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But, Daddy, what if I sit up front on the way | 0:00:03 | 0:00:05 | |
and she sits up front on the way back? | 0:00:05 | 0:00:08 | |
No. | 0:00:08 | 0:00:09 | |
I don't want to have to figure this out every time | 0:00:09 | 0:00:11 | |
I want to take my girls to dinner. | 0:00:11 | 0:00:13 | |
-Can't we negotiate it, Daddy? -COCHRAN LAUGHS | 0:00:15 | 0:00:18 | |
SIREN BURST | 0:00:18 | 0:00:21 | |
Oh, man. Here we go. | 0:00:21 | 0:00:22 | |
HE SIGHS | 0:00:25 | 0:00:26 | |
All right, girls. What do we say to the police? | 0:00:26 | 0:00:29 | |
-GIRLS: -Nothing. -And who talks to the police? | 0:00:29 | 0:00:32 | |
-GIRLS: -Our lawyer. -That's right. | 0:00:32 | 0:00:35 | |
Officer, I'm just going to get my registration. | 0:00:47 | 0:00:50 | |
Please keep your hands on the wheel, sir. | 0:00:50 | 0:00:52 | |
Where you headed tonight? | 0:00:52 | 0:00:54 | |
Just taking my daughters to dinner. | 0:00:54 | 0:00:56 | |
May I ask why you pulled me over? | 0:00:56 | 0:00:58 | |
You seemed to change lanes without signalling two blocks back. | 0:01:00 | 0:01:03 | |
Oh, I assure you, I always signal - especially with my girls in the car. | 0:01:03 | 0:01:07 | |
This is the third time this week | 0:01:07 | 0:01:08 | |
someone's pulled me over for no reason. | 0:01:08 | 0:01:11 | |
Is this your vehicle? | 0:01:12 | 0:01:14 | |
If you let me go in the glove box, I'll show you my registration. | 0:01:14 | 0:01:17 | |
-Is this your father's car? -Hey, hey. Don't talk to my children. -Sir... | 0:01:17 | 0:01:21 | |
Look, I know the drill. | 0:01:21 | 0:01:22 | |
I'm black. I'm driving in a fancy white neighbourhood, | 0:01:22 | 0:01:25 | |
nice car, you pull me over. | 0:01:25 | 0:01:27 | |
So leave my children out of it, thank you! | 0:01:27 | 0:01:30 | |
-Sir, out of the car now. -Oh, come on! Got to be kidding me! | 0:01:30 | 0:01:34 | |
Sir, because of your hostile attitude, | 0:01:35 | 0:01:37 | |
I'm going to have to cuff you. | 0:01:37 | 0:01:39 | |
Officer, please. Take my licence and call it in. | 0:01:39 | 0:01:43 | |
Find out who I am. | 0:01:43 | 0:01:44 | |
If you don't take this opportunity for yourself, | 0:01:44 | 0:01:47 | |
I guarantee you will regret it! | 0:01:47 | 0:01:49 | |
Stay right there. Do not move. | 0:01:51 | 0:01:53 | |
Girls...it's going to be all right. You hear me? | 0:01:56 | 0:02:00 | |
We're going to be at Hamburger Hamlet in five minutes. OK? | 0:02:00 | 0:02:04 | |
OK. | 0:02:05 | 0:02:07 | |
It's going to be fine. | 0:02:17 | 0:02:18 | |
Turn around. | 0:02:22 | 0:02:23 | |
Have a nice night, Mr Assistant District Attorney. | 0:02:27 | 0:02:31 | |
All right. Like I promised you, let's go get some burgers. | 0:02:37 | 0:02:42 | |
I'm starving. | 0:02:42 | 0:02:43 | |
Daddy, what did he say to you? | 0:02:43 | 0:02:45 | |
Oh, just grown-up talk, honey, grown-up talk. | 0:02:45 | 0:02:48 | |
Daddy, did he call you a nigger? | 0:02:48 | 0:02:50 | |
No, he didn't. | 0:02:50 | 0:02:52 | |
He didn't have to. | 0:02:53 | 0:02:55 | |
And don't you girls ever use that word. | 0:02:55 | 0:02:58 | |
Ever. | 0:02:58 | 0:03:00 | |
It's a terrible word. You hear me? | 0:03:00 | 0:03:03 | |
CAR ENGINE STARTS | 0:03:03 | 0:03:04 | |
Now, let's go. | 0:03:04 | 0:03:06 | |
As you know, the OJ Simpson trial will start soon, | 0:03:09 | 0:03:13 | |
and we want to pray with our member and friend, Johnnie Cochran, | 0:03:13 | 0:03:17 | |
who is litigating the OJ Simpson case. Johnnie, come forward. | 0:03:17 | 0:03:22 | |
APPLAUSE | 0:03:22 | 0:03:24 | |
Let us pray. | 0:03:39 | 0:03:41 | |
-Lord, for this day, we are thankful. -Yes, Lord. | 0:03:42 | 0:03:44 | |
For Johnnie Cochran, we are appreciative. | 0:03:44 | 0:03:47 | |
We pray for Johnnie Cochran, | 0:03:47 | 0:03:49 | |
as he accepts this challenge to litigate the OJ trial. | 0:03:49 | 0:03:53 | |
King Jesus listens when we pray. | 0:03:53 | 0:03:56 | |
-Amen. -ALL: -Amen. -APPLAUSE | 0:03:56 | 0:03:59 | |
# King Jesus is a-listenin' when you pray | 0:03:59 | 0:04:04 | |
# King Jesus is a-listenin' When you pray... # | 0:04:04 | 0:04:09 | |
Great. Now Jesus is on their side, too(!) | 0:04:10 | 0:04:12 | |
-TV: -'After the service, Mr Cochran addressed reporters.' | 0:04:12 | 0:04:15 | |
'Of course, we all know Mr Darden is a fine attorney.' | 0:04:15 | 0:04:19 | |
Mm-hmm. | 0:04:19 | 0:04:20 | |
'But all of a sudden, he shows up now? | 0:04:20 | 0:04:23 | |
'After we've got eight African-Americans on the jury? | 0:04:23 | 0:04:26 | |
'Why is that? | 0:04:26 | 0:04:28 | |
'It's obvious to me | 0:04:28 | 0:04:29 | |
'Mr Darden is being used as a tool by the DA's office | 0:04:29 | 0:04:32 | |
'because he's black. | 0:04:32 | 0:04:34 | |
'Thank you. Honey...' | 0:04:36 | 0:04:37 | |
I appreciate your concern, | 0:04:57 | 0:04:58 | |
but I refuse to be in the same room with a particular individual, | 0:04:58 | 0:05:02 | |
and I think you know why. | 0:05:02 | 0:05:03 | |
No, I don't. I don't even know who you're talking about. | 0:05:03 | 0:05:06 | |
-Is it... is it Johnnie? -No, it's Lee! | 0:05:06 | 0:05:08 | |
Why did you drive all the way over here if you weren't going to go in? | 0:05:08 | 0:05:11 | |
You don't understand. He is the godfather of one of my children. | 0:05:11 | 0:05:14 | |
Bob, what do I tell the team? | 0:05:14 | 0:05:16 | |
OK. What you tell them is that I know that he is the source | 0:05:16 | 0:05:19 | |
who leaked it to the New York Daily News | 0:05:19 | 0:05:21 | |
that I was "in over my head", that I was "steamrolled". | 0:05:21 | 0:05:23 | |
-It's inflammatory, it's a lie! -HE SIGHS | 0:05:23 | 0:05:26 | |
Where... Never mind, don't tell me. Don't tell me. | 0:05:29 | 0:05:31 | |
-Just sit down and come on, let's go. -OK. -I got things to do. | 0:05:31 | 0:05:34 | |
He'll get here - if he gets here - when he gets here. | 0:05:34 | 0:05:37 | |
