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Where are we? | 0:00:04 | 0:00:05 | |
-That's west. That's southwest. -That's west. That's north. So we've got to just... | 0:00:05 | 0:00:10 | |
Well, we're lost. | 0:00:10 | 0:00:11 | |
-We're getting nowhere. -Yep. | 0:00:11 | 0:00:14 | |
'We've taken on the unusual challenge of finding our way | 0:00:15 | 0:00:18 | |
'around the country with just nature as our guide.' | 0:00:18 | 0:00:21 | |
-I've never been more lost. -Where's an oak tree? Please! | 0:00:21 | 0:00:24 | |
'We have no maps....' | 0:00:24 | 0:00:26 | |
I suggest we head that way. | 0:00:26 | 0:00:28 | |
'No sat navs...' | 0:00:28 | 0:00:31 | |
-Oh, no. -We're going east, southwest. -Just doing this isn't helping. | 0:00:31 | 0:00:35 | |
'And no compass.' | 0:00:35 | 0:00:36 | |
You will not look at that compass. | 0:00:36 | 0:00:38 | |
'Instead, actor Stephen Mangan...' | 0:00:38 | 0:00:42 | |
We're all going to die. | 0:00:42 | 0:00:43 | |
'..actress Alison Steadman...' | 0:00:43 | 0:00:46 | |
Stand by, all right. PARP Oh, my goodness. | 0:00:46 | 0:00:48 | |
..and me, Sue Perkins, | 0:00:48 | 0:00:51 | |
'will have to rely on the trees...' I've lost you, Stephen. | 0:00:51 | 0:00:55 | |
'..the sun...' Here, this is it. Because that, that... | 0:00:55 | 0:00:58 | |
That's east, you're right, that's west. | 0:00:58 | 0:01:00 | |
'..and even dung....' | 0:01:00 | 0:01:02 | |
That's a remarkable piece of pooh. | 0:01:02 | 0:01:04 | |
'..to complete our journeys. | 0:01:04 | 0:01:07 | |
'It's called natural navigation.' | 0:01:07 | 0:01:10 | |
Is it time to collapse on the floor and cry? | 0:01:10 | 0:01:13 | |
'And we've got a long way to go. | 0:01:14 | 0:01:16 | |
'Because Steven Mangan will be taking us | 0:01:16 | 0:01:19 | |
'to his ancestral homeland, Ireland...' | 0:01:19 | 0:01:21 | |
Wow, just incredible. | 0:01:21 | 0:01:24 | |
'..Alison Steadman goes back to her roots in Liverpool and Wales...' | 0:01:24 | 0:01:29 | |
You have arrived. | 0:01:29 | 0:01:30 | |
'..but in this programme I'll be leading us through Cornwall, | 0:01:30 | 0:01:33 | |
'the place I call home.' | 0:01:33 | 0:01:36 | |
The British Isles are stuffed with natural beauty. | 0:01:50 | 0:01:54 | |
But it's not just pretty to look at. | 0:01:54 | 0:01:56 | |
Apparently, nature can help tell you where to go, if you know what you're looking for. | 0:01:56 | 0:02:01 | |
Our challenge is to navigate around the country | 0:02:01 | 0:02:04 | |
using just what we can find in the fields and forests. | 0:02:04 | 0:02:08 | |
But first, we're all heading back to school. | 0:02:12 | 0:02:15 | |
And our teacher is natural navigator extraordinaire, Tristan Gooley. | 0:02:15 | 0:02:21 | |
Good morning. | 0:02:21 | 0:02:22 | |
What he doesn't know about the subject isn't worth knowing. | 0:02:22 | 0:02:26 | |
He's a real-life action man. | 0:02:26 | 0:02:28 | |
The only living person to have sailed and flown solo across the Atlantic. | 0:02:28 | 0:02:32 | |
So whilst we were lucky to find this place, he drove here blindfolded. | 0:02:32 | 0:02:36 | |
While eating a cheese sandwich. | 0:02:36 | 0:02:38 | |
It's simple. It's the art of finding your way using only nature. | 0:02:38 | 0:02:41 | |
It includes using the sun, the moon, the stars, the wind and weather, | 0:02:41 | 0:02:45 | |
plants and animals, buildings, even puddles. | 0:02:45 | 0:02:48 | |
These are the techniques that our ancestors used. | 0:02:48 | 0:02:51 | |
The best place for us to begin is with a really simple question - | 0:02:51 | 0:02:56 | |
Which way am I looking? | 0:02:56 | 0:02:57 | |
-This way! -At us! -It's a trick question. -Yes! -Do we pass? | 0:03:00 | 0:03:03 | |
-Yep, that's it. Off you go. -Brilliant. | 0:03:03 | 0:03:05 | |
One thing I can guarantee is after this course you'll never get lost again, | 0:03:05 | 0:03:08 | |
and the reason is because after this course you'll be a navigator. | 0:03:08 | 0:03:12 | |
Navigators never get lost, they merely become temporarily unaware of their position. | 0:03:12 | 0:03:17 | |
-So you're sorted. -Isn't that just a posh way of saying lost? | 0:03:17 | 0:03:20 | |
Indeed, yes, but navigators don't tell people that. | 0:03:20 | 0:03:23 | |
If I do my job, natural navigation will change the way you look at the world forever. | 0:03:23 | 0:03:27 | |
Wow! | 0:03:27 | 0:03:29 | |
'We start with the basics. Like how to read the sun. | 0:03:31 | 0:03:34 | |
'I mean, how hard can it be? | 0:03:34 | 0:03:35 | |
'Everybody knows it rises in the east and sets in the west. | 0:03:35 | 0:03:40 | |
'But apparently it's not that simple.' | 0:03:40 | 0:03:43 | |
You're going to be travelling in the middle of the summer. | 0:03:43 | 0:03:45 | |
It's actually one of the toughest times to use the sun | 0:03:45 | 0:03:48 | |
because, as we know, we've got the longest days of the year in the summer | 0:03:48 | 0:03:53 | |
and the reason is because the sun rises very early, of course, | 0:03:53 | 0:03:57 | |
about five in the morning. | 0:03:57 | 0:03:58 | |
in the northeast. | 0:03:58 | 0:04:01 | |
It starts to climb, passing through east at about 9am. | 0:04:01 | 0:04:05 | |
It keeps on climbing until the middle of the day, | 0:04:05 | 0:04:09 | |
again about lunch time, it's as high as it will get, due south again. | 0:04:09 | 0:04:14 | |
It starts to sink. | 0:04:14 | 0:04:15 | |
By about 5pm, it's passing through west. | 0:04:15 | 0:04:20 | |
It keeps on sinking and sets northwest, late in the evening. | 0:04:20 | 0:04:24 | |
The next basic lesson is about the prevailing wind in the UK. | 0:04:24 | 0:04:29 | |
I didn't even know we had one. | 0:04:29 | 0:04:31 | |
In the British Isles, the wind blows from the southwest | 0:04:31 | 0:04:34 | |
more frequently than from any other direction. | 0:04:34 | 0:04:37 | |
If we understand what the wind is doing, it can help remind us | 0:04:37 | 0:04:41 | |
which way is which, if we're then stuck for other clues. | 0:04:41 | 0:04:45 | |
For the next couple of days, we cover everything Tristan thinks | 0:04:45 | 0:04:48 | |
we might need for our journeys. | 0:04:48 | 0:04:50 | |
There's no way I'm going to remember all this stuff and then use it. | 0:04:50 | 0:04:55 | |
Two weeks later and we're on our way to Cornwall to be put to the first test. | 0:05:01 | 0:05:05 | |
Brings back hot flushes like I had during A levels, | 0:05:05 | 0:05:08 | |
but I can't keep these answers down my pants. | 0:05:08 | 0:05:10 | |
Our challenge is to travel from Bodmin Moor in the north | 0:05:10 | 0:05:14 | |
to Cape Cornwall on the southwestern tip, but we're only allowed to use | 0:05:14 | 0:05:19 | |
nature to navigate and our teacher, Tristan, won't be around to help. | 0:05:19 | 0:05:23 | |
Instead, he's given us guide books with just a few clues. | 0:05:23 | 0:05:26 | |
I like the opening sentence, "This is an easy walk." I like that. | 0:05:27 | 0:05:32 | |
-We're going to make it. -..confident with the techniques to be begin with. | 0:05:32 | 0:05:36 | |
I've seen sheep pooh - this is an alternative map. | 0:05:36 | 0:05:39 | |
Use sheep pooh to confirm your direction. | 0:05:39 | 0:05:41 | |
'To succeed, we have to remember all that training | 0:05:41 | 0:05:45 | |
'and at the moment, I'm struggling. Stephen and Sue seem to have got it, though.' | 0:05:45 | 0:05:50 | |
Sheep pooh will dry on the south but the north face of the dung will remain moist. | 0:05:50 | 0:05:54 | |
You're scaring me now, you're scaring me. | 0:05:54 | 0:05:57 | |
-We might be on Bodmin Moor for months! -I'll bring my beast outfit. | 0:05:57 | 0:06:02 | |
-Are we crossing into Cornwall right now? -We are. | 0:06:02 | 0:06:05 | |
This is the transitionary point. Life gets better from this point. | 0:06:05 | 0:06:11 | |
-What is it about Cornwall? What's Cornwall got? -I don't know. | 0:06:12 | 0:06:17 | |
I just love it. It makes me feel happy, just being in the county. | 0:06:17 | 0:06:20 | |
Cornwall holds a special place in my heart. | 0:06:22 | 0:06:24 | |
And it's been a whirlwind romance. | 0:06:24 | 0:06:26 | |
I came here on holiday five years ago | 0:06:26 | 0:06:28 | |
and six months later, I moved down permanently. | 0:06:28 | 0:06:31 | |
I'm hoping this trip will show me | 0:06:31 | 0:06:33 | |
a side to my new home I haven't seen before and help explain Cornwall's irresistible pull. | 0:06:33 | 0:06:38 | |
I just sort of can feel all the stress melting away as I cross the Tamar | 0:06:38 | 0:06:42 | |
and I'm properly myself, I think. | 0:06:42 | 0:06:45 | |
You know, there's not so much of that, | 0:06:45 | 0:06:47 | |
which I'm sure will be a real relief for them. | 0:06:47 | 0:06:49 | |
-Because Cornwall is like that, isn't it? -It's like a claw, yeah. | 0:06:49 | 0:06:54 | |
-An open mouth. -That's all I know about it. -That's very good! | 0:06:54 | 0:06:58 | |
So if we get lost, you can use my arm as a guide. | 0:06:58 | 0:07:01 | |
One of his special skills. | 0:07:01 | 0:07:02 | |
He can shape his limbs to the contour of any county. Do Sussex. | 0:07:02 | 0:07:06 | |
-Yeah, very good. He's brilliant. -Brilliant. | 0:07:06 | 0:07:09 | |
