Holly True Love
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Transcript
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|---|---|---|---|
MUSIC: "What The World Needs Now Is Love" by Dionne Warwick | 0:00:02 | 0:00:05 | |
# What the world needs now | 0:00:06 | 0:00:11 | |
# Is love, sweet love | 0:00:11 | 0:00:14 | |
# It's the only thing | 0:00:14 | 0:00:16 | |
# That there's just too little of | 0:00:16 | 0:00:20 | |
# What the world needs now | 0:00:20 | 0:00:23 | |
# Is love... # | 0:00:23 | 0:00:24 | |
-OK, thank you. Thank you. -BELL RINGS | 0:00:24 | 0:00:27 | |
Can we settle down now, please? Can we settle down now, please? | 0:00:27 | 0:00:31 | |
# ..for everyone. # | 0:00:31 | 0:00:33 | |
-OK, everyone facing forward. -CLASS LAUGH | 0:00:33 | 0:00:35 | |
-Facing forward, please. We're about to... -Facing forward! | 0:00:35 | 0:00:38 | |
Excuse me! | 0:00:38 | 0:00:39 | |
Excused...you. | 0:00:39 | 0:00:41 | |
Let's bring it down. No throwing things, please. | 0:00:41 | 0:00:44 | |
-HE GRUNTS -Did that get her? | 0:00:44 | 0:00:47 | |
LAUGHTER So unintelligent. | 0:00:47 | 0:00:50 | |
OK, let's start by reading the story. | 0:00:50 | 0:00:53 | |
BELL RINGS | 0:01:04 | 0:01:07 | |
OK. | 0:01:07 | 0:01:08 | |
If everybody can pass their textbooks to the end of the row, please? | 0:01:08 | 0:01:13 | |
Stand behind your chairs, please. You haven't been dismissed. | 0:01:13 | 0:01:15 | |
THEY CHATTER | 0:01:15 | 0:01:17 | |
OK, guys, off you go. Thank you very much. | 0:01:17 | 0:01:20 | |
Thank you. | 0:01:20 | 0:01:21 | |
CAR ENGINE IDLES | 0:01:37 | 0:01:39 | |
PANTING AND GROANING | 0:01:54 | 0:01:57 | |
Why don't you stay? | 0:02:15 | 0:02:17 | |
-I can't, Holly, I... -Just stay with me, just for tonight. | 0:02:17 | 0:02:20 | |
-I-I wish I could... -You always go. Just stay with me. | 0:02:20 | 0:02:22 | |
-Oh, darling... -Please? | 0:02:22 | 0:02:25 | |
You know I can't. | 0:02:25 | 0:02:26 | |
-I'll call you tomorrow... -OK. -..Holly, yeah? -Yeah. | 0:02:35 | 0:02:37 | |
Love you. | 0:02:37 | 0:02:39 | |
HE SIGHS DEEPLY | 0:02:42 | 0:02:44 | |
-Can I borrow that scalpel, please? -(Hello. What are we doing here?) | 0:02:52 | 0:02:56 | |
CLASSMATES TALK IN BACKGROUND | 0:02:56 | 0:02:59 | |
What's your plan? | 0:02:59 | 0:03:00 | |
-I wanted to do something with the sea. -Right. | 0:03:01 | 0:03:04 | |
-Because I like it a lot. -OK. | 0:03:04 | 0:03:07 | |
And this is a beach that I used to go to when I was little. | 0:03:07 | 0:03:10 | |
It's my mum and dad, when they were together. | 0:03:10 | 0:03:12 | |
And it's, like, you know, it's really calm and a nice place. | 0:03:12 | 0:03:16 | |
You're using lovely shots. Did you take these pictures? | 0:03:16 | 0:03:20 | |
Miss, I just want to say... | 0:03:20 | 0:03:21 | |
I just want to say I'm really sorry about... | 0:03:22 | 0:03:25 | |
how they treat you in English. | 0:03:25 | 0:03:27 | |
Don't think you deserve it. | 0:03:27 | 0:03:29 | |
-I think you're a really good teacher. -Oh. | 0:03:29 | 0:03:32 | |
Chris and that are just...idiots. | 0:03:32 | 0:03:35 | |
Thank you. | 0:03:37 | 0:03:39 | |
