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|---|---|---|---|
Ladies and gentlemen, | 0:00:07 | 0:00:08 | |
please take your seats for the entertainment event of the year, | 0:00:08 | 0:00:13 | |
with West End star Sophie Evans, | 0:00:13 | 0:00:16 | |
comedian Rod Woodward, | 0:00:16 | 0:00:19 | |
Welsh tenor Wynne Evans, | 0:00:19 | 0:00:22 | |
and pop icon Shakin' Stevens. | 0:00:22 | 0:00:25 | |
Plus, we find out more about the funnyman from Merthyr. | 0:00:25 | 0:00:28 | |
And here's your host for the evening. | 0:00:29 | 0:00:31 | |
Please welcome to the stage of the Ffwrnes Theatre, Llanelli, | 0:00:31 | 0:00:35 | |
Mr Owen Money. | 0:00:35 | 0:00:37 | |
CHEERING AND APPLAUSE | 0:00:37 | 0:00:41 | |
Hello and welcome to the Ffwrnes Theatre, Llanelli. | 0:00:43 | 0:00:46 | |
And this is the first TV show they've ever done here in this fantastic theatre. | 0:00:46 | 0:00:51 | |
-Isn't it brilliant? -Yes. -Absolutely brilliant. | 0:00:51 | 0:00:54 | |
And the show is presented by that very funny man from Merthyr. Me. | 0:00:54 | 0:00:58 | |
-Have we got Merthyr people in? -Yes. -Nice to see you. | 0:00:59 | 0:01:03 | |
I've been in Merthyr last Saturday. I was on a sponsored mountain climb. | 0:01:03 | 0:01:06 | |
Kill-a-man-for-a-giro. | 0:01:06 | 0:01:09 | |
And I've got to say, I can't believe there's so many beautiful women in this audience tonight. | 0:01:11 | 0:01:16 | |
There's a couple of ugly ones, you know, but... | 0:01:16 | 0:01:19 | |
I'm not going to point you out. You know who you are, right. | 0:01:19 | 0:01:23 | |
You're beautiful, you are, love. I've got to be honest. You are. | 0:01:24 | 0:01:27 | |
No, not you, love, the one behind you. | 0:01:27 | 0:01:29 | |
Well, today is St David's Day, | 0:01:32 | 0:01:33 | |
the only Saints Day that's named after a shopping centre in Cardiff. | 0:01:33 | 0:01:38 | |
It's a day when we celebrate things that are great about Wales. | 0:01:38 | 0:01:41 | |
Things like the great scenery. | 0:01:41 | 0:01:44 | |
Friendly people. The Welsh Assembly. | 0:01:44 | 0:01:47 | |
AUDIENCE GROANS | 0:01:47 | 0:01:49 | |
Well, two out of three's not bad. Hang on a minute. | 0:01:49 | 0:01:51 | |
I thought about going into politics but it's a bit of a cutthroat business. | 0:01:51 | 0:01:55 | |
You know, one day you could be in the Senedd debating big issues, | 0:01:55 | 0:01:58 | |
the next day you can be out in the street selling them. | 0:01:58 | 0:02:01 | |
I was saying this to the taxi driver that brought me here tonight, Lembit Opik. | 0:02:02 | 0:02:06 | |
Lembit Opik. | 0:02:16 | 0:02:18 | |
Not just an ex-politician but 300 points at Scrabble, that is. | 0:02:18 | 0:02:22 | |
Well, I'm living in Porthcawl now, tax reasons. | 0:02:22 | 0:02:25 | |
-Have we got people from Porthcawl in? Where are you? -Yay! | 0:02:27 | 0:02:30 | |
Nice to see you. You've got to be old to live there. Look at them. | 0:02:30 | 0:02:34 | |
Oh, they're all old in Porthcawl, aren't they, Gareth? | 0:02:36 | 0:02:38 | |
Even the shop windows are bifocal. | 0:02:38 | 0:02:41 | |
But they do cater for the older people. | 0:02:43 | 0:02:45 | |
I go to a lot of the care homes. | 0:02:45 | 0:02:48 | |
Every Christmas Eve I go to this one in the centre of Porthcawl. It's great. | 0:02:48 | 0:02:52 | |
And they're all in their 90s and I try to entertain them, you know. | 0:02:52 | 0:02:56 | |
It's hard work, like. | 0:02:56 | 0:02:57 | |
Like the gurner's club all over again, they were. | 0:02:57 | 0:03:00 | |
I had a staring ovation. | 0:03:03 | 0:03:05 | |
LAUGHTER | 0:03:05 | 0:03:07 | |
I came off the stage. There's a woman at the front, she's 98. | 0:03:12 | 0:03:15 | |
I said, "Did you enjoy me?" She said, "You were marvellous." | 0:03:15 | 0:03:18 | |
I said, "Do you know who I am?" | 0:03:18 | 0:03:19 | |
She said, "No. But if you ask the matron, she'll tell you." | 0:03:19 | 0:03:22 | |
Have you noticed when people get older they change? | 0:03:26 | 0:03:29 | |
Like, ladies, I've got to be honest, ladies, you grow old gracefully. | 0:03:29 | 0:03:32 | |
Some of you, your hair goes like cauliflower, | 0:03:32 | 0:03:35 | |
but most of you are great. | 0:03:35 | 0:03:36 | |
You can always tell the age of a man, because the older he gets, | 0:03:36 | 0:03:41 | |
the higher he wears his trousers, have you noticed? | 0:03:41 | 0:03:43 | |
60, 70, 80. | 0:03:45 | 0:03:48 | |
My father's 97 and we feed him through his fly. | 0:03:49 | 0:03:52 | |
And he's in one of them sheltered accommodations, you know | 0:03:58 | 0:04:01 | |
where they pull the string and they all come running. | 0:04:01 | 0:04:03 | |
I went down to see him the other week. He's 97. | 0:04:03 | 0:04:06 | |
I said, "How's it going?" He said, "Not so bad". | 0:04:06 | 0:04:08 | |
SMACKS LIPS | 0:04:08 | 0:04:09 | |
I said, "What are you doing?" He said, "I'm doing a jigsaw of a big chicken." | 0:04:09 | 0:04:13 | |
I said, "Put the cornflakes back in the box now". | 0:04:13 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:18 | |
There's an old fellow driving on the motorway and his mobile phone goes. | 0:04:24 | 0:04:28 | |
He picks the phone up and it's his wife. | 0:04:28 | 0:04:30 | |
She says, "Dai, where are you?" | 0:04:30 | 0:04:31 | |
He said, "I'm on the M4 by Sarn services. I'll be home now in ten minutes." | 0:04:31 | 0:04:36 | |
She said, "Be careful, Dai. | 0:04:36 | 0:04:38 | |
"It's just come on the radio here, there's one motorist | 0:04:38 | 0:04:41 | |
"driving the wrong way down the motorway." | 0:04:41 | 0:04:43 | |
He said, "One?" He said, "There's bloody hundreds of them", he said. | 0:04:43 | 0:04:46 | |
I'll tell you what though, it's been a funny old month, hasn't it? | 0:04:52 | 0:04:55 | |
About four weeks ago they found the remains of King Richard III's body | 0:04:55 | 0:04:59 | |
in a car park in Leicester. | 0:04:59 | 0:05:02 | |
They are now looking for the remains of his horse | 0:05:02 | 0:05:04 | |
in every supermarket in the country. | 0:05:04 | 0:05:06 | |
Well, it started in one supermarket. | 0:05:15 | 0:05:17 | |
Now they're all jumping on the bandwagon. | 0:05:17 | 0:05:20 | |
They reckon it's not their fault. | 0:05:20 | 0:05:21 | |
They haven't got four legs to stand on, I've got to be honest. | 0:05:21 | 0:05:25 | |
It's in Lidl's now. My Lidl pony. | 0:05:25 | 0:05:27 | |
If you're going to get bread to go with it, don't ask for a cob, whatever you do. | 0:05:30 | 0:05:33 | |
I was in the supermarket the other day. I got a bag of burgers. | 0:05:35 | 0:05:38 | |
It kept jumping the queue. | 0:05:38 | 0:05:40 | |
HE WHINNIES | 0:05:40 | 0:05:42 | |
Well, it's nice to be here. And it is St David's Day. | 0:05:44 | 0:05:49 | |
I'm very proud to be Welsh. | 0:05:49 | 0:05:50 | |
And I don't know whether you know this, but we talk differently all over Wales. | 0:05:50 | 0:05:54 | |
We've all got different accents. | 0:05:54 | 0:05:55 | |
-CARDIFF ACCENT: -Cardiff, they put the car in the car park. | 0:05:55 | 0:05:58 | |
-NEWPORT ACCENT: -Newport. "Do you want a fight?" | 0:05:58 | 0:06:02 | |
-SWANSEA ACCENT: -Swansea. "Where do you want this video, mush?" | 0:06:03 | 0:06:08 | |
-MERTHYR ACCENT: -Merthyr. "In 'ere, byt." | 0:06:08 | 0:06:09 | |
Llanelli. They talk very fast in Llanelli. The real ones. | 0:06:12 | 0:06:14 | |
-LLANELLI ACCENT: -Mynydd-y-garreg, top of the mountain, Scarlets, | 0:06:14 | 0:06:17 | |
Rupert Moon, ugly bugger with a skullcap. | 0:06:17 | 0:06:20 | |
Carmarthen. They start fast and then they go slow. | 0:06:22 | 0:06:25 | |
"How's it go...ing?" | 0:06:25 | 0:06:26 | |
Cardigan. "How much?" | 0:06:29 | 0:06:31 | |
And I love North Wales. I love it. I go up there quite a lot. | 0:06:36 | 0:06:40 | |
And they talk like Mario Lanza up in North Wales. | 0:06:40 | 0:06:43 | |
There's two English fellows lost in North Wales | 0:06:44 | 0:06:46 | |
and they come to the village with the big long name. | 0:06:46 | 0:06:49 | |
And George says to Charlie, | 0:06:49 | 0:06:50 | |
"Look at the length of this name. There's about 50-odd letters there. How do you pronounce that?" | 0:06:50 | 0:06:54 | |
He said, "I don't know. We'll go in and ask the waiter. He's from North Wales." | 0:06:54 | 0:06:58 | |
So they go in this cafe, and a fellow from Caernarvon came up to them. | 0:06:58 | 0:07:01 | |
He went, "Can I help you?" "Good God, yes." | 0:07:01 | 0:07:04 | |
"Can I help you?" | 0:07:06 | 0:07:07 | |
