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If you know Tartan Noir isn't a trendy bar in Glasgow's West End | 0:00:02 | 0:00:04 | |
then you've found the perfect programme for you. | 0:00:04 | 0:00:07 | |
Welcome to the TV show with only one question - whodunnit? | 0:00:07 | 0:00:11 | |
This is Armchair Detectives, | 0:00:27 | 0:00:29 | |
the show where these 15 murder mystery enthusiasts | 0:00:29 | 0:00:32 | |
are going to solve a deadly fictional crime. | 0:00:32 | 0:00:35 | |
Our top amateur detectives dive headfirst into an investigation | 0:00:35 | 0:00:40 | |
set in Mortcliff, | 0:00:40 | 0:00:41 | |
the fictional village with one huge homicide problem. | 0:00:41 | 0:00:45 | |
Making sure they don't miss a beat is Mortcliff's dream police team, | 0:00:45 | 0:00:49 | |
DI Knight, DC Slater and Scene of Crimes Officer Simmons. | 0:00:49 | 0:00:54 | |
Before we head to Mortcliff, | 0:00:54 | 0:00:55 | |
let's wave hello to the armchair detectives. | 0:00:55 | 0:00:58 | |
-Hello. -Hello. | 0:00:58 | 0:00:59 | |
It's almost like they'd rehearsed that. | 0:00:59 | 0:01:01 | |
Only three of you play each day | 0:01:01 | 0:01:03 | |
so please take your armchairs, Audrey, Wisdom and Laura. | 0:01:03 | 0:01:06 | |
Come on up! | 0:01:06 | 0:01:08 | |
APPLAUSE | 0:01:08 | 0:01:10 | |
As you know by now, the detective guessing the killer correctly | 0:01:14 | 0:01:17 | |
will win one of these. | 0:01:17 | 0:01:18 | |
Our golden magnifying glass trophy. | 0:01:18 | 0:01:22 | |
It's like a precious gem. | 0:01:22 | 0:01:25 | |
Audrey, welcome. This is your third show. | 0:01:25 | 0:01:28 | |
Who will be watching and supporting you at home, Audrey? | 0:01:28 | 0:01:31 | |
My family, my husband and my two boys, and my grandsons. | 0:01:31 | 0:01:34 | |
-Well, good luck, Audrey. -Thank you. | 0:01:34 | 0:01:35 | |
And Wisdom, who's rooting for you back home? | 0:01:35 | 0:01:37 | |
I've got loads of friends and loads of family watching, | 0:01:37 | 0:01:39 | |
especially my two brothers and my parents, so, yeah. | 0:01:39 | 0:01:42 | |
And do you think they'll be impressed with your detective skills so far, Wisdom? | 0:01:42 | 0:01:45 | |
I think... I think they should be, yes. | 0:01:45 | 0:01:47 | |
They should be. Yes. | 0:01:47 | 0:01:49 | |
Laura, you run a library, | 0:01:49 | 0:01:51 | |
do you spend most of your time in the crime fiction section? | 0:01:51 | 0:01:53 | |
We keep joking that we need to just sort of sideline adult fiction a bit | 0:01:53 | 0:01:58 | |
-and just add on a crime wing. -Oh, absolutely. | 0:01:58 | 0:02:00 | |
It's what I read most of. | 0:02:00 | 0:02:01 | |
Well, good luck to all of you. | 0:02:01 | 0:02:03 | |
It's time for round one, the Crime Scene. | 0:02:03 | 0:02:06 | |
Knight and Slater meet Simmons in a wood on the outskirts of town. | 0:02:06 | 0:02:10 | |
Notepads at the ready. | 0:02:10 | 0:02:12 | |
For the first time today, let's head over to Mortcliff. | 0:02:12 | 0:02:15 | |
So the car ended up all the way down there, did it? | 0:02:32 | 0:02:36 | |
The ambulance took the victim away 20 minutes ago, | 0:02:36 | 0:02:39 | |
she was pronounced dead at the scene. | 0:02:39 | 0:02:41 | |
A wheel came off causing the car to veer off the road | 0:02:41 | 0:02:43 | |
and down the ditch. | 0:02:43 | 0:02:45 | |
The victim wasn't wearing a seat belt, so was killed on impact. | 0:02:45 | 0:02:49 | |
Who was she? | 0:02:49 | 0:02:50 | |
Louise Cook. | 0:02:50 | 0:02:52 | |
Looked like she was going to a function, smart dress, | 0:02:52 | 0:02:54 | |
high heels, tricky to drive in. | 0:02:54 | 0:02:56 | |
Anything suspicious? | 0:02:56 | 0:02:57 | |
The nuts were loosened on the wheel that came off. | 0:02:57 | 0:03:00 | |
It looks deliberate. | 0:03:00 | 0:03:02 | |
One air bag went off and Louise was the only person in the car | 0:03:02 | 0:03:05 | |
when the ambulance found her. | 0:03:05 | 0:03:07 | |
The front tyres look new, the back ones more worn. | 0:03:07 | 0:03:11 | |
There are a few items of interest in the car, but we'll... | 0:03:11 | 0:03:13 | |
We'll go through that later. | 0:03:13 | 0:03:15 | |
The car's registered to a Luke Ramsay of the same address | 0:03:15 | 0:03:19 | |
that's on her driving licence. | 0:03:19 | 0:03:20 | |
This is so isolated. Who called it in? | 0:03:22 | 0:03:25 | |
Well, the car's got an automated system that calls for help, | 0:03:25 | 0:03:28 | |
informs the emergency services there's been an accident | 0:03:28 | 0:03:30 | |
and sends the location. Tons of cars have got it these days. | 0:03:30 | 0:03:33 | |
Hang on a minute. Louise Cook. | 0:03:33 | 0:03:36 | |
She won the Miss Mortcliff Beauty Pageant this weekend. | 0:03:36 | 0:03:39 | |
You go to beauty pageants in your spare time, Slater? | 0:03:39 | 0:03:42 | |
Oh, I keep my finger on the Mortcliff pulse, sir. | 0:03:42 | 0:03:46 | |
So, she wins a popularity pageant on the Saturday | 0:03:46 | 0:03:50 | |
and dies in suspicious circumstances on the Monday. | 0:03:50 | 0:03:53 | |
Yep. Popularity can't protect you from murder, sir. | 0:03:53 | 0:03:57 | |
No, but it could form part of the motive, Slater. | 0:03:57 | 0:04:00 | |
Right, armchair detectives, let's go for it. | 0:04:03 | 0:04:06 | |
Somebody's obviously loosened the wheel of the car. | 0:04:07 | 0:04:10 | |
The two front wheels were new, the back wheels were old, | 0:04:10 | 0:04:14 | |
so my guess is the person who is connected to this | 0:04:14 | 0:04:17 | |
has got some sort of experience in regards to mechanics. | 0:04:17 | 0:04:22 | |
-Well, the car was registered to somebody else. -Absolutely. | 0:04:22 | 0:04:25 | |
And of course the crumpled note in the glove compartment reading "fraud". | 0:04:25 | 0:04:29 | |
How very interesting. | 0:04:29 | 0:04:30 | |
Let's get details of the actual victim and talk through it. | 0:04:30 | 0:04:33 | |
Today we're investigating the death of Louise Cook.. | 0:04:33 | 0:04:37 | |
She was 25 when she died. | 0:04:37 | 0:04:39 | |
Louise was a previous winner | 0:04:39 | 0:04:41 | |
of the Miss Mortcliff Pageant | 0:04:41 | 0:04:43 | |
and PA to Mr Johnson | 0:04:43 | 0:04:44 | |
at Mortcliff Motors. | 0:04:44 | 0:04:47 | |
She was in a relationship. | 0:04:47 | 0:04:49 | |
The cause of death is a high-impact collision | 0:04:49 | 0:04:52 | |
causing fatal internal injuries. | 0:04:52 | 0:04:54 | |
The time of death is estimated between 9am and 9.30am. | 0:04:54 | 0:04:57 | |
Mr Johnson who owns Mortcliff Motors, | 0:04:59 | 0:05:02 | |
I want to know a bit more about him now. | 0:05:02 | 0:05:05 | |