I'm sure it'll be OK, but thank you. That's really kind of you to say so. | 0:03:42 | 0:03:46 | |
I appreciate that. | 0:03:46 | 0:03:48 | |
-Well, erm... Oh, here, is this your colour plan? -Mm-hmm. | 0:03:50 | 0:03:53 | |
I think you should carry on with the same stuff. | 0:03:56 | 0:03:58 | |
I think you've done really well. Build this up a bit more. | 0:03:58 | 0:04:01 | |
-Hi. -Hi, Karen. | 0:04:23 | 0:04:25 | |
Can I help you? Are you all right? | 0:04:25 | 0:04:27 | |
-There's an exhibition on this Saturday at the Turner Centre. -Right. | 0:04:27 | 0:04:31 | |
Wondered if you'd come with me? | 0:04:31 | 0:04:33 | |
Erm... | 0:04:35 | 0:04:36 | |
-I thought it'd be good for the art project. -Of course, it would be great for the art project. | 0:04:36 | 0:04:40 | |
-Sorry, can I get back to you? -Yeah, yeah. -All right. | 0:04:40 | 0:04:44 | |
-Bye. -See you later. -See you later. | 0:04:44 | 0:04:47 | |
I'd rather be on my own, Mum, than just, I don't know, have some half-baked relationship. | 0:04:56 | 0:05:03 | |
-You know, I... -So there is somebody that's that? | 0:05:03 | 0:05:05 | |
There is somebody but not someone you should get, you know, really excited about. Because I think... | 0:05:05 | 0:05:09 | |
Well, no, because I want YOU to get excited about it. | 0:05:09 | 0:05:12 | |
Mum, I don't know if I'm excited about it. It's... | 0:05:12 | 0:05:14 | |
You know, it is what it is. I don't really know where it's going. | 0:05:14 | 0:05:19 | |
Our lives are very different. | 0:05:19 | 0:05:21 | |
Equally as complicated. | 0:05:21 | 0:05:22 | |
It's like, you know, like you said... | 0:05:22 | 0:05:24 | |
I don't know, I'm not... | 0:05:26 | 0:05:28 | |
If it's complicated, it might not be good. | 0:05:28 | 0:05:31 | |
It shouldn't be complicated. | 0:05:31 | 0:05:32 | |
It should be, you know, at your age it should just be sharing and lovely, and you know... | 0:05:32 | 0:05:37 | |
-I know, but I... -..meet the right people, and it's just... | 0:05:37 | 0:05:42 | |
It's just, I don't like seeing you on your own. | 0:05:43 | 0:05:46 | |
I'm OK, Mum. | 0:05:46 | 0:05:48 | |
PANTING AND GROANING | 0:05:49 | 0:05:52 | |
DOOR SLAMS | 0:05:57 | 0:05:59 | |
MUSIC: "True Colours" by Eva Cassidy | 0:06:03 | 0:06:06 | |
# You with the sad eyes | 0:06:14 | 0:06:18 | |
# Don't be discouraged | 0:06:18 | 0:06:21 | |
# Though, I realise | 0:06:21 | 0:06:24 | |
# It's hard to take courage | 0:06:24 | 0:06:27 | |
# In a world full of people | 0:06:27 | 0:06:31 | |
# You can lose sight of it all | 0:06:31 | 0:06:33 | |
# And the darkness there inside you makes you feel so small | 0:06:33 | 0:06:39 | |
# But I see your true colours | 0:06:39 | 0:06:44 | |
# Shining through... # | 0:06:44 | 0:06:46 | |
Hi! | 0:06:46 | 0:06:47 | |
# See your true colours... # | 0:06:47 | 0:06:49 | |
-I'm so sorry! -Oh, no, it's fine. -I missed the bus. | 0:06:49 | 0:06:52 | |
-Don't worry, it's fine. -I'm so sorry. | 0:06:52 | 0:06:54 | |
# So don't be afraid to let them show | 0:06:54 | 0:07:00 | |
# Your true colours | 0:07:00 | 0:07:02 | |
# True... # | 0:07:02 | 0:07:04 | |
Notice the finer detail there. It's quite mad, isn't it? | 0:07:04 | 0:07:07 | |
