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I love you, Mummy. | 0:00:02 | 0:00:03 | |
I don't want Mum to be here for the anniversary. | 0:00:03 | 0:00:05 | |
How would you feel about moving? | 0:00:05 | 0:00:06 | |
Just out of London, for a couple of months. | 0:00:06 | 0:00:08 | |
I used to work here. | 0:00:08 | 0:00:10 | |
Percy Judd at your service. | 0:00:10 | 0:00:12 | |
This one's the worst. | 0:00:12 | 0:00:13 | |
HE SCREAMS | 0:00:13 | 0:00:14 | |
I was told Mr Cribben was fully recovered. | 0:00:14 | 0:00:17 | |
Am I to have no peace in any corner of this house? | 0:00:17 | 0:00:21 | |
SCREAM He hit me! | 0:00:21 | 0:00:23 | |
There was a man here? | 0:00:23 | 0:00:24 | |
You're fired. | 0:00:24 | 0:00:25 | |
Your Mum should be in prison. | 0:00:27 | 0:00:29 | |
-I'm not dead, Mummy. -Just tell me where you are. | 0:00:29 | 0:00:32 | |
We've got ghosts! | 0:00:34 | 0:00:35 | |
He's not just dead, he's a ghost? | 0:00:35 | 0:00:37 | |
He isn't dead! He's alive and trying to reach me. | 0:00:37 | 0:00:39 | |
You better not do anything bad or else he'll come and get you. | 0:00:39 | 0:00:42 | |
Hands up who wants to move out of here. | 0:00:42 | 0:00:44 | |
Hands up who wants to know where Cameron is. | 0:00:44 | 0:00:46 | |
She's still sleeping it off. | 0:01:27 | 0:01:28 | |
She's worn out. | 0:01:28 | 0:01:30 | |
-I'm worn out. -What time are you going in? | 0:01:30 | 0:01:33 | |
Working from home today. | 0:01:33 | 0:01:34 | |
In case I try and fit in a quick seance while you're out? | 0:01:34 | 0:01:37 | |
It's amazing how ghosts never appear | 0:01:37 | 0:01:39 | |
when there's more than one person in the room, isn't it? | 0:01:39 | 0:01:41 | |
You ever noticed that? It's spooky. | 0:01:41 | 0:01:43 | |
-They appeared to me and Cally. -They did, Daddy. | 0:01:43 | 0:01:45 | |
OK, well, when there's someone who doesn't believe in them then. | 0:01:45 | 0:01:48 | |
Great, look, you can take the girls for the day. | 0:01:48 | 0:01:50 | |
Be nice and quiet for your sister. | 0:01:50 | 0:01:52 | |
I'm going to check and see if anyone's seen Clyde. | 0:01:52 | 0:01:54 | |
He saw the ghosts! That's why he ran away! | 0:01:54 | 0:01:56 | |
That's probably what happened. I'll put a note in the newsagent's. | 0:01:56 | 0:02:00 | |
Give my regards to Percy. | 0:02:00 | 0:02:01 | |
You think me and Cally and Loren are all hallucinating. | 0:02:01 | 0:02:04 | |
Oh, don't forget the dog. Yeah, I do, sorry. | 0:02:04 | 0:02:06 | |
I don't think you should be getting wound up at the moment. | 0:02:06 | 0:02:10 | |
I think that's exactly what I need. | 0:02:10 | 0:02:11 | |
I've been in a coma for the last year. | 0:02:12 | 0:02:15 | |
This is the first time that I've felt positive in a year. | 0:02:16 | 0:02:20 | |
I told you I feel closer to him here. | 0:02:22 | 0:02:24 | |
You know whatever is going on here, or went on here, | 0:02:26 | 0:02:29 | |
it's going to help us find Cam. | 0:02:29 | 0:02:31 | |
I can't expect you to believe it if you haven't seen it. | 0:02:37 | 0:02:41 | |
FOOTSTEPS | 0:02:56 | 0:02:59 | |
Hi, Percy, it's Eve Caleigh, again. | 0:03:25 | 0:03:28 | |
I don't know if you got my last two messages, | 0:03:28 | 0:03:30 | |
maybe you're out and about, but I'm in town now | 0:03:30 | 0:03:33 | |
and I know you said I could call | 0:03:33 | 0:03:34 | |
if I had any questions about the house. | 0:03:34 | 0:03:37 | |
I think you may know what they are. | 0:03:37 | 0:03:39 | |
DOG WHINES AND SCRATCHES ON DOOR | 0:03:39 | 0:03:42 | |
Some background history I'd love to ask you about. | 0:03:42 | 0:03:46 | |
I'll keep trying. Hope you're well. | 0:03:46 | 0:03:48 | |
Daddy! | 0:03:58 | 0:03:59 | |
Yes, you can have another one, just keep the noise down. | 0:03:59 | 0:04:03 | |
It's doing it again! | 0:04:03 | 0:04:06 | |
RATTLING | 0:04:10 | 0:04:14 | |
What do you think? | 0:04:22 | 0:04:24 | |
I think it's a mouse. | 0:04:24 | 0:04:26 | |
-You afraid of mice? -Yes. | 0:04:26 | 0:04:28 | |
-What else could it be? -The water? | 0:04:28 | 0:04:30 | |
Good girl, yeah. | 0:04:30 | 0:04:33 | |
My money would be on the pipes if the boiler wasn't turned off. | 0:04:33 | 0:04:37 | |
RATTLING | 0:04:37 | 0:04:40 | |
-Shall we take a look? -What if it's a ghost? | 0:04:40 | 0:04:42 | |
Do you want to leave it, or do you want to find out? | 0:04:42 | 0:04:46 | |
We could ask what it wants. | 0:04:46 | 0:04:47 | |
Yeah, good idea, cos then he might stop annoying us. | 0:04:47 | 0:04:50 | |
And that's all ghosts are, aren't they, | 0:04:50 | 0:04:52 | |
just people who want to annoy us? They can't hurt us. | 0:04:52 | 0:04:55 | |
Oh. | 0:05:07 | 0:05:09 | |
Is it a ghost? | 0:05:09 | 0:05:10 | |
No, poppet, I think it's just a draught. | 0:05:10 | 0:05:13 | |
That's where the smell's coming from. It's stinky! | 0:05:13 | 0:05:17 | |
What? | 0:05:17 | 0:05:19 | |
You've got a better nose than I have. | 0:05:20 | 0:05:22 | |
Sorry to hear about your dog. | 0:05:31 | 0:05:34 | |
That was fast. | 0:05:34 | 0:05:35 | |
I'm sure he'll show up. I'll spread the word. | 0:05:35 | 0:05:38 | |
Percy told us everything. | 0:05:42 | 0:05:43 | |
