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THIS PROGRAMME CONTAINS SOME SCENES WHICH SOME VIEWERS MAY FIND UPSETTING | 0:00:02 | 0:00:06 | |
6am is the appointed time of death for Oswald Danes. | 0:00:06 | 0:00:09 | |
Members of the public have gathered outside the penitentiary, | 0:00:09 | 0:00:13 | |
but the planned protests against the death sentence have failed | 0:00:13 | 0:00:16 | |
to appear, which isn't surprising given the nature of the offence. | 0:00:16 | 0:00:19 | |
A former schoolteacher convicted in 2006 of the rape and murder of 12-year-old Susie Kabina, | 0:00:19 | 0:00:26 | |
Danes will be remembered for his infamous line of defence. | 0:00:26 | 0:00:30 | |
Upon his arrest, he told the police, "She should've run faster." | 0:00:30 | 0:00:34 | |
The condemned is permitted to make a final statement. | 0:00:45 | 0:00:48 | |
Do you have anything to say? | 0:00:48 | 0:00:50 | |
Did you ever hear of Torchwood? | 0:02:15 | 0:02:17 | |
Never mind that. Guess what I just heard. | 0:02:17 | 0:02:20 | |
You know Steve Reynolds? Well, it turns out his wife is sick. | 0:02:20 | 0:02:22 | |
She has, like, leukaemia or something like that. | 0:02:22 | 0:02:25 | |
Whatever it is, it sounded long-term. | 0:02:25 | 0:02:28 | |
-It's British. The Torchwood Institute. -Hello? Are you listening? | 0:02:28 | 0:02:32 | |
You see, if Steve's gotta come home that leaves a space in Venezuela. | 0:02:32 | 0:02:35 | |
I spent 18 months working out the Maracaibo Routes, so it's mine. | 0:02:35 | 0:02:39 | |
-I get promoted! -Congratulations. | 0:02:39 | 0:02:41 | |
-Thank you. -And Steve's only been married six months. | 0:02:41 | 0:02:44 | |
All you want from me, you know? It's a tragedy. | 0:02:44 | 0:02:46 | |
All the same, this thing might be worth following. | 0:02:46 | 0:02:48 | |
It just got sent down. The word "Torchwood" | 0:02:48 | 0:02:50 | |
has been emailed to every single east-coast section chief completely bypassing security. | 0:02:50 | 0:02:54 | |
Just one word - Torchwood. | 0:02:54 | 0:02:57 | |
Following up this Torchwood incident, just wondering if you can access the EU files. | 0:02:57 | 0:03:00 | |
No, it's not "Touchwood," it's "Torchwood". T-O-R-C-H-W... | 0:03:00 | 0:03:05 | |
So what is Torchwood anyway? | 0:03:05 | 0:03:06 | |
I've looked it up. It's pretty freaky stuff. | 0:03:06 | 0:03:08 | |
-I'll send it to you now. -'Sounds more intelligence, not clandestine.' | 0:03:08 | 0:03:12 | |
-Are you getting this? -'If it's got the title "institute", that means that it's been' | 0:03:12 | 0:03:16 | |
officially sanctioned by the UK Government, which we all know | 0:03:16 | 0:03:18 | |
'is a big hassle because that administration is like kindergarten.' | 0:03:18 | 0:03:21 | |
It's gone. It just got wiped like a virus. | 0:03:21 | 0:03:25 | |
-It just vanished. -OK. Well, I guess that's that. | 0:03:25 | 0:03:27 | |
Now, go ask about Steve's wife. | 0:03:27 | 0:03:29 | |
Get a proper diagnosis. We need a timeline on this. | 0:03:29 | 0:03:32 | |
And pass that Torchwood thing on to somebody else. It has absolutely nothing to do with me. | 0:03:32 | 0:03:36 | |
'Rex? Rex?!' | 0:03:46 | 0:03:49 | |
-You OK? -Yeah. Yeah. Dunno. Just... | 0:03:52 | 0:03:55 | |
..bad dream. | 0:03:56 | 0:03:58 | |
-What about? -Oh. Oh, what d'you think? | 0:03:58 | 0:04:03 | |
Torchwood. | 0:04:07 | 0:04:08 | |
His pulse is fast and weak. Systolic BP of 70. | 0:04:30 | 0:04:33 | |
Beats me how he's still alive. | 0:04:33 | 0:04:36 | |
Rex, my name is Dr Juarez, OK? | 0:04:36 | 0:04:37 | |
We're taking you straight into surgery. | 0:04:37 | 0:04:39 | |
-Is he OK? His name is Rex Matheson. -You family? | 0:04:39 | 0:04:42 | |
-No, I'm just a colleague. We work... -It's family only. | 0:04:42 | 0:04:44 | |
He's the second one tonight... DOAs who just won't die. | 0:04:44 | 0:04:48 | |
We had a jumper this afternoon. 22 floors. | 0:04:48 | 0:04:50 | |
Everything pulverized. Pneumothorax, both sides, but she wouldn't die. Same thing. | 0:04:50 | 0:04:56 | |
Just wouldn't die. | 0:04:56 | 0:04:58 | |
Don't be so suspicious. | 0:05:38 | 0:05:42 | |
What they flying past for? | 0:05:42 | 0:05:43 | |
Because they can. This is God's own country, that's all. | 0:05:43 | 0:05:46 | |
Just looking. Now stop it. | 0:05:46 | 0:05:49 | |
So went outside all on my own. | 0:05:56 | 0:06:00 | |
'Twas midnight, not a sound to be heard. | 0:06:00 | 0:06:03 | |
And I looked up and a woman came out of the sky. | 0:06:03 | 0:06:07 | |
Ah! Shining she was, like moonlight, her eyes white, blazing white. | 0:06:07 | 0:06:12 | |
And then she started to sing like a thousand choirs. | 0:06:12 | 0:06:15 | |
One woman with a thousand voices and it was beautiful... | 0:06:15 | 0:06:19 | |
That's enough, don't you think? | 0:06:19 | 0:06:20 | |
Who's being paranoid now? | 0:06:20 | 0:06:22 | |
You promised you'd keep her away from this stuff. | 0:06:22 | 0:06:24 | |
Yeah, well, be fair. She's too young. | 0:06:24 | 0:06:26 | |
She thinks it all sounds like a fairy tale. | 0:06:26 | 0:06:28 | |
It was a nightmare, Gwen. Your life back then was a nightmare, love. | 0:06:28 | 0:06:32 | |
KNOCK AT DOOR | 0:06:32 | 0:06:34 | |
-There's someone at the door. -Shh! | 0:06:36 | 0:06:38 | |
What do we do? | 0:06:38 | 0:06:39 | |
You and... | 0:06:40 | 0:06:42 | |
ANOTHER KNOCK | 0:06:45 | 0:06:46 | |
Shh! | 0:07:00 | 0:07:01 | |
-Hi, hello. -Sorry. | 0:07:03 | 0:07:06 | |
I hope we're not disturbing you. Just wondering, if we're going back | 0:07:06 | 0:07:10 | |
to the village, is it quicker to cut back across to the beach or will we get cut off at this time of the day? | 0:07:10 | 0:07:15 | |
-Better to ask, I thought, just in case. -We have got proper shoes. | 0:07:15 | 0:07:19 | |
-We can get across nice and quickly. -It's private property. I'm busy. | 0:07:19 | 0:07:22 | |
-Get off my land! -Shut it. | 0:07:31 | 0:07:33 | |
