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-'Where are we?' -That's west. -That's south. -That's west, that's north, so we've got to just... | 0:00:03 | 0:00:09 | |
'Well, we're lost.' | 0:00:09 | 0:00:12 | |
-We're getting nowhere. -Yep. | 0:00:12 | 0:00:14 | |
'We've taken on the unusual challenge of finding our way round the country | 0:00:14 | 0:00:19 | |
-'with just nature as our guide.' -I've never been more lost. -Where's an oak tree, please? | 0:00:19 | 0:00:24 | |
'We've no maps.' I suggest we head that way. | 0:00:24 | 0:00:29 | |
-'No satnavs.' -Oh, no. Just doing this isn't helping. | 0:00:29 | 0:00:34 | |
'And no compass.' | 0:00:34 | 0:00:36 | |
You will not look at that compass. | 0:00:36 | 0:00:38 | |
-'Instead, actor Stephen Mangan...' -We're all going to die! | 0:00:38 | 0:00:44 | |
-'..presenter Sue Perkins...' -Even our three minds aren't equivalent to one normal size mind. | 0:00:44 | 0:00:50 | |
'..and me, Alison Steadman...' | 0:00:50 | 0:00:52 | |
-Stand by. Right. -HORN HONKS -Oh, my God! | 0:00:52 | 0:00:54 | |
'..have all been learning to navigate the natural way.' | 0:00:54 | 0:00:57 | |
I think this must be the southwesterly path, cos of the wind. | 0:00:57 | 0:01:02 | |
'We've been taught by expert navigator Tristan Gooley.' | 0:01:02 | 0:01:05 | |
The sun is really important and we can use it as our compass. | 0:01:06 | 0:01:10 | |
Now, there are many, many ways we can use plants to help us find direction. | 0:01:10 | 0:01:15 | |
'And each of our journeys has a special connection to one of us.' | 0:01:16 | 0:01:20 | |
Crab fishing with my dad. You pick them up and have a little look at them. | 0:01:20 | 0:01:25 | |
'And in this programme, I'm leading the gang through Wales.' | 0:01:26 | 0:01:29 | |
You have arrived! | 0:01:29 | 0:01:32 | |
'And back to my beloved home town, Liverpool.' | 0:01:32 | 0:01:35 | |
'Our final journey takes us to the beautiful land of Wales. | 0:01:57 | 0:02:01 | |
'We'll be using the ancient skill of natural navigation. | 0:02:03 | 0:02:07 | |
'And so what better way to get to our starting point | 0:02:07 | 0:02:10 | |
'than a means of transport right out of the 19th century, | 0:02:10 | 0:02:15 | |
-'the Ffestiniog steam train?' -That's it, thank you. | 0:02:15 | 0:02:19 | |
'It's the oldest independent railway company in the world, | 0:02:19 | 0:02:22 | |
'still running trains today.' | 0:02:22 | 0:02:25 | |
HE BLOWS WHISTLE | 0:02:25 | 0:02:28 | |
TRAIN HORN TOOTS | 0:02:28 | 0:02:30 | |
So here we are in North Wales. | 0:02:30 | 0:02:34 | |
And it's just amazing. | 0:02:34 | 0:02:36 | |
Gorgeous day, fantastic weather, very lucky. | 0:02:36 | 0:02:39 | |
And the scenery is just breathtaking. | 0:02:39 | 0:02:43 | |
And North Wales means a lot to me because I was brought up in Liverpool | 0:02:43 | 0:02:48 | |
and many of our days out were in North Wales because it's so easy to get to. | 0:02:48 | 0:02:55 | |
But we used to have great holidays and it's such a beautiful place, | 0:02:55 | 0:02:59 | |
so for me, it'll be nostalgic, but also, I'm going to places I haven't been before. | 0:02:59 | 0:03:05 | |
'Our journey begins at the end of the line in Blaenau Ffestiniog. | 0:03:11 | 0:03:16 | |
'From there, we head north to Llandudno and Great Orme. | 0:03:16 | 0:03:21 | |
'Then we go by boat, retracing the old ferry route to Liverpool. | 0:03:21 | 0:03:26 | |
'And then in Liverpool, we are set the extraordinary task | 0:03:26 | 0:03:29 | |
'of using nature alone to attempt to navigate our way around a city.' | 0:03:29 | 0:03:34 | |
We've got lots of mountains around | 0:03:34 | 0:03:38 | |
and lots of trees, which we didn't have in Ireland, | 0:03:38 | 0:03:41 | |
so it's going to be a different experience. | 0:03:41 | 0:03:43 | |
The thing about the natural navigation is, it just makes you look more. | 0:03:44 | 0:03:49 | |
I'm looking all the time, even on the train, I'm noticing lichen. | 0:03:49 | 0:03:53 | |
I've been christened now The Lady Of Lichen. | 0:03:53 | 0:03:56 | |
TRAIN HORN TOOTS | 0:04:00 | 0:04:03 | |
I've come to Wales a lot, but I've never actually seen it, | 0:04:05 | 0:04:08 | |
because every time we used to go, it was just stair rod rain. | 0:04:08 | 0:04:11 | |
And we never really got it as kids. We were like, "Why are we coming here? | 0:04:11 | 0:04:15 | |
"Why are we in a static caravan? Why is there a blizzard outside?" But I completely get it. | 0:04:15 | 0:04:19 | |
Now when I see it, I think, "Yeah, this is an amazing landscape". | 0:04:19 | 0:04:23 | |
I've never been on a steam train before, but I'm liking it. | 0:04:26 | 0:04:29 | |
It's a really relaxing way to arrive somewhere. | 0:04:29 | 0:04:33 | |
'So, leg one. Our natural navigator Tristan has designed a route for us to follow. | 0:04:36 | 0:04:42 | |
'Starting in Blaenau Ffestiniog, | 0:04:43 | 0:04:46 | |
'we have to navigate our way up into the Welsh hills.' | 0:04:46 | 0:04:50 | |
'We'll be trekking through part of this area's industrial history | 0:04:50 | 0:04:53 | |
'in search of the hidden entrance to the Cwmorthin Slate Mine.' | 0:04:53 | 0:04:57 | |
'With the whole landscape covered in slate debris, | 0:04:58 | 0:05:00 | |
'we've been warned there might not be much nature to go on.' | 0:05:00 | 0:05:04 | |
-OK, guys, welcome to Wales. -Lovely to be in Wales. Thank you. -Thank you. -Right. | 0:05:05 | 0:05:11 | |
-Looks like the mountain hasn't been shaved. -A mountain of slate. -Big mountain flakes. | 0:05:12 | 0:05:17 | |
Doesn't look very stable. It looks like if you pulled the right piece, the whole lot would come down. | 0:05:17 | 0:05:22 | |
'The first landmark we need to find is a waterfall to the north. | 0:05:22 | 0:05:25 | |
'But which way is that?' | 0:05:25 | 0:05:28 | |
-I thought you said that big, flat rock there which is facing east. Ooh, look at that. -What? | 0:05:28 | 0:05:33 | |
-That lone tree up there. -Oh, yeah. | 0:05:33 | 0:05:35 | |
-What's it doing? What does it mean? -Well, it's giving us some clues. | 0:05:35 | 0:05:39 | |
The clue is, don't plant trees up there, they won't survive. | 0:05:39 | 0:05:43 | |
Do you think that was an ill-fated attempt at an orchard? | 0:05:43 | 0:05:46 | |
"Top of the mountain, lone surviving tree, completely exposed. | 0:05:47 | 0:05:50 | |
"Gentle combing gives a clue." Well, we're a bit muddled about that. "Head north." | 0:05:50 | 0:05:55 | |
Well, if that's south, that's west, that's southwest. | 0:05:55 | 0:05:59 | |
You'd expect the comb to be... A gentle comb. | 0:05:59 | 0:06:03 | |
-The sun is there. -Yeah. -So we know that the sun is heading... | 0:06:03 | 0:06:06 | |
-If that's southwest, then north is there. Head north. -That way. | 0:06:06 | 0:06:09 | |
So I presume this road bends round. | 0:06:09 | 0:06:12 | |
-We think. Unless we've got to go... -Cos that definitely goes east. | 0:06:12 | 0:06:16 | |
-That definitely goes west. -That's west. That's north. So we've got to just... | 0:06:16 | 0:06:21 | |
'Oh, for goodness sake! Two clues and we're still not sure. | 0:06:21 | 0:06:26 | |
'We haven't even set off in any direction, right or wrong.' | 0:06:26 | 0:06:30 | |
-The sheep are just laughing. -Maybe it's further up. | 0:06:30 | 0:06:33 | |
-I think we should head up here. -There's a big, flat rock. | 0:06:33 | 0:06:36 | |
'Yep, we thought we had the hang of this, but we really don't know which way to go. | 0:06:36 | 0:06:40 | |
'So we choose a path and take it.' | 0:06:40 | 0:06:44 | |
'As we head high into the hills, the going gets tough. | 0:06:45 | 0:06:48 | |
'It's steep, winding, and the slate gives way under foot. | 0:06:48 | 0:06:52 | |
'I'm exhausted already.' | 0:06:52 | 0:06:55 | |
-A little break? -Sure. | 0:06:56 | 0:06:58 | |
-A little recovery break. -There's a nice pool here. | 0:06:58 | 0:07:01 | |
Oh, look at that! | 0:07:01 | 0:07:03 | |
'On our left, as luck would have it, the waterfall mentioned in the guide. | 0:07:03 | 0:07:08 | |
'And it's not just a pretty sight. It could help us find our way.' | 0:07:08 | 0:07:12 | |
