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If there's anything you want to tell me... | 0:00:02 | 0:00:03 | |
You want to get back with her, don't you? | 0:00:03 | 0:00:05 | |
How are you going to do that without telling her the truth? | 0:00:05 | 0:00:08 | |
Ah, you've spotted Miss Donnegan's car, have you? | 0:00:08 | 0:00:10 | |
That won't be parked there much longer. | 0:00:10 | 0:00:12 | |
Right, I'll just nab it, then, shall I? | 0:00:12 | 0:00:14 | |
Where's my car? | 0:00:14 | 0:00:15 | |
I don't want anything more to do with you. | 0:00:17 | 0:00:20 | |
A Dictaphone. | 0:00:24 | 0:00:25 | |
You just push this button here and it'll record all your lessons. | 0:00:25 | 0:00:28 | |
Thanks, sir. | 0:00:28 | 0:00:29 | |
CHRISTINE: 'They will lock you up, Connor. | 0:00:54 | 0:00:57 | |
'You want to get back with her, don't you? | 0:00:59 | 0:01:01 | |
'And what do you think she's going to say? | 0:01:03 | 0:01:05 | |
-IMOGEN: -'I don't want anything more to do with you. | 0:01:05 | 0:01:08 | |
'They will lock you up, Connor. | 0:01:09 | 0:01:11 | |
'They will, they will lock you up, Connor.' | 0:01:11 | 0:01:14 | |
Morning. | 0:01:18 | 0:01:19 | |
Morning. | 0:01:20 | 0:01:21 | |
I'm told it's an acquired taste. | 0:01:23 | 0:01:25 | |
Told by who, Dr Jekyll? | 0:01:26 | 0:01:28 | |
Ms McFall. | 0:01:28 | 0:01:30 | |
It's her recipe. She claims it's the secret of her inner vitality. | 0:01:30 | 0:01:33 | |
And why do I get dragged into it? | 0:01:33 | 0:01:35 | |
Because you look like you could use it. | 0:01:37 | 0:01:39 | |
Come on, Connor, talk to me. | 0:01:40 | 0:01:42 | |
Don't go all Oprah on me. | 0:01:42 | 0:01:44 | |
Hey. | 0:01:47 | 0:01:49 | |
90 days sober today. | 0:01:50 | 0:01:53 | |
You've done great. | 0:01:53 | 0:01:55 | |
A lot of it's down to you. | 0:01:55 | 0:01:57 | |
Come on, get dressed. | 0:02:08 | 0:02:10 | |
You're driving. | 0:02:12 | 0:02:13 | |
Do you want some orange juice? Vitamin C, get it down you. | 0:02:18 | 0:02:21 | |
Aaargh! | 0:02:26 | 0:02:27 | |
What's this lot, then? | 0:02:29 | 0:02:32 | |
'This is Miss Boston. What's this I hear about you breathing without my permission, Jodie? | 0:02:32 | 0:02:36 | |
'You're a very, very naughty girl.' | 0:02:36 | 0:02:38 | |
I were only having a laugh. | 0:02:40 | 0:02:41 | |
You idiot, Boston is going to kill me. | 0:02:41 | 0:02:44 | |
You've recorded all over yesterday's lessons. | 0:02:44 | 0:02:46 | |
I wanted to play them back before school. | 0:02:46 | 0:02:49 | |
We're in the PRU. We don't need to prepare, we just need to stay awake. | 0:02:49 | 0:02:53 | |
How's this going to help? | 0:02:53 | 0:02:54 | |
I don't get everything what people say to me first time. | 0:02:54 | 0:02:57 | |
Pardon? | 0:02:57 | 0:02:59 | |
I said, I don't... | 0:02:59 | 0:03:00 | |
Oh, just get lost, will you? | 0:03:00 | 0:03:02 | |
Careful, the baby'll pick up bad vibes. | 0:03:02 | 0:03:05 | |
Hello, the baby's fine. | 0:03:05 | 0:03:07 | |
Right, you lot, off you go, come on. | 0:03:07 | 0:03:09 | |
I'll help you, I've got all the notes. | 0:03:13 | 0:03:15 | |
Cheers. | 0:03:15 | 0:03:16 | |
Nice driving. Jensen(!) | 0:03:29 | 0:03:31 | |
Come on, Dynasty. Mum says we need to go and see Dad as a family. | 0:03:33 | 0:03:37 | |
You make it sound like Legoland. | 0:03:37 | 0:03:38 | |
-It's not Mum you need to worry about. -Why should I worry about you, eh? | 0:03:38 | 0:03:41 | |
-You'll be sharing a cell with him soon enough. -Watch your mouth. | 0:03:41 | 0:03:44 | |
Look at you! Daddy's mini-me. | 0:03:44 | 0:03:45 | |
-Stop it, Dynasty. -You say one more thing and I swear.... | 0:03:45 | 0:03:48 | |
Get off me! | 0:03:48 | 0:03:49 | |
Hey, cut it out. | 0:03:49 | 0:03:51 | |
You're late. Get yourselves to the PRU now. | 0:03:52 | 0:03:55 | |
Go on. | 0:03:57 | 0:03:58 | |
Divide and conquer? | 0:03:59 | 0:04:01 | |
-Yeah, maybe. You OK with this? -Yeah. | 0:04:01 | 0:04:04 | |
Barry, cut it out. Come on, come with me. | 0:04:04 | 0:04:07 | |
-That's it, go and join the other brain-deads. -Barry! | 0:04:08 | 0:04:10 | |
Dynasty, come on. | 0:04:10 | 0:04:12 | |
You too, Kacey, or no football at lunchtime. | 0:04:13 | 0:04:16 | |
You want to dance, or something? | 0:04:16 | 0:04:18 | |
Leave him with me. Come on, Barry. | 0:04:18 | 0:04:21 | |
Come on, you're late. | 0:04:21 | 0:04:23 | |
Audrey, thank you so much for your delicious drink. | 0:04:35 | 0:04:38 | |
We couldn't get enough of it, could we, Connor? | 0:04:38 | 0:04:41 | |
No. | 0:04:41 | 0:04:42 | |
Quite the double act, aren't we? | 0:04:42 | 0:04:45 | |
Dynasty, wait, hold on! | 0:04:45 | 0:04:47 | |
Dynasty, seriously, it's not worth bothering about. | 0:04:47 | 0:04:50 | |
Connor, are you OK? | 0:04:50 | 0:04:53 | |
Yeah, sure. Why wouldn't I be? | 0:04:53 | 0:04:54 | |
Well, you seem very up. | 0:04:56 | 0:04:59 | |
Not up, Audrey, happy. | 0:05:00 | 0:05:02 | |
I know that's a crime in your book | 0:05:02 | 0:05:04 | |
but some of us have to count our blessings. | 0:05:04 | 0:05:06 | |
There you are. The network's on the blink again. | 0:05:09 | 0:05:12 | |
Would you be a love? | 0:05:12 | 0:05:13 | |
See you, then, Danny boy. | 0:05:14 | 0:05:16 | |
I've told you it's Mr Chalk on school property. | 0:05:16 | 0:05:19 | |
Just the man. Here, take this, give us a hand. Over here. | 0:05:19 | 0:05:23 | |
Right. | 0:05:24 | 0:05:25 | |
This is what I want Waterloo Road to be all about. | 0:05:26 | 0:05:31 | |
It's cross-curricular. It's technological. | 0:05:31 | 0:05:34 | |
It's cutting edge. | 0:05:34 | 0:05:36 | |
What planet are you on? | 0:05:36 | 0:05:37 | |
Who's got time for that on top of their day job? | 0:05:37 | 0:05:39 | |