Shh, oh, my God! I could have shot them. | 0:07:33 | 0:07:35 | |
Hey, hey, | 0:07:35 | 0:07:38 | |
we're safe, sweetheart. | 0:07:38 | 0:07:40 | |
No-one knows we're here. | 0:07:40 | 0:07:42 | |
All that stuff's long since gone. | 0:07:43 | 0:07:46 | |
-No more Torchwood, right? -Yeah. OK. | 0:07:46 | 0:07:48 | |
It's gone. Forgotten, eh? | 0:07:48 | 0:07:50 | |
Yeah, all right. Sorry. OK. | 0:07:50 | 0:07:53 | |
Come here. | 0:07:53 | 0:07:55 | |
Popular man, Rex Matheson. | 0:08:16 | 0:08:19 | |
We've had three different station chiefs on the phone. | 0:08:19 | 0:08:21 | |
-No sign of his family? -We only have a number for his father. | 0:08:21 | 0:08:24 | |
I left a message, but no-one's called back. | 0:08:24 | 0:08:27 | |
Is he... | 0:08:27 | 0:08:29 | |
No. No, he made it. He's alive. | 0:08:29 | 0:08:31 | |
God, I... | 0:08:31 | 0:08:34 | |
Thank you. I... | 0:08:34 | 0:08:36 | |
The paramedics, they said he didn't stand a chance. | 0:08:36 | 0:08:38 | |
Well, looks like someone changed the rules. | 0:08:38 | 0:08:41 | |
Miracles got...easy. | 0:08:41 | 0:08:45 | |
It's not only Rex who's still alive. | 0:08:45 | 0:08:47 | |
So is everyone else. | 0:08:48 | 0:08:50 | |
Sorry. I don't get you. | 0:08:51 | 0:08:53 | |
It started last night. | 0:08:55 | 0:08:57 | |
First I knew, they called up from the morgue. They were laughing. | 0:09:00 | 0:09:03 | |
They said, "What's happening up there? You on strike?" | 0:09:03 | 0:09:06 | |
Turns out no-one had died. | 0:09:06 | 0:09:08 | |
24 hours since this hospital had a death. | 0:09:08 | 0:09:10 | |
Not one, not from old age, not from injury, not from sickness. All day long. | 0:09:10 | 0:09:15 | |
Just a coincidence, I suppose. | 0:09:15 | 0:09:17 | |
That's what I said. Yeah. | 0:09:17 | 0:09:19 | |
Then I was on a call to St Jude's in Chicago. | 0:09:19 | 0:09:22 | |
And they said, "Well, here's a funny thing. Past 24 hours, | 0:09:22 | 0:09:25 | |
"we've registered no deaths, not one. | 0:09:25 | 0:09:28 | |
So I called my ex-husband. He's at Cedarbrook. | 0:09:28 | 0:09:30 | |
Same story - all day, no deaths. | 0:09:30 | 0:09:33 | |
I tried London. I have this friend at the Royal Free Hospital. | 0:09:33 | 0:09:36 | |
I called her. She said, "That's weird. | 0:09:36 | 0:09:38 | |
"It's the same thing over here." | 0:09:38 | 0:09:40 | |
24 hours, no-one's died. | 0:09:40 | 0:09:43 | |
What do you think of that? | 0:09:43 | 0:09:45 | |
Hmm? | 0:09:45 | 0:09:47 | |
One lucky day. | 0:09:47 | 0:09:49 | |
The survival of Oswald Danes turns out to be the first | 0:09:49 | 0:09:52 | |
incident in a much bigger story breaking live this morning. | 0:09:52 | 0:09:55 | |
When the Kentucky Medical Authority made a chance comment | 0:09:55 | 0:09:57 | |
that it hadn't recorded a single death over 24 hours... | 0:09:57 | 0:10:00 | |
17 more authorities immediately reported the same thing. | 0:10:00 | 0:10:04 | |
The story exploded on social network sites. | 0:10:04 | 0:10:07 | |
SPEAKS IN SPANISH | 0:10:07 | 0:10:09 | |
"Miracle" trending as the number-one topic. | 0:10:09 | 0:10:11 | |
From Maine to California the story is the same... | 0:10:11 | 0:10:13 | |
For the past 36 hours no fatalities have been reported. | 0:10:13 | 0:10:16 | |
No-one has died. | 0:10:16 | 0:10:17 | |
-Not one person in the United States. -Not a single death. | 0:10:17 | 0:10:19 | |
-Miracle Day. -Miracle Day. | 0:10:19 | 0:10:20 | |
-Miracle Day. That's what's being called. -Miracle day. | 0:10:20 | 0:10:24 | |
Mr Danes, I'm Alexander Peterson representing the governor's office. | 0:10:38 | 0:10:43 | |
What, I don't get a personal visit? | 0:10:43 | 0:10:45 | |
I'm afraid not, given the circumstances. | 0:10:45 | 0:10:48 | |
But the governor's office would like to offer its condolences | 0:10:48 | 0:10:50 | |
without an admission of liability for any physical distress caused by events beyond its control. | 0:10:50 | 0:10:54 | |
Condolences? | 0:10:54 | 0:10:56 | |
-He can't just say sorry? -You have to respect his position. | 0:10:56 | 0:11:00 | |
You're a convicted paedophile, sir, and a convicted murderer. | 0:11:00 | 0:11:04 | |
By your own admission, you took the life of a 12-year-old girl, | 0:11:04 | 0:11:07 | |
so the governor's apology is always going to be within certain limits. | 0:11:07 | 0:11:11 | |
When are you going to let me go? | 0:11:12 | 0:11:14 | |
Well, I don't think that's possible. | 0:11:14 | 0:11:15 | |
I've served my sentence. | 0:11:15 | 0:11:17 | |
Granted, the execution was...flawed, but that doesn't defer the sentence. | 0:11:17 | 0:11:22 | |
With respect, you don't reprieve a man you failed to hang because the rope snapped. | 0:11:22 | 0:11:27 | |
Indeed. And with respect, that particular aphorism applies only for an execution which has failed. | 0:11:27 | 0:11:35 | |
-And that's you. -On the contrary, I would maintain, and my lawyers would maintain, | 0:11:35 | 0:11:41 | |
my sentence was carried out successfully. Nothing went wrong. | 0:11:41 | 0:11:45 | |
Absolutely nothing. | 0:11:45 | 0:11:46 | |
The fact that life | 0:11:46 | 0:11:48 | |
and the laws of life on this earth have changed is hardly my fault. | 0:11:48 | 0:11:52 | |
Society is full of out-there laws, Mr Danes. | 0:11:52 | 0:11:54 | |
-Nonetheless, they still apply. -That's right, Mr Peterson. | 0:11:54 | 0:11:57 | |
And when considering the persistence of the law, then the eighth amendment | 0:11:57 | 0:12:02 | |
clearly forbids the application of cruel and unusual punishment such | 0:12:02 | 0:12:07 | |
as mine alongside the Fifth Amendment and I quote, "Nor shall any person be subject for the same offence twice." | 0:12:07 | 0:12:15 | |
The founding fathers practically had me in mind when they wrote the constitution. | 0:12:16 | 0:12:22 | |
Don't you think, though? | 0:12:22 | 0:12:24 | |
Don't you think? | 0:12:25 | 0:12:26 | |
