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Elvis once said, "We can't go on together with suspicious minds." | 0:00:02 | 0:00:05 | |
He obviously never saw Armchair Detectives. | 0:00:05 | 0:00:08 | |
Welcome to the TV show with only one question - | 0:00:08 | 0:00:11 | |
whodunnit? | 0:00:11 | 0:00:13 | |
APPLAUSE | 0:00:25 | 0:00:27 | |
Hello, and welcome to Armchair Detectives. | 0:00:27 | 0:00:30 | |
These 15 murder-mystery enthusiasts | 0:00:30 | 0:00:33 | |
will compete to solve a fatal crime, | 0:00:33 | 0:00:35 | |
but will they catch the killer? | 0:00:35 | 0:00:37 | |
Our studio detectives watch | 0:00:37 | 0:00:39 | |
a fictional investigation play out in Mortcliff, | 0:00:39 | 0:00:42 | |
a village with a deadly history. | 0:00:42 | 0:00:45 | |
They'll watch the best cops in the business find the evidence | 0:00:45 | 0:00:48 | |
and track the prime suspects. | 0:00:48 | 0:00:50 | |
There they are, DI Knight, DC Slater, | 0:00:50 | 0:00:53 | |
and scene-of-crime officer Simmons. | 0:00:53 | 0:00:56 | |
Before we head to Mortcliff for the first time, | 0:00:56 | 0:00:58 | |
let's say hello to our armchair detectives. | 0:00:58 | 0:01:01 | |
-Hello, armchair Detectives! ALL: -Hi! | 0:01:01 | 0:01:04 | |
I've spent a couple of weeks with them, we're all friends, | 0:01:04 | 0:01:06 | |
we're going on a caravan holiday later on. | 0:01:06 | 0:01:08 | |
Only three of you play each day, | 0:01:08 | 0:01:10 | |
so please take your armchairs, Krystyna, Dipak and Audrey. Come on! | 0:01:10 | 0:01:15 | |
CHEERING AND APPLAUSE | 0:01:15 | 0:01:17 | |
Welcome, armchair detectives. | 0:01:22 | 0:01:24 | |
As you know by now, the detective guessing the killer correctly | 0:01:24 | 0:01:28 | |
will win one of these, | 0:01:28 | 0:01:29 | |
the hotly contested Golden Magnifying Glass trophy! | 0:01:29 | 0:01:33 | |
-AUDIENCE: -Ooo! -Doesn't get any less exciting, really, does it? | 0:01:33 | 0:01:36 | |
Now, you've all played before, but Dipak and Audrey are yet to win one. | 0:01:36 | 0:01:41 | |
What are you going to do to try and win one of those trophies today, Audrey? | 0:01:41 | 0:01:45 | |
I'm going to pay more attention to the visual clues, | 0:01:45 | 0:01:49 | |
as last time I was too busy writing too much. | 0:01:49 | 0:01:51 | |
So it's getting a good balance between taking notes and watching. | 0:01:51 | 0:01:55 | |
Dipak, what are you going to do differently? | 0:01:55 | 0:01:57 | |
OK, I'm going to stick to the facts. | 0:01:57 | 0:01:59 | |
I'm going to look for evidence, | 0:01:59 | 0:02:01 | |
logic and decision-making without random back stories. | 0:02:01 | 0:02:05 | |
You have a slightly frightening steely determination today, Dipak, I'll be honest! | 0:02:05 | 0:02:08 | |
"What are you going to do?" "Stick to the facts, Susan." | 0:02:08 | 0:02:11 | |
LAUGHTER | 0:02:11 | 0:02:12 | |
And, Krystyna, you have won a Golden Magnifying Glass trophy, | 0:02:12 | 0:02:15 | |
what are you going to do today to see if you can make it two in a row? | 0:02:15 | 0:02:18 | |
I'm going to stick to my formula. | 0:02:18 | 0:02:20 | |
Which is? | 0:02:20 | 0:02:22 | |
Don't make any notes, just pay attention to the screen. | 0:02:22 | 0:02:25 | |
OK, then, armchair detectives, | 0:02:25 | 0:02:27 | |
let's start as always with Round One - the Crime Scene. | 0:02:27 | 0:02:31 | |
Knight and Slater meet Simmons | 0:02:31 | 0:02:33 | |
and she puts the cat amongst the pigeons. | 0:02:33 | 0:02:37 | |
Notepads at the ready. | 0:02:37 | 0:02:39 | |
For the first time today, let's head over to Mortcliff. | 0:02:39 | 0:02:43 | |
The victim is 70-year-old Victor Bobsworth, sir. | 0:02:49 | 0:02:52 | |
Retired, and a pigeon enthusiast. | 0:02:52 | 0:02:55 | |
His body was found in the gardens by a Gus Dunham this afternoon. | 0:02:55 | 0:02:58 | |
-Hi. -Ah! Anything out of the ordinary, Simmons? | 0:02:58 | 0:03:02 | |
There are some unique elements to this case. | 0:03:02 | 0:03:05 | |
Anyone have an issue with birds? | 0:03:05 | 0:03:07 | |
Of course not. | 0:03:07 | 0:03:09 | |
Perhaps best you didn't see the birds after all, Slater. | 0:03:13 | 0:03:16 | |
You'd like Vertigo, though. | 0:03:16 | 0:03:18 | |
We had to remove the body as it was covered in bird excrement. | 0:03:19 | 0:03:22 | |
From the way the body was positioned, | 0:03:22 | 0:03:24 | |
it looks like he fell from the roof, up there. | 0:03:24 | 0:03:27 | |
Time of death? | 0:03:27 | 0:03:29 | |
Based on his liver temperature, approximately 13:30. | 0:03:29 | 0:03:32 | |
This is Justin Porter, caretaker of the building. | 0:03:34 | 0:03:36 | |
He's going to take us to the roof, to where the pigeon coop is. | 0:03:36 | 0:03:39 | |
Detectives, we'll take the maintenance stairs. This way. | 0:03:39 | 0:03:42 | |
COOING | 0:03:46 | 0:03:48 | |
It's a nasty fall, but I'm not sure it'd be enough to actually kill him. | 0:03:58 | 0:04:02 | |
We'll know as soon as we've done the postmortem. | 0:04:02 | 0:04:04 | |
It's locked. How do pigeons escape a locked coop? | 0:04:04 | 0:04:08 | |
Still sharp, Slater, despite your phobia. | 0:04:08 | 0:04:11 | |
I don't have a phobia. | 0:04:11 | 0:04:13 | |
I suspect "fowl" play. | 0:04:13 | 0:04:15 | |
Ha! Fowl play! Really good! | 0:04:15 | 0:04:18 | |
DI Knight thinks he's a comedian. | 0:04:21 | 0:04:23 | |
AUDIENCE CHUCKLE | 0:04:23 | 0:04:24 | |
Shall we pick up on the oddities, other than the fact that | 0:04:24 | 0:04:27 | |
pigeons pooed on him afterwards? | 0:04:27 | 0:04:29 | |
The thing is, the pigeons could have done their bit | 0:04:29 | 0:04:32 | |
and somebody else who's au fait with pigeons | 0:04:32 | 0:04:34 | |
has got them back in the cage and locked them up. | 0:04:34 | 0:04:37 | |
The only other things that was up there, it was locked, | 0:04:37 | 0:04:39 | |
there was a brush, there was a timer | 0:04:39 | 0:04:41 | |
because the pigeon fanciers time the flights of their birds. | 0:04:41 | 0:04:44 | |
Yeah, they have the clocking thing which they put on the leg. | 0:04:44 | 0:04:47 | |
There was also a feed bucket that had a lot of feed missing, | 0:04:47 | 0:04:49 | |
-as if someone had used it. -Yes. Yeah, yeah. | 0:04:49 | 0:04:51 | |
Let me tell you a bit more about the victim, | 0:04:51 | 0:04:53 | |
-see if that helps you out, as well. -OK. | 0:04:53 | 0:04:55 | |
So today, we're investigating the death of Victor Bobsworth. | 0:04:55 | 0:04:59 | |
Victor was 70 years old and a pigeon racer. | 0:04:59 | 0:05:03 | |
He had been a greengrocer for 30 years and was widowed. | 0:05:03 | 0:05:07 | |
The cause of death is a suspected fall from height, | 0:05:07 | 0:05:10 | |
but this is still under investigation. | 0:05:10 | 0:05:13 | |
And the time of death is approximately 1:30pm. | 0:05:13 | 0:05:18 | |
-Obviously a massive pigeon enthusiast, to be racing them, so... -Yep. | 0:05:18 | 0:05:21 | |
..he's part of some club or society for pigeons, that kind of thing. | 0:05:21 | 0:05:26 | |
It's also expensive, racing pigeons, | 0:05:26 | 0:05:28 | |
and he's a retired greengrocer, isn't he? So, how is he funding that? | 0:05:28 | 0:05:32 | |
Well, he could have made quite a bit of money in his business, | 0:05:32 | 0:05:35 | |
-he could have sold the shop. -Or sold his business for money. | 0:05:35 | 0:05:37 | |