# Are beautiful... # | 0:07:07 | 0:07:09 | |
What do you think? Do you like it? | 0:07:12 | 0:07:14 | |
Yeah. It's got very big hands. THEY LAUGH | 0:07:14 | 0:07:18 | |
It DOES, you're right! It's... | 0:07:18 | 0:07:21 | |
I mean, it works really well here | 0:07:21 | 0:07:23 | |
-because it's almost like they've been washed up onto the rocks. -Yeah. | 0:07:23 | 0:07:27 | |
-And it's kind of got that coastal feel about it. -Yeah. | 0:07:27 | 0:07:30 | |
I like the idea that you can... | 0:07:32 | 0:07:33 | |
capture a moment... | 0:07:33 | 0:07:35 | |
# ..you know I'll be there | 0:07:35 | 0:07:36 | |
# And I see your true colours | 0:07:36 | 0:07:40 | |
# Shining through | 0:07:40 | 0:07:42 | |
# See your true colours | 0:07:42 | 0:07:47 | |
# That's why I love you | 0:07:47 | 0:07:49 | |
# So don't be afraid to let them show... # | 0:07:49 | 0:07:55 | |
I'm not sure I feel quite settled. | 0:07:55 | 0:07:58 | |
I don't know, it might be nice to get away again, travel a bit. | 0:07:58 | 0:08:01 | |
I mean, I loved travelling before. | 0:08:01 | 0:08:04 | |
But my mum's here, you know, and that's kind of... | 0:08:04 | 0:08:07 | |
kept me here or bought me back here. | 0:08:07 | 0:08:09 | |
I mean, personally, I don't know... | 0:08:09 | 0:08:12 | |
..you know, where I see myself. | 0:08:13 | 0:08:15 | |
-You're not married, are you? -No, I'm not married, I don't have children... | 0:08:15 | 0:08:19 | |
-LAUGHS: -I live on my own. It's all quite dreary. | 0:08:19 | 0:08:22 | |
Are you with anyone? | 0:08:22 | 0:08:24 | |
Um, I don't know if I should be... | 0:08:24 | 0:08:27 | |
You can tell me. | 0:08:27 | 0:08:29 | |
Erm... | 0:08:29 | 0:08:30 | |
Well, you know, I've kind of been seeing someone. But that's... | 0:08:31 | 0:08:35 | |
Who knows where that will go? | 0:08:35 | 0:08:36 | |
-Does it make you happy? -Yeah. | 0:08:36 | 0:08:39 | |
-Do you think you'll marry him? -No, I don't know. | 0:08:39 | 0:08:42 | |
-Ooh, you answered that quickly! -I don't know. | 0:08:42 | 0:08:45 | |
-Why not? -I don't know. I don't think I'll marry him. Erm... | 0:08:45 | 0:08:49 | |
-SHE LAUGHS -I don't know. | 0:08:51 | 0:08:53 | |
You can tell me, talk to me. | 0:08:53 | 0:08:55 | |
No, it's just, I don't know the answers to your questions. | 0:08:55 | 0:08:58 | |
-It's just slightly embarrassing ... -Sorry. -It's all right! | 0:08:58 | 0:09:02 | |
I've never met... | 0:09:02 | 0:09:04 | |
I've never spoken to, I've never seen a guy | 0:09:05 | 0:09:07 | |
that I really think I could completely open myself up to. | 0:09:07 | 0:09:11 | |
I think that the whole point of being with someone | 0:09:11 | 0:09:16 | |
is so you can talk to them and let go of everything | 0:09:16 | 0:09:19 | |
and even when you're at your worst, | 0:09:19 | 0:09:21 | |
they still like you, still want to speak to you and care about you and stuff. | 0:09:21 | 0:09:25 | |
-But you don't...you don't feel that you've found that yet? -No. | 0:09:25 | 0:09:28 | |
No, who genuinely finds love at my age and stays with someone forever? | 0:09:28 | 0:09:32 | |
It doesn't happen. | 0:09:32 | 0:09:33 | |
Things are always so tricky at your age. I think you'll find it. | 0:09:33 | 0:09:35 | |
