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-Tonight, we meet a couple who -left London and moved to Ferryside. | 0:00:21 | 0:00:26 | |
-We'll also meet a lady who loves -London, especially Notting Hill. | 0:00:26 | 0:00:32 | |
-Finally, a stable converted -into a contemporary home in Cardiff. | 0:00:33 | 0:00:38 | |
-Welcome to 04Wal. | 0:00:38 | 0:00:39 | |
-Betsan was born in Wales -but she grew up in London. | 0:01:05 | 0:01:09 | |
-She planned to stay there... | 0:01:09 | 0:01:11 | |
-..but things changed -when she met her husband. | 0:01:11 | 0:01:14 | |
-She decided to move -to a special house in Ferryside. | 0:01:15 | 0:01:19 | |
-Initially, -we fell in love with the house... | 0:01:19 | 0:01:22 | |
-..but the beach is also enchanting -and the view is stunning. | 0:01:22 | 0:01:27 | |
-I found it on the internet. | 0:01:31 | 0:01:33 | |
-I was bored one day... | 0:01:33 | 0:01:35 | |
-..so I went online -and I found my dream home. | 0:01:36 | 0:01:39 | |
-The house was empty, wasn't it? | 0:01:40 | 0:01:42 | |
-Yes. It had been empty -for around 20 years. | 0:01:42 | 0:01:46 | |
-In what condition was the house -when you bought it? | 0:01:46 | 0:01:50 | |
-It wasn't good. | 0:01:51 | 0:01:53 | |
-Water leaked in, at the back. | 0:01:53 | 0:01:55 | |
-Dampness was a problem, -and there was Artex everywhere. | 0:01:55 | 0:01:59 | |
-It was -in a generally poor condition. | 0:01:59 | 0:02:03 | |
-But we could see its potential. | 0:02:03 | 0:02:05 | |
-We didn't have a vision, as such... | 0:02:06 | 0:02:08 | |
-..but we recognised the things -we could change in the house. | 0:02:09 | 0:02:14 | |
-It all came together. | 0:02:14 | 0:02:15 | |
-We knew -we could make this house look great. | 0:02:16 | 0:02:20 | |
-What have you done to the exterior -of the front of the house? | 0:02:56 | 0:03:00 | |
-The outside walls -were pebble-dashed. | 0:03:00 | 0:03:03 | |
-We removed the pebble-dash, -replaced the windows... | 0:03:03 | 0:03:07 | |
-..and applied a lime plaster -to the walls. | 0:03:07 | 0:03:10 | |
-All we did then was paint it. | 0:03:12 | 0:03:14 | |
-We wanted it to blend in -with its surroundings. | 0:03:14 | 0:03:18 | |
-It was built around 1850. | 0:03:20 | 0:03:23 | |
-It was built at the same time -as the railway reached Ferryside. | 0:03:25 | 0:03:30 | |
-As you can see, this is the kitchen. | 0:03:52 | 0:03:54 | |
-There's an old table, old furniture, -old spoons and old plates in here... | 0:03:55 | 0:04:01 | |
-..but it still -feels like a modern kitchen. | 0:04:01 | 0:04:05 | |
-The lighting is contemporary and -light floods in through the Velux. | 0:04:05 | 0:04:10 | |
-It feels modern. -That's partly due to the colours. | 0:04:10 | 0:04:14 | |
-These Georgian colours -are also contemporary. | 0:04:14 | 0:04:18 | |
-This is the lounge. | 0:04:38 | 0:04:39 | |
-The chairs may be antiques but I -don't feel scared to sit on them. | 0:04:40 | 0:04:45 | |
-They're chairs -which are meant to be used. | 0:04:45 | 0:04:48 | |
-Chairs designed for us -to flop into them. | 0:04:48 | 0:04:51 | |
-The worn, painted floorboards -give this room an even cosier feel. | 0:04:52 | 0:04:58 | |
-There's nothing you can't touch -because it will fall apart. | 0:04:59 | 0:05:04 | |