Apart from knowing its shape, I am a total stranger to Cornwall, | 0:07:09 | 0:07:12 | |
but I'm really looking forward to getting out of the city | 0:07:12 | 0:07:15 | |
'and putting what I've learned to the test | 0:07:15 | 0:07:17 | |
'in what I'm told is one of the UK's most beautiful areas.' | 0:07:17 | 0:07:21 | |
It's one thing standing with our hunky natural navigator | 0:07:21 | 0:07:25 | |
telling us, you know, what to do, but when we're unleashed, alone into Cornwall... | 0:07:25 | 0:07:29 | |
It's a different story. | 0:07:29 | 0:07:32 | |
We've never actually put it into practice. | 0:07:32 | 0:07:36 | |
I'm apprehensive, certainly about the navigation! | 0:07:36 | 0:07:39 | |
I love nature and I love being outdoors. | 0:07:39 | 0:07:43 | |
'I've been on stage in London for months, so for me | 0:07:43 | 0:07:45 | |
'this is a real treat. | 0:07:45 | 0:07:48 | |
'I've actually been to Cornwall before, when I was 17 | 0:07:48 | 0:07:52 | |
'and I can't wait to get back there.' | 0:07:52 | 0:07:54 | |
I'm the only one that's been given a stick, | 0:07:54 | 0:07:58 | |
cos I'm a pensioner. | 0:07:58 | 0:08:00 | |
I know why you got the stick, that stick is to beat us | 0:08:00 | 0:08:03 | |
when we get out of line. You specifically requested that. | 0:08:03 | 0:08:06 | |
If Sue is going to come on the trip, can I have a stick just to give her some boundaries? | 0:08:06 | 0:08:10 | |
-Here we go. -This is it. -Let's rock. -The first bit's done, getting off the train. | 0:08:10 | 0:08:14 | |
That is heavy - what have you got in there? | 0:08:19 | 0:08:21 | |
She's got a sundial - she's taking it very literally. | 0:08:21 | 0:08:24 | |
She's got a stone sundial. | 0:08:24 | 0:08:26 | |
Our first leg has been designed for beginners. | 0:08:27 | 0:08:30 | |
That's definitely us. | 0:08:30 | 0:08:32 | |
It starts on the edge of Bodmin Moor and we've got to find our way | 0:08:32 | 0:08:35 | |
to the Cheesewring two miles towards the centre. | 0:08:35 | 0:08:39 | |
Two miles might not sound much, | 0:08:39 | 0:08:41 | |
but Bodmin is a massive piece of moorland with hardly any features. | 0:08:41 | 0:08:46 | |
The beast of Bodmin has lived here for years without anyone clearly seeing it. | 0:08:46 | 0:08:51 | |
There's open country for nine miles ahead of us. | 0:08:51 | 0:08:55 | |
If we get this wrong, we'll be here for days. | 0:08:55 | 0:08:57 | |
Tristan has chosen the moor since it has plenty of windswept trees and animals, | 0:08:57 | 0:09:02 | |
both of which will be helping us find our way. | 0:09:02 | 0:09:05 | |
I can't wait to ask that sheep which way is north | 0:09:05 | 0:09:07 | |
and why its lamb looks like Stephen. | 0:09:07 | 0:09:11 | |
-OK. Here we are. -OK. -What's the first... | 0:09:11 | 0:09:14 | |
The first thing is to look for a solitary hawthorn tree. | 0:09:14 | 0:09:17 | |
Although all I can see now is a collection of horses' backsides, | 0:09:17 | 0:09:21 | |
which may or may not be significant. | 0:09:21 | 0:09:23 | |
-What's this one? -That is hawthorn, I think, but is it solitary? | 0:09:23 | 0:09:28 | |
-I think that is hawthorn. -That's solitary. | 0:09:28 | 0:09:31 | |
Which direction are we supposed to be going in? | 0:09:31 | 0:09:33 | |
God, already we haven't even walked five paces and we're lost! | 0:09:33 | 0:09:36 | |
-A hawthorn. -North, we've got to head north. | 0:09:36 | 0:09:39 | |
That's a solitary hawthorn. | 0:09:39 | 0:09:41 | |
That's very solitary, that is sort of almost in partnership. | 0:09:41 | 0:09:45 | |
It is about 11.30am, sun south-eastish, | 0:09:45 | 0:09:48 | |
I mean, north should be kind of that way, shouldn't it? | 0:09:48 | 0:09:52 | |
-Yes. -So, so is there a solitary hawthorn in that direction? | 0:09:52 | 0:09:56 | |
-What's this? -Every time she turns, it's like a Laurel and Hardy routine. | 0:09:56 | 0:10:00 | |
-I get a whack. -It's this stick. | 0:10:00 | 0:10:03 | |
-It's the stick, every time you turn around. -Why have I got this stick? -Did you ask for it? -No! | 0:10:03 | 0:10:08 | |
That's a solitary hawthorn, but... | 0:10:08 | 0:10:11 | |
-Not strictly north from here, but... It is northish. -I think you go north. Hold on. | 0:10:11 | 0:10:17 | |
Look for the solitary hawthorn tree | 0:10:17 | 0:10:19 | |
-and use it to head north. -The tree to head north? | 0:10:19 | 0:10:23 | |
-Yeah. -OK. | 0:10:23 | 0:10:25 | |
When you're looking for wind clues in trees, | 0:10:25 | 0:10:27 | |
you're looking at the most exposed parts, the extremities, | 0:10:27 | 0:10:30 | |
in particular, the very tops. | 0:10:30 | 0:10:33 | |
And can you see how nearly all of these trees we can see here, | 0:10:33 | 0:10:36 | |
the tops have been just ever so slightly combed over | 0:10:36 | 0:10:39 | |
from right to left. | 0:10:39 | 0:10:41 | |
If you see this wind effect all you need to do is turn | 0:10:41 | 0:10:45 | |
so you're facing in the direction it looks like the wind has come from | 0:10:45 | 0:10:50 | |
and you will be facing close to southwest. | 0:10:50 | 0:10:53 | |
'Now we have to apply that principle to the trees on Bodmin. | 0:10:56 | 0:10:59 | |
'Problem is, not all trees show the effect. | 0:10:59 | 0:11:03 | |
'I'm quietly confident that we'll be OK for this beginner's walk | 0:11:03 | 0:11:07 | |
'whilst the girls clearly expect to spend the night.' | 0:11:07 | 0:11:10 | |
-What have you guys got in your...? You've got? -Mainly chocolate. | 0:11:10 | 0:11:15 | |
-All right, good. -And vodka. -That's handy. | 0:11:15 | 0:11:18 | |
-What have you got in yours? -I haven't brought one. | 0:11:18 | 0:11:21 | |
-You are so rugged. -It looks like you guys are carrying all my stuff for me! | 0:11:21 | 0:11:26 | |
You see, this tree is not very helpful. | 0:11:26 | 0:11:28 | |
So that's south... | 0:11:28 | 0:11:29 | |
But it can't be south because the sun is there. | 0:11:29 | 0:11:33 | |
It's too early to see, yes. | 0:11:34 | 0:11:36 | |
-The sun is there, south has got to be that way. -Has it? | 0:11:36 | 0:11:39 | |
-Yeah. -Well, it's quarter past 11. | 0:11:40 | 0:11:43 | |
The sun will be roughly southeast. | 0:11:43 | 0:11:45 | |
I'm just sort of spinning like this. | 0:11:45 | 0:11:48 | |
-God, do you think there's a hotel near here? -I don't know. -I'm tired already! Can we eat something?! | 0:11:48 | 0:11:52 | |
Surely it's time to have a sit down and a rest? | 0:11:52 | 0:11:56 | |
But the problem is, is it says, "then the next thing is pass through the first stone circle." | 0:11:56 | 0:12:02 | |
Yes, that is north. The sun is telling us that is north. | 0:12:02 | 0:12:04 | |
But I don't know how this tree is telling us. | 0:12:04 | 0:12:06 | |
'What we're looking for are exposed trees. | 0:12:06 | 0:12:10 | |
'Because that's what's Tristan has taught us to read.' | 0:12:10 | 0:12:13 | |
'But this tree doesn't seem to have a clear comb over, | 0:12:13 | 0:12:17 | |
'none of us can see anything. Oh, dear.' | 0:12:17 | 0:12:19 | |
I was stuck on which way south, east, north and west are, | 0:12:19 | 0:12:22 | |
don't leave me behind whatever you do. | 0:12:22 | 0:12:24 | |
-I'll have to eat wild pony. -Just follow the rooks. | 0:12:24 | 0:12:27 | |
'Luckily we have the sun, so we use it to vaguely head in the right direction, we hope. | 0:12:29 | 0:12:34 | |
'Then over the next ridge we see some trees that look a little more helpful.' | 0:12:34 | 0:12:38 | |
That's pretty compelling, isn't it? | 0:12:38 | 0:12:40 | |
'Other than the sun, this is the first natural signpost | 0:12:40 | 0:12:43 | |
'we've been able to read.' | 0:12:43 | 0:12:45 | |
-Yeah. -Like Donald Trump's hair? | 0:12:45 | 0:12:48 | |
-So, they're all looking that way? -Yep. | 0:12:49 | 0:12:52 | |
-So it's a southwesterly wind. -Southwesterly wind. | 0:12:52 | 0:12:55 | |
In fact the one at the top, which probably gets the most wind, | 0:12:55 | 0:12:58 | |
-is the most... -Yeah. -..severe. | 0:12:58 | 0:13:02 | |
'At last, something works. We're not so stupid after all. | 0:13:02 | 0:13:07 | |
'We can now figure out how to head north.' | 0:13:07 | 0:13:10 | |
Wait for granny. | 0:13:10 | 0:13:11 | |
You two are like mountain goats. | 0:13:11 | 0:13:15 | |
-Wait for granny! -Do you want a piggy back? | 0:13:15 | 0:13:17 | |
SHE LAUGHS This is where I need my stick. It's the weight. | 0:13:17 | 0:13:20 | |
-Right, get the stick out. -I need my stick. -Do you want the stick out? | 0:13:20 | 0:13:24 | |
Do you want me to carry the bag? | 0:13:24 | 0:13:26 | |
The stick is just for getting her to go faster. | 0:13:26 | 0:13:29 | |
THEY LAUGH | 0:13:29 | 0:13:31 | |
That is incredible. | 0:13:34 | 0:13:35 | |
The trees just get better and better. | 0:13:35 | 0:13:38 | |
Trumpier and Trumpier. Real comb overs. | 0:13:38 | 0:13:41 | |
The force of the wind has bent that hawthorn into that shape permanently. | 0:13:41 | 0:13:45 | |
It is very beautiful. Well it would take an idiot like me | 0:13:45 | 0:13:48 | |
to say that north is over there, so come on, let's go. | 0:13:48 | 0:13:51 | |
I'm still not sure we've got it right, but this is the stone circle mentioned in the guide. | 0:13:52 | 0:13:57 | |
