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Welcome to the second of our two semifinals, | 0:00:02 | 0:00:04 | |
which mathematicians amongst you will have worked out is our last. | 0:00:04 | 0:00:07 | |
And what a proud day it is for British culinary supremacy, | 0:00:07 | 0:00:11 | |
as a Brazilian, a South Korean and an Argentine battle it out | 0:00:11 | 0:00:14 | |
with three Frenchmen. | 0:00:14 | 0:00:16 | |
Yes, our two remaining teams, | 0:00:16 | 0:00:18 | |
Laurian's French Dragons and Paula's Secret Chefs | 0:00:18 | 0:00:21 | |
will be hoping to perform kitchen wizardry | 0:00:21 | 0:00:25 | |
on a Hogwartian scale, | 0:00:25 | 0:00:26 | |
as they attempt to bag that last place in next week's final. | 0:00:26 | 0:00:30 | |
Will they do it? | 0:00:30 | 0:00:32 | |
If you don't want to know the result, look away now... | 0:00:32 | 0:00:35 | |
And for the next 60 minutes. | 0:00:35 | 0:00:37 | |
Last time... | 0:00:38 | 0:00:39 | |
-I'll give you a little wink and a nudge. -OK. | 0:00:39 | 0:00:41 | |
..Reece, Jonathan and Lauren... | 0:00:41 | 0:00:43 | |
Careful, this is moving. | 0:00:43 | 0:00:44 | |
..couldn't hold off the might of the military | 0:00:44 | 0:00:47 | |
as captain Liam, Chris and Bear... | 0:00:47 | 0:00:50 | |
-Do you think we've done enough? -Yes. | 0:00:50 | 0:00:53 | |
..booked their place in the grand final. | 0:00:53 | 0:00:55 | |
Oh, he's heavy! | 0:00:55 | 0:00:57 | |
Tonight, we find out who will be joining them. | 0:00:57 | 0:01:00 | |
Will it be a team who hail | 0:01:01 | 0:01:02 | |
from the City of London's hidden fine dining rooms? | 0:01:02 | 0:01:05 | |
You girls are coming with me. | 0:01:05 | 0:01:07 | |
Or can three chefs from France... | 0:01:07 | 0:01:09 | |
Look at him, he's a bit shaky. | 0:01:09 | 0:01:11 | |
..who opened a patisserie in Cardiff | 0:01:11 | 0:01:14 | |
make the grand final their new home? | 0:01:14 | 0:01:16 | |
Huh? | 0:01:16 | 0:01:17 | |
Three incredibly complex desserts... | 0:01:19 | 0:01:21 | |
It's not coming out! | 0:01:21 | 0:01:22 | |
..over two of the most demanding challenges... | 0:01:22 | 0:01:25 | |
Non! | 0:01:25 | 0:01:26 | |
..these teams will ever face. | 0:01:26 | 0:01:28 | |
Don't move, don't move! | 0:01:28 | 0:01:29 | |
All for the one remaining place... | 0:01:29 | 0:01:31 | |
..in the Bake Off Creme De La Creme final. | 0:01:32 | 0:01:35 | |
Please work, please work. | 0:01:35 | 0:01:36 | |
CRACKING SOUNDS | 0:01:37 | 0:01:39 | |
The second semifinal features | 0:02:09 | 0:02:11 | |
the two most successful teams this year. | 0:02:11 | 0:02:14 | |
Their phenomenal teamwork has seen Laurian, Thibault and Jeremy | 0:02:14 | 0:02:18 | |
notch up the two highest scores in the competition. | 0:02:18 | 0:02:21 | |
The dough feels really good. | 0:02:21 | 0:02:22 | |
Bravo. | 0:02:22 | 0:02:23 | |
They've dazzled with style... | 0:02:23 | 0:02:25 | |
I have to say, it looks quite striking. | 0:02:25 | 0:02:28 | |
..and inspired ingredients. | 0:02:28 | 0:02:30 | |
Instead of using milk, we use champagne. | 0:02:30 | 0:02:33 | |
Scrumptious! | 0:02:33 | 0:02:34 | |
I love it! | 0:02:34 | 0:02:35 | |
We are here because we love our job, | 0:02:35 | 0:02:37 | |
so we just got to do our best and make sure | 0:02:37 | 0:02:40 | |
that we can secure that place for the next round. | 0:02:40 | 0:02:43 | |
Paula's team have flourished under her determined leadership. | 0:02:43 | 0:02:47 | |
-That's us, Gime. -Yeah. It's time to work, girl. | 0:02:47 | 0:02:49 | |
..winning two out of their three heats | 0:02:49 | 0:02:51 | |
by consistently wowing the judges with their artistry... | 0:02:51 | 0:02:54 | |
Very elegant, very feminine pitch. | 0:02:54 | 0:02:56 | |
..and exotic flavour combinations. | 0:02:56 | 0:02:58 | |
Mushroom?! I thought you were bonkers, but I love it. | 0:02:58 | 0:03:02 | |
Being in the final would mean the world to us. | 0:03:02 | 0:03:04 | |
We have been practising every single time we have. | 0:03:04 | 0:03:07 | |
-Bring it on! -Let's go. | 0:03:07 | 0:03:10 | |
Welcome back, semifinalists. | 0:03:14 | 0:03:16 | |
Just two challenges stand between you and a place in the final, | 0:03:16 | 0:03:20 | |
and, as a mark of respect, the judges have decided | 0:03:20 | 0:03:23 | |
to make both of them virtually impossible. | 0:03:23 | 0:03:26 | |
As is numerically unavoidable, we start with the first challenge, | 0:03:26 | 0:03:29 | |
so Benoit, what have you chosen for the teams to make? | 0:03:29 | 0:03:32 | |
I would like you to make six buches entremets. | 0:03:32 | 0:03:34 | |
These are glazed log-shaped desserts | 0:03:34 | 0:03:37 | |
with beautifully inserted components. | 0:03:37 | 0:03:40 | |
Of course, they need to be elegantly decorated. | 0:03:40 | 0:03:44 | |
OK, so a multi-layered dessert | 0:03:44 | 0:03:46 | |
with as many components as the average smartphone. | 0:03:46 | 0:03:49 | |
Cherish, what have you chosen? | 0:03:49 | 0:03:50 | |
Chefs, I would like to see something very different and theatrical today. | 0:03:50 | 0:03:55 | |
I would like you to make a live-plated dessert | 0:03:55 | 0:03:58 | |
and I'd like you to showcase orchard fruit flavour. | 0:03:58 | 0:04:02 | |
So, that is your mission, should you wish to accept it. | 0:04:02 | 0:04:05 | |
There are 40 points available. | 0:04:05 | 0:04:07 | |
You have three hours. Good luck, your time starts...now. | 0:04:07 | 0:04:11 | |
With just three hours, the teams' urgent priority | 0:04:13 | 0:04:16 | |
is to set the layers of their six identical buches entremets. | 0:04:16 | 0:04:20 | |
The entremets, in the pastry world, is a step up from a miniature. | 0:04:20 | 0:04:24 | |
A sharing dessert cake. | 0:04:24 | 0:04:27 | |
Buche is a French word | 0:04:27 | 0:04:29 | |
to describe a log. | 0:04:29 | 0:04:30 | |
We are testing their ability to adapt to the elongated shape | 0:04:30 | 0:04:34 | |
which a wooden log would look like. | 0:04:34 | 0:04:36 | |
They will have to think about how they are going to layer or insert | 0:04:36 | 0:04:40 | |
all those beautiful flavours and textures. | 0:04:40 | 0:04:42 | |
The setting aspect is definitely | 0:04:42 | 0:04:44 | |
part of the things that can go wrong. | 0:04:44 | 0:04:47 | |
