Browse content similar to The Last Waltz. Check below for episodes and series from the same categories and more!
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FILM: I guess this ain't good for either one of us | 0:00:26 | 0:00:28 | |
to be seen together. | 0:00:28 | 0:00:29 | |
Right or wrong, you know, people like to talk. | 0:00:29 | 0:00:32 | |
-It'd better be goodbye. -What's the matter, afraid? -Of you? No. | 0:00:32 | 0:00:36 | |
Well, after all, we're on the same ship. | 0:00:36 | 0:00:38 | |
We still have eight days, you know? | 0:00:38 | 0:00:40 | |
Well, you can take nice long walks out in the sunshine. | 0:00:40 | 0:00:43 | |
Pass my cigarettes, will you? | 0:00:50 | 0:00:52 | |
I appear to have only one shoe. | 0:01:03 | 0:01:06 | |
How inconvenient. You shall have to hop back to Whitehall. | 0:01:06 | 0:01:10 | |
Do you know what I should like now? | 0:01:12 | 0:01:14 | |
I could hazard a guess. | 0:01:14 | 0:01:16 | |
Tea. | 0:01:17 | 0:01:18 | |
Tea? | 0:01:18 | 0:01:20 | |
With cream cakes and tiny sandwiches. When I was a girl, | 0:01:20 | 0:01:23 | |
I used to dream of taking afternoon tea at a smart London hotel. | 0:01:23 | 0:01:26 | |
Room service might be more advisable. | 0:01:26 | 0:01:29 | |
Honestly, Hallam, you're such a stick in the mud. | 0:01:29 | 0:01:32 | |
Am I indeed? | 0:01:32 | 0:01:34 | |
SHE SQUEALS | 0:01:36 | 0:01:38 | |
-The larger cases are for the luggage compartment, Spargo. -My lady. | 0:01:38 | 0:01:42 | |
If you could take him out to the car. | 0:01:42 | 0:01:45 | |
Come here. | 0:01:45 | 0:01:48 | |
Agnes? What on earth? | 0:01:48 | 0:01:50 | |
I'm taking the children to Buckinghamshire. | 0:01:50 | 0:01:54 | |
Does Hallam know about this? | 0:01:54 | 0:01:56 | |
You can't just go. | 0:01:58 | 0:02:00 | |
Then what should I do, Persie? | 0:02:00 | 0:02:01 | |
You know how things are. These last few weeks have been intolerable. | 0:02:01 | 0:02:05 | |
We barely speak. Do you think that will change if I stay? | 0:02:05 | 0:02:09 | |
I suppose you could leave him a note. | 0:02:09 | 0:02:11 | |
'I know we discussed you going at some point' | 0:02:15 | 0:02:17 | |
if the situation worsened. | 0:02:17 | 0:02:19 | |
Marina telephoned, and with Nanny Lyons visiting her sister, | 0:02:19 | 0:02:22 | |
-I couldn't see any reason to wait. -But surely... | 0:02:22 | 0:02:24 | |
It means the children will be safe, whatever happens. | 0:02:24 | 0:02:28 | |
Very well. If it's what you want. | 0:02:29 | 0:02:31 | |
But I don't see why you need to take the train. Spargo could easily... | 0:02:31 | 0:02:34 | |
Is it what YOU want, Hallam? | 0:02:34 | 0:02:36 | |
Agnes, please... | 0:02:36 | 0:02:38 | |
Are you happy? With me? | 0:02:38 | 0:02:41 | |
Because I don't think I've ever been so unutterably miserable in my life. | 0:02:41 | 0:02:44 | |
Perhaps if we both have time to think... | 0:02:49 | 0:02:52 | |
How long will you be gone? | 0:02:54 | 0:02:56 | |
I have no idea. | 0:03:00 | 0:03:02 | |
ANNOUNCER: 'The pride of empire | 0:03:29 | 0:03:32 | |
'is translated into willingness to serve, | 0:03:32 | 0:03:34 | |
'as Britain builds a mighty civil defence force. | 0:03:34 | 0:03:37 | |
'Meanwhile, the Polish ambassador, returns to London from Warsaw.' | 0:03:38 | 0:03:43 | |
A bit of warning would have been nice. | 0:03:50 | 0:03:53 | |
What with Dr Mottershead in Norfolk visiting the transport kiddies, | 0:03:53 | 0:03:56 | |
I've a saddle of lamb going to waste. | 0:03:56 | 0:03:59 | |
-There was a note, you said? -It's on the mantelpiece. | 0:03:59 | 0:04:02 | |
Sir Hallam can't be happy. First the business with Mr Landry, | 0:04:02 | 0:04:07 | |
and then she goes running off to the country. | 0:04:07 | 0:04:10 | |
How are we progressing with plans for the refuge room? | 0:04:10 | 0:04:14 | |
They start bombing and gassing us, a bit of carpet won't do much. | 0:04:14 | 0:04:17 | |
You want to be as far away from London as you can get. | 0:04:17 | 0:04:19 | |
Is that my Tatler? I left that out for Beryl. | 0:04:19 | 0:04:22 | |
There's an article about Rene Dupont, hairdresser to the stars. | 0:04:22 | 0:04:26 | |
-Ha! -He's very famous in America, actually. | 0:04:26 | 0:04:28 | |
Ginger Rogers was a brunette until she met him. | 0:04:28 | 0:04:31 | |
You don't say. | 0:04:31 | 0:04:32 | |
Any instructions from Her Ladyship? | 0:04:32 | 0:04:35 | |
Only one. | 0:04:35 | 0:04:37 | |
It appears I am to join Lady Malcolm's ball committee | 0:04:37 | 0:04:39 | |
-as a servants' representative. -Well, now! | 0:04:39 | 0:04:42 | |
What, on top of your ARP duties? | 0:04:42 | 0:04:45 | |
Well, they could have asked you first. What a cheek. | 0:04:45 | 0:04:48 | |
On the contrary, Beryl, it's an honour. | 0:04:48 | 0:04:51 | |
So did Agnes say when she'll be back? | 0:05:02 | 0:05:04 | |
-(Persie!) -It's a perfectly innocuous question. | 0:05:04 | 0:05:08 | |
(We can't discuss this here.) | 0:05:08 | 0:05:10 | |
Thank you, Pritchard. | 0:05:17 | 0:05:18 | |
Do you know, it might even be for the best. | 0:05:26 | 0:05:29 | |
How can it possibly be for the best? | 0:05:29 | 0:05:31 | |
Agnes is my wife. Things should never have got to this point. | 0:05:31 | 0:05:35 | |
I should never have let them. | 0:05:35 | 0:05:38 | |
I see. | 0:05:40 | 0:05:41 | |
I'm afraid you'll have to excuse me, Hallam. | 0:05:44 | 0:05:46 | |
I really have the most dreadful headache. | 0:05:46 | 0:05:48 | |
I don't see what all the fuss is about. | 0:05:51 | 0:05:54 | |
-If it's just a servants' dance... -It's not a dance, it's a ball. | 0:05:54 | 0:05:57 | |
A proper ball, every year, every summer at the Albert Hall. | 0:05:57 | 0:06:02 | |
Apparently, this year it's to be themed - | 0:06:02 | 0:06:04 | |
characters from history and literature. | 0:06:04 | 0:06:06 | |
Well, that hardly narrows the field. | 0:06:06 | 0:06:09 | |
Lady Agnes has suggested Robin Hood and Maid Marian. | 0:06:09 | 0:06:12 | |
She very much hopes we will participate. | 0:06:12 | 0:06:14 | |
I thought perhaps Eunice and Johnny. | 0:06:14 | 0:06:17 | |
Robin Hood? Wouldn't I have to wear stockings? | 0:06:17 | 0:06:20 | |
Didn't do Errol Flynn any harm. | 0:06:20 | 0:06:23 | |
Indeed, it did not. | 0:06:23 | 0:06:25 | |
I do hope Sir Hallam takes the same table this year. | 0:06:25 | 0:06:28 | |
It was so nice to have somewhere to sit with a decent view. | 0:06:28 | 0:06:32 | |
And Queen Mary herself took the table next to us. | 0:06:32 | 0:06:35 | |