-Everything is used. | 0:05:04 | 0:05:06 | |
-This room is completely different. | 0:05:30 | 0:05:32 | |
-It's more of an antiques showroom... | 0:05:33 | 0:05:35 | |
-..though it's a functioning -dining room with practical chairs. | 0:05:35 | 0:05:40 | |
-The chairs are not only practical -but also very pleasing to the eye. | 0:05:40 | 0:05:45 | |
-It sums up Betsan and Tim's -achievements in this house. | 0:05:45 | 0:05:50 | |
-They've filled it with antiques but -it is still completely practical. | 0:05:50 | 0:05:55 | |
-It looks like St Fagans -but it's a 21st century house. | 0:05:55 | 0:05:59 | |
-We wanted -to keep the front bedroom simple. | 0:06:30 | 0:06:33 | |
-We decided to keep -the tongue and groove on the walls. | 0:06:34 | 0:06:37 | |
-We painted the floorboards and -we also used rag rugs on the floor. | 0:06:38 | 0:06:43 | |
-The bedspreads are old -and so is the bed. | 0:06:44 | 0:06:47 | |
-I love Welsh bedspreads. | 0:06:51 | 0:06:53 | |
-I love the colours and the designs. | 0:06:53 | 0:06:56 | |
-They're things of beauty... | 0:06:58 | 0:07:01 | |
-..which should be expensive -but are relatively cheap. | 0:07:01 | 0:07:05 | |
-Do you dislike contemporary design? | 0:07:36 | 0:07:39 | |
-Do you dislike contemporary design? - -No, not at all. | 0:07:39 | 0:07:40 | |
-I like modern things. | 0:07:41 | 0:07:43 | |
-You must be sympathetic. | 0:07:46 | 0:07:48 | |
-If you live in an old house, -you must choose sympathetic designs. | 0:07:48 | 0:07:53 | |
-We use modern inventions -such as televisions and stereos. | 0:07:54 | 0:07:58 | |
-We kept the bath, -the basin and the toilet. | 0:08:24 | 0:08:28 | |
-We were tempted -to have a roll-top bath installed... | 0:08:28 | 0:08:33 | |
-..but all we've done is paint it, -remove the carpet and fit a shower. | 0:08:33 | 0:08:39 | |
-This is Betsan's home -and it is her haven. | 0:08:48 | 0:08:52 | |
-It's a world apart -from her life in London. | 0:08:52 | 0:08:55 | |
-I adore my little room. | 0:08:55 | 0:08:57 | |
-It's where I write, -study and do some needlework. | 0:08:58 | 0:09:05 | |
-I can sit at my desk -and look out over the garden. | 0:09:07 | 0:09:11 | |
-It's wonderful. | 0:09:11 | 0:09:13 | |
-You've spent most of your life -in London. | 0:09:28 | 0:09:31 | |
-Ferryside must be a massive change! | 0:09:32 | 0:09:34 | |
-Yes, it's far more peaceful here -and it's far less stressful. | 0:09:36 | 0:09:41 | |
-It's a much nicer place to live -than London. | 0:09:42 | 0:09:46 | |
-888 | 0:10:07 | 0:10:07 | |
-888 - -888 | 0:10:07 | 0:10:09 | |
-Sioned Emrys loves London life, -but this is only one of her homes. | 0:10:18 | 0:10:23 | |
-It's a mews. | 0:10:24 | 0:10:26 | |
-It's two houses, knocked into one. | 0:10:27 | 0:10:29 | |
-It was used as a coach house -and a stable block until the 1940s. | 0:10:32 | 0:10:38 | |
-The mews houses -you see all over London... | 0:10:39 | 0:10:43 | |
-..are considered to be -very desirable residences. | 0:10:45 | 0:10:49 | |
-Her work as a designer and writer -brings Sioned to London. | 0:10:52 | 0:10:57 | |
-Where better to live and work -than Notting Hill? | 0:10:57 | 0:11:01 | |
-I've lived in Notting Hill -for 25 years. | 0:11:01 | 0:11:04 | |