You could easily lose points if you are not meeting the brief, | 0:04:47 | 0:04:50 | |
so we are asking for a glaze | 0:04:50 | 0:04:52 | |
and every angle needs to be extremely neat, | 0:04:52 | 0:04:55 | |
extremely sharp, and needs to be appealing. | 0:04:55 | 0:04:58 | |
Laurian's team's buches will be a true taste of home - | 0:04:58 | 0:05:01 | |
and he doesn't mean Cardiff. | 0:05:01 | 0:05:02 | |
I'm from the Rhone Valley | 0:05:02 | 0:05:03 | |
in the South of France | 0:05:03 | 0:05:05 | |
and we've got all the orchards of apricots and peaches | 0:05:05 | 0:05:07 | |
you can see on the side of the road when you drive | 0:05:07 | 0:05:09 | |
and rosemary is part of Provence as well, | 0:05:09 | 0:05:12 | |
so together, it's a marriage made in heaven. | 0:05:12 | 0:05:15 | |
Laurian will have to set layers of nougat cremeux, | 0:05:15 | 0:05:18 | |
rosemary bavarois and a peach and apricot mousse. | 0:05:18 | 0:05:21 | |
His buches will be coated with sprayed velvet chocolate | 0:05:21 | 0:05:23 | |
and for the base, | 0:05:23 | 0:05:25 | |
Thibault is making another taste of home. | 0:05:25 | 0:05:27 | |
Still not Wales. | 0:05:27 | 0:05:28 | |
I'm making a madeleine sponge | 0:05:28 | 0:05:31 | |
and after, we will have the nougat cremeaux. | 0:05:31 | 0:05:33 | |
In the nougat you've got some almonds, pistachios and hazelnuts. | 0:05:33 | 0:05:38 | |
I've roasted them just before, to get a better taste. | 0:05:38 | 0:05:41 | |
While Laurian and the boys have headed home for their flavours... | 0:05:43 | 0:05:47 | |
All good, girls? | 0:05:47 | 0:05:48 | |
..Paula and the girls couldn't decide where they were going. | 0:05:49 | 0:05:52 | |
We had a disagreement | 0:05:52 | 0:05:54 | |
about what fruit to use, so we decided to use them all. | 0:05:54 | 0:05:56 | |
So we have raspberry, blackberry, a touch of violet, | 0:05:56 | 0:06:00 | |
strawberry, blackcurrant, mango, passion, cherry, redcurrant, | 0:06:00 | 0:06:04 | |
pear, guava, banana, peach. | 0:06:04 | 0:06:06 | |
If in doubt, chuck it all in. | 0:06:06 | 0:06:08 | |
Paula's ambitious buches will have multiple layers of | 0:06:08 | 0:06:11 | |
sable Breton biscuit, | 0:06:11 | 0:06:13 | |
pistachio joconde, | 0:06:13 | 0:06:14 | |
pine nut crunch | 0:06:14 | 0:06:15 | |
and cherry compote, | 0:06:15 | 0:06:17 | |
surrounded by her 13-fruit cocktail mousse. | 0:06:17 | 0:06:19 | |
It will be finished with a red glaze, | 0:06:19 | 0:06:21 | |
layered with white chocolate. | 0:06:21 | 0:06:23 | |
And Ji Sun is adding yet another component. | 0:06:23 | 0:06:26 | |
Any other secret ingredients? | 0:06:26 | 0:06:28 | |
Yes, we have Ji Sun with the milk chocolate insert with ginseng. | 0:06:28 | 0:06:32 | |
-Ginseng? -Yes. -Right. OK. | 0:06:32 | 0:06:35 | |
Isn't that supposed to be an aphrodisiac? | 0:06:35 | 0:06:37 | |
Apparently so. | 0:06:37 | 0:06:38 | |
We did not add that for that, I have to say. | 0:06:38 | 0:06:40 | |
Yeah, Benoit and an aphrodisiac, that could be... | 0:06:40 | 0:06:42 | |
-Light blue touchpaper and retire. -Oh, well. | 0:06:42 | 0:06:45 | |
Thibault is going to start on the nougat cremeux, | 0:06:45 | 0:06:49 | |
so we're going to do the cremeux de bavarois | 0:06:49 | 0:06:51 | |
and that's got to set in the freezer first | 0:06:51 | 0:06:54 | |
and then we get to do the mousse at the end, | 0:06:54 | 0:06:56 | |
so all the elements need to be ready first. | 0:06:56 | 0:06:59 | |
The faster the teams can prepare each entremets component... | 0:06:59 | 0:07:02 | |
I'm responsible for the cocktail | 0:07:02 | 0:07:04 | |
and then I'm going to pass it to Gimena, | 0:07:04 | 0:07:06 | |
who is going to make the mousse with it. | 0:07:06 | 0:07:07 | |
..the sooner they can get them into their moulds. | 0:07:07 | 0:07:10 | |
The nuts are making a good texture. | 0:07:10 | 0:07:12 | |
I need to put my two trays in the blast freezer, just to set it up. | 0:07:12 | 0:07:16 | |
Every minute lost... | 0:07:16 | 0:07:18 | |
BUZZER | 0:07:18 | 0:07:19 | |
..will be a minute less their buches will have to set. | 0:07:19 | 0:07:22 | |
-Yes? -Nice. | 0:07:26 | 0:07:28 | |
All yours. | 0:07:28 | 0:07:29 | |
But whilst Paula's 13-fruit cocktail | 0:07:29 | 0:07:31 | |
is only just ready to be turned into a mousse... | 0:07:31 | 0:07:34 | |
-CHERISH: -Morning, chefs. | 0:07:34 | 0:07:35 | |
..for Laurian, things may not be progressing | 0:07:35 | 0:07:38 | |
quite as fast as he'd hoped. | 0:07:38 | 0:07:39 | |
At the introduction of this challenge, | 0:07:39 | 0:07:41 | |
I mentioned a glazed buche. | 0:07:41 | 0:07:43 | |
How are you going to glaze yours? | 0:07:43 | 0:07:45 | |
We are actually... | 0:07:45 | 0:07:46 | |
We are going to add a velvet coating on the top of the log. | 0:07:46 | 0:07:49 | |
-You mean spray? -Yeah. -Is that a glaze? | 0:07:49 | 0:07:51 | |
-It's... -It's not a glaze. -It's not a glaze. | 0:07:53 | 0:07:55 | |
To me, it's not a glaze. Do what you want, do what you can, | 0:07:55 | 0:07:57 | |
-but spraying your log is not going to be glazed, for me. -OK. | 0:07:57 | 0:08:00 | |
And that's why we say glazed, not sprayed, | 0:08:00 | 0:08:03 | |
not finished as you like. | 0:08:03 | 0:08:04 | |
Glazed. | 0:08:04 | 0:08:06 | |
Good luck with that and think about glazing your log, perhaps. | 0:08:06 | 0:08:10 | |
We're going to have to come up with a plan B, then. | 0:08:10 | 0:08:15 | |
Non. | 0:08:20 | 0:08:21 | |
I'm doing the glaze. | 0:08:21 | 0:08:23 | |
We are making a white chocolate one. | 0:08:23 | 0:08:25 | |
It needs to be smooth, it needs to be shiny, it needs to be set. | 0:08:25 | 0:08:28 | |
And the mousse needs to be frozen, | 0:08:28 | 0:08:29 | |
so as soon as the glaze touches it, it sets instantly. | 0:08:29 | 0:08:32 | |
Coming through, girls. Careful. | 0:08:33 | 0:08:35 | |
We've remembered before, one of the glazes we do in our work, | 0:08:37 | 0:08:40 | |
so we've got it... | 0:08:40 | 0:08:41 | |
Just a dark chocolate glaze, | 0:08:43 | 0:08:45 | |
which is maybe not the best, but at least it's a glaze. | 0:08:45 | 0:08:48 | |
We've got a fighting spirit. | 0:08:48 | 0:08:49 | |
You know, it's not over until it's over. | 0:08:49 | 0:08:51 | |
Whilst racing to complete elements from their buches... | 0:08:55 | 0:08:58 | |
I am making pine nut crunch. | 0:08:58 | 0:09:00 | |
