Ryland a Roisin: Clancy Cymru
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Transcript
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|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Ryland Teifi -is a well-known actor and singer. | 0:00:03 | 0:00:07 | |
-His wife Roisin is the daughter -of one of the Clancy Brothers... | 0:00:07 | 0:00:12 | |
-..one of Ireland's -most famous bands. | 0:00:12 | 0:00:14 | |
-# St Patrick was a gentleman, -he came from decent people | 0:00:15 | 0:00:19 | |
-# We'll haul away # | 0:00:19 | 0:00:22 | |
-Ryland and his family live -in an Irish-speaking area... | 0:00:23 | 0:00:27 | |
-..near Roisin's childhood home. | 0:00:27 | 0:00:30 | |
-Today, they're on -their way to Wales. | 0:00:30 | 0:00:33 | |
-Myfi, Lowri and Cifa... | 0:00:35 | 0:00:37 | |
-..will see their grandparents -in Ffostrasol once more. | 0:00:38 | 0:00:42 | |
-But that isn't the main -reason for this journey. | 0:00:42 | 0:00:46 | |
-Ryland and Roisin have -started a new band, Clancy Cymru. | 0:00:49 | 0:00:53 | |
-They're playing their first gig -in St David's Folk Festival. | 0:00:53 | 0:00:58 | |
-The whole point is that it's -a marriage between the cultures... | 0:00:59 | 0:01:04 | |
-..and the musical cultures. | 0:01:04 | 0:01:06 | |
-As a family, they have united -two languages and two traditions. | 0:01:06 | 0:01:11 | |
-Come on, Munster! | 0:01:11 | 0:01:13 | |
-Scarlets! | 0:01:13 | 0:01:15 | |
-Well, most of the time, anyway. | 0:01:15 | 0:01:17 | |
-But will they succeed -with their new band too? | 0:01:18 | 0:01:22 | |
-Say ta-ta, Ireland. | 0:01:31 | 0:01:32 | |
-Say ta-ta, Ireland. - -Ta-ta, Ireland. | 0:01:32 | 0:01:33 | |
-Ta-ta, Ireland. | 0:01:33 | 0:01:34 | |
-Goodbye! | 0:01:35 | 0:01:37 | |
-The journey from -Fishguard to Rosslare... | 0:01:39 | 0:01:43 | |
-..is an integral part -of my life now. | 0:01:43 | 0:01:46 | |
-When I first went out with Roisin... | 0:01:47 | 0:01:49 | |
-..it was exciting -to go to Rosslare... | 0:01:49 | 0:01:52 | |
-..or to Dublin from Holyhead... | 0:01:52 | 0:01:55 | |
-..to meet Roisin -and go out for the craic. | 0:01:55 | 0:01:58 | |
-There was so much excitement. | 0:01:58 | 0:02:01 | |
-Stepping on the ferry -was a lot of fun. | 0:02:01 | 0:02:04 | |
-Would you jump in -for a million quid? | 0:02:05 | 0:02:08 | |
-Yes. | 0:02:08 | 0:02:09 | |
-Don't! | 0:02:09 | 0:02:11 | |
-Don't! | 0:02:11 | 0:02:12 | |
-There have been times -I've had to leave to work. | 0:02:13 | 0:02:17 | |
-It's a time of longing. | 0:02:20 | 0:02:22 | |
-I know this boat very well. | 0:02:23 | 0:02:25 | |
-Toast for you. | 0:02:27 | 0:02:29 | |
-Toast? | 0:02:29 | 0:02:30 | |
-Do you remember -your first visit to Ffostrasol? | 0:02:30 | 0:02:34 | |
-No. | 0:02:34 | 0:02:35 | |
-No. - -What is your first memory? | 0:02:35 | 0:02:37 | |
-I remember the sliding door. | 0:02:37 | 0:02:39 | |
-Do you remember Sam Bach, the dog? | 0:02:41 | 0:02:44 | |
-Sam the dog. | 0:02:44 | 0:02:46 | |
-Do you remember the shop? | 0:02:48 | 0:02:50 | |
-No. | 0:02:51 | 0:02:52 | |
-We moved back over three years ago. | 0:02:53 | 0:02:55 | |
-It was strange. | 0:02:57 | 0:02:59 | |
-At the time, Ireland was -in a very bad place, economically. | 0:03:00 | 0:03:05 | |
-We met an Irishwoman -who was going back to London. | 0:03:06 | 0:03:11 | |
-She had a job -that paid a lot of money. | 0:03:13 | 0:03:16 | |
-She asked us what we were doing. | 0:03:17 | 0:03:19 | |
-"We're moving to Ireland." | 0:03:19 | 0:03:22 | |
-"Are you moving to Ireland now?" | 0:03:22 | 0:03:25 | |
-"Yes." "With the children?" | 0:03:25 | 0:03:28 | |
-"Don't you realize... | 0:03:29 | 0:03:31 | |
-"..that Ireland is on its arse? | 0:03:31 | 0:03:34 | |
-"Are you really -moving back to Ireland?" | 0:03:35 | 0:03:38 | |
-Everyone else was going -the other way. | 0:03:38 | 0:03:41 | |
-That's our life. | 0:03:43 | 0:03:44 | |
-That's our life. - -Yes. | 0:03:44 | 0:03:45 | |
-Going against the grain. | 0:03:46 | 0:03:48 | |
-The roots of Roisin's family -are deep in this part of Ireland. | 0:03:52 | 0:03:57 | |
-Her father was -the late Bobby Clancy. | 0:03:57 | 0:04:00 | |
-He and his brothers were -pioneers of Irish folk singing... | 0:04:00 | 0:04:04 | |
-..in the 1960s and 1970s. | 0:04:04 | 0:04:07 | |
-Roisin and I met in Dublin, in 1996. | 0:04:07 | 0:04:10 | |
-I was in a show with Arad Goch, -titled Taliesin... | 0:04:10 | 0:04:14 | |
-..in the Dublin Theatre Festival. | 0:04:14 | 0:04:17 | |
-Roisin had returned -from Los Angeles. | 0:04:17 | 0:04:20 | |
-She was working in the theatre -where I worked. | 0:04:21 | 0:04:24 | |
-That's how we met. | 0:04:24 | 0:04:25 | |
-For a year, we went back and forth -on the ferry every week or two. | 0:04:26 | 0:04:31 | |
-After about a year, I thought... | 0:04:31 | 0:04:34 | |
-..we can't carry on like this, -or I'll have to buy a boat. | 0:04:34 | 0:04:38 | |
-Ryland lived in Dublin for a time. | 0:04:39 | 0:04:41 | |
-But he was offered a year's contract -by a theatre company in Wales. | 0:04:42 | 0:04:47 | |
-So they decided to settle in -Cardiff, where the girls were born. | 0:04:47 | 0:04:52 | |
-Oh, look. | 0:04:54 | 0:04:55 | |
-Oh, Lowri! It's your birthday party. | 0:04:56 | 0:04:59 | |
-How old were you there? | 0:05:03 | 0:05:04 | |
-I don't know. | 0:05:05 | 0:05:07 | |
-Three? | 0:05:08 | 0:05:09 | |
-No! Five or six. | 0:05:09 | 0:05:11 | |
-So, who were your friends? | 0:05:13 | 0:05:15 | |
-That's Manon. | 0:05:16 | 0:05:17 | |