And that's been his little pension fund for his pigeons. | 0:05:37 | 0:05:40 | |
So the suspect list so far is... | 0:05:40 | 0:05:43 | |
Justin Porter, who's the caretaker. | 0:05:43 | 0:05:47 | |
He took them up the back steps, | 0:05:47 | 0:05:48 | |
so, obviously, there's access to the roof up the back steps. | 0:05:48 | 0:05:52 | |
-And that's a bit... -Well noted, Audrey. Mm-hm. | 0:05:52 | 0:05:54 | |
So he'll have keys to a lot of things, access to a lot of areas. | 0:05:54 | 0:05:57 | |
-Yeah. -And probably knows patterns of people, as well, | 0:05:57 | 0:06:00 | |
-if he's looking after the building. -Mm. | 0:06:00 | 0:06:01 | |
OK, armchair detectives, lots of questions, | 0:06:01 | 0:06:04 | |
let's see if we can get a bit further forward in the investigation | 0:06:04 | 0:06:07 | |
because here's the first bit of evidence to help you out. | 0:06:07 | 0:06:10 | |
It is a layout of the crime scene. | 0:06:10 | 0:06:14 | |
There's an exit at the back of the building. | 0:06:14 | 0:06:16 | |
I thought he said there was an exit at the back. "I'll take you up the back stairs". | 0:06:16 | 0:06:19 | |
Does it go through the building and up to the front, then, the stairs? | 0:06:19 | 0:06:22 | |
Yeah, so we've two ways into the building - | 0:06:22 | 0:06:24 | |
the ground-floor front entrance, the back entrance, | 0:06:24 | 0:06:26 | |
which is probably what the caretaker uses. | 0:06:26 | 0:06:28 | |
-Is it, maybe, like, a fire escape type of thing? -Yeah. | 0:06:28 | 0:06:31 | |
Because, to me, that looks like they've gone into a building, | 0:06:31 | 0:06:34 | |
then up some stairs and out. That's like a sort of hatch thing. | 0:06:34 | 0:06:37 | |
Let's have a look at the photographs, as well. | 0:06:37 | 0:06:39 | |
Talk me through what you can see there. | 0:06:39 | 0:06:41 | |
So in the top photograph, even though the padlock's been put back on, | 0:06:41 | 0:06:45 | |
someone's forgot to latch it. | 0:06:45 | 0:06:46 | |
-To lock... To lock it, yes... -The bolt's not bolted. | 0:06:46 | 0:06:48 | |
So maybe someone was in a hurry and they just forgot the latch. | 0:06:48 | 0:06:52 | |
-If you owned those pigeons, every day, you'd have a kind of routine of latching it, maybe. -Yeah. | 0:06:52 | 0:06:56 | |
So remember all of that information, it may come in useful later on. | 0:06:56 | 0:07:00 | |
But let's move on to Round Two - Last Movements. | 0:07:00 | 0:07:03 | |
We'll meet Victor Bobsworth prior to his tragic murder. | 0:07:03 | 0:07:07 | |
Notepads at the ready, let's head back to Mortcliff. | 0:07:07 | 0:07:10 | |
Thanks, old chap. | 0:07:21 | 0:07:22 | |
Henry and I will be releasing them in an hour or so. | 0:07:22 | 0:07:24 | |
-Could you stand by on the roof from about 12:40? -Of course. | 0:07:24 | 0:07:28 | |
I'm hoping the first bird to arrive home will be Homer. | 0:07:28 | 0:07:32 | |
Now, you know what he looks like? | 0:07:32 | 0:07:33 | |
Sure thing. Thanks to the mugshot, I'll not miss him. | 0:07:33 | 0:07:36 | |
Thank you, Justin. My life would be a lot harder without you. | 0:07:36 | 0:07:39 | |
What is that? Is that Gus Dunham? I'll take that. | 0:07:41 | 0:07:43 | |
He wishes me gone. I know that for sure. | 0:07:44 | 0:07:47 | |
Gus is just grumpy. | 0:07:47 | 0:07:48 | |
Understandably, after all the hours he puts into saving people's lives. | 0:07:48 | 0:07:52 | |
It's not personal, it's just chatter. | 0:07:52 | 0:07:54 | |
"Never trust anyone who threatens to hurt animals", my father used to say. | 0:07:54 | 0:07:58 | |
I've brought my timer just in case. | 0:08:08 | 0:08:10 | |
No offence, old chap, but these are said to be much more reliable. | 0:08:10 | 0:08:15 | |
Expensive...but very accurate. | 0:08:15 | 0:08:19 | |
The club are insisting we all use them from now on. | 0:08:19 | 0:08:22 | |
You don't mind, do you? | 0:08:22 | 0:08:24 | |
Not in the least. Rules are rules. | 0:08:24 | 0:08:25 | |
And I'm the first to admit that Homer's sudden and excessive speed appears odd. | 0:08:25 | 0:08:31 | |
Fine. | 0:08:31 | 0:08:32 | |
Hopefully, this will clear things up once and for all. | 0:08:32 | 0:08:35 | |
You have to admit, MY birds | 0:08:35 | 0:08:37 | |
have been ahead throughout the league. | 0:08:37 | 0:08:41 | |
I've never denied it. | 0:08:41 | 0:08:42 | |
-It's not personal. -Of course not. | 0:08:42 | 0:08:44 | |
My son's standing by at home. | 0:08:49 | 0:08:51 | |
So is the caretaker at my building. | 0:08:51 | 0:08:53 | |
Godspeed, Gloriana. | 0:08:56 | 0:08:58 | |
Bon voyage, Homer. | 0:08:58 | 0:08:59 | |
Three, two, one... | 0:09:02 | 0:09:04 | |
PHONE RINGS | 0:09:19 | 0:09:21 | |
Hello? | 0:09:27 | 0:09:28 | |
Ah, Justin. | 0:09:28 | 0:09:30 | |
Right. And you're sure it's Homer? | 0:09:31 | 0:09:34 | |
Thank you very much! | 0:09:36 | 0:09:37 | |
Homer arrived at 12:45 precisely. | 0:09:38 | 0:09:42 | |
PHONE RINGS | 0:09:49 | 0:09:50 | |
Hello, son. | 0:09:52 | 0:09:53 | |
Thank you very much. | 0:09:56 | 0:09:58 | |
Well? | 0:09:58 | 0:10:01 | |
Gloriana arrived at 12:47. | 0:10:01 | 0:10:05 | |
That's two minutes after Homer. | 0:10:05 | 0:10:07 | |
That's a much narrower margin than ten minutes! | 0:10:07 | 0:10:11 | |
Well, Homer is a narrow winner, but a winner nonetheless. | 0:10:11 | 0:10:15 | |
All this proves is that there's been monkey business going on with that! | 0:10:15 | 0:10:20 | |
I was the first to admit that my timer might have been faulty, Henry, | 0:10:20 | 0:10:24 | |
there's no need to be churlish. | 0:10:24 | 0:10:26 | |
I may just be going home on Saturday | 0:10:26 | 0:10:28 | |
with the Mortcliff Pigeon Championship Cup after all. | 0:10:28 | 0:10:31 | |
VICTOR CHUCKLES | 0:10:31 | 0:10:33 | |
The Mortcliff Pigeon Champion Cup. | 0:10:36 | 0:10:39 | |
Now we're into interesting, interesting territory. | 0:10:39 | 0:10:43 | |
The parcel that arrived looked suspiciously like | 0:10:43 | 0:10:46 | |
-a bird-feed container, didn't it? -It looked like a tub of bird feed. | 0:10:46 | 0:10:48 | |
Henry mentioned that... | 0:10:48 | 0:10:50 | |
Homer looked... | 0:10:50 | 0:10:52 | |
Which was Victor's bird. | 0:10:52 | 0:10:53 | |
..looked suspiciously faster, | 0:10:53 | 0:10:56 | |
so I wonder if the caretaker | 0:10:56 | 0:10:59 | |
had put something in the bird feed | 0:10:59 | 0:11:01 | |
-to enhance... -Right, yeah. -..Homer's capabilities. | 0:11:01 | 0:11:06 | |
This is blowing my mind, Audrey. | 0:11:06 | 0:11:08 | |
Why do they not have urine tests for pigeons? That's what I want to know. | 0:11:08 | 0:11:12 | |
That might explain the laxative effect afterwards. | 0:11:12 | 0:11:15 | |
Yeah, the excess pooping. | 0:11:15 | 0:11:16 | |
LAUGHTER | 0:11:16 | 0:11:19 | |
Let's turn to the Suspects Board, | 0:11:19 | 0:11:21 | |
and there's two new suspects to add. | 0:11:21 | 0:11:23 | |
Henry Campbell, pigeon enthusiast, | 0:11:23 | 0:11:27 | |
and Gus Dunham, | 0:11:27 | 0:11:29 | |
who we've not met yet. | 0:11:29 | 0:11:31 | |
Henry's... | 0:11:31 | 0:11:33 | |
He looks as if he's a bit pedantic. | 0:11:33 | 0:11:36 | |
He looks a bit grumpy. | 0:11:36 | 0:11:37 | |
He's keeping a close eye on Victor. | 0:11:37 | 0:11:39 | |
He knows that he's not playing fair. | 0:11:39 | 0:11:42 | |
Well, let's have a look at some evidence, | 0:11:42 | 0:11:44 | |