Mm-hm, straight away. | 0:05:05 | 0:05:06 | |
Well, first of all it just says that she was in a relationship, | 0:05:06 | 0:05:09 | |
but it doesn't say with whom, so it could have been | 0:05:09 | 0:05:11 | |
with the joint owner Luke Ramsay, we don't know that yet. | 0:05:11 | 0:05:14 | |
That's to be... Yet to be decided. | 0:05:14 | 0:05:16 | |
Would like to know where was she before 9am | 0:05:16 | 0:05:18 | |
and who she was with on the morning. | 0:05:18 | 0:05:21 | |
Well, let's look at your first piece of evidence, | 0:05:21 | 0:05:23 | |
see if we can move things forward. | 0:05:23 | 0:05:25 | |
It is a note found at the crime scene and it is, | 0:05:25 | 0:05:29 | |
as you thought, Laura, "Fraud". | 0:05:29 | 0:05:31 | |
Fraud. | 0:05:31 | 0:05:32 | |
How she won the beauty pageant probably wasn't legitimate | 0:05:32 | 0:05:36 | |
in someone's eyes, so they wanted to make her pay for it | 0:05:36 | 0:05:39 | |
and she paid the ultimate price. | 0:05:39 | 0:05:41 | |
It is a note in the glove compartment so far... | 0:05:41 | 0:05:45 | |
-It was kind of scrum... -It was scrumpled. | 0:05:45 | 0:05:47 | |
It was kind of scrumpled up, wasn't it, when we saw it? | 0:05:47 | 0:05:50 | |
Interesting, keep that in mind as we go on to round two, | 0:05:50 | 0:05:55 | |
Last Movements. | 0:05:55 | 0:05:57 | |
The mayor is hosting the annual Miss Mortcliff Beauty Pageant | 0:05:57 | 0:06:00 | |
two days before Louise's death. | 0:06:00 | 0:06:03 | |
Notepads at the ready, let's head back to Mortcliff. | 0:06:03 | 0:06:06 | |
This part of the competition is when we get an insight | 0:06:21 | 0:06:24 | |
into how our participants would support Mortcliff, moving forward. | 0:06:24 | 0:06:30 | |
In one sentence, Gemma, can you tell us why Mortcliff is great? | 0:06:30 | 0:06:35 | |
It's the overwhelming sense of civic pride | 0:06:38 | 0:06:40 | |
and community spirit that brings us together. | 0:06:40 | 0:06:43 | |
APPLAUSE | 0:06:43 | 0:06:45 | |
And finally, same question to you, Louise Cook. | 0:06:51 | 0:06:54 | |
In one sentence, tell us why Mortcliff is great. | 0:06:54 | 0:06:57 | |
It's the wide variety of local shops. | 0:07:00 | 0:07:03 | |
APPLAUSE | 0:07:03 | 0:07:05 | |
Time to announce the winner of the annual | 0:07:10 | 0:07:12 | |
Miss Mortcliff Beauty Pageant. | 0:07:12 | 0:07:14 | |
The winner will work very closely with me to promote Mortcliff. | 0:07:14 | 0:07:18 | |
Ladies and gents, will Louise Cook retain her crown | 0:07:18 | 0:07:21 | |
or will we have a new person? | 0:07:21 | 0:07:23 | |
And the winner of the 2017 Miss Mortcliff Beauty Pageant is... | 0:07:28 | 0:07:33 | |
..Gemma Drummond. | 0:07:34 | 0:07:35 | |
Yes! | 0:07:35 | 0:07:37 | |
CHEERING | 0:07:37 | 0:07:38 | |
I'd just like to thank my mother who always taught me | 0:07:46 | 0:07:49 | |
to believe in myself, and to my father.. | 0:07:49 | 0:07:52 | |
I'm terribly sorry, Gemma. | 0:07:52 | 0:07:53 | |
There's been a terrible mistake. | 0:07:53 | 0:07:55 | |
The actual winner is Louise Cook. | 0:07:55 | 0:07:57 | |
Oh, you've got to be kidding. Joking here? | 0:07:59 | 0:08:03 | |
I'm terribly sorry, Gemma. | 0:08:03 | 0:08:05 | |
Don't worry, darling, I'll make everything all right. | 0:08:09 | 0:08:12 | |
You haven't seen my shoes, have you? | 0:08:19 | 0:08:21 | |
No. | 0:08:21 | 0:08:23 | |
Should we be going on holiday now, Lou? | 0:08:24 | 0:08:27 | |
It's already paid for, Luke. It's only for two weeks. | 0:08:27 | 0:08:30 | |
You can carry on looking for work once you get back. | 0:08:30 | 0:08:34 | |
Besides, it'll do you good to take a break. | 0:08:34 | 0:08:37 | |
God, I'm going to be so late. | 0:08:37 | 0:08:39 | |
You're already wearing shoes. | 0:08:39 | 0:08:42 | |
I know, but these aren't comfortable to drive in. Never mind. | 0:08:42 | 0:08:46 | |
Have you moved the safe, babe? | 0:08:48 | 0:08:51 | |
What are you doing? | 0:08:54 | 0:08:56 | |
Looking at our expenses and praying for a miracle. | 0:08:56 | 0:08:59 | |
Don't forget to put my winning fee into the budget, Mr Chancellor. | 0:08:59 | 0:09:02 | |
I love you. | 0:09:02 | 0:09:03 | |
Where are you going? | 0:09:03 | 0:09:05 | |
Opening of the new Parryvale Supermarket, | 0:09:05 | 0:09:07 | |
the mayor's really getting me out there. | 0:09:07 | 0:09:10 | |
CAR ENGINE CHOKES | 0:09:17 | 0:09:21 | |
Hi there. Yeah, I'd like to speak to someone about a personal loan. | 0:09:23 | 0:09:26 | |
My car's bust again, can I take yours? | 0:09:31 | 0:09:34 | |
I was planning on going into town. | 0:09:34 | 0:09:36 | |
It's in the other direction, please can I borrow it? | 0:09:36 | 0:09:38 | |
I'm going to be so late. | 0:09:38 | 0:09:40 | |
We need to have a serious chat about our holiday expenses, babe. | 0:09:40 | 0:09:43 | |
When I come home, I promise. | 0:09:44 | 0:09:46 | |
Louise. I haven't said yes. | 0:09:48 | 0:09:51 | |
I know you mean it. Deep down. | 0:09:51 | 0:09:54 | |
There you go making my life difficult. | 0:09:54 | 0:09:57 | |
Hmm. Well, this is a good one. | 0:10:11 | 0:10:14 | |
Lots and lots of information in the film. | 0:10:14 | 0:10:17 | |
Right, the mayor had a bit of shuffling of the old envelopes. | 0:10:17 | 0:10:21 | |
Gemma's dad Gerry was.. | 0:10:21 | 0:10:23 | |
was none too pleased that his daughter | 0:10:23 | 0:10:26 | |
was removed from being the winner. | 0:10:26 | 0:10:28 | |
We don't know why the mix-up occurred. | 0:10:28 | 0:10:30 | |
It was like the Oscars, wasn't it? | 0:10:30 | 0:10:32 | |
-Yeah. Certainly did that... -I was thinking that. | 0:10:32 | 0:10:34 | |
-Yeah. -Freddie Powell, I'm not sure what relationship | 0:10:34 | 0:10:39 | |
he has to do with Louise, I just saw the name Freddie Powell | 0:10:39 | 0:10:42 | |
and he seemed to be cheering when she won. | 0:10:42 | 0:10:44 | |
At the beginning of that video, | 0:10:44 | 0:10:46 | |
I don't know if the mayor was holding a bloody tissue | 0:10:46 | 0:10:48 | |
or something like that. It looks bloodied, | 0:10:48 | 0:10:50 | |
-that's what I was thinking, so.. -Yeah. | 0:10:50 | 0:10:52 | |
And then also, if I'm right in speaking, | 0:10:52 | 0:10:55 | |
Louise winked at the mayor as well. | 0:10:55 | 0:10:57 | |
Yes, yeah. | 0:10:57 | 0:10:58 | |
And on the envelope where she won, it... | 0:10:58 | 0:11:03 | |
If I'm right in speaking, it had a red dot on the top corner. | 0:11:03 | 0:11:06 | |
Emma's name had a red dot as well, I was sure, | 0:11:06 | 0:11:09 | |
because I noticed that and they read the name out. | 0:11:09 | 0:11:11 | |
Let's take a look at the suspects board because then | 0:11:11 | 0:11:14 | |