-You've met the Queen? -No, the table was for her staff. | 0:06:35 | 0:06:39 | |
But several from the upper echelons do attend for the first dance. | 0:06:39 | 0:06:43 | |
And I hope you won't be using Belgravia Catering again. | 0:06:43 | 0:06:47 | |
The ham was fatty, I won't even comment on the fruit cake. | 0:06:47 | 0:06:51 | |
I hope Lady Malcolm's speech doesn't go on like last year. | 0:06:51 | 0:06:55 | |
Isn't the evening to raise funds for the hospital? | 0:06:55 | 0:06:58 | |
Well, it doesn't mean we have to dwell on illness. On our night out? | 0:06:58 | 0:07:02 | |
Especially as it'll be our last, if Hitler has his way. | 0:07:02 | 0:07:07 | |
Thank you, Mr Wetenshall. | 0:07:19 | 0:07:22 | |
We are all grateful for that highly detailed and informative summary. | 0:07:22 | 0:07:27 | |
However, as regards the refreshments, | 0:07:27 | 0:07:33 | |
I see no point inviting tenders from other companies. | 0:07:33 | 0:07:35 | |
The food was perfectly acceptable | 0:07:35 | 0:07:38 | |
and reasonably priced. | 0:07:38 | 0:07:40 | |
After all, we must remember for whom we are catering. | 0:07:40 | 0:07:45 | |
And now onto other business. | 0:07:46 | 0:07:49 | |
I'm afraid our cook will be disappointed. | 0:07:51 | 0:07:53 | |
She felt last year's cold meats left a little to be desired. | 0:07:53 | 0:07:57 | |
Oh, I would have to agree. | 0:07:57 | 0:07:59 | |
Perhaps you'd like to take it up with Lady Malcolm. | 0:07:59 | 0:08:02 | |
They shall answer directly to me. | 0:08:02 | 0:08:05 | |
I think not. | 0:08:05 | 0:08:07 | |
I don't think Mr Pritchard would approve | 0:08:22 | 0:08:24 | |
of you working with your shirt off. | 0:08:24 | 0:08:26 | |
Not with impressionable young women around. | 0:08:26 | 0:08:28 | |
Best avert your gaze, then. | 0:08:28 | 0:08:31 | |
Now, where's the fun in that? | 0:08:31 | 0:08:33 | |
-That for me? -Mm-hmm. | 0:08:35 | 0:08:37 | |
It's going to be so dark in here when all the windows are boarded up. | 0:08:40 | 0:08:45 | |
Yeah. You know, if things kick off, | 0:08:45 | 0:08:47 | |
I'm not sticking around here to choke to death in some basement. | 0:08:47 | 0:08:51 | |
Well, I can't see we can do much about that. | 0:08:51 | 0:08:53 | |
-We could always get out of here. -And go where? | 0:08:53 | 0:08:56 | |
How about America? | 0:08:56 | 0:08:58 | |
America?! Yeah, that'd be nice. | 0:08:58 | 0:09:02 | |
We could get ourselves a penthouse in a skyscraper | 0:09:02 | 0:09:05 | |
and go dancing with Fred Astaire(!) | 0:09:05 | 0:09:06 | |
Or we could get ourselves visas and passage on a boat | 0:09:06 | 0:09:10 | |
and get as far away from this as possible. | 0:09:10 | 0:09:13 | |
We couldn't do that. | 0:09:15 | 0:09:17 | |
Why not? | 0:09:17 | 0:09:18 | |
BELL CHIMES | 0:09:22 | 0:09:23 | |
Sir. | 0:09:25 | 0:09:26 | |
Right, thanks. | 0:09:27 | 0:09:29 | |
I thought it had been agreed that any negotiations | 0:09:43 | 0:09:45 | |
with the Soviets needed careful handling. | 0:09:45 | 0:09:47 | |
Drax has been fully briefed. | 0:09:47 | 0:09:49 | |
With the greatest respect, Foreign Secretary, | 0:09:49 | 0:09:51 | |
sending Admiral Plunkett-Ernle-Erle-Drax | 0:09:51 | 0:09:54 | |
is as good as telling the Russians | 0:09:54 | 0:09:56 | |
-we're not taking them seriously. -Nonsense. | 0:09:56 | 0:09:58 | |
There are rumours Hitler's been making overtures to the Russians. | 0:09:58 | 0:10:01 | |
Well, good luck to him. | 0:10:01 | 0:10:02 | |
If there's anyone Stalin hates more than us, it's the Germans. | 0:10:02 | 0:10:07 | |
That's why they were weakened last time, | 0:10:10 | 0:10:13 | |
because they were fighting on two fronts, the Eastern and the Western. | 0:10:13 | 0:10:17 | |
It's not a mistake the Germans will want to make again. | 0:10:17 | 0:10:20 | |
Cos in the paper it says we might join up with the Russians. | 0:10:20 | 0:10:24 | |
But do you think that might put Hitler off? | 0:10:24 | 0:10:26 | |
Stop him marching into Poland? | 0:10:26 | 0:10:28 | |
It's possible. | 0:10:28 | 0:10:29 | |
So the other representative's a lady's maid? | 0:10:29 | 0:10:33 | |
Full of airs and graces, no doubt. | 0:10:33 | 0:10:35 | |
They always think they're better than the rest of us. | 0:10:35 | 0:10:39 | |
What's Lady Malcolm like? | 0:10:39 | 0:10:41 | |
She strikes me as a woman of indomitable spirit. | 0:10:41 | 0:10:44 | |
(Battle-axe.) | 0:10:44 | 0:10:46 | |
Oh, she didn't inherit her mother's looks, that's for sure. | 0:10:46 | 0:10:49 | |
Lillie Langtry was such a beauty. | 0:10:49 | 0:10:52 | |
You'll be pleased to hear that they've secured the services | 0:10:52 | 0:10:55 | |
-of Percy Chandler and his dance orchestra. -Oh! | 0:10:55 | 0:10:59 | |
Does everyone have to dance? | 0:10:59 | 0:11:00 | |
Don't worry, I'll teach you some steps. | 0:11:00 | 0:11:03 | |
And I'll be needing to look at your tunic later, Johnny. | 0:11:03 | 0:11:06 | |
Whoever wore it at the Dramatic Society | 0:11:06 | 0:11:08 | |
was a bit more Friar Tuck than Robin Hood. | 0:11:08 | 0:11:11 | |
GRAMOPHONE PLAYS | 0:11:11 | 0:11:12 | |
You've heard they're sending Drax to Moscow? | 0:11:15 | 0:11:18 | |
Mmm. He of the unfeasibly long name? | 0:11:18 | 0:11:21 | |
They might as well send the teaboy. | 0:11:22 | 0:11:25 | |
I must admit, | 0:11:25 | 0:11:26 | |
after what the Bolsheviks did to our Romanov relations, | 0:11:26 | 0:11:30 | |
I do struggle somewhat to see them as appealing allies. | 0:11:30 | 0:11:33 | |
Appealing or not, they could well be our last chance. | 0:11:33 | 0:11:36 | |
Marina says La Famille Holland has settled in nicely at Coppins. | 0:11:40 | 0:11:45 | |
Yes. Yes, thank you for that. | 0:11:45 | 0:11:48 | |
Agnes wanted the children out of harm's way. | 0:11:48 | 0:11:50 | |
I thought we could have waited, but... | 0:11:50 | 0:11:53 | |
Hallam, at the risk of sounding insensitive... | 0:11:55 | 0:12:00 | |
My wife is living at your house. | 0:12:00 | 0:12:03 | |
I think the time for delicacy has passed. | 0:12:03 | 0:12:05 | |
I just wish to say that the most idyllic marriage | 0:12:05 | 0:12:09 | |
will experience this rough weather from time to time. | 0:12:09 | 0:12:12 | |
You will come through this. | 0:12:12 | 0:12:14 | |
Whatever else might happen in my life... | 0:12:16 | 0:12:19 | |
..Agnes has always been its heart. | 0:12:20 | 0:12:23 | |
Everything I did, ultimately, I did it for her. | 0:12:25 | 0:12:29 | |
And she for you. You're a perfectly matched pair. | 0:12:29 | 0:12:32 | |
