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-My name is Ffion Dafis. I'm an -actress and a television presenter. | 0:00:48 | 0:00:53 | |
-I was just checking it was you. | 0:00:55 | 0:00:58 | |
-Alwyn's just gone upstairs. | 0:00:58 | 0:01:01 | |
-Let them do their job. | 0:01:01 | 0:01:03 | |
-He's Matthew Glyn, I'm Ffion Dafis. | 0:01:04 | 0:01:06 | |
-I was forced to read -Cysgod Y Cryman in 1987... | 0:01:18 | 0:01:23 | |
-..like many Welsh teenagers... | 0:01:23 | 0:01:26 | |
-..who were studying -Welsh O Level at the time. | 0:01:26 | 0:01:29 | |
-This is the book -I stole from Ysgol Tryfan... | 0:01:30 | 0:01:33 | |
-..and studied for O Level. | 0:01:33 | 0:01:36 | |
-I'm proud to say the notes -I scribbled in the margin... | 0:01:37 | 0:01:41 | |
-..continue throughout the book -to the last page. | 0:01:41 | 0:01:45 | |
-It's not often that a set book... | 0:01:45 | 0:01:47 | |
-..prompts someone -to read it for pleasure. | 0:01:47 | 0:01:50 | |
-It's nice that my sister, Eleri... | 0:01:51 | 0:01:53 | |
-..studied the same book -two years later. | 0:01:54 | 0:01:57 | |
-It still contains -the notes she made too. | 0:01:57 | 0:02:00 | |
-It's nice looking back. | 0:02:00 | 0:02:03 | |
-Seeing my childish handwriting -brings back memories of my youth. | 0:02:03 | 0:02:08 | |
-"Regards himself as a kind of god. -He doesn't understand tradition." | 0:02:08 | 0:02:12 | |
-"Expresses -Greta's conflicting thoughts." | 0:02:13 | 0:02:16 | |
-"Makes use of the senses -like Kate Roberts." | 0:02:16 | 0:02:19 | |
-Islwyn Ffowc -would be pleased to hear that! | 0:02:19 | 0:02:22 | |
-"Introduces characters -by their thoughts." | 0:02:23 | 0:02:26 | |
-"Sets the scene skilfully." | 0:02:26 | 0:02:28 | |
-I was obviously captivated by it -at a young age. | 0:02:29 | 0:02:32 | |
-Although the novel -was written back in 1953... | 0:02:41 | 0:02:44 | |
-..and society -seemed old fashioned... | 0:02:44 | 0:02:47 | |
-..to a teenager in the 1980s... | 0:02:47 | 0:02:49 | |
-..it was a real page turner. | 0:02:50 | 0:02:53 | |
-It contains romance, conflict... | 0:02:53 | 0:02:56 | |
-..and a new -political ideology, communism... | 0:02:57 | 0:03:00 | |
-..that I, as a 15-year-old, -knew nothing about. | 0:03:01 | 0:03:04 | |
-It provided the backdrop for -the novel, and at that young age... | 0:03:05 | 0:03:09 | |
-..I realized I was reading -a literary masterpiece... | 0:03:10 | 0:03:14 | |
-..in terms of -Islwyn Ffowc's poetic style... | 0:03:15 | 0:03:19 | |
-..when describing Powys -and its enchantment. | 0:03:19 | 0:03:22 | |
-While working as a minister, -Islwyn Ffowc Elis wrote the novel... | 0:03:36 | 0:03:41 | |
-..in Llanfair Caereinion -in the 1950s. | 0:03:41 | 0:03:43 | |
-The region inspired his writing. | 0:03:44 | 0:03:46 | |
-The novel -is essentially a family saga... | 0:03:47 | 0:03:51 | |
-..portraying the lives -of wealthy farmers in Powys. | 0:03:51 | 0:03:55 | |
-After a long tradition -of farming in the region... | 0:03:55 | 0:03:58 | |
-..the son, a university student, -turns their lives upside down... | 0:03:59 | 0:04:03 | |
-..when he decides -to become a communist. | 0:04:04 | 0:04:07 | |
-Conflict ensues within the family -and society itself. | 0:04:07 | 0:04:11 | |
