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The survival of Oswald Danes turns out to be the first incident in a much bigger story. | 0:00:21 | 0:00:26 | |
The amazing thing about the miracle is not that no-one's dying. | 0:00:26 | 0:00:29 | |
Not that the human race has become immortal. | 0:00:29 | 0:00:31 | |
It's that it happened to everyone at the same time. | 0:00:31 | 0:00:34 | |
So now we have people who should be dead, but aren't. | 0:00:34 | 0:00:37 | |
We have to start manufacturing painkillers immediately. | 0:00:37 | 0:00:41 | |
-Jilly Kitzinger. I'm something of a talent spotter. -I don't need you. | 0:00:41 | 0:00:44 | |
-I disagree, Mr Danes. -Someone's trying to erase Torchwood. | 0:00:44 | 0:00:47 | |
-What if they're also erasing anyone who's ever had any contact with Torchwood? -Go get him. | 0:00:47 | 0:00:53 | |
I have a car. | 0:00:54 | 0:00:56 | |
All right, just drive. Drive, drive. | 0:00:56 | 0:00:59 | |
-What the hell is going on? -Welcome to Torchwood. | 0:00:59 | 0:01:03 | |
What happened to you in there? | 0:01:04 | 0:01:07 | |
Something happened to all of us, not just me. | 0:01:07 | 0:01:11 | |
Miracle Day arrived and... | 0:01:11 | 0:01:14 | |
we all came out of it changed. | 0:01:14 | 0:01:17 | |
But why do you think people accept you as an expert? | 0:01:17 | 0:01:20 | |
I'm no expert, | 0:01:20 | 0:01:22 | |
but I'm a free man. | 0:01:22 | 0:01:24 | |
And since the miracle, the White House has said nothing. | 0:01:24 | 0:01:27 | |
Scientists have said nothing. I think the establishment is scared into silence. I survived. | 0:01:27 | 0:01:33 | |
-I can say what I want. -Such as? | 0:01:33 | 0:01:35 | |
Well, is anyone paying attention to the profits that the drug companies are making? | 0:01:35 | 0:01:40 | |
We need drugs more than ever. | 0:01:40 | 0:01:43 | |
But I think we should take all those pills, | 0:01:43 | 0:01:45 | |
those tablets and those potions, and give them to people free. | 0:01:45 | 0:01:49 | |
Yes, that's what I'm saying, because that's how radical the world needs to be right now. | 0:01:49 | 0:01:54 | |
Free drugs, free health care, free access for all. | 0:01:54 | 0:01:59 | |
-You think that's practical? -Who's to say what's practical? That's pre-miracle thinking. | 0:01:59 | 0:02:03 | |
-Who told you to set me up? -Rex! | 0:02:03 | 0:02:06 | |
Put the gun down. | 0:02:06 | 0:02:07 | |
Because everywhere I turn, the whole CIA has been poisoned against me, by you! | 0:02:07 | 0:02:12 | |
-Who told you to do it?! -I don't know what you mean. -Bullshit! | 0:02:12 | 0:02:16 | |
You set me up, Friedkin, and you got paid to do it. | 0:02:16 | 0:02:19 | |
Now, technically, we both know that I can't "kill" you. | 0:02:19 | 0:02:23 | |
But you see, the beauty of this miracle is if I shoot you | 0:02:23 | 0:02:28 | |
just right, then maybe, you might live in agony for who knows how long? | 0:02:28 | 0:02:34 | |
Maybe 1,000 years? Now, you think about that, | 0:02:34 | 0:02:37 | |
because I've always wondered what part of the brain is memories... | 0:02:37 | 0:02:43 | |
or personality. or... | 0:02:43 | 0:02:47 | |
-what lets you control your own bladder? -No, don't! -Tell me! | 0:02:47 | 0:02:52 | |
I don't know who they are. I never did. | 0:02:52 | 0:02:55 | |
They just paid me over the years. | 0:02:55 | 0:02:58 | |
They've been there for decades, and I can't... | 0:02:58 | 0:03:02 | |
couldn't stop them. It's too late. | 0:03:02 | 0:03:04 | |
Look, they've only ever contacted me on one telephone number. | 0:03:05 | 0:03:09 | |
-Get the number. -Yes, I know that. Thanks. -Yeah, well, hurry up. | 0:03:09 | 0:03:12 | |
I was right about the alarm. | 0:03:12 | 0:03:14 | |
The police are on their way. Esther is tracking them. | 0:03:14 | 0:03:17 | |
Uh, confirmed. There's a unit on 5th heading for Riverdale. | 0:03:17 | 0:03:21 | |
North or south? | 0:03:21 | 0:03:22 | |
North. I mean, heading from the north going south. | 0:03:22 | 0:03:26 | |
Gwen, one car from the north. | 0:03:26 | 0:03:29 | |
On it. Doing it. | 0:03:29 | 0:03:31 | |
They only contact me. They call me through that. | 0:03:31 | 0:03:34 | |
But listen, Rex, you won't find them. | 0:03:34 | 0:03:37 | |
I never did. | 0:03:37 | 0:03:38 | |
They're everywhere. | 0:03:38 | 0:03:40 | |
-They know everything. -Well, I just have one more thing to say. | 0:03:40 | 0:03:45 | |
-Don't go deaf. -What? | 0:03:45 | 0:03:47 | |
GUNSHOT | 0:03:47 | 0:03:48 | |
EARS RINGING | 0:03:48 | 0:03:49 | |
You took your time. | 0:03:54 | 0:03:55 | |
One unit on Tacoma. Jack, you'd better move. They're right on top of you. | 0:03:57 | 0:04:01 | |
SIRENS WAIL | 0:04:01 | 0:04:04 | |
Go, go, go, go, go! | 0:04:06 | 0:04:09 | |
Not bad, team. | 0:04:14 | 0:04:16 | |
-Not bad at all. -What did we get? | 0:04:16 | 0:04:18 | |
We got a cell phone. So, whoever made the miracle, now we've got contact. | 0:04:18 | 0:04:23 | |
-Anything? Any news? -Yeah. Don't worry, it's good. | 0:05:32 | 0:05:35 | |
They've moved Rhys and Anwen to a safe house, location unknown, | 0:05:35 | 0:05:39 | |
but they're in the custody of Sergeant Andy Davidson. | 0:05:39 | 0:05:41 | |
Have you called him? | 0:05:41 | 0:05:43 | |
-That line's been decommissioned. I'm trying, OK? -That's my bloody family, hurry. | 0:05:43 | 0:05:47 | |
Right, here we go. Brand new mobiles for everyone courtesy of Jack's cashpoint card. | 0:05:47 | 0:05:51 | |
I hope I didn't clear you out. | 0:05:51 | 0:05:53 | |
No chance. That account's been gathering interest since 1906. | 0:05:53 | 0:05:56 | |
And some new clothes. Basics. | 0:05:56 | 0:05:58 | |
If they don't fit, then tough. Jack. | 0:05:58 | 0:06:02 | |
And food. Everybody is panic buying, so I had to go to the petrol station and all they had was crisps. | 0:06:02 | 0:06:09 | |
Oh, I think you meant gas station and chips. | 0:06:09 | 0:06:12 | |
-Crisps are called chips over here. -Thank you, Miss Translation. | 0:06:12 | 0:06:16 | |
And a mobile is a cell phone and by cashpoint you mean ATM. | 0:06:16 | 0:06:19 | |
Don't ever leave my side, OK? | 0:06:19 | 0:06:20 | |
It is absolutely mental out there. | 0:06:20 | 0:06:22 | |