-Do you remember it? | 0:05:17 | 0:05:19 | |
-Yes. There were two cakes. | 0:05:19 | 0:05:21 | |
-What happened? | 0:05:22 | 0:05:23 | |
-They were like princesses. | 0:05:23 | 0:05:25 | |
-Something in me, -and Roisin to some extent, asked... | 0:05:27 | 0:05:32 | |
-..was this where we belonged -and wanted to be when we were older. | 0:05:32 | 0:05:37 | |
-It meant moving -to West Wales or to Ireland. | 0:05:38 | 0:05:42 | |
-One of the most important -factors was the children. | 0:05:44 | 0:05:48 | |
-We were very aware, -if they didn't settle down here... | 0:05:49 | 0:05:53 | |
-..we'd have to go back. | 0:05:54 | 0:05:56 | |
-Whatever other reasons -there were for living here... | 0:05:57 | 0:06:01 | |
-..that was number one on the agenda. | 0:06:02 | 0:06:04 | |
-They were -the biggest success, really. | 0:06:06 | 0:06:10 | |
-They've loved living here. | 0:06:11 | 0:06:13 | |
-Throw it! | 0:06:14 | 0:06:15 | |
-Hi! | 0:06:17 | 0:06:18 | |
-The family's linguistic dynamic -has totally changed. | 0:06:22 | 0:06:26 | |
-# 'Se mo Chaesar, Ghile Mear | 0:06:27 | 0:06:31 | |
-# Suan na sean ni bhfuaireas fein | 0:06:31 | 0:06:35 | |
-# O chuaigh i gcein mo Ghile Mear # | 0:06:35 | 0:06:38 | |
-ROISIN JOINS IN | 0:06:39 | 0:06:40 | |
-At first, it was challenging -for the girls to learn Irish. | 0:06:44 | 0:06:48 | |
-Suddenly, they're fluent. | 0:06:49 | 0:06:51 | |
-Do you have any balls left? | 0:06:53 | 0:06:55 | |
-I don't know. -Banjo the dog has taken them all. | 0:06:57 | 0:07:00 | |
-Oh, God. How many did you have? | 0:07:00 | 0:07:03 | |
-There was one. | 0:07:03 | 0:07:05 | |
-There is one, somewhere. | 0:07:05 | 0:07:07 | |
-The dog has eaten them all. | 0:07:08 | 0:07:10 | |
-No! Maybe they're in the field? | 0:07:11 | 0:07:14 | |
-Sometimes I feel -I'm a total hypocrite. | 0:07:17 | 0:07:21 | |
-I'm a Welsh speaker. | 0:07:21 | 0:07:23 | |
-I live here now. | 0:07:24 | 0:07:26 | |
-I'm the one who is behind. | 0:07:27 | 0:07:30 | |
-I've neglected that aspect, -learning the language. | 0:07:31 | 0:07:35 | |
-Of course, things like rugby -draw us together. | 0:07:36 | 0:07:40 | |
-When Wales plays Ireland -or the Scarlets, Munster... | 0:07:41 | 0:07:44 | |
-..who do we support? | 0:07:45 | 0:07:46 | |
-Come on, Munster! | 0:07:46 | 0:07:48 | |
-Scarlets! | 0:07:49 | 0:07:50 | |
-Munster! | 0:07:50 | 0:07:52 | |
-I can't do anything about that. -It's up to them. | 0:07:54 | 0:07:58 | |
-If you had a brother, would -he play for Munster or the Scarlets? | 0:07:59 | 0:08:03 | |
-Munster. | 0:08:03 | 0:08:03 | |
-Munster. - -Scarlets. | 0:08:03 | 0:08:04 | |
-Close to their home -is the famous Mooney's Pub... | 0:08:09 | 0:08:13 | |
-..owned by Roisin's mother's -family for generations. | 0:08:13 | 0:08:17 | |
-It has attracted -Ireland's best folk singers. | 0:08:17 | 0:08:20 | |
-The Fureys, Dubliners and -of course, the Clancy Brothers. | 0:08:21 | 0:08:25 | |
-Ann, Roisin's mother's sister, -runs the pub now. | 0:08:25 | 0:08:29 | |
-She and her sister Brid -remember the exciting days well. | 0:08:29 | 0:08:33 | |
-Your mother ran the pub. | 0:08:34 | 0:08:36 | |
-You all worked here, didn't you? | 0:08:37 | 0:08:39 | |
-When we were young. | 0:08:40 | 0:08:42 | |
-Do you remember -the Clancys coming here? | 0:08:42 | 0:08:45 | |
-Ann remembers. | 0:08:45 | 0:08:46 | |
-I remember, in 1962 or 1963, -I'm not sure. | 0:08:47 | 0:08:51 | |
-There are three years -between Carmel, my sister, and me. | 0:08:53 | 0:08:59 | |
-Carmel and I were here in the pub. | 0:09:00 | 0:09:02 | |
-I was 12 or 13, and Dad was with us. | 0:09:02 | 0:09:05 | |
-A crew came in, -all of them with beards. | 0:09:06 | 0:09:09 | |
-They played music and talked. | 0:09:09 | 0:09:12 | |
-Dad said, -"They're the Clancy Brothers." | 0:09:13 | 0:09:16 | |
-Were they very famous at the time? | 0:09:17 | 0:09:19 | |
-They were famous in America. | 0:09:19 | 0:09:21 | |
-America? | 0:09:22 | 0:09:23 | |
-Quite famous, -on the radio and so on. | 0:09:23 | 0:09:26 | |
-Mum said she wasn't -there that night. | 0:09:26 | 0:09:30 | |
-She happened to drop by later. | 0:09:30 | 0:09:32 | |
-You all said to her... | 0:09:32 | 0:09:34 | |
-"..What a pity -you weren't here last night. | 0:09:34 | 0:09:38 | |
-"The Clancys sang here. -It was a big session." | 0:09:38 | 0:09:41 | |
-Why don't we have -a drink now, Roisin? | 0:09:42 | 0:09:45 | |
-Slainte - iechyd da! | 0:09:45 | 0:09:47 | |
-Mooney's is still a focus -for the best Irish musicians... | 0:09:49 | 0:09:53 | |
-..and the occasional -exiled Welshman too. | 0:09:53 | 0:09:56 | |
-# The Mayor he knew his features, -and said, "Young man," said he | 0:09:57 | 0:10:01 | |
-# Your name is Willie Brennan, -you must come along with me | 0:10:02 | 0:10:06 | |
-# And it's Brennan on the Moor | 0:10:07 | 0:10:09 | |
-# Bold, brave, and undaunted -was young Brennan on the Moor # | 0:10:09 | 0:10:15 | |
-Ryland and Roisin's challenge -is to combine the strengths... | 0:10:18 | 0:10:23 | |
-..of the Irish and Welsh -music traditions... | 0:10:23 | 0:10:27 | |
-..as they prepare -to sing in St David's. | 0:10:27 | 0:10:30 | |
-Go on, you start. | 0:10:30 | 0:10:32 | |
-Go on, you start. - -Shanties. | 0:10:32 | 0:10:33 | |
-Shanties? | 0:10:33 | 0:10:33 | |
-Shanties? - -Shanty tennis. | 0:10:33 | 0:10:34 | |
-Go on. | 0:10:35 | 0:10:36 | |
-Sea songs. | 0:10:36 | 0:10:37 | |
-# 'Se mo laoch, mo Ghile Mear | 0:10:40 | 0:10:44 | |
-# 'Se mo Chaesar, Ghile Mear | 0:10:45 | 0:10:49 | |
-# Suan na sean ni bhfuaireas fein | 0:10:49 | 0:10:53 | |
