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Welcome back to Bake Off: Creme De La Creme | 0:00:02 | 0:00:03 | |
where, over the next two days, | 0:00:03 | 0:00:04 | |
three teams of professional pastry chefs will be battling it out | 0:00:04 | 0:00:07 | |
for the two places remaining in our semifinals. | 0:00:07 | 0:00:11 | |
It's a bit like musical chairs, only without the chairs or the music. | 0:00:11 | 0:00:15 | |
With three excellent teams competing, | 0:00:15 | 0:00:18 | |
it's already been billed the Clash of the Titans, by me just now. | 0:00:18 | 0:00:23 | |
Last time on Creme De La Creme... | 0:00:23 | 0:00:25 | |
-Why am I sweating so much? -Jesus. | 0:00:25 | 0:00:27 | |
-..after a choux bun showdown... -Cherish, do you have to stand there? | 0:00:27 | 0:00:30 | |
-Laurian, Reece and Stefan's teams... -I did it. | 0:00:30 | 0:00:33 | |
..booked their place in the next heat. | 0:00:33 | 0:00:36 | |
Scrumptious! I love it! | 0:00:36 | 0:00:38 | |
But Mark and co crashed out. | 0:00:38 | 0:00:40 | |
-I messed it up massively. I -BLEEP -messed up. | 0:00:40 | 0:00:43 | |
I'm going to miss you, seriously. | 0:00:43 | 0:00:44 | |
Tonight, the teams face a miniature challenge that's a huge ask. | 0:00:44 | 0:00:49 | |
Can Maxime go any faster? And a showpiece... | 0:00:49 | 0:00:52 | |
This is Neptune. | 0:00:52 | 0:00:54 | |
-..of galactic proportions. -That one is my satellite. | 0:00:54 | 0:00:57 | |
But which two teams will reach for the stars | 0:00:57 | 0:01:01 | |
to grab those last semifinal places... | 0:01:01 | 0:01:03 | |
Don't move too much, Stefan. | 0:01:03 | 0:01:05 | |
..and who will come down to Earth... | 0:01:05 | 0:01:06 | |
-Argh! -Why did that whole piece just move? | 0:01:06 | 0:01:09 | |
..with a bang? | 0:01:09 | 0:01:11 | |
Firle Place, Sussex, | 0:01:38 | 0:01:40 | |
where three teams of professional pastry chefs | 0:01:40 | 0:01:42 | |
are about to engage in a literally gargantuan struggle | 0:01:42 | 0:01:46 | |
for the remaining two semifinal places. | 0:01:46 | 0:01:49 | |
It feels great to be back but, from now on, it's a different ballgame. | 0:01:49 | 0:01:53 | |
It's going to be really tight today. Thank you. | 0:01:53 | 0:01:55 | |
We're very aware that the other two teams at a high level. | 0:01:55 | 0:01:59 | |
OK is definitely not enough. | 0:01:59 | 0:02:01 | |
We need to prove we can go on in this competition | 0:02:01 | 0:02:03 | |
and we are here for one reason. | 0:02:03 | 0:02:05 | |
-Er... -To win! | 0:02:09 | 0:02:12 | |
Judges Cherish and Benoit have, true to form, | 0:02:12 | 0:02:16 | |
set two almost unreasonably demanding challenges, | 0:02:16 | 0:02:19 | |
worth a total of 100 points. | 0:02:19 | 0:02:21 | |
The team with the lowest score at the end of the two days | 0:02:21 | 0:02:23 | |
will leave the competition. | 0:02:23 | 0:02:25 | |
I really think the judges are going to be tougher | 0:02:25 | 0:02:27 | |
than they were last week | 0:02:27 | 0:02:29 | |
but we are fighting for a place in the semis. | 0:02:29 | 0:02:30 | |
Fingers crossed, right? All good. | 0:02:30 | 0:02:33 | |
-All good. -Yeah, good luck. | 0:02:34 | 0:02:35 | |
Morning, chefs. Welcome back. | 0:02:35 | 0:02:38 | |
I must say how delighted we all are to see you again. | 0:02:38 | 0:02:40 | |
OK, just me then. LAUGHTER | 0:02:42 | 0:02:44 | |
So, a lot at stake today, not least two places in the semifinal. | 0:02:44 | 0:02:49 | |
To make it through you have to impress Benoit and Cherish | 0:02:49 | 0:02:52 | |
and they have decided that making | 0:02:52 | 0:02:54 | |
72 perfectly formed miniatures is for wimps, | 0:02:54 | 0:02:57 | |
so they've doubled that to 144. | 0:02:57 | 0:03:01 | |
Benoit, what's on the menu? | 0:03:01 | 0:03:03 | |
I've chosen a Viennoiserie, which is a yeasted pastry, | 0:03:03 | 0:03:06 | |
such as a croissant or a Danish. | 0:03:06 | 0:03:08 | |
We need 36 of two different types, but I want them to be designer. | 0:03:08 | 0:03:12 | |
-So not only taste great, I want them to look amazing. -Cherish? | 0:03:12 | 0:03:16 | |
I'd like you to make petits fours - two types, 36 each, 72 in total. | 0:03:16 | 0:03:22 | |
They all have to be rolled, filled and highly-decorated. | 0:03:22 | 0:03:26 | |
Thank you, judges. | 0:03:26 | 0:03:28 | |
Chefs, you have three hours and your time starts now. | 0:03:28 | 0:03:33 | |
-Let's go. Caster sugar. -Thank you. | 0:03:33 | 0:03:38 | |
With 40 points available, scoring well today would give the teams | 0:03:38 | 0:03:42 | |
a crucial advantage in the battle for a semifinal place. | 0:03:42 | 0:03:45 | |
-Going is good. -It's push, push, push, push. | 0:03:45 | 0:03:48 | |
So, everyone's starting with the most labour-intensive | 0:03:48 | 0:03:51 | |
of the miniatures - a breakfast staple, reinvented. | 0:03:51 | 0:03:54 | |
Viennoiserie is the very French core | 0:03:54 | 0:03:57 | |
of the pastry world. The designer challenge | 0:03:57 | 0:04:00 | |
will be choosing the classic as a base | 0:04:00 | 0:04:02 | |
but perhaps bring some new shapes, new flavour combinations | 0:04:02 | 0:04:06 | |
that you will not see in any display in any counter in any shops. | 0:04:06 | 0:04:09 | |
Last night, the teams were given 30 minutes | 0:04:09 | 0:04:12 | |
to prepare their yeasted dough. | 0:04:12 | 0:04:14 | |
Dough's looking good. It's nice and chilled. It's nicely proved. | 0:04:14 | 0:04:17 | |
I'm starting to do the layering. The dough is really hard. | 0:04:17 | 0:04:21 | |
A nice, flaky, well-baked pastry needs to be laminated properly, | 0:04:21 | 0:04:26 | |
needs to be proved correctly and needs to be baked beautifully. | 0:04:26 | 0:04:30 | |
Obviously any of those not being there | 0:04:30 | 0:04:32 | |
is going to be a big chunk of the point gone. | 0:04:32 | 0:04:34 | |
You don't push the paste, actually, you just roll it. | 0:04:38 | 0:04:41 | |
You know, I don't push. If I push, I break the thin layers of butter. | 0:04:41 | 0:04:45 | |
You don't need to be strong if you have technique. | 0:04:45 | 0:04:47 | |
He's a strong guy. He said he wanted to do it. | 0:04:52 | 0:04:54 | |
If someone tells you he's going to do the hard work, you let him do it. | 0:04:54 | 0:04:58 | |
-Morning, Chefs, how are you? -I smell bacon. -You can smell bacon. | 0:04:58 | 0:05:02 | |
Is that breakfast time already? | 0:05:02 | 0:05:04 | |
We're making a layered brioche with maple syrup, pecan nuts, | 0:05:04 | 0:05:08 | |
crispy bacon and bourbon. | 0:05:08 | 0:05:09 | |
It's an American take on the Viennoiserie. | 0:05:09 | 0:05:11 | |
It's like the American croque monsieur. | 0:05:11 | 0:05:13 | |
The American croque monsieur, oh-la-la. | 0:05:13 | 0:05:16 | |
Based at the Cocorico Patisserie in Cardiff, | 0:05:16 | 0:05:18 | |
Laurian's team have taken flavours | 0:05:18 | 0:05:20 | |
beloved of their native home of France | 0:05:20 | 0:05:22 | |
and their adopted home of Wales and completely ignored them | 0:05:22 | 0:05:26 | |
for their American-style bacon and bourbon brioche. | 0:05:26 | 0:05:29 | |
And they're being equally bold | 0:05:29 | 0:05:30 | |
with their bi-colour pistachio-raspberry croissant, | 0:05:30 | 0:05:33 | |
made from two different doughs. | 0:05:33 | 0:05:34 | |
Viennoiserie - is that something you do a lot in your shop? | 0:05:34 | 0:05:37 | |
Yeah, we do them daily. | 0:05:37 | 0:05:38 | |
We should expect a strong round from your team, yeah? | 0:05:38 | 0:05:41 | |
Looking at Thibault's face, I think "expect" is a big word. | 0:05:41 | 0:05:44 | |
Is there anything that you're worried about? | 0:05:44 | 0:05:46 | |
The Viennoiserie is one of those things, | 0:05:46 | 0:05:48 | |
you want the layering to be as best as possible. | 0:05:48 | 0:05:51 | |
And how is the timing going? | 0:05:51 | 0:05:52 | |
Do you think the three hours is going to be nicely filled? | 0:05:52 | 0:05:55 | |
Er, definitely, definitely nicely filled. | 0:05:55 | 0:05:57 | |
The most important thing today is time management, so we can give it | 0:06:00 | 0:06:03 | |
enough time to rest between folds, which is vital | 0:06:03 | 0:06:07 | |
for a really flaky pastry. | 0:06:07 | 0:06:09 | |
In the orange kitchen, Reece and his team | 0:06:09 | 0:06:12 | |
from the five-star Grove Hotel in Hertfordshire | 0:06:12 | 0:06:15 | |
regularly cater for over 1,500 guests a day, | 0:06:15 | 0:06:18 | |
but rarely get the chance | 0:06:18 | 0:06:19 | |
to take such an experimental approach to their work. | 0:06:19 | 0:06:22 | |
Two types of Viennoiserie today are a hybrid croissant-doughnut | 0:06:22 | 0:06:27 | |
and the other one is an orange pastry, shaped like a flower. | 0:06:27 | 0:06:30 | |
This is out of our comfort zone but we wanted to take the risk | 0:06:30 | 0:06:33 | |
cos we're fighting for a place in the semifinal. | 0:06:33 | 0:06:35 | |
With a bi-colour flower-shaped Danish, | 0:06:35 | 0:06:37 | |
topped with an orange creme patissiere | 0:06:37 | 0:06:39 | |
and their cross-bred doughnut/ croissant, | 0:06:39 | 0:06:41 | |
filled with apple marmalade, they seem intent | 0:06:41 | 0:06:44 | |
on pushing the breakfast boundaries to the very limit. | 0:06:44 | 0:06:46 | |
-So, you've done a "droissant". -A "droissant". | 0:06:46 | 0:06:49 | |
We practised it a couple of times. | 0:06:49 | 0:06:50 | |
It's not something we'd do in the hotel. | 0:06:50 | 0:06:52 | |
We're trying to do something that's keeping up with trends, | 0:06:52 | 0:06:55 | |