I just wanted to know how much of it was true. | 0:05:43 | 0:05:46 | |
I asked him to let you enjoy your stay in peace. | 0:05:46 | 0:05:49 | |
Well, it's true. They drowned in the house. | 0:05:49 | 0:05:53 | |
They drowned in the house? | 0:05:53 | 0:05:54 | |
The orphans, yes. | 0:05:54 | 0:05:56 | |
Crickley Hall was built on top of an underground river. | 0:05:56 | 0:05:59 | |
After the tragedy, they built a storm drain | 0:05:59 | 0:06:02 | |
so it could never happen today. You're totally safe. | 0:06:02 | 0:06:04 | |
Orphans drowned inside Crickley Hall? | 0:06:04 | 0:06:07 | |
What exactly did Percy tell you? | 0:06:08 | 0:06:11 | |
-So, it was an orphanage? -Sorry, that's all I've got. | 0:06:11 | 0:06:14 | |
I'm sure Percy's not the only one who knows the story, | 0:06:14 | 0:06:17 | |
-and he was there. -So was my grandfather. | 0:06:17 | 0:06:19 | |
He was Reverend at this church. | 0:06:19 | 0:06:21 | |
And whatever Percy may have told you, | 0:06:21 | 0:06:23 | |
Augustus Cribben was not a monster. | 0:06:23 | 0:06:25 | |
Discipline was harsh in those days. It's not for us to judge. | 0:06:25 | 0:06:29 | |
Do you know about the ghosts? | 0:06:29 | 0:06:31 | |
These are dead children. | 0:06:32 | 0:06:34 | |
Can you appreciate what a terrible thing it is to trivialise | 0:06:34 | 0:06:38 | |
the loss of a child? | 0:06:38 | 0:06:40 | |
OK. Just shine the light there, poppet, that's it. | 0:06:40 | 0:06:44 | |
RATTLING | 0:06:44 | 0:06:47 | |
Just pass me the torch. | 0:06:58 | 0:07:00 | |
Here's Johnny. | 0:07:04 | 0:07:06 | |
I'll put my hand in. | 0:07:08 | 0:07:10 | |
HE YELLS | 0:07:16 | 0:07:18 | |
HE LAUGHS | 0:07:18 | 0:07:20 | |
I'm sorry, I'm joking. Ow! | 0:07:20 | 0:07:22 | |
Who's there? Who's there? | 0:07:25 | 0:07:27 | |
What happened, Daddy? | 0:07:31 | 0:07:32 | |
Um, nothing, baby. | 0:07:36 | 0:07:38 | |
It's just... | 0:07:38 | 0:07:39 | |
It's just something fell against my hand. | 0:07:42 | 0:07:44 | |
I found it too! | 0:08:16 | 0:08:18 | |
I know baby, I know. Come here. | 0:08:18 | 0:08:20 | |
Get off. | 0:08:20 | 0:08:22 | |
I think you were very wise, Augustus. | 0:08:45 | 0:08:48 | |
This will put a lot of minds at rest. | 0:08:48 | 0:08:51 | |
The children are impeccably behaved and quite clearly in good health. | 0:08:51 | 0:08:56 | |
Yes, I called this occasion to celebrate our soldiers, | 0:08:56 | 0:08:59 | |
not to advertise my orphanage. | 0:08:59 | 0:09:02 | |
You have nothing to prove to me. | 0:09:03 | 0:09:05 | |
No-one can doubt your devotion to those children and to God. | 0:09:05 | 0:09:09 | |
You extend your compassion to the children of the enemy. | 0:09:09 | 0:09:13 | |
I know the Reverend warned you off but I've seen the ghosts. | 0:09:20 | 0:09:24 | |
So you may as well tell me why they're here. | 0:09:24 | 0:09:27 | |
All I wanted to tell you was | 0:09:27 | 0:09:29 | |
that it's no place for your girls to stay. | 0:09:29 | 0:09:31 | |
This is a private tragedy. | 0:09:31 | 0:09:32 | |
My son Cameron went missing a year ago. He's six now. | 0:09:36 | 0:09:42 | |
I heard him for the first time in a year inside Crickley Hall. | 0:09:42 | 0:09:46 | |
I'm sorry. | 0:09:46 | 0:09:48 | |
He's not dead. I heard him before. | 0:09:48 | 0:09:52 | |
We used to have... We have a very strong connection. | 0:09:53 | 0:09:57 | |
I used to hear him all the time before he went missing | 0:09:57 | 0:09:59 | |
and then nothing for a year. Until we came here. | 0:09:59 | 0:10:03 | |
And then I heard his voice inside my head like I used to. | 0:10:03 | 0:10:08 | |
How do you know he's not dead? | 0:10:08 | 0:10:10 | |
I just know. | 0:10:10 | 0:10:11 | |
How long you think it'll take you to kick them out of Italy? | 0:10:27 | 0:10:31 | |
We'll be home by Christmas. | 0:10:31 | 0:10:33 | |
If some Latin beauty doesn't bag you. | 0:10:33 | 0:10:35 | |
You know Ma says you can stay here as long as you like. | 0:10:46 | 0:10:49 | |
I can fix you up with a baker's in Horsley. | 0:10:50 | 0:10:53 | |
You could use my bike. | 0:10:53 | 0:10:55 | |
Why are you being so nice to me, Mr Judd? | 0:10:55 | 0:10:57 | |
You care about them orphans. | 0:11:02 | 0:11:04 | |
I want you to care about our kids like that. | 0:11:07 | 0:11:09 | |
By the time I got back, she'd left. | 0:11:21 | 0:11:23 | |
I couldn't track her down. Lots of folks lost contact back then. | 0:11:23 | 0:11:28 | |
Homes got bombed. People got evacuated. | 0:11:29 | 0:11:33 | |
She knew where you lived. | 0:11:33 | 0:11:34 | |
That's the only reason I'm still here. | 0:11:34 | 0:11:37 | |
I've had my share of people telling me I'm mad to keep hoping. | 0:11:39 | 0:11:44 | |
I don't think you'll get any answers out of Crickley Hall. | 0:11:46 | 0:11:49 | |
This is a very important day in the lives of these young men. | 0:12:50 | 0:12:53 | |
It may be their last night on home soil. | 0:12:53 | 0:12:57 | |
Speak when spoken to. Do not talk among yourselves. | 0:12:57 | 0:13:00 | |
And anyone, anyone who steals what is on these plates | 0:13:00 | 0:13:03 | |
will pay for it dearly. | 0:13:03 | 0:13:06 | |
Go downstairs and serve. | 0:13:06 | 0:13:08 | |