Rivers or streams are another one of those clues that won't give you direction | 0:07:15 | 0:07:20 | |
but you still need to stay tuned into what they're doing. | 0:07:20 | 0:07:24 | |
Because if you notice the way they're flowing, | 0:07:24 | 0:07:28 | |
and using other clues, you work out which direction that is, | 0:07:28 | 0:07:31 | |
then if a little bit later on you become disorientated and you come back to the same stream, | 0:07:31 | 0:07:36 | |
if you took note of which way it's flowing before and you come back to it, | 0:07:36 | 0:07:40 | |
there's a very good chance it'll still be pointing the same way for you. That marks the land for us. | 0:07:40 | 0:07:45 | |
'Because we're heading north, we now know this stream is flowing north to south. | 0:07:45 | 0:07:51 | |
-'It might come in handy later.' -So it says go past the waterfall and then take a west turn. | 0:07:51 | 0:07:57 | |
-"Look for a path to the west. Follow path round." -OK. | 0:07:59 | 0:08:04 | |
Well, that looks like a west-facing path to me. | 0:08:04 | 0:08:07 | |
Heading straight to the sun. | 0:08:07 | 0:08:10 | |
"At the gate, look for some large stones on the right." | 0:08:12 | 0:08:15 | |
Well, there's a big pile of them over there, there's some over there. | 0:08:17 | 0:08:21 | |
-That's one dilapidated gate. -You are all over that countryside code. | 0:08:26 | 0:08:29 | |
"After the gate, look for some large stones on the right." | 0:08:29 | 0:08:32 | |
'Is Tristan having a laugh? There are rocks everywhere.' | 0:08:32 | 0:08:36 | |
Ah, there's some big ones coming up. | 0:08:38 | 0:08:40 | |
'Well, we found a big rock. But was is Tristan's rock? | 0:08:40 | 0:08:45 | |
'Who knows? This place is absolutely littered with them.' | 0:08:45 | 0:08:49 | |
This is certainly the most percussive walk we've been on. | 0:08:50 | 0:08:54 | |
Makes a really nice noise. A tinkling noise. | 0:08:54 | 0:08:57 | |
Sounds like a gin and tonic glass being refreshed | 0:08:57 | 0:08:59 | |
although that may hint at what's going on in my mind right now. | 0:08:59 | 0:09:03 | |
What sort of music are they going to play over this? Stereophonics? | 0:09:04 | 0:09:08 | |
-Shirley Bassey. -Super Furry Animals. | 0:09:08 | 0:09:11 | |
-Tom Jones. -Let's have a bit of Nessun Dorma over this. -Ohh. | 0:09:11 | 0:09:15 | |
THEY HUM NESSUN DORMA | 0:09:16 | 0:09:20 | |
Due to budget cuts, we're now to provide our own soundtrack. | 0:09:20 | 0:09:23 | |
THEY HUM NESSUN DORMA Sweeping view! | 0:09:23 | 0:09:28 | |
MUSIC: "Nessun Dorma" by Pavarotti | 0:09:28 | 0:09:31 | |
THEY HUM NESSUN DORMA | 0:09:45 | 0:09:47 | |
-Ooh, that'd be lovely. -A derelict house. | 0:09:47 | 0:09:51 | |
The irony is, it's missing a roof in the middle of roofing country. | 0:09:51 | 0:09:56 | |
-What does it say, Sue? -"When you get to the derelict house on your right, head east." -OK. | 0:09:58 | 0:10:03 | |
'We know the water's flowing north to south, | 0:10:04 | 0:10:07 | |
'so crossing the stream, we're confident we're heading east.' | 0:10:07 | 0:10:11 | |
'This gorgeous landscape is getting more rugged than a Welsh rugby player's chin.' | 0:10:13 | 0:10:17 | |
God, this is so stunning! | 0:10:18 | 0:10:21 | |
-Hey. -God, look at that. -That's nice. | 0:10:29 | 0:10:32 | |
-It's pretty epic, isn't it? -I could plunge head-first into that. | 0:10:32 | 0:10:35 | |
Really beautiful. All it needs is a really good sweep | 0:10:35 | 0:10:39 | |
to clear up all this debris. | 0:10:39 | 0:10:41 | |
It's just...breathtaking, | 0:10:42 | 0:10:46 | |
in the true sense of the word breathtaking. | 0:10:46 | 0:10:48 | |
You come around the corner, you see all this slate piled I don't know how many feet | 0:10:48 | 0:10:53 | |
and it's just beautiful. It's... Ooh! | 0:10:53 | 0:10:57 | |
This is so beautiful, this place. It's so still and timeless and you look at the lake... | 0:11:10 | 0:11:16 | |
Already now, I'm not just seeing a lake, I'm noticing water patterns | 0:11:16 | 0:11:20 | |
and wind patterns and all that. And you cast your eye down and then you see this | 0:11:20 | 0:11:23 | |
and then you realise that nature was just perfect until mankind came along. | 0:11:23 | 0:11:27 | |
Sue, have you seen my Ribena bottle? | 0:11:28 | 0:11:31 | |
I think we'd better take that with us. | 0:11:31 | 0:11:34 | |
Keep Britain tidy. | 0:11:36 | 0:11:38 | |
That grass or whatever it is, reeds, it's beautiful, that way it's grown. | 0:11:39 | 0:11:45 | |
-It's grasses, yes. -Yeah. | 0:11:45 | 0:11:47 | |
'No time for sightseeing. We need to find the hidden entrance to the mine | 0:11:47 | 0:11:51 | |
'somewhere in these slate mountains.' | 0:11:51 | 0:11:54 | |
There's a great bit of slate topiary here. | 0:11:54 | 0:11:58 | |
We've got some yellow stuff on this side. | 0:11:58 | 0:12:00 | |
'Then a lucky break.' | 0:12:00 | 0:12:02 | |
-There's spiders' webs up there. Millions of them. -Ah! | 0:12:02 | 0:12:05 | |
That's incredible! There's absolutely loads of them shimmering on the northeast corner. | 0:12:05 | 0:12:10 | |
'Spiders showed us the way in Ireland | 0:12:10 | 0:12:13 | |
'and here are some more to help us again.' | 0:12:13 | 0:12:16 | |
Every spider in the world has decided to get out of the wind. | 0:12:16 | 0:12:19 | |
Basically, all this is is a spider windbreak, | 0:12:19 | 0:12:23 | |
this big pile of slate. | 0:12:23 | 0:12:26 | |
'Tristan has taught us that spiders usually spin their webs on the northeasterly side. | 0:12:26 | 0:12:32 | |
'We think we've got our bearings.' | 0:12:32 | 0:12:34 | |
Watch the fence. | 0:12:44 | 0:12:46 | |
'The mine must be close, but we're running out of clues and there's still no sign of it. | 0:12:46 | 0:12:50 | |
'Just tonnes and tonnes of slate.' | 0:12:50 | 0:12:53 | |
-Gordon Bennett. -Up you go. | 0:12:53 | 0:12:56 | |
-Cheers. -Hang on. You're all right. -Cheers. Yep. Got it. | 0:12:57 | 0:13:01 | |
'If we've got this wrong, we'll have to go back and start again. | 0:13:03 | 0:13:07 | |
'Don't tell me we're up the wrong mountain.' | 0:13:07 | 0:13:11 | |
It's all gone a bit Scooby-Doo. | 0:13:12 | 0:13:15 | |
'Suddenly, there it is.' | 0:13:15 | 0:13:18 | |
My God! That is amazing! | 0:13:18 | 0:13:21 | |
'You can't see it until you're almost upon it.' | 0:13:21 | 0:13:25 | |
Ooh. Wow. | 0:13:25 | 0:13:28 | |
-You suddenly get an incredibly cold blast of air. That is glacial! -Ooh! | 0:13:28 | 0:13:33 | |
-Really strong easterly. -It's freezing! -Just whistling through. | 0:13:33 | 0:13:37 | |
Oh, my God! | 0:13:37 | 0:13:39 | |
'We did it! A needle in a haystack. | 0:13:39 | 0:13:42 | |
'Or a mine in the middle of a mountain.' | 0:13:42 | 0:13:45 | |
'This place has been closed for 30 years and now looks pretty spooky.' | 0:13:45 | 0:13:51 | |
Ooh, it's intriguing, if not slightly frightening at the same time looking down. | 0:13:52 | 0:13:56 | |
'There are 50 miles of tunnels cut into the hills. | 0:13:56 | 0:14:00 | |
'The miners used to call this place "the slaughterhouse" | 0:14:00 | 0:14:03 | |
'due to its reputation for bad working conditions. It gives me the shivers.' | 0:14:03 | 0:14:08 | |
-I've got other things to do. -She's very busy, isn't she? -Ah, right. | 0:14:08 | 0:14:12 | |
'Time to head off. We've got a big day tomorrow.' | 0:14:12 | 0:14:15 | |
The Lady of Lichen has been summoned somewhere else. | 0:14:15 | 0:14:19 | |
-God, it's cold. -She's happy in her fantasy world. | 0:14:19 | 0:14:22 | |
'The next day and a new challenge. | 0:14:26 | 0:14:29 | |
'But before we start the second leg of our Welsh journey, | 0:14:31 | 0:14:35 | |
'I'd really like to show Stephen and Sue a place with very fond memories for me. | 0:14:35 | 0:14:40 | |
'Swallow Falls near Betws-y-Coed.' | 0:14:40 | 0:14:43 | |
Wow. | 0:14:44 | 0:14:46 | |
There aren't many places like this. | 0:14:50 | 0:14:54 | |
And I think, as a child, coming here for the first time, it was that force of water, | 0:14:54 | 0:14:59 | |
that kind of excitement. | 0:14:59 | 0:15:02 | |