Texture is important. | 0:09:00 | 0:09:01 | |
..the teams have to find time | 0:09:02 | 0:09:04 | |
to complete their second live-plated dessert. | 0:09:04 | 0:09:07 | |
The latest trend in high-end patisserie competitions, | 0:09:08 | 0:09:11 | |
live plating sees a presentation table | 0:09:11 | 0:09:13 | |
beautifully decorated in real time | 0:09:13 | 0:09:15 | |
with spectacular deconstructed desserts. | 0:09:15 | 0:09:19 | |
This is the moment where performance art and patisserie collide. | 0:09:19 | 0:09:23 | |
It is showtime! | 0:09:23 | 0:09:25 | |
I want to see big performance, it has to be mega. | 0:09:26 | 0:09:29 | |
We are there to observe every move and every dot. | 0:09:30 | 0:09:34 | |
All the elements they bring need to have a good flavour, good textures, | 0:09:34 | 0:09:38 | |
perfectly executed and obviously makes sense to the dessert. | 0:09:38 | 0:09:42 | |
Do not just throw the dessert on the table, | 0:09:45 | 0:09:47 | |
it has to be very artistic | 0:09:47 | 0:09:49 | |
and it has to send a tingling sensation through my spine | 0:09:49 | 0:09:53 | |
and stir my heart. | 0:09:53 | 0:09:54 | |
During judging, the teams will have just three minutes | 0:09:56 | 0:09:58 | |
to perform the second dessert. | 0:09:58 | 0:10:00 | |
Unless every element is perfectly prepared now, | 0:10:00 | 0:10:03 | |
the smallest of errors could ruin their big moment. | 0:10:03 | 0:10:06 | |
Laurian? | 0:10:07 | 0:10:08 | |
It's such a new phenomenon | 0:10:10 | 0:10:12 | |
that Paula's team have never attempted it before. | 0:10:12 | 0:10:15 | |
It was a lot of fun coming up with the ideas for this. | 0:10:15 | 0:10:17 | |
We had to obviously cut down a lot | 0:10:17 | 0:10:19 | |
cos when these girls get together to start having ideas, | 0:10:19 | 0:10:23 | |
you have just control them or they go crazy. | 0:10:23 | 0:10:25 | |
We are making a version of an apple crumble, | 0:10:25 | 0:10:27 | |
but we are giving a twist. | 0:10:27 | 0:10:29 | |
Paula will drop a chocolate sphere, which will shatter to reveal | 0:10:29 | 0:10:33 | |
a chocolate, caramel and apple mousse, | 0:10:33 | 0:10:35 | |
then ignite a cinnamon brulee-topped sable Breton | 0:10:35 | 0:10:38 | |
surrounded by Pink Lady compote, | 0:10:38 | 0:10:40 | |
and Gimena is making a toffee sauce with another Far Eastern ingredient. | 0:10:40 | 0:10:44 | |
I always like something, like, salty. | 0:10:44 | 0:10:47 | |
And we've put soya sauce, that is quite salty, | 0:10:47 | 0:10:50 | |
so to make something different. | 0:10:50 | 0:10:52 | |
This is my mousse that has nearly set. | 0:10:52 | 0:10:55 | |
Caramel apple jelly that's going on top of the mousse. | 0:10:55 | 0:10:58 | |
For this one, we used Granny Smith apples. | 0:10:58 | 0:11:01 | |
It's very small because we want it raw, | 0:11:01 | 0:11:03 | |
to give the crunchy bite. | 0:11:03 | 0:11:05 | |
When the time comes, we are going to slice | 0:11:05 | 0:11:07 | |
and serve as the centre of this huge sphere that she is making there, | 0:11:07 | 0:11:10 | |
so this is the main piece for our plated dessert. | 0:11:10 | 0:11:14 | |
It will also be the first live plating for Laurian's team. | 0:11:16 | 0:11:21 | |
It's quite cool to do something a bit different. | 0:11:21 | 0:11:23 | |
Hopefully we'll get to impress the judges with different techniques | 0:11:23 | 0:11:26 | |
and different elements in a dessert, which is pear and mulled wine. | 0:11:26 | 0:11:30 | |
So I've got a mulled wine on to reduce. | 0:11:30 | 0:11:34 | |
Laurian's mulled wine reduction will decorate a table | 0:11:34 | 0:11:37 | |
scattered with beetroot sponge and pear tonka caramel. | 0:11:37 | 0:11:40 | |
Onto it, the team will each drop | 0:11:40 | 0:11:42 | |
a chocolate sphere filled with pear julienne, | 0:11:42 | 0:11:45 | |
spicy crumble and a pear mousse. | 0:11:45 | 0:11:47 | |
And for some extra bling, | 0:11:47 | 0:11:48 | |
Laurian has been experimenting again. | 0:11:48 | 0:11:51 | |
What are you doing? | 0:11:51 | 0:11:52 | |
-Well... -It looks extremely medicinal. | 0:11:52 | 0:11:54 | |
I'm making some orange and cinnamon pearls. | 0:11:54 | 0:11:57 | |
You just have to do one drop at a time in really cold oil. | 0:11:57 | 0:12:00 | |
That's very clever, it's almost like a scientific experiment. | 0:12:00 | 0:12:03 | |
How is Glaze-gate? | 0:12:03 | 0:12:04 | |
We've just got a chocolate glaze. | 0:12:04 | 0:12:06 | |
Right, and that was a recipe you kind of knew? | 0:12:06 | 0:12:08 | |
Yeah, it's a recipe that we use in the shop on a regular basis. | 0:12:08 | 0:12:11 | |
So you've averted disaster, you think? | 0:12:11 | 0:12:14 | |
I don't know. | 0:12:14 | 0:12:15 | |
This thing seems to be broken now. | 0:12:15 | 0:12:17 | |
-It's a bit stuck, yes. -You can fix that as well. | 0:12:17 | 0:12:19 | |
You've been fixing things all morning. | 0:12:19 | 0:12:21 | |
It never works when you need it, that's the problem, isn't it? | 0:12:21 | 0:12:23 | |
I always find that with syringes. All right, see you later. | 0:12:23 | 0:12:26 | |
Chefs, you are now halfway through, | 0:12:27 | 0:12:29 | |
so one-and-a-half hours gone, one-and-a-half to go. | 0:12:29 | 0:12:33 | |
So long as their components have baked and set... | 0:12:33 | 0:12:36 | |
Seems like the right consistency for it. | 0:12:36 | 0:12:39 | |
..the semifinalists need to construct | 0:12:39 | 0:12:41 | |
and begin chilling their buches as soon as possible. | 0:12:41 | 0:12:44 | |
It's a basic fruit puree mousse, | 0:12:44 | 0:12:46 | |
so we've got the fruit puree, | 0:12:46 | 0:12:48 | |
gelatine, Italian meringue and whipped cream. | 0:12:48 | 0:12:51 | |
And then we've got a layer of the bavarois | 0:12:51 | 0:12:54 | |
and it's not too strong because we don't want too much | 0:12:54 | 0:12:56 | |
of rosemary flavour in the bavarois. | 0:12:56 | 0:12:58 | |
As they are making larger sharing desserts... | 0:12:58 | 0:13:00 | |
..setting times in this first challenge | 0:13:05 | 0:13:07 | |
will be longer than the teams have been used to. | 0:13:07 | 0:13:10 | |
We have all our inserts ready to go, | 0:13:18 | 0:13:20 | |
so I think we can start building our entremets. | 0:13:20 | 0:13:23 | |
First is going to be the mousse, then we have cremoso. | 0:13:23 | 0:13:27 | |