And we think we're on the right track. | 0:13:57 | 0:13:59 | |
There are no marked paths on Bodmin and no clear way | 0:13:59 | 0:14:03 | |
to get to this Cheesewring thing we're meant to find. | 0:14:03 | 0:14:06 | |
The guide tells us to head northwest. | 0:14:06 | 0:14:09 | |
We need something that shows us that direction. | 0:14:09 | 0:14:11 | |
'Bodmin is communal grazing. | 0:14:11 | 0:14:13 | |
'There's all sorts of animals everywhere. | 0:14:13 | 0:14:16 | |
'Suddenly, I spot the beast of Bodmin. Well, sort of.' | 0:14:16 | 0:14:21 | |
Oh, my God, have you seen that bull over there? The horns on it? | 0:14:21 | 0:14:24 | |
'Perhaps he can give us a clue.' I hope it doesn't... No. | 0:14:24 | 0:14:27 | |
Stay away from the massive bull and horns. | 0:14:27 | 0:14:30 | |
-Hornage. -A cocktail skewer. | 0:14:30 | 0:14:33 | |
Anything that gives us a clue to what the sun's been doing during the day, where it's been, | 0:14:37 | 0:14:41 | |
its arc, it can help us find direction. I do mean anything. | 0:14:41 | 0:14:46 | |
There is a clue down here which gives the game away. | 0:14:47 | 0:14:51 | |
-OK, we're dung-watching now. -Yeah, you've spotted it. | 0:14:52 | 0:14:56 | |
There is here, a little bit of dung. | 0:14:56 | 0:14:58 | |
Like everything, | 0:14:58 | 0:15:00 | |
if you see a difference between two sides, look for... | 0:15:00 | 0:15:04 | |
There's a north side and south side of dung?! | 0:15:04 | 0:15:07 | |
There so is! Look! | 0:15:07 | 0:15:08 | |
You've got a lovely dry side here, | 0:15:08 | 0:15:10 | |
but on the north side where the sun hasn't reached yet, | 0:15:10 | 0:15:14 | |
it is glistening and moist! | 0:15:14 | 0:15:18 | |
And so there's our dung compass. | 0:15:18 | 0:15:20 | |
Do you need a lie down? | 0:15:20 | 0:15:21 | |
I need a lie down. I certainly need to get downwind. Is there any way we could have done this | 0:15:21 | 0:15:26 | |
with the wind, basically, behind us? | 0:15:26 | 0:15:29 | |
So, pooh it is, then. We've just got to find one. | 0:15:29 | 0:15:32 | |
I quite feel like wrestling a sheep to the ground and making it... | 0:15:32 | 0:15:36 | |
-I think the act of you wrestling it ground will make it pooh. -Yeah. | 0:15:36 | 0:15:39 | |
The sheer fear of being attacked by one even hairier than itself. | 0:15:39 | 0:15:43 | |
I'd probably pooh, so we would have twice as much. | 0:15:43 | 0:15:45 | |
-Then I would have to sit around waiting for your pooh to dry. -Thank you. | 0:15:45 | 0:15:49 | |
Can we change the conversation, now, please? How about this? Any good? | 0:15:49 | 0:15:53 | |
It's got a mixture of new and old. | 0:15:53 | 0:15:55 | |
-Something borrowed, something new. -This bit here is dry on that side | 0:15:55 | 0:15:59 | |
with moisture on that side, | 0:15:59 | 0:16:01 | |
but it is not conclusive, is it? | 0:16:01 | 0:16:04 | |
Yeah. How about this lot? | 0:16:04 | 0:16:07 | |
'Finding quality pooh is harder than you think.' | 0:16:07 | 0:16:12 | |
Oh, there's an excellent pooh! I haven't said that for at least five minutes. | 0:16:12 | 0:16:15 | |
Yes, that is very good, look at the dry bits there. | 0:16:15 | 0:16:18 | |
-Nice and moist up north. -Yeah. | 0:16:18 | 0:16:20 | |
That's a really good, that's a remarkable piece of pooh | 0:16:22 | 0:16:25 | |
and there's more here. Look at this one. | 0:16:25 | 0:16:27 | |
-That is precision pooh. -That is textbook pooh. | 0:16:27 | 0:16:30 | |
That is saying that north, that is finessing | 0:16:30 | 0:16:33 | |
-what we feel to be north. -That's a pooh you could, a man could live by. | 0:16:33 | 0:16:38 | |
Yeah. I might keep that | 0:16:38 | 0:16:39 | |
as a sort of pocket pooh compass. | 0:16:39 | 0:16:41 | |
I feel we ought to thank the pooh. | 0:16:41 | 0:16:43 | |
I don't even want to know the way in which you wish to thank the pooh. | 0:16:43 | 0:16:47 | |
'We use the dung to head northwest. | 0:16:48 | 0:16:51 | |
'I'll gladly leave that kind of clue to the others. | 0:16:51 | 0:16:55 | |
'Ahead there are a few more wind-blown trees | 0:16:55 | 0:16:57 | |
'to point us northeast and to our destination.' | 0:16:57 | 0:17:00 | |
Oh, look at that. That is quite something. | 0:17:06 | 0:17:09 | |
'At the top of the hill we've made it. | 0:17:09 | 0:17:12 | |
'Our first successful navigation using nature alone. | 0:17:12 | 0:17:16 | |
'It only took us three hours more than it should have done. | 0:17:16 | 0:17:20 | |
'The Cheesewring. | 0:17:20 | 0:17:22 | |
'A natural formation of rocks caused by the weathering of granite, and a symbol of Cornwall.' | 0:17:22 | 0:17:28 | |
-That is good. -Amazing! | 0:17:30 | 0:17:32 | |
That's a view. | 0:17:33 | 0:17:34 | |
That's Cornwall. You can see for miles. | 0:17:36 | 0:17:38 | |
There aren't many places where you can just stand and see... | 0:17:42 | 0:17:47 | |
-360 degrees right round. Amazing. -Great. -Yeah. | 0:17:47 | 0:17:50 | |
The Cornish would see that back there as England. | 0:17:50 | 0:17:53 | |
I was once on a train from Penzance and they said | 0:17:53 | 0:17:55 | |
"We're running late because there is a problem up in England." | 0:17:55 | 0:17:58 | |
Honestly, I was a bit panicked. I didn't sleep very well last night | 0:18:02 | 0:18:06 | |
because I was actually thinking, Oh, my God, you know, now we're going to really be put to the test. | 0:18:06 | 0:18:13 | |
And I'm pleasantly surprised by... | 0:18:13 | 0:18:15 | |
I did sort of remember the stuff about the trees, the pooh | 0:18:15 | 0:18:20 | |
and so I'm quite chuffed with myself. | 0:18:20 | 0:18:22 | |
I'm up for cloudy days, now. The sun's gone in. | 0:18:22 | 0:18:25 | |
I'm up for cloudy days and a harder challenge. | 0:18:25 | 0:18:29 | |
'So, we've cracked the first leg of the journey without too much trauma, but then again, Tristan's told us | 0:18:30 | 0:18:37 | |
'we'll be eased in gently. | 0:18:37 | 0:18:38 | |
'I'm nervous things are going to get tougher. | 0:18:38 | 0:18:41 | |
'Those wind-blown trees were easy to read in the end, | 0:18:41 | 0:18:44 | |
'but not everything is that simple.' | 0:18:44 | 0:18:47 | |
After a night in a hotel in nearby Falmouth, the second leg begins at St Michael Penkevil. | 0:18:49 | 0:18:55 | |
We have an appointment at midday | 0:18:55 | 0:18:57 | |
with Lord Falmouth's son, Mr Boscawen | 0:18:57 | 0:19:00 | |
in the middle of the Tregothnan estate | 0:19:00 | 0:19:02 | |
where he's promising a sample the local brew. | 0:19:02 | 0:19:04 | |
So Stephen is keen to get going. | 0:19:05 | 0:19:08 | |
He's a busy man and so we must not be late. | 0:19:08 | 0:19:11 | |
The private gardens are spectacular, but the whole place is a maze of paths, walkways, hedges and mazes. | 0:19:11 | 0:19:18 | |
Visitors get lost even when they HAVE a map. | 0:19:18 | 0:19:21 | |
We just have nature and my appalling sense of direction. | 0:19:21 | 0:19:24 | |
Stephen hasn't even remembered his guide book or his backpack. | 0:19:24 | 0:19:28 | |
'In this section Tristan promises that God will be guiding us. It's a first for me.' | 0:19:28 | 0:19:33 | |
What's the brief? I haven't got my book. | 0:19:33 | 0:19:35 | |
So, the book, "Using the alignment of the church, get your bearings." | 0:19:35 | 0:19:39 | |
Nearly all religious buildings have some relationship with direction. | 0:19:41 | 0:19:45 | |
Churches, Christian churches will typically be aligned west to east | 0:19:45 | 0:19:49 | |
with the alter at the eastern end, pointing towards the Holy Land. | 0:19:49 | 0:19:53 | |
Almost all religious buildings have this tendency | 0:19:53 | 0:19:56 | |
towards the Middle East, for obvious reasons. | 0:19:56 | 0:19:59 | |
Unless this is a spooky sort of church of the anti-Christ, it is going to be east-west. | 0:19:59 | 0:20:04 | |
-East-west. -That's east, that's west. So that's, we're looking north. Right? | 0:20:04 | 0:20:12 | |
OK, sure. Right so, what are we doing next? | 0:20:12 | 0:20:14 | |
Right, through the gate south. | 0:20:14 | 0:20:16 | |
So, following south from the church, we have to find | 0:20:16 | 0:20:19 | |
the entrance of the estate. | 0:20:19 | 0:20:22 | |
It does say "Private - no public access". | 0:20:22 | 0:20:24 | |
We're about to indulge in some natural trespassing. | 0:20:24 | 0:20:28 | |
Yes, but here it says that we have special permission for us to cross the estate. | 0:20:28 | 0:20:32 | |
-I made a deal. -The gate must be shut. -What's happened to you? | 0:20:32 | 0:20:35 | |
I'm being a bit bossy today! Come on! | 0:20:35 | 0:20:39 | |
-You're The Country Code in action! -I am! Let's go. | 0:20:39 | 0:20:45 | |
-You're all going to be bouncy. -I've never walked like this in my life. I'm doing a Steadman. | 0:20:45 | 0:20:50 | |
I don't like to keep people waiting. | 0:20:50 | 0:20:54 | |
So these two need to get a move on. | 0:20:54 | 0:20:55 | |
This is a good-looking estate. | 0:20:57 | 0:20:59 | |
-Don't you think? -You've got your eye on it? -I could live here. | 0:20:59 | 0:21:03 | |
I feel I'd be like Toad of Toad Hall. I'd have to get the car. | 0:21:03 | 0:21:06 | |
-You've got the cravats, though. I've seen them. -I've got the cravats. | 0:21:06 | 0:21:10 | |