All right, gentlemen. COCHRAN CLEARS THROAT | 0:05:37 | 0:05:40 | |
Ah, there he is. | 0:05:40 | 0:05:41 | |
Judas. | 0:05:42 | 0:05:44 | |
I suppose that makes you Jesus? | 0:05:44 | 0:05:46 | |
Why don't you blow it out your ass, Bob? | 0:05:46 | 0:05:49 | |
Now that we've resolved that, | 0:05:49 | 0:05:50 | |
everybody got it out of their system, we got work to do. | 0:05:50 | 0:05:53 | |
Everybody take a folder, please. Here we go. Thank you so much. | 0:05:53 | 0:05:56 | |
Pass it on, please. | 0:05:56 | 0:05:58 | |
We begin with domestic violence. | 0:05:58 | 0:06:00 | |
We have 62 instances of Simpson beating, degrading | 0:06:00 | 0:06:04 | |
and stalking Nicole over the course of their 17-year relationship. | 0:06:04 | 0:06:08 | |
He was a serial abuser - that proves motive. | 0:06:08 | 0:06:11 | |
We know they're going to hone in on OJ's past abuse. | 0:06:11 | 0:06:15 | |
He was a ticking time bomb. | 0:06:15 | 0:06:17 | |
Ron and Nicole's murders were a natural escalation of a pattern. | 0:06:17 | 0:06:19 | |
We have a solid timeline to work with. | 0:06:19 | 0:06:22 | |
They are doing us a huge favour, | 0:06:22 | 0:06:24 | |
establishing such a small window for OJ's alleged attack. | 0:06:24 | 0:06:29 | |
Everything starts with the plaintive wail of the Akita. | 0:06:29 | 0:06:32 | |
I'm guessing everyone's aware their bombshell witness is a dog? | 0:06:32 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:37 | |
There was blood in his car, in his driveway. | 0:06:37 | 0:06:40 | |
Her blood was on his socks in his bedroom. | 0:06:40 | 0:06:43 | |
There's no way they call Fuhrman to the stand. He's damaged goods. | 0:06:43 | 0:06:47 | |
It's too big a risk. | 0:06:47 | 0:06:48 | |
And if they do call him, we've all seen his personnel file. | 0:06:48 | 0:06:51 | |
-We'll rip him apart. -Mm. | 0:06:51 | 0:06:53 | |
The amount of physical evidence is overwhelming. | 0:06:53 | 0:06:55 | |
There's mountains of it. | 0:06:55 | 0:06:57 | |
Frankly, it's more hard evidence | 0:06:58 | 0:06:59 | |
than I've ever seen in a murder case. | 0:06:59 | 0:07:01 | |
The truth is, the LAPD rushed to judgement in targeting OJ. | 0:07:01 | 0:07:06 | |
The mere fact that we find blood where there should be no blood | 0:07:06 | 0:07:09 | |
is devastating proof. | 0:07:09 | 0:07:11 | |
-LEE BAILEY: -Look, the haphazard manner | 0:07:11 | 0:07:13 | |
in which the evidence was collected and handled | 0:07:13 | 0:07:15 | |
gives us a significant advantage. | 0:07:15 | 0:07:17 | |
I've seen it before. | 0:07:17 | 0:07:18 | |
Officers start down a misguided path and refuse to turn back. | 0:07:18 | 0:07:22 | |
Then somebody realises they need a better case. | 0:07:22 | 0:07:26 | |
We have motive, evidence and opportunity. | 0:07:26 | 0:07:30 | |
Evidence doesn't win the day. | 0:07:30 | 0:07:31 | |
Jurors go with the narrative that makes sense. | 0:07:32 | 0:07:36 | |
We're here to tell a story. | 0:07:36 | 0:07:38 | |
Our job is to tell that story better than the other side tells theirs. | 0:07:38 | 0:07:43 | |
He would take it better if it came from you. | 0:07:48 | 0:07:50 | |
I think you have a warmer relationship with him, | 0:07:50 | 0:07:53 | |
-and he might be more understanding. -Then I'll do it. | 0:07:53 | 0:07:55 | |
Hello. Everyone, this is a list of who you'll be responsible | 0:07:58 | 0:08:01 | |
for putting on the stand. Hank, you've got the crime lab guys. | 0:08:01 | 0:08:04 | |
I couldn't think of anyone more suited | 0:08:04 | 0:08:06 | |
to sort through all that blood evidence. | 0:08:06 | 0:08:08 | |
Bill, I know your hands are full with discovery. You take the coroner. | 0:08:08 | 0:08:11 | |
I'll take the dog bark witnesses, the cops at the crime scene. | 0:08:11 | 0:08:13 | |
Woody and Rock, you obviously have DNA, | 0:08:13 | 0:08:15 | |
and, Chris, you've got Vannatter and, uh... Fuhrman. | 0:08:15 | 0:08:19 | |
OK. We all know what we need to do. | 0:08:30 | 0:08:33 | |
Let's go. | 0:08:33 | 0:08:35 | |
-Marcia? -Yeah? | 0:08:47 | 0:08:48 | |
What? | 0:08:54 | 0:08:56 | |
Nothing. | 0:08:56 | 0:08:58 | |
Let's get to work. | 0:08:58 | 0:08:59 | |
ELEVATOR DINGS | 0:09:13 | 0:09:14 | |
-Mark Fuhrman. -Chris Darden. Have a seat. | 0:09:30 | 0:09:32 | |
Is Bill Hodgman's office still on this floor? | 0:09:32 | 0:09:34 | |
It's upstairs. You know Bill? | 0:09:34 | 0:09:36 | |
Yeah. Yeah, he's a smart guy. | 0:09:36 | 0:09:38 | |
Well, he won't be joining us. | 0:09:38 | 0:09:40 | |
That's fine with me, sir. | 0:09:40 | 0:09:41 | |
How would you describe yourself on the stand? | 0:09:44 | 0:09:47 | |
Pretty comfortable - I've done it before. | 0:09:47 | 0:09:49 | |
Are you going to be putting me up? | 0:09:49 | 0:09:51 | |
If that's not a problem. | 0:09:51 | 0:09:52 | |
Well, I imagine that's not for me to decide, | 0:09:52 | 0:09:54 | |
but I definitely don't have a problem with it. | 0:09:54 | 0:09:57 | |
You should know the defence plans to raise some incidents from your past. | 0:10:01 | 0:10:05 | |
Allegations of things you said. They're going to come at you. | 0:10:05 | 0:10:09 | |
Uh, what type of incidents? | 0:10:09 | 0:10:11 | |
Well, we've seen their list of witnesses. | 0:10:11 | 0:10:14 | |
They're going to claim you're a racist. | 0:10:14 | 0:10:17 | |
That's not going to be an issue with me. | 0:10:17 | 0:10:19 | |
Ask around - I work with black cops every day. | 0:10:19 | 0:10:21 | |
I think your SID investigated one of my black buddies. | 0:10:21 | 0:10:25 | |
OK. | 0:10:31 | 0:10:32 | |
I met with Fuhrman. | 0:10:37 | 0:10:39 | |
Good. You can fill me in tomorrow. | 0:10:39 | 0:10:41 | |
He says all the appropriate things. | 0:10:41 | 0:10:44 | |
-But? -But, uh...truthfully... | 0:10:44 | 0:10:47 | |
guy's not right. | 0:10:47 | 0:10:48 | |
I get a really bad vibe from him. | 0:10:48 | 0:10:50 | |
