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Mrs Mulgrew. You must be Connor. | 0:00:05 | 0:00:07 | |
We need to find the culprit! | 0:00:10 | 0:00:11 | |
Thank God we banned mobiles. This would be all over YouTube! | 0:00:11 | 0:00:14 | |
-I was wondering if you fancied seeing a movie later? -Are you asking me out on a date, Chalk? | 0:00:14 | 0:00:18 | |
Hey, hey! What is it with you two? | 0:00:18 | 0:00:21 | |
My shout, I think. | 0:00:26 | 0:00:27 | |
Tom, while you're up there... | 0:00:27 | 0:00:29 | |
Is it me, or are these bottles getting smaller? | 0:00:29 | 0:00:31 | |
You are not driving in that state. | 0:00:31 | 0:00:34 | |
Shut your face. | 0:00:34 | 0:00:36 | |
Mum, come on! | 0:00:36 | 0:00:38 | |
Here they are, folks, celebrating destroying your local school. | 0:00:42 | 0:00:45 | |
He's the head of Havelock High. And he's a moron. | 0:00:45 | 0:00:48 | |
I'm coming after you. Watch your back. | 0:00:48 | 0:00:51 | |
Mama? | 0:01:18 | 0:01:20 | |
I need to talk. C'est important. | 0:01:25 | 0:01:29 | |
Lula! | 0:01:30 | 0:01:31 | |
C'est quoi ca? | 0:01:53 | 0:01:55 | |
I made eggs. | 0:01:55 | 0:01:57 | |
Qu'est-ce que tu as mis dedans? | 0:01:57 | 0:02:00 | |
I haven't done anything to them. | 0:02:00 | 0:02:02 | |
Les tu as empoisonee. | 0:02:02 | 0:02:06 | |
Poison? Non. | 0:02:06 | 0:02:09 | |
I am not lying. | 0:02:11 | 0:02:13 | |
Maybe you can trick your mother but not me. | 0:02:13 | 0:02:17 | |
I see what you are. | 0:02:18 | 0:02:22 | |
The pastor knows what you are. | 0:02:22 | 0:02:25 | |
He says you are evil, child. | 0:02:26 | 0:02:29 | |
Tell the pastor to go to hell! | 0:02:29 | 0:02:31 | |
Everyone! Breakfast table! Now! | 0:02:48 | 0:02:51 | |
-Rhiannon's hogging the bathroom. -If you're not out of there in three seconds, I'm coming in. | 0:02:51 | 0:02:55 | |
-Take it easy. -Where do you think you're going? -Need to do my hair. | 0:02:55 | 0:02:59 | |
Table. Now. | 0:02:59 | 0:03:01 | |
-Anyone not in the dining room in five seconds gets no breakfast! -What's all the shouting about? | 0:03:01 | 0:03:06 | |
A new regime. | 0:03:06 | 0:03:08 | |
Too much dilly-dallying in the morning. | 0:03:08 | 0:03:10 | |
From now on, everybody at the tables by eight o'clock. | 0:03:10 | 0:03:14 | |
-Or you forfeit your breakfast. -That's well not fair. -Our house - our rules. | 0:03:14 | 0:03:18 | |
Isn't that right, Mr Budgen? | 0:03:18 | 0:03:20 | |
Indeed it is, Ms Croft. | 0:03:20 | 0:03:22 | |
Right. | 0:03:23 | 0:03:24 | |
Now that calm has been restored, | 0:03:24 | 0:03:27 | |
we can all enjoy our... | 0:03:27 | 0:03:30 | |
CAR ALARM | 0:03:30 | 0:03:32 | |
What the hell is that? | 0:03:32 | 0:03:34 | |
My car alarm. | 0:03:34 | 0:03:36 | |
CAR ALARM CONTINUES Oi, you lot! | 0:03:41 | 0:03:44 | |
Get back here! | 0:03:44 | 0:03:46 | |
Havelock. | 0:03:50 | 0:03:51 | |
Hey. Don't mind me. | 0:04:10 | 0:04:12 | |
You're in the middle of the road! | 0:04:19 | 0:04:21 | |
Just can't see why you can't lay off it for a while. | 0:04:42 | 0:04:45 | |
-All right. Leave it. -Three bottles you had last night. | 0:04:45 | 0:04:49 | |
And I had to put you to your bed. | 0:04:49 | 0:04:50 | |
I never thought I'd say this, Connor, | 0:04:50 | 0:04:52 | |
but you're getting really boring. | 0:04:52 | 0:04:53 | |
You'll need these, by the way. | 0:04:53 | 0:04:55 | |
Rob a public library? | 0:05:02 | 0:05:04 | |
Design books for the competition workshop. | 0:05:04 | 0:05:06 | |
Well, listen, if you need a hand... | 0:05:06 | 0:05:09 | |
And what would Michael say? | 0:05:09 | 0:05:10 | |
He may have a few doubts but he thinks this is a good idea. | 0:05:10 | 0:05:13 | |
No, he doesn't. He thinks offering a cash prize makes it common. | 0:05:13 | 0:05:17 | |
Come on, he's not that bad. | 0:05:17 | 0:05:18 | |
Sian, the man is so uptight you couldn't draw a needle from his... | 0:05:18 | 0:05:22 | |
SCHOOL BELL RINGS | 0:05:22 | 0:05:24 | |
I don't get it. I mean, what did Budgen ever do to them? | 0:05:26 | 0:05:29 | |
It's not just about him though, is it? | 0:05:29 | 0:05:30 | |
It's about all of us. Coming up here. | 0:05:30 | 0:05:32 | |
-Being on their patch. -Coming through! | 0:05:32 | 0:05:34 | |
Well saved, mate. | 0:05:36 | 0:05:39 | |
So now we've got a turf war? | 0:05:40 | 0:05:42 | |
We make it through a bus crash and now this! | 0:05:42 | 0:05:45 | |
We didn't all make it, though, did we? | 0:05:45 | 0:05:47 | |
Tariq, are you around later? | 0:05:48 | 0:05:51 | |
Does it look like I'm going anywhere? | 0:05:51 | 0:05:53 | |
Good. We've got work to do. | 0:05:53 | 0:05:54 | |
Cheryl keep you up, did she? | 0:06:00 | 0:06:02 | |
Yeah, and she spoilt my night out, too. | 0:06:02 | 0:06:04 | |
Oh, right. Who did you out with? | 0:06:04 | 0:06:05 | |
Some of the other mums from the playgroup. | 0:06:05 | 0:06:07 | |
And I had to come home early cos she weren't well. | 0:06:07 | 0:06:09 | |
I'm going stir-crazy in that flat. | 0:06:09 | 0:06:12 | |
Is he ready? | 0:06:13 | 0:06:15 | |
I'll see you later. | 0:06:15 | 0:06:17 | |
He's just in there on the phone to Gerard. | 0:06:17 | 0:06:19 | |
As in "Havelock" Gerard? | 0:06:19 | 0:06:21 | |
Yeah, he's inviting him out, or something, for a coffee. | 0:06:21 | 0:06:24 | |
-Wants to offer him the olive branch. -Well, what for? | 0:06:24 | 0:06:26 | |
Because we have to cooperate with him sooner or later. | 0:06:26 | 0:06:30 | |
He's on his way. Come and find me when he gets here. | 0:06:30 | 0:06:33 | |
Walk! | 0:06:39 | 0:06:40 | |
I think you should pop in on Lorraine's design workshop today. | 0:06:41 | 0:06:44 | |
-Why? -She thinks you don't approve of the competition. | 0:06:44 | 0:06:47 | |
It's not that I don't approve. | 0:06:47 | 0:06:49 | |
I just think there are better ways to motivate the pupils than money. | 0:06:49 | 0:06:52 | |
Really? She thinks it's because you're uptight. | 0:06:52 | 0:06:55 | |
-I am not uptight. -Well, that's what I said. | 0:06:55 | 0:06:59 | |
All right, look. I'll drop in. Make sure there's no trouble. | 0:06:59 | 0:07:01 | |
-Why would there be trouble? -This is Lorraine that we're talking about. | 0:07:01 | 0:07:05 | |
Hey, did you manage to write a few words? | 0:07:05 | 0:07:08 | |
-No. I'm going to wing it. -Right. Is Rose here yet? | 0:07:08 | 0:07:11 | |
She's not coming. Says she can't get the time off work. | 0:07:11 | 0:07:14 | |