I don't want a party political broadcast. I just want to know | 0:05:39 | 0:05:42 | |
-you'll enter on behalf of the school. -I don't have time. | 0:05:42 | 0:05:44 | |
For the first time since we came here, everything's on an even keel. | 0:05:49 | 0:05:53 | |
If I could just get Connor to perk up a bit, my life would be complete. | 0:05:54 | 0:06:00 | |
Hey, Chrissie. They said I could wait for you here. | 0:06:02 | 0:06:05 | |
So you did it? Good for you. | 0:06:08 | 0:06:11 | |
You always had your heart set on becoming a teacher. | 0:06:11 | 0:06:14 | |
Why are you here? | 0:06:27 | 0:06:28 | |
The only way I could trace you was via this place. | 0:06:28 | 0:06:32 | |
This is where I work. You've got no business being here. | 0:06:32 | 0:06:35 | |
I'm sorry. | 0:06:38 | 0:06:39 | |
Leave. Now. Please. | 0:06:40 | 0:06:43 | |
I know this is a shock for you but I wouldn't be here | 0:06:43 | 0:06:45 | |
if it wasn't important. I need to talk to you. | 0:06:45 | 0:06:48 | |
No, I-I-I've got a class. | 0:06:48 | 0:06:50 | |
This isn't easy for me either but there's something I have to discuss. | 0:06:50 | 0:06:54 | |
You walked out on me when I was pregnant with our child. | 0:06:54 | 0:06:56 | |
There is nothing to discuss. | 0:06:56 | 0:06:58 | |
Our child? | 0:06:58 | 0:07:00 | |
Yes, our child. | 0:07:00 | 0:07:02 | |
Five minutes and then I'll go. | 0:07:02 | 0:07:05 | |
I need your help. | 0:07:05 | 0:07:07 | |
Please. | 0:07:08 | 0:07:10 | |
I don't want you hanging around here. | 0:07:10 | 0:07:13 | |
Meet me in this place, in town. | 0:07:16 | 0:07:21 | |
Lunchtime. | 0:07:21 | 0:07:23 | |
-What, that's ages... -Lunchtime. | 0:07:23 | 0:07:25 | |
-Look, Audrey, everything's fine. -Rubbish, who was that man? | 0:07:35 | 0:07:39 | |
-My husband. -Husband? | 0:07:41 | 0:07:43 | |
Ex-husband. | 0:07:43 | 0:07:44 | |
I see. | 0:07:44 | 0:07:46 | |
No, you don't. | 0:07:46 | 0:07:48 | |
But now you've got yourself a nice little exclusive, do me a favour | 0:07:48 | 0:07:51 | |
and keep it to yourself. Connor cannot find out he's here. | 0:07:51 | 0:07:53 | |
I won't say a word but don't shut me out. | 0:07:53 | 0:07:56 | |
I am here to help, remember. | 0:07:56 | 0:07:57 | |
Our... | 0:07:58 | 0:08:00 | |
Our kids are so far ahead of the game that their teachers can | 0:08:00 | 0:08:02 | |
spend half their classes hanging around in corridors, can they? | 0:08:02 | 0:08:05 | |
I'm on my way. | 0:08:05 | 0:08:07 | |
I've sat them down. | 0:08:07 | 0:08:08 | |
They're probably halfway through Great Expectations by now. | 0:08:08 | 0:08:11 | |
Hello. Excuse me, the network's down. | 0:08:21 | 0:08:24 | |
May I? | 0:08:32 | 0:08:33 | |
You the new IT guy? | 0:08:38 | 0:08:40 | |
I'm an IT guy. | 0:08:40 | 0:08:42 | |
I'm actually here to see someone. | 0:08:42 | 0:08:44 | |
Hey! | 0:08:44 | 0:08:45 | |
That's the first one fixed. | 0:08:47 | 0:08:48 | |
Look, I've got a lot of time to kill | 0:08:48 | 0:08:50 | |
so if you want me to give you a hand. | 0:08:50 | 0:08:52 | |
Great. Daniel. | 0:08:52 | 0:08:55 | |
Joe. | 0:08:55 | 0:08:57 | |
So where do you want to start? | 0:08:57 | 0:08:59 | |
Let's start at the top. Head teacher's office? | 0:08:59 | 0:09:01 | |
I mean, I already run after-school tutoring groups. | 0:09:08 | 0:09:11 | |
Now they want me to drop everything and build a robot. | 0:09:11 | 0:09:13 | |
Yeah, well, kids can be demanding. | 0:09:13 | 0:09:15 | |
I'm wasn't talking about the kids. I'm talking about the boss. | 0:09:15 | 0:09:19 | |
I'll start at the common room, you finish up here then do Sonya. | 0:09:19 | 0:09:23 | |
-Daniel. -Mr Byrne. | 0:09:25 | 0:09:27 | |
-What's going on here? -Oh, Mr Byrne, this is... | 0:09:27 | 0:09:29 | |
You've now got access to your database | 0:09:29 | 0:09:31 | |
while the network's being fixed. | 0:09:31 | 0:09:33 | |
Thanks. | 0:09:33 | 0:09:34 | |
You're not the usual IT guy. | 0:09:34 | 0:09:36 | |
No, I'm Joe Mulgrew, Christine's husband. | 0:09:36 | 0:09:38 | |
I thought you were out of the country? | 0:09:40 | 0:09:42 | |
Joe's just helping out. | 0:09:42 | 0:09:44 | |
If that's OK with you? | 0:09:44 | 0:09:46 | |
Yeah, I suppose. | 0:09:46 | 0:09:47 | |
That's fantastic news. Yeah, I'll be over. | 0:09:47 | 0:09:50 | |
All right. They've found my baby. | 0:09:50 | 0:09:52 | |
Where did they find her? | 0:09:52 | 0:09:54 | |
In a packing crate on the docks. | 0:09:54 | 0:09:56 | |
Oh, in case you're worried, it's her car she's talking about. | 0:09:56 | 0:10:00 | |
Police are on their way over now. | 0:10:00 | 0:10:02 | |
Lorraine, won't that alarm the pupils? | 0:10:02 | 0:10:04 | |
I hope so. Might put a stop to the crimewave | 0:10:04 | 0:10:06 | |
you've helped introduce to the school. | 0:10:06 | 0:10:09 | |
INDISTINCT BACKGROUND CHATTER | 0:10:17 | 0:10:19 | |
Quiet! | 0:10:32 | 0:10:33 | |
We think that Miss Havisham was jilted at the altar... | 0:10:39 | 0:10:43 | |
because she's in the same house. | 0:10:43 | 0:10:45 | |
She's wearing the same dress, like she's frozen in time. | 0:10:46 | 0:10:49 | |
-DYNASTY: -And what if this guy that she's so mad about came back? | 0:10:49 | 0:10:52 | |
He's just going to find some wrinkled old nut job. | 0:10:52 | 0:10:55 | |
-IMOGEN: -Then there's her child, brought up to have a heart of ice. | 0:10:55 | 0:10:59 | |
Mum? Mum, what's wrong? | 0:11:06 | 0:11:08 | |
BELL RINGS | 0:11:10 | 0:11:11 | |
What's happened to Christine? She's done a runner. | 0:11:18 | 0:11:21 | |
I've had to cover her class again. | 0:11:21 | 0:11:23 | |
I don't know, but I'll take care of it. | 0:11:23 | 0:11:25 | |
You do that. Then I want an explanation. | 0:11:25 | 0:11:28 | |
Where's your mother? | 0:11:29 | 0:11:31 | |
She left mid-sentence. | 0:11:31 | 0:11:33 | |