-How old were you when you first came here? -Probably about nine. | 0:15:02 | 0:15:06 | |
-Would you come here every year? -No. | 0:15:06 | 0:15:08 | |
We used to go to Llangollen, Llandudno. | 0:15:08 | 0:15:11 | |
Colwyn Bay was always a favourite, and Conwy. | 0:15:13 | 0:15:17 | |
Crab fishing with my dad. You used to get a line. | 0:15:17 | 0:15:21 | |
We never... It doesn't hurt the crabs. | 0:15:21 | 0:15:24 | |
They just bite onto a bit of bait with their pincers | 0:15:24 | 0:15:27 | |
and you pick them up, have a little look at them then let them go. | 0:15:27 | 0:15:30 | |
-Not catching them to eat them. -No. -You're just making them late for something. | 0:15:30 | 0:15:35 | |
'I loved coming here with my dad, but now I'm seeing it in a whole new way.' | 0:15:35 | 0:15:41 | |
Look over there. It's all white lichen, isn't it? | 0:15:41 | 0:15:44 | |
-Yeah. -On the slate rock. | 0:15:44 | 0:15:47 | |
'Ahh. So what do we all take away from this idyllic scene? The charm, the beauty and positive vibes? | 0:15:48 | 0:15:53 | |
'No! We all start to figure out which way is north.' | 0:15:53 | 0:15:58 | |
So we sort of know that that's south. | 0:15:58 | 0:16:01 | |
Well, actually, that's in the east now, isn't it? | 0:16:01 | 0:16:03 | |
That's north. We can't stop. | 0:16:03 | 0:16:06 | |
-I can't stop. -It's like a disease. | 0:16:06 | 0:16:09 | |
'Truly now we're all geeky navigators.' | 0:16:09 | 0:16:12 | |
'For the second leg, we're going from Betws-y-Coed | 0:16:12 | 0:16:16 | |
'to the seaside resort of Llandudno | 0:16:16 | 0:16:19 | |
'where I used to come on holiday as a little girl.' | 0:16:19 | 0:16:21 | |
'First we need to navigate in a westerly direction through woodland in search of a churchyard.' | 0:16:22 | 0:16:28 | |
So it says, "Start near post box". | 0:16:29 | 0:16:32 | |
-Yep. -"Follow the southern path that bends west." | 0:16:32 | 0:16:36 | |
-Look at that view! -God, look at those trees. | 0:16:36 | 0:16:39 | |
Having been tree-starved in Ireland but bog-rich, you've got this. | 0:16:39 | 0:16:43 | |
-All the lower ones are deciduous trees and all the ones on the top are conifers. -Yeah. | 0:16:43 | 0:16:50 | |
-Loads of conifers over there. -Yeah. | 0:16:50 | 0:16:53 | |
But it's the deciduous ones that give us the clues. | 0:16:53 | 0:16:56 | |
That's right. We love them. How green is my valley? Very green is the answer. | 0:16:56 | 0:17:01 | |
'There are plenty of trees in view, | 0:17:01 | 0:17:04 | |
'but there's a sign right under our noses. | 0:17:04 | 0:17:06 | |
'Or rather, just above our heads.' | 0:17:06 | 0:17:09 | |
-There's a sign that might give us a clue. -Yes. | 0:17:10 | 0:17:13 | |
Every single day, all day, the sun, the wind and the water are leaving their mark all around us. | 0:17:18 | 0:17:26 | |
And here's quite a nice example. If you have a look at the two sides of this sign, | 0:17:26 | 0:17:31 | |
particularly the blue part, | 0:17:31 | 0:17:33 | |
-can you see they're not the same? -No. | 0:17:33 | 0:17:39 | |
-Oh, right. -It's bleached. | 0:17:40 | 0:17:42 | |
You leave something out in the sunlight, it loses its colour. | 0:17:42 | 0:17:45 | |
So that's just one more way of reading back to where the sun's been. | 0:17:45 | 0:17:50 | |
-Hello! Hello! -Aha! | 0:17:50 | 0:17:53 | |
-So... -That looks sun-bleached. | 0:17:53 | 0:17:56 | |
Bleached. Dark and foreboding. | 0:17:56 | 0:17:58 | |
Dark! And we've got a mossy lichen here | 0:17:58 | 0:18:02 | |
-that likes the moisture, haven't we? -Indeed. | 0:18:02 | 0:18:05 | |
Plus, there's a really, really large golden ball shining in our face | 0:18:05 | 0:18:09 | |
-at around about lunchtime. -Which means, Sue, tell us. | 0:18:09 | 0:18:13 | |
Which means follow it! SHE SINGS | 0:18:13 | 0:18:16 | |
-Southerly. And it bends west, which is good. -And it bends west. | 0:18:16 | 0:18:19 | |
-So south going west. -OK. -Yeah, OK. | 0:18:19 | 0:18:23 | |
'Wow. I think we're getting good at this.' | 0:18:23 | 0:18:27 | |
This is not the Wales that you experienced as a child. Do you remember sunshine like this? | 0:18:27 | 0:18:32 | |
-I remember hot days sometimes, yeah. -This is extraordinary. -We didn't do these kind of walks. | 0:18:32 | 0:18:37 | |
There's a tick effect tree. | 0:18:39 | 0:18:42 | |
'Tristan told us about the tick effect. | 0:18:42 | 0:18:44 | |
'The branches grow thicker on the south side facing the sun.' | 0:18:44 | 0:18:48 | |
Ah, we're crossing the wobbly foot bridge imminently. | 0:18:50 | 0:18:53 | |
'On the other side of the bridge, there's the church we're looking for.' | 0:18:53 | 0:18:58 | |
Chain bridge. | 0:19:02 | 0:19:04 | |
-Bouncy bridge. -Oh, it is bouncy. | 0:19:05 | 0:19:08 | |
-Oh, dear! -No! -Oh, dear! | 0:19:08 | 0:19:11 | |
'St Michael's is a 14th century church. | 0:19:12 | 0:19:15 | |
'It's the oldest building in Betws-y-Coed. | 0:19:15 | 0:19:18 | |
'The trees look ancient, too, and we want to see if we can work out their age using a Tristan trick.' | 0:19:18 | 0:19:23 | |
Didn't Tristan say something about if you measure the distance around in centimetres... | 0:19:24 | 0:19:29 | |
-You'll see how old it is. -..the diameter of a tree, and divide by two, that's how old it is? | 0:19:29 | 0:19:35 | |
-Have you got a measure? -Well, I could hug it. | 0:19:35 | 0:19:37 | |
Let's say... If you've got arms long enough to hug that, I'm saying you're half-chimpanzee. | 0:19:37 | 0:19:42 | |
-Or silverback. -I might have to do a couple of hugs. -We can have a guess. | 0:19:42 | 0:19:47 | |
-THEY LAUGH -Stephen! -OK. -No. | 0:19:47 | 0:19:50 | |
-I've lost you, Stephen. -And another half of me. So it's three of us and a half. | 0:19:51 | 0:19:56 | |
So I reckon it's about... I'm 1.8. There's three of us. | 0:19:56 | 0:20:00 | |
-Five and a half. So divide by two. -500. So 250 years. -It's probably about 300 years old. | 0:20:00 | 0:20:05 | |
-No fillers, no facelift. Still looks great. -Still looks good. -Looks better than I do! | 0:20:05 | 0:20:10 | |
I think it could do with a little bit of a bottom lift myself. | 0:20:10 | 0:20:14 | |
-Don't! -Don't listen! You are lovely just the way you are! | 0:20:14 | 0:20:18 | |
-The way you are. -Yeah. | 0:20:18 | 0:20:20 | |
'No time for tree-hugging. We've got to get going.' | 0:20:23 | 0:20:26 | |
-So... -Hold on a minute. | 0:20:26 | 0:20:29 | |
-Hold on a cotton-picking minute. Niagara Falls. -Angel Falls. | 0:20:30 | 0:20:35 | |
-Niagara Falls... -Is... -To the west. -Due west, yeah. -That makes sense. | 0:20:35 | 0:20:40 | |
Angel Falls is south. | 0:20:41 | 0:20:44 | |
-Southwest. That makes sense, cos it's down in South America. -Yeah. | 0:20:46 | 0:20:51 | |
-Victoria Falls. -Makes total sense, cos it's north, slightly... | 0:20:51 | 0:20:57 | |
-..northeast. East by northeast. -Is it? You're going to Norway. | 0:20:58 | 0:21:02 | |
Yeah, but Victoria Falls is in... | 0:21:02 | 0:21:05 | |
-It's not in North America, is it? -No, it's in Africa. | 0:21:06 | 0:21:09 | |
-It's in, er... -It's in Africa. So that's pointing the wrong way. | 0:21:12 | 0:21:16 | |
-It should be pointing south. -It's a long way round. -Good job we're not a bird. | 0:21:16 | 0:21:20 | |
-Exactly! Imagine that! -That's ruined my trip. | 0:21:20 | 0:21:22 | |
-We could be flying off there. -But I was about to go there. That's my final destination. | 0:21:22 | 0:21:27 | |
-8,200km. -Yeah. -You get there and you go, "Hang on, I'm in Siberia!" | 0:21:27 | 0:21:30 | |
-The wrong place. -I'm in a gulag. | 0:21:30 | 0:21:33 | |
'From Betws-y-Coed, it's full steam ahead for Llandudno. | 0:21:33 | 0:21:37 | |
'We've relocated to Bryn Pydew | 0:21:37 | 0:21:39 | |
'and our route out of town takes us north through dense woodland. | 0:21:39 | 0:21:44 | |
'From the woodland, we need to head northeast. And we know that tree stumps can give you a good clue.' | 0:21:44 | 0:21:50 | |
I'm doing empire pose on the tree stump. | 0:21:50 | 0:21:53 | |
-I'm doing an album cover for a new prog-rock outfit I've started up. -OK. | 0:21:53 | 0:21:56 | |