Because I can guarantee, Mr Peterson, that when I | 0:12:26 | 0:12:33 | |
talk of lawyers, I mean the team who will be suing the governor, | 0:12:33 | 0:12:38 | |
and I mean the governor himself. | 0:12:38 | 0:12:40 | |
Not his office, but the actual man. | 0:12:40 | 0:12:44 | |
They will be suing him for wrongful imprisonment. | 0:12:44 | 0:12:48 | |
And I promise you that they will sue his ass to high heaven | 0:12:48 | 0:12:52 | |
till angels sing songs of him in their laments. | 0:12:52 | 0:12:58 | |
Is that clear? | 0:12:58 | 0:13:00 | |
-Perfectly. -Then go tell him, because with every passing second, that's a million dollars more. | 0:13:00 | 0:13:06 | |
Mr Peterson, thank you. | 0:13:08 | 0:13:11 | |
Thank you very much. | 0:13:11 | 0:13:13 | |
Hey. Heard about Rex. Is he OK? | 0:13:26 | 0:13:28 | |
Yeah. Thought it was a miracle. | 0:13:28 | 0:13:30 | |
Turns out it's everyone. | 0:13:30 | 0:13:31 | |
Did you get any more on that Torchwood thing? | 0:13:31 | 0:13:33 | |
No, it's been shut down. | 0:13:33 | 0:13:35 | |
Orders of Brian Friedkin. | 0:13:35 | 0:13:37 | |
Goes through his office only. | 0:13:37 | 0:13:38 | |
Case closed. | 0:13:38 | 0:13:40 | |
But what was it? Cos the way those files disappeared... | 0:13:40 | 0:13:43 | |
The world changed overnight, yeah? | 0:13:43 | 0:13:45 | |
Some old British thing is not on the top of the list. | 0:13:45 | 0:13:49 | |
Torchwood. If that wasn't a virus, it's got to be some sort of malware. | 0:13:53 | 0:13:57 | |
It's like nothing I've ever seen. | 0:13:57 | 0:13:59 | |
The word "Torchwood" is vanished. | 0:13:59 | 0:14:00 | |
It's been eradicated. If you search for Torchwood, you get no results. | 0:14:00 | 0:14:04 | |
Nothing gets no results. | 0:14:04 | 0:14:06 | |
There's gotta be something on paper. | 0:14:06 | 0:14:08 | |
The shelves are bare. It's all gone to Friedkin. | 0:14:08 | 0:14:11 | |
I asked Yvonne. | 0:14:11 | 0:14:13 | |
She said it was classified under the 456 regulations. | 0:14:13 | 0:14:17 | |
She said you want to stay away. | 0:14:17 | 0:14:19 | |
-Why? -They all died. | 0:14:19 | 0:14:21 | |
So the story goes. | 0:14:21 | 0:14:22 | |
Anyone that worked for Torchwood was killed in action. | 0:14:22 | 0:14:25 | |
And they died young. | 0:14:25 | 0:14:27 | |
Seen the TV? | 0:14:30 | 0:14:32 | |
It's not just you. | 0:14:32 | 0:14:33 | |
-ON TV: -This goes beyond America. It's worldwide. | 0:14:35 | 0:14:38 | |
You've got the same reports from Europe, from Asia, from Africa. | 0:14:38 | 0:14:42 | |
Every death is different. | 0:14:42 | 0:14:44 | |
You can't suspend death like it's a fixed concept. | 0:14:44 | 0:14:46 | |
This goes against the fundamental rules of life on earth. | 0:14:46 | 0:14:49 | |
They shot him! They shot my brother like... | 0:14:49 | 0:14:52 | |
bam, bam, bam, but, you know, he's still alive | 0:14:52 | 0:14:54 | |
and his heart's still going. He reached out... | 0:14:54 | 0:14:57 | |
Whether it's a disease or an experiment or a project gone wrong, | 0:14:57 | 0:15:02 | |
it's obvious we're the victims now. | 0:15:02 | 0:15:04 | |
-We're the lab rats. -These people are dead. | 0:15:04 | 0:15:08 | |
That's what they are. Dead people sitting up in bed. | 0:15:08 | 0:15:10 | |
They terrify me. I'm not touching them. | 0:15:10 | 0:15:12 | |
I'm sorry, but they should be corpses. | 0:15:12 | 0:15:15 | |
That's what they are - living corpses. | 0:15:15 | 0:15:18 | |
YELLS | 0:15:22 | 0:15:24 | |
The metal missed the spine, but the pericardium was lacerated | 0:15:36 | 0:15:39 | |
and a coronary artery was crushed and thrombosed. | 0:15:39 | 0:15:42 | |
That's the one in your leg. | 0:15:42 | 0:15:44 | |
-I had to transplant a section of vein from your thigh. -But how did I survive? | 0:15:44 | 0:15:48 | |
I...don't know. | 0:15:48 | 0:15:50 | |
Even when your heart stopped beating, the process continued. | 0:15:50 | 0:15:53 | |
The process of life, the viability of the flesh, | 0:15:53 | 0:15:56 | |
-the transfer of oxygen. It just didn't stop. -Do I get better? | 0:15:56 | 0:16:01 | |
Do I heal? Or do I just hurt for the rest of my life? | 0:16:01 | 0:16:04 | |
Because if this thing keeps going, the rest of my life is forever, right? | 0:16:04 | 0:16:08 | |
Rex, now listen to me. | 0:16:08 | 0:16:10 | |
Cos you might want to take something under consideration. | 0:16:10 | 0:16:13 | |
That maybe you were lucky. | 0:16:13 | 0:16:16 | |
You should've died last night, | 0:16:16 | 0:16:19 | |
but when this thing happened, the miracle, it gave me time | 0:16:19 | 0:16:23 | |
to fix you. | 0:16:23 | 0:16:26 | |
Without the miracle, you'd be dead. | 0:16:26 | 0:16:29 | |
It's like someone cast a spell over the whole world. | 0:16:29 | 0:16:32 | |
But what happens when it stops, huh? | 0:16:34 | 0:16:38 | |
What happens to me then? | 0:16:38 | 0:16:40 | |
Do I die? | 0:16:41 | 0:16:43 | |
-Oh, you are so cheating! -Cheating? | 0:16:52 | 0:16:55 | |
How can I cheat painting a wall? | 0:16:55 | 0:16:57 | |
-Only a man can turn this into a competition. -You just went, whoosh! | 0:16:57 | 0:17:01 | |
With one stroke, that's hardly a coat! | 0:17:01 | 0:17:04 | |
PHONE RINGS | 0:17:04 | 0:17:05 | |
-Oh, bollocks, bollocks. -It might be nothing. | 0:17:05 | 0:17:09 | |
Stupid. There's only one reason why that phone could ring. Where have you put it? | 0:17:09 | 0:17:13 | |
It's in here. | 0:17:13 | 0:17:15 | |
What is it? | 0:17:16 | 0:17:17 | |
This is Sergeant Davison confirming reports of one suspect, male, | 0:17:17 | 0:17:21 | |
in the vicinity of St Helen's Hospital, Cardiff City. | 0:17:21 | 0:17:25 | |
Suggest rendezvous at 0200 hours in the agreed position. | 0:17:25 | 0:17:29 | |
It's my dad. He's in hospital. | 0:17:35 | 0:17:37 | |
Uh, I've gotta see him. Sorry, Rhys. | 0:17:38 | 0:17:42 | |
We've gotta go back. | 0:17:42 | 0:17:44 | |