-I'm sure many of us -who've read the novel... | 0:04:11 | 0:04:14 | |
-..have conjured up -our own images of Lleifior. | 0:04:14 | 0:04:17 | |
-Somewhere like Pen-Y-Dyffryn -behind me, perhaps? | 0:04:17 | 0:04:21 | |
-When I moved to the Banw Valley -in Montgomeryshire... | 0:04:26 | 0:04:30 | |
-..I noticed -a significant difference... | 0:04:30 | 0:04:34 | |
-..in rural society. | 0:04:34 | 0:04:36 | |
-There were -ordinary farmers, of course... | 0:04:37 | 0:04:40 | |
-..and then there were -prominent landowners. | 0:04:40 | 0:04:44 | |
-They weren't English squires, -but cultured Welsh-speaking folk. | 0:04:44 | 0:04:49 | |
-Farmers with 300 acres and more. | 0:04:49 | 0:04:52 | |
-And there were numerous farms -like Lleifior in the vicinity. | 0:04:52 | 0:04:56 | |
-"It was a turbulent summer -in the Aerwen Valley that year. | 0:04:59 | 0:05:03 | |
-"January's frost gnawed at the soil, -February and March brought a purge. | 0:05:04 | 0:05:07 | |
-"April's floods -washed its poison to the sea. | 0:05:08 | 0:05:12 | |
-"The soil was purified and revived, -making it vibrantly verdant. | 0:05:12 | 0:05:17 | |
-"The lengthy purge -delayed the harvest. | 0:05:22 | 0:05:25 | |
-"The grass was silken and luscious. | 0:05:26 | 0:05:28 | |
-"Sons greased the machines -and whetted the knives... | 0:05:28 | 0:05:32 | |
-"..in anticipation of harvest crops. | 0:05:32 | 0:05:35 | |
-"Fathers interpreted the sunsets. | 0:05:35 | 0:05:38 | |
-"They slyly eyed up -each other's fields... | 0:05:38 | 0:05:41 | |
-"..taking cues from Edward Vaughan. | 0:05:41 | 0:05:43 | |
-"Edward Vaughan -knew when the grass had matured... | 0:05:44 | 0:05:48 | |
-"..and when it was time to harvest. | 0:05:48 | 0:05:51 | |
-"His sixth sense told him -when to hold back and when to begin. | 0:05:51 | 0:05:55 | |
-"Today Edward Vaughan cut the grass. | 0:05:58 | 0:06:01 | |
-"Six of Lleifior's -300 hectares had been mown... | 0:06:01 | 0:06:05 | |
-"..leaving a green swath at dusk. | 0:06:06 | 0:06:08 | |
-"The night -brought with it new aromas... | 0:06:08 | 0:06:11 | |
-"..as he leaned against the gate -beneath the trees. | 0:06:11 | 0:06:15 | |
-"He walked purposefully -to the house... | 0:06:17 | 0:06:20 | |
-"..his 65-year-old frame -was tall and upright." | 0:06:20 | 0:06:23 | |
-I'm on my way -to meet Professor John Rowlands... | 0:06:32 | 0:06:36 | |
-..who's very familiar -with Islwyn Ffowc Elis's work. | 0:06:37 | 0:06:40 | |
-What were the novel's virtues -in terms of a Welsh context? | 0:06:41 | 0:06:45 | |
-The fact that is was so popular... | 0:06:45 | 0:06:48 | |
-..and appealed to -the younger generation... | 0:06:48 | 0:06:52 | |
-..of which I was one, -believe it or not! | 0:06:52 | 0:06:55 | |
-It's true -that he was a novelist of his time. | 0:06:55 | 0:06:58 | |
-He captured the zeitgeist, -as it were. | 0:06:59 | 0:07:02 | |
-People were so fond of this novel, -they wanted a sequel. | 0:07:02 | 0:07:06 | |
-But instead he wrote an experimental -offering which was quite different. | 0:07:06 | 0:07:11 | |
-It was a novel -which earned him harsh criticism. | 0:07:11 | 0:07:15 | |
-There are obvious failings... | 0:07:15 | 0:07:17 | |
-..but we love them because they're -part and parcel of the novel. | 0:07:17 | 0:07:21 | |