see if this gets you further forward. | 0:11:44 | 0:11:46 | |
We have the caretaker's set of keys | 0:11:46 | 0:11:49 | |
or the parcel addressed to Gus Dunham. | 0:11:49 | 0:11:52 | |
And finally, the pigeon-timing mechanism. | 0:11:52 | 0:11:57 | |
What would you like to see? | 0:11:57 | 0:11:58 | |
Personally, the parcel for Gus. | 0:11:58 | 0:12:00 | |
I kind of want to go for Justin's keys. | 0:12:01 | 0:12:03 | |
-Take a vote, what would you like to see? -You have the deciding vote. | 0:12:03 | 0:12:06 | |
-I would absolutely like to see what was in that parcel. -Parcel? | 0:12:06 | 0:12:09 | |
-Parcel. -Great. So, this is the parcel for Gus Dunham. | 0:12:09 | 0:12:11 | |
It's a parcel addressed to Gus Dunham | 0:12:11 | 0:12:14 | |
and it contains rat poison. | 0:12:14 | 0:12:17 | |
Nothing suspicious there at all. | 0:12:17 | 0:12:19 | |
Let's move on. LAUGHTER | 0:12:19 | 0:12:20 | |
No, what are you thinking? | 0:12:20 | 0:12:22 | |
We haven't seen any dead pigeons yet | 0:12:22 | 0:12:25 | |
so we've got no evidence to say that it has been used. | 0:12:25 | 0:12:28 | |
But the thing is, | 0:12:28 | 0:12:29 | |
IF Gus killed him, right...? | 0:12:29 | 0:12:32 | |
Because they had an argument, | 0:12:32 | 0:12:33 | |
a fight, because the pigeons... | 0:12:33 | 0:12:35 | |
..had pooped and are all lying dead, | 0:12:35 | 0:12:37 | |
but Gus might have got rid of the dead pigeons. | 0:12:37 | 0:12:40 | |
Cos all you see is the poop. | 0:12:40 | 0:12:41 | |
As much as I love that, I promised not to go down specul... | 0:12:41 | 0:12:44 | |
That is really speculative | 0:12:44 | 0:12:45 | |
cos who would clean up all those pigeons? | 0:12:45 | 0:12:47 | |
-There'd be all sorts going on. -Krystyna, what are you thinking? | 0:12:47 | 0:12:50 | |
It says, "Delivered, scanned." | 0:12:50 | 0:12:52 | |
I know that, with couriers, they have to deliver it to... | 0:12:54 | 0:12:56 | |
That is... That is classified as poison, so you'd have to be... | 0:12:56 | 0:13:00 | |
..given to it, and Justin took it, | 0:13:00 | 0:13:02 | |
which means we don't actually know | 0:13:02 | 0:13:04 | |
if it actually physically went to Gus or whether Justin had it. | 0:13:04 | 0:13:06 | |
OK, guys, it's time for you to pick your Prime Suspect. | 0:13:06 | 0:13:10 | |
Write it down now. | 0:13:10 | 0:13:11 | |
Write it down at home as well. | 0:13:14 | 0:13:16 | |
Who do you think it is? | 0:13:16 | 0:13:17 | |
Krystyna, who's your Prime Suspect? | 0:13:26 | 0:13:28 | |
Well, at the moment, it's Justin. | 0:13:28 | 0:13:30 | |
Justin. | 0:13:30 | 0:13:31 | |
And tell me for why. | 0:13:31 | 0:13:33 | |
The only thing I've got in my head that Justin might have done | 0:13:33 | 0:13:36 | |
was poisoned him with rat poison. | 0:13:36 | 0:13:38 | |
-I'd want to see the forensics of the body. -OK. | 0:13:38 | 0:13:40 | |
Dipak, who's your Prime Suspect? | 0:13:40 | 0:13:42 | |
OK, so I also have gone for Justin. | 0:13:42 | 0:13:44 | |
-Why? -It's just... It's just that... | 0:13:44 | 0:13:46 | |
..he's got the means to do it. | 0:13:46 | 0:13:48 | |
Audrey, who do you think it is? | 0:13:48 | 0:13:49 | |
Well, at the moment, I know we've not met him, but I think Gus. | 0:13:49 | 0:13:52 | |
-On the premise that he lives in the building... -Yes. | 0:13:52 | 0:13:55 | |
-..he's been referred to as being grumpy... -Yes. | 0:13:55 | 0:13:57 | |
..and the rat poison was addressed to him. | 0:13:57 | 0:14:00 | |
So, the Prime Suspects just now - we have... | 0:14:00 | 0:14:02 | |
Krystyna's going for Justin, | 0:14:02 | 0:14:04 | |
Dipak's going for Justin, as well, | 0:14:04 | 0:14:06 | |
and Audrey is going for the as-yet mysterious Gus. | 0:14:06 | 0:14:10 | |
So, it's on to Round Three - the Police Interviews. | 0:14:10 | 0:14:13 | |
As Knight and Slater pull in Justin, Gus and Henry for questioning, | 0:14:13 | 0:14:18 | |
Simmons has made an important discovery from the crime scene. | 0:14:18 | 0:14:22 | |
Notepads at the ready, | 0:14:22 | 0:14:24 | |
it's off to Mortcliff Police Station. | 0:14:24 | 0:14:26 | |
Just to let you know we found bird seed under Victor's shirt. | 0:14:33 | 0:14:36 | |
Also both his legs were fractured. | 0:14:36 | 0:14:38 | |
Caused by the fall? | 0:14:38 | 0:14:39 | |
Most definitely. | 0:14:39 | 0:14:41 | |
Although the cause of death was a heavy blow to the ribcage | 0:14:41 | 0:14:43 | |
which broke all his ribs, | 0:14:43 | 0:14:44 | |
causing fatal punctures to his lungs. | 0:14:44 | 0:14:47 | |
Hmm. Was there anything near the body that could have crushed it? | 0:14:47 | 0:14:50 | |
Nothing, which means a heavy object was pushed over the edge, | 0:14:50 | 0:14:53 | |
landed on the victim and then was removed. | 0:14:53 | 0:14:56 | |
Wow, someone really wanted him dead. | 0:14:57 | 0:14:59 | |
Victor headed out for a training test | 0:15:03 | 0:15:05 | |
to run his pigeons against Henry's | 0:15:05 | 0:15:07 | |
at about... | 0:15:07 | 0:15:08 | |
..quarter to 12. | 0:15:08 | 0:15:10 | |
He came back about quarter past one. | 0:15:10 | 0:15:13 | |
That was the last time I saw him. | 0:15:13 | 0:15:14 | |
And what were you doing while Victor was away? | 0:15:14 | 0:15:17 | |
I was at the front desk, mostly. | 0:15:17 | 0:15:19 | |
I took a parcel up to Gus. | 0:15:19 | 0:15:21 | |
He's working nights, so he didn't answer. | 0:15:21 | 0:15:23 | |
I left it outside his door. | 0:15:23 | 0:15:25 | |
Victor asked me to go up to the coop about 12.40 | 0:15:25 | 0:15:28 | |
to see what time Homer arrived back at. | 0:15:28 | 0:15:30 | |
And what time did he arrive back? | 0:15:30 | 0:15:32 | |
12.45. | 0:15:33 | 0:15:35 | |
Victor was very pleased. | 0:15:35 | 0:15:37 | |
Why do you think that was? | 0:15:37 | 0:15:39 | |
He was angry that Henry seemed to think he was cheating. | 0:15:39 | 0:15:43 | |
This proved that he wasn't, | 0:15:43 | 0:15:45 | |
that Homer was faster than Henry's top bird, | 0:15:45 | 0:15:47 | |
which was good news | 0:15:47 | 0:15:49 | |
because it meant that Homer had a real chance | 0:15:49 | 0:15:51 | |
of winning the championship on Saturday. | 0:15:51 | 0:15:54 | |
The championship? | 0:15:54 | 0:15:55 | |
The Mortcliff Pigeon Championship. | 0:15:55 | 0:15:57 | |
When Homer arrived, I went back downstairs and went to the spa. | 0:15:58 | 0:16:02 | |
You have a spa? | 0:16:02 | 0:16:04 | |
Yes. | 0:16:04 | 0:16:05 | |
I don't have hot water at the minute | 0:16:05 | 0:16:07 | |
so I've been taking advantage. | 0:16:07 | 0:16:09 | |
Was the coop locked or unlocked when you left? | 0:16:09 | 0:16:12 | |
Unlocked. | 0:16:14 | 0:16:15 | |
I didn't want to hang around | 0:16:15 | 0:16:17 | |
to wait for all the other birds to come home - | 0:16:17 | 0:16:19 | |
they make a right mess. | 0:16:19 | 0:16:21 | |
Always made Gus angry. | 0:16:21 | 0:16:23 | |
Victor said he threatened to harm the birds once. | 0:16:23 | 0:16:26 | |
So, you weren't on the roof when Victor returned? | 0:16:26 | 0:16:29 | |
I was in my own flat. | 0:16:30 | 0:16:31 | |
Can anyone confirm that? | 0:16:32 | 0:16:34 | |
Yes, but it's delicate. | 0:16:34 | 0:16:36 | |
You were with someone you shouldn't be? | 0:16:39 | 0:16:41 | |
No, it's fine for me, but... | 0:16:41 | 0:16:43 | |
..I was on the phone with Janice Honey. | 0:16:46 | 0:16:48 | |