Listen, what do you know about a kid called Lula Tibby? | 0:07:14 | 0:07:17 | |
Tsibi. She's year 11. | 0:07:17 | 0:07:19 | |
Yeah, well someone needs to talk to her about road awareness. | 0:07:19 | 0:07:22 | |
I'll add it to the list of other things I need to talk to her about, then. | 0:07:22 | 0:07:25 | |
She a trouble-maker? | 0:07:25 | 0:07:27 | |
Model pupil at her last school, apparently, | 0:07:27 | 0:07:29 | |
but I've been getting reports. | 0:07:29 | 0:07:31 | |
It's a cherry blossom. | 0:07:40 | 0:07:41 | |
Bloke at the garden centre said it was symbolic. | 0:07:41 | 0:07:45 | |
Symbolic of what? | 0:07:45 | 0:07:47 | |
No idea. | 0:07:47 | 0:07:48 | |
I thought Denzil would like it. | 0:07:48 | 0:07:51 | |
I'm the victim of a hate crime. | 0:07:51 | 0:07:54 | |
Really, Grantly? In what way? | 0:07:54 | 0:07:56 | |
Havelock kids have vandalised my car. | 0:07:56 | 0:07:59 | |
OK, then. | 0:07:59 | 0:08:00 | |
I think we're all here. | 0:08:00 | 0:08:02 | |
First of all, I'd like to thank you all for coming. | 0:08:04 | 0:08:08 | |
I think you know that we're all here to pay tribute to Denzil. | 0:08:08 | 0:08:11 | |
But before we begin the actual planting ceremony, | 0:08:12 | 0:08:15 | |
I think Mr Clarkson would like to say a few words. | 0:08:15 | 0:08:18 | |
Tom? | 0:08:18 | 0:08:19 | |
Where's he off to? | 0:08:27 | 0:08:29 | |
He's got a meeting with Gerard. | 0:08:29 | 0:08:31 | |
I've been asked to talk about Denzil. | 0:08:31 | 0:08:33 | |
What is there to say? | 0:08:38 | 0:08:39 | |
Denzil was a great kid. | 0:08:43 | 0:08:45 | |
Full of life. | 0:08:47 | 0:08:49 | |
And too young to have something like this happen to him. | 0:08:50 | 0:08:55 | |
You know what? You all know what a great person he was. | 0:08:58 | 0:09:01 | |
You don't need me going on about it. | 0:09:01 | 0:09:03 | |
Not exactly "Stop All The Clocks". | 0:09:07 | 0:09:10 | |
No. | 0:09:10 | 0:09:11 | |
What was all that about earlier? | 0:09:23 | 0:09:24 | |
What are you talking about? | 0:09:24 | 0:09:26 | |
At the gates. You trying to stare down Clarkson's car. | 0:09:26 | 0:09:29 | |
Who are you? | 0:09:30 | 0:09:32 | |
Imogen. And I reckon something happened to you on that road. | 0:09:32 | 0:09:35 | |
It was like you were in a trance or something. | 0:09:35 | 0:09:38 | |
See, I reckon you had some sort of out-of-body experience. | 0:09:38 | 0:09:41 | |
You know? A moment when you stepped into another conscious realm. | 0:09:41 | 0:09:44 | |
-Please. Leave me. -I'm into that stuff - raptures, trances, astral planing. | 0:09:44 | 0:09:47 | |
-I reckon we should test you. You might have a gift, you know. -I SAID, LEAVE ME ALONE! | 0:09:47 | 0:09:51 | |
Lula, what do you... | 0:09:52 | 0:09:53 | |
DON'T TOUCH ME! | 0:09:53 | 0:09:54 | |
OK. Cooler. Now. | 0:09:54 | 0:09:56 | |
Here we are. | 0:10:00 | 0:10:02 | |
I'm really talking about regular meetings. | 0:10:02 | 0:10:04 | |
See if we can help one another. | 0:10:04 | 0:10:06 | |
We're to be bosom buddies, are we? | 0:10:06 | 0:10:08 | |
We can, at least, cooperate. | 0:10:08 | 0:10:10 | |
There a problem, Mr Budgen? | 0:10:13 | 0:10:14 | |
Yes, there is. Havelock Academy owes me a re-spray. | 0:10:14 | 0:10:18 | |
I beg your pardon? | 0:10:18 | 0:10:19 | |
Call it 200 quid. | 0:10:19 | 0:10:20 | |
What's this about, Grantly? | 0:10:20 | 0:10:23 | |
This is about my car being attacked by hooligans from his school. | 0:10:23 | 0:10:26 | |
-There are no hooligans at Havelock. -We'll let the police decide that, shall we? | 0:10:26 | 0:10:30 | |
Gerard. Would you just give us a minute? | 0:10:30 | 0:10:33 | |
What are you doing? | 0:10:36 | 0:10:38 | |
His pupils ruined my paint job. | 0:10:38 | 0:10:39 | |
Doesn't mean you can just come in and demand 200 quid from him. | 0:10:39 | 0:10:43 | |
-I'll take a cheque. -I'm trying to build bridges here. | 0:10:43 | 0:10:47 | |
And I am trying to get justice. | 0:10:47 | 0:10:49 | |
Now, are you going to help me or not? | 0:10:49 | 0:10:52 | |
I'll come and find you later. Please. | 0:10:52 | 0:10:54 | |
Sorry about that. | 0:10:58 | 0:10:59 | |
Where were we? | 0:11:01 | 0:11:02 | |
It is bad enough that you attack a pupil. | 0:11:08 | 0:11:10 | |
But during Denzil's ceremony? | 0:11:10 | 0:11:12 | |
Not only did you disrespect his memory but you offended everyone in attendance. | 0:11:12 | 0:11:15 | |
And this is just the latest in a long line. | 0:11:15 | 0:11:18 | |
Ever since you came here, you've been nothing but trouble, Lula. | 0:11:18 | 0:11:22 | |
How do you think your mum and dad would feel about your behaviour? | 0:11:24 | 0:11:28 | |
My father is dead. | 0:11:28 | 0:11:29 | |
-Right. Well, we didn't know that. -Lula, if you've got a problem with this school... | 0:11:31 | 0:11:35 | |
This school is stupid and the people out there are stupid. | 0:11:35 | 0:11:38 | |
-They were commemorating a friend. -Why? | 0:11:38 | 0:11:40 | |
It won't bring him back. | 0:11:40 | 0:11:42 | |
Wait there. | 0:11:51 | 0:11:53 | |
-I'm bringing in the mother. Can you speak to her? -Yeah. | 0:11:55 | 0:11:59 | |
God knows what Denzil would have made of this fiasco. | 0:11:59 | 0:12:02 | |
I reckon he'd have enjoyed it. | 0:12:02 | 0:12:04 | |
He always did love a bit of chaos. | 0:12:04 | 0:12:06 | |
See, that's the kind of insight we could have done with earlier. | 0:12:06 | 0:12:09 | |
What do you mean? | 0:12:09 | 0:12:11 | |
Well, you just didn't seem very engaged during the ceremony. | 0:12:11 | 0:12:15 | |
Come on. | 0:12:15 | 0:12:17 | |
Tree planting and peace gardens, it's hardly very Denzil, is it? | 0:12:17 | 0:12:20 | |
Mr Budgen's a good teacher but he can sometimes be a bit rash. | 0:12:20 | 0:12:25 | |
So, you agree Havelock pupils aren't involved? | 0:12:25 | 0:12:28 | |
Well, I think we both know that they probably were. | 0:12:28 | 0:12:31 | |
So, what now? | 0:12:31 | 0:12:33 | |
Make some inquiries. | 0:12:33 | 0:12:35 | |
Find out who was responsible and take it from there. | 0:12:35 | 0:12:37 | |
So this is cooperation, is it? | 0:12:37 | 0:12:40 | |
I think it's better than going to the police. | 0:12:40 | 0:12:42 | |
Must be strange being back. | 0:12:44 | 0:12:45 | |
Strange how? | 0:12:45 | 0:12:47 | |
Coming home can be daunting. All those ghosts waiting for you. | 0:12:47 | 0:12:52 | |
I don't believe in ghosts. | 0:12:53 | 0:12:54 | |
OK. Let's talk about the motifs Fitzgerald employs in Gatsby. | 0:13:05 | 0:13:11 | |