Our guide books tell us to head south until we reach a field | 0:21:10 | 0:21:14 | |
and can go no further, then turn to the southwest, | 0:21:14 | 0:21:17 | |
but with no shadows from the sun, we immediately get confused. | 0:21:17 | 0:21:21 | |
-So then we go southwest. -We were heading east. -So east is... | 0:21:21 | 0:21:26 | |
-So west is there. -So south is west. -Southwest. -'Pathetic, isn't it?' | 0:21:26 | 0:21:30 | |
Oh, no. I'm just doing this, isn't helping. | 0:21:30 | 0:21:34 | |
I mean, we have slightly curved, | 0:21:34 | 0:21:36 | |
so we're probably heading more southeast. | 0:21:36 | 0:21:39 | |
-Yeah. It's got to be down here. -It's that way. -Although... | 0:21:39 | 0:21:43 | |
I like the look of the yellow fields. | 0:21:43 | 0:21:45 | |
-Do we have anything to verify this manoeuvre? -What about the wind? | 0:21:45 | 0:21:50 | |
I can feel the wind. | 0:21:50 | 0:21:51 | |
I think this must be the southwesterly path. | 0:21:51 | 0:21:55 | |
-Because of the wind. -We were heading easterly. So that's east. | 0:21:55 | 0:22:01 | |
Ish. | 0:22:01 | 0:22:02 | |
Ish. We did curve a bit. So maybe east is over there. | 0:22:02 | 0:22:05 | |
'Without the sun, we all lose confidence in which way to go.' | 0:22:05 | 0:22:10 | |
Keep going until you can't go further. We have reached... I can't go further. | 0:22:10 | 0:22:14 | |
-Keep going east until you can't go further. -Then take the southwesterly path. | 0:22:14 | 0:22:18 | |
-There's a clue in the distance that will help. -There's a clue in the distance? | 0:22:18 | 0:22:22 | |
Distance that will help? | 0:22:22 | 0:22:24 | |
One of the biggest challenges you'll face is that of scale. | 0:22:28 | 0:22:31 | |
The clues you need to find your way might be six inches from you. | 0:22:31 | 0:22:36 | |
They might be under your nose. | 0:22:36 | 0:22:38 | |
There might be a lichen, trying to shout direction but you don't spot it. | 0:22:38 | 0:22:42 | |
Or they might be miles and miles away, as in a coastline. | 0:22:42 | 0:22:46 | |
There is a clue that I would like to show you that is between the near and the far. | 0:22:46 | 0:22:50 | |
If we look in the middle distance, can you see, there is | 0:22:50 | 0:22:53 | |
an edge of woodland and then a green field just to the left of it. | 0:22:53 | 0:22:58 | |
If we look at the colours in the field, can you see it's not an even colour all the way across? | 0:22:58 | 0:23:02 | |
And closest to the wood, the green richens, doesn't it? | 0:23:02 | 0:23:07 | |
It becomes a slightly deeper, richer green. | 0:23:07 | 0:23:10 | |
What's happening there is the southern sun | 0:23:10 | 0:23:13 | |
is struggling to get over the woodland, so there's a part of that field that's not | 0:23:13 | 0:23:17 | |
getting as much sunlight. | 0:23:17 | 0:23:19 | |
What can you see? I can see fields. | 0:23:19 | 0:23:22 | |
I can see a house, just the top of the house. | 0:23:22 | 0:23:24 | |
This is basically like a semi-advanced version of "I Spy". | 0:23:24 | 0:23:27 | |
Careful. | 0:23:27 | 0:23:29 | |
Oh! No. I can see a tree. | 0:23:29 | 0:23:31 | |
I can see a... I don't know. Oh, ... | 0:23:31 | 0:23:36 | |
-Oh, look. There is a ring. There is a ring of... -It's by the tree. | 0:23:36 | 0:23:42 | |
-The fallow bit where they don't grow stuff. -So that's south. | 0:23:42 | 0:23:44 | |
So that's on the southerly side. Yeah. | 0:23:44 | 0:23:47 | |
-Ah! -So that is south. | 0:23:48 | 0:23:50 | |
That is south. | 0:23:50 | 0:23:52 | |
-So that's southwesterly. -So that's west. | 0:23:52 | 0:23:55 | |
-Did it. -We did it. | 0:23:55 | 0:23:59 | |
-So I was completely and utterly wrong. Basically... -I'm the man with the ladder. | 0:23:59 | 0:24:03 | |
You're now infertile from the way you basically straddled that gate post. | 0:24:03 | 0:24:09 | |
Hey, we did it! | 0:24:09 | 0:24:10 | |
'This is really tough. | 0:24:12 | 0:24:13 | |
'I got that direction completely wrong. | 0:24:13 | 0:24:16 | |
'I thought I was getting all of this and now I seem to be back to square one. | 0:24:16 | 0:24:20 | |
'Thank God for Stephen and Sue.' | 0:24:20 | 0:24:22 | |
-They've raised the pensionable age. You're not a pensioner yet. -I'm 65 next month. | 0:24:22 | 0:24:28 | |
That's next month, you're not a pensioner. | 0:24:28 | 0:24:30 | |
'I think I got that last clue right, | 0:24:30 | 0:24:32 | |
'but we're meant to be looking for black gates, and there are none. | 0:24:32 | 0:24:35 | |
'It looks like Mr Boscawen will be kept waiting and do we fail this walk, | 0:24:35 | 0:24:38 | |
'if he gives up and goes home, and do I still get a sample of the local brew?' | 0:24:38 | 0:24:43 | |
Turn west - OK. | 0:24:43 | 0:24:44 | |
At the black gates, take the route to the southwest. | 0:24:46 | 0:24:49 | |
Black gates. Surely these the black gates. | 0:24:49 | 0:24:52 | |
'We eventually reach the black gates | 0:24:52 | 0:24:55 | |
'and can enter into the central gardens.' | 0:24:55 | 0:24:58 | |
-I have now dislocated my arm. -Are you all right? -No. | 0:24:58 | 0:25:02 | |
The good thing is we know this is westerly, this break is westerly. | 0:25:02 | 0:25:07 | |
'But from here, it is about to get trickier. | 0:25:07 | 0:25:10 | |
'Our guide warns us we are about to enter the maze of paths | 0:25:10 | 0:25:13 | |
'and avenues in the garden.' | 0:25:13 | 0:25:15 | |
-Hang on, so turn east. We are going the wrong way, we need to go this way. -Oh, turn east. | 0:25:15 | 0:25:20 | |
-We need to turn right. -See, I'm just following you. -I'm following you. | 0:25:20 | 0:25:24 | |
-Don't make me lead. We're lost. -You are supposed to be leading. It's Cornwall. | 0:25:24 | 0:25:27 | |
Why hasn't Stephen got a rucksack? | 0:25:27 | 0:25:29 | |
Look, there's a car here. | 0:25:29 | 0:25:31 | |
Now, hang on. | 0:25:31 | 0:25:33 | |
'Mr Boscawen must be around here somewhere. | 0:25:33 | 0:25:36 | |
'He can't be hard to spot, can he?' | 0:25:36 | 0:25:39 | |
-I guess we just head down here. -Yeah. | 0:25:39 | 0:25:43 | |
-I think we just keep going. Keep going? Look at that... -Mr Boscawen! | 0:25:43 | 0:25:49 | |
-Are you serious about this? -Maybe if we go through. -Ah-ha. Mr Boscawen. | 0:25:49 | 0:25:54 | |
-We've found you, I'm Stephen. -Welcome here this morning. Morning. | 0:25:54 | 0:25:57 | |
Nice to see you. Like what you have done the place. | 0:25:57 | 0:25:59 | |
-Very nice to see you, can we get you a cup of tea? -Lovely. | 0:25:59 | 0:26:02 | |
You've come to the home of English tea. | 0:26:02 | 0:26:05 | |
Hooray, I would love a cup of tea. | 0:26:05 | 0:26:08 | |
'Not quite the brew I was hoping for, | 0:26:08 | 0:26:11 | |
'but after a lovely cup of tea, we split up to explore.' | 0:26:11 | 0:26:15 | |
'Being keen on nature, I'm meeting head gardener Neil Bennett to see plants that can show direction.' | 0:26:15 | 0:26:21 | |
So I just want to show you this, really. | 0:26:21 | 0:26:24 | |
This is a banana plant, a Musa basjoo, they call it in Latin. | 0:26:24 | 0:26:28 | |
What I wanted to show you about this is that the leaves grow east to west. | 0:26:28 | 0:26:33 | |
-Fantastic. -This is called a Leptospermum myrtifolium 'Silver Sheen' | 0:26:33 | 0:26:37 | |
Now the interesting thing about this plant, is it always flowers on the west side. | 0:26:37 | 0:26:42 | |
So as you can see, we are on the west side now and it's in flower nicely. | 0:26:42 | 0:26:46 | |
Gosh. It just gets more interesting. By the minute. | 0:26:46 | 0:26:50 | |
Because you know, in life we just go around saying, "Isn't that pretty?" "Look at that tree." | 0:26:50 | 0:26:55 | |
Suddenly, it is making me think about every single thing that I see. | 0:26:55 | 0:27:00 | |
-Exactly. -Thinking it is all so complicated and worked out. -Yes. -So brilliantly. | 0:27:00 | 0:27:05 | |
'You just start to take in the environment you're in, | 0:27:07 | 0:27:11 | |
'in a different way.' | 0:27:11 | 0:27:13 | |
And I've also learned that as a city boy, I've nothing to fear from the country. | 0:27:13 | 0:27:17 | |
Yet. | 0:27:19 | 0:27:21 | |
Don't speak too soon, because there are strange goings-on | 0:27:21 | 0:27:25 | |
down the road at the village of St Buryan. | 0:27:25 | 0:27:28 | |
I want to show the others another side of Cornwall. | 0:27:28 | 0:27:31 | |
So we are visiting some white witches, as you do. | 0:27:31 | 0:27:34 | |
I tell you what, they are quite jolly witches. | 0:27:34 | 0:27:37 | |
-A little bit of morris... Gothic morris dancing! -Oh, my God! | 0:27:37 | 0:27:40 | |
-They look a little bit like... -Oh, dear. A whole gaggle there. | 0:27:40 | 0:27:45 | |
'Paganism is alive and well across this part of Cornwall.' | 0:27:45 | 0:27:48 | |
The horse mounting block, is that here? | 0:27:48 | 0:27:51 | |
Right in the middle of the dance now. | 0:27:54 | 0:27:57 | |
-It's quite Alice Cooper, isn't it? -It is. Kiss thrown in there as well. | 0:28:08 | 0:28:13 | |
Oh, that was intense. | 0:28:13 | 0:28:14 | |
It's like morris dancing, isn't it? | 0:28:17 | 0:28:19 | |
It is, it's satanic morris dancing. | 0:28:19 | 0:28:22 | |
-Lovely. -Are we supposed to clap? | 0:28:23 | 0:28:25 | |