Hopefully we can build in one go. | 0:13:27 | 0:13:28 | |
Laurian's team are hoping to make time | 0:13:28 | 0:13:31 | |
to even set some finishing touches. | 0:13:31 | 0:13:33 | |
We just wanted to represent an apricot. | 0:13:34 | 0:13:36 | |
We just got some silicon and then got the stones | 0:13:36 | 0:13:38 | |
to create our own mould. | 0:13:38 | 0:13:40 | |
It's got the effect of the full apricot with the stone inside. | 0:13:40 | 0:13:43 | |
At this point, every point counts. | 0:13:43 | 0:13:45 | |
Laurian's team, they are making a glaze. | 0:13:53 | 0:13:55 | |
You mentioned it, they rectified it straightaway. | 0:13:55 | 0:13:58 | |
-That is the adaptability I really expect from a pastry chef. -Yeah. | 0:13:58 | 0:14:01 | |
What do you think of Paula's team? | 0:14:01 | 0:14:02 | |
I just wonder if they have forgotten | 0:14:02 | 0:14:04 | |
they are in actually a timed competition. | 0:14:04 | 0:14:07 | |
The mousse is not in the freezer yet. | 0:14:07 | 0:14:10 | |
Chocolate done in both. | 0:14:10 | 0:14:11 | |
Now mousse in those two. | 0:14:11 | 0:14:13 | |
They inject some ginseng into their chocolate insert. | 0:14:13 | 0:14:17 | |
-They used to make love potion with it, so I don't know... -Oh, love potion! | 0:14:17 | 0:14:20 | |
..is this going to spark new interest in anybody? | 0:14:20 | 0:14:23 | |
We are doing tasting. | 0:14:23 | 0:14:24 | |
I'm worried now! | 0:14:24 | 0:14:26 | |
Go in. | 0:14:27 | 0:14:29 | |
All the entremets are in the freezer. | 0:14:29 | 0:14:32 | |
We need them to freeze quick, quick, quick. | 0:14:32 | 0:14:35 | |
Now we are finishing last elements for our live dessert. | 0:14:35 | 0:14:38 | |
We have the brulee, the sugar... | 0:14:38 | 0:14:41 | |
Please come out, please come out. | 0:14:41 | 0:14:43 | |
No, but that is fixable. | 0:14:46 | 0:14:47 | |
-Non! -BLEEP! | 0:14:48 | 0:14:51 | |
Yes, I broke it, but I made it, so it's fine. | 0:14:56 | 0:14:58 | |
Fair point, I think. | 0:14:58 | 0:15:00 | |
One hour left now. | 0:15:01 | 0:15:02 | |
60 minutes left, chefs. | 0:15:02 | 0:15:04 | |
That's the beetroot sponge mix. | 0:15:08 | 0:15:10 | |
It's just eggs, flour and sugar and beetroot powder | 0:15:10 | 0:15:14 | |
and then we're going to put it in a paper cup, | 0:15:14 | 0:15:16 | |
30 seconds in the microwave and then it's cooked. | 0:15:16 | 0:15:18 | |
This is like a syrup and I've got a mousse and the pear julienne. | 0:15:22 | 0:15:27 | |
Gime? Cooling spray, can you see it? | 0:15:33 | 0:15:35 | |
This is for the decoration. | 0:15:39 | 0:15:40 | |
I don't wish to alarm you, but there are 30 minutes left now, chefs. | 0:15:45 | 0:15:49 | |
It's not freezing on time. | 0:15:55 | 0:15:57 | |
Get everything for the plating. | 0:16:05 | 0:16:06 | |
Soy sauce... Where's the gels? | 0:16:06 | 0:16:08 | |
Everything is here. | 0:16:08 | 0:16:10 | |
We have to glaze now, whatever happens. | 0:16:17 | 0:16:19 | |
Come on. Come out, please. Come out. | 0:16:25 | 0:16:29 | |
It's not coming out. | 0:16:36 | 0:16:37 | |
With time running out, in order to free her buches... | 0:16:55 | 0:16:58 | |
Ji Sun, you set it at -20, right? | 0:16:58 | 0:17:00 | |
Let's go in. | 0:17:00 | 0:17:02 | |
..Paula is resorting to dry ice. | 0:17:02 | 0:17:04 | |
Please work, please work. | 0:17:10 | 0:17:12 | |
-Don't touch them, don't touch. -You have the glaze ready, in jars? | 0:17:16 | 0:17:19 | |
Go in jar - jar, jar, jar. | 0:17:19 | 0:17:21 | |
Let's try to do this. | 0:17:29 | 0:17:31 | |
Please, please come out. | 0:17:31 | 0:17:33 | |
-Oh, -BLEEP! | 0:17:33 | 0:17:35 | |
Come on! | 0:17:35 | 0:17:36 | |
Keep going, keep going. Oh, God. | 0:17:36 | 0:17:39 | |
Is it coming? | 0:17:40 | 0:17:41 | |
BLEEP! | 0:17:45 | 0:17:46 | |
This is disgusting! | 0:17:46 | 0:17:48 | |
We don't...we don't have six. | 0:17:52 | 0:17:54 | |
I cannot take them. No. | 0:18:04 | 0:18:05 | |
Let's present two, that's all we have. | 0:18:05 | 0:18:08 | |
I'd rather present two than this. | 0:18:08 | 0:18:10 | |
This is awful. | 0:18:10 | 0:18:12 | |
Two minutes left. | 0:18:12 | 0:18:13 | |
Oh, this is embarrassing! | 0:18:18 | 0:18:19 | |
Where's your things to go on the side and on the front? | 0:18:22 | 0:18:25 | |
Time is up, guys. | 0:18:33 | 0:18:35 | |
Step away from your entremets. | 0:18:36 | 0:18:39 | |
Shall we cry now...or later? | 0:18:39 | 0:18:41 | |
At the end of one of the toughest challenges yet, | 0:19:02 | 0:19:04 | |
in just three hours, the semifinalists | 0:19:04 | 0:19:06 | |
have made all the elements for their live-plated desserts | 0:19:06 | 0:19:10 | |
as well as their buches entremets. | 0:19:10 | 0:19:12 | |
I'd be gutted if we only could get two logs out, | 0:19:12 | 0:19:15 | |
especially on a semifinal. | 0:19:15 | 0:19:17 | |
Oh, my God! | 0:19:18 | 0:19:19 | |
They have even fruit on the top. | 0:19:19 | 0:19:22 | |
They did amazing. | 0:19:22 | 0:19:24 | |
Let's see how Laurian's team fared. | 0:19:25 | 0:19:28 | |
If you'd like to bring your entremets over. | 0:19:28 | 0:19:30 | |
For this judging, the team captains must face Benoit and Cherish alone. | 0:19:30 | 0:19:36 | |
Laurian's buches feature a madeleine sponge, | 0:19:38 | 0:19:41 | |
apricot and peach mousse, | 0:19:41 | 0:19:43 | |
nougat cremeux and a mirror glaze to finish. | 0:19:43 | 0:19:45 | |
Looking at the way the logs are sunk in, I'm asking myself, | 0:19:48 | 0:19:53 | |
"Was there any technical issues?" | 0:19:53 | 0:19:55 | |
Because if your recipes are balanced correctly, | 0:19:55 | 0:19:57 | |
it should be holding nice and easy. | 0:19:57 | 0:20:00 | |
The glaze, though you made it last-minute, | 0:20:00 | 0:20:02 | |
was the great recipe in there, | 0:20:02 | 0:20:03 | |
because you could have had some beautiful shine with no bubbles, | 0:20:03 | 0:20:06 | |
but clearly the log itself was the issue. | 0:20:06 | 0:20:09 | |
Yup. | 0:20:09 | 0:20:10 | |
I quite liked the extra effort that you put on the apricot. | 0:20:10 | 0:20:13 | |
I think they're quite innovative and creative. | 0:20:13 | 0:20:16 | |
That tells me that what I eat outside is what I'm going to | 0:20:16 | 0:20:18 | |
have inside as well, so I think that is a nice touch. | 0:20:18 | 0:20:21 | |
Shall we taste one of those apricots as well as the slice, or...? | 0:20:21 | 0:20:24 | |