You always have been. | 0:12:32 | 0:12:34 | |
Has that really changed? | 0:12:34 | 0:12:36 | |
I feel as though I'm no longer... | 0:12:39 | 0:12:42 | |
..necessary to her. | 0:12:45 | 0:12:47 | |
Hallam, dear boy... | 0:12:47 | 0:12:50 | |
It's the truth. | 0:12:50 | 0:12:51 | |
And if Agnes doesn't need me, then... | 0:12:54 | 0:12:56 | |
..then I fear I may be quite lost. | 0:13:01 | 0:13:04 | |
I'll need to go along by the park, sir. | 0:13:14 | 0:13:16 | |
There's a sandbagging lorry broken down on Piccadilly. | 0:13:16 | 0:13:19 | |
It's for real this time, isn't it, sir? | 0:13:22 | 0:13:24 | |
Sorry? | 0:13:27 | 0:13:28 | |
All the preparations. | 0:13:29 | 0:13:31 | |
I'm afraid so, Spargo. | 0:13:32 | 0:13:34 | |
Difficult days, sir. | 0:13:37 | 0:13:38 | |
Yes, indeed. | 0:13:41 | 0:13:42 | |
# I see your face in every flower | 0:14:10 | 0:14:15 | |
# Your eyes in stars above | 0:14:15 | 0:14:20 | |
# It's just the thought of you | 0:14:20 | 0:14:22 | |
# The very thought of you, my love | 0:14:22 | 0:14:28 | |
# It's just the thought of you... # | 0:14:33 | 0:14:35 | |
I'm sorry, I assumed you'd gone up. | 0:14:35 | 0:14:38 | |
For heaven's sake, Hallam, | 0:14:38 | 0:14:39 | |
we can still talk to each other, you know. | 0:14:39 | 0:14:41 | |
Of course, it's just... It's been a bloody day and I'm dead on my feet. | 0:14:41 | 0:14:47 | |
Has something happened? | 0:14:47 | 0:14:48 | |
Halifax is no longer going to Russia. | 0:14:51 | 0:14:53 | |
He feels it's a waste of time. | 0:14:53 | 0:14:56 | |
Well, that seems remarkably short-sighted. | 0:14:56 | 0:14:59 | |
It's like a bad joke. Our last hope of averting war | 0:14:59 | 0:15:02 | |
and suddenly it's all riding on Admiral Acronym. | 0:15:02 | 0:15:06 | |
-Is that his actual name? -Only within the Foreign Office. | 0:15:06 | 0:15:09 | |
His given name is Admiral the Honourable | 0:15:09 | 0:15:12 | |
Sir Reginald Aylmer Ranfurly Plunkett-Ernle-Erle-Drax. | 0:15:12 | 0:15:16 | |
Dear God! | 0:15:16 | 0:15:18 | |
Hence Admiral Acronym. | 0:15:20 | 0:15:22 | |
I feel as though it's all falling apart | 0:15:31 | 0:15:33 | |
and there's not a damn thing I can do to stop it. | 0:15:33 | 0:15:35 | |
But you're trying. You can't do any more than that. | 0:15:35 | 0:15:38 | |
You're a good man. It's true, Hallam. You are. | 0:15:41 | 0:15:46 | |
You must never feel otherwise. | 0:15:46 | 0:15:47 | |
Good men are few and far between. | 0:15:55 | 0:15:57 | |
Please, don't let me interrupt. | 0:16:22 | 0:16:25 | |
Oh, a fan of the detective genre, I see. | 0:16:25 | 0:16:28 | |
An addict, I'm afraid. | 0:16:28 | 0:16:30 | |
Her Ladyship passes them on once she's read them, | 0:16:30 | 0:16:33 | |
but unfortunately she can't resist telling one whodunnit. | 0:16:33 | 0:16:37 | |
And is this up to Mrs Christie's usual standard? | 0:16:37 | 0:16:40 | |
Well, I'm a little disappointed that it doesn't feature Monsieur Poirot, | 0:16:40 | 0:16:45 | |
but there is a romantic interest. | 0:16:45 | 0:16:48 | |
Sounds most intriguing. | 0:16:48 | 0:16:50 | |
The Metropolitan Police maintain that the Albert Hall | 0:16:50 | 0:16:55 | |
does not fall within their jurisdiction. | 0:16:55 | 0:16:58 | |
So the question remains, how do we deter this undesirable element? | 0:16:58 | 0:17:04 | |
Lady Malcolm, I believe, the "gentlemen" in question | 0:17:07 | 0:17:13 | |
are given to a certain flamboyance in dress | 0:17:13 | 0:17:16 | |
as well as...erm...behaviour? | 0:17:16 | 0:17:19 | |
Of course. We can hardly turn away everyone in a flamboyant ensemble. | 0:17:19 | 0:17:24 | |
There'd be nobody left for the fancy dress parade. | 0:17:24 | 0:17:27 | |
But one might establish certain restrictions, | 0:17:27 | 0:17:29 | |
given their tendency towards...more feminine attire? | 0:17:29 | 0:17:33 | |
I see. We could say no men impersonating...women. | 0:17:34 | 0:17:40 | |
And the wording on the tickets | 0:17:40 | 0:17:42 | |
could allow for further discretion on the door. | 0:17:42 | 0:17:45 | |
You know, I think you're onto something. Well done, Mr Pritchard. | 0:17:46 | 0:17:51 | |
Of course, working on cruise ships, | 0:17:51 | 0:17:53 | |
you must be no stranger to undesirable elements. | 0:17:53 | 0:17:56 | |
Excuse me. I wonder, Miss Whisset, | 0:18:03 | 0:18:07 | |
would you care to join me for a cup of tea? | 0:18:07 | 0:18:10 | |
-Oh, I'm sorry. I'm expected back. -I quite understand. | 0:18:10 | 0:18:13 | |
-I have to dress Lady Brackenbury for dinner. -Of course. | 0:18:13 | 0:18:16 | |
-Well, another time perhaps. -But I'd very much like to... | 0:18:16 | 0:18:20 | |
I take my half-day on Wednesday. | 0:18:20 | 0:18:23 | |
Yes, so do I. | 0:18:23 | 0:18:24 | |
I was rather hoping to see the new Irene Dunne picture, | 0:18:26 | 0:18:29 | |
the one on the cruise ship. But you've probably seen it. | 0:18:29 | 0:18:32 | |
No. | 0:18:32 | 0:18:34 | |
No. That would be very enjoyable. | 0:18:34 | 0:18:37 | |
Spargo, Harold Herbert. | 0:18:56 | 0:18:58 | |
-And are you married, Mr Spargo? -No, not as yet. | 0:18:58 | 0:19:02 | |
Well, let's leave it blank for now, then, shall we? Occupation? | 0:19:02 | 0:19:05 | |
Chauffeur, with ten years' experience and a clean licence. | 0:19:05 | 0:19:10 | |
Well, we Americans never walk if we can take the car. | 0:19:10 | 0:19:13 | |
CLATTERING | 0:19:26 | 0:19:28 | |
Lady Persie? | 0:19:47 | 0:19:49 | |
I'm sorry, I was hoping to find matches. | 0:19:49 | 0:19:51 | |
What, next to the petrol? | 0:19:51 | 0:19:53 | |
Presumably not. | 0:19:56 | 0:19:57 | |
-If there's nothing else, I should... -Of course. You're busy. Everyone is. | 0:20:08 | 0:20:12 | |
Are you well, Spargo? | 0:20:14 | 0:20:17 | |
I'm doing all right. | 0:20:18 | 0:20:20 | |
Good, I'm glad. | 0:20:21 | 0:20:23 | |
Thanks for the matches. | 0:20:28 | 0:20:30 | |
I was thinking, possibly, a sculpture wave. | 0:20:35 | 0:20:38 | |
That would work. And I could do the curls at the side. | 0:20:38 | 0:20:41 | |
Eunice, how about you? | 0:20:41 | 0:20:43 | |
I was thinking like Olivia de Havilland. | 0:20:43 | 0:20:45 | |
You know, in the film, but maybe with some ringlets round the top. | 0:20:45 | 0:20:49 | |
-I could do a few soft waves around the face. -Keep it simple, I'd say. | 0:20:49 | 0:20:53 | |
You don't want to look like a poodle. | 0:20:53 | 0:20:55 | |
Should I treat this one before it goes to the laundry service? | 0:20:57 | 0:21:01 | |
Looks like Sir Hallam had an accident | 0:21:01 | 0:21:03 | |
