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Perfect observation? Check. Decipher truth from fiction? Check. | 0:00:02 | 0:00:06 | |
Confidence to pick out a prime suspect? Check. | 0:00:06 | 0:00:08 | |
Then check out the TV show with only one question - whodunnit? | 0:00:08 | 0:00:13 | |
Welcome to Armchair Detectives! | 0:00:28 | 0:00:30 | |
15 murder-mystery enthusiasts are chomping at the bit | 0:00:30 | 0:00:33 | |
to solve today's crime. | 0:00:33 | 0:00:34 | |
They'll work through the evidence coming in from Mortcliff, | 0:00:34 | 0:00:37 | |
a village with its fair share of criminal masterminds. | 0:00:37 | 0:00:41 | |
Looks lovely, doesn't it? | 0:00:41 | 0:00:43 | |
The police team with the clues in Mortcliff are DI Knight, | 0:00:43 | 0:00:46 | |
DC Slater, and Scene Of Crime Officer Simmons. | 0:00:46 | 0:00:50 | |
Let's meet our very competitive amateur detectives. There they are. | 0:00:50 | 0:00:54 | |
-Hello! ALL: -Hi! | 0:00:54 | 0:00:56 | |
They all just want to get started - it's beautiful! | 0:00:56 | 0:00:59 | |
Well, only three of you play each day, so please | 0:00:59 | 0:01:02 | |
take your armchairs, Wisdom, James, and Toria. | 0:01:02 | 0:01:05 | |
Come on up! | 0:01:05 | 0:01:06 | |
As you know by now, the detective guessing the killer correctly | 0:01:12 | 0:01:16 | |
will win one of these, our golden magnifying glass trophy! | 0:01:16 | 0:01:20 | |
-ALL: -Whoo! | 0:01:20 | 0:01:22 | |
It's what everyone wants. | 0:01:22 | 0:01:24 | |
James and Toria, you both won last time. | 0:01:24 | 0:01:27 | |
Wisdom, unfortunately, you didn't. | 0:01:27 | 0:01:29 | |
How are you going to approach it to try and get one of those trophies? | 0:01:29 | 0:01:33 | |
Be more attentive, listen, and actually analyse | 0:01:33 | 0:01:37 | |
-the whole screen properly. -Excellent! | 0:01:37 | 0:01:40 | |
Now, at home and in the studio, I don't know who the killer is either. | 0:01:40 | 0:01:44 | |
So I will be playing along with the detectives. | 0:01:44 | 0:01:46 | |
But I don't get to win a trophy if I guess correctly. | 0:01:46 | 0:01:48 | |
What?! Hang on a second! | 0:01:48 | 0:01:51 | |
It's the only reason I'm here. | 0:01:51 | 0:01:53 | |
It's time for round one. | 0:01:53 | 0:01:55 | |
The crime scene. | 0:01:55 | 0:01:57 | |
We join Knight and Slater as they arrive | 0:01:57 | 0:01:59 | |
to meet Simmons at Parsleybed Farm. | 0:01:59 | 0:02:02 | |
For the first time today, let's head over to the outskirts of Mortcliff. | 0:02:02 | 0:02:07 | |
What? | 0:02:24 | 0:02:25 | |
You cleared it, no? | 0:02:27 | 0:02:28 | |
Get on with it. | 0:02:30 | 0:02:31 | |
Victim's a farmer, Miss Hettie Garland. | 0:02:32 | 0:02:35 | |
Found today, sir. | 0:02:35 | 0:02:36 | |
Body was discovered by a Lucy Byrne. | 0:02:37 | 0:02:39 | |
Campaigner from Mamam, Mortcliff Against Meat And Milk. | 0:02:40 | 0:02:44 | |
About time. | 0:02:49 | 0:02:51 | |
-Treacherous world out there. -Vegans. | 0:02:51 | 0:02:53 | |
Death estimated fairly recently. | 0:02:53 | 0:02:56 | |
Around 1300 hours. She lay exactly as you see her. | 0:02:56 | 0:03:00 | |
Bathtub full of cold water, as well as this jacket. | 0:03:00 | 0:03:04 | |
That anything to do with the death? | 0:03:06 | 0:03:08 | |
We'll bag it and see. No obvious physical marks on the victim. | 0:03:09 | 0:03:15 | |
Heart attack, maybe? | 0:03:15 | 0:03:17 | |
It's possible. She's 50, though. | 0:03:17 | 0:03:20 | |
Apparently in excellent physical health. | 0:03:20 | 0:03:23 | |
Look at these. Footprints. | 0:03:23 | 0:03:25 | |
Roughly size 11. Oddly marked there... | 0:03:25 | 0:03:29 | |
..and there. We're taking impressions. | 0:03:31 | 0:03:34 | |
There are also quite a few footprints in and out of the barn. | 0:03:34 | 0:03:36 | |
-Tyre tracks? -Loads. | 0:03:36 | 0:03:38 | |
The most recent ones are made by a 4x4. | 0:03:39 | 0:03:41 | |
You might want to talk to the young woman who found the victim | 0:03:42 | 0:03:45 | |
-while we take more samples. -All right, then. | 0:03:45 | 0:03:47 | |
Oh, one more thing. | 0:03:49 | 0:03:50 | |
-We found a gold coin. -Any idea where it's from? | 0:03:51 | 0:03:53 | |
It's very old. That's all I can tell you. | 0:03:53 | 0:03:56 | |
You might want to talk to the local museum. | 0:03:56 | 0:03:58 | |
They may be able to help you. | 0:03:58 | 0:04:01 | |
I'll send you a photograph. | 0:04:01 | 0:04:02 | |
Let's get this over with. I hate the countryside. | 0:04:04 | 0:04:06 | |
-Thanks for waiting, Miss Byrne. -Have we met? | 0:04:13 | 0:04:16 | |
I don't think so. Can you tell us what happened? | 0:04:17 | 0:04:20 | |
Well, I came over to see Hettie. There was no answer at the house, | 0:04:20 | 0:04:23 | |
so I came down to the barn. And that's where I found her. | 0:04:23 | 0:04:26 | |
Haven't you attended a few of our meetings? | 0:04:27 | 0:04:30 | |
-You've been wearing those all day, presumably. -Oh, yes. | 0:04:31 | 0:04:34 | |
You! Stop! | 0:04:38 | 0:04:39 | |
I'm so sorry - these damned boots! | 0:04:45 | 0:04:49 | |
His boot kept slipping off the pedal, poor bloke! | 0:04:49 | 0:04:51 | |
You do realise you may have compromised a crime scene? | 0:04:51 | 0:04:53 | |
Oh, no! I'm terribly sorry. | 0:04:53 | 0:04:56 | |
Are you from around here? | 0:04:56 | 0:04:58 | |
Just down the village. | 0:04:58 | 0:05:00 | |
-What's with all the kit? -We're detectorists. | 0:05:00 | 0:05:02 | |
Nothing serious, just a hobby. Is everything all right? | 0:05:04 | 0:05:07 | |
The investigation is still ongoing. | 0:05:08 | 0:05:10 | |
If you could... | 0:05:11 | 0:05:13 | |
Oh, yeah, of course. | 0:05:13 | 0:05:14 | |
-That's odd behaviour. -Indeed. | 0:05:26 | 0:05:29 | |
Come on, let's pay a visit to the museum. | 0:05:32 | 0:05:35 | |
Might as well start with the gold coin. | 0:05:35 | 0:05:37 | |
They came in last week. | 0:05:41 | 0:05:42 | |
Viking, we believe. | 0:05:46 | 0:05:47 | |
It's going to revolutionise the museum. | 0:05:47 | 0:05:50 | |
So, it is this same type of coin? | 0:05:50 | 0:05:55 | |
Without actually seeing it, I can't say for sure. But it looks like it | 0:05:57 | 0:06:02 | |