-Does that make sense? | 0:07:21 | 0:07:23 | |
-I agree with you because -I've read it countless times. | 0:07:24 | 0:07:27 | |
-I read it again -for this programme. | 0:07:28 | 0:07:31 | |
-It got to me again. | 0:07:31 | 0:07:34 | |
-Me too. I was in tears. | 0:07:34 | 0:07:36 | |
-The word I'd use is heartbreaking. | 0:07:37 | 0:07:39 | |
-What is it about the book -that makes us feel that way? | 0:07:39 | 0:07:43 | |
-It's black and white and there are -many stereotypes but it gets to you. | 0:07:43 | 0:07:47 | |
-Why is that? | 0:07:48 | 0:07:49 | |
-I don't know, but -the characters are very realistic. | 0:07:50 | 0:07:55 | |
-Then again, if you analysed them, -they'd turn out to be stereotypes. | 0:07:55 | 0:08:01 | |
-It's a very good novel to discuss -in a literary group or something... | 0:08:02 | 0:08:06 | |
-..because the minute you start -discussing it, you find weaknesses. | 0:08:06 | 0:08:11 | |
-But when you read it for pleasure, -you lose yourself in the story. | 0:08:11 | 0:08:15 | |
-I felt I had to tell a story that'd -grip the reader's imagination... | 0:08:16 | 0:08:21 | |
-..from start to finish. | 0:08:21 | 0:08:23 | |
-It was a challenge. | 0:08:23 | 0:08:25 | |
-Once you start analysing it, -you find weaknesses. | 0:08:26 | 0:08:29 | |
-But it grips you, no matter -how many times you read it... | 0:08:29 | 0:08:33 | |
-..because of the story. | 0:08:34 | 0:08:36 | |
-I don't think it was written -with an award in mind. | 0:08:36 | 0:08:40 | |
-He couldn't believe.... | 0:08:40 | 0:08:42 | |
-..it had been nominated for -the Book of the Century prize. | 0:08:42 | 0:08:46 | |
-"A good read" was the term used -to describe the novel at the time. | 0:08:46 | 0:08:51 | |
-He knew how to write -a good story and enjoyed doing so. | 0:08:51 | 0:08:55 | |
-It won Book of the Century -due to its popularity. | 0:08:55 | 0:08:59 | |
-Coming from -a traditionally liberal family... | 0:09:04 | 0:09:08 | |
-..there is one event which changes -Harri Vaughan's political ideology. | 0:09:08 | 0:09:12 | |
-The seed was planted -at the National Eisteddfod. | 0:09:13 | 0:09:16 | |
-Who was responsible for planting -that seed? Gwylan Thomas, no less. | 0:09:16 | 0:09:21 | |
-"'Will you buy a copy -of Y Cryman, please?' | 0:09:24 | 0:09:26 | |
-"Harri gazed at the girl. -He was sure he'd seen her before. | 0:09:27 | 0:09:31 | |
-"She was a slender woman, -dressed simply in white cotton. | 0:09:31 | 0:09:34 | |
-"She had dark hair and dark eyes. | 0:09:35 | 0:09:37 | |
-"He couldn't say she was pretty, -though her eyes were pretty. | 0:09:37 | 0:09:41 | |
-"She urged men to look at her. | 0:09:42 | 0:09:44 | |
-"'I've seen you before,' said Harri. | 0:09:44 | 0:09:47 | |
-"'Who's the publisher?' -'A student press.' | 0:09:48 | 0:09:51 | |
-"'Do they belong -to a sect or a party?' | 0:09:51 | 0:09:54 | |
-"'Communists.' 'I thought as much.' | 0:09:54 | 0:09:57 | |
-"'Why?' 'The sickle -is one of your symbols, isn't it?' | 0:09:57 | 0:10:01 | |
-"'You know a great deal about us.' | 0:10:01 | 0:10:03 | |
-"'You're being sarcastic now.' -'Not at all.' | 0:10:03 | 0:10:07 | |
-"'But what about the hammer symbol? | 0:10:07 | 0:10:09 | |
-"'Your paper should be called -Y Morthwyl a'r Cryman.' | 0:10:09 | 0:10:13 | |