Can anyone tell me what The Green Light represents in the story? | 0:13:11 | 0:13:16 | |
His girlfriend's house, Miss. | 0:13:16 | 0:13:17 | |
Yes. Gatsby associates the light with Daisy, but anything else? | 0:13:17 | 0:13:23 | |
His dreams, Miss. It's the thing he can't reach. | 0:13:23 | 0:13:27 | |
Exactly. | 0:13:27 | 0:13:28 | |
Wasn't Fitzgerald an alcoholic? | 0:13:28 | 0:13:31 | |
I mean, I'm just wondering why we're reading a book written by a guy who was out of his head. | 0:13:32 | 0:13:37 | |
Because it's in the exam, Connor. | 0:13:37 | 0:13:40 | |
But do you think he would have written a better book if he was sober? | 0:13:40 | 0:13:43 | |
Well, I guess we'll never know. | 0:13:43 | 0:13:45 | |
Now, getting back to Gatsby. | 0:13:45 | 0:13:47 | |
Not just him, mind. Loads of them were at it - | 0:13:47 | 0:13:50 | |
Hemmingway, Faulkner, Poe. | 0:13:50 | 0:13:53 | |
-Dorothy Parker? -Yeah. | 0:13:53 | 0:13:55 | |
I mean, why are we listening to a bunch of drunks? | 0:13:55 | 0:13:58 | |
Because, Connor, they have been celebrated for over a century. | 0:13:58 | 0:14:04 | |
Whereas you have just been annoying for the past ten minutes. | 0:14:04 | 0:14:07 | |
THE CHILDREN LAUGH | 0:14:07 | 0:14:08 | |
SCHOOL BELL | 0:14:10 | 0:14:12 | |
"Climb That Mountain - | 0:14:20 | 0:14:22 | |
-"A guide to overcoming personal adversity"? -Yeah. | 0:14:22 | 0:14:24 | |
It's full of great stuff on how you can achieve your goals. | 0:14:24 | 0:14:27 | |
Yeah? Well, right now, my only goal is to get downstairs. | 0:14:27 | 0:14:29 | |
Good. Because that's where I've set up your base camp. Look out! | 0:14:29 | 0:14:32 | |
Coming through! | 0:14:32 | 0:14:33 | |
-What the hell are you playing at? -I'm not playing at anything. | 0:14:38 | 0:14:41 | |
You want to nag me at home - fine. | 0:14:41 | 0:14:43 | |
But you don't bring it to school. | 0:14:43 | 0:14:44 | |
Why not? It's the only place you're sober. | 0:14:44 | 0:14:47 | |
This is my job. | 0:14:47 | 0:14:49 | |
This is what keeps a roof over your head. | 0:14:49 | 0:14:51 | |
And if you don't like that, find yourself somewhere else to live. | 0:14:51 | 0:14:55 | |
# You're so boring to me | 0:15:01 | 0:15:04 | |
# And sometimes I feel | 0:15:04 | 0:15:07 | |
# Like running away from you | 0:15:07 | 0:15:10 | |
# Oh, cos you're so, so boring to me | 0:15:10 | 0:15:15 | |
# And I don't want to spend my time | 0:15:15 | 0:15:19 | |
# Wasting away | 0:15:19 | 0:15:22 | |
# And, well, your company is as thrilling | 0:15:22 | 0:15:25 | |
# As watching it rain... # | 0:15:25 | 0:15:29 | |
Take a seat, Mr Tsibi. | 0:15:36 | 0:15:37 | |
Lula's mother apologises. | 0:15:40 | 0:15:43 | |
She is too sick to come today. | 0:15:43 | 0:15:45 | |
I'm sorry to hear that. | 0:15:45 | 0:15:47 | |
Not as sorry as we are to hear about Lula. | 0:15:47 | 0:15:50 | |
They said she was fighting - at a funeral. | 0:15:50 | 0:15:55 | |
A memorial service, yeah. | 0:15:55 | 0:15:56 | |
What is to be done with her? | 0:15:57 | 0:16:00 | |
Well, that's why we've called you in - | 0:16:00 | 0:16:02 | |
so we can discuss just that. | 0:16:02 | 0:16:04 | |
It would help us if we had an idea of what Lula was like at home. | 0:16:04 | 0:16:08 | |
Very bad. Her mama is ill with her wicked behaviour. | 0:16:11 | 0:16:17 | |
-Can you think of a reason why she might be acting like this? -No. | 0:16:17 | 0:16:21 | |
She has everything. | 0:16:21 | 0:16:23 | |
We feed her, clothe her, love her. | 0:16:23 | 0:16:27 | |
And yet she still disrespects us. | 0:16:28 | 0:16:31 | |
What about her father, Mr Tsibi? | 0:16:33 | 0:16:35 | |
He is not to blame for this. | 0:16:35 | 0:16:39 | |
Would you consider getting her some help? | 0:16:40 | 0:16:42 | |
Already done, Mr Clarkson. | 0:16:42 | 0:16:45 | |
Our pastor is to speak with Lula. | 0:16:45 | 0:16:47 | |
Your pastor? | 0:16:47 | 0:16:48 | |
Pastor Adoula - a very wise man. | 0:16:48 | 0:16:52 | |
Well, some spiritual input would be great, | 0:16:53 | 0:16:56 | |
but I was thinking more along the lines of counselling. | 0:16:56 | 0:17:00 | |
And that is what she will get. | 0:17:00 | 0:17:03 | |
Well, the school can access services... | 0:17:04 | 0:17:07 | |
No need. The pastor will help Lula change her ways. | 0:17:07 | 0:17:12 | |
May I speak with her? | 0:17:13 | 0:17:15 | |
-Thank you, Mr Tsibi. -My pleasure. | 0:17:18 | 0:17:21 | |
You will see the pastor tonight. | 0:17:31 | 0:17:33 | |
SHE WHIMPERS | 0:17:36 | 0:17:38 | |
You've barely even looked at them! | 0:17:44 | 0:17:46 | |
-Why you ripping them up, Miss? -Because they're crap, Rhiannon. | 0:17:46 | 0:17:49 | |
-It took all night. -A whole night, Phoenix? | 0:17:49 | 0:17:51 | |
-Wow. What was that - four, five hours? -Yeah. Maybe. | 0:17:51 | 0:17:54 | |
Listen up. Sit down. All of you. | 0:17:54 | 0:17:57 | |
This isn't homework or some little project you can just bolt together. | 0:17:59 | 0:18:02 | |
You want £5,000 of my money. | 0:18:03 | 0:18:07 | |
You better believe you're going to earn it. | 0:18:07 | 0:18:09 | |
That means coming to ALL the workshops, | 0:18:11 | 0:18:14 | |
putting in the effort, yeah? | 0:18:14 | 0:18:16 | |
So, if you think you've got the balls for that, | 0:18:18 | 0:18:22 | |
sign the register on the table by the end of the day. | 0:18:22 | 0:18:26 | |
That's it. We're done. | 0:18:36 | 0:18:38 | |
This is your mountain. | 0:18:50 | 0:18:53 | |
Looks more like a rope to me. | 0:18:53 | 0:18:54 | |
You need to set yourself a challenge see? Something to work for. | 0:18:54 | 0:18:58 | |
Until, every day you climb higher and higher until you get to the top. | 0:18:58 | 0:19:02 | |
Might sound like a really stupid question, but what's the point? | 0:19:07 | 0:19:10 | |
The point is, the higher you get, the stronger you become. | 0:19:10 | 0:19:13 | |
-Got weights for that. -That's physical. | 0:19:13 | 0:19:15 | |
This is about mental strength. | 0:19:15 | 0:19:18 | |
When something traumatic happens, | 0:19:18 | 0:19:20 | |
we focus on the negatives. | 0:19:20 | 0:19:22 | |
We need to rewire our brains, see what's possible. | 0:19:22 | 0:19:26 | |
That's what this is about - possibilities. | 0:19:26 | 0:19:29 | |
Tariq? | 0:19:30 | 0:19:32 | |
-So, how did I do? -Your approach was interesting. | 0:19:35 | 0:19:39 | |
Really? I was going for ball-breaking. | 0:19:39 | 0:19:41 | |