with your raspberry basarah, Mrs Thackeray. | 0:21:03 | 0:21:05 | |
The word is "bavarois", girl. | 0:21:07 | 0:21:09 | |
That's not raspberry, it's lipstick. | 0:21:09 | 0:21:12 | |
But how would he get lipstick down his..? | 0:21:13 | 0:21:16 | |
Just put it in the basket with the others | 0:21:16 | 0:21:18 | |
and I'll write a note to give it special attention. | 0:21:18 | 0:21:22 | |
Lady Agnes usually favours crimson rose. | 0:21:22 | 0:21:24 | |
Now we know why Sir Hallam's been going to the Dorchester. | 0:21:24 | 0:21:27 | |
How do you know he's been there? | 0:21:27 | 0:21:29 | |
Matchbooks in his pockets. | 0:21:29 | 0:21:31 | |
The first rule of valeting, Johnny - | 0:21:31 | 0:21:34 | |
the contents of a gentleman's pocket are not for public consumption. | 0:21:34 | 0:21:39 | |
First Lady Agnes and her American... | 0:21:39 | 0:21:42 | |
and now this. | 0:21:42 | 0:21:43 | |
A most unhappy state of affairs. | 0:21:43 | 0:21:46 | |
If Lady Agnes calls... | 0:21:46 | 0:21:48 | |
I shall redirect her to the club. | 0:21:48 | 0:21:51 | |
Where are you going? | 0:21:51 | 0:21:53 | |
I'm dining out this evening. | 0:21:53 | 0:21:55 | |
Well, you could have said. I've been waiting. | 0:21:55 | 0:21:58 | |
Surely I'm not condemned to eat alone as well? | 0:21:58 | 0:22:01 | |
I'm sorry. | 0:22:01 | 0:22:02 | |
Then stay for dinner. | 0:22:02 | 0:22:05 | |
I believe there's a roulade. | 0:22:05 | 0:22:07 | |
I'm sorry, I can't. | 0:22:07 | 0:22:08 | |
FILM: It's the tallest building in the world, you can't miss that. | 0:22:18 | 0:22:23 | |
The nearest thing to heaven we have in New York. | 0:22:23 | 0:22:26 | |
Be sure you take the elevator. | 0:22:26 | 0:22:29 | |
Well, until we meet again, take care of yourself. | 0:22:32 | 0:22:37 | |
I still can't believe that you've actually met Cary Grant. | 0:22:42 | 0:22:46 | |
Oh, yes, he was quite a regular. | 0:22:46 | 0:22:48 | |
He's from Bristol originally, you know. | 0:22:48 | 0:22:51 | |
Very partial to a ginger nut. | 0:22:51 | 0:22:53 | |
Oh! It must be wonderful to have travelled so extensively. | 0:22:53 | 0:22:58 | |
Have you ever been on the Queen Mary? | 0:22:58 | 0:23:00 | |
Now, that's the one I'd love to see. | 0:23:00 | 0:23:02 | |
She's certainly impressive. | 0:23:02 | 0:23:04 | |
In fact, Mr Grant himself described her | 0:23:04 | 0:23:07 | |
as the eighth wonder of the world. | 0:23:07 | 0:23:09 | |
Did he really? | 0:23:09 | 0:23:11 | |
No, I shouldn't. | 0:23:17 | 0:23:19 | |
A little harmless indulgence. | 0:23:19 | 0:23:22 | |
Of course, it should really be pink champagne, | 0:23:26 | 0:23:29 | |
but as neither of us are drinkers... | 0:23:29 | 0:23:32 | |
-When did you get all this? -When I went to the Embassy. | 0:23:35 | 0:23:38 | |
-You never said. -I wanted to work it all out first, | 0:23:38 | 0:23:41 | |
make sure I knew what I was talking about. But, here, look. | 0:23:41 | 0:23:44 | |
This is what it would cost to get us there, | 0:23:44 | 0:23:47 | |
that's if we go third class. And there, that's our outgoings - | 0:23:47 | 0:23:51 | |
everything we'd need to get ourselves set up. | 0:23:51 | 0:23:53 | |
I've some money put by, not enough, but with your savings as well... | 0:23:53 | 0:23:56 | |
And I've been asking round. | 0:23:56 | 0:23:57 | |
There's a footman at Lord Reed's has a cousin in California, | 0:23:57 | 0:24:00 | |
he's got a limousine business. With Hollywood and studios, | 0:24:00 | 0:24:03 | |
the woman in the Embassy reckoned | 0:24:03 | 0:24:05 | |
there'd be enough work for both of us. | 0:24:05 | 0:24:07 | |
-Harry, slow down. -Think about it. | 0:24:07 | 0:24:09 | |
That Rene Dupont you've been talking about - | 0:24:09 | 0:24:11 | |
no reason that couldn't be you. | 0:24:11 | 0:24:13 | |
Except he's French. And bald. | 0:24:13 | 0:24:15 | |
I mean it, Bee. | 0:24:15 | 0:24:17 | |
We're so much better than this. | 0:24:17 | 0:24:19 | |
Washing other people's smalls, being at their beck and call - | 0:24:19 | 0:24:22 | |
we could be doing so much more. Over there, anything is possible. | 0:24:22 | 0:24:25 | |
But we can't just go. It's crazy. | 0:24:25 | 0:24:30 | |
No crazier than anything happening around here. | 0:24:30 | 0:24:32 | |
From where I'm sitting, | 0:24:32 | 0:24:33 | |
it's the sanest thing we could do. Think about it, | 0:24:33 | 0:24:36 | |
about the life we could have there, the life we could give our kids. | 0:24:36 | 0:24:41 | |
-Kids? -Well, yeah. | 0:24:41 | 0:24:43 | |
I mean, we'd have to get married first, of course. | 0:24:43 | 0:24:46 | |
Show me those sums again. | 0:24:55 | 0:24:57 | |
Forget the sums. | 0:25:06 | 0:25:07 | |
I know I'm pushing my luck, because... | 0:25:11 | 0:25:14 | |
..frankly, I still can't believe you'd even look at a man like me. | 0:25:15 | 0:25:20 | |
But the truth is... | 0:25:21 | 0:25:22 | |
..I adore you, Beryl Ballard. | 0:25:23 | 0:25:26 | |
And if you would do me the honour of becoming my wife, | 0:25:28 | 0:25:32 | |
I swear, I will take you to America... | 0:25:32 | 0:25:35 | |
..and I'll give you everything you've ever wanted. | 0:25:37 | 0:25:40 | |
Well, when you put it like that... | 0:25:45 | 0:25:49 | |
That's wonderful news. Really wonderful. | 0:25:53 | 0:25:56 | |
You'll make such a beautiful bride. | 0:25:56 | 0:25:58 | |
-I think a toast is in order, don't you think, Mr Pritchard? -Absolutely. | 0:25:58 | 0:26:02 | |
Johnny, you'll find an open bottle of something quite acceptable | 0:26:02 | 0:26:06 | |
just inside the pantry. | 0:26:06 | 0:26:07 | |
-Have you told Sir Hallam? -Not yet. | 0:26:07 | 0:26:11 | |
Well, once you're married, Beryl will have to give up her place here. | 0:26:11 | 0:26:14 | |
Actually, we won't be staying here. | 0:26:14 | 0:26:17 | |
-Oh. -We've decided to go to America. | 0:26:17 | 0:26:21 | |
Well, if that don't beat all! | 0:26:21 | 0:26:24 | |
Oh, to be young and in love, eh, Mr Pritchard? | 0:26:24 | 0:26:28 | |
Yes, indeed. | 0:26:28 | 0:26:30 | |
Well, I'm happy for you, Spargo. | 0:26:31 | 0:26:33 | |
But obviously some rearrangements will have to be made. | 0:26:33 | 0:26:37 | |
The garage is hardly suitable for a married couple. | 0:26:37 | 0:26:40 | |
Actually, sir, me and Beryl, we're going to emigrate. | 0:26:40 | 0:26:43 | |
To America. | 0:26:43 | 0:26:44 | |
-You are? -Yes, sir. | 0:26:47 | 0:26:48 | |
Not till we're married, and I'll work out my full notice. | 0:26:48 | 0:26:51 | |
I won't be leaving you in the lurch. | 0:26:51 | 0:26:54 | |
