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BIRDSONG | 0:00:02 | 0:00:04 | |
OMINOUS AMBIENT MUSIC | 0:00:21 | 0:00:24 | |
MUSIC INTENSIFIES | 0:01:06 | 0:01:08 | |
SHE PANTS AND WHIMPERS | 0:01:11 | 0:01:14 | |
CAR SCREECHES, HORN BLARES | 0:01:22 | 0:01:24 | |
Ivy Moxam. | 0:01:29 | 0:01:31 | |
I'm Ivy Moxam. I was taken 13 years ago. I've just escaped. | 0:01:31 | 0:01:35 | |
Please help me. | 0:01:35 | 0:01:36 | |
# Kiss your face | 0:01:40 | 0:01:43 | |
# Turn your cheek | 0:01:43 | 0:01:47 | |
# Lay your head down | 0:01:47 | 0:01:49 | |
# Lay your head down | 0:01:49 | 0:01:51 | |
# Lay your head down | 0:01:53 | 0:01:55 | |
# Lay your head down. # | 0:01:55 | 0:01:57 | |
-POLICE RADIO: -'Go ahead, 5191.' | 0:02:40 | 0:02:42 | |
Er, pick-up of white female, mate. | 0:02:42 | 0:02:44 | |
She's still claiming to be missing person Ivy Moxam. | 0:02:44 | 0:02:47 | |
Hello, Ivy. | 0:03:19 | 0:03:20 | |
I'm Alia. | 0:03:23 | 0:03:25 | |
I work for the Avon and Somerset Constabulary. | 0:03:25 | 0:03:27 | |
I'm going to be your Family Liaison Officer. | 0:03:27 | 0:03:29 | |
Does that sound OK? | 0:03:29 | 0:03:31 | |
I'll take it from here. Thanks. | 0:03:33 | 0:03:35 | |
Let's get you up. | 0:03:37 | 0:03:39 | |
Keep it open, please. | 0:05:02 | 0:05:03 | |
When the detectives arrive, they'll have to shut it, just for privacy. | 0:05:06 | 0:05:11 | |
But we're OK now. | 0:05:12 | 0:05:13 | |
Spot the difference. | 0:05:19 | 0:05:21 | |
People change, grow into their looks. | 0:05:21 | 0:05:23 | |
Yeah...you're a regular swan. | 0:05:23 | 0:05:27 | |
I'm going to ignore your sarcastic tone and label that as a compliment. | 0:05:27 | 0:05:30 | |
The last you'll get from me. | 0:05:30 | 0:05:33 | |
The year after Ivy was snatched, | 0:05:33 | 0:05:34 | |
two girls came forward claiming to be her and neither checked out. | 0:05:34 | 0:05:39 | |
To pretend to be her after this much time... | 0:05:39 | 0:05:42 | |
To be that cruel to her family... | 0:05:42 | 0:05:44 | |
I don't know, humans are shit, granted, | 0:05:44 | 0:05:48 | |
but are they THAT shit? | 0:05:48 | 0:05:49 | |
Thanks for asking for us, sir. | 0:05:51 | 0:05:53 | |
Nobody knows she's here? | 0:05:53 | 0:05:55 | |
-Let's keep it that way. -What is the precedent on this? | 0:05:55 | 0:05:59 | |
If it is Ivy Moxam, well... | 0:05:59 | 0:06:01 | |
There's no precedent to follow. | 0:06:01 | 0:06:04 | |
There's never been a case of an escaped captive in the UK. | 0:06:04 | 0:06:07 | |
Plenty enough bones, just nothing living or breathing. | 0:06:07 | 0:06:11 | |
DOOR OPENS | 0:06:12 | 0:06:13 | |
Don't worry, it's just to record what happens in here. | 0:06:25 | 0:06:29 | |
And these four cameras... | 0:06:29 | 0:06:31 | |
they do the same. | 0:06:31 | 0:06:32 | |
We call this an ABE interview. | 0:06:32 | 0:06:35 | |
My family, I want to see them. | 0:06:36 | 0:06:39 | |
Of course you do. | 0:06:39 | 0:06:41 | |
Of course you do, and we'll sort that. | 0:06:41 | 0:06:43 | |
Let's just get this out of the way first, OK? | 0:06:43 | 0:06:46 | |
I'm Detective Sergeant Lisa Merchant, warrant number 478, | 0:06:51 | 0:06:54 | |
attached to Bristol's Specialist Crime Department. | 0:06:54 | 0:06:57 | |
-I'm here with... -Detective Inspector Elliott Carne, warrant number 312. | 0:06:57 | 0:07:01 | |
We're here to interview a female | 0:07:01 | 0:07:03 | |
who alleges she's been a missing person for the last 13 years. | 0:07:03 | 0:07:07 | |
Can you please state your name? | 0:07:07 | 0:07:09 | |
"Alleges"? | 0:07:09 | 0:07:11 | |
We have to prove you are who you say you are, I'm afraid. | 0:07:13 | 0:07:17 | |
Can you please state your name? | 0:07:19 | 0:07:21 | |
Ivy Moxam. | 0:07:24 | 0:07:25 | |
Date of birth? | 0:07:25 | 0:07:27 | |
3rd February, 1990. | 0:07:29 | 0:07:31 | |
And what date were you abducted? | 0:07:33 | 0:07:35 | |
Ah, I'm rubbish with dates. Don't worry. | 0:07:39 | 0:07:42 | |
What about where you were held? | 0:07:44 | 0:07:46 | |
Where was it? | 0:07:51 | 0:07:53 | |
If you could verbalise it, that would be great. | 0:07:56 | 0:08:00 | |
I don't know. A house. | 0:08:00 | 0:08:02 | |
What kind of a house? How many rooms? | 0:08:05 | 0:08:07 | |
I only saw one. | 0:08:09 | 0:08:11 | |
And which one was that, Ivy? | 0:08:11 | 0:08:13 | |
The cellar. | 0:08:13 | 0:08:14 | |
And how were you kept down there? | 0:08:16 | 0:08:18 | |
Chained up. | 0:08:19 | 0:08:21 | |
Were you ever allowed out? | 0:08:29 | 0:08:30 | |
So, this time... How did you get out this time? | 0:08:33 | 0:08:36 | |
He didn't do the lock up. | 0:08:38 | 0:08:41 | |
"He" being...? | 0:08:41 | 0:08:42 | |
Leonard. | 0:08:42 | 0:08:44 | |
Your kidnapper? And his surname? | 0:08:44 | 0:08:47 | |
What did he look like? | 0:08:50 | 0:08:51 | |
What kind of a build did he have? | 0:08:52 | 0:08:54 | |
Let's take a short break there. | 0:08:58 | 0:08:59 | |
Give you a chance to get your thoughts together. | 0:09:02 | 0:09:04 | |
Does that sound good? | 0:09:04 | 0:09:05 | |
I am Ivy Moxam. | 0:09:06 | 0:09:08 | |
