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Clemency Johnson, this is Rudy Jones. | 0:00:02 | 0:00:03 | |
-Has he been drinking? -He keeps a bottle in his car. | 0:00:04 | 0:00:08 | |
I'm granting you leave to come back before me Wednesday morning | 0:00:10 | 0:00:13 | |
to argue about whether or not your client is competent to die. | 0:00:13 | 0:00:15 | |
It's not your job to tell the State Department in Washington we've | 0:00:15 | 0:00:19 | |
appointed a Chief Prosecutor who doesn't listen to anything we say. | 0:00:19 | 0:00:22 | |
I want the man who caused Michael's death put on trial and sent to jail. | 0:00:23 | 0:00:26 | |
-Take the hit. -Who are you? -All you need to know is I wasn't here. | 0:00:28 | 0:00:32 | |
Not then, not now. | 0:00:32 | 0:00:33 | |
There's a new witness - scared and careful, | 0:00:34 | 0:00:38 | |
which is a good thing. | 0:00:38 | 0:00:40 | |
-Who's the witness? -Abigail Strickland. -No! | 0:00:40 | 0:00:43 | |
That's the woman I saw with Nick. | 0:00:46 | 0:00:48 | |
She didn't exist, this woman. Why not? | 0:00:48 | 0:00:51 | |
Tell your wife you've been having an affair. | 0:00:51 | 0:00:53 | |
The journalist won't dig deep because private pain is private. | 0:00:53 | 0:00:56 | |
Whatever any of them try and say now, | 0:00:59 | 0:01:01 | |
Abigail Strickland was a good police officer. | 0:01:01 | 0:01:03 | |
-Dad. -Yes. -What happens on mile five on your run? -Press ups. | 0:01:03 | 0:01:07 | |
But it says you stop for seven or eight minutes sometimes. | 0:01:07 | 0:01:10 | |
-Are you looking for a family member? -Yes. | 0:01:10 | 0:01:13 | |
You should probably check the register of deaths. What's the name? | 0:01:13 | 0:01:16 | |
Nicholas Johnson. | 0:01:16 | 0:01:18 | |
He wouldn't even have been eight when he died. | 0:01:18 | 0:01:21 | |
This programme contains some strong language and some scenes which some viewers might find upsetting. | 0:01:21 | 0:01:25 | |
PANTING | 0:01:25 | 0:01:27 | |
FAINT MUSIC FROM HEADPHONES | 0:02:01 | 0:02:03 | |
Erm, call when you can, OK? | 0:02:52 | 0:02:55 | |
Er.... | 0:02:56 | 0:02:57 | |
..I love you. | 0:02:58 | 0:03:00 | |
Mum? | 0:03:19 | 0:03:21 | |
Text from Dad. | 0:03:21 | 0:03:23 | |
Do you want to know what he says? | 0:03:25 | 0:03:27 | |
-What does he say? -"Look after Mum." | 0:03:28 | 0:03:30 | |
HOSPITAL EQUIPMENT BEEPS | 0:03:44 | 0:03:46 | |
'Hello. It's me. Erm... | 0:03:59 | 0:04:01 | |
'..everything's fine here. | 0:04:02 | 0:04:04 | |
'Dan is doing press-ups like his life depends on it | 0:04:04 | 0:04:07 | |
'and Ella is practising some very serious dance moves. | 0:04:07 | 0:04:10 | |
'You left without saying goodbye, babe. | 0:04:11 | 0:04:13 | |
'I...I understand I get it, | 0:04:14 | 0:04:16 | |
'and I'm... | 0:04:16 | 0:04:17 | |
'I'm so, so sorry. | 0:04:17 | 0:04:20 | |
'Look, I just wanted to say call when you can, OK?' | 0:04:23 | 0:04:26 | |
-Mum! -'I love you.' | 0:04:26 | 0:04:27 | |
-Mum? -Yeah, coming, I'm coming. | 0:04:27 | 0:04:29 | |
They're ready. | 0:04:29 | 0:04:31 | |
For 20 years, we had a relationship based on truth | 0:04:35 | 0:04:39 | |
and integrity. | 0:04:39 | 0:04:40 | |
Everything we said to each other had the nuance | 0:04:40 | 0:04:43 | |
and deep understanding integral to all relationships that endure. | 0:04:43 | 0:04:47 | |
We had trust, we had great seriousness, we had wild laughter. | 0:04:48 | 0:04:52 | |
I talked, he listened. | 0:04:52 | 0:04:54 | |
He talked, I heard him. | 0:04:55 | 0:04:57 | |
I spoke with him so I could speak for him. | 0:04:58 | 0:05:01 | |
Ours was a language never diminished by cliche. | 0:05:01 | 0:05:04 | |
He understood how short life is and therefore how wonderful. | 0:05:04 | 0:05:09 | |
He taught me how it was possible to find beauty in an eight foot cell. | 0:05:10 | 0:05:15 | |
The play of light, the geometry of shape, | 0:05:16 | 0:05:19 | |
the music in prison sound. | 0:05:19 | 0:05:21 | |
But not any more. | 0:05:23 | 0:05:25 | |
None of this now. | 0:05:26 | 0:05:27 | |
He can't talk to me | 0:05:28 | 0:05:30 | |
so I don't know what he thinks or who he is. | 0:05:30 | 0:05:33 | |
Your honour, Ricky Ray Rector had an IQ of 69. | 0:05:37 | 0:05:40 | |
The State of Arkansas executed him despite an appeal | 0:05:40 | 0:05:43 | |
made precisely on the same basis as this appeal. | 0:05:43 | 0:05:46 | |
Not competent to die? | 0:05:46 | 0:05:47 | |
Rudy Jones is in way better shape than Ricky Ray. | 0:05:47 | 0:05:50 | |
Your honour, Bill Clinton was Governor of Arkansas | 0:05:50 | 0:05:53 | |
slap bang in the middle of his first campaign for president | 0:05:53 | 0:05:56 | |
and he came home to Little Rock to consult with his conscience, | 0:05:56 | 0:05:59 | |
his wife and his God before deciding not to grant clemency | 0:05:59 | 0:06:02 | |
to a man with a reading age of four. | 0:06:02 | 0:06:05 | |
-I think we'd all... -Ricky Ray helped the execution team find a vein. | 0:06:05 | 0:06:09 | |
Clinton could never be called soft on crime again. | 0:06:09 | 0:06:13 | |
The killing of Ricky Ray Rector was sickening political opportunism. | 0:06:13 | 0:06:17 | |
I'm sure that this court will have none of that. | 0:06:17 | 0:06:19 | |
I think we'd all prefer to be guided by God | 0:06:19 | 0:06:21 | |
than a sexually incontinent Democrat and his wife. | 0:06:21 | 0:06:24 | |
God said, thou shalt not kill. Do you know why? | 0:06:24 | 0:06:26 | |
