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This programme contains some strong language | 0:00:04 | 0:00:11 | |
He's going to speak again. | 0:01:13 | 0:01:14 | |
And when he does, he'll tell us why he was there. | 0:01:17 | 0:01:21 | |
And what he saw. | 0:01:21 | 0:01:22 | |
He wanted nothing to do with the trespass, | 0:01:25 | 0:01:27 | |
so why would he even be there? | 0:01:27 | 0:01:29 | |
I don't know. | 0:01:29 | 0:01:30 | |
Right, ready? | 0:01:36 | 0:01:38 | |
Easy... | 0:01:47 | 0:01:48 | |
That's it. | 0:01:52 | 0:01:53 | |
Try and put these in order. | 0:02:10 | 0:02:12 | |
Start at the beginning. | 0:02:14 | 0:02:16 | |
Here. | 0:02:57 | 0:02:58 | |
My father came to see me. He is being relocated. | 0:03:00 | 0:03:05 | |
So I'll finish this and then I'll be leaving the village. | 0:03:06 | 0:03:09 | |
Sit with me. | 0:03:14 | 0:03:15 | |
The day before I came here, I saw an old man | 0:03:29 | 0:03:33 | |
and an old lady sitting on a bench on the station platform. | 0:03:33 | 0:03:37 | |
They didn't know each other. | 0:03:37 | 0:03:39 | |
I wanted to pick up her hand and put it in his. | 0:03:41 | 0:03:46 | |
But you didn't. | 0:03:48 | 0:03:49 | |
I did. | 0:03:49 | 0:03:50 | |
What happened? | 0:03:52 | 0:03:54 | |
They got on the train. He helped her up onto the carriage. | 0:03:54 | 0:03:57 | |
Happy ever after. | 0:04:01 | 0:04:02 | |
What is it, Bert? | 0:04:02 | 0:04:04 | |
I want my father back. | 0:04:05 | 0:04:07 | |
He's getting better. Isn't he? | 0:04:11 | 0:04:14 | |
I, I want him back and...I don't want him back. | 0:04:19 | 0:04:25 | |
I don't understand. | 0:04:26 | 0:04:27 | |
Ask my mother. | 0:04:27 | 0:04:28 | |
Bert? | 0:04:28 | 0:04:30 | |
I don't know what you're saying. | 0:04:33 | 0:04:34 | |
But I know that your mother is a good woman. | 0:04:34 | 0:04:36 | |
I'd better go. | 0:04:42 | 0:04:43 | |
This is your home now. | 0:04:52 | 0:04:55 | |
You can be yourself here. | 0:04:55 | 0:04:57 | |
You've... | 0:04:57 | 0:04:58 | |
Oh. Yes, er... Off duty. | 0:05:00 | 0:05:03 | |
Give me that. You go on up. | 0:05:03 | 0:05:05 | |
FOOTSTEPS ON STAIRS | 0:05:08 | 0:05:10 | |
You remember Joy? Married love. | 0:05:11 | 0:05:14 | |
Advice on, er... | 0:05:14 | 0:05:15 | |
'It's all upside down.' | 0:05:25 | 0:05:26 | |
The world. | 0:05:27 | 0:05:29 | |
She's gone, you know, Martha, wretched woman. | 0:05:29 | 0:05:32 | |
And to think she's teaching our children! | 0:05:34 | 0:05:36 | |
Count the horrors. It's a plague of scandals. | 0:05:36 | 0:05:40 | |
Try to think of them as embarrassments or awkwardnesses, Mother. | 0:05:40 | 0:05:45 | |
My son in bed with a housemaid in a public house. | 0:05:45 | 0:05:48 | |
A divorce case looming, the humiliation of that trial. | 0:05:48 | 0:05:53 | |
-Awkwardnesses, Edmund? -Well, I think George... | 0:05:53 | 0:05:55 | |
The sex instinct is powerful and, and, and, and it's, it's | 0:05:55 | 0:05:58 | |
wholesome, but when it's misaligned the consequences are terrible. | 0:05:58 | 0:06:03 | |
-Mother. -And there's too much misalignment in this house. | 0:06:03 | 0:06:06 | |
I mean, look to yourself, Edmund. | 0:06:08 | 0:06:11 | |
Homosex is filthy and perverted, is it not? | 0:06:11 | 0:06:14 | |
When the urge comes, can't you just...think of something else? | 0:06:18 | 0:06:22 | |
Such as? | 0:06:24 | 0:06:25 | |
Me? | 0:06:29 | 0:06:30 | |
SHE CHUCKLES | 0:06:32 | 0:06:34 | |
HE LAUGHS | 0:06:41 | 0:06:42 | |
Please. | 0:06:44 | 0:06:45 | |
Please. | 0:06:48 | 0:06:49 | |
You want an heir. | 0:06:49 | 0:06:50 | |
You already have one. | 0:06:52 | 0:06:54 | |
My son. | 0:06:54 | 0:06:56 | |
Oh. | 0:06:59 | 0:07:00 | |
Mother? | 0:07:02 | 0:07:03 | |
Look, there is no such child. | 0:07:04 | 0:07:08 | |
There will be no divorce, | 0:07:08 | 0:07:10 | |
and you will give me a grandchild. | 0:07:10 | 0:07:12 | |
Why don't you want children? | 0:07:29 | 0:07:31 | |
They make me think about death. | 0:07:34 | 0:07:36 | |
Death? | 0:07:36 | 0:07:37 | |
Well, they come after us. | 0:07:37 | 0:07:39 | |
They move us along the shelf, closer to the big drop at the end. | 0:07:39 | 0:07:42 | |
But they're the part of us that we leave behind when we're gone. | 0:07:43 | 0:07:48 | |
Bloodline, Harry. | 0:07:48 | 0:07:49 | |
