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MUSIC: "It Takes Two" by Marvin Gaye and Kim Weston | 0:00:04 | 0:00:07 | |
# One can have a dream, baby | 0:00:07 | 0:00:09 | |
# Two can make that dream so real | 0:00:09 | 0:00:12 | |
# One can talk about being in love | 0:00:14 | 0:00:16 | |
# Two can say how it really feels | 0:00:16 | 0:00:18 | |
# One can wish upon a star | 0:00:20 | 0:00:22 | |
# Two can make that wish come true, yeah | 0:00:22 | 0:00:26 | |
# One can stand alone in the dark | 0:00:26 | 0:00:28 | |
# Two can make the light shine through | 0:00:28 | 0:00:31 | |
# It takes two, baby | 0:00:31 | 0:00:34 | |
# It takes two, baby | 0:00:34 | 0:00:38 | |
# Me and you... # | 0:00:38 | 0:00:40 | |
APPLAUSE | 0:00:40 | 0:00:43 | |
Hello, and welcome to All About Two, | 0:00:43 | 0:00:46 | |
a celebration of 50 years of BBC Two. | 0:00:46 | 0:00:48 | |
From its opening night in April 1964, the channel has, | 0:00:48 | 0:00:52 | |
for the last five decades, launched careers, | 0:00:52 | 0:00:54 | |
captured extraordinary moments, created broadcasting history | 0:00:54 | 0:00:57 | |
and baked a lot of cake. | 0:00:57 | 0:00:58 | |
I'm Dara O Briain, and tonight | 0:00:58 | 0:01:00 | |
we'll be playing the ultimate, if not the only, quiz about BBC Two. | 0:01:00 | 0:01:03 | |
Answering questions about it are six panellists. | 0:01:03 | 0:01:06 | |
Led by team captain Brian Cox, we have Hairy Biker Dave Myers | 0:01:06 | 0:01:09 | |
and from the Kumars, it's Meera Syal. | 0:01:09 | 0:01:11 | |
APPLAUSE | 0:01:11 | 0:01:13 | |
And led by team captain Hugh Dennis, | 0:01:14 | 0:01:18 | |
The Choir's Gareth Malone, and from Dragons' Den, Deborah Meaden. | 0:01:18 | 0:01:21 | |
APPLAUSE | 0:01:21 | 0:01:23 | |
And as if that wasn't enough, we're joined by the human encyclopaedia | 0:01:25 | 0:01:28 | |
himself from Pointless, the nearly omniscient Mr Richard Osman. | 0:01:28 | 0:01:31 | |
APPLAUSE | 0:01:31 | 0:01:33 | |
-Richard, thank you for joining us. -Pleasure. -To have actually properly | 0:01:34 | 0:01:37 | |
boned up on this, how much would you have had to have viewed? | 0:01:37 | 0:01:40 | |
Well, there's been over 280,000 hours of BBC Two output. | 0:01:40 | 0:01:44 | |
I've watched every single bit of it, | 0:01:44 | 0:01:46 | |
apart from, I missed one episode of Flog It! | 0:01:46 | 0:01:49 | |
And I had to go to the loo during Michael Portillo's Great Railway Journeys | 0:01:49 | 0:01:52 | |
but apart from that, I've seen everything. | 0:01:52 | 0:01:54 | |
Fabulous. We will go to you as our source of information at all times. | 0:01:54 | 0:01:57 | |
We've met our guests. Let's set the scene and remind ourselves | 0:01:57 | 0:02:00 | |
of some of the highlights from the channel's past 50 years. | 0:02:00 | 0:02:03 | |
Good evening. This is BBC Two. | 0:02:03 | 0:02:07 | |
MUSIC: "Praise You" by Fatboy Slim | 0:02:07 | 0:02:10 | |
# We've come a long, long way together | 0:02:15 | 0:02:20 | |
# Through the hard times and the good | 0:02:20 | 0:02:24 | |
# I have to celebrate you, baby | 0:02:24 | 0:02:28 | |
# I have to praise you like I should. # | 0:02:28 | 0:02:34 | |
Don't move, and tell all your friends to turn onto BBC Two. | 0:02:34 | 0:02:38 | |
-Let's look around. -There is so much here for us to see. | 0:02:38 | 0:02:42 | |
I think we have to look back retrospectively. | 0:02:42 | 0:02:45 | |
Welcome to Match Of The Day, | 0:02:45 | 0:02:46 | |
the first of a weekly series coming to you every Saturday on BBC Two. | 0:02:46 | 0:02:50 | |
Let's rock. | 0:02:54 | 0:02:55 | |
# Mince pies, mince pies, mince pies, more mince pies... # | 0:03:03 | 0:03:06 | |
I need a slight drink. | 0:03:06 | 0:03:08 | |
And now more sherry. | 0:03:08 | 0:03:09 | |
A bit like rose-water and witch hazel. | 0:03:09 | 0:03:12 | |
THEY LAUGH | 0:03:12 | 0:03:14 | |
What's so funny? | 0:03:14 | 0:03:15 | |
What's it like fighting a campaign you know you're going to lose? | 0:03:17 | 0:03:20 | |
THEY SHUDDER | 0:03:20 | 0:03:23 | |
This is a local shop for local people! | 0:03:25 | 0:03:27 | |
Because ultimately we are part of the universe. | 0:03:27 | 0:03:31 | |
That's magic! | 0:03:32 | 0:03:34 | |
Walkies! | 0:03:36 | 0:03:37 | |
Duck! | 0:03:37 | 0:03:39 | |
It's full of fat, juicy maggots. | 0:03:41 | 0:03:44 | |
Tap, tap, tap. | 0:03:49 | 0:03:51 | |
-He was completely wild. -Wild? I was absolutely livid. | 0:03:57 | 0:04:01 | |
And it's very, very rare that there is any violence. | 0:04:01 | 0:04:06 | |
We interrupt this programme to tell you that this is an official BBC interruption. | 0:04:07 | 0:04:12 | |
LAUGHTER AND APPLAUSE | 0:04:12 | 0:04:15 | |
Oh, yes. The one thing we can guarantee, | 0:04:21 | 0:04:24 | |
there will be montages as the show goes on. | 0:04:24 | 0:04:26 | |
Here's how the quiz works, however. | 0:04:26 | 0:04:28 | |
In each round, we have a board of pictures. | 0:04:28 | 0:04:30 | |
There is a BBC Two related game behind each one of them | 0:04:30 | 0:04:32 | |
and some of them even feature the odd mystery guest. | 0:04:32 | 0:04:35 | |
Our first board is themed around ground-breakers, | 0:04:35 | 0:04:37 | |
the trailblazing shows, pioneering people and all-round daft moments | 0:04:37 | 0:04:41 | |
that no other channel saw fit to try first. | 0:04:41 | 0:04:43 | |
To get started, let's have a look at the channel's very first broadcast. | 0:04:43 | 0:04:46 | |
GENTLE CLASSICAL MUSIC PLAYS | 0:04:48 | 0:04:50 | |
Well, good evening, and as I said a few minutes ago, | 0:04:59 | 0:05:01 | |
only, I understand, nobody could hear me, welcome to BBC Two | 0:05:01 | 0:05:06 | |
from where it all began here in Studio A in Alexandra Palace. | 0:05:06 | 0:05:10 | |
Now, it's the newsroom of channel two, | 0:05:10 | 0:05:12 | |
and tonight, of all nights, there has been a loss of electric power | 0:05:12 | 0:05:16 | |
at our main studios, the Television Centre in West London. | 0:05:16 | 0:05:19 | |
APPLAUSE | 0:05:19 | 0:05:21 | |
Yes, that's the awkward thing about this particular anniversary. | 0:05:23 | 0:05:26 | |
That was BBC Two's very first broadcast on 20th April 1964, | 0:05:26 | 0:05:30 | |
when the entire schedule for the opening night had to be abandoned | 0:05:30 | 0:05:33 | |
due to a power cut. What did people miss, Richard? | 0:05:33 | 0:05:35 | |
What they were going to have, there was supposed to be | 0:05:35 | 0:05:37 | |
-a Cole Porter musical, which doesn't sound too bad. -No. | 0:05:37 | 0:05:40 | |
-There was going to be fireworks live from Southend Pier. -Glamorous. | 0:05:40 | 0:05:43 | |
Sounds slightly less good. | 0:05:43 | 0:05:44 | |
And a performance from the Soviet Union's leading comedian, apparently. | 0:05:44 | 0:05:49 | |
LAUGHTER | 0:05:49 | 0:05:50 | |
And then at 10pm, | 0:05:50 | 0:05:51 | |
-there was a three-year-old repeat of Mock The Week. -Yes! | 0:05:51 | 0:05:54 | |
LAUGHTER | 0:05:54 | 0:05:56 | |
Oh, yeah, been around for a while. | 0:05:56 | 0:05:58 | |
So even though the channel's first night didn't go to plan, | 0:05:58 | 0:06:02 | |
BBC Two has achieved plenty of other successful firsts since then. | 0:06:02 | 0:06:05 | |
On the board are nine pictures in the channel's Hall of Fame | 0:06:05 | 0:06:08 | |
and some of them are answers to questions in this first round, | 0:06:08 | 0:06:11 | |
so, both teams, fingers on buzzers if you can, please. | 0:06:11 | 0:06:13 | |
Here is our first question. | 0:06:13 | 0:06:15 | |
Which one of these stars appeared | 0:06:15 | 0:06:17 | |
in the first full programme to be broadcast...? | 0:06:17 | 0:06:19 | |
BUZZER | 0:06:19 | 0:06:20 | |
Am I allowed to do it before you've asked the question? | 0:06:20 | 0:06:23 | |
You are, of course, | 0:06:23 | 0:06:24 | |
because I'm not going to say anything other than "on BBC Two" | 0:06:24 | 0:06:27 | |
cos that would be a weird and sudden change of direction. | 0:06:27 | 0:06:30 | |
-Who was the first star? -I think I agree with you on this. | 0:06:30 | 0:06:33 | |
I think it's Humpty. | 0:06:33 | 0:06:34 | |
You think it's Humpty? | 0:06:34 | 0:06:36 | |
Is that what his name was? Is that Humpty Dumpty? | 0:06:36 | 0:06:38 | |
You can't in a quiz go, "Is that what his name was?" | 0:06:38 | 0:06:41 | |
Well, I don't know what the rules are. | 0:06:41 | 0:06:44 | |
No, I think he was on Play School, if it's a him. | 0:06:44 | 0:06:47 | |
I'm referring to him as a him. He's actually made of cloth. | 0:06:47 | 0:06:50 | |
The answer is, of course, Humpty. Congratulations, | 0:06:51 | 0:06:54 | |
thank you very much, Hugh Dennis, you got that right. | 0:06:54 | 0:06:56 | |
APPLAUSE | 0:06:56 | 0:06:58 | |
After power was restored the day after the failed launch, | 0:06:58 | 0:07:00 | |
Play School became the first full programme to be shown on BBC Two, | 0:07:00 | 0:07:04 | |
-and making their first appearance in some time... -No! | 0:07:04 | 0:07:08 | |
-Genuinely, this is Humpty! -Aww! | 0:07:08 | 0:07:12 | |
APPLAUSE | 0:07:12 | 0:07:13 | |
Jemima! | 0:07:17 | 0:07:19 | |
Now, I have to be very careful here. | 0:07:19 | 0:07:20 | |
How amazing! | 0:07:20 | 0:07:22 | |
And the next, who have to be presented in order... | 0:07:22 | 0:07:25 | |
Big Ted! | 0:07:25 | 0:07:27 | |
-And, of course... -Little Ted! | 0:07:27 | 0:07:30 | |
Now, I'll leave it with yourselves while you're getting all doey-eyed, | 0:07:32 | 0:07:35 | |
I've never seen a stuffed toy destroy an audience quite as much. | 0:07:35 | 0:07:39 | |
"Aww! Look at Humpty!" I could push him off the edge. | 0:07:39 | 0:07:42 | |
I could push him off the edge if you want. | 0:07:42 | 0:07:45 | |
Introduce a note of tension into this if you want. | 0:07:45 | 0:07:48 | |
-She was my first crush. -Really? | 0:07:48 | 0:07:50 | |
-Who are we missing? -Humpty. | 0:07:50 | 0:07:52 | |
No, that's Humpty there. | 0:07:52 | 0:07:55 | |
-Hamble. -Oh, Hamble, yes. | 0:07:55 | 0:07:57 | |
We're missing two, actually. But this may be a generational thing. | 0:07:57 | 0:08:00 | |
We're missing Hamble. That's Hamble there, | 0:08:00 | 0:08:02 | |
who, let's face it, | 0:08:02 | 0:08:03 | |
always looked freaky and possessed, | 0:08:03 | 0:08:06 | |
like a devil or something out of a horror movie. | 0:08:06 | 0:08:08 | |
She was later replaced by Poppy. | 0:08:08 | 0:08:10 | |
-That's Poppy there. -I remember Poppy. | 0:08:10 | 0:08:12 | |
Neither of Poppy or Hamble are here | 0:08:12 | 0:08:15 | |
because they're both currently appearing in landfill. | 0:08:15 | 0:08:18 | |
LAUGHTER | 0:08:18 | 0:08:20 | |
What? | 0:08:21 | 0:08:22 | |
OK, this... | 0:08:22 | 0:08:24 | |
You know what these are genuinely worth? | 0:08:24 | 0:08:26 | |
There's an insurance docket for this. | 0:08:26 | 0:08:28 | |
-These are incredibly expensive. -Really? -Yeah, absolutely. | 0:08:28 | 0:08:31 | |
Oh, God, the ink! | 0:08:31 | 0:08:33 | |
I'm going to put them down. | 0:08:33 | 0:08:34 | |
Yes, it was, Play School was the very first show. | 0:08:34 | 0:08:36 | |
We can actually see this. This is quite a controversial clip. | 0:08:36 | 0:08:39 | |
This is a clip of the original dolls in action. | 0:08:39 | 0:08:42 | |
Big Ted had it. | 0:08:42 | 0:08:43 | |
There's a letter in the... | 0:08:45 | 0:08:47 | |
Big Ted, sit up. | 0:08:48 | 0:08:49 | |
Now Little Ted's fallen over. My goodness. | 0:08:49 | 0:08:51 | |
There's a letter in the story today. | 0:08:51 | 0:08:53 | |
I'm an artist! How am I expected to work with these amateurs? | 0:09:00 | 0:09:03 | |
For God's sake! | 0:09:03 | 0:09:05 | |
APPLAUSE | 0:09:05 | 0:09:07 | |
That's presenter Fred Harris. That was never broadcast, by the way. | 0:09:11 | 0:09:14 | |
Imagine the trauma. The actual hideous trauma. | 0:09:14 | 0:09:16 | |
How long did Play School run for? | 0:09:16 | 0:09:18 | |
24 years, Play School ran, yeah. | 0:09:18 | 0:09:20 | |
Also the Play School clock | 0:09:20 | 0:09:22 | |
once famously caused industrial action at the BBC. | 0:09:22 | 0:09:24 | |
There was an argument as to whether it was a prop or special effects | 0:09:24 | 0:09:27 | |
and those were controlled by two completely different unions. | 0:09:27 | 0:09:30 | |
It went on for about three weeks. | 0:09:30 | 0:09:32 | |
Douglas Adams had written an episode of Doctor Who. | 0:09:32 | 0:09:34 | |
Never saw the light of day because of this strike. | 0:09:34 | 0:09:37 | |
Fawlty Towers was postponed. | 0:09:37 | 0:09:39 | |
Big Ted crossed the picket line, Little Ted didn't. | 0:09:39 | 0:09:42 | |
-Even to this day, there's problems between them. -Yeah. | 0:09:42 | 0:09:46 | |
You can still see the scabs. | 0:09:46 | 0:09:47 | |
AUDIENCE GROANS | 0:09:47 | 0:09:49 | |
What? | 0:09:49 | 0:09:50 | |
Please, fingers back on buzzers. | 0:09:51 | 0:09:53 | |
Which one of these stars created a world first after a phone call | 0:09:53 | 0:09:57 | |
to the UK Rocketry Association? | 0:09:57 | 0:09:59 | |
BELL | 0:09:59 | 0:10:00 | |
Brian's team. | 0:10:00 | 0:10:01 | |
Is that Heinz Wolff up there? | 0:10:01 | 0:10:02 | |
It is Professor Heinz Wolff. | 0:10:02 | 0:10:04 | |
So would you go for Professor Heinz Wolff? | 0:10:04 | 0:10:06 | |
I will believe anything you say, Brian. | 0:10:06 | 0:10:09 | |
LAUGHTER | 0:10:09 | 0:10:10 | |
Well... | 0:10:12 | 0:10:14 | |
APPLAUSE | 0:10:14 | 0:10:16 | |
We're going to go with Sir Heinz Wolff. | 0:10:19 | 0:10:21 | |
You're going to go Professor Heinz Wolff, | 0:10:21 | 0:10:23 | |
which is incorrect, but thank you for taking your time to tell us. | 0:10:23 | 0:10:27 | |
-HUGH DENNIS: -I think it's probably Clarkson, was it? Do you think? | 0:10:27 | 0:10:30 | |
-And then he'll have fired something from somewhere. -Yeah. | 0:10:30 | 0:10:33 | |
That's absolutely right. Well done, Hugh Dennis, and your team. | 0:10:33 | 0:10:37 | |
APPLAUSE | 0:10:37 | 0:10:39 | |
I thought it was Heinz Wolff. | 0:10:40 | 0:10:41 | |
It was Top Gear's Jeremy Clarkson. | 0:10:41 | 0:10:43 | |
The show attached rockets to a Mini as they attempted to become | 0:10:43 | 0:10:46 | |
the first people to send a car off a ski jump. Very important work. | 0:10:46 | 0:10:49 | |
And you thought your work on the Large Hadron Collider was important. | 0:10:49 | 0:10:53 | |
No, it turns out. Let see how they got on. | 0:10:53 | 0:10:55 | |
Armed. | 0:10:55 | 0:10:56 | |
Five, four, three, | 0:10:56 | 0:10:59 | |
two, one. Initiate. | 0:10:59 | 0:11:02 | |
THEY LAUGH | 0:11:19 | 0:11:20 | |
Wall's going to be needed! | 0:11:20 | 0:11:21 | |
THEY LAUGH | 0:11:24 | 0:11:26 | |
APPLAUSE | 0:11:26 | 0:11:28 | |
So, Jeremy Clarkson of Top Gear rather than Professor Heinz Wolff | 0:11:32 | 0:11:35 | |
of The Great Egg Race, one of the classic shows. | 0:11:35 | 0:11:37 | |
While we're on Top Gear, looking at that board again, Hugh, | 0:11:37 | 0:11:40 | |
tell me which person on that board | 0:11:40 | 0:11:42 | |
was the show's first ever presenter. | 0:11:42 | 0:11:44 | |
-BRIAN COX: -I really want to say Peter Cook. | 0:11:44 | 0:11:47 | |
Was it Heinz Wolff? It must have been Heinz Wolff. | 0:11:48 | 0:11:50 | |
You're going for Heinz Wolff again. | 0:11:50 | 0:11:52 | |
You're going to have to get off this Heinz Wolff thing. | 0:11:52 | 0:11:54 | |
Let it go, man. Let it go. | 0:11:54 | 0:11:56 | |
It wasn't Heinz Wolff. | 0:11:56 | 0:11:57 | |
-Angela Rippon. -You're going to go for Angela Rippon. | 0:11:57 | 0:11:59 | |
-You're right again! This is ridiculous. -No way! | 0:11:59 | 0:12:02 | |
