Browse content similar to The Past Is a Foreign Country. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language and some scenes of a sexual nature. | 0:00:05 | 0:00:12 | |
Someone said that death might end a life, | 0:00:50 | 0:00:55 | |
but for the survivor, the relationship struggles on, | 0:00:55 | 0:00:59 | |
seeking resolution it may never find. | 0:00:59 | 0:01:02 | |
I suppose we should have guessed that | 0:01:03 | 0:01:06 | |
the death of one of us would bring us back together, | 0:01:06 | 0:01:09 | |
but none of us are under any illusion that time heals. | 0:01:09 | 0:01:12 | |
Ms Pugh? | 0:01:16 | 0:01:18 | |
Ewan Fleming, Gibson and Parks, Solicitors. | 0:01:18 | 0:01:22 | |
It was they who raised the alarm. The police broke down the door, | 0:01:49 | 0:01:52 | |
bit of a make do and mend job, I'm afraid. | 0:01:52 | 0:01:55 | |
Once the post-mortem confirmed death as natural causes, | 0:02:02 | 0:02:05 | |
the police got in a company to disinfect the place. | 0:02:05 | 0:02:08 | |
As executor of the will, you'll need to settle the charge from the estate. | 0:02:08 | 0:02:11 | |
The chemicals, when they sanitised it. | 0:02:14 | 0:02:18 | |
Under the terms of the will, you and the other legatees | 0:02:21 | 0:02:24 | |
can dispose of any personal items as you choose. | 0:02:24 | 0:02:27 | |
Are they coming today, too? | 0:02:27 | 0:02:28 | |
Mmm. | 0:02:28 | 0:02:31 | |
Is it right you all lived together? | 0:02:31 | 0:02:35 | |
"Former flatmates", it says in the will. | 0:02:35 | 0:02:37 | |
We lost touch...over the years. | 0:02:38 | 0:02:41 | |
When probate is complete, the flat will be sold, | 0:02:43 | 0:02:47 | |
all debts discharged, | 0:02:47 | 0:02:49 | |
after which, the estate will be divided between you and the others. | 0:02:49 | 0:02:53 | |
Drop them off at your convenience. | 0:02:56 | 0:02:59 | |
How long was it, before they found the... | 0:03:05 | 0:03:07 | |
Two weeks. | 0:03:07 | 0:03:09 | |
Joy of city life, eh(?) | 0:03:09 | 0:03:11 | |
I'll get back to you as soon as possible. | 0:04:13 | 0:04:15 | |
Thanks, bye. | 0:04:15 | 0:04:18 | |
Next six! | 0:04:18 | 0:04:19 | |
The old man bought the lease. Cheaper than shelling out on rent, | 0:04:23 | 0:04:27 | |
which makes me a landlord. | 0:04:27 | 0:04:29 | |
As a paid-up member of the "all property is theft" club, | 0:04:29 | 0:04:31 | |
the joke is on me. | 0:04:31 | 0:04:33 | |
A shared one, three guineas a week, | 0:04:33 | 0:04:35 | |
needs decorating and shit, like the others. | 0:04:35 | 0:04:37 | |
The other single, fiver a week. And the double is across the hall. | 0:04:37 | 0:04:41 | |
Which one are you again? | 0:04:50 | 0:04:52 | |
Charlotte Pugh. | 0:04:52 | 0:04:54 | |
So, Charlotte Pugh... | 0:04:55 | 0:04:57 | |
..do you like what you see? | 0:04:58 | 0:05:01 | |
I like. | 0:05:01 | 0:05:03 | |
I'm not about to lay a load of crap | 0:05:10 | 0:05:12 | |
about cleaning rotas on you, | 0:05:12 | 0:05:15 | |
just set out a kind of modus operandi about living here. | 0:05:15 | 0:05:19 | |
We have a chance to challenge the status quo, | 0:05:23 | 0:05:25 | |
prove there's an alternative socio-economic model to live by | 0:05:25 | 0:05:29 | |
other than the nuclear bloody family, | 0:05:29 | 0:05:30 | |
-by sharing our labour, our energy, our resources. -Like a commune? | 0:05:30 | 0:05:37 | |
Works for them in China. | 0:05:37 | 0:05:38 | |
Didn't they abolish landlords in China? Execute them? | 0:05:40 | 0:05:43 | |
-Your name? -Harper. Alan. Alan. | 0:05:47 | 0:05:49 | |
That's OK, thanks. | 0:05:49 | 0:05:51 | |
OK, see what I'm trying to say, Alan, is, | 0:05:52 | 0:05:56 | |
what's the point in social mobility | 0:05:56 | 0:05:58 | |
if we just carry the same tired old values around with us, you know? | 0:05:58 | 0:06:02 | |
So what we do is we construct a model of living based on equality, | 0:06:02 | 0:06:08 | |
based on the welfare of the group, | 0:06:08 | 0:06:10 | |
rather than the selfish needs of the individual. | 0:06:10 | 0:06:13 | |
Up to, and including, sex. | 0:06:13 | 0:06:17 | |
Aren't all relationships just another form of ownership? | 0:06:24 | 0:06:27 | |
What is he on about? | 0:06:27 | 0:06:28 | |
Eliminate the exclusivity of couples, you eliminate jealousy | 0:06:28 | 0:06:32 | |
and all the corrosive shit which goes with it, so we make a rule. | 0:06:32 | 0:06:37 | |