-You get used to living -in a certain area... | 0:11:04 | 0:11:07 | |
-..and it's a wonderful place. | 0:11:07 | 0:11:09 | |
-I moved to this mews -around two years ago... | 0:11:11 | 0:11:14 | |
-..after carrying out -a few repairs to the house. | 0:11:15 | 0:11:18 | |
-The walls were painted orange -and the kitchen was bright green. | 0:11:19 | 0:11:25 | |
-It was a blank canvas, really. | 0:11:26 | 0:11:28 | |
-I decided not to spend -too much money on the decor. | 0:11:29 | 0:11:32 | |
-I stuck to one colour palette -and kept it simple. | 0:11:33 | 0:11:37 | |
-I went on a few expeditions to IKEA -and the rest came from India. | 0:11:37 | 0:11:42 | |
-Several items in this room -came from India, didn't they? | 0:11:43 | 0:11:48 | |
-Yes. It's tricky to go to India -and not buy things! | 0:11:49 | 0:11:52 | |
-The rug on the table and the one -draped over the stairs... | 0:11:53 | 0:11:57 | |
-..came from a warehouse in Delhi. | 0:11:58 | 0:12:00 | |
-They're pure silk -and they were woven in Iran. | 0:12:02 | 0:12:05 | |
-You'd never associate such -vivid colours with Iranian rugs. | 0:12:06 | 0:12:12 | |
-They're more typical -of rugs you'd find in South America. | 0:12:13 | 0:12:18 | |
-I adore them. | 0:12:19 | 0:12:21 | |
-They're wonderful. | 0:12:21 | 0:12:23 | |
-And they were a bargain, to boot! | 0:12:23 | 0:12:25 | |
-There are two bedrooms on the ground -floor of this three-storey house. | 0:12:42 | 0:12:47 | |
-The small garden, outside the -master bedroom, is a tranquil oasis. | 0:12:47 | 0:12:53 | |
-It's quite dark down there... | 0:13:07 | 0:13:09 | |
-..and you're drawn to the light -and to the bright colours up here. | 0:13:10 | 0:13:15 | |
-You only realise -it's a three-storey house... | 0:13:15 | 0:13:18 | |
-..when you get to this point. | 0:13:18 | 0:13:20 | |
-The glass roof -allows natural light to flood in. | 0:13:20 | 0:13:24 | |
-The glass roof -is a double-edged sword. | 0:13:26 | 0:13:29 | |
-It lets in natural light -but it also lets in heat. | 0:13:29 | 0:13:33 | |
-That's why there are blinds, -running across the roof. | 0:13:33 | 0:13:37 | |
-It's a wonderful space. | 0:13:37 | 0:13:39 | |
-There are lots of things to discover -in the house's nooks and crannies. | 0:13:39 | 0:13:44 | |
-The green and orange -colours are amazing. | 0:13:45 | 0:13:48 | |
-This is the lounge area. | 0:13:48 | 0:13:50 | |
-But it must be -a bit more than a lounge. | 0:13:50 | 0:13:53 | |
-In an open-plan house, like this, -every area must be multifunctional. | 0:13:53 | 0:14:00 | |
-It's a lounge, -a kitchen, a dining room... | 0:14:00 | 0:14:03 | |
-..and as close to a garden as -you'll get in this part of London. | 0:14:03 | 0:14:08 | |
-The exciting thing about this room -is the bright, vibrant colours. | 0:14:08 | 0:14:14 | |
-Pinks, purples and greens. | 0:14:14 | 0:14:16 | |
-The colours and the furniture -have strong links with the Far East. | 0:14:17 | 0:14:22 | |
-An exciting combination - it makes -a wonderful room in which to relax. | 0:14:22 | 0:14:27 | |
-And there's another great place -to relax up there. | 0:14:27 | 0:14:30 | |
-Sioned uses this room as her office, -at the moment. | 0:14:45 | 0:14:48 | |
