piano, in your own house, devouring her with his looks. | 0:12:29 | 0:12:33 | |
Have you absolutely no shame? | 0:12:33 | 0:12:35 | |
Ah, Mr Neville. | 0:12:53 | 0:12:55 | |
He suffers and I do my best to help him | 0:13:05 | 0:13:08 | |
and you ask me to apologise for it. | 0:13:08 | 0:13:11 | |
And the poor boy hasn't even a mother of his own, of course. | 0:13:11 | 0:13:14 | |
I have one on long-term loan to him, it seems. | 0:13:14 | 0:13:17 | |
A very fine medicine chest among her attractions. | 0:13:17 | 0:13:21 | |
Ma, dear, it might be the action of a friend, | 0:13:21 | 0:13:26 | |
especially a kindly maternal friend, to persuade him to depend on | 0:13:26 | 0:13:29 | |
fresh air and exercise in his grief, rather than on laudanum. | 0:13:29 | 0:13:34 | |
Perhaps you don't remember. You were so young, but I do. | 0:13:34 | 0:13:37 | |
I remember when he came here to the choir school, | 0:13:37 | 0:13:39 | |
that poor little boy, seven years old, and all alone in the world. | 0:13:39 | 0:13:44 | |
He's not seven years old any more. | 0:13:44 | 0:13:46 | |
Sept, dear Sept, can't you see how lonely he is? | 0:13:46 | 0:13:51 | |
Feel as sorry for John Jasper as you like, Ma, but I forbid you to give him laudanum again. | 0:13:51 | 0:13:55 | |
You forbid me?! | 0:13:55 | 0:13:57 | |
What century do you believe this to be? | 0:13:57 | 0:14:00 | |
No matter how many hours you spend studying that document... | 0:14:14 | 0:14:17 | |
I know my father's will off by heart, sir, | 0:14:19 | 0:14:22 | |
and I know it will never change. | 0:14:22 | 0:14:24 | |
"I leave my entire estate to my beloved and only son, Edwin." | 0:14:24 | 0:14:29 | |
The uniform penny post is arrived. | 0:14:29 | 0:14:33 | |
Oh, the excitement. | 0:14:33 | 0:14:35 | |
Captain Drood would, alas, not be the first Englishman to father children | 0:14:37 | 0:14:42 | |
in foreign climes and then abandon them. | 0:14:42 | 0:14:44 | |
He was the first Englishman to do it to me. | 0:14:44 | 0:14:46 | |
Ahem. | 0:14:46 | 0:14:48 | |
Yes, Bazzard? | 0:14:48 | 0:14:49 | |
Being, as I am, only your assistant | 0:14:49 | 0:14:51 | |
and not permitted to leave this hellish office, | 0:14:51 | 0:14:54 | |
I have been forced to apply to the trustees using the penny post. | 0:14:54 | 0:14:57 | |
-Trustees? -Of the Mission School in Trincomalee. | 0:14:57 | 0:15:01 | |
Which, august gentlemen, confirm that a certain Captain Edwin Arthur Drood | 0:15:01 | 0:15:05 | |
began regular payments to the school in the autumn of 1834. | 0:15:05 | 0:15:09 | |
When my sister and I were six years old. | 0:15:09 | 0:15:13 | |
Oh, Mr Grewgious! I know it's not proof, but this could... | 0:15:13 | 0:15:18 | |
But it is evidence, Neville. | 0:15:18 | 0:15:20 | |
Very suggestive evidence. | 0:15:20 | 0:15:22 | |
And ended in the summer of 1836. | 0:15:22 | 0:15:24 | |
He lost interest in us after only two years? | 0:15:24 | 0:15:28 | |
Perhaps it is simply that the regiment moved back to Egypt. | 0:15:28 | 0:15:31 | |
I need to know. Mr Grewgious, the regimental archives are in Cloisterham. | 0:15:31 | 0:15:35 | |
Neville, you know very well that you cannot go back to Cloisterham. | 0:15:35 | 0:15:40 | |
Bazzard! Get your coat. | 0:15:41 | 0:15:44 | |
Speak to now-one. In particular, keep your distance from Mr Jasper. | 0:15:45 | 0:15:49 | |
I could use a suedeonym to avoid discovery. | 0:15:49 | 0:15:51 | |
You shall do no such thing. And the word is pseudonym. | 0:15:51 | 0:15:54 | |
Or, or, or, employ the Scottish accent I used as a schoolboy in my very well-received Macbeth. | 0:15:54 | 0:15:59 | |
Bazzard, go to the archives. Track Captain Drood's movements. | 0:15:59 | 0:16:03 | |
Speak to no-one! | 0:16:03 | 0:16:06 | |
I follow you, sir. | 0:16:06 | 0:16:07 | |
-SCOTTISH ACCENT: -Och, aye, the noo! | 0:16:09 | 0:16:11 | |
I do understand how cravings can be very strong in such cases but... | 0:16:14 | 0:16:21 | |
You suspect an element of pleasurable excitement in it. | 0:16:21 | 0:16:24 | |
-Why else begin it? -Mmm. | 0:16:24 | 0:16:28 | |
To banish grief beyond endurance. | 0:16:28 | 0:16:31 | |
To reach total eclipse without all hope of day. | 0:16:31 | 0:16:35 | |
When you came to me last year about your pain... | 0:16:35 | 0:16:38 | |
Oh, no man flies back to opium from physical pain. | 0:16:38 | 0:16:41 | |