Well done, Hugh Dennis. Angela Rippon, yes. | 0:12:02 | 0:12:04 | |
APPLAUSE | 0:12:04 | 0:12:06 | |
It was Angela Rippon who launched the first episode back in 1977. | 0:12:06 | 0:12:10 | |
Here she is. | 0:12:10 | 0:12:12 | |
Good evening, and welcome, once again, to Top Gear. | 0:12:12 | 0:12:14 | |
Now, this is the latest car from Jaguar. It's the Phase Three 5.3 | 0:12:14 | 0:12:18 | |
and Noel Edmonds is going to be giving it a road test | 0:12:18 | 0:12:21 | |
a little later in tonight's programme. | 0:12:21 | 0:12:23 | |
But we're not going to watch that. | 0:12:23 | 0:12:25 | |
APPLAUSE | 0:12:25 | 0:12:27 | |
Kate Humble would have been a good guess as well. | 0:12:28 | 0:12:30 | |
Kate Humble also presented Top Gear in the early 2000s. | 0:12:30 | 0:12:33 | |
It's a huge success for the BBC, Top Gear. | 0:12:33 | 0:12:34 | |
It's shown in over 170 countries worldwide. | 0:12:34 | 0:12:37 | |
It gets 350 million viewers per week. | 0:12:37 | 0:12:40 | |
It's made over £100 million for the BBC. | 0:12:40 | 0:12:42 | |
It's made over £75 million for the stonewashed denim industry. | 0:12:42 | 0:12:45 | |
It's an extraordinary phenomenon. | 0:12:45 | 0:12:47 | |
OK, fingers back on buzzers again. | 0:12:47 | 0:12:49 | |
Who now hosts a show that only attracted 20,000 viewers | 0:12:49 | 0:12:53 | |
on its first ever episode | 0:12:53 | 0:12:55 | |
when it was launched on BBC Two? | 0:12:55 | 0:12:56 | |
BELL | 0:12:56 | 0:12:58 | |
Brian again. | 0:12:58 | 0:12:59 | |
Kate Humble? | 0:12:59 | 0:13:01 | |
Not Kate Humble, no. | 0:13:01 | 0:13:02 | |
BUZZER | 0:13:02 | 0:13:03 | |
-It's going to be Heinz Wolff. -Was it Heinz Wolff? | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:07 | |
Neither Humble nor Wolff. | 0:13:07 | 0:13:09 | |
Why don't we say Match Of The Day | 0:13:09 | 0:13:11 | |
wasn't watched by very many people when it was first broadcast? | 0:13:11 | 0:13:14 | |
You're absolutely right. They get a point for that. Very good. | 0:13:14 | 0:13:17 | |
APPLAUSE | 0:13:17 | 0:13:19 | |
Yes, it is Gary Lineker. | 0:13:22 | 0:13:23 | |
Match Of The Day actually started life 50 years ago on BBC Two | 0:13:23 | 0:13:27 | |
and we can have a look at the first ever game. | 0:13:27 | 0:13:29 | |
COMMENTATOR: The scorer, Hunt, | 0:13:34 | 0:13:36 | |
Liverpool inside right. | 0:13:36 | 0:13:38 | |
And a black cat is running on the far side. There it is! | 0:13:40 | 0:13:44 | |
A black cat. | 0:13:44 | 0:13:45 | |
Now, I know it's a cat, | 0:13:48 | 0:13:50 | |
I wonder which side it supports. Arsenal or Liverpool. | 0:13:50 | 0:13:55 | |
APPLAUSE | 0:13:55 | 0:13:56 | |
"I know it's a cat!" | 0:13:58 | 0:13:59 | |
I just so, so wanted someone to volley it into the net. | 0:14:02 | 0:14:06 | |
I've often wondered, what were the chances that the first time | 0:14:08 | 0:14:11 | |
you put cameras into a football stadium, | 0:14:11 | 0:14:13 | |
you capture a match for the first time, | 0:14:13 | 0:14:15 | |
and the first ever YouTube clip of a funny cat doing an adorable thing. | 0:14:15 | 0:14:19 | |
Only 20,000 viewers, though. | 0:14:19 | 0:14:21 | |
Yes, there were more people in the stadium than watched on TV. | 0:14:21 | 0:14:24 | |
40,000 people in the stadium, 20,000 viewers. | 0:14:24 | 0:14:26 | |
They only commissioned it in the first place | 0:14:26 | 0:14:28 | |
because the World Cup was starting a couple of years later | 0:14:28 | 0:14:31 | |
and they used it to train cameramen up. That was the only reason | 0:14:31 | 0:14:34 | |
they put it on. And the cameraman there did a cracking job on the cat. | 0:14:34 | 0:14:37 | |
He did a very good job. OK, at the end of that round, | 0:14:37 | 0:14:40 | |
Brian's team, I'm going to give you two points. | 0:14:40 | 0:14:42 | |
Hugh's team have three points. | 0:14:42 | 0:14:44 | |
APPLAUSE | 0:14:44 | 0:14:45 | |
Time for more fantastic first innovations from BBC Two. | 0:14:48 | 0:14:51 | |
Let's have our next game. | 0:14:51 | 0:14:52 | |
Thank you, ladies and gentlemen, and welcome to Later. | 0:14:57 | 0:14:59 | |
Hello. Welcome to this week's Whistle Test. | 0:15:02 | 0:15:04 | |
Ladies and gentlemen, meet our distinguished guest, Duke Ellington. | 0:15:04 | 0:15:08 | |
The first ever British television performance, | 0:15:12 | 0:15:15 | |
I'm delighted to say, of these next artists. | 0:15:15 | 0:15:17 | |
Our next artists are brand-new. | 0:15:17 | 0:15:20 | |
Making her TV debut, Adele. | 0:15:20 | 0:15:22 | |
Now, you may remember the tartan kilts and scarves | 0:15:22 | 0:15:25 | |
-of their last appearance... -Hi, Bob. -Hi, Ray. How are you doing? | 0:15:25 | 0:15:29 | |
APPLAUSE | 0:15:33 | 0:15:36 | |
50 years of ground-breaking musical moments on BBC Two. | 0:15:38 | 0:15:41 | |
For our next game, from The Old Grey Whistle Test, | 0:15:41 | 0:15:44 | |
please welcome to the studio Whispering Bob Harris. | 0:15:44 | 0:15:47 | |
APPLAUSE | 0:15:47 | 0:15:49 | |
-Good to have you here. -Thank you. | 0:15:49 | 0:15:52 | |
Bob, do the... | 0:15:55 | 0:15:56 | |
Let's just enjoy this. Do the Hall of Fame for me. | 0:15:56 | 0:15:59 | |
Who made their first TV appearances on BBC Two? | 0:15:59 | 0:16:01 | |
People like Bonnie Raitt, The Eagles, Jackson Browne, | 0:16:01 | 0:16:04 | |
bands like Family, Wishbone Ash, the great UK bands of the early '70s... | 0:16:04 | 0:16:09 | |
-Bob Marley? Bob Marley made his first appearance? -Bob Marley, | 0:16:09 | 0:16:12 | |
Curtis Mayfield... | 0:16:12 | 0:16:13 | |
Bob Marley in particular was a fantastic day, it really was. | 0:16:13 | 0:16:16 | |
That was his first ever UK television appearance, so, yeah. | 0:16:16 | 0:16:19 | |
And what, by the way, for younger viewers, | 0:16:19 | 0:16:22 | |
I obviously know the answer to this, but for those who don't, | 0:16:22 | 0:16:25 | |
what does it mean - the old grey whistle test? | 0:16:25 | 0:16:27 | |
It's a sort of shortening of a process that used to take place | 0:16:27 | 0:16:30 | |
around what they used to call the songwriting factories. | 0:16:30 | 0:16:33 | |
You'd get songwriters working there, basically on a nine-to-five day, | 0:16:33 | 0:16:37 | |
people like Carole King and Neil Sedaka. | 0:16:37 | 0:16:40 | |
These buildings were serviced by, you know, the guy who ran the lift, | 0:16:40 | 0:16:44 | |
the receptionist, the cleaners, all these people used to have... | 0:16:44 | 0:16:47 | |
they were given the nickname the "old greys". | 0:16:47 | 0:16:50 | |
So at the end of the week, | 0:16:50 | 0:16:51 | |
all the likely songs were played to the old greys | 0:16:51 | 0:16:56 | |
and the ones they remembered passed the old grey whistle test. | 0:16:56 | 0:17:00 | |
-That's... -That was it. There we are, that was it. | 0:17:00 | 0:17:03 | |
APPLAUSE | 0:17:03 | 0:17:05 | |
And the other thing about it, one of the great things about the show was, | 0:17:10 | 0:17:14 | |
to start with, if you can believe it, it was open-ended | 0:17:14 | 0:17:16 | |
because it was the final programme on BBC Two that evening, right, | 0:17:16 | 0:17:21 | |
and so if we wanted to extend for 15 or 20 minutes any week, we could. | 0:17:21 | 0:17:25 | |
-What a luxury that was. -That was beautiful. | 0:17:25 | 0:17:28 | |
And at what point, then, did people phone in and vote bands off? | 0:17:28 | 0:17:32 | |
LAUGHTER | 0:17:32 | 0:17:34 | |
And spun the chair around and hit the... Yeah. | 0:17:34 | 0:17:38 | |
OK. As our tribute, | 0:17:38 | 0:17:39 | |
Bob is going to be whistling some classic BBC Two theme tunes. | 0:17:39 | 0:17:42 | |
That seems like an appalling tribute | 0:17:42 | 0:17:44 | |
but thank you for taking part anyway. | 0:17:44 | 0:17:45 | |
Hugh's team, this game is only for yourselves, | 0:17:45 | 0:17:48 | |
so you can just relax and enjoy it. | 0:17:48 | 0:17:49 | |
We want you to identify the theme tune. | 0:17:49 | 0:17:51 | |
You're not on your own, though, of course, Bob. | 0:17:51 | 0:17:53 | |
-I've got The Whistlettes. -You do. | 0:17:53 | 0:17:55 | |
He's got some old grey whistlers, | 0:17:55 | 0:17:57 | |
some truly great blasts from BBC Two's past. | 0:17:57 | 0:17:59 | |
Please welcome kids' TV hero Johnny Ball... | 0:17:59 | 0:18:03 | |
APPLAUSE | 0:18:03 | 0:18:06 | |
..from Ground Force, Tommy Walsh... | 0:18:06 | 0:18:08 | |
..you know him as Joe from The Royle Family, it's Peter Martin... | 0:18:10 | 0:18:13 | |
..and the man not quite single-handedly responsible, | 0:18:16 | 0:18:19 | |
but nonetheless there for the most watched moment in BBC Two's history, | 0:18:19 | 0:18:23 | |
18.5 million people watched him | 0:18:23 | 0:18:25 | |
win the World Snooker Championship in 1985, it's Dennis Taylor. | 0:18:25 | 0:18:29 | |
CHEERING AND APPLAUSE | 0:18:29 | 0:18:31 | |
Five men for whom we have a great deal of affection, | 0:18:35 | 0:18:37 | |
who've achieved many things and now we're going to get them to whistle. | 0:18:37 | 0:18:40 | |
OK, let's have the first tune, please. | 0:18:42 | 0:18:45 | |
SERIES OF STACCATO NOTES | 0:18:45 | 0:18:47 | |
BUZZER Ski Sunday? | 0:18:53 | 0:18:55 | |
It was Ski Sunday. Let's hear it properly. | 0:18:55 | 0:18:57 | |
THEME MUSIC FROM SKI SUNDAY PLAYS | 0:18:57 | 0:19:00 | |
Does that give it away? | 0:19:03 | 0:19:04 | |
One of you looks like you're churning butter. | 0:19:07 | 0:19:10 | |
OK, very, very good. Is this nerve-racking, by the way, lads? | 0:19:11 | 0:19:14 | |
Dennis, of all the moments you've had on BBC Two? | 0:19:14 | 0:19:17 | |
This is worse than playing Steve Davis. | 0:19:17 | 0:19:20 | |
OK, let's have a second tune please. | 0:19:21 | 0:19:24 | |
VARIETY OF NOTES WHISTLED HALTINGLY | 0:19:24 | 0:19:27 | |
VARIETY OF NOTES AND RHYTHMS | 0:19:36 | 0:19:38 | |
BUZZER | 0:19:40 | 0:19:42 | |
-Hugh, please. -I don't think even they know what... | 0:19:42 | 0:19:45 | |
LAUGHTER AND APPLAUSE | 0:19:45 | 0:19:48 | |
I'm also quietly beginning to suspect two of them can't whistle. | 0:19:53 | 0:19:59 | |
There is at least two of them going, "Ooo-ooo!" | 0:19:59 | 0:20:02 | |
BUZZER | 0:20:03 | 0:20:04 | |
-What is it? -I think it's by Howard Goodall, it's Red Dwarf. | 0:20:04 | 0:20:08 | |
You're absolutely right. Well done. | 0:20:08 | 0:20:11 | |
For the one or two of you who might not have recognised it from this, | 0:20:14 | 0:20:18 | |
why don't we hear just how Red Dwarf normally sounds? | 0:20:18 | 0:20:21 | |
RED DWARF THEME MUSIC | 0:20:21 | 0:20:24 | |
Why are they in the transporter room of the Enterprise? | 0:20:34 | 0:20:38 | |
When their music is already transporting us! | 0:20:42 | 0:20:44 | |
LAUGHTER | 0:20:44 | 0:20:46 | |
One final tune, please, gentlemen. | 0:20:47 | 0:20:49 | |
SOLO WHISTLING | 0:20:49 | 0:20:51 | |
LONG, SLOW NOTES | 0:20:52 | 0:20:55 | |
OTHERS JOIN IN | 0:21:00 | 0:21:02 | |
BUZZER | 0:21:12 | 0:21:14 | |
-Hugh? -Can we get a dog to come in...? | 0:21:14 | 0:21:16 | |
This is difficult, I have to say. | 0:21:24 | 0:21:26 | |
It's more the theme for a strand of shows | 0:21:26 | 0:21:29 | |
rather than an individual show. | 0:21:29 | 0:21:31 | |
Ah, OK, so it's going to be like Arena. | 0:21:31 | 0:21:34 | |
Yes, very good. You're absolutely right. | 0:21:35 | 0:21:38 | |
That was, unbelievably, BBC Two's flagship arts series Arena. | 0:21:40 | 0:21:45 | |
Here, please, bask in what I think is the most mournful and depressing | 0:21:45 | 0:21:49 | |
theme tune in 50 years of BBC theme tunes. Here it is. | 0:21:49 | 0:21:52 | |
You try whistling it! | 0:21:52 | 0:21:53 | |
THEME TUNE FROM ARENA | 0:21:55 | 0:21:57 | |
HE WHISTLES ALONG | 0:22:05 | 0:22:06 | |
CHEERING AND APPLAUSE | 0:22:11 | 0:22:12 | |
Where will you ever hear that piece of music from another room | 0:22:14 | 0:22:17 | |
and go, "Arena!" And go running in to have a look. | 0:22:17 | 0:22:20 | |
It's the most mournful thing in the world. | 0:22:20 | 0:22:23 | |
I've actually got one extra question for Gareth, if I might. | 0:22:23 | 0:22:25 | |
I want to show you a clip from the 1974 show Face The Music. | 0:22:25 | 0:22:29 | |
See if you can answer this question. | 0:22:29 | 0:22:31 | |
I think everybody is familiar with this infernal machine | 0:22:31 | 0:22:34 | |
where you, the panel, just have to guess what I'm playing | 0:22:34 | 0:22:36 | |
from the look and the clatter. | 0:22:36 | 0:22:39 | |
PIANO KEYS RATTLE, NO MUSIC | 0:22:40 | 0:22:43 | |
-Gareth? -That was a real...? That's real? -That's real, yes. | 0:22:49 | 0:22:55 | |
Whatever it is, it's going to be easier than the whistling. | 0:22:55 | 0:22:58 | |
-LAUGHTER -Oh, come on! Come on! | 0:22:58 | 0:23:01 | |
-Are you giving it a go? -Yeah. -If you get the composer, I will give you... | 0:23:01 | 0:23:06 | |
-Bach? -If you get the composer... Just keep doing that. | 0:23:06 | 0:23:09 | |
-Schnittke? -Schnittke?! You're making things up now, aren't you? | 0:23:11 | 0:23:16 | |
Was it Schutz or Scheidt or Schein? | 0:23:16 | 0:23:19 | |
-You're nearly there. -Schutz, Scheidt or Schein - | 0:23:21 | 0:23:23 | |
three well-known German composers. | 0:23:23 | 0:23:26 | |
-Schu... Schu... -Schubert, perhaps? | 0:23:26 | 0:23:28 | |
You're saying Schubert? OK, let's have a look and see if it was. | 0:23:28 | 0:23:31 | |
Yes, it's the Schubert Impromptus E Flat Opus 90 Number 2, or D899. | 0:23:31 | 0:23:35 | |
That brings us to the end of the programme. Time is up. | 0:23:35 | 0:23:37 | |
Thank you very much. Hugh's team, I'm proud to give you three points. | 0:23:42 | 0:23:45 | |
-That was very, very good. -APPLAUSE | 0:23:45 | 0:23:47 | |
But mainly, ladies and gentlemen... | 0:23:47 | 0:23:49 | |
..I believe deserving a huge hand for whistling Bob Harris's band, | 0:23:50 | 0:23:55 | |
Johnny Ball, Tommy Walsh, Peter Martin and Dennis Taylor. | 0:23:55 | 0:23:58 | |
CHEERING AND APPLAUSE | 0:23:58 | 0:24:00 | |
OK, time for our next round. | 0:24:07 | 0:24:08 | |
Knowing me Alan Partridge, knowing you... | 0:24:11 | 0:24:14 | |
-A-ha. -# Take it now or leave it... # | 0:24:14 | 0:24:16 | |
-A-ha! -# Now is all we get... # -A-ha! | 0:24:16 | 0:24:19 | |
-Hello, camp David. EFFEMINATELY: -Well, hello, Alan. | 0:24:19 | 0:24:23 | |
You used this pay channel. | 0:24:23 | 0:24:25 | |
Oh, right, yeah. It's very confusing. | 0:24:29 | 0:24:31 | |
# Knowing me, knowing you | 0:24:31 | 0:24:37 | |
-BOTH: # A-ha. -# | 0:24:37 | 0:24:41 | |
Smell my cheese, you mother! | 0:24:42 | 0:24:44 | |
The legendary Alan Partridge there. | 0:24:49 | 0:24:52 | |
Now, Alan famously pitched plenty of videos for new shows, | 0:24:52 | 0:24:56 | |
but every now and then, BBC Two managed to outdo him | 0:24:56 | 0:24:58 | |
by launching even more unlikely television programmes. | 0:24:58 | 0:25:02 | |
I'm going to give Brian's team some titles and all you have to do | 0:25:02 | 0:25:05 | |
is tell me if they were Partridge pitches or genuine shows on BBC Two. | 0:25:05 | 0:25:10 | |
Joining us to help me from Knowing Me Knowing You, I'm Alan Partridge, | 0:25:10 | 0:25:13 | |
The Day Today and The Thick Of It, it's BBC Two's Rebecca Front. | 0:25:13 | 0:25:17 | |
APPLAUSE | 0:25:17 | 0:25:18 | |
Lovely to have you with us. | 0:25:18 | 0:25:20 | |
Rebecca, you have appeared with so many | 0:25:25 | 0:25:28 | |
and in so many fantastic comedy shows. | 0:25:28 | 0:25:31 | |
For the early Partridges, you played how many different characters? | 0:25:31 | 0:25:35 | |
-I think six. I was in every episode. -Were you in the radio show before? | 0:25:35 | 0:25:39 | |