Look, you have to be more sensitive with them. | 0:19:41 | 0:19:44 | |
Actually, I don't. I'm here to teach the kids about the real world. | 0:19:44 | 0:19:47 | |
-I'll leave all that mollycoddling stuff to you teachers. -Well? | 0:19:47 | 0:19:52 | |
Gerard's assured me he'll find out who's responsible. | 0:19:53 | 0:19:56 | |
Police might do a better job. | 0:19:56 | 0:19:58 | |
We have to keep the peace with Havelock, Grantly. | 0:19:58 | 0:20:01 | |
Just be patient, please. | 0:20:01 | 0:20:03 | |
Would you countenance it? | 0:20:03 | 0:20:04 | |
-For God's sake, grow a pair. -I beg your pardon? | 0:20:04 | 0:20:07 | |
Stop moaning and do something. | 0:20:09 | 0:20:11 | |
-They wrecked your car. Fight back. -You heard what he said. | 0:20:11 | 0:20:15 | |
I don't care what Michael said. This thing happened outside of school. | 0:20:15 | 0:20:20 | |
He's got no jurisdiction. | 0:20:20 | 0:20:22 | |
So, what was going on with your mum this morning? | 0:20:39 | 0:20:42 | |
Why ask her all those questions? | 0:20:43 | 0:20:44 | |
Because I wanted answers. | 0:20:46 | 0:20:48 | |
-Then maybe you'll get them when you drive her home tonight. -I don't know what you're on about. | 0:20:48 | 0:20:53 | |
That wasn't you driving your mum's car last week then? | 0:20:53 | 0:20:57 | |
In a way, I'm kind of jealous. | 0:20:57 | 0:21:00 | |
-That your mum lets you drive. -She didn't LET me. | 0:21:00 | 0:21:04 | |
She was in no fit state to let me... | 0:21:04 | 0:21:05 | |
I mean, she was pretty ill. | 0:21:07 | 0:21:10 | |
You were just looking after her, eh? | 0:21:10 | 0:21:13 | |
Parents - they're a worry. You bring them up. | 0:21:13 | 0:21:16 | |
You try and teach them right from wrong | 0:21:16 | 0:21:19 | |
but, in the end, you have to let them fly from the nest. | 0:21:19 | 0:21:22 | |
What are you on about? | 0:21:23 | 0:21:25 | |
It can't go on for ever. | 0:21:26 | 0:21:28 | |
That was for Denzil. | 0:21:36 | 0:21:38 | |
You ought to learn some respect. | 0:21:39 | 0:21:42 | |
-Oi. You? You evil cow. I know it were you. -Don't know what you're on about. | 0:21:42 | 0:21:46 | |
Yeah, you do. What? You think this is funny? | 0:21:46 | 0:21:48 | |
This is my little brother. | 0:21:48 | 0:21:50 | |
I see he's got your eyes. | 0:21:50 | 0:21:52 | |
Think you're safe. | 0:22:13 | 0:22:15 | |
It's all right, there's plenty of room. | 0:22:15 | 0:22:17 | |
I'm avoiding someone myself. | 0:22:19 | 0:22:21 | |
You got anything to eat? | 0:22:21 | 0:22:23 | |
HE PLAYS OFF-KEY NOTES | 0:23:14 | 0:23:17 | |
Did it hurt? | 0:23:21 | 0:23:23 | |
Your accident. Did it hurt? | 0:23:23 | 0:23:25 | |
At the start. But ever since the hospital, I've not felt anything. | 0:23:27 | 0:23:32 | |
That's the problem. | 0:23:32 | 0:23:34 | |
Are you angry? | 0:23:35 | 0:23:36 | |
-Just one of those things. -Not one of those things. | 0:23:37 | 0:23:41 | |
What happened to you was God's will. | 0:23:41 | 0:23:43 | |
Why would God want to put me in a chair? | 0:23:49 | 0:23:51 | |
-As a punishment. -Punishment?! For what? | 0:23:51 | 0:23:56 | |
Maybe you have an ugly heart. | 0:23:57 | 0:23:59 | |
"An ugly heart"?! | 0:23:59 | 0:24:00 | |
Are you for real? | 0:24:00 | 0:24:02 | |
God punishes evil. | 0:24:02 | 0:24:05 | |
And if he finds it in you, he will act. | 0:24:05 | 0:24:06 | |
There you are. I've been looking all over for you. | 0:24:06 | 0:24:09 | |
It happened to you. No-one else. | 0:24:09 | 0:24:12 | |
Only you and God know what you did. | 0:24:12 | 0:24:14 | |
He punished you so your heart would get better. | 0:24:15 | 0:24:18 | |
What was all that about? | 0:24:22 | 0:24:23 | |
I thought peace gardens and tree planting weren't your thing. | 0:24:33 | 0:24:37 | |
I said they weren't Denzil's thing. | 0:24:37 | 0:24:39 | |
Me? I don't mind them. | 0:24:41 | 0:24:43 | |
So Rose called the office. | 0:24:44 | 0:24:46 | |
Yeah? HE SNIFFS | 0:24:49 | 0:24:50 | |
What did she want? | 0:24:52 | 0:24:54 | |
To ask why she wasn't invited to Denzil's ceremony. | 0:24:54 | 0:24:56 | |
-I didn't call her. -Well, can I ask why? | 0:24:58 | 0:25:02 | |
Didn't know what to say. | 0:25:03 | 0:25:05 | |
How about, "We're paying tribute to Denzil and we'd love it if you could join us."? | 0:25:06 | 0:25:09 | |
I meant, I didn't know what to say about Denzil. | 0:25:09 | 0:25:12 | |
Have you not spoken to Rose since he died? | 0:25:12 | 0:25:15 | |
-Tom? -Dad? You need to come here, quick. | 0:25:18 | 0:25:22 | |
-Tariq! Stop it. -Tariq! | 0:25:29 | 0:25:31 | |
Get off me, now! | 0:25:31 | 0:25:32 | |
-What happened? -I don't know. He just flipped out. He was talking to that Lula girl. | 0:25:32 | 0:25:36 | |
I said, get off me! | 0:25:36 | 0:25:37 | |
-What did she say to you? -Nothing! | 0:25:37 | 0:25:38 | |
-She was going on about God punishing him. -I said, get off ME! | 0:25:38 | 0:25:41 | |
Not until you take it easy. | 0:25:41 | 0:25:42 | |
Tariq. Calm down. Look at me. Calm down. | 0:25:42 | 0:25:46 | |
Lula Tsibi. | 0:25:53 | 0:25:54 | |
Wait there. | 0:25:56 | 0:25:58 | |
Where do you think you're going? | 0:25:58 | 0:26:01 | |
You told Tariq that his condition was a punishment from God? | 0:26:01 | 0:26:05 | |
-How could you say something like that? -Because it's true. | 0:26:05 | 0:26:08 | |
God punishes people who do bad things. | 0:26:08 | 0:26:10 | |
Well, he must have something pretty bad lined up for you. | 0:26:10 | 0:26:12 | |
Because you're the only person doing bad things around here today. | 0:26:12 | 0:26:15 | |
-And according to your uncle, you're no better at home either. -My uncle is a liar! | 0:26:15 | 0:26:19 | |
Not from where I'm standing. | 0:26:19 | 0:26:21 | |
Let's hope this Pastor's as good as your uncle says he is. | 0:26:21 | 0:26:24 | |
SHE SOBS | 0:26:24 | 0:26:25 | |
Lula? | 0:26:28 | 0:26:30 | |
You have to stop them. | 0:26:32 | 0:26:35 | |
Stop who? | 0:26:38 | 0:26:40 | |
They're going to do it tonight. | 0:26:40 | 0:26:43 | |
They're going to do what, Lula? | 0:26:44 | 0:26:46 | |
An exorcism?! | 0:26:48 | 0:26:49 | |
Says her uncle's convinced that she's possessed by a spirit or a demon. | 0:26:49 | 0:26:53 | |
-We should get the police in. -Let's talk to Lula first. | 0:26:53 | 0:26:56 | |
What was all that about? | 0:27:00 | 0:27:02 | |
-Lula's dingbat of an uncle actually thinks that she's a witch. -What? | 0:27:02 | 0:27:07 | |
Oh, did you want something? | 0:27:08 | 0:27:11 | |