-We've got to head northeast. OK. -Northeast. | 0:21:56 | 0:21:59 | |
Four o'clock in the afternoon, the sun's in the southwest. | 0:21:59 | 0:22:02 | |
Away from the sun. That way. | 0:22:02 | 0:22:04 | |
-So... -Let's rock. -I tell you what, we're almost getting cocky now. You can use the tree stump! | 0:22:04 | 0:22:10 | |
If you come across a tree stump, take a second to have a good look. | 0:22:12 | 0:22:16 | |
What we find is that the heart of the tree | 0:22:16 | 0:22:19 | |
is not normally actually right in the middle of the tree. | 0:22:19 | 0:22:24 | |
Because trees grow more heavily on one side, on the southern side, | 0:22:24 | 0:22:28 | |
the trunk grows in a way that compensates | 0:22:28 | 0:22:30 | |
and the heart ends up being slightly closer to the southern edge of the tree. | 0:22:30 | 0:22:34 | |
But it's always quite a subtle effect. | 0:22:34 | 0:22:37 | |
Even if you can find it, it'll only be a couple of centimetres at best. | 0:22:37 | 0:22:41 | |
I'm going to divine the tree stump, which is something that the ancient witchy family of Perkins have done | 0:22:43 | 0:22:49 | |
since around about 2011. | 0:22:49 | 0:22:51 | |
Well, there's the centre. Is that the centre of the tree? | 0:22:51 | 0:22:54 | |
So the south side's got more rings on it, hasn't it? | 0:22:54 | 0:22:57 | |
Well, the thing is, it's in such a heavily wooded area, | 0:22:57 | 0:23:02 | |
-that I don't know whether that would hold true. -The epicentre would be tilted | 0:23:02 | 0:23:06 | |
-towards the south. -That is true. | 0:23:06 | 0:23:09 | |
The south. That's right, the south, which is over there, | 0:23:09 | 0:23:13 | |
-has heavier growth. -So the ring, the central core of it, | 0:23:13 | 0:23:18 | |
is not right at the middle, it pushes towards south, where the weight is. | 0:23:18 | 0:23:22 | |
So this is thicker on this side to support the heavier weight on this side of the branches. | 0:23:22 | 0:23:27 | |
-Is it? -You see, that's the centre of the tree there. -Yeah. | 0:23:27 | 0:23:31 | |
So there's much more trunk on this side | 0:23:31 | 0:23:34 | |
and that's because all the heavy branches were on this side | 0:23:34 | 0:23:37 | |
-and it needed something to stop it falling over. -Yeah. | 0:23:37 | 0:23:41 | |
-Right. -That is good. I like that. -That was good. Ringology. | 0:23:41 | 0:23:45 | |
I just made that up. | 0:23:46 | 0:23:48 | |
'These two are running rings round me. I wouldn't have got that.' | 0:23:48 | 0:23:52 | |
So we know which way we're going. | 0:23:52 | 0:23:56 | |
-But it's kind of nice to do it not from the sun. -That's true. | 0:23:56 | 0:23:59 | |
Because, you know, you won't always have that as a guide. | 0:23:59 | 0:24:03 | |
-Particularly in Wales. -Cheers. | 0:24:03 | 0:24:06 | |
-Great wood. -You're so quick at this, Stephen. You go, bang, bang, sun's there, northwest. | 0:24:10 | 0:24:15 | |
-The sun is a bit of a... -Yeah, but I think it was important to do it from a tree. | 0:24:15 | 0:24:19 | |
-The tree stump was the key there. -I'm agreeing. But the sun makes it very easy. | 0:24:19 | 0:24:23 | |
"Enter field." | 0:24:24 | 0:24:26 | |
'We need to cross this field to get to our next clue. But there's an obstacle. | 0:24:26 | 0:24:31 | |
-Hello. -Hello. -This has now turned into an assault course. | 0:24:32 | 0:24:35 | |
Whoops. | 0:24:35 | 0:24:37 | |
-There's something over there. -Cheers. Oh, my God. -Are you good? | 0:24:40 | 0:24:44 | |
-Oh, my God! -Hello. -I think just stand still. | 0:24:44 | 0:24:48 | |
'And the obstacles keep coming.' | 0:24:48 | 0:24:50 | |
HORSE NEIGHS | 0:24:50 | 0:24:53 | |
So he's called his mate in. | 0:24:53 | 0:24:56 | |
-How many horses are lurking? -He's not as shy. | 0:24:56 | 0:24:59 | |
-I think I'm heading towards the hedge. -Yeah, me, too. | 0:24:59 | 0:25:02 | |
-I'll deal with them. -And just stand still. | 0:25:02 | 0:25:04 | |
-I think they want us out of the field. -I think they do. | 0:25:08 | 0:25:12 | |
HORSE NEIGHS They're saying, "Can you naturally navigate the hell out of here | 0:25:12 | 0:25:17 | |
-"otherwise I'm going to stampede." -He's saying, "Go! Go! Just go!" -Yeah. | 0:25:17 | 0:25:21 | |
OK! I'm going to head northeast out of here! | 0:25:21 | 0:25:24 | |
What's this contraption? | 0:25:28 | 0:25:31 | |
'Happy to make it out alive, we venture through a kissing gate | 0:25:31 | 0:25:34 | |
-'and into a garden of Eden.' -Merci. | 0:25:34 | 0:25:39 | |
They've kept this as a designated meadow for wildlife, I guess. | 0:25:39 | 0:25:45 | |
Teeming, isn't it? | 0:25:45 | 0:25:47 | |
"When you come out of the flower field, use your sense of sound | 0:25:49 | 0:25:53 | |
"to hear the busy road to the southwest." | 0:25:53 | 0:25:55 | |
'So, where's the traffic coming from? We can't see a road, | 0:25:56 | 0:26:00 | |
'so for the first time, we've got to rely on our ears.' | 0:26:00 | 0:26:03 | |
-The sun is... -Maybe heading more towards the west. | 0:26:03 | 0:26:07 | |
-What is it, about half four? -Yeah. | 0:26:07 | 0:26:09 | |
-It'll be west at about six. -The breeze is a sort of northwesterly today. | 0:26:09 | 0:26:15 | |
The road feels like it's over there, doesn't it? | 0:26:15 | 0:26:17 | |
-Unless that's... -BIRD SQUAWKS | 0:26:19 | 0:26:22 | |
Buzzard. Did you hear it call? | 0:26:22 | 0:26:25 | |
Even the buzzard has identified us as dead meat. | 0:26:25 | 0:26:27 | |
-THEY LAUGH -Yeah, give them 20 minutes, they'll be ready. | 0:26:27 | 0:26:31 | |
He's thinking, "Right, carrion". | 0:26:31 | 0:26:33 | |
Well, head north. So the sun's going round. | 0:26:37 | 0:26:40 | |
Oh, God. Help me here. | 0:26:41 | 0:26:44 | |
-To set in the northwest. -The sun is... It's about four, so the sun is southwest-ish. | 0:26:44 | 0:26:50 | |
-So north is... -It'll soon be... | 0:26:50 | 0:26:53 | |
But the sound doesn't seem... | 0:26:54 | 0:26:56 | |
The wind's blowing this way, so the road can't be there, | 0:26:56 | 0:26:59 | |
because the sound would be blowing that... The sound... You know. It's... | 0:26:59 | 0:27:04 | |
-It's blowing the sound from there. -The road sounds like it's in the north. -It does. | 0:27:05 | 0:27:09 | |
-And that's definitely north. -Yeah, that is north. | 0:27:09 | 0:27:12 | |
'This is hopeless. If we can't get this right, it'll be dark before we get to Llandudno.' | 0:27:12 | 0:27:18 | |
-That's definitely north, anyway. -Yeah. | 0:27:18 | 0:27:21 | |
I feel like I'm in Little House On The Prairie. | 0:27:26 | 0:27:28 | |
-Ooh, it's nice and cool here. -Normally it would be horrible to have a north wind, | 0:27:37 | 0:27:41 | |
but it's actually refreshing today. | 0:27:41 | 0:27:44 | |
-The sea! -THEY CHEER | 0:27:44 | 0:27:47 | |
Oh, I do like to get lost beside the seaside. | 0:27:47 | 0:27:50 | |
-It's very hazy today, but you can see it. -Ah, lovely! | 0:27:50 | 0:27:56 | |
-Hey, hey, hey. -That's a sight. | 0:27:57 | 0:28:00 | |
Hey, hey, hey. | 0:28:00 | 0:28:02 | |
Wowwy. | 0:28:03 | 0:28:05 | |
-Lovely evening. -Gorgeous. | 0:28:07 | 0:28:10 | |
It says here, "When you see Llandudno, | 0:28:12 | 0:28:17 | |
-"you have arrived!" -That's Solihull. | 0:28:17 | 0:28:20 | |
That ain't no Solihull. | 0:28:21 | 0:28:23 | |
-Gorgeous. -We did it! We're here! -Well done. | 0:28:23 | 0:28:27 | |
-That haze on that sea. It's just a perfect day. -Mm. | 0:28:27 | 0:28:31 | |
Well, I mean, it's great to be here, but it's not... | 0:28:33 | 0:28:37 | |
From this perspective, it's not the Llandudno that I know. | 0:28:37 | 0:28:42 | |
I know the promenade, Church Walk. | 0:28:42 | 0:28:46 | |
Everything's always much more Technicolor in the imagination, isn't it? | 0:28:46 | 0:28:50 | |
Yeah. In my mind, it's big white hotels | 0:28:50 | 0:28:54 | |
and gulls flying around and the mountain. | 0:28:54 | 0:28:59 | |
Well, this is wonderful. It's a beautiful evening, the weather couldn't be better. | 0:29:23 | 0:29:27 | |
The sea air, lots of memories of being here | 0:29:27 | 0:29:33 | |
