Episode 6 The Village


Episode 6

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Transcript


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This programme contains some strong language

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He's going to speak again.

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And when he does, he'll tell us why he was there.

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And what he saw.

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He wanted nothing to do with the trespass,

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so why would he even be there?

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I don't know.

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Right, ready?

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Easy...

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That's it.

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Try and put these in order.

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Start at the beginning.

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Here.

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My father came to see me. He is being relocated.

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So I'll finish this and then I'll be leaving the village.

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Sit with me.

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The day before I came here, I saw an old man

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and an old lady sitting on a bench on the station platform.

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They didn't know each other.

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I wanted to pick up her hand and put it in his.

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But you didn't.

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I did.

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What happened?

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They got on the train. He helped her up onto the carriage.

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Happy ever after.

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What is it, Bert?

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I want my father back.

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He's getting better. Isn't he?

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I, I want him back and...I don't want him back.

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I don't understand.

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Ask my mother.

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Bert?

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I don't know what you're saying.

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But I know that your mother is a good woman.

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I'd better go.

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This is your home now.

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You can be yourself here.

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You've...

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Oh. Yes, er... Off duty.

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Give me that. You go on up.

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FOOTSTEPS ON STAIRS

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You remember Joy? Married love.

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Advice on, er...

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'It's all upside down.'

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The world.

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She's gone, you know, Martha, wretched woman.

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And to think she's teaching our children!

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Count the horrors. It's a plague of scandals.

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Try to think of them as embarrassments or awkwardnesses, Mother.

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My son in bed with a housemaid in a public house.

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A divorce case looming, the humiliation of that trial.

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-Awkwardnesses, Edmund?

-Well, I think George...

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The sex instinct is powerful and, and, and, and it's, it's

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wholesome, but when it's misaligned the consequences are terrible.

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-Mother.

-And there's too much misalignment in this house.

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I mean, look to yourself, Edmund.

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Homosex is filthy and perverted, is it not?

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When the urge comes, can't you just...think of something else?

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Such as?

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Me?

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SHE CHUCKLES

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HE LAUGHS

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Please.

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Please.

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You want an heir.

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You already have one.

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My son.

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Oh.

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Mother?

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Look, there is no such child.

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There will be no divorce,

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and you will give me a grandchild.

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Why don't you want children?

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They make me think about death.

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Death?

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Well, they come after us.

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They move us along the shelf, closer to the big drop at the end.

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But they're the part of us that we leave behind when we're gone.

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Bloodline, Harry.

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I want to live a deep, full life, I don't want a child in my way

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and I don't want to think about afterwards.

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I want to dance, all the way along the shelf,

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and then fall off still dancing.

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-What are you talking about?

-20th century.

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-Well, I won't have it.

-I don't think you have a choice.

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My children are in pain!

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And each of them has been hurt by modern times.

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I'm not going to stand by and watch them suffer.

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What are you going to do?

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Save them!

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Who first?

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George, I think.

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May I make a suggestion?

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That we pay a visit to Martha.

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Wicked Martha.

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DOOR OPENS

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Bairstow?

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What the hell do you want?

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Your help.

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HE CHUCKLES

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With what?

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A reservoir.

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The blue.

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The village?

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The village!

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You want to flood the village?!

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Dirty water kills.

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Sheffield has dirty water.

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People die because they don't have clean water.

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This reservoir would give it to them.

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There are some things sacred and beyond argument.

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This land, our heritage, our history.

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You can't touch any of them.

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Goodbye, Mr Gibby.

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DOOR OPENS AND SHUTS

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You teach them hopscotch, I hear.

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Mrs Allingham wasn't available?

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No.

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No. Otherwise engaged, no doubt.

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Well, why don't you show us?

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Hmm?

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Hopscotch. I don't think I can remember how.

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But you, it seems, have a talent for teaching the fairer sex

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how to hop about,

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Mr... I don't know what to call you.

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My daughter-in-law's special friend.

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Or...Mrs Allingham's gentleman companion. Or...

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He's my lover.

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No more lies and half truths.

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Martha.

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Let her hear it. Let everyone hear it, because it's true.

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There's been too much not talking.

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Well, one consequence of your... talking...

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Harriet, why don't you tell them?

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For the law to allow a divorce there has to be an innocent party

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and a guilty party.

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George with the maid in The Lamb - not innocent.

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You with Mr Eyre -

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not innocent.

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Two guilty parties.

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No divorce without a victim, I'm afraid, Mrs Allingham.