He said, "Yeah, can you tell us very slowly exactly where we are?" | 0:07:07 | 0:07:11 | |
And the Welsh fellow went, "MacDonald's". | 0:07:11 | 0:07:15 | |
-Anybody here from Llanelli? -Yes. -Are you from Llanelli, love? | 0:07:21 | 0:07:26 | |
That's lovely. Famous for two things, darling. | 0:07:26 | 0:07:29 | |
Beautiful women and great rugby players. | 0:07:29 | 0:07:32 | |
What position do you play, love? | 0:07:32 | 0:07:33 | |
I love Llanelli. I've been coming here three years. | 0:07:38 | 0:07:41 | |
I went out the other day to find out what the people of Llanelli thought about the town. | 0:07:41 | 0:07:45 | |
And this is what I found. | 0:07:45 | 0:07:47 | |
-Are you from Llanelli, boy? -Er... -Do you want an easier question? | 0:07:48 | 0:07:51 | |
-So are you from Llanelli? -Yeah, I'm from Llanelli, born and bred, Welsh head. | 0:07:51 | 0:07:56 | |
-What's good about Llanelli? -It's a nice community feel. | 0:07:57 | 0:08:01 | |
You go in that new theatre, it's another world. | 0:08:01 | 0:08:04 | |
I'd take you down the coastal park for a walk. | 0:08:04 | 0:08:06 | |
-New shopping centre's down there. -You like that? -Yeah, it's really nice. | 0:08:06 | 0:08:09 | |
-Aren't you proud of it? -Well, no, I'm proud I'm Welsh. -You're not proud of being Llanelli? -No. | 0:08:09 | 0:08:15 | |
How come it's six below zero and he's dressed like that? | 0:08:15 | 0:08:19 | |
-Because he's an idiot. -He is an idiot. That's his mother telling him to put a coat on. | 0:08:19 | 0:08:24 | |
-What's good about Llanelli, cos I'm not from down here? -I prefer Carmarthen to be honest. | 0:08:24 | 0:08:28 | |
Do you? OK. See you, then. Take care. | 0:08:28 | 0:08:30 | |
Sorry. | 0:08:30 | 0:08:32 | |
There we are. | 0:08:36 | 0:08:37 | |
Now, I didn't recognise this lady when I sat here. | 0:08:39 | 0:08:41 | |
I haven't met her for years. | 0:08:41 | 0:08:43 | |
-We did a radio programme from your house. -Yes, in Ebbw Vale. | 0:08:43 | 0:08:46 | |
I remember that. It was filthy and full of strangers. | 0:08:46 | 0:08:49 | |
-Do you like rock 'n' roll music? -Oh, yes, love it. | 0:08:50 | 0:08:53 | |
We've got the greatest rock 'n' roller of all time coming on the stage now. | 0:08:53 | 0:08:56 | |
Because this guy, three days ago was in a sell-out concert in Poland. | 0:08:56 | 0:08:59 | |
But he's here tonight. Let's welcome the fantastic Shakin' Stevens. | 0:08:59 | 0:09:03 | |
-# There's a fire down below -# There's a fire down below | 0:09:18 | 0:09:22 | |
-# It's burning out of control now -# There's a fire down below | 0:09:22 | 0:09:26 | |
# Man your battle stations, baby cos there's a fire down below | 0:09:26 | 0:09:30 | |
-# There's a fire down below -# There's a fire down below | 0:09:30 | 0:09:33 | |
-# There's a fire down below -# It's burning out of control now | 0:09:33 | 0:09:37 | |
# There's a fire down below | 0:09:37 | 0:09:40 | |
# Man your battle stations, baby cos there's a fire down below | 0:09:40 | 0:09:44 | |
# There's a fire down below | 0:09:44 | 0:09:46 | |
# Fight fire with fire love with love | 0:09:46 | 0:09:50 | |
# You can feel the heat coming down from above | 0:09:50 | 0:09:53 | |
# So come on now, baby I feel so good | 0:09:53 | 0:09:57 | |
# Just do me up like you said you would | 0:09:57 | 0:10:00 | |
-# I said smoking -Smoking | 0:10:00 | 0:10:02 | |
-# Smoking -Smoking | 0:10:02 | 0:10:04 | |
-# Burning -Burning | 0:10:04 | 0:10:05 | |
-# Burning -Burning | 0:10:05 | 0:10:07 | |
# Smoking, burning | 0:10:07 | 0:10:08 | |
# Getting hotter and hotter | 0:10:08 | 0:10:10 | |
# Hotter | 0:10:10 | 0:10:12 | |
# Because there's a fire down below | 0:10:12 | 0:10:15 | |
# There's a fire down below | 0:10:15 | 0:10:16 | |
-# It's burning out of control now -There's a fire down below | 0:10:16 | 0:10:20 | |
# Man your battle stations, baby | 0:10:20 | 0:10:22 | |
# There's a fire down below | 0:10:22 | 0:10:25 | |
# There's a fire down below | 0:10:54 | 0:10:58 | |
# There's a fire down below | 0:10:58 | 0:11:02 | |
# Oooh, ooooooh | 0:11:02 | 0:11:05 | |
# I said smoking | 0:11:11 | 0:11:14 | |
# Burning | 0:11:15 | 0:11:18 | |
-# Smoking -Smoking | 0:11:18 | 0:11:20 | |
-# Burning -Burning | 0:11:20 | 0:11:22 | |
-# Smoking -Smoking | 0:11:22 | 0:11:24 | |
-# Burning -Burning | 0:11:24 | 0:11:26 | |
# Smoking, burning | 0:11:26 | 0:11:27 | |
# Getting hotter and hotter | 0:11:27 | 0:11:29 | |
# Hotter | 0:11:29 | 0:11:31 | |
# Cos there's a fire down below | 0:11:31 | 0:11:33 | |
-# There's a fire down below -It's burning out of control now | 0:11:33 | 0:11:36 | |
# There's a fire down below | 0:11:36 | 0:11:38 | |
# Man your battle stations, baby | 0:11:38 | 0:11:41 | |
# There's a fire down below | 0:11:41 | 0:11:43 | |
# Yeah, yeah, yeah, yeah | 0:11:43 | 0:11:45 | |
-# There's a fire down below -There's a fire down below | 0:11:45 | 0:11:48 | |
-# Yeah, fire -There's a fire down below | 0:11:48 | 0:11:53 | |
-# Fire -Fire | 0:11:53 | 0:11:54 | |
-# Fire -Fire | 0:11:54 | 0:11:56 | |
-# Fire -Fire | 0:11:56 | 0:11:58 | |
-# Fire -Fire | 0:11:58 | 0:11:59 | |
-# Fire -Fire | 0:11:59 | 0:12:01 | |
-# Fire -Fire | 0:12:01 | 0:12:02 | |
-# Fire -Fire | 0:12:02 | 0:12:05 | |
# Aaaah, aaaah. # | 0:12:06 | 0:12:10 | |
APPLAUSE AND CHEERING | 0:12:21 | 0:12:26 | |
Thank you very much. | 0:12:26 | 0:12:28 | |
Well, as you know the programme is called Owen Money and friends. | 0:12:28 | 0:12:32 | |
One of my oldest and dearest friends is here with me. Ruth Maddox. | 0:12:32 | 0:12:36 | |
APPLAUSE | 0:12:36 | 0:12:41 | |
Well, hello, campers, Owen, love. | 0:12:41 | 0:12:43 | |
-Oh, Hi-de-Hi. -Ho-de-Ho. | 0:12:43 | 0:12:46 | |
Three bags full and away we go. | 0:12:46 | 0:12:48 | |
Now listen, lovely boy. | 0:12:48 | 0:12:50 | |
You're now known as the king of pantomime in Wales. | 0:12:50 | 0:12:54 | |
-What do you like about it so much? -Well, the kids for me. | 0:12:54 | 0:12:57 | |
They go into the theatre for the first time and they just love it. | 0:12:57 | 0:12:59 | |
I don't really want to talk about it. | 0:12:59 | 0:13:01 | |
I'd rather show you what it's all about. | 0:13:01 | 0:13:03 | |
Have a look at this from our production of Babes in the Wood | 0:13:03 | 0:13:06 | |
at the Princess Royal in Port Talbot. | 0:13:06 | 0:13:08 | |
Well, well, well. | 0:13:08 | 0:13:10 | |
What have we here? | 0:13:10 | 0:13:12 | |
# Hey, you with the pretty face. # | 0:13:14 | 0:13:18 | |
'In 2000, we decided to form our own theatre company, | 0:13:18 | 0:13:20 | |
'and we took the pantomime out to all the smaller venues in Wales. | 0:13:20 | 0:13:25 | |
'And it's great because we use a lot of, you know, traditional stuff.' | 0:13:26 | 0:13:31 | |
-Oh, no, there wasn't. -AUDIENCE: Oh, yes, there was. | 0:13:31 | 0:13:35 | |
Let's have a look around. | 0:13:35 | 0:13:37 | |
'You've got to have the comedy element, you know. | 0:13:37 | 0:13:40 | |
'If something happens on the day, we'll put it in.' | 0:13:40 | 0:13:44 | |
Anybody on income support, be careful. | 0:13:44 | 0:13:46 | |
There's a camera over there! | 0:13:46 | 0:13:48 | |
'We've got some great actors in Wales. | 0:13:48 | 0:13:51 | |
'Dick Bradnum, who plays the Dame, he's never done panto before | 0:13:51 | 0:13:53 | |
-'and he's just taken it like a duck to water.' -Sink. | 0:13:53 | 0:13:57 | |
'Sammy Rod, who came to me six or seven years ago.' | 0:13:58 | 0:14:02 | |
Bring it on! 'I play Robin Hood. | 0:14:02 | 0:14:05 | |
'I've been playing boy characters for Owen Money for seven years, | 0:14:05 | 0:14:09 | |
so I went he thinks I'm a little bit manly. | 0:14:09 | 0:14:11 | |
-I want you to take the babes back to Nottingham Castle. -No! | 0:14:11 | 0:14:14 | |
I actually met Owen when I was 11. I did his 'Just Up Your Street' show. | 0:14:14 | 0:14:19 | |
Since then, he's kind of reared me into the panto world and stuff. | 0:14:19 | 0:14:22 | |
-So every year, Christmas for me is panto. -Whoa! -Flipping heck! | 0:14:22 | 0:14:26 | |
It's Barbie from Fairyland indeed. | 0:14:26 | 0:14:28 | |
'Kids love to hear the modern songs in the panto. | 0:14:29 | 0:14:32 | |
'I put things like Call Me Maybe in there. And Gangnam Style, | 0:14:34 | 0:14:37 | |
'which is probably the greatest Christmas song that we've ever had.' | 0:14:37 | 0:14:41 | |
# Oppa gangnam style. # | 0:14:46 | 0:14:47 | |
'This is the first time a lot of these kids have seen live theatre, | 0:14:47 | 0:14:50 | |
'the three and the four-year-olds have never been before.' | 0:14:50 | 0:14:53 | |