Can I use your phone? | 0:11:33 | 0:11:34 | |
PHONE RINGS | 0:12:18 | 0:12:20 | |
Now, listen, Audrey... | 0:12:32 | 0:12:34 | |
Mum. | 0:12:34 | 0:12:35 | |
Connor? | 0:12:36 | 0:12:37 | |
'Where are you?' | 0:12:39 | 0:12:40 | |
I just needed to get a bit of air. | 0:12:44 | 0:12:46 | |
I blame Audrey and that stupid potion of hers. | 0:12:48 | 0:12:52 | |
Do you want me to come and meet you? | 0:12:52 | 0:12:54 | |
Look, come back. I'm worried about you. | 0:12:58 | 0:13:01 | |
'Whatever it is.' | 0:13:01 | 0:13:02 | |
You are not using me as an excuse to skip classes, young man. | 0:13:04 | 0:13:07 | |
Mum, let me know when you're back. I'll be in the library. | 0:13:09 | 0:13:12 | |
So, to summarise, for your homework assignment, | 0:13:26 | 0:13:30 | |
you take two poems you want to compare, use the York... | 0:13:30 | 0:13:34 | |
Do you know this off by heart? | 0:13:36 | 0:13:38 | |
Maybe you'd like to come up here? | 0:13:38 | 0:13:40 | |
No, no, I don't. I... | 0:13:40 | 0:13:43 | |
I'll have that. | 0:13:46 | 0:13:48 | |
'This is Miss Boston. What's this I hear about you breathing | 0:13:52 | 0:13:55 | |
'without my permission, Jodie? You're a very, very naughty girl.' | 0:13:55 | 0:13:59 | |
Detention. | 0:14:01 | 0:14:03 | |
You've got it all wrong, miss. | 0:14:03 | 0:14:04 | |
Bang to rights, I'd say. | 0:14:04 | 0:14:05 | |
It's not mine, I borrowed it. | 0:14:05 | 0:14:07 | |
Off the back of a lorry? | 0:14:07 | 0:14:09 | |
The sooner you start playing by my rules, the better. | 0:14:09 | 0:14:12 | |
Say hello to Joe, everyone. | 0:14:22 | 0:14:23 | |
Hello, Joe. | 0:14:23 | 0:14:25 | |
He is the hero that got your computers working today. | 0:14:25 | 0:14:29 | |
Now, open your spreadsheets from last week. | 0:14:29 | 0:14:31 | |
Can we do something on AI? | 0:14:31 | 0:14:33 | |
What do you mean? | 0:14:33 | 0:14:34 | |
Artificial intelligence. | 0:14:34 | 0:14:35 | |
I know what it means. What has it got to do with the curriculum? | 0:14:35 | 0:14:38 | |
The robot competition. I think it'll be good for the school. | 0:14:38 | 0:14:41 | |
We're not doing it. | 0:14:41 | 0:14:42 | |
We haven't got the time or the resources, is that clear? | 0:14:42 | 0:14:45 | |
Yes, Mr Chalk, sir. | 0:14:45 | 0:14:46 | |
Here you go, this one's ready. | 0:14:51 | 0:14:53 | |
Right, come on, everyone, let's get cracking. | 0:14:56 | 0:14:59 | |
You come with me. | 0:15:26 | 0:15:27 | |
Mum? | 0:15:32 | 0:15:33 | |
In here. | 0:15:47 | 0:15:48 | |
So that's the boy, then? | 0:15:49 | 0:15:51 | |
His name is Connor. | 0:15:52 | 0:15:55 | |
Why are you still here? | 0:15:55 | 0:15:56 | |
-I told you, I needed... -To talk. So talk and then you can go. | 0:15:56 | 0:16:00 | |
My dad's dead. | 0:16:02 | 0:16:03 | |
He always liked you. | 0:16:07 | 0:16:08 | |
And I guess that's why he never changed his will after we separated. | 0:16:12 | 0:16:16 | |
It's clearly on oversight | 0:16:20 | 0:16:21 | |
so just need your signature to relinquish your claim. | 0:16:21 | 0:16:24 | |
If I could buy you out, I would, right? | 0:16:29 | 0:16:32 | |
You always hated the place. | 0:16:34 | 0:16:35 | |
I'm in a relationship. | 0:16:40 | 0:16:43 | |
We're expecting a kid, and this would be a new start. | 0:16:43 | 0:16:45 | |
You left me... | 0:16:49 | 0:16:52 | |
..to raise our son alone. | 0:16:54 | 0:16:57 | |
This is for him. | 0:16:59 | 0:17:00 | |
You're still trying to make out that boy's mine? | 0:17:02 | 0:17:05 | |
We were barely sleeping together. He can't... | 0:17:05 | 0:17:08 | |
No, no, no. That is just what you told yourself | 0:17:08 | 0:17:10 | |
-to make it easier to leave. -I don't believe this. | 0:17:10 | 0:17:13 | |
Why would I still be lying after all this time? | 0:17:13 | 0:17:16 | |
I don't know, I just thought... | 0:17:17 | 0:17:19 | |
There was never anyone else. | 0:17:19 | 0:17:21 | |
So you're saying that boy is definitely mine? | 0:17:26 | 0:17:29 | |
Yep. | 0:17:33 | 0:17:34 | |
Does he know about me? | 0:17:37 | 0:17:38 | |
Every birthday and Christmas I send him a card from you. | 0:17:41 | 0:17:44 | |
Why? | 0:17:44 | 0:17:46 | |
Because I didn't want him having a coward as a dad - | 0:17:46 | 0:17:49 | |
someone who ran out on him before he was even born. | 0:17:49 | 0:17:52 | |
You left us without a penny. | 0:17:55 | 0:17:57 | |
I'm not going to let you do it again. | 0:18:00 | 0:18:03 | |
Then I want to see my boy. | 0:18:05 | 0:18:06 | |
I have to make things right. | 0:18:08 | 0:18:09 | |
But what will you even say to him? | 0:18:11 | 0:18:13 | |
I don't know. | 0:18:13 | 0:18:14 | |
I told him you were a paramedic. | 0:18:14 | 0:18:16 | |
Well, you always wanted to go off and make a difference, didn't you? | 0:18:18 | 0:18:22 | |
So that's what he thinks you've been doing all these years. | 0:18:23 | 0:18:27 | |
If you ever want to get those papers signed... | 0:18:33 | 0:18:38 | |
..don't disappoint him. | 0:18:40 | 0:18:42 | |
Just wait outside and I'll... | 0:18:47 | 0:18:49 | |
I'll tell him you're here. | 0:18:50 | 0:18:52 | |
MUSIC: "Who Is The Hunter" by Liars | 0:18:59 | 0:19:01 | |
# I never meant to run | 0:19:01 | 0:19:05 | |
# I only blew my gun | 0:19:05 | 0:19:09 | |
# To watch which beast still runs | 0:19:09 | 0:19:17 | |
# A fall won't make a sound | 0:19:17 | 0:19:21 | |
# You only held us bound | 0:19:21 | 0:19:24 | |
# To watch a fielder run | 0:19:24 | 0:19:33 | |
# I only wanted more... # | 0:19:33 | 0:19:37 | |
BELL RINGS | 0:19:37 | 0:19:38 | |
# I only wanted time | 0:19:38 | 0:19:40 | |
# To watch her feel around. # | 0:19:40 | 0:19:48 | |
Why are you behaving so weird? Who's that guy? | 0:19:48 | 0:19:51 | |
He's your father, Connor. | 0:19:55 | 0:19:57 | |