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We'll see you back at the house.

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George is waiting.

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BELLS CHIME

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MURMUR OF CONVERSATION

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Hello.

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INAUDIBLE

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What did your father do?

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Why?

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Just asking.

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No, you're not.

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You don't like it when it's you being asked the questions, do you?

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I wonder why that is.

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He died young.

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How young?

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I was a baby.

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What did he die from?

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What do you want, Gibby?

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He listens to you, Allingham, doesn't he?

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It's my job.

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Is that it? Is that all?

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Because this reservoir would mean the difference between

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life and death to the poor families of Sheffield.

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Remember who you are.

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He didn't have the courage

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to come back for the trial. Oh, no.

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Fancy speeches leading the people on and disappears

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when the going gets tough.

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So why is he here now?

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I don't pretend to know but I think

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Grace Middleton just might be the person to ask.

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-Yes.

-Don't you?

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Er, how can I help you?

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I'll have a banana.

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-One banana?

-Please.

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Er, please don't do that.

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What?

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Eating in a public place.

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Oh, well done, Agnes.

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Thank you.

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And you are a very lucky girl.

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Imagine having a grandmother with a shop!

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Does Granny give you gobstoppers?

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I may be a grandmother!

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But I am also with child.

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Norma, have I just heard right?

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Yes...

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I'm going to be a mother.

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Come here!

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Come here!

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Ah, we're going to have a baby!

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Remember when you said that you could swim to the other side

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and Edmund said you couldn't?

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And you did.

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Another time.

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Well, I wanted to swim after you, but Mother wouldn't let me.

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CHICKENS CLUCK

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Hello?

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FOOTSTEPS ON STAIRS

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It's been ten years.

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I try to imagine what he would look now if I could remember what

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he looked like when he was a baby,

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but I can't, I can't picture my own son, then or now.

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His eyes, maybe. What about the colour of his eyes?

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His hair?

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I can't remember, but I want him back.

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-Well, could you not find him?

-They won't tell me where he is.

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You could find out.

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Erm, there must be records and a woman in your position...

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Date of birth, name...

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I, I don't know his name.

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My family never mentioned him and I'm not allowed to speak about him.

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He doesn't exist.

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So I promised myself I wouldn't say his name out loud

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until I can say it to him.

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Why did you come now?

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I just wanted to make sure that you would want to see him.

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See him?

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There isn't a day goes by without me longing to see him.

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There's a bond between a mother and her child that does not break.

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Doesn't matter who wants to break it or why - it cannot...

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It will not be broken.

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A mother has no choice in that.

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It's there - deeper than memory.

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I'm sorry, I'm not helping you. I don't know how to help.

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Oh, you have.

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George is saved. I was brilliant.

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It'll be me next.

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Darlings, you missed your honeymoon.

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Caro!

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I want my son back.

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-She's overwrought.

-What's the answer to her question?

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I think it's best for everyone if we let that one lie.

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Everyone, meaning you. Is it best for Caro?

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It's in the best interests of the child.

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An illegitimate child doesn't want to know he's illegitimate,

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does he?

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Very probably he's a degenerate.

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Why? Because his mother is?

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Passed on from slut mother to bastard son.

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Don't you ever speak about my sister like that! Ever again!

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It's what you were saying - only you dress it up in fine words.

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What are you frightened it'll be?

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An invert, or a hypocrite?

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Or both? Oh, no, no, then he'd be you, wouldn't he,

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Home Secretary?

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You're forgetting yourself, Bairstow.

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Might be worth remembering where you came from and where

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I could send you back to.

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The Mission Of Hope. Speak to the woman who runs it.

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And test the tightness of their security.

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I'm starting to think that you're unbeatable.

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Thank you.

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I don't know what to do.

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Resign.

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Give up.

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I've won.

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DOOR OPENS

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Martha? What is it?

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-The law.

-What about it?

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It says there'll be no divorce.

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It insists that a marriage that nobody

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apart from Lady Allingham wants must carry on.

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I'm trapped.

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No, you're not.

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Go. Just go somewhere.

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Anywhere. Leave the village and the Allinghams far behind you.

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Five, four, three, two, one.

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Good.

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I'm sorry.

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HE TRIES TO SPEAK

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Again?

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INDISTINCT

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INDISTINCT

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Buh.

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Good.

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Muh.

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Good.

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Fuh.

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Good.

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Mother.

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Talk to me.

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THUNDER RUMBLES

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You saw it.

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His anger with her. And...