No sleeping with the same person, flatmates included, | 0:06:37 | 0:06:40 | |
on more than three consecutive nights. | 0:06:40 | 0:06:43 | |
What sort of godless set up are you running here? | 0:06:43 | 0:06:45 | |
I want no part of it, frankly. | 0:06:45 | 0:06:48 | |
Better out than in, as they say. Let's take a vote. | 0:06:52 | 0:06:55 | |
All those in favour of the godless set up, as outlined? | 0:06:55 | 0:07:00 | |
OK. | 0:07:05 | 0:07:07 | |
Great. | 0:07:07 | 0:07:08 | |
Message received. | 0:07:10 | 0:07:13 | |
Over and out. | 0:07:13 | 0:07:14 | |
I'll let you know. Send up the next lot, will you? | 0:07:24 | 0:07:26 | |
'Since his stroke, the silent vigil for Churchill's recovery continues | 0:07:33 | 0:07:38 | |
'as the whole country prays for him | 0:07:38 | 0:07:40 | |
'in this, his darkest hour. | 0:07:40 | 0:07:42 | |
'His defiant vow, "We shall never surrender" | 0:07:43 | 0:07:47 | |
'has never been more apt.' | 0:07:47 | 0:07:49 | |
Amen to that, eh? | 0:07:49 | 0:07:51 | |
The girl who owns the flat you saw, | 0:07:55 | 0:07:58 | |
is she at your college, too? | 0:07:58 | 0:08:00 | |
What does it matter? | 0:08:01 | 0:08:03 | |
If I was one of the chosen few I'd have heard by now. | 0:08:03 | 0:08:05 | |
Susan Reynolds from Girl Guides. She has a flat in Marble Arch. | 0:08:07 | 0:08:12 | |
Her mother says she's looking for someone to share with. | 0:08:12 | 0:08:14 | |
She's an air hostess now. | 0:08:14 | 0:08:15 | |
She'll be away half the time. You'd have the place to yourself. | 0:08:15 | 0:08:18 | |
Where's the fun in that, eh? | 0:08:18 | 0:08:20 | |
The point is to be near college for her studies, isn't it? | 0:08:20 | 0:08:23 | |
-Doesn't preclude her having a bit of fun, does it? -I didn't say it did. | 0:08:23 | 0:08:26 | |
Leave space for the crumble. | 0:08:29 | 0:08:31 | |
Mum's OK about this, isn't she? | 0:08:32 | 0:08:35 | |
If I do move out? | 0:08:35 | 0:08:37 | |
Nothing stays the same. | 0:08:37 | 0:08:38 | |
She has to face that, like the rest of us. | 0:08:38 | 0:08:41 | |
We only have one life, after all. | 0:08:41 | 0:08:44 | |
HER PARENTS ARGUE | 0:08:44 | 0:08:46 | |
MUSIC: "My Generation" by The Who | 0:09:01 | 0:09:04 | |
# People try to put us down Talking 'bout my generation. # | 0:09:06 | 0:09:10 | |
-Hello. -Hello. | 0:09:10 | 0:09:11 | |
# Just because we get around Talking 'bout my generation | 0:09:11 | 0:09:16 | |
# Things they do look awful c-c-cold Talking 'bout my generation | 0:09:16 | 0:09:21 | |
# I hope I die before I get old Talking 'bout my generation | 0:09:21 | 0:09:25 | |
# This is my generation | 0:09:25 | 0:09:27 | |
# This is my generation, baby | 0:09:27 | 0:09:31 | |
# Why don't you all f-fade away Talking 'bout my generation | 0:09:31 | 0:09:35 | |
# Don't try to dig what we all say Talking 'bout my generation | 0:09:35 | 0:09:40 | |
# I'm not trying to cause a big s-s-sensation | 0:09:40 | 0:09:43 | |
# Talking 'bout my generation | 0:09:43 | 0:09:45 | |
# I'm just talking 'bout my g-g-g-generation | 0:09:45 | 0:09:48 | |
# Talking 'bout my generation | 0:09:48 | 0:09:50 | |
# This is my generation | 0:09:50 | 0:09:52 | |
# This is my generation, baby... # | 0:09:52 | 0:09:55 | |
'First US combat troupes deployed in Vietnam have...' | 0:09:59 | 0:10:02 | |
'All day long there's been a sort of pilgrimage to Sir Winston's house. | 0:10:02 | 0:10:06 | |
'Families have come in from the country, young couples...' | 0:10:06 | 0:10:09 | |
No, sorry, no, north, the signal comes from Alexandra Palace. | 0:10:11 | 0:10:15 | |
Damned thing isn't thickening. | 0:10:15 | 0:10:17 | |
That's it. | 0:10:17 | 0:10:19 | |
Everyone, this is Lilly. Lilly, everyone. | 0:10:23 | 0:10:25 | |
-Hiya. -Lilly's studying painting at... Where was it? | 0:10:25 | 0:10:29 | |
Hornsey College of Art. | 0:10:29 | 0:10:31 | |
-I'm Jay. -Hi. -Hi, I'm Charlotte. -Hi. | 0:10:31 | 0:10:36 | |
Come and get it. | 0:10:36 | 0:10:38 | |
You know what, I've just clocked it! I've just clocked it! | 0:10:39 | 0:10:43 | |
I've just clocked why he's chosen us. | 0:10:45 | 0:10:48 | |
Jack, why he's chosen us, in particular. | 0:10:48 | 0:10:52 | |
We're his guinea pigs! | 0:10:54 | 0:10:56 | |
-His what? -Exactly. | 0:10:56 | 0:10:59 | |
His socio-economic mix. | 0:10:59 | 0:11:01 | |
Think about it, | 0:11:03 | 0:11:06 | |