-Where are you from, Bethany? -Skewen. | 0:14:53 | 0:14:56 | |
Skewen? Where's your shellsuit? | 0:14:56 | 0:14:59 | |
LAUGHTER | 0:14:59 | 0:15:00 | |
-What's your name? -Gabriel. -Gabriel. How old are you, Gabriel? -Three. | 0:15:00 | 0:15:06 | |
AUDIENCE: Awww... | 0:15:06 | 0:15:08 | |
-Three. Are you enjoying yourself? -Yeah. -Who's your favourite? | 0:15:08 | 0:15:12 | |
GIGGLING | 0:15:15 | 0:15:17 | |
-What's my name? -Grandpa. | 0:15:17 | 0:15:19 | |
'Pantomime is a tradition, | 0:15:25 | 0:15:26 | |
'and I think it's making a big comeback in theatres these days. | 0:15:26 | 0:15:30 | |
'And it's magic. It is magic. It is.' | 0:15:30 | 0:15:35 | |
# And live while we're young | 0:15:35 | 0:15:38 | |
# Let's go baby, baby, baby... # | 0:15:38 | 0:15:40 | |
APPLAUSE | 0:15:40 | 0:15:42 | |
I'll tell you what, that little grandson of mine, | 0:15:45 | 0:15:48 | |
I'm going to kill him one day, I tell you. | 0:15:48 | 0:15:51 | |
But technology has moved on since I was a kid, you know what I mean? | 0:15:51 | 0:15:54 | |
They've got iPhones, iPads, iPods. I bought my missus an iRon. | 0:15:54 | 0:16:01 | |
LAUGHTER | 0:16:01 | 0:16:02 | |
But these iPhones nowadays, you just touch the screen. | 0:16:04 | 0:16:07 | |
Years ago, remember you used to dial, and the red pill box, | 0:16:07 | 0:16:10 | |
and we'd go and dial. Do you remember? Some of you remember. | 0:16:10 | 0:16:13 | |
Well, it was a long time ago. | 0:16:14 | 0:16:16 | |
This guy phones this house up and a posh fella answered. | 0:16:16 | 0:16:18 | |
He goes, "Hello." And the guy he phoned said, "Oh, hello, mate". | 0:16:18 | 0:16:22 | |
"Is that 777 7777?" He said, "Yes, it is". | 0:16:22 | 0:16:27 | |
"Can I help you?" He said, "Yeah. Could you phone 999 for me? | 0:16:27 | 0:16:31 | |
"And tell somebody I got my finger stuck in seven." | 0:16:31 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:37 | |
Songs of the '60s. Remember them, girls? | 0:16:41 | 0:16:44 | |
AUDIENCE: Yeah! | 0:16:44 | 0:16:45 | |
When those dresses were new. | 0:16:45 | 0:16:48 | |
The days when you could walk into the post office and buy a stamp. | 0:16:49 | 0:16:52 | |
"Can I have a stamp, please?" You go in the post office now, | 0:16:52 | 0:16:56 | |
the woman who's going to serve you, she's there. | 0:16:56 | 0:16:58 | |
You can't go up to her any more. You've got to go this way. Have you noticed? | 0:16:58 | 0:17:02 | |
Then you go back around here, like that. | 0:17:02 | 0:17:04 | |
Then you watch a video for 20 minutes. | 0:17:07 | 0:17:10 | |
I saw Die Hard last week in Merthyr. | 0:17:10 | 0:17:13 | |
You've been in the post office 25 minutes and you've walked four miles. | 0:17:15 | 0:17:19 | |
Back around here, like that. | 0:17:19 | 0:17:21 | |
You get to the front of the queue and the woman goes, "Closed here". | 0:17:21 | 0:17:25 | |
And you go, well, fancy that. | 0:17:26 | 0:17:29 | |
Do you know, I was in one of them and into the door comes a fella | 0:17:32 | 0:17:35 | |
in a ski mask and a sawn-off shotgun. "All right." Welsh. | 0:17:35 | 0:17:41 | |
"Nobody move. I've got a gun here, it's loaded, | 0:17:41 | 0:17:43 | |
"and I'm going to rob you. Stay where you are." | 0:17:43 | 0:17:46 | |
And the robber's over here like that. | 0:17:46 | 0:17:48 | |
"Oh, Die Hard." | 0:17:51 | 0:17:52 | |
And he sticks the gun in my back | 0:17:58 | 0:18:00 | |
and he said, "Tell her to give me the money." | 0:18:00 | 0:18:02 | |
So I goes, "Give him the money, love." | 0:18:02 | 0:18:05 | |
Now this woman's from Pontypridd. | 0:18:05 | 0:18:09 | |
She goes, "No, I'm on my break". | 0:18:09 | 0:18:11 | |
"Forget your break. He has a gun in my back. Give him the money." | 0:18:14 | 0:18:17 | |
"No, I'm not." "Give him the money." "No." "Give him the money!" | 0:18:17 | 0:18:20 | |
"No!" Bang. The gun goes off, accidentally, right. | 0:18:20 | 0:18:22 | |
The bullet goes in there, out there, into her heart. She's dead. | 0:18:22 | 0:18:28 | |
It's a joke, love. | 0:18:28 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:32 | |
With that, there's a policeman going past with a takeaway. | 0:18:32 | 0:18:36 | |
"Ah, damn, a robbery. It's going to get cold now, this is." | 0:18:38 | 0:18:41 | |
"OK, the police are here now. Stay where you are. | 0:18:43 | 0:18:46 | |
"I'm coming to arrest you." And the policeman's over here, like that. | 0:18:46 | 0:18:49 | |
And he's back round here, like that. "Oh, Die Hard. I saw this." | 0:18:50 | 0:18:54 | |
Back around here, like that. He comes round here, like that. | 0:18:54 | 0:18:57 | |
And the policeman arrests me. | 0:18:57 | 0:19:00 | |
I said, "What are you arresting me for?!" He said, | 0:19:00 | 0:19:02 | |
"Well, it was through you that she got shot." | 0:19:02 | 0:19:04 | |
APPLAUSE | 0:19:04 | 0:19:07 | |
Right, now here's a young Welsh comedian who is | 0:19:18 | 0:19:20 | |
a regular at London's famous Comedy Store. | 0:19:20 | 0:19:23 | |
He is also a golfing partner of mine. | 0:19:23 | 0:19:25 | |
I never realised how good a golfer I was until I played with him. | 0:19:25 | 0:19:29 | |
Let's enjoy the original humour of the great Mr Ron Woodward. | 0:19:29 | 0:19:33 | |
Thank you very much. Thank you. | 0:19:39 | 0:19:42 | |
Cheers. Wow! How good is this? | 0:19:42 | 0:19:46 | |
We're living the dream. In Wales on St David's Day. Unbelievable. | 0:19:46 | 0:19:48 | |
I live in little village in south Wales called Mackin. You know Mackin? | 0:19:48 | 0:19:52 | |
Very close-knit, very cosy little village. | 0:19:52 | 0:19:56 | |
I had no idea how cosy it was. I took a girl out from the village once. | 0:19:56 | 0:19:59 | |
She took me home to meet her parents. And they were mine. | 0:19:59 | 0:20:03 | |
That's an awkward moment. I get a lot of those. | 0:20:10 | 0:20:12 | |
I was in the gym recently. | 0:20:12 | 0:20:14 | |
We've got a lot of top Lions sportspeople in this room. | 0:20:14 | 0:20:16 | |
But I'm in the gym, I'm minding my own business, | 0:20:16 | 0:20:18 | |
and I gradually become aware of this 19-stone lobotomised beefcake, | 0:20:18 | 0:20:24 | |
this valley commando, staring at me the whole time. | 0:20:24 | 0:20:27 | |
Eventually, he lumbers up, he swings over, | 0:20:27 | 0:20:30 | |
and he looks at me in the face. He went, "Hey, hey. | 0:20:30 | 0:20:34 | |
"I can bench press 200 kilos. | 0:20:34 | 0:20:37 | |
"What can you do?" | 0:20:37 | 0:20:39 | |
I said, "Well, I don't like to boast, really, | 0:20:39 | 0:20:42 | |
"but I can read." | 0:20:42 | 0:20:44 | |
You hear funny things in Wales all the time, don't you? | 0:20:48 | 0:20:50 | |
You can't believe what you hear. "Cup of tea? Cup of tea?" | 0:20:50 | 0:20:54 | |
"Only if you're making one." | 0:20:54 | 0:20:56 | |
How else are you going to have one? | 0:21:01 | 0:21:02 | |
Sometimes you can't even get a straight answer, can you? | 0:21:02 | 0:21:05 | |
"Cup of tea? | 0:21:05 | 0:21:06 | |
"Ohhh... | 0:21:06 | 0:21:07 | |
"I wouldn't say no." | 0:21:09 | 0:21:10 | |
Well, say yes, then. Isn't it? You know. | 0:21:11 | 0:21:14 | |
My wife is doing it. | 0:21:14 | 0:21:16 | |
Come out the house today, I said, "Did you put the alarm on?" | 0:21:16 | 0:21:18 | |
"Ooh," she said. "I want to say yes." | 0:21:18 | 0:21:21 | |
I said, "Well, don't let me stop you. | 0:21:21 | 0:21:23 | |
"Cos then I won't have to go back and check." | 0:21:23 | 0:21:25 | |
I phoned the hotel tonight, I tried to get a room. | 0:21:25 | 0:21:27 | |
I said, "Have you got a room?" | 0:21:27 | 0:21:28 | |
She said, "We're very busy. It's St David's Day. | 0:21:28 | 0:21:30 | |
"But let me have a look on the system, | 0:21:30 | 0:21:32 | |
"and I'll see if I can't find you a room." | 0:21:32 | 0:21:35 | |
I said, "Well, why don't you look to see if you can find me a room?" | 0:21:35 | 0:21:38 | |
"That would save us both a lot of messing about, to be fair." | 0:21:40 | 0:21:43 | |
Everybody is turning around now in Wales as well. | 0:21:43 | 0:21:46 | |
When did that start? | 0:21:46 | 0:21:47 | |
"She turned round and said that. I couldn't believe it." | 0:21:47 | 0:21:49 | |
"So I turned round and said this..." | 0:21:52 | 0:21:54 | |
"I saw the bank manager. He turned round, he said, "We're not giving out loans." | 0:21:54 | 0:21:58 | |
Then he turned round and said, "You can have a loan." | 0:21:58 | 0:22:00 | |
He must have gone like that. "You can have a loan." | 0:22:00 | 0:22:02 | |