If there were 11 orphans, why are there only 9 gravestones? | 0:13:20 | 0:13:25 | |
They said that two were washed down the well. | 0:13:25 | 0:13:28 | |
They found some clothes but they never found the bodies. | 0:13:28 | 0:13:31 | |
If I'm not the only person to have seen them, | 0:13:31 | 0:13:33 | |
hasn't anyone tried to help them? | 0:13:33 | 0:13:35 | |
I tried. I asked someone to try and contact them. | 0:13:35 | 0:13:40 | |
She nearly died. | 0:13:40 | 0:13:41 | |
Who? | 0:13:41 | 0:13:44 | |
Lili Peel. She's in the book but she won't talk about it. | 0:13:46 | 0:13:51 | |
I've told you everything I can. I hope you find your boy. | 0:13:51 | 0:13:54 | |
Cameron said the children know where he is. | 0:13:55 | 0:13:58 | |
Cribben won't let them speak to you. | 0:14:00 | 0:14:02 | |
KNOCKING ON DOOR | 0:14:05 | 0:14:07 | |
-You have to come down. -It's been noticed. | 0:14:19 | 0:14:22 | |
I should never have agreed to this. | 0:14:25 | 0:14:27 | |
That girl has raised questions and we have to answer them. | 0:14:29 | 0:14:33 | |
Come on, Gus. You can do it. | 0:14:37 | 0:14:41 | |
You are the bravest man here. | 0:14:47 | 0:14:51 | |
No-one sees your suffering. | 0:14:51 | 0:14:55 | |
Hey, hey, Stefan. Stefan. Stef. Come, come here. | 0:15:15 | 0:15:19 | |
Wann kommt Nancy zuruck? Wir vermissen sie alle so sehr. | 0:15:33 | 0:15:36 | |
Right, er, I've only got bits and pieces. | 0:15:36 | 0:15:39 | |
I'll take this. Go to the kitchen and get some more. | 0:15:45 | 0:15:48 | |
I'll be joining you in a couple of years | 0:15:51 | 0:15:54 | |
if it's still going on by then. | 0:15:54 | 0:15:56 | |
That's a cheery thought. Let's hope not? | 0:15:56 | 0:16:00 | |
I was sorry to hear about Nancy. | 0:16:01 | 0:16:04 | |
Weren't you glad to see the back of her? | 0:16:05 | 0:16:08 | |
She meant well but it's not the way to deal with the Cribbens. | 0:16:08 | 0:16:11 | |
Well, you'd know, I suppose. You've got it down to a fine art. | 0:16:13 | 0:16:16 | |
-If you were me so would you. -And what if you were Stefan? | 0:16:16 | 0:16:21 | |
I'd speak English. | 0:16:21 | 0:16:23 | |
I think I just got him in more trouble. | 0:16:28 | 0:16:31 | |
There must be some evidence of what he's doing to them. | 0:16:31 | 0:16:34 | |
They're too well drilled. They seemed fed enough. | 0:16:34 | 0:16:37 | |
Yeah, they are now! Wait till everyone goes home. | 0:16:37 | 0:16:41 | |
No-one's going to take a kid's word against Cribben. | 0:16:41 | 0:16:44 | |
What you need is a grown-up to speak against them. | 0:16:48 | 0:16:50 | |
Someone they can't ignore. | 0:16:53 | 0:16:55 | |
I mean, if he's hurting those kids, he's done it before. | 0:16:58 | 0:17:03 | |
You're brilliant. I love you. | 0:17:05 | 0:17:09 | |
Now, how about a bit of compassion for me. | 0:17:09 | 0:17:12 | |
I could be dead in a week. | 0:17:12 | 0:17:13 | |
Don't you dare. | 0:17:13 | 0:17:15 | |
Oh, I'll be sorry to see that one go. | 0:17:45 | 0:17:47 | |
It's supposed to be a sign of psychic gifts. | 0:17:50 | 0:17:53 | |
My son has it too. He's six now. | 0:17:53 | 0:17:56 | |
Do you have children? | 0:17:56 | 0:17:59 | |
I've got three. I've got two with me. | 0:17:59 | 0:18:02 | |
I've got three. | 0:18:02 | 0:18:04 | |
My son is missing. | 0:18:06 | 0:18:08 | |
Someone in town told me you might be able to help me. | 0:18:08 | 0:18:10 | |
Who in town? No-one here would have told you that. | 0:18:10 | 0:18:13 | |
-Where are you staying? -Hollow Bay. -Where? | 0:18:13 | 0:18:16 | |
Crickley Hall. | 0:18:16 | 0:18:17 | |
Percy had no business telling you that I can help anyone any more. | 0:18:17 | 0:18:20 | |
I'll pay you anything you want. Please. | 0:18:20 | 0:18:23 | |
I never accepted money. | 0:18:23 | 0:18:24 | |
No amount of money would make me go back there. | 0:18:24 | 0:18:27 | |
-Maybe if I could just explain... -No, I know all about Crickley Hall. | 0:18:27 | 0:18:29 | |
I'm not going back there again. | 0:18:29 | 0:18:31 | |
This isn't about Crickley Hall, | 0:18:31 | 0:18:33 | |
this is about my son. | 0:18:33 | 0:18:34 | |
He's missing and I heard him in that house. | 0:18:34 | 0:18:37 | |
I'm really sorry. I wouldn't wish that upon anybody. | 0:18:39 | 0:18:44 | |
But I can't go back there again. | 0:18:44 | 0:18:46 | |
Why are you so afraid of him, he's dead? | 0:18:46 | 0:18:49 | |
The dead, they can't hurt the living! | 0:18:49 | 0:18:52 | |
People like us, he can. | 0:18:53 | 0:18:55 | |
Whatever Cribben did to you, it can't be as bad | 0:18:55 | 0:18:59 | |
as what he's doing to those children. What about them? | 0:18:59 | 0:19:01 | |
I was pregnant when I went in there. | 0:19:03 | 0:19:05 | |
And when I came out I wasn't. | 0:19:07 | 0:19:10 | |
And now I can't have children. | 0:19:10 | 0:19:11 | |
Will that do for you? | 0:19:14 | 0:19:16 | |
They know where my son is. | 0:19:17 | 0:19:20 | |
Could you, could you at least recommend someone? | 0:19:20 | 0:19:23 | |
You better leave before he finds a way to really hurt you. | 0:19:23 | 0:19:27 | |
But I can't leave my baby. | 0:19:27 | 0:19:30 | |
Why do you assume these children must be lying? | 0:19:41 | 0:19:44 | |