-could be 18th century. -So it doesn't correlate with this haul? | 0:06:02 | 0:06:05 | |
I just can't tell. | 0:06:09 | 0:06:10 | |
Send me over a more detailed photograph and I'll be able to | 0:06:12 | 0:06:14 | |
give you more information. | 0:06:14 | 0:06:15 | |
How much is something like this worth? | 0:06:17 | 0:06:19 | |
It's difficult to say exactly. About 300,000 for this lot, for starters. | 0:06:20 | 0:06:26 | |
Whoa! | 0:06:26 | 0:06:27 | |
-ANNOUNCEMENT: -Attention. | 0:06:27 | 0:06:28 | |
The museum will close in five minutes. Thank you. | 0:06:28 | 0:06:31 | |
I still have a fair amount to do before we close, | 0:06:31 | 0:06:33 | |
but if you'd like to come back tomorrow... | 0:06:33 | 0:06:35 | |
Of course! Thank you for your time. | 0:06:35 | 0:06:37 | |
And congratulations on your unique find. | 0:06:37 | 0:06:40 | |
Well, it wasn't exactly mine. | 0:06:40 | 0:06:42 | |
A volunteer? | 0:06:43 | 0:06:45 | |
Toby and Mackenzie. They're locals. | 0:06:45 | 0:06:47 | |
I really need to get on. | 0:06:47 | 0:06:49 | |
So, Armchair Detectives, | 0:06:53 | 0:06:56 | |
talk amongst yourselves - what did you see? | 0:06:56 | 0:06:58 | |
I think Tracey knows what that coin is. | 0:06:58 | 0:07:01 | |
-Do you think she does? -Yeah. | 0:07:01 | 0:07:03 | |
But that coin's worth a lot. Don't you think...? | 0:07:03 | 0:07:05 | |
No, it was a collection of coins that was worth the 300,000. | 0:07:05 | 0:07:08 | |
So there clearly has been a find recently. | 0:07:08 | 0:07:11 | |
What I took from it, with the clip with Hettie, | 0:07:11 | 0:07:14 | |
she is 50 years old, she was found facedown | 0:07:14 | 0:07:17 | |
near a bath of cold water. I was thinking she had been | 0:07:17 | 0:07:20 | |
electrocuted because of the fire nearby. | 0:07:20 | 0:07:22 | |
Did you notice when Toby and McKenzie got out | 0:07:22 | 0:07:24 | |
of the 4x4, Toby went straight to the back and changed his shoes? | 0:07:24 | 0:07:28 | |
Yes, because he said that the shoes were slipping. | 0:07:28 | 0:07:31 | |
Quite unusual behaviour to drive your Land Rover through police tape. | 0:07:33 | 0:07:36 | |
Isn't it? Although I did enjoy DI Knight's "You! Stop!" | 0:07:36 | 0:07:41 | |
I mean, that was quite masculine. | 0:07:41 | 0:07:43 | |
As Soco Simmons said, there is 4x4 tyre tracks found, | 0:07:43 | 0:07:47 | |
and quite a lot, she said. | 0:07:47 | 0:07:49 | |
So is it possible that he is trying to tamper | 0:07:49 | 0:07:52 | |
with the crime scene by driving through, | 0:07:52 | 0:07:54 | |
-and using that as an excuse? -OK. | 0:07:54 | 0:07:56 | |
Basically, the museum time was 4:40, | 0:07:56 | 0:07:59 | |
and it said in the Tannoy, "The museum closes in five minutes." | 0:07:59 | 0:08:02 | |
Which means the time must be 4:45. | 0:08:02 | 0:08:05 | |
Well, tell you what - let's focus on the victim. | 0:08:05 | 0:08:08 | |
Today's victim is Hettie Garland. Hettie was a dairy farmer, aged 50. | 0:08:08 | 0:08:11 | |
She was a widow with no children. Hettie had a very active work life. | 0:08:14 | 0:08:18 | |
The cause of death is a suspected heart failure. | 0:08:18 | 0:08:22 | |
And the estimated time of death is approximately 1pm. | 0:08:22 | 0:08:25 | |
Suspected heart failure and the fact that she was facedown... | 0:08:26 | 0:08:30 | |
There's something I need to look into. | 0:08:31 | 0:08:33 | |
James, Toria, anything jumping out at you? | 0:08:33 | 0:08:36 | |
The approximate time of death is when the museum is on a break. | 0:08:36 | 0:08:41 | |
-Yeah... -So I immediately... | 0:08:41 | 0:08:43 | |
-Makes me think. -I'm immediately starting to suspect Tracey. | 0:08:43 | 0:08:48 | |
We haven't even got to the suspects board yet, James! | 0:08:48 | 0:08:51 | |
Let's go there before James goes, "J'accuse!" | 0:08:51 | 0:08:53 | |
We've got Lucy Byrne, who is an environmentalist. | 0:08:54 | 0:08:57 | |
Toby Featherstone, a detectorist. | 0:08:58 | 0:09:00 | |
Mackenzie Long, a detectorist. And Tracey Tate, a historian. | 0:09:01 | 0:09:07 | |
Lucy is friends with Hettie - she came over to visit. | 0:09:07 | 0:09:10 | |
But would they be friends? Because she's an environmentalist | 0:09:10 | 0:09:13 | |
and isn't she anti-meat, dairy products? | 0:09:13 | 0:09:16 | |
But why did she come over to see her, then? | 0:09:16 | 0:09:17 | |
-Exactly! -In order to discuss something? | 0:09:17 | 0:09:20 | |
Well, let's start you off with some evidence, Armchair Detectives. | 0:09:21 | 0:09:24 | |
Here is your first piece of evidence, a poster from the museum. | 0:09:24 | 0:09:29 | |
I think it's closing down, | 0:09:35 | 0:09:37 | |
because they're saying "save Mortcliff Museum". | 0:09:37 | 0:09:40 | |
But I'm wondering if that also means the artefacts | 0:09:40 | 0:09:43 | |
are going somewhere else. | 0:09:43 | 0:09:44 | |
So, the point is they want | 0:09:44 | 0:09:46 | |
to make sure it's not lost or goes elsewhere. | 0:09:46 | 0:09:49 | |
I don't know that affects who benefits, if there is a find, | 0:09:49 | 0:09:52 | |
if something's found there, does it go somewhere else? | 0:09:52 | 0:09:55 | |
It doesn't stay in town? | 0:09:55 | 0:09:56 | |
Looking at, like, the postcode and, like, the telephone number, | 0:09:56 | 0:10:00 | |
I've taken notes of them just in case that comes up. Because... | 0:10:00 | 0:10:04 | |
You never know! How many times have we done the show, | 0:10:04 | 0:10:07 | |
and about 40 minutes in, someone says, "What time was that?" | 0:10:07 | 0:10:11 | |
And everyone goes, "Oh, no! I didn't write it down!" | 0:10:11 | 0:10:14 | |
So, Wisdom, good job! OK, that's the poster. | 0:10:14 | 0:10:18 | |
We have some suspects - let's delve a little bit | 0:10:18 | 0:10:20 | |
more into what happened. | 0:10:20 | 0:10:22 | |
It's round two, Last Movements. | 0:10:23 | 0:10:26 | |
Let's find out what happened at Parsleybed Farm just | 0:10:26 | 0:10:29 | |
before Hettie's murder. | 0:10:29 | 0:10:31 | |
Notepads at the ready. | 0:10:31 | 0:10:33 | |
Off we go, to Mortcliff. | 0:10:33 | 0:10:34 | |
-Hi, there. Hettie Garland? -Are you from HMRC? | 0:10:47 | 0:10:52 | |