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And he wouldn't even try to...

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To what?

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To say it.

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To say what?

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Her name!

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He wouldn't say her name, Phoebe.

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Is she a repeater?

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I'm sorry?

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Four or five times some of our mothers come back to us.

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No, she's not a repeater.

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And I didn't ask you here to give me a lesson on morality.

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Oh.

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Not my cup of fucking tea, frankly, Mrs Winkworth.

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Why am I here?

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What if a mother wants her child back?

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What if she's changed her mind about giving it up?

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You will understand we have to guarantee to adopting parents

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that a natural mother will not...

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£1,000.

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FLOORBOARDS CREAK

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I want you to talk to Caro.

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It has to be you because you're the one she listens to.

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She has to be told to forget her son.

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It's eating her up. She must be free of it.

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Make it final, George.

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Leave no room.

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Martha said I could trust you.

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Did she?

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Who knows where he is, my son?

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-Edmund?

-There's something... nobody has told you.

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What is it, George?

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He died. Your son.

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A year ago.

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I'm so sorry, Caro,

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you must forget him.

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FOOTSTEPS ON STAIRS

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George?

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Done?

0:25:110:25:12

Well, it's for the best. How is she?

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Christ, what's that?

0:25:200:25:22

Mission Of Hope? Mission of hard noses, more like.

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She didn't tell you where the boy had gone?

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I offered her £1,000, she didn't even blink.

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Well, then, we're safe.

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Who does know?

0:25:360:25:38

Me.

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The oldest first.

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Do you remember... what happened before you were hit?

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What did you see?

0:26:120:26:13

Caro!

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Caro!

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No, don't!

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Caro! Don't!

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Caro! Caro!

0:28:060:28:08

Caro! Bairstow!

0:28:320:28:35

Caro!

0:28:350:28:37

Come on, man!

0:28:550:28:56

Caro?

0:29:030:29:05

Caro! No, no, no, no...

0:29:070:29:10

Caro! Caro!

0:29:100:29:12

Caro!

0:29:120:29:13

Cough it up.

0:29:170:29:19

SHE SPLUTTERS

0:29:190:29:21

Don't tell Mummy.

0:29:250:29:27

DOOR OPENS

0:29:380:29:39

How is she?

0:29:490:29:50

How is she?

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I know where he is.

0:30:140:30:16

CHILDREN SINGING

0:30:210:30:24

There are teaching posts in Chesterfield...and Sheffield.

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No.

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HE SIGHS

0:30:400:30:41

What?

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Africa.

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Yes! Yes, yes.

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When?

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HAMMERING

0:31:030:31:05

'You taught me everything.'

0:31:270:31:29

You made me feel like I could be someone.

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We were in a cell together, and you didn't tell me.

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I'm so sorry.

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Is that all?

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I lied to you and I've been weak.

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And I'm proud of neither and I will regret it for the rest of my life.

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You've come for my forgiveness.

0:31:590:32:01

Yes, I have.

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I can't give it.

0:32:080:32:10

It'd just be another lie.

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And I can't do that.

0:32:120:32:13

You were like a brother to me.

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Bathhouse tonight.

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-But...

-I won't be here next week so take advantage of me now.

0:32:540:32:58

I'll sit with him.

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You're going.

0:33:020:33:03

The wall's almost finished.

0:33:060:33:07

When are you...?

0:33:070:33:09

Tomorrow.

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My son's the biggest fool in the world if he doesn't want you.

0:33:120:33:16

As you all know, I have special affection for this village.

0:33:370:33:43

It was my very great privilege to represent you in Parliament

0:33:430:33:47

for the ten months we were in power.

0:33:470:33:49

Why am I back here?

0:33:520:33:53

Well, I'm now the leader of Sheffield Council

0:33:530:33:56

and I bring you good news.

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-There will be hard times ahead.

-Good news!

0:33:590:34:02

And jobs and wages will matter more than they ever have.

0:34:020:34:06

My good news is, you will have them.

0:34:060:34:09

There is a new reservoir to be made.

0:34:110:34:12

Valve houses, a new aqueduct, a dam - all to be built.

0:34:120:34:17

Where they going to put it?

0:34:170:34:19

There are four different proposals.

0:34:210:34:23

The decision making process has some way to run.

0:34:230:34:26

I just wanted to let you into the good news early

0:34:260:34:28

so that you can plan a future.

0:34:280:34:29

APPLAUSE

0:34:290:34:31

Any questions, I'm here to take them, one-to-one.