-I was. -So there's all those as well. -Yes, quite a range. | 0:25:39 | 0:25:43 | |
You were quite a foil to Alan Partridge for a long time. | 0:25:43 | 0:25:46 | |
Yes, I suppose I was. It was huge fun. | 0:25:46 | 0:25:48 | |
A lot of wigs and teeth and make-up to prop me up and get me through. | 0:25:48 | 0:25:53 | |
This round is about terrible television ideas. | 0:25:53 | 0:25:55 | |
As a performer who relies on the trust you have with broadcasters, | 0:25:55 | 0:25:58 | |
I wouldn't ask you ever to reveal which terrible television ideas | 0:25:58 | 0:26:01 | |
you have ever been approached to do. | 0:26:01 | 0:26:04 | |
So those kind of shows, those kind of horrendous shows, | 0:26:04 | 0:26:07 | |
some of which Partridge made a speciality in pitching, | 0:26:07 | 0:26:10 | |
I want you to pitch here. Our first show title, please. | 0:26:10 | 0:26:13 | |
OK, pro-celebrity clay pigeon shooting | 0:26:13 | 0:26:16 | |
with Ian Botham and Suzi Quatro. | 0:26:16 | 0:26:19 | |
Is it a genuine show on BBC Two or a Partridge pitch? | 0:26:20 | 0:26:25 | |
-I think that sounds genuine. -I think it would be genuine. | 0:26:25 | 0:26:29 | |
Suzi Quatro bothers me slightly. Not in general. | 0:26:29 | 0:26:32 | |
-You could see Ian Botham... -A kind of weird admission to have. | 0:26:35 | 0:26:38 | |
It's competitive, so you'd watch it. | 0:26:38 | 0:26:41 | |
There is an element of jeopardy, which they love. | 0:26:41 | 0:26:44 | |
Jeopardy? In what sense? What could possibly go wrong? | 0:26:44 | 0:26:47 | |
Well, Ian Botham could shoot Suzi Quatro. | 0:26:47 | 0:26:49 | |
They fire Suzi Quatro out of a trebuchet and... | 0:26:49 | 0:26:53 | |
So what do we think, do we think that's real? | 0:26:53 | 0:26:56 | |
-It sounds horribly familiar from Partridge. -What do we think? | 0:26:56 | 0:27:00 | |
-I think that's real. -I think it's real. | 0:27:00 | 0:27:03 | |
-Is it real? -It's real. | 0:27:03 | 0:27:05 | |
It was a BBC Two show from 1987. Let us enjoy this. Please, bask in this. | 0:27:11 | 0:27:18 | |
First Ian Botham. He picks a trap. | 0:27:18 | 0:27:21 | |
Anything he gets in that trap, he scores. 3, 7, or 11. | 0:27:21 | 0:27:26 | |
Pull! | 0:27:26 | 0:27:29 | |
7 scored. | 0:27:29 | 0:27:30 | |
Good shooting by Ian. | 0:27:30 | 0:27:32 | |
APPLAUSE | 0:27:32 | 0:27:33 | |
It was called Starshot. | 0:27:38 | 0:27:40 | |
Imagine how much better Splash! would be if people had a shotgun. | 0:27:40 | 0:27:44 | |
OK, let's have a second one, please. | 0:27:46 | 0:27:49 | |
OK, Bonington. A mountaineering drama starring Brian Blessed. | 0:27:49 | 0:27:55 | |
You see, I think that's real. | 0:27:57 | 0:28:00 | |
Because I know Brian Blessed and I know that he climbed Everest | 0:28:00 | 0:28:05 | |
without oxygen and almost got to the top. | 0:28:05 | 0:28:09 | |
And he tells a story of how somebody had a medical emergency above him. | 0:28:09 | 0:28:13 | |
I think they were French. And he was like... | 0:28:13 | 0:28:15 | |
-AS BRIAN BLESSED: -"The bastard! | 0:28:15 | 0:28:17 | |
"I'm on my way to the summit! I had to carry..." | 0:28:17 | 0:28:21 | |
So I think... | 0:28:21 | 0:28:23 | |
LAUGHTER AND APPLAUSE | 0:28:23 | 0:28:25 | |
There's so many Brian Blessed mountaineering stories | 0:28:28 | 0:28:30 | |
and none of them can be told on BBC Two. You probably know many. | 0:28:30 | 0:28:35 | |
Doesn't he have a freakishly high level of oxygen in his blood? | 0:28:35 | 0:28:39 | |
Yes, he does. He also once punched a polar bear in the face. | 0:28:39 | 0:28:42 | |
That's an actual true story. | 0:28:43 | 0:28:45 | |
I bet the polar bear never did it again, whatever it was. | 0:28:45 | 0:28:49 | |
That was a lesson learned for that polar bear. | 0:28:49 | 0:28:51 | |
That's how he got banned from London Zoo. | 0:28:51 | 0:28:54 | |
I'm going to say it anyway. I remember him telling me, | 0:28:55 | 0:28:58 | |
"Never camp below the French. They shit on you from a great height." | 0:28:58 | 0:29:01 | |
-Basically. -You think it's real? -So, anyway, it should be real. | 0:29:05 | 0:29:10 | |
He is a mountaineer, he knows Chris Bonington very well, | 0:29:10 | 0:29:13 | |
I'm sure that's real. | 0:29:13 | 0:29:15 | |
-Is it real? -It's not real. | 0:29:15 | 0:29:17 | |
Why not?! | 0:29:19 | 0:29:20 | |
Apparently, it was a deleted scene | 0:29:23 | 0:29:25 | |
from the first series of I'm Alan Partridge. | 0:29:25 | 0:29:28 | |
-Another one, please. -OK. | 0:29:28 | 0:29:29 | |
Millennium Barn Dance hosted by Jet from Gladiators. | 0:29:29 | 0:29:34 | |
If that's real, it would have been on BBC Two. | 0:29:40 | 0:29:45 | |
Therefore BBC Two should be closed down. | 0:29:45 | 0:29:47 | |
What do you think? It cannot... | 0:29:47 | 0:29:50 | |
Didn't Partridge have a thing for Jet from Gladiators? | 0:29:50 | 0:29:54 | |
-That was his fancy, wasn't it? -Millennium Barn Dance? | 0:29:54 | 0:29:59 | |
Hosted by Jet! Surely not. | 0:30:00 | 0:30:03 | |
How could we have missed it? | 0:30:03 | 0:30:05 | |
I'm making the move to Channel 4 if that's real. | 0:30:05 | 0:30:09 | |
-You think Partridge? -It has to be. Otherwise I'm... -You're gone? -Yes. | 0:30:09 | 0:30:15 | |
-Is it Partridge or real? -You can stay. It's Partridge. | 0:30:15 | 0:30:18 | |
Try another one. | 0:30:23 | 0:30:24 | |
Mainly For Men, featuring sharks, cars and lovely ladies. | 0:30:24 | 0:30:29 | |
-Partridge or real BBC Two? -That's the whole Channel 5, isn't it? | 0:30:30 | 0:30:34 | |
-Who would present that? -Jeremy Clarkson? | 0:30:36 | 0:30:39 | |
I worry... I think that could be real. | 0:30:40 | 0:30:44 | |
I think I've got more faith in BBC Two | 0:30:44 | 0:30:47 | |
as the fine institution it is, really. | 0:30:47 | 0:30:50 | |
What are you going to go? | 0:30:50 | 0:30:52 | |
-I think Partridge. -OK. | 0:30:52 | 0:30:54 | |
I think that might be real. What do you think? Casting vote. | 0:30:54 | 0:30:58 | |
I go Partridge. | 0:30:59 | 0:31:01 | |
-Was it Partridge or was it real? -That was real. | 0:31:01 | 0:31:04 | |
GASPS OF SURPRISE | 0:31:04 | 0:31:06 | |
Now I'M leaving BBC Two. | 0:31:06 | 0:31:08 | |
Yes, a genuine BBC Two programme, | 0:31:11 | 0:31:14 | |
a 1969 pilot that somehow never made it to air. | 0:31:14 | 0:31:17 | |
But we do have a section of it now. | 0:31:17 | 0:31:20 | |
We join it in the middle of a musical number. | 0:31:20 | 0:31:22 | |
# I want to find a man | 0:31:22 | 0:31:23 | |
# Who'll take me as I am | 0:31:24 | 0:31:26 | |
# I've got to find a man | 0:31:27 | 0:31:29 | |
# Who loves me as I am. # | 0:31:30 | 0:31:38 | |
And very nice too. It's the only way to do the dusting, | 0:31:42 | 0:31:44 | |
I can tell you that. Now then, these days, | 0:31:44 | 0:31:47 | |
we're finding ourselves with much more leisure time on our hands. | 0:31:47 | 0:31:50 | |
What to do with it all? Well, there are lots of things we can do. | 0:31:50 | 0:31:52 | |
One thing is the increasingly popular sport of shark fishing. | 0:31:52 | 0:31:56 | |
LAUGHTER | 0:31:56 | 0:31:59 | |
They had a little section on polar bear punching straight after that. | 0:32:04 | 0:32:07 | |
And just for the treat, | 0:32:07 | 0:32:09 | |
let's remind ourselves of Alan's favourite pitching scene. | 0:32:09 | 0:32:12 | |
This is from I'm Alan Partridge in 1997. | 0:32:12 | 0:32:14 | |
Cooking In Prison. | 0:32:14 | 0:32:15 | |
-A Partridge Amongst The Pigeons. -What's that? -It's just a title. | 0:32:19 | 0:32:23 | |
Opening sequence - | 0:32:25 | 0:32:26 | |
me in Trafalgar Square feeding the pigeons and going, "Oh, God!" | 0:32:26 | 0:32:31 | |
No, I'm sorry, no, stop. | 0:32:31 | 0:32:33 | |
Youth Hostelling With Chris Eubank. | 0:32:33 | 0:32:36 | |
No. | 0:32:36 | 0:32:37 | |
Monkey Tennis? | 0:32:43 | 0:32:44 | |
That is the end of Partridge Or Programme. | 0:32:47 | 0:32:49 | |
Before we go back to the board for our next game, | 0:32:49 | 0:32:52 | |
let's have a huge round of applause for Rebecca Front. | 0:32:52 | 0:32:55 | |
Joining me next, the man many call the architect of BBC Two, | 0:33:01 | 0:33:06 | |
was controller of the channel from 1965 to 1968. | 0:33:06 | 0:33:09 | |
He set the tone for the fledgling network | 0:33:09 | 0:33:11 | |
before bringing the natural world to its screens. | 0:33:11 | 0:33:14 | |
Let's have a look at him in action. | 0:33:14 | 0:33:15 | |
MUSIC: "Circle of Life" from The Lion King | 0:33:19 | 0:33:22 | |
This little creature is a lizard. | 0:33:23 | 0:33:25 | |
SQUEAKING | 0:33:26 | 0:33:27 | |
A bat detector. | 0:33:29 | 0:33:30 | |
Sweet potatoes. Sweet potatoes. | 0:33:36 | 0:33:39 | |
Those are howler monkeys up there. | 0:33:44 | 0:33:46 | |
-Ladies and gentlemen, please welcome Sir David Attenborough. -Thank you. | 0:33:57 | 0:34:02 | |
-Thank you very much. -Now then... | 0:34:03 | 0:34:07 | |
Before we get started on the round itself, | 0:34:10 | 0:34:13 | |
explain to us who these people are. | 0:34:13 | 0:34:15 | |
-This is something to do with your history on the channel. -Ah! | 0:34:15 | 0:34:20 | |
The only animals from which you recoil violently... | 0:34:20 | 0:34:23 | |
I regret to say that this is Hullabaloo and this is Custard. | 0:34:23 | 0:34:29 | |
This ghastly pair were BBC Two's first mascot, emblems, | 0:34:29 | 0:34:36 | |
publicity things. | 0:34:36 | 0:34:39 | |
Why? Why two kangaroos? | 0:34:39 | 0:34:41 | |
The network was 11 months old at the time and I said, | 0:34:41 | 0:34:45 | |
"If I'm to take it over, Hullabaloo | 0:34:45 | 0:34:48 | |
"and Custard can go right over there | 0:34:48 | 0:34:50 | |
"and never be seen again." I got rid of them. | 0:34:50 | 0:34:53 | |
-You got rid of the corporately created mascots. -I did. | 0:34:53 | 0:34:56 | |
Good for you, well done. Yes, brilliant | 0:34:56 | 0:34:59 | |
-You spent...three, four years as channel controller. -Four. | 0:35:01 | 0:35:06 | |
Four years channel controller, | 0:35:06 | 0:35:08 | |
essentially, creating a nascent network. | 0:35:08 | 0:35:10 | |
You were the controller of a brand-new network | 0:35:10 | 0:35:13 | |
and you could prescribe the vision. | 0:35:13 | 0:35:15 | |
Exactly. It was a joy, a dream. | 0:35:15 | 0:35:17 | |
Marvellous. Suddenly to be given this whole network | 0:35:17 | 0:35:20 | |
and we decided that what we would do would be to do programmes that | 0:35:20 | 0:35:25 | |
no other network in this country, or indeed anywhere else, had ever done. | 0:35:25 | 0:35:29 | |
So that you would know that, if you turned it on, there it was, | 0:35:29 | 0:35:32 | |
it was a very different programme. | 0:35:32 | 0:35:34 | |
That applied to sport, it applied to documentaries, | 0:35:34 | 0:35:38 | |
it applied to drama, everything. | 0:35:38 | 0:35:39 | |
Everything was completely new. | 0:35:39 | 0:35:41 | |
Sir David has kindly allowed us to turn some key moments of his life | 0:35:41 | 0:35:45 | |
into a short game that both of you can play. | 0:35:45 | 0:35:47 | |
We'll be showing a small section of a photograph, | 0:35:47 | 0:35:49 | |
it will be fingers on buzzers | 0:35:49 | 0:35:51 | |
to identify what creature from the natural world we are looking at. | 0:35:51 | 0:35:55 | |
Buzz in as soon as you think you know what animal this is. | 0:35:55 | 0:35:58 | |
BELL | 0:36:03 | 0:36:04 | |
Brian's team. | 0:36:04 | 0:36:06 | |
-Was it a gorilla? -It is, of course, a gorilla. | 0:36:06 | 0:36:09 | |
APPLAUSE | 0:36:09 | 0:36:11 | |
-A mountain gorilla? -Yes. -From... | 0:36:13 | 0:36:15 | |
-From what country? -Rwanda. | 0:36:15 | 0:36:18 | |
Now, this is a sequence you filmed in 1979, | 0:36:18 | 0:36:21 | |
possibly the most famous moment in natural history programming. | 0:36:21 | 0:36:24 | |
Let's have another look at it. | 0:36:24 | 0:36:25 | |
The gorilla family spends its day gently grazing | 0:36:25 | 0:36:28 | |
and there's plenty of time for play. | 0:36:28 | 0:36:30 | |
Sometimes, they even allow others to join in. | 0:36:36 | 0:36:40 | |
-APPLAUSE AND LAUGHTER -Wonderful! | 0:37:07 | 0:37:11 | |
If this doesn't sound ridiculous, | 0:37:14 | 0:37:15 | |
it made us appreciate the animals more because, to a certain extent, | 0:37:15 | 0:37:19 | |
we saw the humanity, the shared traits | 0:37:19 | 0:37:21 | |
between ourselves and the great apes. | 0:37:21 | 0:37:23 | |
Was it frightening, by the way? | 0:37:23 | 0:37:25 | |
-Was there any danger? -I wasn't intending to get that close. | 0:37:25 | 0:37:29 | |
-Why would I? -One thing led to another. | 0:37:30 | 0:37:33 | |
-She was just a friend. -Oh, stop. | 0:37:36 | 0:37:39 | |
I had to explain a technical thing about thumb and forefingers | 0:37:39 | 0:37:45 | |
and evolution and the gorillas were supposed to be a long way away, | 0:37:45 | 0:37:49 | |
about ten yards away. And there was a group ten yards away. | 0:37:49 | 0:37:52 | |
I crawled up towards them and turned to speak to camera, | 0:37:52 | 0:37:56 | |
and while I was actually speaking to camera, | 0:37:56 | 0:37:58 | |
thinking that the gorillas were behind me, | 0:37:58 | 0:38:02 | |
I felt a huge weight on my head. And it was... | 0:38:02 | 0:38:05 | |
I turned round | 0:38:05 | 0:38:06 | |
and it was this female gorilla had her hand on top of my head. | 0:38:06 | 0:38:10 | |
And she put her finger in my mouth and looked inside my mouth. | 0:38:10 | 0:38:14 | |
And I just sort of lay back there... | 0:38:14 | 0:38:18 | |
and then two baby gorillas came and sat on my feet. | 0:38:18 | 0:38:21 | |
And it was just bliss. | 0:38:21 | 0:38:23 | |
It was really kind of paradise. Just amazing. | 0:38:23 | 0:38:27 | |
What amazes me is the shot is so steady | 0:38:27 | 0:38:29 | |
given the cameraman is backing away. | 0:38:29 | 0:38:32 | |
But did the Rwandan government try to stop you taking the tapes out? | 0:38:36 | 0:38:39 | |
Yes, they did. They, er, when we eventually came down, | 0:38:39 | 0:38:43 | |
we were going back in the track of a lorry | 0:38:43 | 0:38:45 | |
and I heard what you hear in Western movies, you know... | 0:38:45 | 0:38:48 | |
WHANG! All that sort of thing. And it's a bullet! | 0:38:48 | 0:38:51 | |
And I thought, "That's funny! What's going on there?" | 0:38:51 | 0:38:53 | |
-LAUGHTER -And when we came round the corner, | 0:38:53 | 0:38:56 | |
there was a roadblock and we were held up and strip-searched | 0:38:56 | 0:39:00 | |
and one thing and another, because they were thinking that | 0:39:00 | 0:39:03 | |
we were spreading revolutionary ideas or something. | 0:39:03 | 0:39:05 | |
And you eventually smuggled the footage out? | 0:39:05 | 0:39:07 | |
The cameraman, Martin Saunders, had the wit, while we were held up, | 0:39:07 | 0:39:11 | |
to change labels on the cans of the film, cos it was film in those days, | 0:39:11 | 0:39:15 | |
and he put "unused" labels on the actual film | 0:39:15 | 0:39:18 | |
-and "used" labels on film that we hadn't exposed... -Wow. | 0:39:18 | 0:39:21 | |
..and when the military men said, "We're impounding the film," | 0:39:21 | 0:39:25 | |
-he gave them this film which was actually unexposed. -Wow. | 0:39:25 | 0:39:29 | |
-So there, so we got it through. -Astonishing! Jeez. | 0:39:29 | 0:39:31 | |
APPLAUSE | 0:39:31 | 0:39:33 | |
David, what is the situation like now in Rwanda | 0:39:35 | 0:39:38 | |
-for those mountain gorillas? -As a result of that, | 0:39:38 | 0:39:41 | |
we set up a few charities, um, and set up an organisation | 0:39:41 | 0:39:45 | |
to train mountain gorillas to habituate, | 0:39:45 | 0:39:48 | |