-This isn't a huge house but it's a -three-bedroom house, nevertheless. | 0:14:49 | 0:14:55 | |
-Every inch of the space has been -utilised - right up to the roof. | 0:14:55 | 0:15:01 | |
-This is the apex. | 0:15:01 | 0:15:02 | |
-This leads to the balcony, -which leads to the roof terrace. | 0:15:03 | 0:15:08 | |
-There's a blind -outside this long, narrow window. | 0:15:09 | 0:15:13 | |
-It's a mechanically-operated blind. | 0:15:14 | 0:15:17 | |
-It must be really hot without it - -it's very warm, with the blind down. | 0:15:18 | 0:15:24 | |
-I think I chose to live here... | 0:15:54 | 0:15:56 | |
-..because it's such a contrast -from my north Wales home. | 0:15:56 | 0:16:01 | |
-My north Wales home -is very traditional. | 0:16:02 | 0:16:05 | |
-I had never lived in a contemporary, -modern house until I moved here... | 0:16:06 | 0:16:11 | |
-..so it's been -an interesting experience for me. | 0:16:13 | 0:16:16 | |
-I spend one week per month here, -on average. | 0:16:16 | 0:16:20 | |
-I'm here for extended periods, -from time to time... | 0:16:20 | 0:16:24 | |
-..but I come to London -specifically to attend meetings. | 0:16:24 | 0:16:28 | |
-I'm here because of work, -not pleasure. | 0:16:29 | 0:16:32 | |
-I love London and it's exceptionally -beautiful architecture. | 0:16:33 | 0:16:38 | |
-I also think -it's a very exciting city. | 0:16:39 | 0:16:42 | |
-This is my favourite city -in the world. | 0:16:43 | 0:16:46 | |
-I love its restaurants, -shops and markets. | 0:16:46 | 0:16:50 | |
-I would find it difficult -to be unhappy here. | 0:16:51 | 0:16:54 | |
-Cardiff has been transformed -in recent years. | 0:17:11 | 0:17:14 | |
-Areas such as Grangetown -have seen great changes. | 0:17:14 | 0:17:18 | |
-Film director Marc Evans -lives in Grangetown. | 0:17:18 | 0:17:22 | |
-His father, who's an architect... | 0:17:22 | 0:17:24 | |
-..helped Marc turn an old stable -into a contemporary home. | 0:17:25 | 0:17:30 | |
-I moved in here, before I bought it. | 0:17:47 | 0:17:49 | |
-I grew to love -the feel of the place. | 0:17:50 | 0:17:52 | |
-It wasn't in good condition -but I liked the ambience. | 0:17:52 | 0:17:56 | |
-The remains of several parties -are deeply ingrained in the walls. | 0:17:57 | 0:18:02 | |
-It had plenty of character -but it was a mess. | 0:18:03 | 0:18:07 | |
-What was this place, originally? | 0:18:07 | 0:18:10 | |
-What was this place, originally? - -It was a stable. | 0:18:10 | 0:18:11 | |
-Local people remember the mayor's -car in the garage, downstairs. | 0:18:11 | 0:18:17 | |
-The ground floor was a garage and -there was a flat on the first floor. | 0:18:17 | 0:18:22 | |
-It was a great, original party flat -but the shape was all wrong. | 0:18:22 | 0:18:26 | |
-The bedrooms were in the front, -the living room was at the back... | 0:18:27 | 0:18:31 | |
-..and the stairs -led from the alleyway. | 0:18:32 | 0:18:35 | |
-We just changed the shape. | 0:18:35 | 0:18:37 | |
-The most important thing -was to have natural light flood in. | 0:18:38 | 0:18:42 | |
-My father was the architect -who drew up the plans... | 0:18:43 | 0:18:46 | |
-..and he realised the front -is the best side of the building. | 0:18:47 | 0:18:51 | |
-That's why we moved the staircase. | 0:18:51 | 0:18:53 | |