What? That guy? | 0:19:59 | 0:20:02 | |
We were sitting in the same room together | 0:20:05 | 0:20:07 | |
and you never even said anything? | 0:20:07 | 0:20:09 | |
Why didn't you tell me he was here? | 0:20:09 | 0:20:11 | |
Look, it's not that simple, Connor. I was trying to... | 0:20:12 | 0:20:15 | |
Where is he? | 0:20:15 | 0:20:16 | |
Hiya. Lorraine Donnegan. | 0:20:54 | 0:20:56 | |
Barry, these gentleman want a word with you. | 0:20:59 | 0:21:01 | |
It's all right, Munch. He'll be back, come on. | 0:21:08 | 0:21:10 | |
I've got a class waiting. | 0:21:32 | 0:21:33 | |
Then get back to it. | 0:21:36 | 0:21:37 | |
Not until you tell me what's going on? Where have you been? | 0:21:37 | 0:21:41 | |
Joe wanted to see Connor. They're talking now. | 0:21:45 | 0:21:50 | |
Well, that's great, isn't it? | 0:21:51 | 0:21:54 | |
Is it? | 0:21:54 | 0:21:55 | |
You've struggled on your own for far too long. | 0:21:55 | 0:21:57 | |
And the boy could use a father. | 0:21:57 | 0:21:59 | |
What's the worst that could happen? | 0:22:01 | 0:22:04 | |
Give it a chance. You may be surprised. | 0:22:07 | 0:22:09 | |
You know, it's so hard to talk to you sometimes, Audrey. | 0:22:13 | 0:22:16 | |
Everything is so black and white. | 0:22:16 | 0:22:18 | |
I just didn't want you to think you're on your own with this. | 0:22:18 | 0:22:21 | |
You've got people around here who really care about you | 0:22:21 | 0:22:24 | |
and want to support you. | 0:22:24 | 0:22:26 | |
Over here. | 0:22:44 | 0:22:45 | |
Thank you for the birthday card. | 0:22:56 | 0:22:59 | |
You got it? Good. | 0:22:59 | 0:23:00 | |
All of them. | 0:23:01 | 0:23:03 | |
I wanted to write back but Mum never knew your address so... | 0:23:03 | 0:23:07 | |
Yeah, well, I moved around a lot, you know. | 0:23:07 | 0:23:11 | |
Your mother and I were young when we split up. | 0:23:13 | 0:23:15 | |
There was stuff I needed to get out of my system. | 0:23:17 | 0:23:20 | |
You're a doctor, right? You work abroad? | 0:23:20 | 0:23:23 | |
Yeah, something like that. | 0:23:23 | 0:23:25 | |
So why are you here? | 0:23:28 | 0:23:31 | |
I've got some business with your mother. | 0:23:34 | 0:23:38 | |
Business. You're here on business? | 0:23:40 | 0:23:43 | |
Yeah. | 0:23:44 | 0:23:45 | |
So when were you planning on seeing me? | 0:23:47 | 0:23:49 | |
I'm sorry. I don't think I can deal with this. | 0:23:54 | 0:23:58 | |
I can't... | 0:23:58 | 0:24:00 | |
No, you can't just walk out on me. | 0:24:00 | 0:24:02 | |
Why can't everyone in this family be straight with each other? | 0:24:04 | 0:24:07 | |
I'm here because my father, | 0:24:14 | 0:24:17 | |
your grandfather, died. | 0:24:17 | 0:24:19 | |
That's my business with your mother. | 0:24:21 | 0:24:23 | |
Sorry. | 0:24:25 | 0:24:27 | |
Thanks. | 0:24:27 | 0:24:28 | |
I wish you could have met him. He was... | 0:24:31 | 0:24:33 | |
We were very close. | 0:24:36 | 0:24:38 | |
But we could be too. | 0:24:39 | 0:24:41 | |
Right. | 0:24:47 | 0:24:48 | |
I didn't send those birthday cards. Your mother did. | 0:24:53 | 0:24:56 | |
What? | 0:24:58 | 0:25:00 | |
Why would she do that? | 0:25:00 | 0:25:01 | |
And she told you I was a doctor, paramedic, whatever. I'm not. | 0:25:01 | 0:25:05 | |
Why should I believe you? I don't even know you. | 0:25:07 | 0:25:09 | |
Because I want to make things right. | 0:25:09 | 0:25:12 | |
I don't want to lie to you. | 0:25:12 | 0:25:13 | |
Mum found it simple enough. | 0:25:17 | 0:25:19 | |
Don't blame her. It couldn't have been easy for her. | 0:25:20 | 0:25:25 | |
Mum's an alcoholic, she lies about everything. She's made my life hell. | 0:25:25 | 0:25:29 | |
Everything would have been so different if you'd been here. | 0:25:32 | 0:25:35 | |
Why did you never try and get in touch? | 0:25:37 | 0:25:39 | |
Well, you know what your mother's like. She made it impossible. | 0:25:44 | 0:25:48 | |
You didn't walk out, did you? She threw you out. | 0:25:53 | 0:25:55 | |
Let's not dwell on the past, eh? | 0:25:59 | 0:26:02 | |
Things are going to be different now. | 0:26:02 | 0:26:05 | |
Shouldn't you be getting to class, or something? | 0:26:05 | 0:26:08 | |
Are you going to stick around? | 0:26:16 | 0:26:19 | |
I'm your dad, aren't I? Of course I'm going to stick around. | 0:26:19 | 0:26:22 | |
So did you miss me? | 0:26:41 | 0:26:43 | |
Sit down, Barry. | 0:26:45 | 0:26:47 | |
They released me. No evidence. | 0:26:47 | 0:26:50 | |
They want to see you next. | 0:26:52 | 0:26:54 | |
Up to the double doors. | 0:27:19 | 0:27:20 | |
Michael. | 0:27:22 | 0:27:24 | |
Hang on a sec, gentlemen. | 0:27:24 | 0:27:26 | |
Can I talk to you? It's about my husband. | 0:27:27 | 0:27:30 | |
Yes, he was in my office earlier. | 0:27:30 | 0:27:32 | |
I thought you said he lived abroad. | 0:27:33 | 0:27:36 | |
What are you doing bringing him into school? | 0:27:36 | 0:27:38 | |
Look, look, I didn't bring him. | 0:27:38 | 0:27:40 | |
I can explain. Can we do lunch? | 0:27:40 | 0:27:43 | |
Right, you want me to cancel the emergency SMT meeting for you? | 0:27:43 | 0:27:46 | |
No, of course not. | 0:27:49 | 0:27:51 | |
We need to keep things professional. We'll talk about it later. | 0:27:51 | 0:27:55 | |
Sorry. It's this way. | 0:27:55 | 0:27:57 | |
You back? | 0:28:29 | 0:28:30 | |
Course I am. Cos they've got no evidence that I did anything at all. | 0:28:30 | 0:28:34 | |
Means they're probably just trying to build a case, doesn't it, miss? | 0:28:35 | 0:28:39 | |
I'm sure the enquiry is ongoing. | 0:28:39 | 0:28:41 | |
Well, the police are convinced that Barry is responsible | 0:28:43 | 0:28:46 | |
for the car thefts but there's no hard evidence. | 0:28:46 | 0:28:48 | |
Barry's not the only one that was interviewed, remember. | 0:28:48 | 0:28:50 | |