You believe me, don't you? | 0:09:12 | 0:09:14 | |
KNOCK ON DOOR | 0:09:14 | 0:09:16 | |
-Interview paused at 9.24am. -DEVICE BEEPS | 0:09:19 | 0:09:22 | |
The bastard Chronicle know. Tipped off by some... | 0:09:45 | 0:09:48 | |
Do we move her? | 0:09:48 | 0:09:50 | |
Whoever ratted on us only gave the basics - "Ivy Moxam alive". | 0:09:50 | 0:09:53 | |
The press will be headed straight to the Moxam home. | 0:09:53 | 0:09:56 | |
It's better they hear it from us. | 0:09:56 | 0:09:57 | |
There's just two guesthouses left with rooms, | 0:10:00 | 0:10:02 | |
so where are people going to sleep? | 0:10:02 | 0:10:03 | |
-Is just a niggle, darling. -"Come to our wedding. | 0:10:03 | 0:10:05 | |
"Bring your wet weather gear for the inevitable June rain | 0:10:05 | 0:10:08 | |
"and, oh, I hope you don't mind bunking up with another couple!" | 0:10:08 | 0:10:11 | |
-You've got liberal friends, haven't you? -Very funny, Mum(!) | 0:10:11 | 0:10:14 | |
-I may just have a solution. -BOTH: Which is? | 0:10:14 | 0:10:16 | |
I'll get my dad to ask around. | 0:10:16 | 0:10:18 | |
All we need is a couple of big gardens, | 0:10:18 | 0:10:21 | |
pitch a few tents and what do we have? | 0:10:21 | 0:10:23 | |
I guess, in some circles, it would be called a solution. | 0:10:23 | 0:10:27 | |
-Always with the perspective. -PHONE RINGS | 0:10:28 | 0:10:30 | |
I was hoping it was my rugged good looks | 0:10:30 | 0:10:32 | |
that lured you down the aisle but I'll take that. | 0:10:32 | 0:10:34 | |
Hello. | 0:10:34 | 0:10:35 | |
Speaking. | 0:10:39 | 0:10:41 | |
Yes. | 0:10:49 | 0:10:50 | |
KEYPAD TONE | 0:10:53 | 0:10:54 | |
-Mum, what is? -They said that there's a girl. | 0:10:54 | 0:10:59 | |
It could be Ivy. | 0:11:01 | 0:11:03 | |
PHONE VIBRATES | 0:11:13 | 0:11:15 | |
-THEY GROAN -Mood killer! | 0:11:15 | 0:11:18 | |
More than. | 0:11:25 | 0:11:26 | |
It's your wife. | 0:11:27 | 0:11:29 | |
Christina, now is not a good... | 0:11:33 | 0:11:35 | |
Yes. | 0:11:40 | 0:11:41 | |
Yes, yes. I'm coming. | 0:11:44 | 0:11:45 | |
The police have found someone. | 0:11:51 | 0:11:53 | |
Ivy. They think... They... They say... | 0:11:54 | 0:11:57 | |
Maybe. | 0:11:59 | 0:12:00 | |
It won't be her. | 0:12:02 | 0:12:04 | |
Angus, listen to me. | 0:12:05 | 0:12:08 | |
You have to go. | 0:12:08 | 0:12:10 | |
Whatever happens, I'm here. I promise. | 0:12:10 | 0:12:13 | |
SHE SOBS | 0:13:06 | 0:13:08 | |
It's OK. It's OK... | 0:13:12 | 0:13:15 | |
-SOBBING -It's OK. | 0:13:15 | 0:13:18 | |
It's OK. | 0:13:20 | 0:13:22 | |
We'll wait for the DNA, just to be on the safe side. | 0:13:30 | 0:13:34 | |
This is my daughter. | 0:13:34 | 0:13:36 | |
Of course, Mrs Moxam. | 0:13:36 | 0:13:38 | |
All we want is to find her kidnapper as soon as possible. | 0:13:38 | 0:13:41 | |
We have to ask your daughter more questions, I'm afraid. | 0:13:41 | 0:13:44 | |
Right now? | 0:13:44 | 0:13:46 | |
Yeah. I'm afraid so. | 0:13:48 | 0:13:50 | |
Then I'm staying with her. | 0:13:50 | 0:13:52 | |
It's OK. | 0:13:53 | 0:13:55 | |
I can do it. | 0:13:58 | 0:13:59 | |
I can. | 0:14:01 | 0:14:03 | |
Mum... | 0:14:06 | 0:14:07 | |
SHE CRIES AND LAUGHS | 0:14:10 | 0:14:13 | |
-The next stage is then... -Do you know what happened? | 0:14:13 | 0:14:16 | |
The next stage is...? Yes? | 0:14:18 | 0:14:20 | |
When this part of the interview is done with, | 0:14:20 | 0:14:22 | |
Ivy will see a female doctor for tests. | 0:14:22 | 0:14:25 | |
-What kind of tests? -Could you just let the girl speak?! | 0:14:25 | 0:14:27 | |
Sorry. | 0:14:28 | 0:14:30 | |
Details of the force's wider support team, | 0:14:32 | 0:14:36 | |
for you, as a family. | 0:14:36 | 0:14:37 | |
Psychiatrists, psychotherapists. | 0:14:38 | 0:14:40 | |
No need, thank you. | 0:14:40 | 0:14:42 | |
Besides the shock... | 0:14:45 | 0:14:46 | |
This shock you're in right now, | 0:14:46 | 0:14:49 | |
they're there to help with Ivy's readjustment. | 0:14:49 | 0:14:51 | |
Maintain a routine as clockwork. | 0:14:51 | 0:14:53 | |
Any sudden changes could set the vic... | 0:14:53 | 0:14:55 | |
Could set Ivy back. I know. | 0:14:55 | 0:14:57 | |
I've read and reread in case. | 0:14:57 | 0:15:00 | |
So, I know. | 0:15:00 | 0:15:02 | |
Could we have a minute, please? | 0:15:02 | 0:15:04 | |
DOOR CLOSES | 0:15:11 | 0:15:13 | |
You need to come home, Angus. | 0:15:13 | 0:15:15 | |
Everything has to be exactly as it was for Ivy. | 0:15:15 | 0:15:19 | |
Us, we're her parents. | 0:15:20 | 0:15:22 | |
We can't take that away from her. | 0:15:22 | 0:15:24 | |
So, your 999 call. | 0:15:27 | 0:15:29 | |
-How long from escaping the house to making it? -I don't know. | 0:15:29 | 0:15:32 | |
Two minutes fair? Five? | 0:15:34 | 0:15:36 | |
OK, good. Good. We'll say five. | 0:15:38 | 0:15:40 | |
Which is good, because that narrows it down. | 0:15:40 | 0:15:43 | |
And not all this is residential, see? | 0:15:43 | 0:15:46 | |
So, we're much closer. You're doing great. | 0:15:46 | 0:15:49 | |
Now, what was the house like? Was it on its own? | 0:15:49 | 0:15:51 | |