He doesn't need DNA testing to know that one in nine men on death row | 0:06:26 | 0:06:30 | |
are exonerated completely. | 0:06:30 | 0:06:31 | |
Who do we think we are? | 0:06:31 | 0:06:33 | |
Do we think we've earned the right to kill people? | 0:06:33 | 0:06:35 | |
Do we think we're grown-up enough to play God? | 0:06:35 | 0:06:38 | |
Miss Cobbina doesn't believe in God so maybe she should confine herself | 0:06:38 | 0:06:41 | |
to the issue here which is simple and narrow. | 0:06:41 | 0:06:44 | |
-The State contend the petitioner is competent to die. -Competent?! | 0:06:44 | 0:06:47 | |
He's a child. | 0:06:47 | 0:06:49 | |
I cannot take instructions from a child. | 0:06:59 | 0:07:02 | |
An old friend of yours was released from prison yesterday. | 0:07:56 | 0:08:00 | |
Goes by Big Ray. | 0:08:01 | 0:08:02 | |
Word is he might be interested in finding you. | 0:08:04 | 0:08:07 | |
It goes without saying, we've got your back. | 0:08:07 | 0:08:10 | |
But you're telling me anyway. | 0:08:10 | 0:08:12 | |
We might have some people on him and on you for the next few days. | 0:08:12 | 0:08:16 | |
So don't get jumpy. They're friends. | 0:08:16 | 0:08:18 | |
So I'm satisfied he understands | 0:08:46 | 0:08:48 | |
he's been sentenced to death and he knows what it means to die. | 0:08:48 | 0:08:51 | |
Thank you, Doctor. | 0:08:51 | 0:08:52 | |
What does it mean to die? | 0:08:55 | 0:08:57 | |
Heaven or hell, I guess. | 0:08:57 | 0:08:58 | |
-Where's my client going? -Hell. | 0:08:59 | 0:09:02 | |
-What happens in hell? -Suffering. | 0:09:02 | 0:09:04 | |
-What kind of suffering? -Burning. | 0:09:04 | 0:09:07 | |
What does that feel like? | 0:09:07 | 0:09:08 | |
You see, the thing about the pain of hell is that it cannot be imagined. | 0:09:08 | 0:09:12 | |
That's the power, you see. Nobody knows. | 0:09:12 | 0:09:14 | |
Heaven is more beautiful than any one of us can imagine, | 0:09:14 | 0:09:17 | |
but, hell, that's way beyond our understanding. | 0:09:17 | 0:09:19 | |
How many visits did you make to examine Rudy? | 0:09:21 | 0:09:23 | |
Only needed the one. | 0:09:23 | 0:09:25 | |
-Tell me about it. -Real thorough. | 0:09:25 | 0:09:27 | |
-How long were you there for? -About an hour. | 0:09:27 | 0:09:30 | |
-Do you want to think about that answer? -No. | 0:09:30 | 0:09:33 | |
When a God-fearing man like you swears on the Holy Bible | 0:09:35 | 0:09:39 | |
to tell the whole truth, it's a meaningful act, right? | 0:09:39 | 0:09:43 | |
-Right. -Do liars go to hell? | 0:09:43 | 0:09:46 | |
-You bet. -Make your point. | 0:09:46 | 0:09:48 | |
The witness is lying, Your Honour. | 0:09:49 | 0:09:51 | |
Miss Cobbina, this is a medical expert... | 0:09:51 | 0:09:53 | |
I treat all lying witnesses the same, expert or not. | 0:09:53 | 0:09:56 | |
How can you know it's a lie when you claim your client's too far gone | 0:09:56 | 0:09:59 | |
to know the time of day, let alone when he was with a doctor? | 0:09:59 | 0:10:02 | |
-Because I was there. -Now, if that were true, don't you suppose | 0:10:02 | 0:10:05 | |
the doctor would have noted your presence? | 0:10:05 | 0:10:07 | |
The doctor was too far gone to know the time of day, let alone who else was in the room with him. | 0:10:07 | 0:10:11 | |
-Excuse me? -The doctor was drunk. | 0:10:11 | 0:10:13 | |
SHOCKED GASPS | 0:10:13 | 0:10:14 | |
I doubt that. | 0:10:14 | 0:10:16 | |
We can't both be telling the truth here, can we? | 0:10:16 | 0:10:19 | |
So I'm asking you for a finding of fact on this, Your Honour. | 0:10:19 | 0:10:23 | |
Which of us is going to burn in hell? | 0:10:23 | 0:10:26 | |
Him...or me? | 0:10:26 | 0:10:28 | |
Moving on, Miss Cobbina. | 0:10:30 | 0:10:32 | |
In my opinion, Rudy Jones suffered damage to his brain | 0:10:33 | 0:10:36 | |
that severely limits his understanding of this process. | 0:10:36 | 0:10:39 | |
He doesn't know that he's going to die. | 0:10:39 | 0:10:42 | |
I'm not even sure he understands the difference between life and death. | 0:10:42 | 0:10:47 | |
Thanks. | 0:10:48 | 0:10:50 | |
Dr Ambrose. | 0:10:53 | 0:10:55 | |
Do you believe in the death penalty? | 0:10:55 | 0:10:58 | |
No, I don't. | 0:10:58 | 0:11:00 | |
Well, what if it were a member of your own family who were murdered? | 0:11:00 | 0:11:03 | |
Same answer. | 0:11:03 | 0:11:04 | |
Really? No retribution? No feelings of revenge? | 0:11:04 | 0:11:08 | |
That's why I do this work. | 0:11:08 | 0:11:10 | |
Excuse me? | 0:11:11 | 0:11:13 | |
15 years ago, my mother was raped and beaten in her own home. | 0:11:13 | 0:11:17 | |
It took three days for her to die, during which time, | 0:11:18 | 0:11:21 | |
she regained to consciousness once for a few minutes. | 0:11:21 | 0:11:24 | |
In those minutes, she spoke once. | 0:11:25 | 0:11:27 | |
"Forgive those who trespass against us", were her only words. | 0:11:28 | 0:11:33 | |
They found the man who killed her. | 0:11:34 | 0:11:37 | |
I spoke at his sentencing hearing. | 0:11:38 | 0:11:40 | |
The state tried to stop me, but I did it, anyway, | 0:11:40 | 0:11:43 | |
and asked for my mother's last wishes to be respected. | 0:11:43 | 0:11:47 | |
The jury decided the accused should live. | 0:11:48 | 0:11:51 | |
The judge overruled the jury. | 0:11:52 | 0:11:55 | |
My first execution was my mother's killer. | 0:11:56 | 0:12:00 | |
Witnessing it gave me no feelings other than... | 0:12:01 | 0:12:04 | |
..revulsion and shame. | 0:12:06 | 0:12:08 | |