he's got the class thing covered, hasn't he? | 0:11:06 | 0:11:09 | |
Race, you know, and you. | 0:11:09 | 0:11:12 | |
He's got the professions covered - | 0:11:12 | 0:11:15 | |
computing, medicine, English, law, | 0:11:15 | 0:11:17 | |
art and... | 0:11:17 | 0:11:20 | |
Psychology. | 0:11:20 | 0:11:21 | |
Yeah, and that. So he's hand-picked every one of us, | 0:11:21 | 0:11:25 | |
to conduct his social experiment. | 0:11:25 | 0:11:29 | |
Well, I'm not sure anybody is quite that cynical. | 0:11:31 | 0:11:35 | |
Do you want to bet? | 0:11:35 | 0:11:36 | |
ALL: Cheers. | 0:11:40 | 0:11:43 | |
KNOCKS ON DOOR | 0:11:47 | 0:11:50 | |
Jack? | 0:11:55 | 0:11:56 | |
Grubs up! | 0:12:24 | 0:12:26 | |
Hold it in, don't exhale. | 0:12:52 | 0:12:55 | |
It's crap what they say, how it's an escape from reality. | 0:12:57 | 0:13:01 | |
You know when you get the feeling life is utterly bloody futile? | 0:13:03 | 0:13:07 | |
You light up, it lifts you up. | 0:13:09 | 0:13:11 | |
Instead of looking into the abyss, | 0:13:13 | 0:13:14 | |
you're standing on the edge of the world. | 0:13:14 | 0:13:18 | |
You're invincible. | 0:13:18 | 0:13:19 | |
Feel anything yet? | 0:13:22 | 0:13:25 | |
How about this? | 0:13:33 | 0:13:34 | |
Is that part of your social experiment, too? | 0:13:38 | 0:13:41 | |
It's about being in the moment. | 0:13:43 | 0:13:46 | |
Seeing where it takes you. | 0:13:46 | 0:13:48 | |
It's quite a drop. Be careful. | 0:14:01 | 0:14:03 | |
Oh, I will be. | 0:14:03 | 0:14:05 | |
INTERCOM BUZZES | 0:14:17 | 0:14:19 | |
You know the way. | 0:14:34 | 0:14:36 | |
Lilly. | 0:14:44 | 0:14:45 | |
God, is it really 20 years? I don't believe it. | 0:14:45 | 0:14:48 | |
Anyone else here yet? | 0:14:57 | 0:15:00 | |
Uh, no. | 0:15:00 | 0:15:02 | |
I'm going to make a start in the kitchen, | 0:15:02 | 0:15:04 | |
so maybe you could do one of the bedrooms, upstairs? | 0:15:04 | 0:15:07 | |
Is that where it happened? | 0:15:07 | 0:15:09 | |
Mmm. | 0:15:11 | 0:15:12 | |
Charlie? | 0:15:15 | 0:15:18 | |
There's not been a day when I haven't regretted what I did to you. | 0:15:18 | 0:15:23 | |
Not a day. | 0:15:23 | 0:15:25 | |
MUSIC: "Downtown" by Petula Clarke | 0:17:15 | 0:17:19 | |
Bloody hell! Wish we'd never started the damn thing! | 0:17:19 | 0:17:23 | |
It's supposed to be smooth like a mirror, | 0:17:23 | 0:17:25 | |
give an illusion of bloody space. | 0:17:25 | 0:17:27 | |
Right, I'll see you later! Good luck with it! | 0:17:33 | 0:17:36 | |
-Bye, love. -Bye. | 0:17:36 | 0:17:38 | |
Where do you reckon it is she goes every evening? | 0:17:43 | 0:17:46 | |
Library, she says. Maybe it's confession. | 0:17:46 | 0:17:49 | |
Do you know what her mother told her? | 0:17:49 | 0:17:52 | |
That periods are called the curse, | 0:17:52 | 0:17:54 | |
because it's God's curse on us for Eve eating the apple. | 0:17:54 | 0:17:57 | |
So much for your benign deity. | 0:17:59 | 0:18:01 | |
You been seeing anyone since coming to London? | 0:18:01 | 0:18:04 | |
You? | 0:18:05 | 0:18:06 | |
How about back home? | 0:18:10 | 0:18:12 | |
Only a few local lads, from school and that, you know. | 0:18:12 | 0:18:15 | |
No-one special. | 0:18:15 | 0:18:17 | |
So you didn't... | 0:18:17 | 0:18:19 | |
Do it with any of them? | 0:18:19 | 0:18:20 | |
HE SNICKERS | 0:18:22 | 0:18:23 | |
Go the whole way? | 0:18:23 | 0:18:25 | |
The first time was my 16th birthday present to myself. | 0:18:29 | 0:18:32 | |
I couldn't wait to get it out the way, see what the fuss was about. | 0:18:32 | 0:18:36 | |
You? | 0:18:36 | 0:18:38 | |
A girl in my class at the high school. | 0:18:41 | 0:18:44 | |
In the middle of her O-levels, she suddenly drops out of school, | 0:18:44 | 0:18:47 | |
drops out of sight. | 0:18:47 | 0:18:49 | |
I had this Saturday job at the local supermarket, on the till. | 0:18:49 | 0:18:52 | |
There was always this endless queue of women with their kids, | 0:18:52 | 0:18:55 | |
stretching back as far as the eye could see. | 0:18:55 | 0:18:59 | |
They all looked so... | 0:18:59 | 0:19:01 | |
..tired. | 0:19:03 | 0:19:05 | |
One day, I looked up, she was one of them. | 0:19:07 | 0:19:10 | |
Pushing a pram. | 0:19:12 | 0:19:13 | |
There but for the grace of a benign deity... | 0:19:16 | 0:19:19 | |
Still, all good things are worth waiting for, eh? | 0:19:19 | 0:19:22 | |