0:34:340:34:37

Right, who's next?

0:34:440:34:45

You don't remember me.

0:34:520:34:54

Bert Middleton. What's your question, Bert?

0:34:540:34:56

Why would you remember me?

0:34:560:34:58

A boxer like you - of course I remember you.

0:34:580:35:00

How's your father doing? Has he spoken?

0:35:020:35:05

Not really.

0:35:050:35:06

I'm sorry.

0:35:060:35:08

Actually, he has started to speak.

0:35:100:35:13

Good. Good. And what did the doctor say?

0:35:130:35:18

He might recover full speech.

0:35:180:35:21

Well, that's wonderful.

0:35:230:35:24

Then we'll know about his memory.

0:35:250:35:27

He'll be able to tell us what happened that day. And why.

0:35:270:35:31

Very good.

0:35:330:35:35

So, have you got a question, Bert?

0:35:360:35:38

No.

0:35:390:35:40

-Night, girls.

-See you, Margaret.

0:36:280:36:30

Now if I were a gossip, the first thing I'd want to know is,

0:36:310:36:34

has Bill Gibby been up to Middleton Farm to see John Middleton?

0:36:340:36:37

No, he hasn't, Norma.

0:36:370:36:39

Hmm, then I'd want to know why not.

0:36:390:36:40

If you were a gossip.

0:36:400:36:42

John Middleton got his brain bashed in on Bill Gibby's protest lark

0:36:420:36:46

and he hasn't been to see him?

0:36:460:36:47

Why not?

0:36:470:36:49

Probably because he doesn't want to give you

0:36:490:36:51

any more feed for your gossip!

0:36:510:36:53

Right, then.

0:36:580:36:59

Where are you going?

0:37:010:37:02

The Lamb.

0:37:020:37:03

Norma Hankin is too stupid to do you any harm.

0:37:060:37:08

It's the men looking into their pint pots, muttering darkly.

0:37:090:37:14

They're the danger.

0:37:140:37:17

You're a good friend, Margaret Boden.

0:37:170:37:19

I've watched you grow into yourself, Grace.

0:37:230:37:25

You've said things that I never even knew that I thought

0:37:260:37:30

till I heard you say them.

0:37:300:37:31

I'll always be your friend, but I need you to carry on talking.

0:37:330:37:38

Oh, don't look at me like that.

0:37:400:37:44

You'll have us both crying in the street and then where will we be?

0:37:440:37:47

HUBBUB OF CONVERSATION AND LAUGHTER

0:37:530:37:55

HUBBUB DIES DOWN

0:38:010:38:03

Right!

0:38:030:38:04

Any loose talk you've got about Grace Middleton,

0:38:050:38:09

-will be heard by me.

-All right!

0:38:090:38:11

And if you can't say it in my hearing then it ain't worth

0:38:110:38:15

the breath that it come out on.

0:38:150:38:16

I'm all ears!

0:38:160:38:18

It's a bit more than ears, Margaret.

0:38:180:38:20

LAUGHTER

0:38:200:38:21

So much more, ducky. So much more.

0:38:240:38:29

Can I talk to you for a minute?

0:38:370:38:38

Just for a minute.

0:38:400:38:42

Up here.

0:38:430:38:44

Is John getting better?

0:38:470:38:48

Yes.

0:38:480:38:50

Cos Bert, he, er...

0:38:520:38:53

-Bert?

-He came to the meeting and he seemed...

0:38:530:38:55

What meeting? Why are you here?

0:38:550:38:57

It would cause me terrible political embarrassment if...

0:38:590:39:02

If what?

0:39:020:39:04

If your husband or your son were to say anything about you and me.

0:39:040:39:06

Nothing happened.

0:39:060:39:09

But your husband suspects and your son came to my meeting

0:39:090:39:12

and looked at me like he'd kill me given half a chance.

0:39:120:39:15

Why are you here?

0:39:150:39:17

CHATTER

0:39:170:39:19

She made me an offer.

0:39:190:39:21

Spit it out, Alf!

0:39:220:39:23

When the Middletons were in debt to me, she offered to pay me in kind.

0:39:260:39:31

That's a lie.

0:39:310:39:33

Beer tent, day of the boxing - she came and found me.

0:39:330:39:37

-Let's go.

-What?

0:39:390:39:42

You can put it to her, face-to-face like a man!

0:39:420:39:46

LAUGHTER

0:39:460:39:49

What's the matter, Alf? Have you lost your nerve?