I wondered if you might write me a letter of recommendation. | 0:26:54 | 0:26:57 | |
I know you're well connected there. | 0:26:57 | 0:26:59 | |
-I'm sorry, I'm afraid that's out of the question. -Sir? | 0:26:59 | 0:27:02 | |
For God's sake, man. | 0:27:02 | 0:27:04 | |
War could be declared at any moment. | 0:27:04 | 0:27:07 | |
Every Englishman should be standing ready to defend his country. | 0:27:07 | 0:27:11 | |
I realise that, sir, but the fact is I've got Beryl to think about now. | 0:27:11 | 0:27:15 | |
All the more reason to stay here and do your bit. | 0:27:15 | 0:27:19 | |
We've already made our decision. | 0:27:22 | 0:27:24 | |
Then I have to say, I'm disappointed in you, Spargo. | 0:27:26 | 0:27:30 | |
Well, then, maybe it's best if I give notice now, sir. | 0:27:30 | 0:27:33 | |
Yes, I think you probably should. | 0:27:33 | 0:27:36 | |
I saw a woman with green nails the other day. | 0:27:42 | 0:27:45 | |
I couldn't decide if it was striking or just plain hideous. | 0:27:45 | 0:27:48 | |
What do you think? | 0:27:48 | 0:27:49 | |
Beryl? | 0:27:50 | 0:27:52 | |
Sorry, Lady Persie. I was miles away. | 0:27:52 | 0:27:54 | |
Mooning over a certain chauffeur, by any chance? | 0:27:54 | 0:27:57 | |
No, my lady. | 0:27:57 | 0:27:59 | |
Come on. What's he done now? | 0:27:59 | 0:28:01 | |
Well, actually, Harry's proposed. | 0:28:01 | 0:28:06 | |
Well, how terribly exciting. I'm assuming you said yes. | 0:28:07 | 0:28:11 | |
-Yes, my lady. -Of course you did. | 0:28:11 | 0:28:13 | |
There. All done. | 0:28:18 | 0:28:19 | |
You must let me give you something. | 0:28:19 | 0:28:22 | |
Oh, no, my lady... | 0:28:22 | 0:28:23 | |
I insist. An engagement present. That's the done thing, isn't it? | 0:28:23 | 0:28:28 | |
Here, this would look wonderful on you. | 0:28:28 | 0:28:31 | |
-No, I couldn't, really. -Of course you can. | 0:28:31 | 0:28:35 | |
Save it for your honeymoon. Or not. | 0:28:35 | 0:28:38 | |
Entirely up to you. | 0:28:38 | 0:28:40 | |
You can go. | 0:28:41 | 0:28:42 | |
It's barely worn. | 0:28:52 | 0:28:53 | |
And it's such a lovely colour. | 0:28:53 | 0:28:55 | |
There, hop down. | 0:28:55 | 0:28:57 | |
She said it was for my honeymoon. | 0:29:01 | 0:29:04 | |
My mother gave me a chemise and a silver-backed hairbrush. | 0:29:05 | 0:29:09 | |
I remember she told me to brush my hair out while I was waiting | 0:29:09 | 0:29:13 | |
to stop the nerves. | 0:29:13 | 0:29:15 | |
You were nervous? | 0:29:19 | 0:29:21 | |
Oh, yes, dear. | 0:29:21 | 0:29:23 | |
Back then, girls had no idea what to expect. | 0:29:23 | 0:29:27 | |
But these things work out in the end. | 0:29:30 | 0:29:32 | |
Persie? | 0:30:51 | 0:30:53 | |
Beryl? What are you doing here? | 0:30:53 | 0:30:56 | |
-Why are you wearing that thing? -It was a present. | 0:30:56 | 0:31:00 | |
-What? -An engagement present. | 0:31:00 | 0:31:02 | |
I thought you'd like it. I thought... | 0:31:02 | 0:31:05 | |
Bee... | 0:31:05 | 0:31:07 | |
I'm sorry. You... you took me by surprise. | 0:31:07 | 0:31:11 | |
You called me Persie. | 0:31:11 | 0:31:14 | |
What's she doing giving you her cast-offs, anyway? | 0:31:15 | 0:31:18 | |
That kind of thing, it doesn't suit you. | 0:31:18 | 0:31:20 | |
-It makes you look like a tart. -Harry? | 0:31:20 | 0:31:22 | |
I swear it meant nothing. It was over before you even came here. | 0:31:30 | 0:31:33 | |
-It was just, in the dark, wearing that robe... -You and her? | 0:31:33 | 0:31:36 | |
-I'm sorry. -And you let me... | 0:31:36 | 0:31:40 | |
I've spoken to her about you. | 0:31:40 | 0:31:43 | |
And all the time... | 0:31:43 | 0:31:44 | |
I know, I should have told you. I just didn't want you to think... | 0:31:44 | 0:31:48 | |
It's not something I'm proud of. | 0:31:48 | 0:31:50 | |
She must have been having a right old laugh about me. | 0:31:50 | 0:31:53 | |
"Stupid Beryl, she's got no idea." | 0:31:53 | 0:31:55 | |
It wasn't just her dressing gown that was her cast-off, was it? | 0:31:55 | 0:31:58 | |
-Beryl, please... -(I'm such a fool.) | 0:31:58 | 0:32:01 | |
Here we are, making great plans and I don't know a thing about you. | 0:32:01 | 0:32:04 | |
Yes, you do. You know everything that matters about me. | 0:32:04 | 0:32:07 | |
This matters, Harry! | 0:32:07 | 0:32:09 | |
This matters. | 0:32:09 | 0:32:11 | |
-It matters a lot. -Beryl... | 0:32:13 | 0:32:16 | |
SHE SOBS | 0:32:24 | 0:32:28 | |
There's talk of her ladyship | 0:32:38 | 0:32:39 | |
-going to stay with her son and his family in Wiltshire. -I see. | 0:32:39 | 0:32:43 | |
Oh, I'm sure it'll come to nothing. Lady B can't abide her son's wife. | 0:32:43 | 0:32:47 | |
She calls her the Albatross. | 0:32:47 | 0:32:49 | |
Says she's both a burden and a curse! | 0:32:49 | 0:32:51 | |
But if there's a war... | 0:32:51 | 0:32:56 | |
The boys from my village, they had a cricket team. | 0:32:56 | 0:32:59 | |
Used to play every Sunday. | 0:32:59 | 0:33:01 | |
When the last war started, | 0:33:01 | 0:33:03 | |
they all joined up together, almost for a lark. | 0:33:03 | 0:33:06 | |
By the end, the cricket pitch was so overgrown | 0:33:06 | 0:33:10 | |
you could barely tell it was there. | 0:33:10 | 0:33:14 | |
But their whites were still hanging on the pegs in the clubhouse. | 0:33:14 | 0:33:18 | |
All those boys... | 0:33:18 | 0:33:21 | |
Lads I'd known me whole life. | 0:33:21 | 0:33:23 | |
And not one of them came home. | 0:33:23 | 0:33:27 | |
CROCKERY RATTLES | 0:33:35 | 0:33:39 | |
Mrs Thackeray... | 0:33:45 | 0:33:47 | |
I shall be inviting a friend to tea on Sunday. | 0:33:47 | 0:33:49 | |
Oh, yes? | 0:33:51 | 0:33:53 | |
I wondered if I might prevail on you to make your famous ladyfingers. | 0:33:53 | 0:33:57 | |
A special friend, is it? | 0:33:57 | 0:33:59 | |
One might say that. | 0:33:59 | 0:34:01 | |
-The stables, Spargo. -My lady. | 0:34:07 | 0:34:10 | |
Apparently, congratulations are in order. | 0:34:10 | 0:34:12 | |
Apparently so. | 0:34:12 | 0:34:14 | |
Well, I'm terribly happy for you both. | 0:34:14 | 0:34:17 | |
HORSE WHINNIES | 0:34:26 | 0:34:29 | |
Oh, I do hope Beryl liked her present. | 0:34:30 | 0:34:33 | |
Leave her alone. | 0:34:33 | 0:34:35 | |
I'm sorry? | 0:34:35 | 0:34:36 | |
I won't have you playing games. | 0:34:36 | 0:34:38 | |
I've no idea what you're talking about. | 0:34:38 | 0:34:40 | |
BELL JINGLES | 0:35:00 | 0:35:03 | |
TRAFFIC HUMS | 0:35:18 | 0:35:20 | |
Another cup of tea, Miss Whisset? | 0:35:25 | 0:35:27 | |