Meanwhile Lorraine's concerned the PRU isn't working | 0:28:50 | 0:28:53 | |
and she wants Barry out. | 0:28:53 | 0:28:55 | |
If he goes he'll take Kacey with him. Dynasty too, probably. | 0:28:55 | 0:28:57 | |
Which is why I think we should listen to Sian's idea. | 0:28:57 | 0:29:00 | |
Barry's trouble, right? | 0:29:00 | 0:29:02 | |
And a bad influence, especially on his sisters. | 0:29:02 | 0:29:04 | |
Yeah, and the PRU is equipped to deal with him. | 0:29:04 | 0:29:06 | |
Well, I was thinking of something to support the work of the PRU. | 0:29:06 | 0:29:10 | |
There was that set-to this morning in the playground. | 0:29:10 | 0:29:12 | |
I don't think the Barrys are getting too well. | 0:29:12 | 0:29:15 | |
And Dynasty's run-in with her mother last week. | 0:29:15 | 0:29:17 | |
Exactly. So why don't we split the family up? | 0:29:17 | 0:29:19 | |
Assign each one an individual member of staff | 0:29:19 | 0:29:22 | |
for break times and after school. | 0:29:22 | 0:29:24 | |
Carol Barry won't like that. | 0:29:24 | 0:29:25 | |
Well, we should push the positive, sell it to her as extra tuition. | 0:29:25 | 0:29:28 | |
Sounds good. I'll take Kacey. | 0:29:28 | 0:29:30 | |
And I've got someone in particular in mind for Dynasty. | 0:29:30 | 0:29:33 | |
She's a bright student. There's lots of potential there and | 0:29:33 | 0:29:36 | |
she seems to respond better to male teachers, especially those | 0:29:36 | 0:29:40 | |
you might not think she'd take an interest in. | 0:29:40 | 0:29:43 | |
I can't wait to see Grantly's face when you tell him. | 0:29:44 | 0:29:48 | |
That leaves me with Barry, yeah? | 0:29:48 | 0:29:50 | |
I'd like Sian to keep an eye on Barry, if you don't mind. | 0:29:50 | 0:29:53 | |
-With all due respect... -If that's all? | 0:29:53 | 0:29:56 | |
I've got far more experience of dealing with thugs like Barry. | 0:30:04 | 0:30:06 | |
If he hears you talking about him like that, | 0:30:06 | 0:30:08 | |
-he'll know you've written him off. -OK, wrong choice of words. | 0:30:08 | 0:30:11 | |
In fact, he's not the only student you appear to have written off. | 0:30:11 | 0:30:14 | |
Ever since your car went missing, | 0:30:14 | 0:30:16 | |
you've been giving Jodie Allen a pretty hard time. | 0:30:16 | 0:30:18 | |
With good reason. She stole it! | 0:30:18 | 0:30:21 | |
The police interviewed her today. | 0:30:21 | 0:30:23 | |
Let me make this absolutely clear. There is no evidence whatsoever | 0:30:23 | 0:30:26 | |
to suggest that Jodie Allen is responsible for those car thefts. | 0:30:26 | 0:30:29 | |
This has got to stop. I'll be watching you, Nikki. | 0:30:29 | 0:30:34 | |
I've already got one bully in the school. | 0:30:34 | 0:30:36 | |
-I don't need another on my staff, is that clear? -Fine. | 0:30:36 | 0:30:38 | |
Old Pokerface has got a face like thunder. | 0:30:45 | 0:30:48 | |
No. It's more like this - | 0:30:48 | 0:30:49 | |
"Jodie. I do believe you shot John F Kennedy. Now come on, girl. | 0:30:49 | 0:30:53 | |
"Own up. I think hanging's too good for you." | 0:30:53 | 0:30:56 | |
I'm getting out of here. | 0:31:00 | 0:31:02 | |
You might be able to pull the wool over the police's eyes | 0:31:08 | 0:31:10 | |
but you're not going to do it to me. This is just the beginning. | 0:31:10 | 0:31:13 | |
Not now, Barry, all right? | 0:31:18 | 0:31:21 | |
All this trouble over a car with windscreen wipers that only | 0:31:21 | 0:31:23 | |
worked on slow. | 0:31:23 | 0:31:25 | |
Must have been hard to see what was going on in front of you. | 0:31:26 | 0:31:29 | |
How do you know that? | 0:31:29 | 0:31:31 | |
I'd better leave you to pick this up, miss. | 0:31:31 | 0:31:34 | |
After all, it's your mess. | 0:31:34 | 0:31:36 | |
So, is there anyone special? | 0:31:55 | 0:31:58 | |
Mum didn't want us to be happy. So she split us up. | 0:32:04 | 0:32:07 | |
Why, what happened? | 0:32:08 | 0:32:10 | |
I don't really like talking about it. | 0:32:10 | 0:32:13 | |
OK. | 0:32:13 | 0:32:14 | |
I started a fire in the school. | 0:32:19 | 0:32:22 | |
I was angry, but Imogen got hurt. | 0:32:22 | 0:32:24 | |
Mum took the blame so now I'm stuck with another one of her lies. | 0:32:28 | 0:32:31 | |
-I know I need to tell Imogen the truth. -Whoa, whoa, whoa. | 0:32:31 | 0:32:35 | |
You can get into a lot of trouble trying to make a bad situation good. | 0:32:38 | 0:32:42 | |
-Lorraine. -Hi. | 0:32:47 | 0:32:49 | |
I think Barry's just admitted to stealing my car. | 0:32:51 | 0:32:54 | |
It's amazing, isn't it? The police know the Barrys are villains | 0:32:54 | 0:32:57 | |
and yet Michael rolls out the red carpet for them. | 0:32:57 | 0:33:00 | |
But the police talked to Jodie. | 0:33:00 | 0:33:02 | |
Er, yeah, that was me, I'm afraid. | 0:33:02 | 0:33:05 | |
You were convinced that it was her so I asked the police to have a word. | 0:33:05 | 0:33:08 | |
But listen, from today - no more Barrys in Waterloo Road | 0:33:08 | 0:33:11 | |
-unless Michael comes up with something pretty spectacular. -He already has. | 0:33:11 | 0:33:16 | |
That's what the PRU is designed for. | 0:33:16 | 0:33:19 | |
It's one-to-one attention for kids like the Barrys. | 0:33:19 | 0:33:21 | |
Look, the SMT is right behind it and I just think it might just work. | 0:33:21 | 0:33:27 | |
Right. We'll just have to see how that pans out. | 0:33:27 | 0:33:30 | |
-You're leaving? When? -I've got to get back to my girlfriend. | 0:33:35 | 0:33:38 | |
We're expecting a kid any day. | 0:33:38 | 0:33:40 | |
I should have told you. You're going to have a baby brother. | 0:33:42 | 0:33:46 | |
-Can I come and see him? -Yeah, sure, you bet. | 0:33:48 | 0:33:51 | |
Where do you live? | 0:33:51 | 0:33:52 | |
Well... | 0:33:52 | 0:33:54 | |
..we were planning on putting down roots here. | 0:33:55 | 0:33:59 | |