-I would love to. Yes. -Yeah, you've got an apricot mousse, | 0:20:24 | 0:20:27 | |
and in the centre you've got a milk chocolate ganache. | 0:20:27 | 0:20:30 | |
ANGUS CHUCKLES QUIETLY | 0:20:41 | 0:20:43 | |
There's a lot of slightly French... | 0:20:43 | 0:20:45 | |
HE EXHALES ..going on. | 0:20:45 | 0:20:47 | |
-Looking at your peach and apricot, is this the same mousse? -Yeah. | 0:20:50 | 0:20:53 | |
That tells me that it holds very well outside, | 0:20:53 | 0:20:55 | |
and that tells me the problem is not lying over there. | 0:20:55 | 0:20:58 | |
-The problem lies on the... -The nougat cream. | 0:20:58 | 0:21:00 | |
Yeah. | 0:21:00 | 0:21:02 | |
I can taste the rosemary - | 0:21:02 | 0:21:03 | |
it marries very well with the peach and the apricot - | 0:21:03 | 0:21:06 | |
but I was expecting more. | 0:21:06 | 0:21:08 | |
This is the semifinal of the best pastry chef teams in the UK, | 0:21:08 | 0:21:12 | |
and we're coming up with something like that... | 0:21:12 | 0:21:14 | |
I'm bored. | 0:21:14 | 0:21:15 | |
I'm going to be pretty honest. | 0:21:15 | 0:21:17 | |
You've got six logs - they are all glazed. | 0:21:17 | 0:21:21 | |
That's the positive for me. | 0:21:21 | 0:21:23 | |
I need to wait for what you come up with, with your live-plated dessert. | 0:21:23 | 0:21:26 | |
-OK? -OK. -OK, thank you. | 0:21:26 | 0:21:28 | |
SHE SIGHS | 0:21:31 | 0:21:33 | |
THEY EXHALE | 0:21:33 | 0:21:35 | |
Paula's team, if you could bring up your buches entremets... | 0:21:38 | 0:21:41 | |
Paula's buches consist of layers of pine nut crunch, cherry compote, | 0:21:49 | 0:21:54 | |
chocolate and ginseng cremeux, and fruit-cocktail mousse, | 0:21:54 | 0:21:58 | |
all finished with a white chocolate glaze. | 0:21:58 | 0:22:00 | |
OK, so I think it's fair to say not everything went to plan. | 0:22:03 | 0:22:07 | |
No. | 0:22:07 | 0:22:08 | |
This morning, I was worried from the first five minutes. | 0:22:08 | 0:22:11 | |
It's almost like you're getting comfortable with these challenges, | 0:22:11 | 0:22:14 | |
but, you see, now you've been short. | 0:22:14 | 0:22:16 | |
This is a sad face. | 0:22:19 | 0:22:21 | |
-A sad face? -Yes, yes, I... -It's really a sad face. | 0:22:21 | 0:22:23 | |
It does slightly look like a sad face, | 0:22:23 | 0:22:25 | |
but try to put that to one side. | 0:22:25 | 0:22:27 | |
HE GIGGLES | 0:22:35 | 0:22:37 | |
The aphrodisiac part's obviously working. | 0:22:37 | 0:22:39 | |
Maybe this is kicking in, but I'm very confused. | 0:22:39 | 0:22:42 | |
It goes in all directions, | 0:22:42 | 0:22:43 | |
and I don't even know what I'm eating any more. | 0:22:43 | 0:22:46 | |
Every element tastes nice, but the whole lot together is... | 0:22:46 | 0:22:49 | |
I don't know where I stand. | 0:22:49 | 0:22:50 | |
Yeah, the mousse tastes OK. | 0:22:50 | 0:22:52 | |
Your pine nut caramel is undercooked. | 0:22:52 | 0:22:54 | |
A few more degrees higher, it would not be as chewy as it is, | 0:22:54 | 0:22:58 | |
and the ginseng, the first taste is just bitterness for me, | 0:22:58 | 0:23:02 | |
and I just don't think they blend together very well, | 0:23:02 | 0:23:05 | |
so I didn't enjoy eating this. | 0:23:05 | 0:23:08 | |
I think you're too ambitious. | 0:23:08 | 0:23:09 | |
I think you bite more than you can chew. | 0:23:09 | 0:23:12 | |
Nevertheless, you're only halfway through, | 0:23:12 | 0:23:14 | |
so you could make that all up with your live plating. | 0:23:14 | 0:23:17 | |
Thank you, Paula. | 0:23:17 | 0:23:18 | |
'After both teams disappointed with their buches, | 0:23:36 | 0:23:39 | |
'everything now rests on the teams' second dessert.' | 0:23:39 | 0:23:42 | |
Right, it's time for a little live plating. | 0:23:42 | 0:23:45 | |
Laurian and team, you have three minutes, | 0:23:45 | 0:23:48 | |
and your three minutes starts now. | 0:23:48 | 0:23:51 | |
So, today we're bringing you a pear and mulled wine dessert | 0:23:56 | 0:23:59 | |
to enjoy on a cold autumn day. | 0:23:59 | 0:24:02 | |
I love that it's called live plating - | 0:24:05 | 0:24:07 | |
there don't seem to be any plates. | 0:24:07 | 0:24:08 | |
-LAUGHTER -Oh! | 0:24:08 | 0:24:10 | |
MUSIC: Aria from Faust by Charles Gounod | 0:24:10 | 0:24:13 | |
Oh, good lord. | 0:24:45 | 0:24:46 | |
Chef, my highlight of this challenge is that when the three of you | 0:24:48 | 0:24:52 | |
lift up the chocolate ball and put it down all together, | 0:24:52 | 0:24:56 | |
and I can see that the bottoms break but the tops still remain. | 0:24:56 | 0:24:59 | |
There is a classical order - | 0:24:59 | 0:25:01 | |
everything has a place and every place has one thing. | 0:25:01 | 0:25:04 | |
I really enjoyed the fact that every single one of you | 0:25:04 | 0:25:08 | |
knew what they were doing. | 0:25:08 | 0:25:10 | |
'Laurian's team are presenting | 0:25:10 | 0:25:12 | |
'a poached pear and mulled wine dessert, | 0:25:12 | 0:25:14 | |
'with a mulled wine reduction, a beetroot sponge, | 0:25:14 | 0:25:16 | |
'orange and cinnamon pearls, and three chocolate spheres | 0:25:16 | 0:25:19 | |
'filled with pear julienne, a spicy crumble and a pear mousse.' | 0:25:19 | 0:25:23 | |
And how did you keep these intact while the rest of it smashed? | 0:25:23 | 0:25:26 | |
Pure luck. | 0:25:26 | 0:25:28 | |
Good answer. | 0:25:29 | 0:25:30 | |
I really enjoy eating the pear mousse, the caramel, | 0:25:31 | 0:25:34 | |
and then the julienne of pear over here. | 0:25:34 | 0:25:36 | |
The mulled wine sauce, as it goes, I'm not too sure. | 0:25:36 | 0:25:40 | |
Your microwave sponge, I really can't taste the beetroot. | 0:25:40 | 0:25:43 | |
-Did you use a fresh beetroot? -No, we used a powdered beetroot. | 0:25:43 | 0:25:46 | |
Well, I'd rather that you'd use a fresh beetroot and use the water. | 0:25:46 | 0:25:50 | |
At least it is technically done perfectly. | 0:25:50 | 0:25:53 | |
I'm a bit disappointed with the pears. | 0:25:53 | 0:25:55 | |
The problem is I don't think you've picked the right pear. | 0:25:55 | 0:25:58 | |
The little orange pearl brings a bit of freshness. | 0:25:58 | 0:26:00 | |
I would have loved a little bit more kick. | 0:26:00 | 0:26:02 | |
This part, I enjoyed the design. | 0:26:02 | 0:26:04 | |
I didn't enjoy too much what was going on. | 0:26:04 | 0:26:06 | |