I mean, ultimately, it's friendship, isn't it? And... | 0:09:35 | 0:09:39 | |
That's what I want. | 0:09:39 | 0:09:41 | |
I want a real friendship with someone. | 0:09:41 | 0:09:44 | |
You know, who I can trust with all my secrets | 0:09:44 | 0:09:46 | |
and all my weird habits, and my nerdy little things. | 0:09:46 | 0:09:50 | |
And they'll still love me for it. | 0:09:51 | 0:09:54 | |
We want the story that comes before the final sentence, which is, | 0:10:00 | 0:10:03 | |
-"The door slammed shut..." -What? | 0:10:03 | 0:10:05 | |
"..never to be opened again." | 0:10:05 | 0:10:08 | |
Now, that is the final sentence of your short stories. | 0:10:08 | 0:10:11 | |
OK? Door, question mark. | 0:10:11 | 0:10:14 | |
-THEY LAUGH -What is the door? | 0:10:14 | 0:10:17 | |
-Where could the door be? -In the classroom. | 0:10:17 | 0:10:19 | |
No, not now, in your story, when it comes to writing your story, | 0:10:19 | 0:10:22 | |
-which I'm going to ask you to do in a min...in a minute. -In a minute. | 0:10:22 | 0:10:25 | |
-A pattern's emerging. -Has anybody got any bigger, brighter ideas? | 0:10:25 | 0:10:29 | |
-The door of a mental asylum. -The door of a mental asylum. | 0:10:29 | 0:10:32 | |
-CHRIS SHOUTS: -Miss! Miss! Miss! -That could be very good. Yes...Lorraine? | 0:10:32 | 0:10:36 | |
Could it be a door to, like, a safe in a bank, maybe, y'know? | 0:10:36 | 0:10:39 | |
-Yeah... -One of those big ones? -..it could. And what would that genre be? | 0:10:39 | 0:10:43 | |
CHRIS SHOUTS OUT, CLASS LAUGH | 0:10:43 | 0:10:46 | |
What if it was, like, a ghost, but it didn't know it was a ghost, | 0:10:46 | 0:10:50 | |
and then it slammed the door of the ghost house | 0:10:50 | 0:10:52 | |
and then it was a super-really-good story! | 0:10:52 | 0:10:55 | |
CLASS CHATTER | 0:10:55 | 0:10:56 | |
Hi. Hi. | 0:11:14 | 0:11:15 | |
Hi. | 0:11:17 | 0:11:18 | |
Do you want to go through here? There's the living room. | 0:11:21 | 0:11:24 | |
-This is really nice. -Thanks. | 0:11:27 | 0:11:29 | |
-Exactly what I imagined. -Oh, really? -Yeah. | 0:11:34 | 0:11:37 | |
View's amazing. I like it. | 0:11:39 | 0:11:41 | |
Will you tell me about this guy you're seeing? | 0:11:59 | 0:12:02 | |
What do you want to know about him, Karen? | 0:12:02 | 0:12:05 | |
Are you happy? | 0:12:05 | 0:12:06 | |
I don't know. It's really... It's, erm... It's really... | 0:12:11 | 0:12:15 | |
It's just a complicated situation... | 0:12:15 | 0:12:17 | |
I can do complicated. | 0:12:18 | 0:12:20 | |
And we talk about everything. | 0:12:23 | 0:12:24 | |
He's married. | 0:12:26 | 0:12:28 | |
HOLLY SIGHS | 0:12:32 | 0:12:34 | |
-HOLLY SOBS -Sorry. -Don't say sorry. | 0:12:43 | 0:12:46 | |
I can't see you like this. | 0:12:52 | 0:12:55 | |
SOBBING: I've never... | 0:13:18 | 0:13:20 | |
felt like this around anyone before. | 0:13:20 | 0:13:23 | |
(Me too.) | 0:13:25 | 0:13:26 | |
And it feels amazing... | 0:13:28 | 0:13:30 | |
..and scary. | 0:13:32 | 0:13:33 | |
You make me really happy. | 0:13:35 | 0:13:38 | |