-# O chuaigh i gcein mo Ghile Mear # | 0:10:53 | 0:10:58 | |
-That's cheating. That's in the set. | 0:10:59 | 0:11:01 | |
-Is that a shanty? | 0:11:01 | 0:11:03 | |
-OK, if you cheat, so can I. | 0:11:03 | 0:11:05 | |
-# I was in Cork Harbour -one morning at the break of day | 0:11:05 | 0:11:09 | |
-# Oh lads, one morning -at the break of day # | 0:11:09 | 0:11:12 | |
-# It was Friday morn as we set sail | 0:11:13 | 0:11:16 | |
-# And we were not far from the land | 0:11:17 | 0:11:20 | |
-# When the captain he spied -a mermaid so fair | 0:11:20 | 0:11:24 | |
-# With a comb and a glass -in her hand | 0:11:24 | 0:11:28 | |
-# And the ocean waves do roll | 0:11:29 | 0:11:33 | |
-# And the stormy winds do blow | 0:11:33 | 0:11:37 | |
-# And we poor sailors -are skipping at the top | 0:11:38 | 0:11:42 | |
-# While the landlubbers -lie down below, below, below | 0:11:42 | 0:11:46 | |
-# While the landlubbers -lie down below # | 0:11:46 | 0:11:50 | |
-That's an extra point for me. | 0:11:50 | 0:11:52 | |
-That's an extra point for me. - -Why? | 0:11:52 | 0:11:53 | |
-I was singing with you. | 0:11:53 | 0:11:55 | |
-# We'll be out of sight -of land tonight # | 0:11:56 | 0:11:58 | |
-That's showing off now. | 0:11:58 | 0:12:00 | |
-# Lads, how fine it is | 0:12:00 | 0:12:03 | |
-# To look towards home # | 0:12:03 | 0:12:07 | |
-Game, set and match. | 0:12:07 | 0:12:09 | |
-The story of my life. | 0:12:12 | 0:12:14 | |
-. | 0:12:15 | 0:12:15 | |
-Subtitles | 0:12:17 | 0:12:17 | |
-Subtitles - -Subtitles | 0:12:17 | 0:12:19 | |
-Thirty miles from Ryland -and Roisin's home in Ring... | 0:12:24 | 0:12:28 | |
-..is the town of Carrick-on-Suir. | 0:12:29 | 0:12:31 | |
-Roisin grew up here, -and her father and uncles. | 0:12:32 | 0:12:35 | |
-The town hasn't forgotten -the Clancy Brothers. | 0:12:35 | 0:12:39 | |
-# In South Australia I was born, -heave away, haul away | 0:12:39 | 0:12:44 | |
-# South Australia round Cape Horn, -we're bound for South Australia | 0:12:44 | 0:12:49 | |
-# There ain't but one thing grieves -my mind, heave away, haul away | 0:12:49 | 0:12:54 | |
-# To leave Miss Nancy Blair behind, -we're bound for South Australia | 0:12:54 | 0:12:59 | |
-# Haul away, you rolling king | 0:12:59 | 0:13:01 | |
-# Heave away, haul away | 0:13:01 | 0:13:03 | |
-# Haul away, you'll hear me sing, -we're bound for South Australia # | 0:13:03 | 0:13:08 | |
-Maire, Roisin's mother, -still lives in the family home. | 0:13:10 | 0:13:14 | |
-Roisin's sister Aine and -her husband Graham live next door. | 0:13:15 | 0:13:19 | |
-Music is still -important in the old home. | 0:13:19 | 0:13:23 | |
-For seven years, the town has -celebrated the Clancy Brothers... | 0:13:33 | 0:13:38 | |
-..with a cultural festival. | 0:13:38 | 0:13:41 | |
-The community respects -their musical heritage. | 0:13:41 | 0:13:45 | |
-This year, there's -an exhibition of family photos. | 0:13:45 | 0:13:49 | |
-Roisin and her mother -went there before the opening. | 0:13:49 | 0:13:53 | |
-Look! Here's yours and Daddy's -wedding in An Rinn's church. | 0:13:53 | 0:13:58 | |
-In 1965. | 0:14:01 | 0:14:03 | |
-There were many people. -It was like a music festival. | 0:14:04 | 0:14:08 | |
-Was it? | 0:14:08 | 0:14:09 | |
-Daddy said it was a pity... | 0:14:09 | 0:14:12 | |
-..that there were music sessions. | 0:14:14 | 0:14:16 | |
-And everyone said, "Out you go now!" | 0:14:17 | 0:14:20 | |
-"Go on your honeymoon!" | 0:14:21 | 0:14:24 | |
-The Dubliners played, -and the Fureys. | 0:14:26 | 0:14:28 | |
-I didn't want to leave at all. | 0:14:29 | 0:14:32 | |
-I would have much preferred to stay. | 0:14:33 | 0:14:36 | |
-On the road as we left... | 0:14:36 | 0:14:39 | |
-..Bobby said, "What shall we do? -Shall we go back?" | 0:14:39 | 0:14:43 | |
-"No, let's go," I said. | 0:14:43 | 0:14:45 | |
-Did you regret it? | 0:14:46 | 0:14:47 | |
-Yes, rather. | 0:14:47 | 0:14:49 | |
-Bobby and the other -Clancy Brothers have died. | 0:14:52 | 0:14:56 | |
-But their songs remain. | 0:14:56 | 0:14:57 | |
-The festival's highpoint is -a concert with the new generation... | 0:14:58 | 0:15:03 | |
-..the Clancy Brothers' children. | 0:15:03 | 0:15:05 | |
-Since Ryland joined the family, -a few Welsh songs are heard too. | 0:15:06 | 0:15:11 | |
-Let's do a bit more of that song -and put reverb on the bassline. | 0:15:14 | 0:15:18 | |
-# If my sweetheart -comes here tonight | 0:15:20 | 0:15:23 | |
-# Tonight | 0:15:23 | 0:15:26 | |
-# To knock upon the windowpane # | 0:15:27 | 0:15:30 | |
-Are we going to try this? | 0:15:32 | 0:15:34 | |
-Sweating already, eh, Kev? | 0:15:34 | 0:15:36 | |
-LAUGHTER | 0:15:36 | 0:15:38 | |
-As the audience arrives, backstage, -an important rite takes place. | 0:15:43 | 0:15:48 | |
-Put on your jumper, Ryland. | 0:15:49 | 0:15:51 | |
-Don't forget. | 0:15:51 | 0:15:53 | |
-It's the first time I've worn one. | 0:15:53 | 0:15:55 | |
-The name is on it too. | 0:15:55 | 0:15:58 | |
-Oh! My father. | 0:15:58 | 0:16:00 | |
-Roisin's father, Bobby. | 0:16:00 | 0:16:02 | |
-This is making me more nervous -than doing the gig. | 0:16:02 | 0:16:06 | |
-Will it fit? | 0:16:06 | 0:16:08 | |
-That's very good. | 0:16:09 | 0:16:10 | |
-That's very good. - -Hey! | 0:16:10 | 0:16:11 | |
-It fits. | 0:16:11 | 0:16:12 | |
-It fits. - -A Welsh Clancy. | 0:16:12 | 0:16:14 | |
-It suits you. | 0:16:15 | 0:16:17 | |
-Do you think so? | 0:16:17 | 0:16:18 | |
-Let me have a peep. | 0:16:18 | 0:16:20 | |
-You'll sing well now. | 0:16:21 | 0:16:22 | |