Do children always lie? | 0:19:44 | 0:19:45 | |
They've all had an absence of love | 0:19:45 | 0:19:47 | |
and they have every right to be angry about that. | 0:19:47 | 0:19:49 | |
It's most natural for them to attack the one figure in their life | 0:19:49 | 0:19:52 | |
that imposes authority and discipline. | 0:19:52 | 0:19:54 | |
Oh, did you know Mr Cribben before he came here? | 0:19:54 | 0:19:56 | |
I don't think it's your place to review his credentials | 0:19:56 | 0:19:58 | |
-or his character. -Is it impossible for you to conceive the idea | 0:19:58 | 0:20:02 | |
that children may be mistreated? | 0:20:02 | 0:20:04 | |
As you were? | 0:20:04 | 0:20:06 | |
It seems your unfortunate experience has coloured your outlook. | 0:20:06 | 0:20:09 | |
You see injustice everywhere | 0:20:09 | 0:20:11 | |
and what everyone else sees is an orphanage correctly run | 0:20:11 | 0:20:14 | |
for the benefit of those children's moral education. | 0:20:14 | 0:20:17 | |
This is not about me. | 0:20:17 | 0:20:18 | |
You should look to your own moral failings | 0:20:18 | 0:20:20 | |
before you impugn Mr Cribben's. | 0:20:20 | 0:20:22 | |
My moral failings? | 0:20:22 | 0:20:24 | |
It's understandable that your deformity has made you | 0:20:24 | 0:20:26 | |
enthusiastic for any male attention. | 0:20:26 | 0:20:28 | |
But you should consider yourself fortunate | 0:20:30 | 0:20:32 | |
that Mr Judd has been removed. | 0:20:32 | 0:20:34 | |
Perhaps you can take this opportunity | 0:20:34 | 0:20:36 | |
and reflect on how a Christian woman conducts herself. | 0:20:36 | 0:20:39 | |
This is how a Christian woman conducts herself. | 0:20:40 | 0:20:43 | |
If any of those children come to harm, I'm coming after you. | 0:20:43 | 0:20:47 | |
Get that beam secured! | 0:21:05 | 0:21:07 | |
I went to Gus's previous orphanage before they moved out of London | 0:21:14 | 0:21:17 | |
and they told me he'd had an accident. | 0:21:17 | 0:21:19 | |
They refused to talk to me about it. Do you recognise him? | 0:21:19 | 0:21:23 | |
Yes. Yes, he sustained a head injury during a raid. | 0:21:23 | 0:21:27 | |
He made a full recovery as far as I know. | 0:21:27 | 0:21:29 | |
Could that injury have changed him? | 0:21:29 | 0:21:31 | |
We're just worried it may have made him more short-tempered. | 0:21:31 | 0:21:34 | |
Less suitable for working with children. | 0:21:34 | 0:21:36 | |
Can I have a look at your brother again? | 0:21:36 | 0:21:38 | |
He came in for a few weeks after we treated him. | 0:21:41 | 0:21:44 | |
Concussion, as you'd expect. Tinnitus. Ringing in the ears. | 0:21:44 | 0:21:47 | |
I can't tell you much about his humour. | 0:21:47 | 0:21:50 | |
If I was worried about his peace of mind | 0:21:50 | 0:21:52 | |
and thought he might be a danger to children, | 0:21:52 | 0:21:54 | |
how would I go about confirming that? | 0:21:54 | 0:21:56 | |
Well, if you're his next of kin, you can have him sectioned, | 0:21:56 | 0:21:59 | |
if a doctor agrees. | 0:21:59 | 0:22:00 | |
But you need evidence, you can't just do it on a whim. | 0:22:00 | 0:22:03 | |
Did you treat anyone else from the orphanage? | 0:22:03 | 0:22:05 | |
-Any children with injuries? -All sorts of injuries. | 0:22:05 | 0:22:08 | |
Consistent with being at war, or with being children? | 0:22:08 | 0:22:10 | |
How about staff, were there any other...? | 0:22:10 | 0:22:12 | |
Miss Cribben, I've got people with their arms and legs blown off. | 0:22:12 | 0:22:15 | |
I don't have time to cry about kids who get clipped round the ear. | 0:22:15 | 0:22:18 | |
Does he still have that little German boy? | 0:22:27 | 0:22:30 | |
He blamed that boy for his injury. | 0:22:30 | 0:22:32 | |
He was out on the streets looking for him, | 0:22:32 | 0:22:34 | |
after he ran away one time, and that's when the bomb hit him. | 0:22:34 | 0:22:38 | |
Did you ever see any signs of injury on the children? | 0:22:38 | 0:22:41 | |
Could never say for sure. | 0:22:41 | 0:22:42 | |
Kids are always full of bumps and scratches. | 0:22:42 | 0:22:44 | |
He's an expert at this. | 0:22:44 | 0:22:46 | |
I don't know how I'll ever expose him without any physical evidence. | 0:22:46 | 0:22:50 | |
One of the children told me he keeps a ledger. | 0:22:50 | 0:22:53 | |
He used to write down all the punishments. | 0:22:53 | 0:22:55 | |
He used to terrify them with it. | 0:22:55 | 0:22:56 | |
Why didn't you tell the authorities about it? | 0:22:56 | 0:22:59 | |
I did. You've seen what they're like. | 0:22:59 | 0:23:02 | |
But maybe if it came from someone who worked there. | 0:23:02 | 0:23:05 | |
-If you could find it. -I'll find it. | 0:23:05 | 0:23:08 | |
I'll get it published in the local newspaper if I have to. | 0:23:08 | 0:23:11 | |
He didn't just beat the kids on a nightly basis, he kept a logbook. | 0:23:39 | 0:23:43 | |
Look at the amount of strokes he's dishing out. | 0:23:43 | 0:23:46 | |
By the end, he was giving, like, 40 lashes for crying in their sleep. | 0:23:46 | 0:23:50 | |
There's one poor kid who gets the brunt of it. | 0:23:50 | 0:23:54 | |
What's he supposed to have done? | 0:23:54 | 0:23:56 | |
I think the clue's in the name. | 0:23:56 | 0:23:59 | |