# Lying in my bed I hear | 0:13:38 | 0:13:42 | |
# The clock tick and think of you | 0:13:42 | 0:13:49 | |
# Turning in circles | 0:13:49 | 0:13:54 | |
# Confusion is nothing new | 0:13:54 | 0:14:00 | |
# Flashback to warm nights | 0:14:00 | 0:14:05 | |
# Almost left behind | 0:14:05 | 0:14:10 | |
# A suitcase of memories | 0:14:10 | 0:14:15 | |
# Time after... | 0:14:15 | 0:14:19 | |
# Sometimes you picture me | 0:14:19 | 0:14:23 | |
# I'm walking too far ahead | 0:14:23 | 0:14:29 | |
# You're calling to me | 0:14:29 | 0:14:34 | |
# I can't hear what you have said | 0:14:34 | 0:14:41 | |
# And you say go slow | 0:14:41 | 0:14:46 | |
# I've fallen behind | 0:14:46 | 0:14:49 | |
# The second hand unwinds | 0:14:49 | 0:14:56 | |
# If you're lost you can look and you will find me | 0:14:56 | 0:15:03 | |
# Time after time | 0:15:03 | 0:15:06 | |
# If you fall I will catch you | 0:15:06 | 0:15:11 | |
# I'll be waiting | 0:15:11 | 0:15:14 | |
# Time after time | 0:15:14 | 0:15:18 | |
# If you fall I will catch you | 0:15:18 | 0:15:21 | |
# I will be waiting | 0:15:21 | 0:15:25 | |
# Time after time | 0:15:25 | 0:15:29 | |
# Time after time. # | 0:15:29 | 0:15:33 | |
I really like Miss Shawcross. | 0:15:33 | 0:15:36 | |
-Yeah? -Mm. | 0:15:36 | 0:15:39 | |
Yeah, she's really cool. She's... | 0:15:40 | 0:15:42 | |
I mean, you... We get on, don't we? We get on with her. | 0:15:44 | 0:15:48 | |
-She's nice. -Mm. | 0:15:48 | 0:15:50 | |
I think that you probably get on more with her than I do, you know? | 0:15:52 | 0:15:56 | |
You've got a bit of a connection or something... | 0:15:56 | 0:16:00 | |
She's cool. | 0:16:00 | 0:16:01 | |
She seems to like you too, like... | 0:16:04 | 0:16:07 | |
There's nothing going on with you and her, is there? | 0:16:13 | 0:16:16 | |
No! | 0:16:16 | 0:16:18 | |
No, not at all. | 0:16:19 | 0:16:21 | |
No. | 0:16:23 | 0:16:25 | |
That would be weird. No. | 0:16:26 | 0:16:28 | |
She's my teacher, that's it. | 0:16:30 | 0:16:32 | |
Yeah, that little flag there, that is one of my uncle's lobster pots. | 0:16:41 | 0:16:45 | |
-Shall we get some lobster? -I'm fine. | 0:16:45 | 0:16:47 | |
-What's the matter, Holly? -Look, I can't do this any more. | 0:16:47 | 0:16:51 | |
You can't do what any more? | 0:16:51 | 0:16:52 | |
I don't want to be with you any more. | 0:16:52 | 0:16:54 | |
HE GROANS | 0:16:56 | 0:16:58 | |
-I'm going to go. I'm going to go. -Yeah, maybe you should, yeah. | 0:16:58 | 0:17:02 | |
Look, Holly, please, don't do this to me. | 0:17:02 | 0:17:04 | |
-No, don't get out the car. -Please don't grab me. I'm going to go home. | 0:17:04 | 0:17:07 | |
-Why don't you get in the car? -I'm just going to walk. | 0:17:08 | 0:17:11 | |
No, David, don't. Please don't follow me. | 0:17:17 | 0:17:19 | |
-No, don't! -Holly, just stop a second. | 0:17:19 | 0:17:22 | |
-Look, it's over. -Please, darling. -It's over. | 0:17:22 | 0:17:25 | |
Holly, just get in the car. Let me drive you home at least. | 0:17:28 | 0:17:31 | |
I'll be all right. | 0:17:31 | 0:17:33 | |
'Face forward, please.' | 0:17:34 | 0:17:37 | |
If we could face the front, please, | 0:17:37 | 0:17:40 | |
er, because what we're about to do is quite important | 0:17:40 | 0:17:43 | |
now that you're all approaching your GCSEs. | 0:17:43 | 0:17:46 | |
We're going to practise writing under controlled conditions. | 0:17:46 | 0:17:49 | |