I want to live a deep, full life, I don't want a child in my way | 0:07:50 | 0:07:54 | |
and I don't want to think about afterwards. | 0:07:54 | 0:07:56 | |
I want to dance, all the way along the shelf, | 0:07:56 | 0:07:59 | |
and then fall off still dancing. | 0:07:59 | 0:08:02 | |
-What are you talking about? -20th century. | 0:08:02 | 0:08:05 | |
-Well, I won't have it. -I don't think you have a choice. | 0:08:05 | 0:08:08 | |
My children are in pain! | 0:08:08 | 0:08:09 | |
And each of them has been hurt by modern times. | 0:08:09 | 0:08:12 | |
I'm not going to stand by and watch them suffer. | 0:08:12 | 0:08:14 | |
What are you going to do? | 0:08:14 | 0:08:15 | |
Save them! | 0:08:15 | 0:08:17 | |
Who first? | 0:08:17 | 0:08:18 | |
George, I think. | 0:08:21 | 0:08:23 | |
May I make a suggestion? | 0:08:23 | 0:08:25 | |
That we pay a visit to Martha. | 0:08:27 | 0:08:29 | |
Wicked Martha. | 0:08:31 | 0:08:33 | |
DOOR OPENS | 0:08:37 | 0:08:38 | |
Bairstow? | 0:08:38 | 0:08:39 | |
What the hell do you want? | 0:08:45 | 0:08:47 | |
Your help. | 0:08:47 | 0:08:48 | |
HE CHUCKLES | 0:08:51 | 0:08:53 | |
With what? | 0:08:53 | 0:08:55 | |
A reservoir. | 0:08:55 | 0:08:56 | |
The blue. | 0:08:58 | 0:08:59 | |
The village? | 0:09:04 | 0:09:06 | |
The village! | 0:09:08 | 0:09:10 | |
You want to flood the village?! | 0:09:10 | 0:09:12 | |
Dirty water kills. | 0:09:12 | 0:09:13 | |
Sheffield has dirty water. | 0:09:16 | 0:09:18 | |
People die because they don't have clean water. | 0:09:18 | 0:09:21 | |
This reservoir would give it to them. | 0:09:21 | 0:09:23 | |
There are some things sacred and beyond argument. | 0:09:25 | 0:09:28 | |
This land, our heritage, our history. | 0:09:28 | 0:09:31 | |
You can't touch any of them. | 0:09:32 | 0:09:33 | |
Goodbye, Mr Gibby. | 0:09:36 | 0:09:37 | |
DOOR OPENS AND SHUTS | 0:09:45 | 0:09:46 | |
You teach them hopscotch, I hear. | 0:09:50 | 0:09:53 | |
Mrs Allingham wasn't available? | 0:09:53 | 0:09:55 | |
No. | 0:09:57 | 0:09:58 | |
No. Otherwise engaged, no doubt. | 0:09:58 | 0:10:00 | |
Well, why don't you show us? | 0:10:02 | 0:10:04 | |
Hmm? | 0:10:06 | 0:10:07 | |
Hopscotch. I don't think I can remember how. | 0:10:07 | 0:10:14 | |
But you, it seems, have a talent for teaching the fairer sex | 0:10:14 | 0:10:17 | |
how to hop about, | 0:10:17 | 0:10:18 | |
Mr... I don't know what to call you. | 0:10:18 | 0:10:21 | |
My daughter-in-law's special friend. | 0:10:21 | 0:10:25 | |
Or...Mrs Allingham's gentleman companion. Or... | 0:10:25 | 0:10:29 | |
He's my lover. | 0:10:29 | 0:10:30 | |
No more lies and half truths. | 0:10:31 | 0:10:33 | |
Martha. | 0:10:33 | 0:10:34 | |
Let her hear it. Let everyone hear it, because it's true. | 0:10:34 | 0:10:37 | |
There's been too much not talking. | 0:10:37 | 0:10:39 | |
Well, one consequence of your... talking... | 0:10:41 | 0:10:46 | |
Harriet, why don't you tell them? | 0:10:46 | 0:10:49 | |
For the law to allow a divorce there has to be an innocent party | 0:10:49 | 0:10:52 | |
and a guilty party. | 0:10:52 | 0:10:54 | |
George with the maid in The Lamb - not innocent. | 0:10:54 | 0:10:57 | |
You with Mr Eyre - | 0:10:57 | 0:10:59 | |
not innocent. | 0:10:59 | 0:11:00 | |
Two guilty parties. | 0:11:00 | 0:11:02 | |
No divorce without a victim, I'm afraid, Mrs Allingham. | 0:11:02 | 0:11:05 | |
We'll see you back at the house. | 0:11:09 | 0:11:11 | |
George is waiting. | 0:11:13 | 0:11:15 | |
BELLS CHIME | 0:11:17 | 0:11:18 | |
MURMUR OF CONVERSATION | 0:11:20 | 0:11:21 | |
Hello. | 0:11:21 | 0:11:22 | |
INAUDIBLE | 0:11:26 | 0:11:27 | |
What did your father do? | 0:11:50 | 0:11:51 | |
Why? | 0:11:53 | 0:11:55 | |
Just asking. | 0:11:55 | 0:11:57 | |
No, you're not. | 0:11:57 | 0:11:58 | |
You don't like it when it's you being asked the questions, do you? | 0:11:59 | 0:12:02 | |
I wonder why that is. | 0:12:04 | 0:12:05 | |
He died young. | 0:12:09 | 0:12:10 | |
How young? | 0:12:10 | 0:12:11 | |
I was a baby. | 0:12:12 | 0:12:14 | |
What did he die from? | 0:12:14 | 0:12:16 | |
What do you want, Gibby? | 0:12:16 | 0:12:17 | |
He listens to you, Allingham, doesn't he? | 0:12:19 | 0:12:22 | |
It's my job. | 0:12:22 | 0:12:24 | |
Is that it? Is that all? | 0:12:24 | 0:12:26 | |
