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-In this programme, we visit XVA, -a hotel and art gallery in Dubai. | 0:00:20 | 0:00:26 | |
-Baby Grand in Greece -is a whimsical, unique hotel. | 0:00:26 | 0:00:31 | |
-First, the Malmaison in Oxford, -a luxury hotel which was a prison. | 0:00:31 | 0:00:36 | |
-Welcome to 04Wal Gwestai'r Byd. | 0:00:36 | 0:00:39 | |
-Welcome to Malmaison Hotel, Oxford. | 0:00:59 | 0:01:02 | |
-My limited French -tells me Malmaison means evil house. | 0:01:02 | 0:01:07 | |
-This was a prison until 1996. | 0:01:07 | 0:01:09 | |
-Prior to that, -it was a Norman castle... | 0:01:10 | 0:01:12 | |
-..built by William the Conqueror -in the 11th century. | 0:01:13 | 0:01:17 | |
-It's not as foreboding -as it was back then. | 0:01:17 | 0:01:20 | |
-This isn't my idea -of doing porridge! | 0:01:31 | 0:01:33 | |
-You must have -an extremely vivid imagination... | 0:01:33 | 0:01:37 | |
-..to create a luxury hotel -within what was a prison. | 0:01:37 | 0:01:42 | |
-When you enter the building, -you get a feeling of space. | 0:01:45 | 0:01:49 | |
-The ceiling is high -and the welcome is warm. | 0:01:50 | 0:01:53 | |
-The high-backed comfortable chairs -somehow add to the headroom. | 0:01:53 | 0:01:57 | |
-People once plotted -to escape from this building... | 0:01:58 | 0:02:02 | |
-..but it is now a place -where people come to escape! | 0:02:02 | 0:02:06 | |
-This is the image we have -of the traditional prison. | 0:02:32 | 0:02:36 | |
-This is what my parents threatened -me with when I was five years old! | 0:02:36 | 0:02:41 | |
-It's the last place -you'd want to be. | 0:02:41 | 0:02:43 | |
-It's amazing what a difference a -coat of paint, striking lighting... | 0:02:44 | 0:02:49 | |
-..some additional windows -and carpet on the floor make. | 0:02:49 | 0:02:53 | |
-It now feels like a comfortable, -contemporary, luxurious design. | 0:02:54 | 0:02:59 | |
-It's a really clever design. | 0:03:17 | 0:03:19 | |
-It feels slightly ecclesiastical. | 0:03:19 | 0:03:21 | |
-That's probably intentional -to help prisoners save their souls. | 0:03:22 | 0:03:26 | |
-It's also practical because you can -reach any cell on any floor quickly. | 0:03:28 | 0:03:34 | |
-That practical uniformity also makes -this a perfect building for a hotel. | 0:03:35 | 0:03:40 | |
-Even though you know -you're staying in a prison... | 0:04:04 | 0:04:08 | |
-..you don't really expect -to stay in a cell! | 0:04:08 | 0:04:11 | |
-They must have -knocked two cells into one here. | 0:04:11 | 0:04:15 | |
-Yes, the old cell divide -is clearly visible. | 0:04:15 | 0:04:19 | |
-This was actually three cells. | 0:04:19 | 0:04:21 | |
-This is one cell, that's the second -and the bathroom is the third. | 0:04:22 | 0:04:26 | |
-Nine people shared this space. | 0:04:27 | 0:04:30 | |
-Good grief! | 0:04:30 | 0:04:32 | |
-What's the idea behind -the split colours in the headboard? | 0:04:32 | 0:04:37 | |
-I'm not sure... | 0:04:37 | 0:04:38 | |
-..but the colours on the headboard -are also on the RSJs. | 0:04:39 | 0:04:44 | |
-That's your side and this is my side! | 0:04:46 | 0:04:48 | |
-There's a touch -of the coral on the headboard... | 0:04:48 | 0:04:52 | |
-..in the check on the wardrobe -and in the fabric on the chair seat. | 0:04:52 | 0:04:57 | |
-There are things which -unify the design all over the room. | 0:04:58 | 0:05:02 | |
-Iron studs are used on the mirror -and on the side of the chair. | 0:05:02 | 0:05:07 | |
-It's simple but very effective. | 0:05:07 | 0:05:10 | |
-I love the fact they've kept -some original prison features... | 0:05:10 | 0:05:15 | |