we can talk in more detail about some of the people that we've met. | 0:11:14 | 0:11:16 | |
We can now see Luke, who's Louise's boyfriend, | 0:11:16 | 0:11:19 | |
and we also have three new suspects on the board. | 0:11:19 | 0:11:22 | |
Gemma Drummond, pageant contestant, | 0:11:22 | 0:11:24 | |
Gerry Drummond, Gemma's father, | 0:11:24 | 0:11:26 | |
and Freddie Powell who's a local resident. | 0:11:26 | 0:11:30 | |
So what about Luke, first of all? | 0:11:31 | 0:11:33 | |
Was the first thing he said, "Are we still going on this holiday?" | 0:11:33 | 0:11:37 | |
-Yes. -Because he was concerned about the expenses, | 0:11:37 | 0:11:40 | |
but it was interesting the... "I haven't said yes to you | 0:11:40 | 0:11:43 | |
"borrowing my car, you're just making my life difficult." | 0:11:43 | 0:11:47 | |
-So she was driving... -Luke's car. -..Luke's car. | 0:11:47 | 0:11:50 | |
Because hers was... | 0:11:50 | 0:11:52 | |
Not working. | 0:11:52 | 0:11:53 | |
Gemma Drummond, | 0:11:53 | 0:11:55 | |
so rudely snatched from her dream of being Miss Mortcliff 2017. | 0:11:55 | 0:12:00 | |
I think the one that was most... wazzed off was her father Gerry. | 0:12:00 | 0:12:04 | |
-Gerry. Mm-hm. -The one thing I'm curious about | 0:12:04 | 0:12:06 | |
is what did Luke do as an occupation. | 0:12:06 | 0:12:08 | |
If he's looking for a job now, what did he do in the past? | 0:12:08 | 0:12:11 | |
-Yes. -Also Freddie is just a local resident, what does he do? | 0:12:11 | 0:12:16 | |
Because obviously if any of them have backgrounds | 0:12:16 | 0:12:19 | |
in automotive vehicles, it could potentially put us closer. | 0:12:19 | 0:12:23 | |
Yeah. OK. | 0:12:23 | 0:12:25 | |
You get to pick a piece of evidence from the following list. | 0:12:25 | 0:12:29 | |
We have Louise's calendar | 0:12:29 | 0:12:31 | |
or the service report on Luke's car | 0:12:31 | 0:12:35 | |
and finally the pageant result envelopes. | 0:12:35 | 0:12:39 | |
That's one answer to each of our questions. | 0:12:39 | 0:12:42 | |
Yes, it is, it is. | 0:12:42 | 0:12:44 | |
I'd go for garage report, | 0:12:44 | 0:12:45 | |
so we could find out whether it was roadworthy enough | 0:12:45 | 0:12:49 | |
but there might have pre-warnings on it saying, | 0:12:49 | 0:12:51 | |
look, this is a bit dodgy. | 0:12:51 | 0:12:53 | |
That's what I'm homing towards as well. | 0:12:53 | 0:12:55 | |
I was gearing towards the mayor's envelopes for a starter, | 0:12:55 | 0:13:00 | |
but I am happy to go along with the garage report on the car. | 0:13:00 | 0:13:04 | |
-Garage report? -Yeah. | 0:13:04 | 0:13:05 | |
So you've gone for the garage report, let's take a look at that. | 0:13:05 | 0:13:09 | |
So this is Sam's Garage Mortcliff Limited. | 0:13:09 | 0:13:13 | |
Customer is Louise Cook. | 0:13:13 | 0:13:15 | |
Sam Johnson is the technician. | 0:13:15 | 0:13:17 | |
The front two tyres were replaced and the wheel nuts tightened, | 0:13:17 | 0:13:22 | |
and the fuel pump was fixed. | 0:13:22 | 0:13:24 | |
Everything else in the report came back fine. | 0:13:24 | 0:13:27 | |
So these are the three areas on the report that were highlighted. | 0:13:27 | 0:13:30 | |
Now it said in that report that the new tyres were put on | 0:13:30 | 0:13:33 | |
the front and the wheel nuts tightened. | 0:13:33 | 0:13:35 | |
Why didn't they replace the back ones? | 0:13:35 | 0:13:37 | |
Were we told from the accident, from the scene of crime, | 0:13:37 | 0:13:41 | |
that the wheel nuts had been loosened | 0:13:41 | 0:13:44 | |
and one of the wheels came off? | 0:13:44 | 0:13:46 | |
I've got it... | 0:13:46 | 0:13:47 | |
I've got an arrow drawn to it | 0:13:47 | 0:13:48 | |
-so I am assuming it was the front one that came off. -OK. | 0:13:48 | 0:13:51 | |
I believe it was a rear one. | 0:13:51 | 0:13:53 | |
OK. | 0:13:53 | 0:13:55 | |
Who do you think is most likely to be the killer so far? | 0:13:55 | 0:13:57 | |
Write the name down now. | 0:13:57 | 0:14:00 | |
Notepads away, armchair detectives. | 0:14:03 | 0:14:06 | |
Audrey, who's your prime suspect and why? | 0:14:06 | 0:14:08 | |
At the moment it's Gerry because he looked one very disgruntled father. | 0:14:08 | 0:14:13 | |
Disappointed and he says, "I'm..." | 0:14:13 | 0:14:14 | |
Basically, he was going to do something about it. | 0:14:14 | 0:14:17 | |
Yeah. Wisdom, who's your prime suspect and why? | 0:14:17 | 0:14:20 | |
I've also gone for Gerry. | 0:14:20 | 0:14:23 | |
In regards to, like you said, the threat at the pageants. | 0:14:23 | 0:14:25 | |
Laura, prime suspect and why? | 0:14:25 | 0:14:27 | |
Our mystery man Freddie. | 0:14:27 | 0:14:30 | |
Really? Why? | 0:14:30 | 0:14:32 | |
Because he's our mystery man, | 0:14:32 | 0:14:33 | |
he's just hanging out at pageants for no apparent reason. | 0:14:33 | 0:14:37 | |
So Audrey's gone for Gerry, Wisdom's gone for Gerry, | 0:14:37 | 0:14:40 | |
and Laura has gone for our mystery man who we know nothing about | 0:14:40 | 0:14:43 | |
and have barely met, Freddie. | 0:14:43 | 0:14:46 | |
It's on to round three, the Police Interviews. | 0:14:46 | 0:14:49 | |
Knight and Slater have called in Luke, Gemma and Gerry for questioning. | 0:14:49 | 0:14:53 | |
Notepads at the ready, it's off to Mortcliff Police Station. | 0:14:53 | 0:14:56 | |
She was the best thing that happened to me. | 0:15:08 | 0:15:11 | |
Been together for three years. | 0:15:11 | 0:15:13 | |
Are you the registered keeper of the vehicle that Louise was driving? | 0:15:13 | 0:15:19 | |
Yeah, but Sam Johnson gave it a full service yesterday. | 0:15:19 | 0:15:23 | |
I don't know why the wheel's come off. | 0:15:23 | 0:15:26 | |
He's meant to be a really good mechanic. | 0:15:26 | 0:15:29 | |
Sam Johnson? | 0:15:29 | 0:15:31 | |
He owns the garage just off the high street. | 0:15:31 | 0:15:33 | |
Sam's one of Lou's ex boyfriends, I don't know if that means anything. | 0:15:33 | 0:15:37 | |
Were he and Louise on good terms? | 0:15:37 | 0:15:40 | |
He always gave her a good discount. | 0:15:40 | 0:15:42 | |
How did you feel about that? | 0:15:42 | 0:15:44 | |
What's that supposed to mean? | 0:15:45 | 0:15:47 | |
Mr Ramsay, we're going to have to ask some tough questions. | 0:15:47 | 0:15:51 | |
Now, how did you feel about your girlfriend | 0:15:51 | 0:15:54 | |
going to her ex-boyfriend for car repairs? | 0:15:54 | 0:15:57 | |
Some men would have an issue with that. | 0:15:57 | 0:15:59 | |
Not me. | 0:15:59 | 0:16:00 | |
Thank you. | 0:16:00 | 0:16:02 | |
Can you think of anyone who might have had a grudge against Louise? | 0:16:03 | 0:16:06 | |