Because this reservoir would mean the difference between | 0:12:26 | 0:12:30 | |
life and death to the poor families of Sheffield. | 0:12:30 | 0:12:32 | |
Remember who you are. | 0:12:34 | 0:12:36 | |
He didn't have the courage | 0:12:39 | 0:12:41 | |
to come back for the trial. Oh, no. | 0:12:41 | 0:12:43 | |
Fancy speeches leading the people on and disappears | 0:12:43 | 0:12:46 | |
when the going gets tough. | 0:12:46 | 0:12:48 | |
So why is he here now? | 0:12:48 | 0:12:50 | |
I don't pretend to know but I think | 0:12:51 | 0:12:53 | |
Grace Middleton just might be the person to ask. | 0:12:53 | 0:12:56 | |
-Yes. -Don't you? | 0:12:56 | 0:12:57 | |
Er, how can I help you? | 0:13:00 | 0:13:02 | |
I'll have a banana. | 0:13:02 | 0:13:04 | |
-One banana? -Please. | 0:13:04 | 0:13:05 | |
Er, please don't do that. | 0:13:09 | 0:13:10 | |
What? | 0:13:10 | 0:13:11 | |
Eating in a public place. | 0:13:11 | 0:13:13 | |
Oh, well done, Agnes. | 0:13:18 | 0:13:19 | |
Thank you. | 0:13:19 | 0:13:21 | |
And you are a very lucky girl. | 0:13:21 | 0:13:24 | |
Imagine having a grandmother with a shop! | 0:13:24 | 0:13:26 | |
Does Granny give you gobstoppers? | 0:13:26 | 0:13:28 | |
I may be a grandmother! | 0:13:28 | 0:13:30 | |
But I am also with child. | 0:13:31 | 0:13:33 | |
Norma, have I just heard right? | 0:13:38 | 0:13:42 | |
Yes... | 0:13:42 | 0:13:43 | |
I'm going to be a mother. | 0:13:46 | 0:13:47 | |
Come here! | 0:13:49 | 0:13:50 | |
Come here! | 0:13:53 | 0:13:55 | |
Ah, we're going to have a baby! | 0:13:57 | 0:14:00 | |
Remember when you said that you could swim to the other side | 0:14:07 | 0:14:11 | |
and Edmund said you couldn't? | 0:14:11 | 0:14:13 | |
And you did. | 0:14:13 | 0:14:15 | |
Another time. | 0:14:17 | 0:14:19 | |
Well, I wanted to swim after you, but Mother wouldn't let me. | 0:14:19 | 0:14:22 | |
CHICKENS CLUCK | 0:15:07 | 0:15:09 | |
Hello? | 0:15:37 | 0:15:38 | |
FOOTSTEPS ON STAIRS | 0:15:47 | 0:15:49 | |
It's been ten years. | 0:15:57 | 0:15:58 | |
I try to imagine what he would look now if I could remember what | 0:15:59 | 0:16:02 | |
he looked like when he was a baby, | 0:16:02 | 0:16:04 | |
but I can't, I can't picture my own son, then or now. | 0:16:04 | 0:16:09 | |
His eyes, maybe. What about the colour of his eyes? | 0:16:10 | 0:16:13 | |
His hair? | 0:16:18 | 0:16:19 | |
I can't remember, but I want him back. | 0:16:22 | 0:16:24 | |
-Well, could you not find him? -They won't tell me where he is. | 0:16:26 | 0:16:29 | |
You could find out. | 0:16:29 | 0:16:30 | |
Erm, there must be records and a woman in your position... | 0:16:30 | 0:16:34 | |
Date of birth, name... | 0:16:35 | 0:16:37 | |
I, I don't know his name. | 0:16:39 | 0:16:41 | |
My family never mentioned him and I'm not allowed to speak about him. | 0:16:43 | 0:16:47 | |
He doesn't exist. | 0:16:47 | 0:16:48 | |
So I promised myself I wouldn't say his name out loud | 0:16:48 | 0:16:51 | |
until I can say it to him. | 0:16:51 | 0:16:53 | |
Why did you come now? | 0:16:57 | 0:16:59 | |
I just wanted to make sure that you would want to see him. | 0:16:59 | 0:17:03 | |
See him? | 0:17:03 | 0:17:05 | |
There isn't a day goes by without me longing to see him. | 0:17:05 | 0:17:08 | |
There's a bond between a mother and her child that does not break. | 0:17:11 | 0:17:17 | |
Doesn't matter who wants to break it or why - it cannot... | 0:17:17 | 0:17:20 | |
It will not be broken. | 0:17:20 | 0:17:22 | |
A mother has no choice in that. | 0:17:23 | 0:17:25 | |
It's there - deeper than memory. | 0:17:27 | 0:17:29 | |
I'm sorry, I'm not helping you. I don't know how to help. | 0:17:32 | 0:17:36 | |
Oh, you have. | 0:17:36 | 0:17:37 | |
George is saved. I was brilliant. | 0:18:02 | 0:18:05 | |
It'll be me next. | 0:18:05 | 0:18:07 | |
Darlings, you missed your honeymoon. | 0:18:12 | 0:18:15 | |
Caro! | 0:18:16 | 0:18:18 | |
I want my son back. | 0:18:18 | 0:18:19 | |
-She's overwrought. -What's the answer to her question? | 0:18:20 | 0:18:23 | |
I think it's best for everyone if we let that one lie. | 0:18:23 | 0:18:25 | |
Everyone, meaning you. Is it best for Caro? | 0:18:25 | 0:18:28 | |
It's in the best interests of the child. | 0:18:28 | 0:18:30 | |
An illegitimate child doesn't want to know he's illegitimate, | 0:18:30 | 0:18:33 | |