Call Joshua Roberts. | 0:12:17 | 0:12:18 | |
-Dad? -Mm-hm? | 0:12:26 | 0:12:28 | |
I want to come running with you today. | 0:12:28 | 0:12:30 | |
That's not a good idea, Dan. We run at different speeds. | 0:12:30 | 0:12:33 | |
But you promised. | 0:12:33 | 0:12:36 | |
I don't think I did, Dan. | 0:12:36 | 0:12:38 | |
You told me when I was 18, I could come running with you. | 0:12:38 | 0:12:40 | |
-How old were you when I said that? -Seven. | 0:12:40 | 0:12:42 | |
NICK SIGHS | 0:12:42 | 0:12:44 | |
Look, er...sometimes... | 0:12:44 | 0:12:46 | |
Was it a lie? | 0:12:46 | 0:12:48 | |
In a way. | 0:12:49 | 0:12:51 | |
Have you lied to me about anything else? | 0:12:54 | 0:12:55 | |
No. | 0:12:55 | 0:12:57 | |
Daddy, swear on Rocco's life. | 0:12:59 | 0:13:01 | |
I swear. | 0:13:01 | 0:13:02 | |
And on my life. | 0:13:02 | 0:13:04 | |
I swear. | 0:13:07 | 0:13:08 | |
(OK.) | 0:13:11 | 0:13:13 | |
Er...I've been with him since he got back to the facility. | 0:13:27 | 0:13:30 | |
Kind of like a special detail. | 0:13:30 | 0:13:32 | |
And have you managed to observe the petitioner? | 0:13:33 | 0:13:36 | |
-You mean the prisoner? -Yes. | 0:13:37 | 0:13:40 | |
Well, it's my job. | 0:13:40 | 0:13:42 | |
And what have you observed? | 0:13:42 | 0:13:43 | |
I've observed an improvement. | 0:13:43 | 0:13:46 | |
How would you characterise this improvement? | 0:13:46 | 0:13:50 | |
Sneaky. | 0:13:50 | 0:13:51 | |
I'm sorry? | 0:13:53 | 0:13:54 | |
He don't talk and he don't move none when it's doctors and lawyers. | 0:13:54 | 0:13:59 | |
When they're gone, he talks. | 0:13:59 | 0:14:01 | |
It's a miracle, or it's a lie. | 0:14:01 | 0:14:04 | |
Which do you think it is? | 0:14:04 | 0:14:07 | |
What do I know? I'm just a prison guard. | 0:14:07 | 0:14:09 | |
Any which way, seems he don't think us boys important enough to worry over. | 0:14:09 | 0:14:13 | |
All this talking you say he does in front of you, | 0:14:13 | 0:14:16 | |
it's...it's uncorroborated by independent witnesses. | 0:14:16 | 0:14:19 | |
Or in plain English, | 0:14:19 | 0:14:21 | |
it never happens when anyone else is in the room. | 0:14:21 | 0:14:23 | |
-Slipped up one time. -When was that? | 0:14:23 | 0:14:26 | |
I don't...I don't like to say. | 0:14:26 | 0:14:28 | |
I'm afraid you're going to have to. | 0:14:28 | 0:14:31 | |
It's my understanding they'd never met before, | 0:14:31 | 0:14:34 | |
but he was real pleased to see her. | 0:14:34 | 0:14:37 | |
Who? | 0:14:37 | 0:14:38 | |
Pretty girl, up close. | 0:14:38 | 0:14:41 | |
He couldn't help himself. | 0:14:41 | 0:14:42 | |
I'm no expert, but don't look like brain damage to me | 0:14:42 | 0:14:45 | |
when a man gets roused up by a young lady. | 0:14:45 | 0:14:48 | |
Your Honour...? | 0:14:48 | 0:14:49 | |
You saw it. I saw you see it. | 0:14:49 | 0:14:52 | |
"Clemency Johnson, meet Rudy Jones", you said. | 0:14:52 | 0:14:56 | |
Putting a tear in your eye and a smile on his face. | 0:14:56 | 0:14:59 | |
There she is, sat right there. | 0:15:01 | 0:15:03 | |
Hi, Dad, it's me. It's...it's Clem. Um... | 0:15:40 | 0:15:45 | |
Something just happened. | 0:15:48 | 0:15:50 | |
BIRDSONG | 0:16:08 | 0:16:11 | |
In summary, therefore, I've heard unchallenged evidence | 0:16:26 | 0:16:29 | |
of the petitioner's response | 0:16:29 | 0:16:31 | |
to a young lady who came into his presence. | 0:16:31 | 0:16:33 | |
Which is clearly commensurate with mental competence. | 0:16:34 | 0:16:37 | |
There's been a lot of talk about heaven and hell in my courtroom today, | 0:16:38 | 0:16:42 | |
so it's sort of fitting that the quality of this evidence | 0:16:42 | 0:16:45 | |
feels like it was sent from up above with a special and particular meaning. | 0:16:45 | 0:16:49 | |
Some kind of profound and greater justice has visited us today. | 0:16:50 | 0:16:55 | |
I'm more than satisfied | 0:17:01 | 0:17:02 | |
that the petitioner's competent to be executed. | 0:17:02 | 0:17:05 | |
The stay is lifted. | 0:17:07 | 0:17:09 | |
The execution will be carried out as directed by the warden | 0:17:09 | 0:17:12 | |
of the state penitentiary 48 hours from now. | 0:17:12 | 0:17:14 | |
All rise! | 0:17:16 | 0:17:18 | |
Clem? | 0:17:29 | 0:17:31 | |
(My darling girl.) | 0:17:33 | 0:17:35 | |
It's not your fault. You know that, don't you? | 0:17:42 | 0:17:45 | |
It's not you, it's them. Yes? | 0:17:45 | 0:17:48 | |
-Yeah. -OK? | 0:17:48 | 0:17:50 | |
This is Vernon Early. | 0:17:54 | 0:17:55 | |
Yes! Yes, it is! Hello! | 0:17:58 | 0:18:01 | |
Yes. And I heard what they did to Rudy. | 0:18:02 | 0:18:05 | |
Is, er...is this OK? | 0:18:08 | 0:18:11 | |
I mean, we all right? | 0:18:11 | 0:18:13 | |
I-I'm sorry, I don't know what you mean. | 0:18:15 | 0:18:17 | |
When I testified for the state against Rudy, | 0:18:17 | 0:18:20 | |
they...they told me not to talk to nobody else. Made it like a warning. | 0:18:20 | 0:18:24 | |
There's no property in a witness. | 0:18:26 | 0:18:28 | |
I don't understand. | 0:18:30 | 0:18:31 | |
Nobody owns you. | 0:18:31 | 0:18:33 | |
You're free. | 0:18:34 | 0:18:36 | |
To talk to whoever you want to, whenever you want to. | 0:18:36 | 0:18:39 | |
You sound like Michael. | 0:18:39 | 0:18:41 | |
-Michael? -Antwi. | 0:18:41 | 0:18:43 | |
-You knew Michael? -Yeah. I shook his hand, heard him speak. | 0:18:45 | 0:18:49 | |
Felt like I knew him all my life. Invited him for coffee. | 0:18:49 | 0:18:54 | |
I...I heard him speak just before he died. | 0:18:54 | 0:18:56 | |