-You'll sing well now. - -I'll have to do something. | 0:16:22 | 0:16:24 | |
-APPLAUSE | 0:16:25 | 0:16:26 | |
-We couldn't come here tonight -and pay our dues to these men... | 0:16:27 | 0:16:31 | |
-..without this one. | 0:16:32 | 0:16:34 | |
-This was sung -at every family gathering. | 0:16:34 | 0:16:37 | |
-And we sang it at their gravesides. | 0:16:37 | 0:16:39 | |
-You all know it. -Give us a hand with this one. | 0:16:40 | 0:16:43 | |
-# Oh, the summer time is coming | 0:16:48 | 0:16:53 | |
-# And the trees are sweetly blooming | 0:16:54 | 0:17:00 | |
-# And the wild mountain thyme | 0:17:01 | 0:17:06 | |
-# Grows around the blooming heather | 0:17:07 | 0:17:13 | |
-# Will you go, lassie, go? # | 0:17:13 | 0:17:18 | |
-Everybody! | 0:17:18 | 0:17:19 | |
-# And we'll all go together | 0:17:20 | 0:17:25 | |
-# To pull wild mountain thyme | 0:17:26 | 0:17:30 | |
-# All around the blooming heather | 0:17:32 | 0:17:37 | |
-# Will you go, lassie, go? # | 0:17:37 | 0:17:43 | |
-APPLAUSE | 0:17:51 | 0:17:52 | |
-Did you feel emotional? | 0:17:59 | 0:18:01 | |
-I'm worn out! | 0:18:01 | 0:18:03 | |
-It's quite emotional. | 0:18:03 | 0:18:05 | |
-It is. | 0:18:05 | 0:18:07 | |
-We've done it a few times before. | 0:18:08 | 0:18:10 | |
-But every time we get together, -there's something special. | 0:18:11 | 0:18:15 | |
-Do you think so? | 0:18:16 | 0:18:16 | |
-Do you think so? - -When the family comes together. | 0:18:16 | 0:18:19 | |
-The next time Ryland and Roisin -are on stage together... | 0:18:19 | 0:18:23 | |
-..will be in St David's Folk -Festival with the new band. | 0:18:23 | 0:18:27 | |
-Hwyl fawr. | 0:18:27 | 0:18:28 | |
-Hwyl fawr. - -Hool var. | 0:18:28 | 0:18:29 | |
-Hwyl fawr! | 0:18:29 | 0:18:30 | |
-Hwyl fawr! - -I had a go! | 0:18:30 | 0:18:31 | |
-They've decided that the Clancy -family will form the band's nucleus. | 0:18:31 | 0:18:37 | |
-Now they have to find -who is free to come to Wales. | 0:18:38 | 0:18:41 | |
-ON PHONE | 0:18:41 | 0:18:42 | |
-ON PHONE - -Hello Ryland, how are you? | 0:18:42 | 0:18:44 | |
-It's not Ryland, it's Roisin, Kevin. | 0:18:44 | 0:18:47 | |
-Oh, Roisin, are you alright? | 0:18:47 | 0:18:48 | |
-Oh, Roisin, are you alright? - -How are you? | 0:18:48 | 0:18:49 | |
-To add to the band's Welsh element -and keep things in the family... | 0:18:50 | 0:18:54 | |
-..Ryland called -his father, Garnon Davies. | 0:18:54 | 0:18:57 | |
-Is Dad there? | 0:18:58 | 0:18:59 | |
-FATHER SINGS ON PHONE | 0:18:59 | 0:19:00 | |
-FATHER SINGS ON PHONE - -# Summer is late coming | 0:19:00 | 0:19:03 | |
-# Said the young girl # | 0:19:04 | 0:19:07 | |
-I'll try the harmony. | 0:19:09 | 0:19:11 | |
-HUMS | 0:19:11 | 0:19:13 | |
-# When will summer come? # | 0:19:14 | 0:19:17 | |
-Roisin's cousin Donnacha Gough -will play bodhran in the band. | 0:19:21 | 0:19:26 | |
-He's a leading figure -in Ireland's folk scene... | 0:19:26 | 0:19:30 | |
-..and owns a pub in Dungarvan. | 0:19:30 | 0:19:32 | |
-Then we go into the first Welsh one. -You can pick me up from the top. | 0:19:35 | 0:19:39 | |
-# My love is in the orchard, too -rum dee ro rum dee raddle iddle al | 0:19:44 | 0:19:48 | |
-# I wish I was with her, too -rum dee ro rum dee raddle iddle al | 0:19:49 | 0:19:53 | |
-# There's the house -and there's the barn | 0:19:53 | 0:19:56 | |
-# There's the door of cowshed open, -ffal doo raddle iddle al | 0:19:56 | 0:20:00 | |
-# Too rum dee ro -rum dee raddle iddle al # | 0:20:00 | 0:20:03 | |
-Yeah, that's the groove. | 0:20:08 | 0:20:10 | |
-Fiddler Hugh O'Carroll has married -into the Clancys like Ryland... | 0:20:11 | 0:20:16 | |
-..and is going to have a go -at playing a Welsh song. | 0:20:16 | 0:20:20 | |
-# Ffal doo riddle al | 0:20:20 | 0:20:21 | |
-# Too rum dee raddle iddle al # | 0:20:22 | 0:20:24 | |
-Exactly. I'll sing... | 0:20:24 | 0:20:26 | |
-# Ffal doo riddle al, too rum -dee ro rum dee raddle iddle al | 0:20:26 | 0:20:30 | |
-# Ffal doo riddle al, too rum -dee ro rum dee raddle iddle al | 0:20:30 | 0:20:35 | |
-# Too rum dee ro -rum dee raddle iddle al | 0:20:35 | 0:20:38 | |
-# Rum dee ro rum dee raddle iddle al | 0:20:38 | 0:20:41 | |
-# Too rum dee ro rum dee raddle -iddle al, ffal doo riddle al | 0:20:41 | 0:20:46 | |
-# Too rum dee ro -rum dee raddle iddle al # | 0:20:46 | 0:20:50 | |
-So we have "Huna Blentyn". -What's the other one? | 0:20:55 | 0:20:59 | |
-"Dacw Nghariad" and "Brethyn Gwlan". | 0:20:59 | 0:21:02 | |
-Yes. So you see, -there's a lot of Welsh stuff. | 0:21:03 | 0:21:07 | |
-But only... | 0:21:07 | 0:21:09 | |
-I don't know. | 0:21:09 | 0:21:10 | |
-I'm worried now. | 0:21:11 | 0:21:13 | |
-Do you think -we have enough Irish stuff? | 0:21:14 | 0:21:17 | |
-Do you think there isn't enough? | 0:21:17 | 0:21:19 | |
-Do you want to learn -an Irish song, maybe? | 0:21:20 | 0:21:23 | |
-No problem. | 0:21:23 | 0:21:24 | |
-No problem. - -With me? | 0:21:24 | 0:21:25 | |
-# Oro se do bheatha, -oro se do bheatha # | 0:21:25 | 0:21:29 | |
-Something else. | 0:21:29 | 0:21:30 | |
-# Oro se do bheatha | 0:21:31 | 0:21:33 | |
-# Nois ar theacht an tsamhraidh | 0:21:36 | 0:21:39 | |
-# Nois ar theacht an tsamhraidh # | 0:21:39 | 0:21:42 | |
-You'll have to learn it properly. | 0:21:43 | 0:21:45 | |
-You know the song... | 0:21:50 | 0:21:52 | |
-..O Ros... no! | 0:21:54 | 0:21:55 | |
-Oro Se Do Bheatha. | 0:21:56 | 0:21:58 | |
-Am I saying it properly? | 0:21:59 | 0:22:00 | |
-Am I saying it properly? - -Yes. | 0:22:00 | 0:22:01 | |
-I remember saying O Ros in the bath. | 0:22:01 | 0:22:04 | |