we're trying to do something that's going to showcase ourselves. | 0:06:55 | 0:06:57 | |
That is a recurring theme with you guys. | 0:06:57 | 0:06:59 | |
You're trying something different but it hasn't always worked. | 0:06:59 | 0:07:02 | |
-No, it hasn't. -So, how confident are you with this to work? | 0:07:02 | 0:07:04 | |
I'm hoping, I'm hoping that it's going to make the difference | 0:07:06 | 0:07:09 | |
and set us apart from the other teams. | 0:07:09 | 0:07:11 | |
In the black kitchen, | 0:07:12 | 0:07:14 | |
Stefan's team from the Crafthouse restaurant in Leeds, | 0:07:14 | 0:07:17 | |
have pinned their hopes on one unique flavour, in particular - | 0:07:17 | 0:07:21 | |
a fragrant leaf from Southeast Asia called pandan. | 0:07:21 | 0:07:24 | |
So, I've got pandan leaf with hot water | 0:07:24 | 0:07:25 | |
and we're going to strain that off and use it in a creme patissiere | 0:07:25 | 0:07:29 | |
and then pipe that into the centre. | 0:07:29 | 0:07:31 | |
It's unusual mixing classic European Viennoiserie | 0:07:31 | 0:07:33 | |
with some Asian flavours, | 0:07:33 | 0:07:35 | |
so hopefully, the judges are going to appreciate that. | 0:07:35 | 0:07:37 | |
Its elaborate floral design gives Stefan's team's | 0:07:37 | 0:07:40 | |
exotic bi-coloured croissant an added twist | 0:07:40 | 0:07:42 | |
and their simpler pastry swirl is filled | 0:07:42 | 0:07:45 | |
with a classic Italian chocolate and hazelnut paste, called gianduja. | 0:07:45 | 0:07:49 | |
So, talk to us about your Viennoiserie. | 0:07:49 | 0:07:52 | |
We have a classic flavour - | 0:07:52 | 0:07:54 | |
a hazelnut and dark chocolate gianduja. | 0:07:54 | 0:07:56 | |
The second, gone for pandan leaf. | 0:07:56 | 0:07:58 | |
I prefer the gianduja, personally, | 0:07:58 | 0:08:00 | |
because that's the European side of the pastry. | 0:08:00 | 0:08:02 | |
-For this I did that, Chef. -Thank you. You are so kind. | 0:08:02 | 0:08:04 | |
And what about the shape of the gianduja Viennoiserie? | 0:08:04 | 0:08:07 | |
What shape are you going to make? | 0:08:07 | 0:08:09 | |
I grew up with pandan and I love pandan, | 0:08:16 | 0:08:19 | |
so you're going to get this right for us? | 0:08:19 | 0:08:21 | |
Yeah, I'll try my best, Chef. | 0:08:21 | 0:08:23 | |
That's now going to go in the fridge. | 0:08:24 | 0:08:26 | |
We're going to rest that for about 20 minutes | 0:08:26 | 0:08:28 | |
and, in the meantime, we'll start on our orange dough. | 0:08:28 | 0:08:31 | |
If making two types of 36 perfectly uniform Viennoiseries | 0:08:31 | 0:08:35 | |
in just three hours wasn't tough enough... | 0:08:35 | 0:08:37 | |
How you doing, Lauren? You all right? | 0:08:37 | 0:08:39 | |
..for Stefan's team, the task is about to get even harder. | 0:08:39 | 0:08:42 | |
-How you feeling? -My legs are a bit weak. | 0:08:42 | 0:08:45 | |
Ooh-la-la, she's not well. | 0:08:45 | 0:08:47 | |
Yeah. | 0:08:49 | 0:08:50 | |
Stefan's going to struggle this morning with our team. | 0:08:50 | 0:08:54 | |
Stefan, let me do the pastry, you focus on the petits fours. | 0:08:54 | 0:08:58 | |
Oh, dear, Lauren, how are you? | 0:08:58 | 0:09:01 | |
Er, feeling a little under the weather at the minute. | 0:09:01 | 0:09:04 | |
I'm just feeling really light-headed, really sick. | 0:09:04 | 0:09:07 | |
It happened all week, but today's just gradually got worse. | 0:09:07 | 0:09:10 | |
I'm just going to sit out for a while, | 0:09:10 | 0:09:12 | |
see how I feel and then, hopefully, jump back in. | 0:09:12 | 0:09:14 | |
Do you want me to do this creme pat? | 0:09:14 | 0:09:16 | |
No, keep going with the petits fours. | 0:09:16 | 0:09:18 | |
-REECE: -Have they got a teammate down? It's a shame. | 0:09:18 | 0:09:20 | |
It's vital for them. | 0:09:20 | 0:09:21 | |
-LAURIAN: -The problem is you rely on being well | 0:09:21 | 0:09:23 | |
and, with the stress and everything, it takes a lot on the body. | 0:09:23 | 0:09:26 | |
Got a lot to do. Obviously, Lauren's not feeling good, | 0:09:26 | 0:09:29 | |
so we've just got to really push now. That's the only way. | 0:09:29 | 0:09:32 | |
MUSIC: Ah Mes Amis Pour Mon Ame from La Fille Du Regiment by Donizetti | 0:09:33 | 0:09:38 | |
-You know the time, Stefan? -Yeah. We've had 43 minutes. | 0:09:38 | 0:09:42 | |
-REECE: -We're going good, team. | 0:09:42 | 0:09:44 | |
Even if they think things are under control, | 0:09:44 | 0:09:46 | |
delivering 72 designer Viennoiseries is just the start. | 0:09:46 | 0:09:50 | |
# Ah, mes amis, quel jour de fete | 0:09:50 | 0:09:53 | |
# Je vais marcher... # | 0:09:53 | 0:09:55 | |
There are also two whole batches | 0:09:58 | 0:10:00 | |
of exquisite rolled petits fours to worry about. | 0:10:00 | 0:10:03 | |
A classic rolled petit four has to be rolled. | 0:10:05 | 0:10:08 | |
The name speak louder than word. | 0:10:08 | 0:10:10 | |
Not only does it have to taste good, it has to be elegant. | 0:10:10 | 0:10:13 | |
I will be judging them on how delicate their hand is. | 0:10:13 | 0:10:16 | |
What I would like to see from this challenge | 0:10:16 | 0:10:19 | |
is to think out of the box. | 0:10:19 | 0:10:20 | |
Don't give me boring petits fours | 0:10:20 | 0:10:22 | |
because these would be not acceptable. | 0:10:22 | 0:10:25 | |
Don't film the first one. It's like pancakes - it always goes wrong. | 0:10:26 | 0:10:29 | |
I'm just making the mojito cone. | 0:10:29 | 0:10:32 | |
This is exactly the same as making an ice cream cone, really. | 0:10:32 | 0:10:34 | |
I'll just make baby versions. | 0:10:34 | 0:10:36 | |
Lauren's mojito waffle cone will be filled with lime gel | 0:10:36 | 0:10:40 | |
and vanilla and rum marshmallow, | 0:10:40 | 0:10:41 | |
dipped at the end in chocolate | 0:10:41 | 0:10:43 | |
and topped with lime caviar. | 0:10:43 | 0:10:45 | |
And teammate Jonathan will be in charge of a chocolate wafer cigar, | 0:10:45 | 0:10:49 | |
filled with a chocolate mousse and dipped in powdered white chocolate. | 0:10:49 | 0:10:52 | |
So, the outside should be very crispy | 0:10:52 | 0:10:55 | |
and the inside will have a very, very light mousse texture. | 0:10:55 | 0:10:58 | |
Cigarette paste, we call it, like a tuile, a wafer mix. | 0:10:58 | 0:11:01 | |
They've got to be all exactly the same shape. | 0:11:01 | 0:11:04 | |
Should be seven centimetres. | 0:11:04 | 0:11:06 | |
When it comes to achieving perfectly uniform tuiles... | 0:11:06 | 0:11:09 | |
Maxime, I'm going to need your help actually | 0:11:09 | 0:11:11 | |
to lift this off the template. | 0:11:11 | 0:11:13 | |
..a stencil should help. | 0:11:13 | 0:11:15 | |
-I need your help. -I'm coming, I'm coming. | 0:11:15 | 0:11:17 | |
So, these have got to be pretty precise. | 0:11:17 | 0:11:19 | |
So, lift the template off. | 0:11:19 | 0:11:21 | |
You stretch on your side, I'll stretch on mine. | 0:11:21 | 0:11:23 | |
-You need to keep the tension, yeah. -Are you ready? -No. OK, ready. | 0:11:23 | 0:11:26 | |
-Stretch, stretch now? -Yeah. | 0:11:26 | 0:11:29 | |
-BLEEP! -I got most of them. | 0:11:29 | 0:11:30 | |
Stefan's pistachio and praline tuile | 0:11:32 | 0:11:34 | |
will be filled with a white chocolate and pistachio ganache | 0:11:34 | 0:11:37 | |
and a raspberry coulis centre. | 0:11:37 | 0:11:39 | |
He's also making a passion fruit jelly and chocolate ganache roll. | 0:11:39 | 0:11:43 | |
What I've got here is a dark chocolate ganache. | 0:11:43 | 0:11:45 | |
It's not quite how it went in the practice. | 0:11:45 | 0:11:47 | |
-It's just set up a bit too much. -Hi, Stefan. Hi, Maxime. -Hi. | 0:11:47 | 0:11:50 | |
-How you doing? -What's the latest? -Well, latest is... | 0:11:50 | 0:11:53 | |
-There's still just two of you? -There's still two of us. -Right. | 0:11:53 | 0:11:56 | |
But we're cracking on. We're having to increase the speed even further. | 0:11:56 | 0:11:59 | |
Can Maxime go any faster? He's already on fast--forward. | 0:11:59 | 0:12:01 | |
Good question. There's a few things we might have to leave off. | 0:12:01 | 0:12:04 | |
-What have you had to economise on? -Just the little garnishes. | 0:12:04 | 0:12:08 | |
We still might get time to do it | 0:12:08 | 0:12:09 | |
but we're going to leave those till towards the end, | 0:12:09 | 0:12:12 | |
rather than doing them now. | 0:12:12 | 0:12:13 | |
Cos we've got to leave quite a lot of time | 0:12:13 | 0:12:15 | |
-to fill all these little things. -That was quite fast. | 0:12:15 | 0:12:17 | |
-That was VERY fast. -Yeah. It's impressive. | 0:12:17 | 0:12:21 | |
I'm going to fix it, yeah. | 0:12:22 | 0:12:23 | |
That's a joconde sponge with praline inside it, | 0:12:31 | 0:12:33 | |
so you get that praline taste from the joconde sponge. | 0:12:33 | 0:12:35 | |
Put some hazelnuts on top to give a bit of a crunch as well. | 0:12:35 | 0:12:39 | |
Laurian's joconde sponge roll will be filled | 0:12:39 | 0:12:42 | |
with an apricot creme patissiere and covered in milk chocolate. | 0:12:42 | 0:12:46 | |
He's also making a passion fruit tuile cone, | 0:12:46 | 0:12:48 | |
filled with pineapple, ginger and chilli | 0:12:48 | 0:12:50 | |
and coconut and rum ganache. | 0:12:50 | 0:12:52 | |
Ginger, pineapple and chilli pepper. | 0:12:52 | 0:12:55 | |
-Do you think this is too spicy? -No. | 0:12:55 | 0:12:57 | |
You've got a bit of warmth but then it goes straightaway. | 0:12:57 | 0:13:00 | |
It's more the ginger warmth than the chilli. | 0:13:00 | 0:13:02 | |
-You always have been strong with your flavour combinations. -Yeah. | 0:13:02 | 0:13:05 | |
Are you expecting this one to be as strong? | 0:13:05 | 0:13:07 | |