From what, then? | 0:16:41 | 0:16:43 | |
Blank and hopeless desolation. | 0:16:45 | 0:16:47 | |
And then for a while it brings dreams of paradise and unimaginable pleasure. | 0:16:47 | 0:16:52 | |
I have stood looking down into an abyss of divine enjoyment, | 0:16:52 | 0:16:56 | |
until a desolation more blank and hopeless than before returns. | 0:16:56 | 0:17:00 | |
We must seek a way to break this slavery, through prayer. | 0:17:00 | 0:17:06 | |
Oh, there is no need, dear lady. | 0:17:06 | 0:17:08 | |
For my slavery is already at an end since my poor Ned... | 0:17:08 | 0:17:12 | |
(I cannot speak of it.) | 0:17:13 | 0:17:15 | |
Oh, never have my prayers been answered more quickly. | 0:17:17 | 0:17:21 | |
Regimental Muster Rolls. | 0:17:42 | 0:17:44 | |
Most efficient. Thank you. | 0:17:47 | 0:17:50 | |
ALL CHATTER | 0:17:50 | 0:17:52 | |
-I shall miss you. -Your first duty is to your brother. | 0:18:00 | 0:18:05 | |
-It was supposed to be you leaving me behind. -And in my wedding dress. | 0:18:05 | 0:18:10 | |
How long ago that seems. | 0:18:10 | 0:18:11 | |
Miss Landless, please, let me. | 0:18:24 | 0:18:27 | |
I can carry my own bag, sir. | 0:18:27 | 0:18:28 | |
But why should you when a friend presents himself as beast of burden? | 0:18:28 | 0:18:32 | |
A friend? | 0:18:32 | 0:18:34 | |
I wish we'd not quarrelled. | 0:18:34 | 0:18:37 | |
Cloisterham will seem very quiet without both Landlesses. | 0:18:40 | 0:18:44 | |
It will do as well without us now as if we had never come here. | 0:18:44 | 0:18:47 | |
But, Helena, then I would never have known you. | 0:18:47 | 0:18:51 | |
Either of you, I mean, of course. You and your brother, both of you. | 0:18:51 | 0:18:55 | |
Excellent pupils. | 0:18:55 | 0:18:58 | |
Um... | 0:18:58 | 0:18:59 | |
You will send him my best regards? | 0:19:02 | 0:19:05 | |
All aboard now! Miss Landless. | 0:19:05 | 0:19:08 | |
Oh! Run! | 0:19:08 | 0:19:10 | |
Thank you. | 0:19:14 | 0:19:15 | |
Oh, this is all happening too quickly. Reverend Crisparkle, | 0:19:18 | 0:19:22 | |
kindest of men, so much kinder than we deserved. | 0:19:22 | 0:19:24 | |
Walk on. | 0:19:29 | 0:19:32 | |
Thank you. | 0:20:10 | 0:20:12 | |
Weeks without even a glimpse of your face | 0:20:19 | 0:20:21 | |
while I waited patiently for your summons. | 0:20:21 | 0:20:24 | |
Why should I summon you? | 0:20:24 | 0:20:26 | |
Back to my duties as your faithful music master. | 0:20:26 | 0:20:29 | |
I shall never play the piano again. | 0:20:31 | 0:20:33 | |
Never let those lovely fingers make sweet melody? | 0:20:35 | 0:20:38 | |
Nobody can see us. | 0:20:42 | 0:20:44 | |
Everyone's gone home for the summer. | 0:20:44 | 0:20:46 | |
Except little orphan Rosa. | 0:20:46 | 0:20:49 | |
But I will not touch you again. I'll come no nearer to you than this. | 0:20:49 | 0:20:55 | |
Sit, my love. | 0:20:55 | 0:20:57 | |
You wear his ring. | 0:21:00 | 0:21:02 | |
My mother's ring, in his memory. | 0:21:04 | 0:21:08 | |
-Dear God, I tried so hard not to love you. -I won't hear you. | 0:21:10 | 0:21:14 | |
If you knew what visions tormented me. | 0:21:14 | 0:21:16 | |
I have wandered through paradise and through hell, every night, | 0:21:16 | 0:21:20 | |
carrying you in my arms. | 0:21:20 | 0:21:22 | |
But as long as you were his, I stayed loyal to him. | 0:21:22 | 0:21:26 | |
Every day that you pursued me, every day you made my life hell, | 0:21:26 | 0:21:29 | |
you betrayed him. | 0:21:29 | 0:21:31 | |
But he's dead. | 0:21:32 | 0:21:34 | |
He never knew, that trusting soul, who loved you, like a brother. | 0:21:34 | 0:21:39 | |
He's dead, and you are free. | 0:21:39 | 0:21:41 | |
My poor Edwin never knew that his Jack's heart is black as coal. | 0:21:41 | 0:21:45 | |
-You will love me, Rosa. -I'd rather die too. | 0:21:45 | 0:21:49 | |
Oh, sweet witch, then keep your love. I'll gladly take this pretty rage instead. | 0:21:49 | 0:21:53 | |
If you could see yourself, Rosa, in your panting hatred, | 0:21:53 | 0:21:57 | |
you're more desirable than ever. | 0:21:57 | 0:22:00 | |
You would take by force what will never be yours by consent? | 0:22:01 | 0:22:05 | |
But you will consent. | 0:22:05 | 0:22:06 | |
In the end, you will love me, Rosa. | 0:22:06 | 0:22:08 | |
How could I ever love a man whose spirit is so mean, | 0:22:08 | 0:22:11 | |
whose heart is so bitter? | 0:22:11 | 0:22:13 | |