so that people could come and see them | 0:39:48 | 0:39:50 | |
and so now they're a major element in the economy of Rwanda | 0:39:50 | 0:39:54 | |
and there are more mountain gorillas now alive in Rwanda | 0:39:54 | 0:39:56 | |
-than there were when we were there. -Amazing. | 0:39:56 | 0:39:59 | |
APPLAUSE | 0:39:59 | 0:40:00 | |
OK, teams, one more question. Fingers on buzzers. | 0:40:06 | 0:40:09 | |
Tell me what creature we're looking at this time. | 0:40:09 | 0:40:13 | |
LAUGHTER | 0:40:15 | 0:40:16 | |
BUZZER | 0:40:16 | 0:40:18 | |
I think that was Hugh Dennis' team in first. | 0:40:18 | 0:40:20 | |
It seems like, um, like Homo sapiens? | 0:40:20 | 0:40:23 | |
I'm going to have to narrow it down more than that, I'm afraid. | 0:40:23 | 0:40:25 | |
-It might be Sir David Attenborough. -You're absolutely right. | 0:40:25 | 0:40:28 | |
Let's have a look. | 0:40:28 | 0:40:30 | |
APPLAUSE | 0:40:30 | 0:40:31 | |
AUDIENCE WHOOPS | 0:40:31 | 0:40:34 | |
Yes! | 0:40:34 | 0:40:35 | |
It IS Sir David himself. | 0:40:36 | 0:40:38 | |
Let's have a look at this moment from the show Tribal Eye. | 0:40:38 | 0:40:42 | |
'But a stranger might only go into this house of memories | 0:40:42 | 0:40:45 | |
'if he showed proper reverence to the ancient gods | 0:40:45 | 0:40:48 | |
'and discarded his alien Western clothes | 0:40:48 | 0:40:51 | |
'and, like everybody else in the settlement, | 0:40:51 | 0:40:53 | |
'wore only custom clothes.' | 0:40:53 | 0:40:55 | |
APPLAUSE | 0:40:59 | 0:41:00 | |
That is the Makaruka tribe, I believe? | 0:41:04 | 0:41:07 | |
-Yes. -Makaruka tribe, who are famous for their love | 0:41:07 | 0:41:09 | |
of playing practical jokes on unsuspecting visitors... | 0:41:09 | 0:41:12 | |
LAUGHTER | 0:41:12 | 0:41:14 | |
..like suddenly deciding they have to be stripped naked. | 0:41:15 | 0:41:18 | |
-Their demand was... Not just you, of course? -No, all of us. All of us. | 0:41:18 | 0:41:21 | |
Cameraman, everybody. | 0:41:21 | 0:41:24 | |
-That's the crew there? -They were a revolutionary group | 0:41:24 | 0:41:28 | |
who wanted to discard everything that was European, | 0:41:28 | 0:41:31 | |
-including your clothes. -Yes. -They made an exception for the camera, | 0:41:31 | 0:41:35 | |
but that was all. | 0:41:35 | 0:41:36 | |
And I can tell you, bark cloth... | 0:41:36 | 0:41:38 | |
DARA LAUGHS | 0:41:38 | 0:41:39 | |
They dripped... They put it in seawater to start with | 0:41:39 | 0:41:43 | |
and then, they wrap it round you, and that's cold, | 0:41:43 | 0:41:47 | |
but it shrinks. | 0:41:47 | 0:41:48 | |
LAUGHTER AND GROANING | 0:41:48 | 0:41:50 | |
-Ooh, yes! -Anyway, there you are. | 0:41:50 | 0:41:52 | |
-The things you do for the corporation. -Yes! | 0:41:54 | 0:41:57 | |
You've suffered for your art there. | 0:41:57 | 0:41:59 | |
APPLAUSE | 0:41:59 | 0:42:01 | |
It's been an astonishing career | 0:42:05 | 0:42:06 | |
that you've had with the BBC for the last 50 years. | 0:42:06 | 0:42:08 | |
Ladies and gentlemen, Sir David Attenborough. | 0:42:08 | 0:42:10 | |
-CHEERING -Thank you very much. | 0:42:10 | 0:42:12 | |
Thank you very much. | 0:42:17 | 0:42:19 | |
Before we get to the end of this section, I want to show you one more | 0:42:21 | 0:42:24 | |
clip which is a clip of the very first news broadcasts on BBC Two. | 0:42:24 | 0:42:27 | |
Genuinely interesting to watch, firstly for the news that's on it, | 0:42:27 | 0:42:30 | |
but secondly, for how they present the news, which is very different | 0:42:30 | 0:42:33 | |
to the way we do it today. Take a look at this. | 0:42:33 | 0:42:35 | |
Well, among other things, it's been the naming day | 0:42:35 | 0:42:37 | |
for the Queen's fourth baby, Prince Edward Antony Richard Louis. | 0:42:37 | 0:42:41 | |
No special significance, I suppose, but the initials E-A-R-L spell earl. | 0:42:41 | 0:42:46 | |
-STUDIO AUDIENCE LAUGHS -In South Africa, | 0:42:46 | 0:42:48 | |
the African nationalist leader, Nelson Mandela, | 0:42:48 | 0:42:50 | |
has admitted in open court to planning sabotage against apartheid. | 0:42:50 | 0:42:55 | |
The Church of Scotland is recommended to stand firm | 0:42:55 | 0:42:58 | |
against commercial sport on Sunday. A committee report is not against | 0:42:58 | 0:43:02 | |
taking exercise on Sunday, but it does recommend | 0:43:02 | 0:43:05 | |
serious thought and reading as proper activities for that day. | 0:43:05 | 0:43:09 | |
LAUGHTER CONTINUES | 0:43:09 | 0:43:10 | |
Well, that is all for the moment. I think. | 0:43:10 | 0:43:13 | |
Anything else? | 0:43:13 | 0:43:15 | |
-HUGE LAUGHTER -That's all we have for the moment. | 0:43:15 | 0:43:18 | |
But we will be keeping in touch. | 0:43:18 | 0:43:21 | |
APPLAUSE | 0:43:22 | 0:43:23 | |
Well, that is the end of our ground-breakers round here | 0:43:27 | 0:43:30 | |
on All About Two. I can tell you that, in second place at the moment, | 0:43:30 | 0:43:33 | |
it's Brian's team with six points. | 0:43:33 | 0:43:34 | |
In the lead, it's Hugh's team with seven points. | 0:43:34 | 0:43:37 | |
APPLAUSE AND CHEERING | 0:43:37 | 0:43:39 | |
For the second part of All About Two, | 0:43:46 | 0:43:48 | |
we move to the Channel's roster of stars | 0:43:48 | 0:43:50 | |
and the one-off cameos we'd forgotten we'd even remembered. | 0:43:50 | 0:43:53 | |
This round is all about faces. | 0:43:53 | 0:43:55 | |
Good evening, I'm Michael Moore, and this is TV Nation. | 0:43:55 | 0:43:58 | |
Good evening and welcome, at last, to Newsnight. | 0:43:58 | 0:44:01 | |
BOTH: We're the hairy bikers! | 0:44:01 | 0:44:02 | |
So we're all set to enjoy ourselves tonight. | 0:44:02 | 0:44:05 | |
We hope you'll join us and enjoy yourselves too. | 0:44:05 | 0:44:08 | |
# You're like my best friend with extras | 0:44:08 | 0:44:10 | |
# Sure I might've been testing you, mister | 0:44:10 | 0:44:12 | |
# I want more, I'm at your door | 0:44:12 | 0:44:17 | |
# And you're broke You hate it when I smoke | 0:44:17 | 0:44:19 | |
# So maybe you're not wealthy but you keep me healthy | 0:44:19 | 0:44:22 | |
# Say no more | 0:44:22 | 0:44:24 | |
# I'm all yours | 0:44:24 | 0:44:27 | |
# And you put that rich boy in his place... # | 0:44:27 | 0:44:32 | |
I ain't happy with any explanations from the three of you! | 0:44:32 | 0:44:35 | |
# So take one step closer to me | 0:44:35 | 0:44:39 | |
# And do you feel my heart skips over the beat? | 0:44:39 | 0:44:43 | |
# You're dancing too And I'm not hiding | 0:44:43 | 0:44:47 | |
# You can find me singing on the roof... # | 0:44:47 | 0:44:51 | |
Ready, steady...cook! | 0:44:51 | 0:44:53 | |
# It's all about you... # | 0:44:53 | 0:44:55 | |
It's out of this world. | 0:44:55 | 0:44:57 | |
She only cooks things with plums in, | 0:44:57 | 0:44:59 | |
so she can look at the camera and go... | 0:44:59 | 0:45:01 | |
-SULTRY VOICE: -Plums! -LAUGHTER | 0:45:01 | 0:45:03 | |
Dieting makes you fat. | 0:45:03 | 0:45:06 | |
Whenever there is stink, there is illness. | 0:45:06 | 0:45:08 | |
-I just want to go... Agh! -LAUGHTER | 0:45:08 | 0:45:11 | |
# Singing it's all about you... # | 0:45:11 | 0:45:14 | |
What makes us human? | 0:45:14 | 0:45:16 | |
# Because it's all about you... # | 0:45:16 | 0:45:19 | |
I'm out. | 0:45:19 | 0:45:21 | |
# So join me on the road... # | 0:45:21 | 0:45:23 | |
So this is a personal memoir. | 0:45:23 | 0:45:26 | |
# It's all about you | 0:45:26 | 0:45:28 | |
# Because it's all about you. # | 0:45:30 | 0:45:33 | |
APPLAUSE | 0:45:34 | 0:45:36 | |
Let's have our faces board, please. | 0:45:41 | 0:45:44 | |
Once again, we have a board of pictures | 0:45:44 | 0:45:45 | |
and there's a game behind each one. Let's have a look at the first one. | 0:45:45 | 0:45:48 | |
That was The Fast Show. As a tribute to the seminal '90s sketch show, | 0:46:02 | 0:46:05 | |
we've cut together a whole host of comedy characters | 0:46:05 | 0:46:08 | |
from a range of BBC Two shows into a mini Fast Show. | 0:46:08 | 0:46:11 | |
Hugh's team, this round is for you. | 0:46:11 | 0:46:13 | |
Watch closely, because afterwards, you will be against the clock | 0:46:13 | 0:46:16 | |
to name as many of the characters - not the actors, but the characters - | 0:46:16 | 0:46:19 | |
from this montage as you possibly can. | 0:46:19 | 0:46:21 | |
-Sort of like The Generation Game? -In many ways, yes. | 0:46:21 | 0:46:23 | |
-LAUGHTER -Yes, yes. -Haven't got pen and paper. | 0:46:23 | 0:46:25 | |
-No, you have to keep it in your head. -OK, that's fine. | 0:46:25 | 0:46:28 | |
We could give you a digital camera to take photographs then scan them. | 0:46:28 | 0:46:32 | |
-LAUGHTER -Yes. -Yeah. | 0:46:32 | 0:46:34 | |
-I'll just give you the list, if you want(!) -That's great! -Much easier! | 0:46:34 | 0:46:37 | |
So we want you to name as many of these comedy characters as you can. | 0:46:37 | 0:46:40 | |
Not the actors, just the characters. | 0:46:40 | 0:46:42 | |
Obviously, you'll try this at home, so let's have a look at the montage. | 0:46:42 | 0:46:45 | |
This week, I have been mostly eating taramasalata. | 0:46:45 | 0:46:49 | |
This is my shiny thing! | 0:46:49 | 0:46:52 | |
One pair's enough for her ears, | 0:46:52 | 0:46:54 | |
but what about her theres and her everywheres? | 0:46:54 | 0:46:56 | |
The only label she wears is "drip dry". | 0:46:56 | 0:46:58 | |
You're my wife now! | 0:46:58 | 0:47:01 | |
-Come on, then, give us a smile! That's it! -Agh! | 0:47:01 | 0:47:04 | |
"Do not lean out of the window." | 0:47:04 | 0:47:06 | |
You've just told a little porky pie, haven't you? | 0:47:06 | 0:47:08 | |
..teaching ravens to fly underwater. | 0:47:08 | 0:47:10 | |
-Why don't you let me map read? -No, they've got to learn! | 0:47:10 | 0:47:13 | |
Government policy is nothing to do with common sense. | 0:47:13 | 0:47:15 | |
HACKING AND COUGHING | 0:47:18 | 0:47:19 | |
GLASS SMASHES | 0:47:19 | 0:47:20 | |
Charlie tells me you're an actress. | 0:47:20 | 0:47:22 | |
Wild? I was absolutely livid! | 0:47:22 | 0:47:24 | |
This calls for a cup of my delicious home-made coffee! | 0:47:24 | 0:47:26 | |
If you can't lick 'em, join 'em! | 0:47:26 | 0:47:28 | |
Quite phenomenal! | 0:47:28 | 0:47:30 | |
-GARETH: Smashie and Nicey. -OK, grand. | 0:47:31 | 0:47:33 | |
So, against the clock now, but who did you recognise there? | 0:47:33 | 0:47:36 | |
-OK, Smashie and Nicey. -Very good. -Mrs Overall. -Tim Nice But Dim. | 0:47:36 | 0:47:41 | |
-Um, Pauline Calf. -Yes. | 0:47:41 | 0:47:43 | |
-Er... -Patsy. -BOTH: Patsy! | 0:47:43 | 0:47:45 | |
-Patsy. -Er... I can't remember... | 0:47:45 | 0:47:48 | |
-what the... -The guy, "Today, I will mostly be wearing..." -Yeah, thingy? | 0:47:48 | 0:47:52 | |
-Mr "I will mostly be wearing taramasalata..." -No! | 0:47:52 | 0:47:55 | |
-There was him. -Um... | 0:47:55 | 0:47:57 | |
-I can't remember... -The guy from Red Dwarf, what was his name? | 0:47:57 | 0:48:00 | |
-Oh, the Cat! -From Red Dwarf. -Cat. | 0:48:00 | 0:48:01 | |
-Arkwright from, er, Open All Hours. -Yes. | 0:48:01 | 0:48:05 | |
Er... | 0:48:05 | 0:48:07 | |
Oh, er, the two, um... | 0:48:07 | 0:48:09 | |
OK, ten more seconds. | 0:48:09 | 0:48:11 | |
Um... Oh, what are they called? | 0:48:11 | 0:48:13 | |
Comedy characters(!) | 0:48:13 | 0:48:15 | |
LAUGHTER | 0:48:15 | 0:48:17 | |
All of them. I can't remember any. | 0:48:17 | 0:48:18 | |
You see, we should've had a bit of pen and paper. | 0:48:18 | 0:48:20 | |
KLAXON | 0:48:20 | 0:48:22 | |
OK, that was relatively poor. | 0:48:22 | 0:48:24 | |
In order, we'll see how well you did on that one. | 0:48:24 | 0:48:27 | |
The character from The Fast Show played by Mark Williams is Jesse. | 0:48:27 | 0:48:30 | |
-Ah! -OK, yes. -Jesse's Diets. | 0:48:30 | 0:48:32 | |
-Red Dwarf's the Cat, played by Danny John Jules. -We got that. | 0:48:32 | 0:48:35 | |
-Albert E Arkwright, played by Ronnie Barker, Open All Hours. -Yeah. | 0:48:35 | 0:48:38 | |
Joanna Lumley as Patsy in Absolutely Fabulous. You got that. | 0:48:38 | 0:48:40 | |
Papa Lazarou from the League Of Gentlemen, which you did not get... | 0:48:40 | 0:48:43 | |
-We didn't get. -..played by Reece Shearsmith. | 0:48:43 | 0:48:45 | |
-Prunella Scales as Sybil Fawlty. -OK. We can't remember seeing that. | 0:48:45 | 0:48:49 | |
Vyvyan Basterd, played by Ade Edmondson in The Young Ones. | 0:48:49 | 0:48:53 | |
-Steve Coogan as Pauline Calf. -We got that. -You got that. | 0:48:53 | 0:48:56 | |
-Peter Cook as Sir Arthur Streeb-Greebling! -Oh! | 0:48:56 | 0:48:59 | |
No, it was Arthur Greeb-Streebling. | 0:48:59 | 0:49:01 | |
No, it was Arthur Streeb-Greebling, but you can keep telling me that. | 0:49:01 | 0:49:04 | |
LAUGHTER | 0:49:04 | 0:49:06 | |
Simon Day was the Competitive Dad in The Fast Show. | 0:49:06 | 0:49:09 | |
-Sir Humphrey Appleby. -Yeah. | 0:49:09 | 0:49:12 | |
-Tim from The Office, played by Martin Freeman. -Oh, yes! | 0:49:12 | 0:49:14 | |
The Fast Show's Bob Fleming, played by Charlie Higson. | 0:49:14 | 0:49:18 | |
-Harry Enfield's Tim Nice But Dim. -Got that! -Yeah. -Yeah. | 0:49:18 | 0:49:21 | |
Name of the gorilla? | 0:49:21 | 0:49:22 | |
-Er... -Gerald the gorilla. | 0:49:22 | 0:49:24 | |
-And Julie Walters as... -Mrs Overall. -Mrs Overall. | 0:49:24 | 0:49:27 | |
James Bolam played what character? | 0:49:27 | 0:49:29 | |
-He played Terry Collier. -He did indeed play Terry Collier. | 0:49:29 | 0:49:32 | |
You should've said that the first time(!) | 0:49:32 | 0:49:34 | |
-LAUGHTER -And... | 0:49:34 | 0:49:35 | |
-Harry Enfield and Paul Whitehouse as... -ALL: Smashie and Nicey! | 0:49:35 | 0:49:39 | |
-I think we did quite well. -You got seven out of a possible 18. | 0:49:39 | 0:49:43 | |
LAUGHTER | 0:49:43 | 0:49:45 | |
To be fair, I think that's an A at GCSE. | 0:49:45 | 0:49:47 | |
LAUGHTER | 0:49:47 | 0:49:49 | |
APPLAUSE | 0:49:49 | 0:49:51 | |
I'll give you a chance to get one bonus point. | 0:49:54 | 0:49:56 | |
In the picture of Tim from The Office, that's Tim Canterbury, | 0:49:56 | 0:49:58 | |
if we take a look at that for a minute. | 0:49:58 | 0:50:00 | |
Who is that in the background? | 0:50:00 | 0:50:02 | |
Can you tell me? Who's playing the caretaker? | 0:50:02 | 0:50:04 | |
Someone connected with the show. | 0:50:04 | 0:50:06 | |
-With THIS show? -No. -Not with this show. | 0:50:06 | 0:50:08 | |
Well, he's connected with that show, cos he's in it! | 0:50:08 | 0:50:11 | |
LAUGHTER | 0:50:11 | 0:50:12 | |
That's Stephen Merchant's father. | 0:50:15 | 0:50:17 | |
-Yes, it is! -Is the correct answer. | 0:50:17 | 0:50:19 | |
-DEBORAH: -Well done! | 0:50:19 | 0:50:20 | |
-APPLAUSE -Did you know that? | 0:50:20 | 0:50:22 | |
Or was that a good guess? | 0:50:22 | 0:50:23 | |
APPLAUSE DROWNS OUT SPEECH | 0:50:23 | 0:50:25 | |
A bonus point for that. Well done. Two points for Hugh's team there. | 0:50:25 | 0:50:28 | |
CHEERING | 0:50:28 | 0:50:30 | |
OK, let's take a look at our next game. | 0:50:34 | 0:50:36 | |
Never Mind The Buzzcocks. Brian's team, as a tribute to the show, | 0:50:37 | 0:50:40 | |
you'll play our very own version of the Buzzcocks identity parade. | 0:50:40 | 0:50:44 | |
This time, however, everyone in this line-up is | 0:50:44 | 0:50:46 | |
a significant figure from BBC Two's past | 0:50:46 | 0:50:49 | |
and it's up to you and your team to identify which one is which. | 0:50:49 | 0:50:53 | |
Now, this is your line-up of BBC Two faces. | 0:50:53 | 0:50:55 | |
In no particular order, | 0:50:55 | 0:50:57 | |
it consists of the first female winner of One Man And His Dog, | 0:50:57 | 0:51:01 | |