And you were discussing...? | 0:16:49 | 0:16:51 | |
I see. | 0:16:56 | 0:16:57 | |
I'm a surgeon at Mortcliff Hospital. | 0:17:03 | 0:17:05 | |
I'm often on call for night duty. | 0:17:06 | 0:17:09 | |
I usually work shifts but yesterday was my day off. | 0:17:09 | 0:17:13 | |
I was asleep until my alarm went off. | 0:17:13 | 0:17:16 | |
Round about two o'clock. | 0:17:17 | 0:17:18 | |
Can anyone confirm that? | 0:17:18 | 0:17:20 | |
I was hot when I woke up... | 0:17:20 | 0:17:21 | |
..so I went outside and that's when I saw the body. | 0:17:22 | 0:17:25 | |
Did you see or hear anything suspicious? | 0:17:25 | 0:17:27 | |
I usually sleep with ear plugs, | 0:17:29 | 0:17:31 | |
because of the damn birds. | 0:17:31 | 0:17:33 | |
You don't like the birds much? | 0:17:33 | 0:17:34 | |
They're dirty, | 0:17:34 | 0:17:36 | |
noisy and messy. | 0:17:36 | 0:17:38 | |
What's to like? | 0:17:38 | 0:17:40 | |
They're an inconvenience | 0:17:40 | 0:17:43 | |
and they were ruining my quality of life. | 0:17:43 | 0:17:45 | |
"Were"? | 0:17:45 | 0:17:46 | |
Well, I assume they won't be staying. | 0:17:46 | 0:17:48 | |
I despise the birds | 0:17:51 | 0:17:54 | |
but old Victor was a gent. | 0:17:54 | 0:17:56 | |
You don't think that... | 0:17:56 | 0:17:57 | |
Do you sleep with that on? | 0:17:57 | 0:17:58 | |
Yes. | 0:18:01 | 0:18:03 | |
In fact, | 0:18:04 | 0:18:06 | |
perhaps you should check it out. | 0:18:06 | 0:18:08 | |
But I want it back, though. | 0:18:08 | 0:18:10 | |
It was a gift from my brother in New York. | 0:18:10 | 0:18:12 | |
Nice bloke, Victor. | 0:18:16 | 0:18:18 | |
I'm not one to speak ill of the dead | 0:18:19 | 0:18:21 | |
but... | 0:18:21 | 0:18:23 | |
..as nice as he was, | 0:18:23 | 0:18:25 | |
the man was an out-and-out cheat and a liar. | 0:18:25 | 0:18:28 | |
Sorry, how do you cheat at pigeon racing? | 0:18:31 | 0:18:35 | |
He had this old mechanical timer | 0:18:36 | 0:18:39 | |
that you adjust with a key. | 0:18:39 | 0:18:42 | |
He maintained that Homer was ten minutes faster than Gloriana. | 0:18:42 | 0:18:46 | |
Ten minutes is a huge margin. | 0:18:46 | 0:18:49 | |
Yesterday, | 0:18:50 | 0:18:52 | |
Homer beat Gloriana | 0:18:52 | 0:18:54 | |
by only two minutes. | 0:18:54 | 0:18:56 | |
Two birds flying exactly the same distance, | 0:18:58 | 0:19:02 | |
because we're both at the same midpoint from our houses, | 0:19:02 | 0:19:05 | |
and Homer, who has consistently won by a "ten minute" margin | 0:19:05 | 0:19:11 | |
for the last three weeks, | 0:19:11 | 0:19:14 | |
suddenly wins by two minutes. | 0:19:14 | 0:19:17 | |
Come on, gentlemen. | 0:19:18 | 0:19:19 | |
Can you tell me more about these pigeons? | 0:19:21 | 0:19:24 | |
Homer and Gloriana are purebred Speckled Jims. | 0:19:25 | 0:19:29 | |
And how much are birds like this worth? | 0:19:31 | 0:19:34 | |
You can reach up to 50K | 0:19:35 | 0:19:38 | |
with a winning bird on the Chinese market. | 0:19:38 | 0:19:41 | |
They are highly sought after. | 0:19:41 | 0:19:44 | |
Sorry, £50,000 for a bird? | 0:19:44 | 0:19:48 | |
Not just any bird. | 0:19:48 | 0:19:49 | |
Gloriana is my most prized possession. | 0:19:51 | 0:19:54 | |
50K for a pigeon?! | 0:19:57 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:00 | |
There's loads in my garden. | 0:20:00 | 0:20:01 | |
I'm a millionaire! | 0:20:01 | 0:20:03 | |
LAUGHTER | 0:20:03 | 0:20:05 | |
Armchair Detectives, | 0:20:05 | 0:20:06 | |
what did we find out in that film? | 0:20:06 | 0:20:08 | |
That... | 0:20:10 | 0:20:12 | |
..Homer was two minutes instead of ten, | 0:20:12 | 0:20:15 | |
which leads me to believe it wasn't Homer, | 0:20:15 | 0:20:18 | |
and I think Homer's probably been sold by Justin, | 0:20:18 | 0:20:20 | |
unscrupulously, for 50 grand. | 0:20:20 | 0:20:23 | |
I'm just speculating here. | 0:20:23 | 0:20:25 | |
Let me bring up the suspects board while we're talking | 0:20:25 | 0:20:27 | |
just so we can talk through what we know now. | 0:20:27 | 0:20:30 | |
We have Gus Dunham, who we now know what he looks like and what he does. | 0:20:30 | 0:20:34 | |
He is indeed a surgeon. | 0:20:34 | 0:20:35 | |
I'm beginning to go along the lines | 0:20:35 | 0:20:37 | |
that maybe Victor is a nice guy, | 0:20:37 | 0:20:39 | |
maybe he's not done it. | 0:20:39 | 0:20:41 | |
I'm maybe starting to think that maybe Justin's interfering | 0:20:41 | 0:20:45 | |
cos he's the one that's clocking him in when he comes back. | 0:20:45 | 0:20:48 | |
For the three previous times that the birds raced, | 0:20:48 | 0:20:51 | |
there was a ten-minute difference between the birds. | 0:20:51 | 0:20:54 | |
Now, all of a sudden, there's a two-minute difference. | 0:20:54 | 0:20:57 | |
-So, something's going on... -What you're saying there, Audrey, | 0:20:57 | 0:20:59 | |
is you think Victor maybe, by being a nice guy, isn't the criminal, | 0:20:59 | 0:21:02 | |
-hasn't committed the fraud. He doesn't know what's happening. -Yes. | 0:21:02 | 0:21:05 | |
All right, Armchair Detectives, | 0:21:05 | 0:21:07 | |
it's time to pick a piece of evidence. | 0:21:07 | 0:21:09 | |
You can have... | 0:21:09 | 0:21:10 | |
..either the caretaker's set of keys, | 0:21:10 | 0:21:13 | |
the pigeon-timing mechanism | 0:21:13 | 0:21:15 | |
or a new piece of evidence, | 0:21:15 | 0:21:17 | |
which is Gus' fitness tracker data. | 0:21:17 | 0:21:20 | |
What would you like to see? | 0:21:20 | 0:21:23 | |
If he's been asleep, | 0:21:23 | 0:21:24 | |
he's been on nights, | 0:21:24 | 0:21:26 | |
his alarm woke him up at two o'clock | 0:21:26 | 0:21:29 | |
so he's not really going to have been doing much | 0:21:29 | 0:21:31 | |
in his fitness tracker, is he? | 0:21:31 | 0:21:32 | |
No, but it'll log whether he was sleeping or not asleep. | 0:21:32 | 0:21:35 | |
Does it do that? I don't know the intricacies. | 0:21:35 | 0:21:37 | |
Some of them can log your heartbeat so it tells you. | 0:21:37 | 0:21:40 | |
-Ahh! -I was going to say, it does your heartbeat, doesn't it, as well. | 0:21:40 | 0:21:43 | |
Ah, right. Well, if it does that, then it'll let us know... | 0:21:43 | 0:21:46 | |
-If he's telling the truth. -..if he was up before two o'clock. | 0:21:46 | 0:21:48 | |
So, what would you like to see? | 0:21:48 | 0:21:50 | |
Fitness tracker log. | 0:21:50 | 0:21:51 | |
I'm happy with fitness tracker log, without a doubt. | 0:21:51 | 0:21:53 | |
-Krystyna, are you happy? -I'm happy with that, too, yeah. | 0:21:53 | 0:21:55 | |
Fitness tracker log. Let's have a look at it. | 0:21:55 | 0:21:57 | |
You can see there, light moderate and intense exercise... | 0:21:57 | 0:22:02 | |
-I thought he said... -He was up and about! | 0:22:02 | 0:22:04 | |
He was asleep until two, wasn't he, allegedly? | 0:22:04 | 0:22:06 | |
He said he slept till two. | 0:22:06 | 0:22:08 | |
-So, to me, he was up... -And it's intense. | 0:22:08 | 0:22:10 | |
He's either had an extremely horrible nightmare | 0:22:10 | 0:22:12 | |
between one and two... | 0:22:12 | 0:22:14 | |
That's one heck of a nightmare, Audrey. | 0:22:14 | 0:22:16 | |
Absolutely. | 0:22:16 | 0:22:17 | |
He said he was up at two. | 0:22:17 | 0:22:19 | |
-Him running up the stairs and down. -Yeah. | 0:22:19 | 0:22:22 | |
The only thing, trying to not assume, is that, | 0:22:22 | 0:22:24 | |
because he was active, it's an hour. | 0:22:24 | 0:22:26 | |