You drove my friends away with false accusations. | 0:22:13 | 0:22:16 | |
You still defend Neville Landless? | 0:22:18 | 0:22:20 | |
Your pursuit of him is like your pursuit of me - | 0:22:20 | 0:22:22 | |
unfair and ugly and cruel. | 0:22:22 | 0:22:25 | |
Ugly and cruel? | 0:22:26 | 0:22:28 | |
Ugly and cruel? Am I that man? Pretty little Neville Landless is entirely guilty of dreaming he can have you. | 0:22:28 | 0:22:34 | |
As to his guilt in the death of my boy, | 0:22:34 | 0:22:36 | |
I have wound the coil of suspicion so tightly around him, it hardly matters if it be true or not. | 0:22:36 | 0:22:40 | |
Nor does it matter if you love me, Rosa, or hate me. I no longer care. | 0:22:40 | 0:22:44 | |
Ugly and cruel, yes, you have made me so and you will still come to me. | 0:22:44 | 0:22:49 | |
I will not. | 0:22:49 | 0:22:51 | |
You refuse to save him? Well, then Neville Landless will hang. | 0:22:53 | 0:22:57 | |
WOODEN DOOR CREAKS | 0:22:57 | 0:22:59 | |
Say nothing to a living soul. | 0:22:59 | 0:23:01 | |
Rosa, I love you more than any man ever loved a woman and you will never be rid of me. | 0:23:01 | 0:23:06 | |
I will pursue you to the death. | 0:23:06 | 0:23:08 | |
What are you looking at? Nothing has happened here. | 0:23:14 | 0:23:18 | |
I say! | 0:23:20 | 0:23:21 | |
Excuse me. | 0:23:23 | 0:23:25 | |
This officer here, Captain Drood. | 0:23:25 | 0:23:28 | |
See, I've discovered him leaving Ceylon and going back to Egypt in 1836. | 0:23:28 | 0:23:31 | |
Then a year later there's a mining accident, and he is listed as missing. | 0:23:31 | 0:23:36 | |
But...when I try to cross-reference the accident report with the record of his death... | 0:23:36 | 0:23:41 | |
Well, it's not there. | 0:23:41 | 0:23:44 | |
Our records is never wrong. | 0:23:44 | 0:23:46 | |
There's got to be a death in service record if he's dead. | 0:23:46 | 0:23:50 | |
IF he's dead. | 0:23:54 | 0:23:55 | |
STONES CLATTER | 0:24:25 | 0:24:27 | |
SHEEP BLEATS | 0:24:27 | 0:24:29 | |
Hit 'im again! I made a dent in his wool! | 0:24:29 | 0:24:32 | |
-Let him be, you've lamed him. -You lie! He lamed himself. | 0:24:32 | 0:24:36 | |
Show me where your choirmaster's house is. | 0:24:36 | 0:24:39 | |
I will not. | 0:24:39 | 0:24:40 | |
Ain't going nowhere near him, not ever again, | 0:24:40 | 0:24:43 | |
not after he upended me and damn near choked me. | 0:24:43 | 0:24:46 | |
Anyway, it's miles away. | 0:24:46 | 0:24:48 | |
Take me where the ruffian lives and I'll give you a penny. | 0:24:48 | 0:24:52 | |
No point, cos he's not in! | 0:24:56 | 0:24:58 | |
But give me another and I'll take you to his landlord. | 0:24:58 | 0:25:03 | |
FOOTSTEPS APPROACH | 0:25:04 | 0:25:07 | |
Your worshipfulness. | 0:25:20 | 0:25:22 | |
What an honour it is for a humble student of funerary architecture | 0:25:25 | 0:25:29 | |
to come face to face with the fons et origo of such a piece of perfection. | 0:25:29 | 0:25:34 | |
The inscription composed by my own unworthy hand, sir. | 0:25:34 | 0:25:38 | |
And yet, strangers have been seen copying it down in their notebooks. | 0:25:38 | 0:25:43 | |
"Stranger pause." | 0:25:45 | 0:25:48 | |
It is the language of Shakespeare. | 0:25:48 | 0:25:51 | |
Thank you, sir. | 0:25:52 | 0:25:55 | |
Mr...? | 0:25:55 | 0:25:56 | |
The name's...Datchery. | 0:25:56 | 0:26:00 | |
Dick Datchery, at your most humble service. | 0:26:00 | 0:26:03 | |
I have the honour, sir, to welcome you to an ancient city, | 0:26:03 | 0:26:08 | |
a proud city, an ecclesiastical city. | 0:26:08 | 0:26:12 | |
Your worshipfulness inspires me with a desire to know more, | 0:26:12 | 0:26:16 | |
and confirms me in my inclination to spend some time under his beneficent sway. | 0:26:16 | 0:26:20 | |
SAPSEA CHUCKLES | 0:26:20 | 0:26:23 | |
In which context, and after a woeful night at the Dog and Gun, | 0:26:23 | 0:26:26 | |
I wonder if you might suggest somewhere I might stay. | 0:26:26 | 0:26:29 | |
Somewhere architectural and inconvenient. Somewhere... | 0:26:29 | 0:26:34 | |
cathedral-y? | 0:26:34 | 0:26:36 | |
KNOCKING AT DOOR | 0:26:39 | 0:26:40 | |
KNOCKING CONTINUES | 0:26:45 | 0:26:46 | |
Rosa? | 0:26:53 | 0:26:55 | |
Don't let him catch me. | 0:26:55 | 0:26:57 | |
I never knew I was such a coward. | 0:26:57 | 0:26:59 | |
-You are nothing of the sort. -I am. | 0:26:59 | 0:27:03 | |