No, I'm from Mamam, actually. Mortcliff Against Meat And Milk. | 0:10:52 | 0:10:56 | |
I was chatting to the vet earlier - she mentioned something | 0:10:56 | 0:10:59 | |
about your cows not having had their seasonal checkups. | 0:10:59 | 0:11:02 | |
My, you're a nosy one, aren't you? | 0:11:02 | 0:11:04 | |
And as for that vet, what about client patient confidentiality? | 0:11:04 | 0:11:09 | |
We can help you, if you're having financial difficulties. | 0:11:09 | 0:11:13 | |
We've got a fund dedicated to the well-being of cattle - | 0:11:13 | 0:11:15 | |
-you could apply for open access. -It's too late for that. | 0:11:15 | 0:11:18 | |
Milk farming is the fastest route to financial ruin. | 0:11:19 | 0:11:22 | |
I've sold my herd to the abattoir. | 0:11:23 | 0:11:26 | |
They'll be collected in a couple of days. | 0:11:26 | 0:11:28 | |
Look at it. | 0:11:28 | 0:11:30 | |
In two weeks, that's going to be the first soft-play area in Mortcliff. | 0:11:30 | 0:11:36 | |
And I'm going to convert my fields into a mini golf course. | 0:11:36 | 0:11:40 | |
But the increased traffic! | 0:11:40 | 0:11:41 | |
-Not to mention the slaughter! -Don't patronise me! | 0:11:41 | 0:11:44 | |
I cannot condone the wholesale murdering of cows! | 0:11:44 | 0:11:47 | |
You spoiled brats have no idea! | 0:11:47 | 0:11:50 | |
By 2020, we're looking at the destruction of a variety of species. | 0:11:50 | 0:11:54 | |
Migration of entire cultures on an unprecedented scale! | 0:11:55 | 0:11:58 | |
Thanks to climate change, which is fast-tracked | 0:11:58 | 0:12:01 | |
-by industrialised meat farming! -Look! | 0:12:01 | 0:12:04 | |
There are no machines in there. I need to make a living. | 0:12:04 | 0:12:08 | |
It's the After 12 Show. Excuse me. | 0:12:11 | 0:12:14 | |
Bloody do-gooders! | 0:12:20 | 0:12:21 | |
Toria, does that answer your question | 0:12:36 | 0:12:37 | |
about whether the victim and the young lady were friends? | 0:12:37 | 0:12:40 | |
Yes, I think so. Subtly. | 0:12:43 | 0:12:45 | |
I'm not particularly suspicious of her, though... | 0:12:45 | 0:12:47 | |
-No. -..in terms of the actual killing. | 0:12:47 | 0:12:48 | |
-I think she... -Yeah, I think she's... Yeah... | 0:12:48 | 0:12:51 | |
Because she's an environmentalist, I don't think murder is something | 0:12:51 | 0:12:54 | |
that would cross her mind. If she wants to save animals | 0:12:54 | 0:12:57 | |
and the farm and all this, that and the other, | 0:12:57 | 0:12:59 | |
I don't think she would take someone's life. | 0:12:59 | 0:13:01 | |
It also confirms that Lucy was lying, | 0:13:01 | 0:13:03 | |
cos she said that she hadn't saw her, that she had just come over. | 0:13:03 | 0:13:08 | |
-So Lucy was lying. -Let's take another look at the suspects. | 0:13:08 | 0:13:12 | |
Lucy, who we've just seen. | 0:13:12 | 0:13:14 | |
Toby, Mackenzie, and Tracey. Now we don't know a huge amount | 0:13:14 | 0:13:18 | |
about some of the suspects yet. | 0:13:18 | 0:13:20 | |
But have you changed your opinion on anybody on the board? | 0:13:20 | 0:13:23 | |
I suspected Tracey, but I've got a sneaking suspicion | 0:13:23 | 0:13:27 | |
that her and Toby are in cahoots. | 0:13:27 | 0:13:30 | |
In regards to Tracey collects the artefacts, | 0:13:30 | 0:13:34 | |
Toby had a suspicion that something was on Hettie's farm, | 0:13:34 | 0:13:37 | |
but Hettie wouldn't give it up or something. | 0:13:37 | 0:13:39 | |
So, they had to find a way to get rid of her, get what he needs to | 0:13:39 | 0:13:42 | |
get, and then get out. | 0:13:42 | 0:13:44 | |
Well, it's time for you to pick some more evidence from the list. | 0:13:44 | 0:13:48 | |
We have either... | 0:13:48 | 0:13:49 | |
a forensic report of tape found on Hettie's heater wire, | 0:13:49 | 0:13:54 | |
or a photograph of mud tracks and footprints found | 0:13:54 | 0:13:59 | |
at Parsleybed Farm, and finally CCTV of a 4x4 near Parsleybed Farm. | 0:13:59 | 0:14:06 | |
In regards to CCTV, we don't know the time, | 0:14:06 | 0:14:09 | |
so it could be at any time. | 0:14:09 | 0:14:11 | |
-Yes. -I mean, obviously we'd want it to be 12:30 and 1, | 0:14:11 | 0:14:15 | |
but it could even be earlier. | 0:14:15 | 0:14:17 | |
I'm always persuaded by CCTV, though, I think it's good. | 0:14:17 | 0:14:21 | |
But if we see the numberplate... I'm just thinking it | 0:14:21 | 0:14:23 | |
could be any 4x4 but if we see the numberplate, | 0:14:23 | 0:14:25 | |
we might be able to see if it belonged to... | 0:14:25 | 0:14:27 | |
Did you write down the numberplate? Of course you did, sorry. | 0:14:27 | 0:14:30 | |
But then there's the tape on the... | 0:14:30 | 0:14:34 | |
That would confirm if it is someone's put the heater | 0:14:34 | 0:14:37 | |
-into the bathtub. -I'm swaying more towards the CCTV. | 0:14:37 | 0:14:42 | |
OK. What would you like? | 0:14:42 | 0:14:44 | |
Take a vote if you need to. | 0:14:44 | 0:14:45 | |
I'm happy with anything, but I will go the CCTV. | 0:14:47 | 0:14:49 | |
CCTV! OK! Going for the CCTV. | 0:14:49 | 0:14:53 | |
So this is a still taken from CCTV at the gate | 0:14:54 | 0:15:00 | |
of Parsleybed Farm, taken around the time of the murder. | 0:15:00 | 0:15:04 | |
Toria. You told me you'd written it down. | 0:15:04 | 0:15:08 | |
It's not the same vehicle. | 0:15:08 | 0:15:10 | |
But it's very close. | 0:15:13 | 0:15:15 | |
-Yes, that what I was thinking. -It is very close. | 0:15:15 | 0:15:17 | |
What's the registration you've got written down? | 0:15:17 | 0:15:19 | |
A201 CDF. | 0:15:19 | 0:15:21 | |
On the CCTV, I can confirm the numberplate is A201 OBE. | 0:15:22 | 0:15:26 | |
-So it's not the same. -It's not. | 0:15:26 | 0:15:29 | |
-OK. -They did say there was multiple tracks. | 0:15:32 | 0:15:34 | |
Which means, obviously, more than one person owns a 4x4. | 0:15:35 | 0:15:39 | |
With a very similar numberplate. | 0:15:39 | 0:15:42 | |
So, Armchair Detectives, you're about to lock in | 0:15:42 | 0:15:45 | |
your prime suspect. | 0:15:45 | 0:15:47 | |
Pens at the ready, write down who it is. | 0:15:47 | 0:15:50 | |
Notepads away, please, Armchair Detectives. | 0:15:59 | 0:16:02 | |
So, who have you picked as your primary suspect, Wisdom? | 0:16:02 | 0:16:06 | |