Then again, maybe I'll die chaste and virginal, like Orla. | 0:19:22 | 0:19:27 | |
It may not be worth the wait, love. | 0:19:28 | 0:19:30 | |
Trust me, it's just not the big deal everyone says it is. | 0:19:30 | 0:19:33 | |
KNOCK ON DOOR | 0:19:35 | 0:19:37 | |
HE CLEARS HIS THROAT | 0:19:38 | 0:19:40 | |
Rent time, girls. | 0:19:40 | 0:19:42 | |
Oh, hold on, I left my bag downstairs. | 0:19:42 | 0:19:45 | |
Cheers. | 0:19:45 | 0:19:46 | |
Thank you. | 0:19:50 | 0:19:52 | |
Thing about your benign deity... | 0:19:53 | 0:19:57 | |
It works in mysterious ways. | 0:19:57 | 0:19:59 | |
Thanks. | 0:20:00 | 0:20:02 | |
MUSIC: "Needle In A Haystack" Dusty Springfield | 0:20:10 | 0:20:14 | |
BELL RINGS | 0:20:14 | 0:20:16 | |
Derivative, vacuous, pointless. | 0:20:17 | 0:20:20 | |
You want to paint by numbers, go do it in someone else's class, | 0:20:20 | 0:20:23 | |
better yet, go work it out in a gym. | 0:20:23 | 0:20:25 | |
Is that what you call "constructive criticism"? | 0:20:25 | 0:20:28 | |
If it's any comfort, I'd not put myself out | 0:20:30 | 0:20:32 | |
unless I thought you had something going for you, would I? | 0:20:32 | 0:20:35 | |
Please, God, say you're not falling for that crap. | 0:20:43 | 0:20:46 | |
This is the one place a woman can take her clothes off | 0:20:46 | 0:20:49 | |
and become invisible. | 0:20:49 | 0:20:50 | |
Sitting there all day, you see things, hear things. | 0:20:52 | 0:20:55 | |
You won't be the first notch on his belt, dear... | 0:20:58 | 0:21:01 | |
..or the last. | 0:21:02 | 0:21:04 | |
Could be your heating element... | 0:21:22 | 0:21:25 | |
..or the capacitor and, if it is, I'm wasting my time. | 0:21:26 | 0:21:29 | |
Here she is! | 0:21:32 | 0:21:34 | |
Mum, Dad. | 0:21:34 | 0:21:36 | |
We came down to pay our respects to Mr Churchill. | 0:21:36 | 0:21:39 | |
Near on 300 people there were. Some had stood there all night. | 0:21:39 | 0:21:42 | |
That's unusual. | 0:21:42 | 0:21:44 | |
He'll pull through yet. He's nowt if he's not a fighter. | 0:21:44 | 0:21:48 | |
This is Victor, he's on a law scholarship from Jamaica. | 0:21:48 | 0:21:52 | |
Sorry. | 0:21:52 | 0:21:53 | |
Excuse me. | 0:21:57 | 0:21:58 | |
-You never said you were sharing with a... -With lads. | 0:22:01 | 0:22:05 | |
We need to talk, love. Is there somewhere we can... | 0:22:06 | 0:22:08 | |
No, no, look, I've got things I need to do upstairs. | 0:22:08 | 0:22:13 | |
So I'll... It was very nice meeting you both. | 0:22:13 | 0:22:16 | |
Don't jump down our throats. Just hear us out. | 0:22:23 | 0:22:27 | |
It's your Aunt Helen. She's, erm, she's broke her hip. | 0:22:27 | 0:22:31 | |
She needs somebody to help her out in the shop. | 0:22:32 | 0:22:36 | |
And she says if you, if you come back, she'll train you up | 0:22:36 | 0:22:41 | |
and when the time comes, she'll sign the lease over to you. | 0:22:41 | 0:22:46 | |
It's the only drapery in Heaton - guaranteed custom, regular clients. | 0:22:47 | 0:22:52 | |
Set you up for life, a place like that. | 0:22:54 | 0:22:57 | |
If I did that secretarial course | 0:23:01 | 0:23:04 | |
you said I could go to art college, that were the deal. | 0:23:04 | 0:23:08 | |
You can still do your art and such on Sundays, can't you? | 0:23:08 | 0:23:11 | |
There's no future in it, love. | 0:23:11 | 0:23:14 | |
It's never going to put food on the table, is it? | 0:23:14 | 0:23:18 | |
It's not for the likes of us. | 0:23:18 | 0:23:20 | |
When the novelty of it wears off, and it will, you'll wake up, | 0:23:22 | 0:23:26 | |
see the world as it is, not as you wish it to be. | 0:23:26 | 0:23:31 | |
It may be too late. You'll have burnt your boats. | 0:23:31 | 0:23:33 | |
Bridges. | 0:23:33 | 0:23:36 | |
It's burning bridges. | 0:23:36 | 0:23:38 | |
And they're mine to burn. | 0:23:40 | 0:23:42 | |
When I was at school, my mam and dad used to go on at us, | 0:24:05 | 0:24:10 | |
"You've opportunities we never had. | 0:24:10 | 0:24:14 | |
"Work hard, get your exams, get ahead." | 0:24:14 | 0:24:17 | |
It was all fine while I was doing my degree up in Newcastle, | 0:24:17 | 0:24:22 | |
but when I moved down here for me post grad, | 0:24:22 | 0:24:26 | |
it was a whole different tune. | 0:24:26 | 0:24:28 | |
"Newcastle wasn't good enough for me anymore. | 0:24:30 | 0:24:34 | |
"Now that I lived down here, I was above them all." | 0:24:35 | 0:24:39 | |