Friedkin's office took all the Torchwood files, cleared us out. | 0:17:58 | 0:18:02 | |
I know. He sent me to double-check. | 0:18:02 | 0:18:04 | |
Cos files get left behind, | 0:18:04 | 0:18:06 | |
especially if there's a hard copy inside an associated file. | 0:18:06 | 0:18:09 | |
That sort of thing always gets missed. | 0:18:09 | 0:18:12 | |
Just need to check on all the associations. | 0:18:12 | 0:18:16 | |
OK. | 0:18:16 | 0:18:17 | |
-Not sure where to begin. -Better find out, then. | 0:18:19 | 0:18:23 | |
Right. | 0:18:23 | 0:18:24 | |
OK. | 0:18:24 | 0:18:27 | |
Thanks. | 0:18:27 | 0:18:28 | |
456... | 0:19:18 | 0:19:19 | |
456. | 0:19:19 | 0:19:20 | |
45... | 0:19:20 | 0:19:23 | |
456! | 0:19:25 | 0:19:26 | |
Come with me. | 0:20:33 | 0:20:35 | |
Down! | 0:21:05 | 0:21:06 | |
Oh, my God. | 0:21:15 | 0:21:16 | |
-Is he going to die? -Don't worry about it. | 0:21:17 | 0:21:21 | |
-No-one dies these days. -You want to bet?! | 0:21:21 | 0:21:23 | |
Whoa. | 0:21:39 | 0:21:40 | |
Anyway, Captain Jack Harkness. | 0:21:41 | 0:21:44 | |
Nice to meet you. | 0:21:44 | 0:21:46 | |
Here you go. | 0:22:03 | 0:22:05 | |
-That man... -He was after me, not you. | 0:22:06 | 0:22:09 | |
Why? Why would he want you dead? | 0:22:09 | 0:22:11 | |
On the very day that no-one's dying? | 0:22:11 | 0:22:13 | |
Wish I knew. And what got you so involved? | 0:22:13 | 0:22:17 | |
I'm not even authorised for this, | 0:22:17 | 0:22:21 | |
but this friend of mine... | 0:22:21 | 0:22:23 | |
I was telling him about Torchwood and... | 0:22:23 | 0:22:27 | |
He crashed his car while I was talking to him. | 0:22:28 | 0:22:32 | |
And I can't help but thinking... | 0:22:32 | 0:22:34 | |
-..that it's all my fault. -I know the feeling. | 0:22:36 | 0:22:39 | |
So what is Torchwood? | 0:22:41 | 0:22:44 | |
Torchwood no longer exists. | 0:22:44 | 0:22:46 | |
Then what was it? | 0:22:46 | 0:22:48 | |
Cos there were photos in that file of a man who looked just like you, but | 0:22:48 | 0:22:52 | |
it said 1939, then 1925. Is he your father? | 0:22:52 | 0:22:57 | |
I suppose it must be. | 0:22:57 | 0:23:00 | |
Are you all right? | 0:23:05 | 0:23:07 | |
Yeah. | 0:23:07 | 0:23:08 | |
I hurt my arm. | 0:23:11 | 0:23:14 | |
Considering what we just went through, I would say that was a miracle. | 0:23:14 | 0:23:19 | |
Yeah, another one. | 0:23:19 | 0:23:21 | |
The Torchwood Institute was set up by the British Royal Family in 1879 | 0:23:23 | 0:23:27 | |
to defend the realm of Great Britain by investigating the unusual, | 0:23:27 | 0:23:31 | |
the strange and the alien. | 0:23:31 | 0:23:34 | |
I'm kind of guessing "alien" doesn't mean foreign. | 0:23:35 | 0:23:38 | |
Alien as in extraterrestrial. | 0:23:38 | 0:23:40 | |
-Oh, my God. -This whole situation, worldwide - | 0:23:42 | 0:23:45 | |
that's exactly the kind of thing we used to investigate. | 0:23:45 | 0:23:48 | |
Torchwood - they said that people died, | 0:23:48 | 0:23:53 | |
but there was that other photo - | 0:23:53 | 0:23:55 | |
Gwen Cooper. There was no date of death. | 0:23:55 | 0:23:58 | |
She's still alive. | 0:23:58 | 0:24:00 | |
The last one left. | 0:24:00 | 0:24:02 | |
And I'm going to keep her safe, | 0:24:03 | 0:24:06 | |
which means making sure that the institute stays dead and buried. | 0:24:06 | 0:24:09 | |
So that first email last night, the one that just said "Torchwood"... | 0:24:09 | 0:24:13 | |
Wasn't me. God knows who it was. | 0:24:13 | 0:24:17 | |
But that was enough to call me back, and I got to work releasing the malware, | 0:24:17 | 0:24:21 | |
destroying hard copies, removing all traces of the word, using Retcon. | 0:24:21 | 0:24:26 | |
What's Retcon? | 0:24:27 | 0:24:29 | |
What's Retcon? | 0:24:29 | 0:24:31 | |
It's a smart drug. | 0:24:31 | 0:24:34 | |
Selective amnesia. | 0:24:34 | 0:24:36 | |
No. | 0:24:39 | 0:24:41 | |
You won't remember a thing. | 0:24:41 | 0:24:43 | |
Nice to meet you, Esther. | 0:24:50 | 0:24:52 | |
'The fire at the CIA archive is now under control...' | 0:24:52 | 0:24:55 | |
An explosion right at our doorstep. | 0:24:55 | 0:24:57 | |
It's a gift. Now take a look at the victims. | 0:24:57 | 0:25:00 | |
-Are they dead or not? -You're not the first to think of it, Mr Matheson. | 0:25:00 | 0:25:03 | |
Now, you can stop running the case from a hospital bed. | 0:25:03 | 0:25:05 | |
Wait, what are you talking about? Who else is there? | 0:25:05 | 0:25:07 | |
I really can't talk. | 0:25:07 | 0:25:09 | |
Who else is onto this? | 0:25:09 | 0:25:11 | |
Check the ringmain. | 0:25:11 | 0:25:13 | |
The what? Hello? | 0:25:13 | 0:25:14 | |
FBI. | 0:25:15 | 0:25:17 | |
Hey, my man, what the hell is the ringmain? | 0:25:21 | 0:25:26 | |
It's the internal cameras. It's the security system, that's all. | 0:25:26 | 0:25:29 | |
DIALS | 0:25:32 | 0:25:34 | |
Yeah. Yeah, this is Rex Matheson with the CIA. | 0:25:36 | 0:25:40 | |
Put me on with your chief of security. Yeah, right now. | 0:25:40 | 0:25:43 | |
Session begins supervised by attending surgeon Professor Victor Louis Santini | 0:25:45 | 0:25:50 | |
and witnesses to be listed in the hospital register. | 0:25:50 | 0:25:53 | |
The purpose of this enquiry is to determine... | 0:25:53 | 0:25:55 | |
Well, as you'll see, following the explosion at the CIA archive... | 0:25:55 | 0:25:59 | |
Got it. | 0:25:59 | 0:26:01 | |
One of the victims has been... | 0:26:07 | 0:26:11 | |
FAINT WHEEZING | 0:26:11 | 0:26:14 | |
Yes, I think we can... | 0:26:14 | 0:26:16 | |
I'm sorry. | 0:26:16 | 0:26:18 | |
They brought me in as an expert, but I don't know what the hell this is. | 0:26:18 | 0:26:22 | |
We think this man was right at the centre of the blast... | 0:26:25 | 0:26:28 | |
and yet he's still alive. | 0:26:28 | 0:26:30 | |
Clearly, the skin is burnt. | 0:26:39 | 0:26:42 | |
He's not indestructible, just undying. | 0:26:42 | 0:26:46 | |
Ever-living. We're going to need a new vocabulary. | 0:26:46 | 0:26:49 | |