Yeah, it was about earlier, | 0:27:11 | 0:27:13 | |
you know, you saying you wanted to have a bit of fun. | 0:27:13 | 0:27:15 | |
Yeah, what about it? | 0:27:15 | 0:27:17 | |
I think I might be able to help you out. | 0:27:17 | 0:27:19 | |
Are you sure? | 0:27:19 | 0:27:20 | |
Yeah. Like you said, you need a decent night out. | 0:27:20 | 0:27:23 | |
Great. When? | 0:27:23 | 0:27:25 | |
How about tonight? | 0:27:25 | 0:27:26 | |
-All right, then? Can you come round to mine at about eight? -Absolutely. | 0:27:26 | 0:27:30 | |
-I can't help you unless you tell me what the problem is. -What's the point? | 0:27:35 | 0:27:39 | |
None of you can tell me why me. | 0:27:39 | 0:27:41 | |
-How come this happened to me? -I can't answer that, Tariq. | 0:27:41 | 0:27:44 | |
Yeah, well, maybe Lula's right. Maybe I deserved it. | 0:27:44 | 0:27:48 | |
Maybe it's Karma or payback or something. | 0:27:48 | 0:27:51 | |
What about Denzil? You think this is your payback? | 0:27:51 | 0:27:54 | |
What did Denzil do to deserve his? | 0:27:54 | 0:27:57 | |
Denzil's different. He was solid. | 0:27:57 | 0:27:59 | |
Yes, he was. And him dying wasn't Karma. | 0:27:59 | 0:28:03 | |
It was just very, very sad. | 0:28:05 | 0:28:07 | |
Lula, can you tell us anything about | 0:28:11 | 0:28:13 | |
why your uncle thinks that you're possessed? | 0:28:13 | 0:28:16 | |
He came to live with us when my father died. | 0:28:22 | 0:28:27 | |
From the beginning, he said... | 0:28:27 | 0:28:31 | |
I was an evil child. | 0:28:31 | 0:28:33 | |
What about your mum, Lula? | 0:28:34 | 0:28:37 | |
Mama is sick with grief. | 0:28:37 | 0:28:39 | |
She doesn't eat. | 0:28:41 | 0:28:43 | |
She doesn't talk. | 0:28:44 | 0:28:46 | |
Does she know what your uncle and this pastor have planned? | 0:28:46 | 0:28:49 | |
Do you have any other friends or family? | 0:28:53 | 0:28:55 | |
Anyone else who could help? | 0:28:55 | 0:28:57 | |
No. I have no-one. | 0:28:59 | 0:29:01 | |
Well, you do now. | 0:29:04 | 0:29:05 | |
You know what this is? Child abuse. Pure and simple. | 0:29:10 | 0:29:13 | |
Well, I'll have a word with child services, see what their take on it is. | 0:29:13 | 0:29:16 | |
-We should get the police in. -I'll call them as well. But, in the meantime, keep an eye on her. | 0:29:16 | 0:29:20 | |
-How's Tariq? -Not great. I've never seen him so defeated. | 0:29:20 | 0:29:24 | |
-I'll have a word with him. -She's got a lot to answer for. | 0:29:24 | 0:29:27 | |
You might want to go easy on her. | 0:29:27 | 0:29:29 | |
LAUGHTER AND CHATTER | 0:29:30 | 0:29:33 | |
Get to your seats, now! | 0:29:37 | 0:29:38 | |
It's not mine, miss. | 0:29:46 | 0:29:48 | |
Where did you get it, Harley? | 0:29:48 | 0:29:50 | |
-It was on the desk when I came in. -Now that's a lie. | 0:29:50 | 0:29:54 | |
You found it in the class? | 0:29:57 | 0:29:59 | |
OK, go on, sit down. | 0:30:01 | 0:30:02 | |
Thank you, Audrey, I will find out who brought it in. | 0:30:06 | 0:30:08 | |
-You sure? -Yes, yes. Just leave it to me. | 0:30:08 | 0:30:12 | |
MUFFLED MUSIC PLAYS | 0:30:24 | 0:30:27 | |
DOG BARKS | 0:30:30 | 0:30:33 | |
DOOR BELL | 0:30:33 | 0:30:34 | |
Mrs Tsibi? | 0:30:39 | 0:30:42 | |
My name's Tom Clarkson. I'm a teacher at Lula's school. | 0:30:42 | 0:30:45 | |
I'd need to speak to Lula's mum. | 0:30:56 | 0:30:59 | |
Rends a l'interieur. | 0:31:01 | 0:31:02 | |
She does not speak English. But you can speak to me. | 0:31:04 | 0:31:08 | |
Lula said it was an exorcism, and you believed her! | 0:31:11 | 0:31:15 | |
I've never seen a kid so scared. | 0:31:15 | 0:31:18 | |
My niece is a very good actress. | 0:31:18 | 0:31:20 | |
But you are taking her to see this pastor, though, right? | 0:31:22 | 0:31:25 | |
Yes. | 0:31:25 | 0:31:26 | |
The pastor will talk to her and give her guidance. | 0:31:26 | 0:31:30 | |
This kind of guidance - | 0:31:32 | 0:31:35 | |
beatings, abuse, some kid made to drink acid? | 0:31:35 | 0:31:38 | |
You think I would let something like this happen to Lula? | 0:31:41 | 0:31:44 | |
So, you don't believe in this Kindoki thing. | 0:31:46 | 0:31:50 | |
Oh, Kindoki! | 0:31:50 | 0:31:52 | |
Kindoki - is this all you people know of the Congo? | 0:31:53 | 0:31:58 | |
What do I believe? | 0:32:01 | 0:32:03 | |
I believe my niece is a very troubled child. | 0:32:03 | 0:32:07 | |
Well, maybe there's a good reason for that. | 0:32:07 | 0:32:09 | |
I mean, she did just lose her dad. | 0:32:09 | 0:32:11 | |
Maybe if you tried to show her a little bit more understanding | 0:32:11 | 0:32:15 | |
rather than calling her wicked, | 0:32:15 | 0:32:16 | |
you might find that her behaviour improves. | 0:32:16 | 0:32:18 | |
-Lula's father is not dead. -What? | 0:32:18 | 0:32:22 | |
My brother was deported back to Kinshasa two months ago. | 0:32:22 | 0:32:25 | |
I see. | 0:32:29 | 0:32:31 | |
Now do you understand what kind of girl we are dealing with, Mr Clarkson? | 0:32:31 | 0:32:36 | |
Think you can speak to Tariq like that and get away with it? | 0:32:47 | 0:32:50 | |
Lula. Turn round. | 0:32:50 | 0:32:52 | |
You better watch your back. | 0:32:57 | 0:33:01 | |
Is there a problem, Lula? | 0:33:02 | 0:33:04 | |
-No, there's no problem. -Right, back to your work, please. | 0:33:05 | 0:33:10 | |
-DON'T TOUCH ME! -Sit down. | 0:33:13 | 0:33:15 | |
Why don't you tell her? | 0:33:16 | 0:33:18 | |
I said, sit. | 0:33:18 | 0:33:20 | |
LULA GROWLS | 0:33:20 | 0:33:21 | |
OK. Outside, please. | 0:33:23 | 0:33:25 | |
I said, outside. | 0:33:27 | 0:33:30 | |
To be honest, I don't know what to think now. | 0:33:39 | 0:33:41 | |
Well, it didn't look like she was lying about the exorcism. | 0:33:41 | 0:33:44 | |
It didn't look like she was lying when she said her dad was dead. | 0:33:44 | 0:33:47 | |
What was your impression of the home set-up? | 0:33:47 | 0:33:49 | |
The mother looks out of it. Like she's disengaged. | 0:33:49 | 0:33:52 | |
-And the uncle? -Not sure. I'm not mad about him describing Lula as wicked. | 0:33:52 | 0:33:57 | |
-No. -Well, we need to be on the safe side, | 0:33:57 | 0:33:59 | |
-so, Sian, why don't you go ahead and let Social Services know? -OK. | 0:33:59 | 0:34:02 | |
Everything OK? | 0:34:02 | 0:34:04 | |
This young lady needs some time in the cooler. | 0:34:04 | 0:34:06 | |
-I'll take her. -Oh, thank you, Mr Clarkson | 0:34:06 | 0:34:09 | |
Come on. | 0:34:09 | 0:34:11 | |
-Something wild about that girl. -She has been having some problems. | 0:34:11 | 0:34:15 | |