I thought, "One good turn deserves another. Thank you very much." | 0:22:03 | 0:22:06 | |
How often do you hear these stupid things? Every day. | 0:22:10 | 0:22:12 | |
"You going on holiday?" That's a belter, isn't it? | 0:22:12 | 0:22:14 | |
"You going on holiday." "Yes." | 0:22:14 | 0:22:16 | |
"Anywhere nice?" | 0:22:16 | 0:22:17 | |
"No, no, no." | 0:22:20 | 0:22:21 | |
"We went somewhere nice last year, and it wasn't for me, | 0:22:23 | 0:22:25 | |
"to be fair, so... | 0:22:25 | 0:22:27 | |
"We're going somewhere crap this year." | 0:22:28 | 0:22:31 | |
You've been an absolute pleasure. Hope you had a good time tonight. | 0:22:31 | 0:22:34 | |
Happy St David's Day to you. Thank you. | 0:22:34 | 0:22:36 | |
APPLAUSE AND CHEERING | 0:22:36 | 0:22:40 | |
Well, absolutely brilliant. Rod Woodward there. Love it. | 0:22:44 | 0:22:47 | |
From one funnyman to another, | 0:22:47 | 0:22:48 | |
a great work colleague of mine at Radio Wales for many years, | 0:22:48 | 0:22:51 | |
Roy Noble's here. | 0:22:51 | 0:22:52 | |
APPLAUSE AND CHEERING | 0:22:52 | 0:22:55 | |
From one valley boy to another. | 0:22:57 | 0:22:59 | |
Yeah, well, you know, being from a western valley | 0:22:59 | 0:23:02 | |
-and now nearer Merthyr Tydfil, as it were. -Oh, yes. | 0:23:02 | 0:23:04 | |
Where did it all start for you, then? | 0:23:04 | 0:23:06 | |
Because Merthyr is very close to that ticker. | 0:23:06 | 0:23:08 | |
Yes, very close to my heart, actually, and no matter where I go, | 0:23:08 | 0:23:12 | |
-I always tell them I'm from Merthyr. -Yes. | 0:23:12 | 0:23:15 | |
And actually, I went back to Merthyr just last week | 0:23:15 | 0:23:17 | |
to find out how the town had changed. | 0:23:17 | 0:23:20 | |
-Oh, really? -Yes. | 0:23:20 | 0:23:21 | |
I was brought up in the bottom end of town, at the fountain area, | 0:23:24 | 0:23:27 | |
lower high street, and I lived in a pub | 0:23:27 | 0:23:29 | |
right opposite the fountain called the Royal Oak, | 0:23:29 | 0:23:32 | |
for the first ten years of my life. See that there? That's the fountain. | 0:23:32 | 0:23:35 | |
It's moved from where it was when I was born. | 0:23:35 | 0:23:37 | |
My godmother lived in that shop there, | 0:23:37 | 0:23:39 | |
The Fountain Tuck Shop in those days. | 0:23:39 | 0:23:41 | |
Where that hedge is there is my dad's pub, | 0:23:41 | 0:23:43 | |
and this is where I made my singing debut. | 0:23:43 | 0:23:46 | |
I was a choirboy here. | 0:23:46 | 0:23:47 | |
My mother made me go. I hated it. I still can't sing. | 0:23:47 | 0:23:50 | |
But I love this area. Are you all from this area? | 0:23:50 | 0:23:53 | |
ALL: Yeah. | 0:23:53 | 0:23:54 | |
All from the Caedraw flats. | 0:23:54 | 0:23:56 | |
We've got a few from the Caedraw flats. | 0:23:56 | 0:23:58 | |
Where are you going today, then? | 0:23:58 | 0:24:00 | |
We're doing a walk of our local area to find all the important buildings. | 0:24:00 | 0:24:03 | |
Are you going to the old courthouse? | 0:24:03 | 0:24:04 | |
You might end up there one day. It's now the Merthyr Labour Club. | 0:24:04 | 0:24:07 | |
Go there on a Friday night | 0:24:07 | 0:24:08 | |
with your boyfriends and your girlfriends. | 0:24:08 | 0:24:10 | |
LAUGHTER | 0:24:10 | 0:24:12 | |
You can tell he's a comedian! | 0:24:12 | 0:24:14 | |
OWEN LAUGHS | 0:24:14 | 0:24:16 | |
How are you, bud? All right? Good. How are you? | 0:24:16 | 0:24:18 | |
Caedraw School is on one side of the road. | 0:24:18 | 0:24:20 | |
You go on the other side of the road, | 0:24:20 | 0:24:21 | |
under the railway bridge, and there it is, | 0:24:21 | 0:24:23 | |
then Merthyr Labour Club. | 0:24:23 | 0:24:25 | |
I was a steward here in the Merthyr Labour Club, | 0:24:25 | 0:24:27 | |
and the original Labour Club was the courthouse. | 0:24:27 | 0:24:29 | |
It was built in 1150, | 0:24:29 | 0:24:31 | |
and David there was a foreman on the site when they built it. | 0:24:31 | 0:24:35 | |
How are you, bud? | 0:24:35 | 0:24:37 | |
-What happened to you, Dave? -I don't know. Hard life. | 0:24:42 | 0:24:45 | |
Known you too long, I think! | 0:24:45 | 0:24:47 | |
THEY LAUGH | 0:24:47 | 0:24:48 | |
He's my best mate! | 0:24:48 | 0:24:50 | |
All right, bud? Good boy. | 0:24:50 | 0:24:52 | |
Merthyr's changed a lot, actually. | 0:24:53 | 0:24:54 | |
You can't drive up the middle of the town any more. | 0:24:54 | 0:24:57 | |
My father-in-law at the time, he was a fruit and veg wholesaler. | 0:24:57 | 0:25:00 | |
If it wasn't for him, I probably wouldn't have had | 0:25:00 | 0:25:02 | |
the personality that I've got now, | 0:25:02 | 0:25:05 | |
because he used to make me go out and sell things | 0:25:05 | 0:25:07 | |
and there was a way of selling things. | 0:25:07 | 0:25:09 | |
-You selling the fruit, bud? -Still here. | 0:25:09 | 0:25:11 | |
-All the weight gone? -Most of it. | 0:25:11 | 0:25:13 | |
I've given it to you. | 0:25:13 | 0:25:14 | |
Aye, it's still there, isn't it? | 0:25:14 | 0:25:17 | |
A lot of factories in theatre, like Triang and Hoover, of course. | 0:25:17 | 0:25:21 | |
I worked in Hoover as a forklift driver. Had a great time there. | 0:25:21 | 0:25:24 | |
Likes my heart to see it closed, to be honest. | 0:25:24 | 0:25:26 | |
When I was here, there were about 6,000 people working here. | 0:25:26 | 0:25:29 | |
It was at that time, when I was in Hoover, | 0:25:29 | 0:25:30 | |
that I started playing in cabaret and comedy bands, | 0:25:30 | 0:25:33 | |
and that's really when my career started to take off as a comedian. | 0:25:33 | 0:25:37 | |
This is my mate Jeff Lewis, and we'd been friends for years, | 0:25:37 | 0:25:40 | |
but whereas my memorabilia, | 0:25:40 | 0:25:42 | |
I don't know where it is, he's kept all of his. | 0:25:42 | 0:25:44 | |
There is a photograph of me there when I was 17 years of age. | 0:25:44 | 0:25:47 | |
It was The Bystanders, | 0:25:47 | 0:25:48 | |
the first-ever photo of The Bystanders. Brilliant. | 0:25:48 | 0:25:51 | |
I'm looking across here, and this is Good News. | 0:25:51 | 0:25:53 | |
They were a great comedy band. | 0:25:53 | 0:25:55 | |
And down the bottom there, Sir Tom Foolery. | 0:25:55 | 0:25:57 | |
There's Jeff, and there's me. | 0:25:57 | 0:26:01 | |
During the '70s, you know, we did a lot of work with Tom Foolery, | 0:26:01 | 0:26:03 | |
topped the bill on the South Pier of Blackpool, | 0:26:03 | 0:26:05 | |
but I was missing Merthyr. I hadn't seen the football boys for ages. | 0:26:05 | 0:26:08 | |
My beloved Merthyr AFC. Fantastic. | 0:26:08 | 0:26:11 | |
And of course, the biggest night of our life | 0:26:11 | 0:26:13 | |
was when we played Atalanta Bergamo, | 0:26:13 | 0:26:15 | |
and Kevin Rogers scored our first goal in that one there. | 0:26:15 | 0:26:19 | |
'It is Rogers.' | 0:26:19 | 0:26:21 | |
CROWD CHEER | 0:26:21 | 0:26:23 | |
Ceri Williams, or George as he is known to everybody, | 0:26:23 | 0:26:26 | |
hit a free kick here... | 0:26:26 | 0:26:28 | |
..which sort of deflected off one of their players, | 0:26:31 | 0:26:33 | |
and we won 2-1. | 0:26:33 | 0:26:35 | |
It was fantastic. | 0:26:35 | 0:26:37 | |
We were on Match Of The Day and things like that. | 0:26:37 | 0:26:39 | |
Merthyr was really on the map in those days, | 0:26:39 | 0:26:41 | |
and we had a great side. | 0:26:41 | 0:26:43 | |
APPLAUSE | 0:26:44 | 0:26:46 | |
well, actually, with me tonight are the surviving members - | 0:26:46 | 0:26:49 | |
they're all still alive, I think - | 0:26:49 | 0:26:50 | |
but actually, we've got about eight or nine here. | 0:26:50 | 0:26:53 | |
The Merthyr winning team of 1987, and I have the manager with me, | 0:26:53 | 0:26:56 | |
-Lyn Jones. Great memories, Lyn. -Yeah, superb. | 0:26:56 | 0:26:59 | |
It was a superb night, and we thoroughly enjoyed the win. | 0:26:59 | 0:27:01 | |
You haven't changed a bit, you haven't, at all. | 0:27:01 | 0:27:03 | |
I've got to be honest. | 0:27:03 | 0:27:04 | |
I wish I could say the same about your team, I've got to be honest. | 0:27:04 | 0:27:08 | |
And George behind you, Ceri. You scored the winning goal. | 0:27:08 | 0:27:11 | |
Any memories of that? | 0:27:11 | 0:27:13 | |
Yeah, it was... | 0:27:13 | 0:27:14 | |
-Speak up, bud, you're on telly. -I've got a sore throat! | 0:27:14 | 0:27:17 | |
No, we had a good side, | 0:27:17 | 0:27:19 | |
and we did well for a couple of years, and... | 0:27:19 | 0:27:23 | |
Are you still playing? | 0:27:23 | 0:27:24 | |
-No. -You don't play any more. | 0:27:24 | 0:27:26 | |
But it was a night we'll never forget in Merthyr. | 0:27:26 | 0:27:28 | |