I've gone for Tracey. | 0:16:06 | 0:16:08 | |
Why? | 0:16:08 | 0:16:10 | |
I think, in regards to transporting artefacts | 0:16:10 | 0:16:13 | |
from one place to another, she hasn't got a lorry or something. | 0:16:13 | 0:16:16 | |
I reckon she also owns a 4x4. | 0:16:16 | 0:16:18 | |
-James, who've you gone for? -I've also went for Tracey Tate. | 0:16:19 | 0:16:23 | |
Oh, my goodness, she's popular. Why? | 0:16:23 | 0:16:26 | |
I'm still a little bit suspicious about the museum | 0:16:26 | 0:16:29 | |
and closing and things like that, and we did have a big clue | 0:16:29 | 0:16:34 | |
with the times of when the museum's left unattended. | 0:16:34 | 0:16:39 | |
Toria, who've you gone for? | 0:16:39 | 0:16:41 | |
I'm also going with Tracey. | 0:16:41 | 0:16:43 | |
-Why have you gone for Tracey? -There's definite suspicion there. | 0:16:43 | 0:16:47 | |
We don't know anything about the other two guys. | 0:16:47 | 0:16:49 | |
And Lucy, I'm not really that suspicious of. | 0:16:49 | 0:16:54 | |
Maybe I should be? | 0:16:54 | 0:16:55 | |
Armchair Detectives, I play along, | 0:16:55 | 0:16:57 | |
as I've said, and she's also the one I've chosen. | 0:16:57 | 0:17:00 | |
So, at the moment, we think Tracey's bang to rights, quite frankly. | 0:17:02 | 0:17:06 | |
Let's see if we can find out anything more about the crime, | 0:17:06 | 0:17:09 | |
though, and see if we change our minds. | 0:17:09 | 0:17:11 | |
It's on to round three. The Police Interviews. | 0:17:11 | 0:17:14 | |
Who can take the pressure of Knight and Slater's interrogation? | 0:17:14 | 0:17:18 | |
Notepads at the ready! We're off to Mortcliff Police Station. | 0:17:18 | 0:17:22 | |
-Mr Long. -Mac, please. | 0:17:30 | 0:17:32 | |
How long have you and your friend... | 0:17:33 | 0:17:35 | |
-Toby. -..Toby Featherstone been metal detecting in that area? | 0:17:37 | 0:17:42 | |
A couple of weeks. | 0:17:45 | 0:17:46 | |
-On Hettie's land? -On Angus Brown's farm, actually. | 0:17:46 | 0:17:50 | |
-It's adjacent to Hettie's. -Do you recognise this at all? | 0:17:50 | 0:17:53 | |
It's Toby's. It's 18th century. How did you get it? | 0:17:56 | 0:17:58 | |
It was found at the barn. | 0:17:58 | 0:18:00 | |
Well, we helped to fix her heater. It probably fell out of his pocket. | 0:18:02 | 0:18:06 | |
He carries a rare gold coin in his pocket? | 0:18:06 | 0:18:09 | |
It's his lucky charm. That's his first find. | 0:18:09 | 0:18:12 | |
He probably dropped it when we were there the other day. | 0:18:12 | 0:18:15 | |
Where were you at one o'clock yesterday? | 0:18:15 | 0:18:17 | |
At the museum. | 0:18:18 | 0:18:20 | |
Found anything exciting recently? | 0:18:20 | 0:18:22 | |
Yeah. | 0:18:22 | 0:18:23 | |
A fairly big haul. | 0:18:25 | 0:18:26 | |
Tracey Tate is looking after it - she works at the museum. | 0:18:27 | 0:18:31 | |
How do you know Tracey? | 0:18:31 | 0:18:32 | |
-I'm recently divorced, so I'd appreciate it if you'd... -Of course. | 0:18:33 | 0:18:38 | |
She's my girlfriend. | 0:18:42 | 0:18:43 | |
Now, Miss Byrne, thank you for outlining | 0:18:48 | 0:18:51 | |
your organisation's long-term goals. | 0:18:51 | 0:18:53 | |
Yeah, it is really useful, thanks. | 0:18:53 | 0:18:55 | |
However, I'd appreciate more clarity on your meeting with Hettie Garland | 0:18:55 | 0:19:01 | |
the day she died. | 0:19:01 | 0:19:02 | |
The woman was rude and tiresome. | 0:19:02 | 0:19:05 | |
All I did was offer to help. She did nothing but ridicule and insult me. | 0:19:05 | 0:19:08 | |
I'm afraid I wasn't very well behaved. | 0:19:10 | 0:19:12 | |
I threw some mud at her. | 0:19:13 | 0:19:14 | |
-And what did you do then? -I called my friend, Carl. | 0:19:14 | 0:19:18 | |
Is he the Carl Woods who allegedly stole an entire battery of chickens? | 0:19:18 | 0:19:22 | |
No chickens were harmed. | 0:19:22 | 0:19:24 | |
I was raging. | 0:19:28 | 0:19:30 | |
I walked down the south field complaining until I realised | 0:19:30 | 0:19:32 | |
I wasn't powerless. And there was something I could do. | 0:19:32 | 0:19:36 | |
And what would that be? | 0:19:36 | 0:19:37 | |
Well, I could open the gate and set the cows free. | 0:19:38 | 0:19:41 | |
Carl thought it was a good idea, so I turned back, | 0:19:41 | 0:19:44 | |
I peeked in the barn and that's when I found her... | 0:19:44 | 0:19:47 | |
..lying there. | 0:19:48 | 0:19:49 | |
When we interviewed you earlier, you failed to mention | 0:19:56 | 0:19:59 | |
that Mackenzie is your boyfriend. | 0:19:59 | 0:20:00 | |
-Did I? -Yes. | 0:20:00 | 0:20:03 | |
Yeah, no, you did. | 0:20:03 | 0:20:04 | |
You said that the coins were found by two local men. | 0:20:04 | 0:20:07 | |
Well, they ARE locals. | 0:20:07 | 0:20:09 | |
It's a bit remiss of you not to mention that the most important | 0:20:09 | 0:20:12 | |
find in the area was by your boyfriend. | 0:20:12 | 0:20:14 | |
-He's just recently divorced. -It's not a crime. | 0:20:16 | 0:20:20 | |
Were you seeing him before then? | 0:20:23 | 0:20:24 | |
Yes. | 0:20:26 | 0:20:28 | |
OK. Anything else you'd like to mention? | 0:20:31 | 0:20:33 | |
I've told you everything. | 0:20:34 | 0:20:36 | |
Miss Tate... | 0:20:39 | 0:20:41 | |
it's best you tell us everything you know, | 0:20:41 | 0:20:43 | |
even if it's uncomfortable. | 0:20:43 | 0:20:45 | |
We always get to the bottom of things eventually. | 0:20:46 | 0:20:49 | |
When Mac and Toby brought me the coins, he asked me | 0:20:54 | 0:20:59 | |
not to declare them to the Crown Office. | 0:20:59 | 0:21:01 | |
But it was such a big find I knew if I didn't report it immediately, | 0:21:02 | 0:21:06 | |
questions would be asked. | 0:21:06 | 0:21:08 | |
-Toby asked you to keep this under wraps? -Mac did. | 0:21:10 | 0:21:13 | |
Talk to me, James. | 0:21:20 | 0:21:21 | |
I was really interested in Mackenzie's body language. | 0:21:21 | 0:21:25 | |
He was folding his arms and he wasn't showing you his hands at all. | 0:21:25 | 0:21:30 | |
Something very suspicious about that there for me. | 0:21:30 | 0:21:33 | |
I just want to pull up another armchair and say, | 0:21:33 | 0:21:35 | |
"Right, tell us all about it!" | 0:21:35 | 0:21:37 | |