For I think now that I was afraid to marry Edwin for fear | 0:27:03 | 0:27:06 | |
I would never then be free of his uncle. | 0:27:06 | 0:27:09 | |
Now my poor Eddy is dead and it was all for nothing, | 0:27:09 | 0:27:13 | |
for I will never be free again. | 0:27:13 | 0:27:15 | |
BELLS RING | 0:27:20 | 0:27:21 | |
# Ride on! Ride on in majesty! | 0:27:21 | 0:27:25 | |
# Thy last and fiercest strife is nigh... # | 0:27:25 | 0:27:29 | |
Glad to hear praise the Lord with such enthusiasm, Jasper. | 0:27:29 | 0:27:32 | |
I find I am much inspired, since my bright boy's demise, | 0:27:34 | 0:27:38 | |
by thoughts of our joy to come in heaven. | 0:27:38 | 0:27:41 | |
For are not we sinners always knocking on heaven's door? | 0:27:41 | 0:27:44 | |
So you think Mr Crisparkle, if he were here, | 0:27:46 | 0:27:50 | |
would release me from my promise? | 0:27:50 | 0:27:52 | |
I do. | 0:27:52 | 0:27:53 | |
Not least because in rooms this small | 0:27:53 | 0:27:55 | |
you can scarcely avoid bumping into Rosa several times a day. | 0:27:55 | 0:28:00 | |
But, Neville, she is in mourning. | 0:28:00 | 0:28:03 | |
In mourning for a good man. | 0:28:03 | 0:28:05 | |
And under attack from an evil one. | 0:28:05 | 0:28:08 | |
I would not dream of adding to her burdens. | 0:28:08 | 0:28:11 | |
Besides, she already seems more like a beloved sister to me now. | 0:28:11 | 0:28:15 | |
I have sent word to Miss Twinkleton that Rosa is safe with us. | 0:28:15 | 0:28:19 | |
And yes, Helena, I have requested she refrain from telling Mr Jasper. | 0:28:19 | 0:28:25 | |
Ah, my dear! | 0:28:25 | 0:28:28 | |
You have slept. | 0:28:28 | 0:28:31 | |
And now you must eat. Come. | 0:28:31 | 0:28:34 | |
What did you take last? Was it breakfast, lunch, dinner, tea or supper? | 0:28:34 | 0:28:39 | |
And what will you take next? Shall it be breakfast, lunch, | 0:28:39 | 0:28:43 | |
or a nice jumble of all meals? | 0:28:43 | 0:28:45 | |
Mr Grewgious, I have something to say. | 0:28:45 | 0:28:48 | |
The hardest thing I have ever had to say in my life. | 0:28:48 | 0:28:52 | |
Helena has told me of Mr Jasper's unwanted attentions. | 0:28:52 | 0:28:55 | |
Oh, that is nothing. Nothing compared to the question to which those attentions give rise. | 0:28:55 | 0:29:00 | |
My friends, ask yourselves, please, as I have been forced to do... | 0:29:00 | 0:29:04 | |
..who on this earth had most to gain from the death of Edwin Drood? | 0:29:05 | 0:29:11 | |
Oh, Mr Jasper, thank heaven you've come! | 0:29:18 | 0:29:22 | |
Her bed not slept in, and this foolish maid, | 0:29:22 | 0:29:24 | |
taken in by a notice on the door - "do not disturb"! | 0:29:24 | 0:29:27 | |
Oh, Mr Jasper, can you find her? | 0:29:27 | 0:29:30 | |
Can you bring our little rosebud home? | 0:29:30 | 0:29:32 | |
It was him that upset her! | 0:29:37 | 0:29:38 | |
No! Don't you start your nonsense again! | 0:29:38 | 0:29:41 | |
HYSTERICAL SOBBING | 0:29:41 | 0:29:43 | |
-NEVILLE: -She's not here! -Liar! Rosa? | 0:30:03 | 0:30:07 | |
Rosa, what is this foolishness? Come home with me now. | 0:30:07 | 0:30:10 | |
You will come no closer. | 0:30:10 | 0:30:12 | |
-Who will prevent me? -Neville, stay back! | 0:30:12 | 0:30:15 | |
-Rosa, come now. -I'm not afraid of you, sir. -No? | 0:30:19 | 0:30:22 | |
-You terrify me. -I'm not afraid of you | 0:30:22 | 0:30:24 | |
because the threats you have made are empty. You cannot harm my brother | 0:30:24 | 0:30:28 | |
-because he is innocent and you know it. -It makes no difference now. Come, Rosa, my love. | 0:30:28 | 0:30:33 | |
She shrinks from your love! | 0:30:33 | 0:30:36 | |
Rosa is not afraid of me. She's afraid of what's in her own heart. | 0:30:36 | 0:30:39 | |
Look at her. | 0:30:39 | 0:30:41 | |
Look at the real Rosa, not the one of your dreams. | 0:30:41 | 0:30:44 | |
Tell me, what does she see? | 0:30:44 | 0:30:46 | |
A lover. | 0:30:46 | 0:30:48 | |
A monster. A killer. | 0:30:48 | 0:30:50 | |
Look into your own black heart, John Jasper, | 0:30:52 | 0:30:57 | |
and tell me she is wrong. | 0:30:57 | 0:30:59 | |
Dear God! | 0:31:05 | 0:31:08 | |
So it was you. | 0:31:08 | 0:31:09 | |
FOOTSTEPS FADE AWAY | 0:31:13 | 0:31:15 | |
Mr Jasper? | 0:31:27 | 0:31:30 | |
What is this? | 0:31:32 | 0:31:34 | |
-You should not be here. -You have poisoned her mind against me! | 0:31:34 | 0:31:37 | |
Neither her mind nor her heart needed any help from me, I assure you. | 0:31:37 | 0:31:41 | |