They thought I was leaving them all behind. | 0:24:40 | 0:24:43 | |
They were right. | 0:24:46 | 0:24:47 | |
'In the four hours since the last bulletin | 0:24:53 | 0:24:59 | |
'there has been no further deterioration.' | 0:24:59 | 0:25:03 | |
'It was about an hour and a half ago that Lord Moran, | 0:25:03 | 0:25:05 | |
'Sir Winston's personal physician came out...' | 0:25:05 | 0:25:08 | |
CHANNEL SWITCHING STATIC | 0:25:08 | 0:25:11 | |
'..and the essay, The Personal Is Political, do you think that means | 0:25:14 | 0:25:18 | |
liberation for women lies in our personal experience?' | 0:25:18 | 0:25:23 | |
'It means we'll only realise our potential | 0:25:23 | 0:25:26 | |
'if we transform our relationships with men. | 0:25:26 | 0:25:29 | |
'The contraceptive pill has given us the freedom | 0:25:29 | 0:25:32 | |
'to explore sexual intimacy, without fear of pregnancy. | 0:25:32 | 0:25:35 | |
'But so long as it's only available to married women, the rest of us, | 0:25:35 | 0:25:39 | |
'the majority of us, are denied that freedom. | 0:25:39 | 0:25:41 | |
'And if our sexuality is stifled, so is our potential.' | 0:25:41 | 0:25:46 | |
Orla? | 0:27:29 | 0:27:31 | |
'I started off in the hotel kitchen,' | 0:27:32 | 0:27:34 | |
dishwasher and dogsbody. | 0:27:34 | 0:27:37 | |
Now I've graduated to the heady heights of chambermaid. | 0:27:37 | 0:27:41 | |
You have a grant, don't you, like the rest of us? | 0:27:41 | 0:27:44 | |
Most of it goes back home. | 0:27:44 | 0:27:45 | |
You have to eat too, Orla. They can't expect you to just... | 0:27:45 | 0:27:48 | |
They don't expect it. | 0:27:48 | 0:27:49 | |
I choose to do it. | 0:27:49 | 0:27:51 | |
In Belfast, if you're a Catholic... | 0:27:51 | 0:27:54 | |
Six years my father's been without work. | 0:27:57 | 0:28:00 | |
My mum holds down two cleaning jobs | 0:28:00 | 0:28:04 | |
and it's not enough, with four wee ones to feed. | 0:28:04 | 0:28:07 | |
Don't be worrying about me, I'll get by. | 0:28:09 | 0:28:12 | |
How? Slinking around eating our scraps? | 0:28:12 | 0:28:15 | |
I don't want the others knowing, Jay. | 0:28:15 | 0:28:19 | |
I embarrass them enough as it is. | 0:28:19 | 0:28:21 | |
I don't always feel I belong here. | 0:28:26 | 0:28:28 | |
Don't give away too much of yourself, Orla. | 0:28:35 | 0:28:39 | |
There'll be nothing left for the rest of us. | 0:28:39 | 0:28:42 | |
-Night. -Night. | 0:28:47 | 0:28:49 | |
-Morning. -Morning. | 0:29:06 | 0:29:08 | |
That tea dead? | 0:29:08 | 0:29:11 | |
Any chance someone can cover my shift cooking tonight? | 0:29:11 | 0:29:15 | |
-I'm late on an assignment. -I can, if it helps. | 0:29:15 | 0:29:19 | |
You're a saint, Victor, so you are. | 0:29:19 | 0:29:21 | |
All right. | 0:29:24 | 0:29:25 | |
-Are you done? -Yes, thank you. | 0:29:28 | 0:29:31 | |
You don't have to do that, Victor. | 0:29:31 | 0:29:34 | |
Wait on us. | 0:29:36 | 0:29:37 | |
Just doing me share. | 0:29:37 | 0:29:39 | |
Have you heard? Did you hear? | 0:29:40 | 0:29:43 | |
'It's said that Sir Winston died. | 0:29:43 | 0:29:45 | |
Churchill's died... | 0:29:45 | 0:29:47 | |
'..shortly after 8.00 this morning. | 0:29:47 | 0:29:49 | |
'Parliament will meet tomorrow to authorise a state funeral, | 0:29:49 | 0:29:54 | |
'the first held for a commoner in this country.' | 0:29:54 | 0:29:57 | |
Some commoner, with his title and his country pile. | 0:29:57 | 0:29:59 | |
'For a generation, he led his people through the darkness of war. | 0:29:59 | 0:30:03 | |
'He was an inspiration, rallying them to victory...' | 0:30:03 | 0:30:06 | |
God, what bollocks! | 0:30:06 | 0:30:08 | |
Show a bit of bloody respect. | 0:30:08 | 0:30:11 | |
What do you want? A chorus of Rule Britannia? | 0:30:11 | 0:30:14 | |
We'd be in a damn sorry state without him. | 0:30:14 | 0:30:17 | |
Tell that to people in the East End and Coventry. | 0:30:17 | 0:30:20 | |
When the Germans invaded Belgium, | 0:30:20 | 0:30:22 | |
did he order them to bomb the Panzers? No, no. | 0:30:22 | 0:30:24 | |
He sent them to bomb innocent civilian German cities | 0:30:24 | 0:30:27 | |
and he calls Coventry in "The Blitz war crimes". | 0:30:27 | 0:30:31 | |
Call that heroism, if you want. Me, I call it hypocrisy. | 0:30:31 | 0:30:34 | |
You know what they say, takes one to know one. | 0:30:34 | 0:30:36 | |