Some TV show said that the miracle was a virus and then some website | 0:06:22 | 0:06:26 | |
said it was the plague, so they run to the shops and clear the shelves. | 0:06:26 | 0:06:30 | |
Oh, and the new cult out on the street, that march, | 0:06:30 | 0:06:33 | |
they call themselves The Soulless. | 0:06:33 | 0:06:38 | |
Apparently, everlasting life has robbed mankind of their souls. | 0:06:38 | 0:06:43 | |
Turns out Friedkin was telling the truth. | 0:06:43 | 0:06:45 | |
-His handset was only contacted by one number. I traced it, but it hits a vine. -What's a vine? | 0:06:45 | 0:06:50 | |
A vine is when you trace a number back, but the trail branches out again and again. | 0:06:50 | 0:06:54 | |
Piggyback those secondary numbers spreading out almost exponentially. | 0:06:54 | 0:06:58 | |
So, instead of tracing one number, you're chasing 500,000. | 0:06:58 | 0:07:03 | |
-What? -You should be in the hospital. | 0:07:04 | 0:07:07 | |
Hey, less of the sympathy. | 0:07:07 | 0:07:09 | |
He can keep working, the bastard. | 0:07:09 | 0:07:11 | |
You're gonna keep just going on and on about your kid, huh? Do you want her here with us? Hmm? | 0:07:11 | 0:07:16 | |
Maybe she can go play in that corner, where the lead paint chips look extra tasty. | 0:07:16 | 0:07:21 | |
Got you that from your mates, The Soulless. | 0:07:21 | 0:07:23 | |
-Did you get me painkillers? -Sold out. Unlucky. | 0:07:23 | 0:07:26 | |
'I think we should take all those pills, | 0:07:26 | 0:07:28 | |
'those tablets and those potions and give them to people free.' | 0:07:28 | 0:07:32 | |
This guy has got a good idea, free drugs. | 0:07:32 | 0:07:34 | |
So, who is this guy, Oswald Danes? | 0:07:34 | 0:07:37 | |
He just got lucky. He's a convicted murderer and paedophile sentenced to death on Miracle Day. | 0:07:37 | 0:07:45 | |
He's on every channel. | 0:07:45 | 0:07:46 | |
We need to investigate anyone making a profit out of all of this. | 0:07:46 | 0:07:50 | |
-On it. -Go back, search family history, everything. -I know. | 0:07:50 | 0:07:52 | |
Thank you, I know what I'm doing. | 0:07:52 | 0:07:55 | |
This lemonade is flat. | 0:07:55 | 0:07:56 | |
It's lemonade. It's supposed to be flat. | 0:07:56 | 0:07:58 | |
-Fizzy lemonade?! -It's fizzy in the UK and flat in the US. | 0:07:58 | 0:08:01 | |
-Hmm, just about sums it up. -How are we doing on the money? | 0:08:01 | 0:08:05 | |
I can't trace where the bribes came from. | 0:08:05 | 0:08:08 | |
I'm going through Friedkin's patterns of behaviour instead. | 0:08:08 | 0:08:11 | |
-He's a section chief. You're not getting into those files. -You want to bet? | 0:08:11 | 0:08:15 | |
This Torchwood software, it's serious. | 0:08:15 | 0:08:18 | |
What are you doing with that? | 0:08:18 | 0:08:21 | |
-Nothing. I'm just putting my numbers in. -Whose numbers? -My sister's. | 0:08:21 | 0:08:25 | |
You're going to phone your sister? | 0:08:25 | 0:08:28 | |
-No. -Esther, what the hell is the matter with you? | 0:08:28 | 0:08:31 | |
Don't you know how serious this is? | 0:08:31 | 0:08:33 | |
The CIA will monitor her calls. | 0:08:33 | 0:08:35 | |
-I'm sorry, OK? -Well, think next time. -Come on, Rex. | 0:08:35 | 0:08:38 | |
She's not used to this. | 0:08:38 | 0:08:39 | |
I'm not either. It doesn't make me stupid. | 0:08:39 | 0:08:41 | |
That's enough, OK? | 0:08:41 | 0:08:43 | |
And who the hell put you in charge? | 0:08:43 | 0:08:45 | |
I think the CIA did. | 0:08:45 | 0:08:48 | |
-You're a member of Torchwood now, whether you like it or not. -I'm sorry, OK? I really am. | 0:08:48 | 0:08:53 | |
I just... I've never done all this before. | 0:08:53 | 0:08:55 | |
You guys have. I sit at my desk and read blogs for a living. | 0:08:55 | 0:09:00 | |
Rex, it's my sister. She's just... | 0:09:00 | 0:09:03 | |
-She's not well. -Yeah, it's irrelevant. | 0:09:03 | 0:09:05 | |
I tried to do a search on morphic fields because that's the best that I could work out, | 0:09:08 | 0:09:13 | |
that some sort of morphic field suspended the human race. But it's got to be more than that. | 0:09:13 | 0:09:19 | |
What do you mean? | 0:09:19 | 0:09:21 | |
It's like there's some sort of energy behind this, | 0:09:21 | 0:09:24 | |
a will, a drive, a consciousness, because this miracle, it's more than people just surviving. | 0:09:24 | 0:09:29 | |
They are so alive. | 0:09:29 | 0:09:32 | |
You saw Lyn, that woman at the airport. | 0:09:32 | 0:09:34 | |
She should have been paralyzed, but she just kept on going. | 0:09:34 | 0:09:37 | |
And I've seen bodies at the morgue burnt and broken, still alive, staring right at me. | 0:09:37 | 0:09:45 | |
They weren't even allowed to be unconscious. | 0:09:45 | 0:09:49 | |
It's as if something is willing them to go on, each and every individual forced into life. | 0:09:49 | 0:09:57 | |
That was me, all the way through my accident, | 0:09:59 | 0:10:04 | |
wide awake. | 0:10:04 | 0:10:07 | |
And you could feel everything that happened? It still hurt? | 0:10:07 | 0:10:11 | |
Yeah. | 0:10:11 | 0:10:13 | |
So, what did the search say? | 0:10:15 | 0:10:18 | |
That's the problem. | 0:10:18 | 0:10:20 | |
Everybody's had the same idea. | 0:10:20 | 0:10:22 | |
"Morphic field"... | 0:10:22 | 0:10:24 | |
..gets 10 million results. | 0:10:26 | 0:10:28 | |
Then I'll go through them, all 10 million. | 0:10:28 | 0:10:32 | |
See, that's what I do when I'm at my desk. Hard work. | 0:10:32 | 0:10:37 | |
I know. | 0:10:37 | 0:10:38 | |
-He cock-blocked the ATF. -I have no idea what any of that means. | 0:10:41 | 0:10:46 | |
The ATF is the Bureau of Alcohol, Tobacco, Firearms and Explosives. | 0:10:46 | 0:10:50 | |
They asked the CIA about information on a warehouse here in Washington, | 0:10:50 | 0:10:54 | |
but Friedkin forwarded the request onto ancillary three times. | 0:10:54 | 0:10:58 | |
-What's ancillary? -It's a paper chase. Way to lose something in the system. | 0:10:58 | 0:11:02 | |
So, if he tried to stop people from seeing the warehouse then maybe | 0:11:02 | 0:11:06 | |
he was paid to protect it, which would indicate there's something in there. | 0:11:06 | 0:11:10 | |
-It's at 3rd and Boston, south west. -All right, so we've got a mission. | 0:11:10 | 0:11:14 | |