No, thank you, Mrs Thackeray. I've had quite sufficient. | 0:35:27 | 0:35:30 | |
The ladyfingers were delicious. | 0:35:32 | 0:35:35 | |
So, I understand you intend to emigrate once you're married? | 0:35:37 | 0:35:40 | |
That's the plan. | 0:35:40 | 0:35:41 | |
In theory. | 0:35:41 | 0:35:43 | |
Well, it's very exciting. | 0:35:47 | 0:35:50 | |
Mrs Thackeray, I was telling Miss Whisset... | 0:35:58 | 0:36:02 | |
Spargo, I've been calling the garage. | 0:36:02 | 0:36:05 | |
You don't have time for tea, man. I need the car, now! | 0:36:05 | 0:36:11 | |
What's so urgent on a Sunday afternoon? | 0:36:11 | 0:36:15 | |
RADIO ANNOUNCER: 'It has been confirmed that a non-aggression pact | 0:36:15 | 0:36:18 | |
'between Germany and the Soviet Union | 0:36:18 | 0:36:20 | |
'will be finalised before midnight tonight. | 0:36:20 | 0:36:22 | |
'Herr Von Ribbentrop, the German Foreign Minister, | 0:36:22 | 0:36:25 | |
'is en route to Moscow where he will meet Soviet Foreign Minister Molotov | 0:36:25 | 0:36:29 | |
'to ratify the treaty. | 0:36:29 | 0:36:30 | |
'Lord Halifax will shortly be addressing the cabinet...' | 0:36:30 | 0:36:33 | |
I thought Fascists and Communists were meant to hate each other? | 0:36:33 | 0:36:37 | |
Your enemy's enemy can sometimes be your friend. | 0:36:37 | 0:36:40 | |
So does this mean that it's definite? There's going to be a war? | 0:36:40 | 0:36:44 | |
Looks that way. | 0:36:46 | 0:36:47 | |
Better polish my boots then. | 0:36:49 | 0:36:51 | |
What about the ball, Mr P? Will they cancel it? | 0:36:51 | 0:36:55 | |
No, of course not. Life has to go on. | 0:36:55 | 0:36:57 | |
And dinner won't serve itself. | 0:36:57 | 0:37:00 | |
-You said the forms were all in order. -They were. | 0:37:16 | 0:37:19 | |
But in light of recent events, | 0:37:19 | 0:37:23 | |
we're prioritising applicants with specialist skills, | 0:37:23 | 0:37:27 | |
or independent means. | 0:37:27 | 0:37:28 | |
If you had more capital, or someone willing to act as a sponsor... | 0:37:28 | 0:37:33 | |
We don't have that. | 0:37:33 | 0:37:35 | |
'Could you speak to Sir Hallam again?' | 0:37:36 | 0:37:39 | |
I'm not going to beg. | 0:37:39 | 0:37:41 | |
If we can't get a sponsor, there's people I can talk to | 0:37:41 | 0:37:44 | |
about loaning us the money. | 0:37:44 | 0:37:47 | |
What if you only had to buy one ticket? | 0:37:47 | 0:37:50 | |
Bee, if this is you calling it off, you'd better come out and say it. | 0:37:50 | 0:37:54 | |
No, I'm not. I just... | 0:37:54 | 0:37:55 | |
It's a lovely romantic dream. | 0:37:57 | 0:38:00 | |
But what if that's all it is? | 0:38:00 | 0:38:02 | |
No. I love you. I want to start a life with you. | 0:38:02 | 0:38:04 | |
We can't build a marriage on dreams. | 0:38:04 | 0:38:07 | |
My dad, he was a great romantic. | 0:38:07 | 0:38:10 | |
When things got difficult, he looked elsewhere... | 0:38:10 | 0:38:13 | |
I'd never do that. | 0:38:13 | 0:38:15 | |
Because I can't compete with the likes of Lady Persie. | 0:38:15 | 0:38:18 | |
Compete? Are you mad? You're worth a hundred of her. | 0:38:18 | 0:38:20 | |
I wish to God I'd never laid eyes on her. She's poison. | 0:38:20 | 0:38:23 | |
-You've no idea. -Didn't bother you at the time, did it? | 0:38:23 | 0:38:27 | |
You listen to me. This has nothing to do with Lady Persie. | 0:38:27 | 0:38:31 | |
We're getting married. And we're going to America. | 0:38:31 | 0:38:34 | |
Not without visas, we're not. | 0:38:36 | 0:38:38 | |
DISTANT MUSIC PLAYS | 0:38:38 | 0:38:42 | |
MUSIC: "The Very Thought Of You" by Ray Noble | 0:38:54 | 0:38:59 | |
Don't turn on the light. | 0:38:59 | 0:39:01 | |
# The mere idea of you...# | 0:39:08 | 0:39:10 | |
I want to see the moon. | 0:39:20 | 0:39:23 | |
But there are too many clouds. | 0:39:23 | 0:39:26 | |
Always the way. | 0:39:26 | 0:39:28 | |
# I see your face in every flower | 0:39:29 | 0:39:34 | |
# Your eyes in skies above | 0:39:34 | 0:39:38 | |
# It's just the thought of you | 0:39:38 | 0:39:42 | |
# The very thought of you | 0:39:42 | 0:39:44 | |
# My love. # | 0:39:44 | 0:39:47 | |
I don't believe they were lovers. | 0:39:55 | 0:39:57 | |
Agnes wouldn't. She's straight as a die. | 0:39:57 | 0:40:00 | |
I'm not sure it even matters. | 0:40:00 | 0:40:02 | |
Something changed. | 0:40:02 | 0:40:05 | |
She's changed. | 0:40:05 | 0:40:06 | |
Well, we all do. | 0:40:06 | 0:40:08 | |
The trouble is, in everyone else's heads, we stay the same. | 0:40:08 | 0:40:12 | |
So we get stuck. | 0:40:12 | 0:40:13 | |
Is that how you feel? | 0:40:13 | 0:40:15 | |
God, yes. | 0:40:15 | 0:40:17 | |
To other people, I'll always be the brainless younger sister | 0:40:17 | 0:40:20 | |
who fell in with the Nazis. | 0:40:20 | 0:40:22 | |
Not to me. | 0:40:22 | 0:40:23 | |
I think you're quite remarkable. | 0:40:23 | 0:40:26 | |
I mean it. | 0:40:26 | 0:40:29 | |
You're fearless, passionate. | 0:40:29 | 0:40:32 | |
And there's an honesty and an integrity to the choices you make. | 0:40:34 | 0:40:37 | |
Even if they're occasionally misguided? | 0:40:37 | 0:40:39 | |
Oh, they're usually completely misguided. | 0:40:39 | 0:40:42 | |
But you're brave enough to risk everything to get what you want. | 0:40:42 | 0:40:46 | |
It seems we both are. | 0:40:48 | 0:40:50 | |
It does feel wrong somehow | 0:41:16 | 0:41:18 | |
to be taken up with something so frivolous. | 0:41:18 | 0:41:21 | |
One of the workmen was talking about enlisting before. | 0:41:21 | 0:41:25 | |
Said he'd rather get it over with than wait to be called up. | 0:41:25 | 0:41:29 | |
Our boy, Johnny, turned 20 in May. | 0:41:29 | 0:41:31 | |
The thought of sending him away to fight... | 0:41:31 | 0:41:34 | |
VIOLIN PLAYS | 0:41:39 | 0:41:44 | |
May I have the pleasure? | 0:41:48 | 0:41:50 | |
TRAFFIC HUMS | 0:42:39 | 0:42:42 | |
Oh, thank you. | 0:42:43 | 0:42:47 | |
Look, Beryl. | 0:42:50 | 0:42:52 | |
-From Sir Hallam. -Oooh, very pretty. | 0:42:54 | 0:42:58 | |
Oh, I spy the hand of Mr Pritchard. Four bouquets. | 0:42:58 | 0:43:03 | |
Hope the extra one didn't come out of Sir Hallam's pocket. | 0:43:03 | 0:43:08 | |
I would never give a lady flowers bought by another man. | 0:43:08 | 0:43:12 | |
I suppose cut flowers are a luxury we won't be seeing a lot more of. | 0:43:15 | 0:43:21 | |
You may well be right. | 0:43:24 | 0:43:25 | |
We should consider this our last hurrah, then, shouldn't we? | 0:43:27 | 0:43:32 | |
Exactly so, Mrs Thack. | 0:43:32 | 0:43:35 | |
I even took my dad's old medals down the pawn shop. | 0:43:41 | 0:43:44 | |