Well, until she deals with them, I refuse to teach her. | 0:34:15 | 0:34:18 | |
Come on, Audrey. It's not like you to have discipline problems. | 0:34:18 | 0:34:21 | |
No, no. I can deal with most things - disruption, fights - but that girl is different. | 0:34:21 | 0:34:25 | |
I thought I should let you know that the police are here. | 0:34:25 | 0:34:28 | |
What? What for? | 0:34:28 | 0:34:30 | |
They want to speak to Mr Budgen about that complaint that he made. | 0:34:30 | 0:34:33 | |
Find out where he is. | 0:34:33 | 0:34:35 | |
How many people know? | 0:34:52 | 0:34:54 | |
That there was a bottle of vodka on your desk at lunchtime? | 0:34:56 | 0:35:00 | |
About half the school. | 0:35:00 | 0:35:01 | |
So what happened? | 0:35:12 | 0:35:13 | |
Someone broke in, found the damn thing in my drawer. | 0:35:15 | 0:35:18 | |
And it's not what you think. It was left over from some staff drinks. | 0:35:18 | 0:35:22 | |
I just forgot it was there. | 0:35:22 | 0:35:23 | |
It's OK. You don't have to explain. | 0:35:23 | 0:35:26 | |
Not so sure. Audrey was here. | 0:35:26 | 0:35:30 | |
Saw the whole thing. | 0:35:30 | 0:35:31 | |
She'll just think it belonged to one of the kids. | 0:35:31 | 0:35:34 | |
No, she knew something was up. She's not stupid. | 0:35:34 | 0:35:37 | |
-She can't prove it was yours, though. -No, but she can assume, can't she? | 0:35:37 | 0:35:40 | |
So let her assume. Who cares? | 0:35:40 | 0:35:42 | |
Connor, Connor, kids are not the only ones who gossip. | 0:35:42 | 0:35:44 | |
This will be the talk of the staffroom by tomorrow, | 0:35:44 | 0:35:48 | |
and then it'll get to Byrne and he's going to want some answers. | 0:35:48 | 0:35:51 | |
I can't lose this job, Connor. | 0:35:55 | 0:35:57 | |
I can't lose this job. | 0:36:05 | 0:36:07 | |
I don't understand. You said you'd stop this. | 0:36:19 | 0:36:21 | |
The thing is, Lula, I'm not sure that there is anything to stop. | 0:36:21 | 0:36:25 | |
Your uncle said there isn't going to be an exorcism tonight. | 0:36:25 | 0:36:28 | |
But he's lying! | 0:36:28 | 0:36:29 | |
And what about you? You told us that your father was dead. | 0:36:29 | 0:36:33 | |
Why would you say something like that if it isn't true? | 0:36:36 | 0:36:38 | |
It's true. | 0:36:38 | 0:36:40 | |
Your uncle says your father is at home in Kinshasa. | 0:36:40 | 0:36:42 | |
It can't be both. | 0:36:42 | 0:36:44 | |
Yes, it can. | 0:36:44 | 0:36:46 | |
Lula... | 0:36:46 | 0:36:48 | |
Lula, I need the truth. | 0:36:50 | 0:36:51 | |
He got sick during summer. Very sick. | 0:37:00 | 0:37:03 | |
Mama and I tried to help but he got worse. | 0:37:05 | 0:37:08 | |
He would not go to hospital. | 0:37:10 | 0:37:12 | |
He was illegal. | 0:37:14 | 0:37:15 | |
But I couldn't stand to see him in pain. | 0:37:17 | 0:37:19 | |
So I phoned the ambulance. | 0:37:19 | 0:37:21 | |
So they admitted him to hospital and then they sent him back. | 0:37:23 | 0:37:27 | |
My father left the Congo because his life was in danger. | 0:37:31 | 0:37:35 | |
If he's there now... | 0:37:36 | 0:37:38 | |
..he's dead. | 0:37:43 | 0:37:45 | |
It's probably just one of the kids. | 0:37:53 | 0:37:55 | |
Year 11s are strictly cider or alcopops. Not vodka. | 0:37:55 | 0:37:58 | |
-Then how did it get there? -Maybe it was there all along. | 0:37:58 | 0:38:00 | |
You do know your mum's trending all over the school? | 0:38:04 | 0:38:07 | |
Heard something about it. | 0:38:07 | 0:38:10 | |
Didn't think she was dumb enough to bring vodka into the school. | 0:38:10 | 0:38:13 | |
-You don't even know her. -I know she's smart. | 0:38:13 | 0:38:16 | |
One of the best teachers in this school. | 0:38:16 | 0:38:19 | |
Just a pity you weren't there to take care of her this time. | 0:38:19 | 0:38:21 | |
Are you a friend of Stephen's? | 0:38:23 | 0:38:25 | |
He's all right. | 0:38:25 | 0:38:27 | |
All right? Man's a genius. | 0:38:27 | 0:38:30 | |
If you say so. | 0:38:30 | 0:38:32 | |
There's a horror fest going on at the Royale just now. | 0:38:32 | 0:38:35 | |
They're showing Pet Sematary. Want to go? | 0:38:35 | 0:38:37 | |
You asking me on a date? | 0:38:37 | 0:38:39 | |
Calm yourself. Just a film. | 0:38:39 | 0:38:41 | |
I had a right to report them. | 0:38:41 | 0:38:43 | |
-Yes, you did Grantly. And now you can un-report them. -Why should I? | 0:38:43 | 0:38:47 | |
For the greater good. | 0:38:47 | 0:38:50 | |
We all have to make sacrifices. | 0:38:50 | 0:38:53 | |
Whilst I felt the incident serious enough at the time, | 0:38:53 | 0:38:57 | |
I now realise it didn't warrant police involvement. | 0:38:57 | 0:39:00 | |
You're withdrawing the complaint? | 0:39:00 | 0:39:02 | |
That's about the size of it, yes. | 0:39:02 | 0:39:03 | |
-You admit you made a false accusation? -False my backside. | 0:39:03 | 0:39:07 | |
I saw the little thugs with my own eyes. | 0:39:07 | 0:39:09 | |
I think what Mr Budgen means is on reflection he can't be exactly sure who the culprits were. | 0:39:09 | 0:39:15 | |
Right. | 0:39:15 | 0:39:16 | |
Thanks for your time, constable. | 0:39:17 | 0:39:19 | |
You know, I remember a time when heads supported their staff. | 0:39:21 | 0:39:25 | |
Go on, Rhiannon. | 0:39:38 | 0:39:40 | |
Warned you, didn't I? No-one to help you now. | 0:39:44 | 0:39:48 | |
THEY ALL SHOUT | 0:39:48 | 0:39:50 | |
Please. Leave me alone. | 0:39:50 | 0:39:52 | |
Why should we? You didn't leave Tariq alone, did you? Come on. | 0:39:52 | 0:39:56 | |
HEAVY INDUSTRIAL MUSIC | 0:39:58 | 0:40:02 | |
Come on. Stop it. Let's go. | 0:40:16 | 0:40:20 | |
You should ignore Rhiannon. She just likes throwing her weight around. | 0:40:27 | 0:40:31 | |
Look, I want to help you. | 0:40:32 | 0:40:35 | |
I don't need your help. | 0:40:35 | 0:40:38 | |
I'm sorry about this morning. I feel like it was all my fault. | 0:40:38 | 0:40:41 | |
No. I shouldn't have behaved that way. | 0:40:41 | 0:40:44 | |
Maybe my uncle is right. Maybe I'm evil. | 0:40:44 | 0:40:46 | |
You're not evil, Lula. | 0:40:46 | 0:40:48 | |
Do you know him? | 0:40:50 | 0:40:51 | |
Oi! What are you doing? | 0:40:51 | 0:40:54 | |
Hey! | 0:40:54 | 0:40:55 | |
Well, her father's deportation would explain her behaviour. | 0:41:00 | 0:41:03 | |
According to Lula, the mother blames her for calling the ambulance. | 0:41:03 | 0:41:08 | |
Well, I hope you told her that's rubbish and it wasn't her fault. | 0:41:08 | 0:41:11 | |