the incorrectly titled One Man And His Dog! | 0:51:01 | 0:51:04 | |
LAUGHTER | 0:51:04 | 0:51:05 | |
Lord Sugar's personal assistant from the first series of The Apprentice. | 0:51:05 | 0:51:09 | |
-Laa-Laa from the Teletubbies. -LAUGHTER | 0:51:09 | 0:51:12 | |
The first woman to referee a World Snooker Championship Final. | 0:51:12 | 0:51:16 | |
And, from Twin Peaks, the Log Lady. | 0:51:16 | 0:51:20 | |
So which one is which? | 0:51:20 | 0:51:22 | |
Well, I'm dreading accusing someone of being a Teletubby. | 0:51:22 | 0:51:27 | |
LAUGHTER | 0:51:27 | 0:51:28 | |
It's a very technical job, being a Teletubby. | 0:51:28 | 0:51:30 | |
-They would have to be quite small. -And physical. -Would they not? | 0:51:30 | 0:51:34 | |
Laa-Laa wasn't the little one. That was Po! | 0:51:34 | 0:51:36 | |
LAUGHTER | 0:51:36 | 0:51:37 | |
I'm pretty sure. Can I just jump and say I recognise lovely lady Number 5 | 0:51:40 | 0:51:45 | |
-as Log Lady from Twin Peaks. -Do you think? Wow! | 0:51:45 | 0:51:49 | |
How much of a Twin Peaks fan were you? | 0:51:49 | 0:51:51 | |
And I'm going to go for Number 1 for the Teletubby. | 0:51:51 | 0:51:55 | |
And I apologise profusely if that's incorrect. | 0:51:55 | 0:51:59 | |
-I agree. It's Number 1. -It's not that you look like a Teletubby. | 0:51:59 | 0:52:01 | |
You look athletic enough to play a Teletubby, | 0:52:01 | 0:52:04 | |
-because there's lots of dancing involved. -Yeah! | 0:52:04 | 0:52:06 | |
-I met the Teletubbies once in Singapore. -Did you? -Yeah. | 0:52:06 | 0:52:10 | |
-Yeah, and they are very physical and fit. -In or out of costume? -Both! | 0:52:10 | 0:52:14 | |
-But I... -LAUGHTER | 0:52:14 | 0:52:16 | |
This just seems like one of those Singapore stories, Dave, | 0:52:16 | 0:52:19 | |
-that should never be heard. -LAUGHTER | 0:52:19 | 0:52:21 | |
-You know?! -It's actually... -"The merchant navy pulls in. | 0:52:21 | 0:52:24 | |
"I've got two days on shore. I don't know what happened, | 0:52:24 | 0:52:26 | |
"but the Teletubbies appeared at some stage in the middle of it." | 0:52:26 | 0:52:29 | |
-True. It's true. -Yeah. | 0:52:29 | 0:52:31 | |
-So we've got the Log Lady and the Teletubby? -Yes, we've got 1 and 5. | 0:52:31 | 0:52:34 | |
So we've got... We're looking for shepherd, PA and snooker ref. | 0:52:34 | 0:52:39 | |
-Yeah. -Er... | 0:52:39 | 0:52:40 | |
MEERA SIGHS | 0:52:40 | 0:52:41 | |
Well, I think... | 0:52:41 | 0:52:43 | |
Who looks like they might... look after sheep? | 0:52:43 | 0:52:47 | |
LAUGHTER | 0:52:47 | 0:52:49 | |
Number 2, you've got a woolly scarf. | 0:52:49 | 0:52:51 | |
LAUGHTER | 0:52:53 | 0:52:54 | |
-May or may not imply that... -That is a fantastic piece of deduction! | 0:52:56 | 0:53:00 | |
HUGH: It's only me, but I'm wondering if it might help if they whistled? | 0:53:00 | 0:53:03 | |
LAUGHTER | 0:53:03 | 0:53:05 | |
APPLAUSE | 0:53:06 | 0:53:08 | |
Would it be really crass to go on footwear? | 0:53:12 | 0:53:15 | |
-No, no... -Because I'm just thinking Number 4's footwear... | 0:53:15 | 0:53:18 | |
-We're clutching at straws! -..would be much better off in rough terrain. | 0:53:18 | 0:53:21 | |
-So you think those are s shepherd's footwear? -I think... | 0:53:23 | 0:53:26 | |
I think, if I was an outdoor girl, those are the kind of shoes I'd wear. | 0:53:26 | 0:53:29 | |
Yeah, but she's not actually outdoors at the moment! | 0:53:29 | 0:53:32 | |
I'm sure she owns another pair of shoes for other situations! | 0:53:32 | 0:53:36 | |
Number 3, she looks very, very efficient. | 0:53:36 | 0:53:38 | |
-Yes! -The person that could be Lord Sugar's PA. | 0:53:40 | 0:53:43 | |
To focus, you're looking for a shepherdess, | 0:53:43 | 0:53:45 | |
you're looking for a snooker referee | 0:53:45 | 0:53:47 | |
and you're looking for Sir Alan's PA. | 0:53:47 | 0:53:48 | |
I think we've gone for shepherdess based entirely on the footwear. | 0:53:48 | 0:53:52 | |
LAUGHTER | 0:53:52 | 0:53:54 | |
3 - PA, based on... What based on? | 0:53:54 | 0:53:58 | |
-Efficiency and... -Efficiency and appearance, | 0:53:58 | 0:54:01 | |
which, by the process of elimination, | 0:54:01 | 0:54:03 | |
-means the snooker ref is Number 2. -Number 2. | 0:54:03 | 0:54:07 | |
I bet we are totally wrong! | 0:54:07 | 0:54:09 | |
So we're Teletubby, snooker ref, PA, shepherd and Twin Peaks. | 0:54:09 | 0:54:13 | |
OK, fine, well, we can go along the line. | 0:54:13 | 0:54:16 | |
Number 1, who you are saying is a Teletubby, | 0:54:16 | 0:54:18 | |
could you identify yourself, please? | 0:54:18 | 0:54:20 | |
I am Nikky Smedley and I played Laa-Laa in Teletubbies. | 0:54:20 | 0:54:23 | |
MEERA: Yeah! | 0:54:23 | 0:54:25 | |
APPLAUSE | 0:54:25 | 0:54:26 | |
Naughty Noo-Noo! Sorry, I couldn't help myself! | 0:54:31 | 0:54:35 | |
Would that fit in with your memory of your night in Singapore? | 0:54:35 | 0:54:38 | |
LAUGHTER | 0:54:38 | 0:54:40 | |
LAUGHTER CONTINUES | 0:54:40 | 0:54:42 | |
# Laa-laa! # | 0:54:42 | 0:54:44 | |
-I don't know! -We don't want to know! | 0:54:44 | 0:54:47 | |
Er, Number 2 you said was the first woman to referee | 0:54:47 | 0:54:50 | |
a World Championship Snooker Final. Could you identify yourself, please? | 0:54:50 | 0:54:53 | |
I'm Katy Cropper and I was the first woman to win One Man And His Dog. | 0:54:53 | 0:54:58 | |
Aw! | 0:54:58 | 0:55:00 | |
APPLAUSE | 0:55:00 | 0:55:01 | |
Number 3 you identified as Sir Alan's PA in | 0:55:04 | 0:55:07 | |
the first series of The Apprentice. Could you identify yourself? | 0:55:07 | 0:55:10 | |
My name is Michaela Tabb and I am a professional snooker referee. | 0:55:10 | 0:55:14 | |
-Oh! -APPLAUSE | 0:55:14 | 0:55:16 | |
Number 4 you said was | 0:55:21 | 0:55:23 | |
the first shepherdess to win One Man And His Dog. | 0:55:23 | 0:55:26 | |
My name's Sonia Copy | 0:55:26 | 0:55:27 | |
and I was Sir Alan Sugar's PA in the first series of The Apprentice. | 0:55:27 | 0:55:31 | |
APPLAUSE | 0:55:31 | 0:55:32 | |
However, you've probably worked this one out. | 0:55:37 | 0:55:40 | |
Er, you said that the last was the Log Lady on Twin Peaks. | 0:55:40 | 0:55:43 | |
-Could you identify yourself, please? -Yes, I'm Catherine E Coulson | 0:55:43 | 0:55:46 | |
and I played the Log Lady on Twin Peaks. | 0:55:46 | 0:55:49 | |
I actually have a little log here with me. | 0:55:49 | 0:55:52 | |
LAUGHTER | 0:55:52 | 0:55:54 | |
At all times! | 0:55:54 | 0:55:56 | |
APPLAUSE | 0:55:56 | 0:55:57 | |
You got two of the five right. | 0:56:02 | 0:56:04 | |
I'm going to give Brian's team two points for that. | 0:56:04 | 0:56:06 | |
APPLAUSE | 0:56:06 | 0:56:07 | |
And, just for our own sense of closure, | 0:56:12 | 0:56:14 | |
let's have a look at all of our line-up in action. | 0:56:14 | 0:56:17 | |
-# Tinky Winky! -Tinky Winky! | 0:56:17 | 0:56:19 | |
-# Dipsy! -Dipsy! | 0:56:19 | 0:56:21 | |
-# Laa-laa! -Laa-Laa! | 0:56:21 | 0:56:23 | |
-# Po! -Po! # | 0:56:23 | 0:56:24 | |
They're in, they're in there. | 0:56:24 | 0:56:26 | |
Oh, well done, lass. Well done, lass. Of course, that wins it. | 0:56:26 | 0:56:30 | |
34. | 0:56:39 | 0:56:40 | |
TELEPHONE RINGS | 0:56:41 | 0:56:43 | |
You can go through to the boardroom now. | 0:56:43 | 0:56:46 | |
We don't know what will happen or when. | 0:56:54 | 0:56:58 | |
But there are owls in the roadhouse. | 0:56:58 | 0:57:01 | |
STUDIO AUDIENCE LAUGHS | 0:57:03 | 0:57:05 | |
APPLAUSE | 0:57:07 | 0:57:08 | |
Catherine, please tell me | 0:57:12 | 0:57:14 | |
that you didn't fly that piece of log over specially for this? | 0:57:14 | 0:57:17 | |
I wasn't allowed to bring the real log, because American security, | 0:57:17 | 0:57:22 | |
the airline told me that it could be used as a bludgeon. | 0:57:22 | 0:57:25 | |
LAUGHTER | 0:57:25 | 0:57:27 | |
-Of course, I would never use the log as a bludgeon. -Of course not! | 0:57:27 | 0:57:30 | |
However, I was able to sneak this in my bra. | 0:57:30 | 0:57:33 | |
LAUGHTER | 0:57:33 | 0:57:34 | |
You know, we do have trees here. You could have just picked one up? | 0:57:34 | 0:57:37 | |
Ladies and gentlemen, a huge round of applause for our line-up! | 0:57:37 | 0:57:41 | |
APPLAUSE | 0:57:41 | 0:57:42 | |
-They got a bonus point. Why can't we get a bonus point? -Yeah! | 0:57:46 | 0:57:49 | |
Cos there was a bonus question! | 0:57:49 | 0:57:50 | |
-We just happened to have a bonus question. -That's clearly... | 0:57:50 | 0:57:53 | |
Why is the sky blue? There's your bonus question! | 0:57:53 | 0:57:55 | |
-Because of Rayleigh scattering. -Right! A bonus point for you! | 0:57:55 | 0:57:58 | |
-OK, so... -LAUGHTER AND APPLAUSE | 0:57:58 | 0:58:00 | |
Ladies and gentlemen, a round of applause for our line-up! | 0:58:05 | 0:58:08 | |
APPLAUSE AND CHEERING | 0:58:08 | 0:58:10 | |
Right, what's our next round? | 0:58:14 | 0:58:16 | |
I don't want you ever to worry about lumps. | 0:58:25 | 0:58:28 | |
Never, ever, ever, they said, work with animals and children. | 0:58:28 | 0:58:31 | |
It still tastes pukka! | 0:58:32 | 0:58:34 | |
No way! | 0:58:34 | 0:58:35 | |
Miaow! Miaow! Feed! | 0:58:35 | 0:58:37 | |
Absolutely useless! | 0:58:37 | 0:58:39 | |
Keep your legs together! | 0:58:39 | 0:58:41 | |
And it's Mrs Godfrey who finally triumphs over her competitors | 0:58:41 | 0:58:44 | |
to become the Cook Of The Year. | 0:58:44 | 0:58:46 | |
APPLAUSE | 0:58:49 | 0:58:50 | |
A - mwah! - delicious smorgasbord of BBC Two chefs there, | 0:58:53 | 0:58:57 | |
including the channel's very first televised cooking contest from 1964, | 0:58:57 | 0:59:00 | |
called Cook Of The Year, who won a giant wooden spoon. | 0:59:00 | 0:59:04 | |
-LAUGHTER -Things have moved on since then, | 0:59:04 | 0:59:06 | |
partly thanks to our next guest. | 0:59:06 | 0:59:07 | |
He hosted the longest-running cookery series. | 0:59:07 | 0:59:09 | |
Welcome the host of Ready Steady Cook - Ainsley Harriott. | 0:59:09 | 0:59:12 | |
APPLAUSE | 0:59:12 | 0:59:13 | |
Thank you! | 0:59:13 | 0:59:15 | |
-How long did it run for? -Er... | 0:59:20 | 0:59:23 | |
Well, 16 years the show actually ran for. | 0:59:23 | 0:59:26 | |
I think we nearly did 2,000 programmes. | 0:59:26 | 0:59:28 | |
I mean, it is bizarre just how huge a part of the channel's output | 0:59:28 | 0:59:31 | |
have been chefs and what stars it's made. Like, I mean, Dave, | 0:59:31 | 0:59:35 | |
-you've been cooking on television for some time now. -10 years, yeah. | 0:59:35 | 0:59:38 | |
-But you didn't start as a chef, am my right? -No... -You were in showbiz? | 0:59:38 | 0:59:42 | |
I was a make-up artist. | 0:59:42 | 0:59:44 | |
I was the first male make-up artist at Television Centre in London. | 0:59:44 | 0:59:48 | |
And that's going back to 1980. | 0:59:48 | 0:59:50 | |
And some of the old shows on BBC, you know, | 0:59:50 | 0:59:53 | |
especially when I was a trainee, and I was staff at the centre, and | 0:59:53 | 0:59:56 | |
-I can remember sort of cutting my teeth on them, really. -Yeah, yeah. | 0:59:56 | 0:59:59 | |
-Did you do Dr Who or anything like that? -I did. I did. | 0:59:59 | 1:00:02 | |
Sil was one of mine. | 1:00:02 | 1:00:03 | |
A little green man in a...in a bath of slime. | 1:00:03 | 1:00:05 | |
-I worked on Sil. -LAUGHTER | 1:00:05 | 1:00:07 | |
Things like The Cleopatras on Two. Remember that series? | 1:00:07 | 1:00:10 | |
And one of the jobs, the handmaidens were there, | 1:00:10 | 1:00:13 | |
and there was a lot of nudity in the programme. | 1:00:13 | 1:00:16 | |
And the nipples were painted gold. And as a young 23-year-old... | 1:00:16 | 1:00:19 | |
LAUGHTER | 1:00:19 | 1:00:20 | |
..I was very low down the food chain, | 1:00:20 | 1:00:22 | |
one of my jobs was to touch the gold up | 1:00:22 | 1:00:24 | |
as it wore off with the dressing gowns. It was great! | 1:00:24 | 1:00:27 | |
-Happy days! -Yes! | 1:00:27 | 1:00:29 | |
OK, Ainsley, for the sake of this game, which is open to both of you, | 1:00:29 | 1:00:33 | |
we are going to resurrect one of the rounds from the show... | 1:00:33 | 1:00:35 | |
-Absolutely. -..which is the Ready Steady Cook quickie bag. | 1:00:35 | 1:00:38 | |
-What was the principle behind that? -This is it. | 1:00:38 | 1:00:40 | |
-It was a bag like this, of course. -Yes. | 1:00:40 | 1:00:43 | |
And, of course, it contained mystery ingredients. | 1:00:43 | 1:00:46 | |
And, of course, the chefs then were given the challenge to cook | 1:00:46 | 1:00:49 | |
whatever was in the bag in 20 minutes. | 1:00:49 | 1:00:51 | |
OK, for this round, it's not a mystery ingredient, | 1:00:51 | 1:00:54 | |
-we're not getting anyone to cook anything. -No. | 1:00:54 | 1:00:56 | |
It's the ingredients that would reveal to us | 1:00:56 | 1:00:58 | |
-the identity of a famous telly chef? -A famous telly chef, yeah. | 1:00:58 | 1:01:01 | |
-Hugh, your team goes first. -OK, the first item for our teams is... | 1:01:01 | 1:01:06 | |
This rather slinky little number, yeah. | 1:01:08 | 1:01:10 | |
LAUGHTER | 1:01:10 | 1:01:11 | |
-Fanny Cradock? -Fanny Cradock? -Fanny Cradock? -Fanny Cradock? | 1:01:11 | 1:01:14 | |
-Let's have another item. -Hang on, there's more? -There's more? | 1:01:14 | 1:01:17 | |
-The Collins English Dictionary. -May I? -Yeah, you certainly may. | 1:01:17 | 1:01:23 | |
The Collins English Dictionary. | 1:01:23 | 1:01:25 | |
-Does that change your guess? -Oh, I don't know. | 1:01:25 | 1:01:27 | |
Who were...? Right, er... | 1:01:27 | 1:01:29 | |
Is that...? What is that? Is that like a sort of gymslip? | 1:01:29 | 1:01:33 | |
No, it's from a previous era, but it is a... | 1:01:33 | 1:01:35 | |
Tell me, tell me, he's not a cook, but it's not Desmond Tutu? | 1:01:35 | 1:01:38 | |
LAUGHTER | 1:01:38 | 1:01:39 | |
I'm just hoping it's not Antony Worrall Thompson! | 1:01:40 | 1:01:43 | |
LAUGHTER | 1:01:43 | 1:01:44 | |
-A dictionary? Somebody wordy? -A dictionary? | 1:01:44 | 1:01:47 | |
-Somebody wordy, but who's also got a fine figure. -Words. | 1:01:47 | 1:01:49 | |
-Delia Smith? -Can we have the third one? Let's have the third one. | 1:01:51 | 1:01:54 | |
Because it's pretty obvious so far, | 1:01:54 | 1:01:55 | |
but we're just going for the third just to assure ourselves. | 1:01:55 | 1:01:58 | |
LAUGHTER | 1:01:58 | 1:01:59 | |
This could be quite revealing. | 1:01:59 | 1:02:01 | |
Yes, the album cover of Let It Bleed by The Rolling Stones. | 1:02:01 | 1:02:04 | |
-GARETH: -With a cake on it! Is it Mary Berry? | 1:02:04 | 1:02:07 | |
But then, that's cakes? | 1:02:08 | 1:02:10 | |
Rolling Stones Let It Bleed. OK, so who went out | 1:02:10 | 1:02:12 | |
-with the Rolling Stones? -Not Fanny Cradock, then. | 1:02:12 | 1:02:14 | |
-Oh! Oh! Jane Asher! Could it be Jane Asher? -Ooh! | 1:02:14 | 1:02:17 | |
-AUDIENCE MEMBER: Yes! -Yes! Good call! | 1:02:17 | 1:02:18 | |
Somebody in the audience said yes, so it must be right. | 1:02:18 | 1:02:21 | |
-Jane Asher? -Good call! -Hang on! She went out with a Beatles! | 1:02:21 | 1:02:24 | |
-McCartney! -No... -Paul McCartney. | 1:02:24 | 1:02:25 | |
-So you wouldn't put a Rolling Stones album! The last thing you'd do! -No! | 1:02:25 | 1:02:28 | |
-Yeah. -Er... | 1:02:28 | 1:02:30 | |
Er...er... | 1:02:30 | 1:02:32 | |
-You've got to pick one. -I don't know anything about Fanny...Cradock. | 1:02:32 | 1:02:36 | |
Eh?! LAUGHTER | 1:02:36 | 1:02:37 | |
-Let's say Fanny Cradock. -You're going for Fanny Cradock? | 1:02:40 | 1:02:42 | |
-We're going for Fanny Cradock. -Well, I'm afraid the answer is... | 1:02:42 | 1:02:46 | |