Chris, no one's asking you to date him, just prep him. | 0:10:50 | 0:10:53 | |
He's one of those people that thinks | 0:10:53 | 0:10:54 | |
that you can't see how he really feels because he acts polite. | 0:10:54 | 0:10:57 | |
Well, that makes no sense, because when someone acts polite, | 0:10:57 | 0:11:00 | |
then they ARE polite. | 0:11:00 | 0:11:01 | |
Am I out of line, saying you're bringing a preconception to this | 0:11:08 | 0:11:10 | |
because you're black? | 0:11:10 | 0:11:12 | |
All right, Marcia, I don't expect you to understand. | 0:11:14 | 0:11:18 | |
But there's a way that certain white people talk to black people. | 0:11:18 | 0:11:21 | |
It's disingenuous. Fuhrman doesn't have to be a witness. | 0:11:21 | 0:11:24 | |
-What? -He's not even the cop who entered the gloves into evidence. | 0:11:24 | 0:11:27 | |
-He doesn't have to take the stand. -Yes, he does. | 0:11:27 | 0:11:30 | |
You are playing into the defence. | 0:11:30 | 0:11:32 | |
I understand that this guy has had his troubles, | 0:11:32 | 0:11:34 | |
but his psych records have been ruled inadmissible. | 0:11:34 | 0:11:37 | |
So, we are not panicking, | 0:11:37 | 0:11:39 | |
and we are not going to let the police go on trial here. | 0:11:39 | 0:11:42 | |
This is not SID. The cops are our allies. | 0:11:42 | 0:11:45 | |
Chris... | 0:11:47 | 0:11:48 | |
..he's what we've got. | 0:11:49 | 0:11:51 | |
Fuhrman has something to contribute, and you need to get him ready. | 0:11:51 | 0:11:55 | |
So, you know... | 0:11:55 | 0:11:57 | |
Massage it. | 0:11:58 | 0:11:59 | |
Do whatever is necessary to make him come across as credible. | 0:12:00 | 0:12:03 | |
Do you see what you've done? It's after 8.00. | 0:12:03 | 0:12:06 | |
My babysitter's going to kill me. I will see you tomorrow. | 0:12:06 | 0:12:09 | |
"Massage it." | 0:12:14 | 0:12:15 | |
Mr Dunne, I've read some of your past coverage of murder trials | 0:12:18 | 0:12:21 | |
in Vanity Fair magazine. | 0:12:21 | 0:12:23 | |
I'm lucky I write for a magazine | 0:12:23 | 0:12:25 | |
that allows me to take a stand, Your Honour. | 0:12:25 | 0:12:28 | |
Well, there's no mistaking how you feel. | 0:12:28 | 0:12:31 | |
No. That's something I'm proud about. | 0:12:31 | 0:12:33 | |
I am assigning you a permanent seat in the front row. | 0:12:35 | 0:12:40 | |
You'll be next to the Goldmans, | 0:12:40 | 0:12:41 | |
and the seat is yours for the length of the trial. | 0:12:41 | 0:12:43 | |
Thank you, Your Honour. | 0:12:43 | 0:12:45 | |
Without, uh...being too forward, | 0:12:45 | 0:12:49 | |
I sense that you'll be able to sympathise with them | 0:12:49 | 0:12:52 | |
in a way that the rest of us cannot, | 0:12:52 | 0:12:53 | |
that you'll know how to deal with them - | 0:12:53 | 0:12:56 | |
not intrude or ask inappropriate questions. | 0:12:56 | 0:12:58 | |
Because of my daughter's murder? | 0:13:00 | 0:13:02 | |
Yes. Well, I... | 0:13:05 | 0:13:06 | |
apologise for dredging up what I imagine is a deeply painful memory, | 0:13:06 | 0:13:11 | |
but I felt it was important that you know why. | 0:13:11 | 0:13:14 | |
I'm sure the Goldmans will appreciate the gesture, Your Honour. | 0:13:14 | 0:13:17 | |
I know I do. | 0:13:17 | 0:13:18 | |
The trial of Dominique's killer was torture enough. | 0:13:20 | 0:13:25 | |
But then, the way he got off with a slap on the wrist... | 0:13:25 | 0:13:29 | |
Let's hope this one goes better. | 0:13:32 | 0:13:34 | |
Well... | 0:13:38 | 0:13:40 | |
Uh, hey, you're a Hollywood guy. | 0:13:42 | 0:13:45 | |
I know that you worked in showbiz. | 0:13:45 | 0:13:47 | |
You want to see who sent me a fan letter today? | 0:13:47 | 0:13:50 | |
Uh, who? | 0:13:50 | 0:13:52 | |
It's, uh... That's Arsenio Hall. | 0:14:00 | 0:14:03 | |
CHANTING: Let the Juice loose! Let the Juice loose! | 0:14:08 | 0:14:10 | |
OJ, OJ, you can't hide! They'll charge you with homicide! | 0:14:10 | 0:14:13 | |
Let the Juice loose! Let the Juice loose! No justice! No peace! | 0:14:13 | 0:14:15 | |
-Let OJ go! -He's a rapist! He's a wife-beater! He's a murderer! | 0:14:15 | 0:14:18 | |
OJ is innocent until proven guilty! | 0:14:18 | 0:14:20 | |
There's blood on his hands! He beat her ass the whole time! | 0:14:20 | 0:14:23 | |
OJ is innocent until proven guilty! | 0:14:23 | 0:14:25 | |
Hey, Johnnie, can I have a minute? | 0:14:28 | 0:14:30 | |
Big day today. Hey, you holding up? | 0:14:30 | 0:14:33 | |
I don't want you to take this the wrong way. | 0:14:33 | 0:14:35 | |
But, uh... that press conference you gave about me - | 0:14:35 | 0:14:39 | |
that was a cheap shot. | 0:14:39 | 0:14:41 | |
It was unfair and beneath the both of us as professionals. | 0:14:41 | 0:14:44 | |
In this trial, we're equals. | 0:14:44 | 0:14:46 | |
Everything from our past is out the window. | 0:14:46 | 0:14:49 | |
So it's my sincere hope that we can agree from this point forward | 0:14:49 | 0:14:53 | |
to treat each other with respect. | 0:14:53 | 0:14:56 | |
Brother, I ain't trying to be respectful. | 0:14:56 | 0:14:59 | |
I'm trying to win. | 0:14:59 | 0:15:00 | |
Your Honour, we have submitted a motion | 0:15:12 | 0:15:16 | |
to exclude all 62 allegations of domestic violence. | 0:15:16 | 0:15:21 | |
This is a murder case. | 0:15:21 | 0:15:22 | |
This is not a domestic violence case, nor is it an inquiry | 0:15:22 | 0:15:26 | |
into the characteristics and personality of Mr Simpson. | 0:15:26 | 0:15:30 | |
And all this evidence that was submitted is not relevant. | 0:15:30 | 0:15:34 | |
Your Honour, counsel's reasoning is flawed | 0:15:42 | 0:15:45 | |
and their logic is specious. | 0:15:45 | 0:15:48 | |
The defendant's character and prior history are the point. | 0:15:48 | 0:15:54 | |
Let's do a hypothetical. | 0:15:54 | 0:15:55 | |
Let's pretend that we're not even going to tell the jury | 0:15:55 | 0:15:58 | |
that Nicole and Mr Simpson were married. | 0:15:58 | 0:16:00 | |
Our jurors would naturally ask, | 0:16:00 | 0:16:02 | |