Let go of me! | 0:31:41 | 0:31:43 | |
Mr Jasper, you must learn to accept that when a lady says no, | 0:31:43 | 0:31:47 | |
-it is her free choice. -She is meant for me! | 0:31:47 | 0:31:51 | |
As it was her free choice to end her engagement to Edwin. | 0:31:51 | 0:31:55 | |
Ah! You did not know. | 0:31:58 | 0:32:02 | |
This young couple, the lost youth and the lovely girl, | 0:32:02 | 0:32:07 | |
though so long engaged and so close to being married, | 0:32:07 | 0:32:11 | |
decided the very afternoon of his death | 0:32:11 | 0:32:15 | |
that they would be happier as brother and sister, | 0:32:15 | 0:32:18 | |
than as man and wife, | 0:32:18 | 0:32:20 | |
and, accordingly, broke off their engagement. | 0:32:20 | 0:32:23 | |
(He never told me.) | 0:32:30 | 0:32:32 | |
(He should have told me.) | 0:32:34 | 0:32:36 | |
ROSA GIGGLES | 0:32:43 | 0:32:45 | |
EDWIN CHOKES | 0:32:48 | 0:32:50 | |
HE PANTS | 0:32:53 | 0:32:55 | |
NED! | 0:33:18 | 0:33:20 | |
Are you alone here? | 0:33:36 | 0:33:37 | |
Worse luck for business, I am, deary. | 0:33:39 | 0:33:42 | |
Come in, where I can see you, for your voice is familiar. | 0:33:44 | 0:33:47 | |
Well, stranger! Huh! | 0:33:57 | 0:33:59 | |
And there was me thinking you'd died and gone to heaven. | 0:34:01 | 0:34:05 | |
Not you that died, then. | 0:34:09 | 0:34:11 | |
Who's that you're in mourning for? | 0:34:13 | 0:34:16 | |
I can't see. | 0:34:19 | 0:34:21 | |
I can't remember. | 0:34:22 | 0:34:24 | |
Then you've come to the right place, | 0:34:24 | 0:34:28 | |
cos that's just what Princess Puffer's here for. | 0:34:28 | 0:34:32 | |
LOCK RATTLES | 0:34:39 | 0:34:41 | |
SOBBING | 0:34:57 | 0:34:58 | |
Miss Twinkleton, please calm yourself. | 0:34:58 | 0:35:01 | |
Septimus, read this! | 0:35:05 | 0:35:06 | |
Ma! | 0:35:06 | 0:35:08 | |
A message from Mr Grewgious. | 0:35:08 | 0:35:10 | |
MISS TWINKLETON WAILS | 0:35:10 | 0:35:12 | |
DEPUTY WHISTLES | 0:35:44 | 0:35:46 | |
-Woah! -Mr Grewgious sent me! | 0:36:08 | 0:36:11 | |
On an errand of burglary? | 0:36:11 | 0:36:13 | |
Well, he did not expressly forbid it. | 0:36:13 | 0:36:15 | |
He was most insistent on other things. I must stay in the library, I must talk to no-one... | 0:36:15 | 0:36:20 | |
-And did you find anything in the library, Mr...? -The name's Datcher... Bazzard. | 0:36:20 | 0:36:24 | |
I found the Royal Engineers pensions record for Captain Drood. | 0:36:24 | 0:36:28 | |
And, sir... | 0:36:28 | 0:36:30 | |
..he has been picking it up for the last nine years. | 0:36:32 | 0:36:35 | |
That's nonsense, Datcher Bazzard. He died in a mining accident in Upper Egypt. | 0:36:35 | 0:36:40 | |
Well, if he did, there's no record of it. | 0:36:40 | 0:36:43 | |
Either someone else is taking the money... | 0:36:43 | 0:36:46 | |
or Captain Drood is still alive. | 0:36:46 | 0:36:48 | |
Oh, that's just the old man's will. | 0:36:51 | 0:36:53 | |
I obtained a copy weeks ago. There's nothing in it. | 0:36:53 | 0:36:57 | |
He's crossed out Edwin's name. | 0:36:57 | 0:36:59 | |
Every time it appears. | 0:36:59 | 0:37:01 | |
Cor! He really hated 'im! | 0:37:01 | 0:37:04 | |
Was it hate or envy? | 0:37:04 | 0:37:06 | |
And where did he hide the body? | 0:37:06 | 0:37:09 | |
Bet I know. | 0:37:09 | 0:37:10 | |
Yes, I brought Mr Jasper down here, | 0:37:14 | 0:37:17 | |
a couple of days before the unfortunate business with Mr Edwin. | 0:37:17 | 0:37:20 | |
Wooooo! | 0:37:20 | 0:37:22 | |
-Go on! -DEPUTY LAUGHS | 0:37:22 | 0:37:24 | |
Get out of it! | 0:37:24 | 0:37:26 | |
I was telling him about the night I was enjoying my forty winks, | 0:37:28 | 0:37:32 | |
when I was woken by the ghost of one terrific shriek. | 0:37:32 | 0:37:36 | |
HIGH-PITCHED SCREAM | 0:37:36 | 0:37:38 | |
-Spooked you! Ha! -Get out of it! | 0:37:38 | 0:37:41 | |
Deputy was right, Mr Crisparkle. | 0:37:43 | 0:37:45 | |
So many hiding places. | 0:37:47 | 0:37:50 | |
There is no place in this cathedral that's hidden to Durdles. | 0:37:50 | 0:37:56 | |
Durdles is the keeper of all the keys. | 0:37:56 | 0:37:58 | |
Nearly all the keys. | 0:38:02 | 0:38:05 | |
Durdles has had a loss perplexing him and preying on his mind, sir. | 0:38:05 | 0:38:10 | |
He's sorry to say that on the night he took Mr Jasper on his tour, | 0:38:10 | 0:38:14 | |
Durdles found himself in a state of intoxication, | 0:38:14 | 0:38:19 | |