with my parents, my cousins, my sisters, | 0:29:33 | 0:29:35 | |
and my own two boys, as well, when they were little. | 0:29:35 | 0:29:39 | |
And so it's just great to be here. | 0:29:39 | 0:29:42 | |
I haven't been here for about 25 years | 0:29:42 | 0:29:45 | |
and I'm actually wondering why, cos it's so beautiful. It really is stunning. | 0:29:45 | 0:29:49 | |
'After a hard day of natural navigating, | 0:29:52 | 0:29:55 | |
'there is no greater treat for me than spending the night in Llandudno.' | 0:29:55 | 0:29:59 | |
'A new day and we're leaving Llandudno to begin the third leg of our trip.' | 0:30:08 | 0:30:13 | |
So Church Walks here is where I stayed when I was nine with my mum and dad | 0:30:13 | 0:30:18 | |
-and it's one of these houses on the left. -It's that one. There's a plaque saying Alison Steadman. | 0:30:18 | 0:30:23 | |
I don't know which one it was, but I remember it was great. | 0:30:23 | 0:30:27 | |
'First we take the tram up to a limestone headland called Great Orme.' | 0:30:27 | 0:30:32 | |
-Can we just... -Can we board? -Do we just get on and press go? Press the accelerator? | 0:30:32 | 0:30:37 | |
-Are the controls easy to work out? -Are we going to be... No, we're not. Yes, we are. We're off. | 0:30:37 | 0:30:42 | |
-We're off! -This does 0 to 60 in three days. It's like a knife through butter. And the same speed. | 0:30:42 | 0:30:48 | |
I think the first time I came on the tram, I was nine. | 0:30:50 | 0:30:54 | |
And then I brought my two boys here about 25 years ago. | 0:30:54 | 0:30:57 | |
And we all came on the tram, my parents, my sisters, my two boys | 0:30:59 | 0:31:05 | |
and it was very exciting for them. | 0:31:05 | 0:31:08 | |
I have to say, I've probably only been on two or three trams before | 0:31:08 | 0:31:14 | |
and this is terrific. | 0:31:14 | 0:31:16 | |
I mean, the G forces are messing with my head. | 0:31:17 | 0:31:20 | |
There's a cable car! | 0:31:28 | 0:31:31 | |
-Morning. -Morning. -Morning! | 0:31:36 | 0:31:39 | |
OK. | 0:31:51 | 0:31:53 | |
'From the summit of Great Orme, we have to navigate our way due north | 0:31:56 | 0:32:01 | |
'across the desolate landscape to a cafe on the far side.' | 0:32:01 | 0:32:04 | |
'We know this area is often blanketed in thick sea mist, | 0:32:06 | 0:32:09 | |
'so it could be a case of the blind leading the blind leading the spectacled.' | 0:32:09 | 0:32:13 | |
They take their golfing so seriously. | 0:32:13 | 0:32:15 | |
Can I have a bit of concentration, please? | 0:32:15 | 0:32:18 | |
'First, with no sun to go by, we've got to find another way to get our bearings.' | 0:32:18 | 0:32:23 | |
Ah. Church. Church. | 0:32:28 | 0:32:31 | |
Graveyard. | 0:32:31 | 0:32:33 | |
It's not just the church that's aligned west to east, | 0:32:36 | 0:32:40 | |
but all the gravestones, as well. | 0:32:40 | 0:32:42 | |
Traditionally, people were buried with their head at the western end and their feet at the eastern end | 0:32:42 | 0:32:48 | |
so that on the day on judgement when the dead shall rise, | 0:32:48 | 0:32:52 | |
everybody rose facing towards the right place. | 0:32:52 | 0:32:56 | |
But there is also a tradition | 0:32:56 | 0:32:59 | |
that the clergy would be buried the opposite way round. | 0:32:59 | 0:33:03 | |
The idea is that when the congregation rise and are facing east, | 0:33:03 | 0:33:07 | |
the priest can rise to be facing his congregation. | 0:33:07 | 0:33:12 | |
-Oh, yeah, there it is. -Yep. -OK. -We should be able to get the east-west from there. | 0:33:12 | 0:33:17 | |
-We've got the east-west, we hope. -So if we're... | 0:33:17 | 0:33:20 | |
-It's funny, wherever you go... -"Turn into wind direction. Use clues to get bearings east and west." | 0:33:20 | 0:33:26 | |
OK, so east. | 0:33:26 | 0:33:29 | |
-East, west. -The other way round. | 0:33:29 | 0:33:32 | |
So we're heading north and the wind's in our face. | 0:33:32 | 0:33:35 | |
And you can see that the gravestones are there, so that's east. | 0:33:35 | 0:33:39 | |
Cos when you leap up, when you're reborn, | 0:33:39 | 0:33:42 | |
-you face the promise land. -You face east. Right. -Poland. -Exactly. | 0:33:42 | 0:33:47 | |
'We think we know the right direction, | 0:33:47 | 0:33:50 | |
'but before we head off into the wilderness, we just want to make sure. | 0:33:50 | 0:33:53 | |
The wood has lost all its varnish on this side. | 0:33:55 | 0:34:00 | |
On this side, it's... So that means it's getting a lot more sun on this side. | 0:34:00 | 0:34:06 | |
And this one in particular is really exposed and it's taken all the varnish off. | 0:34:07 | 0:34:11 | |
So that looks like this is south-facing. | 0:34:11 | 0:34:17 | |
This direction. Somewhere there seems to be north. | 0:34:17 | 0:34:20 | |
-Fancy that? -Yep, let's do it. | 0:34:20 | 0:34:23 | |
See, that's a very westerly path. | 0:34:28 | 0:34:30 | |
Let's have a look. | 0:34:34 | 0:34:36 | |
-I don't know. It's hard to know where we are. -"Check telegraph poles. Continue north, then west." | 0:34:38 | 0:34:44 | |
We did a sort of north. Whether we've already done the northwest | 0:34:44 | 0:34:47 | |
or whether we do it now... You can't go north from here. | 0:34:47 | 0:34:50 | |
'We settle on the direction we think is west. | 0:34:51 | 0:34:54 | |
'The next landmarks the guide tells us to look out for are some standing stones. | 0:34:54 | 0:34:59 | |
'But within minutes, this whole place is covered in thick fog.' | 0:34:59 | 0:35:02 | |
Moorland, mist, don't really know where we're going, what could possibly go wrong? | 0:35:02 | 0:35:07 | |
-No food, no water. -Mm. | 0:35:07 | 0:35:09 | |
These look a bit like standing stones. | 0:35:14 | 0:35:18 | |
-Compressed. What was it? All the sea creatures. -Compressed sea creatures. | 0:35:18 | 0:35:23 | |
And so it was Stephen who was the chosen one. | 0:35:23 | 0:35:26 | |
"On reaching the standing stones, head to the summit of the stones and use the clues you know | 0:35:26 | 0:35:31 | |
-"to continue west." -The thing is, now you can barely see where the sea is. | 0:35:31 | 0:35:35 | |
-So you are actually... -You are blind. -..totally blind. | 0:35:35 | 0:35:39 | |
-I'm on the north-south-east-west side. -Where do you think the summit is? -Look at this. | 0:35:39 | 0:35:44 | |
There's loads of lichen this side and hardly any this side. | 0:35:44 | 0:35:47 | |
-So it's a west-favouring... -North-favouring. -North-favouring lichen, yeah. | 0:35:47 | 0:35:52 | |
We can see the wind still coming in. | 0:35:52 | 0:35:54 | |
Yeah, which is northwesterly, so... | 0:35:54 | 0:35:57 | |
I think... Hm. | 0:36:01 | 0:36:04 | |
-So what's the summit? Where's the summit, do we think? That? -Yeah. | 0:36:04 | 0:36:08 | |
-I reckon this is the... -I reckon that's the summit. -..the summit. -Yes, I think so. | 0:36:08 | 0:36:13 | |
-With the mist, you feel you could be in Scotland or... -You feel you could be anywhere. | 0:36:13 | 0:36:19 | |
Apart from anywhere hot. | 0:36:19 | 0:36:21 | |
"Take it in turns to choose the path you take. At each junction, take the more westerly path." | 0:36:21 | 0:36:28 | |
OK. Who wants to go first? | 0:36:28 | 0:36:30 | |
We're all going to die. THEY LAUGH | 0:36:30 | 0:36:33 | |
If it's left up to me, it's over. | 0:36:33 | 0:36:37 | |
-Alison. -Let me read it again. | 0:36:37 | 0:36:39 | |
-These are your people, this is your... -Lead us. | 0:36:39 | 0:36:42 | |
-Lead us, please. -Lead us, please. Please. Please help us. | 0:36:42 | 0:36:47 | |
-Princess of the moor. -Only you know the lichen. -And it came to pass that she did cry. | 0:36:47 | 0:36:51 | |
-Well, I would say this. -OK. | 0:36:51 | 0:36:54 | |
-You are our leader. We're not even going to be dispute it. -We're just going to do it. | 0:36:54 | 0:36:59 | |
-She's striding. -Trust me, I don't know what I'm doing. | 0:36:59 | 0:37:02 | |
Never has the word purposeful been used more accurately. | 0:37:02 | 0:37:05 | |
We'll need torches in a minute. | 0:37:07 | 0:37:09 | |
Two paths diverged in the mist. | 0:37:11 | 0:37:13 | |