Part of a terrace? Terrace? Good. OK. | 0:15:51 | 0:15:54 | |
Any distinguishing marks? | 0:15:54 | 0:15:57 | |
The door was red. | 0:15:58 | 0:16:00 | |
Was there anything else about the front of the house? | 0:16:09 | 0:16:11 | |
-Was there a gate? -Green. | 0:16:11 | 0:16:14 | |
Is that the one, Ivy? | 0:16:25 | 0:16:26 | |
Just give me a nod if it is. | 0:16:28 | 0:16:30 | |
-Request firearms. Location found. -RADIO STATIC | 0:16:36 | 0:16:39 | |
GLASS SHATTERS | 0:16:50 | 0:16:52 | |
SHOUTING | 0:16:52 | 0:16:54 | |
HE SNIFFS | 0:17:23 | 0:17:25 | |
Bastard's bleached the place. | 0:17:25 | 0:17:27 | |
HE EXHALES | 0:17:34 | 0:17:35 | |
Used his advantage, didn't he? | 0:17:58 | 0:18:01 | |
There's nothing left. | 0:18:01 | 0:18:03 | |
So, he comes back, sees Ivy's gone, | 0:18:07 | 0:18:10 | |
loses his shit then runs. | 0:18:10 | 0:18:12 | |
He's got three hours on us. | 0:18:13 | 0:18:15 | |
-RADIO STATIC -No sighting of kidnapper at address. | 0:18:17 | 0:18:19 | |
He's still at large. | 0:18:19 | 0:18:21 | |
DRIPPING WATER | 0:18:24 | 0:18:26 | |
We'll park up in the relative's room. | 0:19:05 | 0:19:08 | |
I've had the boys in the canteen sort you something to eat. | 0:19:08 | 0:19:10 | |
I thought you might like this. | 0:19:12 | 0:19:14 | |
I can't imagine it's much fun being in that suit. | 0:19:14 | 0:19:17 | |
Like a present? | 0:19:24 | 0:19:26 | |
-Mrs Moxam! -How does does it feel...? | 0:19:45 | 0:19:48 | |
CLAMOUR | 0:19:48 | 0:19:50 | |
The Moxams... | 0:19:59 | 0:20:00 | |
TV: '..are yet to confirm reports that their daughter, Ivy, | 0:20:00 | 0:20:03 | |
'snatched as a 13-year-old in 2003, has been found alive. | 0:20:03 | 0:20:05 | |
'The original investigation | 0:20:05 | 0:20:07 | |
'into the Sunbridge High pupil's disappearance | 0:20:07 | 0:20:09 | |
'was the largest in Bristol's history, | 0:20:09 | 0:20:11 | |
'and although several arrests followed, | 0:20:11 | 0:20:13 | |
'no-one was ever convicted of the abduction.' | 0:20:13 | 0:20:16 | |
PHONE VIBRATES | 0:20:18 | 0:20:20 | |
'If the reports are true, then Ivy Moxam will now be | 0:20:22 | 0:20:25 | |
'a 26-year-old woman, | 0:20:25 | 0:20:27 | |
'having to face the loss of 13 years of her life.' DOOR OPENS > | 0:20:27 | 0:20:30 | |
DOOR SLAMS | 0:20:34 | 0:20:35 | |
I'll be upstairs if you need me. | 0:20:37 | 0:20:39 | |
Hm. | 0:20:39 | 0:20:40 | |
I don't know what to say. | 0:20:41 | 0:20:43 | |
SHE SIGHS | 0:20:45 | 0:20:46 | |
It's been a while, Craig. | 0:20:52 | 0:20:54 | |
It's good to see you. | 0:20:54 | 0:20:55 | |
I'm sorry, Em. I couldn't just ignore him. | 0:21:08 | 0:21:10 | |
He is your dad. | 0:21:10 | 0:21:12 | |
It's not Ivy. | 0:21:16 | 0:21:18 | |
That girl... | 0:21:20 | 0:21:22 | |
She's not my big sister. | 0:21:22 | 0:21:24 | |
-Can I give you a hand? -I can manage. | 0:21:56 | 0:21:59 | |
You should get back, pack, | 0:21:59 | 0:22:01 | |
have the necessarily conversation with your... | 0:22:01 | 0:22:03 | |
your bit. | 0:22:03 | 0:22:05 | |
-Ivy'll be here soon. -I'll be back before then. Promise. | 0:22:06 | 0:22:09 | |
-You should eat. -I'm fine. | 0:22:16 | 0:22:18 | |
It's for you. | 0:22:18 | 0:22:20 | |
There's no fish though. | 0:22:20 | 0:22:23 | |
You should eat two portions of fish a week, | 0:22:23 | 0:22:26 | |
one oily, the baby needs it. | 0:22:26 | 0:22:28 | |
How do you know that, Ivy? | 0:22:28 | 0:22:30 | |
I read it in a book he gave me. | 0:22:32 | 0:22:33 | |
And... | 0:22:35 | 0:22:37 | |
..did he ever give you fish? | 0:22:38 | 0:22:41 | |
Only until I didn't... | 0:22:44 | 0:22:46 | |
I didn't need it. | 0:22:48 | 0:22:49 | |
The fish was the nicest. | 0:22:53 | 0:22:55 | |
It tasted of something more than usual. | 0:22:55 | 0:22:57 | |
What was the usual? | 0:22:58 | 0:23:00 | |
Tinned food. | 0:23:00 | 0:23:02 | |
I ate from the can. | 0:23:04 | 0:23:06 | |
No spoon. | 0:23:06 | 0:23:07 | |
We had to earn the right to a spoon. | 0:23:10 | 0:23:12 | |
I never did. | 0:23:15 | 0:23:17 | |
Did he... | 0:23:19 | 0:23:21 | |
ever give you... | 0:23:21 | 0:23:23 | |
anything? | 0:23:23 | 0:23:24 | |
So, what did you do all day? | 0:23:27 | 0:23:29 | |
There was no light so I didn't know if it was day or night. | 0:23:30 | 0:23:35 | |
CAMERAS CLICK | 0:23:35 | 0:23:37 | |
-How did you keep track, then? -I didn't. | 0:23:37 | 0:23:40 | |
Time was just when he wasn't there and he was. | 0:23:41 | 0:23:45 | |
Traces of blood. | 0:23:47 | 0:23:49 | |
Could be the usual kitchen injury. Could be... | 0:23:50 | 0:23:53 | |
Sick fuck. | 0:23:54 | 0:23:56 | |
Sick, clever fuck. | 0:23:56 | 0:23:57 | |
Five different credit cards, five different names. | 0:23:58 | 0:24:01 | |
Not one of them are Leonard. | 0:24:01 | 0:24:03 | |
Run these IDs - wheres, whens - | 0:24:03 | 0:24:05 | |
-see if we can get a paper trail leading to the real man. -Sure. | 0:24:05 | 0:24:08 | |
That's a passport photo. | 0:24:10 | 0:24:12 | |
So, she was allowed out. | 0:24:13 | 0:24:15 | |
We...got a little something for you both. | 0:24:17 | 0:24:20 | |