It's my dad's farm. | 0:33:59 | 0:34:01 | |
It's been in our family, your family, for generations. | 0:34:01 | 0:34:04 | |
Can I come with you? | 0:34:06 | 0:34:08 | |
It might not happen. | 0:34:10 | 0:34:11 | |
Unless your mum waives her share of your grandad's estate, | 0:34:13 | 0:34:16 | |
I'm going to have to sell. | 0:34:16 | 0:34:17 | |
Let me talk to her. | 0:34:19 | 0:34:21 | |
Oh, Christine! | 0:34:31 | 0:34:32 | |
It's not working, Audrey. | 0:34:35 | 0:34:36 | |
It's meant to take away everything but I can still see him. | 0:34:38 | 0:34:42 | |
Connor, no. | 0:34:45 | 0:34:46 | |
Drunk again. You come to tell me off? | 0:34:49 | 0:34:53 | |
Where are the papers? Dad needs them signed. | 0:34:53 | 0:34:56 | |
It's his farm, it belonged to his father, | 0:34:56 | 0:34:58 | |
it has nothing to do with you. | 0:34:58 | 0:35:00 | |
I'm not going to sign them, Connor. | 0:35:00 | 0:35:03 | |
That's your inheritance we're talking about. | 0:35:03 | 0:35:05 | |
I know - and I'm going with Dad. | 0:35:05 | 0:35:09 | |
We're going to live there - so just sign. | 0:35:10 | 0:35:12 | |
Connor, I don't want you going anywhere near that place! | 0:35:14 | 0:35:18 | |
-Pathetic. -Connor. Don't speak to your mother like that. | 0:35:18 | 0:35:22 | |
Look at her. | 0:35:22 | 0:35:24 | |
Do you know what? Fine, have it your way. | 0:35:24 | 0:35:28 | |
But I'm going. | 0:35:28 | 0:35:30 | |
I'd live in a tent if it meant getting away from you. | 0:35:30 | 0:35:32 | |
Connor! | 0:35:32 | 0:35:34 | |
Bye, Mum. | 0:35:34 | 0:35:35 | |
Connor! | 0:35:35 | 0:35:37 | |
Get away from me. Just get away from me. | 0:35:48 | 0:35:52 | |
Please don't touch me. | 0:35:55 | 0:35:58 | |
Please don't hurt me. Get away from me. | 0:35:58 | 0:36:03 | |
Audrey, what is it? | 0:36:08 | 0:36:10 | |
Oh, Sian! It's Christine. Please come, come. | 0:36:10 | 0:36:14 | |
-I think the sugar's -dissolved -now. | 0:36:25 | 0:36:27 | |
What? | 0:36:28 | 0:36:31 | |
Yeah. | 0:36:31 | 0:36:33 | |
Jodie Allen tells me you've damaged something of mine. | 0:36:33 | 0:36:36 | |
The Dictaphone. | 0:36:38 | 0:36:39 | |
That was yours? | 0:36:40 | 0:36:41 | |
Yes. | 0:36:41 | 0:36:42 | |
She was recording my classes. | 0:36:45 | 0:36:47 | |
Yes, that was the plan. | 0:36:47 | 0:36:49 | |
She doesn't always catch everything first time round. | 0:36:49 | 0:36:51 | |
She wanted to prove herself to you | 0:36:51 | 0:36:53 | |
so she was going to catch up in her own time. | 0:36:53 | 0:36:57 | |
-I didn't realise. -She's put a lot of trust in us, Nikki. | 0:36:57 | 0:37:00 | |
Come a long way to make a better life for herself. | 0:37:00 | 0:37:03 | |
Why are you treating her like this? | 0:37:03 | 0:37:05 | |
I've been so wrong about her. I've made her life hell, Tom. | 0:37:08 | 0:37:11 | |
Too right. | 0:37:11 | 0:37:13 | |
She's a vulnerable kid. | 0:37:13 | 0:37:15 | |
We have a duty of care. | 0:37:15 | 0:37:16 | |
How much do you want? | 0:37:27 | 0:37:28 | |
It appears my talents as a mentor | 0:37:30 | 0:37:33 | |
have finally been given the recognition they deserve. | 0:37:33 | 0:37:38 | |
Mr Byrne has charged us with an extremely hazardous mission. | 0:37:38 | 0:37:43 | |
Look, Grantly, I'm a bit busy. | 0:37:43 | 0:37:45 | |
Since we met, I have ceased to think of myself and yourself | 0:37:47 | 0:37:52 | |
as two separate entities, | 0:37:52 | 0:37:54 | |
but rather, as two discrete parts of the same whole. | 0:37:54 | 0:37:58 | |
I'm going to discreetly ram this down your hole if you don't get lost. | 0:37:58 | 0:38:03 | |
All right, all right. | 0:38:03 | 0:38:04 | |
I'm not a slice of toast, Grantly. | 0:38:04 | 0:38:06 | |
I'm a human being, and I can think for myself. | 0:38:06 | 0:38:08 | |
AND I like to know what I'm being buttered up for. | 0:38:08 | 0:38:12 | |
I've been asked to give Dynasty Barry extra tuition. | 0:38:15 | 0:38:19 | |
Great, we like Dynasty. | 0:38:21 | 0:38:24 | |
-We do? -Yeah. She's got a bit of oomph about her. | 0:38:24 | 0:38:26 | |
How much has she had, Audrey? | 0:38:30 | 0:38:32 | |
She hadn't drunk for three months before today. | 0:38:32 | 0:38:35 | |
How much? | 0:38:35 | 0:38:36 | |
A lot. | 0:38:36 | 0:38:38 | |
Well, if she's not been drinking, it's a shock to her system. | 0:38:38 | 0:38:42 | |
No wonder she's in such a state. | 0:38:42 | 0:38:43 | |
Right, there's a class in here in half an hour, | 0:38:45 | 0:38:47 | |
so you get her to the nurse's station and I will let Michael know. | 0:38:47 | 0:38:50 | |
No, don't tell Michael. | 0:38:52 | 0:38:54 | |
-Ssh, ssh! -I don't want him to see me like this. | 0:38:54 | 0:38:56 | |
-It's all right, Christine. -I don't want him to see me... | 0:38:56 | 0:38:59 | |
I'm sorry, Christine, you're on probation | 0:38:59 | 0:39:01 | |
and you've had enough warnings. | 0:39:01 | 0:39:04 | |
Ah, the woman of the hour. | 0:39:07 | 0:39:08 | |
Well done. Lorraine's on board with your plan for the Barrys. | 0:39:08 | 0:39:12 | |
This isn't about the Barrys. This is about Christine. | 0:39:12 | 0:39:14 | |
-What about her? -She brought alcohol into school. | 0:39:14 | 0:39:19 | |
And she drank it. And, oh, did she drink it! | 0:39:19 | 0:39:22 | |
I'll deal with it. | 0:39:22 | 0:39:23 | |
She's really disturbed. | 0:39:23 | 0:39:24 | |
She doesn't seem to care about anything. | 0:39:24 | 0:39:27 | |
-I said, I'll deal with it. -Michael, she's on probation! | 0:39:27 | 0:39:29 | |
We have a duty of care to the pupils. | 0:39:29 | 0:39:31 | |
Are you questioning my professional judgment? | 0:39:31 | 0:39:33 | |
Questioning it? I'm saying you've thrown it out of the window. | 0:39:33 | 0:39:37 | |
Getting involved with a member of your own staff? | 0:39:37 | 0:39:39 | |