"Why would OJ Simpson kill a perfect stranger?" | 0:16:02 | 0:16:06 | |
It wouldn't make sense. | 0:16:08 | 0:16:10 | |
It's only when you understand the context and their relationship | 0:16:10 | 0:16:14 | |
and Mr Simpson's jealousy | 0:16:14 | 0:16:16 | |
that his motive for committing these brutal murders can be understood. | 0:16:16 | 0:16:20 | |
Knock 'em dead, Darden. | 0:16:31 | 0:16:33 | |
Your Honour, I'd like to address a separate issue. | 0:16:39 | 0:16:43 | |
All right. | 0:16:44 | 0:16:45 | |
Your Honour, | 0:16:53 | 0:16:55 | |
Detective Fuhrman's going to play a very small role in this case, | 0:16:55 | 0:16:59 | |
but we believe when he's called to the stand, | 0:16:59 | 0:17:01 | |
we're going to be forced to go back 15-odd years | 0:17:01 | 0:17:04 | |
to ask him about completely irrelevant statements | 0:17:04 | 0:17:06 | |
that people have claimed he's made. | 0:17:06 | 0:17:09 | |
These statements are racially insensitive and divisive. | 0:17:09 | 0:17:14 | |
The question is, why bring them up? | 0:17:14 | 0:17:16 | |
They're going to ask him | 0:17:16 | 0:17:18 | |
if he made a racial slur or repeated a racial epithet. | 0:17:18 | 0:17:22 | |
But why ask? | 0:17:22 | 0:17:23 | |
There's no legal purpose for it. | 0:17:23 | 0:17:26 | |
But Mr Cochran and the defence have a purpose for entering this area, | 0:17:27 | 0:17:31 | |
and that purpose is to inflame the passions of the jury | 0:17:31 | 0:17:35 | |
and ask them to pick sides. | 0:17:35 | 0:17:37 | |
The... | 0:17:38 | 0:17:39 | |
The "N" word is a dirty, filthy word, Your Honour. | 0:17:39 | 0:17:44 | |
It is so prejudicial and inflammatory | 0:17:46 | 0:17:50 | |
that the use of it in any situation | 0:17:50 | 0:17:52 | |
will evoke an emotional response from any African-American. | 0:17:52 | 0:17:57 | |
We're talking about a word that blinds people. | 0:17:57 | 0:17:59 | |
When you mention that word to this jury, | 0:18:01 | 0:18:03 | |
it will blind them to the truth. | 0:18:03 | 0:18:05 | |
They won't be able to discern what's true and what's not. | 0:18:07 | 0:18:10 | |
It will impair their judgment. | 0:18:12 | 0:18:14 | |
It will affect their ability to be fair. | 0:18:14 | 0:18:17 | |
It'll force the black jurors to make a choice - | 0:18:17 | 0:18:20 | |
"Whose side are you on, the Man or the brothers?" | 0:18:20 | 0:18:25 | |
Is he serious? | 0:18:25 | 0:18:27 | |
So, the People strongly urge the court, respectfully, | 0:18:27 | 0:18:31 | |
not to allow that vile word to be uttered | 0:18:31 | 0:18:34 | |
at any time during this trial. | 0:18:34 | 0:18:36 | |
Your Honour, I did not plan to speak on this matter, | 0:18:44 | 0:18:48 | |
but I would be remiss if I did not respond to my good friend, | 0:18:48 | 0:18:52 | |
Mr Chris Darden. | 0:18:52 | 0:18:54 | |
Mr Darden's remarks this afternoon | 0:19:04 | 0:19:08 | |
are perhaps the most incredible remarks I've heard in a court of law | 0:19:08 | 0:19:13 | |
in my 32 years of practice. | 0:19:13 | 0:19:15 | |
His remarks are deeply demeaning to African-Americans. | 0:19:15 | 0:19:19 | |
And so, first and foremost, Your Honour, I would like to apologise | 0:19:19 | 0:19:22 | |
to African-Americans across this country. | 0:19:22 | 0:19:25 | |
It is preposterous to say that African-Americans collectively | 0:19:25 | 0:19:29 | |
are so emotionally unstable that they cannot hear offensive words | 0:19:29 | 0:19:34 | |
without losing their moral sense of right and wrong. | 0:19:34 | 0:19:38 | |
They live with offensive words, | 0:19:38 | 0:19:40 | |
offensive looks, | 0:19:40 | 0:19:42 | |
offensive treatment every day! | 0:19:42 | 0:19:44 | |
And so, Your Honour, I am ashamed that Mr Darden would allow himself | 0:19:44 | 0:19:48 | |
to become an apologist for Mark Fuhrman. | 0:19:48 | 0:19:51 | |
Who are any of us to testify as an expert | 0:19:51 | 0:19:54 | |
as to what words black people can or cannot handle?! | 0:19:54 | 0:19:57 | |
Your Honour, across America... | 0:20:04 | 0:20:06 | |
..believe you me, | 0:20:09 | 0:20:10 | |
African-Americans are offended at this very moment. | 0:20:10 | 0:20:15 | |
And so, for a friend that I deeply respect, | 0:20:15 | 0:20:17 | |
I would say this was outlandish... | 0:20:17 | 0:20:20 | |
..unfortunate... | 0:20:21 | 0:20:22 | |
..and unwarranted. | 0:20:23 | 0:20:25 | |
Thank you, Your Honour. | 0:20:30 | 0:20:32 | |
Nigga, please. | 0:20:34 | 0:20:35 | |
Can I see? | 0:21:05 | 0:21:06 | |
"76% of African-Americans | 0:21:16 | 0:21:18 | |
"do not believe Darden was doing a good job... | 0:21:18 | 0:21:21 | |
"..often, at times, referring to the ADA as an Uncle Tom"? | 0:21:23 | 0:21:26 | |
Uh, yeah. OK. Yeah. That's fine. | 0:21:38 | 0:21:40 | |
Hey, Gil. | 0:21:40 | 0:21:42 | |
-I'm in a hurry. -I'd like to do a few interviews with the black press. | 0:21:42 | 0:21:46 | |
-Why? -I think it's important that people understand | 0:21:46 | 0:21:49 | |
-what my role is on this case and who I am. -Is this about the poll? | 0:21:49 | 0:21:51 | |
-Marcia said there was some poll. -76%... -No-one's doing press, Chris. | 0:21:51 | 0:21:54 | |
If I had to respond every time some crabapple said something about me... | 0:21:54 | 0:21:57 | |
You're just going to do more harm, drawing attention to yourself. | 0:21:57 | 0:22:00 | |
DAs don't go on talk shows. It's a sensitive case. No press. | 0:22:00 | 0:22:04 | |
Marcia? | 0:22:10 | 0:22:12 | |
-We need to reconsider Fuhrman. -MARCIA GROANS | 0:22:13 | 0:22:16 | |
Look, he's wrong for this case. | 0:22:16 | 0:22:17 | |
You have had a rough couple of weeks. | 0:22:17 | 0:22:19 | |
We're not changing our trial strategy because of it. | 0:22:19 | 0:22:22 | |
Toughen up. | 0:22:22 | 0:22:24 | |
You're letting Johnnie get into your head. | 0:22:24 | 0:22:27 | |
Can I share something with you? | 0:22:32 | 0:22:33 | |