-It made it possible -to exploit the space. | 0:18:54 | 0:18:57 | |
-There are no supporting walls -in the building, which is a bonus. | 0:18:57 | 0:19:01 | |
-The beam going across here -allows you to open up the space. | 0:19:02 | 0:19:06 | |
-I had reservations about working -on my home with my father... | 0:19:29 | 0:19:34 | |
-..but he's experienced -and it was great. | 0:19:34 | 0:19:37 | |
-His obsessions lay -in unpredictable areas of the house! | 0:19:37 | 0:19:41 | |
-I thought he'd have set ideas -about the aesthetics... | 0:19:42 | 0:19:46 | |
-..but he didn't express an opinion - -he went with me, as his client. | 0:19:46 | 0:19:51 | |
-I got what I wanted. | 0:19:51 | 0:19:53 | |
-My father's obsessions -include a leaning towards white. | 0:19:53 | 0:19:58 | |
-He's a modernist, really. | 0:19:59 | 0:20:01 | |
-He's a great fan of modernism, -so white is the colour of choice... | 0:20:01 | 0:20:06 | |
-..unless you have -any strong objections. | 0:20:06 | 0:20:09 | |
-The black detail around the doors -and the internal glazing... | 0:20:10 | 0:20:17 | |
-..are prominent features -of my father's style. | 0:20:18 | 0:20:21 | |
-You must respect the materials -already present in a house. | 0:20:22 | 0:20:26 | |
-With the brick, -we couldn't strip away the paint... | 0:20:27 | 0:20:30 | |
-..because there were -too many thick layers. | 0:20:31 | 0:20:34 | |
-The best option -was to paint it white. | 0:20:34 | 0:20:37 | |
-We left the pipes exposed and -respected the shape of the building. | 0:20:38 | 0:20:42 | |
-We didn't have much money, -so we prioritised. | 0:20:57 | 0:21:00 | |
-The staircase was important -and the flooring was important. | 0:21:01 | 0:21:05 | |
-We kept the ground floor unchanged, -as an industrial space. | 0:21:07 | 0:21:12 | |
-An old garage. | 0:21:12 | 0:21:13 | |
-It can be an office, a studio -or a second living room. | 0:21:15 | 0:21:18 | |
-The downstairs bedroom -could be an office. | 0:21:18 | 0:21:22 | |
-I work from home and I need -a good working environment. | 0:21:23 | 0:21:27 | |
-It was important -to create the right ambience. | 0:21:27 | 0:21:31 | |
-The one thing we don't have -is a garden... | 0:21:59 | 0:22:02 | |
-..but you can go for a lovely walk -along the riverbank in Grangetown. | 0:22:02 | 0:22:07 | |
-We can walk to town from here. | 0:22:08 | 0:22:10 | |
-We're part of the city without -actually being in the city centre. | 0:22:10 | 0:22:15 | |
-There are flats going up everywhere -but cities evolve and I accept that. | 0:22:15 | 0:22:21 | |
-Nia and I -are the yuppies of this street... | 0:22:22 | 0:22:26 | |
-..and that's part and parcel of a -city's development and regeneration. | 0:22:26 | 0:22:32 | |
-Having said that... | 0:22:32 | 0:22:33 | |
-..I think it's honourable to put -money and time into a building. | 0:22:34 | 0:22:39 | |
-This is a street which has changed -and it will continue to change. | 0:22:39 | 0:22:46 | |
-I worked with my father -to adapt this building... | 0:22:51 | 0:22:54 | |
-..and now I live here, -with my girlfriend. | 0:22:55 | 0:22:58 | |
-It's a happy home -and that's wonderful. | 0:22:58 | 0:23:01 | |
-S4C subtitles by Eirlys A Jones | 0:23:24 | 0:23:27 |