I'm not sure if this murder took an hour of consistent activity as well. | 0:22:26 | 0:22:29 | |
Well, Armchair Detectives, | 0:22:29 | 0:22:31 | |
I have to stop your speculation just now | 0:22:31 | 0:22:33 | |
because it is my favourite time - | 0:22:33 | 0:22:36 | |
Prime Suspect time. | 0:22:36 | 0:22:37 | |
Pens at the ready. | 0:22:37 | 0:22:39 | |
Who is your Prime Suspect? | 0:22:39 | 0:22:40 | |
Write it down now. | 0:22:40 | 0:22:41 | |
Notepads down, please, Armchair Detectives. | 0:22:47 | 0:22:50 | |
Krystyna, last time, your Prime Suspect was Justin. | 0:22:50 | 0:22:54 | |
Have you stuck with Justin or have you changed your mind? | 0:22:54 | 0:22:57 | |
Judging on that log, I've gone for Gus. | 0:22:57 | 0:22:59 | |
I just want to know why he had such cardiovascular... | 0:22:59 | 0:23:02 | |
All right, he may have run around the grounds | 0:23:02 | 0:23:05 | |
but he could easily have run up and down the stairs several times | 0:23:05 | 0:23:08 | |
-to do things. -Dipak, last time, your Prime Suspect was Justin. | 0:23:08 | 0:23:12 | |
Have you stuck with Justin? | 0:23:12 | 0:23:14 | |
-I have stuck with Justin. -Why? | 0:23:14 | 0:23:15 | |
-He's still got the means. -Yes. | 0:23:15 | 0:23:17 | |
I'm not saying I'm happy but | 0:23:17 | 0:23:18 | |
-there's a scale and he's at the top of it at the moment... -Of course. | 0:23:18 | 0:23:21 | |
..but there's other things to come yet. | 0:23:21 | 0:23:22 | |
Audrey, last time, you went for Gus. | 0:23:22 | 0:23:25 | |
Yeah. I'm sticking with Gus. | 0:23:25 | 0:23:27 | |
-Sticking with Gus? -Yeah. Two reasons. | 0:23:27 | 0:23:29 | |
First of all, if he's pushed him off and then, | 0:23:29 | 0:23:31 | |
when he's fallen, he's shattered his legs. | 0:23:31 | 0:23:33 | |
He's realised that he's not dead. | 0:23:33 | 0:23:35 | |
I think because Simmons said there was bird seed on Victor's jacket, | 0:23:35 | 0:23:41 | |
I think he's maybe picked the brush up, | 0:23:41 | 0:23:43 | |
run down the stairs again | 0:23:43 | 0:23:45 | |
and, being a doctor, he would know that, if he broke his ribs, | 0:23:45 | 0:23:48 | |
the ribs could pierce his heart and kill him instantly | 0:23:48 | 0:23:50 | |
so that would be a good way of finishing him off. | 0:23:50 | 0:23:52 | |
Oh, Audrey, you say such things with such a smile. | 0:23:52 | 0:23:55 | |
"I think he crushed his ribs and it went through his heart." | 0:23:55 | 0:23:58 | |
LAUGHTER | 0:23:58 | 0:24:00 | |
So, Armchair Detectives, to summarise - | 0:24:00 | 0:24:02 | |
Prime Suspects just now, | 0:24:02 | 0:24:04 | |
Krystyna has gone for Gus, | 0:24:04 | 0:24:06 | |
Dipak has gone for Justin | 0:24:06 | 0:24:07 | |
and Audrey has gone for Gus. | 0:24:07 | 0:24:10 | |
Well, let's go to Round Four. | 0:24:10 | 0:24:12 | |
Dig Deeper. | 0:24:12 | 0:24:14 | |
Notepads at the ready, | 0:24:14 | 0:24:16 | |
we're off to see what Victor was up to at his pigeon coop | 0:24:16 | 0:24:19 | |
the day before the murder. | 0:24:19 | 0:24:22 | |
Your parcel's arrived. Do you need any help? | 0:24:31 | 0:24:33 | |
Oh, no, no, no, no. Thanks. No, no. | 0:24:33 | 0:24:35 | |
The lids are always a bit tight when they first arrive. | 0:24:35 | 0:24:37 | |
Now, I may be old, but I've still got the knack. | 0:24:37 | 0:24:40 | |
Watch. | 0:24:40 | 0:24:41 | |
Hey-hey! | 0:24:41 | 0:24:43 | |
Ah, thank you. | 0:24:43 | 0:24:44 | |
Excellent. | 0:24:44 | 0:24:45 | |
That's like Christmas. | 0:24:45 | 0:24:47 | |
It's my new electronic timer. | 0:24:47 | 0:24:50 | |
Henry has been hinting | 0:24:52 | 0:24:54 | |
that he doesn't trust my old one | 0:24:54 | 0:24:56 | |
and the club are now insisting | 0:24:56 | 0:24:58 | |
that we use these digital ones. | 0:24:58 | 0:24:59 | |
Not surprised, really, | 0:24:59 | 0:25:01 | |
because my Homer is currently running two minutes ahead | 0:25:01 | 0:25:04 | |
of his prestigious Gloriana, | 0:25:04 | 0:25:06 | |
which means we may win the championship on Saturday. | 0:25:06 | 0:25:09 | |
That is fantastic news. | 0:25:09 | 0:25:11 | |
Isn't it just? | 0:25:11 | 0:25:12 | |
Just pop that down for me, could you? Thanks. | 0:25:12 | 0:25:14 | |
Right. | 0:25:14 | 0:25:16 | |
Ah, that's it. | 0:25:16 | 0:25:18 | |
There we go. | 0:25:18 | 0:25:19 | |
Thanks very much, Justin. | 0:25:19 | 0:25:21 | |
You stay away from me, you psychopath. | 0:25:23 | 0:25:26 | |
You have a cheek calling me names, Victor. | 0:25:26 | 0:25:28 | |
I've been more than tolerant with your damn birds. | 0:25:28 | 0:25:30 | |
Oh, don't pretend you like them. | 0:25:30 | 0:25:32 | |
Are you kidding? I loathe them. | 0:25:32 | 0:25:34 | |
The noise, the smell. | 0:25:34 | 0:25:36 | |
I look at the garden, it's a trash heap. | 0:25:36 | 0:25:39 | |
You're lucky I'm not from pest control. | 0:25:39 | 0:25:41 | |
Funny, I didn't think we had rats. | 0:25:41 | 0:25:44 | |
I'll come and clean it up, sir. | 0:25:44 | 0:25:45 | |
Why should you? | 0:25:45 | 0:25:47 | |
It's his responsibility. | 0:25:47 | 0:25:48 | |
I'm not a man who shirks responsibility. | 0:25:48 | 0:25:50 | |
No, just human needs. | 0:25:50 | 0:25:52 | |
Didn't you swear an oath to protect life at any cost? | 0:25:53 | 0:25:56 | |
Human life only. | 0:25:56 | 0:25:57 | |
That man is appalling. | 0:26:00 | 0:26:01 | |
Don't worry, Victor, I'll see to it. | 0:26:01 | 0:26:03 | |
No point in making him even more angry. | 0:26:03 | 0:26:05 | |
PHONE VIBRATES | 0:26:05 | 0:26:07 | |
Hmm! | 0:26:15 | 0:26:17 | |
THEY CHUCKLE | 0:26:17 | 0:26:20 | |
Armchair Detectives, what did you see in that film? | 0:26:20 | 0:26:23 | |
-This is the day before... -Yes. | 0:26:23 | 0:26:25 | |
..and the surgeon has the rat poison | 0:26:25 | 0:26:29 | |
or they're all saying that it's the surgeon's rat poison. | 0:26:29 | 0:26:31 | |
-Why would he get a subsequent... -Another one. | 0:26:31 | 0:26:34 | |
..delivery the next day of a huge, big thing? | 0:26:34 | 0:26:37 | |
Of the same thing. | 0:26:37 | 0:26:38 | |
Because you only need a small amount of poison to kill the rats, | 0:26:38 | 0:26:41 | |
so why get another huge tub the day after? | 0:26:41 | 0:26:43 | |
Delivered the next day? | 0:26:43 | 0:26:44 | |
I'm loving this, Audrey. I'm loving it. | 0:26:44 | 0:26:46 | |
I'm loving everything that you're doing. | 0:26:46 | 0:26:48 | |
It's just confusing me, completely. | 0:26:48 | 0:26:50 | |
-Sorry. -Sorry. -No, no, no. | 0:26:50 | 0:26:51 | |
It's great because there's... | 0:26:51 | 0:26:53 | |
You're right, I think, that the package... | 0:26:54 | 0:26:57 | |
-It was delivered the day he died, yes. -The day he died. | 0:26:57 | 0:27:00 | |
Why...? | 0:27:00 | 0:27:02 | |
So, Suspects Board, let's just talk around the suspects. | 0:27:02 | 0:27:04 | |
Justin, Henry and Gus. | 0:27:04 | 0:27:06 | |
It's... | 0:27:06 | 0:27:07 | |
I'm struggling with motive here. | 0:27:07 | 0:27:09 | |
-That's what keeps pulling me back to Justin. -Definitely. | 0:27:09 | 0:27:12 | |
If Gus... | 0:27:12 | 0:27:13 | |
Gus is a surgeon so, financially, | 0:27:13 | 0:27:15 | |
you hope that pays enough for now. | 0:27:15 | 0:27:18 | |
-Yeah. -He's bypassed the pigeons with his ear plugs. | 0:27:18 | 0:27:21 | |
He's... You know, if he was going to commit a murder, | 0:27:21 | 0:27:24 | |