does he? | 0:18:33 | 0:18:34 | |
Very probably he's a degenerate. | 0:18:35 | 0:18:37 | |
Why? Because his mother is? | 0:18:37 | 0:18:40 | |
Passed on from slut mother to bastard son. | 0:18:40 | 0:18:43 | |
Don't you ever speak about my sister like that! Ever again! | 0:18:43 | 0:18:45 | |
It's what you were saying - only you dress it up in fine words. | 0:18:45 | 0:18:49 | |
What are you frightened it'll be? | 0:18:49 | 0:18:51 | |
An invert, or a hypocrite? | 0:18:51 | 0:18:53 | |
Or both? Oh, no, no, then he'd be you, wouldn't he, | 0:18:53 | 0:18:57 | |
Home Secretary? | 0:18:57 | 0:18:58 | |
You're forgetting yourself, Bairstow. | 0:19:02 | 0:19:04 | |
Might be worth remembering where you came from and where | 0:19:04 | 0:19:06 | |
I could send you back to. | 0:19:06 | 0:19:07 | |
The Mission Of Hope. Speak to the woman who runs it. | 0:19:09 | 0:19:11 | |
And test the tightness of their security. | 0:19:11 | 0:19:13 | |
I'm starting to think that you're unbeatable. | 0:19:21 | 0:19:24 | |
Thank you. | 0:19:24 | 0:19:25 | |
I don't know what to do. | 0:19:26 | 0:19:28 | |
Resign. | 0:19:28 | 0:19:29 | |
Give up. | 0:19:31 | 0:19:32 | |
I've won. | 0:19:32 | 0:19:34 | |
DOOR OPENS | 0:19:34 | 0:19:35 | |
Martha? What is it? | 0:19:37 | 0:19:39 | |
-The law. -What about it? | 0:19:42 | 0:19:44 | |
It says there'll be no divorce. | 0:19:44 | 0:19:47 | |
It insists that a marriage that nobody | 0:19:47 | 0:19:49 | |
apart from Lady Allingham wants must carry on. | 0:19:49 | 0:19:53 | |
I'm trapped. | 0:19:55 | 0:19:56 | |
No, you're not. | 0:20:00 | 0:20:01 | |
Go. Just go somewhere. | 0:20:03 | 0:20:07 | |
Anywhere. Leave the village and the Allinghams far behind you. | 0:20:07 | 0:20:11 | |
Five, four, three, two, one. | 0:20:13 | 0:20:19 | |
Good. | 0:20:21 | 0:20:22 | |
I'm sorry. | 0:20:26 | 0:20:27 | |
HE TRIES TO SPEAK | 0:20:37 | 0:20:39 | |
Again? | 0:20:42 | 0:20:44 | |
INDISTINCT | 0:20:44 | 0:20:46 | |
INDISTINCT | 0:20:52 | 0:20:54 | |
Buh. | 0:21:03 | 0:21:04 | |
Good. | 0:21:04 | 0:21:05 | |
Muh. | 0:21:08 | 0:21:09 | |
Good. | 0:21:09 | 0:21:11 | |
Fuh. | 0:21:12 | 0:21:14 | |
Good. | 0:21:16 | 0:21:17 | |
Mother. | 0:21:18 | 0:21:19 | |
Talk to me. | 0:21:53 | 0:21:54 | |
THUNDER RUMBLES | 0:21:54 | 0:21:55 | |
You saw it. | 0:21:55 | 0:21:57 | |
His anger with her. And... | 0:21:59 | 0:22:01 | |
And he wouldn't even try to... | 0:22:02 | 0:22:04 | |
To what? | 0:22:05 | 0:22:06 | |
To say it. | 0:22:06 | 0:22:08 | |
To say what? | 0:22:08 | 0:22:09 | |
Her name! | 0:22:09 | 0:22:10 | |
He wouldn't say her name, Phoebe. | 0:22:13 | 0:22:15 | |
Is she a repeater? | 0:22:27 | 0:22:29 | |
I'm sorry? | 0:22:30 | 0:22:32 | |
Four or five times some of our mothers come back to us. | 0:22:32 | 0:22:35 | |
No, she's not a repeater. | 0:22:35 | 0:22:38 | |
And I didn't ask you here to give me a lesson on morality. | 0:22:38 | 0:22:41 | |
Oh. | 0:22:41 | 0:22:43 | |
Not my cup of fucking tea, frankly, Mrs Winkworth. | 0:22:43 | 0:22:46 | |
Why am I here? | 0:22:47 | 0:22:48 | |
What if a mother wants her child back? | 0:22:53 | 0:22:55 | |
What if she's changed her mind about giving it up? | 0:22:56 | 0:23:00 | |
You will understand we have to guarantee to adopting parents | 0:23:00 | 0:23:03 | |
that a natural mother will not... | 0:23:03 | 0:23:05 | |
£1,000. | 0:23:05 | 0:23:07 | |
FLOORBOARDS CREAK | 0:23:09 | 0:23:11 | |
I want you to talk to Caro. | 0:23:21 | 0:23:23 | |
It has to be you because you're the one she listens to. | 0:23:23 | 0:23:28 | |
She has to be told to forget her son. | 0:23:29 | 0:23:31 | |
It's eating her up. She must be free of it. | 0:23:32 | 0:23:36 | |
Make it final, George. | 0:23:40 | 0:23:43 | |
Leave no room. | 0:23:51 | 0:23:52 | |
Martha said I could trust you. | 0:24:10 | 0:24:12 | |
Did she? | 0:24:15 | 0:24:16 | |
Who knows where he is, my son? | 0:24:19 | 0:24:21 | |
-Edmund? -There's something... nobody has told you. | 0:24:23 | 0:24:27 | |
What is it, George? | 0:24:29 | 0:24:31 | |
He died. Your son. | 0:24:33 | 0:24:36 | |
A year ago. | 0:24:37 | 0:24:39 | |
I'm so sorry, Caro, | 0:24:43 | 0:24:45 | |
you must forget him. | 0:24:45 | 0:24:47 | |
FOOTSTEPS ON STAIRS | 0:25:03 | 0:25:05 | |