0:39:490:39:53

-Ooh!

-Hey!

0:39:530:39:55

Come on, you lot!

0:39:580:39:59

# Blow the wind southerly, southerly, southerly

0:40:040:40:10

# Blow the wind south o'er the bonnie blue sea

0:40:100:40:15

# Blow the wind...

0:40:150:40:17

# Southerly, southerly, southerly

0:40:170:40:21

# Blow the wind south o'er the bonnie blue sea

0:40:210:40:25

# Blow the wind southerly, southerly, southerly

0:40:250:40:31

# Blow the wind south o'er the bonnie blue sea. #

0:40:310:40:35

I haven't told them yet.

0:40:350:40:38

Told them what?

0:40:380:40:40

The reservoir will be here.

0:40:410:40:43

-Right here.

-The village?

0:40:430:40:46

The people of Sheffield need clean drinking water, the slums...

0:40:460:40:49

You're going to drown the village?

0:40:490:40:51

It has to be.

0:40:510:40:52

You made this the centre of your political life,

0:40:520:40:57

you made me and everyone else...

0:40:570:40:58

If you could see what I've seen. The way these people suffer...

0:40:580:41:01

No, no, no! This is our land!

0:41:010:41:04

My family have lived here for hundreds of years.

0:41:040:41:08

This is all of us, all of me. Look at my hands.

0:41:080:41:13

-Grace.

-Look at them! Under my finger nails, under my skin.

0:41:130:41:16

You can't do this.

0:41:160:41:19

Look at them!

0:41:190:41:21

-Grace...

-You'd be drowning me.

0:41:210:41:23

Margaret. Margaret! Margaret!

0:41:380:41:43

MUTTERED REACTIONS

0:41:430:41:45

MAN: In broad daylight, with Bill Gibby? With your John and all.

0:41:490:41:52

In his bed.

0:41:520:41:53

Grace! You've got to come, now!

0:41:530:41:57

# Blow the wind southerly, southerly, southerly

0:42:040:42:08

# Blow the wind south o'er the bonnie blue sea

0:42:080:42:14

# Blow the wind southerly, southerly, southerly

0:42:150:42:19

# Blow the wind south o'er the bonnie blue sea. #

0:42:190:42:24

You've come back to us.

0:42:240:42:26

Talk to me, John. Hm?

0:42:280:42:31

Tell me what happened.

0:42:330:42:34

Father?

0:42:340:42:35

You were singing the words in the song clear as day.

0:42:380:42:41

Talk to me.

0:42:430:42:44

# Blow the wind southerly, southerly... #

0:42:490:42:52

I don't understand.

0:42:530:42:54

# Blow the wind southerly, southerly... #

0:42:540:42:57

If he can sing, he can speak.

0:42:590:43:01

-Bert.

-No!

0:43:010:43:02

Tuh.

0:43:130:43:15

Tuh.

0:43:150:43:16

Buh.

0:43:160:43:18

Buh.

0:43:180:43:19

Buh. Tuh.

0:43:190:43:22

Buh. Tuh.

0:43:220:43:23

Bur-tuh.

0:43:230:43:25

Bur-tuh.

0:43:250:43:26

Burt.

0:43:270:43:29

Burt.

0:43:300:43:31

What's my name?

0:43:360:43:37

I'm proud of him.

0:43:500:43:51

But he won't say your name. Why not?

0:43:540:43:57

-I don't know.

-Won't or can't?

0:43:580:44:00

But why do you think?

0:44:000:44:01

Eat up, Mary.

0:44:010:44:03

Mother?

0:44:030:44:05

I don't know. Why are you attacking me, Bert?

0:44:050:44:09

Was I?

0:44:090:44:10

I'm your mother and you may well be doing the job that your father

0:44:100:44:13

used to do, but you are still my son!

0:44:130:44:17

And I will not have you speak to me like that!

0:44:170:44:20

-Do you understand?

-You...

0:44:200:44:21

Do you understand?!

0:44:210:44:24

When?

0:44:550:44:56

Four o'clock.

0:44:580:44:59

Will I see you again?

0:45:030:45:04

My mother's death has made me honest.

0:45:060:45:09

That's all she ever asked of me.

0:45:090:45:10

You won't ever see me again.

0:45:120:45:13

You have to work out who to trust and love.

0:45:180:45:22

And then you have to trust and love them.

0:45:240:45:26

Grace Middleton is a good woman! Believe me.

0:45:270:45:31

INAUDIBLE

0:45:530:45:54

In you go.