you'd hope it would be more elaborate | 0:27:24 | 0:27:26 | |
than just chucking a bucket on somebody and crushing their ribs, | 0:27:26 | 0:27:28 | |
and taking the chance that that might puncture their... | 0:27:28 | 0:27:31 | |
heart or lungs cos that's not very surgical precision. | 0:27:31 | 0:27:34 | |
I think trying to narrow down | 0:27:34 | 0:27:35 | |
on what the actual motive is | 0:27:35 | 0:27:37 | |
is useful, and... to help you out, | 0:27:37 | 0:27:39 | |
-let's go to another evidence pick. -Hmm. -OK. -OK. | 0:27:39 | 0:27:41 | |
Choose one of these three pieces of evidence. | 0:27:41 | 0:27:44 | |
The caretaker's set of keys, | 0:27:44 | 0:27:46 | |
the pigeon-timing mechanism | 0:27:46 | 0:27:48 | |
and the new item is the call log from Justin's phone. | 0:27:48 | 0:27:51 | |
ALL: Oh! | 0:27:51 | 0:27:53 | |
-I haven't even finished... -Justin... -Justin's... | 0:27:53 | 0:27:55 | |
..the sentence. THEY LAUGH | 0:27:55 | 0:27:57 | |
I was too excited. | 0:27:57 | 0:27:59 | |
"The call log from..." "Oh, yes, that's the one." | 0:27:59 | 0:28:02 | |
Which one would you like, Armchair Detectives? | 0:28:02 | 0:28:04 | |
-I'd like... -I'd like... -..Justin's phone. | 0:28:04 | 0:28:07 | |
I'd like Justin's phone. | 0:28:07 | 0:28:08 | |
So, you want to see the call log of Justin's phone. | 0:28:08 | 0:28:12 | |
Three missed calls from Jaws... | 0:28:12 | 0:28:15 | |
and three missed calls... | 0:28:15 | 0:28:18 | |
..from another number. | 0:28:18 | 0:28:20 | |
-We don't know who Jaws is at the moment... -No. | 0:28:20 | 0:28:22 | |
..but if you look at the call, | 0:28:22 | 0:28:24 | |
it's got the +86 now. | 0:28:24 | 0:28:27 | |
That's usually an international. | 0:28:27 | 0:28:28 | |
-I don't know where it's area code for. -It's China. | 0:28:28 | 0:28:31 | |
-Is it? -I've memorised every single plus number. | 0:28:31 | 0:28:33 | |
-Have you? -No, I haven't, but it's... | 0:28:33 | 0:28:35 | |
It's the only other foreign country that's been mentioned. | 0:28:35 | 0:28:38 | |
It's definitely that, | 0:28:38 | 0:28:40 | |
and he's talking to somebody about the pigeon, selling it abroad maybe. | 0:28:40 | 0:28:43 | |
-Yeah. -OK. Armchair Detectives, | 0:28:43 | 0:28:46 | |
have any of you changed your mind about your Prime Suspect? | 0:28:46 | 0:28:49 | |
It is time to lock it in. | 0:28:49 | 0:28:50 | |
Time's up, Armchair Detectives. | 0:29:05 | 0:29:07 | |
Notepads down. | 0:29:07 | 0:29:08 | |
-So, Krystyna, last time, your Prime Suspect was Gus. -Mm-hmm. | 0:29:08 | 0:29:13 | |
Have you changed your mind? | 0:29:13 | 0:29:14 | |
Yes. | 0:29:14 | 0:29:15 | |
-Who is it this time? -I've done a backpedal to Justin. | 0:29:15 | 0:29:18 | |
-To Justin? -Mm-hmm. -And why Justin? | 0:29:18 | 0:29:20 | |
I just think it's something to do with the pigeons. | 0:29:21 | 0:29:23 | |
He's making money off them. | 0:29:23 | 0:29:25 | |
Interesting. | 0:29:25 | 0:29:27 | |
-Dipak, last time you went for Justin. -Yep. | 0:29:27 | 0:29:30 | |
-Have you changed your mind? -I have not changed my mind. | 0:29:30 | 0:29:32 | |
-Stuck with Justin? -Yep. | 0:29:32 | 0:29:34 | |
-All the way? -Just for now, | 0:29:34 | 0:29:36 | |
but things are creeping up, so it's... | 0:29:36 | 0:29:39 | |
It's just no more evidence the other way | 0:29:39 | 0:29:41 | |
but there's something I'm kind of scratching my head about. | 0:29:41 | 0:29:43 | |
I'm interested more about his keys. | 0:29:43 | 0:29:45 | |
-We keep overlooking them... -Yeah, we do keep overlooking them. | 0:29:45 | 0:29:48 | |
..and maybe something's missing from his keys | 0:29:48 | 0:29:50 | |
that might implicate somebody else. | 0:29:50 | 0:29:52 | |
Audrey, last time, you went for Gus. | 0:29:52 | 0:29:54 | |
Well, at the moment, | 0:29:54 | 0:29:56 | |
-I've jumped ship... -Mm-hmm. | 0:29:56 | 0:29:58 | |
..to Justin. | 0:29:58 | 0:30:00 | |
If you're playing Armchair Detective bingo, | 0:30:00 | 0:30:02 | |
have a sip of tea. LAUGHTER | 0:30:02 | 0:30:04 | |
We've got a full house of suspects. | 0:30:04 | 0:30:06 | |
The reason I've jumped ship | 0:30:06 | 0:30:08 | |
is because of the phone. | 0:30:08 | 0:30:10 | |
That's a foreign number, | 0:30:10 | 0:30:12 | |
and it goes together with selling the birds abroad, | 0:30:12 | 0:30:15 | |
making money, et cetera, et cetera, et cetera. | 0:30:15 | 0:30:17 | |
So, Armchair Detectives, | 0:30:17 | 0:30:18 | |
Prime Suspects. | 0:30:18 | 0:30:20 | |
All of them have gone for Justin. | 0:30:20 | 0:30:22 | |
Well, it's Round Five now - | 0:30:22 | 0:30:24 | |
the Final Clues. | 0:30:24 | 0:30:26 | |
We're racing towards closing this case like one of Victor's pigeons. | 0:30:26 | 0:30:30 | |
Notepads at the ready | 0:30:30 | 0:30:31 | |
as Knight and Slater | 0:30:31 | 0:30:33 | |
head to the Mortcliff Apartments. | 0:30:33 | 0:30:35 | |
Hello, detectives. | 0:30:47 | 0:30:48 | |
Ah, Justin, can we gain access to the roof? | 0:30:48 | 0:30:51 | |
We need another look in the coop. | 0:30:51 | 0:30:52 | |
Henry's up there right now. | 0:30:52 | 0:30:54 | |
Thank you. | 0:30:54 | 0:30:55 | |
Henry. | 0:31:01 | 0:31:03 | |
Hello. | 0:31:03 | 0:31:04 | |
Detective. | 0:31:04 | 0:31:05 | |
Slater? | 0:31:07 | 0:31:08 | |
Just double checking the exterior, sir, | 0:31:08 | 0:31:10 | |
making sure nothing fell off over the roof. | 0:31:10 | 0:31:12 | |
HE INHALES SHARPLY | 0:31:12 | 0:31:14 | |
Look here, one of your chaps let me have Victor's keys. | 0:31:14 | 0:31:16 | |
It's all right, your alibi checks out. | 0:31:16 | 0:31:18 | |
You live an hour away from here, so you couldn't have killed Victor. | 0:31:18 | 0:31:21 | |
That and the fact that several witnesses saw you shopping | 0:31:21 | 0:31:24 | |
-at the time of his death. -I told you, sir. | 0:31:24 | 0:31:26 | |
Yes. | 0:31:26 | 0:31:28 | |
Notice anything odd? | 0:31:28 | 0:31:29 | |
The birds aren't eating... | 0:31:31 | 0:31:32 | |
..and Homer's missing. | 0:31:34 | 0:31:35 | |
Anything wrong with the lock when you arrived? | 0:31:38 | 0:31:40 | |
How's the exterior? | 0:31:44 | 0:31:46 | |
Yeah, fine, sir. | 0:31:46 | 0:31:48 | |
For Pete's sake, I thought this racket would have stopped by now. | 0:31:52 | 0:31:55 | |
I'll throttle whoever it is. | 0:31:55 | 0:31:56 | |
Oh, hello, Mr Dunham. | 0:31:56 | 0:31:57 | |
Sorry. | 0:31:59 | 0:32:00 | |
I didn't realise it was you, officer. | 0:32:00 | 0:32:02 | |
Did we disturb you? | 0:32:02 | 0:32:04 | |
I only got home at ten o'clock this morning. | 0:32:04 | 0:32:06 | |
I have to head back later. | 0:32:06 | 0:32:08 | |
Yeah, we won't be long. | 0:32:08 | 0:32:09 | |
Quite the temper on him. | 0:32:12 | 0:32:14 | |
Yeah. | 0:32:15 | 0:32:16 | |
Is no-one going to pick up that tub of rat poison? | 0:32:19 | 0:32:22 | |
Yeah. | 0:32:22 | 0:32:24 | |
That's been there for ages. | 0:32:24 | 0:32:25 | |
That is against health and safety, I swear. | 0:32:25 | 0:32:27 | |
It is, Krystyna. | 0:32:27 | 0:32:29 | |
I am disgusted. | 0:32:29 | 0:32:30 | |
I will be reporting them immediately to Mortcliff Health and Safety. | 0:32:30 | 0:32:33 | |
-Absolutely. -Audrey. | 0:32:33 | 0:32:34 | |
First of all, when he knocked over that rat poison, | 0:32:34 | 0:32:36 | |
it was a full tub, | 0:32:36 | 0:32:38 | |
so that tub that was there the day before the guy died was a full tub, | 0:32:38 | 0:32:41 | |