Is that right? What'd he say? | 0:18:56 | 0:18:58 | |
He said it was time to...to stand up, | 0:18:58 | 0:19:01 | |
that he'd had enough of peaceful protest. | 0:19:01 | 0:19:03 | |
Yeah. "You come for my brother, we're coming for you." | 0:19:03 | 0:19:06 | |
He talked about an alibi witness for Rudy | 0:19:06 | 0:19:10 | |
who changed his evidence after a visit from the cops. | 0:19:10 | 0:19:13 | |
Wasn't Rudy killed Mayor Anderson. | 0:19:27 | 0:19:29 | |
How do you know? | 0:19:40 | 0:19:41 | |
He was with me, fixing up the truck. | 0:19:41 | 0:19:44 | |
Are you sure about the time? | 0:19:46 | 0:19:49 | |
Yeah. Cops went by on the road outside of my place. | 0:19:49 | 0:19:53 | |
And an ambulance. There and back. | 0:19:53 | 0:19:56 | |
Rudy and me stood and watched them. | 0:19:56 | 0:19:58 | |
Where were they going? | 0:19:58 | 0:19:59 | |
Mayor Anderson's place, for the murder. | 0:19:59 | 0:20:02 | |
How long was Rudy with you before the police went by? | 0:20:02 | 0:20:05 | |
All morning. | 0:20:05 | 0:20:06 | |
So, he couldn't have been at the Anderson house when he was killed? | 0:20:06 | 0:20:09 | |
Two places at one time. | 0:20:09 | 0:20:12 | |
Seems like niggers and the devil only two know how to pull that trick. | 0:20:12 | 0:20:16 | |
See, the jury voted for the death penalty. You know why? | 0:20:19 | 0:20:23 | |
White politician killed by a black man, an all-white jury? | 0:20:23 | 0:20:28 | |
Sure. But that wasn't the real deal-closer. | 0:20:28 | 0:20:32 | |
What the jury hated most was that Rudy had tried to fix the evidence. | 0:20:32 | 0:20:36 | |
-Mm-hm. -That he'd tried to make a good man lie on his behalf. | 0:20:36 | 0:20:41 | |
"The good nigger white folk's been calling me ever since. | 0:20:43 | 0:20:47 | |
"And my people? | 0:20:48 | 0:20:50 | |
"What they calling me?" | 0:20:50 | 0:20:51 | |
Would you like to talk about this some more? | 0:20:56 | 0:20:58 | |
(Yes.) | 0:21:00 | 0:21:02 | |
In court? | 0:21:02 | 0:21:03 | |
I like that. | 0:21:10 | 0:21:12 | |
No property in a witness. | 0:21:13 | 0:21:15 | |
Seem like the law got some poetry in it after all. | 0:21:16 | 0:21:20 | |
-Excuse me. Sorry. -See you later. | 0:21:29 | 0:21:31 | |
-Hey. -Hey! It's going to be OK. | 0:21:33 | 0:21:37 | |
What? How? | 0:21:37 | 0:21:39 | |
Vernon Early is going to tell the truth. | 0:21:39 | 0:21:41 | |
-You look tired. -I'm fine. | 0:21:47 | 0:21:49 | |
PHONE VIBRATES | 0:21:50 | 0:21:51 | |
Are you getting enough sleep? | 0:21:53 | 0:21:54 | |
Yes. | 0:21:55 | 0:21:57 | |
Hey, it's Clem! | 0:21:57 | 0:21:58 | |
Well, I've got some good news! | 0:21:59 | 0:22:01 | |
We want everything she tells you about Rudy Jones. | 0:22:03 | 0:22:06 | |
Why? | 0:22:09 | 0:22:11 | |
Dad! | 0:22:11 | 0:22:12 | |
Who are you? | 0:22:16 | 0:22:18 | |
I'm a friend of a friend of your father's. | 0:22:18 | 0:22:21 | |
You must be Dan. | 0:22:21 | 0:22:23 | |
The last time I saw you, you were this tall. | 0:22:23 | 0:22:25 | |
-When was that? -Maybe 15 years ago. | 0:22:25 | 0:22:28 | |
-Yeah, must be. -NICK CHUCKLES | 0:22:28 | 0:22:30 | |
-My God! And how tall were you then? -Ha! | 0:22:30 | 0:22:32 | |
What's funny? | 0:22:32 | 0:22:34 | |
Sorry. There's nothing funny. | 0:22:34 | 0:22:37 | |
So, how are you, Dan? | 0:22:40 | 0:22:42 | |
I'm happy now, but I was sad before. | 0:22:42 | 0:22:44 | |
Sad? Why sad? | 0:22:44 | 0:22:46 | |
Because my sister left home to go to Oxford. | 0:22:46 | 0:22:49 | |
But now she's in America with Mum because she has epilepsy. | 0:22:49 | 0:22:52 | |
They're trying to stop them from killing Rudy. | 0:22:52 | 0:22:54 | |
They tried to execute him once before, but it didn't work. | 0:22:54 | 0:22:57 | |
Oh, but now they've found a man who can prove Rudy didn't do it. | 0:22:57 | 0:23:00 | |
That's good news. What's the name of the man? | 0:23:00 | 0:23:03 | |
Vernon Early. | 0:23:03 | 0:23:04 | |
And Daddy's been lying to me. | 0:23:08 | 0:23:10 | |
That's the other reason why I was sad before, by the way. | 0:23:10 | 0:23:13 | |
Lying about what? | 0:23:13 | 0:23:14 | |
It's nothing, mate. I should, er... | 0:23:14 | 0:23:16 | |
It's not nothing! | 0:23:16 | 0:23:18 | |
I always thought you told the truth. | 0:23:18 | 0:23:20 | |
You told me how important it was never to lie. | 0:23:21 | 0:23:24 | |
But you've been lying to me my entire life. | 0:23:24 | 0:23:26 | |
There are lies and there are lies. | 0:23:26 | 0:23:29 | |
I don't understand. | 0:23:29 | 0:23:31 | |
It's been good. I'll explain it on the way home, yeah? | 0:23:31 | 0:23:35 | |
Is this where you do the press-ups? | 0:23:35 | 0:23:37 | |
Er...yeah. | 0:23:37 | 0:23:38 | |
Show him, show your friend. | 0:23:38 | 0:23:41 | |
Er...Dan, look, the press-ups... | 0:23:41 | 0:23:43 | |
It's true, isn't it? | 0:23:43 | 0:23:44 | |
You can do eight minutes? | 0:23:47 | 0:23:49 | |
Yeah. | 0:23:52 | 0:23:53 | |
Yeah! Ready? | 0:23:56 | 0:23:58 | |
Yeah. | 0:23:58 | 0:23:59 | |
NICK EXHALES OK. And...go! | 0:24:01 | 0:24:04 | |
Right, so we file with the Supreme Court for a stay. | 0:24:07 | 0:24:09 | |
-Will they grant it? -With evidence like this, they've got no choice. | 0:24:09 | 0:24:12 | |
Then we go to Washington and we just blow them away with Vern and everything they did to him. | 0:24:12 | 0:24:16 | |
-You OK? -Yeah. | 0:24:20 | 0:24:22 | |
Thank you. | 0:24:24 | 0:24:25 | |