-"'That title's too long. There's -a double significance to the title.' | 0:10:13 | 0:10:18 | |
-"'The bourgeois -must first be scythed... | 0:10:18 | 0:10:21 | |
-"'..before building -a classless society.' | 0:10:21 | 0:10:24 | |
-"'Then I must be scythed -because I belong to the bourgeois.' | 0:10:25 | 0:10:29 | |
-"'Join the party -and you won't be bourgeois then.' | 0:10:29 | 0:10:33 | |
-"'The society -you belong to must be scythed.' | 0:10:33 | 0:10:36 | |
-"'You expect me -to thresh my mother and father... | 0:10:37 | 0:10:41 | |
-"'..and all the people I know?' | 0:10:41 | 0:10:44 | |
-"'Not if they -see the light in time.' | 0:10:44 | 0:10:46 | |
-"'Where can the light be found?' -'In Y Cryman.' | 0:10:47 | 0:10:50 | |
-"'I'll buy it.' -'Thank you very much.'" | 0:10:50 | 0:10:53 | |
-. | 0:11:04 | 0:11:05 | |
-Subtitles | 0:11:06 | 0:11:06 | |
-Subtitles - -Subtitles | 0:11:06 | 0:11:08 | |
-Islwyn Ffowc Elis -has inspired a number of authors... | 0:11:13 | 0:11:17 | |
-..one of whom is Bethan Gwanas. | 0:11:17 | 0:11:20 | |
-I must've read the book in 1992. | 0:11:23 | 0:11:26 | |
-It was 1995 when I -applied to the Arts Council... | 0:11:26 | 0:11:29 | |
-..for a bursary -to write a novel called Amdani. | 0:11:30 | 0:11:33 | |
-In those three years... | 0:11:33 | 0:11:35 | |
-..I hadn't planned on -writing a novel. | 0:11:36 | 0:11:39 | |
-It was a dream of mine but -I never thought it'd materialize. | 0:11:39 | 0:11:43 | |
-Something happened -after reading this. | 0:11:43 | 0:11:46 | |
-He wrote for ordinary people. | 0:11:46 | 0:11:48 | |
-His aim was to popularize novels... | 0:11:49 | 0:11:51 | |
-..and get young people -to read Welsh literature. | 0:11:51 | 0:11:55 | |
-That's precisely -what I wanted to do. This has dated. | 0:11:55 | 0:11:59 | |
-Young people today would have -a bit of difficulty reading it. | 0:11:59 | 0:12:03 | |
-Our written language -has been simplified. | 0:12:04 | 0:12:07 | |
-Something new was called for -in the mid-1990s.... | 0:12:09 | 0:12:13 | |
-..especially for girls, -which is why I wrote Amdani. | 0:12:13 | 0:12:17 | |
-I resorted to swearing -and a bit more sex than Islwyn! | 0:12:18 | 0:12:22 | |
-Every generation is different. | 0:12:22 | 0:12:25 | |
-I'm almost certain -this inspired me to follow my dream. | 0:12:25 | 0:12:29 | |
-I like the description -of Edward Vaughan in the fields. | 0:12:30 | 0:12:35 | |
-He's a nobleman and a heroic figure -who knows how to read the weather. | 0:12:35 | 0:12:40 | |
-I like the dialogue between Harri -and Gwylan when they first meet. | 0:12:40 | 0:12:45 | |
-The sexual tension is palpable. | 0:12:45 | 0:12:49 | |
-But the passage -which made me go, 'Yes!'... | 0:12:49 | 0:12:53 | |
-..is when Greta shows -she has backbone and is independent. | 0:12:54 | 0:12:59 | |
-Paul tells her that his father -had met her mother some time ago. | 0:13:00 | 0:13:04 | |
-"'And do you know what he said?' | 0:13:04 | 0:13:07 | |
-"His eyes -promised a hilarious response. | 0:13:08 | 0:13:11 | |
-"'That she was the first -decent Welsh woman he'd ever met.' | 0:13:11 | 0:13:14 | |
-"'And if her daughter was anything -like her, she'd do.' He laughed. | 0:13:15 | 0:13:19 | |
-"But Greta wasn't laughing. | 0:13:20 | 0:13:22 | |