You did tell her that, didn't you? | 0:41:14 | 0:41:16 | |
Tom? | 0:41:19 | 0:41:20 | |
-He came here because of me. -Who did? | 0:41:24 | 0:41:27 | |
Denzil. | 0:41:28 | 0:41:29 | |
Is that what this is about? | 0:41:32 | 0:41:34 | |
You think Denzil was on that bus because of you? | 0:41:34 | 0:41:37 | |
Why else would he come? | 0:41:39 | 0:41:41 | |
The same reason we all did. | 0:41:41 | 0:41:43 | |
To make a fresh start, and to be with friends. | 0:41:43 | 0:41:46 | |
You are no more responsible for Denzil than Lula is for her father. | 0:41:46 | 0:41:50 | |
I just... | 0:41:52 | 0:41:53 | |
I just wish he'd have stayed in Rochdale. | 0:41:55 | 0:41:57 | |
I know. | 0:41:58 | 0:41:59 | |
DOOR OPENS | 0:41:59 | 0:42:01 | |
Lula! He took Lula! | 0:42:01 | 0:42:04 | |
Any luck with the bottle? | 0:42:08 | 0:42:10 | |
No, afraid not. | 0:42:10 | 0:42:12 | |
I spoke to them but it's like they've got an Omerta. | 0:42:12 | 0:42:16 | |
But don't worry. I'm not finished yet. | 0:42:16 | 0:42:18 | |
-I will find out who brought it in. -It was me. | 0:42:18 | 0:42:21 | |
You brought alcohol to school? | 0:42:25 | 0:42:27 | |
Yeah. Found it at a mate's house. | 0:42:28 | 0:42:31 | |
Why bring it here? | 0:42:31 | 0:42:34 | |
Showing off, I guess. Thought I might drink it after school. | 0:42:34 | 0:42:38 | |
So how did the bottle end up on your mum's desk? | 0:42:40 | 0:42:43 | |
Must've left it here this morning. | 0:42:45 | 0:42:47 | |
Must have fallen out my bag. | 0:42:47 | 0:42:50 | |
As for Mum's desk, someone else must have put it there. | 0:42:50 | 0:42:53 | |
I'm really sorry, Mum. | 0:42:55 | 0:42:57 | |
Yes, well. It's just not good enough, Connor. | 0:42:57 | 0:43:01 | |
One thing after another with you. | 0:43:01 | 0:43:03 | |
You know what happens when you bring alcohol into school? | 0:43:05 | 0:43:08 | |
Suspension. Yeah. | 0:43:08 | 0:43:10 | |
There's no need for that. | 0:43:12 | 0:43:14 | |
Least you owned up. | 0:43:14 | 0:43:15 | |
We can let you off with a warning this time. | 0:43:15 | 0:43:20 | |
But you can bet we'll be dealing with this when we get home. | 0:43:20 | 0:43:23 | |
Uncle, please. | 0:43:37 | 0:43:40 | |
Please don't. Let me go. | 0:43:40 | 0:43:41 | |
Please! | 0:43:43 | 0:43:44 | |
KNOCKS ON DOOR | 0:43:50 | 0:43:51 | |
Mrs Tsibi, open up, please. | 0:43:51 | 0:43:55 | |
Mrs Tsibi, I know you're in there. I need your help. Please! | 0:43:56 | 0:44:00 | |
J'ai besoin de votre aide. | 0:44:03 | 0:44:06 | |
I need help, Mrs Tsibi, do you understand? | 0:44:06 | 0:44:10 | |
Lula est en danger. | 0:44:10 | 0:44:13 | |
She's in danger, Mrs Tsibi. | 0:44:13 | 0:44:15 | |
Do you understand? | 0:44:15 | 0:44:17 | |
DOOR OPENS | 0:44:18 | 0:44:20 | |
What do you mean "in danger"? | 0:44:21 | 0:44:23 | |
Please, let me go. | 0:44:26 | 0:44:28 | |
I promise. I'll be good. I promise. | 0:44:30 | 0:44:33 | |
The pastor will be here soon. You should pray now. | 0:44:33 | 0:44:35 | |
If you care for your soul, you will pray. | 0:44:37 | 0:44:41 | |
Pray to be clean. | 0:44:42 | 0:44:44 | |
Only the pastor can help you now. | 0:44:46 | 0:44:50 | |
Your mother, your school. | 0:44:50 | 0:44:52 | |
They do not care for your soul. | 0:44:52 | 0:44:54 | |
Now. | 0:45:02 | 0:45:04 | |
Pray! | 0:45:05 | 0:45:07 | |
No, this is not happening. | 0:45:28 | 0:45:29 | |
Lula seems pretty sure it is. | 0:45:29 | 0:45:31 | |
She tells lies, stories, always about her uncle. | 0:45:31 | 0:45:34 | |
Maybe those stories are true. | 0:45:34 | 0:45:35 | |
Lionel is a good man. He helps us. | 0:45:35 | 0:45:37 | |
-He provides for us. -I need you to help me find Lula. | 0:45:37 | 0:45:42 | |
No. I can't. | 0:45:42 | 0:45:43 | |
I'm sick. I cannot think about this. Not now. | 0:45:43 | 0:45:46 | |
Mrs Tsibi, please! | 0:45:46 | 0:45:48 | |
No. Now, please go. | 0:45:48 | 0:45:49 | |
I know what happened to your husband. | 0:45:49 | 0:45:52 | |
-You're worried. I understand. -You do not know how I am feeling. | 0:45:52 | 0:45:55 | |
I know that Lula thinks that you blame her for what happened to her father. | 0:45:55 | 0:45:58 | |
You're grieving, Mrs Tsibi, | 0:46:01 | 0:46:03 | |
but you need to wake up. Lula needs you. | 0:46:03 | 0:46:06 | |
-I do not know where they can be. -I think they're with Adoula. | 0:46:06 | 0:46:10 | |
He took her to Adoula? | 0:46:12 | 0:46:15 | |
ADOULA PREACHES IN FRENCH | 0:46:15 | 0:46:18 | |
Let her go! | 0:46:36 | 0:46:37 | |
-I said, let her go! -This is not your concern. | 0:46:38 | 0:46:41 | |
This is my pupil. | 0:46:41 | 0:46:43 | |
I am her family! | 0:46:43 | 0:46:44 | |
I am caring for her. | 0:46:44 | 0:46:46 | |
YOU should go home. | 0:46:46 | 0:46:48 | |
Lula! | 0:46:48 | 0:46:49 | |
Mama? | 0:46:49 | 0:46:52 | |
-It's for her own good. -What is good about this? | 0:46:53 | 0:46:57 | |
He just wants his money. | 0:46:57 | 0:46:59 | |
He fills his pockets with your stupidity. | 0:46:59 | 0:47:01 | |
-The child is bad. You know this. -She is a child, Lionel. | 0:47:01 | 0:47:05 | |
And we are supposed to be taking care of her. | 0:47:05 | 0:47:08 | |
I am taking care of her now. While you lie crying in your bed. | 0:47:08 | 0:47:10 | |
Well, I am awake now. And I will take my daughter home. | 0:47:10 | 0:47:15 | |
Don't come to my house again. | 0:47:17 | 0:47:19 | |
Cecile... | 0:47:22 | 0:47:23 | |
SIRENS WAIL | 0:47:24 | 0:47:28 | |
Too right, I did. | 0:47:28 | 0:47:30 | |
SIRENS GET CLOSER | 0:47:36 | 0:47:39 | |
You, um... | 0:47:56 | 0:47:58 | |
You shouldn't have taken the blame. | 0:47:58 | 0:48:01 | |
This was my mess, not yours. | 0:48:01 | 0:48:03 | |
Well, you need to keep your job and I need a place to live. | 0:48:03 | 0:48:09 | |
I'm sorry about this morning. | 0:48:11 | 0:48:13 | |
Forget about it. | 0:48:13 | 0:48:15 | |
And you're right about the booze. | 0:48:17 | 0:48:20 | |
It's time I laid it off it for a bit. | 0:48:20 | 0:48:23 | |
For real? | 0:48:23 | 0:48:24 | |
Today was too close for comfort. | 0:48:26 | 0:48:28 | |
Well, good. I'm glad. | 0:48:30 | 0:48:34 | |
So... | 0:48:38 | 0:48:39 | |
..how about me and you going for a bite to eat? | 0:48:41 | 0:48:43 | |
Actually, I'm going out tonight. | 0:48:45 | 0:48:47 | |
Oh, right. | 0:48:47 | 0:48:49 | |
-I can put them off. -No. It's fine. | 0:48:49 | 0:48:52 | |
I'll just grab a take away or something. | 0:48:52 | 0:48:55 | |
Oh, and Connor... | 0:48:59 | 0:49:01 | |