But we're getting the same results from all over the world. | 0:26:49 | 0:26:54 | |
Is that actual consciousness? It seems like he's still aware. | 0:26:54 | 0:26:59 | |
Excuse me. I was wondering... | 0:26:59 | 0:27:01 | |
Owen Harper, FBI. | 0:27:01 | 0:27:03 | |
But what if you detach the head? | 0:27:06 | 0:27:08 | |
I mean, would he stay alive... | 0:27:10 | 0:27:13 | |
-without his head? -I suggest we find out. | 0:27:13 | 0:27:17 | |
Excuse me, you can't do that. | 0:27:17 | 0:27:19 | |
I mean, you literally can't. This man is not dead. He's our patient. | 0:27:19 | 0:27:23 | |
Your comments have been noted, Dr Juarez. | 0:27:23 | 0:27:25 | |
Now shall we begin? | 0:27:25 | 0:27:27 | |
Oh, my God. | 0:28:06 | 0:28:08 | |
Don't tell me this is a virus or evolution or whatever. | 0:28:10 | 0:28:13 | |
This is deliberate intervention. | 0:28:13 | 0:28:16 | |
-I mean, all of us have been changed by design. -But how? Who could do this? | 0:28:16 | 0:28:19 | |
Who's got the technology? Simple answer - no-one on this earth. | 0:28:19 | 0:28:24 | |
What the hell? | 0:29:06 | 0:29:07 | |
Long time no see. | 0:29:11 | 0:29:13 | |
Oh, my God. | 0:29:13 | 0:29:15 | |
Hey. | 0:29:15 | 0:29:18 | |
And you, big lunk... Daddy Daycare. Look at her. | 0:29:18 | 0:29:22 | |
So your father had a mild heart attack on Saturday night | 0:29:22 | 0:29:26 | |
and then a second on Sunday and that was quite bad, to be honest. | 0:29:26 | 0:29:30 | |
But he's stable now. He's out of ICU. | 0:29:30 | 0:29:33 | |
If you're going to get sick, he didn't half choose the right day. | 0:29:33 | 0:29:36 | |
-What do you mean? -Look at them. | 0:29:36 | 0:29:38 | |
They're all gathering around the hospitals like they're the new churches. | 0:29:38 | 0:29:42 | |
-I'm not kidding. We've had doctors being worshipped since Miracle Day. -What's Miracle Day? | 0:29:42 | 0:29:46 | |
-Are you kidding me? Haven't you heard? -Heard what? | 0:29:46 | 0:29:48 | |
Come on. It started two nights ago. | 0:29:48 | 0:29:51 | |
People stopped dying. They still get hurt, sick - they just won't die. | 0:29:51 | 0:29:57 | |
-Oh, you silly girl. I said stay away. -How could I do that, Mum? | 0:30:04 | 0:30:07 | |
What if someone sees you? It's not safe. You told me. | 0:30:07 | 0:30:11 | |
What if someone's watching? | 0:30:11 | 0:30:13 | |
Oh, look at her. Come here. | 0:30:13 | 0:30:16 | |
Oh. Good God, she's enormous. | 0:30:16 | 0:30:20 | |
-That's your grandma, remember? -Could she... never sees me, does she? | 0:30:20 | 0:30:25 | |
Not since the day she was born. | 0:30:25 | 0:30:28 | |
Oh, hey, come see your granddad. | 0:30:28 | 0:30:32 | |
Hi, Dad. | 0:30:32 | 0:30:34 | |
Hey. | 0:30:35 | 0:30:36 | |
It's me. | 0:30:38 | 0:30:40 | |
Hello. | 0:30:40 | 0:30:42 | |
You shouldn't have. | 0:30:42 | 0:30:44 | |
Well, there we are then... tough. | 0:30:44 | 0:30:46 | |
And you can stop all this nonsense, OK? | 0:30:46 | 0:30:49 | |
I want you up and out of this bed, lazy old thing. | 0:30:49 | 0:30:51 | |
Ah, there she is. | 0:30:55 | 0:30:57 | |
-Princess. -Look at her, though. She's huge. -She's perfectly normal, Mum. | 0:30:57 | 0:31:01 | |
Thought you were being frugal. What are you feeding her? Lard? | 0:31:01 | 0:31:04 | |
Yes, I'm feeding her lard. Keep telling her that, | 0:31:04 | 0:31:06 | |
and by the time she's 13, she'll have a psychological complex. | 0:31:06 | 0:31:10 | |
-Stop it now, you two. -Oh, sorry. | 0:31:10 | 0:31:13 | |
What do you think it is, Gwen? | 0:31:19 | 0:31:21 | |
What happened to us? | 0:31:21 | 0:31:24 | |
This never-ending life. | 0:31:24 | 0:31:26 | |
What is it? | 0:31:26 | 0:31:28 | |
Should I be dead, sweetheart? | 0:31:28 | 0:31:30 | |
I don't know, Dad. | 0:31:30 | 0:31:32 | |
It's the sort of thing... your lot used to tackle. | 0:31:32 | 0:31:37 | |
Yeah, but Torchwood's gone, Dad. There's no-one else left on earth, | 0:31:37 | 0:31:42 | |
Just me. | 0:31:42 | 0:31:44 | |
OK? And I'm sorry... | 0:31:44 | 0:31:46 | |
because I don't know what to do. I don't know what to do, Dad. | 0:31:46 | 0:31:50 | |
It's all over the world. Look... look at this. | 0:32:32 | 0:32:36 | |
Somalia has stopped fighting. | 0:32:36 | 0:32:38 | |
Warfare is even worse when the bodies refuse to die. But take a look at North Korea... | 0:32:38 | 0:32:43 | |
huh, spoiling for a fight. | 0:32:43 | 0:32:45 | |
They've got a lot of soldiers who think they're immortal. | 0:32:45 | 0:32:49 | |
But this miracle, it's specifically human. | 0:32:49 | 0:32:52 | |
It's got to be. This website says if insects stopped dying, we'd be overrun within 48 hours flat. | 0:32:52 | 0:32:56 | |
And that hasn't happened. So this thing is being targeted at us. | 0:32:56 | 0:33:01 | |
Have a look-see. Budge over. | 0:33:01 | 0:33:03 | |
-I've missed all this. -I haven't. | 0:33:03 | 0:33:06 | |
-It's quiet without you. -Tch. | 0:33:09 | 0:33:12 | |
Here we go. Look. Planet Earth... on average, 300,000 people die every day. | 0:33:12 | 0:33:17 | |
So if they stop dying, that's an extra million people in just over three days. | 0:33:17 | 0:33:22 | |
Add to that 500,000 people born every day... | 0:33:22 | 0:33:26 | |
Another million every two days plus the first million. | 0:33:26 | 0:33:29 | |
-Bloody hell. -The fastest population boom in history. | 0:33:29 | 0:33:31 | |
-We'll run out of room. -We'll run out of food first. | 0:33:31 | 0:33:34 | |
A guy on the telly was saying we've got four months like this... | 0:33:34 | 0:33:37 | |
just four months - and then that's it. | 0:33:37 | 0:33:39 | |
Society just collapses - everyone fighting each other for food like animals. | 0:33:39 | 0:33:43 | |
Oi. What are you two doing? | 0:33:43 | 0:33:46 | |
Uh, I was just asking for some advice. | 0:33:46 | 0:33:49 | |
-Yeah, don't you start. Gwen? -Yes? -No more investigations. You promised. | 0:33:49 | 0:33:53 | |