Gemma Drummond was pretty upset after the pageant, | 0:16:08 | 0:16:11 | |
but Lou won fair and square. | 0:16:11 | 0:16:13 | |
There was a weird note someone left on my car though. | 0:16:13 | 0:16:18 | |
Just said "Fraud", nothing else. | 0:16:18 | 0:16:20 | |
I saw it on the windshield when I was waiting for Louise | 0:16:20 | 0:16:24 | |
so I just chucked it into the glove compartment, | 0:16:24 | 0:16:26 | |
didn't want her to see it. | 0:16:26 | 0:16:28 | |
Louise was made Miss Mortcliff last year | 0:16:33 | 0:16:35 | |
and that's when I first met her. | 0:16:35 | 0:16:37 | |
She did all sorts of events for the mayor | 0:16:37 | 0:16:39 | |
when he was sick, which is often. | 0:16:39 | 0:16:42 | |
Did you think she was a good Miss Mortcliff? | 0:16:42 | 0:16:45 | |
She was fine. | 0:16:45 | 0:16:46 | |
But anyways, I gave better answers, I got more applause, | 0:16:47 | 0:16:51 | |
and she's older than me. | 0:16:51 | 0:16:53 | |
You know, past her sell-by date. | 0:16:53 | 0:16:55 | |
She's only three years older than you. | 0:16:56 | 0:16:59 | |
Yeah, that's make or break in beauty terms. | 0:16:59 | 0:17:02 | |
Gemma, did you write a note calling Louise a fraud? | 0:17:02 | 0:17:05 | |
What, me? I would never do something like that. | 0:17:05 | 0:17:08 | |
So you wouldn't mind it | 0:17:08 | 0:17:09 | |
if we arranged to get a sample of your handwriting? | 0:17:09 | 0:17:12 | |
That won't be a problem. | 0:17:14 | 0:17:15 | |
So just to confirm, Mr Drummond, | 0:17:22 | 0:17:24 | |
you're saying you didn't know Louise? | 0:17:24 | 0:17:27 | |
As I said, I know her by name and by sight, | 0:17:27 | 0:17:31 | |
because she is in the same line of work as my daughter Gemma, | 0:17:31 | 0:17:37 | |
but I do know Luke pretty well. | 0:17:37 | 0:17:40 | |
He plays football for the Mortcliff Mammoths and I'm their coach. | 0:17:40 | 0:17:43 | |
Do you know what type of car Luke drives? | 0:17:43 | 0:17:46 | |
Mm-hm, yeah, why? | 0:17:46 | 0:17:48 | |
What can you tell us about Luke? | 0:17:48 | 0:17:50 | |
He's been struggling. | 0:17:50 | 0:17:52 | |
He's been out of a job and I think it was beginning to get to him. | 0:17:52 | 0:17:56 | |
Just last week, he and Freddie Powell, a mate of his, | 0:17:56 | 0:18:01 | |
almost came to fisticuffs during a match. | 0:18:01 | 0:18:03 | |
Why was that? | 0:18:03 | 0:18:05 | |
Well, Luke's known for his temper on the pitch. | 0:18:05 | 0:18:07 | |
Everyone that knows him's seen it. | 0:18:09 | 0:18:12 | |
I think Freddie was goading him about not being able | 0:18:12 | 0:18:15 | |
to afford Louise, the usual "you're not good enough for her" nonsense, | 0:18:15 | 0:18:19 | |
but I really couldn't tell you any more than that. | 0:18:19 | 0:18:21 | |
Right, right. | 0:18:24 | 0:18:27 | |
Luke involved in fisticuffs with Freddie, | 0:18:27 | 0:18:30 | |
because of...Freddie is goading Luke about not being able | 0:18:30 | 0:18:35 | |
to afford Louise, and Freddie was the other person to applaud | 0:18:35 | 0:18:40 | |
Louise's answer about Mortcliff's shopping district. | 0:18:40 | 0:18:45 | |
In my opinion now, I'm kind of gauging Freddie was probably | 0:18:45 | 0:18:49 | |
trying to go for Luke in regards to loosening his tyres | 0:18:49 | 0:18:54 | |
but obviously he wasn't aware that Louise would have been driving it, | 0:18:54 | 0:18:59 | |
-so obviously... -So you think it might have been mistaken... | 0:18:59 | 0:19:02 | |
-Yeah, mistaken identity. -What do you think, Audrey? | 0:19:02 | 0:19:04 | |
Gemma, she was a spiteful mare, wasn't she? | 0:19:04 | 0:19:07 | |
You know, about her being three years older | 0:19:07 | 0:19:09 | |
-and everything like that. -Yes, yes. | 0:19:09 | 0:19:11 | |
And she was a bit of a.. a madam. | 0:19:11 | 0:19:13 | |
She sounded like she was Daddy's little princess. | 0:19:13 | 0:19:16 | |
Let's bring the suspects up again. | 0:19:16 | 0:19:17 | |
Luke, Gemma, Gerry, Freddie | 0:19:17 | 0:19:21 | |
and now we have Sam Johnson, who we've added but not met yet. | 0:19:21 | 0:19:25 | |
Now, we know who Sam Johnson is, though, don't we? | 0:19:25 | 0:19:28 | |
-The mechanic. -Yeah, he owns a garage. | 0:19:28 | 0:19:30 | |
-The mechanic. -And Louise's ex-boyfriend. | 0:19:30 | 0:19:32 | |
Luke had been with Louise for three years | 0:19:32 | 0:19:35 | |
so I think that's plenty of time for Sam to get over it. | 0:19:35 | 0:19:38 | |
Let's have a look at the evidence | 0:19:38 | 0:19:39 | |
and see if we can pick something out that will help you. | 0:19:39 | 0:19:42 | |
Again, you've got a choice. | 0:19:42 | 0:19:43 | |
Louise's calendar, the pageant result envelopes, | 0:19:43 | 0:19:46 | |
or the forensics report on Luke's car tyre iron and wheel nut lock. | 0:19:46 | 0:19:51 | |
Initially, I was going for the mayor's envelope | 0:19:51 | 0:19:54 | |
as the second option, | 0:19:54 | 0:19:56 | |
but now that this one's come up, which is so annoying... | 0:19:56 | 0:19:59 | |
It's a more detailed and a more exact science, so.. | 0:19:59 | 0:20:03 | |
I would like to see the calendar. | 0:20:03 | 0:20:05 | |
Right. Our second choice was the mayor's envelope, | 0:20:05 | 0:20:07 | |
shall we go for the mayor's envelopes and get that out the way? | 0:20:07 | 0:20:10 | |
I'd say go for the calendar. | 0:20:10 | 0:20:12 | |
You've changed your mind now? | 0:20:12 | 0:20:13 | |
I'm saying the calendar because we technically went for the first one, | 0:20:13 | 0:20:16 | |
so I reckon give Laura a shot, go for the calendar. | 0:20:16 | 0:20:19 | |
-Yeah, all right, then, we'll go for the calendar. -Calendar? | 0:20:19 | 0:20:22 | |
-It's a democracy. -The calendar, please. | 0:20:22 | 0:20:24 | |
It is a democracy so far. So this is Louise's calendar. | 0:20:24 | 0:20:28 | |
Beauty pageant, footie, | 0:20:28 | 0:20:31 | |
hair appointment, Tenerife. | 0:20:31 | 0:20:34 | |
-She was at the pageant on the Saturday. -Yeah. | 0:20:34 | 0:20:37 | |
She was off the road on the Monday morning | 0:20:37 | 0:20:40 | |
on her way to the supermarket opening. | 0:20:40 | 0:20:43 | |
-The supermarket.. -That was on the 5th. | 0:20:43 | 0:20:45 | |
I feel as though I'm missing something. | 0:20:45 | 0:20:47 | |
Well, she had football on the Sunday after the pageant, | 0:20:47 | 0:20:50 | |
was there an incident at footie on the Sunday? | 0:20:50 | 0:20:52 | |
Because the next day she dies. | 0:20:52 | 0:20:54 | |
OK, armchair detectives, it's time to pick your prime suspect again. | 0:20:54 | 0:20:59 | |
Write down your prime suspect now. | 0:20:59 | 0:21:01 | |