Ivy's size. | 0:24:24 | 0:24:25 | |
Give or take. | 0:24:25 | 0:24:27 | |
-What are her clothes doing in his room? -There's more. | 0:24:28 | 0:24:32 | |
We're getting it tested. It's a long, brown hair. | 0:24:32 | 0:24:35 | |
-Looks like your little girl's... -Yep. Thanks. Got it, Jim. | 0:24:36 | 0:24:41 | |
-Doesn't mean that Ivy slept here. -How do you even know she did? | 0:24:44 | 0:24:46 | |
We can't know the circumstances. | 0:24:46 | 0:24:49 | |
If it was consensual, | 0:24:49 | 0:24:51 | |
or less than. | 0:24:51 | 0:24:52 | |
-Poor girl. -Elliot. | 0:24:52 | 0:24:54 | |
She came in a girl. | 0:24:54 | 0:24:57 | |
She's a woman now. | 0:24:57 | 0:24:58 | |
I know you were only little, | 0:25:07 | 0:25:09 | |
but what do you think? | 0:25:09 | 0:25:11 | |
Does it look the same? | 0:25:11 | 0:25:12 | |
I want everything to be just right for Ivy. | 0:25:12 | 0:25:17 | |
Look at you, Emma. | 0:25:17 | 0:25:19 | |
All that puppy fat. | 0:25:19 | 0:25:21 | |
Rows of it. | 0:25:21 | 0:25:23 | |
Oh, darling. Your dad's only joking. | 0:25:24 | 0:25:27 | |
It's not that. | 0:25:28 | 0:25:30 | |
Mum, I'm sorry. | 0:25:32 | 0:25:34 | |
But that girl, it... | 0:25:34 | 0:25:36 | |
It isn't her. | 0:25:38 | 0:25:40 | |
-It isn't Ivy. -How can you say...? -You were only 11 years old, Emma. | 0:25:41 | 0:25:44 | |
It is totally, totally understandable that you | 0:25:45 | 0:25:49 | |
would have a different idea of Ivy in your head. | 0:25:49 | 0:25:51 | |
PHONE RINGS | 0:25:55 | 0:25:57 | |
Hello. | 0:25:58 | 0:26:00 | |
When are you bringing her home? | 0:26:02 | 0:26:04 | |
Thank you. | 0:26:06 | 0:26:07 | |
The DNA's come back as Ivy's. | 0:26:11 | 0:26:12 | |
SHE GASPS | 0:26:14 | 0:26:17 | |
We found some items of yours up in his room... | 0:26:20 | 0:26:23 | |
..suggesting you were allowed out of the cellar. | 0:26:26 | 0:26:29 | |
We'd come to understand from you that this wasn't the case. | 0:26:31 | 0:26:34 | |
It's easy to get things mixed up. | 0:26:37 | 0:26:39 | |
I do it all the time. | 0:26:39 | 0:26:41 | |
Did you ever leave the cellar? | 0:26:43 | 0:26:45 | |
And did you also leave the house? | 0:26:49 | 0:26:51 | |
There was a passport photo of you. | 0:26:55 | 0:26:57 | |
Was he planning on taking you away? | 0:26:59 | 0:27:01 | |
But he did take you out and about? | 0:27:03 | 0:27:05 | |
Just once. | 0:27:08 | 0:27:10 | |
Do you want to talk us through what happened? | 0:27:13 | 0:27:16 | |
Where did you go? | 0:27:17 | 0:27:18 | |
I don't know, there... | 0:27:19 | 0:27:21 | |
There were people everywhere. | 0:27:22 | 0:27:24 | |
Did you try to communicate your situation to any of these people? | 0:27:24 | 0:27:28 | |
You're thinking I should've told someone. | 0:27:33 | 0:27:36 | |
Run. | 0:27:37 | 0:27:38 | |
That it was my fault. | 0:27:40 | 0:27:42 | |
No-one's thinking that. | 0:27:42 | 0:27:43 | |
Can I go home now? | 0:27:45 | 0:27:46 | |
I'm afraid we've a lot more to ask. | 0:27:46 | 0:27:49 | |
Why can't you do that at my house? | 0:27:49 | 0:27:51 | |
In here, we can keep an eye on you. | 0:27:52 | 0:27:54 | |
-Make sure you've got everything you need. -I need my mum. | 0:27:54 | 0:27:57 | |
-There is the option of a safe house for you and your family. -No. | 0:27:59 | 0:28:03 | |
I...I just want to go home. | 0:28:05 | 0:28:08 | |
Ivy, you have to understand, | 0:28:08 | 0:28:10 | |
your safety is the most important thing to us. | 0:28:10 | 0:28:13 | |
I'd be safest there. | 0:28:13 | 0:28:15 | |
Preparations would have to be made to your house. | 0:28:20 | 0:28:23 | |
Security measures. | 0:28:23 | 0:28:25 | |
But I could go back? | 0:28:26 | 0:28:29 | |
Yes. Yes, you could. | 0:28:29 | 0:28:32 | |
We'll finish our questions here, | 0:28:32 | 0:28:34 | |
let them get everything sorted the other end, and then we'll go. OK? | 0:28:34 | 0:28:39 | |
Thanks. | 0:28:41 | 0:28:42 | |
The day you were taken... | 0:28:51 | 0:28:52 | |
..you were meant to be at school, | 0:28:54 | 0:28:57 | |
but you weren't. Why was that? | 0:28:57 | 0:29:00 | |
-I was going to meet El. -El? | 0:29:01 | 0:29:04 | |
Eloise. | 0:29:06 | 0:29:07 | |
My best friend. | 0:29:08 | 0:29:10 | |
-There he is! -VOICES CLAMOUR | 0:29:12 | 0:29:15 | |
Press are after a comment. I put something together for you. | 0:29:22 | 0:29:26 | |
All thoughts and wishes are with the Moxam family at this time. | 0:29:26 | 0:29:29 | |
Better pupil than Ivy you couldn't have hoped for. That sort of thing. | 0:29:29 | 0:29:33 | |
She should have been in school. | 0:29:36 | 0:29:38 | |
That day she was taken, she should have been here, under our care. | 0:29:38 | 0:29:42 | |
Look, if you can keep people at bay, | 0:29:48 | 0:29:50 | |
I'll try and work out what we're going to do. | 0:29:50 | 0:29:53 | |
-It's been years, Tim. Have you spoken to Christina yet? -'No.' | 0:30:03 | 0:30:09 | |
-I didn't know what to say. -'Still a pussy, then?' | 0:30:09 | 0:30:12 | |
-Still a bitch? -Always. | 0:30:12 | 0:30:14 | |
I'll call her. | 0:30:14 | 0:30:16 | |
Who was that? | 0:30:19 | 0:30:20 | |