which makes him now wonder if that was the night he lost hold of... | 0:38:19 | 0:38:23 | |
This one! | 0:38:23 | 0:38:25 | |
No. It was much bigger. | 0:38:27 | 0:38:30 | |
Oh, dear. | 0:38:36 | 0:38:37 | |
Need his worship's permission. | 0:38:44 | 0:38:46 | |
"Good morning, Mr Sapsea. Please may we dig up your dead wife on a foolish whim?" | 0:38:46 | 0:38:51 | |
BAZZARD CHUCKLES | 0:38:51 | 0:38:52 | |
If only I could see the end. | 0:38:56 | 0:38:58 | |
The end of what, deary? | 0:39:00 | 0:39:01 | |
I rehearsed it hundreds, thousands of times in this room. | 0:39:04 | 0:39:09 | |
I saw him fall like a snowflake. | 0:39:13 | 0:39:16 | |
Like a breath of sweet air falling so gently. | 0:39:16 | 0:39:22 | |
Things never turn out like we hope, do they? | 0:39:25 | 0:39:28 | |
Millions, millions of times. | 0:39:30 | 0:39:33 | |
I never saw that before. | 0:39:50 | 0:39:52 | |
This stuff's not strong enough. | 0:39:55 | 0:39:57 | |
What next? | 0:39:59 | 0:40:01 | |
Show me what happened next. | 0:40:01 | 0:40:03 | |
Oh, what a poor, mean, miserable thing this is. | 0:40:05 | 0:40:09 | |
Oh, Rosa! | 0:40:16 | 0:40:17 | |
Oh, I thought I was dreaming. | 0:40:17 | 0:40:21 | |
Lord! How like your dear mother you have grown. | 0:40:23 | 0:40:27 | |
I've made you sad? | 0:40:31 | 0:40:34 | |
I'm so sorry. | 0:40:34 | 0:40:36 | |
I can never be sad when I think of her, | 0:40:38 | 0:40:41 | |
or look at you. | 0:40:41 | 0:40:43 | |
-Did she know your feelings? -Oh, I hope not. | 0:40:51 | 0:40:54 | |
What kind of specimen am I to have hopes in that direction? | 0:40:56 | 0:41:01 | |
Lord, what a conversation! | 0:41:01 | 0:41:03 | |
Mr Grewgious, please tell me. | 0:41:03 | 0:41:07 | |
What is true love like? | 0:41:07 | 0:41:10 | |
True love... | 0:41:10 | 0:41:12 | |
..is always returned. | 0:41:15 | 0:41:17 | |
Oh, how we witter on when the dream's upon us. | 0:41:24 | 0:41:27 | |
Singing like a little canary bird all night long, we was. | 0:41:30 | 0:41:34 | |
Sing some more. | 0:41:37 | 0:41:38 | |
What was that? | 0:41:40 | 0:41:42 | |
Tell me what you did. | 0:41:42 | 0:41:45 | |
I'm nearly... | 0:41:50 | 0:41:51 | |
..nearly... | 0:41:53 | 0:41:55 | |
..damned. | 0:42:03 | 0:42:04 | |
"Oh, subtle and mighty opium | 0:42:15 | 0:42:18 | |
"to the guilty man for one night gives back the hopes of his youth, | 0:42:18 | 0:42:22 | |
"and hands washed pure from blood." | 0:42:22 | 0:42:25 | |
Tell me what happened to him and I will go with you. | 0:42:26 | 0:42:31 | |
And there is no danger of any harm befalling my inscription? | 0:42:35 | 0:42:39 | |
Oh, none whatsoever, my dear worshipfulness. | 0:42:39 | 0:42:43 | |
I shall guard that priceless masterpiece with my life. | 0:42:43 | 0:42:47 | |
FOOTSTEPS APPROACH | 0:43:02 | 0:43:04 | |
Oh, this is no place for a child. | 0:43:04 | 0:43:06 | |
-Deputy, go and watch out for Mr Jasper's return. -I will not! | 0:43:06 | 0:43:10 | |
-I'll give you a shilling. -Joking! | 0:43:10 | 0:43:13 | |
Need a guinea to persuade me to miss this. | 0:43:13 | 0:43:16 | |
You stay there. | 0:43:23 | 0:43:24 | |
-Good day to you, Joe. -Miss Rosa. -Thank you. | 0:43:37 | 0:43:40 | |
BOTH STRAIN | 0:43:40 | 0:43:41 | |
BOTH PANT | 0:43:46 | 0:43:48 | |
Well? | 0:44:04 | 0:44:05 | |
Nothing but the mortal remains of poor Mrs Sapsea. | 0:44:06 | 0:44:10 | |
Oh, hellfire! | 0:44:10 | 0:44:12 | |
And damnation. Yes, very helpful(!) | 0:44:12 | 0:44:14 | |
-Get the other one out, then. -What other one? | 0:44:14 | 0:44:17 | |
The one he found in Mr Jasper's desk, stupid! | 0:44:17 | 0:44:20 | |
Durdles needs a closer look at that. | 0:44:24 | 0:44:27 | |
Had no cause to go inside there for years, | 0:44:30 | 0:44:32 | |
but Durdles'd know it anywhere. | 0:44:32 | 0:44:35 | |
This is the key to the Drood tomb. | 0:44:35 | 0:44:37 | |
You hesitated the last. | 0:45:15 | 0:45:18 | |
I'm ready. | 0:45:18 | 0:45:19 | |
To say I planned it would not be quite right. | 0:45:30 | 0:45:33 | |
The idea, the method, came to me in a dream. | 0:45:33 | 0:45:35 | |
-A nightmare? -Oh, no, no, no! | 0:45:35 | 0:45:37 | |
Edwin died night after night in dreams of perfect beauty. | 0:45:37 | 0:45:40 | |
You stay there. | 0:45:42 | 0:45:43 | |
Here, on the altar step, where he would have married you, | 0:45:45 | 0:45:49 | |