-All they'd give me was a fiver. -How much are you short? | 0:43:44 | 0:43:47 | |
-A lot. -Can't you just tell Beryl? | 0:43:47 | 0:43:50 | |
I made her a promise. | 0:43:50 | 0:43:53 | |
If I fall at the first hurdle, it proves I don't deserve her. | 0:43:53 | 0:43:56 | |
-But if you can't raise the money? -I'll find it. Somehow. | 0:43:56 | 0:44:00 | |
I mean it, Johnny. I'm not going to lose her. | 0:44:00 | 0:44:04 | |
Come on, then, you can't stay in here all night. | 0:44:04 | 0:44:07 | |
SPARGO WHISTLES | 0:44:07 | 0:44:09 | |
I think I've got 'em on back to front. | 0:44:09 | 0:44:12 | |
Come on! | 0:44:12 | 0:44:14 | |
Ladies and gentlemen, our taxicabs have arrived. | 0:44:14 | 0:44:18 | |
Mr Amanjit has gone to ask the drivers to wait. | 0:44:18 | 0:44:20 | |
Where's Eunice? | 0:44:20 | 0:44:22 | |
-Here, Mrs Thack. -Blimey! Nearly didn't recognise you there, Eunice. | 0:44:22 | 0:44:27 | |
Thought it was Olivia de Havilland. | 0:44:27 | 0:44:29 | |
You look smashing! | 0:44:29 | 0:44:30 | |
Well, if we're all ready? | 0:44:30 | 0:44:32 | |
You look lovely, too. | 0:44:32 | 0:44:34 | |
Come on. Out! | 0:44:56 | 0:44:57 | |
All right! I'm leaving! | 0:44:57 | 0:44:59 | |
Get off me! | 0:44:59 | 0:45:01 | |
Australia has, of course, been postponed. | 0:45:06 | 0:45:09 | |
To leave England at this juncture would be unthinkable. | 0:45:09 | 0:45:12 | |
And it's only going to get worse. | 0:45:12 | 0:45:14 | |
The consensus is that we were caught napping. | 0:45:14 | 0:45:17 | |
Yes. | 0:45:17 | 0:45:19 | |
The German Ambassador's been crowing. | 0:45:19 | 0:45:22 | |
He's taken to referring to Plunkett-Ernle-Erle-Drax | 0:45:22 | 0:45:27 | |
as "Admiral Acronym". | 0:45:27 | 0:45:28 | |
Where did he get that from? | 0:45:30 | 0:45:32 | |
The Germans have ears everywhere. | 0:45:32 | 0:45:34 | |
One of our chaps at the Foreign Office | 0:45:34 | 0:45:36 | |
must have been less than discreet. | 0:45:36 | 0:45:38 | |
My housekeeper has influenza | 0:45:38 | 0:45:41 | |
so I've been thrown upon the mercy of the committee. | 0:45:41 | 0:45:43 | |
Your Royal Highness, may I present Miss Whisset. | 0:45:46 | 0:45:48 | |
Miss Whisset, His Royal Highness the Duke of Kent. | 0:45:48 | 0:45:51 | |
BAND PLAYS: LIVELY FOXTROT MUSIC | 0:45:51 | 0:45:53 | |
Old Amanjit's pretty light on his feet. | 0:45:58 | 0:46:02 | |
He said he learnt to foxtrot at the military hospital. | 0:46:02 | 0:46:05 | |
How does this song go? # I danced with the man | 0:46:05 | 0:46:08 | |
# Who danced with the girl who danced with the Prince of Wales... # | 0:46:08 | 0:46:12 | |
Ooh, stop. | 0:46:12 | 0:46:13 | |
You looked every inch a duchess. | 0:46:13 | 0:46:16 | |
Well, I preferred it when you and I had the floor to ourselves. | 0:46:16 | 0:46:20 | |
WISTFUL VIOLIN MUSIC | 0:46:20 | 0:46:23 | |
There you are, dear boy. | 0:46:58 | 0:47:00 | |
You know, I have to say, I'm starting rather to enjoy myself. | 0:47:00 | 0:47:04 | |
There's something deliciously low about a servants' ball. | 0:47:04 | 0:47:08 | |
I vote we get absolutely steaming drunk and go native. | 0:47:08 | 0:47:11 | |
I should really get back, sir. | 0:47:11 | 0:47:13 | |
I just wanted to ask... | 0:47:13 | 0:47:15 | |
Before, when you talked about Admiral Acronym... | 0:47:15 | 0:47:18 | |
No, no, no, Hallam. Tonight is not for politics. | 0:47:18 | 0:47:22 | |
Come the dawn, there shall be time for little else. | 0:47:22 | 0:47:24 | |
But tonight, "Let's eat and drink for tomorrow we die". | 0:47:24 | 0:47:28 | |
And I for one feel the need for a party. | 0:47:28 | 0:47:30 | |
Well, she might have worn more appropriate underthings. | 0:47:32 | 0:47:35 | |
She's supposed to be the Queen. | 0:47:35 | 0:47:37 | |
I couldn't agree more. | 0:47:37 | 0:47:39 | |
-I hope you're all having a pleasant... -Here we go. | 0:47:40 | 0:47:43 | |
Lemonade for you, Mr P. | 0:47:43 | 0:47:44 | |
Sorry, Mrs Thack, they didn't have any Dubonnet | 0:47:44 | 0:47:47 | |
-so I brought you a vermouth. -How very remiss of them. | 0:47:47 | 0:47:49 | |
No bar is fully stocked without Dubonnet. | 0:47:49 | 0:47:52 | |
But if they have vermouth, you should have a Manhattan. | 0:47:52 | 0:47:55 | |
Oh, there's wine, beer and spirits, sir. | 0:47:55 | 0:47:58 | |
They're not providing cocktails. | 0:47:58 | 0:48:00 | |
Well, that is an outrage. | 0:48:00 | 0:48:03 | |
Any civilised party requires cocktails. | 0:48:03 | 0:48:06 | |
Come, Mrs Thackeray, | 0:48:06 | 0:48:08 | |
I shall show the bartender how to mix you a Manhattan. | 0:48:09 | 0:48:13 | |
BAND PLAYS: "Knees Up Mother Brown" | 0:48:16 | 0:48:20 | |
SHE LAUGHS | 0:48:27 | 0:48:30 | |
It all came about because he heard I liked Dubonnet, | 0:48:30 | 0:48:34 | |
just like our dear Queen. | 0:48:34 | 0:48:36 | |
I mean, I don't usually indulge in spirits, | 0:48:36 | 0:48:39 | |
but when His Royal Highness offers one a cocktail | 0:48:39 | 0:48:42 | |
one can hardly refuse. | 0:48:42 | 0:48:43 | |
And he has that... | 0:48:43 | 0:48:45 | |
unmistakeable dignity that goes with breeding. | 0:48:45 | 0:48:50 | |
He's quite a mover too. | 0:48:50 | 0:48:52 | |
ALL: Hoy! | 0:48:57 | 0:48:59 | |
Hallam, my dear friend, | 0:49:04 | 0:49:07 | |
I must ask you to furnish me with a cigarette forthwith. | 0:49:07 | 0:49:10 | |
Oh, buck up, old chap. | 0:49:13 | 0:49:15 | |
-I'm fine. -You're very far from fine. | 0:49:15 | 0:49:17 | |
Oh, just go to her, will you? | 0:49:17 | 0:49:19 | |
Go to her and whatever either of you has done, | 0:49:19 | 0:49:22 | |
take her in your arms and tell her all is forgiven. | 0:49:22 | 0:49:25 | |
-What? No... -You love Agnes. | 0:49:25 | 0:49:28 | |
What's more, you need her. Now more than ever. | 0:49:28 | 0:49:31 | |
I beg of you, Hallam. | 0:49:31 | 0:49:32 | |
If any two people were meant to be together, then you are they. | 0:49:32 | 0:49:36 | |
For God's sake, will you mind your own damn business! | 0:49:36 | 0:49:39 | |
Sir Hallam. Mind if I have a word? | 0:49:50 | 0:49:52 | |
Spargo? What do you want? | 0:49:52 | 0:49:53 | |
I thought you might've reconsidered. | 0:49:53 | 0:49:56 | |
-I think I made myself perfectly clear. -You did, sir. | 0:49:56 | 0:49:59 | |
But now things have changed a bit. | 0:49:59 | 0:50:01 | |
What things? | 0:50:01 | 0:50:02 | |
I need capital. | 0:50:03 | 0:50:04 | |
I need a lump sum to get us started up. | 0:50:05 | 0:50:08 | |
Is this a joke? | 0:50:08 | 0:50:09 | |
No, sir. I need the money | 0:50:09 | 0:50:12 | |