Eloise. | 0:30:20 | 0:30:22 | |
CLAMOUR | 0:30:23 | 0:30:26 | |
She's back. I'll call you in a couple of days, Eloise. Bye. Bye. | 0:30:30 | 0:30:34 | |
I love you so much. | 0:30:43 | 0:30:45 | |
Have you found him? | 0:30:45 | 0:30:47 | |
I'm afraid not. Not yet. | 0:30:47 | 0:30:49 | |
Is there a chance he could come here? | 0:30:49 | 0:30:51 | |
There is a system in place to protect Ivy. | 0:30:51 | 0:30:55 | |
Your home's monitored by the cameras | 0:30:55 | 0:30:57 | |
and she has an around-the-clock police detail. | 0:30:57 | 0:30:59 | |
What about you, DI Carne? | 0:30:59 | 0:31:00 | |
We'll be out finding your kidnapper, Ivy. | 0:31:01 | 0:31:04 | |
This first night, if it reassures you, I'll keep an eye out. | 0:31:06 | 0:31:09 | |
What's the plan for arresting him? | 0:31:09 | 0:31:11 | |
We're looking at all the Colbridge Road home owners. | 0:31:11 | 0:31:14 | |
A picture will emerge of this man and once we... | 0:31:14 | 0:31:17 | |
Can we have some time alone with our daughter now? | 0:31:17 | 0:31:20 | |
I'm afraid Alia will be stationed here | 0:31:20 | 0:31:22 | |
-until the situation's calmed down. -I'm trained in melting | 0:31:22 | 0:31:25 | |
into the background and when you need me... | 0:31:25 | 0:31:26 | |
We'll be back tomorrow to talk some more. If that's OK, Ivy? | 0:31:29 | 0:31:31 | |
Hiya. | 0:31:41 | 0:31:43 | |
I missed you. | 0:31:44 | 0:31:46 | |
Pride of place. | 0:32:02 | 0:32:04 | |
Year Four, you made that, remember? | 0:32:05 | 0:32:08 | |
Of course you do. | 0:32:09 | 0:32:10 | |
Sorry. | 0:32:12 | 0:32:13 | |
I'm... | 0:32:18 | 0:32:19 | |
Well, I'm getting married. | 0:32:20 | 0:32:23 | |
Would you like to... I know he'd love to meet you. | 0:32:24 | 0:32:28 | |
Craig! | 0:32:32 | 0:32:33 | |
He's really a lovely man. | 0:32:33 | 0:32:35 | |
Ivy, hi. I'm Craig. | 0:32:39 | 0:32:41 | |
-Craig lives with us now. -And very glad of it, I am. | 0:32:41 | 0:32:44 | |
Good to have a man about the house. | 0:32:44 | 0:32:46 | |
You know what your dad's idea of DIY is, dusting off the Yellow Pages! | 0:32:49 | 0:32:53 | |
Sorry to intrude on this. | 0:32:56 | 0:32:58 | |
No, it's my fault. | 0:32:58 | 0:33:00 | |
-Sorry, Ivy. -KNOCK ON WINDOW | 0:33:00 | 0:33:02 | |
-MAN: -Ivy! -CAMERA SHUTTERS CLICK | 0:33:02 | 0:33:04 | |
Can you do something about that? | 0:33:04 | 0:33:06 | |
Uniform will keep them back as much as possible. | 0:33:06 | 0:33:10 | |
It's not ideal. I know. | 0:33:10 | 0:33:11 | |
Sorry about that, darling. | 0:33:11 | 0:33:13 | |
You must be hungry. Can I get you a snack? | 0:33:13 | 0:33:16 | |
-Something to drink? -Give her a chance, Chris. | 0:33:16 | 0:33:18 | |
Sorry. | 0:33:20 | 0:33:21 | |
I'm...sorry. | 0:33:21 | 0:33:23 | |
Everyone stop saying sorry. | 0:33:23 | 0:33:25 | |
Is my room still...? | 0:33:30 | 0:33:32 | |
It's just how I remember it. | 0:33:57 | 0:33:59 | |
'No joy so far. No-one seems to have known the guy. | 0:34:07 | 0:34:09 | |
'He kept odd hours, never said a word to anyone.' | 0:34:09 | 0:34:12 | |
-What about home security cameras? -Mm-mm. | 0:34:12 | 0:34:15 | |
It's a safe little place. | 0:34:15 | 0:34:17 | |
Well, that's what they thought until a few hours ago. | 0:34:18 | 0:34:21 | |
-'Are you OK over there?' -We have to find him. | 0:34:24 | 0:34:26 | |
His cards are being run. Where he spends, we pull out the CCTV. | 0:34:26 | 0:34:30 | |
'We'll get there. Breakthrough. All that jazz.' | 0:34:30 | 0:34:34 | |
How about when our turn's over | 0:34:34 | 0:34:36 | |
we see off the longest day with a drink? | 0:34:36 | 0:34:38 | |
Tempting though it is, I can't. I promised Ivy. | 0:34:38 | 0:34:42 | |
-I'll try not to take it personally. -'Don't.' | 0:34:42 | 0:34:46 | |
In fact, let's rain check for Friday. | 0:34:46 | 0:34:47 | |
And I'll even lob you in a feed round mine. | 0:34:47 | 0:34:50 | |
'If you promise not to judge the state of my flat.' | 0:34:50 | 0:34:52 | |
WHISPERING: I'm sorry. | 0:35:13 | 0:35:15 | |
I'm sorry... | 0:35:15 | 0:35:18 | |
I'm sorry. | 0:35:18 | 0:35:20 | |
I'm sorry... | 0:35:20 | 0:35:22 | |
PHONE VIBRATES | 0:36:23 | 0:36:26 | |
-I can't really... -'Talk? No? | 0:36:26 | 0:36:29 | |
'I can't wait. You can't lie yourself | 0:36:29 | 0:36:31 | |
'into loving her again, Angus, | 0:36:31 | 0:36:32 | |
'into everything being how it was.' | 0:36:32 | 0:36:34 | |
-I'm sorry, but I... -'I love you, and I know you love me.' -Sorry. | 0:36:34 | 0:36:38 | |
-Will we be expecting many more of these late-night calls? -Please. | 0:36:43 | 0:36:47 | |
I don't want to fight with you. | 0:36:48 | 0:36:50 | |
Ivy...she won't let me near her. | 0:36:53 | 0:36:56 | |
We just need to give her some time. | 0:37:11 | 0:37:13 | |
I'll run the iron over this. | 0:37:19 | 0:37:21 | |
'You were meant to be at school but you weren't. Why was that? | 0:37:45 | 0:37:50 | |
'I was going to meet El. | 0:37:50 | 0:37:52 | |
'El? | 0:37:52 | 0:37:54 | |
'Eloise. My best friend. | 0:37:54 | 0:37:57 | |
'She wanted to go to the Stokes Croft Arcade. | 0:37:57 | 0:37:59 | |