-First thing we need to do is steal a new car. -Uh, ahem. Sorry, who's giving the orders? | 0:11:14 | 0:11:19 | |
OK, Torchwood, | 0:11:21 | 0:11:22 | |
-what do you say? -We need to steal a new car. | 0:11:22 | 0:11:26 | |
GLASS SMASHES | 0:11:37 | 0:11:39 | |
ALARM BEEPS | 0:11:39 | 0:11:41 | |
Got one! | 0:11:41 | 0:11:42 | |
There's somebody's dry cleaning back here. | 0:11:47 | 0:11:51 | |
And it's my size. I'm taking these. | 0:11:52 | 0:11:54 | |
My clothes are stinking. | 0:11:54 | 0:11:57 | |
Ladies, avert your eyes. That includes you, World War II. | 0:11:57 | 0:12:00 | |
These new phones aren't bad. The camera is good quality, too. | 0:12:00 | 0:12:03 | |
I know you didn't just take a picture of me changing my pants. | 0:12:03 | 0:12:06 | |
-You're changing your pants? -Pants mean trousers. | 0:12:06 | 0:12:09 | |
Are we really on a mission here? | 0:12:09 | 0:12:11 | |
Well, maybe this is the way Torchwood does things, mate. | 0:12:11 | 0:12:14 | |
-Maybe you want to drive on the other side of the street, mate. -Mmm. | 0:12:14 | 0:12:17 | |
3rd and Boston. That's the one. | 0:12:25 | 0:12:28 | |
Security profile says the guard's on a quarterly rotation. | 0:12:28 | 0:12:32 | |
He checks in with base every 15 minutes starting on the hour. | 0:12:32 | 0:12:37 | |
All right, so we going to come up with a plan or is that just the American thing to do? | 0:12:37 | 0:12:42 | |
HORN BEEPS | 0:12:42 | 0:12:44 | |
-Hi. -What can I do for you? | 0:12:47 | 0:12:49 | |
I wonder, can you help? | 0:12:49 | 0:12:51 | |
-Sure. -We're a little bit lost. Sorry. The British abroad, hopeless, honestly. I think | 0:12:51 | 0:12:56 | |
we're trying to get to Boston Avenue. | 0:12:56 | 0:12:58 | |
Is it Boston... Boston Road or Boston...? Is it Boston Street? | 0:12:58 | 0:13:01 | |
-You've done that before. -So many times. | 0:13:05 | 0:13:09 | |
Esther, how much time do we have? | 0:13:09 | 0:13:11 | |
11 minutes. | 0:13:11 | 0:13:13 | |
I can unlock it, but only by tricking it into thinking it's booting up for the day, | 0:13:13 | 0:13:17 | |
but that means all the lights come on, the computers boot up. | 0:13:17 | 0:13:20 | |
-Do it. Esther, keep watch. -Right. | 0:13:20 | 0:13:23 | |
Done. | 0:13:26 | 0:13:27 | |
Let's see what's in this. | 0:13:47 | 0:13:49 | |
Let me see that. | 0:13:54 | 0:13:56 | |
-It's drugs. It's legitimate drugs. -What is it? Metanec. | 0:13:56 | 0:14:03 | |
Metanec is a painkiller, yeah? | 0:14:03 | 0:14:05 | |
-Hallelujah! -Thousands of them. Millions of them. -Phi-Corp. -Yeah, you know Phi-Corp, Jack. | 0:14:05 | 0:14:10 | |
Big pharmaceutical company. We've got Phi-Corp back home. | 0:14:10 | 0:14:13 | |
It's everywhere. Worldwide. | 0:14:13 | 0:14:15 | |
These are the pills I've been taking. The beauty is they're non-narcotic. | 0:14:15 | 0:14:19 | |
They keep you painless and wide awake. | 0:14:19 | 0:14:22 | |
It's the perfect drug for the new world order. | 0:14:22 | 0:14:24 | |
There was a delivery yesterday. | 0:14:26 | 0:14:29 | |
When was the first one? | 0:14:31 | 0:14:33 | |
-Way back. -Oh. | 0:14:33 | 0:14:35 | |
Oh, hold on. | 0:14:35 | 0:14:37 | |
Deliveries go back at least a year, | 0:14:37 | 0:14:40 | |
all for drugs. | 0:14:40 | 0:14:43 | |
All from Phi-Corp. | 0:14:43 | 0:14:45 | |
Oh, my God. | 0:14:49 | 0:14:51 | |
Bigger on the inside than the outside. | 0:14:59 | 0:15:02 | |
These are all painkillers? | 0:15:03 | 0:15:06 | |
-They're ready for a war. -No. | 0:15:06 | 0:15:10 | |
They were ready for the miracle. | 0:15:10 | 0:15:13 | |
Phi-Corp knew it was coming. | 0:15:13 | 0:15:14 | |
You, come here. | 0:15:28 | 0:15:30 | |
This woman's husband strangled her. She won't die so he keeps strangling her. Now her brain is soup | 0:15:30 | 0:15:35 | |
and her neck is like dust, and you're telling me it's not murder? | 0:15:35 | 0:15:39 | |
-We charged him with assault. -That's not enough! This is murder! -Don't blame me. | 0:15:39 | 0:15:43 | |
We're not even allowed to say "attempted murder" any more | 0:15:43 | 0:15:46 | |
cos murder is impossible. The whole system is breaking down. | 0:15:46 | 0:15:50 | |
It's the NIH. They say you're late for some kind of panel. | 0:15:50 | 0:15:53 | |
-I'm looking at an additional 500,000 people a day. -What's up? | 0:15:59 | 0:16:02 | |
The 50% of pregnancies that spontaneously abort are not aborting. Genetic mistakes are suddenly viable. | 0:16:02 | 0:16:07 | |
No baby is a mistake. | 0:16:07 | 0:16:09 | |
What hospital are you from? | 0:16:09 | 0:16:12 | |
Providence. Dr Carey Murphy. | 0:16:12 | 0:16:13 | |
Yeah, I was a Catholic too, once. I got better. | 0:16:13 | 0:16:17 | |
We're talking brain outside the skull, no skin, no face, suffering. | 0:16:17 | 0:16:21 | |
Yeah, these are mistakes. | 0:16:21 | 0:16:23 | |
Oh, hell. | 0:16:23 | 0:16:25 | |
Sorry. Um, but actually, I think we can help. Jilly Kitzinger. Hi. | 0:16:25 | 0:16:33 | |
Pain management in newborns | 0:16:33 | 0:16:35 | |
is something we've already got going on at Phi-Corp, | 0:16:35 | 0:16:38 | |
so we can roll out a strategy. | 0:16:38 | 0:16:40 | |
We've got a bigger problem. Somebody got off a plane from New Delhi | 0:16:40 | 0:16:43 | |
in Boston and now we've got cholera. I warned you! | 0:16:43 | 0:16:46 | |
I seem to recall no shortage of clean water in Boston. | 0:16:46 | 0:16:49 | |
Turn on a tap, gentlemen. | 0:16:49 | 0:16:50 | |
Can we talk about the situation in the ERs? | 0:16:50 | 0:16:52 | |
We're seeing more of this every day. | 0:16:52 | 0:16:54 | |
We're not done with the birth issue, guys. | 0:16:54 | 0:16:57 | |
They put contraceptives in the water in India, mainland China. We might have to look at that. | 0:16:57 | 0:17:02 | |
-That's not a serious proposition? -Long-term doesn't matter if we lose the heart of our healthcare system. | 0:17:02 | 0:17:08 | |
We need more facilities, more space, but who'll organize it? | 0:17:08 | 0:17:11 | |
We'll put it on the agenda, but we're getting pretty far off track. | 0:17:11 | 0:17:15 | |
Can we talk about the contraception option with professional distance? | 0:17:15 | 0:17:19 | |