George? | 0:25:05 | 0:25:06 | |
Done? | 0:25:11 | 0:25:12 | |
Well, it's for the best. How is she? | 0:25:14 | 0:25:17 | |
Christ, what's that? | 0:25:20 | 0:25:22 | |
Mission Of Hope? Mission of hard noses, more like. | 0:25:25 | 0:25:28 | |
She didn't tell you where the boy had gone? | 0:25:28 | 0:25:30 | |
I offered her £1,000, she didn't even blink. | 0:25:30 | 0:25:34 | |
Well, then, we're safe. | 0:25:34 | 0:25:36 | |
Who does know? | 0:25:36 | 0:25:38 | |
Me. | 0:25:39 | 0:25:40 | |
The oldest first. | 0:25:53 | 0:25:54 | |
Do you remember... what happened before you were hit? | 0:26:07 | 0:26:10 | |
What did you see? | 0:26:12 | 0:26:13 | |
Caro! | 0:27:37 | 0:27:38 | |
Caro! | 0:27:48 | 0:27:49 | |
No, don't! | 0:27:50 | 0:27:51 | |
Caro! Don't! | 0:27:55 | 0:27:58 | |
Caro! Caro! | 0:28:06 | 0:28:08 | |
Caro! Bairstow! | 0:28:32 | 0:28:35 | |
Caro! | 0:28:35 | 0:28:37 | |
Come on, man! | 0:28:55 | 0:28:56 | |
Caro? | 0:29:03 | 0:29:05 | |
Caro! No, no, no, no... | 0:29:07 | 0:29:10 | |
Caro! Caro! | 0:29:10 | 0:29:12 | |
Caro! | 0:29:12 | 0:29:13 | |
Cough it up. | 0:29:17 | 0:29:19 | |
SHE SPLUTTERS | 0:29:19 | 0:29:21 | |
Don't tell Mummy. | 0:29:25 | 0:29:27 | |
DOOR OPENS | 0:29:38 | 0:29:39 | |
How is she? | 0:29:49 | 0:29:50 | |
How is she? | 0:30:06 | 0:30:08 | |
I know where he is. | 0:30:14 | 0:30:16 | |
CHILDREN SINGING | 0:30:21 | 0:30:24 | |
There are teaching posts in Chesterfield...and Sheffield. | 0:30:27 | 0:30:32 | |
No. | 0:30:35 | 0:30:36 | |
HE SIGHS | 0:30:40 | 0:30:41 | |
What? | 0:30:46 | 0:30:47 | |
Africa. | 0:30:49 | 0:30:51 | |
Yes! Yes, yes. | 0:30:55 | 0:30:58 | |
When? | 0:30:59 | 0:31:01 | |
HAMMERING | 0:31:03 | 0:31:05 | |
'You taught me everything.' | 0:31:27 | 0:31:29 | |
You made me feel like I could be someone. | 0:31:31 | 0:31:34 | |
We were in a cell together, and you didn't tell me. | 0:31:35 | 0:31:38 | |
I'm so sorry. | 0:31:42 | 0:31:43 | |
Is that all? | 0:31:47 | 0:31:49 | |
I lied to you and I've been weak. | 0:31:49 | 0:31:51 | |
And I'm proud of neither and I will regret it for the rest of my life. | 0:31:51 | 0:31:56 | |
You've come for my forgiveness. | 0:31:59 | 0:32:01 | |
Yes, I have. | 0:32:03 | 0:32:04 | |
I can't give it. | 0:32:08 | 0:32:10 | |
It'd just be another lie. | 0:32:10 | 0:32:12 | |
And I can't do that. | 0:32:12 | 0:32:13 | |
You were like a brother to me. | 0:32:23 | 0:32:25 | |
Bathhouse tonight. | 0:32:53 | 0:32:54 | |
-But... -I won't be here next week so take advantage of me now. | 0:32:54 | 0:32:58 | |
I'll sit with him. | 0:32:58 | 0:32:59 | |
You're going. | 0:33:02 | 0:33:03 | |
The wall's almost finished. | 0:33:06 | 0:33:07 | |
When are you...? | 0:33:07 | 0:33:09 | |
Tomorrow. | 0:33:09 | 0:33:11 | |
My son's the biggest fool in the world if he doesn't want you. | 0:33:12 | 0:33:16 | |
As you all know, I have special affection for this village. | 0:33:37 | 0:33:43 | |
It was my very great privilege to represent you in Parliament | 0:33:43 | 0:33:47 | |
for the ten months we were in power. | 0:33:47 | 0:33:49 | |
Why am I back here? | 0:33:52 | 0:33:53 | |
Well, I'm now the leader of Sheffield Council | 0:33:53 | 0:33:56 | |
and I bring you good news. | 0:33:56 | 0:33:58 | |
-There will be hard times ahead. -Good news! | 0:33:59 | 0:34:02 | |
And jobs and wages will matter more than they ever have. | 0:34:02 | 0:34:06 | |
My good news is, you will have them. | 0:34:06 | 0:34:09 | |
There is a new reservoir to be made. | 0:34:11 | 0:34:12 | |
Valve houses, a new aqueduct, a dam - all to be built. | 0:34:12 | 0:34:17 | |
Where they going to put it? | 0:34:17 | 0:34:19 | |
There are four different proposals. | 0:34:21 | 0:34:23 | |
The decision making process has some way to run. | 0:34:23 | 0:34:26 | |
I just wanted to let you into the good news early | 0:34:26 | 0:34:28 | |
so that you can plan a future. | 0:34:28 | 0:34:29 | |
APPLAUSE | 0:34:29 | 0:34:31 | |
Any questions, I'm here to take them, one-to-one. | 0:34:34 | 0:34:37 | |
Right, who's next? | 0:34:44 | 0:34:45 | |
You don't remember me. | 0:34:52 | 0:34:54 | |
Bert Middleton. What's your question, Bert? | 0:34:54 | 0:34:56 | |
Why would you remember me? | 0:34:56 | 0:34:58 | |
A boxer like you - of course I remember you. | 0:34:58 | 0:35:00 | |