'You were last seen on Docton Lane at 9.08. | 0:38:01 | 0:38:04 | |
'That's quite a way from the arcade. | 0:38:04 | 0:38:07 | |
'El was late so... | 0:38:07 | 0:38:09 | |
'..I started to walk towards her house. | 0:38:11 | 0:38:14 | |
-'Down the back streets? -Mm. | 0:38:15 | 0:38:18 | |
'I had my MiniDisc on. | 0:38:20 | 0:38:23 | |
'Mum always told me off for how loud I had it. | 0:38:23 | 0:38:27 | |
'What happened next, Ivy? | 0:38:28 | 0:38:30 | |
'A hand... | 0:38:33 | 0:38:34 | |
'..over my... | 0:38:35 | 0:38:37 | |
'..and my neck. | 0:38:39 | 0:38:41 | |
'Dragged back. | 0:38:42 | 0:38:43 | |
'I got shoved in a van. | 0:38:48 | 0:38:50 | |
'Hit something sharp. | 0:38:52 | 0:38:54 | |
'And then nothing. | 0:38:55 | 0:38:57 | |
'And when I awoke... | 0:39:00 | 0:39:01 | |
'..it was dark and... | 0:39:03 | 0:39:04 | |
'..and I was there.' | 0:39:09 | 0:39:11 | |
SHE BREATHES RAGGEDLY | 0:39:11 | 0:39:13 | |
We have a face! | 0:39:25 | 0:39:27 | |
-PHONE RINGS -Wake up, slowpoke. | 0:39:31 | 0:39:34 | |
'Charming(!) And for the record, I was awake.' | 0:39:34 | 0:39:36 | |
We've got him. | 0:39:36 | 0:39:38 | |
Forecourt footage from a garage. | 0:39:38 | 0:39:40 | |
He used one of his stolen IDs to tab up. | 0:39:40 | 0:39:42 | |
The PNC's giving us a name. | 0:39:45 | 0:39:48 | |
Mark White. | 0:39:49 | 0:39:51 | |
We need Ivy to confirm. | 0:39:51 | 0:39:54 | |
Is this him, Ivy? | 0:39:54 | 0:39:55 | |
What happens now? | 0:40:00 | 0:40:02 | |
We circulate the image city-wide. | 0:40:02 | 0:40:04 | |
You'll get him? | 0:40:09 | 0:40:11 | |
It's a significant step forward. | 0:40:11 | 0:40:13 | |
KNOCK ON DOOR | 0:40:13 | 0:40:16 | |
Will you do my make-up? | 0:40:26 | 0:40:28 | |
-Craig, do you mind? -HE SIGHS | 0:40:31 | 0:40:34 | |
-So, what are we going for? -You choose. | 0:40:50 | 0:40:54 | |
Is this all yours? | 0:40:59 | 0:41:01 | |
It's not much. | 0:41:01 | 0:41:03 | |
So, what's the occasion? | 0:41:04 | 0:41:06 | |
I want to look nice. | 0:41:09 | 0:41:10 | |
Who for? | 0:41:13 | 0:41:14 | |
It's been, um... | 0:41:21 | 0:41:23 | |
Ivy told you I was coming, right? | 0:41:25 | 0:41:27 | |
Tim. | 0:41:32 | 0:41:34 | |
-Come upstairs. -Oh, I don't know if that's a good idea. | 0:41:35 | 0:41:38 | |
It's OK, Mum. | 0:41:40 | 0:41:42 | |
I'm 26. | 0:41:42 | 0:41:43 | |
You look... | 0:42:14 | 0:42:15 | |
How are you? | 0:42:19 | 0:42:21 | |
That's a stupid question. | 0:42:21 | 0:42:22 | |
Bored of talking about me. | 0:42:24 | 0:42:26 | |
I want to know how you are. | 0:42:27 | 0:42:30 | |
-And I want to know how you are. -Snap! | 0:42:30 | 0:42:31 | |
And, as the oldest by 15 days, I win. | 0:42:33 | 0:42:35 | |
How's El and...and the rest of the gang? | 0:42:37 | 0:42:40 | |
Did Holl manage not to get kicked out of school? | 0:42:40 | 0:42:43 | |
Sorry. | 0:42:43 | 0:42:44 | |
Too fast. | 0:42:44 | 0:42:46 | |
Pick a question. | 0:42:46 | 0:42:47 | |
Holl made it. She works in Debenhams now. | 0:42:49 | 0:42:51 | |
-I never see her though. -KNOCK ON DOOR | 0:42:51 | 0:42:55 | |
-Can I bring you up some drinks? -We're fine. Thanks, Mum. | 0:42:57 | 0:42:59 | |
How's your mum? Dad? Sisters? | 0:43:09 | 0:43:11 | |
Fine. | 0:43:11 | 0:43:13 | |
That's good. | 0:43:15 | 0:43:16 | |
I liked them. | 0:43:18 | 0:43:19 | |
Did they like me? I know I could be... | 0:43:21 | 0:43:23 | |
They liked...like you. | 0:43:23 | 0:43:27 | |
All of them said to send you their love, | 0:43:28 | 0:43:32 | |
say that you're in their prayers. | 0:43:32 | 0:43:33 | |
So, what's changed? | 0:43:39 | 0:43:41 | |
Much? | 0:43:43 | 0:43:44 | |
Nothing? | 0:43:44 | 0:43:45 | |
Anything? | 0:43:47 | 0:43:48 | |
-Can I go for somewhere in between? -KNOCK ON DOOR | 0:43:50 | 0:43:54 | |
-Ivy, we need to resume our interview. -I've got my friend here. | 0:43:56 | 0:44:00 | |
So I see, but it's important. | 0:44:00 | 0:44:01 | |
-Sure, no worries. -I'll be down when I'm ready. | 0:44:01 | 0:44:04 | |
-I should go. -Not yet, please. | 0:44:17 | 0:44:19 | |
Do you still skate? | 0:44:23 | 0:44:26 | |
I could watch you for hours. | 0:44:26 | 0:44:28 | |
-HE LAUGHS -I'm practically an old man now. | 0:44:28 | 0:44:30 | |
I've got dodgy knees. | 0:44:30 | 0:44:32 | |
I'm not sure I'd even know how any more. | 0:44:32 | 0:44:35 | |
I wouldn't say old. | 0:44:36 | 0:44:37 | |
Older, maybe, but... | 0:44:38 | 0:44:40 | |
..everyone is. | 0:44:42 | 0:44:43 | |
I'm so... | 0:44:50 | 0:44:52 | |
I can't... | 0:44:55 | 0:44:56 | |
You're back! | 0:44:58 | 0:44:59 | |
Back in a min. | 0:45:11 | 0:45:12 | |
We know who he is, we just have to validate... | 0:45:20 | 0:45:23 | |
SHE HYPERVENTILATES | 0:45:30 | 0:45:33 | |
-Ivy? -Ivy! -IVY! | 0:46:03 | 0:46:05 | |
I'll find her. I'll find her. | 0:46:11 | 0:46:13 | |
BABY SCREAMS | 0:46:26 | 0:46:29 | |
SHE LAUGHS | 0:46:32 | 0:46:35 | |
We'll bring her back. | 0:46:52 | 0:46:54 | |
Ivy! | 0:47:21 | 0:47:23 | |
I thought you'd be here. | 0:47:25 | 0:47:26 | |
Are you OK? | 0:47:28 | 0:47:29 | |