It's been raining on and off. | 0:17:23 | 0:17:25 | |
Like it wasn't end-of-the-worldly enough. | 0:17:25 | 0:17:28 | |
We don't deserve this miracle. | 0:17:34 | 0:17:36 | |
We'll just screw it up, like we always do. | 0:17:36 | 0:17:40 | |
Human damn beings. I'm including myself. | 0:17:40 | 0:17:42 | |
Phi-Corp needs feedback from medical staff. | 0:17:42 | 0:17:45 | |
Why don't you come and talk to us? | 0:17:45 | 0:17:47 | |
My schedule is a little full. | 0:17:47 | 0:17:51 | |
OK. But you gave a commencement speech last year at Columbia | 0:17:51 | 0:17:54 | |
about your college mentor, how she worked for Doctors Without Borders | 0:17:54 | 0:17:59 | |
when they were just starting out in Biafra. | 0:17:59 | 0:18:02 | |
You said you wanted to find a way to give back, like she did. Did you find that? | 0:18:02 | 0:18:06 | |
I... I was talking about fieldwork. | 0:18:06 | 0:18:09 | |
Everything is fieldwork now. | 0:18:09 | 0:18:12 | |
I mean, FEMA... FEMA is hopeless. | 0:18:12 | 0:18:15 | |
It's a pot of glue that still thinks it's a racehorse. | 0:18:15 | 0:18:17 | |
Phi-Corp can really do something. | 0:18:17 | 0:18:19 | |
You're just out to make a profit. | 0:18:19 | 0:18:21 | |
Well, companies profit by turning situations round to their advantage. | 0:18:21 | 0:18:25 | |
But isn't that how every human damn being gets through their day? | 0:18:25 | 0:18:29 | |
Come in and say hello. | 0:18:29 | 0:18:32 | |
Just once. | 0:18:32 | 0:18:33 | |
-Maybe. -I'll take that as a yes! | 0:18:35 | 0:18:37 | |
Oh, God. I've got to go. | 0:18:37 | 0:18:39 | |
Busy, busy. But you have my card. You won't regret it. | 0:18:39 | 0:18:44 | |
And that's a promise! | 0:18:44 | 0:18:45 | |
OK, we do a deep search on this Phi-Corp. | 0:18:49 | 0:18:52 | |
I want to peel back security and find everything. | 0:18:52 | 0:18:55 | |
-I can handle company history. -I can do European operations. | 0:18:55 | 0:18:58 | |
Whoa, wait a minute. After we do all this research, then what do we do? | 0:18:58 | 0:19:02 | |
We go in, whether that means infiltration or confrontation. | 0:19:02 | 0:19:05 | |
So we just sit on this information? | 0:19:05 | 0:19:07 | |
Come on, guys, seriously? | 0:19:07 | 0:19:09 | |
We've got a major link between an international corporation | 0:19:09 | 0:19:13 | |
-and the miracle, and we keep it to ourselves? -We got this far on our own. | 0:19:13 | 0:19:16 | |
Yeah, but see, it's not just about us. Not any more. | 0:19:16 | 0:19:19 | |
This is about doing the right thing - for the state and for the people. | 0:19:19 | 0:19:23 | |
Jack, he's got a point. | 0:19:23 | 0:19:25 | |
OK. We need a friend with connections. Got any ideas? | 0:19:25 | 0:19:29 | |
My senior instructor at Langley. I'm sure he'd still give me a chance. | 0:19:29 | 0:19:33 | |
-He's CIA. -He's ex-CIA. | 0:19:33 | 0:19:35 | |
Look, I know this is a risk. | 0:19:35 | 0:19:37 | |
But it's a risk I'm willing to take. | 0:19:37 | 0:19:39 | |
-So what do you say? -OK. | 0:19:39 | 0:19:42 | |
OK. | 0:19:43 | 0:19:44 | |
And I've got proof. I've got photographs and documentation. | 0:19:46 | 0:19:49 | |
But I can't compromise you or your family, sir. You know I would never do that. | 0:19:49 | 0:19:53 | |
So maybe we could meet somewhere neutral. | 0:19:53 | 0:19:55 | |
How about the lobby of the Freeville Hotel? | 0:19:55 | 0:19:58 | |
It's on North Street West. The Freeville Hotel. | 0:19:58 | 0:20:02 | |
SIRENS WAIL, BRAKES SCREECH | 0:20:02 | 0:20:06 | |
What's the use? | 0:20:22 | 0:20:23 | |
We discovered this Phi-Corp shit, but everyone's been turned against us. | 0:20:23 | 0:20:28 | |
We're still on the run. We can't trust anyone. | 0:20:28 | 0:20:30 | |
They can't have got to everyone we know or be tracking the cellphones, cos they're new. | 0:20:30 | 0:20:34 | |
I warned you. | 0:20:34 | 0:20:35 | |
Whoever these people are, they're good, and they're ready for us. | 0:20:35 | 0:20:38 | |
Which puts us back at square one. We tackle Phi-Corp ourselves. | 0:20:38 | 0:20:42 | |
And is that standard Torchwood policy? | 0:20:46 | 0:20:49 | |
Suppose it is, yeah. | 0:20:51 | 0:20:53 | |
You know, you dress like it's World War II, | 0:20:55 | 0:20:58 | |
so I don't expect you to be up on current events, | 0:20:58 | 0:21:01 | |
but there is no Torchwood! | 0:21:01 | 0:21:03 | |
It's dead. Gone. Buried! | 0:21:03 | 0:21:07 | |
It's us! | 0:21:07 | 0:21:09 | |
As far as I can see, you got all your staff killed. | 0:21:09 | 0:21:11 | |
They were my friends. | 0:21:11 | 0:21:14 | |
-Your dead friends! -Rex, don't. | 0:21:14 | 0:21:16 | |
"Rex, don't." | 0:21:19 | 0:21:20 | |
Ah, you want me to stop? I'll stop. | 0:21:20 | 0:21:23 | |
Who the hell are you people anyway? | 0:21:23 | 0:21:26 | |
Rex, hold on. Hold on. We've got to work together on this, Rex. | 0:21:26 | 0:21:29 | |
Don't, Rex. Don't! | 0:21:29 | 0:21:32 | |
Don't! Rex! | 0:21:32 | 0:21:35 | |
City's going wild. | 0:22:07 | 0:22:08 | |
Everyone's out drinking. | 0:22:08 | 0:22:10 | |
Nobody knows whether it's a party or a wake. | 0:22:10 | 0:22:14 | |
-My arm is itching. -Poor baby. | 0:22:14 | 0:22:16 | |
I think it's infected. | 0:22:16 | 0:22:17 | |
You're worse than Rhys. It's itching because it's healing. Stop it, Jack. | 0:22:17 | 0:22:21 | |
Oi, Jack! | 0:22:21 | 0:22:22 | |
Mortal man, mortal needs. | 0:22:23 | 0:22:26 | |
We've got work to do. | 0:22:26 | 0:22:27 | |
I am so mortal. | 0:22:27 | 0:22:30 | |
Hey, baby! What's up? | 0:22:38 | 0:22:40 | |
Yeah! Whoo! | 0:22:40 | 0:22:43 | |
There's a poem. | 0:22:43 | 0:22:45 | |
"I have been one acquainted with the night. | 0:22:45 | 0:22:48 | |
"I have walked out in rain and back in rain." | 0:22:48 | 0:22:51 | |
It's probably not about walking. | 0:22:52 | 0:22:55 | |
I suppose it's about death. | 0:22:55 | 0:22:57 | |
Yeah. The poets are the ones who are really going to suffer, aren't they? | 0:22:58 | 0:23:02 | |
All those poems about death. | 0:23:02 | 0:23:04 | |
Well, it was Robert Frost, so maybe it really was just about walking. | 0:23:04 | 0:23:08 | |
My apartment's that way. | 0:23:14 | 0:23:17 | |
Ten minutes down the freeway, turn off at 11th. | 0:23:17 | 0:23:20 | |