-Delia Smith. -Oh. -Ooh! -Richard, can you talk us through this? | 1:02:46 | 1:02:49 | |
The swimsuit is there, because, if you look at your screens, | 1:02:49 | 1:02:51 | |
she was briefly, in the 1960s, a model. | 1:02:51 | 1:02:54 | |
-Let's take a look. There she is. That's Delia. -Delia, yeah. | 1:02:54 | 1:02:57 | |
I'd say the light wasn't very good for the others, was it? | 1:02:57 | 1:02:59 | |
LAUGHTER | 1:02:59 | 1:03:01 | |
What's the dictionary? | 1:03:03 | 1:03:04 | |
-In 2003, the word "Delia" entered the Collins dictionary... -Yes. | 1:03:04 | 1:03:08 | |
-..as a noun. -Yes, recipe or style of cooking. | 1:03:08 | 1:03:10 | |
What does it mean - Delia? | 1:03:10 | 1:03:11 | |
"The recipes or style of cooking of British cookery writer Delia Smith." | 1:03:11 | 1:03:15 | |
-Ah! -And the Rolling Stones connection, | 1:03:15 | 1:03:17 | |
it's perhaps not as scandalous as you might think. | 1:03:17 | 1:03:19 | |
There's a cake on the front of Let It Bleed | 1:03:19 | 1:03:21 | |
and that cake was made by Delia Smith. | 1:03:21 | 1:03:23 | |
-Yeah! -HUGH: That's, um... | 1:03:23 | 1:03:25 | |
APPLAUSE | 1:03:25 | 1:03:27 | |
-That's obscure. -Yeah. | 1:03:27 | 1:03:29 | |
I hope their question's as easy as that! | 1:03:30 | 1:03:33 | |
LAUGHTER | 1:03:33 | 1:03:34 | |
Can you think of one way that you would use Delia actually as a word? | 1:03:34 | 1:03:38 | |
"You never get a duff Delia." | 1:03:38 | 1:03:40 | |
LAUGHTER | 1:03:40 | 1:03:43 | |
"But you can get a Fanny Cradock." | 1:03:43 | 1:03:44 | |
LAUGHTER AND APPLAUSE | 1:03:44 | 1:03:47 | |
There was an example on the screen. It said, "Example - a Delia dish." | 1:03:52 | 1:03:57 | |
Said it was a modifier. "So that's a very Delia dish." | 1:03:57 | 1:04:00 | |
OK, er, Brian's team, time for your bag of clues. | 1:04:00 | 1:04:02 | |
-Ainsley, please, what's the first one out? -Absolutely. | 1:04:02 | 1:04:05 | |
The first item out of the bag is... | 1:04:05 | 1:04:07 | |
..a birthday card. | 1:04:10 | 1:04:12 | |
Is it a particular birthday card? | 1:04:12 | 1:04:15 | |
-Yes, it is. -"Happy birthday, Mum"? | 1:04:15 | 1:04:17 | |
So it's, er, it's a woman making a seesaw for her children. | 1:04:17 | 1:04:22 | |
Right, so that's the birthday card. Any guesses? | 1:04:22 | 1:04:25 | |
-Don't look at me! -You look... LAUGHTER | 1:04:27 | 1:04:29 | |
I know, I know! But I mean, a human seesaw birthday card, | 1:04:29 | 1:04:32 | |
-"Happy birthday, Mother". -OK, what's the second clue? | 1:04:32 | 1:04:35 | |
The second clue is... | 1:04:35 | 1:04:37 | |
ingredients for a Victoria sandwich. | 1:04:37 | 1:04:42 | |
Victoria sandwich. | 1:04:42 | 1:04:44 | |
That's Women's Institute, isn't it? | 1:04:44 | 1:04:46 | |
It's the sort of person who'd weigh their eggs. | 1:04:46 | 1:04:49 | |
Any guesses? | 1:04:49 | 1:04:50 | |
I've got a feeling, but I might be wrong, but if you carry on. | 1:04:50 | 1:04:53 | |
Let's go for the third clue. | 1:04:53 | 1:04:55 | |
And finally... | 1:04:55 | 1:04:57 | |
Um...another swimsuit? | 1:04:57 | 1:05:00 | |
-Oh... -It's a floral top. -A floral jacket. | 1:05:01 | 1:05:04 | |
It must be Mary Berry, isn't it? | 1:05:04 | 1:05:06 | |
It is, of course, Mary Berry. Well done. Congratulations. | 1:05:06 | 1:05:09 | |
APPLAUSE | 1:05:09 | 1:05:10 | |
-Yes, it is Mary Berry. Richard, why? -We'll start with the third clue, | 1:05:12 | 1:05:15 | |
the floral bomber jacket she wore on Bake Off. It sold out immediately. | 1:05:15 | 1:05:18 | |
It was £30, that bomber jacket. You can now buy it for £200 on eBay. | 1:05:18 | 1:05:22 | |
It instantly flew off the shelves. The second one... | 1:05:22 | 1:05:25 | |
Er, I mean, it's a cake. LAUGHTER | 1:05:25 | 1:05:26 | |
It's not exactly, er, the most cryptic clue we've got. | 1:05:26 | 1:05:29 | |
-It's not exactly 3-2-1, is it? -No, it's not. It's a cake. | 1:05:29 | 1:05:32 | |
She makes cakes. The woman makes cakes. This is a cake. | 1:05:32 | 1:05:34 | |
-There's a cake. -A cake, right! -But the first one is more interesting. | 1:05:34 | 1:05:37 | |
Mary Berry herself was recently looking for a birthday card | 1:05:37 | 1:05:40 | |
for a friend and she came across this in a shop and, in 1938, | 1:05:40 | 1:05:44 | |
alongside her mum and her brother, she won a photography competition. | 1:05:44 | 1:05:48 | |
They took a photograph of her and that photograph turned up | 1:05:48 | 1:05:51 | |
-on this very birthday card... -Wow! -Wow! -..that she saw in the shop. | 1:05:51 | 1:05:54 | |
So that is Mary Berry with her brother and her mother in 1938. | 1:05:54 | 1:05:58 | |
-AUDIENCE GASPS -At the end of that round, | 1:05:58 | 1:06:00 | |
I'm going to give Hugh's team no points and Brian's team one point. | 1:06:00 | 1:06:04 | |
Let's have a huge hand for Ainsley Harriott! | 1:06:04 | 1:06:06 | |
APPLAUSE AND CHEERING | 1:06:06 | 1:06:08 | |
Well, that brings us to the end of part two and the scores are... | 1:06:10 | 1:06:14 | |
Brian's team has 10 points. | 1:06:14 | 1:06:16 | |
And, in the lead, it's Hugh's team with 11 points. | 1:06:16 | 1:06:19 | |
APPLAUSE | 1:06:19 | 1:06:21 | |
The final part of All About Two looks at the standout events | 1:06:25 | 1:06:29 | |
and one-off memorable scenes that we just had to show you again. | 1:06:29 | 1:06:32 | |
This round is about moments. | 1:06:32 | 1:06:34 | |
Tonight, they play live on television for the first time. The Stone Roses. | 1:06:34 | 1:06:38 | |
INTRO TO: "Made of Stone" | 1:06:38 | 1:06:40 | |
Did you like that? HE LAUGHS | 1:06:51 | 1:06:53 | |
Janet...! | 1:06:53 | 1:06:54 | |
# Your knuckles whiten on the wheel... # | 1:06:58 | 1:07:02 | |
Oh! Hi! | 1:07:02 | 1:07:04 | |
How are you doing? All right? | 1:07:05 | 1:07:07 | |
What first, Debbie, attracted you to the millionaire Paul Daniels? | 1:07:07 | 1:07:11 | |
LAUGHTER | 1:07:11 | 1:07:13 | |
# And the... # POWER CUTS OUT | 1:07:13 | 1:07:15 | |
-What's happened? CREW MEMBER: -Just coming. | 1:07:18 | 1:07:20 | |
-Hey! Get past! -Well, I'm sorry about that. | 1:07:20 | 1:07:23 | |
I was entitled to express my views. | 1:07:24 | 1:07:27 | |
-I was entitled to be consulted... -Did you threaten to overrule him? | 1:07:27 | 1:07:29 | |
"The photo shoot was for the Daily Mail, | 1:07:29 | 1:07:32 | |
"which made me feel really posh and upmarket." | 1:07:32 | 1:07:34 | |
-LAUGHTER -Oh, you... See you later. | 1:07:34 | 1:07:36 | |
It's a quite straight yes or no. | 1:07:36 | 1:07:38 | |
-I will give you an answer. -Did you threaten to overrule him? | 1:07:38 | 1:07:42 | |
And with Paul Merton this week, we were hoping to be joined | 1:07:42 | 1:07:44 | |
by the Right Honourable Roy Hattersley, but sadly, | 1:07:44 | 1:07:47 | |
and for the third time in our brief history, | 1:07:47 | 1:07:49 | |
he's pulled out at the last minute. | 1:07:49 | 1:07:50 | |
-Would you be kind now to leave, please? -Please leave the studio. | 1:07:51 | 1:07:54 | |
-Why? -Oh, John, come on... -We were talking about comedy. | 1:07:54 | 1:07:58 | |
-I am a comedy writer...! -John, cool it, for God's sake, love! | 1:07:58 | 1:08:02 | |
So, as his replacement, liable to give much the same performance, | 1:08:02 | 1:08:05 | |
and imbued with many of the same qualities, | 1:08:05 | 1:08:07 | |
we're delighted to welcome a tub of lard. | 1:08:07 | 1:08:09 | |
LAUGHTER | 1:08:09 | 1:08:11 | |
APPLAUSE | 1:08:11 | 1:08:12 | |
-Don't turn your back on me any more! -I can't... I can't look at you. Ow! | 1:08:12 | 1:08:16 | |
-Now, hold... Hold... Hold on! -Don't! Agh! | 1:08:16 | 1:08:20 | |
Been here long, sir? | 1:08:20 | 1:08:21 | |
-You like to flirt, don't you? -Of course I like to flirt. | 1:08:21 | 1:08:24 | |
Banged anyone yet, sir? LAUGHTER | 1:08:24 | 1:08:26 | |
Do you think it is, er, actually attempting a sort of mating ritual? | 1:08:26 | 1:08:30 | |
Oh, marvellous! | 1:08:30 | 1:08:31 | |
-Ow! Cor, it's sharp! -Look, he's so happy! | 1:08:34 | 1:08:37 | |
Critics allege he's exploiting his subjects rather than... | 1:08:37 | 1:08:40 | |
-Amateurs! -..making social commentary. -Amateurs! | 1:08:40 | 1:08:42 | |
I ain't...bovvered! | 1:08:42 | 1:08:45 | |
APPLAUSE | 1:08:45 | 1:08:47 | |
So, we have one final board of pictures and a game behind each one, | 1:08:52 | 1:08:56 | |
so let's have a look at our first game. | 1:08:56 | 1:08:58 | |
I'm going to show Hugh's team clips from the channel's archive | 1:09:00 | 1:09:03 | |
and ask them to tell me what they think happened next. | 1:09:03 | 1:09:05 | |
Here's your first one. This is Rick Stein with his dog Chalky in 1995. | 1:09:05 | 1:09:10 | |
Well, cooks... I think they're a breed of themselves... | 1:09:10 | 1:09:13 | |
DOG GROWLS ..a breed... | 1:09:13 | 1:09:15 | |
Er... Cooks are... Cooks are sort of breed unto themselves. | 1:09:15 | 1:09:18 | |
GROWLING CONTINUES | 1:09:18 | 1:09:20 | |
Chalky? Are you all right, old boy? | 1:09:21 | 1:09:23 | |
-Do you want me to carry on? -Yeah. | 1:09:25 | 1:09:27 | |
Yeah, OK. GROWLING CONTINUES | 1:09:27 | 1:09:29 | |
LAUGHTER | 1:09:29 | 1:09:30 | |
-So what happens next? -Is it...? | 1:09:30 | 1:09:32 | |
He looks like he's looking above the camera. | 1:09:32 | 1:09:34 | |
So is it what we affectionately call the fluffy? | 1:09:34 | 1:09:36 | |
The sound man's boom pole? | 1:09:36 | 1:09:40 | |
Ducking in? Perhaps he attacks it? I don't know. | 1:09:40 | 1:09:42 | |
That's a very intricate answer from Gareth. Anyone prefer any guesses? | 1:09:42 | 1:09:46 | |
-Obviously, there's something up there? -I think he must jump. | 1:09:46 | 1:09:49 | |
-He must attack it. He must jump. -He's got to. -Attack it. | 1:09:49 | 1:09:51 | |
-You'd think he's attacking the mic? -Yes. | 1:09:51 | 1:09:53 | |
We can only but see it. Let's show you. | 1:09:53 | 1:09:56 | |
-Do you want me to carry on? -Yeah. | 1:09:56 | 1:09:58 | |
Yeah, OK. | 1:09:58 | 1:09:59 | |
I can... RICK LAUGHS | 1:10:01 | 1:10:03 | |
I mean, how can I carry on with...? | 1:10:08 | 1:10:12 | |
Whoa! HE LAUGHS | 1:10:12 | 1:10:13 | |
CHALKY SNARLS | 1:10:13 | 1:10:14 | |
THEN SNAPS Agh! | 1:10:14 | 1:10:16 | |
APPLAUSE | 1:10:16 | 1:10:17 | |
Do you know that happened to me? | 1:10:23 | 1:10:25 | |
That precise thing happened to me filming in Africa, | 1:10:25 | 1:10:29 | |
with a two-year-old male leopard. | 1:10:29 | 1:10:31 | |
We were in the back of a Land Rover, filming in an open Land Rover, | 1:10:31 | 1:10:35 | |
and the leopard came up and did that, basically, started rearing up | 1:10:35 | 1:10:40 | |
and the guy in front driving it was, "Agh! Get it down!" | 1:10:40 | 1:10:43 | |
If it had got into the Land Rover, it would've been like a blender! | 1:10:43 | 1:10:46 | |
LAUGHTER But it really did that. | 1:10:46 | 1:10:48 | |
It was one of the most frightening things I've ever been involved in. | 1:10:48 | 1:10:51 | |
Less frightening when it's a small dog called Chalky. | 1:10:51 | 1:10:54 | |
LAUGHTER | 1:10:54 | 1:10:55 | |
Yes, Chalky took against the boom microphone hanging above him. | 1:10:55 | 1:10:58 | |
Let's have another one. | 1:10:58 | 1:10:59 | |
This is University Challenge from the year 2000. | 1:10:59 | 1:11:03 | |
Another starter question. The nicknames Cheesemongers, | 1:11:03 | 1:11:05 | |
Cherry Pickers, Bob's Own, | 1:11:05 | 1:11:07 | |
the Emperor's Chambermaids and the Immortals | 1:11:07 | 1:11:09 | |
are, or have been used, for which groups of men? | 1:11:09 | 1:11:13 | |
UMIST, Bright. | 1:11:13 | 1:11:15 | |
-BRIAN LAUGHS -So, Hugh's team, what happened next? | 1:11:15 | 1:11:18 | |
Cheesemongers, Cherry Pickers, Bob's Own, | 1:11:18 | 1:11:21 | |
the Emperor's Chambermaids or the Immortals? | 1:11:21 | 1:11:23 | |
-BRIAN: I know what it is. -Names for what groups of men? | 1:11:23 | 1:11:26 | |
Cox has the giggles at the moment. | 1:11:28 | 1:11:30 | |
I think he's going to say homosexuals, is he? | 1:11:31 | 1:11:34 | |
Is he going to say it like that? "Homo-sex-u-als"? | 1:11:34 | 1:11:37 | |
-I don't know. -Shall we find out? -I think you're right. | 1:11:37 | 1:11:40 | |
-That's a good guess. -OK, fine. -We'll go with that. | 1:11:40 | 1:11:42 | |
Let's find out what happened next. | 1:11:42 | 1:11:44 | |
Another starter question. The nicknames Cheesemongers, | 1:11:44 | 1:11:46 | |
Cherry Pickers, Bob's Own, | 1:11:46 | 1:11:48 | |
the Emperor's Chambermaids and the Immortals | 1:11:48 | 1:11:50 | |
are, or have been used, for which groups of men? | 1:11:50 | 1:11:54 | |
-UMIST, Bright. -Homosexuals? -No! | 1:11:54 | 1:11:57 | |
LAUGHTER | 1:11:57 | 1:11:58 | |
No, they're regiments in the British Army, | 1:11:58 | 1:12:01 | |
who'll be very upset with you, UMIST. | 1:12:01 | 1:12:04 | |
-LAUGHTER -Yes! | 1:12:04 | 1:12:06 | |
APPLAUSE | 1:12:06 | 1:12:08 | |
You're absolutely right, yes. | 1:12:11 | 1:12:13 | |
Homosexuals is what he said. The actual answer was regiments | 1:12:13 | 1:12:16 | |
-in the British Army. So, er... -LAUGHTER | 1:12:16 | 1:12:18 | |
OK, let's have one more for Hugh's team. | 1:12:18 | 1:12:21 | |
Have a look at this clip from International Pro-Celebrity Golf | 1:12:21 | 1:12:24 | |
in 1981 and tell me what happens next. | 1:12:24 | 1:12:26 | |
Now, Wogan, and he'll be doing very well | 1:12:26 | 1:12:28 | |
if he gets down in three or four from here. | 1:12:28 | 1:12:30 | |
Gives it a mighty old clunk. | 1:12:30 | 1:12:32 | |
Well, the ball either went in the hole or past the hole. | 1:12:32 | 1:12:34 | |
LAUGHTER | 1:12:34 | 1:12:36 | |
Thank you! Good to have you here, Hugh! | 1:12:36 | 1:12:38 | |
SOME APPLAUSE | 1:12:38 | 1:12:39 | |
Would you like to narrow that down to one of those two options? | 1:12:39 | 1:12:41 | |
-Was it Wogan hitting the ball? -Yes, Wogan. -Wogan hitting the ball? | 1:12:41 | 1:12:44 | |
So is it...? Well, it would be remarkable | 1:12:44 | 1:12:46 | |
if he got a hole in one, wouldn't it? Because he's Wogan, not a golfer. | 1:12:46 | 1:12:50 | |
-I reckon he plays quite a lot of golf. -OK. | 1:12:50 | 1:12:53 | |
Yeah, but not that much golf. Let's have a look at it. | 1:12:53 | 1:12:55 | |
Now, Wogan, and he'll be doing very well | 1:12:55 | 1:12:58 | |
if he gets down in three or four from here. | 1:12:58 | 1:13:00 | |
Gives it a mighty old clunk. | 1:13:00 | 1:13:01 | |
And it's hopping and running and going and looking rather good | 1:13:01 | 1:13:05 | |
and slowing down and it wouldn't! It can't! | 1:13:05 | 1:13:07 | |
COMMENTATOR LAUGHS | 1:13:07 | 1:13:08 | |
CROWD CHEERS | 1:13:08 | 1:13:09 | |
The greatest putt I've ever seen in my life! | 1:13:09 | 1:13:12 | |
APPLAUSE | 1:13:13 | 1:13:14 | |
It's just... | 1:13:19 | 1:13:21 | |
It's just Terry Wogan sinking a putt, | 1:13:21 | 1:13:22 | |
but sinking a particularly special putt. Why? | 1:13:22 | 1:13:25 | |
Yeah, the truly amazing thing there is, of any golf tournament | 1:13:25 | 1:13:27 | |
ever televised in history, every major golf tournament, | 1:13:27 | 1:13:30 | |
professional golf tournament, that was the longest putt ever televised. | 1:13:30 | 1:13:34 | |
99 feet for Sir Terry Wogan. | 1:13:34 | 1:13:36 | |
It was beaten in 2012 and, er, what can you tell me about who beat that? | 1:13:36 | 1:13:41 | |
-Tiger Woods? Rory McIlroy? -No, again, it was another non-golfer. | 1:13:41 | 1:13:44 | |
It was Michael Phelps, the swimmer. What are golfers playing at?! | 1:13:44 | 1:13:47 | |
LAUGHTER | 1:13:47 | 1:13:49 | |
Thank you very much, Richard. Terry Wogan, the longest putt | 1:13:49 | 1:13:51 | |