-It's great... Wisdom. -In regards to the whole girlfriend | 0:21:37 | 0:21:40 | |
thing, he mentioned it. Tracey, on the other hand, | 0:21:40 | 0:21:42 | |
mentioned, like she said, "Oh, they were found by two local lads..." | 0:21:42 | 0:21:46 | |
But if he's your boyfriend, you'd say, | 0:21:46 | 0:21:49 | |
"Oh, my boyfriend and another guy found it." | 0:21:49 | 0:21:51 | |
A bit shifty about it, aren't they? | 0:21:51 | 0:21:53 | |
Well, let's look at the suspects board, actually. | 0:21:53 | 0:21:55 | |
Because we have a new name to add. | 0:21:55 | 0:21:59 | |
We haven't met him yet, but they talked about Angus Brown. | 0:21:59 | 0:22:03 | |
Yeah. Well, Angus Brown owns the adjacent farm to Hettie. | 0:22:03 | 0:22:08 | |
-Yeah. -And that's who Mackenzie said that him and Toby were in his field, | 0:22:08 | 0:22:14 | |
rather than in Hettie's. | 0:22:14 | 0:22:15 | |
But if that's true, then why were they barging | 0:22:18 | 0:22:20 | |
-through police tape in Hettie's? -Well, exactly. | 0:22:20 | 0:22:22 | |
It keeps saying by Mackenzie that he's recently divorced. | 0:22:22 | 0:22:26 | |
-Yeah. -Who? | 0:22:26 | 0:22:28 | |
No idea. So once again... | 0:22:28 | 0:22:30 | |
Once again, it's time to pick some evidence. | 0:22:31 | 0:22:34 | |
Armchair Detectives, what would you like to see? | 0:22:34 | 0:22:36 | |
A forensic report of tape found on Hettie's heater wire? | 0:22:36 | 0:22:40 | |
Photographs of mud tracks and footprints found | 0:22:40 | 0:22:43 | |
at Parsleybed Farm? | 0:22:43 | 0:22:45 | |
And a new piece of evidence - | 0:22:45 | 0:22:46 | |
a letter addressed to the Crown Office? | 0:22:46 | 0:22:50 | |
-Crown Office letter. -Crown Office letter. | 0:22:51 | 0:22:54 | |
-I do want to see the tape. -Casting vote, Wisdom. | 0:22:54 | 0:22:57 | |
-Tape. -Tape! | 0:22:57 | 0:22:58 | |
That's what we're going for! This is a forensic report of tape | 0:22:58 | 0:23:02 | |
found on Hettie's heater wire. | 0:23:02 | 0:23:04 | |
Mackenzie's fingerprints were found on the tape. | 0:23:04 | 0:23:07 | |
It is standard three-quarter-inch black electrical tape. | 0:23:08 | 0:23:12 | |
In his police interview, he said that he'd been around | 0:23:12 | 0:23:15 | |
and fixed Hettie's heater. | 0:23:15 | 0:23:17 | |
-Yeah... -So that would be why his fingerprints were on the tape. | 0:23:17 | 0:23:20 | |
That doesn't mean he didn't do anything else with it. | 0:23:20 | 0:23:23 | |
-But there is a plausible explanation. -There is, yeah. | 0:23:23 | 0:23:26 | |
Well, Armchair Detectives, it's time to pick your prime suspect. | 0:23:26 | 0:23:29 | |
Are any of you going to change your mind? | 0:23:29 | 0:23:31 | |
Please write down your prime suspect, now. | 0:23:31 | 0:23:34 | |
What are you thinking at home? | 0:23:38 | 0:23:39 | |
I have a number of thoughts. | 0:23:41 | 0:23:43 | |
Write down your name. | 0:23:45 | 0:23:46 | |
Armchair Detectives, notepads down, please. | 0:23:48 | 0:23:52 | |
Wisdom, last time you picked Tracey, have you changed your mind? | 0:23:52 | 0:23:55 | |
-Nope. -Why? -Shady. | 0:23:55 | 0:23:58 | |
James? Last time you went for Tracey. | 0:23:58 | 0:24:00 | |
-Changed? -No, stayed with Tracey at the moment. -Because? | 0:24:00 | 0:24:04 | |
There's still a few unanswered questions with her. | 0:24:05 | 0:24:07 | |
Toria, last time you went for Tracey as well. Have you changed your mind? | 0:24:07 | 0:24:11 | |
-I have. -Who've you gone for? | 0:24:11 | 0:24:14 | |
-I've gone for Toby. -Where's that come from? | 0:24:14 | 0:24:17 | |
It was something Mackenzie said, about, | 0:24:17 | 0:24:19 | |
"WE were helping out, fixing the heater," but his fingerprints | 0:24:19 | 0:24:23 | |
weren't on it anywhere. Did he clean them off? | 0:24:23 | 0:24:26 | |
Was he not really... It makes me want to hear his | 0:24:26 | 0:24:28 | |
side of the story more. We haven't heard from him yet. | 0:24:28 | 0:24:30 | |
Interesting. So, the prime suspects... | 0:24:30 | 0:24:33 | |
Wisdom has gone for Tracey, James has gone for Tracey, | 0:24:33 | 0:24:36 | |
and Toria has gone for Toby. | 0:24:36 | 0:24:40 | |
OK, Armchair Detectives. | 0:24:40 | 0:24:41 | |
Next, it's time for round four. Dig Deeper. | 0:24:41 | 0:24:45 | |
We're about to meet Angus Brown, Hettie's neighbour. | 0:24:47 | 0:24:49 | |
Let's head back to Mortcliff. | 0:24:49 | 0:24:51 | |
You never know what's out there, Mac. | 0:25:01 | 0:25:04 | |
Lightning never strikes the same place twice. | 0:25:04 | 0:25:06 | |
Lightning never strikes this far north, end of. | 0:25:06 | 0:25:10 | |
But luck just may. | 0:25:10 | 0:25:12 | |
What you need to do, pal, is curb the enthusiasm. | 0:25:12 | 0:25:15 | |
Well, our contact at the museum estimates the value to be £30,000. | 0:25:22 | 0:25:28 | |
-A tidy sum! -Imagine - 10,000 each. | 0:25:28 | 0:25:32 | |
Should have been a 50-50 split me and you, instead of three ways. | 0:25:32 | 0:25:36 | |
-You signed the contract. -Toby! | 0:25:36 | 0:25:38 | |
Gus, you had plenty of time to make up your mind. | 0:25:40 | 0:25:42 | |
Best we leave you to it. | 0:25:45 | 0:25:47 | |
Don't want to take up any more of your time. | 0:25:47 | 0:25:49 | |
Ten grand is nothing to sniff at, I suppose. | 0:25:49 | 0:25:52 | |
-Morning, all! -Hello, Rosie! | 0:25:52 | 0:25:54 | |
We'll be seeing you. | 0:25:56 | 0:25:57 | |
Hey, any luck yet? | 0:26:06 | 0:26:07 | |
If we find anything, you'll be the first one he tells, Rosie. | 0:26:09 | 0:26:11 | |
-Well, aye. -Is that a fact? | 0:26:11 | 0:26:14 | |
-You finished your shift? -I've just got one more drop. | 0:26:14 | 0:26:18 | |
A letter for Hettie, then I'm home for lunch. | 0:26:18 | 0:26:20 | |
Oh, we'll drop it off for you. We drive past there. | 0:26:20 | 0:26:22 | |
-Oh, thanks, Toby. But... -Seriously, there's no bother. | 0:26:22 | 0:26:25 | |
Cheers, pal. See you later? | 0:26:25 | 0:26:27 | |
This is from the Crown. | 0:26:31 | 0:26:33 | |
I knew I was wrong to trust you. | 0:26:33 | 0:26:35 | |
300,000! Hundred! Not 30, you lying scum! | 0:26:35 | 0:26:38 | |
No, no, no Angus. That must be a typo. | 0:26:38 | 0:26:40 | |