-Home. -You'd be arrested on the spot. | 0:23:21 | 0:23:23 | |
And that'd be worse than this? | 0:23:23 | 0:23:26 | |
I'd be safe, be warm. | 0:23:28 | 0:23:32 | |
Wouldn't be holding you back. | 0:23:32 | 0:23:34 | |
I don't know if I can do this. | 0:23:38 | 0:23:39 | |
What's wrong with your sister? | 0:23:42 | 0:23:43 | |
She's not sick. She just... | 0:23:45 | 0:23:47 | |
..can't cope. | 0:23:48 | 0:23:49 | |
Never could. I'm the youngest, but I've always looked after her. | 0:23:49 | 0:23:55 | |
Well, she's in that direction. | 0:23:57 | 0:24:00 | |
But I'm warning you, you give up now and you'll prove that Rex was right. | 0:24:00 | 0:24:04 | |
Can't have that. | 0:24:07 | 0:24:09 | |
No, we can't. | 0:24:09 | 0:24:11 | |
Miles to go before we sleep. | 0:24:16 | 0:24:18 | |
Mm-hmm. | 0:24:18 | 0:24:20 | |
POUNDING CLUB BEAT | 0:24:20 | 0:24:21 | |
Scotch. | 0:24:45 | 0:24:46 | |
What are these? | 0:24:51 | 0:24:52 | |
Sobriety chips. Got two-month chips, six-month chips. | 0:24:52 | 0:24:56 | |
A whole bowl of ten-year chips around here somewhere. | 0:24:56 | 0:24:58 | |
People are throwing a lot of sober out the window tonight. | 0:24:58 | 0:25:01 | |
Sorry I can't add to your collection. Unless you want a button. | 0:25:01 | 0:25:05 | |
Oh, you damage that coat, I'm jumping over this bar to protect it. | 0:25:05 | 0:25:09 | |
Jack. | 0:25:13 | 0:25:15 | |
-You like the coat? -Brad. Passionately. | 0:25:17 | 0:25:21 | |
What's the latest from the White House? | 0:25:23 | 0:25:26 | |
Are we getting any sort of clarity? | 0:25:26 | 0:25:28 | |
Well, off the record, this miracle is so impossible, | 0:25:28 | 0:25:32 | |
a lot of high level officials are thinking the word "alien", | 0:25:32 | 0:25:35 | |
meaning an intervention or at least an influence from beyond this world. | 0:25:35 | 0:25:38 | |
But so far, no-one's willing to say it out loud. | 0:25:38 | 0:25:40 | |
Well, bringing the discussion back down from outer space, | 0:25:40 | 0:25:44 | |
we saw some action today. | 0:25:44 | 0:25:45 | |
The Supreme Court has agreed to hear a case... | 0:25:45 | 0:25:47 | |
This OK? | 0:26:21 | 0:26:23 | |
For the trumpet shall sound and the dead shall be raised, | 0:26:47 | 0:26:51 | |
incorruptible, and we shall be changed. | 0:26:51 | 0:26:56 | |
So when this corruptible shall have put on incorruption, | 0:26:58 | 0:27:02 | |
and the mortal shall have put on immortality, | 0:27:02 | 0:27:06 | |
so then shall this corruptible shall be put on | 0:27:06 | 0:27:08 | |
then this mortality shall be brought to pass | 0:27:08 | 0:27:15 | |
the saying which is written, "Death shall be swallowed up in victory. | 0:27:15 | 0:27:20 | |
"O, death, where is thy sting? O, grave, where is thy victory?" | 0:27:20 | 0:27:24 | |
Dr Juarez. > | 0:27:38 | 0:27:41 | |
HE PANTS | 0:27:48 | 0:27:50 | |
I'm going to need you to dress this again. | 0:27:50 | 0:27:52 | |
And I'm afraid I'm going to have to insist. | 0:27:54 | 0:27:56 | |
LABOURED BREATHING | 0:27:57 | 0:27:59 | |
I'm going to need your help. You know, medicine and care... | 0:28:13 | 0:28:18 | |
just until I clear my name. | 0:28:18 | 0:28:19 | |
I'm just taking your word for it that you're not a traitor. | 0:28:19 | 0:28:22 | |
HE LAUGHS | 0:28:22 | 0:28:23 | |
Oh, yeah. | 0:28:23 | 0:28:25 | |
But you know, you've already given me drugs, taken me into your home. | 0:28:26 | 0:28:30 | |
You know, we both have the power to make a case against one another. | 0:28:30 | 0:28:35 | |
Nice. | 0:28:35 | 0:28:38 | |
So what you're saying is, that's what our relationship comes down to - blackmail. | 0:28:38 | 0:28:42 | |
Huh. Well... | 0:28:42 | 0:28:45 | |
..When you put it that way, it's kind of hot. | 0:28:47 | 0:28:53 | |
Rex, I'm exhausted. | 0:28:55 | 0:28:59 | |
Me, too. | 0:29:00 | 0:29:02 | |
Do you have protection? | 0:29:23 | 0:29:25 | |
What for? | 0:29:25 | 0:29:27 | |
Can't die now. Don't need nothing in-between. | 0:29:27 | 0:29:30 | |
That's not how it works any more. | 0:29:30 | 0:29:32 | |
A lifetime of regret just got even longer, that's all. | 0:29:32 | 0:29:35 | |
Fine. You're calling the shots. | 0:29:37 | 0:29:40 | |
Yes. | 0:29:41 | 0:29:42 | |
Yes, I am. | 0:29:44 | 0:29:46 | |
The sting of death is sin, and the sake of sin is the law! | 0:29:46 | 0:29:53 | |
But thanks be to God, | 0:29:54 | 0:29:56 | |
which giveth us our victory through our Lord Jesus Christ. | 0:29:56 | 0:30:02 | |
Hey. | 0:30:10 | 0:30:12 | |
Hey! | 0:30:12 | 0:30:13 | |
-I was just leaving. Just leaving. -Carla, is this the guy? | 0:30:13 | 0:30:17 | |
-It's him. -No, you got me mistaken with somebody else. | 0:30:17 | 0:30:20 | |
-Oswald Danes, the child killer. -No. | 0:30:20 | 0:30:22 | |
If you don't want to be recognised, don't put your face on TV! | 0:30:22 | 0:30:26 | |
Let's get him. | 0:30:26 | 0:30:28 | |
Officer! That kid! He's harassing me. | 0:30:35 | 0:30:39 | |
Oh, not fair, man. You know who you got there? | 0:30:39 | 0:30:42 | |
-Look at him. -It's a mistake. | 0:30:42 | 0:30:44 | |
-You should go home, sir. -That's Oswald Danes. | 0:30:44 | 0:30:46 | |
Do you know what he said about the girl, the one he killed? | 0:30:46 | 0:30:51 | |
"She should have run faster." That's what he said. | 0:30:51 | 0:30:54 | |
Go home right now. | 0:30:54 | 0:30:56 | |
Thank you. Thank you very much. | 0:31:03 | 0:31:06 | |
I'm just trying to get back to my motel. | 0:31:06 | 0:31:09 | |
Do you think you could give me a lift? It's just off 278. | 0:31:10 | 0:31:15 | |
Yeah, get in. | 0:31:16 | 0:31:17 | |
Thank you. | 0:31:21 | 0:31:22 | |
What? Is there a problem here, officer? | 0:31:37 | 0:31:41 | |
You can get out, sir. | 0:31:41 | 0:31:43 | |
Ah, shit. | 0:31:49 | 0:31:51 | |
All right. Of course. | 0:31:52 | 0:31:55 | |
Of course. Here we go, huh? | 0:31:56 | 0:32:00 | |
Here we go. | 0:32:00 | 0:32:03 | |
Don't you worry, sir. Nothing on your face. | 0:32:06 | 0:32:10 | |
You'll still be nice and handsome for the TV. | 0:32:10 | 0:32:13 | |
You should have run faster, Oswald. | 0:32:20 | 0:32:22 | |
Are you saying the pharmaceutical companies knew it was going to happen? | 0:32:24 | 0:32:28 | |