# There'll always be an England | 0:30:36 | 0:30:39 | |
# While there's a country lane | 0:30:39 | 0:30:43 | |
# Wherever there's a cottage small | 0:30:43 | 0:30:45 | |
HE INCREASES RADIO VOLUME | 0:30:45 | 0:30:47 | |
# Beside a field of grain! | 0:30:47 | 0:30:49 | |
# There'll always be an England | 0:30:49 | 0:30:52 | |
# While there's a busy street! | 0:30:52 | 0:30:55 | |
# Wherever there's a turning wheel | 0:30:55 | 0:30:59 | |
# And a million marching feet | 0:30:59 | 0:31:01 | |
# There'll always be an England | 0:31:01 | 0:31:03 | |
# And England shall be free! | 0:31:03 | 0:31:07 | |
# If England means as much to you | 0:31:07 | 0:31:10 | |
# As England means to me! # | 0:31:10 | 0:31:13 | |
HE LAUGHS | 0:31:16 | 0:31:17 | |
-Do you know what, Jack? -What? | 0:31:17 | 0:31:19 | |
I have never, never met anyone so full of pre-digested crap | 0:31:19 | 0:31:26 | |
as you are. | 0:31:26 | 0:31:27 | |
Victor, give it a bloody rest! | 0:31:43 | 0:31:45 | |
Slavery is over, haven't you heard? | 0:31:50 | 0:31:52 | |
You are a truly unique human being, Jack. One of a kind. | 0:32:14 | 0:32:19 | |
KNOCK ON DOOR | 0:32:57 | 0:32:59 | |
Victor? | 0:33:01 | 0:33:04 | |
He's right, I'm full of crap. | 0:33:05 | 0:33:08 | |
It's like Malcolm X said, man... | 0:33:10 | 0:33:12 | |
.."No-one will give you equality, you have to take it." | 0:33:16 | 0:33:19 | |
I'm sorry, I lost the plot. | 0:34:18 | 0:34:22 | |
Am I proud of it? No. | 0:34:25 | 0:34:27 | |
Will it happen again? | 0:34:28 | 0:34:30 | |
Almost certainly. | 0:34:32 | 0:34:33 | |
What's the thing in The Third Man, Harry Lime says, | 0:34:36 | 0:34:40 | |
"If one of those dots stopped moving for ever, what would you feel?" | 0:34:41 | 0:34:46 | |
If you feel nothing, what does that say about you, about your humanity? | 0:34:48 | 0:34:52 | |
Or is all altruism just self-serving bullshit? | 0:34:54 | 0:34:58 | |
It's because you feel, you get so angry. | 0:35:02 | 0:35:05 | |
That's the proof of it, surely. | 0:35:07 | 0:35:09 | |
Married how long? | 0:35:41 | 0:35:44 | |
Six months. | 0:35:44 | 0:35:45 | |
And your husband agrees to you taking oral contraception? | 0:35:46 | 0:35:51 | |
It's my decision, not his. | 0:35:53 | 0:35:55 | |
You wouldn't credit how many girls come here | 0:36:01 | 0:36:04 | |
wearing a curtain ring from Woolworths, | 0:36:04 | 0:36:06 | |
hoping to get the contraceptive pill. | 0:36:06 | 0:36:09 | |
They must think I'm a bloody halfwit. | 0:36:10 | 0:36:13 | |
MUSIC: "King Of The Road" by Roger Miller | 0:37:17 | 0:37:21 | |
We need to talk about your mother, Charlotte. | 0:37:33 | 0:37:37 | |
She's... | 0:37:40 | 0:37:42 | |
She's suffering. | 0:37:42 | 0:37:45 | |
It's the change. She's just not coping with it. | 0:37:45 | 0:37:48 | |
She seems fine when we talk on the phone. | 0:37:48 | 0:37:50 | |
She doesn't want to be a burden, you know how she is. | 0:37:50 | 0:37:54 | |
It's the empty nest thing. | 0:37:54 | 0:37:57 | |
Keeps saying her life is over. | 0:37:57 | 0:37:59 | |
I've got so much going on at work. I'm home all hours and... | 0:37:59 | 0:38:04 | |
So...I thought, perhaps, if you could come home, | 0:38:04 | 0:38:09 | |
just for a couple months, until she's through it. | 0:38:09 | 0:38:13 | |
Why me? Why can't Adam or Peter move back? | 0:38:13 | 0:38:16 | |
Your brothers have their careers to think of, don't they? | 0:38:16 | 0:38:18 | |
You can commute, like you did your first term, can't you? | 0:38:18 | 0:38:21 | |
It wasn't so bad, was it? | 0:38:21 | 0:38:23 | |
I'll lose my room at the flat. | 0:38:23 | 0:38:25 | |
You can get another room later, once we've sorted your mother out. | 0:38:25 | 0:38:28 | |
If I thought I could meet her needs, then I would. | 0:38:28 | 0:38:30 | |
But I can't, not in this. | 0:38:30 | 0:38:33 | |
If you think that's easy to admit, think again. | 0:38:36 | 0:38:39 | |
Will you be going home at all this year? | 0:39:02 | 0:39:04 | |
Well, erm, my scholarship barely pays for my fees and my maintenance, | 0:39:04 | 0:39:09 | |
so sadly, no. | 0:39:09 | 0:39:11 | |
You know all Jack's talk about poverty and inequality... | 0:39:13 | 0:39:18 | |
He knows nothing of them. | 0:39:19 | 0:39:22 | |
They are theoretical to him. | 0:39:22 | 0:39:25 | |
It's all just a way of him parading his radical credentials. | 0:39:25 | 0:39:31 | |
Dad! | 0:39:42 | 0:39:45 | |
It's 6.00 somewhere in the world. | 0:40:44 | 0:40:46 | |