Notepads away, please. | 0:21:07 | 0:21:09 | |
Let's see who you've picked as your prime suspect this time. | 0:21:09 | 0:21:11 | |
Now, Audrey, last time you went for Gerry. | 0:21:11 | 0:21:15 | |
Have you stuck with Gerry? | 0:21:15 | 0:21:17 | |
Yes, I have, because there's nothing else at the moment | 0:21:17 | 0:21:20 | |
-that's persuaded me to go to anybody else. -OK. | 0:21:20 | 0:21:24 | |
Wisdom, last time you went for Gerry. Have you stuck with Gerry? | 0:21:24 | 0:21:28 | |
No. I have changed to Freddie. | 0:21:28 | 0:21:32 | |
Why? | 0:21:32 | 0:21:33 | |
In a weird twisted way, this is Freddie's way of showing Luke | 0:21:33 | 0:21:38 | |
she's a fantastic girl and since I can't have her, you can't either. | 0:21:38 | 0:21:42 | |
And Laura, last time you went for Freddie. | 0:21:42 | 0:21:46 | |
Who've you gone for this time? | 0:21:46 | 0:21:47 | |
At the moment, I've stayed with Freddie, I am considering Sam, | 0:21:47 | 0:21:52 | |
and I just didn't change quite yet. | 0:21:52 | 0:21:55 | |
OK. We have Audrey's gone for Gerry, | 0:21:55 | 0:21:58 | |
Wisdom's gone for Freddie, and Laura's gone for Freddie as well. | 0:21:58 | 0:22:02 | |
It's time now though for round four, Dig Deeper. | 0:22:02 | 0:22:05 | |
It's handbags at dawn on the football field. | 0:22:05 | 0:22:09 | |
Notepads at the ready, let's head to Mortcliff. | 0:22:09 | 0:22:12 | |
Off! Now! | 0:22:23 | 0:22:24 | |
Let it go, mate, it's not worth it. | 0:22:24 | 0:22:26 | |
You're just going to let that sleazy ref walk all over us? | 0:22:26 | 0:22:28 | |
Calm down. | 0:22:28 | 0:22:29 | |
Stop telling me to calm down, you're a pushover. | 0:22:29 | 0:22:33 | |
No wonder Louise is bored with you. | 0:22:33 | 0:22:35 | |
Keep your mouth shut about Louise. | 0:22:35 | 0:22:37 | |
Or what? You'll realise she's bored with your moping and self pity. | 0:22:37 | 0:22:40 | |
You're punching well above your weight, mate. | 0:22:40 | 0:22:42 | |
Stop it, now. Freddie, bench. | 0:22:42 | 0:22:46 | |
What is wrong with you? | 0:22:46 | 0:22:47 | |
Want to talk about it? | 0:22:53 | 0:22:55 | |
Babe, you will find something soon. | 0:22:57 | 0:23:00 | |
I promise. | 0:23:00 | 0:23:02 | |
Coffee? | 0:23:03 | 0:23:05 | |
Will you take my car to the garage? | 0:23:05 | 0:23:08 | |
Fuel pump's playing up, I've booked it in. | 0:23:08 | 0:23:10 | |
Can't you cancel? | 0:23:10 | 0:23:13 | |
Sam's doing me a favour. It was fully booked, so... | 0:23:13 | 0:23:17 | |
Pretty please. | 0:23:17 | 0:23:20 | |
I'll cook dinner. | 0:23:20 | 0:23:23 | |
In that case. | 0:23:23 | 0:23:25 | |
Thanks, babe. | 0:23:25 | 0:23:28 | |
Luke... | 0:23:38 | 0:23:40 | |
..it will be all right. | 0:23:42 | 0:23:44 | |
I know it will. | 0:23:44 | 0:23:45 | |
Hello, gorgeous. | 0:23:54 | 0:23:56 | |
Hello gorgeous to you too. | 0:23:56 | 0:23:57 | |
-Well done on your win, pal. -Thanks. | 0:24:04 | 0:24:06 | |
I'm heading off to town now, how long do you think it'll take? | 0:24:06 | 0:24:09 | |
Come back in a couple of hours and I'll throw in a full service. | 0:24:09 | 0:24:12 | |
You're my hero. | 0:24:12 | 0:24:13 | |
Hey, gorgeous. | 0:24:20 | 0:24:22 | |
-Ta very much. -Luke was right, it was the fuel pump. | 0:24:22 | 0:24:25 | |
All fixed, gave you a couple of new tyres too. | 0:24:25 | 0:24:27 | |
You're a star, Sam. | 0:24:27 | 0:24:29 | |
I know, I just can't help myself. Here you are. | 0:24:29 | 0:24:31 | |
Paperwork's in the glove box. Jump in. | 0:24:31 | 0:24:35 | |
Out with it. I can see something's bothering you. | 0:24:43 | 0:24:46 | |
-It's Luke. -When is it anything else? | 0:24:46 | 0:24:48 | |
-Sam! -Sorry, but seriously, Lou, ever since you've been with him | 0:24:48 | 0:24:52 | |
it's just one crisis after another. | 0:24:52 | 0:24:54 | |
It's just the longer he goes without work the more depressed he becomes. | 0:24:55 | 0:25:00 | |
He's even talking about not going on holiday. | 0:25:00 | 0:25:02 | |
And today Freddie sent me a text, | 0:25:02 | 0:25:06 | |
Luke got really aggressive with him at football. | 0:25:06 | 0:25:09 | |
Now he hasn't... He hasn't hurt you, has he? | 0:25:09 | 0:25:11 | |
-Freddie? -No, though he is a stirrer, I mean Luke. | 0:25:12 | 0:25:16 | |
What? Of course not. | 0:25:16 | 0:25:17 | |
The guy's been unemployed for three months, | 0:25:17 | 0:25:20 | |
I'm worried about him, that's all. | 0:25:20 | 0:25:22 | |
OK. | 0:25:22 | 0:25:23 | |
OK, listen, I'll call round later tonight, | 0:25:23 | 0:25:26 | |
see if he wants to go to the pub with me. | 0:25:26 | 0:25:28 | |
-Thank you. -I'll have a man chat. | 0:25:28 | 0:25:30 | |
We'll play pool, drink a few pints, say nothing, | 0:25:31 | 0:25:34 | |
he'll feel a lot better. | 0:25:34 | 0:25:36 | |
You're the best. | 0:25:36 | 0:25:38 | |
Any time, you know that. | 0:25:38 | 0:25:40 | |
I can't. | 0:25:44 | 0:25:45 | |
DOORBELL RINGS | 0:25:53 | 0:25:54 | |
Hey, Lukey. | 0:26:03 | 0:26:05 | |
You come to say sorry? | 0:26:05 | 0:26:07 | |
He's come to grov', haven't you, pal? | 0:26:07 | 0:26:09 | |
Yeah, mate, sorry. | 0:26:09 | 0:26:10 | |
Is that a decent enough grovel? Grab your coat, pal. | 0:26:10 | 0:26:13 | |
You three are a picture! | 0:26:24 | 0:26:26 | |
My ex-boyfriend, my current boyfriend, and the boy I turned down. | 0:26:26 | 0:26:31 | |
Don't go getting a big head, babe. | 0:26:33 | 0:26:35 | |
Right, I'm going to head to the pub with the guys, just for one. | 0:26:35 | 0:26:38 | |
OK. Have a good time. | 0:26:38 | 0:26:40 | |
Well... | 0:26:46 | 0:26:48 | |
There's definitely a bit of rivalry between the lads. | 0:26:48 | 0:26:51 | |
Sam, you could tell by the way he was looking at her | 0:26:51 | 0:26:53 | |
that he wanted her back, because when he sort of pulled her in | 0:26:53 | 0:26:57 | |
and she went "no", type of thing. | 0:26:57 | 0:26:58 | |
As for Freddie... | 0:26:58 | 0:27:01 | |
The boyfriend that would have been. | 0:27:04 | 0:27:07 | |
-Yes. -Yes. | 0:27:07 | 0:27:09 | |
If we're talking about who has motive, | 0:27:09 | 0:27:11 | |
who would want Louise dead, | 0:27:11 | 0:27:14 | |
well, all the men like her, you know, | 0:27:14 | 0:27:19 | |
-even though they are concerned about her welfare. -Cups. | 0:27:19 | 0:27:23 | |
They were both holding coffee cups. | 0:27:23 | 0:27:25 | |
The wrench, I reckon Sam was the one who had some sort of inkling | 0:27:25 | 0:27:30 | |
because he obviously did the full service. | 0:27:30 | 0:27:32 | |
How would he know the wrench was in the boot? | 0:27:32 | 0:27:34 | |
OK. Let's take a look at the suspect board. | 0:27:34 | 0:27:36 | |