Only one company. Phi-Corp. | 0:32:28 | 0:32:32 | |
You OK? | 0:32:37 | 0:32:39 | |
My... | 0:32:46 | 0:32:48 | |
My mother had a massive stroke last year. | 0:32:48 | 0:32:50 | |
I had to make a choice. | 0:32:53 | 0:32:55 | |
God, if I'd just kept her alive a little longer. If I had been warned. | 0:32:59 | 0:33:03 | |
They even gave me their card. | 0:33:05 | 0:33:08 | |
Phi-Corp. Some woman called Kitzinger. | 0:33:11 | 0:33:14 | |
She wants me to go to some kind of private meeting. | 0:33:17 | 0:33:20 | |
Well, you know you have to go and find out more. | 0:33:20 | 0:33:24 | |
-I need to know what they're doing. -Rex, that's your job, not mine. -What? | 0:33:24 | 0:33:29 | |
Hey, listen, I'm serious. I need you to do this. | 0:33:29 | 0:33:33 | |
You break in here, threaten to expose me for helping you | 0:33:33 | 0:33:36 | |
and now you want me to spy for you? | 0:33:36 | 0:33:38 | |
-Yeah, will you? -No! -Phi-Corp knew, Vera. | 0:33:38 | 0:33:42 | |
OK? They could have warned us. | 0:33:42 | 0:33:45 | |
Think about your mother. I mean, you let her die... | 0:33:45 | 0:33:48 | |
I'm taking a shower. Let yourself out. | 0:33:53 | 0:33:56 | |
And I don't need to see you again. | 0:33:57 | 0:34:00 | |
Gwen, I had to call. | 0:34:04 | 0:34:07 | |
I thought of a thing. | 0:34:08 | 0:34:09 | |
'Are you drunk?' | 0:34:09 | 0:34:11 | |
A little. You? | 0:34:11 | 0:34:14 | |
Some of us have to work. | 0:34:15 | 0:34:17 | |
-Your turn to talk. -I know. | 0:34:23 | 0:34:26 | |
I was thinking about how you're immortal... | 0:34:30 | 0:34:34 | |
..and I'm dying. | 0:34:38 | 0:34:39 | |
And what I wanted to say was... | 0:34:44 | 0:34:46 | |
..we're good, aren't we? | 0:34:51 | 0:34:52 | |
You and me. | 0:34:52 | 0:34:56 | |
A good team. | 0:34:56 | 0:34:58 | |
I missed you. | 0:35:00 | 0:35:02 | |
I was thinking... | 0:35:04 | 0:35:07 | |
-if this had happened a bit sooner... -I know. | 0:35:07 | 0:35:10 | |
-..he'd still be here. Ianto. -Dead friends. -I'm sorry. | 0:35:10 | 0:35:15 | |
'I wish he was here now.' | 0:35:17 | 0:35:19 | |
Not much of a team, is it? | 0:35:19 | 0:35:21 | |
But we've still got each other. | 0:35:23 | 0:35:26 | |
You and me. Just like the old days. | 0:35:26 | 0:35:31 | |
-We don't need anyone, do we? -Sorry. -We don't need Rex. | 0:35:31 | 0:35:34 | |
I had to bounce a signal off Paraguay, but it's to say thanks. | 0:35:34 | 0:35:37 | |
Oh, my God. Rhys? | 0:35:37 | 0:35:39 | |
-Oh, my God! -Can you see me? I can see you, can you see me? | 0:35:39 | 0:35:42 | |
Yes, a little bit too much of you, not enough baby. | 0:35:42 | 0:35:46 | |
Put up the baby. | 0:35:46 | 0:35:48 | |
Give your mam a wave. | 0:35:48 | 0:35:50 | |
We don't need anyone. | 0:35:50 | 0:35:53 | |
Right, Gwen? | 0:35:53 | 0:35:56 | |
Gwen? | 0:35:59 | 0:36:01 | |
-Hey! -Anwen. | 0:36:01 | 0:36:03 | |
Hello, little sweetheart. | 0:36:03 | 0:36:06 | |
Hey, mummy, look! | 0:36:06 | 0:36:08 | |
Hello, darling. We're safe and we escaped. | 0:36:08 | 0:36:10 | |
We're fine, I promise. | 0:36:10 | 0:36:12 | |
-I'll be home as soon as I can. I will. -Andy said he can move us | 0:36:12 | 0:36:15 | |
with police supervision back to Swansea, so we're waiting for you. | 0:36:15 | 0:36:19 | |
Hey? It's Mam! It's Mam! Hello, Mam! | 0:36:19 | 0:36:23 | |
Rough night, Oswald? | 0:36:44 | 0:36:47 | |
Oh, God. | 0:36:48 | 0:36:50 | |
What was it? | 0:36:50 | 0:36:52 | |
Was it Jill, or...? No, let me guess. Jillian? | 0:36:52 | 0:36:56 | |
Jilly. Jilly Kitzinger. Told you, you'd need me. | 0:36:56 | 0:36:59 | |
Now, we have a very important meeting to go to, | 0:36:59 | 0:37:03 | |
-so you can get cleaned up on the plane to Dallas. -Dallas? Why? | 0:37:03 | 0:37:07 | |
These are the times that make men, Oswald. | 0:37:08 | 0:37:13 | |
So it's your choice. | 0:37:13 | 0:37:15 | |
Stay where you are or stand up tall | 0:37:15 | 0:37:18 | |
and stride across the skin of the world. | 0:37:18 | 0:37:20 | |
Which is it? | 0:37:22 | 0:37:25 | |
Well, let's see... | 0:37:25 | 0:37:27 | |
If that's a promise of help, | 0:37:34 | 0:37:36 | |
you'd better deliver... | 0:37:37 | 0:37:39 | |
Miss Jilly Kitzinger. | 0:37:41 | 0:37:44 | |
I will, sir. I promise. | 0:37:44 | 0:37:47 | |
I'll hold you to it. | 0:37:48 | 0:37:52 | |
Lead on. | 0:37:52 | 0:37:55 | |
PHONE RINGS | 0:38:09 | 0:38:11 | |
-Yeah? -You left me your number cos you knew I'd give in. | 0:38:14 | 0:38:18 | |
OK, I'm not the CIA, I don't go undercover, but... | 0:38:18 | 0:38:21 | |
-..maybe I can get you inside. -Yes! | 0:38:23 | 0:38:27 | |
I feel awful, which is amazing! | 0:38:32 | 0:38:36 | |
-I thought we broke up. -Yeah, well there's work to be done. | 0:38:40 | 0:38:43 | |
-So they just look like contact lenses? -Mm-hm. Look at the laptop. | 0:38:43 | 0:38:47 | |
They're the one piece of Torchwood tech I kept. | 0:38:47 | 0:38:50 | |
It's like a camera, see? OK. Side... | 0:38:51 | 0:38:54 | |
-Huh! -..to side. See? | 0:38:54 | 0:38:58 | |
Very cool. Where'd you get it from? | 0:38:58 | 0:39:00 | |
A distant moon of a distant star. | 0:39:00 | 0:39:02 | |
Ha, ha, ha(!) Really, where'd you get them from? | 0:39:02 | 0:39:06 | |
A distant moon of a distant star. | 0:39:06 | 0:39:10 | |
I am loving this hangover. | 0:39:10 | 0:39:12 | |
I knew mortality would make life more intense. Ow! | 0:39:12 | 0:39:15 | |
Don't touch my pills. I need them. | 0:39:15 | 0:39:17 | |
I need them too. | 0:39:17 | 0:39:18 | |
-You weren't impaled. -Should've seen the other guy! | 0:39:18 | 0:39:21 | |
Ooh, that face! | 0:39:22 | 0:39:24 | |
Rex doesn't like his jokes too gay. | 0:39:24 | 0:39:26 | |
No, Rex doesn't like men in their 40s acting like they're 20. | 0:39:26 | 0:39:30 | |
And we've got a winner. Now, hush. Esther's sending me texts. | 0:39:30 | 0:39:34 | |
So we can communicate with the I-5s just by typing. | 0:39:34 | 0:39:37 | |
Hm. | 0:39:37 | 0:39:39 | |
Hello, Esther. I'm Gwen. | 0:39:40 | 0:39:42 | |
But there's no sound. | 0:39:42 | 0:39:44 | |
We've got lip-reading software. Look at me. | 0:39:44 | 0:39:46 | |
-Right at me. -Mm-hm? -Say something. | 0:39:46 | 0:39:51 | |