There are some good things, | 0:26:06 | 0:26:08 | |
and there are things which were not controlled as well, | 0:26:08 | 0:26:11 | |
and there is definitely a style. | 0:26:11 | 0:26:13 | |
Well done. Thank you very much. | 0:26:13 | 0:26:15 | |
Thank you for your effort, yeah? | 0:26:15 | 0:26:16 | |
All right, girls, let's smash this table now. All right? | 0:26:19 | 0:26:21 | |
OK, let's put the entremets disaster to one side. | 0:26:30 | 0:26:33 | |
This is your chance to redeem yourselves, | 0:26:33 | 0:26:35 | |
and your time starts now. | 0:26:35 | 0:26:38 | |
MUSIC: William Tell Overture by Gioachino Rossini | 0:26:38 | 0:26:40 | |
So, we're bringing to you today a little apple crumble. | 0:26:42 | 0:26:47 | |
I hope you enjoy it. | 0:26:47 | 0:26:48 | |
Shall we set the table on fire? | 0:26:57 | 0:26:59 | |
Whoops! | 0:27:13 | 0:27:14 | |
I'm going to cook my sphere now. | 0:27:14 | 0:27:16 | |
Enjoy. | 0:27:31 | 0:27:32 | |
-Wow. -Well done. | 0:27:35 | 0:27:37 | |
Cherish? | 0:27:40 | 0:27:42 | |
-Hmm... -No? OK. -No. | 0:27:43 | 0:27:45 | |
Very hard to please. | 0:27:45 | 0:27:47 | |
Though I don't mind a little bit of legerete, | 0:27:47 | 0:27:50 | |
a little bit of a swing, but it's all swing. | 0:27:50 | 0:27:53 | |
Everything is all over the shop. | 0:27:53 | 0:27:55 | |
This is chaos. | 0:27:55 | 0:27:57 | |
Girls, I get a sense of panic - everything just thrown on the plate. | 0:27:57 | 0:28:00 | |
For me, it's a mess. I don't know, what am I looking at? | 0:28:00 | 0:28:03 | |
If I gave you, even, an example - | 0:28:03 | 0:28:05 | |
those cremes brulees were meant to stand on the sable. | 0:28:05 | 0:28:08 | |
They are not even caramelised correctly, | 0:28:08 | 0:28:10 | |
-so that means here I'm going to have to eat raw demerara sugar. -Yeah. | 0:28:10 | 0:28:15 | |
'Paula's team are presenting an apple crumble dessert | 0:28:15 | 0:28:18 | |
'with cinnamon brulee, a Pink Lady compote, | 0:28:18 | 0:28:20 | |
'toffee soy sauce, and a chocolate sphere | 0:28:20 | 0:28:23 | |
'filled with a caramel and apple chocolate mousse.' | 0:28:23 | 0:28:25 | |
BENOIT EXHALES | 0:28:28 | 0:28:30 | |
The only thing I like about this apple crumble | 0:28:30 | 0:28:32 | |
is the crunch on the apple. | 0:28:32 | 0:28:33 | |
Does it excite me? | 0:28:33 | 0:28:35 | |
Not really. | 0:28:35 | 0:28:36 | |
Have you chosen a variety in particular, or you just took a...? | 0:28:36 | 0:28:39 | |
Those are Pink Ladies. | 0:28:39 | 0:28:40 | |
Well, they lack personality, | 0:28:40 | 0:28:43 | |
and the caramel is bitter. | 0:28:43 | 0:28:45 | |
So... | 0:28:45 | 0:28:46 | |
-HE BLOWS A RASPBERRY -Excuse my French. | 0:28:46 | 0:28:48 | |
Do other apples have more personality? | 0:28:48 | 0:28:51 | |
There are many apples who can have great personalities, | 0:28:51 | 0:28:53 | |
especially in this country. | 0:28:53 | 0:28:54 | |
Those cremes brulees, the texture is great, | 0:28:54 | 0:28:57 | |
but there's no caramelisation on the top, | 0:28:57 | 0:29:00 | |
and the sable breton underneath, | 0:29:00 | 0:29:01 | |
it hasn't got that fresh, buttery, crunchy texture I really love. | 0:29:01 | 0:29:07 | |
You haven't enjoyed those three bits, | 0:29:07 | 0:29:09 | |
but maybe something else on the table might... | 0:29:09 | 0:29:11 | |
-HE COUGHS Oh, dear. -No. -No? OK. | 0:29:11 | 0:29:14 | |
Spoke too soon. | 0:29:14 | 0:29:16 | |
Girls, I love my soya sauce, but it just doesn't do it for me. | 0:29:16 | 0:29:20 | |
The first taste is soya sauce, and followed up by the bitterness. | 0:29:20 | 0:29:24 | |
It's really, really overpowering. | 0:29:24 | 0:29:27 | |
So, do you want to try the centrepiece there? | 0:29:27 | 0:29:29 | |
Surely you like that. | 0:29:34 | 0:29:36 | |
That's the best part. | 0:29:39 | 0:29:41 | |
-BENOIT EXHALES -You're taking the risks, | 0:29:41 | 0:29:43 | |
but you need to be able to control it, you know? | 0:29:43 | 0:29:44 | |
You're taking the bull by the horn and you're riding it. | 0:29:44 | 0:29:48 | |
There is some great ideas there, but nothing is controlled. | 0:29:48 | 0:29:51 | |
It looks like we're taking holidays earlier. | 0:29:54 | 0:29:57 | |
Benoit and Cherish will now award each team a mark out of 20 | 0:29:59 | 0:30:03 | |
for their live-plated dessert and buches entremets. | 0:30:03 | 0:30:06 | |
That's going to be tricky today. | 0:30:06 | 0:30:08 | |
-I was very disappointed with both of the teams. -Yeah. | 0:30:08 | 0:30:11 | |
Paula's team didn't even meet the brief. | 0:30:11 | 0:30:14 | |
And Laurian scraped by. | 0:30:14 | 0:30:16 | |
What about the live-plating dessert? | 0:30:16 | 0:30:18 | |
It wasn't alive. | 0:30:18 | 0:30:20 | |
There was no meaning. | 0:30:20 | 0:30:22 | |
A total of 40 points are on offer, | 0:30:22 | 0:30:24 | |
and a good score in this first challenge could prove a huge step | 0:30:24 | 0:30:28 | |
towards making the grand final. | 0:30:28 | 0:30:30 | |
Have you finished your deliberations? | 0:30:30 | 0:30:32 | |
Yes, we have. | 0:30:32 | 0:30:33 | |
Could I ask you, please, for the scores, | 0:30:33 | 0:30:37 | |
starting with Laurian's team? | 0:30:37 | 0:30:39 | |
You just scraped through with the buche challenge, | 0:30:39 | 0:30:42 | |
and you have a very classical approach | 0:30:42 | 0:30:44 | |
on your live-plating dessert. | 0:30:44 | 0:30:46 | |
For those reasons, I'm awarding you 11 out of 20. | 0:30:46 | 0:30:49 | |
The highlight was your chocolate sphere. | 0:30:49 | 0:30:51 | |
However, I was a little bit disappointed with your entremets. | 0:30:51 | 0:30:56 | |
For that, I award you nine. | 0:30:56 | 0:30:58 | |
Bringing you the total of 20 out of a possible 40 points. | 0:30:58 | 0:31:03 | |
And now Paula's team, Benoit. | 0:31:03 | 0:31:05 | |
You possibly have been too ambitious with your buche challenge, | 0:31:05 | 0:31:10 | |
and, for me, you lost control completely with your live plating. | 0:31:10 | 0:31:13 | |
For this reason, I am awarding you seven. | 0:31:13 | 0:31:17 | |
You did not meet the brief for your entremets, | 0:31:17 | 0:31:20 | |
and, as for your live-plating dessert, | 0:31:20 | 0:31:23 | |
it was lifeless, uninteresting, and it was boring. | 0:31:23 | 0:31:27 | |
For that, I am awarding you five. | 0:31:27 | 0:31:31 | |