NICK BREATHES HARD | 0:24:27 | 0:24:28 | |
(It's Carter...) | 0:24:38 | 0:24:40 | |
Come on, Dad. | 0:24:40 | 0:24:42 | |
-You like him, I can tell. -Mum! -I was watching you. | 0:24:52 | 0:24:54 | |
CLEM GIGGLES | 0:24:54 | 0:24:56 | |
You could end up living here. | 0:25:02 | 0:25:03 | |
I can't have that! | 0:25:04 | 0:25:06 | |
What would I do without you? | 0:25:09 | 0:25:10 | |
Tell me, Mum. | 0:25:13 | 0:25:15 | |
-What is happening? -PHONE VIBRATES | 0:25:18 | 0:25:21 | |
Hello? | 0:25:23 | 0:25:25 | |
What?! | 0:25:27 | 0:25:28 | |
When?! | 0:25:28 | 0:25:30 | |
-SHE SIGHS -Oh, God! | 0:25:31 | 0:25:33 | |
OK, yeah. | 0:25:33 | 0:25:35 | |
Yeah, OK. | 0:25:35 | 0:25:37 | |
-They've arrested Vernon. -What?! | 0:25:39 | 0:25:40 | |
For perjury. How did they know? He only talked to us. | 0:25:40 | 0:25:45 | |
-You didn't tell anyone? -Only Dan. | 0:25:45 | 0:25:48 | |
-Was he with Dad? -Why? | 0:25:50 | 0:25:52 | |
Mum? | 0:25:54 | 0:25:55 | |
-Who is that? -Dunno. Can't find him. | 0:26:03 | 0:26:06 | |
-The cars? -My man in Swansea can't trace the owners. | 0:26:07 | 0:26:11 | |
I've never had that. | 0:26:12 | 0:26:14 | |
-What does that tell you? -They're good. | 0:26:14 | 0:26:16 | |
It's big. | 0:26:16 | 0:26:18 | |
Nick is into something very dark. | 0:26:18 | 0:26:20 | |
But on which side of the fence? | 0:26:23 | 0:26:25 | |
HE CHUCKLES | 0:26:25 | 0:26:27 | |
Is there a fence any more, hm? | 0:26:27 | 0:26:29 | |
The police spy on the Lawrence family, | 0:26:31 | 0:26:33 | |
the royal family quite liked Hitler, so, where's the fence? | 0:26:33 | 0:26:36 | |
Our national treasures include the Kray twins and the Great Train Robbers. | 0:26:36 | 0:26:41 | |
So, who are the bad guys and who's good? | 0:26:41 | 0:26:44 | |
I do know that this is a big story. | 0:26:44 | 0:26:48 | |
She's your best friend. | 0:26:52 | 0:26:54 | |
-Our DPP. -Yes. -Mm. | 0:26:55 | 0:26:58 | |
My question is, when it comes down to it, which would you put first? | 0:26:58 | 0:27:02 | |
The truth, or friendship? | 0:27:02 | 0:27:05 | |
The story, or Maya Cobbina? | 0:27:05 | 0:27:08 | |
Who are you? | 0:27:17 | 0:27:18 | |
Where are you from? | 0:27:22 | 0:27:24 | |
Auchtermuchty. | 0:27:29 | 0:27:31 | |
Um...she's in America. | 0:27:32 | 0:27:37 | |
And him? | 0:27:39 | 0:27:41 | |
Dropped your pen. | 0:27:41 | 0:27:43 | |
We've taken out an insurance policy...on the whole family. | 0:27:48 | 0:27:52 | |
BARKING | 0:28:00 | 0:28:02 | |
Are you...are you all right? | 0:28:04 | 0:28:06 | |
Yes. | 0:28:08 | 0:28:10 | |
What...what is he? | 0:28:11 | 0:28:13 | |
He's a dog. | 0:28:13 | 0:28:14 | |
Huh! | 0:28:16 | 0:28:17 | |
He's called Rocco. | 0:28:17 | 0:28:19 | |
Aw! He's got a beautiful coat. | 0:28:21 | 0:28:24 | |
-So have you. -Thank you. | 0:28:24 | 0:28:26 | |
You're white. | 0:28:30 | 0:28:32 | |
Really white. | 0:28:33 | 0:28:35 | |
I suppose. | 0:28:35 | 0:28:36 | |
Do people laugh at you? | 0:28:39 | 0:28:41 | |
No. | 0:28:42 | 0:28:44 | |
I...I have to go now. | 0:28:45 | 0:28:47 | |
OK. | 0:28:49 | 0:28:51 | |
-I don't know your name. -No. | 0:28:51 | 0:28:53 | |
My name is Lola. | 0:28:55 | 0:28:57 | |
Please can we meet again, please? | 0:29:01 | 0:29:03 | |
Sure. | 0:29:03 | 0:29:05 | |
Here, in an hour. | 0:29:05 | 0:29:06 | |
Oh, well, I've got stuff to do, but...Monday? | 0:29:06 | 0:29:10 | |
Yes. OK. | 0:29:11 | 0:29:13 | |
Great. Right here, this bench, same time on Monday. | 0:29:13 | 0:29:17 | |
OK. | 0:29:19 | 0:29:20 | |
Bye. | 0:29:22 | 0:29:23 | |
MUSIC PLAYS THROUGH HEADPHONES | 0:30:31 | 0:30:34 | |
Oh, hey! | 0:31:08 | 0:31:09 | |
Er...where's Clem? | 0:31:10 | 0:31:13 | |
Maya...? | 0:31:17 | 0:31:19 | |
I went to Highgate Cemetery. | 0:31:20 | 0:31:22 | |
What, just now? | 0:31:24 | 0:31:25 | |
Why? | 0:31:25 | 0:31:27 | |
George Eliot... | 0:31:29 | 0:31:30 | |
..Karl Marx... | 0:31:32 | 0:31:33 | |
..Nicholas Johnson. | 0:31:36 | 0:31:38 | |
Aged eight. | 0:31:40 | 0:31:42 | |
A dead child, Nick. | 0:31:44 | 0:31:47 | |
With the same date of birth as you. | 0:31:51 | 0:31:53 | |
The same place of birth... | 0:31:55 | 0:31:57 | |
..on his death certificate. | 0:31:58 | 0:32:01 | |
Somebody's...dead little boy. | 0:32:03 | 0:32:07 | |
Please! | 0:32:16 | 0:32:17 | |
Please! | 0:32:21 | 0:32:23 | |
Say something. | 0:32:25 | 0:32:28 | |
Oh! | 0:32:34 | 0:32:35 | |
Oh! | 0:32:39 | 0:32:40 | |
SHE QUIETLY SOBS | 0:32:44 | 0:32:47 | |
-(Sweetheart...?) -NO! | 0:32:54 | 0:32:56 | |
-Mum?! -(OK.) | 0:32:56 | 0:32:58 | |
Mum? | 0:33:01 | 0:33:03 | |
Mum, what's wrong? | 0:33:03 | 0:33:04 | |
Um...M-Mum had a fit. | 0:33:06 | 0:33:08 | |
SHE SIGHS | 0:33:14 | 0:33:16 | |
I stopped because of you. | 0:33:16 | 0:33:18 | |
I fell in love with you. | 0:33:19 | 0:33:22 | |
So I stopped. | 0:33:22 | 0:33:23 | |
Then they came for me again. | 0:33:25 | 0:33:27 | |
You were spying on me...the first time you said you loved me? | 0:33:28 | 0:33:33 | |
SHE SIGHS | 0:33:35 | 0:33:37 | |
When Clem was born? | 0:33:37 | 0:33:40 | |
When our little baby girl nearly died? | 0:33:44 | 0:33:46 | |
You've stolen my life! | 0:33:52 | 0:33:54 | |
Maya, you can't tell the children. | 0:33:54 | 0:33:56 | |
How will I explain that you don't live here any more? | 0:33:56 | 0:33:59 | |
-HE SIGHS -OK. | 0:33:59 | 0:34:02 | |
OK. | 0:34:04 | 0:34:06 | |
Dan? Dan, mate? | 0:34:07 | 0:34:10 | |
Coming, Daddy. | 0:34:10 | 0:34:11 | |