-This path, I'm deciding. -OK. -No, don't! -What? | 0:37:16 | 0:37:20 | |
You're critical! You weren't critical with Alison. | 0:37:20 | 0:37:23 | |
I would've said OK if we'd gone that one. | 0:37:23 | 0:37:26 | |
-I'm going to go. -If you want to go due east, that's fine. | 0:37:26 | 0:37:29 | |
THEY LAUGH This is my one chance at leadership and you've undermined it. | 0:37:29 | 0:37:33 | |
-No, it's a terrific choice. -I feel... | 0:37:33 | 0:37:35 | |
I haven't got a clue. I've completely lost my sense of purpose and direction. | 0:37:35 | 0:37:40 | |
'The guide tells us to take the most westerly path at every junction. | 0:37:41 | 0:37:45 | |
'That will lead us to a road and refuge.' | 0:37:45 | 0:37:48 | |
-I'm hoping, at the end of this, there's a lovely cafe with a big urn of tea. -Mm. | 0:37:48 | 0:37:53 | |
'But the place is criss-crossed with paths. This is a nightmare.' | 0:37:53 | 0:37:57 | |
I'm confused, totally confused now. | 0:37:59 | 0:38:02 | |
Well, the wind is coming straight into our faces. | 0:38:02 | 0:38:05 | |
And we thought the wind was west-northwest, if it hasn't changed, of course. | 0:38:05 | 0:38:09 | |
OK, going by the wind, and by... | 0:38:10 | 0:38:15 | |
..the way that the grass are moving, the grasses are moving, this way. | 0:38:16 | 0:38:21 | |
-I love it. I love the confidence. -But inside just jelly. -I love the decisiveness. | 0:38:21 | 0:38:26 | |
The inner monologue is, "I don't know what I am doing, please help me, please don't let me die alone, God." | 0:38:26 | 0:38:31 | |
'50 minutes later, we're lost. | 0:38:35 | 0:38:38 | |
'We could be going in circles, and in this mist, who can tell?' | 0:38:38 | 0:38:42 | |
I can hear the sea. | 0:38:44 | 0:38:46 | |
I'm worried we're getting quite close to the sea. | 0:38:46 | 0:38:49 | |
Shall I go first, in case I've made a terrible mistake and you'll know if I disappear. | 0:38:49 | 0:38:53 | |
It looks as though that path peters out down there. | 0:38:53 | 0:38:57 | |
-I'm going to... If this is my decision... -Where are you? | 0:38:57 | 0:39:00 | |
-If this is my choice, I'm going to take this one. -All right, then. | 0:39:00 | 0:39:04 | |
Oh, this is... I mean, I've never seen more forks ever! | 0:39:09 | 0:39:14 | |
This is our Lord Of The Flies moment, isn't it? | 0:39:14 | 0:39:16 | |
How long is this going to go on? This could go on for another two hours. | 0:39:16 | 0:39:20 | |
-Oh! -Tarmac road! -Yes! I see a road! -Oh, my God, a road! -Help us! | 0:39:23 | 0:39:29 | |
I don't think I've ever been so pleased to see tarmac. | 0:39:30 | 0:39:33 | |
I know, it's great to be in nature, but there's nothing like it. | 0:39:33 | 0:39:36 | |
Really, the sight of that road has filled my heart with joy. | 0:39:36 | 0:39:40 | |
'We've found the road home.' | 0:39:44 | 0:39:47 | |
'The road to salvation. Or, at least, to the cafe.' | 0:39:47 | 0:39:51 | |
-I notice they're hotter on one side than the other. -The north side of these cakes is... | 0:39:52 | 0:39:57 | |
Well done! Well done! | 0:40:02 | 0:40:06 | |
-So, that's not a walk you would have done as a kid, I presume? -No. -No. | 0:40:06 | 0:40:09 | |
Unless your parents wanted to get rid of you, in which case... | 0:40:09 | 0:40:13 | |
Head out to the gorse. See you in an hour. | 0:40:13 | 0:40:15 | |
You know your parents want shot of you when they do that. | 0:40:15 | 0:40:18 | |
'Over tea, we look at some of the holiday brochures from the cafe's library. | 0:40:18 | 0:40:23 | |
'Some of them date back to my childhood.' | 0:40:23 | 0:40:25 | |
-That's the thing my dad always loved was mini golf, or... -Pitch and putt. | 0:40:25 | 0:40:29 | |
..or pitch and putt, yeah. We used to play that a lot. | 0:40:29 | 0:40:32 | |
You can always guarantee at the seaside in England, a pitch and putt or a mini golf. | 0:40:32 | 0:40:37 | |
-That's one of the big ferry boats. -That come from Liverpool? | 0:40:38 | 0:40:41 | |
-I'm pretty sure it was that size boat. -What was the name of the one you came on? | 0:40:41 | 0:40:46 | |
I think St Tudno was one of them. | 0:40:46 | 0:40:49 | |
'We've got to get a move on, as Alison's hometown of Liverpool beckons.' | 0:40:53 | 0:40:58 | |
'Hearing her happy childhood memories has given Stephen and me an idea.' | 0:40:58 | 0:41:03 | |
'We're going to take Alison on a trip down memory lane | 0:41:03 | 0:41:06 | |
'by crossing from Llandudno to Liverpool by sea.' | 0:41:06 | 0:41:10 | |
-Well done. -I'm sorry but my foot is stuck. | 0:41:10 | 0:41:13 | |
SHE LAUGHS The claw. | 0:41:13 | 0:41:16 | |
Well, the seat's lovely and dry. | 0:41:19 | 0:41:21 | |
-Sorry about the wet seat. -It's all right. I've had a wet seat before. | 0:41:21 | 0:41:24 | |
-I'd rather stand. It's more Hawaii Five-0. -Yeah. | 0:41:24 | 0:41:27 | |
MUSIC FROM HAWAII FIVE-0 | 0:41:27 | 0:41:30 | |
'This isn't how I remember it at all. | 0:41:30 | 0:41:32 | |
'And now we've got to get on that thing. | 0:41:32 | 0:41:36 | |
'As a child, I used to get really excited on the ferry ride from Llandudno to Liverpool. | 0:41:37 | 0:41:43 | |
'I can remember it all so vividly. | 0:41:43 | 0:41:46 | |
'But today, it's not just my love of the sea that's missing.' | 0:41:46 | 0:41:50 | |
The ferry I used to know and love no longer happens. | 0:41:50 | 0:41:55 | |
Which is a shame because it would mean a lot more business for Llandudno as a resort. | 0:41:55 | 0:42:02 | |
And it was a lovely trip to do from Liverpool and it's sad that it's finished. | 0:42:02 | 0:42:07 | |
'I'm told I'm in charge and I take it all quite seriously and get very Captain Pugwash. | 0:42:09 | 0:42:15 | |
'Till I realise the auto-pilot's on.' | 0:42:15 | 0:42:17 | |
'Perhaps it's Sue's steering, but the crossing is getting rougher and rougher.' | 0:42:17 | 0:42:22 | |
I'd say if you're ever thinking of travelling from Llandudno to Liverpool, | 0:42:22 | 0:42:26 | |
you could do a lot worse than driving. Don't get a boat. | 0:42:26 | 0:42:31 | |
-Drive. -SHE LAUGHS | 0:42:31 | 0:42:34 | |
'Not quite the treat for Alison we had in mind. But we do have one more up our sleeves.' | 0:42:34 | 0:42:39 | |
-BELL RINGS -Oh, yay! | 0:42:39 | 0:42:43 | |
-Hi there. Thank you. -Oh, yay! | 0:42:45 | 0:42:50 | |
As the Liverpool town crier, I'd like to give you a great welcome... | 0:42:51 | 0:42:56 | |
SHE SHOUTS: Thank you! | 0:42:56 | 0:42:58 | |
..to Alison Steadman, Sue Perkins, and Stephen Mangan. | 0:42:58 | 0:43:02 | |
Liverpool is best. I thank you! | 0:43:02 | 0:43:05 | |
I thank you! Now where do I get shoes like that? | 0:43:05 | 0:43:09 | |
'Ah, lovely Liverpool. Our final leg. I know it so well.' | 0:43:12 | 0:43:17 | |
-Hey, so this is where it began. -Yes. | 0:43:17 | 0:43:21 | |
'But for the first time ever, we are going to try to naturally navigate through an urban environment.' | 0:43:21 | 0:43:29 | |
-That's south, isn't it? -No, because they've got south going there. | 0:43:29 | 0:43:32 | |
'We're starting at St George's Hall, an integral part of the city's cultural and arts scene. | 0:43:32 | 0:43:39 | |
'Tristan has given us a series of clues that will lead us to our destination, | 0:43:39 | 0:43:43 | |
'which will remain a mystery until we get there.' | 0:43:43 | 0:43:46 | |
'Let's hope it's not back on that boat. But first, we need to find out which way is south.' | 0:43:46 | 0:43:52 | |
-It could be Rome. -It could be. -If it wasn't so freezing, it could be Rome. Right, OK. | 0:43:52 | 0:43:58 | |
"This is your last journey. As I'm sure you're aware, navigation uses nature to find your direction, | 0:43:59 | 0:44:05 | |
"but even in the city, it can be used effectively. | 0:44:05 | 0:44:08 | |
"This is St George's Hall. | 0:44:08 | 0:44:10 | |
-Tour guide. -"Have a look at Victoria and Albert." | 0:44:10 | 0:44:14 | |
Now, that's Victoria. | 0:44:14 | 0:44:17 | |
-And that's Albert. -I'm glad. I was always confused. -Now, Queen... | 0:44:17 | 0:44:20 | |
-..of the Lichen. Lady Lichen. -You can see them from here. -They are covered. | 0:44:22 | 0:44:26 | |