-Yeah, best combo in the world. -CHERISH LAUGHS | 0:13:07 | 0:13:09 | |
SHEEP BLEAT | 0:13:11 | 0:13:14 | |
Chefs, you are now exactly halfway through. | 0:13:14 | 0:13:18 | |
I'm happy with them. | 0:13:19 | 0:13:20 | |
It's always a good test, if you can cut a Danish | 0:13:20 | 0:13:22 | |
and still see the layers, you've done the lamination right. | 0:13:22 | 0:13:25 | |
Getting the lamination right is one thing... | 0:13:25 | 0:13:27 | |
Bravo. | 0:13:29 | 0:13:30 | |
..but if the teams don't allow enough time | 0:13:30 | 0:13:32 | |
for their Viennoiserie to rise... | 0:13:32 | 0:13:34 | |
That is the gianduja pastry cream. | 0:13:34 | 0:13:36 | |
..all that careful layering will count for nowt. | 0:13:36 | 0:13:39 | |
It's just managing the proving time, managing the cooking time. | 0:13:39 | 0:13:41 | |
That's going to be the next step, that you get a nice rise. | 0:13:41 | 0:13:45 | |
You know Reece's team - I think that they're getting very competitive. | 0:13:46 | 0:13:50 | |
-I like them pushing themselves. -They just need to nail their tasting. | 0:13:50 | 0:13:54 | |
Currently making the marmalade. | 0:13:54 | 0:13:55 | |
That's going to be part of the croissant-doughnut garnish. | 0:13:55 | 0:13:59 | |
This is the bacon and the bourbon. | 0:14:00 | 0:14:02 | |
Laurian's team - I really like the Viennoiserie. | 0:14:02 | 0:14:04 | |
If they are proved enough and baked enough, | 0:14:04 | 0:14:06 | |
-I've got no issue with what's coming. -I'm just intrigued to taste. | 0:14:06 | 0:14:09 | |
The same size and the same weight, it's very important | 0:14:09 | 0:14:11 | |
cos Cherish is very difficult and she wants things perfectly. | 0:14:11 | 0:14:16 | |
The ganache tasted smooth. | 0:14:18 | 0:14:19 | |
It's just set up and making it harder to work with. | 0:14:19 | 0:14:21 | |
-So, Stefan's team. -I think they feel the stress now. | 0:14:21 | 0:14:24 | |
They are definitely going double tempo | 0:14:24 | 0:14:26 | |
but they don't have enough manpower to get it all done. | 0:14:26 | 0:14:28 | |
I think it's just too much for them. What a shame. | 0:14:28 | 0:14:31 | |
We're struggling, to be honest, | 0:14:31 | 0:14:33 | |
but we've just got to do the best we can and that's it, really. | 0:14:33 | 0:14:38 | |
One hour left now. | 0:14:38 | 0:14:40 | |
-60 minutes. -We've still got an hour left. | 0:14:40 | 0:14:42 | |
Just need to push, push, push, push. | 0:14:42 | 0:14:44 | |
Oh, sorry. | 0:14:44 | 0:14:46 | |
-I am going to need a hand rolling the... -I'm ready. | 0:14:46 | 0:14:49 | |
Have you got a couple of minutes? | 0:14:49 | 0:14:51 | |
As the others race to get their final Viennoiseries in the prover... | 0:14:54 | 0:14:57 | |
..Stefan and Maxime have even more to do. | 0:15:03 | 0:15:06 | |
Maxime, we need to get them in the prover. | 0:15:06 | 0:15:09 | |
Their intricate flower design croissant can't be proved | 0:15:09 | 0:15:12 | |
until it's shaped. | 0:15:12 | 0:15:13 | |
Can we simplify it so we can get it in the prover? | 0:15:13 | 0:15:15 | |
No, we don't simplify. | 0:15:15 | 0:15:17 | |
Don't worry, it'll be in the prover. I need to do a lot of things. | 0:15:17 | 0:15:20 | |
I need to make my shape, cool down, after fill up my mould, | 0:15:20 | 0:15:24 | |
finish it, put to prove, and Stefan is, like, "He's not finished, huh?" | 0:15:24 | 0:15:30 | |
Are you going to have time to put them in the prover? | 0:15:30 | 0:15:32 | |
-REECE: -So, the currant status of affairs | 0:15:32 | 0:15:34 | |
are we have got the croissant-doughnuts in the prover. | 0:15:34 | 0:15:37 | |
We're getting ready to fry those. Marmalade's made for it. | 0:15:37 | 0:15:40 | |
The filling's made, the crumble's in the oven. | 0:15:40 | 0:15:42 | |
Lauren's on her rolled petits fours and Jonathan's on his. | 0:15:42 | 0:15:45 | |
So far, so good, I think. | 0:15:45 | 0:15:47 | |
-What IS the time? -Just half an hour to go now. 30 minutes left. | 0:15:49 | 0:15:53 | |
Oh, my God! | 0:15:53 | 0:15:54 | |
Maxime, can I help you? We just need to get these in the prover. | 0:15:59 | 0:16:02 | |
Show me what to do. | 0:16:02 | 0:16:03 | |
-Thinner. Thin not big. -Thinner, yeah? -Thin. | 0:16:10 | 0:16:12 | |
-We need these in the prover? -Yeah, let's go, let's go. | 0:16:12 | 0:16:16 | |
If you fill it too much, they're going to snap. | 0:16:18 | 0:16:20 | |
-REECE: -As they're frying off, you can see the laminations in them, | 0:16:20 | 0:16:23 | |
which is what we want. It'll give it a nice crisp extra to it. | 0:16:23 | 0:16:25 | |
The only reason I'm turning them on the tray | 0:16:25 | 0:16:27 | |
is to drain any excess fat that's coming off them. | 0:16:27 | 0:16:30 | |
We need to get the fresh raspberries and we need to coat them all. | 0:16:39 | 0:16:43 | |
15 minutes left now. Just quarter of an hour. | 0:16:43 | 0:16:46 | |
This could be right on the time. | 0:16:46 | 0:16:48 | |
Oh! | 0:16:48 | 0:16:50 | |
More time, we need more time. | 0:17:00 | 0:17:02 | |
We're going to finish. We are going to finish. | 0:17:02 | 0:17:05 | |
-You've got eight minutes left. -Yeah. -Yeah. -That's as far as it goes. | 0:17:05 | 0:17:08 | |
-Pastries are in the oven, so... -Are they done? -No. -Blimey! | 0:17:08 | 0:17:13 | |
-Guys, are we on track? -Yeah. | 0:17:13 | 0:17:15 | |
This is just lime caviar, so there's just little spheres of lime juice, | 0:17:18 | 0:17:23 | |
which we've mixed with agar-agar. | 0:17:23 | 0:17:24 | |
-I need a hand to get those last Danishes out the oven. -That's fine. | 0:17:24 | 0:17:28 | |
Not quite finishing as we'd hoped but, hopefully, | 0:17:28 | 0:17:30 | |
we won't be out of the running for the second challenge. We shall see. | 0:17:30 | 0:17:34 | |
They're a little bit flat. Could have had a bit longer in the prover. | 0:17:34 | 0:17:37 | |
Should have cut them a bit thicker. | 0:17:37 | 0:17:39 | |
Chefs, you have one minute left. | 0:17:42 | 0:17:44 | |
Fast, fast, fast. Take out, take out. | 0:17:44 | 0:17:46 | |
Creme pat, just need a small amount. We need to go, we need to go. | 0:17:46 | 0:17:50 | |
-Like that, yeah? -Argh! | 0:17:50 | 0:17:52 | |
-You got it? -Yeah, I've got it. | 0:17:54 | 0:17:56 | |
-Let's just get these on the side. -OK, your time is up. | 0:17:58 | 0:18:02 | |
Now, please step away from your multiple miniatures. | 0:18:02 | 0:18:07 | |
We underestimated that one massively. | 0:18:08 | 0:18:10 | |
There shouldn't have been that much of a push. | 0:18:10 | 0:18:12 | |
Well done, mate. Big effort. | 0:18:12 | 0:18:15 | |
# Libiamo, libiamo ne' lieti... # | 0:18:15 | 0:18:18 | |
More than 400 miniatures, made in just three hours. | 0:18:18 | 0:18:23 | |
Watch it, watch it. | 0:18:24 | 0:18:26 | |
-STEFAN: -Managed to get them out. | 0:18:26 | 0:18:28 | |
I think it's going to be a tough round for us, though. | 0:18:28 | 0:18:30 | |
-REECE: -144 pastries in three hours - come on! | 0:18:30 | 0:18:32 | |
When does that ever happen at work? | 0:18:35 | 0:18:37 | |
So, congratulations, Chefs, on meeting the challenge. | 0:18:40 | 0:18:44 | |
Reece's team, if you'd like to bring up the products of your hard work. | 0:18:44 | 0:18:48 | |
Reece's team's Viennoiseries include flower-shaped, bi-coloured Danishes, | 0:18:51 | 0:18:55 | |
filled with orange creme patissiere | 0:18:55 | 0:18:57 | |
and croissant-doughnuts, or "droissants", | 0:18:57 | 0:19:00 | |
topped with green apple marmalade. | 0:19:00 | 0:19:02 | |
I really like the look of your "droissants", | 0:19:02 | 0:19:05 | |
and I can see the lamination, so well done for that. | 0:19:05 | 0:19:08 | |
It looks really, really appetising. | 0:19:08 | 0:19:10 | |
One little bit comment | 0:19:10 | 0:19:11 | |
-is that the colour is a little bit inconsistent. -Yeah. | 0:19:11 | 0:19:14 | |
Visually, it looks almost better when you look at the work | 0:19:19 | 0:19:23 | |
that actually happens within that dough. | 0:19:23 | 0:19:26 | |
It's really beautiful, really amazing. | 0:19:26 | 0:19:29 | |
So, the proof is inside the "droissant". | 0:19:29 | 0:19:32 | |
I was a bit concerned when you tell me it's going to be deep-fried, | 0:19:35 | 0:19:38 | |
but it tastes really, really nice. | 0:19:38 | 0:19:41 | |
I like the flakiness and the sharpness of the apple | 0:19:41 | 0:19:44 | |
brings everything together beautifully. | 0:19:44 | 0:19:47 | |
Lovely, lovely, texture. Really, really nice. I really enjoy it. | 0:19:47 | 0:19:51 | |
-I'm going to do that back at Le Manoir very soon. -Oh. | 0:19:51 | 0:19:55 | |
-And the orange? -Reece, what happened? | 0:19:55 | 0:19:58 | |
I sliced it a bit too thin, | 0:19:58 | 0:19:59 | |
rushed them through the prover and they came out a bit too flat. | 0:19:59 | 0:20:03 | |
-It's chewy and it's very dry. -You're losing the Viennoiserie aspect. | 0:20:06 | 0:20:10 | |
It's more like a dry paste with orange flavour. | 0:20:10 | 0:20:15 | |
-It doesn't live up to the "droissant". -I agree. -What a shame. | 0:20:15 | 0:20:18 | |
For their petits fours, they've made chocolate wafer cigars, | 0:20:20 | 0:20:23 | |
filled with chocolate mousse, | 0:20:23 | 0:20:25 | |
and waffle cones, filled with lime gel and rum and vanilla marshmallow. | 0:20:25 | 0:20:29 | |
I can visually see, | 0:20:30 | 0:20:32 | |
a little bit like the Viennoiserie challenge, two halves - | 0:20:32 | 0:20:36 | |
a beautiful cornet | 0:20:36 | 0:20:38 | |
and, as far as the cigar is concerned, | 0:20:38 | 0:20:40 | |
it's lacking a bit of refinement. | 0:20:40 | 0:20:42 | |