My name is Rex Matheson, representing the Central Intelligence Agency. | 0:39:51 | 0:39:55 | |
COMPUTER: My name is Rex Matheson, | 0:39:55 | 0:39:58 | |
-representing the Central Intelligence Agency. -All right, | 0:39:58 | 0:40:01 | |
-that'll work. I can get inside with those. -Problem. | 0:40:01 | 0:40:04 | |
They're isomorphic. Biometrically tuned in to me and me alone. | 0:40:04 | 0:40:08 | |
Seriously? | 0:40:08 | 0:40:10 | |
Mm-hm. If anyone's going on this mission, it's got to be me. | 0:40:10 | 0:40:13 | |
-Yep. -Huh? -What? | 0:40:20 | 0:40:22 | |
We very much appreciate your coming. Phi-Corp knows how busy you must be. | 0:40:28 | 0:40:32 | |
No, I don't think this is right. I was here to see Miss Kitzinger? | 0:40:44 | 0:40:48 | |
No, this is the meeting. | 0:40:48 | 0:40:50 | |
I think you may know some of these people. | 0:40:50 | 0:40:52 | |
Andy Collier from Johns Hopkins. | 0:40:52 | 0:40:54 | |
Shelby Lewis, shortlisted for the Lasker Prize. | 0:40:54 | 0:40:57 | |
OK. | 0:40:57 | 0:40:59 | |
We're starting in five. | 0:40:59 | 0:41:01 | |
-Oh, if you'll excuse me...? -First door on your left. | 0:41:01 | 0:41:04 | |
Thank you. | 0:41:04 | 0:41:05 | |
-Where's Rex? -No, I'm not Rex. | 0:41:16 | 0:41:18 | |
I know, long story. Go back to the meeting, | 0:41:18 | 0:41:21 | |
keep Jilly Kitzinger there for as long as you can. Go! | 0:41:21 | 0:41:24 | |
Are you giving me orders? | 0:41:24 | 0:41:25 | |
Yes, go! | 0:41:25 | 0:41:28 | |
-She did good, Dr. Juarez. -Yeah. | 0:41:31 | 0:41:33 | |
-How did you talk her into it? -It's not exactly a professional relationship. | 0:41:33 | 0:41:37 | |
Oswald Danes. | 0:41:46 | 0:41:48 | |
-What's he doing? -Tell her to follow him. | 0:41:58 | 0:42:00 | |
No, no. No way. | 0:42:00 | 0:42:02 | |
Let her stay on the mission. | 0:42:02 | 0:42:05 | |
Find out anything about Oswald Danes? | 0:42:10 | 0:42:13 | |
Nothing special, apart from being a monster. | 0:42:13 | 0:42:15 | |
He just chose the right day to be executed on. | 0:42:15 | 0:42:18 | |
-He's got nothing to do with this stuff. -Ah. | 0:42:18 | 0:42:21 | |
I'm sorry, no. I have been forgiven. | 0:42:21 | 0:42:23 | |
A substantial number of people have forgiven me. | 0:42:23 | 0:42:27 | |
I can feel that in my heart, in my guts. | 0:42:27 | 0:42:30 | |
Forgiveness, it's like a tide | 0:42:30 | 0:42:32 | |
or a storm. It clears the air. | 0:42:32 | 0:42:35 | |
I'm very lucky to have been forgiven, and I feel very... | 0:42:35 | 0:42:38 | |
I feel very blessed. | 0:42:38 | 0:42:40 | |
And I think of forgiveness as a cure. | 0:42:40 | 0:42:43 | |
Gentlemen, Mr. Danes. | 0:42:49 | 0:42:51 | |
Yeah? | 0:43:04 | 0:43:06 | |
Who was that woman? | 0:43:06 | 0:43:08 | |
She works for me. Are you at the meeting yet? | 0:43:08 | 0:43:11 | |
Yeah, but it's not a meeting. | 0:43:11 | 0:43:13 | |
It's some kind of presentation. | 0:43:13 | 0:43:15 | |
Well, keep the line open. I want to hear. | 0:43:15 | 0:43:17 | |
Hello, and thank you for coming. I'm Congressman Patrick Morganthall. | 0:43:38 | 0:43:42 | |
Some of you are listening to us from Los Angeles... | 0:43:42 | 0:43:45 | |
A congressman. | 0:43:45 | 0:43:47 | |
Cleveland, DC, Dallas, Singapore, Hong Kong... | 0:43:47 | 0:43:50 | |
-Phi-Corp was ready, worldwide. -If they knew about the miracle, | 0:43:50 | 0:43:53 | |
does that mean they caused it? | 0:43:53 | 0:43:56 | |
Our modern drug prescription system has served us very well | 0:43:56 | 0:44:00 | |
for many decades, but times have changed. | 0:44:00 | 0:44:02 | |
Times have changed a great deal. | 0:44:02 | 0:44:06 | |
The need for drugs is far outstripping the access | 0:44:06 | 0:44:09 | |
to the people with the means to prescribe them. | 0:44:09 | 0:44:11 | |
Something has got to change. | 0:44:11 | 0:44:15 | |
That's why, later today, I will be introducing legislation | 0:44:15 | 0:44:18 | |
to make all prescription drugs, | 0:44:18 | 0:44:21 | |
all painkillers, antibiotics, | 0:44:21 | 0:44:23 | |
almost all medications available without a prescription. | 0:44:23 | 0:44:28 | |
-It'll, what, multiply sales by tenfold? -Psh! Try 1,000. | 0:44:30 | 0:44:33 | |
They're cashing in big time. | 0:44:33 | 0:44:36 | |
Where's Jack? | 0:44:37 | 0:44:39 | |
I'm not just talking about new laws. | 0:45:11 | 0:45:13 | |
I am talking about making an entirely new society. | 0:45:13 | 0:45:16 | |
Now, this is a massive enterprise, ladies and gentlemen. | 0:45:16 | 0:45:19 | |
But it's up to us. | 0:45:19 | 0:45:21 | |
-All of you are experts... -Jilly just left. | 0:45:21 | 0:45:24 | |
Oh, shit! | 0:45:24 | 0:45:26 | |
Call her! | 0:45:34 | 0:45:35 | |
Call Jilly Kitzinger. | 0:45:35 | 0:45:38 | |
PHONE RINGING | 0:45:51 | 0:45:53 | |
-Dr. Juarez? Hello. -It's Vera. | 0:45:54 | 0:45:55 | |
I'm in the screening room. I have some... can you come here? | 0:45:55 | 0:45:58 | |
-Can I ask you some questions? -Sure, sure. Is everything all right? | 0:45:58 | 0:46:02 | |
You sound kind of shaky. | 0:46:02 | 0:46:06 | |
Good work, Gwen Cooper! | 0:46:24 | 0:46:26 | |
PHONE VIBRATES | 0:46:26 | 0:46:27 | |
You going to get that? | 0:46:27 | 0:46:29 | |
It's not mine. | 0:46:29 | 0:46:31 | |
-They're calling Friedkin. -Or they're calling us. Go, go. | 0:46:37 | 0:46:40 | |
Yeah? | 0:46:43 | 0:46:44 | |
Hello? | 0:46:54 | 0:46:55 | |
Who's there? | 0:46:57 | 0:46:58 | |
Who are you? | 0:47:05 | 0:47:07 | |
Who am I talking to? | 0:47:12 | 0:47:13 | |
Who is this? | 0:47:21 | 0:47:23 | |
Nothing. | 0:47:29 | 0:47:31 | |
It hits a vine. | 0:47:31 | 0:47:33 | |
-They could've traced that handset. -Yeah, I know. Come on, | 0:47:33 | 0:47:36 | |
Gotta get the hell out of here, out of DC. | 0:47:36 | 0:47:39 | |
-Pack that stuff up. -What you smiling for? | 0:47:39 | 0:47:41 | |
I think we got them worried. | 0:47:41 | 0:47:43 | |
Let's go. | 0:47:43 | 0:47:45 | |
And let's find out where the hell Jack went. | 0:47:45 | 0:47:47 | |
OK, you ready for me? | 0:47:58 | 0:48:00 | |
Yeah, sure. | 0:48:00 | 0:48:02 | |
I'd apologize for being late, but it wasn't my fault. | 0:48:04 | 0:48:07 | |
I was needed across town. | 0:48:07 | 0:48:10 | |
Still...made it. | 0:48:10 | 0:48:13 | |