-That one is really green on this side. -Shall we look at the other side? -Yeah. | 0:44:26 | 0:44:30 | |
Shall we look at Victoria's other cheek? ALISON LAUGHS | 0:44:30 | 0:44:33 | |
-Ah, look! -It's the same as Albert. | 0:44:33 | 0:44:36 | |
This side is very dark. | 0:44:38 | 0:44:40 | |
-This side is... -Whereas this side... | 0:44:40 | 0:44:43 | |
-The sun must be shining on here more. -I presume that's the sun, isn't it? | 0:44:43 | 0:44:48 | |
You can even see the bottom bit is completely green. | 0:44:48 | 0:44:51 | |
Or is it lichen because it's north? That's the thing. | 0:44:51 | 0:44:55 | |
-Because these are bronsh. These are bronsh. -Bronsh? Are you Dutch? -Bronze statues. | 0:44:55 | 0:45:00 | |
-Oh, they're bronsh. -They've oxidised, haven't they, and they do that in the sun? | 0:45:00 | 0:45:06 | |
In the sun! | 0:45:06 | 0:45:08 | |
'So it could be weathering, sunshine, or lichen. | 0:45:09 | 0:45:12 | |
'In other words, we have no idea. We need something else to lead us south.' | 0:45:12 | 0:45:18 | |
OK, well, let's prove this is south. | 0:45:18 | 0:45:21 | |
Are these lions telling us anything? | 0:45:21 | 0:45:23 | |
'The lions may not have much to say, but Tristan has told us that their appearance can speak volumes.' | 0:45:23 | 0:45:29 | |
Alison, could you have a look at both sides of this sign for me and tell me what you see? | 0:45:32 | 0:45:36 | |
-Er, it's all green on this side. -Exactly, yeah. -Green and sort of yellow. -Yeah. | 0:45:40 | 0:45:46 | |
-Clean on that side... -Nice and clean, isn't it? -Clean on that side and green and sort of yellow. | 0:45:46 | 0:45:52 | |
The green is mostly algae, which is loving the moisture because the sun isn't getting there. | 0:45:52 | 0:45:58 | |
If the sun isn't getting there, it's a clue that that might be the northern side. | 0:45:58 | 0:46:03 | |
This side is getting lots of sun, it's drying it out regularly, the algae doesn't like dry surfaces. | 0:46:03 | 0:46:08 | |
So we've got quite a big difference between the two sides. | 0:46:08 | 0:46:11 | |
So it's pointing the way to a Roman villa that way. | 0:46:11 | 0:46:15 | |
But telling us south is that way and north is that way. | 0:46:15 | 0:46:18 | |
Look, on this side, they've got the greeny, and on this side, | 0:46:20 | 0:46:24 | |
-they haven't got any, so they're dry on this side. -So this is south. | 0:46:24 | 0:46:28 | |
They're moist on this side so this has to be south. | 0:46:28 | 0:46:30 | |
-I love it! Come on! -The leadership of Alison! | 0:46:30 | 0:46:34 | |
Hang on. | 0:46:34 | 0:46:36 | |
'The closer you look at your city, the more you see. | 0:46:36 | 0:46:39 | |
'It comes to light in a completely different way. | 0:46:39 | 0:46:43 | |
'There's so much I'd never noticed before.' | 0:46:43 | 0:46:46 | |
There's a park. What do the trees tell you? | 0:46:46 | 0:46:48 | |
-Well! -Ah. Lovely tick effect. Bang in the middle of Liverpool. | 0:46:48 | 0:46:53 | |
-It's telling us our decision that that was south is... -Pretty good, I think, yeah. | 0:46:53 | 0:46:58 | |
'So, even in the city, the sun affects the trees. | 0:47:00 | 0:47:03 | |
'And these are all heavier on the southern side. | 0:47:03 | 0:47:06 | |
'Taking our cue from them, we head south | 0:47:06 | 0:47:09 | |
'and discover our next clue set in stone.' | 0:47:09 | 0:47:12 | |
-East. -Yeah, those trees... | 0:47:17 | 0:47:21 | |
South. It's completely wrong, this compass, isn't it? | 0:47:21 | 0:47:24 | |
-South is here, southwest is there. -South is further round. | 0:47:24 | 0:47:28 | |
-Well. -It's 90, well, about 60 degrees out. -Yeah, I would say. | 0:47:28 | 0:47:33 | |
I don't think it's wrong. I honestly don't. | 0:47:33 | 0:47:36 | |
Mind you, we're only going from a statue, which is not that accurate. | 0:47:36 | 0:47:40 | |
-It's not that accurate. -I like that you're defending the reputation of the council. | 0:47:40 | 0:47:44 | |
I can't believe they would get this wrong. | 0:47:44 | 0:47:46 | |
They do have instruments, whereas we just have some trees. | 0:47:46 | 0:47:50 | |
-We used the green on the side of a statue. -A tree and we've used the side of a lion. | 0:47:50 | 0:47:54 | |
-So I would think... -We've used a flank of Victoria's horse. | 0:47:54 | 0:47:59 | |
And we can't be wrong. That's scientifically proven. | 0:47:59 | 0:48:02 | |
-So, OK, so southwest is down there. Yeah. -You think this is south? | 0:48:02 | 0:48:08 | |
So we think they are 45 degrees out. | 0:48:08 | 0:48:10 | |
I do anyway. 'You could say using the compass is cheating, | 0:48:11 | 0:48:15 | |
'but actually, it has just left us more confused.' | 0:48:15 | 0:48:19 | |
'In the next square, we have to head due south, but we now don't know which way that is.' | 0:48:19 | 0:48:24 | |
So, we think south is... | 0:48:24 | 0:48:27 | |
-We entered the square here. -OK, well if the council's right, then south is there, which means north is there. | 0:48:29 | 0:48:35 | |
-The compass says south is that way, doesn't it? -I thought it said it was more that way. | 0:48:38 | 0:48:43 | |
-We went... -No, more that way. -40... -I think it's that way, south. | 0:48:43 | 0:48:47 | |
You mean, you think it really is that way? | 0:48:47 | 0:48:49 | |
-No, I think... -Or... -There's so many different versions now. | 0:48:49 | 0:48:53 | |
-Their south was that direction. -No, their south was that direction. | 0:48:53 | 0:48:56 | |
-Yes, that direction. I go with Sue. -Shall I go back and check? -Check. | 0:48:56 | 0:49:00 | |
Meanwhile we'll stay like this. 'I sound confident, don't I? I'm not. | 0:49:00 | 0:49:03 | |
'This is difficult. Unlike the countryside, in the city, buildings block the view. | 0:49:03 | 0:49:08 | |
'We can't even see the trees now that originally indicated south.' | 0:49:08 | 0:49:11 | |
I definitely thought south was that way. | 0:49:11 | 0:49:14 | |
-Are you walking directly south? -I come with news of south. | 0:49:15 | 0:49:18 | |
-Their compass is pointing there for south. -OK. | 0:49:20 | 0:49:23 | |
'We need another clue that will help us find south.' | 0:49:25 | 0:49:28 | |
If you want to use mosses or lichens to find direction, | 0:49:30 | 0:49:34 | |
the golden rule is try not to use one on its own. | 0:49:34 | 0:49:38 | |
There's a real temptation, we all do it, | 0:49:38 | 0:49:40 | |
you see a moss or lichen and think, "That must be north or south". | 0:49:40 | 0:49:44 | |
But the best thing to do is pause and have a really good look around. | 0:49:44 | 0:49:49 | |
Let me show you an example. If we look at this roof up here, | 0:49:49 | 0:49:51 | |
can you see that nice, thick carpet of moss there? | 0:49:51 | 0:49:54 | |
The moss is loving it. That's a side of the roof that's staying wet. | 0:49:54 | 0:49:58 | |
But if we look in the opposite direction, | 0:49:58 | 0:50:01 | |
have a look up on this roof here and tell me what you see. | 0:50:01 | 0:50:04 | |
-No moss. -And lichen. -Golden lichen. | 0:50:04 | 0:50:07 | |
Golden lichens. So we go from a suspicion that that might be north-facing, | 0:50:07 | 0:50:11 | |
to feeling really quite confident about direction. | 0:50:11 | 0:50:14 | |
-So that is south. -Yeah, no, that's definitely south. | 0:50:17 | 0:50:20 | |
What do you mean, "that's definitely south"? I thought that was what we were confused about. | 0:50:20 | 0:50:24 | |
-No, we have to go to the north side of... Oh no, we... -This started off so well. | 0:50:24 | 0:50:28 | |
Look at the moss above the window sill. It's the north side. That's south, that's north. | 0:50:28 | 0:50:33 | |
Really? I didn't know it was moss. I thought it was some kind of paint effect. | 0:50:33 | 0:50:37 | |
-There's moss up here on this building. -Ah, finally. | 0:50:37 | 0:50:40 | |
Yes. That's it. That's what it is. OK. Good. Let's get out of here before we change our mind again. | 0:50:40 | 0:50:45 | |
'So, using a combination of moss, trees and a dodgy compass, we head off in what we hope is south.' | 0:50:46 | 0:50:53 | |