-GIGGLES | 0:22:04 | 0:22:06 | |
-Is it O Ros in the bath? | 0:22:07 | 0:22:09 | |
-ALL SING - -# Nois ar theacht an tsamraidh # | 0:22:09 | 0:22:12 | |
-What is it? | 0:22:12 | 0:22:13 | |
-Nois ar theacht. | 0:22:14 | 0:22:15 | |
-Nois ar theacht. - -Yes. | 0:22:15 | 0:22:16 | |
-Nois ar theacht. | 0:22:16 | 0:22:17 | |
-Theacht. | 0:22:18 | 0:22:19 | |
-You said "rhoch". | 0:22:19 | 0:22:20 | |
-# An tsamhraidh # | 0:22:21 | 0:22:22 | |
-I think of a pig's sound, rhoch. | 0:22:22 | 0:22:24 | |
-Theacht. | 0:22:24 | 0:22:25 | |
-# Oro se do bheatha # | 0:22:26 | 0:22:28 | |
-The gig in St David's -is less than a month away. | 0:22:29 | 0:22:33 | |
-Ryland is starting to worry. | 0:22:33 | 0:22:35 | |
-I think everything's alright. | 0:22:36 | 0:22:38 | |
-There's so much to do, though. | 0:22:38 | 0:22:41 | |
-I'm worried that I come -from somewhere else, from Wales. | 0:22:41 | 0:22:46 | |
-I'm looking at this, -although I've lived here. | 0:22:46 | 0:22:49 | |
-What do you mean? | 0:22:49 | 0:22:51 | |
-People might say, "Who's your Nan?" -Do you know what I mean? | 0:22:51 | 0:22:55 | |
-I know, I'm not paranoid about it. | 0:22:55 | 0:22:58 | |
-I spent so much time with Bobby. | 0:22:58 | 0:23:00 | |
-Do you mean Wales? | 0:23:00 | 0:23:01 | |
-Do you mean Wales? - -No, in general. | 0:23:01 | 0:23:03 | |
-This is your history. | 0:23:04 | 0:23:06 | |
-Put your heart into it, dear boy. | 0:23:06 | 0:23:08 | |
-Put your heart into it, dear boy. - -Exactly. | 0:23:08 | 0:23:09 | |
-That's the thing with Bobby. | 0:23:10 | 0:23:12 | |
-It's just the confidence to say, -This is what I do. | 0:23:12 | 0:23:16 | |
-# Ay yah! | 0:23:16 | 0:23:18 | |
-# We'll pay Paddy Doyle | 0:23:19 | 0:23:23 | |
-# For his boots # | 0:23:23 | 0:23:25 | |
-Every time I go home, -it's a strange feeling. | 0:23:28 | 0:23:32 | |
-I ask myself who I am, -where do I live... | 0:23:32 | 0:23:35 | |
-..what are these songs we sing. | 0:23:35 | 0:23:38 | |
-The Clancy Brothers -had so much passion. | 0:23:38 | 0:23:42 | |
-That's the inspiration. | 0:23:42 | 0:23:44 | |
-I want to join that -to what I remember, growing up. | 0:23:44 | 0:23:48 | |
-# To me way, ay-ay, yah! | 0:23:50 | 0:23:55 | |
-# We'll all throw mud at | 0:23:56 | 0:23:59 | |
-# The cook | 0:23:59 | 0:24:00 | |
-# To me way ay, ay-ay ah! | 0:24:01 | 0:24:06 | |
-# We'll pay Paddy Doyle | 0:24:07 | 0:24:10 | |
-# For his boots! # | 0:24:11 | 0:24:13 | |
-. | 0:24:13 | 0:24:13 | |
-Subtitles | 0:24:18 | 0:24:18 | |
-Subtitles - -Subtitles | 0:24:18 | 0:24:20 | |
-Today is the first time -all the band are together... | 0:24:23 | 0:24:28 | |
-..to rehearse -for the St David's concert. | 0:24:28 | 0:24:31 | |
-Where better to go -than Mooney's pub? | 0:24:31 | 0:24:34 | |
-Joining Hugh and Donnacha... | 0:24:37 | 0:24:40 | |
-..are Roisin's -brother-in-law Graham... | 0:24:40 | 0:24:43 | |
-..and her cousins -Collie, Kevin and Evan. | 0:24:44 | 0:24:47 | |
-# Tell my ma when I go home | 0:24:50 | 0:24:54 | |
-# The boys -won't leave the girls alone | 0:24:55 | 0:25:00 | |
-# They pulled my hair -and stole my comb | 0:25:01 | 0:25:05 | |
-# That's alright 'til I go home | 0:25:06 | 0:25:11 | |
-# Tell my ma when I go home | 0:25:12 | 0:25:16 | |
-# The boys won't leave -the girls alone # | 0:25:17 | 0:25:21 | |
-I've played in bands -with as many as five members. | 0:25:21 | 0:25:27 | |
-I've been onstage -with a lot of musicians. | 0:25:27 | 0:25:31 | |
-This is the first time I've put -something together for eight people. | 0:25:31 | 0:25:36 | |
-# The Belle Of Belfast City # | 0:25:36 | 0:25:38 | |
-We should definitely keep going. -There should be no break there. | 0:25:42 | 0:25:48 | |
-After rehearsing -with the eight of us... | 0:25:48 | 0:25:53 | |
-..there are many different -influences coming in. | 0:25:54 | 0:25:59 | |
-I don't think we need to. | 0:26:00 | 0:26:03 | |
-It loses energy then, doesn't it? | 0:26:03 | 0:26:07 | |
-The thing is, you probably -will get an applause, anyway. | 0:26:10 | 0:26:14 | |
-Come on, we're splitting hair lads. | 0:26:15 | 0:26:19 | |
-It can create tension. | 0:26:21 | 0:26:24 | |
-Who am I to tell -Kevin, Collie or Roisin... | 0:26:24 | 0:26:28 | |
-..who have been singing the songs -for 30 years? | 0:26:28 | 0:26:33 | |
-It's not my place to do that. | 0:26:33 | 0:26:36 | |
-I think the way to go, -if there's an issue is to stop... | 0:26:36 | 0:26:40 | |
-..and we kick into -something like this. | 0:26:41 | 0:26:44 | |
-That would be fine, -whatever you're doing. | 0:26:46 | 0:26:50 | |
-What would you prefer, Kevin? | 0:26:51 | 0:26:53 | |
-Let's take a vote! | 0:26:53 | 0:26:54 | |
-Let's take a vote! - -With the camera on us! | 0:26:54 | 0:26:56 | |
-This is all put on. | 0:26:57 | 0:26:59 | |
-We have to be democratic -and find out what everyone thinks. | 0:27:00 | 0:27:05 | |
-Firstly, they know -the songs better than me. | 0:27:05 | 0:27:08 | |
-And secondly, they're family. | 0:27:09 | 0:27:12 | |
-I'd hate to win a point -and lose a family! | 0:27:12 | 0:27:16 | |
-Yeah, that's it. | 0:27:18 | 0:27:20 | |
-# The Czar Of Munster # | 0:27:20 | 0:27:22 | |
-I want to do keep it simple -with my instrument... | 0:27:40 | 0:27:46 | |
-..to sing it properly... | 0:27:46 | 0:27:48 | |
-..and let the others' talents -shine through. | 0:27:49 | 0:27:53 | |
-If a singer has a certain style... | 0:27:53 | 0:27:57 | |
-..or someone who plays the banjo, -fiddle, guitar or bodhran... | 0:27:57 | 0:28:02 | |