Can you stay the night? | 0:40:48 | 0:40:50 | |
I've a lecture first thing. | 0:40:50 | 0:40:53 | |
Dad will be sorry to miss you. | 0:40:53 | 0:40:55 | |
He's home late, some panic at work. | 0:40:55 | 0:40:58 | |
This is a nice surprise. | 0:41:00 | 0:41:03 | |
Out of the blue. | 0:41:03 | 0:41:05 | |
I saw Daddy in London the other day, actually. | 0:41:09 | 0:41:12 | |
He was with someone. | 0:41:14 | 0:41:16 | |
From work? | 0:41:16 | 0:41:17 | |
Who knows? | 0:41:18 | 0:41:20 | |
I was with someone, too. A boy. | 0:41:33 | 0:41:37 | |
It's not just girls sharing the flat. It's boys, too. | 0:41:39 | 0:41:43 | |
And one is your boyfriend? | 0:41:46 | 0:41:49 | |
No. I just... | 0:41:49 | 0:41:51 | |
..thought you should know. | 0:41:53 | 0:41:55 | |
Why the secrecy? | 0:41:57 | 0:41:59 | |
Or do you think I am so stuck in the dark ages I can't deal with it? | 0:41:59 | 0:42:03 | |
I used to blame the war for stealing my youth. | 0:42:21 | 0:42:24 | |
Then your father, for stealing my future. | 0:42:24 | 0:42:26 | |
I never blamed myself, naturally. | 0:42:26 | 0:42:29 | |
Someone, somewhere, is out there living the life I should have had, | 0:42:31 | 0:42:36 | |
because I gave it away to the first man I met. | 0:42:36 | 0:42:40 | |
DOORBELL BUZZES | 0:42:57 | 0:43:00 | |
Hello? | 0:43:01 | 0:43:03 | |
Jack Walsh about? | 0:43:04 | 0:43:05 | |
Who wants to know? | 0:43:06 | 0:43:08 | |
His father. | 0:43:08 | 0:43:09 | |
He's just getting up. | 0:43:13 | 0:43:15 | |
On my way to the funeral. | 0:43:16 | 0:43:18 | |
I should have known he'd be dead to the world. | 0:43:18 | 0:43:20 | |
-Churchill's funeral? -Mmm-hmm. | 0:43:22 | 0:43:24 | |
Hoping to get there myself later. | 0:43:24 | 0:43:26 | |
Can I get you a cup of tea? | 0:43:29 | 0:43:33 | |
If there's a cup free from infection. | 0:43:33 | 0:43:36 | |
5,000 at the rehearsal yesterday. | 0:43:38 | 0:43:41 | |
More heads of state clogging up Westminster than us bloody MPs. | 0:43:43 | 0:43:47 | |
Oh...you're an MP? | 0:43:49 | 0:43:52 | |
For my sins. | 0:43:52 | 0:43:54 | |
Wilson was sandbagging De Gaulle over dinner last night, | 0:44:12 | 0:44:15 | |
about producing some Anglo-French supersonic airliner, so he claims. | 0:44:15 | 0:44:19 | |
Softening him up about the Common Market, more like. | 0:44:21 | 0:44:23 | |
Best of British with that one. | 0:44:23 | 0:44:25 | |
Thank God for Gallic obduracy, I say. | 0:44:25 | 0:44:27 | |
HE LAUGHS | 0:44:27 | 0:44:29 | |
Ah, good morning. We were just talking about Churchill. | 0:44:31 | 0:44:35 | |
I assume it's a vain hope you'll come with me to the funeral? | 0:44:41 | 0:44:46 | |
God, all that xenophobic pomp? My stomach couldn't take it. | 0:44:46 | 0:44:49 | |
As you've no doubt you will have already observed, Alan, | 0:44:49 | 0:44:52 | |
my son's respect is reserved for malodorous dictators, | 0:44:52 | 0:44:55 | |
like Fidel Castro and Ho Chi Minh. | 0:44:55 | 0:44:58 | |
Pleasure meeting you, sir. | 0:45:03 | 0:45:04 | |
You, too, son. | 0:45:05 | 0:45:06 | |
Your mother ran into Mr Bradfield at the bank last week. | 0:45:17 | 0:45:22 | |
He tells me you're overdrawn again. | 0:45:23 | 0:45:25 | |
He's no right discussing it with you. | 0:45:25 | 0:45:27 | |
He's the manager and I am your guarantor. That gives him the right. | 0:45:27 | 0:45:30 | |
Blame it on the cost of living in London. | 0:45:34 | 0:45:36 | |
You did choose to forego your place at Balliol. | 0:45:36 | 0:45:38 | |
Spare me the dreaming spires litany again... | 0:45:38 | 0:45:41 | |
Balliol would have opened doors for you, just as it did for me. | 0:45:41 | 0:45:44 | |
Doors which you have voluntarily elected to slam closed. | 0:45:44 | 0:45:47 | |
Debts are like children, | 0:46:04 | 0:46:06 | |
begot in pleasure, | 0:46:06 | 0:46:09 | |
bought forth in pain. | 0:46:09 | 0:46:11 | |
Courtesy of my son, I seem to have a spare ticket. | 0:46:19 | 0:46:21 | |
It's a reserved seat at St Paul's, for family and friends, | 0:46:21 | 0:46:24 | |
if you're interested? | 0:46:24 | 0:46:27 | |
If you're sure, sir? | 0:46:27 | 0:46:29 | |
We could grab a bite at my club on the way. | 0:46:29 | 0:46:34 | |
And it's Edward. | 0:46:34 | 0:46:36 | |
-Morning. -Morning. | 0:46:40 | 0:46:43 | |
KNOCK ON DOOR | 0:47:35 | 0:47:37 | |
DOOR OPENS | 0:47:37 | 0:47:39 | |
Posh car. | 0:47:43 | 0:47:45 | |