This will be going out live, yes? | 0:48:13 | 0:48:17 | |
Can you tell me who's interviewing me? | 0:48:17 | 0:48:18 | |
Yeah, it's, uh... | 0:48:18 | 0:48:22 | |
Sod it! | 0:48:22 | 0:48:23 | |
A man like you was always on his way. | 0:48:31 | 0:48:34 | |
You met with Phi-Corp today. Why? | 0:48:34 | 0:48:36 | |
-You'll have to ask them. -Did they mention the name Jack Harkness? | 0:48:38 | 0:48:41 | |
Have you heard that name? | 0:48:41 | 0:48:44 | |
Never. | 0:48:44 | 0:48:46 | |
Why do you ask, Jack? | 0:48:46 | 0:48:47 | |
I figured if you cared that much about the name, it's probably yours. | 0:48:49 | 0:48:54 | |
I just want you to talk. | 0:48:59 | 0:49:01 | |
What about? | 0:49:02 | 0:49:03 | |
I saw you on television, saying you feel forgiven for | 0:49:03 | 0:49:07 | |
taking the life of a child. | 0:49:07 | 0:49:08 | |
That's a lie! I know that's a lie. | 0:49:08 | 0:49:12 | |
-How do you know that, Jack, with such certainty? -Tell the truth! | 0:49:13 | 0:49:17 | |
The murder of Susie Cabina. | 0:49:18 | 0:49:21 | |
You don't feel sorry at all. | 0:49:23 | 0:49:25 | |
Oh, the truth is she flaunted it. | 0:49:25 | 0:49:30 | |
Her innocence. | 0:49:31 | 0:49:33 | |
Most people, they get hit or whatever, | 0:49:33 | 0:49:36 | |
it's hours before the bruises rise up. | 0:49:36 | 0:49:41 | |
But they showed right away with her. | 0:49:41 | 0:49:45 | |
It was like...I was painting on her. | 0:49:45 | 0:49:50 | |
And she looked so beautiful. | 0:49:52 | 0:49:55 | |
I thought it couldn't get any better than that. But, oh, Jack, | 0:49:55 | 0:49:58 | |
I swear to you, | 0:49:58 | 0:50:01 | |
right then, at the end, | 0:50:01 | 0:50:06 | |
I felt her life leave... | 0:50:06 | 0:50:09 | |
and she left through me. | 0:50:09 | 0:50:12 | |
Do you know that feeling? | 0:50:16 | 0:50:19 | |
And I relive it every single night, because... | 0:50:22 | 0:50:27 | |
that was the best moment of my life. | 0:50:27 | 0:50:30 | |
Now I understand. | 0:50:37 | 0:50:39 | |
You're doing all this cos you're searching for one thing. | 0:50:40 | 0:50:44 | |
One simple thing. | 0:50:44 | 0:50:47 | |
Execution. | 0:50:47 | 0:50:50 | |
World without death, so you get to live. And it's killing you. | 0:50:57 | 0:51:04 | |
Jack, what are you going to do with that recording? | 0:51:07 | 0:51:10 | |
I'm going to Broadcast Center. Figure I might broadcast it. | 0:51:10 | 0:51:15 | |
Excellent idea. | 0:51:15 | 0:51:19 | |
If only I didn't have to do this. | 0:51:19 | 0:51:21 | |
Boys! | 0:51:21 | 0:51:23 | |
Take that recording off him. | 0:51:23 | 0:51:27 | |
Aargh! Ah! | 0:51:27 | 0:51:28 | |
-I did visit Phi-Corp and they were kind enough to offer me protection. -In exchange for what? | 0:51:28 | 0:51:33 | |
The message. | 0:51:35 | 0:51:36 | |
Don't hurt him, just...get rid of him. | 0:51:36 | 0:51:41 | |
It's nice to meet you, Jack Harkness. | 0:51:41 | 0:51:43 | |
Well, you can hurt him a little, but not the face. That's how it's done these days. | 0:51:43 | 0:51:49 | |
Let me be clear - | 0:51:49 | 0:51:51 | |
I'm not calling for free drugs, I'm calling for free access to drugs. | 0:51:51 | 0:51:56 | |
I want every American to have the power | 0:51:56 | 0:51:58 | |
to be able to buy whatever they want and need | 0:51:58 | 0:52:01 | |
-without a prescription. -Ah! | 0:52:01 | 0:52:03 | |
If that means that some drug companies are going to make a profit, | 0:52:03 | 0:52:06 | |
maybe that just ensures they'll take better care of us. | 0:52:06 | 0:52:10 | |
Aargh! | 0:52:10 | 0:52:11 | |
Because government has abandoned us. | 0:52:11 | 0:52:13 | |
Aaargh! | 0:52:13 | 0:52:15 | |
And I'm thinking of companies like Phi-Corp. | 0:52:15 | 0:52:18 | |
Aaaargh! | 0:52:18 | 0:52:20 | |
They'd never abandon us, because they need us. | 0:52:20 | 0:52:23 | |
If we're talking about medication, it's safe to say that I'm somewhat of an expert. | 0:52:25 | 0:52:29 | |
I spent a lot of long years in solitary confinement, | 0:52:29 | 0:52:32 | |
dangerous man - companies like Phi-Corp tried to help. | 0:52:32 | 0:52:36 | |
They put me on a drug machine | 0:52:36 | 0:52:40 | |
but every drug... | 0:52:40 | 0:52:41 | |
Did you see him in there? Did you see Oswald Danes? | 0:52:41 | 0:52:44 | |
Did you touch him? | 0:52:44 | 0:52:46 | |
Did I what? | 0:52:46 | 0:52:47 | |
Oswald! Did you touch him? | 0:52:47 | 0:52:50 | |
They stick with us. | 0:52:50 | 0:52:53 | |
And I'm asking you now to join with me | 0:52:53 | 0:52:58 | |
in this great enterprise as we all walk across the fragile skin of this wide world... | 0:52:58 | 0:53:05 | |
together. | 0:53:05 | 0:53:08 | |
The future is now endless. | 0:53:08 | 0:53:11 | |
And it's terrifying. | 0:53:11 | 0:53:13 | |
I am offering you my hand to walk on this long journey... | 0:53:13 | 0:53:17 | |
together. | 0:53:17 | 0:53:20 | |
Walk with me. | 0:53:20 | 0:53:24 | |
That's all I ask. | 0:53:24 | 0:53:25 | |
Walk with me. | 0:53:27 | 0:53:29 | |
We need to find somewhere to hide while we plan the assault. | 0:53:31 | 0:53:33 | |
Wow! We've reached the edge of America. | 0:53:33 | 0:53:37 | |
Hey, man. | 0:53:37 | 0:53:39 | |
What is this Dead Is Dead shit? | 0:53:42 | 0:53:43 | |
Dead IS Dead. | 0:53:43 | 0:53:45 | |
That's me, huh? | 0:53:45 | 0:53:46 | |
You'll get thrown back to the wild. | 0:53:46 | 0:53:49 | |
We are surrounded by people who should have died. Segregation is vital and necessary. | 0:53:49 | 0:53:55 | |
I have risen with unending life. | 0:53:55 | 0:53:58 | |
These living deceased should not have equal rights. | 0:53:58 | 0:54:01 | |
You've compromised the security of the entire mission. | 0:54:01 | 0:54:04 | |
-'They should be contained' -I don't want to live forever. | 0:54:04 | 0:54:06 | |
-'And then they should wait.' -Torchwood keeps treating this like a game. | 0:54:06 | 0:54:10 | |
Because I believe their passage to the afterlife has been paused | 0:54:10 | 0:54:13 | |
and when this miracle ends, | 0:54:13 | 0:54:16 | |
death will find them. Their time will come. | 0:54:16 | 0:54:20 | |
And they will die. | 0:54:20 | 0:54:21 | |
Subtitles by Red Bee Media Ltd | 0:54:37 | 0:54:40 | |
E-mail [email protected] | 0:54:40 | 0:54:43 |