An alcoholic on probation? | 0:39:39 | 0:39:41 | |
I don't know what you were thinking. | 0:39:41 | 0:39:43 | |
If she's not dismissed after this, we all know why. | 0:39:43 | 0:39:46 | |
OK, can I have a bit of hush, please? | 0:40:05 | 0:40:09 | |
Thank you. | 0:40:11 | 0:40:14 | |
I'm very quick to criticise you lot publicly when you mess up. | 0:40:14 | 0:40:19 | |
So I think it's only fair I own up publicly when I make a mistake. | 0:40:21 | 0:40:26 | |
Are you going to send yourself t'cooler, miss? | 0:40:26 | 0:40:28 | |
SHE LAUGHS | 0:40:28 | 0:40:30 | |
My treatment of Jodie has been reprehensible. | 0:40:32 | 0:40:36 | |
Especially now I've learnt she's a totally innocent party. | 0:40:39 | 0:40:44 | |
Can we just get on with the class, miss? | 0:40:44 | 0:40:46 | |
Yeah. | 0:40:50 | 0:40:51 | |
Connor! | 0:40:56 | 0:40:59 | |
Connor! | 0:40:59 | 0:41:00 | |
You going to tell me what's up? | 0:41:02 | 0:41:04 | |
I'm leaving. | 0:41:04 | 0:41:05 | |
-What? -I'm going with my dad. For good. | 0:41:07 | 0:41:10 | |
You can't. You've been my best mate since I arrived. | 0:41:12 | 0:41:15 | |
Things are never going to work out for me here. | 0:41:16 | 0:41:19 | |
I know the feeling. | 0:41:20 | 0:41:22 | |
He's all right. | 0:41:22 | 0:41:25 | |
I hope things work out for you too. | 0:41:25 | 0:41:27 | |
# I wish I could change the past today | 0:41:30 | 0:41:32 | |
# I'm sorry that it went this way | 0:41:32 | 0:41:33 | |
# I feel for you | 0:41:33 | 0:41:37 | |
# I really do | 0:41:39 | 0:41:42 | |
# Oh-oh | 0:41:49 | 0:41:52 | |
# Oh-oh | 0:41:54 | 0:41:57 | |
# You don't have to understand | 0:41:58 | 0:42:02 | |
# Baby, would you hold my hand? | 0:42:03 | 0:42:06 | |
# Cos time is so fast and I know it's cruel | 0:42:08 | 0:42:10 | |
# I really don't know what to say | 0:42:10 | 0:42:13 | |
# It's the price I pay... # | 0:42:13 | 0:42:15 | |
RETCHING | 0:42:15 | 0:42:17 | |
TOILET FLUSHES | 0:42:22 | 0:42:25 | |
SHE SIGHS | 0:42:36 | 0:42:38 | |
Thanks, Audrey. I'll, um...I'll be fine now. | 0:42:42 | 0:42:47 | |
You know, the first moment I saw you, Christine, | 0:42:47 | 0:42:51 | |
I thought, that woman's a brilliant liar. | 0:42:51 | 0:42:54 | |
She lies to her son, people around her, she lies to everyone. | 0:42:55 | 0:42:59 | |
But she tells the biggest lies to herself. | 0:43:05 | 0:43:07 | |
Just close the door quietly on your way out. My head's splitting. | 0:43:13 | 0:43:17 | |
Who are you trying to protect with your fairy tales? Connor? | 0:43:24 | 0:43:28 | |
Yourself? | 0:43:28 | 0:43:29 | |
Audrey, don't. | 0:43:30 | 0:43:31 | |
What secret is worth losing your son over? | 0:43:33 | 0:43:38 | |
SHE LAUGHS | 0:43:40 | 0:43:42 | |
You know, feeding you lies is like feeding chocolate drops to a puppy. | 0:43:44 | 0:43:49 | |
You just sit there with your tongue hanging out | 0:43:49 | 0:43:52 | |
and then you lap them up and come wagging your tail for more. | 0:43:52 | 0:43:55 | |
Why can't you just be human and accept failure for once? | 0:43:56 | 0:44:01 | |
-SHE SOBS -I just wanted to help you. | 0:44:03 | 0:44:06 | |
No, no, you were just tickled at the thought | 0:44:06 | 0:44:09 | |
of saving some poor, lost soul! | 0:44:09 | 0:44:11 | |
I pity you, Christine. | 0:44:13 | 0:44:15 | |
I really, really pity you. | 0:44:15 | 0:44:16 | |
I have a class. | 0:44:18 | 0:44:20 | |
Children for whom there is still some hope. | 0:44:22 | 0:44:24 | |
Right, come on, Kasey, let's go. | 0:45:00 | 0:45:02 | |
Good luck. | 0:45:02 | 0:45:04 | |
Now, please. | 0:45:04 | 0:45:06 | |
Look, I've had a really long day. I just want to go home. | 0:45:11 | 0:45:15 | |
Yeah, me too. You've got writing materials, I take it? | 0:45:15 | 0:45:19 | |
The only writing I do is righting wrongs | 0:45:19 | 0:45:23 | |
that have been done to me and mine. | 0:45:23 | 0:45:25 | |
And this is one of them. | 0:45:25 | 0:45:28 | |
How poetic. Sit down. | 0:45:28 | 0:45:31 | |
But it's about baseball. | 0:45:41 | 0:45:43 | |
Well, it's about life. | 0:45:43 | 0:45:46 | |
About how it's never too late to achieve your goals. | 0:45:46 | 0:45:49 | |
Jodie, will you just wait a minute? | 0:45:49 | 0:45:51 | |
Right. | 0:45:54 | 0:45:55 | |
I've uploaded loads of visual and audio aids onto this. | 0:45:57 | 0:46:01 | |
It basically covers everything that we cover in class | 0:46:01 | 0:46:03 | |
and each day we're going to go over it. | 0:46:03 | 0:46:06 | |
But this is your laptop. | 0:46:06 | 0:46:08 | |
Yeah, it's OK, I can manage without this one. | 0:46:08 | 0:46:10 | |
I'm sorry, Jodie. | 0:46:11 | 0:46:13 | |
I want to make it up to you. | 0:46:13 | 0:46:15 | |
All right, let's have a look at it. So... | 0:46:18 | 0:46:20 | |
Never cooked nothing before, | 0:46:24 | 0:46:26 | |
so if it works on you, I'm going to test it on monkeys. | 0:46:26 | 0:46:28 | |
-Isn't that right, Mags? -That's right! | 0:46:28 | 0:46:30 | |
Does it contain nuts, Dyno? | 0:46:30 | 0:46:33 | |
It'll contain yours if you call me that again. | 0:46:33 | 0:46:36 | |
Is that us done, then? | 0:46:36 | 0:46:38 | |
What? You must be joking! You're not getting off that lightly! | 0:46:38 | 0:46:41 | |
You and Mr Budgen will be hitting the books later. | 0:46:41 | 0:46:43 | |
Christine. | 0:46:43 | 0:46:45 | |
-What are you doing? -Connor's... | 0:46:48 | 0:46:50 | |
Never mind Connor. What's going on with you? | 0:46:50 | 0:46:53 | |
Connor's leaving, I need to find him. | 0:46:53 | 0:46:56 | |
OK, I'll drive you. | 0:46:57 | 0:46:58 | |
It was always your home. Never mine. | 0:47:59 | 0:48:01 | |
Always waiting for you to come back. | 0:48:03 | 0:48:05 | |
So I went out and found myself someone else. | 0:48:11 | 0:48:13 | |