The expert at the museum definitely said 30,000. | 0:26:40 | 0:26:43 | |
We'll see about that. | 0:26:44 | 0:26:45 | |
Oh, God... | 0:26:49 | 0:26:50 | |
Mac, don't open the...! Mac! | 0:26:51 | 0:26:53 | |
"Dear Hettie, in the interest of preserving history..." | 0:26:56 | 0:27:00 | |
Yada, yada, yada... | 0:27:00 | 0:27:02 | |
"..I understand from the local museum | 0:27:02 | 0:27:04 | |
"that a significant Viking find has been uncovered in your area. | 0:27:04 | 0:27:08 | |
"Please call for an appointment to further discuss this matter." | 0:27:09 | 0:27:12 | |
Oh, God. | 0:27:12 | 0:27:14 | |
Drive. | 0:27:14 | 0:27:16 | |
Drive! | 0:27:16 | 0:27:17 | |
So much for your girlfriend! | 0:27:18 | 0:27:19 | |
-You wouldn't be able to help me fix my heater, would you, boys? -Um... | 0:27:31 | 0:27:35 | |
Aye! Sure! How did you know we were coming? | 0:27:35 | 0:27:37 | |
I can hear this rust bucket a mile off! | 0:27:37 | 0:27:40 | |
-Heater's in the barn. -No problem. | 0:27:42 | 0:27:43 | |
Time to trade the old claptrap in, Toby. | 0:27:45 | 0:27:47 | |
What will you do - get another one the same? | 0:27:47 | 0:27:50 | |
Maybe. Maybe I'll get something more luxurious. | 0:27:50 | 0:27:54 | |
You're very flush all of a sudden. | 0:27:55 | 0:27:57 | |
Aye, well, you know Toby. | 0:27:57 | 0:27:59 | |
Head in the clouds. | 0:27:59 | 0:28:00 | |
There you go. | 0:28:05 | 0:28:06 | |
Happy to help. | 0:28:09 | 0:28:10 | |
I've seen you boys skulking around. | 0:28:13 | 0:28:15 | |
That hole you've dug in the lane happens to be on my land. | 0:28:16 | 0:28:20 | |
Not Angus's. | 0:28:20 | 0:28:21 | |
So anything you've found belongs to me. | 0:28:21 | 0:28:24 | |
Hettie, if there's anything to find, you'll be the first to know. | 0:28:25 | 0:28:28 | |
I'll meet you back at the car. Just give us a second. | 0:28:30 | 0:28:32 | |
Just in case we do find something on your land... | 0:28:36 | 0:28:39 | |
let's make it official. | 0:28:39 | 0:28:41 | |
You know, if there's anything valuable here, | 0:28:41 | 0:28:44 | |
you'll never find it without our help. | 0:28:44 | 0:28:46 | |
Three-way? I don't think so. | 0:29:03 | 0:29:06 | |
50/50. | 0:29:06 | 0:29:08 | |
That's not how we operate, Hettie. No can do. | 0:29:09 | 0:29:12 | |
In that case, I'll have to decline. | 0:29:13 | 0:29:16 | |
And I'll keep hold of this. | 0:29:17 | 0:29:19 | |
I saw the date. | 0:29:21 | 0:29:22 | |
You've backdated it by a week. You're up to something. | 0:29:22 | 0:29:26 | |
Can you drop me at the museum? I think I just messed up. | 0:29:34 | 0:29:38 | |
The plot thickens. | 0:29:42 | 0:29:45 | |
Where to start! I think within the last week, | 0:29:46 | 0:29:49 | |
they've found something or a hint of something on her land. | 0:29:49 | 0:29:53 | |
Which is why he's trying to backdate it. | 0:29:53 | 0:29:56 | |
Let me introduce a new suspect, because that might help this | 0:29:56 | 0:29:58 | |
discussion a little bit. | 0:29:58 | 0:29:59 | |
We can now see Angus and a new suspect, Rosie Jones, the postie. | 0:29:59 | 0:30:06 | |
Mackenzie... Is his ex-partner Lucy? | 0:30:06 | 0:30:12 | |
-I did wonder that. -Oh... | 0:30:14 | 0:30:16 | |
I might be completely way off this. | 0:30:18 | 0:30:21 | |
But, before, before, Toby's one is A201 CBF... | 0:30:22 | 0:30:27 | |
-Yes. -The one in the CCTV... -A201 OBE. | 0:30:27 | 0:30:34 | |
-OBE? -Yep. | 0:30:34 | 0:30:35 | |
Mackenzie threw to Toby electrical black tape | 0:30:35 | 0:30:41 | |
that could be used to change the numberplate. | 0:30:41 | 0:30:46 | |
Thank you, James! That's all I've been thinking about! | 0:30:46 | 0:30:48 | |
Don't know if this is right or not, James. | 0:30:49 | 0:30:51 | |
But all I've been thinking about is the black electrical tape | 0:30:51 | 0:30:54 | |
and the similar numberplates! | 0:30:54 | 0:30:56 | |
-I think it might be Toby! -Hold on a second. | 0:30:58 | 0:31:02 | |
I'm going to let you pick another piece of evidence. | 0:31:02 | 0:31:04 | |
See if this is going to help you. You can have... | 0:31:04 | 0:31:07 | |
the photographs of mud tracks and footprints found | 0:31:07 | 0:31:10 | |
at Parsleybed Farm. | 0:31:10 | 0:31:12 | |
A letter addressed to the Crown Office. | 0:31:12 | 0:31:15 | |
And a new item of evidence - the forensics report | 0:31:15 | 0:31:19 | |
from Hettie's clothing. | 0:31:19 | 0:31:21 | |
I'm curious about the clothes. | 0:31:21 | 0:31:23 | |
Why was her jacket in the bath, but not her? | 0:31:23 | 0:31:25 | |
Why wasn't she in the bath when she was electrocuted? | 0:31:25 | 0:31:28 | |
Because that means some and took the heater out and...her? | 0:31:28 | 0:31:32 | |
I...wish...I could sit where you are... | 0:31:32 | 0:31:35 | |
Come and sit here, I'll sit there! | 0:31:36 | 0:31:38 | |
Because I've noticed so many things... | 0:31:39 | 0:31:42 | |
-Is there anything we've missed so far? -Yes! | 0:31:46 | 0:31:49 | |
-I thought I was doing well with the tape! -You're doing brilliantly! | 0:31:50 | 0:31:53 | |
No, we need to pick a piece of evidence. What are you going to choose? I need a decision. | 0:31:53 | 0:31:57 | |
-I'll go clothing. -Clothing? -Yeah. | 0:31:57 | 0:31:59 | |
So you're choosing the forensics report on the victim's clothing. | 0:31:59 | 0:32:04 | |
-Red woollen fibres... -Ooh! | 0:32:04 | 0:32:06 | |
..on the victim's clothing. | 0:32:06 | 0:32:09 | |
-It's those darn fingerless gloves. -It's the men's! | 0:32:09 | 0:32:13 | |
-But... But that wasn't the only person wearing red wool. -It's not. | 0:32:13 | 0:32:17 | |
-Who else was wearing red wool? -The postlady. | 0:32:17 | 0:32:19 | |
Yes, the postlady was. | 0:32:19 | 0:32:21 | |
I'm going to need you to pick another prime suspect | 0:32:21 | 0:32:23 | |
for me at this stage. | 0:32:23 | 0:32:25 | |
There's been a lot of evidence, a lot of conjecture. | 0:32:25 | 0:32:27 | |
Write down your prime suspect for me now. | 0:32:27 | 0:32:30 | |
Wisdom, last time your prime suspect was Tracey. | 0:32:38 | 0:32:42 | |
Who have you gone for this time? | 0:32:42 | 0:32:44 | |
-I have a sneaking suspicion about Toby. -OK. | 0:32:44 | 0:32:49 | |