We've got Luke, Gemma, Gerry, Freddie and Sam, who we've now met. | 0:27:36 | 0:27:40 | |
I still think it was an accidental killing. | 0:27:40 | 0:27:43 | |
I don't think she was the intended victim | 0:27:43 | 0:27:46 | |
because it was Luke's car and her... hers was playing up. | 0:27:46 | 0:27:49 | |
Sam wasn't to know until Louise turned up | 0:27:49 | 0:27:52 | |
that she was going to be bringing in Luke's car, | 0:27:52 | 0:27:56 | |
and then he was going to throw in the full service for free | 0:27:56 | 0:28:00 | |
as a favour to her. | 0:28:00 | 0:28:01 | |
Yeah, but the thing is there's nothing stopping him | 0:28:01 | 0:28:04 | |
sneaking round at some point and undoing some nuts | 0:28:04 | 0:28:08 | |
and then thinking that Luke was going to get in his car | 0:28:08 | 0:28:10 | |
-and unfortunately Louise did. -Well, let's see... | 0:28:10 | 0:28:12 | |
Let's see if we can take you forward with another evidence pick. | 0:28:12 | 0:28:15 | |
So there's the pageant result envelopes, | 0:28:15 | 0:28:17 | |
the forensics report on Luke's car, tyre iron and wheel nut lock, | 0:28:17 | 0:28:21 | |
and the new item is a plant pot from outside Louise and Luke's home. | 0:28:21 | 0:28:26 | |
I think we should go for the tyre and forensics. | 0:28:26 | 0:28:29 | |
-Yeah, I want to go for the tyre... -So you want to see that. | 0:28:29 | 0:28:33 | |
-The tyre. -Laura? Forensics? -Yep. | 0:28:33 | 0:28:35 | |
Let's go for the forensic report. So... | 0:28:35 | 0:28:38 | |
that's the wheel nut lock, quad wrench, fingerprint analysis, | 0:28:38 | 0:28:41 | |
print match - Sam Johnson and Luke Ramsay. | 0:28:41 | 0:28:45 | |
Fibres - neoprene, and there's soil sediment there as well. | 0:28:45 | 0:28:49 | |
Well, it's Luke's car, so we would expect his fingerprints to be there. | 0:28:49 | 0:28:53 | |
Yes. Yes, that's right, yeah. | 0:28:53 | 0:28:55 | |
Sam's performed the service, | 0:28:55 | 0:28:56 | |
so they're the only ones with access to the keys. | 0:28:56 | 0:28:59 | |
The soil sediment. | 0:28:59 | 0:29:00 | |
-Yep. -Well, it went down an embankment. I've no idea... | 0:29:00 | 0:29:05 | |
I don't know what neoprene is. | 0:29:05 | 0:29:07 | |
Let's bring up the suspect board again. | 0:29:07 | 0:29:09 | |
Luke, Gemma, Gerry, Freddie and Sam. Again, this... | 0:29:09 | 0:29:12 | |
Sam and Luke's prints are found on that nut lock. | 0:29:12 | 0:29:17 | |
Because they keep showing the safe and they keep showing the keys. | 0:29:17 | 0:29:21 | |
Sam had the keys for a couple of hours. | 0:29:21 | 0:29:23 | |
Yes. | 0:29:23 | 0:29:24 | |
What about if he made a copy of the keys? | 0:29:24 | 0:29:27 | |
Quite easily. | 0:29:27 | 0:29:28 | |
Well, guys, unfortunately it's time for you | 0:29:28 | 0:29:31 | |
to pick your prime suspect again. | 0:29:31 | 0:29:34 | |
Please write down the name of your prime suspect now. | 0:29:34 | 0:29:36 | |
Armchair detectives, notepads away, please. | 0:29:42 | 0:29:45 | |
Let's see who you've picked. | 0:29:45 | 0:29:46 | |
Now, Audrey, last time your prime suspect was Gerry. | 0:29:46 | 0:29:50 | |
-Yes. -Have you stuck with Gerry? | 0:29:50 | 0:29:51 | |
-No. I've gone for Sam this time. -Have you? | 0:29:51 | 0:29:54 | |
Sam's got that twinkle in his eye, he wants her back, | 0:29:54 | 0:29:57 | |
and he basically thinks Luke is not good enough for her, | 0:29:57 | 0:30:00 | |
he's out of work, he's a hard-working guy. | 0:30:00 | 0:30:03 | |
Yeah. Wisdom? | 0:30:03 | 0:30:04 | |
Last time you went for Freddie. Have you changed your mind? | 0:30:04 | 0:30:08 | |
-Yep. -Who have you gone for? | 0:30:08 | 0:30:09 | |
I have now gone for Sam. | 0:30:09 | 0:30:11 | |
Sam. For similar reasons to Audrey? | 0:30:11 | 0:30:13 | |
Yes, and also something I've just realised, | 0:30:13 | 0:30:17 | |
in regards to his fingerprints being on the wrench, | 0:30:17 | 0:30:19 | |
he may have worn gloves to take a precaution | 0:30:19 | 0:30:21 | |
but there may have been a hole in them, but he didn't realise. | 0:30:21 | 0:30:24 | |
There may well have been. | 0:30:24 | 0:30:26 | |
Laura, last time you went for Freddie, | 0:30:26 | 0:30:28 | |
-have you stuck with Freddie? -No. | 0:30:28 | 0:30:31 | |
Who have you gone for? | 0:30:31 | 0:30:33 | |
Of my three suspect, I've now gone for Gerry. | 0:30:33 | 0:30:36 | |
So you've gone... | 0:30:36 | 0:30:39 | |
I've gone back to Gerry. | 0:30:39 | 0:30:40 | |
Why? | 0:30:40 | 0:30:42 | |
Well, in his interview, he plays football with Freddie | 0:30:42 | 0:30:47 | |
and Luke, | 0:30:47 | 0:30:49 | |
he knew all about the argument. | 0:30:49 | 0:30:52 | |
It's just that background, the only one that would really benefit | 0:30:52 | 0:30:57 | |
from Louise not being in the picture any more. | 0:30:57 | 0:31:00 | |
Right. Audrey has gone for Sam, Wisdom has gone for Sam, | 0:31:00 | 0:31:05 | |
and Laura has gone for Gerry. | 0:31:05 | 0:31:08 | |
It's round five now, the Final Clues. | 0:31:08 | 0:31:10 | |
Knight and Slater are almost at the end of the catwalk | 0:31:10 | 0:31:12 | |
but how close are they to finding the killer of Miss Mortcliff? | 0:31:12 | 0:31:16 | |
Notepads at the ready, we're heading back to Mortcliff police station. | 0:31:16 | 0:31:20 | |
Ah. Simmons. What do you have for us? | 0:31:27 | 0:31:30 | |
Done some more tests on the car, based on the shearing that occurred, | 0:31:30 | 0:31:34 | |
the nuts on the front passenger wheel | 0:31:34 | 0:31:36 | |
have been deliberately loosened, as was the locking wheel nut | 0:31:36 | 0:31:39 | |
which needs a specific tool to loosen and tighten it. | 0:31:39 | 0:31:42 | |
So it definitely was intentional harm. | 0:31:42 | 0:31:45 | |
We need to speak to Sam. | 0:31:45 | 0:31:47 | |
Louise brought the car in for a service, | 0:31:51 | 0:31:53 | |
we checked the tyres for wear and tear, cuts and bulges. | 0:31:53 | 0:31:57 | |
There wasn't enough tread on the front two | 0:31:57 | 0:31:59 | |
so we replaced those as part of the service. | 0:31:59 | 0:32:01 | |
Generous of you. | 0:32:01 | 0:32:04 | |
Any chance the wheel nut wasn't done up properly? | 0:32:04 | 0:32:07 | |
That's something we triple check. | 0:32:07 | 0:32:08 | |
Besides, the car had its own locking nut which Luke keeps in the boot. | 0:32:08 | 0:32:12 | |
We used it, I double-checked it and then we put it back. | 0:32:12 | 0:32:16 | |
Any other issues? | 0:32:16 | 0:32:17 | |
No. | 0:32:17 | 0:32:19 | |
How well do you know Louise? | 0:32:19 | 0:32:21 | |
Pretty well. | 0:32:23 | 0:32:25 | |
She and I went out for about a year before she met Luke. | 0:32:25 | 0:32:28 | |