As long as I don't have to get out of this chair. | 0:22:33 | 0:22:36 | |
I'm wiped. | 0:22:36 | 0:22:37 | |
In the '70s, when I was in law school, | 0:22:41 | 0:22:44 | |
affirmative action was a big deal. | 0:22:44 | 0:22:46 | |
-I remember. -No, you don't. You're white. | 0:22:46 | 0:22:49 | |
I busted my ass. | 0:22:52 | 0:22:54 | |
I had the grades to get into that school. | 0:22:54 | 0:22:57 | |
But every time I entered a classroom, | 0:22:57 | 0:22:59 | |
I felt like people were staring at me. | 0:22:59 | 0:23:01 | |
Like I took some more worthy person's spot. | 0:23:01 | 0:23:04 | |
And that bullshit hurts. | 0:23:06 | 0:23:08 | |
And those feelings never leave. | 0:23:09 | 0:23:11 | |
And now, almost 20 years later, | 0:23:13 | 0:23:16 | |
I'm expected to sit and swallow | 0:23:16 | 0:23:17 | |
those same kinds of accusations all over again. | 0:23:17 | 0:23:20 | |
I mean, Johnnie's out there trashing me | 0:23:20 | 0:23:22 | |
in front of every TV camera he can find. | 0:23:22 | 0:23:24 | |
But he's wrong. | 0:23:24 | 0:23:25 | |
Just like all those idiots who doubted you back then. | 0:23:27 | 0:23:30 | |
You are on this case because you are creative, dedicated and smart. | 0:23:30 | 0:23:35 | |
DARDEN SIGHS | 0:23:35 | 0:23:37 | |
That's why I wanted you. | 0:23:37 | 0:23:38 | |
Thanks. | 0:23:43 | 0:23:44 | |
You're going to help us win. | 0:23:46 | 0:23:49 | |
And Johnnie can go screw himself. | 0:23:49 | 0:23:51 | |
This case is about an obsession to win at any cost. | 0:23:52 | 0:23:56 | |
And we are confident that the evidence will reveal | 0:23:56 | 0:24:01 | |
that the LAPD is a "blunders in blue" operation. | 0:24:01 | 0:24:07 | |
-Mm. -No? | 0:24:07 | 0:24:08 | |
No, it sounds like you're trying to be funny. | 0:24:08 | 0:24:10 | |
Baby, I'm not trying to be funny. | 0:24:10 | 0:24:12 | |
-But that's what it sounds like, honey. -OK. -You can do it. | 0:24:12 | 0:24:14 | |
-Go on now. -All right, all right. Let me try. Hold on. | 0:24:14 | 0:24:18 | |
-Uh... we will reveal... -Mm-hmm. | 0:24:19 | 0:24:22 | |
..that the evidence collected by the LAPD was contaminated... | 0:24:23 | 0:24:29 | |
Mm. | 0:24:29 | 0:24:30 | |
..compromised and corrupted. | 0:24:30 | 0:24:33 | |
SHE CHUCKLES What? That is it. | 0:24:33 | 0:24:36 | |
Oh, baby. That's it. That is it. | 0:24:36 | 0:24:38 | |
-Nice alliteration. -Mm-hmm. -Three Cs. | 0:24:38 | 0:24:40 | |
It has a flow, honey, it's perfect. You got it. | 0:24:40 | 0:24:42 | |
I'm glad you're on this. | 0:24:44 | 0:24:46 | |
It's like it's my destiny, baby. | 0:24:46 | 0:24:48 | |
Mm. | 0:24:49 | 0:24:51 | |
Well, destiny... | 0:24:51 | 0:24:52 | |
..has a powerful attraction. | 0:24:53 | 0:24:55 | |
-What you doing? -I closed my book. | 0:24:56 | 0:24:58 | |
-No, you didn't. -Yes, I did. | 0:24:58 | 0:24:59 | |
-No, you didn't. -What you doing? | 0:24:59 | 0:25:02 | |
I'm taking off my robe. | 0:25:02 | 0:25:03 | |
You bringing it to me? | 0:25:03 | 0:25:06 | |
-Let a brother... -Uh-oh. | 0:25:06 | 0:25:07 | |
-I'm trying... -Ooh. | 0:25:07 | 0:25:09 | |
..to bring you... it. | 0:25:09 | 0:25:11 | |
-Mmm. -Mmm. LAUGHTER | 0:25:11 | 0:25:13 | |
PHONE RINGS Ooh! | 0:25:13 | 0:25:17 | |
-That bat phone didn't ring! -It did ring. Go ahead, answer it. | 0:25:17 | 0:25:21 | |
-Oh. -Be quick. | 0:25:21 | 0:25:22 | |
Good evening. Johnnie Cochran. | 0:25:24 | 0:25:26 | |
We have a problem. | 0:25:26 | 0:25:28 | |
What time is it? Are you still at work? | 0:25:28 | 0:25:31 | |
-You're kidding. -All right, all right, go ahead. What you got? | 0:25:31 | 0:25:34 | |
Shapiro's staff messed up | 0:25:34 | 0:25:35 | |
and didn't submit 12 of our witnesses into discovery. | 0:25:35 | 0:25:39 | |
-Really? -You're going to have to remove those names | 0:25:39 | 0:25:41 | |
out of your opening statement tomorrow, Johnnie. | 0:25:41 | 0:25:44 | |
I'm sorry to do this to you. | 0:25:44 | 0:25:45 | |
I'm not removing those names, brother. | 0:25:45 | 0:25:48 | |
What? No, no, Johnnie, we can't do that. | 0:25:48 | 0:25:52 | |
Here's the thing, Carl. | 0:25:52 | 0:25:54 | |
There comes a time when you got to fall on your sword for your client. | 0:25:54 | 0:25:58 | |
Tomorrow is your day. | 0:25:58 | 0:26:00 | |
PHONE GOES DEAD | 0:26:00 | 0:26:02 | |
Stay on the sidewalk! | 0:26:09 | 0:26:11 | |
Let's go, let's go! Back up, gentlemen! Back up! | 0:26:15 | 0:26:18 | |
SIRENS WAIL | 0:26:18 | 0:26:21 | |
Go! I told you, back up! | 0:26:22 | 0:26:23 | |
I said, back up. Do not cross this line. Hey! | 0:26:23 | 0:26:26 | |
CAMERA SHUTTERS CLICK | 0:26:30 | 0:26:33 | |
PRESS CLAMOUR AND CALL OUT | 0:26:35 | 0:26:37 | |
Over here, Johnnie! | 0:26:39 | 0:26:40 | |
Come on, Bob. Pretend we're at the Oscars. | 0:26:45 | 0:26:47 | |
All rise! Court is now in session. | 0:27:08 | 0:27:11 | |
Judge Lance Ito presiding. | 0:27:11 | 0:27:13 | |
Good morning. | 0:27:15 | 0:27:17 | |
All right, why don't we bring in the jury? | 0:27:17 | 0:27:19 | |
We've watched OJ Simpson win the Heisman Trophy. | 0:27:52 | 0:27:55 | |
We've watched him in movies and commercials. | 0:27:56 | 0:27:59 | |
We think we know him. | 0:28:00 | 0:28:01 | |
But what we've been seeing is a public face... | 0:28:03 | 0:28:06 | |
..the face of the athlete, the actor. | 0:28:07 | 0:28:10 | |
But like many public men, he also has a private side. | 0:28:12 | 0:28:15 | |
The OJ Simpson you've never met. | 0:28:17 | 0:28:20 | |
The face of a batterer. | 0:28:22 | 0:28:24 | |
The abuser. | 0:28:24 | 0:28:26 | |
The murderer. | 0:28:27 | 0:28:28 | |
I would like to summarise the results of our evidence | 0:28:30 | 0:28:33 | |
from these...heartless slayings. | 0:28:33 | 0:28:36 | |
The blood trail at the Rockingham property matches the defendant. | 0:28:38 | 0:28:43 | |
The blood found on the glove recovered at Rockingham | 0:28:44 | 0:28:48 | |
matches the defendant. | 0:28:48 | 0:28:49 | |