-..let that come through. | 0:28:02 | 0:28:06 | |
-# The Czar Of Munster # | 0:28:06 | 0:28:08 | |
-That worked. | 0:28:24 | 0:28:26 | |
-The rest of the band are coming -on the day of the festival. | 0:28:28 | 0:28:33 | |
-Ryland, Roisin and the children... | 0:28:33 | 0:28:35 | |
-..want to visit Ryland's parents -in Ffostrasol, Cardigan. | 0:28:36 | 0:28:41 | |
-What would you say -if we said we were moving back? | 0:28:41 | 0:28:46 | |
-Surprise! | 0:28:48 | 0:28:50 | |
-This is what it's all about. -We're going to live in Ffostrasol. | 0:28:50 | 0:28:56 | |
-First reaction? | 0:28:56 | 0:28:58 | |
-First reaction? - -Um... OK. | 0:28:58 | 0:29:00 | |
-What if I told you there -is no festival in St David's... | 0:29:00 | 0:29:05 | |
-..Clancy Cymru are not singing. | 0:29:06 | 0:29:08 | |
-We've come back. How would you feel? | 0:29:08 | 0:29:11 | |
-Yeah. | 0:29:13 | 0:29:14 | |
-It's OK by me. | 0:29:15 | 0:29:16 | |
-It's OK by me. - -Is it? | 0:29:16 | 0:29:18 | |
-And you? | 0:29:18 | 0:29:19 | |
-And you? - -Yes, it's fine by me. | 0:29:19 | 0:29:21 | |
-It's a one-way boat. | 0:29:21 | 0:29:24 | |
-Hey! | 0:29:27 | 0:29:28 | |
-Back in Wales. | 0:29:30 | 0:29:32 | |
-Ryland grew up with -the Cnapan Festival on his doorstep. | 0:29:39 | 0:29:44 | |
-Wales's biggest folk festival... | 0:29:44 | 0:29:48 | |
-..offered Ryland the chance -to hear famous Celtic singers. | 0:29:48 | 0:29:53 | |
-# My love is in the orchard, too -rum dee ro rum dee raddle iddle al | 0:30:00 | 0:30:04 | |
-# I wish I was with her, too -rum dee ro rum dee raddle iddle al | 0:30:04 | 0:30:08 | |
-# There's the house -and there's the barn | 0:30:08 | 0:30:11 | |
-# There's the cowshed door open | 0:30:11 | 0:30:14 | |
-# Ffal doo raddle iddle al, too -rum dee ro rum dee raddle iddle al # | 0:30:14 | 0:30:19 | |
-They're home, aren't they? | 0:30:21 | 0:30:23 | |
-They're home, aren't they? - -Yes. | 0:30:23 | 0:30:24 | |
-Whey-hey! | 0:30:24 | 0:30:26 | |
-Hello! How are you? | 0:30:31 | 0:30:34 | |
-How are you, love? | 0:30:38 | 0:30:39 | |
-Hello, Mam. | 0:30:39 | 0:30:40 | |
-Hello, Mam. - -Hi, Garnon. | 0:30:40 | 0:30:42 | |
-Food is ready. | 0:30:42 | 0:30:44 | |
-Mali! What's all that noise? | 0:30:44 | 0:30:46 | |
-Are you ready to sing tomorrow? | 0:30:46 | 0:30:48 | |
-Are you ready to sing tomorrow? - -I don't know. | 0:30:48 | 0:30:50 | |
-RYLAND SINGS A HIGH NOTE | 0:30:50 | 0:30:52 | |
-RYLAND SINGS A HIGH NOTE - -Warming up. | 0:30:52 | 0:30:53 | |
-Myfi, -I haven't had a cuddle from you. | 0:30:54 | 0:30:57 | |
-Oh! Here we go. | 0:30:57 | 0:31:00 | |
-You're honoured. | 0:31:02 | 0:31:04 | |
-Come to Tadcu. | 0:31:04 | 0:31:06 | |
-Ffostrasol square was packed -during the Cnapan festival. | 0:31:09 | 0:31:13 | |
-From a young age, Ryland -was involved with the folk scene. | 0:31:13 | 0:31:18 | |
-He sang with Gwergan -when he was only twelve. | 0:31:18 | 0:31:21 | |
-# We'll stand together | 0:31:21 | 0:31:24 | |
-# For our country's sake # | 0:31:25 | 0:31:28 | |
-It was before Ryland and Roisin met. | 0:31:28 | 0:31:32 | |
-Is this the old Cnapan shed? | 0:31:33 | 0:31:34 | |
-Is this the old Cnapan shed? - -Yes. | 0:31:34 | 0:31:36 | |
-This is the Cnapan shed. | 0:31:36 | 0:31:38 | |
-I've heard it's going -to be pulled down. | 0:31:39 | 0:31:42 | |
-That's a pity. | 0:31:43 | 0:31:46 | |
-The first bar was here. | 0:31:46 | 0:31:49 | |
-The concert was in here. | 0:31:50 | 0:31:55 | |
-The main stage was there. | 0:31:55 | 0:31:56 | |
-The main stage was there. - -It's big. | 0:31:56 | 0:31:58 | |
-This was Wales's longest bar. | 0:32:00 | 0:32:03 | |
-Was that Garnon and Ryland's -corner?! | 0:32:03 | 0:32:06 | |
-Dad was one end, -and I was the other end. | 0:32:07 | 0:32:10 | |
-You can sense the ghosts in the air. | 0:32:10 | 0:32:13 | |
-Ar Log and Dafydd Iwan. | 0:32:13 | 0:32:16 | |
-I saw Davy Spillane there. | 0:32:16 | 0:32:19 | |
-The Fureys played here... | 0:32:19 | 0:32:22 | |
-..Finbar Furey and his brothers. | 0:32:22 | 0:32:26 | |
-# And men have died around you | 0:32:33 | 0:32:35 | |
-# For Kings and Queens and peers | 0:32:36 | 0:32:39 | |
-# But they left you -as they found you | 0:32:39 | 0:32:42 | |
-# Tho' you talked to them the same | 0:32:43 | 0:32:45 | |
-# Songs of love and bravery | 0:32:48 | 0:32:50 | |
-# Songs of yesteryear | 0:32:51 | 0:32:53 | |
-# But the songs about your beauty | 0:32:54 | 0:32:56 | |
-# Are the songs I love to hear # | 0:32:57 | 0:33:00 | |
-It was heaving. | 0:33:03 | 0:33:05 | |
-The following year... | 0:33:06 | 0:33:08 | |
-..they took away all of this side. | 0:33:09 | 0:33:12 | |
-They added another tent -to make more room. | 0:33:12 | 0:33:16 | |
-The year after that, -that was too small. | 0:33:17 | 0:33:20 | |
-They put a huge tent outside, -and kept this as the bar. | 0:33:20 | 0:33:25 | |
-# Move to the place | 0:33:27 | 0:33:29 | |
-# The sky will turn red | 0:33:30 | 0:33:33 | |
-# Wait for the hour | 0:33:35 | 0:33:38 | |
-# For your eyes to light the fire | 0:33:40 | 0:33:42 | |
-# Be one with me | 0:33:44 | 0:33:47 | |
-# While the mountains are green | 0:33:48 | 0:33:52 | |
-# Before the wind reaches the vales | 0:33:53 | 0:33:57 | |
-# And the streams freeze over # | 0:33:57 | 0:34:02 | |
-Roisin, do you see that house? | 0:34:07 | 0:34:10 | |
-Yes. | 0:34:10 | 0:34:11 | |
-See the window closest to us? | 0:34:12 | 0:34:14 | |
-Yes. | 0:34:14 | 0:34:15 | |
-That's where you'd find me -every midnight on Cnapan nights. | 0:34:15 | 0:34:20 | |