Ivy, tell me that you're OK, please. | 0:47:29 | 0:47:33 | |
I'm here now. | 0:47:42 | 0:47:44 | |
You're safe. | 0:47:44 | 0:47:45 | |
Christina. I've found her. | 0:47:54 | 0:47:57 | |
No, she's fine. | 0:47:58 | 0:47:59 | |
I'll bring her back. | 0:48:01 | 0:48:03 | |
-PHONE RINGS -'Ivy's been found.' | 0:48:03 | 0:48:06 | |
HE SIGHS | 0:48:06 | 0:48:08 | |
'See you back here soon.' | 0:48:09 | 0:48:11 | |
OK. | 0:48:13 | 0:48:14 | |
One moment, Mrs Moxam. They're being escorted in now. | 0:48:14 | 0:48:17 | |
-She never leaves our sight again. -We can't be with her every minute. | 0:48:17 | 0:48:20 | |
-Just watch me. -Chris, I just don't think | 0:48:20 | 0:48:22 | |
that we can wrap her up in some sort of bubble. | 0:48:22 | 0:48:24 | |
-We haven't even told her about our time apart. -No sudden shocks. | 0:48:24 | 0:48:28 | |
SHE SCOFFS | 0:48:28 | 0:48:29 | |
And "time apart" is a funny way to describe shagging your PA. | 0:48:29 | 0:48:32 | |
Please! She'll be in in a sec. | 0:48:32 | 0:48:35 | |
None of us, none of us have even the tiniest idea | 0:48:35 | 0:48:37 | |
what she's been through, what it's been like. | 0:48:37 | 0:48:40 | |
Because you won't let us ask. | 0:48:40 | 0:48:41 | |
You just want to ram your fingers in your ears, block it all out. | 0:48:41 | 0:48:44 | |
-It's not going to go away, Chris. Things happened to her... -SHUT UP! | 0:48:44 | 0:48:48 | |
-We were worried. Beyond worried. -Don't listen to your dad. | 0:48:53 | 0:48:56 | |
-We're just...just glad you're OK. -Where were you? | 0:48:56 | 0:48:59 | |
The courtyard off Broadmead. We used to go there after school. | 0:48:59 | 0:49:03 | |
Why would you risk going outside? | 0:49:04 | 0:49:06 | |
Where are you go...? | 0:49:09 | 0:49:10 | |
Of course, you must be exhausted. | 0:49:12 | 0:49:14 | |
I'll bring you up some cocoa if you like | 0:49:14 | 0:49:16 | |
and we'll keep it quiet down here so you can get some sleep... | 0:49:16 | 0:49:19 | |
Can't have her out wandering the streets when... | 0:49:21 | 0:49:24 | |
When her kidnapper's out there. | 0:49:24 | 0:49:26 | |
Why, when Ivy knows this, did she CHOOSE to leave the house? | 0:49:26 | 0:49:29 | |
-It doesn't make any sense. -It was hardly a calculated decision. | 0:49:29 | 0:49:32 | |
What are you suggesting, DS Merchant? | 0:49:32 | 0:49:35 | |
I don't know. | 0:49:35 | 0:49:36 | |
The delays in her intel, the inconsistencies, | 0:49:38 | 0:49:41 | |
the lack of a decent description of her attacker... | 0:49:41 | 0:49:44 | |
It could all speak to Stockholm Syndrome. | 0:49:45 | 0:49:48 | |
You don't agree, DI Carne? | 0:49:48 | 0:49:50 | |
I think it's been a long two days. | 0:49:52 | 0:49:54 | |
Detail is what's missing from your account so far. | 0:49:58 | 0:50:01 | |
We want to work back from the months after you were first snatched | 0:50:01 | 0:50:05 | |
to the end of year one. Is that OK with you? | 0:50:05 | 0:50:08 | |
For this to be of any use to us, | 0:50:11 | 0:50:13 | |
we're going to need you to communicate as much as possible. | 0:50:13 | 0:50:16 | |
KNOCK ON DOOR | 0:50:16 | 0:50:19 | |
Can I get anyone tea? Coffee? | 0:50:19 | 0:50:21 | |
Maybe just some water, then. | 0:50:21 | 0:50:24 | |
I'll give you a hand, Mrs Moxam. | 0:50:24 | 0:50:26 | |
You're not in trouble for running off, | 0:50:35 | 0:50:38 | |
if that's what you think, Ivy. | 0:50:38 | 0:50:39 | |
It's just you worried a lot of people. | 0:50:39 | 0:50:42 | |
This kidnapper, he could be anywhere. | 0:50:42 | 0:50:45 | |
-OK? -OK, DI Carne. | 0:50:46 | 0:50:48 | |
Elliott. | 0:50:49 | 0:50:51 | |
You should... | 0:50:51 | 0:50:53 | |
Elliot's my name. | 0:50:53 | 0:50:55 | |
I know it must be hard to put your trust in people. | 0:50:57 | 0:51:01 | |
I trust you... | 0:51:01 | 0:51:02 | |
..Elliott. | 0:51:04 | 0:51:05 | |
Good. | 0:51:05 | 0:51:07 | |
I...I'm glad. | 0:51:07 | 0:51:09 | |
I'm not very good with these, | 0:51:12 | 0:51:15 | |
with this sort of thing, but I, um... | 0:51:15 | 0:51:17 | |
You've been through a lot. | 0:51:18 | 0:51:19 | |
More than any girl should have to. | 0:51:21 | 0:51:23 | |
But you need to give yourself a chance to start living again. | 0:51:25 | 0:51:28 | |
Everything was on pause, but now...now... | 0:51:29 | 0:51:33 | |
Well, now, it's not. | 0:51:33 | 0:51:35 | |
No. | 0:51:38 | 0:51:39 | |
It's not. | 0:51:41 | 0:51:42 | |
You're right. | 0:51:43 | 0:51:44 | |
If you ever need to talk... | 0:51:50 | 0:51:52 | |
DOOR OPENS | 0:51:57 | 0:51:59 | |
She's so changeable. | 0:52:05 | 0:52:08 | |
I can't get a handle, a fix on it... Her. | 0:52:08 | 0:52:11 | |
Whatever happened in that house... | 0:52:13 | 0:52:15 | |
..it doesn't change the fact that Ivy's been damaged. | 0:52:17 | 0:52:20 | |
Possibly beyond repair. | 0:52:20 | 0:52:22 | |
I feel for her. I do. | 0:52:22 | 0:52:25 | |
But we have to be careful around her. | 0:52:26 | 0:52:29 | |
YOU have to be careful around her. | 0:52:30 | 0:52:34 | |
She's getting attached. | 0:52:35 | 0:52:37 | |
Who's buying, then? | 0:52:38 | 0:52:40 | |