How's your father doing? Has he spoken? | 0:35:02 | 0:35:05 | |
Not really. | 0:35:05 | 0:35:06 | |
I'm sorry. | 0:35:06 | 0:35:08 | |
Actually, he has started to speak. | 0:35:10 | 0:35:13 | |
Good. Good. And what did the doctor say? | 0:35:13 | 0:35:18 | |
He might recover full speech. | 0:35:18 | 0:35:21 | |
Well, that's wonderful. | 0:35:23 | 0:35:24 | |
Then we'll know about his memory. | 0:35:25 | 0:35:27 | |
He'll be able to tell us what happened that day. And why. | 0:35:27 | 0:35:31 | |
Very good. | 0:35:33 | 0:35:35 | |
So, have you got a question, Bert? | 0:35:36 | 0:35:38 | |
No. | 0:35:39 | 0:35:40 | |
-Night, girls. -See you, Margaret. | 0:36:28 | 0:36:30 | |
Now if I were a gossip, the first thing I'd want to know is, | 0:36:31 | 0:36:34 | |
has Bill Gibby been up to Middleton Farm to see John Middleton? | 0:36:34 | 0:36:37 | |
No, he hasn't, Norma. | 0:36:37 | 0:36:39 | |
Hmm, then I'd want to know why not. | 0:36:39 | 0:36:40 | |
If you were a gossip. | 0:36:40 | 0:36:42 | |
John Middleton got his brain bashed in on Bill Gibby's protest lark | 0:36:42 | 0:36:46 | |
and he hasn't been to see him? | 0:36:46 | 0:36:47 | |
Why not? | 0:36:47 | 0:36:49 | |
Probably because he doesn't want to give you | 0:36:49 | 0:36:51 | |
any more feed for your gossip! | 0:36:51 | 0:36:53 | |
Right, then. | 0:36:58 | 0:36:59 | |
Where are you going? | 0:37:01 | 0:37:02 | |
The Lamb. | 0:37:02 | 0:37:03 | |
Norma Hankin is too stupid to do you any harm. | 0:37:06 | 0:37:08 | |
It's the men looking into their pint pots, muttering darkly. | 0:37:09 | 0:37:14 | |
They're the danger. | 0:37:14 | 0:37:17 | |
You're a good friend, Margaret Boden. | 0:37:17 | 0:37:19 | |
I've watched you grow into yourself, Grace. | 0:37:23 | 0:37:25 | |
You've said things that I never even knew that I thought | 0:37:26 | 0:37:30 | |
till I heard you say them. | 0:37:30 | 0:37:31 | |
I'll always be your friend, but I need you to carry on talking. | 0:37:33 | 0:37:38 | |
Oh, don't look at me like that. | 0:37:40 | 0:37:44 | |
You'll have us both crying in the street and then where will we be? | 0:37:44 | 0:37:47 | |
HUBBUB OF CONVERSATION AND LAUGHTER | 0:37:53 | 0:37:55 | |
HUBBUB DIES DOWN | 0:38:01 | 0:38:03 | |
Right! | 0:38:03 | 0:38:04 | |
Any loose talk you've got about Grace Middleton, | 0:38:05 | 0:38:09 | |
-will be heard by me. -All right! | 0:38:09 | 0:38:11 | |
And if you can't say it in my hearing then it ain't worth | 0:38:11 | 0:38:15 | |
the breath that it come out on. | 0:38:15 | 0:38:16 | |
I'm all ears! | 0:38:16 | 0:38:18 | |
It's a bit more than ears, Margaret. | 0:38:18 | 0:38:20 | |
LAUGHTER | 0:38:20 | 0:38:21 | |
So much more, ducky. So much more. | 0:38:24 | 0:38:29 | |
Can I talk to you for a minute? | 0:38:37 | 0:38:38 | |
Just for a minute. | 0:38:40 | 0:38:42 | |
Up here. | 0:38:43 | 0:38:44 | |
Is John getting better? | 0:38:47 | 0:38:48 | |
Yes. | 0:38:48 | 0:38:50 | |
Cos Bert, he, er... | 0:38:52 | 0:38:53 | |
-Bert? -He came to the meeting and he seemed... | 0:38:53 | 0:38:55 | |
What meeting? Why are you here? | 0:38:55 | 0:38:57 | |
It would cause me terrible political embarrassment if... | 0:38:59 | 0:39:02 | |
If what? | 0:39:02 | 0:39:04 | |
If your husband or your son were to say anything about you and me. | 0:39:04 | 0:39:06 | |
Nothing happened. | 0:39:06 | 0:39:09 | |
But your husband suspects and your son came to my meeting | 0:39:09 | 0:39:12 | |
and looked at me like he'd kill me given half a chance. | 0:39:12 | 0:39:15 | |
Why are you here? | 0:39:15 | 0:39:17 | |
CHATTER | 0:39:17 | 0:39:19 | |
She made me an offer. | 0:39:19 | 0:39:21 | |
Spit it out, Alf! | 0:39:22 | 0:39:23 | |
When the Middletons were in debt to me, she offered to pay me in kind. | 0:39:26 | 0:39:31 | |
That's a lie. | 0:39:31 | 0:39:33 | |
Beer tent, day of the boxing - she came and found me. | 0:39:33 | 0:39:37 | |
-Let's go. -What? | 0:39:39 | 0:39:42 | |
You can put it to her, face-to-face like a man! | 0:39:42 | 0:39:46 | |
LAUGHTER | 0:39:46 | 0:39:49 | |
What's the matter, Alf? Have you lost your nerve? | 0:39:49 | 0:39:53 | |
-Ooh! -Hey! | 0:39:53 | 0:39:55 | |
Come on, you lot! | 0:39:58 | 0:39:59 | |