James, last time you went for... | 0:32:49 | 0:32:51 | |
-Tracey. -Tracey. | 0:32:51 | 0:32:52 | |
-Who've you gone for? -I've changed to Toby. | 0:32:52 | 0:32:55 | |
Toby. Why? | 0:32:55 | 0:32:57 | |
The being passed electrical tape, | 0:32:57 | 0:32:59 | |
it's the numberplates being very close, | 0:32:59 | 0:33:01 | |
could've been changed. | 0:33:01 | 0:33:02 | |
It's also the red fibres, | 0:33:02 | 0:33:04 | |
the woollen mittens, yeah... | 0:33:04 | 0:33:06 | |
Toria, last time you went for... | 0:33:06 | 0:33:08 | |
Toby. | 0:33:08 | 0:33:09 | |
And I'm sticking with Toby. | 0:33:09 | 0:33:11 | |
Once again, all three of them have gone for Toby. | 0:33:11 | 0:33:13 | |
APPLAUSE | 0:33:13 | 0:33:15 | |
It's the best game of snap we've ever played in our entire lives. | 0:33:15 | 0:33:18 | |
Let's see if we can find out more. It's time for round five - | 0:33:18 | 0:33:23 | |
the Final Clues. | 0:33:23 | 0:33:25 | |
Are Knight and Slater closer to finding out | 0:33:25 | 0:33:27 | |
who had beef with Hettie Garland? | 0:33:27 | 0:33:30 | |
Let's head back to Mortcliff. | 0:33:30 | 0:33:32 | |
And? | 0:33:46 | 0:33:47 | |
A contract drawn up between you, Toby Featherstone | 0:33:48 | 0:33:51 | |
and Mackenzie Long, | 0:33:51 | 0:33:53 | |
splitting the spoils of any discovered hoard. | 0:33:53 | 0:33:57 | |
I know nothing about that. | 0:33:57 | 0:33:58 | |
So if these coins, | 0:34:00 | 0:34:02 | |
which you know nothing about, were not found on your land then... | 0:34:02 | 0:34:08 | |
you'll be fine with not making any money at all? | 0:34:08 | 0:34:11 | |
Aye. | 0:34:11 | 0:34:12 | |
That's right. | 0:34:13 | 0:34:14 | |
-PHONE: -You have two saved voice messages. | 0:34:44 | 0:34:46 | |
First, saved yesterday at 12:55pm. | 0:34:46 | 0:34:50 | |
-MACKENZIE: -Hey, pal, listen... | 0:34:51 | 0:34:53 | |
Attention, the museum will close in five minutes. | 0:34:53 | 0:34:56 | |
I'll call you back. | 0:34:56 | 0:34:58 | |
Second voicemail message saved yesterday at 1:05pm. | 0:34:58 | 0:35:03 | |
Turns out under Scottish law, the money goes to the finder, | 0:35:03 | 0:35:06 | |
not the landowner, so we don't need the contact after all. | 0:35:06 | 0:35:10 | |
Call me soon as. Cheers. | 0:35:10 | 0:35:12 | |
AUDIENCE EXCLAIM Final Clues. | 0:35:26 | 0:35:29 | |
Armchair detectives, talk to me. | 0:35:29 | 0:35:31 | |
My understanding is, there's this big debate | 0:35:31 | 0:35:34 | |
about where the coins are found, | 0:35:34 | 0:35:36 | |
whether it's in Angus's land or whether it's in Hettie's land, | 0:35:36 | 0:35:40 | |
and they're worried because of splitting it with the landowner | 0:35:40 | 0:35:45 | |
and that's why they're trying to put up these contracts. | 0:35:45 | 0:35:47 | |
I think Toby's went round there and knocked her off | 0:35:47 | 0:35:50 | |
and then he's received a voicemail afterwards, | 0:35:50 | 0:35:54 | |
when he didn't need to do it at all. | 0:35:54 | 0:35:56 | |
Could they have moved what they found into Angus's land, | 0:35:56 | 0:36:00 | |
because he was willing to sort of agree with them? | 0:36:00 | 0:36:03 | |
So they were bumping her off, trying to get a better deal? | 0:36:03 | 0:36:06 | |
-Yeah, it is, yes. -Something around that. | 0:36:06 | 0:36:08 | |
I'm not quite sure what, though. | 0:36:08 | 0:36:09 | |
-Hettie was killed at one o'clock. -Yeah. | 0:36:09 | 0:36:12 | |
-That voicemail came at five minutes past one. -Yep. | 0:36:12 | 0:36:15 | |
From Mackenzie, telling Toby... | 0:36:15 | 0:36:16 | |
I'm assuming telling Toby, no need to go through with it... | 0:36:16 | 0:36:19 | |
-It kind of rules out Mackenzie. -..because obviously | 0:36:19 | 0:36:21 | |
we don't need to, basically, kill her or split it, so on and so forth. | 0:36:21 | 0:36:24 | |
But by that time, he'd already done it. And he'd... | 0:36:24 | 0:36:26 | |
HE POPS | 0:36:26 | 0:36:28 | |
Well, let's pick your final piece of evidence - | 0:36:28 | 0:36:30 | |
see if this helps you. | 0:36:30 | 0:36:31 | |
You can have either the photographs of mud tracks | 0:36:31 | 0:36:35 | |
and footprints found at Parsleybed Farm, | 0:36:35 | 0:36:37 | |
or a letter addressed to the Crown Office. | 0:36:37 | 0:36:41 | |
-I think the mud prints. -Mud prints because... | 0:36:41 | 0:36:44 | |
But what if the mud prints come back with welly boots | 0:36:44 | 0:36:47 | |
and 4x4 tracks? | 0:36:47 | 0:36:49 | |
Which is quite likely. | 0:36:49 | 0:36:51 | |
But letter to... Who's going to send a letter to the Crown Office? | 0:36:51 | 0:36:55 | |
Yeah, let's have a look at the letter to the Crown Office. | 0:36:55 | 0:36:58 | |
-Oh... -Yeah? | 0:36:58 | 0:37:00 | |
-OK. -Let's have a look at it. | 0:37:00 | 0:37:01 | |
"Dear Mr Christopher Dixon, | 0:37:01 | 0:37:04 | |
"I'm writing to you as a historian, working at the museum. | 0:37:04 | 0:37:06 | |
"The hoard is claimed to have been found | 0:37:06 | 0:37:08 | |
"on the farmland of Angus Brown. | 0:37:08 | 0:37:10 | |
"However, I regret to say that I have suspicions | 0:37:10 | 0:37:12 | |
"that this is not in fact the case | 0:37:12 | 0:37:14 | |
"and the hoard was most likely found on the land of | 0:37:14 | 0:37:16 | |
"Parsleybed Farm owned by a Hettie Garland." | 0:37:16 | 0:37:20 | |
So it's Tracey has written to the Crown Office | 0:37:20 | 0:37:24 | |
with suspicions about the find. | 0:37:24 | 0:37:27 | |
-I reckon the guys found out about this. -Yes. | 0:37:27 | 0:37:31 | |
And they were not happy. | 0:37:31 | 0:37:33 | |
I'm still... | 0:37:33 | 0:37:36 | |
-The numberplate's a big thing for me. -Yeah. | 0:37:36 | 0:37:38 | |
And the fibres. | 0:37:38 | 0:37:40 | |
-And unless both of them are red herrings, then... -OK. | 0:37:41 | 0:37:47 | |
Well, it's no pressure, Armchair Detectives, but it's the moment... | 0:37:47 | 0:37:50 | |
-I may be missing something. -..where you make your final accusation, | 0:37:50 | 0:37:53 | |
and you choose the killer. | 0:37:53 | 0:37:54 | |
Lucy, Toby, Mackenzie, | 0:37:54 | 0:37:56 | |
Tracey, Rosie, Angus. | 0:37:56 | 0:37:59 | |
It's time to answer the question... | 0:37:59 | 0:38:03 | |