It's a bit heavy-handed, whereas this is very elegant, | 0:20:42 | 0:20:46 | |
-very dainty, very well done. -Mm. | 0:20:46 | 0:20:48 | |
The caviar is actually very strong, | 0:20:53 | 0:20:55 | |
but because the rest is also very acidic, | 0:20:55 | 0:20:57 | |
especially there is a curd at the bottom which is extremely acidic, | 0:20:57 | 0:21:00 | |
it's just built up far too much. | 0:21:00 | 0:21:02 | |
-It doesn't taste as good as it looks. -OK. -I'm a bit disappointed. | 0:21:02 | 0:21:08 | |
-Maybe we need to try the cigar. -Mm, always end with a cigar. | 0:21:08 | 0:21:12 | |
It was very aerated. It was very light, the chocolate mousse. | 0:21:15 | 0:21:18 | |
Does it excite me? | 0:21:18 | 0:21:20 | |
-No. -It's a little bit...should I use the word "boring"? -OK. | 0:21:22 | 0:21:27 | |
-To bring me a chocolate mousse in a tube... Disappointed, guys. -OK. | 0:21:27 | 0:21:32 | |
I concentrated too much on the croissant-doughnut, | 0:21:36 | 0:21:38 | |
as opposed to the swirl. | 0:21:38 | 0:21:40 | |
-We've got tomorrow. -We've still got tomorrow to play for, so... | 0:21:42 | 0:21:45 | |
Laurian and co are next, the French dragons. | 0:21:45 | 0:21:49 | |
If you could bring up your multiple miniatures. | 0:21:49 | 0:21:51 | |
Laurian's team's Viennoiserie include brioches, | 0:21:53 | 0:21:56 | |
filled with bacon, bourbon and pecan creme patissiere, | 0:21:56 | 0:21:59 | |
and bi-coloured croissants, | 0:21:59 | 0:22:01 | |
filled with pistachio creme patissiere and fresh raspberries. | 0:22:01 | 0:22:04 | |
The lamination is clearly visible, which is a great thing. | 0:22:06 | 0:22:10 | |
What are your immediate thoughts? BENOIT CLEARS HIS THROAT | 0:22:11 | 0:22:14 | |
-What are YOUR immediate thought? -It's underbaked. | 0:22:14 | 0:22:17 | |
Underbaked, fairly tight as well and compact. | 0:22:17 | 0:22:19 | |
We knew we didn't leave long enough in the prover. | 0:22:19 | 0:22:22 | |
From the exterior, it looks very well laminated, | 0:22:28 | 0:22:32 | |
but when you eat it, it's very doughy, it's very chewy, | 0:22:32 | 0:22:35 | |
it's very heavy and it's undercooked. It's a no-no to me. | 0:22:35 | 0:22:38 | |
Hopefully, the bacon one is going to redeem yourself. It's very neat. | 0:22:38 | 0:22:42 | |
You've baked it in a circle, it's the right size. | 0:22:42 | 0:22:45 | |
Again, the lamination is beautiful. | 0:22:45 | 0:22:47 | |
We can see all the lamination throughout. | 0:22:47 | 0:22:49 | |
Are you getting bacon? | 0:22:54 | 0:22:55 | |
No, I cannot taste it, or it's very subtle. | 0:22:58 | 0:23:01 | |
I wish the maple would be more present | 0:23:01 | 0:23:03 | |
and because the brioche dough is slightly underbaked, | 0:23:03 | 0:23:07 | |
we've got kind of a lot of dough to balance the flavour | 0:23:07 | 0:23:10 | |
you're trying to make, so a little bit disappointed. I was really... | 0:23:10 | 0:23:13 | |
This is the thing I was looking forward to today. | 0:23:13 | 0:23:15 | |
Mm, what a disappointment. | 0:23:15 | 0:23:18 | |
For their petits fours, | 0:23:18 | 0:23:19 | |
Laurian's team have made passion fruit wafer tuiles, | 0:23:19 | 0:23:22 | |
filled with pineapple, chilli and ginger | 0:23:22 | 0:23:24 | |
and a coconut and rum ganache. | 0:23:24 | 0:23:26 | |
Also, chocolate-dipped praline sponge rolls, | 0:23:26 | 0:23:29 | |
filled with apricot creme patissiere. | 0:23:29 | 0:23:31 | |
I look at your presentation, it is very dull. | 0:23:31 | 0:23:34 | |
I want you to inject some excitement in there. | 0:23:34 | 0:23:38 | |
-It's lacking a bit of finesse. -Yeah. | 0:23:39 | 0:23:41 | |
-What does that mean? -It means "good". | 0:23:51 | 0:23:53 | |
Is that different, is that original? | 0:23:53 | 0:23:56 | |
But you know, sometimes, give me something nice to eat, I don't mind. | 0:23:56 | 0:24:00 | |
It is quite heavy for me. | 0:24:00 | 0:24:02 | |
But, saying that, I am quite intrigued to taste your cone. | 0:24:02 | 0:24:06 | |
Again, it might not look good, needs a bit more tender, loving care. | 0:24:06 | 0:24:10 | |
I was concerned with the first chocolate kind of mousse. | 0:24:15 | 0:24:18 | |
At the beginning, I said, "Ah, it's going to be chocolate," | 0:24:18 | 0:24:21 | |
and then the pineapple kicks in and the ginger puts it somewhere else. | 0:24:21 | 0:24:25 | |
-There's nothing wrong there. -It is crispy, it is light. | 0:24:26 | 0:24:28 | |
You just made my day. Love it, love it, love it! | 0:24:28 | 0:24:32 | |
Stefan is next. | 0:24:46 | 0:24:48 | |
If you and your team - or Maxime, as he's known - | 0:24:48 | 0:24:50 | |
would like to bring your produce up. | 0:24:50 | 0:24:52 | |
For their Viennoiserie, Stefan and Maxime have made | 0:24:52 | 0:24:56 | |
bi-colour, flower-shaped pandan leaf croissant, | 0:24:56 | 0:24:59 | |
filled with pandan creme patissiere, | 0:24:59 | 0:25:01 | |
and chocolate and hazelnut gianduja swirls. | 0:25:01 | 0:25:04 | |
-Right, so not everything went to plan today. -Not quite, not quite. | 0:25:04 | 0:25:08 | |
Obviously, it's been difficult, but, you know, here we are. | 0:25:08 | 0:25:11 | |
We can only congratulate you for your effort this morning, | 0:25:11 | 0:25:15 | |
so we will bear in mind the fact that you've been two only, | 0:25:15 | 0:25:18 | |
but we also have to make a fair judgement on what we see and taste. | 0:25:18 | 0:25:23 | |
We can see the lamination, lots of layers. | 0:25:23 | 0:25:25 | |
Yeah, clearly there is a little baking issue | 0:25:27 | 0:25:28 | |
from the top to the bottom. | 0:25:28 | 0:25:30 | |
I have got the hazelnut but not the chocolate | 0:25:35 | 0:25:37 | |
and, obviously, because that flavour is not quite there, | 0:25:37 | 0:25:41 | |
you've got the hazelnut fat. | 0:25:41 | 0:25:42 | |
It is kind of rancid kind of taste on my palate. | 0:25:42 | 0:25:45 | |
I didn't enjoy eating it. | 0:25:45 | 0:25:47 | |
And then, saying that, I look at your pandan... | 0:25:47 | 0:25:49 | |
-They look like mini tortoises. -It is upside down though. | 0:25:49 | 0:25:52 | |
If you put it up on its back, and it's a flower. There you go. | 0:25:52 | 0:25:55 | |
I would prefer the two sizes look quite in line with each other. | 0:25:55 | 0:25:59 | |
-These look really mini. -It's underproved. | 0:25:59 | 0:26:02 | |
It didn't prove full stop. I mean, half an hour to go, | 0:26:02 | 0:26:04 | |
you were still putting them in the mould, weren't you? | 0:26:04 | 0:26:06 | |
I get very excited when you talk about pandan. | 0:26:06 | 0:26:09 | |
It's aromatic, it's very fragrant, although I prefer it | 0:26:09 | 0:26:12 | |
with a little bit of coconut injected into the flavour. | 0:26:12 | 0:26:16 | |
I think that would finish it off. | 0:26:16 | 0:26:17 | |
-Did you just take that out of your mouth? -Yes. | 0:26:17 | 0:26:20 | |
-What can I say? It is raw. -Bah, there we go. | 0:26:23 | 0:26:27 | |
I'm not going to be especially enthusiastic about this one. | 0:26:27 | 0:26:30 | |
It's not going to score very high. | 0:26:30 | 0:26:32 | |
For their petits fours, they've made chocolate ganache rolls, | 0:26:36 | 0:26:39 | |
encased in a passion fruit jelly, | 0:26:39 | 0:26:41 | |
and pistachio and praline tuiles, filled with pistachio | 0:26:41 | 0:26:44 | |
and white chocolate ganache and a raspberry coulis centre. | 0:26:44 | 0:26:47 | |
When you compare this and this, | 0:26:47 | 0:26:50 | |
they are not in size and not precise at all. | 0:26:50 | 0:26:53 | |
-The work is untidy. -OK, so I'm going to take the little one. | 0:26:53 | 0:26:57 | |
Oh. | 0:27:00 | 0:27:01 | |
The ganache is wrong. It's too dry. | 0:27:03 | 0:27:05 | |
It's not silky, it's not melting down. | 0:27:05 | 0:27:08 | |
When you make the ganache, you saw that it was split. | 0:27:08 | 0:27:11 | |
I just didn't enjoy eating it. | 0:27:11 | 0:27:13 | |
So, pistachio. | 0:27:13 | 0:27:14 | |
You've cut this one and I think I'm going to try the French way. | 0:27:14 | 0:27:17 | |
-Oh. -That's the best way. | 0:27:17 | 0:27:19 | |
I've got pistachio, I've got raspberry, | 0:27:21 | 0:27:24 | |
and the tuile on the outside is crispy. | 0:27:24 | 0:27:26 | |
Simple but very nice. | 0:27:26 | 0:27:28 | |
Well, you know what, if I eat it blindfolded, I'd be so happy. | 0:27:28 | 0:27:33 | |
Why blindfolded? | 0:27:33 | 0:27:34 | |
Because it is not very presentable, not precise, | 0:27:34 | 0:27:37 | |
but I was blindfolded, I would be happy, hunky-dory. | 0:27:37 | 0:27:41 | |
-Anyway, two chefs instead of three, well done. -Well done, mate. | 0:27:41 | 0:27:44 | |
The judges will now award a score out of ten | 0:27:52 | 0:27:54 | |
for each batch of miniatures. | 0:27:54 | 0:27:57 | |
In total, 40 points are available today | 0:27:58 | 0:28:00 | |
and, with a place in the semifinals at stake, | 0:28:00 | 0:28:03 | |
at the end of tomorrow, every point is crucial. | 0:28:03 | 0:28:06 | |
The team in third place, | 0:28:09 | 0:28:11 | |
with a total of 18 out of a possible 40, | 0:28:11 | 0:28:14 | |
Stefan's team. | 0:28:14 | 0:28:16 | |
You were really under the cosh today. | 0:28:16 | 0:28:18 | |
However, underproved Viennoiserie | 0:28:18 | 0:28:21 | |
and petits fours need a bit of tender, loving care. | 0:28:21 | 0:28:24 | |
But which team has put themselves in poll position | 0:28:24 | 0:28:27 | |
to get through to the semifinals? | 0:28:27 | 0:28:29 | |
Reece's team, | 0:28:29 | 0:28:31 | |
I thought the "droissant" was really, really tasty. | 0:28:31 | 0:28:34 | |
However, the petits fours was a bit bland. | 0:28:34 | 0:28:36 | |