What are you looking for? | 0:24:05 | 0:24:07 | |
Two of them were never found. | 0:24:07 | 0:24:09 | |
Their bodies were washed out to sea through the well. | 0:24:09 | 0:24:12 | |
-Stefan Rosenbaum and Maurice Stafford. -Bodies? | 0:24:12 | 0:24:15 | |
Crickley Hall was an orphanage in World War Two for evacuees. | 0:24:15 | 0:24:19 | |
The orphans drowned in the 1943 flood, in this house. | 0:24:19 | 0:24:22 | |
Maurice...he's not here. | 0:24:24 | 0:24:26 | |
Cribben never laid a finger on him, took everything out on Stefan. | 0:24:26 | 0:24:29 | |
What's this got to do with Cameron? | 0:24:29 | 0:24:31 | |
Do you think that I want to be here talking to drowned children! | 0:24:31 | 0:24:35 | |
I can't let him down again, Gabe! Don't make me... | 0:24:35 | 0:24:37 | |
OK. OK. OK. I'm sorry. I'm sorry. | 0:24:37 | 0:24:41 | |
I don't know about ghosts, love, but this house is pretty sick. | 0:24:44 | 0:24:50 | |
I mean, the more we look into it, the worse it gets. | 0:24:50 | 0:24:53 | |
Are you sure that it's Cameron you're feeling? | 0:24:53 | 0:24:57 | |
I mean, how old was Stefan? | 0:24:57 | 0:24:59 | |
He was six. | 0:25:00 | 0:25:02 | |
Well then, maybe it's him you're feeling. Maybe you read something. | 0:25:02 | 0:25:08 | |
What did he say? | 0:25:11 | 0:25:14 | |
Mummy, I'm not dead. | 0:25:14 | 0:25:16 | |
OK, um, what... what do you want to do? | 0:25:24 | 0:25:28 | |
No, I don't want to, | 0:25:28 | 0:25:29 | |
but I think I should sleep down here where I heard him. | 0:25:29 | 0:25:33 | |
Maybe he'd try again. | 0:25:33 | 0:25:36 | |
Can you not just allow yourself to believe this, even for a minute? | 0:25:36 | 0:25:40 | |
I don't know what's worse. | 0:25:40 | 0:25:42 | |
The idea that he's dead or the idea that he's alive somewhere | 0:25:42 | 0:25:45 | |
and he can speak to you but we can't, we can't reach him. | 0:25:45 | 0:25:49 | |
It doesn't get worse than dead. | 0:25:49 | 0:25:50 | |
So nothing weird happened while I was out? | 0:26:00 | 0:26:02 | |
Weird for here, no. | 0:26:02 | 0:26:05 | |
-KNOCKING -Enter. | 0:26:11 | 0:26:13 | |
I wonder how many beatings will it take? | 0:26:22 | 0:26:25 | |
It seems your heart is made of stone. | 0:26:27 | 0:26:30 | |
I wonder, what will it take to correct you? | 0:26:34 | 0:26:39 | |
Well, let us pray. | 0:26:43 | 0:26:45 | |
You to your God | 0:26:46 | 0:26:50 | |
and me to mine. | 0:26:50 | 0:26:52 | |
BOY CRIES OUT | 0:27:03 | 0:27:05 | |
THE BOY'S CRIES RING OUT DUE TO THE INCESSANT CANING | 0:27:07 | 0:27:12 | |
BOY SHRIEKS | 0:27:14 | 0:27:15 | |
(I'm here, baby.) | 0:28:23 | 0:28:25 | |
What if he comes to get Mum? | 0:28:37 | 0:28:39 | |
Hey, the man's not real, remember. | 0:28:39 | 0:28:42 | |
-Yes, he is. -OK, look. He can't touch us. | 0:28:42 | 0:28:48 | |
-Because he's a ghost, right? -He can still touch you. | 0:28:48 | 0:28:51 | |
CREAKING | 0:28:52 | 0:28:56 | |
RATTLING | 0:29:18 | 0:29:21 | |
SHE SCREAMS | 0:29:27 | 0:29:29 | |
I can't help you! | 0:29:37 | 0:29:38 | |
That doctor you saw in London called up Mr Cribben. | 0:29:48 | 0:29:51 | |
If I were you, I'd get the next train back | 0:29:51 | 0:29:53 | |
cos they could prosecute you for impersonating his sister. | 0:29:53 | 0:29:56 | |
Do you want them to get sent back to London? | 0:29:56 | 0:29:59 | |
You'd rather those little ones got blown to smithereens? | 0:29:59 | 0:30:02 | |
Do you want to stop everybody in London | 0:30:02 | 0:30:04 | |
from evacuating their children? | 0:30:04 | 0:30:06 | |
My old man gave me the strap every night and I'm thankful of it! | 0:30:06 | 0:30:10 | |
Are there any letters for me? | 0:30:11 | 0:30:13 | |
I said that you'd left and you didn't leave no address. | 0:30:13 | 0:30:16 | |
He can do better than you. He wrote me what he's been up to. | 0:30:18 | 0:30:23 | |
He's practically engaged. | 0:30:23 | 0:30:25 | |
Believe it or don't. I'm not the post office. | 0:30:29 | 0:30:32 | |
You go your own way now, Miss. | 0:30:35 | 0:30:36 | |
"Darling Percy, | 0:30:48 | 0:30:50 | |
"you'd better not send any more letters to me at your mother's. | 0:30:50 | 0:30:54 | |
"I've got a very nice room at Horsey now | 0:30:59 | 0:31:01 | |
"and you should write me at the post office there. | 0:31:01 | 0:31:04 | |
"I've had an idea how I can get the children out of Crickley Hall | 0:31:06 | 0:31:10 | |
"but I won't put it into writing. I don't want to get you into trouble. | 0:31:10 | 0:31:14 | |
"One day this will all be over. | 0:31:14 | 0:31:17 | |
"We'll look back and wonder | 0:31:17 | 0:31:19 | |
"how people could ever have been so cruel to each other. | 0:31:19 | 0:31:22 | |
"We'll have our own children and we'll smother them with love. | 0:31:22 | 0:31:25 | |
"You'll make the most wonderful father. | 0:31:25 | 0:31:29 | |
"Every time I think of you it keeps me strong." | 0:31:29 | 0:31:32 | |
PHONE RINGS | 0:31:57 | 0:31:59 | |
'Lili. It's Percy. I know it's late. | 0:32:10 | 0:32:13 | |
'I'm sorry to disturb you after so long.' | 0:32:13 | 0:32:16 | |
You're delighted. | 0:32:16 | 0:32:18 | |
You found someone else to wallow in the past with you. | 0:32:18 | 0:32:21 | |