The blood drops at the Bundy murder scene match the defendant. | 0:28:51 | 0:28:56 | |
And the blood found in the Bronco | 0:28:57 | 0:29:00 | |
matches a mixture of the defendant, | 0:29:00 | 0:29:03 | |
Ron Goldman and Nicole Brown. | 0:29:03 | 0:29:06 | |
The Reverend Dr Martin Luther King Jr said it best... | 0:29:28 | 0:29:31 | |
"Injustice anywhere is a threat to justice everywhere." | 0:29:33 | 0:29:38 | |
And so, here... | 0:29:39 | 0:29:41 | |
..we embark upon a search for justice. | 0:29:42 | 0:29:45 | |
A search for truth. | 0:29:45 | 0:29:48 | |
None of us were there on June 12, 1994. | 0:29:49 | 0:29:53 | |
We must rely upon the witnesses to get a full picture. | 0:29:53 | 0:29:57 | |
But let me talk about those witnesses | 0:29:57 | 0:29:59 | |
the prosecution didn't mention. | 0:29:59 | 0:30:02 | |
Witnesses who will exonerate OJ Simpson. | 0:30:02 | 0:30:06 | |
One might wonder why the prosecution didn't bring to your attention | 0:30:07 | 0:30:11 | |
Mary Anne Gerchas... | 0:30:11 | 0:30:13 | |
..or Rosa Lopez... | 0:30:14 | 0:30:17 | |
or Joe Stellini... | 0:30:17 | 0:30:18 | |
-..or Alan Austin, or... -Your Honour... -What? | 0:30:19 | 0:30:22 | |
I hesitate to interrupt another lawyer's opening statement, | 0:30:22 | 0:30:25 | |
but it appears that, for some reason, | 0:30:25 | 0:30:27 | |
these witnesses have not been turned over to the People! | 0:30:27 | 0:30:30 | |
MURMURS | 0:30:30 | 0:30:31 | |
GAVEL BANGS | 0:30:31 | 0:30:32 | |
All right. | 0:30:37 | 0:30:38 | |
Maybe we should excuse the jury. Bailiff? | 0:30:39 | 0:30:42 | |
You need to calm... | 0:30:49 | 0:30:50 | |
Mr Hodgman. | 0:30:52 | 0:30:53 | |
Your Honour, what is this - opening statement by...by ambush? | 0:30:53 | 0:30:57 | |
This is a complete surprise, a...a horrible breakdown. | 0:30:57 | 0:31:00 | |
The People have not received reciprocal discovery! | 0:31:00 | 0:31:03 | |
Counsel, can you address these issues? | 0:31:04 | 0:31:07 | |
I will... I will try, Your Honour. | 0:31:07 | 0:31:09 | |
I have to say, Mr Douglas, | 0:31:09 | 0:31:11 | |
I've known Mr Hodgman as a colleague and as a trial lawyer, | 0:31:11 | 0:31:14 | |
and I've never seen the expression on his face that I see right now. | 0:31:14 | 0:31:17 | |
Mr Hodgman, why don't you take a few deep breaths? | 0:31:17 | 0:31:20 | |
Give me a few minutes, Your Honour. I just... I need... | 0:31:20 | 0:31:22 | |
I need to slow myself down a bit. | 0:31:22 | 0:31:24 | |
Mr Douglas? | 0:31:27 | 0:31:28 | |
It's regrettable, as I stand before you, Your Honour, | 0:31:29 | 0:31:32 | |
that we have not coordinated our efforts | 0:31:32 | 0:31:34 | |
as well as we would have liked. | 0:31:34 | 0:31:37 | |
I say that, because I have some documents | 0:31:37 | 0:31:39 | |
that I do intend to give over to the People. | 0:31:39 | 0:31:42 | |
I tell the Court with all seriousness | 0:31:42 | 0:31:44 | |
that I am embarrassed by this and take full responsibility. | 0:31:44 | 0:31:47 | |
Your Honour, while I'm delighted and appreciative | 0:31:47 | 0:31:49 | |
that Mr Douglas is taking full responsibility, | 0:31:49 | 0:31:51 | |
the fact remains that the People | 0:31:51 | 0:31:53 | |
have been denied their right to a fair tri... | 0:31:53 | 0:31:55 | |
I... Forgive me, Your Honour. I'm just... | 0:31:58 | 0:32:01 | |
I'm not quite f... | 0:32:01 | 0:32:03 | |
Bill? | 0:32:04 | 0:32:06 | |
I got some ch... chest pain. | 0:32:06 | 0:32:08 | |
-GASPS Doc... Doctor! -Bailiff! | 0:32:08 | 0:32:12 | |
MURMURING | 0:32:12 | 0:32:13 | |
Bill, you OK? | 0:32:13 | 0:32:15 | |
Somebody call 911! | 0:32:15 | 0:32:18 | |
He's OK. | 0:32:18 | 0:32:19 | |
-I'm sorry. -It's OK. Just breathe. | 0:32:19 | 0:32:21 | |
Well, um... | 0:32:40 | 0:32:42 | |
Why don't we adjourn for the day? | 0:32:42 | 0:32:45 | |
Court will resume at 9.00am tomorrow. We now stand in recess. | 0:32:45 | 0:32:48 | |
Bill isn't coming back. | 0:32:51 | 0:32:53 | |
-It's like this building is cursed. -His wife said he'll be fine. | 0:32:53 | 0:32:56 | |
Oh, Jesus! | 0:32:56 | 0:32:58 | |
Gil, you have to trust me. | 0:32:58 | 0:33:00 | |
The team will pick up the slack. We've got a good group. | 0:33:00 | 0:33:02 | |
Bill had a lot of responsibility, and you're only one person. | 0:33:02 | 0:33:06 | |
I mean, do we add another senior prosecutor? | 0:33:06 | 0:33:09 | |
Look, I think Chris is ready to step up. | 0:33:13 | 0:33:15 | |
He is. | 0:33:15 | 0:33:17 | |
He took Johnnie's best shot, | 0:33:17 | 0:33:18 | |
came back strong in opening statements - that's hard to do. | 0:33:18 | 0:33:21 | |
I think he would make an excellent co-prosecutor. | 0:33:21 | 0:33:24 | |
He's already on the team, Gil. | 0:33:28 | 0:33:30 | |
He's ready. | 0:33:32 | 0:33:33 | |
DIALLING TONE | 0:33:41 | 0:33:43 | |
PHONE RINGS | 0:33:43 | 0:33:45 | |
-Hello. -It's me. | 0:33:51 | 0:33:52 | |
So, listen... | 0:33:54 | 0:33:57 | |
Bill isn't coming back. | 0:33:57 | 0:33:58 | |
DARDEN SIGHS | 0:33:58 | 0:34:00 | |
What? | 0:34:02 | 0:34:03 | |
Wow, that's, uh... That's terrible. | 0:34:03 | 0:34:05 | |
Who's Gil assigning? | 0:34:06 | 0:34:08 | |
No-one. | 0:34:08 | 0:34:10 | |
We talked this afternoon, and I told him the best way forward | 0:34:10 | 0:34:14 | |
would be to elevate you to co-prosecutor. | 0:34:14 | 0:34:17 | |
If you're comfortable with that. | 0:34:17 | 0:34:20 | |
My God. Marcia... | 0:34:20 | 0:34:22 | |
-Are you happy? -You know I am. | 0:34:24 | 0:34:26 | |
I can't believe you did this for me. | 0:34:28 | 0:34:30 | |
I did it for the Browns and the Goldmans. | 0:34:30 | 0:34:33 | |
And now, it's on us. | 0:34:34 | 0:34:35 | |
The relationship between the two families is quite peculiar, | 0:34:37 | 0:34:40 | |
when you realise that the son of one is on trial | 0:34:40 | 0:34:43 | |
for murdering the daughter of another. | 0:34:43 | 0:34:46 | |