I'm awarding you 12 out of 20. | 0:28:36 | 0:28:39 | |
I really enjoy your take on the designer Viennoiserie, | 0:28:39 | 0:28:42 | |
but I'm really concerned with some of the tastings. | 0:28:42 | 0:28:44 | |
I'm awarding you 11 points out of 20. | 0:28:44 | 0:28:47 | |
Giving you a total of 23 out of a possible 40. | 0:28:47 | 0:28:51 | |
Can we hear your scores, please, for Laurian's team? | 0:28:51 | 0:28:53 | |
Very flaky, but underbaked Viennoiserie. | 0:28:53 | 0:28:57 | |
Very tasty but underfinished petits fours. | 0:28:57 | 0:29:00 | |
I'm awarding you 11 out of 20. | 0:29:00 | 0:29:02 | |
Loved the taste, but time management issue. | 0:29:02 | 0:29:05 | |
I'm awarding you 10 out of 20. | 0:29:05 | 0:29:08 | |
Which gives you 21 points out of a possible 40. | 0:29:08 | 0:29:11 | |
And that means that Reece's team is in first place, | 0:29:11 | 0:29:15 | |
Laurian's team is in second | 0:29:15 | 0:29:17 | |
and, Stefan, you are currently in bronze position. | 0:29:17 | 0:29:20 | |
Not that all is lost because tomorrow is the showpiece challenge | 0:29:20 | 0:29:24 | |
and 60 points are available. So, for now, best to rest. | 0:29:24 | 0:29:28 | |
Come back tomorrow rejuvenated | 0:29:28 | 0:29:30 | |
and, hopefully, replete with the rest of your team. | 0:29:30 | 0:29:32 | |
See you back here tomorrow morning. | 0:29:32 | 0:29:34 | |
I have no idea of the way we did it, but we did it! | 0:29:34 | 0:29:38 | |
Obviously, they weren't quite the standard which we'd hoped for | 0:29:38 | 0:29:41 | |
but, the main thing is we're not out of contention. | 0:29:41 | 0:29:44 | |
There's literally nothing separating the teams. | 0:29:44 | 0:29:46 | |
We're first but we're first by two points. | 0:29:46 | 0:29:48 | |
Two points is nothing. You have it all to play for. | 0:29:48 | 0:29:50 | |
Tomorrow is a tricky challenge | 0:29:50 | 0:29:52 | |
but then that's why the golden hour could change the day | 0:29:52 | 0:29:56 | |
and if we get things on time, | 0:29:56 | 0:29:57 | |
that will give us a good advantage for tomorrow. | 0:29:57 | 0:29:59 | |
Tomorrow, the teams will make an elaborate chocolate showpiece | 0:30:01 | 0:30:05 | |
and the golden hour is their chance to get a head start | 0:30:05 | 0:30:08 | |
and prepare any elements that need setting overnight. | 0:30:08 | 0:30:11 | |
So, looking ahead to tomorrow, | 0:30:11 | 0:30:13 | |
who do you think has the most work to do? | 0:30:13 | 0:30:15 | |
Definitely Stefan's team is going to have a tough job. | 0:30:15 | 0:30:19 | |
Yes, Lauren was taken ill and we're not sure about at the moment. | 0:30:19 | 0:30:23 | |
Well, let's hope she is getting better. | 0:30:23 | 0:30:24 | |
If she isn't, they are allowed to bring in someone to replace her. | 0:30:24 | 0:30:28 | |
But that person, they haven't been training with the team, | 0:30:28 | 0:30:30 | |
they are not aware of what's the brief, | 0:30:30 | 0:30:32 | |
so they can only really support. | 0:30:32 | 0:30:34 | |
And is Maxime not a specialist chocolatier? | 0:30:34 | 0:30:37 | |
He won Junior Chocolate Master | 0:30:37 | 0:30:39 | |
and, of course, his strength is with chocolate. | 0:30:39 | 0:30:42 | |
And Laurian's team. | 0:30:42 | 0:30:43 | |
Well, you can feel that those guys are working together. | 0:30:43 | 0:30:46 | |
But I have a feeling today that I saw a little bit crack in the team. | 0:30:46 | 0:30:50 | |
I think he's a bit stressed out because of time management. | 0:30:50 | 0:30:53 | |
And Reece's team? | 0:30:53 | 0:30:55 | |
They are the most competitive team we've got in this competition, | 0:30:55 | 0:30:58 | |
but they need to deliver brilliant skill consistently. | 0:30:58 | 0:31:01 | |
So, do you think Stefan's team out of the picture altogether | 0:31:01 | 0:31:04 | |
-cos they lost today? -I think that if Stefan's team came up | 0:31:04 | 0:31:07 | |
with an innovative, creative, flamboyant design, | 0:31:07 | 0:31:11 | |
he would be able to fight back. | 0:31:11 | 0:31:13 | |
There's only five points between Reece's team and Stefan's team, | 0:31:13 | 0:31:17 | |
so tomorrow, 60 points, anything can happen. | 0:31:17 | 0:31:20 | |
-It's not over until it's over. -That's a fabulous phrase. | 0:31:20 | 0:31:24 | |
I wish I'd said it. BENOIT LAUGHS | 0:31:24 | 0:31:26 | |
OK, I've filled all those. I just need to do the flowers. | 0:31:26 | 0:31:28 | |
-Let's go push, let's go push. -Push, push, push, push. | 0:31:28 | 0:31:31 | |
-REECE: -Three minutes. | 0:31:31 | 0:31:32 | |
Anything you don't want left uncovered, get on the trolley. | 0:31:32 | 0:31:35 | |
With just one challenge standing between the teams | 0:31:50 | 0:31:53 | |
and a place in the semifinals, | 0:31:53 | 0:31:55 | |
last night, Stefan took an executive decision. | 0:31:55 | 0:31:58 | |
So, sadly Lauren is still quite ill today | 0:31:58 | 0:32:01 | |
but, thankfully, Maxime and I are not going to have to do | 0:32:01 | 0:32:03 | |
this challenge by ourselves | 0:32:03 | 0:32:05 | |
and I'm really grateful that my good friend Stephen, | 0:32:05 | 0:32:07 | |
who was with me in the competition last year - | 0:32:07 | 0:32:09 | |
he was the captain - he's going to fill in for Lauren. | 0:32:09 | 0:32:12 | |
-LAURIAN: -It feels a lot more important to stay in | 0:32:12 | 0:32:14 | |
than in previous weeks. There's a lot to play for today. | 0:32:14 | 0:32:18 | |
-REECE: -We want to be in the semis, for sure. | 0:32:18 | 0:32:19 | |
Every round you've got to fight for, | 0:32:19 | 0:32:21 | |
so the sleeves are rolled up this morning and we're ready to go. | 0:32:21 | 0:32:24 | |
Good morning, Chefs. Welcome back. | 0:32:25 | 0:32:27 | |
It's time for the showpiece challenge, | 0:32:27 | 0:32:30 | |
your last chance to book those places in the semifinals. | 0:32:30 | 0:32:34 | |
-I'll let the judges explain. Cherish. -Good morning, Chefs. | 0:32:34 | 0:32:37 | |
I'd like you to make a chocolate showpiece. | 0:32:37 | 0:32:39 | |
Every element has to be edible. | 0:32:39 | 0:32:41 | |
And three types of moulded and filled chocolate bonbons. | 0:32:41 | 0:32:46 | |
36 each, 108 in total. | 0:32:46 | 0:32:49 | |
Benoit, is there a theme? | 0:32:49 | 0:32:51 | |
The theme for your showpiece today is the sky at night, | 0:32:51 | 0:32:54 | |
so you need to think fireworks, planets, stars, galaxies. | 0:32:54 | 0:33:00 | |
-You need to think big. -So, the rules are quite simple. | 0:33:00 | 0:33:02 | |
Succeed and you go through to the semifinals. | 0:33:02 | 0:33:05 | |
Fail and you have five minutes to leave the building | 0:33:05 | 0:33:07 | |
before we release the hounds. | 0:33:07 | 0:33:09 | |
You had one hour's preparation last night. | 0:33:09 | 0:33:11 | |
You have three further hours and those begin...now. | 0:33:11 | 0:33:17 | |
OK, let's do this, yeah? Let's smash it. | 0:33:17 | 0:33:20 | |
The teams will be judged on their mastery of chocolate, | 0:33:22 | 0:33:25 | |
from sculpting it on a grand scale | 0:33:25 | 0:33:27 | |
to crafting delicate flavour-filled bonbons. | 0:33:27 | 0:33:30 | |
They're lovely. That's it, round them. | 0:33:30 | 0:33:32 | |
-LAUREN: -Is that melted chocolate? Can I steal a bit? | 0:33:32 | 0:33:34 | |
"Is that melted chocolate?" - what a stupid question. | 0:33:34 | 0:33:37 | |
With this challenge, it's the ultimate test of chocolate work. | 0:33:37 | 0:33:40 | |
The pastry chefs will have to show me their artistic side | 0:33:40 | 0:33:43 | |
and their technical skills on the showpiece | 0:33:43 | 0:33:45 | |
but also on the taste and texture of the bonbons. | 0:33:45 | 0:33:48 | |
The moulded chocolate, it has to be crispy, it has to be well snapped | 0:33:48 | 0:33:52 | |
and has to be so thinly cast and, most importantly, | 0:33:52 | 0:33:56 | |
the filling inside has to be so sensational when I taste it. | 0:33:56 | 0:34:00 | |
Could add a bit more of the blackcurrant liqueur. | 0:34:00 | 0:34:03 | |
Cherish likes her alcohol, so we don't want to disappoint today. | 0:34:03 | 0:34:06 | |
Delivering a sky at night themed showpiece... | 0:34:06 | 0:34:08 | |
-Shall I do two coats of this? -Do one. | 0:34:08 | 0:34:11 | |
..means the scale of their ambition is more important than ever. | 0:34:11 | 0:34:14 | |
Little massage. | 0:34:14 | 0:34:16 | |
I would love to see, with a chocolate showpiece, | 0:34:16 | 0:34:18 | |
to lift off the table, off planet Earth to the sky. | 0:34:18 | 0:34:23 | |
The most crucial thing for me is the structure. | 0:34:23 | 0:34:26 | |
The centre of gravity is very crucial. | 0:34:26 | 0:34:29 | |
If the foundation is not strong enough, what happens? | 0:34:29 | 0:34:32 | |
Whoa, it will collapse. | 0:34:32 | 0:34:34 | |
Most teams used the golden hour | 0:34:34 | 0:34:36 | |
to set the larger sections of their structures overnight. | 0:34:36 | 0:34:38 | |
-REECE: -What do you reckon about the moon? | 0:34:38 | 0:34:40 | |
-LAUREN: -I think it needs something. | 0:34:40 | 0:34:42 | |
But Laurian's team went a step further. | 0:34:42 | 0:34:44 | |
The chocolate bonbons are done. Did them last night. | 0:34:44 | 0:34:47 | |
You've got to think of your priority | 0:34:47 | 0:34:49 | |
and I think, for us, the priority was to do the bonbons | 0:34:49 | 0:34:51 | |
and to cast all the big parts of the showpiece. | 0:34:51 | 0:34:54 | |
Now we can concentrate on spending big time on details. | 0:34:54 | 0:34:58 | |
The idea is to have it looking from a lake, | 0:35:01 | 0:35:04 | |