I've met her. The answer's no. | 0:32:21 | 0:32:22 | |
She lost her son, Lili. | 0:32:22 | 0:32:25 | |
Yeah. Well, we've all got a sob story. | 0:32:25 | 0:32:29 | |
I've moved on with my life, I suggest you do the same. | 0:32:29 | 0:32:32 | |
'The orphans can't move on' | 0:32:32 | 0:32:34 | |
unless someone helps them. | 0:32:34 | 0:32:35 | |
BUS HORN BEEPS | 0:32:46 | 0:32:48 | |
DOORBELL RINGS | 0:33:14 | 0:33:15 | |
No promises. | 0:33:21 | 0:33:22 | |
I'm here in case what you heard can help the orphans. | 0:33:24 | 0:33:27 | |
Thank you. | 0:33:28 | 0:33:30 | |
Are you ready to face the possibility | 0:33:30 | 0:33:32 | |
that your son might be dead? | 0:33:32 | 0:33:35 | |
Yes. | 0:33:35 | 0:33:36 | |
No. | 0:33:38 | 0:33:40 | |
That sounds about right. | 0:33:40 | 0:33:42 | |
Gabe, this is Lili. | 0:33:42 | 0:33:45 | |
She's come to take a look at the house. | 0:33:45 | 0:33:49 | |
I'm guessing not in a structural engineer sort of way. | 0:33:49 | 0:33:51 | |
No, she's a medium. She's been here before. | 0:33:51 | 0:33:54 | |
Oh, yeah, past life? | 0:33:54 | 0:33:55 | |
I tried to find some answers once before. | 0:33:55 | 0:33:57 | |
Better luck this time. Maybe start by looking for the dog. | 0:33:57 | 0:34:00 | |
I'm sorry. | 0:34:00 | 0:34:01 | |
She went through a lot to come back here. | 0:34:01 | 0:34:03 | |
Oh, yeah, I bet. How much? | 0:34:03 | 0:34:04 | |
She doesn't charge. The proper ones never do. | 0:34:04 | 0:34:07 | |
The proper ones? That'd be industry certified ones, yeah(?) | 0:34:07 | 0:34:10 | |
Take Cally, drive Loren to school. | 0:34:10 | 0:34:11 | |
You know I can't take Cally to work with me. | 0:34:11 | 0:34:13 | |
Don't go to work. | 0:34:13 | 0:34:14 | |
-I don't want them in the house when we do this. -Do what? | 0:34:14 | 0:34:17 | |
Actually, do you know what, I don't want to know. | 0:34:17 | 0:34:20 | |
Don't you want to hear him? Don't you want me to hear him? | 0:34:20 | 0:34:22 | |
-No. Not like this. -We want him to be alive. | 0:34:22 | 0:34:24 | |
But he's dead, Eve! When you're dead you're gone! | 0:34:24 | 0:34:26 | |
And no matter how much you dream about him | 0:34:26 | 0:34:29 | |
or you smell him or you hear him... | 0:34:29 | 0:34:31 | |
When you're dead you're gone. | 0:34:33 | 0:34:35 | |
You should go. | 0:34:42 | 0:34:44 | |
Lili says I'm tired all the time because of the ghosts. | 0:34:48 | 0:34:51 | |
They feed off energies of girls my age, she's seen it loads of times. | 0:34:51 | 0:34:54 | |
Move into a haunted house and you wake them up. | 0:34:54 | 0:34:57 | |
You lost your son in this house. What changed your mind? | 0:34:59 | 0:35:03 | |
Don't say lost. My son was killed in this house. | 0:35:03 | 0:35:07 | |
Cribben killed my son and that was the last time I talked to the dead. | 0:35:07 | 0:35:12 | |
You've stirred things up. | 0:35:16 | 0:35:18 | |
But your husband isn't going to be much use. | 0:35:21 | 0:35:23 | |
We're both doing our best. | 0:35:23 | 0:35:25 | |
I'm going to need something of your son's to work with. | 0:35:26 | 0:35:29 | |
He's not dead, it's the children that you need to reach. | 0:35:29 | 0:35:31 | |
Let me be the judge of that. Have you got something? | 0:35:31 | 0:35:34 | |
I'll be careful with it. | 0:35:50 | 0:35:52 | |
Cameron? | 0:35:57 | 0:36:00 | |
Cam. | 0:36:00 | 0:36:01 | |
"Verily, I say unto you, except he be converted | 0:36:08 | 0:36:12 | |
"and become as little children, | 0:36:12 | 0:36:14 | |
"ye shall not enter the Kingdom of Heaven. | 0:36:14 | 0:36:17 | |
"Whosoever therefore shall humble himself as this little child, | 0:36:17 | 0:36:21 | |
"the same is greatest in the Kingdom of Heaven. | 0:36:21 | 0:36:25 | |
"And who so shall receive one such little child in my name | 0:36:25 | 0:36:29 | |
"receiveth me, but who so shall offend | 0:36:29 | 0:36:32 | |
"one of these little ones which believe me, | 0:36:32 | 0:36:35 | |
"it would better for him that a millstone were hanged | 0:36:35 | 0:36:38 | |
"about his neck and that he were drowned in the depth of the sea." | 0:36:38 | 0:36:42 | |
Would you wait there for one moment, please? Sit quietly. | 0:36:47 | 0:36:51 | |
Miss Cribben, I wanted to offer my apologies for my behaviour | 0:36:51 | 0:36:57 | |
when I was in your service. | 0:36:57 | 0:37:00 | |
I hope you can find it in your heart to accept. | 0:37:00 | 0:37:02 | |
-I can. -I wanted to explain how it happened. | 0:37:02 | 0:37:05 | |
That's not necessary. I accept your apology. | 0:37:05 | 0:37:07 | |
I was badly treated in my own orphanage and it caused me | 0:37:07 | 0:37:10 | |
to overreact, shamefully, and to blame innocent people. | 0:37:10 | 0:37:14 | |
Are you sure you were badly treated? | 0:37:14 | 0:37:16 | |
Are you sure you didn't richly deserve it? | 0:37:16 | 0:37:19 | |
It's fair you should ask that. | 0:37:20 | 0:37:22 | |
You're right. I should apologise to them also. | 0:37:22 | 0:37:26 | |
I will do on my return to London. | 0:37:26 | 0:37:29 | |
I just came back to collect my things. | 0:37:29 | 0:37:31 | |
I don't think you came back to apologise. | 0:37:34 | 0:37:36 | |