It's quite startling that they greet one another in court so warmly. | 0:34:46 | 0:34:51 | |
What about OJ's girlfriend, Paula? She can't still be with him? | 0:34:51 | 0:34:55 | |
The interesting thing about Paula is, | 0:35:16 | 0:35:18 | |
she had broken up with OJ the day of the murders. | 0:35:18 | 0:35:22 | |
I heard she was with Michael Bolton | 0:35:22 | 0:35:25 | |
at the Mirage in Las Vegas that night. | 0:35:25 | 0:35:29 | |
But once OJ was arrested, she returned to his side. | 0:35:29 | 0:35:33 | |
Naturally, the big question has always been, | 0:35:34 | 0:35:38 | |
why did Nicole return to him again and again? | 0:35:38 | 0:35:42 | |
I'm sure fear played a part, | 0:35:43 | 0:35:45 | |
but I heard that her parents pushed her | 0:35:45 | 0:35:48 | |
to reconcile with him every time they split, | 0:35:48 | 0:35:52 | |
and that OJ set her father up with a Hertz dealership. | 0:35:52 | 0:35:57 | |
She didn't know any better. | 0:35:57 | 0:35:59 | |
Did you realise she'd just turned 18 when they started dating? | 0:36:00 | 0:36:06 | |
What else? | 0:36:06 | 0:36:07 | |
Well, next week promises to be extraordinary. | 0:36:07 | 0:36:11 | |
The jury will visit the crime scene and OJ's mansion, | 0:36:11 | 0:36:15 | |
and OJ will be there, too. | 0:36:15 | 0:36:18 | |
Imagine - the first time he's been back since the Bronco chase. | 0:36:18 | 0:36:24 | |
This won't do at all. | 0:36:51 | 0:36:53 | |
MUSIC: Fantastic Voyage by Coolio | 0:36:54 | 0:36:56 | |
I like that. Oh, yeah. | 0:37:07 | 0:37:10 | |
That's perfect now. That's good. | 0:37:10 | 0:37:13 | |
Ah, that's good. That's good. | 0:37:13 | 0:37:15 | |
That's looking better. | 0:37:15 | 0:37:16 | |
We getting there. I like me some blackness. | 0:37:16 | 0:37:19 | |
There's Mama. All right. Good, good. | 0:37:20 | 0:37:23 | |
Ruby's in the house. Let's go. | 0:37:23 | 0:37:26 | |
Beautiful, beautiful. Right over the fireplace there. Thank you, sir. | 0:37:26 | 0:37:30 | |
Timing is impeccable. | 0:37:30 | 0:37:32 | |
Careful with that. | 0:37:32 | 0:37:34 | |
Nice. Ah... | 0:37:34 | 0:37:37 | |
-Sure looks familiar. -It's on loan... | 0:37:37 | 0:37:40 | |
from the Cochran collection. | 0:37:40 | 0:37:42 | |
LAUGHTER | 0:37:42 | 0:37:44 | |
DOOR BUZZER | 0:37:53 | 0:37:55 | |
-How you holding up? -OK. | 0:38:11 | 0:38:13 | |
Now, when the jurors tour the crime scene and Rockingham, | 0:38:17 | 0:38:20 | |
it's going to be important for us all to make a positive impression. | 0:38:20 | 0:38:24 | |
-Mm-hm. -It'll be the only time they see you outside the courtroom. | 0:38:24 | 0:38:28 | |
All eyes are going to be on you. | 0:38:28 | 0:38:31 | |
Hey, you're OJ. You're used to it. | 0:38:31 | 0:38:32 | |
You put it on them, smile, and the people melt. | 0:38:32 | 0:38:35 | |
-OK. -All right. | 0:38:37 | 0:38:38 | |
But I don't want you to be surprised | 0:38:38 | 0:38:40 | |
when you see that we've... redecorated. | 0:38:40 | 0:38:43 | |
Redecorated? Why would you do that? | 0:38:43 | 0:38:46 | |
We wanted to project the right image. | 0:38:46 | 0:38:48 | |
Someone our jurors could admire and fully relate to. | 0:38:48 | 0:38:53 | |
People do admire me, Johnnie. Everybody loves my house! | 0:38:53 | 0:38:57 | |
It was in Sunset Magazine. | 0:38:57 | 0:38:58 | |
OJ, the majority of our jurors are black. | 0:38:58 | 0:39:02 | |
Yeah? And? | 0:39:02 | 0:39:04 | |
Look, do me a favour. | 0:39:04 | 0:39:06 | |
Try to imagine your life before any of this happened. | 0:39:06 | 0:39:09 | |
How many black people did you interact with on a daily basis? | 0:39:11 | 0:39:14 | |
How dialled in were you to the community - | 0:39:14 | 0:39:17 | |
issues the average black person deals with? | 0:39:17 | 0:39:20 | |
How many blacks did you actually consider a friend? | 0:39:20 | 0:39:24 | |
AC - and he's darker than I am! | 0:39:24 | 0:39:26 | |
Are you trying to say something about me, Johnnie? | 0:39:28 | 0:39:30 | |
Absolutely not. Nobody's judging you, brother. | 0:39:30 | 0:39:33 | |
But let's be honest. | 0:39:33 | 0:39:35 | |
Being nicknamed the "Mayor of Brentwood" | 0:39:35 | 0:39:37 | |
doesn't forge any bonds with our jury... | 0:39:37 | 0:39:40 | |
..people you need to acquit you of a double murder. | 0:39:42 | 0:39:47 | |
-OK, OK. -All right. | 0:39:52 | 0:39:54 | |
-I hear you. -OK. | 0:39:54 | 0:39:56 | |
-I can go along with all of that. -Good. Thank you. | 0:39:56 | 0:39:59 | |
But when they say "Mayor of Brentwood," | 0:40:05 | 0:40:08 | |
I know what they mean when they're saying that. | 0:40:08 | 0:40:11 | |
I want you to know I never left anybody behind, Johnnie. | 0:40:11 | 0:40:15 | |
I did what I had the right to do. | 0:40:16 | 0:40:18 | |
I manifested myself out of a messed-up situation. | 0:40:19 | 0:40:22 | |
And don't think there weren't people back from where I came from | 0:40:23 | 0:40:26 | |
hanging on to the back of my shirts the whole time | 0:40:26 | 0:40:29 | |
with their hand out, trying to get me to drag them up, too. | 0:40:29 | 0:40:33 | |
But it don't work like that. | 0:40:36 | 0:40:38 | |
You got to get it on your own. | 0:40:38 | 0:40:40 | |
Nobody can do it for you. | 0:40:40 | 0:40:42 | |
And I ain't never apologising for buying a beautiful house | 0:40:45 | 0:40:49 | |
in a beautiful neighbourhood. | 0:40:49 | 0:40:51 | |
A neighbourhood where you don't have people coming over the wall, | 0:40:51 | 0:40:54 | |
trying to get at me, take what I earned. | 0:40:54 | 0:40:58 | |
I ain't never apologising for that. Do you hear me? | 0:40:58 | 0:41:01 | |
Yes. All right. | 0:41:01 | 0:41:02 | |
I just want to make sure we both understand what we got to do. | 0:41:04 | 0:41:08 | |
You should see the house I bought my mama. | 0:41:14 | 0:41:17 | |
Had a pool and everything. | 0:41:20 | 0:41:21 | |
SPEECH IS INAUDIBLE | 0:41:33 | 0:41:36 | |
Everything all right? | 0:41:57 | 0:41:59 | |
What happened here? | 0:42:02 | 0:42:03 | |