looking at the stars and the moon. | 0:35:04 | 0:35:06 | |
Laurian's telescope will also act as a vessel | 0:35:06 | 0:35:08 | |
for his trio of dark chocolate bonbons, | 0:35:08 | 0:35:11 | |
filled with pastis and star anise ganache, | 0:35:11 | 0:35:14 | |
yuzu and matcha green tea ganache, | 0:35:14 | 0:35:16 | |
and sesame caramel and sesame ganache. | 0:35:16 | 0:35:19 | |
Yesterday, we had time management issues. | 0:35:19 | 0:35:21 | |
Do you think you can do it today? | 0:35:21 | 0:35:23 | |
Well, the bonbons have already been done. | 0:35:23 | 0:35:26 | |
-All three bonbons have been actually made yesterday? -Yes. -Wow! | 0:35:26 | 0:35:29 | |
We always work like this. | 0:35:29 | 0:35:30 | |
I attempt to crystallise them overnight and them to cap them... | 0:35:30 | 0:35:33 | |
So, technically, all three of you are on the chocolate piece today. | 0:35:33 | 0:35:37 | |
So, are you going to show us a very magnificent, incredible piece today? | 0:35:37 | 0:35:41 | |
We're keeping it quite simple. | 0:35:41 | 0:35:43 | |
Compared to other teams, we might not have the biggest, | 0:35:43 | 0:35:45 | |
but there is no point to do something massive | 0:35:45 | 0:35:47 | |
just for the sake of using chocolate. | 0:35:47 | 0:35:49 | |
If Laurian's thinking simple and chic, | 0:35:49 | 0:35:52 | |
Reece is on a different planet altogether. | 0:35:52 | 0:35:55 | |
The sky at night screams to me straightway, | 0:35:55 | 0:35:58 | |
stars, galaxies, planets. So, that's what we're really going for. | 0:35:58 | 0:36:01 | |
We want that sort of visual impact, so lots of colours and shapes. | 0:36:01 | 0:36:06 | |
A couple of interpretations, | 0:36:06 | 0:36:07 | |
so for some of the planets, we're doing flowers. | 0:36:07 | 0:36:09 | |
We're really trying to show every technique of chocolate. | 0:36:09 | 0:36:12 | |
His team's entire solar system will be balanced | 0:36:12 | 0:36:15 | |
on a chocolate telescope, moon and base. | 0:36:15 | 0:36:18 | |
Their constellation of bonbons will include | 0:36:18 | 0:36:21 | |
a mango gel and chilli ganache dark chocolate, | 0:36:21 | 0:36:24 | |
a coconut and rum ganache milk chocolate, | 0:36:24 | 0:36:26 | |
and a blackcurrant, aniseed | 0:36:26 | 0:36:28 | |
and creme de cassis ganache white chocolate. | 0:36:28 | 0:36:31 | |
Who's doing what? | 0:36:32 | 0:36:33 | |
Myself and Lauren are mainly working on the showpiece. | 0:36:33 | 0:36:35 | |
-Jonathan is looking after the bonbons. -I smell coconut. | 0:36:35 | 0:36:38 | |
-Yeah, we're also doing a mango and chilli. -Interesting. | 0:36:38 | 0:36:41 | |
I like it spicy and my colleague over here likes it quite subtle. | 0:36:41 | 0:36:45 | |
-Ooh, it's very difficult. -We've nailed it, I think. | 0:36:45 | 0:36:47 | |
So, how are you going to show us | 0:36:47 | 0:36:50 | |
that you're going to stand out compared to the rest of them? | 0:36:50 | 0:36:52 | |
We want to take you through a journey. | 0:36:52 | 0:36:54 | |
Space is endless. We don't want it just to be "bam". | 0:36:54 | 0:36:56 | |
-A journey into the universe. -A journey into the universe. | 0:36:56 | 0:37:00 | |
Despite beaming in new team member Stephen... | 0:37:00 | 0:37:03 | |
-MAXIME: -Let me just try. | 0:37:03 | 0:37:05 | |
..Stefan's handed the entire responsibility | 0:37:05 | 0:37:07 | |
for his main structure to chocolate master Maxime. | 0:37:07 | 0:37:10 | |
A little bit more. | 0:37:10 | 0:37:12 | |
Maxime is designer for this showpiece, | 0:37:12 | 0:37:14 | |
so Maxime's going to focus on that, | 0:37:14 | 0:37:16 | |
while I'm going to be focussing on the moulded chocolates. | 0:37:16 | 0:37:19 | |
Shooting out from Maxime's portal will be an array of planets, | 0:37:32 | 0:37:35 | |
satellites and stars and in their shadow will sit the bonbons, | 0:37:35 | 0:37:39 | |
including a raspberry gel | 0:37:39 | 0:37:41 | |
and raspberry and beetroot ganache white chocolate, | 0:37:41 | 0:37:44 | |
a whiskey ganache and praline dark chocolate, | 0:37:44 | 0:37:46 | |
and an orange bubble dark chocolate. | 0:37:46 | 0:37:48 | |
-Hi, Stefan. -Hi, Angus, how are we doing? -Well, I'm fine, how are you? | 0:37:50 | 0:37:53 | |
-OK. -Lauren's looking well. | 0:37:53 | 0:37:55 | |
Lauren is looking a little bit different today. | 0:37:55 | 0:37:58 | |
-Hi, Stephen, how are you? -Good. -How is it taking orders from someone | 0:37:58 | 0:38:01 | |
-you were bossing around last year? -I'm just here to support. | 0:38:01 | 0:38:03 | |
What's the design? What can we look forward to seeing? | 0:38:03 | 0:38:06 | |
-We've got a portal. -Good. -And out of that comes the showpiece, | 0:38:06 | 0:38:08 | |
so it's coming from a different dimension and then we're going | 0:38:08 | 0:38:11 | |
to present the bonbons, the moulded chocolates, out of the base. | 0:38:11 | 0:38:14 | |
It sounds like a space oddity. | 0:38:14 | 0:38:16 | |
Chefs, you have two hours left. | 0:38:20 | 0:38:22 | |
-REECE: -Jesus, we need to get a move on! | 0:38:22 | 0:38:25 | |
While Laurian's team can concentrate solely on their main structure... | 0:38:28 | 0:38:31 | |
..for everyone else, there are still 108 bonbons to worry about. | 0:38:35 | 0:38:39 | |
So, I'm just tempering the chocolate I'm going to line the moulds with, | 0:38:39 | 0:38:42 | |
but I can see it's very thick, so when they cut the chocolate open, | 0:38:42 | 0:38:45 | |
the shell will be quite thick and we want it nice and thin. | 0:38:45 | 0:38:48 | |
And it's not just the shells that need to be perfect. | 0:38:48 | 0:38:51 | |
Now I'm making the whiskey ganache. | 0:38:51 | 0:38:53 | |
My ganache split yesterday and I wasn't too happy with that, | 0:38:53 | 0:38:56 | |
but it won't happen today. | 0:38:56 | 0:38:58 | |
-JONATHAN: -This is blackcurrant and aniseed. | 0:38:58 | 0:39:00 | |
It should be quite fluid because if your ganache is too thick, | 0:39:00 | 0:39:02 | |
Cherish is going to look this out when she cuts into it. | 0:39:02 | 0:39:05 | |
We're all right for time, I think. I think we're doing all right. | 0:39:05 | 0:39:09 | |
It's business as usual with Reece's team. They've got great teamwork. | 0:39:09 | 0:39:12 | |
Jonathan is doing the chocolate bonbons | 0:39:12 | 0:39:14 | |
and Lauren and Reece are focussing on the chocolate piece. | 0:39:14 | 0:39:17 | |
This is for the telescope to sit on, yeah? | 0:39:17 | 0:39:18 | |
-They're putting a lot of colour too. -It should be impressive to look at. | 0:39:18 | 0:39:22 | |
This is Neptune. You have to spray the mould first | 0:39:22 | 0:39:25 | |
and then, when you put the chocolate in, it takes on the colour. | 0:39:25 | 0:39:28 | |
So, there's two things in this chocolate - a nice shiny compote | 0:39:28 | 0:39:31 | |
and then I have to work on my ganache which has set. | 0:39:31 | 0:39:34 | |
Maxime, my ganache is set. Can I just microwave it to soften it? | 0:39:34 | 0:39:37 | |
-Yeah. -Yeah. -I'm a bit disappointed with Stefan. | 0:39:37 | 0:39:39 | |
I think they've come up with some quite nice flavours | 0:39:39 | 0:39:42 | |
but his ganache set and is so rock hard. | 0:39:42 | 0:39:44 | |
-See if I can bring this back. -He's trying to loosen it. | 0:39:44 | 0:39:46 | |
He put it into the microwave and it looks split to me. | 0:39:46 | 0:39:50 | |
But, now, having said that, | 0:39:50 | 0:39:52 | |
I like the fact that Maxime has a bigger smile on his face | 0:39:52 | 0:39:55 | |
because he's doing what he loves doing - a chocolate piece. | 0:39:55 | 0:39:58 | |
-MAXIME: -That one is my satellite. | 0:39:58 | 0:40:00 | |
-Laurian's team? -I really like the strategy | 0:40:04 | 0:40:06 | |
because they make their bonbons last night. | 0:40:06 | 0:40:09 | |
All three of them can focus on the chocolate piece today. | 0:40:09 | 0:40:12 | |
So, we are actually expecting a magnificent showpiece. | 0:40:12 | 0:40:16 | |
It just cracked as we pulled it off. | 0:40:26 | 0:40:28 | |
It will set us back a bit but it's quite an important part of it, | 0:40:28 | 0:40:31 | |
so we've got to redo it, basically. | 0:40:31 | 0:40:34 | |
That was probably a good thing, | 0:40:34 | 0:40:35 | |
to have the chocolate bonbons already done this morning. | 0:40:35 | 0:40:38 | |
MUSIC: Jupiter, The Bringer Of Jollity from The Planets by Holst | 0:40:38 | 0:40:43 | |
Chefs, you have one hour left. | 0:40:43 | 0:40:45 | |
60 minutes to boldly go. | 0:40:45 | 0:40:47 | |
-We're doing all right. -Sorry? -I think we're doing OK. | 0:40:47 | 0:40:51 | |
We're just airbrushing the telescope with black cocoa butter. | 0:40:54 | 0:40:57 | |
We haven't done much airbrushing before, | 0:40:57 | 0:41:00 | |
so trying to show a new skill. | 0:41:00 | 0:41:02 | |
For Laurian's telescope mark 2, the focal point of his centrepiece, | 0:41:03 | 0:41:07 | |
it's now or never. | 0:41:07 | 0:41:09 | |
That's the second one. That's the one we've just done. | 0:41:09 | 0:41:11 | |
I'm going to try to remove the wooden stick. | 0:41:11 | 0:41:15 | |
Whoa! | 0:41:39 | 0:41:41 | |
-45 minutes left, Jonathan. -Yeah. Bit tight, but we'll be fine. | 0:41:42 | 0:41:47 | |
-MAXIME: -The sooner you can finish the planet as well. | 0:41:47 | 0:41:50 | |
-REECE: -So, we're frantically trying to get everything ready. | 0:41:50 | 0:41:52 | |
We're trying to get all the planets sprayed. | 0:41:52 | 0:41:54 | |
This is Jupiter and we've airbrushed some detail onto that. | 0:41:54 | 0:41:58 | |
-LAUREN: -You're making my hands shake. | 0:41:58 | 0:42:00 | |
-JONATHAN: -You're shaking. You're not the only one. | 0:42:00 | 0:42:03 | |