Which gives you a total of 12 points out of a possible 40, | 0:31:31 | 0:31:34 | |
which means it's Laurian's team that is in first place | 0:31:34 | 0:31:37 | |
and Paula's team are currently not in first place, | 0:31:37 | 0:31:40 | |
but don't lose heart, | 0:31:40 | 0:31:42 | |
because tomorrow's sugary Showpiece Challenge | 0:31:42 | 0:31:44 | |
could reverse those placings. | 0:31:44 | 0:31:46 | |
Well done, and we'll see you tomorrow. | 0:31:46 | 0:31:49 | |
It was one of the toughest challenges we've done. | 0:31:49 | 0:31:51 | |
Despite the fact that we've got eight points' lead, | 0:31:51 | 0:31:54 | |
it doesn't give us confidence. | 0:31:54 | 0:31:56 | |
Everything can go wrong with the Showpiece. | 0:31:56 | 0:31:58 | |
That was, absolutely, disaster. | 0:31:58 | 0:32:00 | |
Our spirits are broken in pieces now. | 0:32:00 | 0:32:03 | |
We're just going to have to breathe, have a coffee, | 0:32:03 | 0:32:06 | |
and try to pull off the next challenge. | 0:32:06 | 0:32:09 | |
With a place in the final at stake, | 0:32:12 | 0:32:14 | |
tomorrow's Showpiece is the most important challenge | 0:32:14 | 0:32:16 | |
Paula and Laurian have so far faced, | 0:32:16 | 0:32:19 | |
and, after a disappointing first day, | 0:32:19 | 0:32:21 | |
every minute of the golden hour is crucial. | 0:32:21 | 0:32:24 | |
It wasn't the best day at the office, | 0:32:24 | 0:32:26 | |
let's be honest about it, | 0:32:26 | 0:32:27 | |
but we know the two teams there are winners. | 0:32:27 | 0:32:31 | |
We were expecting more wow, drama. | 0:32:31 | 0:32:34 | |
But how wrong did Paula's team get it? | 0:32:34 | 0:32:37 | |
Eight points - do you think they can turn it around? | 0:32:37 | 0:32:40 | |
I believe they can still catch up. | 0:32:40 | 0:32:43 | |
It's hard, but Paula can still bring her little je ne sais quoi | 0:32:43 | 0:32:47 | |
to the table and make it work. | 0:32:47 | 0:32:49 | |
You never know. | 0:32:49 | 0:32:50 | |
That's fine - we have two of each colour. | 0:32:56 | 0:32:58 | |
It's fine. It's fun. | 0:32:58 | 0:32:59 | |
-Deux. -Ooh. | 0:32:59 | 0:33:01 | |
Morning, chefs. | 0:33:28 | 0:33:29 | |
Welcome back for what the Swedish band Europe | 0:33:29 | 0:33:32 | |
called The Final Countdown. | 0:33:32 | 0:33:34 | |
Round here, it's known as the Showpiece Challenge. | 0:33:34 | 0:33:36 | |
I'll let the judges explain. Cherish? | 0:33:36 | 0:33:38 | |
We would like you to make a sugar Showpiece | 0:33:38 | 0:33:41 | |
with a theme around jungle paradise. | 0:33:41 | 0:33:44 | |
We are expecting bright colour, tropical flowers, exotic flavour. | 0:33:44 | 0:33:48 | |
Good luck, chefs. | 0:33:48 | 0:33:50 | |
Thank you. Benoit, any more salient points? | 0:33:50 | 0:33:53 | |
Yes, plenty. | 0:33:53 | 0:33:54 | |
Oh, dear. | 0:33:54 | 0:33:55 | |
We would like you to incorporate 40 fudge, 40 marzipan, | 0:33:55 | 0:34:00 | |
and 40 rolled raw pates de fruits confections into your design. | 0:34:00 | 0:34:05 | |
It is your last chance to impress us. | 0:34:05 | 0:34:07 | |
Teams, you had one hour's preparation last night. | 0:34:07 | 0:34:10 | |
You have three hours remaining. | 0:34:10 | 0:34:12 | |
That surely can't be enough. | 0:34:12 | 0:34:14 | |
There are 60 points available, | 0:34:14 | 0:34:15 | |
which, frankly, seems laughable, | 0:34:15 | 0:34:17 | |
and your time starts now. | 0:34:17 | 0:34:20 | |
Let's go, girls. | 0:34:21 | 0:34:23 | |
Sugarwork is my passion, | 0:34:23 | 0:34:25 | |
and jungle paradise is the perfect theme. | 0:34:25 | 0:34:28 | |
It's full of flowers, colours, life... | 0:34:28 | 0:34:32 | |
I want it to be mega. I want it to be spectacular. | 0:34:32 | 0:34:34 | |
I want it to be magnificent. | 0:34:34 | 0:34:36 | |
We want to see how creative, how innovative, how bold they are, | 0:34:36 | 0:34:41 | |
and, of course, the technical skill of sugar is so critical. | 0:34:41 | 0:34:45 | |
This one's going to be very thick. | 0:34:45 | 0:34:46 | |
We want also 120 confections - | 0:34:47 | 0:34:50 | |
all of these are really basic recipes in our kitchen. | 0:34:50 | 0:34:53 | |
We would like them to push them a notch up | 0:34:53 | 0:34:56 | |
and impress us with beautiful flavours, | 0:34:56 | 0:34:58 | |
neatness and regularity. | 0:34:58 | 0:35:00 | |
The crucial thing for pate de fruits is to get your temperature correct, | 0:35:00 | 0:35:04 | |
inject flavour into the marzipan, | 0:35:04 | 0:35:06 | |
and if you undercook, your fudge will not set. | 0:35:06 | 0:35:08 | |
Be careful with this, it's hot. | 0:35:08 | 0:35:10 | |
I would like them give me the most beautiful, scrumptious sweet | 0:35:10 | 0:35:14 | |
I've ever tasted before, | 0:35:14 | 0:35:16 | |
so, chefs, do not disappoint me. | 0:35:16 | 0:35:18 | |
Texture will be crucial in this challenge, | 0:35:18 | 0:35:21 | |
so the teams will be marked down if their fudge isn't crumbly, | 0:35:21 | 0:35:24 | |
their marzipan isn't smooth, | 0:35:24 | 0:35:26 | |
and their pates de fruits doesn't melt in the judges' mouths... | 0:35:26 | 0:35:29 | |
..and they must all tie in perfectly with the jungle paradise theme | 0:35:32 | 0:35:36 | |
of their sugar Showpiece displays. | 0:35:36 | 0:35:38 | |
-Everything OK, girls? -Yes, yes, all good. | 0:35:38 | 0:35:41 | |
-And you? -Yeah. | 0:35:41 | 0:35:42 | |
Trailing for only the second time in the competition, | 0:35:42 | 0:35:45 | |
this Showpiece Challenge will be a new test for Paula's team. | 0:35:45 | 0:35:48 | |
The sugarwork, for my team, is something completely new. | 0:35:48 | 0:35:51 | |
This is going to be our very first Showpiece in sugar, ever. | 0:35:51 | 0:35:55 | |
It starts with the mould of the things | 0:35:55 | 0:35:57 | |
that we've been casting yesterday. | 0:35:57 | 0:35:58 | |
This is one of the spheres that goes in our structure. | 0:35:58 | 0:36:02 | |
Ah-hah. We have an explosion. There we go. | 0:36:02 | 0:36:05 | |
The confectionaries... Gimena is in charge of them. | 0:36:05 | 0:36:07 | |
Ji Sun and I, we are doing the Showpiece. | 0:36:07 | 0:36:10 | |
As usual, I'm the builder and Ji Sun is the artist. | 0:36:11 | 0:36:15 | |
We're making orchids and jungle creatures to go in our piece. | 0:36:15 | 0:36:20 | |
Paula's orchids will sprout from the branches of a jungle tree, | 0:36:20 | 0:36:23 | |