-We'll never forget. -Give them a big round of applause, | 0:27:28 | 0:27:30 | |
the team of '87. Merthyr Tydfil Football Club. | 0:27:30 | 0:27:34 | |
APPLAUSE | 0:27:34 | 0:27:35 | |
Time for a little bit of glamour now. | 0:27:35 | 0:27:37 | |
A young lady from Tonypandy who recently starred as Dorothy | 0:27:37 | 0:27:40 | |
in The Wizard of Oz at the London Palladium | 0:27:40 | 0:27:42 | |
and is soon to make her film debut in a film by Simon Pegg | 0:27:42 | 0:27:45 | |
called The World's End, tonight singing Save The World. | 0:27:45 | 0:27:48 | |
Let's welcome the lovely Sophie Evans. | 0:27:48 | 0:27:51 | |
APPLAUSE | 0:27:51 | 0:27:54 | |
# Into the streets | 0:28:13 | 0:28:15 | |
# We're coming down | 0:28:15 | 0:28:18 | |
# We never sleep | 0:28:18 | 0:28:20 | |
# Never get tired | 0:28:20 | 0:28:22 | |
# Through urban fields | 0:28:22 | 0:28:24 | |
# And suburban lights | 0:28:24 | 0:28:27 | |
# Turn the crowd up now | 0:28:28 | 0:28:31 | |
# We'll never back down | 0:28:31 | 0:28:33 | |
# Shoot down the skyline | 0:28:33 | 0:28:35 | |
# Watch it on primetime | 0:28:35 | 0:28:37 | |
# Turn up the love now | 0:28:37 | 0:28:39 | |
# Listen up now, turn up the love | 0:28:39 | 0:28:44 | |
# Who's gonna save the world tonight? | 0:28:45 | 0:28:52 | |
# Who's gonna bring it back to life? | 0:28:53 | 0:29:00 | |
# We're gonna make it, you and I | 0:29:01 | 0:29:08 | |
# Who's gonna save the world tonight? | 0:29:09 | 0:29:16 | |
# Oh-oh-oh | 0:29:18 | 0:29:20 | |
# Oh-oh-oh-oh | 0:29:20 | 0:29:25 | |
# Oh-oh-oh | 0:29:26 | 0:29:29 | |
# Oh-oh-oh-oh | 0:29:29 | 0:29:32 | |
# We're far from home | 0:29:36 | 0:29:38 | |
# It's for the better | 0:29:38 | 0:29:40 | |
# What we dream It's all that matters | 0:29:40 | 0:29:44 | |
# We're on our way, united | 0:29:44 | 0:29:47 | |
# Turn the crowd up now | 0:29:49 | 0:29:52 | |
# We'll never back down | 0:29:52 | 0:29:54 | |
# Shoot down the skyline | 0:29:54 | 0:29:56 | |
# Watch it on primetime | 0:29:56 | 0:29:58 | |
# Turn up the love now | 0:29:58 | 0:30:00 | |
# Listen up now, turn up the love | 0:30:00 | 0:30:04 | |
# Who's gonna save the world tonight? | 0:30:05 | 0:30:13 | |
# Who's gonna bring it back to life? | 0:30:13 | 0:30:19 | |
# We're gonna make it, you and I | 0:30:21 | 0:30:27 | |
# Who's gonna save the world tonight? | 0:30:29 | 0:30:35 | |
# Oh-oh-oh | 0:30:37 | 0:30:39 | |
# Oh-oh-oh-oh | 0:30:39 | 0:30:42 | |
# Oh-oh-oh | 0:30:44 | 0:30:46 | |
# Oh-oh-oh-oh | 0:30:46 | 0:30:50 | |
# Oh-oh-oh | 0:30:52 | 0:30:54 | |
# Oh-oh-oh-oh | 0:30:54 | 0:30:58 | |
# Oh-oh-oh | 0:30:59 | 0:31:01 | |
# Oh-oh-oh-oh-oh-oh | 0:31:01 | 0:31:06 | |
# We're gonna make it, you and I | 0:31:06 | 0:31:13 | |
# We're gonna save the world tonight. # | 0:31:14 | 0:31:22 | |
APPLAUSE AND CHEERING | 0:31:25 | 0:31:28 | |
Well, that was wonderful. Sophie Evans there, of course. | 0:31:37 | 0:31:40 | |
Now, there's a great friend of mine from Mynydd-y-garreg, Mari Gravell. | 0:31:40 | 0:31:44 | |
Married to my great friend Ray Gravell. | 0:31:44 | 0:31:46 | |
And what was it like being married | 0:31:46 | 0:31:49 | |
to probably the most iconic Welshman of all time? | 0:31:49 | 0:31:54 | |
-And the craziest. -Yeah, well, crazy. | 0:31:54 | 0:31:58 | |
You're possibly right there, Owen. | 0:31:58 | 0:32:00 | |
But, well, what can I say? What can I say? | 0:32:00 | 0:32:03 | |
There's nothing much you can say. | 0:32:03 | 0:32:04 | |
Because people like Gareth and the boys, they played with Grav | 0:32:04 | 0:32:08 | |
for many years, but we had him for like 20 years. | 0:32:08 | 0:32:11 | |
You ask Roy Noble about it. | 0:32:11 | 0:32:13 | |
He was on Radio Wales for 20 years, and when he came up the steps, | 0:32:13 | 0:32:16 | |
we always used to go the other way, | 0:32:16 | 0:32:18 | |
because we could never get to work if he talked to us! | 0:32:18 | 0:32:20 | |
But he knew everybody at the BBC, | 0:32:20 | 0:32:22 | |
even the guy who emptied the bins, the toilets, | 0:32:22 | 0:32:24 | |
he was just absolutely brilliant. | 0:32:24 | 0:32:26 | |
And actually, one of the funniest things | 0:32:26 | 0:32:29 | |
I ever did on radio was on one Wednesday afternoon, | 0:32:29 | 0:32:32 | |
I'm doing the afternoon programme, | 0:32:32 | 0:32:34 | |
and Grav unwittingly came into my studio, | 0:32:34 | 0:32:37 | |
thinking there was no-one there, and he started talking to me. | 0:32:37 | 0:32:40 | |
Have a listen to this. | 0:32:40 | 0:32:42 | |
'Sit down.' | 0:32:43 | 0:32:44 | |
LOUD LAUGHTER | 0:32:44 | 0:32:48 | |
'I thought it was in here.' | 0:32:48 | 0:32:49 | |
'Get in there. Sit over there. Sit there.' | 0:32:49 | 0:32:51 | |
'Grav, everything stops for you. | 0:32:51 | 0:32:55 | |
-'You're in my act.' -'Owen. Oh, crikey. | 0:32:55 | 0:32:57 | |
'Crikey. How are you, then?' | 0:32:57 | 0:32:59 | |
'I'm very well. What are you doing in here then, Grav? | 0:32:59 | 0:33:01 | |
'I'm late! I've got to record!' | 0:33:01 | 0:33:03 | |
LAUGHTER | 0:33:03 | 0:33:05 | |
-'What are you recording?' -'Well, usually I record here.' | 0:33:05 | 0:33:07 | |
'No, no, we're live on air here, man.' | 0:33:07 | 0:33:10 | |
'What day is it?' | 0:33:10 | 0:33:11 | |
LAUGHTER | 0:33:11 | 0:33:14 | |
'I've got the wrong day!' | 0:33:14 | 0:33:16 | |
LAUGHTER DROWNS SPEECH | 0:33:16 | 0:33:19 | |
APPLAUSE | 0:33:19 | 0:33:23 | |
Well... a lot of people don't know what happened after that, | 0:33:23 | 0:33:26 | |
but he went out of the studio, and about ten minutes later, | 0:33:26 | 0:33:29 | |
he came back in. And he opened the door, he said, | 0:33:29 | 0:33:31 | |
"Owen, right day, wrong studio." | 0:33:31 | 0:33:35 | |
APPLAUSE | 0:33:35 | 0:33:38 | |
Mari, thank you so much for coming in today, | 0:33:38 | 0:33:40 | |
and we miss him dearly, as I know you do as well, | 0:33:40 | 0:33:43 | |
and he was a great rugby player, | 0:33:43 | 0:33:45 | |
but we've got a few more great rugby players now, | 0:33:45 | 0:33:47 | |
because 40 years ago this year, actually, January of 1973, | 0:33:47 | 0:33:51 | |
they say was the best try ever, | 0:33:51 | 0:33:52 | |
but there were better ones in Ponty in places, | 0:33:52 | 0:33:54 | |
but there was no cameras there, were there, you know? | 0:33:54 | 0:33:57 | |
Have a look at this. | 0:33:57 | 0:33:58 | |
-COMMENTATOR: -This is great stuff. Phil Bennett covering. | 0:33:58 | 0:34:01 | |
Chased by Alistair Scown. | 0:34:05 | 0:34:07 | |
Brilliant. | 0:34:07 | 0:34:08 | |
Oh, that's brilliant! | 0:34:08 | 0:34:10 | |
John Williams, Brian Williams, Pullin. | 0:34:10 | 0:34:13 | |
John Dawes. | 0:34:13 | 0:34:15 | |
Great dummy. | 0:34:16 | 0:34:17 | |
David, Tom David. The halfway line. | 0:34:18 | 0:34:21 | |
Brilliant by Quinnell. | 0:34:21 | 0:34:23 | |
This is Gareth Edwards, a dramatic start. | 0:34:23 | 0:34:26 | |
What a score! | 0:34:27 | 0:34:28 | |
CROWD ROARS | 0:34:28 | 0:34:32 | |
Oh, that fellow Edwards! | 0:34:32 | 0:34:34 | |
APPLAUSE | 0:34:36 | 0:34:38 | |
Well, and some of those great rugby legends are here with us tonight, | 0:34:38 | 0:34:42 | |
so please welcome on stage, Gareth Edwards! | 0:34:42 | 0:34:45 | |
APPLAUSE | 0:34:45 | 0:34:46 | |
Phil Bennett! | 0:34:46 | 0:34:47 | |
Tom David! | 0:34:49 | 0:34:51 | |
And John Dawes! | 0:34:52 | 0:34:54 | |
John-boy. | 0:34:59 | 0:35:00 | |
Gareth, thanks for coming, mate. | 0:35:02 | 0:35:04 | |
I tell you what, you're looking fantastic... | 0:35:04 | 0:35:06 | |
Sorry, Tom. | 0:35:06 | 0:35:07 | |
LAUGHTER | 0:35:07 | 0:35:09 | |
Looking great. The memories of that must be great. | 0:35:09 | 0:35:12 | |
Well, to think that it still lives with us today 40 years later. | 0:35:12 | 0:35:15 | |
-40 years. -I can't believe it. | 0:35:15 | 0:35:16 | |
I just turned to Pat there and I just said to her now, I said, | 0:35:16 | 0:35:19 | |
"Well, we've got a lot to thank Phil for, haven't we?" | 0:35:19 | 0:35:22 | |
She said, "You never said that 40 years ago." Cos I said, | 0:35:22 | 0:35:25 | |
"What's he doing now, for God's sake?" | 0:35:25 | 0:35:28 | |
Kick it or touch, I wanted him to do. | 0:35:28 | 0:35:30 | |
It's funny, Owen, you know. | 0:35:30 | 0:35:32 | |
So many things could have gone wrong, | 0:35:32 | 0:35:34 | |
because we were lucky enough to beat the All Blacks | 0:35:34 | 0:35:36 | |
here in Llanelli 9-3 earlier on that tour, | 0:35:36 | 0:35:39 | |
and I think the people here remember that. | 0:35:39 | 0:35:41 | |