and if you won't give it to me, I'll have to talk to Lady Agnes. | 0:50:12 | 0:50:15 | |
About you and Lady Persie, that is. | 0:50:15 | 0:50:17 | |
-What exactly are you insinuating? -Not insinuating anything, sir. | 0:50:20 | 0:50:24 | |
What the two of you do in hotel rooms in the afternoon | 0:50:24 | 0:50:26 | |
is your business, but I doubt Lady Agnes will see it that way. | 0:50:26 | 0:50:29 | |
I should thrash you for that! | 0:50:29 | 0:50:31 | |
Yes, you probably should. | 0:50:31 | 0:50:33 | |
If you think I am giving you a single penny... | 0:50:33 | 0:50:36 | |
Come on, sir! | 0:50:36 | 0:50:37 | |
You love your wife, you love her. | 0:50:38 | 0:50:41 | |
You know what a scandal would do to your family. | 0:50:41 | 0:50:43 | |
Your own sister-in-law. | 0:50:43 | 0:50:45 | |
You have to admit, that is pretty low. | 0:50:45 | 0:50:48 | |
-What do you want? -100 guineas. | 0:50:51 | 0:50:54 | |
-You must be mad. -That's how much I need. | 0:50:54 | 0:50:56 | |
-For now. -100 guineas, I go to America, | 0:50:56 | 0:50:58 | |
and we never talk about it again. | 0:50:58 | 0:51:01 | |
The choice is yours. | 0:51:01 | 0:51:03 | |
You'll have your money. | 0:51:08 | 0:51:09 | |
You'll have it. | 0:51:11 | 0:51:13 | |
HE BREATHES HEAVILY | 0:51:14 | 0:51:16 | |
Come with me. Come with me. | 0:51:24 | 0:51:26 | |
Harry! Stop... | 0:51:26 | 0:51:28 | |
-I've got the money. -What? | 0:51:28 | 0:51:30 | |
-100 guineas. Enough to set us up with some to spare. -How? | 0:51:30 | 0:51:33 | |
It doesn't matter. I said I would and I have | 0:51:33 | 0:51:35 | |
because you can trust me, Bee. I'm not going to let you down. | 0:51:35 | 0:51:38 | |
100 guineas? | 0:51:38 | 0:51:40 | |
So we're going to America? | 0:51:42 | 0:51:44 | |
Things have turned rather ugly at the second floor buffet. | 0:51:50 | 0:51:53 | |
I will be back presently. | 0:51:53 | 0:51:55 | |
But perhaps when I return, | 0:51:57 | 0:51:59 | |
we could take that walk? | 0:51:59 | 0:52:01 | |
He's one in a million, is our Mr Pritchard. | 0:52:04 | 0:52:08 | |
He's certainly very capable. | 0:52:08 | 0:52:10 | |
You know, he delivered her ladyship's baby | 0:52:10 | 0:52:13 | |
single-handed. | 0:52:13 | 0:52:16 | |
Come from his time on the ambulances in the last war. | 0:52:16 | 0:52:20 | |
Course, to my mind, | 0:52:20 | 0:52:22 | |
he should've been off fighting with the rest of them. Oh, well. | 0:52:22 | 0:52:26 | |
Not a lot to be gained by dwelling on the past, now, is there? | 0:52:26 | 0:52:30 | |
He's just lucky you're not one to hold it against him. | 0:52:31 | 0:52:35 | |
It must have been the heat. One minute I was fine, the next... | 0:52:41 | 0:52:45 | |
Yes, that was it, Mrs Thack. The heat. | 0:52:45 | 0:52:47 | |
I could always come back with you. | 0:52:47 | 0:52:49 | |
Oh, give over, Johnny. They don't want you being a giddy gooseberry. | 0:52:49 | 0:52:54 | |
A wonderful event, Mr Pritchard. You must be very proud. | 0:52:54 | 0:52:57 | |
So. | 0:53:03 | 0:53:05 | |
Shall we walk a little? | 0:53:05 | 0:53:06 | |
Violet... | 0:53:20 | 0:53:22 | |
These past few weeks | 0:53:22 | 0:53:23 | |
have been amongst the happiest I have ever known. | 0:53:23 | 0:53:27 | |
Indeed, my feelings for you have taken me quite by surprise. | 0:53:27 | 0:53:31 | |
I have felt the same way. | 0:53:31 | 0:53:33 | |
Warwick, I have to ask... | 0:53:35 | 0:53:38 | |
When you said you worked on the ambulances during the war, | 0:53:38 | 0:53:41 | |
I assumed you'd been found unfit and I didn't wish to pry. | 0:53:41 | 0:53:46 | |
Was that not the case? | 0:53:46 | 0:53:47 | |
No. That wasn't the case. | 0:53:50 | 0:53:53 | |
The truth is, | 0:53:53 | 0:53:55 | |
I chose to work on the ambulances as a matter of conscience. | 0:53:55 | 0:53:59 | |
So you chose not to fight? | 0:54:02 | 0:54:03 | |
I felt a strong moral compunction | 0:54:06 | 0:54:08 | |
to oppose the use of violence against my fellow man. | 0:54:08 | 0:54:12 | |
But what about your fellow countrymen? | 0:54:12 | 0:54:16 | |
Those who were dying in their thousands? | 0:54:16 | 0:54:19 | |
Did you not feel a moral compunction towards them? | 0:54:19 | 0:54:24 | |
It was not an easy decision. | 0:54:24 | 0:54:27 | |
Nor one I arrived at lightly. | 0:54:27 | 0:54:29 | |
But I had to do what I believed in. | 0:54:29 | 0:54:32 | |
You yourself have talked about the meaningless loss of life, | 0:54:33 | 0:54:37 | |
all those young men you knew who never returned... | 0:54:37 | 0:54:39 | |
I never said it was meaningless. | 0:54:39 | 0:54:42 | |
Those boys were young and scared | 0:54:42 | 0:54:45 | |
but they did their duty for the greater good. | 0:54:45 | 0:54:49 | |
As my father said, | 0:54:49 | 0:54:50 | |
the way to honour their sacrifice is never to think it wasn't worth it. | 0:54:50 | 0:54:55 | |
We might not be here today if it wasn't for their bravery. | 0:54:55 | 0:54:59 | |
But you... | 0:54:59 | 0:55:01 | |
I... | 0:55:02 | 0:55:03 | |
I'm so sorry, Warwick. | 0:55:06 | 0:55:08 | |
I feel I no longer know you. | 0:55:10 | 0:55:12 | |
Violet, please. | 0:55:12 | 0:55:14 | |
Nothing has changed. | 0:55:14 | 0:55:16 | |
I'm afraid it has. | 0:55:16 | 0:55:18 | |
You're not the man I thought you were. | 0:55:20 | 0:55:22 | |
Persie, I need to talk to you. | 0:55:44 | 0:55:46 | |
MOURNFUL PIANO MUSIC | 0:56:01 | 0:56:03 | |
Guten abend, Persie. | 0:56:22 | 0:56:23 | |
-Komm doch herein. -Was gibst es...? | 0:56:27 | 0:56:29 | |
Here you are. | 0:57:15 | 0:57:17 | |
Excuse me. What on earth do you think you're doing? | 0:57:31 | 0:57:33 | |
You can't sleep here. Move along there! | 0:57:33 | 0:57:36 | |
Pritchard? | 0:57:39 | 0:57:40 | |
HE GROANS | 0:57:42 | 0:57:43 | |
Pritchard, are you quite well? | 0:57:43 | 0:57:45 | |
-Agnes is home. -John? | 0:58:00 | 0:58:03 | |
It's my house. I'm entitled to know what goes on under its roof. | 0:58:03 | 0:58:06 | |
You don't know the half of what goes on under its roof. | 0:58:06 | 0:58:09 | |
I want to say, "Look at you," | 0:58:09 | 0:58:10 | |
I want to put the mirror to your face so you can see what I see now. | 0:58:10 | 0:58:14 | |
Britain is aligned with Poland. Germany looks to Russia. | 0:58:14 | 0:58:17 | |
The clock is ticking. | 0:58:17 | 0:58:18 | |
Persie, who've you talked to? Who've you passed information to? | 0:58:18 | 0:58:22 | |
Agnes, nobody's going to send us to Hell. | 0:58:22 | 0:58:25 | |
GUNSHOT | 0:58:25 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:57 |