Ten minutes towards the end of your exam, | 0:17:49 | 0:17:52 | |
I will let you know that it is almost over and you should complete your work. | 0:17:52 | 0:17:56 | |
Has anyone got any questions, please? | 0:17:56 | 0:17:58 | |
-I've got a question. -Yes? | 0:17:58 | 0:18:01 | |
How long have you been screwing Karen? | 0:18:01 | 0:18:04 | |
LAUGHTER | 0:18:04 | 0:18:06 | |
How long? | 0:18:08 | 0:18:09 | |
LAUGHTER CONTINUES | 0:18:09 | 0:18:11 | |
How long? | 0:18:11 | 0:18:13 | |
-How long? -Anyone got any constructive questions? | 0:18:15 | 0:18:18 | |
-How long? -OK, Chris, thanks very much. | 0:18:18 | 0:18:20 | |
Everybody carry on with your work. It's ten past one. Off you go. | 0:18:20 | 0:18:24 | |
-Do you know how sick that is? -OK, Chris, enough! | 0:18:24 | 0:18:27 | |
-Chris! -That is sick! -Chris, enough! | 0:18:27 | 0:18:30 | |
Get your stuff. I can't deal with this. Get your stuff, get out of my class. | 0:18:30 | 0:18:33 | |
It's rude. You're a very rude boy. Get your stuff. | 0:18:33 | 0:18:36 | |
Get your bag, get your coat, get out of my class! | 0:18:36 | 0:18:39 | |
GET OUT NOW! | 0:18:39 | 0:18:40 | |
You're going to take a yellow form and go to Mr Stabley's room now | 0:18:42 | 0:18:46 | |
-and you are going to tell him why I've sent you out of this class! -Oh, I'll tell him. | 0:18:46 | 0:18:50 | |
LAUGHTER | 0:18:50 | 0:18:52 | |
Get out of the class, please. | 0:18:54 | 0:18:56 | |
LAUGHTER CONTINUES | 0:18:58 | 0:19:01 | |
I need to know why you told him. | 0:19:09 | 0:19:12 | |
What? What? | 0:19:12 | 0:19:14 | |
Why did you tell him? | 0:19:15 | 0:19:17 | |
I didn't tell anything, Karen. I don't know what you're talking about. | 0:19:18 | 0:19:22 | |
I know you did. I watched you in there. You couldn't look at me. | 0:19:22 | 0:19:25 | |
I don't know what you're talking about. | 0:19:25 | 0:19:27 | |
Did you see how upset she got? I love her. | 0:19:27 | 0:19:30 | |
What? | 0:19:30 | 0:19:32 | |
You love her? | 0:19:32 | 0:19:34 | |
Do you know how disgusting that is? That's your teacher, you know. | 0:19:36 | 0:19:40 | |
Karen! | 0:19:40 | 0:19:41 | |
You know what? Yeah, I did tell everyone! | 0:19:41 | 0:19:44 | |
Sweetheart? | 0:20:04 | 0:20:07 | |
-Mum, please stop doing this. -Doing what? | 0:20:07 | 0:20:10 | |
You realise this is our relationship now? | 0:20:10 | 0:20:12 | |
This is all we ever do. You sit there and ask, "What's wrong? | 0:20:12 | 0:20:15 | |
"Why are you not happy? Who are you seeing?" It's really annoying me, Mum. | 0:20:15 | 0:20:19 | |
All I want is for you to be happy, sweet. That's all. | 0:20:19 | 0:20:21 | |
We used to talk all the time. | 0:20:21 | 0:20:23 | |
For Christ's sake, Mum! I'm seeing a girl. | 0:20:23 | 0:20:26 | |
I'm seeing a girl. A young girl. | 0:20:26 | 0:20:30 | |
She's 16. She's a student of mine. Can you understand that? | 0:20:30 | 0:20:33 | |
Can you get alongside with that? | 0:20:33 | 0:20:35 | |
-What are you saying? -Is it easier for you to hear that? | 0:20:35 | 0:20:37 | |
-Just a minute. A student of yours? You're a teacher. -Mm. | 0:20:37 | 0:20:42 | |
I don't know what... Why are you doing this? | 0:20:43 | 0:20:45 | |