When he comes in, tell him. | 0:34:14 | 0:34:16 | |
Tell him everything I've told you. | 0:34:17 | 0:34:19 | |
Er...Mum's got something she wants to tell you. | 0:34:22 | 0:34:25 | |
I love you. | 0:34:36 | 0:34:38 | |
I know. | 0:34:39 | 0:34:41 | |
Hm! | 0:34:43 | 0:34:45 | |
DOOR CLOSES | 0:34:48 | 0:34:50 | |
See, you can't do it, can you? | 0:34:50 | 0:34:51 | |
You love him too much to hurt him. | 0:34:52 | 0:34:54 | |
That...that...that's what it's like. | 0:34:54 | 0:34:56 | |
It's exactly the same for me. | 0:34:56 | 0:34:58 | |
You gave them Vern! | 0:34:58 | 0:35:00 | |
No, no, no, no, no, no, no. No, Maya. | 0:35:00 | 0:35:02 | |
Please, that wasn't me. | 0:35:03 | 0:35:05 | |
All right? I was with my handler, | 0:35:05 | 0:35:07 | |
-Dan was looking for me... -Christ! | 0:35:07 | 0:35:08 | |
Yes, he was looking for me and he found us! | 0:35:08 | 0:35:11 | |
And then Dan just said it, I couldn't stop him! | 0:35:11 | 0:35:13 | |
Why do they care about Rudy? | 0:35:15 | 0:35:18 | |
SHE SIGHS | 0:35:22 | 0:35:24 | |
It all connects. | 0:35:24 | 0:35:26 | |
Where are you going? | 0:35:29 | 0:35:30 | |
No, no, no, no! No, Maya, you shouldn't be driving! | 0:35:30 | 0:35:33 | |
What? | 0:35:33 | 0:35:35 | |
You have epilepsy and you're not taking any medication. | 0:35:35 | 0:35:38 | |
Come on, it's...it's not safe. | 0:35:39 | 0:35:42 | |
Maya, I don't want you to die. | 0:35:44 | 0:35:46 | |
Get out of my way! | 0:35:48 | 0:35:49 | |
I'll be right outside. | 0:36:28 | 0:36:30 | |
He's right by my side. | 0:36:40 | 0:36:42 | |
-Who is? -Jesus Christ. | 0:36:42 | 0:36:44 | |
Can I ask you about Michael Antwi? | 0:36:46 | 0:36:47 | |
Jesus wants to ask you something first. | 0:36:47 | 0:36:49 | |
-What does he want? -Can he have a look at your breasts? | 0:36:49 | 0:36:52 | |
Then he'll let you ask about the golliwog. | 0:36:52 | 0:36:54 | |
Can you speak to me without Jesus interrupting? | 0:36:57 | 0:37:00 | |
Can you do that? | 0:37:00 | 0:37:01 | |
(Can you give me five minutes?) | 0:37:04 | 0:37:05 | |
(Yeah?) | 0:37:07 | 0:37:08 | |
Yeah. | 0:37:11 | 0:37:12 | |
-You pleaded guilty to manslaughter. -He told me to. | 0:37:15 | 0:37:17 | |
Who did - Jesus? | 0:37:19 | 0:37:21 | |
My QC. | 0:37:21 | 0:37:22 | |
That would be unethical. | 0:37:22 | 0:37:24 | |
I don't know about that, but I can quote you what he said. | 0:37:24 | 0:37:26 | |
He leant forward, spoke very quietly. | 0:37:26 | 0:37:28 | |
"The evidence is very strong, the offer's very good. If you fight this, | 0:37:28 | 0:37:31 | |
"there's a high chance you'll go down for murder, which means life imprisonment. | 0:37:31 | 0:37:35 | |
"My advice is to plead guilty to manslaughter. | 0:37:35 | 0:37:37 | |
"Of course, it's entirely a matter for you." | 0:37:37 | 0:37:39 | |
Here I am, 20 years later. | 0:37:39 | 0:37:41 | |
You're a violent racist. | 0:37:43 | 0:37:44 | |
You hate me because of the colour of my skin. | 0:37:46 | 0:37:48 | |
The chances of me feeling sorry for you are very, very small. | 0:37:49 | 0:37:52 | |
But here you are, 20 years later. | 0:37:52 | 0:37:55 | |
I love violence. | 0:37:57 | 0:37:58 | |
And to be good at it, you have to be committed. | 0:38:00 | 0:38:02 | |
You can't hold back, you have to get in fast and hard, | 0:38:02 | 0:38:04 | |
-shock the fuck out of people. -Argh! | 0:38:04 | 0:38:07 | |
Then they go down quickly and easily. | 0:38:07 | 0:38:09 | |
It's the surprise that counts. | 0:38:09 | 0:38:11 | |
The look on people's faces when they get hit by me is never pain, it's amazement. | 0:38:11 | 0:38:16 | |
That didn't happen with your boy in there, it was a faceoff. | 0:38:24 | 0:38:27 | |
'Then it was a fight. | 0:38:29 | 0:38:31 | |
'Neither of us was surprised when it happened.' | 0:38:31 | 0:38:34 | |
Yargh! | 0:38:34 | 0:38:36 | |
What are you saying? | 0:38:39 | 0:38:41 | |
What I'm saying is he gave as good as he got. | 0:38:41 | 0:38:44 | |
What...are you saying? | 0:38:46 | 0:38:48 | |
(Ask Jesus.) | 0:38:51 | 0:38:52 | |
What are you...what are you saying? | 0:38:55 | 0:38:58 | |
Show him your breasts and he'll tell you. | 0:38:58 | 0:39:00 | |
Hm. | 0:39:38 | 0:39:39 | |
When they pulled me out of the cell and took me away... | 0:39:44 | 0:39:46 | |
..your nigger boy wasn't dead. | 0:39:48 | 0:39:50 | |
I failed. | 0:39:52 | 0:39:54 | |
You failed? | 0:39:57 | 0:39:59 | |
They told me to kill him. | 0:40:00 | 0:40:02 | |
I had him on the march and then some big shot coon stepped in! | 0:40:02 | 0:40:06 | |
-Nick? -Hm? | 0:40:09 | 0:40:11 | |
Um...why did they want him dead? | 0:40:11 | 0:40:13 | |
Why did they want Michael dead? | 0:40:13 | 0:40:15 | |
Jesus saved me from them. | 0:40:18 | 0:40:20 | |
Saved you from who? | 0:40:20 | 0:40:21 | |
From the ones who told me to kill him! | 0:40:21 | 0:40:24 | |
Who? | 0:40:25 | 0:40:27 | |
The CIA! | 0:40:33 | 0:40:35 | |
SHE EXHALES | 0:40:40 | 0:40:42 | |
SHE EXHALES | 0:40:52 | 0:40:54 | |
SHE SOBS | 0:40:58 | 0:40:59 | |
SHE EXHALES | 0:41:03 | 0:41:05 | |
Where is she? | 0:41:22 | 0:41:23 | |
LOW CHATTER | 0:41:23 | 0:41:25 | |
-Are you all right? -Yeah. | 0:41:27 | 0:41:30 | |
You wanted to meet, but you haven't said why. | 0:41:32 | 0:41:35 | |
You don't know where she is, do you? | 0:41:38 | 0:41:40 | |
She's...got more cautious. | 0:41:43 | 0:41:46 | |
It's harder to get to her. Makes my job harder. | 0:41:47 | 0:41:50 | |
What are you saying? | 0:41:52 | 0:41:53 | |