so we know that whatever arrived, | 0:32:41 | 0:32:44 | |
that Justin took delivery of, | 0:32:44 | 0:32:46 | |
might not have been rat poison on the inside. | 0:32:46 | 0:32:48 | |
It said it on the label but it might not have been. | 0:32:48 | 0:32:50 | |
That's exactly what I was going to say - | 0:32:50 | 0:32:51 | |
I wondered if it had been swapped. | 0:32:51 | 0:32:53 | |
You have two pieces of evidence left to choose from. | 0:32:53 | 0:32:55 | |
You'll only see one before you make your final accusation. | 0:32:55 | 0:32:59 | |
Which one do you want to see? | 0:32:59 | 0:33:01 | |
Justin's keys or the pigeon-timing mechanism? | 0:33:01 | 0:33:05 | |
-I think we'll go with Justin's keys. -Yeah. -I know Dipak's wanted that... | 0:33:05 | 0:33:08 | |
-That's what you wanted. -Yeah. | 0:33:08 | 0:33:09 | |
-That's what you said you were potentially missing. -Just curious. | 0:33:09 | 0:33:12 | |
-Yeah. -Yeah. I'd like to see Justin's keys. -Justin's keys? -Yeah. | 0:33:12 | 0:33:15 | |
OK, let's take a look at Justin's keys. | 0:33:15 | 0:33:17 | |
These are the caretaker's set of keys that he uses when working | 0:33:17 | 0:33:20 | |
and to get access around the Mortcliff apartments. | 0:33:20 | 0:33:24 | |
There's two mortise locks. | 0:33:24 | 0:33:25 | |
So, one mortise lock key and two Yale keys. | 0:33:25 | 0:33:28 | |
So, they'll be for the outside door, | 0:33:28 | 0:33:30 | |
-possibly his flat door. -Yeah. | 0:33:30 | 0:33:33 | |
But I don't see the key to the... | 0:33:33 | 0:33:35 | |
-Padlock. -..padlock. | 0:33:35 | 0:33:36 | |
The one with the S on it looks like a radiator-type key. | 0:33:36 | 0:33:39 | |
Does look like a radiator key, yeah. | 0:33:39 | 0:33:41 | |
I think that... | 0:33:41 | 0:33:42 | |
..that's the kind of key you use for a pigeon-timer mechanism. | 0:33:42 | 0:33:44 | |
-Would you? -Oh, is it? | 0:33:44 | 0:33:46 | |
Didn't...? He said something, didn't he, about...? | 0:33:46 | 0:33:49 | |
I vaguely remember him saying something about the key. | 0:33:49 | 0:33:51 | |
I don't think there was a padlock key. | 0:33:54 | 0:33:56 | |
It was something to do with, he'd left it unlocked or something, | 0:33:56 | 0:33:58 | |
so somebody may have... | 0:33:58 | 0:34:00 | |
He said he left the padlock unlocked because... | 0:34:00 | 0:34:03 | |
..after he left, waiting for the rest of the pigeons. | 0:34:03 | 0:34:05 | |
-Yeah, that's right, yeah. -So, that would assume the door was open, | 0:34:05 | 0:34:08 | |
so whoever did it wasn't aware | 0:34:08 | 0:34:10 | |
and they locked that padlock since the crime happened. | 0:34:10 | 0:34:13 | |
So, he's saying that he left it unlocked. | 0:34:13 | 0:34:15 | |
When we first saw the crime scene, | 0:34:15 | 0:34:16 | |
-that padlock was shut... -Was locked. -Was shut. -Yes. | 0:34:16 | 0:34:19 | |
-..and the latch was open. -Yes. | 0:34:19 | 0:34:20 | |
And there are just a few birds in there. | 0:34:20 | 0:34:23 | |
We didn't get an exact number. | 0:34:23 | 0:34:24 | |
But there was no key for that padlock on there | 0:34:24 | 0:34:26 | |
cos that type of padlock, it's just a small... | 0:34:26 | 0:34:28 | |
-Yeah, I know, I've got one at home. -A smallish key. | 0:34:28 | 0:34:31 | |
-So, there's not a padlock key on there. -Suspects. -Mm-hmm. | 0:34:31 | 0:34:33 | |
Have we learnt anything that rules in or rules out suspects? | 0:34:33 | 0:34:37 | |
-Yes. -Yes. -Dipak. -Well, our crime... | 0:34:37 | 0:34:39 | |
..crime team there said that Henry had a watertight alibi. | 0:34:39 | 0:34:42 | |
-OK. So Henry's out? -Henry's out, yeah. | 0:34:42 | 0:34:44 | |
We are faced... | 0:34:44 | 0:34:45 | |
I think for the first time in Armchair Detectives, | 0:34:45 | 0:34:48 | |
-with a 50/50. -Right, well, we know... | 0:34:48 | 0:34:52 | |
For the Gus camp, | 0:34:52 | 0:34:53 | |
we know that he lied when he said he was asleep and he woke up at two | 0:34:53 | 0:34:57 | |
because we saw his heartrate, | 0:34:57 | 0:34:59 | |
but what else has he to...gain? | 0:34:59 | 0:35:02 | |
I mean, | 0:35:02 | 0:35:03 | |
as you said, he earns a lot of money, he has nothing... | 0:35:03 | 0:35:05 | |
He doesn't like pigeons | 0:35:05 | 0:35:07 | |
and the mess that they make | 0:35:07 | 0:35:09 | |
so he's got nothing else to gain | 0:35:09 | 0:35:11 | |
apart from, if he gets rid of Victor, | 0:35:11 | 0:35:13 | |
the pigeons will go | 0:35:13 | 0:35:14 | |
and then he won't have any more smelly, thingummy problems. | 0:35:14 | 0:35:17 | |
-He assumes that. -Yeah. But I doubt he would... | 0:35:17 | 0:35:19 | |
But he risks going to prison just for that? | 0:35:19 | 0:35:21 | |
-I don't think he will. -I don't think so. -I just want... | 0:35:21 | 0:35:23 | |
I want one of you guys to say, "We've missed something, | 0:35:23 | 0:35:26 | |
-"there's a massive motive for Gus." -Don't talk about it any more. | 0:35:26 | 0:35:28 | |
-All right. -Oh. | 0:35:28 | 0:35:29 | |
-Is there any way, by me continuing talking, I can delay you... -No. | 0:35:29 | 0:35:33 | |
..so that I can think a little bit? | 0:35:33 | 0:35:34 | |
-So... -Oh, please, please, please. | 0:35:34 | 0:35:36 | |
Now it's accusation time. | 0:35:36 | 0:35:38 | |
Guess correctly and you'll win a prized Golden Magnifying Glass. | 0:35:38 | 0:35:42 | |
AUDIENCE: Ooh! | 0:35:42 | 0:35:45 | |
Write down who you're accusing. | 0:35:45 | 0:35:47 | |
Justin, Henry, Gus. | 0:35:47 | 0:35:49 | |
It's time to answer the only question that matters. | 0:35:49 | 0:35:52 | |
Whodunnit? | 0:35:53 | 0:35:55 | |
I just want to say hello to the Skipton Knitting Circle | 0:35:58 | 0:36:01 | |
who are also playing along today. | 0:36:01 | 0:36:03 | |
Ladies...and gents. | 0:36:03 | 0:36:05 | |
Notepads away, Armchair Detectives. | 0:36:09 | 0:36:11 | |
Let's find out who you are accusing. | 0:36:11 | 0:36:14 | |
Krystyna, who have you accused? | 0:36:14 | 0:36:17 | |
I've done a volte-face. Justin. | 0:36:17 | 0:36:19 | |
Justin. | 0:36:19 | 0:36:20 | |
For all the reasons you've said before? | 0:36:20 | 0:36:22 | |
Yes. | 0:36:22 | 0:36:24 | |
Dipak, who have you gone for? | 0:36:24 | 0:36:25 | |
I have gone for the person who committed the crime... | 0:36:25 | 0:36:27 | |
-Yes. -..and his name is Justin. | 0:36:27 | 0:36:29 | |
Justin. | 0:36:29 | 0:36:31 | |
He wants that Golden Magnifying Glass trophy | 0:36:31 | 0:36:33 | |
like you wouldn't believe. | 0:36:33 | 0:36:35 | |
Audrey. | 0:36:35 | 0:36:37 | |
Yes, I've gone for Justin, as well. | 0:36:37 | 0:36:38 | |
It's a full house, ladies and gentlemen. | 0:36:38 | 0:36:40 | |
All three of them have gone for Justin. | 0:36:40 | 0:36:44 | |
I can reveal that I have not gone for Justin. | 0:36:44 | 0:36:48 | |
I have gone for Gus. | 0:36:48 | 0:36:49 | |
AUDIENCE: Ooh! | 0:36:49 | 0:36:50 | |
I'm putting it out there, ladies and gentlemen. | 0:36:50 | 0:36:53 | |
APPLAUSE | 0:36:53 | 0:36:54 | |
I am tense. | 0:36:54 | 0:36:56 | |
I am tense. | 0:36:56 | 0:36:57 | |
I'm going to tell you the final piece of evidence that was left. | 0:36:57 | 0:37:00 | |
Let's have a look. | 0:37:00 | 0:37:02 | |
It's the pigeon-timing mechanism. | 0:37:02 | 0:37:04 | |
Here, we have Victor's old-fashioned key-operated timer | 0:37:04 | 0:37:08 | |