And he didn't have a problem | 0:32:28 | 0:32:30 | |
asking his girlfriend to bring his car to you? | 0:32:30 | 0:32:33 | |
Louise and I were friends, always. | 0:32:33 | 0:32:35 | |
What do you think of Luke? | 0:32:37 | 0:32:38 | |
Known him since school, stand-up guy. | 0:32:41 | 0:32:45 | |
He's moody though. | 0:32:45 | 0:32:47 | |
Louise was worried about him, she thought he was depressed, | 0:32:48 | 0:32:52 | |
so Freddie and I took him out to try cheer him up. | 0:32:52 | 0:32:55 | |
Had your car been broken into prior to this? | 0:33:06 | 0:33:09 | |
No break-ins, the alarm hasn't gone off. | 0:33:11 | 0:33:14 | |
Louise kept our keys locked in a safe overnight. | 0:33:14 | 0:33:18 | |
She was paranoid someone was going to steal the cars. | 0:33:18 | 0:33:21 | |
Only we knew the code. | 0:33:21 | 0:33:23 | |
Was the code guessable? Birthday, anniversary? | 0:33:23 | 0:33:26 | |
Lou did random computer password searches for everything, | 0:33:26 | 0:33:31 | |
for the safe, for all of her devices, | 0:33:31 | 0:33:34 | |
sometimes I struggle to remember them. | 0:33:34 | 0:33:37 | |
Mr Ramsay, have you considered that whoever did this | 0:33:37 | 0:33:40 | |
thought you'd be driving your car yesterday? | 0:33:40 | 0:33:44 | |
Can you think of anyone who might have a grudge against you? | 0:33:44 | 0:33:49 | |
Are you saying she was killed by accident? | 0:33:49 | 0:33:51 | |
It was meant to be me? | 0:33:53 | 0:33:55 | |
I can think of loads of people that don't like me, | 0:33:58 | 0:34:00 | |
I wouldn't know where to start. | 0:34:00 | 0:34:02 | |
This just makes everything a whole lot worse. | 0:34:05 | 0:34:07 | |
When did you last see Louise? | 0:34:13 | 0:34:15 | |
I saw her on Sunday evening when Sam and me | 0:34:15 | 0:34:18 | |
took her boyfriend Luke to the pub. | 0:34:18 | 0:34:19 | |
Sam lives a bit further out so he drove to the pub | 0:34:21 | 0:34:23 | |
and took a taxi home. | 0:34:23 | 0:34:26 | |
I walked with Luke as I live across the street from them. | 0:34:26 | 0:34:28 | |
I did see something a bit worrying on the morning of the crash. | 0:34:29 | 0:34:33 | |
Louise left the house in a hurry, | 0:34:34 | 0:34:38 | |
and Luke shouted at her, | 0:34:38 | 0:34:40 | |
she shouted back. | 0:34:40 | 0:34:42 | |
Do you always watch what's going on outside Luke and Louise's house? | 0:34:42 | 0:34:46 | |
It was the argument that caught my attention. | 0:34:46 | 0:34:48 | |
Thank you, Mr Powell, that's all for now. | 0:34:48 | 0:34:51 | |
Hmm. What's occurred to you? | 0:34:54 | 0:34:57 | |
I think Freddie might have a touch of stalking, you know what I mean? | 0:34:57 | 0:35:01 | |
He so happened to be looking out when they had a row and storming out. | 0:35:01 | 0:35:05 | |
-Yeah. -Saying that they were arguing, they clearly weren't, | 0:35:05 | 0:35:09 | |
he just was, like, "OK, she's gone in the car" | 0:35:09 | 0:35:11 | |
-and sat down and carried on what he was doing. -Yeah. | 0:35:11 | 0:35:14 | |
He didn't shout at her, they weren't having an argument. | 0:35:14 | 0:35:16 | |
No, but they were trying to play on the violence | 0:35:16 | 0:35:19 | |
that Luke has a history of, | 0:35:19 | 0:35:22 | |
because it was mentioned by Sam and it was mentioned by Freddie. | 0:35:22 | 0:35:25 | |
-Yeah. -You've got an opportunity now though | 0:35:25 | 0:35:28 | |
-to possibly answer some of your questions. -Yeah. | 0:35:28 | 0:35:30 | |
It's time for your final evidence pick. | 0:35:30 | 0:35:33 | |
Now there are two pieces of evidence left, | 0:35:33 | 0:35:36 | |
the pageant results envelopes | 0:35:36 | 0:35:38 | |
or a plant pot from outside Louise and Luke's home. | 0:35:38 | 0:35:42 | |
I'm going to go with the plant pot | 0:35:42 | 0:35:44 | |
because I want to instantly rule out Gemma and Gerry. | 0:35:44 | 0:35:47 | |
I think it all lies in the piece of evidence that we don't pick. | 0:35:47 | 0:35:51 | |
I'm going to go with the mayor's envelopes. | 0:35:53 | 0:35:55 | |
Oh, my goodness, Audrey. | 0:35:55 | 0:35:58 | |
-Yeah, because that's been there from the beginning. -Oh, no. | 0:35:58 | 0:36:01 | |
You've got the casting vote. | 0:36:01 | 0:36:02 | |
Because I was going to go for the plant pot and now... | 0:36:02 | 0:36:05 | |
-now that the envelope's back in the... -Don't look at them, Lauren, | 0:36:05 | 0:36:08 | |
make your own decision. | 0:36:08 | 0:36:09 | |
No, no, we'll go with the mayor, we're switching, | 0:36:09 | 0:36:11 | |
we'll go with the mayor, we're switching. | 0:36:11 | 0:36:13 | |
We're going with the mayor's envelopes, | 0:36:13 | 0:36:16 | |
no changing of mind allowed now, no changing of mind allowed. | 0:36:16 | 0:36:19 | |
-Yeah. -We have four envelopes. | 0:36:19 | 0:36:21 | |
NP, KH, LC, GD. | 0:36:21 | 0:36:24 | |
The GD and LC have orange dots at the top. | 0:36:24 | 0:36:28 | |
-Someone's drawn GD to rig it. -Yeah. | 0:36:28 | 0:36:32 | |
Maybe Louise's one was obscured by the other two | 0:36:32 | 0:36:36 | |
and he saw the first orange dot, picked it out | 0:36:36 | 0:36:39 | |
and then somebody whispered in his ear, "No, no, it's Louise." | 0:36:39 | 0:36:42 | |
Well, armchair detectives, now we've cleared everything up... | 0:36:42 | 0:36:46 | |
..you're about to make your final accusation. | 0:36:46 | 0:36:49 | |
It's time to answer the only question that matters. | 0:36:49 | 0:36:51 | |
Whodunnit? | 0:36:52 | 0:36:54 | |
Time's up, armchair detectives, notepads down. | 0:36:59 | 0:37:02 | |
Right, let's find out who you've accused. | 0:37:02 | 0:37:05 | |
Audrey, who have you accused? | 0:37:06 | 0:37:08 | |
Well, God, I've changed horses again. | 0:37:08 | 0:37:10 | |
I've gone to Freddie this time. | 0:37:10 | 0:37:12 | |
-Right! -The reason being that he lied. | 0:37:12 | 0:37:15 | |
-Yeah. -He lied to the police that they were having an argument | 0:37:15 | 0:37:18 | |
at the door which we saw they clearly didn't. | 0:37:18 | 0:37:20 | |
Wisdom, who are you accusing? | 0:37:20 | 0:37:23 | |
I'm accusing Sam. | 0:37:23 | 0:37:24 | |
Sam. Because? | 0:37:24 | 0:37:26 | |
The DNA on the wrench, | 0:37:27 | 0:37:29 | |
the fact that he wanted to get back with her when he... | 0:37:29 | 0:37:34 | |
That's what I'm thinking, I'm going to stick with that. | 0:37:34 | 0:37:36 | |
OK. Laura, who are you j'accusing? | 0:37:36 | 0:37:39 | |
J'accuse Freddie. | 0:37:39 | 0:37:40 | |
Why? | 0:37:40 | 0:37:42 | |
I've gone back to him because he's across... | 0:37:42 | 0:37:45 | |
We didn't know before that he was across the road, | 0:37:45 | 0:37:49 | |