-What are you saying to me? -You see, Mum, I'm in love! | 0:20:45 | 0:20:49 | |
-I don't think you know what love is. -I'm in love with her. | 0:20:52 | 0:20:54 | |
You've got a student who has a crush on you. | 0:20:54 | 0:20:56 | |
-This is completely... -All right, all right! | 0:20:56 | 0:20:59 | |
# If you're lost you can look | 0:21:02 | 0:21:05 | |
# And you will find me | 0:21:05 | 0:21:09 | |
# Time after time | 0:21:09 | 0:21:12 | |
# If you fall I will catch you | 0:21:12 | 0:21:16 | |
# I'll be waiting | 0:21:16 | 0:21:19 | |
# Time after time | 0:21:19 | 0:21:23 | |
# If you fall I will catch you | 0:21:23 | 0:21:26 | |
# I will be waiting | 0:21:26 | 0:21:30 | |
# Time after time | 0:21:30 | 0:21:34 | |
# Time after time | 0:21:34 | 0:21:38 | |
# Mm-mm-mm | 0:21:38 | 0:21:41 | |
# Time after time | 0:21:41 | 0:21:43 | |
# Ooh-ooh-ooh | 0:21:43 | 0:21:46 | |
# Time after time | 0:21:46 | 0:21:50 | |
# Time after time. # | 0:21:50 | 0:21:57 | |
I'm going to have to go. | 0:21:58 | 0:22:00 | |
-What do you mean? -I'm going to have to leave. I can't... | 0:22:04 | 0:22:07 | |
I can't stay. It's... | 0:22:10 | 0:22:13 | |
Why? | 0:22:14 | 0:22:16 | |
Because everybody knows what's going on between us. | 0:22:17 | 0:22:20 | |
I think there are going to be big repercussions | 0:22:22 | 0:22:25 | |
and I need to go somewhere else before it all happens. | 0:22:25 | 0:22:30 | |
I just feel like everyone's slowly closing in on us and I... | 0:22:30 | 0:22:34 | |
Hold my hand. | 0:22:34 | 0:22:36 | |
I have to go. | 0:22:40 | 0:22:42 | |
I could come with you. | 0:22:45 | 0:22:46 | |
-I want to come with you. -You can't just... | 0:22:50 | 0:22:52 | |
-I can. -No. | 0:22:52 | 0:22:55 | |
I want to be with you every day like this. | 0:22:59 | 0:23:03 | |
(Lesbian. Lesbian.) | 0:23:48 | 0:23:52 | |
-OTHERS JOIN IN: -Lesbian. Lesbian. Lesbian. | 0:23:52 | 0:23:57 | |
-MORE LOUDLY: -Lesbian. Lesbian. | 0:23:57 | 0:24:00 | |
-SHOUTING: -Lesbian. Lesbian. | 0:24:00 | 0:24:03 | |
Lesbian! Lesbian! Lesbian! | 0:24:03 | 0:24:06 | |
LESBIAN! LESBIAN! LESBIAN! | 0:24:06 | 0:24:10 | |
LESBIAN! LESBIAN! LESBIAN! LESBIAN! | 0:24:10 | 0:24:13 | |
LESBIAN! LESBIAN! LESBIAN! | 0:24:13 | 0:24:17 | |
CLASS CHEER | 0:24:17 | 0:24:18 | |
THEY CHUCKLE | 0:24:36 | 0:24:38 | |
MUSIC: "What The World Needs Now Is Love" by Dionne Warwick | 0:24:39 | 0:24:42 | |
# What the world needs now | 0:24:46 | 0:24:49 | |
# Is love, sweet love | 0:24:49 | 0:24:53 | |
# It's the only thing that there's just too little of | 0:24:53 | 0:24:59 | |
# What the world needs now | 0:24:59 | 0:25:03 | |
# Is love, sweet love | 0:25:03 | 0:25:06 | |
# No, not just for some but for everyone | 0:25:06 | 0:25:12 | |
# Lord, we don't need another mountain... # | 0:25:13 | 0:25:18 | |
David? We're not good, are we? | 0:25:18 | 0:25:24 | |
I'm...I'm all right. | 0:25:24 | 0:25:26 | |
You don't seem, um... | 0:25:26 | 0:25:28 | |
er, as happy. | 0:25:28 | 0:25:32 | |
My daughter went to university. We're all missing her. | 0:25:32 | 0:25:35 | |
# What the world needs now | 0:25:36 | 0:25:39 | |
# Is love, sweet love... # | 0:25:39 | 0:25:42 |