The Pan's People of the Dark Arts, everyone. | 0:28:25 | 0:28:28 | |
-That's intense. -That was very, very intense. | 0:28:28 | 0:28:30 | |
Please, don't hurt me. Look at those teeth! | 0:28:30 | 0:28:34 | |
'Nowadays these witches call themselves wise women. | 0:28:36 | 0:28:39 | |
'It's that wise side I'm hoping to tap into. | 0:28:39 | 0:28:42 | |
'Two of them, Cassandra and Letitia, take me to the nearby stone circle of Boscawen. | 0:28:42 | 0:28:47 | |
'They claim they can tell me why I love Cornwall. | 0:28:47 | 0:28:51 | |
'And I tell them my story.' | 0:28:51 | 0:28:54 | |
I was born in London, a very busy part of London. | 0:28:54 | 0:28:57 | |
I moved to north London. A lot of work. | 0:28:57 | 0:28:59 | |
Stress and hustle and bustle, all of that sort of thing. | 0:28:59 | 0:29:02 | |
Then I was quite ill and hospitalised. | 0:29:02 | 0:29:04 | |
The night I was hospitalised, some smackheads broke into my flat | 0:29:04 | 0:29:10 | |
and terrorised my partner - it was just a conflation of really terrible, awful, miserable things. | 0:29:10 | 0:29:15 | |
I decided to take us on holiday. | 0:29:15 | 0:29:17 | |
We hadn't been on holiday for quite a while because of work and I came to Zennor. | 0:29:17 | 0:29:22 | |
Oh, right. | 0:29:22 | 0:29:24 | |
I was there for four days | 0:29:24 | 0:29:25 | |
and I wept like a baby when I had to leave, and this is not my style. | 0:29:25 | 0:29:28 | |
It wasn't upset tears, it was sentimental. I didn't want to go, I felt a real connection. | 0:29:28 | 0:29:32 | |
I felt very moved by it | 0:29:32 | 0:29:34 | |
and about six months later, I came to live here. | 0:29:34 | 0:29:37 | |
And I don't know why. | 0:29:37 | 0:29:39 | |
I can't... Because, I mean, I'm a spontaneous, slightly irrational person, | 0:29:39 | 0:29:43 | |
but that notwithstanding, there was something very special about what drew me here. | 0:29:43 | 0:29:47 | |
You may have noticed when you're down here, | 0:29:48 | 0:29:51 | |
-that things are much, much slower. -Yes. | 0:29:51 | 0:29:53 | |
In fact, there's a lot of obstacles down here that force you to go slower. | 0:29:53 | 0:29:58 | |
I spent four hours in a Post Office once. I know what you mean. | 0:29:58 | 0:30:01 | |
Time shifts things. And we live life at such a rapidy pace upcountry. | 0:30:01 | 0:30:08 | |
-Up in England? -Yeah, in foreign parts. -Yeah! | 0:30:08 | 0:30:13 | |
Let's not speak of that! | 0:30:13 | 0:30:15 | |
You miss the plot so many times going from A to B to C to... | 0:30:17 | 0:30:22 | |
And you don't find time to smell the roses | 0:30:22 | 0:30:26 | |
or even know what the journey is about. | 0:30:26 | 0:30:29 | |
It make as lot of sense. Slowing down to take things in. | 0:30:29 | 0:30:32 | |
Perhaps that's why I'm enjoying the natural navigation. | 0:30:32 | 0:30:35 | |
If you try and rush it, you miss the clues. | 0:30:35 | 0:30:39 | |
Take your time and look around. And the right direction to head in becomes clear | 0:30:39 | 0:30:43 | |
on a walk or in life in general, I guess. | 0:30:43 | 0:30:46 | |
God, there is only one thing can make me more mellow, | 0:30:46 | 0:30:49 | |
that's right, a flute melody. | 0:30:49 | 0:30:51 | |
FLUTE PLAYS | 0:30:51 | 0:30:53 | |
Next morning we head to Paul on the Penwith peninsula. | 0:31:05 | 0:31:08 | |
We're starting our next leg from here, | 0:31:08 | 0:31:10 | |
but first I want to show the others a Cornish icon. | 0:31:10 | 0:31:14 | |
"Here lieth interred, Dorothy Pentreath who died in 1777. | 0:31:15 | 0:31:20 | |
"Said to have been the last person who conversed in the ancient Cornish | 0:31:20 | 0:31:24 | |
"- the peculiar language of this county from the earliest records | 0:31:24 | 0:31:27 | |
"till it expired in the 18th century in this parish of Saint Paul." | 0:31:27 | 0:31:31 | |
We would have recorded her last words, but we didn't have a clue what she meant. | 0:31:31 | 0:31:34 | |
SPEAKS CORNISH | 0:31:34 | 0:31:39 | |
But in the pub next door, is Dick Kendal. | 0:31:39 | 0:31:41 | |
He's trying to revive the language. | 0:31:41 | 0:31:44 | |
I think learning the lingo could Possibly make me feel more Cornish | 0:31:44 | 0:31:48 | |
and help us find our way. | 0:31:48 | 0:31:51 | |
That sounds like me when I'm drunk! That's the sort of conversation I'll have after five or, ten pints! | 0:31:51 | 0:31:56 | |
I'll teach it to you. | 0:31:56 | 0:31:58 | |
Are there any words that would be useful for us to know as navigators? | 0:31:58 | 0:32:01 | |
I'm presuming that some words mean tree, hill, river? | 0:32:01 | 0:32:04 | |
OK. You've got the Cornish mountains here. | 0:32:04 | 0:32:07 | |
So you've got great piles of rock sticking up. That's a carn. C-A-R-N. | 0:32:07 | 0:32:11 | |
-Pasty happens to be coffin. -Coffin? That's ominous. | 0:32:13 | 0:32:18 | |
-But, you see, it's is same thing as a coffin. -Lots of dead things in it. | 0:32:18 | 0:32:22 | |
-What is a coffin? It's a box. -It's sealed with the meat in it. | 0:32:22 | 0:32:26 | |
Wow, it's hungry work. It is making me long for a vegetarian coffin, I have to say. | 0:32:26 | 0:32:32 | |
Having learned a small amount of Cornish, | 0:32:32 | 0:32:35 | |
we're ready to start the third leg of our journey. | 0:32:35 | 0:32:38 | |
We have to find our way to Mousehole, my favourite fishing village. | 0:32:38 | 0:32:42 | |
It is because of places like Mousehole, I decided to give up | 0:32:42 | 0:32:45 | |
British citizenship and become Cornish. | 0:32:45 | 0:32:48 | |
Tristan is sending us down a hidden route probably used by smugglers. | 0:32:48 | 0:32:52 | |
We have to follow the clues really accurately, | 0:32:52 | 0:32:55 | |
except it's very difficult to find. | 0:32:55 | 0:32:57 | |
Well, it is a smugglers' route. They don't make 'em obvious, you know! | 0:32:57 | 0:33:01 | |
On this leg we're using another tree technique. | 0:33:02 | 0:33:04 | |
Even Tristan describes this one as tricky, | 0:33:04 | 0:33:07 | |
so we, frankly, have no chance. | 0:33:07 | 0:33:10 | |
To start, an easy first clue, use the church to head southwest. | 0:33:10 | 0:33:15 | |
-Is this path here? -I think it has to be. | 0:33:15 | 0:33:18 | |
-Right. -Yeah? -Yeah, that's a path. | 0:33:19 | 0:33:22 | |
I'm starting to, you know, second-guess what a path was there. | 0:33:22 | 0:33:26 | |
We know from before that churches are west to east and so are | 0:33:26 | 0:33:29 | |
confident we've gone in the right direction, down the back of the pub. | 0:33:29 | 0:33:32 | |
Got to love those churches. | 0:33:32 | 0:33:34 | |
-Take this path. -Take it. | 0:33:34 | 0:33:36 | |
"When you reach the field..." | 0:33:36 | 0:33:39 | |
-"Look for signs to help you continue on a southwest track." -OK. | 0:33:39 | 0:33:43 | |
-After you. -I told you churches were easy. | 0:33:43 | 0:33:46 | |
Through a field and we arrive at a farm. | 0:33:48 | 0:33:50 | |
"Use the shape of the branches of the leylandii tree to head east." | 0:33:50 | 0:33:54 | |
And we've learned how to use branches to give direction. | 0:33:54 | 0:33:59 | |
Green plants, they need the sun, of course. | 0:33:59 | 0:34:02 | |
It's their breakfast, lunch and dinner. Here's a gingko | 0:34:02 | 0:34:05 | |
grown in a greenhouse, because the greenhouse gets rid of all the wind, | 0:34:05 | 0:34:09 | |
and all we are looking at is the sun's effect. | 0:34:09 | 0:34:11 | |
So on the southern side, | 0:34:11 | 0:34:13 | |
the side that's getting most of the light we've got nice, bigger leaves. | 0:34:13 | 0:34:16 | |
It's a heavier side of the plant. | 0:34:16 | 0:34:19 | |
On the side that doesn't get as much light, fewer leaves, | 0:34:19 | 0:34:22 | |
it appears lighter and the leaves are growing more vertically. | 0:34:22 | 0:34:26 | |
This leads to what I call the tick effect, | 0:34:26 | 0:34:28 | |
because if you get down and have a good look at it, | 0:34:28 | 0:34:31 | |
you might be able to see a tick. | 0:34:31 | 0:34:33 | |
It is more vertical on the northern side | 0:34:33 | 0:34:35 | |
and slightly more horizontal on the southern side. | 0:34:35 | 0:34:38 | |
It is very subtle. | 0:34:38 | 0:34:40 | |
The leylandii tree we found, seems to offer some clue to direction. | 0:34:41 | 0:34:45 | |
Much more heavy on this side, isn't it? | 0:34:45 | 0:34:47 | |
-Yes. Is that right? -The growth is much, much heavier. | 0:34:47 | 0:34:52 | |
-Yes, on this and the south side. -South. | 0:34:52 | 0:34:54 | |
-So if that's south then that is east. -East. -That's south. | 0:34:54 | 0:34:57 | |
-Looks like you're lost. -We're trying to work out east. | 0:34:57 | 0:35:03 | |
You can't tell us! | 0:35:03 | 0:35:05 | |
-Don't tell us! -Don't tell us! -Right, I think it's this way? | 0:35:05 | 0:35:07 | |
South? | 0:35:07 | 0:35:09 | |
-Southeast. -North's over there. | 0:35:09 | 0:35:13 | |
-Hang on. -No! Keep calm. Don't panic. -We are doing it by a hive mentality. | 0:35:15 | 0:35:19 | |
Unfortunately, even our three minds aren't equivalent to one normal one. | 0:35:19 | 0:35:24 | |
-That's the leylandii tree. -So, it's heavier this side. -Heavier growth should be on the south. | 0:35:24 | 0:35:29 | |