taken the woman who was meant for me, taken my life, unless I took his first. | 0:45:49 | 0:45:53 | |
Lord, let me know mine end. | 0:45:53 | 0:45:54 | |
VOICE ECHOES | 0:45:54 | 0:45:58 | |
Voices? | 0:45:58 | 0:45:59 | |
Listen. | 0:46:01 | 0:46:02 | |
What is down there? | 0:46:05 | 0:46:06 | |
..and mine age is even nothing in respect of thee. | 0:46:06 | 0:46:09 | |
His corpse was safe enough in the Sapsea tomb | 0:46:13 | 0:46:15 | |
till that fat fool wanted his inscription carving. | 0:46:15 | 0:46:18 | |
"Stranger, pause. Stranger..." | 0:46:20 | 0:46:22 | |
So I took the key, and... | 0:46:24 | 0:46:27 | |
I moved...I moved his body... | 0:46:27 | 0:46:29 | |
I moved his poor body. | 0:46:29 | 0:46:32 | |
(No, that's not it.) | 0:46:32 | 0:46:34 | |
-Something's wrong. -It's not 'im! -What? | 0:46:34 | 0:46:38 | |
I've got something wrong. | 0:46:38 | 0:46:41 | |
It's some old fella. Look! | 0:46:41 | 0:46:44 | |
ROSA SCREAMS | 0:46:44 | 0:46:45 | |
My God! | 0:46:45 | 0:46:47 | |
-Edwin! -You're in mourning? | 0:46:48 | 0:46:51 | |
For you! | 0:46:51 | 0:46:53 | |
I went early to Egypt, as I did tell you I might | 0:46:58 | 0:47:01 | |
when you broke off our engagement. | 0:47:01 | 0:47:04 | |
And are there no post offices in Egypt? | 0:47:04 | 0:47:06 | |
Write to you?! Why would I write to you? | 0:47:06 | 0:47:09 | |
I was so angry with you, I threw away that pretty ring. | 0:47:09 | 0:47:13 | |
Come on, son. | 0:48:06 | 0:48:07 | |
If that personage has been dead nine years, I'll eat my hat, | 0:48:12 | 0:48:16 | |
and yours too. | 0:48:16 | 0:48:17 | |
My bet is he's been dead a bit less than one year. | 0:48:17 | 0:48:20 | |
And the ghost of one terrific shriek. | 0:48:22 | 0:48:25 | |
Wasn't a ghost, after all. | 0:48:25 | 0:48:27 | |
Who is it, Jasper? | 0:48:42 | 0:48:44 | |
Why, sir, it is Edwin Drood. | 0:48:46 | 0:48:50 | |
The father? | 0:48:52 | 0:48:54 | |
Our father. | 0:48:56 | 0:48:58 | |
Ned's and mine. | 0:48:58 | 0:49:00 | |
It was common knowledge in Egypt. | 0:49:02 | 0:49:05 | |
The date of his birth was inconvenient, | 0:49:05 | 0:49:08 | |
so my mother passed Jack off as her little brother. | 0:49:08 | 0:49:11 | |
We all thought he killed you. | 0:49:13 | 0:49:15 | |
Jack?! | 0:49:15 | 0:49:17 | |
Never! He loves me. | 0:49:17 | 0:49:19 | |
Eddy, | 0:49:19 | 0:49:21 | |
even he thinks he killed you. | 0:49:21 | 0:49:24 | |
JACK SIGHS | 0:49:31 | 0:49:34 | |
I have striven... | 0:49:35 | 0:49:38 | |
so hard to remember. | 0:49:38 | 0:49:42 | |
And I have remembered it all wrong. | 0:49:42 | 0:49:45 | |
Muddled them both up in my head. | 0:49:45 | 0:49:49 | |
Gentlemen, leave us, please. | 0:49:49 | 0:49:51 | |
On your own, with him? | 0:49:51 | 0:49:53 | |
We are old friends, Mr Jasper and I. | 0:49:53 | 0:49:55 | |
-We'll get help. -No! -Don't alert anyone. | 0:49:55 | 0:49:58 | |
Mr Jasper and I will do very well here together. | 0:49:58 | 0:50:01 | |
I have dreamed so much about... | 0:50:10 | 0:50:15 | |
killing Edwin... | 0:50:15 | 0:50:16 | |
.and forgotten this. | 0:50:18 | 0:50:20 | |
Captain Drood's will left everything to him, and nothing to you. | 0:50:22 | 0:50:26 | |
Oh, I never cared about the money. | 0:50:26 | 0:50:30 | |
Is there a circle of hell reserved especially for fathers | 0:50:33 | 0:50:37 | |
who do not love their children? | 0:50:37 | 0:50:40 | |
There ought to be. | 0:50:42 | 0:50:44 | |
And does it stand next to the circle where eternal damnation awaits the man who killed his own father? | 0:50:44 | 0:50:49 | |
God will forgive you if you are truly penitent. | 0:50:49 | 0:50:54 | |
-For when the wicked man turneth away from his wickedness... -The wicked man! | 0:50:54 | 0:50:58 | |
The wicked man! | 0:50:58 | 0:51:00 | |
The wicked man was a bastard boy of seven! | 0:51:04 | 0:51:08 | |
A boy of seven. | 0:51:08 | 0:51:11 | |
Sent away! | 0:51:11 | 0:51:14 | |
Sent away to learn to sing. | 0:51:14 | 0:51:17 | |
While a little, fat, fair baby, | 0:51:17 | 0:51:22 | |
a little, fat, fair, legitimate baby | 0:51:22 | 0:51:26 | |
sucked up all the love in the house until there was none left over. | 0:51:26 | 0:51:30 | |
And yet... | 0:51:34 | 0:51:36 | |
when Captain Drood... died the first time | 0:51:36 | 0:51:40 | |
in a mining accident in Egypt, | 0:51:40 | 0:51:43 | |
so they said... | 0:51:43 | 0:51:44 | |