0:46:110:46:13

What shall I say?

0:46:170:46:18

Just tell them who you are.

0:46:200:46:21

CLOCK TICKS

0:46:240:46:25

DOOR CLOSES

0:46:270:46:28

Who am I?

0:47:080:47:09

Come with me.

0:47:200:47:22

SHE CLEARS HER THROAT

0:47:470:47:48

Caro?

0:47:480:47:50

Caro?

0:47:550:47:56

SHE SNIFFS

0:47:590:48:00

SHE GASPS

0:48:080:48:09

SHE CRIES

0:48:260:48:27

Buh...

0:48:490:48:51

Burt!

0:48:510:48:52

Burt!

0:49:130:49:14

Hu... Who are you?

0:49:460:49:48

My name's Joe.

0:49:500:49:51

This, this is your father.

0:50:110:50:14

And this is your uncle.

0:50:210:50:23

Are you my sister? Have I got a big sister?

0:50:290:50:31

No. I'm...

0:50:330:50:35

I don't know what I am, really.

0:50:420:50:44

You told George where the child was.

0:51:020:51:04

Yes, I did.

0:51:040:51:05

Expressly against my wishes, which is

0:51:050:51:08

why you'll be leaving this house and my employment by the end of today.

0:51:080:51:13

In which case The Daily Mail will have to change

0:51:170:51:20

its front page for the morning.

0:51:200:51:22

Sorry?

0:51:280:51:29

I don't know how the nation will take to a homosexual Home Secretary.

0:51:320:51:35

About as well as you've taken to your new nephew, I would suggest.

0:51:370:51:41

You and me, Allingham. Hand in glove.

0:51:450:51:48

I want to talk to you.

0:52:040:52:06

Are you ready?

0:52:070:52:08

Mother? Where are we going?

0:52:150:52:18

HUBBUB OF CHATTER

0:52:450:52:47

There's a great threat to us all that has not yet been announced.

0:52:480:52:52

I'm announcing it now.

0:52:530:52:55

HUBBUB DIES DOWN

0:52:550:52:56

Our village will be drowned.

0:53:020:53:05

-You what?

-Eh?

0:53:050:53:08

Where we stand now will no longer exist as dry land.

0:53:090:53:14

MURMURED REACTIONS

0:53:140:53:15

Your homes will not survive.

0:53:190:53:22

Our school, our church, our chapel, our bathhouse,

0:53:230:53:28

the places where we meet to talk and argue and love - all gone.

0:53:280:53:34

I was born here.

0:53:360:53:37

My family have lived here for 200 years.

0:53:370:53:42

And it is my intention that we will still be here, 200 years from now.

0:53:420:53:48

APPLAUSE

0:53:480:53:50

I have been tempted away from home by excitement and passion...

0:53:540:53:59

..both of which are a part of politics.

0:54:010:54:03

It is a great temptation to let passion take over your life

0:54:050:54:09

but that would be to forget

0:54:090:54:11

and betray all that is at the heart of what REALLY matters.

0:54:110:54:17

It has become clear to me that it is my home, my family, MY village,

0:54:180:54:25

and all of those that live here are what I really care about.

0:54:250:54:30

And I hope I judge you right when I say THIS is OUR fight

0:54:300:54:36

and as long as we have breath in our bodies this will be our village!

0:54:360:54:42

APPLAUSE AND CHEERS

0:54:420:54:44

We may be small but we will be heard

0:54:550:54:59

and what we say will echo over these hills and far beyond

0:54:590:55:04

so that in years to come people will say, "That was a voice.

0:55:040:55:08

"There was a village that filled its lungs

0:55:080:55:11

"and called out for what it stood for."

0:55:110:55:13

And if those who want to drown us think they can do it,

0:55:130:55:17

then they do not understand

0:55:170:55:21

and they will never understand

0:55:210:55:24

who we are and what we can be together.

0:55:240:55:28

APPLAUSE

0:55:280:55:30

Phoebe!

0:55:550:55:56

John.

0:56:170:56:18

Grace.

0:56:250:56:26

HE YELLS

0:56:510:56:53

SHE YELLS

0:57:040:57:06

Phoebe!

0:57:130:57:14

You finished it?

0:57:390:57:40

Yeah.

0:57:400:57:41

Will you marry me?

0:57:480:57:49

No.

0:57:560:57:57

Will you marry me?

0:58:000:58:01

Yes.

0:58:070:58:08

Yes.

0:58:090:58:10

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