in history up until 2012. That's the end of the round. | 1:13:51 | 1:13:53 | |
Hugh, you get three points. Round of applause to Hugh. Very good! | 1:13:53 | 1:13:56 | |
APPLAUSE | 1:13:56 | 1:13:58 | |
And we go back to our board and let's have the next round, please. | 1:14:01 | 1:14:04 | |
For this round, we're joined by a very special guest. | 1:14:07 | 1:14:09 | |
She brought arts to the masses, | 1:14:09 | 1:14:11 | |
presenting BBC Two's Late Night Line-Up back in 1965. | 1:14:11 | 1:14:14 | |
Since then, she's been a news and arts correspondent, a journalist, | 1:14:14 | 1:14:17 | |
a novelist and even a member of the House of Lords. Before we meet her, | 1:14:17 | 1:14:20 | |
let's have a reminder of her contribution to BBC Two. | 1:14:20 | 1:14:23 | |
Hello and welcome. | 1:14:25 | 1:14:26 | |
I wonder what you think of women's liberation. | 1:14:29 | 1:14:32 | |
You said, in the '20s, you proclaimed, "Art is dead." | 1:14:34 | 1:14:37 | |
Have a sip of tea, for goodness' sake! | 1:14:37 | 1:14:39 | |
Do you think you're a racist, Bernard? | 1:14:39 | 1:14:41 | |
Mr Crosby, this is the first time you've done | 1:14:41 | 1:14:42 | |
-situation comedy on television, isn't it? -That's true, Joan. | 1:14:42 | 1:14:46 | |
-Did you expect to spend 50 years of your life studying it? -Certainly not! | 1:14:46 | 1:14:50 | |
APPLAUSE | 1:14:53 | 1:14:55 | |
Ladies and gentlemen, please welcome - | 1:14:58 | 1:15:00 | |
we won't give you the full formal title - | 1:15:00 | 1:15:02 | |
Joan Bakewell, ladies and gentlemen, give her a round of applause. | 1:15:02 | 1:15:05 | |
APPLAUSE AND CHEERING | 1:15:05 | 1:15:07 | |
Now...you've been across so many great moments | 1:15:10 | 1:15:14 | |
-on BBC Two over the years. -I have, yes. | 1:15:14 | 1:15:16 | |
And some firsts as well? | 1:15:16 | 1:15:18 | |
Yes, well, mostly firsts, because Late Night Line-Up, | 1:15:18 | 1:15:21 | |
which began the beginning of BBC Two, | 1:15:21 | 1:15:25 | |
was pioneering in every single direction, | 1:15:25 | 1:15:27 | |
so we did lots of, er, cheeky things that no-one had | 1:15:27 | 1:15:30 | |
ever thought of before, certainly not for respectable BBC One. | 1:15:30 | 1:15:33 | |
BBC Two was rather louche. | 1:15:33 | 1:15:35 | |
It believed in being sort of slightly bohemian, possibly drunk, | 1:15:35 | 1:15:39 | |
certainly foul-mouthed, um, it was a kind of crazy channel to begin with. | 1:15:39 | 1:15:44 | |
-Certainly, Line-Up was. -There was one show you did | 1:15:44 | 1:15:46 | |
a bit later than that, actually, which also broke a particular taboo. | 1:15:46 | 1:15:49 | |
It was called Taboo and indeed it was taboo. | 1:15:49 | 1:15:53 | |
It was about where censorship stood at that particular point | 1:15:53 | 1:15:56 | |
and I was challenged to think of something that was still | 1:15:56 | 1:16:00 | |
taboo on television, cos everyone said, "Everything's allowed now, | 1:16:00 | 1:16:03 | |
"There's absolutely nothing." And I said, "There is... | 1:16:03 | 1:16:06 | |
"There is one thing that you never see, | 1:16:06 | 1:16:08 | |
"even in very explicit sex scenes. | 1:16:08 | 1:16:11 | |
"You never see an erect penis." | 1:16:11 | 1:16:14 | |
-So we showed one. -LAUGHTER | 1:16:15 | 1:16:18 | |
We showed it at great length, actually. | 1:16:18 | 1:16:20 | |
HUGE LAUGHTER | 1:16:20 | 1:16:22 | |
APPLAUSE AND CHEERING | 1:16:22 | 1:16:24 | |
And...and, um, when we were filming, the crew and the director | 1:16:28 | 1:16:33 | |
were so intrigued by how...what expression I should have on my face | 1:16:33 | 1:16:39 | |
that they kept saying, "Keep filming, keep filming." | 1:16:39 | 1:16:42 | |
And I was going, "Mmm. Ooh!" | 1:16:42 | 1:16:44 | |
LAUGHTER | 1:16:44 | 1:16:46 | |
And trying to invent different ways to respond. | 1:16:46 | 1:16:49 | |
I circled around, looking up and looking down... Looking up again. | 1:16:49 | 1:16:54 | |
And I'm thinking, "How long are they going to take this shot?" | 1:16:54 | 1:16:58 | |
Would it not be easier to put him on a lazy Susan and slowly rotate him? | 1:16:58 | 1:17:01 | |
LAUGHTER | 1:17:01 | 1:17:03 | |
When he, um, when he flagged... | 1:17:03 | 1:17:07 | |
-Hey! It happens to the best of us, Joan, yes? -We, um... | 1:17:07 | 1:17:10 | |
It does, but we had his girlfriend on hand... | 1:17:10 | 1:17:13 | |
-GASPS AND LAUGHTER -..to... | 1:17:13 | 1:17:14 | |
-Yes? -..to boost... -Yes! -..to boost the shot. | 1:17:15 | 1:17:18 | |
-RICHARD: I'm slightly... -To get back on track! | 1:17:18 | 1:17:20 | |
Well, you asked me if we did pioneering stuff. | 1:17:20 | 1:17:22 | |
I'd never seen anything like that before or since! | 1:17:22 | 1:17:24 | |
I'm slightly worried, Dara, about what this round will be about now. | 1:17:24 | 1:17:27 | |
LAUGHTER | 1:17:27 | 1:17:28 | |
It is taking a slightly darker turn, isn't it, at this stage? | 1:17:28 | 1:17:32 | |
With Late Night Line-Up, you hosted the first of the review programmes? | 1:17:32 | 1:17:36 | |
-Yes. -So you were at the foreground of criticism | 1:17:36 | 1:17:39 | |
-and art criticism and cultural criticism? -Yes. | 1:17:39 | 1:17:41 | |
So, criticism is what this round is about. | 1:17:41 | 1:17:44 | |
We want you to identify which BBC Two programme is being slated? | 1:17:44 | 1:17:48 | |
You get three quotes for each show. It's up to Brian's team | 1:17:48 | 1:17:50 | |
in this round. Let's start with a nice easy one. | 1:17:50 | 1:17:52 | |
Can we have our first piece of critique, please, Joan? | 1:17:52 | 1:17:55 | |
"I'm afraid I thought..." | 1:17:55 | 1:17:56 | |
-Fawlty Towers got terrible reviews when it first came out, I think. -Yes. | 1:18:00 | 1:18:04 | |
-Interesting. Let's have another quote. -Another quote? | 1:18:04 | 1:18:07 | |
"The sound of a man..." | 1:18:07 | 1:18:08 | |
-Beginning to look like Fawlty Towers. -Yes. -Should we take the last quote? | 1:18:12 | 1:18:16 | |
Definitely. Let's have the last quote. | 1:18:16 | 1:18:18 | |
"A collection of cliches and stock characters..." | 1:18:18 | 1:18:20 | |
BRIAN: It surely is, isn't it? MEERA: It's gotta be. | 1:18:23 | 1:18:25 | |
-It's gotta be. -Fawlty Towers. -Joan, which is it? | 1:18:25 | 1:18:27 | |
It was indeed Fawlty Towers. | 1:18:27 | 1:18:30 | |
APPLAUSE | 1:18:30 | 1:18:31 | |
-And it never did become boring, did it? -No, it didn't. -Not for a moment. | 1:18:35 | 1:18:39 | |
In fact, voted number one in the BFI's poll of British TV shows. | 1:18:39 | 1:18:42 | |
Some critics weren't so keen at the time. | 1:18:42 | 1:18:44 | |
The second quote, the middle quote there, was from The Spectator, | 1:18:44 | 1:18:47 | |
but the other two from an in-house BBC comedy script editor | 1:18:47 | 1:18:50 | |
giving his professional opinion on the new sitcom. | 1:18:50 | 1:18:53 | |
This is the man - former comedy scriptwriter Ian Main. | 1:18:53 | 1:18:56 | |
Hello, Ian, if you're out there. | 1:18:56 | 1:18:57 | |
There's an extension number there. | 1:18:57 | 1:18:59 | |
You can ring him if you want | 1:18:59 | 1:19:01 | |
and complain about it. In 1974. | 1:19:01 | 1:19:03 | |
-The middle one, though? -It was Richard Ingrams, | 1:19:03 | 1:19:05 | |
who was editor of Private Eye at the time. He wrote that. | 1:19:05 | 1:19:08 | |
And in the second series, John Cleese wrote a character | 1:19:08 | 1:19:11 | |
called Mr Ingrams, who gets caught in a hotel room with a blow-up doll. | 1:19:11 | 1:19:14 | |
LAUGHTER | 1:19:14 | 1:19:16 | |
-That's the way to get revenge, isn't it? -Let's treat ourselves | 1:19:16 | 1:19:20 | |
to Basil Fawlty doing some bashing of his own. | 1:19:20 | 1:19:22 | |
ENGINE STRUGGLES If you don't start... | 1:19:22 | 1:19:24 | |
I'll count to three! | 1:19:26 | 1:19:27 | |
One...two...three! | 1:19:27 | 1:19:30 | |
Right, that's it! | 1:19:30 | 1:19:32 | |
I've had enough! | 1:19:32 | 1:19:33 | |
You've tried it on just once too often! | 1:19:33 | 1:19:36 | |
Right! Well, don't say I haven't warned you! | 1:19:36 | 1:19:39 | |
I've laid it on the line to you time and time again! | 1:19:39 | 1:19:42 | |
Right, well, this is it! | 1:19:42 | 1:19:44 | |
I'm going to give you a damn good thrashing! | 1:19:44 | 1:19:47 | |
APPLAUSE | 1:19:57 | 1:19:59 | |
OK, again, this round is for you, Brian, and your team. | 1:20:05 | 1:20:08 | |
What is the second set of quotes? | 1:20:08 | 1:20:10 | |
"Perhaps it wasn't a studio audience. | 1:20:10 | 1:20:13 | |
"Perhaps it was one of those sound engineers operating a little | 1:20:13 | 1:20:17 | |
"dial labelled 'canned laughter'." | 1:20:17 | 1:20:20 | |
That could apply to so many programmes. | 1:20:20 | 1:20:22 | |
-It could be something... -A new comedy show. -..a bit revolutionary, | 1:20:24 | 1:20:28 | |
like The Young Ones when it came out. It was quite anarchic. | 1:20:28 | 1:20:32 | |
It's a good first guess. Let's have another quote. | 1:20:32 | 1:20:35 | |
"Here was a show aimed amusing 2,000 people living in southwest London, | 1:20:35 | 1:20:39 | |
"and bemusing ten million viewers who do not." | 1:20:39 | 1:20:44 | |
Buddha Of Suburbia... Oh, southwest London. Citizen Smith. Maybe. | 1:20:45 | 1:20:50 | |
OK, can we do the third quote? | 1:20:50 | 1:20:53 | |
"If Yasmin Le Bon is replaced by Betty Boo in a fashion show, | 1:20:53 | 1:20:56 | |
"is that a cause for regret or rejoicing? Search me. | 1:20:56 | 1:21:01 | |
"But it must be incredibly funny, because the studio audience hooted." | 1:21:01 | 1:21:04 | |
It's Ab Fab, isn't it? Is it Ab Fab? | 1:21:04 | 1:21:07 | |
-Yasmin Le Bon replaced by Betty Boo. -It's not Citizen Smith. | 1:21:07 | 1:21:11 | |
No, it's not. It's not The Young Ones either. I give up, me. | 1:21:11 | 1:21:16 | |
That's why I'm thinking maybe it's Ab Fab. | 1:21:16 | 1:21:18 | |
What are you going to go for? | 1:21:18 | 1:21:20 | |
-It's a pretty good guess. -Ab Fab. | 1:21:20 | 1:21:22 | |
Absolutely Fabulous. You're absolutely right. Congratulations. | 1:21:22 | 1:21:26 | |
Yes, it wasn't universally beloved at the start. | 1:21:28 | 1:21:31 | |
It's Richard Marston writing in The Times in 1992 about | 1:21:31 | 1:21:33 | |
the very first episode of Absolutely Fabulous. | 1:21:33 | 1:21:35 | |
Despite his views, the show ran for five series | 1:21:35 | 1:21:38 | |
and picked up four BAFTAs along the way. | 1:21:38 | 1:21:40 | |
Let's have a look at the moment that bemused him. | 1:21:40 | 1:21:42 | |
Yasmin Le Bon's ill. | 1:21:44 | 1:21:46 | |
Oh, my buggery bollocks. Why the bloody hell didn't you tell me earlier?! | 1:21:48 | 1:21:52 | |
Her husband just phoned and said "Simon Le Bon" | 1:21:52 | 1:21:55 | |
which I thought was really amusing. | 1:21:55 | 1:21:58 | |
Amusing, darling? | 1:21:58 | 1:22:00 | |
Yeah, very modern of him to have taken his wife's name. | 1:22:00 | 1:22:02 | |
Oh! Bubbles, sweetie... | 1:22:02 | 1:22:06 | |
-A phone rang and I think I may have found a replacement. -Good. Who? | 1:22:06 | 1:22:10 | |
-Betty Boo. -Shit. | 1:22:10 | 1:22:12 | |
APPLAUSE | 1:22:12 | 1:22:16 | |
Thank you for joining us. Ladies and gentlemen, Joan Bakewell. | 1:22:17 | 1:22:20 | |
APPLAUSE | 1:22:20 | 1:22:22 | |
And at the end of that round, | 1:22:27 | 1:22:29 | |
Brian's team have gained two points for Brian's team! | 1:22:29 | 1:22:32 | |
And we come now to the grand finale of the show. | 1:22:36 | 1:22:38 | |
We have a very special game lined up for you based on | 1:22:38 | 1:22:41 | |
one of the BBC's most popular shows, the Great British Bake Off. | 1:22:41 | 1:22:44 | |
Let's have a look at some highs and lows from that show. | 1:22:44 | 1:22:46 | |
-On your marks. -Get set. -Bake. | 1:22:49 | 1:22:50 | |
CLATTERING AND A GASP | 1:22:54 | 1:22:55 | |
Oh! | 1:22:57 | 1:22:58 | |
Breathtakingly bad. Claggy. A bit soggy right down the middle. | 1:23:00 | 1:23:03 | |
You know what I'm going to say, don't you? No soggy bottom. | 1:23:03 | 1:23:06 | |
# And cut yourself a little piece of cake, diddly-push! # | 1:23:06 | 1:23:10 | |
APPLAUSE | 1:23:13 | 1:23:15 | |
LAUGHTER | 1:23:19 | 1:23:23 | |
-Has that always been in the Bake Off? -Yeah. | 1:23:30 | 1:23:32 | |
Has there always been a squirrel with his... | 1:23:32 | 1:23:37 | |
Second series. | 1:23:37 | 1:23:39 | |
-That was in the show? -Second series. -And did nobody spot it? | 1:23:39 | 1:23:43 | |
-YOU didn't spot it! -With his junk... -He's a proud fella. | 1:23:43 | 1:23:49 | |
He is. Well, he's everything to be proud of, to be honest. | 1:23:49 | 1:23:52 | |
I think it's shocking that it was on the show, but hilarious, | 1:23:52 | 1:23:56 | |
but I'm finding it less hilarious | 1:23:56 | 1:23:57 | |
given it's just over my shoulder now. | 1:23:57 | 1:23:59 | |
Is there any more generic background, | 1:24:01 | 1:24:03 | |
because every time I move my arms, I feel I'm... | 1:24:03 | 1:24:05 | |
..somehow I'm adding to the situation. | 1:24:08 | 1:24:10 | |
To explain our showstopper round, | 1:24:10 | 1:24:12 | |
please welcome the cake crusader himself, | 1:24:12 | 1:24:14 | |
Paul Hollywood, ladies and gentlemen. | 1:24:14 | 1:24:16 | |
CHEERING AND APPLAUSE | 1:24:16 | 1:24:18 | |
Thank you very much for coming. | 1:24:21 | 1:24:23 | |
-What a phenomenal success this show has been. -It's been incredible. | 1:24:23 | 1:24:27 | |
We are very much like a family, the whole crew. | 1:24:27 | 1:24:29 | |
-We've kept the same people for four years. -It is only four years. | 1:24:29 | 1:24:32 | |
It feels like it's been there for ever, it has become so established. | 1:24:32 | 1:24:37 | |
It is part of the landscape. | 1:24:37 | 1:24:38 | |
It is only four series you've done. | 1:24:38 | 1:24:40 | |
This is going to be our fifth year this year, | 1:24:40 | 1:24:42 | |
and it does feel much longer. | 1:24:42 | 1:24:44 | |
It's amazing how it's gone, and it's down to the contestants, | 1:24:44 | 1:24:48 | |
-the bakers are incredible. -Yeah, particularly the bad ones. | 1:24:48 | 1:24:50 | |
They're the ones you want to see. | 1:24:50 | 1:24:52 | |
-They're the ones I tend to find. -What are the rules of the game? | 1:24:52 | 1:24:56 | |
What do our teams have to do? | 1:24:56 | 1:24:58 | |
Basically, you've both got an iced cake, | 1:24:58 | 1:25:02 | |
and what I want you to do is decorate that cake thinking of the 50 years | 1:25:02 | 1:25:07 | |
and its television programmes, and it must be decorated beautifully. | 1:25:07 | 1:25:11 | |
You've got lots of things here to use, | 1:25:11 | 1:25:13 | |
and I will judge at the end which one's the best. | 1:25:13 | 1:25:16 | |
I don't want to see just piping chucked on, | 1:25:16 | 1:25:18 | |
-I want you to think about it properly. -You want art. | 1:25:18 | 1:25:20 | |
And it has to be in some way reflecting 50 years of BBC Two. | 1:25:20 | 1:25:24 | |
We've given them some decorations to start, | 1:25:24 | 1:25:26 | |
but they will earn other decorations by answering | 1:25:26 | 1:25:28 | |
questions about the history of the BBC as we go along, | 1:25:28 | 1:25:31 | |
so get somebody to go over and pick the ones you need off our stand. | 1:25:31 | 1:25:34 | |
Is it a problem that we've already started eating some of the... | 1:25:34 | 1:25:37 | |
To be honest, I am 25% of the way through some of your toppings already. | 1:25:37 | 1:25:42 | |
So I wouldn't worry about it. | 1:25:42 | 1:25:45 | |
I've got a cake down here as well, which I've got to decorate. | 1:25:45 | 1:25:49 | |