I don't believe you're sorry in the slightest. | 0:37:36 | 0:37:39 | |
I can't fathom this new strategy, but I can assure you it will fail. | 0:37:39 | 0:37:45 | |
I just wanted to say goodbye to the children | 0:37:45 | 0:37:48 | |
and to impress upon them the wisdom of your method. | 0:37:48 | 0:37:51 | |
-Goodbye, Miss Linnet. -Please. | 0:37:51 | 0:37:53 | |
No spite of yours will ever reach their ears. | 0:37:53 | 0:37:55 | |
If I see you near them, I will inform the police. | 0:37:55 | 0:37:58 | |
Maurice, would you lead them out? | 0:37:58 | 0:38:01 | |
I do hope everything's all right, Miss Cribben? | 0:38:05 | 0:38:07 | |
I believe so. You made a beautiful choice today. | 0:38:09 | 0:38:13 | |
Do pass on my fondest wishes to your brother. | 0:38:13 | 0:38:16 | |
I do hope he's well enough to attend next Sunday. | 0:38:16 | 0:38:19 | |
God willing. | 0:38:19 | 0:38:20 | |
If we're going to be here for a couple of months, | 0:38:22 | 0:38:25 | |
I suppose I'd better say sorry. | 0:38:25 | 0:38:26 | |
Yeah, might not be a bad idea. It's a small town. | 0:38:26 | 0:38:30 | |
Her nan does the cleaning at Crickley Hall, | 0:38:30 | 0:38:31 | |
that's how she knew about us. You don't have to mean it. | 0:38:31 | 0:38:34 | |
-What are you talking about? -Nothing. | 0:38:34 | 0:38:36 | |
-Are we going to work? -Kind of. | 0:38:39 | 0:38:42 | |
Well, he's not answering. | 0:38:51 | 0:38:54 | |
That doesn't mean he's alive. | 0:38:54 | 0:38:56 | |
You need to ask the orphans. | 0:38:56 | 0:38:58 | |
Stefan. | 0:40:08 | 0:40:09 | |
There's someone. | 0:40:18 | 0:40:19 | |
They're in darkness. | 0:40:26 | 0:40:28 | |
They're lost. | 0:40:31 | 0:40:33 | |
Is it my son? | 0:40:36 | 0:40:38 | |
It is a boy. | 0:40:38 | 0:40:40 | |
He's weak. | 0:40:43 | 0:40:44 | |
Ask him. | 0:40:48 | 0:40:49 | |
His thoughts are so fragile. | 0:40:52 | 0:40:55 | |
I can't tell if it's his spirit or his mind. | 0:40:55 | 0:40:59 | |
He's afraid. | 0:41:03 | 0:41:05 | |
You tell him we love him. | 0:41:05 | 0:41:08 | |
Tell him we'll find him. | 0:41:08 | 0:41:10 | |
What's your name? | 0:41:10 | 0:41:13 | |
Why can't you? | 0:41:18 | 0:41:19 | |
BANGING | 0:41:21 | 0:41:22 | |
Please. | 0:41:25 | 0:41:28 | |
Don't cry. | 0:41:30 | 0:41:32 | |
Cam? | 0:41:32 | 0:41:34 | |
Don't cry. | 0:41:34 | 0:41:36 | |
I won't tell him. I promise. | 0:41:39 | 0:41:41 | |
CANE SWISHING AND BOY CRYING OUT IN GERMAN | 0:41:53 | 0:41:57 | |
Who's hurting him? Tell him to stop. | 0:42:00 | 0:42:03 | |
What are you doing here? | 0:42:05 | 0:42:08 | |
What do you know about Cameron? | 0:42:14 | 0:42:16 | |
Tell me where he is. | 0:42:20 | 0:42:23 | |
Lili! | 0:42:30 | 0:42:31 | |
FOOTSTEPS APPROACHING | 0:42:34 | 0:42:37 | |
FOOTSTEPS APPROACHING | 0:42:42 | 0:42:46 | |
-IN BOY'S VOICE: -'Please, sir. I'll put it back.' | 0:42:53 | 0:42:56 | |
-MAN'S VOICE: -'He's mine!' | 0:42:56 | 0:42:57 | |
CANE SWISHING AND BOY SCREAMING | 0:42:57 | 0:43:00 | |
THUNDER RUMBLES | 0:43:03 | 0:43:07 | |
I'm so sorry she's latched on to you. | 0:43:07 | 0:43:09 | |
I thought maybe she'd read about us in the papers. | 0:43:09 | 0:43:12 | |
I'm not saying she's a fraud. | 0:43:12 | 0:43:13 | |
She had some kind of epileptic fit in there for sure, | 0:43:13 | 0:43:16 | |
but not because of ghosts. | 0:43:16 | 0:43:17 | |
Whether or not she believes in what she's pushing, | 0:43:17 | 0:43:19 | |
she's doing real damage now. | 0:43:19 | 0:43:21 | |
Tell your wife whatever Lili Peel says, there are no ghosts there. | 0:43:21 | 0:43:24 | |
Yeah, I have tried that. | 0:43:24 | 0:43:26 | |
No, it's been proven. | 0:43:26 | 0:43:28 | |
He was an expert on parapsychology. | 0:43:28 | 0:43:31 | |
He stayed a week inside that house | 0:43:31 | 0:43:34 | |
and did every kind of measurement you can think of. | 0:43:34 | 0:43:37 | |
It's official. There are no ghosts in Crickley Hall. | 0:43:37 | 0:43:42 | |
Fantastic. What's his name? | 0:43:42 | 0:43:45 | |
-Lili. -What happened? | 0:43:49 | 0:43:51 | |
One of the orphans was speaking through you. | 0:43:53 | 0:43:56 | |
And then Cribben came in. | 0:43:58 | 0:44:02 | |
They were terrified of him. | 0:44:02 | 0:44:03 | |
They still are. | 0:44:07 | 0:44:08 | |
Can you think of any reason why they're connected with Cameron? | 0:44:08 | 0:44:13 | |
Only the obvious one. I'm sorry. | 0:44:13 | 0:44:16 | |
How can we help them? | 0:44:18 | 0:44:20 | |
Cribben's spirit is still really strong. | 0:44:20 | 0:44:24 | |
Whatever drove him in life, it's even stronger in death. | 0:44:24 | 0:44:28 | |
-Was he insane? -If he wasn't before he died, he is now. | 0:44:28 | 0:44:32 | |
But we can't talk to the children until we get rid of him. | 0:44:32 | 0:44:36 | |
He's not interested in what I've got to say. | 0:44:36 | 0:44:38 | |
I'm so sorry to ask you this. | 0:44:40 | 0:44:42 | |
I wouldn't be. You know I'd ask anything to save my child. | 0:44:42 | 0:44:46 | |
Ask away. | 0:44:48 | 0:44:51 | |
You said we were going to find out about the ghosts. | 0:44:55 | 0:44:58 | |
Yeah, we are, babe. We're nearly there. | 0:44:58 | 0:45:01 | |
-I'm hungry. -No, you're not. | 0:45:01 | 0:45:04 | |