-Why? | 0:34:20 | 0:34:21 | |
-Why? - -Keeping an eye on Ryland. | 0:34:21 | 0:34:24 | |
-What was Ryland doing? | 0:34:24 | 0:34:26 | |
-I can't say. | 0:34:27 | 0:34:29 | |
-The grass wasn't -that long back then. | 0:34:29 | 0:34:32 | |
-One story. | 0:34:32 | 0:34:34 | |
-One story. - -No, I won't tell stories. | 0:34:34 | 0:34:36 | |
-What happened in the Cnapan, -stayed in the Cnapan! | 0:34:36 | 0:34:40 | |
-Ryland's father was -a founding member of the festival. | 0:34:41 | 0:34:46 | |
-It involved a lot of hard work -every year. | 0:34:46 | 0:34:50 | |
-But they had fun, too. -Ryland has found an old video. | 0:34:50 | 0:34:54 | |
-You haven't seen this before. | 0:34:54 | 0:34:56 | |
-You've heard me talk -about the Cnapan Festival. | 0:34:57 | 0:35:00 | |
-It was held -in the sheds over the road. | 0:35:00 | 0:35:04 | |
-Very strange people turned up once. -You might know them. | 0:35:04 | 0:35:08 | |
-Who is that in the wig? -Who's that, Myfi? | 0:35:31 | 0:35:36 | |
-It suits you, Garnon! | 0:35:38 | 0:35:41 | |
-Who was that, Myfi? | 0:35:42 | 0:35:44 | |
-I think she's a bit disturbed by it! | 0:35:44 | 0:35:48 | |
-Myfi is in shock! | 0:35:49 | 0:35:51 | |
-While Roisin and the girls -have supper with the family... | 0:35:56 | 0:36:00 | |
-..Ryland and Garnon rehearse -for tomorrow's festival. | 0:36:00 | 0:36:05 | |
-# My friends tell me all the time | 0:36:05 | 0:36:11 | |
-# This is the only comfort -I'll find | 0:36:12 | 0:36:17 | |
-# Don't despair | 0:36:17 | 0:36:21 | |
-# Gentle girl | 0:36:22 | 0:36:27 | |
-# You will feel better | 0:36:28 | 0:36:31 | |
-# When summer comes # | 0:36:31 | 0:36:35 | |
-Is it only you who'll accompany me? | 0:36:35 | 0:36:38 | |
-No. | 0:36:39 | 0:36:40 | |
-Rather than have all the band, -I thought we'd keep it simple. | 0:36:40 | 0:36:45 | |
-It works well like that. -Hugh and Evan have played it before. | 0:36:45 | 0:36:50 | |
-Will they know -where I intend to slow down? | 0:36:51 | 0:36:54 | |
-They're used to following you -by now. | 0:36:54 | 0:36:57 | |
-They've followed you -many times in the golf club! | 0:36:58 | 0:37:02 | |
-They know the song. | 0:37:02 | 0:37:04 | |
-They're looking forward. | 0:37:04 | 0:37:06 | |
-. | 0:37:07 | 0:37:07 | |
-Subtitles | 0:37:12 | 0:37:12 | |
-Subtitles - -Subtitles | 0:37:12 | 0:37:14 | |
-St David's, the morning of the gig. -The big day has arrived. | 0:37:16 | 0:37:20 | |
-The Bishop's Palace is almost ready -for the folk festival. | 0:37:20 | 0:37:26 | |
-The rest of Clancy Cymru -arrived on the early ferry. | 0:37:26 | 0:37:30 | |
-What time is the soundcheck? | 0:37:30 | 0:37:32 | |
-It's supposed to be two. | 0:37:33 | 0:37:35 | |
-That's for the first ten pints. -You have one, Rois. | 0:37:36 | 0:37:39 | |
-I do, yeah. | 0:37:40 | 0:37:42 | |
-It's only for ten pints. -Do you want two? | 0:37:43 | 0:37:46 | |
-Who'd want to keep us off the drink -all day? That's your job, Ryland. | 0:37:46 | 0:37:50 | |
-The streets of St David's -begin to fill up. | 0:37:53 | 0:37:56 | |
-In the Bishop's Palace, Clancy Cymru -are ready for a soundcheck. | 0:37:56 | 0:38:01 | |
-Kevin. | 0:38:08 | 0:38:10 | |
-Guitar, Graham. | 0:38:11 | 0:38:13 | |
-Bodhran, Donnacha. | 0:38:15 | 0:38:20 | |
-One two, one two. One two, one two. | 0:38:21 | 0:38:24 | |
-Definitely want more than you. | 0:38:25 | 0:38:27 | |
-One, two. I need more than anyone. | 0:38:29 | 0:38:31 | |
-Shall we have a go, from the top? | 0:38:33 | 0:38:37 | |
-# Tell my ma when I go home | 0:38:40 | 0:38:44 | |
-# The boys won't leave -the girls alone | 0:38:46 | 0:38:50 | |
-# They pulled my hair -and stole my comb # | 0:38:51 | 0:38:54 | |
-A bit more bouzouki, please. | 0:38:54 | 0:38:56 | |
-# That's alright 'til I go home # | 0:38:57 | 0:39:01 | |
-There's a problem with sound, -to be honest, with eight of us. | 0:39:07 | 0:39:11 | |
-It's important to have foldback. -There are only four monitors. | 0:39:11 | 0:39:17 | |
-Donnacha doesn't have a monitor. | 0:39:18 | 0:39:21 | |
-But there you go. It'll be fine. | 0:39:24 | 0:39:26 | |
-Yes. | 0:39:29 | 0:39:30 | |
-The audience began to arrive. | 0:39:31 | 0:39:34 | |
-Ryland and Roisin met a musician who -has links with Ireland and Wales. | 0:39:34 | 0:39:40 | |
-Dave, you were in Ardmore -before you went to Ring. | 0:39:41 | 0:39:44 | |
-Frank had relations in Ardmore. | 0:39:44 | 0:39:46 | |
-Frank had relations in Ardmore. - -Frank Hennessy? | 0:39:46 | 0:39:47 | |
-We found out that Tommy Mooney... | 0:39:48 | 0:39:50 | |
-..who lived in Ardmore, was -a relative of the Mooneys in Ring. | 0:39:50 | 0:39:54 | |
-Dave Burns comes from Cardiff. | 0:39:54 | 0:39:57 | |
-In the 1960s, he was one -of the original Hennessys. | 0:39:57 | 0:40:01 | |
-His family come -from the same area as Roisin. | 0:40:01 | 0:40:04 | |
-The Clancy Brothers were gods to us. | 0:40:04 | 0:40:07 | |
-We'd just started out playing. -They were our idols. | 0:40:07 | 0:40:10 | |
-Everything we did -was Clancy Brothers. | 0:40:10 | 0:40:13 | |
-Did you sing Clancy Brothers songs? | 0:40:14 | 0:40:16 | |
-Did you sing Clancy Brothers songs? - -Yeah. | 0:40:16 | 0:40:17 | |
-The thing about the Clancys was, -Irish music up 'til then... | 0:40:17 | 0:40:22 | |
-..had been Bridie Gallagher -and Deirdre Murphy... | 0:40:23 | 0:40:28 | |
-..very pretty. | 0:40:28 | 0:40:30 | |
-# Eileen O'Carroll # | 0:40:30 | 0:40:34 | |
-That was the stuff we were brought -up with in Newtown in Cardiff. | 0:40:34 | 0:40:39 | |