# Blow the wind southerly, southerly, southerly | 0:40:04 | 0:40:10 | |
# Blow the wind south o'er the bonnie blue sea | 0:40:10 | 0:40:15 | |
# Blow the wind... | 0:40:15 | 0:40:17 | |
# Southerly, southerly, southerly | 0:40:17 | 0:40:21 | |
# Blow the wind south o'er the bonnie blue sea | 0:40:21 | 0:40:25 | |
# Blow the wind southerly, southerly, southerly | 0:40:25 | 0:40:31 | |
# Blow the wind south o'er the bonnie blue sea. # | 0:40:31 | 0:40:35 | |
I haven't told them yet. | 0:40:35 | 0:40:38 | |
Told them what? | 0:40:38 | 0:40:40 | |
The reservoir will be here. | 0:40:41 | 0:40:43 | |
-Right here. -The village? | 0:40:43 | 0:40:46 | |
The people of Sheffield need clean drinking water, the slums... | 0:40:46 | 0:40:49 | |
You're going to drown the village? | 0:40:49 | 0:40:51 | |
It has to be. | 0:40:51 | 0:40:52 | |
You made this the centre of your political life, | 0:40:52 | 0:40:57 | |
you made me and everyone else... | 0:40:57 | 0:40:58 | |
If you could see what I've seen. The way these people suffer... | 0:40:58 | 0:41:01 | |
No, no, no! This is our land! | 0:41:01 | 0:41:04 | |
My family have lived here for hundreds of years. | 0:41:04 | 0:41:08 | |
This is all of us, all of me. Look at my hands. | 0:41:08 | 0:41:13 | |
-Grace. -Look at them! Under my finger nails, under my skin. | 0:41:13 | 0:41:16 | |
You can't do this. | 0:41:16 | 0:41:19 | |
Look at them! | 0:41:19 | 0:41:21 | |
-Grace... -You'd be drowning me. | 0:41:21 | 0:41:23 | |
Margaret. Margaret! Margaret! | 0:41:38 | 0:41:43 | |
MUTTERED REACTIONS | 0:41:43 | 0:41:45 | |
MAN: In broad daylight, with Bill Gibby? With your John and all. | 0:41:49 | 0:41:52 | |
In his bed. | 0:41:52 | 0:41:53 | |
Grace! You've got to come, now! | 0:41:53 | 0:41:57 | |
# Blow the wind southerly, southerly, southerly | 0:42:04 | 0:42:08 | |
# Blow the wind south o'er the bonnie blue sea | 0:42:08 | 0:42:14 | |
# Blow the wind southerly, southerly, southerly | 0:42:15 | 0:42:19 | |
# Blow the wind south o'er the bonnie blue sea. # | 0:42:19 | 0:42:24 | |
You've come back to us. | 0:42:24 | 0:42:26 | |
Talk to me, John. Hm? | 0:42:28 | 0:42:31 | |
Tell me what happened. | 0:42:33 | 0:42:34 | |
Father? | 0:42:34 | 0:42:35 | |
You were singing the words in the song clear as day. | 0:42:38 | 0:42:41 | |
Talk to me. | 0:42:43 | 0:42:44 | |
# Blow the wind southerly, southerly... # | 0:42:49 | 0:42:52 | |
I don't understand. | 0:42:53 | 0:42:54 | |
# Blow the wind southerly, southerly... # | 0:42:54 | 0:42:57 | |
If he can sing, he can speak. | 0:42:59 | 0:43:01 | |
-Bert. -No! | 0:43:01 | 0:43:02 | |
Tuh. | 0:43:13 | 0:43:15 | |
Tuh. | 0:43:15 | 0:43:16 | |
Buh. | 0:43:16 | 0:43:18 | |
Buh. | 0:43:18 | 0:43:19 | |
Buh. Tuh. | 0:43:19 | 0:43:22 | |
Buh. Tuh. | 0:43:22 | 0:43:23 | |
Bur-tuh. | 0:43:23 | 0:43:25 | |
Bur-tuh. | 0:43:25 | 0:43:26 | |
Burt. | 0:43:27 | 0:43:29 | |
Burt. | 0:43:30 | 0:43:31 | |
What's my name? | 0:43:36 | 0:43:37 | |
I'm proud of him. | 0:43:50 | 0:43:51 | |
But he won't say your name. Why not? | 0:43:54 | 0:43:57 | |
-I don't know. -Won't or can't? | 0:43:58 | 0:44:00 | |
But why do you think? | 0:44:00 | 0:44:01 | |
Eat up, Mary. | 0:44:01 | 0:44:03 | |
Mother? | 0:44:03 | 0:44:05 | |
I don't know. Why are you attacking me, Bert? | 0:44:05 | 0:44:09 | |
Was I? | 0:44:09 | 0:44:10 | |
I'm your mother and you may well be doing the job that your father | 0:44:10 | 0:44:13 | |
used to do, but you are still my son! | 0:44:13 | 0:44:17 | |
And I will not have you speak to me like that! | 0:44:17 | 0:44:20 | |
-Do you understand? -You... | 0:44:20 | 0:44:21 | |
Do you understand?! | 0:44:21 | 0:44:24 | |
When? | 0:44:55 | 0:44:56 | |
Four o'clock. | 0:44:58 | 0:44:59 | |
Will I see you again? | 0:45:03 | 0:45:04 | |
My mother's death has made me honest. | 0:45:06 | 0:45:09 | |
That's all she ever asked of me. | 0:45:09 | 0:45:10 | |
You won't ever see me again. | 0:45:12 | 0:45:13 | |
You have to work out who to trust and love. | 0:45:18 | 0:45:22 | |
And then you have to trust and love them. | 0:45:24 | 0:45:26 | |
Grace Middleton is a good woman! Believe me. | 0:45:27 | 0:45:31 | |
INAUDIBLE | 0:45:53 | 0:45:54 | |
In you go. | 0:46:11 | 0:46:13 | |
What shall I say? | 0:46:17 | 0:46:18 | |
Just tell them who you are. | 0:46:20 | 0:46:21 | |
CLOCK TICKS | 0:46:24 | 0:46:25 | |