We started the bottom of the piece | 0:42:03 | 0:42:05 | |
and then I'm going to work on the telescope. | 0:42:05 | 0:42:07 | |
This is going to be the lens. | 0:42:07 | 0:42:09 | |
-MAXIME: -It's like a galaxy flower. | 0:42:09 | 0:42:11 | |
For this I do blue and I will put some shimmer powder. | 0:42:11 | 0:42:15 | |
-LAUREN: -We're missing one more planet, aren't we? Just Pluto. | 0:42:15 | 0:42:18 | |
-LAURIAN: -Taking them out, getting them ready to go on the stand there. | 0:42:18 | 0:42:21 | |
That's supposed to come out now. And the yuzu and matcha green tea. | 0:42:21 | 0:42:26 | |
They never come out as well as this. | 0:42:32 | 0:42:34 | |
-STEFAN: -Chocolatewise, we've just got to cap them all | 0:42:34 | 0:42:37 | |
and put them on the thing, so it's going to be tight, got to work fast. | 0:42:37 | 0:42:40 | |
-What do you want? -I need tempering, just to cap them. | 0:42:40 | 0:42:42 | |
-JONATHAN: -I'm sealing them with tempered milk chocolate | 0:42:42 | 0:42:45 | |
and then just scraping them off to level it off | 0:42:45 | 0:42:47 | |
and then you turn them out and decorate them, | 0:42:47 | 0:42:49 | |
so still quite a lot to do. | 0:42:49 | 0:42:51 | |
Chefs, you have half an hour to go. | 0:42:51 | 0:42:52 | |
You can now start assembling your showpieces... | 0:42:52 | 0:42:55 | |
-Half an hour left, yeah? -..or not. | 0:42:55 | 0:42:58 | |
30 minutes to go. Definitely a push for this last bit of time. | 0:43:00 | 0:43:03 | |
You can start building it now. | 0:43:05 | 0:43:07 | |
BLEEP! | 0:43:16 | 0:43:17 | |
-JONATHAN: -Perfect, mate. What's next? -Telescope's going to be next. | 0:43:25 | 0:43:29 | |
Here? Yeah, put lots on. | 0:43:33 | 0:43:35 | |
Just get it sprayed, get it sprayed. | 0:43:54 | 0:43:56 | |
Yeah, got it. Just be careful, be careful. | 0:43:56 | 0:43:58 | |
-Don't move too much, Stefan. -Sorry, mate. | 0:43:58 | 0:44:00 | |
Come on, guys, come on. | 0:44:00 | 0:44:02 | |
Stay there, stay there. | 0:44:06 | 0:44:08 | |
BLEEP! | 0:44:15 | 0:44:17 | |
Argh! | 0:44:19 | 0:44:20 | |
Got the shakes today. | 0:44:20 | 0:44:22 | |
Why did that whole piece just...? | 0:44:24 | 0:44:26 | |
Not to alarm anyone, can you just come over here, | 0:44:28 | 0:44:30 | |
cos the whole thing's going to fall. | 0:44:30 | 0:44:32 | |
15 minutes left now till the final frontier. | 0:44:32 | 0:44:36 | |
No, it's that bit there. We need to stick that bit down. | 0:44:36 | 0:44:39 | |
Did something just break? | 0:44:39 | 0:44:41 | |
No, it didn't break. We just didn't attach it properly. | 0:44:41 | 0:44:44 | |
You seem nervous to actually move terribly far away from it. | 0:44:44 | 0:44:48 | |
-Are you worried? -I can come away. -OK. | 0:44:48 | 0:44:51 | |
-Got it? -Yeah, I'm going to slide it. Slowly, Reece. | 0:44:54 | 0:44:57 | |
-Really gently. If we can get it onto the table, we can slide it. -Yeah. | 0:44:57 | 0:45:00 | |
-Ready? One, two, three. -Careful. -Careful, careful. | 0:45:03 | 0:45:06 | |
Add more chocolate. | 0:45:06 | 0:45:08 | |
There are five minutes left, guys, five minutes. | 0:45:08 | 0:45:12 | |
There is no plan B. The whole point of doing a competition like this | 0:45:16 | 0:45:19 | |
is to push ourselves and you find out how good you are. | 0:45:19 | 0:45:22 | |
Ready? | 0:45:22 | 0:45:23 | |
-So, is that going to hold? REECE: -We'll soon find out. | 0:45:23 | 0:45:26 | |
-All you can do, basically, is put chocolate there? -Yeah. | 0:45:26 | 0:45:30 | |
Get your chocolates on the table. You have to be careful of this. | 0:45:34 | 0:45:37 | |
-You can plate now, Stefan. -Choose the best. | 0:45:37 | 0:45:39 | |
Let's just go. We need to go. | 0:45:39 | 0:45:40 | |
-JONATHAN: -My hands are shaking. -Mine too. | 0:45:40 | 0:45:42 | |
Whatever happens, I'm proud of what we've done. | 0:45:42 | 0:45:44 | |
Do you want to stick anything? | 0:45:44 | 0:45:46 | |
OK, everyone, time is up. | 0:45:46 | 0:45:48 | |
Let's just be... No, leave it. Don't shake. | 0:45:48 | 0:45:50 | |
-Don't do the table. -Don't, don't. | 0:45:50 | 0:45:52 | |
Well done, Maxime. | 0:45:53 | 0:45:56 | |
-Laurian's team's is good. -It flows. -Very nice. | 0:45:56 | 0:45:59 | |
-LAURIAN: -Have they got a telescope down there as well? | 0:45:59 | 0:46:01 | |
Yeah, they've got. | 0:46:01 | 0:46:02 | |
MUSIC: Theme from 2001: A Space Odyssey | 0:46:09 | 0:46:14 | |
Made entirely from chocolate, in just four hours, | 0:46:17 | 0:46:20 | |
an astronomical 324 bonbons and three sky-scraping showpieces. | 0:46:20 | 0:46:26 | |
Make that two. | 0:46:32 | 0:46:34 | |
-BLEEP! -It's fallen. -Oh, my God! | 0:46:42 | 0:46:45 | |
MUSIC: Theme from 2001: A Space Odyssey | 0:46:45 | 0:46:49 | |
-Oh, dear, oh, dear. -What can you do, eh? | 0:46:58 | 0:47:02 | |
It's fine. This was all part of the piece. This was the big bang theory. | 0:47:07 | 0:47:10 | |
LAUREN LAUGHS | 0:47:10 | 0:47:12 | |
I'm glad we're laughing. I'll cry later on. | 0:47:14 | 0:47:18 | |
-I feel for those guys. It was beautiful as well. -Really nice. | 0:47:18 | 0:47:22 | |
So, the more observant of you will have noticed | 0:47:26 | 0:47:28 | |
that something happened | 0:47:28 | 0:47:30 | |
shortly after you completed your showpieces. | 0:47:30 | 0:47:33 | |
Some of you reached for the stars, some of you crashed and burned. | 0:47:33 | 0:47:36 | |
We're going to start by looking at Laurian's showpiece. | 0:47:36 | 0:47:40 | |
I wasn't sure, to begin with. | 0:47:47 | 0:47:49 | |
I was actually concerned with the scheme you were coming up with, | 0:47:49 | 0:47:53 | |
which could be pretty boring. | 0:47:53 | 0:47:55 | |
Looking at this now, actually, | 0:47:55 | 0:47:57 | |
you've managed to keep it sleek enough | 0:47:57 | 0:48:00 | |
in order for it not to be heavy and it's actually quite elegant. | 0:48:00 | 0:48:04 | |
And because it's so refined, I find it quite enchanting. | 0:48:04 | 0:48:07 | |
-This is beautiful work. -Thank you. | 0:48:07 | 0:48:09 | |
-What about the bonbons? -Shall we put all of them on a plate? | 0:48:09 | 0:48:12 | |
-You can take it from the telescope as well. -Ah! -We can take it...? | 0:48:12 | 0:48:17 | |
-There is more to come down? -There should be more. -Ah, OK. -They stuck. | 0:48:17 | 0:48:20 | |
So, that's a great thing, | 0:48:20 | 0:48:21 | |
because we get a beautiful telescope where everything gets stuck inside. | 0:48:21 | 0:48:24 | |
This is why the telescope broke, because we tried to create that. | 0:48:24 | 0:48:28 | |
We really wanted to make it happen. | 0:48:28 | 0:48:29 | |
That would have scored you really on the novelty, | 0:48:29 | 0:48:33 | |
but it didn't work, so let's not dream about what could have worked. | 0:48:33 | 0:48:37 | |
I was a little bit disappointed that you sparkled, that's it. | 0:48:37 | 0:48:40 | |
And all the same technique, I think is a bit safe. | 0:48:40 | 0:48:43 | |
-Oh, yes. -Yeah. -Definitely. | 0:48:43 | 0:48:45 | |
Allez. So, which? | 0:48:45 | 0:48:47 | |
I would start with the one there. | 0:48:47 | 0:48:49 | |
It's very thinly cast, well done. | 0:48:49 | 0:48:52 | |
The ganache texture is really beautiful. | 0:48:52 | 0:48:54 | |
I think your strategy was really good. | 0:48:54 | 0:48:56 | |
You made your bonbons yesterday, | 0:48:56 | 0:48:57 | |
let it crystallise the way it should be, by not forcing it. | 0:48:57 | 0:49:00 | |
-This one is good. -This one is good. Do you like this one? -Yes. | 0:49:03 | 0:49:07 | |
-The blue one. -Good for you then. | 0:49:07 | 0:49:08 | |
I wish you could put a little bit more flavour in here. | 0:49:08 | 0:49:12 | |
It is quite subtle. | 0:49:12 | 0:49:14 | |
Which one's next? | 0:49:14 | 0:49:15 | |
You've got a layer of sesame caramel and a sesame ganache. | 0:49:15 | 0:49:19 | |
-It's strong. -I love my sesame but this is just too heavy. | 0:49:22 | 0:49:28 | |
It's like almost a burning kind of sensation. | 0:49:28 | 0:49:31 | |
-And finally... -The yuzu and matcha green tea. | 0:49:31 | 0:49:35 | |
CHOCOLATE CRACKS | 0:49:36 | 0:49:38 | |
-Well, that really tell you that my base is too thick. -Yeah. | 0:49:39 | 0:49:43 | |
Nice subtle flavour of matcha and yuzu. | 0:49:51 | 0:49:55 | |
Yuzu could be overpowering. In this case, it's very delicate. | 0:49:55 | 0:49:58 | |
-I love it. Very well done. -Yeah, it sounds largely successful. | 0:49:58 | 0:50:01 | |
And my favourite bit, you haven't even mentioned yet, | 0:50:01 | 0:50:04 | |
-which are the pebbles. -Did you want to taste it? | 0:50:04 | 0:50:06 | |
I would do but the whole thing would fall down, so I won't. | 0:50:06 | 0:50:08 | |
They've done really well. | 0:50:14 | 0:50:16 | |
-Mm? -I think they've done really well. | 0:50:16 | 0:50:18 | |
When I look from far, it attract me to come in. | 0:50:31 | 0:50:35 | |
You have the floor of the planet and then your satellite. | 0:50:35 | 0:50:39 | |
But when I walk closer, disappointed | 0:50:39 | 0:50:42 | |
because I can see that it has not been joined to perfection. | 0:50:42 | 0:50:45 | |
I can see it very obvious. | 0:50:45 | 0:50:47 | |
The attention to detail is still a struggle with you guys. | 0:50:47 | 0:50:51 | |
The little Sputnik do look very good from a distance. | 0:50:51 | 0:50:54 | |
You get close, they are like finishing touches. | 0:50:54 | 0:50:56 | |
The brushing is on one side, the other is on the other. | 0:50:56 | 0:50:59 | |
But, overall, the theme is there. | 0:50:59 | 0:51:01 | |
-What about the bonbons? -Which one would you start with? | 0:51:01 | 0:51:04 | |