We're here to see your dad. That's it. Huh? | 0:33:53 | 0:33:54 | |
Do you want to come and have a look? | 0:33:54 | 0:33:56 | |
Come on, bright eyes, follow me. | 0:33:56 | 0:33:59 | |
Look, intensive care overflow. They've got 12 beds with 17 patients already. | 0:34:02 | 0:34:07 | |
-What's going to happen tomorrow? And the day after that? And the day after that? And the day... -Listen. | 0:34:07 | 0:34:12 | |
-Every time you investigate something, you end up in danger. -Cos I can help. | 0:34:12 | 0:34:15 | |
-Don't you dare. -So you... -I said don't you dare! Have you got that?! | 0:34:15 | 0:34:18 | |
Don't you bloody dare, Gwen! | 0:34:18 | 0:34:21 | |
See, the thing is, right, if you think Miracle Day | 0:34:23 | 0:34:27 | |
is like a Torchwood case, others are going to think the same, aren't they? | 0:34:27 | 0:34:31 | |
They're going to come looking for you with guns like they did the old days. | 0:34:31 | 0:34:35 | |
-I suppose, yeah. -Yeah, we shouldn't even be in the city! | 0:34:35 | 0:34:37 | |
There are cameras everywhere, man! | 0:34:37 | 0:34:38 | |
And it's different now. You've got a daughter. | 0:34:38 | 0:34:42 | |
And you can't go putting her into danger! | 0:34:44 | 0:34:47 | |
That is why we live in the back of beyond - to keep her safe. | 0:34:47 | 0:34:51 | |
We've got to go back! | 0:34:51 | 0:34:52 | |
-My dad is sick. -Oh, think about it! | 0:34:54 | 0:34:57 | |
-People aren't dying. He's going to survive. -Shh, now. Shh. | 0:34:57 | 0:35:01 | |
Think about Anwen. | 0:35:05 | 0:35:06 | |
-Maybe our daughter's going to live forever. -Don't, OK? Don't make her part of this... | 0:35:12 | 0:35:16 | |
this thing, OK? Don't! Do you think she could? | 0:35:16 | 0:35:19 | |
Possible, yeah. | 0:35:19 | 0:35:21 | |
See, maybe you should let this happen... | 0:35:21 | 0:35:27 | |
for once. | 0:35:28 | 0:35:29 | |
Let's go home. | 0:35:35 | 0:35:36 | |
-Yes. -Let's go home. | 0:35:36 | 0:35:39 | |
What the hell? | 0:36:30 | 0:36:31 | |
The search for suspects continues after last night's massive explosion at the CIA Archives... | 0:36:45 | 0:36:50 | |
Nice for some, having the morning off? | 0:36:50 | 0:36:52 | |
Yeah, I, um-had things to do. Missed all this. | 0:36:52 | 0:36:57 | |
You owe me. Yasmin works in Friedkin's office. | 0:37:05 | 0:37:08 | |
She got me the last remaining copy of the Torchwood file. Now you can take me to dinner. | 0:37:08 | 0:37:13 | |
PHONE RINGS | 0:37:31 | 0:37:33 | |
Esther Drummond. Hello. | 0:37:33 | 0:37:35 | |
Is there a database correlating mortality rates from every hospital in the world? | 0:37:35 | 0:37:38 | |
Are you on your cell phone? Cos you're not allowed to be using it. | 0:37:38 | 0:37:41 | |
Is anyone talking to morticians? Because they've got to be the first to notice, right? | 0:37:41 | 0:37:45 | |
There's nothing. There's no news. The whole thing, it's kind of intangible. | 0:37:45 | 0:37:49 | |
How do you investigate something not happening? | 0:37:49 | 0:37:52 | |
And all that Torchwood stuff has gone up to Friedkin. | 0:37:52 | 0:37:56 | |
Oh, yeah? | 0:37:56 | 0:37:58 | |
-So what's Torchwood got to do with it? -I don't know. | 0:37:58 | 0:38:01 | |
It's sort of connected, isn't it? | 0:38:01 | 0:38:03 | |
Well, no, it's not. It's a completely different case. | 0:38:03 | 0:38:05 | |
Sure. Of course it is. | 0:38:05 | 0:38:08 | |
Then why did you mention it? | 0:38:08 | 0:38:10 | |
Don't know. I suppose it just happened at the same time? | 0:38:10 | 0:38:12 | |
So what is Torchwood, anyway? | 0:38:14 | 0:38:16 | |
Um, some kind of British intervention agency... | 0:38:16 | 0:38:21 | |
closed down - used to specialize in 456 cases and above. | 0:38:21 | 0:38:24 | |
So that first email with Torchwood, | 0:38:24 | 0:38:26 | |
you know, the security breach, when did that come through? | 0:38:26 | 0:38:29 | |
Sunday night... 22:36. | 0:38:29 | 0:38:32 | |
-22:36, huh? -Yep. | 0:38:32 | 0:38:35 | |
22:36. | 0:38:35 | 0:38:37 | |
22:36 was the last reported death... | 0:38:41 | 0:38:44 | |
the last death on planet Earth. | 0:38:44 | 0:38:46 | |
-Well, that's disputable. They said that the last death was on Monday. -No, no, no. | 0:38:46 | 0:38:50 | |
Monday in Shanghai. Ugh. | 0:38:50 | 0:38:52 | |
At 11:36. Washington, DC. | 0:38:52 | 0:38:55 | |
It's 13 hours behind at 22:36. | 0:38:55 | 0:38:57 | |
Both those things happened at the same time. | 0:38:57 | 0:39:00 | |
You were right. MACHINES BEEP | 0:39:00 | 0:39:01 | |
It's all connected. Torchwood's the key to this whole thing. | 0:39:01 | 0:39:04 | |
Rex, I've warned you. You're going to kill yourself! | 0:39:04 | 0:39:07 | |
I can't. That's the point. All right, so give me those names again. | 0:39:07 | 0:39:12 | |
Um, um, | 0:39:13 | 0:39:15 | |
Captain Jack Harkness and Gwen Cooper. | 0:39:15 | 0:39:19 | |
Zero information on him and no sightings of Cooper for the last 12 months. | 0:39:19 | 0:39:23 | |
-It's like she's gone underground. -Yeah, that's them. | 0:39:23 | 0:39:25 | |
The case details have been censored by UNIT headquarters. | 0:39:25 | 0:39:27 | |
This file's got referrals going to Geneva and above. | 0:39:27 | 0:39:30 | |
-It's way beyond top secret. -Yeah, yeah, yeah. | 0:39:30 | 0:39:32 | |
-CIA, move out of my way. -You can't take them. | 0:39:32 | 0:39:34 | |
-Rex, what do you think you're doing? -Sorry, doc, I'm too busy. | 0:39:34 | 0:39:36 | |
-You are in no condition to leave. -Oh, I'm not just leaving. | 0:39:36 | 0:39:40 | |
-I'm flying... -Oh, my God. | 0:39:40 | 0:39:42 | |
All the way to the United Kingdom. | 0:39:44 | 0:39:46 | |
Esther, book me a flight. | 0:39:46 | 0:39:48 | |
Hey, CIA! I'm taking that cab. | 0:39:49 | 0:39:52 | |
Move the hell out of the way. Move! | 0:39:52 | 0:39:54 | |
Now make sure you get ahold of supplies cos I'm going to need a requisition 15. | 0:39:54 | 0:39:58 | |