So what are you, an earl, | 0:47:47 | 0:47:50 | |
the right honourable someone? | 0:47:50 | 0:47:52 | |
My father and I, our disappointment in each other is mutual. | 0:47:59 | 0:48:03 | |
And terminal. | 0:48:06 | 0:48:07 | |
Join the club. | 0:48:07 | 0:48:09 | |
Best leave me to my own devices, Charlotte. | 0:48:15 | 0:48:18 | |
MUSIC: "Here I Go Again" by The Hollies | 0:48:22 | 0:48:25 | |
Daddy? | 0:48:39 | 0:48:41 | |
Someone's birthday? | 0:48:41 | 0:48:43 | |
House warming. | 0:48:43 | 0:48:45 | |
Hardly the best taste, today of all days. | 0:48:45 | 0:48:48 | |
Or that, either. | 0:48:48 | 0:48:51 | |
When did you start doing that? | 0:48:59 | 0:49:01 | |
Why are you here, Daddy? | 0:49:02 | 0:49:05 | |
I was up for the funeral, thought we might get something to eat. | 0:49:05 | 0:49:08 | |
Oh, is what's-her-name not available, then? | 0:49:08 | 0:49:13 | |
What? | 0:49:13 | 0:49:14 | |
The tart in the mini skirt I saw you kissing. | 0:49:14 | 0:49:17 | |
And don't insult me by telling me it was nothing. I know what I saw. | 0:49:17 | 0:49:20 | |
Tell me, | 0:49:20 | 0:49:22 | |
all the work trips over the years, | 0:49:22 | 0:49:24 | |
all the late nights at the office, | 0:49:24 | 0:49:27 | |
is she the first? Or the 21st? | 0:49:27 | 0:49:30 | |
It's not like that. | 0:49:30 | 0:49:31 | |
What is it like? She was my age, Daddy! Younger, even! | 0:49:31 | 0:49:34 | |
I'm human, Charlotte. I made a mistake. | 0:49:38 | 0:49:41 | |
Have some compassion, can't you? | 0:49:42 | 0:49:44 | |
Compassion? | 0:49:44 | 0:49:45 | |
Where was yours when you tried to talk me into moving back home, | 0:49:45 | 0:49:48 | |
so you could shag your way around bloody London?! | 0:49:48 | 0:49:50 | |
Whatever I've done, I'm still your father. | 0:49:52 | 0:49:54 | |
I deserve some damn respect! | 0:49:54 | 0:49:56 | |
Respect! There's a word! | 0:49:56 | 0:49:59 | |
We'll do this some other time. | 0:50:03 | 0:50:05 | |
Tell me, Daddy, what do you think? | 0:50:06 | 0:50:11 | |
Is it too short? | 0:50:11 | 0:50:13 | |
Too sluttish? | 0:50:14 | 0:50:15 | |
But I'm your daughter, aren't I? | 0:50:16 | 0:50:18 | |
Different rules apply. | 0:50:18 | 0:50:20 | |
From now on, I make my own rules. | 0:50:20 | 0:50:23 | |
MUSIC: "Hang On Sloopy" by The McCoys | 0:50:32 | 0:50:35 | |
Fun day? | 0:50:42 | 0:50:44 | |
Aye. | 0:50:44 | 0:50:46 | |
MUSIC: "For Your Love" by The Yardbirds | 0:51:40 | 0:51:45 | |
Happy pill? | 0:52:16 | 0:52:18 | |
Huge personal sacrifice, but since it's you... | 0:52:20 | 0:52:23 | |
MUSIC: "You Really Got Me" by The Kinks | 0:53:20 | 0:53:22 | |
Orla! Orla, please, let me in! Let me in, Orla! | 0:53:57 | 0:54:00 | |
Orla, open the door. | 0:54:01 | 0:54:03 | |
You can't tell anyone, Orla! | 0:54:05 | 0:54:07 | |
Please not a word, promise me. | 0:54:09 | 0:54:11 | |
It'll finish me if you do. | 0:54:15 | 0:54:17 | |
MOANING | 0:54:32 | 0:54:35 | |
Fuck. | 0:54:36 | 0:54:38 | |
PANTING | 0:54:43 | 0:54:45 | |
Oh, fuck. | 0:54:55 | 0:54:57 | |
Oh, fuck me. | 0:55:02 | 0:55:04 | |
What's the deal on that? | 0:55:26 | 0:55:28 | |
We'll never get equality in the boardroom | 0:55:30 | 0:55:32 | |
until we get it in the bedroom, will we? | 0:55:32 | 0:55:35 | |
You know how long I've waited to meet someone like you? | 0:55:42 | 0:55:45 | |
I mean, finally... | 0:55:47 | 0:55:49 | |
Finally, a girl who doesn't confuse a bit of uncomplicated sex | 0:55:49 | 0:55:54 | |
with the romantic crap about commitment and love. | 0:55:54 | 0:55:58 | |
I'd like a pound for every time | 0:56:00 | 0:56:01 | |
I've been sucked into that particular hell. | 0:56:01 | 0:56:04 | |
Bloody hell, I'm famished, aren't you? | 0:56:11 | 0:56:14 | |
INTERCOM BUZZES | 0:56:55 | 0:56:57 | |
Victor! | 0:57:15 | 0:57:16 | |
-Charlotte? -She's at her folks tonight. | 0:57:47 | 0:57:51 | |
Doesn't it ever get to you, the way he goes with other girls? | 0:57:51 | 0:57:54 | |
Live dangerously, it's New Year's Eve! | 0:57:54 | 0:57:56 | |
ALL: Happy New Year! | 0:57:56 | 0:57:58 | |
It'll be all right, Orla. | 0:58:00 | 0:58:02 | |
We'll make it all right. | 0:58:02 | 0:58:03 | |
Show your abhorrence for American aggression in Vietnam! | 0:58:03 | 0:58:06 | |
Make a stand, for once. | 0:58:06 | 0:58:08 | |
CROWD: Ho Chi Minh! Ho Chi Minh! | 0:58:08 | 0:58:11 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:19 |