-"She said quietly, 'I shall -forgive you this once, Paul.' | 0:13:22 | 0:13:26 | |
-"'But in future, I shall consider -all such quips about my people... | 0:13:26 | 0:13:31 | |
-"'..to be in very bad taste.'" | 0:13:31 | 0:13:33 | |
-Good girl! | 0:13:34 | 0:13:36 | |
-But she still ends up marrying him. | 0:13:36 | 0:13:38 | |
-Harri's politics have a detrimental -effect on the people around him. | 0:13:47 | 0:13:51 | |
-Gwylan has persuaded him -to break off his engagement. | 0:13:52 | 0:13:55 | |
-Although he has -talked about communism with Greta... | 0:13:56 | 0:14:00 | |
-..his father knows nothing until he -finds a book by Lenin in his room. | 0:14:00 | 0:14:04 | |
-"'Your bedroom window was rattling,' -said Edward Vaughan. | 0:14:07 | 0:14:12 | |
-"'I went in to close it -to stop it disturbing your mother. | 0:14:12 | 0:14:16 | |
-"'I found this by your bed.' -'Have you read it?' said Harri. | 0:14:16 | 0:14:20 | |
-"'I've read some of it.' | 0:14:20 | 0:14:22 | |
-"'It's a book about communism, -given that it's written by Lenin.' | 0:14:23 | 0:14:27 | |
-"'I'm not ashamed to be reading it.' -'Why not?' | 0:14:27 | 0:14:30 | |
-"'Lenin was -the greatest man of this century.' | 0:14:30 | 0:14:34 | |
-"Harri bit his tongue, but it -was too late. His secret was out. | 0:14:34 | 0:14:39 | |
-"Edward placed the book on the table -and stood opposite Harri... | 0:14:39 | 0:14:43 | |
-"..his hands behind his back. | 0:14:44 | 0:14:46 | |
-"'Do you know how much I'm worth?' | 0:14:46 | 0:14:48 | |
-"'I can't see -what that has to do with...' | 0:14:49 | 0:14:51 | |
-"'You should know, just so that you -see the mess you're about to make.' | 0:14:51 | 0:14:56 | |
-"'Between Lleifior, Tyddyn Argain... | 0:14:56 | 0:14:59 | |
-"'..my two farms, my shares -in war stock and defence bonds... | 0:14:59 | 0:15:03 | |
-"'..and the money I've loaned, -I'm worth around 40,000.' | 0:15:03 | 0:15:08 | |
-"'Yes, you've a right -to be surprised.' | 0:15:08 | 0:15:11 | |
-"'You stand to inherit -the majority of my estate... | 0:15:11 | 0:15:15 | |
-"'..once I'm dead and buried.' | 0:15:15 | 0:15:19 | |
-"'Within 10 years, -or perhaps even a year... | 0:15:19 | 0:15:22 | |
-"'..you could be worth 25,000.' | 0:15:22 | 0:15:25 | |
-"'Then you'll be a capitalist.' | 0:15:25 | 0:15:27 | |
-"'A major capitalist, -by Welsh standards.' | 0:15:28 | 0:15:31 | |
-"'Which is the strongest - -Lenin or 25,000?' | 0:15:32 | 0:15:36 | |
-"'I need to know because -I'm meeting my solicitor tomorrow.' | 0:15:39 | 0:15:44 | |
-"'Waking up a rich man might change -your mind, but I can't be sure.' | 0:15:44 | 0:15:48 | |
-"'If the Communist Party -will benefit... | 0:15:48 | 0:15:51 | |
-"'..Greta or Bethel chapel -will inherit my money... | 0:15:51 | 0:15:55 | |
-"'..along with -my nieces and nephews.' | 0:15:55 | 0:15:57 | |
-"'Tell me, -what will you do with it?' | 0:15:57 | 0:16:00 | |
-"'This is a dilemma,' -Harri thought to himself. | 0:16:00 | 0:16:04 | |
-"'I couldn't keep it,' he said, -in a monotonous voice. | 0:16:04 | 0:16:09 | |
-"'Very well.' | 0:16:09 | 0:16:11 | |
-"Without uttering another word, -his father walked out of the room." | 0:16:11 | 0:16:15 | |
-The friction between father and son -forces Edward Vaughan... | 0:16:19 | 0:16:24 | |