APPLAUSE | 0:35:41 | 0:35:43 | |
Got to get it in, haven't you? | 0:35:43 | 0:35:44 | |
You know, when I saw Alistair Scown coming at me, | 0:35:44 | 0:35:47 | |
I thought, "Well, I'll beat him, that's easy." | 0:35:47 | 0:35:49 | |
But I didn't realise Kirkpatrick and a few others were coming behind. | 0:35:49 | 0:35:52 | |
So I threw a hospital pass out to JPR Williams. | 0:35:52 | 0:35:54 | |
I know he's a great player. And it ended up with Gareth scoring. | 0:35:54 | 0:35:57 | |
Absolutely. Tommy, it's lovely to see you here. | 0:35:57 | 0:36:00 | |
One of my great friends of mine. | 0:36:00 | 0:36:01 | |
Tommy, you know, you grow old gracefully, | 0:36:01 | 0:36:03 | |
but what happened to you, bud? | 0:36:03 | 0:36:05 | |
LAUGHTER | 0:36:05 | 0:36:08 | |
It's a try that will live in your memory for ever, was it? | 0:36:08 | 0:36:10 | |
Yeah, I was a very lucky man, actually, | 0:36:10 | 0:36:12 | |
and as we all know, the try is history. | 0:36:12 | 0:36:15 | |
It went through seven great pairs of hands, and the only thing | 0:36:15 | 0:36:18 | |
I can never understand, why people get so excited. | 0:36:18 | 0:36:21 | |
-Because we practiced that most of the previous day. -Aye, right! | 0:36:21 | 0:36:25 | |
LAUGHTER | 0:36:25 | 0:36:26 | |
And John, you probably carried the ball longer than anybody there, | 0:36:26 | 0:36:29 | |
I suppose. You sold a dummy as well? | 0:36:29 | 0:36:32 | |
Well, I don't think I sold a dummy. | 0:36:32 | 0:36:34 | |
In fact, I was convinced I hadn't sold a dummy | 0:36:34 | 0:36:37 | |
until I saw the commentary afterwards, | 0:36:37 | 0:36:39 | |
and Cliff Morgan said I sold a dummy, and so I sold a dummy! | 0:36:39 | 0:36:42 | |
LAUGHTER | 0:36:42 | 0:36:43 | |
Well, something special's going to happen here tonight, | 0:36:43 | 0:36:46 | |
because we're going to re-enact that very try on stage here! | 0:36:46 | 0:36:49 | |
LAUGHTER | 0:36:49 | 0:36:51 | |
We've got a nice cushion landing | 0:36:51 | 0:36:53 | |
for you when you do the full-length... | 0:36:53 | 0:36:56 | |
It'll be all right, don't worry. | 0:36:56 | 0:36:57 | |
So, we are a couple short, unfortunately, who couldn't make it, | 0:36:57 | 0:37:00 | |
so we got a couple of stand-ins, | 0:37:00 | 0:37:02 | |
so let's welcome Roy Noble and Sophie back on stage. | 0:37:02 | 0:37:05 | |
Come on, boys and girls. Sophie Evans. | 0:37:05 | 0:37:09 | |
APPLAUSE | 0:37:09 | 0:37:12 | |
-Fabulous. -At last, at last! -At last, fame and fortune. | 0:37:13 | 0:37:17 | |
Now, Roy is going to be JPR Williams. | 0:37:17 | 0:37:20 | |
He looks a bit like him, doesn't he? | 0:37:20 | 0:37:22 | |
And Sophie, you're going to be the English member, John Pullin. | 0:37:22 | 0:37:25 | |
All right? In fact, you're the first English international | 0:37:25 | 0:37:28 | |
I've ever fancied, I've got to be honest! | 0:37:28 | 0:37:30 | |
LAUGHTER | 0:37:30 | 0:37:33 | |
So, what we're going to try and do now | 0:37:33 | 0:37:34 | |
is do this to the commentary, right? | 0:37:34 | 0:37:38 | |
So I'm going to put everybody in the order they passed the ball. | 0:37:38 | 0:37:42 | |
So, Benny, you're going to have to go over there first. | 0:37:42 | 0:37:45 | |
Roy, you're OK, you haven't got to run far. You're next to him. | 0:37:45 | 0:37:47 | |
You are JPR. | 0:37:47 | 0:37:49 | |
And next to you is John Pullin. You were there. | 0:37:49 | 0:37:51 | |
Now, John Dawes, you come next to John Pullin, | 0:37:51 | 0:37:55 | |
who looks like Sophie. | 0:37:55 | 0:37:56 | |
And then, you pass it to me, because I'm going to be Derek Quinnell. | 0:37:58 | 0:38:01 | |
And I never thought I'd ever do this - | 0:38:01 | 0:38:04 | |
pass a ball to Gareth Edwards and score. | 0:38:04 | 0:38:06 | |
APPLAUSE | 0:38:06 | 0:38:09 | |
Right, here we go then. Get ready. | 0:38:09 | 0:38:11 | |
'This is great stuff. Phil Bennett covering. | 0:38:13 | 0:38:15 | |
'Chased by Alistair Scown. Brilliant. | 0:38:18 | 0:38:22 | |
'Oh, that's brilliant! | 0:38:22 | 0:38:24 | |
'John Williams. Brian Williams. | 0:38:24 | 0:38:26 | |
'Pullin. | 0:38:26 | 0:38:28 | |
'John Dawes. Great dummy.' | 0:38:28 | 0:38:31 | |
That was the dummy! | 0:38:31 | 0:38:33 | |
'David, Tom David. The halfway line. | 0:38:33 | 0:38:35 | |
'Brilliant by Quinnell. | 0:38:35 | 0:38:38 | |
'This is Gareth Edwards!' | 0:38:38 | 0:38:39 | |
CHEERING AND APPLAUSE DROWNS COMMENTARY | 0:38:39 | 0:38:43 | |
Oh, brilliant. | 0:38:48 | 0:38:49 | |
Well, there we are. | 0:38:49 | 0:38:51 | |
I thought that was fantastic. | 0:38:51 | 0:38:52 | |
I'd like to think Roy for standing in, and Sophie. | 0:38:52 | 0:38:55 | |
Give them two a big round of applause. | 0:38:55 | 0:38:57 | |
APPLAUSE AND CHEERING | 0:38:57 | 0:38:58 | |
And the four Welsh Barbarians! | 0:38:58 | 0:39:01 | |
Right, now, we've got three familiar faces. | 0:39:07 | 0:39:11 | |
We saw you earlier on in the show - | 0:39:11 | 0:39:12 | |
Sammi Broad, Sule Rimi and Richard Shackley, | 0:39:12 | 0:39:15 | |
who work for me in my pantomime company. | 0:39:15 | 0:39:18 | |
ALL: Oh, no, we don't! | 0:39:18 | 0:39:20 | |
LAUGHTER | 0:39:20 | 0:39:21 | |
Oh, yes, you do! | 0:39:21 | 0:39:23 | |
Anyway, Sammi, you're going to talk about Just Up Your Street, | 0:39:23 | 0:39:26 | |
-aren't you? -I am. I did it when I was 11 years old. | 0:39:26 | 0:39:29 | |
That was my first TV spot, and I was absolutely petrified. | 0:39:29 | 0:39:32 | |
I think I had a bit of a bad hair day that day. | 0:39:32 | 0:39:35 | |
I think I got bullied in school the next day quite horrendously. | 0:39:35 | 0:39:38 | |
I had a bouffant going on. It was bad! | 0:39:38 | 0:39:41 | |
But yeah, I was worried and I was nervous, | 0:39:41 | 0:39:44 | |
but you really guided me through, | 0:39:44 | 0:39:46 | |
and then looked after me for the rest of the time. | 0:39:46 | 0:39:48 | |
Just Up Your Street - | 0:39:48 | 0:39:49 | |
we went all over Wales looking for talent, | 0:39:49 | 0:39:51 | |
and we discovered some real gems. | 0:39:51 | 0:39:53 | |
# Let's get it started | 0:39:53 | 0:39:55 | |
# Let's get it started | 0:39:55 | 0:39:57 | |
'First company was always just a showcase, | 0:39:57 | 0:39:59 | |
'and then we started having competitions. | 0:39:59 | 0:40:02 | |
'And in fact, this was way before the X Factor | 0:40:02 | 0:40:05 | |
'and we used to do live auditions and we used to film them. | 0:40:05 | 0:40:09 | |
'I always wanted to do a talent show because I've always believed | 0:40:09 | 0:40:12 | |
'we've got great talent in Wales. | 0:40:12 | 0:40:14 | |
'It was at a time when there was just no talent shows on television.' | 0:40:14 | 0:40:18 | |
# Oh, ya, ya, ya, ya, ya, ya, ya, ya, ya, ya, ya, ya... # | 0:40:18 | 0:40:23 | |
Get down my street, baby! | 0:40:23 | 0:40:26 | |
LAUGHTER | 0:40:26 | 0:40:27 | |
# In my heart there will always be a place... # | 0:40:27 | 0:40:30 | |
'You never knew what you were going to get | 0:40:30 | 0:40:32 | |
'when you went to the auditions. You got really talented singers...' | 0:40:32 | 0:40:35 | |
# I'll keep a part of you with me... # | 0:40:35 | 0:40:39 | |
'And you'd have somebody who maybe wasn't quite as good a singer, | 0:40:39 | 0:40:42 | |
'but looked great and you wanted them to be better than they were.' | 0:40:42 | 0:40:45 | |
#I don't miss it all that much | 0:40:45 | 0:40:48 | |
# There's just so many things | 0:40:48 | 0:40:50 | |
# That I can't touch I'm torn. # | 0:40:50 | 0:40:52 | |
'Then you'd have some who just couldn't shut up.' | 0:40:52 | 0:40:55 | |
# Yes I'm glad all over | 0:40:55 | 0:40:57 | |
# Baby, I'm glad all over to glad your mind... # | 0:40:57 | 0:41:00 | |
'And then we had some...' | 0:41:00 | 0:41:01 | |
# My loneliness... # | 0:41:01 | 0:41:02 | |
-'..were unbelievable.' -# ..is killing me...# | 0:41:02 | 0:41:05 | |
-LAUGHTER -# And I... | 0:41:05 | 0:41:08 | |
# I must confess, I still believe | 0:41:08 | 0:41:12 | |
# Still believe... | 0:41:12 | 0:41:13 | |
# Hit me, baby, one more... # | 0:41:13 | 0:41:16 | |
-SHE RAPS -# Dum, dum, dum... With the remix and a bump and flex... # | 0:41:16 | 0:41:19 | |
LAUGHTER AND APPLAUSE | 0:41:19 | 0:41:21 | |
# ...Time. # | 0:41:21 | 0:41:22 | |
LAUGHTER AND APPLAUSE CONTINUES | 0:41:22 | 0:41:25 | |
Oh, brilliant. Can't believe it, she's brilliant. | 0:41:25 | 0:41:28 | |
And believe it or not, she's here with us tonight. | 0:41:28 | 0:41:31 | |
Sarah Jane Farthing, what a performance that was. | 0:41:31 | 0:41:34 | |