he used to race his birds. | 0:37:08 | 0:37:10 | |
Vrrr! | 0:37:10 | 0:37:13 | |
Oh, no! | 0:37:13 | 0:37:14 | |
-The lock. -The key. | 0:37:14 | 0:37:16 | |
Yep. | 0:37:17 | 0:37:18 | |
Where else have we seen that key? | 0:37:18 | 0:37:20 | |
She said, answering her own question. | 0:37:20 | 0:37:22 | |
Yeah, all right. Yeah, OK. | 0:37:22 | 0:37:23 | |
It doesn't mean anything. Yes, Dipak, yes. | 0:37:23 | 0:37:25 | |
Let's just move this on to the end. | 0:37:25 | 0:37:28 | |
Well, what really happened in today's story, | 0:37:28 | 0:37:31 | |
the Pigeon Detectives? | 0:37:31 | 0:37:33 | |
Who killed Victor Bobsworth? | 0:37:33 | 0:37:35 | |
Let's find out... | 0:37:35 | 0:37:37 | |
whodunnit. | 0:37:37 | 0:37:38 | |
Sir. | 0:37:49 | 0:37:51 | |
Data from Gus' fitness tracker.. | 0:37:51 | 0:37:53 | |
It's actually set for standard eastern time, | 0:37:53 | 0:37:55 | |
New York time zone, | 0:37:55 | 0:37:57 | |
which means 13:30 our time | 0:37:57 | 0:37:59 | |
is actually 08.30 on the fitness tracker. | 0:37:59 | 0:38:01 | |
Hmm. | 0:38:02 | 0:38:04 | |
No movement. | 0:38:05 | 0:38:07 | |
So, either he took it off | 0:38:07 | 0:38:09 | |
or he was sleeping, as he told us. | 0:38:09 | 0:38:11 | |
Right. | 0:38:11 | 0:38:12 | |
See, Justin maintains | 0:38:12 | 0:38:14 | |
that he was speaking to Janice Honey | 0:38:14 | 0:38:15 | |
during the time of Victor's death. | 0:38:15 | 0:38:17 | |
His phone records show they made a series of calls | 0:38:17 | 0:38:20 | |
lasting no longer than a couple of minutes. | 0:38:20 | 0:38:23 | |
Do we know who this "Janice Honey" is yet? | 0:38:24 | 0:38:26 | |
No, not yet. | 0:38:26 | 0:38:28 | |
Still waiting on her file from records. | 0:38:28 | 0:38:30 | |
Not someone to mess about with, apparently. | 0:38:37 | 0:38:40 | |
Hmm. | 0:38:40 | 0:38:41 | |
PHONE RINGS | 0:38:41 | 0:38:44 | |
DI Knight. | 0:38:47 | 0:38:50 | |
Yes. | 0:38:50 | 0:38:51 | |
I see. | 0:38:53 | 0:38:54 | |
Well, thank you very much. | 0:38:54 | 0:38:56 | |
What's this all about? | 0:38:58 | 0:39:01 | |
I found Homer... | 0:39:03 | 0:39:05 | |
..you'll be glad to know. | 0:39:05 | 0:39:07 | |
Poor bird was at the live animal section of airport customs... | 0:39:10 | 0:39:13 | |
..bound for China. | 0:39:14 | 0:39:16 | |
What's that got to do with me? | 0:39:16 | 0:39:18 | |
Well, you dropped him off... | 0:39:18 | 0:39:20 | |
..after someone from the International Bank of China | 0:39:22 | 0:39:25 | |
deposited £50,000 into your current account, that is. | 0:39:25 | 0:39:28 | |
What? | 0:39:28 | 0:39:30 | |
Janice Honey is a loan shark | 0:39:35 | 0:39:37 | |
known as "Jaws" | 0:39:37 | 0:39:39 | |
as she likes to have her clients bitten if they miss a payment. | 0:39:39 | 0:39:42 | |
We saw the final-notice letters | 0:39:42 | 0:39:44 | |
addressed to you yesterday. | 0:39:44 | 0:39:47 | |
OK, I stole Homer, | 0:39:47 | 0:39:49 | |
I admit it. | 0:39:49 | 0:39:51 | |
I owe Janice loads of money. | 0:39:51 | 0:39:52 | |
She kept harassing me. | 0:39:52 | 0:39:54 | |
But there's no way that I killed Victor. | 0:39:54 | 0:39:57 | |
As the building's caretaker, | 0:40:01 | 0:40:02 | |
you have access to the roof | 0:40:02 | 0:40:04 | |
where Victor was allowed to keep his pigeons. | 0:40:04 | 0:40:06 | |
Realising that some prized pigeons | 0:40:08 | 0:40:10 | |
can go for tens of thousands of pounds, | 0:40:10 | 0:40:12 | |
you decided to increase the value of Victor's pigeons | 0:40:12 | 0:40:15 | |
by fiddling with the mechanical clock timer | 0:40:15 | 0:40:18 | |
used to time the pigeons. | 0:40:18 | 0:40:20 | |
By making the timer run fast, | 0:40:21 | 0:40:23 | |
Victor's pigeons would appear to arrive quicker | 0:40:23 | 0:40:25 | |
than they actually do, | 0:40:25 | 0:40:27 | |
helping Victor in the club's racing league | 0:40:27 | 0:40:30 | |
and, subsequently, increasing the value of his pigeons. | 0:40:30 | 0:40:32 | |
Your phone records show quite a few +86 calls. | 0:40:34 | 0:40:40 | |
The international dialling code for China. | 0:40:42 | 0:40:44 | |
There is a HUGE demand for these birds there. | 0:40:46 | 0:40:49 | |
Whilst Victor is away for the training run, | 0:40:51 | 0:40:53 | |
you decide to steal Homer as soon as he arrives home. | 0:40:53 | 0:40:56 | |
But Victor arrives back | 0:40:56 | 0:40:58 | |
and realises what you're doing. | 0:40:58 | 0:41:01 | |
Victor is angry | 0:41:01 | 0:41:02 | |
and attacks you. | 0:41:02 | 0:41:04 | |
Forensics are just confirming the DNA | 0:41:04 | 0:41:06 | |
from the skin they found underneath his nails. | 0:41:06 | 0:41:08 | |
You pushed him off the roof of the building | 0:41:08 | 0:41:11 | |
onto the penthouse buildings | 0:41:11 | 0:41:12 | |
one floor below, fracturing his legs. | 0:41:12 | 0:41:15 | |
The fall only dazes Victor, however, | 0:41:16 | 0:41:19 | |
so you panic and look for the nearest heavy object - | 0:41:19 | 0:41:22 | |
which is a barrel full of seed. | 0:41:22 | 0:41:24 | |
You push the barrel over on its side | 0:41:25 | 0:41:27 | |
and roll it over the edge of the roof, killing Victor. | 0:41:27 | 0:41:29 | |
Using the keys to the maintenance stairwell, | 0:41:31 | 0:41:33 | |
you go to Gus' garden and remove the barrel, | 0:41:33 | 0:41:36 | |
but it's too heavy. | 0:41:36 | 0:41:38 | |
So you spill the seed. | 0:41:38 | 0:41:40 | |
This attracts all the pigeons | 0:41:40 | 0:41:41 | |
and explains why the pigeons | 0:41:41 | 0:41:43 | |
weren't hungry the following day. | 0:41:43 | 0:41:44 | |
You didn't have time to get the birds back in the coop | 0:41:44 | 0:41:47 | |
so you locked it, despite how many birds were inside. | 0:41:47 | 0:41:51 | |
Then you took Homer in preparation for his sale. | 0:41:51 | 0:41:53 | |
I want to see my lawyer. | 0:41:55 | 0:41:57 | |
LAUGHTER | 0:42:07 | 0:42:08 | |
I refuse to accept that. | 0:42:09 | 0:42:11 | |
I refuse to accept that. | 0:42:11 | 0:42:13 | |
Well done, Armchair Detectives. | 0:42:13 | 0:42:15 | |
You picked up on so many of the clues there. | 0:42:15 | 0:42:18 | |
It was exceptional detective work. It really was. | 0:42:18 | 0:42:22 | |
Did you genuinely know that was the prefix for China? | 0:42:22 | 0:42:24 | |
-Shall I be honest? -Yeah. | 0:42:24 | 0:42:26 | |
A very close family member was born in China | 0:42:26 | 0:42:28 | |
and I know that 86 is China. | 0:42:28 | 0:42:30 | |
Well, well done, Armchair Detectives. | 0:42:30 | 0:42:33 | |
You all caught today's killer. | 0:42:33 | 0:42:34 | |
Audrey and Dipak, | 0:42:34 | 0:42:35 | |
you've won your first Gold Magnifying Glass. | 0:42:35 | 0:42:37 | |
Krystyna, it's your second. Well done. | 0:42:37 | 0:42:40 | |
APPLAUSE AND CHEERING | 0:42:40 | 0:42:42 | |
Well done, you two. Well done. | 0:42:42 | 0:42:44 | |
Armchair Detectives, | 0:42:44 | 0:42:46 | |
hands up how many of you guessed that one correctly. | 0:42:46 | 0:42:49 | |
Well, that's all from Armchair Detectives. | 0:42:49 | 0:42:51 | |
Come back next week, | 0:42:51 | 0:42:53 | |
where Knight and Slater put their thinking caps on | 0:42:53 | 0:42:56 | |
as they head back to school. | 0:42:56 | 0:42:58 | |
And remember... | 0:42:58 | 0:43:00 | |
..no-one gets away with murder in Mortcliff. | 0:43:00 | 0:43:04 | |
Goodbye. | 0:43:04 | 0:43:06 | |
Well done. Well done. Well done. | 0:43:07 | 0:43:09 |