And don't ask, because I don't remember him. He's gone. | 0:48:13 | 0:48:17 | |
You're not Connor's father. | 0:48:19 | 0:48:21 | |
I wanted you to be. Once. | 0:48:25 | 0:48:28 | |
Come on, Joe. I'm giving you the chance to go. | 0:48:32 | 0:48:34 | |
You're having a new start, remember? | 0:48:34 | 0:48:36 | |
He's a good kid. | 0:48:40 | 0:48:42 | |
Deserves better than you. | 0:48:43 | 0:48:45 | |
Well, you could have stayed with us, given him better. | 0:48:45 | 0:48:47 | |
I was right not to, though, wasn't I? | 0:48:47 | 0:48:49 | |
He wasn't mine. | 0:48:49 | 0:48:50 | |
Well, what difference does it make? I get it now. | 0:48:50 | 0:48:53 | |
You'd have stayed if you loved me. | 0:48:55 | 0:48:57 | |
Come on, Joe. Time to disappear. | 0:49:01 | 0:49:05 | |
You're quite an act, Chrissie. | 0:49:05 | 0:49:08 | |
You always were. | 0:49:08 | 0:49:10 | |
Don't try and stop me. | 0:49:44 | 0:49:46 | |
Connor, your father's gone. | 0:49:47 | 0:49:49 | |
I don't believe you. | 0:49:50 | 0:49:53 | |
I'm so sorry, Connor. | 0:49:53 | 0:49:54 | |
Connor! Connor! | 0:49:56 | 0:50:00 | |
Connor! Your dad will promise you the world, | 0:50:00 | 0:50:04 | |
but he makes promises he can't keep and then he runs. | 0:50:04 | 0:50:07 | |
I want you to be different. | 0:50:08 | 0:50:10 | |
I know you're angry, all those silly stories, | 0:50:12 | 0:50:14 | |
but I was only trying to protect you. | 0:50:14 | 0:50:16 | |
What were you trying to protect me from, Mum? | 0:50:16 | 0:50:19 | |
Maybe I've got you all wrong. | 0:50:20 | 0:50:22 | |
Maybe there's something I'm missing, | 0:50:22 | 0:50:24 | |
something so big that it'll make me see you in a whole new light. | 0:50:24 | 0:50:27 | |
No, didn't think so. | 0:50:30 | 0:50:33 | |
I'm so glad you were here, Michael. | 0:50:59 | 0:51:01 | |
What? | 0:51:11 | 0:51:12 | |
Christine... | 0:51:12 | 0:51:13 | |
I have a responsibility to the school, to the kids. | 0:51:15 | 0:51:19 | |
That has to come first. | 0:51:19 | 0:51:20 | |
Are you firing me? | 0:51:23 | 0:51:25 | |
Well, you were on probation. You knew the score. | 0:51:25 | 0:51:27 | |
What else am I supposed to do? | 0:51:27 | 0:51:29 | |
What about us? | 0:51:39 | 0:51:41 | |
Well, I wanted that to work too, but I guess it was... | 0:51:43 | 0:51:47 | |
I suppose I was fooling myself. | 0:51:47 | 0:51:49 | |
Christine. | 0:51:55 | 0:51:56 | |
You're a recovering alcoholic. | 0:52:00 | 0:52:02 | |
You need to give yourself the time to put your life back together. | 0:52:06 | 0:52:10 | |
This will never happen again, I swear. | 0:52:10 | 0:52:14 | |
You need to try and find a way of telling people the truth. | 0:52:16 | 0:52:19 | |
Starting with your own son. | 0:52:21 | 0:52:24 | |
That's never going to happen. | 0:52:25 | 0:52:27 | |
Connor can never know the truth. | 0:52:29 | 0:52:31 | |
You need help. | 0:52:36 | 0:52:37 | |
What is it? | 0:52:43 | 0:52:45 | |
Christine, what is it? | 0:52:49 | 0:52:50 | |
Joe... | 0:52:57 | 0:52:58 | |
..isn't Connor's father. | 0:53:00 | 0:53:02 | |
I was raped. | 0:53:04 | 0:53:06 | |
What happened? | 0:53:53 | 0:53:54 | |
Hey. | 0:54:00 | 0:54:01 | |
You can trust me. | 0:54:04 | 0:54:06 | |
I, um... | 0:54:19 | 0:54:21 | |
I was on my own in the farmhouse. | 0:54:24 | 0:54:27 | |
Joe's father... | 0:54:29 | 0:54:31 | |
..came in. | 0:54:34 | 0:54:35 | |
He was covered in mud, absolutely covered. | 0:54:40 | 0:54:42 | |
I said something. I had a go, and he got angry and... | 0:54:42 | 0:54:46 | |
..he was on top of me. | 0:54:51 | 0:54:53 | |
I thought I'd put all this in the past. How crazy is that? | 0:54:59 | 0:55:02 | |
And when I heard he left me something in his will, | 0:55:05 | 0:55:08 | |
my blood ran cold. | 0:55:08 | 0:55:10 | |
We'll find a way through this. | 0:55:29 | 0:55:31 | |
See you tomorrow. | 0:55:52 | 0:55:54 | |
Sorry for what? | 0:56:34 | 0:56:35 | |
Sorry for bending back the pages in my book? | 0:56:35 | 0:56:38 | |
Sorry for leaving without saying goodbye? | 0:56:40 | 0:56:42 | |
Or sorry for abandoning me when I needed you most? | 0:56:44 | 0:56:47 | |
So it all went a bit crazy today? | 0:56:54 | 0:56:56 | |
I think I was wrong about my mum. | 0:56:58 | 0:57:01 | |
Then you're way, way ahead of me. | 0:57:01 | 0:57:03 | |
Hey... | 0:57:04 | 0:57:07 | |
he's not making a lot of sense, | 0:57:07 | 0:57:09 | |
but at least he's looking at me | 0:57:09 | 0:57:11 | |
and my scarred face. | 0:57:11 | 0:57:13 | |
I don't want the lies to destroy us like they did me and her. | 0:57:19 | 0:57:22 | |
Mum didn't start the fire. | 0:57:28 | 0:57:30 | |
I did. | 0:57:35 | 0:57:36 | |
Look, listen, OK, I'm sorry. I'm so sorry. | 0:57:38 | 0:57:41 | |
-Sorry? -Listen, listen! | 0:57:41 | 0:57:42 | |
Sorry?! | 0:57:42 | 0:57:44 | |
You can't just sweep this under the carpet. | 0:57:54 | 0:57:56 | |
That's not what I'm trying to do. | 0:57:56 | 0:57:58 | |
Do you have any idea how hard it is | 0:57:58 | 0:57:59 | |
to live with strangers again and again? | 0:57:59 | 0:58:01 | |
There you are with your dirty little secrets! | 0:58:01 | 0:58:03 | |
Well, I'm not spending any more time with you. | 0:58:03 | 0:58:05 | |
We need to make a good impression on Mr Austin Healy. | 0:58:05 | 0:58:08 | |
-Got any rubbish? -Oh, more than you can imagine. | 0:58:08 | 0:58:10 | |
CHEERING | 0:58:10 | 0:58:13 | |
I told Imogen the truth. That it was me that started the fire. | 0:58:15 | 0:58:17 | |
Oh, Connor, please tell me you didn't. | 0:58:17 | 0:58:19 | |
Kevin told me what he saw. | 0:58:19 | 0:58:22 | |
Information indicating you aren't who you say you are. | 0:58:22 | 0:58:24 | |
Why are you listening to Kevin all of a sudden? | 0:58:24 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:53 |