Why not start with the raspberry and white chocolate? | 0:51:04 | 0:51:08 | |
Lovely presentation. It looks really elegant from here. | 0:51:08 | 0:51:11 | |
Oh, la ganache, oui. | 0:51:15 | 0:51:16 | |
When I saw you making the ganache, the ganache is set. | 0:51:19 | 0:51:22 | |
-Then you put it in the microwave. What are you doing? -Yeah. | 0:51:22 | 0:51:25 | |
Chef, I do not like split ganache. I was disappointed. | 0:51:25 | 0:51:29 | |
-What about the next one? -It's a bubble chocolate. | 0:51:29 | 0:51:32 | |
Moulding, I'm a bit disappointed. It's not as shiny as I'd like. | 0:51:32 | 0:51:35 | |
I think last minute, you were sort of pushing this piece, | 0:51:35 | 0:51:38 | |
and I was, like, you're not going to rest enough. | 0:51:38 | 0:51:41 | |
It's a little on the dry side. | 0:51:41 | 0:51:43 | |
When you do aerated texture, you want it to crush down very easily. | 0:51:43 | 0:51:46 | |
It's not the case. It's pretty tight. | 0:51:46 | 0:51:48 | |
OK, let's go to the whiskey, the boozy one. | 0:51:48 | 0:51:50 | |
The base is quite thick. The shell, though, is beautifully made. | 0:51:55 | 0:51:58 | |
It's nice and even and not too thick. | 0:51:58 | 0:52:00 | |
Whiskey, yes, I can taste. Ganache, again it is split. | 0:52:02 | 0:52:06 | |
All your ganache is a disappointment for me. | 0:52:06 | 0:52:09 | |
Overall, your tastings have been challenging, to say the least. | 0:52:09 | 0:52:13 | |
But at least your structure is vertical | 0:52:13 | 0:52:15 | |
and not lying on the table, so there are upsides. | 0:52:15 | 0:52:18 | |
-Thank you. -Thanks, Chef. -Well done. | 0:52:18 | 0:52:19 | |
That was tough. | 0:52:24 | 0:52:25 | |
-Hi, guys. -Chefs. How are you? -WE'RE very good. | 0:52:38 | 0:52:42 | |
-I'm assuming you're maybe less than very good. -Oh, yeah. | 0:52:42 | 0:52:47 | |
The key starting point of creating a showpiece | 0:52:47 | 0:52:50 | |
is making sure you have something to show. | 0:52:50 | 0:52:52 | |
And when you create a structure, | 0:52:52 | 0:52:53 | |
it's not just how far or how tall you want it to be, | 0:52:53 | 0:52:56 | |
it's how strong it is to withstand time. | 0:52:56 | 0:53:00 | |
Creating that structure hasn't been thought about. | 0:53:00 | 0:53:03 | |
You can see what you are left with is the shape of your telescope | 0:53:03 | 0:53:08 | |
and the cocoa butter you spread your telescope with, | 0:53:08 | 0:53:12 | |
so that means there was no clear, strong bond between the two. | 0:53:12 | 0:53:16 | |
Plus, round surface with another round surface | 0:53:16 | 0:53:19 | |
already has a weaker gluing point. | 0:53:19 | 0:53:22 | |
-You struggled to stick it in the first place. -Yeah. | 0:53:22 | 0:53:24 | |
It was meant to happen. | 0:53:24 | 0:53:26 | |
-We knew that was coming. Not if, but when. -Yeah. | 0:53:26 | 0:53:28 | |
-But there was some skills. -In term of technique, you do a lot of work. | 0:53:28 | 0:53:34 | |
-I love the way you airbrush. -What was this one? -That would be Jupiter. | 0:53:34 | 0:53:38 | |
It looks sensational. | 0:53:38 | 0:53:40 | |
Perhaps we could turn to something we CAN actually judge, | 0:53:40 | 0:53:42 | |
-which is the bonbons. -Which one would you like us to taste first? | 0:53:42 | 0:53:45 | |
I think maybe start with milk chocolate and coconut, | 0:53:45 | 0:53:48 | |
so inside as well, is a little crunch. | 0:53:48 | 0:53:50 | |
Well, really nice moulded. | 0:53:50 | 0:53:52 | |
As you can see, it's very thin and this is what I'm looking for. | 0:53:52 | 0:53:55 | |
It's beautiful for me. | 0:53:55 | 0:53:57 | |
I love it. Really nice. I like the coconut flavour. | 0:54:00 | 0:54:03 | |
The texture of your ganache is beautiful. | 0:54:03 | 0:54:05 | |
Top marks for this one, as far as I'm concerned. | 0:54:05 | 0:54:07 | |
In fact, I get the rest. | 0:54:07 | 0:54:09 | |
This one looks almost like a galaxy. | 0:54:09 | 0:54:12 | |
That's made with white chocolate, blackcurrant. | 0:54:12 | 0:54:14 | |
Beautifully moulded, nice and thin. | 0:54:14 | 0:54:17 | |
-The ganache is beautifully made. -In terms of flavour, it's OK. | 0:54:19 | 0:54:23 | |
-Nothing good, but OK. -OK. -Last one, but not least. | 0:54:23 | 0:54:27 | |
Very, very nicely moulded again. Very thin. | 0:54:27 | 0:54:30 | |
This is how I like my chocolate to be moulded. | 0:54:30 | 0:54:32 | |
Oh, the spice! | 0:54:33 | 0:54:34 | |
-HE WHISTLES -Cheeky you! | 0:54:35 | 0:54:38 | |
I've got the mango element and then I've got | 0:54:39 | 0:54:41 | |
the chilli, perhaps, a little strong. | 0:54:41 | 0:54:45 | |
I take spicy food, so I think that it is just perfect for me. | 0:54:45 | 0:54:49 | |
-I really like it. -So, structurally, not a resounding success. | 0:54:49 | 0:54:53 | |
But maybe the bonbons will help you fall out of the black hole | 0:54:53 | 0:54:57 | |
that you created for yourselves. | 0:54:57 | 0:54:58 | |
And might now crawl into, you never know. | 0:54:58 | 0:55:00 | |
-Put us out of our misery. -We're going home. | 0:55:13 | 0:55:15 | |
-Get it done. -We're going home. | 0:55:15 | 0:55:16 | |
Benoit and Cherish will now mark each showpiece out of 60, | 0:55:16 | 0:55:20 | |
based on the taste and texture of the bonbons | 0:55:20 | 0:55:23 | |
and the overall success of the structure. | 0:55:23 | 0:55:25 | |
Well, I find the judging today is really, really tough for me. | 0:55:25 | 0:55:30 | |
They can do great things and they can also muck them up really bad. | 0:55:30 | 0:55:34 | |
-Yeah. -Something we have to take into consideration. | 0:55:34 | 0:55:37 | |
But, saying that, I'm very disappointed with Stefan's team. | 0:55:37 | 0:55:40 | |
-Bonbons... -Yeah, I've got tasting issues. It's really, really hard. | 0:55:40 | 0:55:44 | |
Added to yesterday's points, | 0:55:44 | 0:55:46 | |
the team with the lowest score out of 100 will leave the competition. | 0:55:46 | 0:55:51 | |
But who has secured a place in the semifinals? | 0:55:51 | 0:55:54 | |
The team in first place, | 0:55:56 | 0:55:58 | |
the judges awarded you 46 points out of a possible 60, | 0:55:58 | 0:56:02 | |
giving you a combined total of 67 out of 100, | 0:56:02 | 0:56:06 | |
and it's Laurian's team. | 0:56:06 | 0:56:08 | |
Congratulations. | 0:56:08 | 0:56:10 | |
APPLAUSE | 0:56:10 | 0:56:13 | |
You are through to the semifinals, | 0:56:13 | 0:56:14 | |
which means that there is only one place left. | 0:56:14 | 0:56:17 | |
So, in no particular order, Stefan's team, the judges awarded you | 0:56:20 | 0:56:25 | |
36 points out of 60, giving you a combined total of 54 out of 100. | 0:56:25 | 0:56:31 | |
And Reece's team, the judges awarded you... | 0:56:32 | 0:56:36 | |
..also 36 points out of 60, | 0:56:38 | 0:56:40 | |
giving you a combined total of 59 out of 100. | 0:56:40 | 0:56:44 | |
That means Stefan's team, sadly, are the one going home. | 0:56:44 | 0:56:47 | |
Congratulations to the rest of you and commiserations to Stefan's team. | 0:56:47 | 0:56:51 | |
-Guys, well, thanks for stepping in. -Thank you. | 0:56:51 | 0:56:54 | |
Come here and give me a little hug, Frenchman. | 0:56:54 | 0:56:56 | |
-Going to miss you guys. -We had high hopes coming into the competition. | 0:56:56 | 0:56:59 | |
I thought, as a team, we really had potential. But we've had a good run. | 0:56:59 | 0:57:02 | |
We just made too many mistakes. | 0:57:02 | 0:57:04 | |
For me, you started strong, but then towards the end... | 0:57:04 | 0:57:07 | |
A few schoolboy errors have maybe cost us | 0:57:07 | 0:57:10 | |
a place in the semifinal, but Reece and Laurian deserve their place. | 0:57:10 | 0:57:14 | |
Well done, mate. Well done. | 0:57:14 | 0:57:16 | |
-Good job, mate. -Thank you. | 0:57:16 | 0:57:18 | |
Come here. Come on! | 0:57:19 | 0:57:20 | |
Getting in the semifinal is a massive deal. We are over the moon. | 0:57:20 | 0:57:25 | |
THEY LAUGH | 0:57:25 | 0:57:26 | |
Or BY the moon. | 0:57:26 | 0:57:28 | |
Jonathan, your chocolates saved the day. His chocolates saved the day. | 0:57:28 | 0:57:33 | |
Wasn't expecting that, actually. It was big kick up the backside. | 0:57:33 | 0:57:36 | |
-We've got a lot to do. -I'm shaking, I'm actually shaking. | 0:57:36 | 0:57:39 | |
I think what's key for us next week | 0:57:39 | 0:57:41 | |
is to bring along some mini scaffolding, | 0:57:41 | 0:57:44 | |
so that we can hold our centrepiece up. | 0:57:44 | 0:57:46 | |
So, Stefan's team's chocolate solar system not quite good enough | 0:57:46 | 0:57:50 | |
to see them through to the semifinals. | 0:57:50 | 0:57:52 | |
How often have we heard that story? | 0:57:52 | 0:57:54 | |
Join us next week for the first of those semis, | 0:57:54 | 0:57:57 | |
with just four teams left now for Benoit and Cherish to offend. | 0:57:57 | 0:58:01 | |
See you then. Bye for now. | 0:58:01 | 0:58:02 | |
Next time, on Creme De La Creme... | 0:58:04 | 0:58:06 | |
-Pressure's on. -..Reece's team... -This is what we live for. | 0:58:06 | 0:58:09 | |
-..face Liam's team... -Come on, boys, let's smash this. | 0:58:09 | 0:58:11 | |
-..in the first semifinal. -Reece, sorted, yeah? -We'll see. | 0:58:11 | 0:58:14 | |
-I'm very excited about live plating. -We're pushing the boundaries today. | 0:58:14 | 0:58:18 | |
-I want fireworks, I want drama... -Whoa! Whoa! | 0:58:18 | 0:58:21 | |
Sugar craft - the skill I really love. It makes... | 0:58:21 | 0:58:25 | |
-Don't push down, don't push down. -..or it breaks. | 0:58:25 | 0:58:27 | |
My heart can't take this. | 0:58:28 | 0:58:30 |