-..such as this door. | 0:05:15 | 0:05:17 | |
-Yes, if only this door could talk! | 0:05:17 | 0:05:20 | |
-They've turned the spy hole -from the outside to the inside! | 0:05:21 | 0:05:25 | |
-Yes, they're playing on the irony -of then and now. | 0:05:25 | 0:05:29 | |
-There are gimmicks everywhere, -like this I Want To Be Alone sign! | 0:05:29 | 0:05:34 | |
-You see touches like this -all over the hotel... | 0:05:34 | 0:05:37 | |
-.these little messages. | 0:05:37 | 0:05:39 | |
-What is this room, Leah? | 0:05:52 | 0:05:54 | |
-This is the Visitor Room. | 0:05:55 | 0:05:57 | |
-This is where people -visited the prisoners. | 0:05:57 | 0:06:00 | |
-It is now a relaxation room. | 0:06:01 | 0:06:03 | |
-It's really luxurious, isn't it? | 0:06:08 | 0:06:11 | |
-It's really luxurious, isn't it? - -It's certainly very dramatic. | 0:06:11 | 0:06:13 | |
-The colours and the furniture -draw you into the room. | 0:06:13 | 0:06:17 | |
-The walls are very dark. | 0:06:18 | 0:06:20 | |
-There's a Black Watch tartan carpet -on the floor. | 0:06:21 | 0:06:25 | |
-There's an intimate feel to it, and -light is an important part of that. | 0:06:27 | 0:06:31 | |
-The lights are quite low. | 0:06:32 | 0:06:33 | |
-The original windows blend perfectly -with the modern furniture. | 0:06:35 | 0:06:39 | |
-These velvet chairs are great -and they're brilliantly lit. | 0:06:45 | 0:06:50 | |
-I love the fact -they're so over the top. | 0:06:52 | 0:06:55 | |
-You have an urge to sit in them. | 0:06:56 | 0:06:57 | |
-You have an urge to sit in them. - -Yes, I want to park my bottom there! | 0:06:57 | 0:06:59 | |
-The suites in this part of the jail -are named after former governors. | 0:07:24 | 0:07:29 | |
-These suites -are bigger than the cells. | 0:07:31 | 0:07:34 | |
-We're in Thomas Lowton Robins suite, -at the moment... | 0:07:34 | 0:07:38 | |
-..and the first thing you see when -you walk in is this copper bath. | 0:07:38 | 0:07:43 | |
-It may seem strange to walk -straight into the bathroom... | 0:07:44 | 0:07:49 | |
-..but it would grace any space -in any room. | 0:07:49 | 0:07:52 | |
-There's a cinema at that end. | 0:07:55 | 0:07:57 | |
-A private cinema. | 0:07:58 | 0:08:00 | |
-You then step downstairs -into the bedroom. | 0:08:01 | 0:08:04 | |
-As you come downstairs, you see -a magnificent four-poster bed. | 0:08:07 | 0:08:11 | |
-It wasn't like this -in Thomas Lowton Robins's day! | 0:08:12 | 0:08:15 | |
-This space gives us -not only additional light... | 0:08:15 | 0:08:19 | |
-..but also a chance to hang -striking artwork on the wall. | 0:08:19 | 0:08:23 | |
-As we come down here, -there's another huge television. | 0:08:24 | 0:08:28 | |
-How much more pleasure -can you squeeze into a suite? | 0:08:29 | 0:08:33 | |
-Well, there's another bathroom here! | 0:08:33 | 0:08:36 | |
-In it, there's a -sunflower shower head... | 0:08:37 | 0:08:40 | |
-..and toiletries -to make you shine like a new penny. | 0:08:40 | 0:08:44 | |
-Stephanie Briggs was the chief -Malmaison interior designer. | 0:08:51 | 0:08:56 | |
-The adventurous conversion -of the cells continues... | 0:08:57 | 0:09:00 | |
-..in the bar and the restaurant. | 0:09:01 | 0:09:03 | |
-You couldn't have sold this concept -to people 30 years ago. | 0:09:19 | 0:09:24 | |
-The age in which we're living -has allowed it to happen. | 0:09:24 | 0:09:28 | |
-Yes, people -want to experience everything. | 0:09:29 | 0:09:32 | |
-This is like a modern-day museum. | 0:09:32 | 0:09:34 | |
-Years ago, people visiting Oxford -found this hotel. | 0:09:34 | 0:09:38 | |