-What do you need that for? -You do know what a requisition 15 is, right? | 0:39:59 | 0:40:03 | |
Of course, I do. It's clearance to take a handgun on a plane. | 0:40:03 | 0:40:06 | |
Well, then I'm taking a handgun on a plane. | 0:40:06 | 0:40:08 | |
Now book that flight. | 0:40:08 | 0:40:10 | |
OK, your flight departs at 0200 hours, but your requisition has been refused. | 0:40:10 | 0:40:15 | |
-Listen to me. -Tengo tu pasaporte. | 0:40:15 | 0:40:17 | |
If requisitions won't move, then get me a handgun from UK Security. | 0:40:17 | 0:40:21 | |
How am I supposed to do that? | 0:40:21 | 0:40:22 | |
SHE SPEAKS SPANISH Shh! Get me the gun! | 0:40:22 | 0:40:27 | |
Rosita, Rosita, here. I don't know when I'm coming back, all right? | 0:40:27 | 0:40:32 | |
I don't want you letting your husband into my house. You got that? | 0:40:32 | 0:40:34 | |
No husband-o. No husband-o. | 0:40:34 | 0:40:37 | |
Good evening, ladies and gentlemen and welcome to your flight to London Heathrow. | 0:40:38 | 0:40:43 | |
All right, now concentrate. The life of Gwen Cooper - what do we know? | 0:40:43 | 0:40:48 | |
Ex-police. It says that she joined the Torchwood Institute in October, 2006. | 0:40:48 | 0:40:54 | |
All right, now hold on, hold on. | 0:40:54 | 0:40:55 | |
Go through her police records, find out everyone she worked with, everyone she trained with. | 0:40:55 | 0:41:00 | |
I'm sorry, sir. I have to ask you to turn your phone off now. | 0:41:00 | 0:41:02 | |
CIA... | 0:41:02 | 0:41:04 | |
and I'm sick! | 0:41:04 | 0:41:06 | |
Gwen Cooper. Find out everything. | 0:41:06 | 0:41:08 | |
I can't get into the database. I'll need your password. | 0:41:08 | 0:41:10 | |
Rex! | 0:41:13 | 0:41:15 | |
All right. | 0:41:21 | 0:41:24 | |
So where the hell was I? Right. | 0:41:24 | 0:41:26 | |
The password's "Madrid 6 6 2 1 1." | 0:41:26 | 0:41:29 | |
That's "Madrid" with a capital "M." | 0:41:29 | 0:41:31 | |
Go through that list and scan through their records using a level-1 filter. | 0:41:31 | 0:41:35 | |
You should highlight anything with a red flag or a caution pertaining to homeland security. | 0:41:35 | 0:41:40 | |
I've got one positive response... | 0:41:43 | 0:41:45 | |
police Sergeant Andrew Davison, Cardiff resident. | 0:41:45 | 0:41:48 | |
There's a note in his file... | 0:41:48 | 0:41:50 | |
says he was Gwen Cooper's unofficial liaison. I can access his private calls. | 0:41:50 | 0:41:54 | |
-I've got to filter this through Whitehall. -How long's it going to take? -Any minute now. | 0:41:57 | 0:42:02 | |
And what the hell is this bridge? | 0:42:02 | 0:42:03 | |
-The Severn Bridge? -It connects England to Wales. | 0:42:03 | 0:42:06 | |
What, you mean Wales is separate? | 0:42:06 | 0:42:08 | |
-It's like the British equivalent of New Jersey. -Hold on, hold on. I think I've got something. | 0:42:09 | 0:42:13 | |
Sergeant Davison made one call on Tuesday at 17:08 to a number that's on the UK Hickman register. | 0:42:13 | 0:42:19 | |
That's a list of cell numbers allocated to witness protection schemes. | 0:42:19 | 0:42:23 | |
That's it, then... we've got her. | 0:42:23 | 0:42:24 | |
I can request that through MI5. | 0:42:24 | 0:42:27 | |
Now what is this? | 0:42:27 | 0:42:29 | |
Wait a minute, I've got to pay for this bridge? | 0:42:29 | 0:42:32 | |
-Goddamn Wales. -I've traced the handset. Sending you the coordinates... | 0:42:32 | 0:42:36 | |
now. It's at 51 degrees 34 north, 4 degrees 17 west. | 0:42:38 | 0:42:43 | |
I got it. | 0:42:43 | 0:42:45 | |
-CIA! -Yeah? So what? | 0:42:59 | 0:43:03 | |
HE COUGHS | 0:43:03 | 0:43:06 | |
Extraordinary scenes in Kentucky as the governor's office releases Oswald Danes on parole. | 0:43:09 | 0:43:15 | |
The charity Freedom And Liberty has employed a force majeure ruling | 0:43:15 | 0:43:19 | |
to define Danes' survival as an act of God | 0:43:19 | 0:43:22 | |
with liability now on the state to prove otherwise. | 0:43:22 | 0:43:26 | |
SHOUTS OF ANGER | 0:43:26 | 0:43:28 | |
ELECTRONIC GATE OPENS | 0:43:33 | 0:43:35 | |
We're going. We'll get a good head start and then phone you an ambulance. | 0:43:49 | 0:43:52 | |
Don't follow us. Don't even try. | 0:43:52 | 0:43:55 | |
We just want to be left alone, OK? | 0:43:55 | 0:43:57 | |
Hold it right there, mate. | 0:44:09 | 0:44:11 | |
-So much for tying him up. -I've never tied up a person. | 0:44:11 | 0:44:14 | |
-Men are good at knots. How many times have you told me? -At Christmas. | 0:44:14 | 0:44:17 | |
Hey! Hey, hey, hey, hey, hey. | 0:44:17 | 0:44:19 | |
I had a pole through my chest. | 0:44:19 | 0:44:21 | |
I was dead, then I wasn't. | 0:44:21 | 0:44:23 | |
I had to pay for this bridge and now I want to know what the hell is going on, all right? | 0:44:23 | 0:44:29 | |
Because I was dead and now I'm not. HELICOPTER APPROACHES | 0:44:29 | 0:44:32 | |
And if that has anything to do with Torchwood or - or you or anyone, then I need... | 0:44:32 | 0:44:38 | |
HELICOPTER NOISE INCREASES You know, it would really help if could hear myself think. | 0:44:38 | 0:44:43 | |
What the hell is he doing? | 0:44:48 | 0:44:49 | |
It's a tourist thing. | 0:44:49 | 0:44:51 | |
No. | 0:44:51 | 0:44:54 | |
No, I don't think it is. | 0:44:54 | 0:44:56 | |
Sweetheart. | 0:44:58 | 0:44:59 | |
Get back! | 0:45:02 | 0:45:04 | |
Get in the car! Come on! | 0:45:27 | 0:45:29 | |
Come on! | 0:45:32 | 0:45:34 | |
Can't leave you alone for a minute. | 0:45:48 | 0:45:50 | |
It's you. | 0:45:52 | 0:45:53 | |
Gwen Cooper - find out everything. | 0:45:53 | 0:45:56 | |
She said to turn off the phone. | 0:45:59 | 0:46:00 | |
Never annoy me again. | 0:46:00 | 0:46:02 | |
-HELICOPTER WHIRRS -Now get in. | 0:46:02 | 0:46:04 | |
Jack, for God's sake, there's a kid here! | 0:46:23 | 0:46:25 | |
-I got a present for you in the back. -Give her to me, Gwen! | 0:46:25 | 0:46:28 | |
You there, CIA , do something useful! | 0:46:28 | 0:46:30 | |
Wales is insane! | 0:46:30 | 0:46:33 | |