Polish lad, Aron Bazan, | 0:52:40 | 0:52:42 | |
recognised White from the picture from 11 years back, | 0:52:42 | 0:52:44 | |
give or take a few. | 0:52:44 | 0:52:46 | |
He worked with him. Regular employment, regular pay cheque. | 0:52:46 | 0:52:49 | |
-Where? -Now, this is gold. | 0:52:49 | 0:52:51 | |
Mr Stone, we'd like you to come to the station | 0:53:02 | 0:53:05 | |
to ask you a few questions regarding Ivy Moxam. | 0:53:05 | 0:53:07 | |
-Sorry, why? -Information has come to light | 0:53:08 | 0:53:11 | |
that puts the kidnapper here as a former member of staff. | 0:53:11 | 0:53:14 | |
-What? -You've got it wrong! | 0:53:14 | 0:53:16 | |
As headmaster of the school, | 0:53:16 | 0:53:17 | |
Mr Stone is responsible for all employees. | 0:53:17 | 0:53:19 | |
Whatever you're starting to say, save it. | 0:53:19 | 0:53:22 | |
It's hard to believe you. | 0:53:22 | 0:53:24 | |
You can see that, can't you? | 0:53:24 | 0:53:26 | |
It's hard to believe that you've no recollection of a man | 0:53:26 | 0:53:29 | |
who was on the payroll of your school. | 0:53:29 | 0:53:31 | |
Look, there's hundreds of staff. | 0:53:31 | 0:53:33 | |
And that's just now. Let alone going back that far. Back to... | 0:53:33 | 0:53:37 | |
Back to when a 13-year-old, who was meant to be in class at your school, | 0:53:37 | 0:53:40 | |
back to when she was TAKEN by a member of YOUR staff. | 0:53:40 | 0:53:43 | |
We've a long night of this ahead. | 0:53:47 | 0:53:49 | |
Anyone you'd like to call? | 0:53:49 | 0:53:51 | |
Um, | 0:53:51 | 0:53:52 | |
thank you. | 0:53:52 | 0:53:54 | |
Yeah, um... | 0:53:54 | 0:53:55 | |
-PHONE RINGS -Hasn't stopped. | 0:53:59 | 0:54:02 | |
It's no-one's business but ours. | 0:54:02 | 0:54:05 | |
..Hello. | 0:54:05 | 0:54:06 | |
'It's Henry. | 0:54:06 | 0:54:07 | |
'Henry Stone.' | 0:54:08 | 0:54:10 | |
-Who is it? -Can I have some peace, please? | 0:54:10 | 0:54:13 | |
Why are you calling here? | 0:54:22 | 0:54:24 | |
'What you'll hear about me - I swear I didn't know. | 0:54:24 | 0:54:29 | |
-'I'd never do that to you.' -What are you talking about? | 0:54:29 | 0:54:32 | |
'The man who took Ivy, | 0:54:32 | 0:54:34 | |
'the police are saying he worked at the school when... | 0:54:34 | 0:54:37 | |
'and after...' | 0:54:37 | 0:54:39 | |
SHE SOBS | 0:54:39 | 0:54:41 | |
"Tim. | 0:54:51 | 0:54:53 | |
"Ivy here. Hi. | 0:54:53 | 0:54:55 | |
"We used to write letters to each other all the time, so... | 0:54:55 | 0:54:59 | |
"Hello. | 0:54:59 | 0:55:00 | |
"Me again. | 0:55:00 | 0:55:01 | |
"13 years on, it's... it's a long time. | 0:55:01 | 0:55:05 | |
"Yesterday when I saw you I thought maybe too long. | 0:55:05 | 0:55:09 | |
"That I couldn't expect anyone to have waited, but you'd waited. | 0:55:09 | 0:55:14 | |
"Now, it's up to me to press play. Start living. | 0:55:15 | 0:55:19 | |
"So we can be like we were. | 0:55:19 | 0:55:21 | |
"Everything else has changed. | 0:55:22 | 0:55:25 | |
"Not us." | 0:55:25 | 0:55:26 | |
FOOTSTEPS | 0:55:26 | 0:55:29 | |
This looks... Where's Alia and the others? | 0:55:35 | 0:55:38 | |
I told them we needed one night. | 0:55:38 | 0:55:42 | |
-Smells good, Christina. -It really does, Mum. | 0:55:42 | 0:55:45 | |
It's your favourite, Ivy... | 0:55:47 | 0:55:49 | |
-Shit! -Here, run it under the tap. -I'm fine. There's no need to fuss. | 0:55:49 | 0:55:52 | |
Would you do the honours and serve? | 0:55:52 | 0:55:54 | |
Eat up, love, before it gets cold. | 0:55:59 | 0:56:01 | |
Save some space if you can. There's crumble for afters. | 0:56:08 | 0:56:11 | |
Oh, and I dug out Robin Hood: Prince of Thieves. | 0:56:11 | 0:56:14 | |
I thought we could watch it. | 0:56:14 | 0:56:15 | |
It's really delicious, Mum. | 0:56:19 | 0:56:21 | |
CUTLERY CLATTERS | 0:56:25 | 0:56:27 | |
-Sorry, Mum. -You've nothing to be sorry for. | 0:56:29 | 0:56:32 | |
-KNOCK ON DOOR -One night! -Do you want me to get it? | 0:56:32 | 0:56:35 | |
We're having a family dinner, like a normal family. | 0:56:35 | 0:56:38 | |
I'll get rid of them. | 0:56:38 | 0:56:39 | |
I'm sorry, Ivy, love. | 0:56:39 | 0:56:41 | |
We need Ivy to come in. | 0:56:50 | 0:56:52 | |
He's taken another girl. | 0:56:56 | 0:56:58 | |
Is this all for the little girl? | 0:57:06 | 0:57:08 | |
I thought it was just bad luck, him taking me. | 0:57:08 | 0:57:10 | |
If he was at my school, it can't have been, can it? | 0:57:10 | 0:57:13 | |
Maybe he plans to hole up, recreate what he had with Ivy. | 0:57:13 | 0:57:16 | |
This girl that's been taken. I'm sorry. | 0:57:16 | 0:57:19 | |
What is it? | 0:57:19 | 0:57:20 | |
Just watch it. | 0:57:20 | 0:57:22 | |
She's lying to us. Making a fool of you. | 0:57:22 | 0:57:25 | |
# Don't say nothing | 0:57:30 | 0:57:32 | |
# No | 0:57:32 | 0:57:34 | |
# I can see when you're lying Oh | 0:57:36 | 0:57:40 | |
# When you're alone You're so alone | 0:57:43 | 0:57:46 | |
# When you're alone You're so alone... # | 0:57:49 | 0:57:52 | |
They're saying another girl's been snatched. | 0:58:03 | 0:58:05 | |
Just like...just like Ivy Moxam was. | 0:58:05 | 0:58:09 |