-It's changed because people now come -to stay here, first and foremost. | 0:09:38 | 0:09:43 | |
-They're not here to see Oxford. | 0:09:44 | 0:09:46 | |
-Yes, and it's all been done -in a witty manner. | 0:09:46 | 0:09:49 | |
-The concept is quite alien -and a bit chilling... | 0:09:49 | 0:09:53 | |
-..but this modern design -has created a comfortable hotel. | 0:09:53 | 0:09:57 | |
-Yes, and it makes you smile. | 0:09:57 | 0:09:59 | |
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-We're on the first floor -of Baby Grand Hotel, Athens. | 0:10:16 | 0:10:20 | |
-No, it isn't the car park. -It's the reception area! | 0:10:21 | 0:10:24 | |
-Our journey begins in the garden. | 0:10:24 | 0:10:27 | |
-In the shadow of the Acropolis and -the ancient traditions of Athens... | 0:10:29 | 0:10:34 | |
-..the Baby Grand wasn't created -by one architect or one designer. | 0:10:34 | 0:10:39 | |
-An army of graffiti artists -injected fun into an old building. | 0:10:39 | 0:10:44 | |
-In a city where land is scarce, -they created a garden in the lobby. | 0:10:59 | 0:11:05 | |
-This does two things. | 0:11:05 | 0:11:06 | |
-First, it softens -the structure of the room. | 0:11:06 | 0:11:10 | |
-You're never sure where you are. | 0:11:10 | 0:11:12 | |
-Secondly, it makes you smile. | 0:11:12 | 0:11:14 | |
-It's a taste of things to come -in this fun hotel. | 0:11:15 | 0:11:18 | |
-As we walk past -this plastic curtain... | 0:11:18 | 0:11:21 | |
-..we catch glimpses -of the dining area behind it. | 0:11:21 | 0:11:25 | |
-This perspex -is a reflective surface. | 0:11:25 | 0:11:28 | |
-Light bounces off it -in all directions. | 0:11:29 | 0:11:32 | |
-The coloured glass panes sparkle -against this long, green panel. | 0:11:34 | 0:11:38 | |
-In essence, they've raised tat -to a higher level. | 0:11:39 | 0:11:42 | |
-It's great fun, I must admit... | 0:11:42 | 0:11:45 | |
-..but above all else, this is a -great space in which to hang out! | 0:11:45 | 0:11:50 | |
-The first thing you see -in the reception area... | 0:12:21 | 0:12:24 | |
-..is two parked cars! | 0:12:25 | 0:12:27 | |
-Yes, it's amazing to see -two Minis in front of you. | 0:12:27 | 0:12:31 | |
-The colour on the walls -is amazing, too. | 0:12:31 | 0:12:34 | |
-This is an almost cheap -psychedelic, 1960s design... | 0:12:35 | 0:12:38 | |
-..with its pinks and turquoises. | 0:12:39 | 0:12:41 | |
-It's a 1960s throwback. | 0:12:42 | 0:12:43 | |
-Yes, which ties in with -the use of the vintage Minis. | 0:12:43 | 0:12:47 | |
-It's really whimsical -and it's full of energy. | 0:12:47 | 0:12:52 | |
-You can easily -get this sort of thing wrong. | 0:12:52 | 0:12:55 | |
-Yes, when the whimsical -becomes meaningless. | 0:12:56 | 0:13:00 | |
-The Minis aren't meaningless - -they have a function. | 0:13:00 | 0:13:03 | |
-They're desks. | 0:13:04 | 0:13:06 | |
-A British company adapted -these cars and it works well. | 0:13:06 | 0:13:10 | |
-You can instantly see -that this hotel is unusual. | 0:13:11 | 0:13:14 | |
-It's unique, -and we're going to have fun here. | 0:13:14 | 0:13:17 | |
-If you've stayed -in the Baby Grand here, in Athens... | 0:13:36 | 0:13:39 | |
-..you know you must share your room -with a graffiti creation. | 0:13:40 | 0:13:44 | |
-I don't think everyone -would appreciate the irony... | 0:13:44 | 0:13:48 | |
-..of trying to sleep in a room -whose walls are covered in Smurfs! | 0:13:48 | 0:13:53 | |
-You have to be of a certain age -and have treasured Smurf memories! | 0:13:53 | 0:13:57 | |
-If not, then like me, it will -remind you of a nursery school! | 0:13:58 | 0:14:02 | |