'At the next junction, we need to head southeast. And I spot something in the distance.' | 0:50:53 | 0:50:57 | |
-It's a church! -Hey! -It's a church and we're looking right into the corner of it. | 0:50:57 | 0:51:04 | |
-So that would give us perfect east and west. -So that is west because the altar is that end. | 0:51:04 | 0:51:09 | |
-Yeah. East. -So that's west and we're heading southeast. -Southeast. | 0:51:09 | 0:51:12 | |
-Perfect. -Ah! -I love it. -How did it come to this. | 0:51:12 | 0:51:17 | |
Bold Street. | 0:51:19 | 0:51:21 | |
This used to be THE street in Liverpool when I was a child for exclusive shops. | 0:51:21 | 0:51:27 | |
There used to be a coffee shop on this street called Espresso Bongo or something. | 0:51:27 | 0:51:32 | |
-Oh! -We used to come in, when it was frothy coffee for the first time in the 60s. | 0:51:32 | 0:51:38 | |
And they used to be in see-through Pyrex cups with the froth on the top. | 0:51:38 | 0:51:43 | |
I imagine you coming in going, "Hey, pussycat, bung me a hot java." | 0:51:43 | 0:51:46 | |
Me and my friend Pat used to come and have coffee. And we used to think we were just the bees knees. | 0:51:46 | 0:51:52 | |
-Frothy coffee. -SHE LAUGHS | 0:51:52 | 0:51:54 | |
Like most industrial cities, all the buildings were all black with all the smoke. | 0:51:57 | 0:52:02 | |
This one hasn't been cleaned so you can still see all the soot. | 0:52:02 | 0:52:06 | |
When I was at school the fogs you used to get. | 0:52:06 | 0:52:08 | |
Truly you couldn't see your hand in front of your face sometimes. | 0:52:08 | 0:52:12 | |
We used to get sent home early because the fogs were so thick | 0:52:12 | 0:52:16 | |
-that as kids we couldn't get home. -Wow. | 0:52:16 | 0:52:19 | |
'Perhaps the soot can help us find our way.' | 0:52:20 | 0:52:24 | |
"At the next more major junction look at the corner of the buildings to the southeast." | 0:52:24 | 0:52:29 | |
-So this is... -We're heading east. So that corner. | 0:52:29 | 0:52:32 | |
-Oh! Pollution. -Yeah, really blackened by it. -Much worse on this side. | 0:52:32 | 0:52:36 | |
The prevailing wind would be bringing the soot constantly. | 0:52:36 | 0:52:40 | |
'The corner of this building is a massive clue. | 0:52:40 | 0:52:42 | |
'The prevailing winds in the UK are from the southwest. | 0:52:42 | 0:52:45 | |
'This means we can work out which way the soot is facing.' | 0:52:45 | 0:52:48 | |
'At the next junction we have to head north.' | 0:52:52 | 0:52:55 | |
'Alison thinks that a low wall might hold a clue.' | 0:52:59 | 0:53:03 | |
-Oh. -Wait a minute. Look at all this moss. -Moss. -All that moss. -Yeah. | 0:53:06 | 0:53:10 | |
'As before, the moss likes the northern side, and shows us which way to go.' | 0:53:10 | 0:53:16 | |
I have found moss. And I have found lichen. | 0:53:16 | 0:53:20 | |
-This is Moss Side, basically. -It's Moss Side. Follow me. | 0:53:20 | 0:53:24 | |
-I'm not sure I can let that gag go. -SUE LAUGHS | 0:53:26 | 0:53:30 | |
'As we head north, I have an inkling where we are heading.' | 0:53:30 | 0:53:34 | |
-"Keep walking until you find the theatre." -Hope Street. | 0:53:34 | 0:53:37 | |
-What's on Hope Street? -We're going to find the Everyman. | 0:53:37 | 0:53:40 | |
-We can smell a theatre. -Yeah. -I can smell the grease paint. -We can smell it from a mile off. | 0:53:42 | 0:53:47 | |
-Hey! So this is where it began. -Yes. -I wonder if they've finished building it yet. | 0:53:51 | 0:53:57 | |
So how long has it been since you were last back here? | 0:53:59 | 0:54:02 | |
Oh, years and years. I was here in 1971. 71, 72. | 0:54:03 | 0:54:09 | |
'Like navigational bloodhounds, we've reached our destination. Success! | 0:54:10 | 0:54:15 | |
'We've passed our final challenge and have managed to naturally navigate around a city.' | 0:54:16 | 0:54:22 | |
-God, this is so weird. It's... -Do you remember it? | 0:54:29 | 0:54:33 | |
It looks like it's been here for at least 40 years. | 0:54:33 | 0:54:36 | |
'Being here brings back so many memories. | 0:54:37 | 0:54:40 | |
'I first performed at the Everyman Theatre in the early 70s. | 0:54:41 | 0:54:45 | |
'This was such a vibrant and fun place to be. | 0:54:45 | 0:54:48 | |
'It was also invaluable for me as a young actress | 0:54:48 | 0:54:51 | |
'as it was here that I learnt such a lot.' | 0:54:51 | 0:54:54 | |
-Oh, wow! It's all on one level. -Great. | 0:54:59 | 0:55:02 | |
Well, here we are. | 0:55:04 | 0:55:06 | |
Again, this has been changed since I was here, but some of it is the same. | 0:55:06 | 0:55:10 | |
-Was it in the surround when you came still? -It was. | 0:55:10 | 0:55:15 | |
But we had a stage, you know, it was a separate... | 0:55:15 | 0:55:19 | |
God, it's weird, isn't it? | 0:55:19 | 0:55:21 | |
-I don't know. -So, there was a rostrum here and sort of... -Yeah. | 0:55:21 | 0:55:25 | |
-Yeah, because it was a cinema... -Oh, was it? -..before it was a theatre. | 0:55:25 | 0:55:30 | |
-Hello. I promise we're not trespassing. -Oh, my God! | 0:55:30 | 0:55:34 | |
It's Dave and Paddy. Oh, my God! How are you? | 0:55:34 | 0:55:40 | |
-How brilliant to see you. -Nice to see you. -Hello, Dave. | 0:55:42 | 0:55:47 | |
I didn't know this was going to happen. | 0:55:47 | 0:55:49 | |
-I'm all overcome now. -Are you? | 0:55:49 | 0:55:52 | |
'Paddy and Dave ran the Everyman bistro. It was open after the show till late, | 0:55:52 | 0:55:57 | |
'and I used to go there virtually every night for a meal and a drink.' | 0:55:57 | 0:56:00 | |
I'm not just saying this, one of the best things about being here was these two guys in the bistro, | 0:56:00 | 0:56:05 | |
it was a wonderful bar, there was food, it was always good, it was always freshly-cooked. | 0:56:05 | 0:56:10 | |
And it was a really good atmosphere. I'm not being kind, it's true. | 0:56:10 | 0:56:15 | |
But it was great, it was... | 0:56:15 | 0:56:18 | |
'A perfect end to our trip through Wales and Liverpool.' | 0:56:19 | 0:56:24 | |
I was very proud of my city and proud to show it off. | 0:56:24 | 0:56:27 | |
It was fascinating to walk through a city and actually open your eyes to what's around you. | 0:56:28 | 0:56:33 | |
And I realised that I don't normally do that. | 0:56:33 | 0:56:37 | |
It's a shame because if you're not aware of where you are, you're not really there. | 0:56:37 | 0:56:42 | |
I think, for me anyway, what this has been about is the more you can locate yourself somewhere, | 0:56:43 | 0:56:48 | |
the greater chance you have of being utterly lost in the sheer wonderment of it all. | 0:56:48 | 0:56:53 | |
-But Wales was good, wasn't it? -I can't wait to go back there. | 0:56:53 | 0:56:57 | |
-It was jaw-droppingly stunning. -It made me want to go back. | 0:56:57 | 0:57:00 | |
'Natural navigation has been our guide every step of the way. | 0:57:00 | 0:57:05 | |
'And it's changed the way each of us now sees our homelands, through Sue's beloved Cornwall...' | 0:57:05 | 0:57:10 | |
I know how everything has worked, geographically, geologically, environmentally, on the way here. | 0:57:10 | 0:57:16 | |
And I never would have done that before. Never would have stopped to notice anything. | 0:57:16 | 0:57:20 | |
This has been about the journey and experiencing the journey. It's not about the end goal. | 0:57:20 | 0:57:25 | |
'And it was natural navigation that led us through Stephen's family homeland in Ireland.' | 0:57:25 | 0:57:32 | |
I'm really delighted to be able to bring the other two here and show them what a special place it is. | 0:57:32 | 0:57:37 | |
A real strong sense of belonging to this area. | 0:57:37 | 0:57:40 | |
'It has been such an eye-opener for all of us.' | 0:57:42 | 0:57:45 | |
You have arrived. | 0:57:47 | 0:57:49 | |
I've been looking at things in a completely different way. | 0:57:49 | 0:57:52 | |
Observing every tree, every colour of a rock, | 0:57:52 | 0:57:57 | |
and suddenly you're very aware of just everything around you. | 0:57:57 | 0:58:02 | |
Subtitles by Red Bee Media Ltd | 0:58:05 | 0:58:09 | |
E-mail [email protected] | 0:58:09 | 0:58:13 | |
. | 0:58:13 | 0:58:13 |