I thought it was my big break. What happened there? | 0:41:34 | 0:41:37 | |
Did you make it as a singer after? | 0:41:37 | 0:41:38 | |
Er... No, the singing career flopped, unfortunately. | 0:41:38 | 0:41:41 | |
But you work in TV now as well, don't you? | 0:41:41 | 0:41:43 | |
Yes, I'm doing photography and freelance in television, | 0:41:43 | 0:41:46 | |
so, no more singing for me. | 0:41:46 | 0:41:47 | |
Well, you made it through the door, that's the main thing. | 0:41:47 | 0:41:50 | |
Sarah Jane Farthing, everybody, wasn't she brilliant? Yes. | 0:41:50 | 0:41:53 | |
APPLAUSE | 0:41:53 | 0:41:54 | |
Right now, Sarah, you should listen to my next act, | 0:41:56 | 0:41:59 | |
because I think he's probably the best tenor | 0:41:59 | 0:42:01 | |
Wales has produced in many, many years. | 0:42:01 | 0:42:04 | |
Singing tonight, along with the Llanelli male voice choir, | 0:42:04 | 0:42:07 | |
Wynne Evans. | 0:42:07 | 0:42:08 | |
# Pa ham mae dicter | 0:42:10 | 0:42:14 | |
# O Myfanwy | 0:42:14 | 0:42:18 | |
# Yn llenwi'th lygaid duon di? | 0:42:19 | 0:42:28 | |
# A'th ruddiau tirion, O Myfanwy | 0:42:28 | 0:42:34 | |
# Heb wrido wrth fy ngweled i? | 0:42:36 | 0:42:42 | |
# Pa le mae'r wen oedd ar dy wefus | 0:42:43 | 0:42:51 | |
# Fu'n cynnau 'nghariad ffyddlon ffol? | 0:42:52 | 0:42:59 | |
# Pa le mae sain | 0:42:59 | 0:43:05 | |
# Dy eiriau melys | 0:43:05 | 0:43:10 | |
# Fu'n denu'n nghalon ar dy ol? | 0:43:12 | 0:43:20 | |
PIANO MUSIC | 0:43:23 | 0:43:24 | |
# Why is it anger | 0:43:33 | 0:43:38 | |
# O Myfanwy | 0:43:38 | 0:43:42 | |
# That fills your eyes so dark and clear? | 0:43:43 | 0:43:50 | |
# Your gentle cheeks O sweet Myfanwy | 0:43:53 | 0:44:01 | |
# Why blush they not when I draw near? | 0:44:02 | 0:44:10 | |
# Where is that smile that once most tender | 0:44:13 | 0:44:21 | |
# Kindled my love | 0:44:23 | 0:44:28 | |
# So fond so true? | 0:44:28 | 0:44:31 | |
# Where is the sound | 0:44:33 | 0:44:39 | |
# Of your sweet words | 0:44:39 | 0:44:46 | |
# That drew my heart | 0:44:46 | 0:44:51 | |
# To follow you? # | 0:44:51 | 0:44:55 | |
# Myfanwy boed yr holl o'th fywyd | 0:44:58 | 0:45:07 | |
# Dan heulwen disglair canol dydd | 0:45:08 | 0:45:15 | |
# A boed I rosyn gwridog ienctid | 0:45:16 | 0:45:24 | |
# I ddawnsio ganmlwydd Ar dy rudd... # | 0:45:26 | 0:45:33 | |
# Aug hofiar oll o'th add ewidion | 0:45:35 | 0:45:42 | |
# A wnest I rywun 'ngeneth ddel | 0:45:44 | 0:45:51 | |
# A rho dy law | 0:45:53 | 0:45:59 | |
# Myfanwy dirion | 0:45:59 | 0:46:05 | |
# I ddim ond dweud y gair... | 0:46:06 | 0:46:14 | |
# Ffarwel... # | 0:46:16 | 0:46:20 | |
CHEERING AND APPLAUSE | 0:46:26 | 0:46:28 | |
WHISTLING | 0:46:30 | 0:46:32 | |
Wynne Evans, everybody! Wynne Evans! | 0:46:39 | 0:46:42 | |
CHEERING AND APPLAUSE CONTINUES | 0:46:42 | 0:46:44 | |
Wynne. Wynno! | 0:46:44 | 0:46:46 | |
-Wynne. -LAUGHTER | 0:46:46 | 0:46:48 | |
I did have a couple of encores planned, but clearly not. | 0:46:50 | 0:46:53 | |
I thought that was Curtis for you, to be honest. | 0:46:53 | 0:46:55 | |
Actually I've got to pick a bone with you, | 0:46:55 | 0:46:57 | |
because I've just been backstage and seen | 0:46:57 | 0:47:00 | |
-Shakin' Stevens' backing group... -Aye. | 0:47:00 | 0:47:02 | |
-Three lovely young girls. -Oh, aye. | 0:47:02 | 0:47:04 | |
I get the cast of Dad's Army. | 0:47:04 | 0:47:07 | |
LAUGHTER | 0:47:07 | 0:47:08 | |
And the last time I saw Curtis like that, | 0:47:08 | 0:47:10 | |
I never saw my Uncle Charlie again... | 0:47:10 | 0:47:13 | |
LAUGHTER | 0:47:13 | 0:47:14 | |
Anyway, it's lovely to see you. | 0:47:16 | 0:47:18 | |
Now, I knew your mum and dad very well from the Lyric in Carmarthen. | 0:47:18 | 0:47:21 | |
-Is that where it started for you? -It did, yes. When I was a little boy. | 0:47:21 | 0:47:25 | |
-I literally... -That's a few years ago! | 0:47:25 | 0:47:27 | |
LAUGHTER | 0:47:27 | 0:47:29 | |
-It's all paid for now. -I know. -Um... | 0:47:29 | 0:47:32 | |
I literally grew up in the Lyric in Carmarthen | 0:47:32 | 0:47:35 | |
and when I was a little boy, I used to play the keyboard in a band | 0:47:35 | 0:47:39 | |
and entertain the children on Saturday morning. | 0:47:39 | 0:47:41 | |
I was like Mickey Rooney in my own little theatre. | 0:47:41 | 0:47:43 | |
What's it like being the annoying tenor | 0:47:43 | 0:47:45 | |
on that television advert? | 0:47:45 | 0:47:47 | |
-How many have you done altogether? -Oh, about 30-odd. | 0:47:47 | 0:47:50 | |
-30-odd. -Yes. -Any funny stories about any of them? | 0:47:50 | 0:47:52 | |
Once this woman said when she was interviewing me, | 0:47:52 | 0:47:55 | |
she said, "Tell me, how long did it take to grow that moustache?" | 0:47:55 | 0:47:58 | |
LAUGHTER I said... | 0:47:58 | 0:48:00 | |
I said, "You know what, love?" | 0:48:00 | 0:48:01 | |
I said, "The moustache is not real." And she said, "Oh, right..." | 0:48:01 | 0:48:04 | |
"How long does it take to get into that massive fat suit then?" | 0:48:04 | 0:48:07 | |
LAUGHTER | 0:48:07 | 0:48:09 | |
Brilliant. Everybody, Wynne Evans! What a great star this man is. | 0:48:11 | 0:48:14 | |
CHEERING AND APPLAUSE | 0:48:14 | 0:48:16 | |
Right. In this next item, I've got to change my attire, | 0:48:19 | 0:48:22 | |
so, you're coming on, boyo Bert! He's from North Wales, | 0:48:22 | 0:48:25 | |
you see, they make clothes up there not to fit them. | 0:48:25 | 0:48:28 | |
There. That's it, thank you very much, Bert. All right. | 0:48:28 | 0:48:31 | |
What's it like to use a mobile phone? That's great, isn't it yes? | 0:48:31 | 0:48:34 | |
Right, now I wrote a song with a mate of mine | 0:48:34 | 0:48:37 | |
just...about eight or nine years ago. | 0:48:37 | 0:48:39 | |
In fact, it's had nearly a million hits on YouTube. | 0:48:39 | 0:48:42 | |
The song's called The Difference Between English And The Welsh, | 0:48:42 | 0:48:45 | |
and to help me sing it is my mate and co-writer, Lloyd Davies! | 0:48:45 | 0:48:49 | |
CHEERING AND APPLAUSE | 0:48:49 | 0:48:51 | |
Thank you, boy. | 0:48:53 | 0:48:55 | |
-Tell them what it's all about. -Well, that's right, | 0:48:57 | 0:48:59 | |
I'm sure all the Welsh people in the audience will bear us out | 0:48:59 | 0:49:02 | |
tonight that we don't speak the same way in Wales as they do in England. | 0:49:02 | 0:49:06 | |
No, they don't talk tidy like we does down here. | 0:49:06 | 0:49:09 | |
-LAUGHTER What? -Yes. | 0:49:09 | 0:49:11 | |
Well, anyway, we wrote this song and it goes like this. | 0:49:11 | 0:49:14 | |
PIANO MUSIC STARTS | 0:49:14 | 0:49:15 | |
-BOTH: -# Have you ever thought of the differences | 0:49:18 | 0:49:21 | |
# Of the English and the Welsh? | 0:49:21 | 0:49:22 | |
# Well if you never have I think I've found a few myself | 0:49:22 | 0:49:27 | |
# La, la, la, la... # | 0:49:27 | 0:49:29 | |
We want you to do that, right? Try it. | 0:49:29 | 0:49:32 | |
-AUDIENCE: -# La, la, la, la, la, la, la, la... # -Let's do it. | 0:49:32 | 0:49:36 | |
Don't you sing, love. | 0:49:36 | 0:49:38 | |
LAUGHTER | 0:49:38 | 0:49:39 | |
Sarah, don't you sing either, love. | 0:49:39 | 0:49:42 | |
Here we go. | 0:49:42 | 0:49:44 | |
# Well, they say food | 0:49:44 | 0:49:45 | |
# We say grub | 0:49:45 | 0:49:47 | |
# They go down the restaurant | 0:49:47 | 0:49:48 | |
# We go down the pub | 0:49:48 | 0:49:50 | |
-# They eat rolls -We eat baps | 0:49:50 | 0:49:52 | |
# They wear trainers | 0:49:52 | 0:49:53 | |
# We wear daps | 0:49:53 | 0:49:55 | |
-ALL: -# La, la, la, la, la, la, la, la... | 0:49:55 | 0:49:59 | |
-# They say skinny -And we say thinner | 0:49:59 | 0:50:01 | |
-# When they have lunch -We have dinner | 0:50:01 | 0:50:04 | |
# When they are enjoying they say "what fun" | 0:50:04 | 0:50:06 | |
# And the Welsh they say bloody tidy, man | 0:50:06 | 0:50:09 | |
# Have you ever thought of the differences of the English and Welsh? | 0:50:09 | 0:50:13 | |
# If you never have I think I've found a few myself | 0:50:13 | 0:50:18 | |
# La la la-la-la la la | 0:50:18 | 0:50:22 | |
# We got Glamorgan | 0:50:22 | 0:50:24 | |
# They've got Surrey | 0:50:24 | 0:50:25 | |
-# They have an evening meal -We go for a curry | 0:50:25 | 0:50:29 | |
-# They have an operation -We have an op | 0:50:29 | 0:50:31 | |
# They got Harrods | 0:50:31 | 0:50:33 | |
# We've got the Co-op | 0:50:33 | 0:50:34 | |
# La la la la... # | 0:50:34 | 0:50:36 | |
A verse for the English. | 0:50:36 | 0:50:38 | |
-# We go to comp -They go to school | 0:50:38 | 0:50:41 | |