We need to look around the tree. We haven't walked around the tree. | 0:35:29 | 0:35:32 | |
True. We've jumped to a quick conclusion. | 0:35:32 | 0:35:34 | |
Do you think that these people would mind if we went into their driveway. | 0:35:34 | 0:35:38 | |
Tristan did say this was tricky, but a closer look around | 0:35:38 | 0:35:41 | |
the leylandii does reveal a hint of a tick effect on the bottom. | 0:35:41 | 0:35:45 | |
With some branches more vertical and therefore, pointing north. | 0:35:46 | 0:35:50 | |
Is this the most trespassing you've ever experienced? | 0:35:53 | 0:35:55 | |
-Yes. Definitely. -Is that why you are caring a knife? | 0:35:55 | 0:35:59 | |
Please don't hurt us. You've got a compass! | 0:35:59 | 0:36:02 | |
-No. No, no, no! -You've become like a God in our community now immediately. | 0:36:02 | 0:36:06 | |
-We cannot use it. Team! -Don't look at him. -Listen to me, team. | 0:36:06 | 0:36:09 | |
-You will not look at that compass. -I will not look at it, Alison! | 0:36:09 | 0:36:14 | |
-You will leave this place! Follow the sun and the trees. Now go. -Yes. | 0:36:14 | 0:36:19 | |
There it is. There is south, which means... | 0:36:19 | 0:36:21 | |
I can't help but feel we missed a trick there. | 0:36:21 | 0:36:24 | |
We should have taken the knife off her | 0:36:24 | 0:36:27 | |
and used it to get the compass off him. | 0:36:27 | 0:36:31 | |
You have now lost all ability to understand the basic... | 0:36:31 | 0:36:34 | |
-It's nearly lunch and I'm starting to feel... -A coffin. -A coffin. | 0:36:34 | 0:36:37 | |
-I think it's here. -Here we go, this is swinging right round. -This way. | 0:36:38 | 0:36:42 | |
-This is swinging right round. -We didn't need your compass. | 0:36:42 | 0:36:45 | |
We have no need of it. | 0:36:45 | 0:36:47 | |
'We use the tree to head what we hope is south, | 0:36:47 | 0:36:49 | |
'and then follow the path around to the east. | 0:36:49 | 0:36:53 | |
'The path is blocked, so I wonder if this is actually the right way.' | 0:36:53 | 0:36:56 | |
-I can't get through that. -I'll move it. | 0:36:56 | 0:36:59 | |
It's like Miss Tiggy-Winkle causing brambles when I get through there. | 0:36:59 | 0:37:02 | |
I've seen The Six Million Dollar Man. | 0:37:02 | 0:37:04 | |
-I can't move it. -I'll have a go. | 0:37:05 | 0:37:07 | |
-How embarrassing will this be if I can't get through? -You can. | 0:37:07 | 0:37:11 | |
-It's your backpack. -Oh, I can. -Easy. | 0:37:11 | 0:37:14 | |
-We could do a play here. -Slender Brenda, come on. | 0:37:14 | 0:37:17 | |
OK. "Hug the northern perimeter." This. | 0:37:19 | 0:37:22 | |
"Continue east." So we're continuing east. | 0:37:25 | 0:37:28 | |
Now the style. | 0:37:28 | 0:37:31 | |
-God this is just getting so beautiful. -Wow! Oh, my goodness. | 0:37:31 | 0:37:35 | |
It's amazing. I think there might be a path that goes around there. | 0:37:35 | 0:37:39 | |
-There is a gap in the hedge. -Shall I go and have a look? | 0:37:39 | 0:37:42 | |
Beautiful, it may be, but suddenly there's no path and no way forward. | 0:37:42 | 0:37:46 | |
I wonder if Sue packed the tent? | 0:37:46 | 0:37:48 | |
It's this one, maybe? That is more easterly, isn't it? | 0:37:48 | 0:37:51 | |
Never has a man looked more alone or confused. | 0:37:52 | 0:37:56 | |
Shall we leave him here? I think we should. | 0:37:56 | 0:37:59 | |
Do you know what, I think it might be too early to call this, | 0:38:03 | 0:38:06 | |
but I think we're lost. | 0:38:06 | 0:38:08 | |
-God, there is supposed to be a cattle trough. -South is that way. | 0:38:10 | 0:38:13 | |
-We are lost. -Big time. -We need to be over there. -Let's retrace. | 0:38:15 | 0:38:19 | |
Continue to follow this path that we haven't found - "Careful, it is slippery. | 0:38:21 | 0:38:25 | |
-"At the next T junction..." -It's all right. | 0:38:25 | 0:38:28 | |
-I'm going to sit here and wait for death. -"Head south." | 0:38:28 | 0:38:30 | |
Do you mind if we eat you? I'm starving. | 0:38:30 | 0:38:33 | |
I'm definitely having some water now. | 0:38:33 | 0:38:37 | |
If I light a fire and start cooking you from the back end up. | 0:38:37 | 0:38:40 | |
Just a slice of buttock, and if we get rescued | 0:38:40 | 0:38:42 | |
then at least I'll have lost weight off the ass. | 0:38:42 | 0:38:45 | |
-Do you have good marbling in your meat? -It is very good, | 0:38:45 | 0:38:47 | |
but don't stress me, because it will adrenalise the meat. | 0:38:47 | 0:38:51 | |
Right, this calls for the Harriet Jones and the cowpat field of doom hat. | 0:38:51 | 0:38:54 | |
That's what you are carrying in those bags. Hats. | 0:38:54 | 0:38:58 | |
-Millinery. -Hats! -Do you have any...? I need one. | 0:38:58 | 0:39:03 | |
All I have is a Viking helmet, a pith helmet and a turban. That's all I've got left. | 0:39:03 | 0:39:07 | |
-Have you got a Fez? -No, I've not got, I didn't bring the Fez, to be honest. | 0:39:07 | 0:39:11 | |
I'm going to try opening up another gate, | 0:39:11 | 0:39:13 | |
seeing as brute force and idiocy seems to be my forte. | 0:39:13 | 0:39:16 | |
Is this a bit of a path? Is that a path? | 0:39:16 | 0:39:20 | |
Why am I asking myself, is it a path? | 0:39:20 | 0:39:22 | |
It is either a path or it is not a path. | 0:39:22 | 0:39:24 | |
Right. | 0:39:27 | 0:39:29 | |
-This is an act of trespass or genius. -Well, OK. | 0:39:29 | 0:39:32 | |
-I'll either be applauded or shot. -What's the plan? | 0:39:32 | 0:39:35 | |
The plan, I think this is east. | 0:39:35 | 0:39:37 | |
It didn't say open the gate, though, did it? | 0:39:40 | 0:39:42 | |
We can see our goal of Mousehole down below, but no clear way to it. | 0:39:42 | 0:39:46 | |
-And that's west? -"At the next T junction head south." | 0:39:46 | 0:39:49 | |
We haven't hit a T junction, but that is south. | 0:39:49 | 0:39:52 | |
So should we head south? OK, we're going to head south, shall we? | 0:39:54 | 0:39:58 | |
-What's this? What's this? -Oh! | 0:39:58 | 0:40:00 | |
-It's a path! -We spoke too soon. We're idiots. | 0:40:00 | 0:40:03 | |
'Ha-ha, the hidden path!' | 0:40:03 | 0:40:05 | |
The ups and downs of natural navigating. | 0:40:05 | 0:40:07 | |
A minute ago, I was going to tuck into your backside. Now we're in clover. Wow! | 0:40:07 | 0:40:12 | |
That's fantastic. You'll like this. | 0:40:13 | 0:40:16 | |
-It's like a little tunnel. -Is it? -Yeah. -Oh, my goodness. | 0:40:16 | 0:40:19 | |
-So beautiful. -A little smuggler's tunnel. | 0:40:19 | 0:40:22 | |
-I think coming down backwards is your best bet. -Yeah. | 0:40:22 | 0:40:26 | |
'Like many Cornish ports, | 0:40:26 | 0:40:28 | |
'smuggling was rife in Mousehole over the last couple of centuries. | 0:40:28 | 0:40:32 | |
'Tea, tobacco and brandy all came in | 0:40:32 | 0:40:34 | |
'and today, the vodka in my backpack.' | 0:40:34 | 0:40:36 | |
-This is definitely a T junction. -Definitely. | 0:40:36 | 0:40:39 | |
-'There's some chocolate in Alison's.' -Is that a T junction? | 0:40:39 | 0:40:43 | |
-Look at that. -You need to verify that that is a T junction. | 0:40:43 | 0:40:46 | |
-Head south. That's Mousehole. -Hey! -Oh! | 0:40:46 | 0:40:50 | |
-That is Mousehole. -How cool. | 0:40:50 | 0:40:52 | |
Cornwall is remote. It seems like a totally different country to England, | 0:40:58 | 0:41:01 | |
and with a rebellious free spirit - | 0:41:01 | 0:41:03 | |
sounds like a polite version of one of my school reports, | 0:41:03 | 0:41:06 | |
and maybe that's why I'm so drawn to this place. | 0:41:06 | 0:41:09 | |
Wow! Nice. | 0:41:18 | 0:41:19 | |
-"Gone to the pub!" -I know how they feel! | 0:41:20 | 0:41:23 | |
-South. -'In the middle of the village, the place where, supposedly, | 0:41:23 | 0:41:27 | |
'the last Cornish speaker, Dorothy Pentreath, once lived | 0:41:27 | 0:41:31 | |
'and it's the end of this leg of the journey.' | 0:41:31 | 0:41:33 | |
-It's a dead end. -I think that's all right. | 0:41:33 | 0:41:36 | |
-What are we looking for? -At the next east turn is the end of the walk at Dolly Pentreath's house. | 0:41:36 | 0:41:42 | |
-Is she called Dolly? -Well, they called... Yeah. | 0:41:43 | 0:41:46 | |
-I don't know the woman, but to be honest... -Here it is! | 0:41:46 | 0:41:49 | |
"Here lived Dolly Pentreath. | 0:41:49 | 0:41:51 | |
"One of the last speakers of the Cornish language as her native tongue. Died December, 1777." | 0:41:51 | 0:41:55 | |
We're here, we've done it, but I think it would be a shame not to carry on and see the sea. | 0:41:56 | 0:42:01 | |
-That was our toughest one so far. -Coffins all round. Yeah! | 0:42:01 | 0:42:05 | |
All right. | 0:42:05 | 0:42:06 | |
What a beautiful setting this is. | 0:42:10 | 0:42:13 | |
-Isn't it? It's perfect. -Lovely. | 0:42:13 | 0:42:15 | |
Little...diddy town. | 0:42:15 | 0:42:17 | |
'I once came here on holiday with three friends when I was 17. | 0:42:17 | 0:42:22 | |
'It was our first trip away from home without our parents | 0:42:22 | 0:42:26 | |
'and a complete thrill. | 0:42:26 | 0:42:28 | |
'I remember a lovely little pub on the harbour.' | 0:42:28 | 0:42:31 | |
Alison, see the Ship Inn over there? I think that's the pub you went into when you were 17. | 0:42:31 | 0:42:36 | |