-..to cut Harri out of the will. | 0:16:25 | 0:16:27 | |
-He sells the estate which has been -in his family for generations. | 0:16:28 | 0:16:32 | |
-Although it pains Edward, -it is the only option. | 0:16:33 | 0:16:36 | |
-Generations of Welsh people -have read Cysgod Y Cryman... | 0:16:44 | 0:16:49 | |
-..since it's been a set book on -the Welsh syllabus for many years. | 0:16:49 | 0:16:54 | |
-What does a reading group -in Aberystwyth make of the book? | 0:16:54 | 0:16:58 | |
-We usually discuss -contemporary Welsh novels. | 0:17:09 | 0:17:13 | |
-Sometimes we read -English-language offerings... | 0:17:13 | 0:17:17 | |
-..as well as Welsh classics by -Kate Roberts or Islwyn Ffowc Elis. | 0:17:18 | 0:17:22 | |
-Well, I'm here -to bring you a classic! | 0:17:22 | 0:17:25 | |
-Is it a novel -that appeals to you all? | 0:17:25 | 0:17:29 | |
-For many readers in Wales, Cysgod -Y Cryman typifies Welsh literature. | 0:17:29 | 0:17:34 | |
-It's long been -on the school syllabus. | 0:17:34 | 0:17:37 | |
-It's one sure way of killing a book. | 0:17:37 | 0:17:40 | |
-A friend told me he'd read the book -but doesn't remember the story. | 0:17:41 | 0:17:45 | |
-It brings back memories -but not of the story itself. | 0:17:46 | 0:17:50 | |
-It's been widely read, -but what stays in the mind, Jane? | 0:17:50 | 0:17:54 | |
-The fact it deals with important -ideas of the 20th century... | 0:17:54 | 0:17:59 | |
-..such as communism -and how it affects Wales. | 0:17:59 | 0:18:03 | |
-It depicts the Wales of old -which bordered on being feudal. | 0:18:03 | 0:18:08 | |
-New ideas are introduced and it -expresses 20th-century sentiments. | 0:18:08 | 0:18:13 | |
-A period of upheaval. | 0:18:14 | 0:18:16 | |
-It's a thought-provoking novel. | 0:18:16 | 0:18:19 | |
-With so many -Welsh-language books available... | 0:18:20 | 0:18:24 | |
-..it's surprising how much -of an impact this novel had. | 0:18:24 | 0:18:28 | |
-Many important issues -are explored in the book... | 0:18:28 | 0:18:32 | |
-..but romance -is portrayed very effectively. | 0:18:32 | 0:18:36 | |
-There are several love stories -running through the book... | 0:18:36 | 0:18:40 | |
-..and there is conflict -between two generations. | 0:18:40 | 0:18:44 | |
-Those elements captivate the reader. | 0:18:44 | 0:18:47 | |
-Although different ideas -are explored in the book... | 0:18:47 | 0:18:51 | |
-..they don't saturate the novel. | 0:18:51 | 0:18:53 | |
-There are strong characters. Harri -Vaughan is incredibly charismatic. | 0:18:54 | 0:18:59 | |
-The friction between his father -and him is the central theme. | 0:18:59 | 0:19:05 | |
-The obvious thing -we haven't discussed... | 0:19:05 | 0:19:09 | |
-..is the novel's style... | 0:19:10 | 0:19:12 | |
-..and the use of poetic Welsh... | 0:19:13 | 0:19:16 | |
-..which I loved from the outset. | 0:19:16 | 0:19:20 | |
-It wasn't too flowery -Do you disagree, Dafydd? | 0:19:20 | 0:19:24 | |
-Too flowery, in your eyes! -But I don't think so. | 0:19:24 | 0:19:29 | |
-I agree that the style is fantastic -and the writing's great. | 0:19:29 | 0:19:33 | |
-"It was turbulent summer -in the Aerwen Valley" and so on. | 0:19:34 | 0:19:38 | |
-He could've cut out a lot of that. | 0:19:38 | 0:19:42 | |