All I've got is a small tub of hundreds and thousands, | 1:25:49 | 1:25:51 | |
different colours, I'll grant you that, and no way of getting | 1:25:51 | 1:25:53 | |
any extra stuff, because I'm not allowed to answer questions. That seems a bit harsh. | 1:25:53 | 1:25:57 | |
-If you could just make the best of it, Richard, that'll be fantastic. -I'll show you! | 1:25:57 | 1:26:01 | |
We'll see how you do. | 1:26:01 | 1:26:02 | |
So we're expecting art of some description, | 1:26:02 | 1:26:05 | |
but you can gain extra toppings by answering questions, | 1:26:05 | 1:26:08 | |
and the questions we will start right now. Fingers on buzzers. | 1:26:08 | 1:26:12 | |
Stand up, please. Get ready. | 1:26:12 | 1:26:14 | |
Here's your first question. | 1:26:14 | 1:26:16 | |
At which shop in Manchesterford did Mrs Overall work? | 1:26:16 | 1:26:19 | |
Acorn Antiques. BELL | 1:26:19 | 1:26:20 | |
You have to buzz, yes. Acorn Antiques. | 1:26:20 | 1:26:23 | |
You get another topping. Take another topping if you need one. | 1:26:23 | 1:26:27 | |
The BBC Two broadcast of which event | 1:26:27 | 1:26:29 | |
had an estimated worldwide audience of 1.8 billion? | 1:26:29 | 1:26:32 | |
-BELL -Brian's team? -Olympics, yes. | 1:26:32 | 1:26:34 | |
-No, not an Olympics. -World Cup. | 1:26:34 | 1:26:36 | |
-No. -A sporting event of some kind? -Not a sporting event of any kind. | 1:26:36 | 1:26:39 | |
-Was it One Man And His Dog? -No, it wasn't. It was in 1985. | 1:26:39 | 1:26:43 | |
-Snooker final! -Live Aid. -Live Aid, very good. Congratulations. | 1:26:43 | 1:26:48 | |
Get another bowl of whatever you think will help you there. OK. Grand. | 1:26:48 | 1:26:52 | |
How is it looking? They have covered... | 1:26:52 | 1:26:54 | |
At the end of the day, it's got to look like something | 1:26:54 | 1:26:57 | |
and represent something. These guys, I'm not sure what they're doing. | 1:26:57 | 1:27:01 | |
-They're making something beautiful. -Let's hope so. | 1:27:01 | 1:27:03 | |
Which show was originally called Peter Sellers Is Dead? | 1:27:03 | 1:27:05 | |
-BELL -Brian's team? | 1:27:05 | 1:27:07 | |
-Goodness Gracious Me. -Goodness Gracious Me, well done. | 1:27:07 | 1:27:10 | |
-A bit of an easy one, but you get it. -Can I have some more KitKat? | 1:27:10 | 1:27:14 | |
Other than open all hours, which Ronnie Barker sitcom started life on BBC Two? | 1:27:14 | 1:27:17 | |
MAN IN AUDIENCE SHOUTS | 1:27:17 | 1:27:19 | |
-You're not playing the game! -BELL | 1:27:19 | 1:27:22 | |
You're not getting a topping for that, | 1:27:23 | 1:27:26 | |
random audience member who threw in the answer. | 1:27:26 | 1:27:29 | |
OK, for more toppings, what links Jeremy Irons, Tony Robinson | 1:27:29 | 1:27:32 | |
and former Eastenders actress Anita Dobson? | 1:27:32 | 1:27:35 | |
-BUZZER -Hugh? -They've all got names. -No. | 1:27:35 | 1:27:37 | |
LAUGHTER AND APPLAUSE | 1:27:37 | 1:27:39 | |
What we have here is a genuine failure to multitask. | 1:27:42 | 1:27:45 | |
What BBC Two programme links Jeremy Irons, Tony Robinson | 1:27:45 | 1:27:48 | |
-and Anita Dobson? -Oh, my God. -Anyone in the audience know? -Play Away. | 1:27:48 | 1:27:53 | |
Play Away. Very good. Well done. Chocolates for you. | 1:27:53 | 1:27:56 | |
Which '80s pop star voiced the opening Teletubbies line, | 1:27:56 | 1:27:59 | |
"Over the hills and far away, Teletubbies come to play?" | 1:27:59 | 1:28:02 | |
'80s pop star... | 1:28:02 | 1:28:03 | |
-BUZZER Toyah. -Who said that? -Toyah. | 1:28:03 | 1:28:05 | |
Toyah it is. Grab more toppings. | 1:28:05 | 1:28:07 | |
-What exactly are you doing there? -Are they rabbits or aliens? | 1:28:07 | 1:28:11 | |
What do you mean? They're rabbits. | 1:28:11 | 1:28:13 | |
Which BBC Two star once said, "Nobody is like the person I am on TV. | 1:28:13 | 1:28:17 | |
"Surely only Cruella de Vil or the Wicked Witch from Snow White." | 1:28:17 | 1:28:20 | |
-Which BBC Two star said that? -BUZZER AND BELL | 1:28:20 | 1:28:22 | |
-It was your team first. -Anne Robinson? | 1:28:22 | 1:28:24 | |
-Not Anne Robinson, no. -Who said what, Dara? | 1:28:24 | 1:28:26 | |
I'm sorry, I'm cooking! | 1:28:28 | 1:28:30 | |
Which BBC Two star once said, "Nobody is like the person I am on TV. | 1:28:30 | 1:28:33 | |
-"Surely only Cruella de Vil or the Wicked Witch..." -That would be me. | 1:28:33 | 1:28:36 | |
That was you. Very good. | 1:28:36 | 1:28:38 | |
You have to earn them! You have to earn them! | 1:28:44 | 1:28:48 | |
Which BBC Two show featured a man in pyjamas | 1:28:48 | 1:28:51 | |
-and dressing gown known as Stato? -BELL | 1:28:51 | 1:28:53 | |
-Brian's team? -The football, the football one. | 1:28:53 | 1:28:56 | |
-Frank Skinner. -Baddiel and Skinner, the football. -No, Fantasy Football. | 1:28:56 | 1:29:01 | |
Yes, Hugh, well done, very good, | 1:29:01 | 1:29:03 | |
but because you're being a bit of a know-all, | 1:29:03 | 1:29:05 | |
you get to take as much as you want, | 1:29:05 | 1:29:07 | |
-I don't care. -Can I have the cutters? | 1:29:07 | 1:29:09 | |
To which BBC Two star did David Walliams once say, | 1:29:09 | 1:29:12 | |
"You're very big with the over 80s. | 1:29:12 | 1:29:13 | |
"You're sort of a slutty Alan Titchmarsh." | 1:29:13 | 1:29:15 | |
BUZZER Er... I think that was me. | 1:29:15 | 1:29:18 | |
It was you, yes. Yes, it was you. | 1:29:18 | 1:29:19 | |
Slutty Alan Titchmarsh! | 1:29:19 | 1:29:23 | |
Which BBC Two drama spawned the catchphrase "gizza job"? | 1:29:23 | 1:29:27 | |
-BELL AND BUZZER -Boys From The Blackstuff! -Boys From The Blackstuff. | 1:29:27 | 1:29:30 | |
Very good. Name the number one single The Young Ones recorded with | 1:29:30 | 1:29:33 | |
Cliff Richard in 1986. | 1:29:33 | 1:29:35 | |
-BUZZER It was Living Doll. -Very good. | 1:29:35 | 1:29:38 | |
Sounds fantastic. Please at least pretend to take them off the table. | 1:29:38 | 1:29:42 | |
Pretend to do the game as I have set out in the rules. | 1:29:42 | 1:29:46 | |
It's anarchy, isn't it? | 1:29:56 | 1:29:58 | |
Which BBC Two daytime business show | 1:29:58 | 1:30:00 | |
-was originally hosted by Adrian Chiles? -Business show? | 1:30:00 | 1:30:03 | |
MUFFLED: Business Lunch. | 1:30:03 | 1:30:06 | |
I'm sorry, we're going to have to hear that again. | 1:30:08 | 1:30:12 | |
MUFFLED: Business Lunch. | 1:30:12 | 1:30:13 | |
It really is... We have some sort of technical difficulty. | 1:30:13 | 1:30:16 | |
-Can we get something green? -I need green. | 1:30:16 | 1:30:18 | |
Gareth, we will need you to say that four or five more times. | 1:30:18 | 1:30:21 | |
HE GARBLES | 1:30:24 | 1:30:27 | |
Mm-mm, mm-mm? | 1:30:27 | 1:30:30 | |
Business Lunch! | 1:30:30 | 1:30:32 | |
Disney Lunch? | 1:30:32 | 1:30:34 | |
Bismarck's Lunch? | 1:30:34 | 1:30:36 | |
HE GARBLES AGAIN | 1:30:37 | 1:30:40 | |
-Business Lunch! -Business Lunch is the wrong answer. OK. | 1:30:42 | 1:30:46 | |
LAUGHTER AND APPLAUSE | 1:30:46 | 1:30:48 | |
It is, of course, Working Lunch. | 1:30:50 | 1:30:54 | |
So sorry I couldn't give you the points on that one. | 1:30:54 | 1:30:57 | |
Time is running out, so the last two questions. | 1:30:57 | 1:30:59 | |
Which show featured Andrew Lincoln as a lawyer called Egg? | 1:30:59 | 1:31:03 | |
-BELL That's Life! -This Life. | 1:31:03 | 1:31:05 | |
That's Life! This Life was a very different show. | 1:31:05 | 1:31:09 | |
Which show featured the Dove From Above | 1:31:09 | 1:31:10 | |
-and George Dawes giving the scores? -BELL AND BUZZER | 1:31:10 | 1:31:13 | |
-Shooting Stars. -Buzzing in was yourselves, Shooting Stars, of course. | 1:31:13 | 1:31:16 | |
No, can't be arsed. OK, this one... | 1:31:16 | 1:31:18 | |
Ten seconds, last question. This is vital! | 1:31:18 | 1:31:21 | |
This could change everything! | 1:31:21 | 1:31:23 | |
In what show would you find Igglepiggle, the Ninky Nonk... | 1:31:24 | 1:31:28 | |
-In The Night Garden! -In The Night Garden, of course. | 1:31:28 | 1:31:31 | |
Now, if you could all sit back down again. | 1:31:33 | 1:31:37 | |
Mm-mm-mm-mm-mer! | 1:31:37 | 1:31:40 | |
-Paul, thank you very much for joining us for that. -No problem. | 1:31:40 | 1:31:43 | |
-They've been quite busy doing this. -Yeah. | 1:31:43 | 1:31:45 | |
Will we look at Brian's team first? They're behind at the moment. | 1:31:45 | 1:31:48 | |
It might be more useful for them to get the points. | 1:31:48 | 1:31:50 | |
We'll look at Brian's team first. Let's pop up their cake. | 1:31:50 | 1:31:53 | |
That's quite sweet. Now. It's mainly KitKats. | 1:31:53 | 1:31:59 | |
-It's wood panelling! -Other bars of chocolate are also available, we should say, | 1:31:59 | 1:32:03 | |
because this is the BBC. | 1:32:03 | 1:32:05 | |
-It's a television! -It's a telly! | 1:32:05 | 1:32:06 | |
OK, e to the i pi is equal to -1. | 1:32:06 | 1:32:08 | |
So -1 + 3, why are we having to explain this, Cox? | 1:32:08 | 1:32:13 | |
-1 + 3 = 2, so 2 BBC. | 1:32:13 | 1:32:18 | |
-BBC Two! -OK. | 1:32:18 | 1:32:20 | |
APPLAUSE | 1:32:20 | 1:32:24 | |
As you say, it's a remarkable thing that e, 2.7...raised to the power | 1:32:26 | 1:32:32 | |
of the square root of -1, multiplied by pi, | 1:32:32 | 1:32:36 | |
+ 3 = 2. | 1:32:36 | 1:32:37 | |
-It is remarkable. -That's remarkable. | 1:32:37 | 1:32:39 | |
The channel has always wished to educate people as much as entertain them. | 1:32:39 | 1:32:43 | |
Positively Reithian, it's Euler's equation recast as a channel ident. | 1:32:43 | 1:32:48 | |
Explain to me, man who is trying to educate us, | 1:32:48 | 1:32:51 | |
why is there a dog and a bottle of champagne? | 1:32:51 | 1:32:55 | |
Thank you! | 1:32:55 | 1:32:57 | |
Why is there a Teletubby strapped to it like in a hostage situation? | 1:32:57 | 1:33:01 | |
There's so many levels. How are you finding it? | 1:33:02 | 1:33:06 | |
I... Er... | 1:33:06 | 1:33:08 | |
LAUGHTER | 1:33:08 | 1:33:10 | |
I like the colours. | 1:33:10 | 1:33:11 | |
I think the framework is OK. I think the screen in the middle is awful. | 1:33:11 | 1:33:17 | |
But I do like the outside bit. I think it looks fantastic. | 1:33:17 | 1:33:21 | |
I would mark you four out of five for that. Pretty good. | 1:33:21 | 1:33:24 | |
APPLAUSE | 1:33:24 | 1:33:26 | |
-May we see the second cake? -So this is a celebration of various programmes. | 1:33:30 | 1:33:36 | |
APPLAUSE | 1:33:36 | 1:33:39 | |
This is, first of all, Play School, so you've got the square window, | 1:33:41 | 1:33:44 | |
the arched window and the round window. | 1:33:44 | 1:33:47 | |
-AUDIENCE: -Ah! -Yeah, we thought it all through. | 1:33:47 | 1:33:50 | |
This is One Man And His Dog. | 1:33:52 | 1:33:54 | |
Admittedly, the man, if you look closely, is a golfer. | 1:33:54 | 1:33:57 | |
It's all that was available at the time. | 1:33:59 | 1:34:01 | |
And this thing that looks like some bananas have escaped from | 1:34:01 | 1:34:06 | |
somewhere is, in fact, the raising of the Mary Rose, Gareth tells me. | 1:34:06 | 1:34:10 | |
It is. It was a very famous BBC programme of the early 1980s. | 1:34:10 | 1:34:15 | |
This is the Mary Rose, the Elizabethan warship, | 1:34:15 | 1:34:18 | |
the flagship of King Henry VIII... | 1:34:18 | 1:34:20 | |
FEIGNS SNORING | 1:34:20 | 1:34:22 | |
Anyway, this here, Deborah has done this, and this symbolises | 1:34:22 | 1:34:26 | |
three very successful BBC Two programmes, namely, which is it? | 1:34:26 | 1:34:30 | |
This is Springwatch, because they've got the flowers coming out, | 1:34:30 | 1:34:33 | |
and this is Autumnwatch, because the leaves have fallen down here, | 1:34:33 | 1:34:37 | |
and that's Winterwatch, because they've got snow on their shoulders, | 1:34:37 | 1:34:41 | |
and they're three rabbits. | 1:34:41 | 1:34:42 | |
APPLAUSE | 1:34:42 | 1:34:44 | |
And this, as you will recognise, is 2, | 1:34:48 | 1:34:52 | |
which I believe is equivalent to the e raised to the power... | 1:34:52 | 1:34:55 | |
LAUGHTER | 1:34:55 | 1:34:57 | |
-You've given them four out of five. -Yeah. | 1:34:59 | 1:35:01 | |
Having seen that, is there any way you'd like to mark them down? | 1:35:01 | 1:35:06 | |
The 3-D models that you've done I think are very good. | 1:35:06 | 1:35:09 | |
Deborah, I think those rabbits are very, very good. | 1:35:09 | 1:35:13 | |
I like the Mary Rose as well. I like the sort of models with the dog. | 1:35:13 | 1:35:18 | |
Normally, I say, if you make the dog, I would have given you higher marks. | 1:35:18 | 1:35:21 | |
The fact that you just plonked models on it, I have to mark you down | 1:35:21 | 1:35:24 | |
slightly, which I've got to give you four and a half out of five. | 1:35:24 | 1:35:27 | |
The winner of the showstopper challenge is, | 1:35:33 | 1:35:35 | |
of course, Hugh's team. | 1:35:35 | 1:35:36 | |
APPLAUSE | 1:35:36 | 1:35:38 | |
Wow, nothing against you, but that is astonishing. | 1:35:44 | 1:35:48 | |
Apologies, let's have a look at your hundreds and thousands model. | 1:35:48 | 1:35:51 | |
What did you do? | 1:35:51 | 1:35:53 | |
First of all, both of those were amazing, | 1:35:53 | 1:35:55 | |
particularly Deborah's thing. All I've got is hundreds and thousands. | 1:35:55 | 1:35:58 | |
I decided to try and fashion a likeness of Paul, | 1:35:58 | 1:36:01 | |
but all I've got is hundreds and thousands. I didn't have very long. | 1:36:01 | 1:36:04 | |
So there it is. I'm sorry. | 1:36:04 | 1:36:06 | |
It's not my best work, but I didn't have long. | 1:36:06 | 1:36:09 | |
-Richard, I... -It's hard in the time, Paul. -It's very good. | 1:36:14 | 1:36:17 | |
I've got to give you five out of five for that. | 1:36:17 | 1:36:19 | |
-Thank you. -Well done. | 1:36:19 | 1:36:21 | |
Well done, Richard. Well done, teams. | 1:36:22 | 1:36:24 | |
Let's hear it for the wonderful Paul Hollywood, ladies and gentlemen. | 1:36:24 | 1:36:27 | |
And that brings us to the end of All About Two. | 1:36:32 | 1:36:35 | |
I can reveal that our winners tonight are Hugh's team. | 1:36:35 | 1:36:37 | |
Congratulations to them. Commiserations to our losers. | 1:36:37 | 1:36:42 | |
Well played to both teams. | 1:36:42 | 1:36:44 | |
Please, thank you to Hugh Dennis, Deborah Meaden, Gareth Malone... | 1:36:44 | 1:36:49 | |
CHEERING AND APPLAUSE | 1:36:49 | 1:36:50 | |
..Brian Cox, Meera Syal and Dave Myers. | 1:36:50 | 1:36:54 | |
Thank you to all of our special guests tonight, | 1:36:55 | 1:36:58 | |
and, of course, to Richard Osman, ladies and gentlemen. | 1:36:58 | 1:37:01 | |
Thank you for watching, not just now, but for the last 50 years. | 1:37:03 | 1:37:06 | |
I'm Dara O Briain. | 1:37:06 | 1:37:07 | |
Time for one more montage, but from all of us, good night. | 1:37:07 | 1:37:10 | |
The winner is... | 1:37:15 | 1:37:18 | |
Jo! | 1:37:18 | 1:37:19 | |
He's done it! | 1:37:24 | 1:37:25 | |
Happy New Year! | 1:37:31 | 1:37:33 | |
-Well done. -Thank you. | 1:37:41 | 1:37:43 | |
-You were wonderful, Bob. -Thank you. | 1:37:45 | 1:37:48 | |
THEY EXCLAIM EXCITEDLY | 1:37:48 | 1:37:51 | |
Oh! | 1:37:56 | 1:37:58 | |
ALL: Aw! | 1:37:58 | 1:38:00 | |
Oh, Rosie... | 1:38:05 | 1:38:06 | |
And on that bombshell, it is time to end. Thank you so much for watching. | 1:38:10 | 1:38:14 | |
-Good night! -Goodbye. | 1:38:14 | 1:38:16 | |
-Goodbye. -Goodbye. -Goodbye. | 1:38:16 | 1:38:18 | |
-Goodbye. -Goodbye. -Goodbye. | 1:38:18 | 1:38:19 | |
-ALL: -Goodbye. -Good night. | 1:38:19 | 1:38:21 | |
May I wish you, on behalf | 1:38:21 | 1:38:23 | |
of everyone here on BBC Two, | 1:38:23 | 1:38:25 | |
a very good night. | 1:38:25 | 1:38:27 | |
WOLF HOWLS | 1:38:27 | 1:38:30 | |
APPLAUSE | 1:38:30 | 1:38:31 |