That's really the only pub on the front here at Mousehole. | 0:42:36 | 0:42:40 | |
I remember we just loved it so much because it was opposite the harbour, | 0:42:40 | 0:42:43 | |
and we were fresh from Liverpool | 0:42:43 | 0:42:45 | |
and here we were in this fantastic place. | 0:42:45 | 0:42:49 | |
In fact, I'm sure at home somewhere I've got a photo | 0:42:49 | 0:42:51 | |
of the four of us standing outside the door of the pub. | 0:42:51 | 0:42:56 | |
A little 17... God! | 0:42:56 | 0:42:57 | |
-So, do you fancy a stroll around town? -I'm going to have a look in the Ship. | 0:42:57 | 0:43:02 | |
-Are you? -To see if any memories come flooding back. -It will for them. | 0:43:02 | 0:43:06 | |
It will for them! | 0:43:06 | 0:43:07 | |
They'll go, "Oh, no she's back, she's back. Brace yourself, lads. | 0:43:07 | 0:43:11 | |
-"She's going to trash the place again." -"This time she's got a stick." | 0:43:11 | 0:43:15 | |
-"Don't give her the cider." -"She's a man-eater." | 0:43:15 | 0:43:18 | |
-SUE LAUGHS -"Here she comes, she's a man-eater." | 0:43:18 | 0:43:22 | |
-"The other two haven't aged as well, mind you." -Yeah. | 0:43:22 | 0:43:25 | |
-"That tall girl with the curly hair..." -"Terrible!" | 0:43:25 | 0:43:28 | |
-Yeah! -"She's yours." | 0:43:28 | 0:43:30 | |
Here's to happy memories. | 0:43:39 | 0:43:41 | |
Whilst Stephen and Alison enjoy the charms - and beers - of Mousehole, | 0:43:47 | 0:43:51 | |
I'm going to go on a special flight. | 0:43:51 | 0:43:54 | |
Special because I'm at the wheel...stick. | 0:43:54 | 0:43:57 | |
Handle bar? | 0:43:57 | 0:43:59 | |
Yes, I've never flown a plane before. | 0:43:59 | 0:44:02 | |
-And we're flying! -Top Gun. Top Gun alert. | 0:44:04 | 0:44:06 | |
'But I'm taking to the air to see if I can naturally navigate at 200 feet.' | 0:44:08 | 0:44:12 | |
OK, so just now roll your hands to the right. | 0:44:12 | 0:44:16 | |
That will just put us into an angle bank. | 0:44:16 | 0:44:18 | |
-About there? -Yes. And you feel it just banking over to the... | 0:44:18 | 0:44:22 | |
Once you've made the adjustment you then leave it to do its work? | 0:44:24 | 0:44:27 | |
It now stays there and it will stay like that all day, basically. | 0:44:27 | 0:44:31 | |
Now you need to be able to take us east... | 0:44:31 | 0:44:34 | |
'Instructor Glen Corcoran covers the compass and tells me to find east.' | 0:44:34 | 0:44:38 | |
If we go west by southwest, we then bank right, which would take us north, I think. | 0:44:38 | 0:44:42 | |
So we will have to move... | 0:44:44 | 0:44:46 | |
Pretty much have to go back on ourselves in that direction. | 0:44:46 | 0:44:49 | |
-Right, OK. Give it a go. -I've got to turn?! -Yep. So just... | 0:44:49 | 0:44:54 | |
'It's mid-afternoon and the sun is southwest... I guess.' | 0:44:54 | 0:44:58 | |
Not too much. Just enough. | 0:44:59 | 0:45:02 | |
-Shall I tell you when I think that east is coming? -Yes. | 0:45:04 | 0:45:07 | |
Straighten up when you think east is there. | 0:45:07 | 0:45:09 | |
-I think that's about right. -You're not going to believe this... -Oh, it's north? | 0:45:09 | 0:45:14 | |
-Oh! -You are 10 degrees, which is fantastic. | 0:45:15 | 0:45:18 | |
I've seen professional pilots not able to do that. | 0:45:18 | 0:45:21 | |
That's really good. | 0:45:21 | 0:45:23 | |
'Believe me, I'm as shocked as you are.' There you go. | 0:45:23 | 0:45:25 | |
'Then we fly over a house I recognise.' | 0:45:25 | 0:45:28 | |
There's my niece! There's my niece! | 0:45:28 | 0:45:32 | |
There's my little niece in her pink dress! | 0:45:32 | 0:45:36 | |
The flight has shown me that I'm really getting to grips with natural navigation. | 0:45:36 | 0:45:40 | |
And now I've seen Cornwall from the air, I love it even more. | 0:45:40 | 0:45:43 | |
It is SO beautiful. | 0:45:43 | 0:45:45 | |
The next day after a successful handbrake turn in the plane, | 0:45:55 | 0:45:58 | |
I'm really gee'd up for our last leg of our journey across Cornwall. | 0:45:58 | 0:46:01 | |
We're starting in the village of St Just, the farthest west we've been | 0:46:01 | 0:46:05 | |
and we've got to get to our final destination, Cape Cornwall. | 0:46:05 | 0:46:10 | |
On this leg, we have to master the most difficult clue yet - lichens. | 0:46:10 | 0:46:14 | |
Tricky little fellas. They are the dark art of natural navigation. | 0:46:14 | 0:46:18 | |
They change wherever you go | 0:46:18 | 0:46:20 | |
and you have to learn their local likes and dislikes. | 0:46:20 | 0:46:23 | |
-We've got to take up the most westerly route. -I see. -OK. | 0:46:23 | 0:46:27 | |
-The sun is...? -East. | 0:46:32 | 0:46:34 | |
-Northeast. -Yes. | 0:46:34 | 0:46:37 | |
If it rises in the northeast, by now... | 0:46:37 | 0:46:40 | |
-So this is almost an east-west road, isn't it? -It is. | 0:46:40 | 0:46:42 | |
-That's northeast as the sun is there. -It rises in the northeast, but now it's due east. | 0:46:42 | 0:46:47 | |
It's coming round. | 0:46:47 | 0:46:48 | |
I'd say it rises in the north, it's going east. | 0:46:48 | 0:46:51 | |
-If that's east, then that's north. -You're right. I'm such a doofus. | 0:46:51 | 0:46:55 | |
-Rises in the northeast in the middle of the summer. -You know what? It's... You could... | 0:46:55 | 0:47:00 | |
Why is it I get the really complex stuff like, that leaf seems to be photosynthesising, but why...? | 0:47:00 | 0:47:05 | |
-The talking goat has thrown you. -So does that mean west is over there? -West is that way. | 0:47:05 | 0:47:09 | |
I need to start again cos I'm an idiot. | 0:47:09 | 0:47:12 | |
'There are two paths and both look like they could be west. | 0:47:12 | 0:47:16 | |
'We've got to be really accurate with our direction.' | 0:47:16 | 0:47:18 | |
So it'll be just south of east. | 0:47:18 | 0:47:21 | |
-So this is east-west, but I got north-south wrong. -The road is east west. | 0:47:21 | 0:47:24 | |
'Or our or first step will be a wrong one | 0:47:24 | 0:47:27 | |
'and we'd be lost straightaway.' | 0:47:27 | 0:47:29 | |
-That's north. -South. | 0:47:29 | 0:47:31 | |
Is that the tree that has been wind blown? | 0:47:32 | 0:47:35 | |
It looks like it has been south-westerly'd to the max. | 0:47:35 | 0:47:39 | |
There is a lot of comb over at the top. So, yes. | 0:47:39 | 0:47:42 | |
So, west... | 0:47:44 | 0:47:46 | |
'The sun and the wind are inconclusive, | 0:47:46 | 0:47:48 | |
'but behind us is the cricket pavilion. | 0:47:48 | 0:47:50 | |
'We've been taught that buildings can sometimes offer us obvious clues. | 0:47:50 | 0:47:54 | |
'In this case, the clubhouse is giving us | 0:47:54 | 0:47:56 | |
'an unmissable sign for our direction.' | 0:47:56 | 0:47:59 | |
Once we're comfortable with the sun's arc, once we understand | 0:47:59 | 0:48:02 | |
it's spending so much time in the southern part of the sky, | 0:48:02 | 0:48:05 | |
everything we see that has a relationship with the sun, | 0:48:05 | 0:48:09 | |
everything that needs its light or heat | 0:48:09 | 0:48:11 | |
will give us a clue to direction. | 0:48:11 | 0:48:14 | |
Up here we have a sundial. Sundials of course work by casting a shadow. | 0:48:14 | 0:48:18 | |
You'll notice it's got something pointing out to cast that shadow. | 0:48:18 | 0:48:22 | |
So anything that has a relationship with the sun, anything that needs | 0:48:22 | 0:48:25 | |
its light or heat, more often or not it will point the way south for you. | 0:48:25 | 0:48:29 | |
-There are some solar panels facing south! -Ah! | 0:48:30 | 0:48:34 | |
-Yeah! -Well spotted. -Very good. | 0:48:34 | 0:48:36 | |
We've got to head west. | 0:48:38 | 0:48:40 | |
I think we should go along this path here. | 0:48:41 | 0:48:43 | |
Is it the most westerly point? | 0:48:45 | 0:48:47 | |
Yeah, this is west. This is it. Cos that... | 0:48:47 | 0:48:49 | |
Yes, that's east, you're right. That is west. Good. | 0:48:49 | 0:48:53 | |
I'm fine on east and west, just don't ask me to do north and south. | 0:48:53 | 0:48:56 | |
-That road swings around, anyway. -Let's give it a go. -OK. | 0:48:56 | 0:49:00 | |
'Having chosen a path, we confidently set off | 0:49:01 | 0:49:04 | |
'and immediately think it's wrong.' | 0:49:04 | 0:49:06 | |
The road is west. | 0:49:06 | 0:49:08 | |
The road is kind of west, but the road does suddenly veer north. | 0:49:08 | 0:49:12 | |
'We're meant to find a farm, but there are lots | 0:49:12 | 0:49:15 | |
'and we're totally confused.' | 0:49:15 | 0:49:17 | |
Southwest is over there. Is it? | 0:49:17 | 0:49:20 | |
Southwest is here. | 0:49:22 | 0:49:24 | |
That's what I got confused by. Southwest is here, due west is there. | 0:49:25 | 0:49:29 | |
-That looks suspiciously like we've taken the wrong path. -I don't know, actually. | 0:49:31 | 0:49:35 | |
-West by southwest. -Yeah. | 0:49:36 | 0:49:39 | |
-I think it is right. -I'm totally muddled now. | 0:49:39 | 0:49:42 | |
Completely and totally...muddled. | 0:49:42 | 0:49:45 | |
-I want to sit here and have a couple of coffins... -We've only come 100 yards and we're lost! | 0:49:45 | 0:49:50 | |
ALISON LAUGHS | 0:49:50 | 0:49:52 | |
One foot in front of the other and I don't even know where the sun is. | 0:49:52 | 0:49:55 | |