-Oh, no! I don't want -a single bit of it cut out! | 0:19:43 | 0:19:47 | |
-He's been -greatly influenced by someone. | 0:19:48 | 0:19:50 | |
-For me, I'd say his style... | 0:19:51 | 0:19:54 | |
-..is too florid. | 0:19:55 | 0:19:57 | |
-I don't think -it's too poetic at all. | 0:19:57 | 0:20:01 | |
-It's just good use of Welsh. | 0:20:01 | 0:20:03 | |
-It's very rhythmic. | 0:20:03 | 0:20:05 | |
-The writing flows well -and it's a pleasure to read. | 0:20:05 | 0:20:09 | |
-That's true. | 0:20:09 | 0:20:11 | |
-So we'd all agree that -it's a classic that has survived? | 0:20:11 | 0:20:17 | |
-It's definitely survived... | 0:20:17 | 0:20:19 | |
-..but a few aspects -have become a little outdated. | 0:20:19 | 0:20:23 | |
-I think we're all agreed... | 0:20:23 | 0:20:26 | |
-..that it's a classic -that has touched us. | 0:20:26 | 0:20:31 | |
-It's been lovely having -the opportunity to read it again. | 0:20:31 | 0:20:35 | |
-It's been a long time -since I read it. | 0:20:35 | 0:20:38 | |
-I was surprised -how much I enjoyed reading it. | 0:20:38 | 0:20:41 | |
-I hear you give marks -out of 10 for the novels... | 0:20:42 | 0:20:45 | |
-..so how would you rate it, Ifor? | 0:20:45 | 0:20:47 | |
-Seven and a half. | 0:20:48 | 0:20:50 | |
-Seven and a half. - -Eight and a half. | 0:20:50 | 0:20:51 | |
-Eight and a half. | 0:20:51 | 0:20:53 | |
-Eight and a half. | 0:20:53 | 0:20:54 | |
-Eight and a half. - -I'll give it eight. | 0:20:54 | 0:20:56 | |
-I think it's important -that a novel tells a story... | 0:21:05 | 0:21:09 | |
-..and characters -should be memorable. | 0:21:09 | 0:21:12 | |
-But an author -should create an instant experience. | 0:21:12 | 0:21:16 | |
-That's what any artist should do. | 0:21:16 | 0:21:18 | |
-You paint a picture -and get an experience from it. | 0:21:19 | 0:21:22 | |
-You should get an experience -from listening to a symphony. | 0:21:23 | 0:21:27 | |
-If you read a novel -for 18-20 hours... | 0:21:27 | 0:21:29 | |
-..you're transported -to that world... | 0:21:30 | 0:21:32 | |
-..and live through those experiences -you wouldn't have had otherwise. | 0:21:33 | 0:21:37 | |
-The novel concludes with Greta -adhering to her father's wishes... | 0:21:40 | 0:21:46 | |
-..and marrying -the English doctor, Paul Rushmere... | 0:21:46 | 0:21:50 | |
-..and Harri getting engaged -to an ordinary local girl. | 0:21:50 | 0:21:54 | |
-The night before selling the estate, -Edward Vaughan accepts... | 0:21:54 | 0:21:58 | |
-..that the social strata -is changing... | 0:21:58 | 0:22:01 | |
-..and Harri gets to run Lleifior -as a co-operative venture... | 0:22:01 | 0:22:05 | |
-..thus keeping it in the family. | 0:22:06 | 0:22:08 | |
-"Harri slowly turned -to face the sunset. | 0:22:14 | 0:22:16 | |
-"A ray of light -streamed though the window... | 0:22:17 | 0:22:20 | |
-"..and shimmered -above the mantelpiece... | 0:22:20 | 0:22:23 | |
-"..as if it were -shining a spotlight on something. | 0:22:24 | 0:22:27 | |
-"Harri turned to see what it was. | 0:22:28 | 0:22:30 | |
-"Illuminated -by the rays of sunshine... | 0:22:30 | 0:22:33 | |
-"..and standing proudly on the wall, -hung the Vaughans' coat of arms. | 0:22:33 | 0:22:38 | |
-S4C Subtitles by Adnod Cyf. | 0:23:05 | 0:23:07 | |
-. | 0:23:07 | 0:23:08 |