# They play cricket | 0:50:41 | 0:50:42 | |
# We play pool | 0:50:42 | 0:50:43 | |
# They say crash out | 0:50:43 | 0:50:45 | |
# We say sleep | 0:50:45 | 0:50:46 | |
# They've got girlfriends | 0:50:46 | 0:50:47 | |
# We've got sheep | 0:50:47 | 0:50:49 | |
# La la la-la-la la la la | 0:50:49 | 0:50:52 | |
-# We drink squash -They drink crush | 0:50:55 | 0:50:58 | |
-# They had Gary Lineker -We had Ian Rush | 0:50:58 | 0:51:01 | |
-# They've got Brighton -We've got Porthcawl... # | 0:51:01 | 0:51:05 | |
CHEERING | 0:51:05 | 0:51:08 | |
-# All them are loaded -We got bugger all | 0:51:08 | 0:51:10 | |
# Have you ever thought of the differences between the English and the Welsh? | 0:51:10 | 0:51:15 | |
# If you never have I think I found a few myself | 0:51:15 | 0:51:22 | |
# That's all the differences of the English and the Welsh. # | 0:51:22 | 0:51:25 | |
CHEERING AND APPLAUSE | 0:51:25 | 0:51:28 | |
Absolutely brilliant. | 0:51:35 | 0:51:38 | |
I've watched you for many years on the TV | 0:51:38 | 0:51:40 | |
and you have travelled over to America. | 0:51:40 | 0:51:43 | |
In fact, I was in New Orleans six months ago. | 0:51:43 | 0:51:46 | |
They are very friendly, the Americans. | 0:51:46 | 0:51:48 | |
This guy said, "Hi." I said, "How's it going?" | 0:51:48 | 0:51:51 | |
Where you from? I said "Merthyr Tydfil". | 0:51:51 | 0:51:54 | |
He said, "What state's that in?" | 0:51:54 | 0:51:56 | |
I said, "A better state than this, I tell you!" | 0:51:56 | 0:51:58 | |
LAUGHTER | 0:51:58 | 0:52:01 | |
When you were over there, did you meet your rock'n'roll heroes? | 0:52:01 | 0:52:04 | |
I did a fantastic series called American Money. Have a look at this. | 0:52:04 | 0:52:08 | |
'One of the most satisfying things I ever did for BBC television | 0:52:14 | 0:52:17 | |
'was a rock'n'roll series about the music of America from the '60s and the '50s | 0:52:17 | 0:52:22 | |
'I met some great people like Dion Dimucci and the Mamas and the Papas. | 0:52:22 | 0:52:26 | |
'I met the Temptations | 0:52:26 | 0:52:28 | |
'but I think the interview that stands out for me | 0:52:28 | 0:52:31 | |
'was when I met Carl Perkins. You may well think who's Carl Perkins? | 0:52:31 | 0:52:34 | |
'When you realise what he wrote, you know why I'm so proud of it.' | 0:52:34 | 0:52:38 | |
Actually, this is the last interview anybody did with him | 0:52:38 | 0:52:41 | |
because, the following week, he passed away. | 0:52:41 | 0:52:43 | |
He was such a lovely man. | 0:52:43 | 0:52:44 | |
I had watched this couple and how good they could dance together. | 0:52:44 | 0:52:49 | |
As I finished the song, they were right in front of the bandstand | 0:52:49 | 0:52:53 | |
and he said, "Don't step on my suedes." | 0:52:53 | 0:52:57 | |
I did not get that out of my mind. | 0:52:57 | 0:52:59 | |
I went home and I was lying there awake | 0:52:59 | 0:53:01 | |
and I thought of the old nursery rhyme | 0:53:01 | 0:53:03 | |
"one for the money, two for the show, three to get ready and four to go." | 0:53:03 | 0:53:07 | |
Whoa. That's it. I went back downstairs and I got my guitar... | 0:53:09 | 0:53:15 | |
# One for the money | 0:53:15 | 0:53:18 | |
# Two for the show | 0:53:20 | 0:53:22 | |
# Three to get ready now go, man, go | 0:53:22 | 0:53:26 | |
# But don't you step on my blue suede shoes... # | 0:53:26 | 0:53:29 | |
I wrote it on a brown paper bag. I didn't have any paper. | 0:53:29 | 0:53:34 | |
-I wrote blue S-W-A-D-E shoes. -I thought that's the way you spell it! | 0:53:34 | 0:53:40 | |
It is! S-U-E-D-E is "soo-aid". | 0:53:40 | 0:53:44 | |
# You can do anything but lay off of my blue suede shoes... # | 0:53:44 | 0:53:47 | |
APPLAUSE | 0:53:47 | 0:53:49 | |
That was one of my American rock'n'roll heroes. | 0:53:49 | 0:53:52 | |
Now one of my British rock 'n' roll heroes singing his very first number one. | 0:53:52 | 0:53:55 | |
Please welcome Shakin' Stevens with This Old House. | 0:53:55 | 0:53:58 | |
CHEERING AND APPLAUSE | 0:53:58 | 0:54:01 | |
# This old house once knew its children | 0:54:04 | 0:54:06 | |
# This old house once knew its wife | 0:54:06 | 0:54:09 | |
# This old house was home and comfort | 0:54:09 | 0:54:11 | |
# As they fought the storms of life | 0:54:11 | 0:54:14 | |
# This old house once rang with laughter | 0:54:14 | 0:54:16 | |
# This old house heard many shouts | 0:54:16 | 0:54:19 | |
# Now it trembles in the darkness | 0:54:19 | 0:54:21 | |
# When the lightning walks about | 0:54:21 | 0:54:23 | |
# Ain't gonna need this house no longer | 0:54:24 | 0:54:27 | |
# Ain't gonna need this house no more | 0:54:27 | 0:54:29 | |
# Ain't got time to fix the shingles | 0:54:29 | 0:54:31 | |
# Ain't got time to fix the floor | 0:54:31 | 0:54:35 | |
# Ain't got time to oil the hinges | 0:54:35 | 0:54:37 | |
# Nor to mend the window pane | 0:54:37 | 0:54:39 | |
# Ain't gonna need this house no longer | 0:54:39 | 0:54:42 | |
# He's getting ready to meet the saints | 0:54:42 | 0:54:44 | |
# This old house is gettin' shaky | 0:54:54 | 0:54:55 | |
# This old house is gettin' old | 0:54:55 | 0:54:57 | |
# This old house has seen the rain | 0:54:57 | 0:55:00 | |
# This old house has seen the cold | 0:55:00 | 0:55:02 | |
# Oh, my knees are gettin' chilly | 0:55:02 | 0:55:05 | |
# But he feels no fear or pain | 0:55:05 | 0:55:07 | |
# Cos I see an angel peepin' | 0:55:07 | 0:55:09 | |
# Through a broken window pane | 0:55:09 | 0:55:12 | |
# Ain't gonna need this house no longer | 0:55:12 | 0:55:14 | |
# Ain't gonna need this house no more | 0:55:14 | 0:55:17 | |
# Ain't got time to fix the shingles | 0:55:17 | 0:55:19 | |
# Ain't got time to fix the floor | 0:55:19 | 0:55:22 | |
# Ain't got time to oil the hinges | 0:55:22 | 0:55:24 | |
# Or to mend the window pane | 0:55:24 | 0:55:27 | |
# Ain't gonna need this house no longer | 0:55:27 | 0:55:29 | |
# He's getting ready to meet the saints | 0:55:29 | 0:55:32 | |
# This old house is afraid of thunder | 0:55:55 | 0:55:58 | |
# This old house is afraid of storms | 0:55:58 | 0:55:59 | |
# This old house groans and trembles | 0:55:59 | 0:56:02 | |
# When the night flings out its songs | 0:56:02 | 0:56:05 | |
# This old house is getting feeble | 0:56:05 | 0:56:07 | |
# This old house is in need of paint | 0:56:07 | 0:56:10 | |
# Just like me, it's tuckered out | 0:56:10 | 0:56:13 | |
# Well, I'm getting ready to meet those saints | 0:56:13 | 0:56:15 | |
# Ain't gonna need this house no longer | 0:56:15 | 0:56:19 | |
# Ain't gonna need this house no more | 0:56:19 | 0:56:21 | |
# Ain't got time to fix the shingles | 0:56:21 | 0:56:23 | |
# Ain't got time to fix the floor | 0:56:23 | 0:56:25 | |
# Ain't got time to oil the hinges | 0:56:25 | 0:56:27 | |
# Nor to mend the window pane | 0:56:27 | 0:56:30 | |
# Ain't gonna need this house no longer | 0:56:30 | 0:56:33 | |
# He's getting ready to meet the saints | 0:56:33 | 0:56:37 | |
# Oh, yeah! # | 0:56:37 | 0:56:38 | |
CHEERING AND APPLAUSE | 0:56:47 | 0:56:49 | |
Shakin' Stevens, everybody! | 0:56:51 | 0:56:53 | |
I think you're brilliant. | 0:56:55 | 0:56:57 | |
We are almost at the end of the show, | 0:56:57 | 0:56:59 | |
but we can't leave without some good old-fashioned rock'n'roll. | 0:56:59 | 0:57:03 | |
# Rock around the clock shake your tail feather | 0:57:11 | 0:57:14 | |
# Put on your dancing shoes | 0:57:14 | 0:57:18 | |
# Rocking the night away | 0:57:18 | 0:57:19 | |
# Rocking the night away | 0:57:19 | 0:57:22 | |
# Rocking the night rocking the night away | 0:57:24 | 0:57:27 | |
# Honey, short fat Fanny | 0:57:28 | 0:57:31 | |
# Good golly Miss Molly | 0:57:31 | 0:57:33 | |
# Long tall Sally | 0:57:33 | 0:57:35 | |
# A whole lotta shaking great balls of fire | 0:57:35 | 0:57:37 | |
# Rock'n'roll music set fire | 0:57:37 | 0:57:40 | |
# Rocking the night away | 0:57:40 | 0:57:44 | |
# Rocking the night away | 0:57:44 | 0:57:46 | |
# I'm rocking the night rocking the night away | 0:57:46 | 0:57:51 | |
# Rocking and the boogie woogie blue | 0:58:16 | 0:58:19 | |
# Come on everybody and do the hoochie coo | 0:58:19 | 0:58:22 | |
# A whole lotta woman but a 40-minute man | 0:58:22 | 0:58:27 | |
# Baby, yeah, I'm your man | 0:58:27 | 0:58:29 | |
# Rocking the night away | 0:58:29 | 0:58:31 | |
# Rocking the night away | 0:58:31 | 0:58:34 | |
# I'm rocking the night, rocking the night away. # | 0:58:34 | 0:58:39 | |
CHEERING AND APPLAUSE | 0:58:47 | 0:58:50 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:52 |