You've got to let me know more. | 0:41:53 | 0:41:55 | |
You have to let me in so I can ask the right questions. | 0:41:57 | 0:41:59 | |
What happened to Michael Antwi that night? | 0:42:04 | 0:42:07 | |
-You don't need to know. -Do you know? | 0:42:09 | 0:42:12 | |
-No. -Come on! That doesn't...that doesn't work any more. | 0:42:14 | 0:42:18 | |
-What? -How do you know what to ask me if you don't know what the truth is? | 0:42:19 | 0:42:23 | |
Are you losing it, Nick? | 0:42:25 | 0:42:27 | |
Like you lost it the last time? | 0:42:27 | 0:42:29 | |
No. | 0:42:30 | 0:42:31 | |
You have to trust me. | 0:42:33 | 0:42:35 | |
Just hold your nerve. | 0:42:35 | 0:42:37 | |
What do you want? | 0:42:42 | 0:42:44 | |
I want the truth about what happened that night. | 0:42:44 | 0:42:46 | |
I know he didn't die in the cell. | 0:42:48 | 0:42:50 | |
There's something you don't know about me. | 0:42:52 | 0:42:55 | |
I'm dying. | 0:42:55 | 0:42:57 | |
I have six months. | 0:42:57 | 0:42:59 | |
What, you think I'm going to talk to you | 0:43:02 | 0:43:04 | |
because they can't hurt a dying man? I have six months life left in me. | 0:43:04 | 0:43:08 | |
I am not going to spend it with you, trying to explain the past. | 0:43:08 | 0:43:11 | |
I could witness summons you. | 0:43:11 | 0:43:14 | |
You could, but you're a decent human being. | 0:43:14 | 0:43:19 | |
You won't do that to me. | 0:43:19 | 0:43:21 | |
OK, just forget that I'm a lawyer and that you're a police officer. | 0:43:22 | 0:43:28 | |
Just the truth now. No-one else, just you and me. | 0:43:29 | 0:43:34 | |
They pulled him out the cell. | 0:43:42 | 0:43:44 | |
Go, go. Just get in there, get him out! | 0:43:44 | 0:43:48 | |
Go! Go! Go! | 0:43:48 | 0:43:51 | |
Get him off! Get off! | 0:43:51 | 0:43:54 | |
-Hold him! -Hold him down! | 0:43:54 | 0:43:59 | |
-Get his legs! Hold him! -Stay still! | 0:43:59 | 0:44:03 | |
-Argh! -Stop struggling! | 0:44:03 | 0:44:07 | |
-Stay still! -Hold him! | 0:44:07 | 0:44:11 | |
We got him, we got him! | 0:44:13 | 0:44:17 | |
-Stay still! -It's fine. -Hold him. -Stay still! | 0:44:17 | 0:44:21 | |
Who put Michael in the cell with Peter Mackie? | 0:44:27 | 0:44:32 | |
It starts with a mistake. | 0:44:33 | 0:44:35 | |
Good people make a mistake. | 0:44:37 | 0:44:40 | |
But the mistake isn't it. That's not the story. | 0:44:41 | 0:44:44 | |
You've been trying to prosecute the mistake | 0:44:47 | 0:44:49 | |
when you should be going after what happened afterwards. | 0:44:49 | 0:44:52 | |
Trimble put them in a cell together, but he'd be the wrong man. | 0:44:55 | 0:45:00 | |
Start with the wrong man. | 0:45:02 | 0:45:04 | |
Thank you. | 0:45:09 | 0:45:12 | |
That's how he died. | 0:45:19 | 0:45:21 | |
He was alive when he came out of the cell. | 0:45:24 | 0:45:27 | |
The police officers who pulled him out, | 0:45:27 | 0:45:30 | |
they thought he was fighting them. | 0:45:30 | 0:45:32 | |
He was struggling to breathe | 0:45:34 | 0:45:37 | |
and they took his struggles for resistance. | 0:45:37 | 0:45:40 | |
So, the held him down, his chest pressed hard against the floor. | 0:45:40 | 0:45:45 | |
Positional Asphyxiation is the term. | 0:45:48 | 0:45:53 | |
Justice. Finally. | 0:45:59 | 0:46:03 | |
No. | 0:46:05 | 0:46:06 | |
I need to ask your permission for something. | 0:46:08 | 0:46:11 | |
Yes? | 0:46:12 | 0:46:14 | |
Not to prosecute the men who did this. | 0:46:15 | 0:46:19 | |
Why? | 0:46:22 | 0:46:24 | |
Because there are bigger fish. | 0:46:24 | 0:46:27 | |
Much bigger, much more dangerous, untouched by guilt or remorse. | 0:46:27 | 0:46:33 | |
Those are the people that should pay for Michael's death. | 0:46:33 | 0:46:37 | |
You are like a daughter to me. | 0:46:42 | 0:46:44 | |
I lost a son and gained a daughter. | 0:46:46 | 0:46:50 | |
The answer is yes. | 0:46:53 | 0:46:56 | |
Thank you for seeing me, Mr Trimble. | 0:47:49 | 0:47:52 | |
I know why you're here. | 0:47:52 | 0:47:54 | |
I've been waiting for this. | 0:47:56 | 0:47:59 | |
There's a tape. | 0:48:02 | 0:48:04 | |
Right. Do you know where is it? | 0:48:06 | 0:48:09 | |
It's here. I've got it. | 0:48:09 | 0:48:12 | |
Can I have a look? | 0:48:13 | 0:48:16 | |
I don't understand. I can't hear what he's saying. | 0:48:48 | 0:48:51 | |
There's no sound. | 0:48:51 | 0:48:53 | |
"Take the hit," he says. The Scotsman. | 0:48:53 | 0:48:56 | |
And I did. | 0:48:56 | 0:48:59 | |
Who is he? | 0:48:59 | 0:49:01 | |
I don't know. I mean, I can't find him. | 0:49:01 | 0:49:03 | |
He was there on the day and I thought | 0:49:03 | 0:49:05 | |
-he must be the Duty Inspector. -You've looked for him? | 0:49:05 | 0:49:08 | |
Of course - for 20 years. There's nothing. | 0:49:08 | 0:49:11 | |
-Take the hit for who? -Well, I don't know. | 0:49:14 | 0:49:17 | |
I can't find the Scotsman, so I can't find anything else. | 0:49:17 | 0:49:20 | |
Take the hit for what? | 0:49:20 | 0:49:22 | |
He put Michael Antwi and Peter Mackie in the cell together. | 0:49:25 | 0:49:28 | |
Are there any other tapes? | 0:49:39 | 0:49:41 | |
All gone. | 0:49:41 | 0:49:43 | |
They're pawns - Mackie, Rose, Trimble. | 0:49:58 | 0:50:02 | |
They're all foot soldiers, all three. | 0:50:02 | 0:50:04 | |
Well, why have you come back here? | 0:50:04 | 0:50:06 | |
I don't trust anyone else. | 0:50:06 | 0:50:08 | |
You could go home... | 0:50:08 | 0:50:10 | |
Have you got enough on them? | 0:50:14 | 0:50:16 | |