-There's something comical -about the public areas... | 0:14:41 | 0:14:45 | |
-..here, upstairs - -and downstairs, in the lobby. | 0:14:45 | 0:14:49 | |
-It ties in perfectly -with the bedrooms. | 0:14:49 | 0:14:52 | |
-Here, in the bar... | 0:14:52 | 0:14:53 | |
-..there's a collection -of different-sized chairs. | 0:14:54 | 0:14:57 | |
-It's as though -they're expecting Goldilocks! | 0:14:58 | 0:15:01 | |
-A big chair, a smaller chair -and a small chair. | 0:15:01 | 0:15:04 | |
-They may look tiny, but even I -can sit on them comfortably! | 0:15:05 | 0:15:09 | |
-Add to that -the colourful, bright elements. | 0:15:09 | 0:15:12 | |
-Things like the cushions, -the blue rugs and the tiger lamps. | 0:15:13 | 0:15:17 | |
-The ostrich tables -and these round mirrors... | 0:15:17 | 0:15:21 | |
-..all add to that sense of fun. | 0:15:21 | 0:15:23 | |
-We find ourselves -in another cartoon! | 0:15:46 | 0:15:48 | |
-Yes, each room -is very different pictorially... | 0:15:49 | 0:15:52 | |
-..and each room -has a different theme. | 0:15:52 | 0:15:55 | |
-Ten local artists -from The Breeder Gallery... | 0:15:55 | 0:15:59 | |
-..came up with the room designs. | 0:15:59 | 0:16:01 | |
-A lot of people -would come in here and say... | 0:16:02 | 0:16:05 | |
-"Someone's been scribbling -on the wall!" | 0:16:05 | 0:16:08 | |
-We're not supposed to like graffiti, -after all. | 0:16:08 | 0:16:12 | |
-Well, it has become fashionable -to appreciate graffiti. | 0:16:12 | 0:16:16 | |
-It is now considered to be art. | 0:16:16 | 0:16:18 | |
-You can see different techniques -on display here. | 0:16:19 | 0:16:22 | |
-They sprayed the wall but they also -painted pictures and used crayons. | 0:16:22 | 0:16:28 | |
-There's a bedroom at the far end. | 0:16:29 | 0:16:32 | |
-It's a bit more plain in here. | 0:16:35 | 0:16:37 | |
-Yes, this room -feels completely different. | 0:16:37 | 0:16:40 | |
-There's an element of the artwork -you saw in the other room. | 0:16:41 | 0:16:45 | |
-You were surrounded by it -in the other room. | 0:16:45 | 0:16:48 | |
-It's like a film set. | 0:16:48 | 0:16:50 | |
-When people design bedrooms, -they try to create a mood... | 0:16:50 | 0:16:54 | |
-..but here, they've created a world. | 0:16:54 | 0:16:57 | |
-Yes, and it isn't over-designed. | 0:16:58 | 0:17:00 | |
-Other than the walls, there are only -light design touches in the room. | 0:17:01 | 0:17:07 | |
-It makes me smile -and I think it works. | 0:17:07 | 0:17:10 | |
-There are 76 rooms in this hotel, -and each one is unique. | 0:17:11 | 0:17:16 | |
-That makes you keen to come back -to see another design. | 0:17:16 | 0:17:20 | |
-One down, seventy-five to go! | 0:17:22 | 0:17:25 | |
-See you in the next hotel. | 0:17:56 | 0:17:58 | |
-The XVA in Dubai is a hotel -and an art gallery in one. | 0:18:30 | 0:18:34 | |
-That's an unusual combination. | 0:18:35 | 0:18:37 | |
-I came in through the gallery -at the rear. | 0:18:38 | 0:18:41 | |
-You entered through the front door. | 0:18:42 | 0:18:44 | |
-Yes, and I saw a statement made -by an artist and no reception area. | 0:18:44 | 0:18:49 | |
-I looked up to see a woman's feet -dangling out of a petticoat! | 0:18:50 | 0:18:55 | |
-It was unusual -but I appreciated the work of art. | 0:18:55 | 0:18:59 | |
-This reminds me of a riad in Morocco -with rooms off the central garden. | 0:19:00 | 0:19:05 | |
-Yes, the owner used the rooms which -are off the central courtyard... | 0:19:07 | 0:19:12 | |
-..to create an art gallery. | 0:19:12 | 0:19:14 | |
-There's a lot of art -on display here. | 0:19:15 | 0:19:18 | |
-We're in an urban area. | 0:19:19 | 0:19:20 | |