Why did they clear out the place? | 0:42:05 | 0:42:08 | |
This doesn't tell them anything. | 0:42:08 | 0:42:10 | |
She was a mother. | 0:42:11 | 0:42:13 | |
There was a family. | 0:42:13 | 0:42:14 | |
SIREN BURST | 0:42:35 | 0:42:37 | |
Look at this. | 0:43:08 | 0:43:10 | |
Damn, is that the...? Ah! | 0:43:23 | 0:43:25 | |
HE LAUGHS That's what I'm talking about. | 0:43:25 | 0:43:28 | |
-That's the Heisman! -Yup. Yes, it is. | 0:43:28 | 0:43:31 | |
The Heisman! | 0:43:31 | 0:43:32 | |
-Can you believe this? -I can't believe any of this. | 0:43:44 | 0:43:46 | |
It's a complete misrepresentation. This isn't OJ. | 0:43:46 | 0:43:50 | |
These ain't even my kids. | 0:44:01 | 0:44:03 | |
I don't know who these people are. | 0:44:03 | 0:44:05 | |
At least they got the muscles right. CHUCKLES | 0:44:09 | 0:44:12 | |
Your Honour, may I ask why all of Nicole's personal effects | 0:44:12 | 0:44:15 | |
have been removed from Bundy before the jurors have been able to see it? | 0:44:15 | 0:44:18 | |
It's quite, uh... quite masterful. | 0:44:18 | 0:44:20 | |
What's with all the African art? | 0:44:22 | 0:44:24 | |
Where are all the pictures of OJ with his white golfing buddies? | 0:44:24 | 0:44:27 | |
This entire house has been staged. | 0:44:27 | 0:44:29 | |
Where's the naked picture of Paula Barbieri by the bed? | 0:44:31 | 0:44:34 | |
Oh, I know. | 0:44:34 | 0:44:35 | |
It's been replaced with a picture of his mother in a wheelchair. | 0:44:35 | 0:44:39 | |
Get off my bench. | 0:44:48 | 0:44:49 | |
I don't want you on my bench, hear me?! | 0:44:50 | 0:44:53 | |
-Come on. Officer. Come on, OJ.. -Shouldn't even be in my house! | 0:44:53 | 0:44:55 | |
-Come on. I'm sorry. -You need to keep your defendant under control. | 0:44:55 | 0:44:58 | |
He gets emotional. He just gets emotional. | 0:44:58 | 0:45:01 | |
He's all right now. | 0:45:01 | 0:45:03 | |
-Now... -Uh-uh. What? | 0:45:03 | 0:45:06 | |
There's something I've been meaning to tell you. | 0:45:07 | 0:45:10 | |
Whatever happens... | 0:45:10 | 0:45:12 | |
don't do Fuhrman. | 0:45:12 | 0:45:14 | |
Make the white people do him. | 0:45:16 | 0:45:18 | |
How dare he try and mess with my head! | 0:45:28 | 0:45:30 | |
-Chris, listen. -I'm co-prosecutor, Pops. -Come on, Chris... | 0:45:30 | 0:45:32 | |
It's ridiculous that I have to deal with this kind of garbage | 0:45:32 | 0:45:35 | |
-during a trial of this magnitude! -Chris! -I don't know. | 0:45:35 | 0:45:37 | |
-Maybe he's intimidated by me? I don't know. -Chris! | 0:45:37 | 0:45:40 | |
Another strong, intelligent brother? | 0:45:40 | 0:45:42 | |
Look, the bottom line is, this has got to stop! | 0:45:42 | 0:45:44 | |
Son, you've been going on 20 minutes about how you're in charge now. | 0:45:44 | 0:45:48 | |
Well, then, fine, you're in charge! | 0:45:48 | 0:45:50 | |
So, act like it - and stand up for your damn self! | 0:45:50 | 0:45:53 | |
And how you know he's been trying to mess with your head? | 0:45:53 | 0:45:55 | |
What do you think he's trying to do, Pops? | 0:45:55 | 0:45:57 | |
Could it be possible that he's just trying to give you some good advice, black man to black man? | 0:45:57 | 0:46:04 | |
DARDEN SIGHS | 0:46:04 | 0:46:06 | |
-How do you feel about interracial couples, Detective? -Don't care. | 0:46:06 | 0:46:09 | |
I'm not sure what you mean by that. What's there to care about? | 0:46:09 | 0:46:12 | |
I don't have an opinion. They're the same as anybody else. | 0:46:12 | 0:46:16 | |
Got any hobbies, Detective? | 0:46:16 | 0:46:18 | |
I collect World War II memorabilia, medals mostly. | 0:46:18 | 0:46:21 | |
What about sports heroes? | 0:46:21 | 0:46:24 | |
Uh... George Foreman and Magic Johnson. | 0:46:24 | 0:46:27 | |
I'm surprised to hear that. | 0:46:27 | 0:46:29 | |
In the past, haven't you expressed a dislike for African-Americans? | 0:46:29 | 0:46:34 | |
No, sir, I have not. | 0:46:34 | 0:46:35 | |
Have you ever unfairly targeted African-Americans while on the job? | 0:46:36 | 0:46:40 | |
-No. -Have you ever been accused of unfairly targeting African-Americans? | 0:46:40 | 0:46:43 | |
Probably, at some point. | 0:46:43 | 0:46:45 | |
Suspects will say just about anything to get off. | 0:46:45 | 0:46:47 | |
Have you ever used a racial slur in describing an African-American? | 0:46:50 | 0:46:54 | |
No. | 0:46:54 | 0:46:55 | |
You're saying that you've never used the "N" word? | 0:46:55 | 0:46:58 | |
-What's this got to do with the case? -Detective, have you used the word? | 0:46:58 | 0:47:01 | |
Has anyone told you that I've used the word? | 0:47:01 | 0:47:04 | |
So, if the defence calls a witness that testifies that you've used it, | 0:47:04 | 0:47:07 | |
-how do you respond to that? -I haven't - ever. | 0:47:07 | 0:47:10 | |
Hmm. | 0:47:15 | 0:47:17 | |
I'm not putting Fuhrman on the stand. | 0:47:22 | 0:47:24 | |
And it's not because of Johnnie, and it's not because I worked SID. | 0:47:24 | 0:47:26 | |
-Aren't we past this? -No. We're not. | 0:47:26 | 0:47:29 | |
Look, I'll take any of Bill's witnesses. | 0:47:29 | 0:47:32 | |
-Well, that's real noble(!) He had the coroner. -OK. | 0:47:32 | 0:47:35 | |
Could you guys give us a moment? | 0:47:37 | 0:47:39 | |
I can't control who found the glove, Chris. | 0:47:48 | 0:47:51 | |
And the truth is, Fuhrman will present best if you have him. | 0:47:51 | 0:47:55 | |
And why is that? | 0:47:55 | 0:47:57 | |
Say it - go on. It's because I'm black. | 0:47:57 | 0:48:00 | |
Hmm? | 0:48:01 | 0:48:02 | |
Go on. | 0:48:04 | 0:48:05 | |
Fine! | 0:48:10 | 0:48:11 | |
Your dislike for him will read to the jury anyway. | 0:48:14 | 0:48:17 | |
I will take him. | 0:48:17 | 0:48:19 | |
What's so difficult? | 0:48:20 | 0:48:22 | |
He's just a cop on a stand. | 0:48:22 | 0:48:24 | |
Great. Thanks. | 0:48:24 | 0:48:26 | |
MUSIC: Die Meistersinger Von Nurnberg - Overture by Richard Wagner | 0:48:35 | 0:48:39 |