DOOR CLOSES | 0:46:27 | 0:46:28 | |
Who am I? | 0:47:08 | 0:47:09 | |
Come with me. | 0:47:20 | 0:47:22 | |
SHE CLEARS HER THROAT | 0:47:47 | 0:47:48 | |
Caro? | 0:47:48 | 0:47:50 | |
Caro? | 0:47:55 | 0:47:56 | |
SHE SNIFFS | 0:47:59 | 0:48:00 | |
SHE GASPS | 0:48:08 | 0:48:09 | |
SHE CRIES | 0:48:26 | 0:48:27 | |
Buh... | 0:48:49 | 0:48:51 | |
Burt! | 0:48:51 | 0:48:52 | |
Burt! | 0:49:13 | 0:49:14 | |
Hu... Who are you? | 0:49:46 | 0:49:48 | |
My name's Joe. | 0:49:50 | 0:49:51 | |
This, this is your father. | 0:50:11 | 0:50:14 | |
And this is your uncle. | 0:50:21 | 0:50:23 | |
Are you my sister? Have I got a big sister? | 0:50:29 | 0:50:31 | |
No. I'm... | 0:50:33 | 0:50:35 | |
I don't know what I am, really. | 0:50:42 | 0:50:44 | |
You told George where the child was. | 0:51:02 | 0:51:04 | |
Yes, I did. | 0:51:04 | 0:51:05 | |
Expressly against my wishes, which is | 0:51:05 | 0:51:08 | |
why you'll be leaving this house and my employment by the end of today. | 0:51:08 | 0:51:13 | |
In which case The Daily Mail will have to change | 0:51:17 | 0:51:20 | |
its front page for the morning. | 0:51:20 | 0:51:22 | |
Sorry? | 0:51:28 | 0:51:29 | |
I don't know how the nation will take to a homosexual Home Secretary. | 0:51:32 | 0:51:35 | |
About as well as you've taken to your new nephew, I would suggest. | 0:51:37 | 0:51:41 | |
You and me, Allingham. Hand in glove. | 0:51:45 | 0:51:48 | |
I want to talk to you. | 0:52:04 | 0:52:06 | |
Are you ready? | 0:52:07 | 0:52:08 | |
Mother? Where are we going? | 0:52:15 | 0:52:18 | |
HUBBUB OF CHATTER | 0:52:45 | 0:52:47 | |
There's a great threat to us all that has not yet been announced. | 0:52:48 | 0:52:52 | |
I'm announcing it now. | 0:52:53 | 0:52:55 | |
HUBBUB DIES DOWN | 0:52:55 | 0:52:56 | |
Our village will be drowned. | 0:53:02 | 0:53:05 | |
-You what? -Eh? | 0:53:05 | 0:53:08 | |
Where we stand now will no longer exist as dry land. | 0:53:09 | 0:53:14 | |
MURMURED REACTIONS | 0:53:14 | 0:53:15 | |
Your homes will not survive. | 0:53:19 | 0:53:22 | |
Our school, our church, our chapel, our bathhouse, | 0:53:23 | 0:53:28 | |
the places where we meet to talk and argue and love - all gone. | 0:53:28 | 0:53:34 | |
I was born here. | 0:53:36 | 0:53:37 | |
My family have lived here for 200 years. | 0:53:37 | 0:53:42 | |
And it is my intention that we will still be here, 200 years from now. | 0:53:42 | 0:53:48 | |
APPLAUSE | 0:53:48 | 0:53:50 | |
I have been tempted away from home by excitement and passion... | 0:53:54 | 0:53:59 | |
..both of which are a part of politics. | 0:54:01 | 0:54:03 | |
It is a great temptation to let passion take over your life | 0:54:05 | 0:54:09 | |
but that would be to forget | 0:54:09 | 0:54:11 | |
and betray all that is at the heart of what REALLY matters. | 0:54:11 | 0:54:17 | |
It has become clear to me that it is my home, my family, MY village, | 0:54:18 | 0:54:25 | |
and all of those that live here are what I really care about. | 0:54:25 | 0:54:30 | |
And I hope I judge you right when I say THIS is OUR fight | 0:54:30 | 0:54:36 | |
and as long as we have breath in our bodies this will be our village! | 0:54:36 | 0:54:42 | |
APPLAUSE AND CHEERS | 0:54:42 | 0:54:44 | |
We may be small but we will be heard | 0:54:55 | 0:54:59 | |
and what we say will echo over these hills and far beyond | 0:54:59 | 0:55:04 | |
so that in years to come people will say, "That was a voice. | 0:55:04 | 0:55:08 | |
"There was a village that filled its lungs | 0:55:08 | 0:55:11 | |
"and called out for what it stood for." | 0:55:11 | 0:55:13 | |
And if those who want to drown us think they can do it, | 0:55:13 | 0:55:17 | |
then they do not understand | 0:55:17 | 0:55:21 | |
and they will never understand | 0:55:21 | 0:55:24 | |
who we are and what we can be together. | 0:55:24 | 0:55:28 | |
APPLAUSE | 0:55:28 | 0:55:30 | |
Phoebe! | 0:55:55 | 0:55:56 | |
John. | 0:56:17 | 0:56:18 | |
Grace. | 0:56:25 | 0:56:26 | |
HE YELLS | 0:56:51 | 0:56:53 | |
SHE YELLS | 0:57:04 | 0:57:06 | |
Phoebe! | 0:57:13 | 0:57:14 | |
You finished it? | 0:57:39 | 0:57:40 | |
Yeah. | 0:57:40 | 0:57:41 | |
Will you marry me? | 0:57:48 | 0:57:49 | |
No. | 0:57:56 | 0:57:57 | |
Will you marry me? | 0:58:00 | 0:58:01 | |
Yes. | 0:58:07 | 0:58:08 | |
Yes. | 0:58:09 | 0:58:10 |