Get down! | 0:46:33 | 0:46:34 | |
-Who the hell are you people? -Torchwood. | 0:46:59 | 0:47:01 | |
Right. So that's sorted. Rhys, you take Anwen to my mother's and keep her safe and sound. | 0:47:34 | 0:47:37 | |
Jack, if you've got access to any weapons, what else have we got? | 0:47:37 | 0:47:41 | |
I still got the old I5s, but everything else is gone. | 0:47:41 | 0:47:43 | |
I knew it though. Didn't I say? | 0:47:43 | 0:47:46 | |
-First sign of trouble, you go running off with Captain Jack Bollocks. -What choice have I got? | 0:47:46 | 0:47:49 | |
They've rebuilt the tower, now we're rebuilding Torchwood. Isn't that right, Jack? | 0:47:49 | 0:47:53 | |
-You even listening to me? -I cut my arm. | 0:47:54 | 0:47:57 | |
OK. Can't help but thinking there's more important things to be worrying about here. | 0:47:57 | 0:48:01 | |
No. I cut my arm. Look at it. | 0:48:01 | 0:48:04 | |
-It's not healing. -Do you mean... -I'm staying hurt. | 0:48:04 | 0:48:07 | |
-Oh, my God. -I know. -Seriously, though. | 0:48:07 | 0:48:10 | |
-It's only a cut. -But it's Jack. | 0:48:10 | 0:48:12 | |
Don't you see? The whole world becomes immortal... | 0:48:12 | 0:48:15 | |
And I mortal. | 0:48:15 | 0:48:16 | |
I don't mend. I'm normal again. | 0:48:16 | 0:48:20 | |
I'm plain old human. | 0:48:20 | 0:48:22 | |
-You're what? -Doesn't concern you! | 0:48:22 | 0:48:25 | |
You talk some crazy shit, you know that? | 0:48:25 | 0:48:28 | |
You should get that seen too. | 0:48:28 | 0:48:30 | |
Yeah, any minute now. | 0:48:30 | 0:48:31 | |
SIRENS APPROACH | 0:48:31 | 0:48:33 | |
Oh, here comes my ride. | 0:48:33 | 0:48:34 | |
Andy, you can't do this. | 0:48:48 | 0:48:49 | |
Orders from above. I'm sorry. | 0:48:49 | 0:48:51 | |
He's in charge. | 0:48:51 | 0:48:53 | |
-Since when? -He can't arrest us. He's an American. | 0:48:53 | 0:48:56 | |
I hate to bust up your sweet little tea party, but this isn't an arrest. | 0:48:56 | 0:49:01 | |
This is a rendition. | 0:49:01 | 0:49:03 | |
And on behalf of the CIA | 0:49:03 | 0:49:05 | |
under the 456 Amendments to US Code 3184, | 0:49:05 | 0:49:11 | |
I'm extraditing this so-called Torchwood Team | 0:49:11 | 0:49:15 | |
to the United States of America. | 0:49:15 | 0:49:17 | |
Now get me out of here! | 0:49:18 | 0:49:21 | |
Take me home. | 0:49:22 | 0:49:23 | |
-Everyone, we're doing it wrong! -We don't have time. | 0:49:43 | 0:49:45 | |
We have nothing BUT time. Nobody's going to die. | 0:49:45 | 0:49:47 | |
Something happened to all of us, not just me. Miracle Day arrived, and... | 0:49:47 | 0:49:52 | |
..we all came out of it changed. | 0:49:53 | 0:49:55 | |
Her husband strangled her. She doesn't die, so he keeps strangling her. That's not murder? | 0:49:55 | 0:50:00 | |
We're not allowed to say "attempted murder" any more, because murder's impossible. | 0:50:00 | 0:50:05 | |
Hospital beds are filling up because the people who should die, don't. | 0:50:05 | 0:50:08 | |
Give it six months and drug-resistant organisms will be everywhere. | 0:50:08 | 0:50:11 | |
People aren't just living. It's like they're too alive. | 0:50:11 | 0:50:14 | |
Whichever way you look at it, this situation can only get worse. | 0:50:14 | 0:50:18 | |
I'm arresting Torchwood now. | 0:50:18 | 0:50:20 | |
Whoa. Hey, what are you doing? | 0:50:20 | 0:50:22 | |
Every time you turn up, it always goes wrong. | 0:50:25 | 0:50:28 | |
Oh, my god, Rex is coming back and he's bringing Torchwood with him. | 0:50:28 | 0:50:31 | |
Hey, wait! You get us arrested, OK? | 0:50:31 | 0:50:33 | |
You break up my family, you nearly get Jack killed. | 0:50:33 | 0:50:35 | |
-Why should we go anywhere with you? -Because I have a car. | 0:50:35 | 0:50:38 | |
Go, go, go, go, go! | 0:50:45 | 0:50:47 | |
Who told you to set me up? Because everywhere I turn, the whole CIA | 0:50:47 | 0:50:51 | |
has been poisoned against me. | 0:50:51 | 0:50:52 | |
I don't know who they are! They've been there for decades. | 0:50:52 | 0:50:57 | |
They were ready for the miracle. PhiCorp knew it was coming. | 0:50:57 | 0:51:00 | |
Looks like PhiCorp's calling them overflow camps | 0:51:00 | 0:51:03 | |
for all the patients in ICU. | 0:51:03 | 0:51:06 | |
-You have got to sort out my dad. -'But he's safe enough, Gwen.' | 0:51:06 | 0:51:09 | |
This is bloody PhiCorp, Rhys, and they are up to something. | 0:51:09 | 0:51:12 | |
The new cult out on the street - that march? | 0:51:14 | 0:51:16 | |
They call themselves... the Soulless. | 0:51:16 | 0:51:20 | |
It's like there's some sort of energy behind this. | 0:51:20 | 0:51:22 | |
A will, a drive, a consciousness. | 0:51:22 | 0:51:25 | |
Cos this miracle, it's more than people just surviving - | 0:51:25 | 0:51:28 | |
they are so alive. | 0:51:28 | 0:51:30 | |
These are the times that make men, Oswald. So it's your choice. | 0:51:30 | 0:51:33 | |
Stay where you are, or stand up tall and stride across the skin of the world. | 0:51:33 | 0:51:38 | |
Did you see Oswald Danes? Did you touch him? | 0:51:40 | 0:51:43 | |
-You're obsessed with this bastard. -He's blazing away. | 0:51:43 | 0:51:47 | |
Patterns are starting to revolve around him | 0:51:47 | 0:51:49 | |
and all we have to do is keep watching. | 0:51:49 | 0:51:53 | |
The truth is, I know what I am and I know what you are too. | 0:51:53 | 0:51:58 | |
Because I know for certain what has happened to the human race. | 0:51:59 | 0:52:05 | |
Whatever's happening to this planet, it is massive. | 0:52:06 | 0:52:09 | |
-PEOPLE SHOUT: -Oswald! | 0:52:15 | 0:52:17 | |
I'm joining the cause. | 0:52:25 | 0:52:26 | |
Whatever you're doing to fight this miracle, count me in. | 0:52:26 | 0:52:29 | |
Gwen! | 0:52:45 | 0:52:46 | |
If you're the best England's got to offer, then God help you. | 0:52:49 | 0:52:52 | |
I'm Welsh. | 0:52:52 | 0:52:53 | |
Subtitles by Red Bee Media Ltd | 0:53:16 | 0:53:19 | |
E-mail [email protected] | 0:53:19 | 0:53:24 |