whodunnit? | 0:38:03 | 0:38:05 | |
HE MUMBLES | 0:38:07 | 0:38:08 | |
No time to put the kettle on at home. | 0:38:08 | 0:38:10 | |
You'll soon find out who the killer is. | 0:38:10 | 0:38:12 | |
Just stay where you are. Hope you guess correctly, | 0:38:12 | 0:38:14 | |
but don't... Don't leave now. | 0:38:14 | 0:38:16 | |
Or you can pause it and play it later, but just stay, stay. | 0:38:16 | 0:38:20 | |
Notepads down, Armchair Detectives. | 0:38:20 | 0:38:23 | |
It's time for your final decision. | 0:38:23 | 0:38:25 | |
Wisdom, who are you accusing of murder? | 0:38:25 | 0:38:28 | |
-Toby. -Toby. | 0:38:28 | 0:38:30 | |
Because? | 0:38:31 | 0:38:32 | |
My gut is telling me that and I'm going to stick with it. | 0:38:32 | 0:38:35 | |
James, who are you accusing? | 0:38:35 | 0:38:36 | |
I'm also accusing Toby. | 0:38:36 | 0:38:38 | |
How did he do it? | 0:38:38 | 0:38:39 | |
I think it's with the heater in the bath. | 0:38:39 | 0:38:42 | |
Toria, who are you going for? | 0:38:42 | 0:38:44 | |
-I am also going with Toby. -Toby! | 0:38:44 | 0:38:46 | |
-This is going to be really embarrassing. -No! | 0:38:48 | 0:38:50 | |
I also think it's Toby. LAUGHTER | 0:38:50 | 0:38:52 | |
So, if it's not Toby, | 0:38:52 | 0:38:54 | |
all four of us... | 0:38:54 | 0:38:56 | |
have got this very, very wrong. | 0:38:56 | 0:38:59 | |
How do you think he did it? | 0:38:59 | 0:39:01 | |
It's the connections, like the fibres, | 0:39:01 | 0:39:03 | |
the fact that he was there, the tape. | 0:39:03 | 0:39:06 | |
Well, the last piece of evidence has been left - | 0:39:06 | 0:39:10 | |
will it make you doubt your accusations? | 0:39:10 | 0:39:14 | |
Or will it help us out? Let's take a look at it. | 0:39:14 | 0:39:16 | |
The mud prints at the farm. | 0:39:16 | 0:39:19 | |
In the photos we have five footprints and tyre tracks. | 0:39:19 | 0:39:23 | |
The most recent was made by a 4x4 vehicle. | 0:39:23 | 0:39:29 | |
To be fair, you kind of said, Toria, | 0:39:29 | 0:39:31 | |
it might just be some wellington boots and some tyre tracks | 0:39:31 | 0:39:34 | |
and that's really what it is. | 0:39:34 | 0:39:36 | |
-I'm kind of relieved. -No, I'm glad that it's... | 0:39:36 | 0:39:39 | |
-No regrets? -Yeah. | 0:39:39 | 0:39:41 | |
Je ne regrette rien? | 0:39:41 | 0:39:44 | |
What really happened in today's story, Finders Keepers? | 0:39:44 | 0:39:47 | |
Who killed Hettie Garland? | 0:39:47 | 0:39:50 | |
Let's find out... | 0:39:50 | 0:39:52 | |
whodunnit. | 0:39:52 | 0:39:54 | |
So, Lucy Bryne. Typical activist, | 0:39:58 | 0:40:01 | |
blinded by naive idealism and what a temper. | 0:40:01 | 0:40:04 | |
-Well, I mean, she could be... -Slater! | 0:40:04 | 0:40:06 | |
Don't you realise that woman thinks chickens | 0:40:06 | 0:40:08 | |
are more important than people? | 0:40:08 | 0:40:10 | |
Yeah. | 0:40:11 | 0:40:13 | |
Look, red woollen fibres, the same found on Toby Featherstone's gloves | 0:40:13 | 0:40:16 | |
were found on Hettie's clothing. | 0:40:16 | 0:40:18 | |
And Toby's car was in the area at the time of the murder. | 0:40:18 | 0:40:21 | |
-The date matches with the time of death. -Mm-hm. | 0:40:21 | 0:40:23 | |
According to the DVLA, Toby's registration ended in CDF. | 0:40:23 | 0:40:28 | |
Maybe that rules him out? | 0:40:31 | 0:40:33 | |
You would think Mackenzie did it, wouldn't you? | 0:40:33 | 0:40:36 | |
What if Mackenzie goes to visit Hettie on his own? | 0:40:38 | 0:40:43 | |
Tries to offer her the same deal they'd offered Angus, | 0:40:43 | 0:40:46 | |
just to cover all the bases. | 0:40:46 | 0:40:47 | |
And through Hettie's stubbornness, she refuses and sends him packing. | 0:40:47 | 0:40:51 | |
Exactly. He tells Toby, Toby takes matters into his own hands. | 0:40:51 | 0:40:55 | |
Would he, though? | 0:40:58 | 0:40:59 | |
Toby goes to see Hettie after Mackenzie tells him | 0:40:59 | 0:41:02 | |
about what happened. | 0:41:02 | 0:41:03 | |
He spots the heater nearby, | 0:41:03 | 0:41:05 | |
seizes the opportunity, grabs it, chucks it in the water. | 0:41:05 | 0:41:08 | |
Simmons reckons that seven milliamps for three seconds is enough. | 0:41:10 | 0:41:13 | |
So if both of her hands are immersed in water at the time, | 0:41:13 | 0:41:16 | |
there's a good chance she was fully electrocuted. | 0:41:16 | 0:41:18 | |
OK, so after Hettie dies, Toby removes the handwritten contract | 0:41:18 | 0:41:21 | |
from her back pocket and that's when the gold coin drops. | 0:41:21 | 0:41:25 | |
All he needs to do then is remove it from the water | 0:41:32 | 0:41:34 | |
and it looks like she's had a heart attack. | 0:41:34 | 0:41:36 | |
Toby had motive, means and opportunity. | 0:41:36 | 0:41:39 | |
But what about the car? | 0:41:41 | 0:41:43 | |
Oh! I remember seeing black electrical tape in his boot. | 0:41:44 | 0:41:48 | |
But all we have is the CCTV footage | 0:41:48 | 0:41:51 | |
with a registration plate ending OBE. | 0:41:51 | 0:41:54 | |
Hold on. | 0:41:54 | 0:41:55 | |
Oh. | 0:42:01 | 0:42:02 | |
We... | 0:42:03 | 0:42:04 | |
..have a match. | 0:42:06 | 0:42:07 | |
How many of Lucy Byrne's meetings did you go to? | 0:42:21 | 0:42:24 | |
-Er, well, like, er, probably... -Relax, Slater! | 0:42:25 | 0:42:29 | |
SUSAN HUMS | 0:42:34 | 0:42:36 | |
LAUGHTER You've all caught today's killer. | 0:42:36 | 0:42:38 | |
And, Wisdom, well done - | 0:42:38 | 0:42:39 | |
it's your first golden magnifying glass trophy! | 0:42:39 | 0:42:42 | |
APPLAUSE | 0:42:42 | 0:42:43 | |
Armchair Detectives, how many of you got that one? | 0:42:45 | 0:42:48 | |
Oh, almost all of you, almost all of you. | 0:42:49 | 0:42:51 | |
Well done to everyone. | 0:42:51 | 0:42:52 | |
That was an absolutely cracking investigation! | 0:42:52 | 0:42:56 | |
So that's all from Armchair Detectives. | 0:42:56 | 0:42:58 | |
Come back tomorrow when a deadly crime leaves our detectives puzzled. | 0:42:58 | 0:43:03 | |
Word puzzled, to be exact. | 0:43:03 | 0:43:05 | |
And remember, | 0:43:07 | 0:43:09 | |
no-one gets away with murder in Mortcliff. | 0:43:09 | 0:43:12 | |
Goodbye. | 0:43:12 | 0:43:14 | |
Well done, well done, well done! APPLAUSE | 0:43:14 | 0:43:18 |