I could prosecute them all tomorrow - the broken man, the dying man, | 0:50:16 | 0:50:21 | |
the man who doesn't know who he is unless Jesus or the CIA tells him. | 0:50:21 | 0:50:24 | |
How did he get like that? How did you get like this? | 0:50:24 | 0:50:29 | |
Who's responsible? | 0:50:29 | 0:50:30 | |
Julia? | 0:50:38 | 0:50:39 | |
'I need to see you. It's really important Maya.' | 0:50:39 | 0:50:42 | |
Where did you get this? | 0:50:51 | 0:50:53 | |
A colleague took it. | 0:50:53 | 0:50:55 | |
The Scotsman. | 0:50:59 | 0:51:00 | |
What? Who's the Scotsman? | 0:51:01 | 0:51:05 | |
Can I take this? | 0:51:06 | 0:51:08 | |
Yeah, yeah. It's a copy. | 0:51:08 | 0:51:10 | |
What's happening, Maya, hm? | 0:51:12 | 0:51:16 | |
-Mum? -Hello. | 0:51:42 | 0:51:45 | |
-I waited up for you. -Aw! | 0:51:45 | 0:51:48 | |
-You found him. -What are you talking about? | 0:51:58 | 0:52:01 | |
What is Dad doing with him? Where did you get this? | 0:52:01 | 0:52:04 | |
Who is he? | 0:52:05 | 0:52:07 | |
The man who found Rocco. | 0:52:07 | 0:52:09 | |
He was here in the house? | 0:52:11 | 0:52:13 | |
Yeah. Obviously. | 0:52:13 | 0:52:16 | |
Mum? | 0:52:18 | 0:52:20 | |
-You raped me. -What? No. | 0:52:33 | 0:52:36 | |
-Yes. -No, Maya, I... | 0:52:36 | 0:52:38 | |
Stop saying my name. | 0:52:38 | 0:52:40 | |
You are a rapist. | 0:52:40 | 0:52:43 | |
I gave my consent... | 0:52:43 | 0:52:45 | |
I fell in love with someone who isn't you. | 0:52:45 | 0:52:50 | |
Who are you? | 0:52:50 | 0:52:52 | |
I can't tell you about that. | 0:52:55 | 0:52:57 | |
That is a choice. You've chosen them over me. | 0:52:57 | 0:53:00 | |
-No, no, no. It's not a choice. -It's always a choice. | 0:53:00 | 0:53:02 | |
They'd kill me if they knew I'd disclosed to you! | 0:53:02 | 0:53:05 | |
But you tell them everything about me. Isn't that right, Nick? | 0:53:05 | 0:53:08 | |
Nothing held back. | 0:53:08 | 0:53:10 | |
What have you told them about Michael Antwi? | 0:53:12 | 0:53:15 | |
Nick? | 0:53:17 | 0:53:19 | |
Abigail Strickland was found dead two minutes away from where | 0:53:21 | 0:53:26 | |
I was supposed to talk to her about Michael Antwi. | 0:53:26 | 0:53:29 | |
She was coming to see me. Was that you? | 0:53:29 | 0:53:33 | |
Huh?! | 0:53:34 | 0:53:37 | |
Who's this? | 0:53:38 | 0:53:41 | |
Where did you get this? | 0:53:43 | 0:53:44 | |
What's his name? | 0:53:44 | 0:53:47 | |
What's his name? | 0:53:47 | 0:53:49 | |
They killed her. | 0:53:53 | 0:53:56 | |
You killed her. | 0:53:56 | 0:53:57 | |
An ex-crack addict overdosing on heroin down some shitty alley? | 0:54:00 | 0:54:05 | |
Couldn't they do better? | 0:54:05 | 0:54:08 | |
You're still doing it, aren't you? | 0:54:10 | 0:54:12 | |
You tell them everything and you tell me nothing. | 0:54:13 | 0:54:18 | |
You have chosen! | 0:54:18 | 0:54:20 | |
What kind of a monster are you? | 0:54:20 | 0:54:22 | |
This, this is what I have done for you. | 0:54:38 | 0:54:40 | |
Because I love you so much and I could not bear to see you hurt. | 0:54:40 | 0:54:43 | |
What's this? | 0:54:43 | 0:54:45 | |
I loved him. | 0:54:45 | 0:54:47 | |
You would have loved him. He was a great man. | 0:54:48 | 0:54:53 | |
The children would have had a grandfather. | 0:54:53 | 0:54:56 | |
And I didn't even go to his funeral. | 0:54:56 | 0:54:59 | |
I loved him so much. This is all I've got left. | 0:55:07 | 0:55:10 | |
Maya, they forced me to come back. | 0:55:10 | 0:55:15 | |
They threatened me. They blackmailed me. | 0:55:15 | 0:55:18 | |
-Nobody can know the truth. -That is not for you to decide. | 0:55:18 | 0:55:21 | |
All right, well, this is what will happen if it the truth gets out. | 0:55:21 | 0:55:24 | |
-I'm not listening to you, I... -I can say this! I'm allowed to say this! | 0:55:24 | 0:55:27 | |
-Shut up! -I'm allowed to say this. I'm allowed. | 0:55:27 | 0:55:29 | |
They're my children too! | 0:55:29 | 0:55:31 | |
It will be the end of the Antwi investigation. | 0:55:31 | 0:55:34 | |
It will be the end of Rudy, cos they will make damn sure | 0:55:34 | 0:55:36 | |
they kill him a second time round. | 0:55:36 | 0:55:38 | |
It will be the end of our family - Dan, Ella, Clemmie, destroyed. | 0:55:38 | 0:55:41 | |
You've imagined this and you've rehearsed it. | 0:55:41 | 0:55:43 | |
Yeah, of course, I have. | 0:55:43 | 0:55:45 | |
I have lived in fear of this moment happening for all our time together. | 0:55:45 | 0:55:49 | |
The more I've loved you, the bigger the fear. | 0:55:49 | 0:55:52 | |
I've looked at the smiling faces of our kids | 0:55:52 | 0:55:54 | |
and I've been terrified, that they would find out. | 0:55:54 | 0:55:58 | |
I'm sorry, I'm sorry. Nothing uncontaminated. | 0:55:58 | 0:56:02 | |
You cannot let this out. | 0:56:06 | 0:56:08 | |
Oh! | 0:56:08 | 0:56:10 | |
I'll never trust you again. | 0:56:40 | 0:56:43 | |
I will never sleep in the same bed as you again. | 0:56:43 | 0:56:46 | |
You will never touch me. | 0:56:48 | 0:56:50 | |
But you're right... | 0:56:55 | 0:56:57 | |
..we have to stay together. | 0:56:59 | 0:57:01 | |
You have trapped me. | 0:57:02 | 0:57:04 | |
Mark? | 0:57:19 | 0:57:21 | |
What? | 0:57:23 | 0:57:25 | |
Hold on. | 0:57:27 | 0:57:30 | |
Vernon Early is dead. | 0:57:33 | 0:57:36 | |
He died of a heart attack in a police station. | 0:57:39 | 0:57:43 | |
Another black man, another heart attack. | 0:57:45 | 0:57:49 | |
You did this. | 0:57:49 | 0:57:50 | |
Who's next, Nick? | 0:57:52 | 0:57:54 |