-They've taken a traditional house -and created something unique. | 0:19:21 | 0:19:25 | |
-This is a creative experience. | 0:19:26 | 0:19:28 | |
-This narrow, low corridor -links one courtyard to the other. | 0:19:46 | 0:19:51 | |
-You can immediately see -this was created to display art. | 0:19:52 | 0:19:56 | |
-The other side -feels like a restaurant... | 0:19:58 | 0:20:01 | |
-..and the art is on the periphery. | 0:20:01 | 0:20:03 | |
-Here, the art takes centre stage. | 0:20:04 | 0:20:06 | |
-This was created to display -more structural pieces of art. | 0:20:07 | 0:20:11 | |
-I really like -the flat artwork on the wall. | 0:20:13 | 0:20:17 | |
-This isn't a big room... | 0:20:39 | 0:20:40 | |
-..and when you step in here, it's -like drowning in a sea of colour. | 0:20:41 | 0:20:46 | |
-Yes, in contrast to what you see -in the other courtyard. | 0:20:47 | 0:20:51 | |
-Here, you can -dive into the artist's world. | 0:20:51 | 0:20:54 | |
-There's a lot of colour and pattern -on the walls. | 0:20:54 | 0:20:59 | |
-They clash and they scream at you, -which is fantastic. | 0:21:00 | 0:21:04 | |
-This work has been influenced -by Andy Warhol and Pop Art. | 0:21:05 | 0:21:08 | |
-This fleece is a bit old-fashioned. | 0:21:09 | 0:21:11 | |
-You wouldn't expect to see a fleece -in a luxury hotel! | 0:21:12 | 0:21:16 | |
-There are also some Indian patterns -and a crocheted cushion cover here. | 0:21:16 | 0:21:21 | |
-It's very kitsch. | 0:21:21 | 0:21:23 | |
-It's amazing to think there's -something like this in Dubai. | 0:21:24 | 0:21:29 | |
-There are over-designed -five-star hotels wherever you look. | 0:21:29 | 0:21:33 | |
-It's nice to see old things -put together in such a natural way. | 0:21:35 | 0:21:38 | |
-Yes, it feels as though -you're in someone's home. | 0:21:39 | 0:21:42 | |
-I like that. | 0:21:43 | 0:21:44 | |
-During the renovation process to -turn it into a hotel and gallery... | 0:22:01 | 0:22:06 | |
-..this room in XVA -was turned into a lounge. | 0:22:06 | 0:22:09 | |
-That's why there are sofas -around the edge of the room. | 0:22:09 | 0:22:13 | |
-What is this remarkable structure -above my head? | 0:22:13 | 0:22:16 | |
-In the old days, this tower carried -hot air out of the building... | 0:22:17 | 0:22:22 | |
-..leaving it totally cool. | 0:22:22 | 0:22:24 | |
-Cool - just like me! | 0:22:26 | 0:22:27 | |
-This is the most colourful -of the six bedrooms in the XVA. | 0:22:44 | 0:22:48 | |
-There's a touch of India about it. | 0:22:50 | 0:22:53 | |
-The lemon colour in the bedding -is also in the curtains... | 0:22:53 | 0:22:57 | |
-..in the Indian picture -and in the bed canopy. | 0:22:57 | 0:23:01 | |
-Over there is a curtain you'd expect -to see in your granny's house! | 0:23:03 | 0:23:07 | |
-Strong colours ping -in every corner of the room. | 0:23:08 | 0:23:11 | |
-Its campness -is the secret of its success. | 0:23:11 | 0:23:14 | |
-The golden bonsai on top of -the wardrobe adds to the camp feel. | 0:23:14 | 0:23:19 | |
-The fan is reflected in the leaves, -making it look as though it moves. | 0:23:19 | 0:23:24 | |
-This room is a very colourful corner -of what is a very Arabic design. | 0:23:25 | 0:23:30 | |
-The windows above the doors -are an integral part of that design. | 0:23:31 | 0:23:36 | |
-I didn't expect to find -something like this in Dubai. | 0:23:45 | 0:23:49 | |
-We managed to find a real gem -in what is such an urban area. | 0:23:50 | 0:23:54 | |
-The owner transformed this old house -into a very chic boutique hotel. | 0:23:57 | 0:24:02 | |
-S4C subtitles by Eirlys A Jones | 0:24:26 | 0:24:29 |