he's trying to set up Luke | 0:37:49 | 0:37:51 | |
and we know that he's friends with Sam, so he's just... | 0:37:51 | 0:37:55 | |
He's all over the place. | 0:37:55 | 0:37:57 | |
Audrey is accusing Freddie. | 0:37:57 | 0:37:59 | |
Wisdom is accusing Sam | 0:37:59 | 0:38:02 | |
and Laura is accusing Freddie. | 0:38:02 | 0:38:05 | |
For what it's worth, armchair detectives, I am accusing Freddie. | 0:38:05 | 0:38:09 | |
So the last piece of evidence has been left, | 0:38:10 | 0:38:12 | |
will this confirm your choices? | 0:38:12 | 0:38:13 | |
It's a plant pot from outside Louise and Luke's home. | 0:38:13 | 0:38:18 | |
Keys to access front and rear doors of the property of the victim | 0:38:18 | 0:38:21 | |
were stored beneath a plant pot outside the main entrance. | 0:38:21 | 0:38:24 | |
Luke Ramsay, resident of the property states | 0:38:24 | 0:38:27 | |
the keys were stored there for the past five months. | 0:38:27 | 0:38:30 | |
Excellent, because we had these soil traces on the wheel nut | 0:38:30 | 0:38:37 | |
and now we know that, you know, creepy... | 0:38:37 | 0:38:40 | |
creepy Freddie who knows every coming and going from the house.. | 0:38:40 | 0:38:45 | |
Mm. | 0:38:45 | 0:38:46 | |
He knew where the keys were. | 0:38:46 | 0:38:48 | |
What really happened in today's story, Driving Miss Mortcliff? | 0:38:48 | 0:38:52 | |
Who killed Louise Cook? | 0:38:52 | 0:38:54 | |
Let's find out whodunnit. | 0:38:54 | 0:38:56 | |
The accident happened on Monday morning, meaning the wheel nuts | 0:39:03 | 0:39:07 | |
must have been loosened on Sunday night. | 0:39:07 | 0:39:09 | |
How do you loosen the nuts using the locking wheel nut key | 0:39:09 | 0:39:13 | |
that's inside the locked car? | 0:39:13 | 0:39:15 | |
Normally, you need to put the key in the lock but with some modern cars | 0:39:15 | 0:39:18 | |
you don't even need to take the key out of your pocket. | 0:39:18 | 0:39:21 | |
Good point, Slater, but Louise kept her keys in a safe. | 0:39:21 | 0:39:26 | |
A portable safe, sir. | 0:39:28 | 0:39:30 | |
Ah. A safe that could be picked up, taken outside | 0:39:30 | 0:39:34 | |
so the key is within range in order to unlock the car. | 0:39:34 | 0:39:38 | |
So the murderer must have had access to the safe | 0:39:39 | 0:39:42 | |
inside Louise and Luke's house. | 0:39:42 | 0:39:44 | |
Well, I mean, the only people who had access to the house were | 0:39:44 | 0:39:48 | |
Louise, Freddie, Luke and Sam. | 0:39:48 | 0:39:53 | |
If our assumption is correct and Luke was the intended victim, | 0:39:53 | 0:39:57 | |
that leaves Sam and Freddie, | 0:39:57 | 0:40:00 | |
and Sam didn't like Luke much. | 0:40:00 | 0:40:02 | |
Sam had a couple of drinks at the pub, caught a taxi back home, | 0:40:02 | 0:40:05 | |
but he lives too far away to make it back in time. | 0:40:05 | 0:40:08 | |
That just leaves Freddie. | 0:40:08 | 0:40:10 | |
Motive? | 0:40:10 | 0:40:12 | |
Well, he did take an abnormal interest in Luke | 0:40:12 | 0:40:14 | |
and Louise's relationship. I think he liked her...a lot. | 0:40:14 | 0:40:18 | |
I mean, who in their right mind would attend a beauty pageant? | 0:40:18 | 0:40:23 | |
Proud parent, proud boyfriend... Hang on. | 0:40:24 | 0:40:28 | |
-Freddie was there too, wasn't he? -Yeah. | 0:40:28 | 0:40:30 | |
Say Freddie had a crush on Louise, | 0:40:30 | 0:40:32 | |
he asked her out in the past and she said "no". | 0:40:32 | 0:40:35 | |
Luke's version of the events was a lot different to Freddie's. | 0:40:35 | 0:40:38 | |
He hyped up the interaction between the couple | 0:40:38 | 0:40:40 | |
on the morning of her death. | 0:40:40 | 0:40:42 | |
Maybe Freddie thought that removing Luke from the situation | 0:40:42 | 0:40:46 | |
would mean he would have a better chance with her. | 0:40:46 | 0:40:49 | |
How did Freddie gain access though? | 0:40:49 | 0:40:51 | |
Do you remember the plant pot outside Luke's house? | 0:40:52 | 0:40:55 | |
Freddie lived just across the street, he must have known | 0:40:55 | 0:40:58 | |
where they kept the spare key, underneath that plant pot. | 0:40:58 | 0:41:01 | |
He could have snuck in on the night of the Sunday, | 0:41:01 | 0:41:04 | |
put the safe next to the car, | 0:41:04 | 0:41:06 | |
searched the car, found the locking wheel nut key | 0:41:06 | 0:41:09 | |
and loosened the nut on the front passenger wheel. | 0:41:09 | 0:41:13 | |
-Fully expecting Luke to use his own car the following morning. -Right. | 0:41:13 | 0:41:17 | |
The handwriting analysis, | 0:41:19 | 0:41:20 | |
I thought you'd like to know it was Freddie Powell | 0:41:20 | 0:41:23 | |
who wrote the fraud note. | 0:41:23 | 0:41:24 | |
Why would Freddie call Louise a fraud? He wanted her to win. | 0:41:26 | 0:41:29 | |
Yeah, but maybe the note wasn't for Louise. | 0:41:29 | 0:41:32 | |
Maybe the note was for Luke. | 0:41:32 | 0:41:33 | |
I'll go with that. | 0:41:33 | 0:41:36 | |
So Louise's car breaks down on Monday morning | 0:41:36 | 0:41:38 | |
forcing her to use Luke's car. | 0:41:38 | 0:41:41 | |
Simmons, when you dusted the car, | 0:41:41 | 0:41:43 | |
did you find Freddie's prints inside it? | 0:41:43 | 0:41:46 | |
No, but I did find mud and synthetic fibres | 0:41:46 | 0:41:50 | |
including rubber and neoprene. | 0:41:50 | 0:41:52 | |
The same fibres as used in goalie gloves. | 0:41:52 | 0:41:56 | |
Well saved, Simmons. | 0:41:57 | 0:41:59 | |
And you are on fire. | 0:41:59 | 0:42:01 | |
Go get your man, Slater. | 0:42:03 | 0:42:05 | |
APPLAUSE | 0:42:12 | 0:42:14 | |
It was indeed Freddie who committed the crime. | 0:42:14 | 0:42:20 | |
Congratulations, Audrey and Laura, you picked the killer | 0:42:20 | 0:42:23 | |
and are today's winner | 0:42:23 | 0:42:24 | |
and get another golden magnifying glass trophy! | 0:42:24 | 0:42:27 | |
Well done. | 0:42:30 | 0:42:31 | |
Wisdom, nearly there. | 0:42:31 | 0:42:34 | |
If you'd seen the plant pot evidence would you have gone for Freddie? | 0:42:34 | 0:42:37 | |
Yeah. | 0:42:37 | 0:42:39 | |
Just shows you the evidence picks makes the difference, doesn't it? | 0:42:39 | 0:42:42 | |
Armchair detectives, how many of you got that right? | 0:42:42 | 0:42:46 | |
Ah, quite a lot of you. | 0:42:46 | 0:42:47 | |
That's all from Armchair Detectives. | 0:42:47 | 0:42:49 | |
Tomorrow, we'll find Knight and Slater investigating a crime | 0:42:49 | 0:42:54 | |
at the local library, but who will they throw the book at? | 0:42:54 | 0:42:58 | |
And remember, no-one gets away with murder in Mortcliff. | 0:42:58 | 0:43:02 | |
Goodbye. | 0:43:02 | 0:43:04 | |
Well done, well done. Well done. | 0:43:04 | 0:43:08 |