We've come 100 yards, it's taken us half an hour and we're lost. | 0:49:55 | 0:49:58 | |
And even then, we've needed a book to do it. | 0:49:58 | 0:50:01 | |
Now, come on, team! Let's keep calm. Keep calm. | 0:50:01 | 0:50:05 | |
-I think it's this way. -Let's go. Shall we do it? -Yeah. | 0:50:05 | 0:50:08 | |
-What's the worst that can happen? -We all die a horrible death! | 0:50:08 | 0:50:11 | |
Yeah, I fall down a mine and shatter my pelvis. | 0:50:11 | 0:50:14 | |
'We see a farm ahead of us and we go for it.' | 0:50:16 | 0:50:19 | |
-We should see the chimney somewhere. -There we go, there's a path. | 0:50:24 | 0:50:27 | |
"Look around and study the lichens." | 0:50:32 | 0:50:35 | |
Lichen is a symbiotic organism. | 0:50:38 | 0:50:41 | |
It's actually two organisms living together | 0:50:41 | 0:50:44 | |
in a partnership. It's a fungi and an algae that have teamed up. | 0:50:44 | 0:50:47 | |
They're sensitive to the surface that they grow on, the minerals that are in that surface. | 0:50:47 | 0:50:53 | |
They are also sensitive to their environment, to the amount of sun light they get, | 0:50:53 | 0:50:57 | |
the amount of water. So we can use to navigate naturally by looking for differences. | 0:50:57 | 0:51:02 | |
Because as we know, you get more sun on the southern side | 0:51:02 | 0:51:06 | |
so we can start to looking for patterns. Here on the northern side of this wall, | 0:51:06 | 0:51:11 | |
we've got the greys and the greens, but if we move around to the southern side, | 0:51:11 | 0:51:15 | |
what you'll notice is suddenly, | 0:51:15 | 0:51:18 | |
everything changes. | 0:51:18 | 0:51:20 | |
It bursts into this bright orange. | 0:51:20 | 0:51:23 | |
It won't always give you a perfect south, | 0:51:23 | 0:51:26 | |
but if you see a bright orange lichen, start to suspect | 0:51:26 | 0:51:30 | |
that this is a wall or the bark of a tree that's getting a lot of sunlight. | 0:51:30 | 0:51:35 | |
The real challenge with lichens is that there are 15,000 | 0:51:37 | 0:51:42 | |
-different known lichens. -Right. -OK. | 0:51:42 | 0:51:45 | |
All you need to do is spot patterns | 0:51:45 | 0:51:47 | |
so you need to get to know the lichens in each area. | 0:51:47 | 0:51:50 | |
As you travel to a new place, | 0:51:50 | 0:51:53 | |
start to notice the lichens on the stone | 0:51:53 | 0:51:55 | |
and on the trees, and very quickly, | 0:51:55 | 0:51:58 | |
you'll start to spot the patterns. | 0:51:58 | 0:51:59 | |
Mmm. I'm liking...lichens. | 0:51:59 | 0:52:02 | |
"Look around and study the lichens, | 0:52:04 | 0:52:06 | |
"particularly the concrete-like lichen... | 0:52:06 | 0:52:08 | |
-"and the pale hairy one." -They could be talking about me! | 0:52:08 | 0:52:11 | |
They might be talking about Steve or the lichen! | 0:52:11 | 0:52:14 | |
There's the pale hairy one. | 0:52:14 | 0:52:16 | |
-Pale hairy one here. -Oh, yeah. -Loads of it. -West-facing? | 0:52:18 | 0:52:22 | |
-Is that right? -North-facing. | 0:52:22 | 0:52:24 | |
-If that's west... -Of course, yes. | 0:52:24 | 0:52:27 | |
-There's loads of white on the other side. -Is there? | 0:52:27 | 0:52:30 | |
-I think possibly more. -There are more on the other side? | 0:52:30 | 0:52:33 | |
-It prefers south-facing. -Yeah, this is almost completely white. | 0:52:33 | 0:52:37 | |
-Have you got any green action over there? -Much more. | 0:52:39 | 0:52:42 | |
-Let me look for something green and hairy. Hang on. -Much more white | 0:52:42 | 0:52:45 | |
-on this side. You can see right along. -'So, the white lichen definitely likes facing the sun, | 0:52:45 | 0:52:50 | |
'but the green and hairy likes the shade so it's on the northerly wall. | 0:52:50 | 0:52:53 | |
'And we need to go north.' | 0:52:53 | 0:52:55 | |
-That's green and hairy. -And this way. -So we go this way. | 0:52:55 | 0:52:59 | |
'We follow the path until we reach the road by the entrance of a golf club.' | 0:53:05 | 0:53:09 | |
"Use the gates of the golf club... | 0:53:10 | 0:53:12 | |
"for directional clues." | 0:53:12 | 0:53:14 | |
-'The gate posts are covered in lichens.' -Oh, look here. | 0:53:14 | 0:53:18 | |
-Got green and hairy? -Green and hairy! | 0:53:19 | 0:53:22 | |
Sorry! 'Yes, that became our mantra - green and hairy - | 0:53:23 | 0:53:27 | |
and we followed it all the way north.' It's very exciting. | 0:53:27 | 0:53:30 | |
OK, I forgive the lichens now. They're starting to work. | 0:53:30 | 0:53:34 | |
-I like it. -Yeah. -So which way do we have to go? | 0:53:34 | 0:53:37 | |
We know that that's north. This side. | 0:53:37 | 0:53:40 | |
"And continue on a northerly path." | 0:53:40 | 0:53:42 | |
-So we continue there. -So down there. -Yeah. | 0:53:44 | 0:53:47 | |
-Nice! -Nice lichen. -All right. | 0:53:47 | 0:53:49 | |
-I'm liking lichen now. -There's 20 seconds instead of... | 0:53:49 | 0:53:53 | |
-ten minutes. -Three days! | 0:53:53 | 0:53:55 | |
'We've come the right way since we can see our final destination - | 0:53:56 | 0:54:00 | |
the peninsula of Cape Cornwall. | 0:54:00 | 0:54:02 | |
And it's breathtaking. | 0:54:02 | 0:54:04 | |
-What a spot to live in. -Yeah. | 0:54:04 | 0:54:08 | |
Now that's a view. | 0:54:10 | 0:54:11 | |
It really is absolutely... | 0:54:28 | 0:54:30 | |
stunning. | 0:54:30 | 0:54:32 | |
Just.. Sorry, I've just got really emotional cos... | 0:54:35 | 0:54:39 | |
It's because there's no people here and it's... | 0:54:42 | 0:54:45 | |
Not that that's a good thing, but it's just... | 0:54:45 | 0:54:48 | |
the whole... | 0:54:48 | 0:54:50 | |
sea, the rocks... | 0:54:50 | 0:54:52 | |
It's just incredible. | 0:54:53 | 0:54:55 | |
It's just to be with nature quietly and just to... | 0:55:01 | 0:55:04 | |
..see everything just happening | 0:55:06 | 0:55:08 | |
in a completely natural way. | 0:55:08 | 0:55:11 | |
It's just... | 0:55:11 | 0:55:13 | |
so uplifting and moving. | 0:55:13 | 0:55:16 | |
And it's so beautiful. Just wonderful. | 0:55:16 | 0:55:19 | |
The witch yesterday said to me, | 0:55:19 | 0:55:22 | |
"Cornwall either sucks you in or spits you out." | 0:55:22 | 0:55:25 | |
And it's obvious clear which one it's done. | 0:55:25 | 0:55:28 | |
But that's exactly the same, that's why I came because I was so... | 0:55:28 | 0:55:31 | |
..coiled. | 0:55:32 | 0:55:33 | |
I was so coiled, and the moment you allow yourself to release a bit | 0:55:33 | 0:55:37 | |
and just take a bit of it in, it's so deeply profound | 0:55:37 | 0:55:40 | |
I won't even bother putting words to it. | 0:55:40 | 0:55:43 | |
It's really beautiful. | 0:56:04 | 0:56:05 | |
-It's almost too much. -Yeah. | 0:56:06 | 0:56:08 | |
I feel quite privileged to be here, actually. | 0:56:10 | 0:56:13 | |
Our journey from Bodmin to Cape Cornwall using the sun, wind, | 0:56:19 | 0:56:23 | |
lichen and sheep's pooh to guide us, has left me feeling privileged too, | 0:56:23 | 0:56:27 | |
privileged that I can call this wonderful county my home. | 0:56:27 | 0:56:32 | |
I know how everything's worked | 0:56:34 | 0:56:36 | |
geographically, | 0:56:36 | 0:56:38 | |
geologically, environmentally, on the way here and I never would've done that before, | 0:56:38 | 0:56:42 | |
never would've stopped to notice anything. | 0:56:42 | 0:56:45 | |
This has been about experiencing the journey, it's not about the end goal... | 0:56:45 | 0:56:49 | |
..although the end goal is quite a shock. | 0:56:50 | 0:56:53 | |
On a day like today, in a place like this, | 0:57:01 | 0:57:03 | |
it's really nice not to be listening to an automated voice from a GPS, | 0:57:03 | 0:57:08 | |
or trying to fold up a map | 0:57:08 | 0:57:11 | |
and work out where you are. | 0:57:11 | 0:57:13 | |
It's quite nice just to be out here. | 0:57:13 | 0:57:15 | |
Everything's so convenient now with cars and planes and sat nav | 0:57:16 | 0:57:21 | |
and all the rest of it. It's just been a wonderful experience | 0:57:21 | 0:57:25 | |
to realise that every single thing in nature means something | 0:57:25 | 0:57:28 | |
and is a sign for us, and if we can only appreciate that, | 0:57:28 | 0:57:32 | |
it makes life all the richer. | 0:57:32 | 0:57:34 | |
It's important that everyone on Earth should have somewhere where they feel safe... | 0:57:37 | 0:57:41 | |
..and expansive and free, | 0:57:42 | 0:57:45 | |
and most fully capable of realising who they are, | 0:57:45 | 0:57:48 | |
and this place is for me here. | 0:57:48 | 0:57:50 | |
'Coming up next week, I'll be taking Sue and Alison' | 0:58:00 | 0:58:03 | |
'to a place I hold dear...' This is the spot that I asked my wife Louise to marry me. | 0:58:03 | 0:58:08 | |
'..County Mayo on the west coast of Ireland.' | 0:58:08 | 0:58:10 | |
I imagine my grandmother trying to bring up a young family in this tiny room. | 0:58:12 | 0:58:16 | |
'It's spectacular, beautiful...' | 0:58:17 | 0:58:20 | |
It's pretty epic, isn't it? | 0:58:20 | 0:58:22 | |
'..and unfortunately, extremely challenging | 0:58:22 | 0:58:24 | |
'for your novice natural navigator.' | 0:58:24 | 0:58:26 | |
I think that's a T-Wreck. It's well embedded. | 0:58:26 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:51 | |
E-mail [email protected] | 0:58:51 | 0:58:55 |