-Then suddenly the Clancys -came along. | 0:40:39 | 0:40:43 | |
-Suddenly, there was -this approach to Irish music... | 0:40:43 | 0:40:49 | |
-..that was really... | 0:40:49 | 0:40:50 | |
-..more rebellious. | 0:40:51 | 0:40:52 | |
-..more rebellious. - -More rock and roll. | 0:40:52 | 0:40:54 | |
-I was in the Capitol cinema -in Cardiff watching them. | 0:40:54 | 0:40:58 | |
-If they sang a rebel song, you had -to go out to start a revolution. | 0:40:58 | 0:41:02 | |
-They'd fire you up, the sheer energy -of the way they presented a song. | 0:41:02 | 0:41:07 | |
-Dave is here with his own band. | 0:41:08 | 0:41:10 | |
-Ryland has asked him -to join Clancy Cymru for one song. | 0:41:10 | 0:41:15 | |
-We tried to do a different twist -and put an Irish jig in the middle. | 0:41:16 | 0:41:21 | |
-It's the Kesh Jig. | 0:41:22 | 0:41:25 | |
-# I was in Cork harbour -one morning at the break of day | 0:41:35 | 0:41:39 | |
-# One morning at the break of day # | 0:41:39 | 0:41:42 | |
-RYLAND SINGS KESH JIG | 0:41:43 | 0:41:45 | |
-We'll probably do -two and two there... | 0:41:51 | 0:41:54 | |
-..A and B. | 0:41:55 | 0:41:56 | |
-I'll play better than that, mind. | 0:41:57 | 0:42:00 | |
-You'd better! | 0:42:00 | 0:42:02 | |
-The afternoon turned into night -and the Bishop's Palace was full. | 0:42:03 | 0:42:08 | |
-The audience -enjoyed Dave Burns' band. | 0:42:08 | 0:42:12 | |
-# Mighty great load on my mind | 0:42:12 | 0:42:16 | |
-# When I think -of the prospects before me # | 0:42:17 | 0:42:21 | |
-Their set ended... | 0:42:21 | 0:42:23 | |
-..to make way for Clancy Cymru's -first ever performance. | 0:42:23 | 0:42:29 | |
-I'm looking forward. We need -to play in front of a live audience. | 0:42:30 | 0:42:35 | |
-The boys are ready. -It's the first time we've done it. | 0:42:35 | 0:42:39 | |
-It's new ground. We'll see. | 0:42:39 | 0:42:41 | |
-I want to enjoy it. -That's what's important. | 0:42:41 | 0:42:45 | |
-# And wherever I'll be | 0:42:48 | 0:42:51 | |
-# I'll be true love, to thee | 0:42:52 | 0:42:58 | |
-# And the country -I'm leaving behind # | 0:42:59 | 0:43:05 | |
-Thanks very much. | 0:43:08 | 0:43:10 | |
-While the audience -applauded Dave Burns... | 0:43:12 | 0:43:16 | |
-..Clancy Cymru -prepared to step on the stage. | 0:43:16 | 0:43:20 | |
-What sort of reception -will they have? | 0:43:20 | 0:43:23 | |
-One, two, three! | 0:43:24 | 0:43:26 | |
-# Tell my ma when I go home, -the boys won't leave the girls alone | 0:43:26 | 0:43:30 | |
-# They pulled my hair and stole my -comb, that's alright 'til I go home | 0:43:30 | 0:43:34 | |
-# She is handsome, she is pretty, -she is the belle of Belfast city | 0:43:35 | 0:43:39 | |
-# She is courting, one two three, -please won't you tell me who is she? | 0:43:39 | 0:43:44 | |
-# Albert Mooney says he loves her, -all the boys are fighting for her | 0:43:48 | 0:43:51 | |
-# Knock on the door -and they ring the bell | 0:43:51 | 0:43:53 | |
-# Oh my true love, are you well? -Out she comes, as white as snow | 0:43:54 | 0:43:57 | |
-# Rings on her fingers, -bells on her toes | 0:43:58 | 0:44:00 | |
-# Old Johnny Mary says she'll die | 0:44:00 | 0:44:02 | |
-# If she doesn't get the fella -with the roving eye # | 0:44:02 | 0:44:06 | |
-The audience were soon -on their feet. | 0:44:08 | 0:44:12 | |
-Dave Burns was invited -back on the stage. | 0:44:12 | 0:44:17 | |
-# Oh, Rhisiart said Morus, -Oh Morus said Twm, said Twm | 0:44:31 | 0:44:36 | |
-# Oh Morus said Twm | 0:44:37 | 0:44:39 | |
-# We'd better reef the sails -before the bad weather sets in | 0:44:39 | 0:44:44 | |
-# Before the bad weather sets in # | 0:44:44 | 0:44:47 | |
-Several lively songs followed, -and it was time to slow things down. | 0:44:57 | 0:45:02 | |
-I'd like to invite -another guest on the stage. | 0:45:03 | 0:45:07 | |
-I'd never have gone to Ireland -if it wasn't for this man. | 0:45:07 | 0:45:11 | |
-He and my mother -introduced me to Irish music. | 0:45:14 | 0:45:18 | |
-Please welcome Mr Garnon Davies, -my father. | 0:45:19 | 0:45:22 | |
-# Summer is a long time coming | 0:45:27 | 0:45:32 | |
-# Said the ailing young girl | 0:45:33 | 0:45:38 | |
-# When will Spring be over | 0:45:39 | 0:45:43 | |
-# When is summer coming, mother? | 0:45:44 | 0:45:49 | |
-# My friends always tell me | 0:45:50 | 0:45:55 | |
-# This is the only comfort I'll have | 0:45:57 | 0:46:01 | |
-# Don't despair | 0:46:03 | 0:46:06 | |
-# Gentle girl | 0:46:08 | 0:46:12 | |
-# You will feel better | 0:46:13 | 0:46:16 | |
-# When summer comes # | 0:46:17 | 0:46:22 | |
-Thanks Mr Garnon Davies! | 0:46:25 | 0:46:27 | |
-The night went -from strength to strength. | 0:46:27 | 0:46:30 | |
-Clancy Cymru -were soon on their final song. | 0:46:31 | 0:46:34 | |
-# Wool is what our forefathers wore | 0:46:35 | 0:46:38 | |
-# Wool is what our forefathers wore | 0:46:39 | 0:46:42 | |
-# Wool -is what our forefathers wore # | 0:46:42 | 0:46:46 | |
-Thanks and goodnight. | 0:47:12 | 0:47:16 | |
-I'm glad we got through it and -the audience rose to their feet. | 0:47:22 | 0:47:27 | |
-I was thrilled Dad was here -to sing Yr Eneth Glaf. | 0:47:27 | 0:47:31 | |
-We lost Mamgu last year. | 0:47:32 | 0:47:35 | |
-It's been an emotional journey -to get everyone together. | 0:47:35 | 0:47:41 | |
-This is our first gig. -But everyone gave 100%. | 0:47:41 | 0:47:47 | |
-I couldn't be happier. | 0:47:47 | 0:47:50 | |
-# Lliw'r Heulwen # | 0:47:50 | 0:47:52 | |
-Thank you. | 0:48:04 | 0:48:06 | |
-S4C Subtitles by Gwead | 0:48:09 | 0:48:11 | |
-. | 0:48:11 | 0:48:11 |