-When are we going home? -Er, right after this. | 0:45:04 | 0:45:07 | |
HE KNOCKS ON DOOR | 0:45:07 | 0:45:09 | |
Hi. I'm Gabe. | 0:45:09 | 0:45:12 | |
I'm very sorry. To lose a child... | 0:45:12 | 0:45:15 | |
Thank you, yeah. This is my little girl, this is Cally. | 0:45:15 | 0:45:20 | |
You're the one seeing all the ghosts? | 0:45:20 | 0:45:22 | |
I haven't seen them all. | 0:45:22 | 0:45:24 | |
Scientific mind, like her father. | 0:45:24 | 0:45:26 | |
Do you believe in ghosts? | 0:45:26 | 0:45:28 | |
That's an excellent question | 0:45:28 | 0:45:30 | |
to which the only quick answer I can give you is yes and no. | 0:45:30 | 0:45:35 | |
Dad, he's silly. | 0:45:35 | 0:45:36 | |
-Oi, you, behave yourself. -It's a rubbish answer. | 0:45:36 | 0:45:39 | |
I'll give you a better one on the road. | 0:45:39 | 0:45:42 | |
We already know there are ghosts. | 0:45:42 | 0:45:44 | |
Would you like to hear some of mine? | 0:45:44 | 0:45:47 | |
Oh, it's nothing too hard-core. Whispering mostly, some laughter. | 0:45:48 | 0:45:52 | |
How's that not ghosts? | 0:45:52 | 0:45:53 | |
They're just echoes of past events. | 0:45:53 | 0:45:55 | |
They're not trying to contact us. | 0:45:55 | 0:45:57 | |
There is something then? We're not going mad. | 0:45:57 | 0:46:00 | |
But there's no intelligence behind it, that's the point. No agenda. | 0:46:00 | 0:46:04 | |
No, it's when you bring vulnerable people, bereaved people, | 0:46:04 | 0:46:07 | |
into a place like that, it's like pouring petrol over embers. | 0:46:07 | 0:46:10 | |
Is that what happened ten years ago? | 0:46:10 | 0:46:12 | |
Crickley Hall already had a reputation by then. | 0:46:12 | 0:46:14 | |
I was desperate for a look | 0:46:14 | 0:46:16 | |
but I just got lumped in with every other weirdo. | 0:46:16 | 0:46:20 | |
Then your friend Percy persuaded a psychic to go in. | 0:46:20 | 0:46:23 | |
The worst possible idea. | 0:46:23 | 0:46:24 | |
Of course, she acted as an amplifier | 0:46:24 | 0:46:26 | |
and the whole lot blew up in her face. | 0:46:26 | 0:46:28 | |
Finally they called me. | 0:46:28 | 0:46:29 | |
But you couldn't get rid of the... | 0:46:29 | 0:46:32 | |
Not ghosts, what do you call it then? | 0:46:32 | 0:46:35 | |
History. | 0:46:35 | 0:46:37 | |
Mami... | 0:47:34 | 0:47:35 | |
IN TRANSLATION OF GERMAN: | 0:47:35 | 0:47:37 | |
SWISH OF CANE | 0:48:49 | 0:48:51 | |
SWISH OF CANE | 0:49:25 | 0:49:26 | |
SWISH OF CANE | 0:49:52 | 0:49:53 | |
SWISH OF CANE | 0:50:04 | 0:50:05 | |
SWISH OF CANE | 0:51:04 | 0:51:06 | |
SHE SCREAMS | 0:51:39 | 0:51:41 | |
She'll tell my brother. | 0:52:39 | 0:52:41 | |
SHE SCREAMS | 0:52:44 | 0:52:46 | |
Imagine what he'll do to you. | 0:53:07 | 0:53:10 | |
Maurice, you don't have to do this. | 0:53:23 | 0:53:25 | |
-Maurice. -Don't let her do this to you. | 0:53:30 | 0:53:32 | |
Before he hears her! | 0:53:32 | 0:53:34 | |
She gave us no choice. | 0:54:02 | 0:54:04 | |
God will forgive us. | 0:54:11 | 0:54:13 | |
What happened? | 0:54:35 | 0:54:36 | |
I'm sorry. Please tell him I won't do it again. | 0:54:36 | 0:54:39 | |
I'll be good. Please tell him. | 0:54:39 | 0:54:42 | |
She saw a man with a cane. | 0:54:48 | 0:54:50 | |
Mum, I don't want to stay here. | 0:54:50 | 0:54:52 | |
This is the last night, I promise. | 0:54:53 | 0:54:56 | |
We'll stay together no matter what happens. | 0:54:56 | 0:54:59 | |
I'm going to try and reach the children. | 0:54:59 | 0:55:02 | |
I want some time alone with them. | 0:55:02 | 0:55:03 | |
What if Cribben comes? | 0:55:03 | 0:55:05 | |
What if he does? What are you going to do about it? | 0:55:05 | 0:55:09 | |
Is she the one you punched? | 0:55:17 | 0:55:19 | |
She was telling lies about us. | 0:55:19 | 0:55:21 | |
You can't smack everyone who takes a pop at my mothering skills. | 0:55:21 | 0:55:25 | |
-It's my fault this happened. -Well, by the looks of it, | 0:55:25 | 0:55:28 | |
it couldn't have happened to a nicer person. | 0:55:28 | 0:55:30 | |
-Good morning, Miss Linnet. -Good morning. | 0:55:50 | 0:55:53 | |
Just give me a moment, yeah? | 0:56:04 | 0:56:06 | |
Eve, this is Gordon Pyke. | 0:56:54 | 0:56:57 | |
He's an expert on Crickley Hall. | 0:56:57 | 0:56:59 | |
My son spoke to me. | 0:57:03 | 0:57:05 | |
He isn't a memory, or an echo. | 0:57:05 | 0:57:07 | |
Eve, I have information about your son. | 0:57:07 | 0:57:11 | |
WHACKING AND SCREAMING | 0:57:11 | 0:57:12 | |
Nancy died trying to protect those children. | 0:57:12 | 0:57:14 | |
They still need rescuing. | 0:57:14 | 0:57:17 | |
Can you hear me? | 0:57:17 | 0:57:19 | |
I'm taking over where she left off. | 0:57:19 | 0:57:21 | |
If you care about your children, you'll take them home. | 0:57:21 | 0:57:24 | |
If anything happens now, it'll be on your head. | 0:57:24 | 0:57:27 | |
Don't go to sleep. | 0:57:27 | 0:57:29 | |
I promise. | 0:57:29 | 0:57:30 | |
Do you have sedatives? | 0:57:32 | 0:57:33 | |
Just one more child... | 0:57:37 | 0:57:39 | |
Go! | 0:57:39 | 0:57:42 | |
..and he'll be at peace. | 0:57:42 | 0:57:44 | |
-SHE SCREAMS -Loren! | 0:57:44 | 0:57:47 | |
SHE SCREAMS | 0:57:47 | 0:57:49 | |
Subtitles by Red Bee Media Ltd | 0:58:12 | 0:58:15 |