..thanks. | 0:49:03 | 0:49:04 | |
-You wanted to see me? -Yeah. About tonight. Can we do half seven instead of eight? | 0:49:15 | 0:49:20 | |
Yeah. Sure. Whatever. | 0:49:20 | 0:49:22 | |
-We've booked a lane. -Eh? | 0:49:22 | 0:49:23 | |
-What? Me and the girls. We're going bowling. -You and the girls? | 0:49:23 | 0:49:27 | |
Yeah, from playgroup. | 0:49:27 | 0:49:29 | |
Well, what are we going to do tonight? | 0:49:29 | 0:49:31 | |
Well, you're going to come over and baby-sit Cheryl. | 0:49:31 | 0:49:34 | |
-Help me out, like you said. -Yeah, course I am. | 0:49:34 | 0:49:37 | |
-It's still all right, isn't it? -Yeah. Half seven it is. | 0:49:37 | 0:49:40 | |
SHE SQUEALS IN DELIGHT Mwah! | 0:49:40 | 0:49:42 | |
Oh, Chalky, you are an absolute star. | 0:49:42 | 0:49:46 | |
Hello? Hiya, babes. | 0:49:50 | 0:49:51 | |
Yeah, tonight, it's on. | 0:49:51 | 0:49:53 | |
Right. OK. | 0:50:10 | 0:50:12 | |
-Yeah. Bye. -Well? | 0:50:15 | 0:50:17 | |
She's safe. Tom's with her now. | 0:50:17 | 0:50:19 | |
Great. | 0:50:19 | 0:50:21 | |
So, what was the final score, then? | 0:50:21 | 0:50:25 | |
We didn't fill the workshops. | 0:50:25 | 0:50:27 | |
Well, don't be too down-hearted. | 0:50:27 | 0:50:28 | |
It's like I said - with the kids you have to tread a bit more softly. | 0:50:28 | 0:50:32 | |
Sian and I can talk to them. | 0:50:32 | 0:50:34 | |
We OVERfilled them. | 0:50:34 | 0:50:36 | |
Looks like they've got thicker skins than you give them credit for. | 0:50:36 | 0:50:40 | |
You OK? | 0:50:41 | 0:50:42 | |
You look a little tense. | 0:50:42 | 0:50:45 | |
No, no. I'm thrilled that the workshop was such a... | 0:50:45 | 0:50:48 | |
tremendous success. | 0:50:48 | 0:50:51 | |
See you later. | 0:50:51 | 0:50:52 | |
-I'm not uptight. -That's what I said. | 0:50:56 | 0:50:59 | |
-Have you seen Tariq? -No. | 0:50:59 | 0:51:00 | |
I am not uptight | 0:51:02 | 0:51:04 | |
Madi? What are you doing here? | 0:51:23 | 0:51:27 | |
You said I should come visit. | 0:51:27 | 0:51:29 | |
So here I am. | 0:51:30 | 0:51:32 | |
Surprised or what? | 0:51:33 | 0:51:35 | |
-Hurry up - we'll miss the bus. -PHONE CHIMES | 0:51:41 | 0:51:43 | |
You coming or what? | 0:51:53 | 0:51:55 | |
Would you mind if I cried off? | 0:51:59 | 0:52:00 | |
-Something I said? -Course not. | 0:52:00 | 0:52:03 | |
It's just I need to take care of something. | 0:52:03 | 0:52:05 | |
Your loss. | 0:52:07 | 0:52:08 | |
See you tomorrow, then? | 0:52:08 | 0:52:10 | |
Lula... | 0:52:21 | 0:52:22 | |
I'm sorry. | 0:52:22 | 0:52:24 | |
-It's OK, Mama. -No. | 0:52:24 | 0:52:26 | |
I was selfish. I left you to deal with Lionel. | 0:52:26 | 0:52:30 | |
Well, no longer. | 0:52:30 | 0:52:33 | |
I am here for you now. | 0:52:34 | 0:52:36 | |
Tonight, we will eat and talk of your father, yes? | 0:52:37 | 0:52:43 | |
Thank you. | 0:52:44 | 0:52:46 | |
I'll be up in a minute. | 0:52:48 | 0:52:49 | |
Sir. | 0:52:49 | 0:52:52 | |
Thank you. | 0:52:52 | 0:52:54 | |
It was pretty scary, eh? | 0:52:54 | 0:52:56 | |
The scary thing was thinking no-one was coming to help. | 0:52:56 | 0:52:59 | |
Well, we did cut it a bit fine. | 0:52:59 | 0:53:02 | |
You did the right thing, Lula, with your father. | 0:53:04 | 0:53:08 | |
You know that? | 0:53:08 | 0:53:10 | |
Rose? It's me. | 0:53:32 | 0:53:35 | |
Didn't take too long to find the culprits. | 0:53:49 | 0:53:51 | |
A quick interrogation and they soon cracked. | 0:53:51 | 0:53:55 | |
-But how did you... -The re-spray? The ring leader's father owns a garage. | 0:53:55 | 0:53:59 | |
Told him if he didn't fix this by the time you got home, I'd exclude his son. | 0:53:59 | 0:54:03 | |
Listen, thanks for not reporting this to the police. | 0:54:07 | 0:54:11 | |
You had every right. | 0:54:11 | 0:54:13 | |
My boss doesn't agree. | 0:54:13 | 0:54:15 | |
Well, of course. | 0:54:15 | 0:54:16 | |
Michael Byrne and the police don't mix so well. | 0:54:16 | 0:54:20 | |
What that's supposed to mean? | 0:54:20 | 0:54:22 | |
Maybe you should ask him. | 0:54:22 | 0:54:24 | |
OK, I'll let you get on. | 0:54:24 | 0:54:28 | |
JAZZ MUSIC ON RADIO | 0:54:49 | 0:54:52 | |
Well, look who it is! | 0:54:57 | 0:55:00 | |
What are you doing, Mum? | 0:55:00 | 0:55:01 | |
I'm having a little... | 0:55:01 | 0:55:04 | |
..celebration. | 0:55:07 | 0:55:09 | |
Yeah? What's the occasion? | 0:55:09 | 0:55:12 | |
The occasion, Connor, my darling... | 0:55:13 | 0:55:18 | |
is that I finally worked it out. | 0:55:18 | 0:55:21 | |
It was a set-up, wasn't it? | 0:55:23 | 0:55:25 | |
Your plan was to leave the bottle there all along. | 0:55:27 | 0:55:31 | |
You thought you would show me up, didn't you? | 0:55:33 | 0:55:36 | |
Out me? | 0:55:36 | 0:55:38 | |
Personally, I think that was a clumsy move. | 0:55:40 | 0:55:44 | |
But the aftermath, now THAT was inspired! | 0:55:44 | 0:55:49 | |
Acting concerned for me, and then the masterstroke - the confession! | 0:55:50 | 0:55:56 | |
Making me think that poor, little, innocent Connor | 0:55:56 | 0:56:00 | |
took the blame to save his mum. | 0:56:00 | 0:56:03 | |
I only did it to make you see... | 0:56:03 | 0:56:04 | |
See what?! | 0:56:04 | 0:56:05 | |
How twisted you are? | 0:56:08 | 0:56:10 | |
How much you want to hurt me? | 0:56:10 | 0:56:12 | |
-I'm trying to help you. -I can't believe anything you say. | 0:56:12 | 0:56:15 | |
And you wonder why I drink? | 0:56:19 | 0:56:21 | |
FIRE ALARM BEEPS | 0:57:31 | 0:57:34 | |
Mum! | 0:57:44 | 0:57:46 | |
Mum, what have you done?! | 0:57:46 | 0:57:48 | |
No, Mum, get out! | 0:57:48 | 0:57:50 | |
Mum, get out! | 0:57:51 | 0:57:53 | |
Thing is...I'm moving on. | 0:58:02 | 0:58:05 | |
I love you. | 0:58:05 | 0:58:08 | |
35 student files, as requested. | 0:58:08 | 0:58:10 | |
The government pays seven grand per pupil. | 0:58:10 | 0:58:15 | |
So that's 250 grand that he has robbed out of my till. | 0:58:15 | 0:58:18 | |
Be careful, it's held together by plastic. | 0:58:18 | 0:58:22 | |
-I melted a pen top. -It's beautiful. | 0:58:22 | 0:58:24 | |
Is it true, sir? | 0:58:24 | 0:58:26 | |
Is this really you? | 0:58:26 | 0:58:27 | |
It's on all the notice boards. | 0:58:27 | 0:58:29 | |
What did you say? | 0:58:29 | 0:58:31 | |
I told him that you're a devious, selfish little weirdo that can't be trusted. | 0:58:31 | 0:58:36 | |
-What's he doing out there on his own? -TARIQ! | 0:58:36 | 0:58:38 | |
Subtitles by Red Bee Media Ltd | 0:59:06 | 0:59:09 |