..I grieved. | 0:51:48 | 0:51:50 | |
But a year ago he came back? | 0:51:50 | 0:51:53 | |
HE SINGS SOFTLY | 0:51:55 | 0:51:57 | |
CLATTERING | 0:51:57 | 0:52:00 | |
Who's there? | 0:52:02 | 0:52:03 | |
Show yourself. | 0:52:05 | 0:52:07 | |
Sorry. | 0:52:10 | 0:52:12 | |
Father? | 0:52:22 | 0:52:24 | |
-Father, is it really you? -Leave off me, Jack. | 0:52:30 | 0:52:34 | |
I've come looking for Edwin. | 0:52:34 | 0:52:36 | |
Where is my bright boy? | 0:52:41 | 0:52:44 | |
If...if he had written, | 0:52:44 | 0:52:47 | |
if he had given me any warning... | 0:52:47 | 0:52:49 | |
HE CHUCKLES | 0:52:49 | 0:52:52 | |
It's too late for me to deceive myself. | 0:52:52 | 0:52:56 | |
I would have still killed him. | 0:52:59 | 0:53:01 | |
FATHER! | 0:53:36 | 0:53:38 | |
One kind word for me would have saved him. | 0:53:40 | 0:53:42 | |
That old fool Durdles thought he'd heard the cry of a murder victim. But the old devil uttered not a word. | 0:53:42 | 0:53:48 | |
-It was I who cried out to the heavens, at the loss of all my hopes. -There is always hope in the Lord. | 0:53:48 | 0:53:52 | |
Not for me. I've killed my father. But no matter, for soon I will hang, and then all will be darkness, | 0:53:52 | 0:53:58 | |
-and silence, and blissful forgetting. But where is Ned? Where is Ned's body? -Jack! | 0:53:58 | 0:54:03 | |
Good God! | 0:54:03 | 0:54:06 | |
Jack. | 0:54:06 | 0:54:07 | |
Our father loved him but not me. | 0:54:11 | 0:54:13 | |
And together they robbed me of every happiness. | 0:54:15 | 0:54:18 | |
I'm here. | 0:54:18 | 0:54:20 | |
You see? I've come back. | 0:54:21 | 0:54:24 | |
And I'm sorry. | 0:54:29 | 0:54:30 | |
-I am so sorry. -The old man was a monster. | 0:54:30 | 0:54:34 | |
But that was the only human creature that ever loved me. | 0:54:36 | 0:54:40 | |
-Jack... -And I killed him too. | 0:54:40 | 0:54:44 | |
No. No, look at him. | 0:54:44 | 0:54:48 | |
And so he haunts me. | 0:54:48 | 0:54:51 | |
And I am damned. | 0:54:51 | 0:54:53 | |
-Edwin, take Rosa outside. -No, no, no. I want to see Jack. | 0:55:06 | 0:55:09 | |
-I have to make everything well with Jack. -Do as I say. -Is he up there? | 0:55:09 | 0:55:13 | |
-Jack? -Haven't you done enough harm? -Jack? Jack, it's me. | 0:55:13 | 0:55:16 | |
-I'm coming up. -No. No, you're not, you're frightening him. | 0:55:16 | 0:55:19 | |
-He thinks you're dead. -He's my brother. I can help him. | 0:55:19 | 0:55:22 | |
Oh, dear God! Rosa, Rosa! Quick, you don't want to be here. Get help. | 0:55:22 | 0:55:25 | |
Get anyone! Run! | 0:55:25 | 0:55:27 | |
Jasper? Jasper? | 0:55:27 | 0:55:29 | |
There's no need to be afraid. | 0:55:29 | 0:55:32 | |
Pray with me. Pray with me now. | 0:55:32 | 0:55:35 | |
Choose the light. | 0:55:35 | 0:55:36 | |
Our Father who art in heaven... | 0:55:38 | 0:55:41 | |
Jasper, won't you join me? | 0:55:41 | 0:55:43 | |
Our Father who art in heaven... | 0:55:43 | 0:55:46 | |
-Hallowed be thy name. -Hallowed be thy name. | 0:55:46 | 0:55:49 | |
Jack? | 0:55:49 | 0:55:50 | |
Thy kingdom come... | 0:55:50 | 0:55:52 | |
Thy will be done. | 0:55:52 | 0:55:54 | |
NO! | 0:55:54 | 0:55:56 | |
Thank you. | 0:56:32 | 0:56:34 | |
MR GREWGIOUS CLEARS THROAT | 0:56:34 | 0:56:35 | |
To Edwin, who once was lost, and now is found. | 0:56:35 | 0:56:40 | |
And to his new life in Egypt. | 0:56:40 | 0:56:43 | |
To my brother, my partner, | 0:56:47 | 0:56:51 | |
you won't regret coming with me. | 0:56:51 | 0:56:53 | |
They will forget us. | 0:56:57 | 0:56:59 | |
They'll be in trouble if they do. | 0:56:59 | 0:57:01 | |
They'll bring home exotic brides and cause consternation. | 0:57:01 | 0:57:06 | |
I do hope so! | 0:57:06 | 0:57:08 | |
Ahem, one final toast. | 0:57:11 | 0:57:13 | |
To our older brother, Jack... | 0:57:15 | 0:57:17 | |
..and his fond memory. | 0:57:19 | 0:57:22 | |
To the man he might have been. | 0:57:23 | 0:57:27 | |
To Jack. | 0:57:27 | 0:57:28 | |
-I was thinking... -I wonder... -You first. -No, you. | 0:58:07 | 0:58:10 | |
No, of course, me. | 0:58:13 | 0:58:15 | |
SHE GIGGLES | 0:58:19 | 0:58:21 | |
Rosa, quickly. | 0:58:21 | 0:58:22 | |
No, Helena! | 0:58:30 | 0:58:32 | |
Did I just ask you something? | 0:58:40 | 0:58:43 | |
No. | 0:58:46 | 0:58:48 | |
But I said yes anyway. | 0:58:49 | 0:58:51 | |
Subtitles by Red Bee Media Ltd | 0:59:07 | 0:59:10 | |
E-mail [email protected] | 0:59:10 | 0:59:13 |