at the base of which will sit Earl Grey fudge, | 0:36:23 | 0:36:26 | |
individually wrapped in edible paper, | 0:36:26 | 0:36:28 | |
blood orange pates de fruits and kirsch-flavoured marzipan cherries. | 0:36:28 | 0:36:31 | |
No, you can put some more if you want to. | 0:36:41 | 0:36:43 | |
It's quite mild. | 0:36:43 | 0:36:44 | |
Well, I'm not very experienced with sugarwork, | 0:36:44 | 0:36:47 | |
but, then, the two guys are a lot better. | 0:36:47 | 0:36:49 | |
Jeremy's doing all the flowers, | 0:36:49 | 0:36:50 | |
and then Thibault is the one who's doing the construction. | 0:36:50 | 0:36:53 | |
I'm just doing a little confectionery. | 0:36:55 | 0:36:57 | |
I'm making the fudge now. | 0:36:57 | 0:36:58 | |
I'm struggling with the glucose in it. | 0:37:00 | 0:37:01 | |
The sugar Showpiece is more like an Indonesian jungle. | 0:37:01 | 0:37:05 | |
As we were looking at the pictures, we saw all the different layers of | 0:37:05 | 0:37:08 | |
the waters in the rivers, and things like that, | 0:37:08 | 0:37:10 | |
and the trees, so that's what we based it on. | 0:37:10 | 0:37:13 | |
Laurian's waterfall will flow from the base of a spider-infested tree, | 0:37:13 | 0:37:17 | |
at the bottom of which will sit | 0:37:17 | 0:37:19 | |
a dark chocolate and cocoa nib fudge, | 0:37:19 | 0:37:21 | |
kiwi and apple pates de fruits | 0:37:21 | 0:37:23 | |
and pistachio and orange blossom marzipan flowers. | 0:37:23 | 0:37:27 | |
-Morning. -Good morning. | 0:37:27 | 0:37:28 | |
How are we doing today? | 0:37:28 | 0:37:29 | |
We've, kind of, cleared our minds for what happened yesterday | 0:37:29 | 0:37:32 | |
and then we've done a lot of prep last night in the golden hour. | 0:37:32 | 0:37:35 | |
We did the marzipan and the kiwi pates de fruits, | 0:37:35 | 0:37:38 | |
to rest overnight. | 0:37:38 | 0:37:39 | |
Do you think the texture is right? | 0:37:39 | 0:37:41 | |
That's the texture we were, kind of, looking for. | 0:37:41 | 0:37:43 | |
I haven't done much fudge in the past, so... | 0:37:43 | 0:37:46 | |
What have you done to it? | 0:37:46 | 0:37:47 | |
We've done a chocolate and ginger fudge with cocoa nibs inside. | 0:37:47 | 0:37:50 | |
But that may change it - a slightly gritty kind of texture of the fudge? | 0:37:50 | 0:37:54 | |
-Yeah, it's more like a...frudge. -A frudge? | 0:37:54 | 0:37:57 | |
Yeah, a French fudge. | 0:37:57 | 0:37:58 | |
So, yesterday we cooked two types of sugar. | 0:37:59 | 0:38:02 | |
One is the casting one, the pouring one, | 0:38:02 | 0:38:04 | |
and now we have the pulling one. | 0:38:04 | 0:38:05 | |
Pulled sugar must be boiled to a temperature | 0:38:05 | 0:38:07 | |
of 160 degrees centigrade... | 0:38:07 | 0:38:09 | |
BLEEP | 0:38:09 | 0:38:12 | |
..before being worked by hand. | 0:38:12 | 0:38:14 | |
So now I'm cooling down the sugar. | 0:38:14 | 0:38:16 | |
At the beginning I couldn't touch it, | 0:38:16 | 0:38:18 | |
but now it's better. | 0:38:18 | 0:38:20 | |
Oui. | 0:38:22 | 0:38:23 | |
How does it feel? | 0:38:23 | 0:38:26 | |
Let's cool it down quite fast. | 0:38:26 | 0:38:28 | |
When you're pulling the sugar, you're adding air, | 0:38:28 | 0:38:30 | |
so that's why the colour fades, but also it gets shinier. | 0:38:30 | 0:38:33 | |
That's the effect you want for the flowers. | 0:38:33 | 0:38:35 | |
I'm making two flowers. | 0:38:35 | 0:38:37 | |
One is pink and the second one is purple, | 0:38:37 | 0:38:40 | |
but it's going to be similar. | 0:38:40 | 0:38:41 | |
I was not very confident. I didn't sleep very well. | 0:38:41 | 0:38:44 | |
While Jeremy crafts his flower meticulously by hand, | 0:38:44 | 0:38:48 | |
Paula is about to unleash a jungle beast. | 0:38:48 | 0:38:51 | |
Ji Sun sculpted a chameleon head in clay, | 0:38:51 | 0:38:54 | |
and then we made our mould from her original, | 0:38:54 | 0:38:57 | |
so let's see how the mould came out. | 0:38:57 | 0:38:59 | |
Looks good! | 0:39:03 | 0:39:05 | |
Ji, this is your baby. | 0:39:05 | 0:39:06 | |
Well done. | 0:39:06 | 0:39:07 | |
It came out! | 0:39:07 | 0:39:09 | |
Does it have a name, the chameleon? | 0:39:09 | 0:39:11 | |
Angus. | 0:39:11 | 0:39:12 | |
You will be eating a little butterfly that's passing by. | 0:39:12 | 0:39:15 | |
-Because that happens in the jungle. -Yes, it happens. -Yeah. | 0:39:15 | 0:39:17 | |
And we've got a frog there? | 0:39:17 | 0:39:18 | |
That's poison-y, careful. | 0:39:18 | 0:39:20 | |
-It's a poisonous frog? -Yeah, it's very dangerous. | 0:39:20 | 0:39:22 | |
Do you live anywhere near the jungle in Brazil? | 0:39:22 | 0:39:24 | |
I'm from Sao Paulo, not very close to the jungle, | 0:39:24 | 0:39:26 | |
but closer than anyone here, so... | 0:39:26 | 0:39:27 | |
Exactly, and I'm from Surrey, | 0:39:27 | 0:39:29 | |
so there's very little jungle around there, yeah. | 0:39:29 | 0:39:31 | |
-It's looking very good so far, I have to say. -Thank you. | 0:39:31 | 0:39:34 | |
Whilst perfecting intricate sugarwork, | 0:39:34 | 0:39:37 | |
the teams also have to juggle the creation of yet another | 0:39:37 | 0:39:39 | |
high-maintenance element for their showpieces. | 0:39:39 | 0:39:42 | |
For the fudge, we've got 70% dark chocolate. | 0:39:42 | 0:39:45 | |
It's going to take away a little bit more of that sweetness. | 0:39:45 | 0:39:48 | |
Unless fudge is stirred continuously whilst being heated | 0:39:48 | 0:39:51 | |
to precisely 160 degrees centigrade before setting, | 0:39:51 | 0:39:55 | |
it will never achieve the classic crumbly texture | 0:39:55 | 0:39:58 | |
that the judges will be looking for. | 0:39:58 | 0:40:00 | |
We are doing Earl Grey and dark chocolate fudge, | 0:40:00 | 0:40:04 | |
so we're going to wrap it. | 0:40:04 | 0:40:06 | |
We have a Japanese ingredient and it's like an edible plastic, | 0:40:06 | 0:40:08 | |
and it's like you have a sweet that is wrapped but you don't need to | 0:40:08 | 0:40:11 | |
unwrap to eat, you can just...go for it. | 0:40:11 | 0:40:14 | |
Going to need to put in the fridge. | 0:40:19 | 0:40:21 | |
I think you should put the fudge in the fridge. | 0:40:23 | 0:40:26 | |
Yeah, I'm going to do that in a bit. | 0:40:26 | 0:40:29 | |
But Laurian isn't just juggling fudge - | 0:40:29 | 0:40:31 | |
he also has to shape the marzipan he prepared in yesterday's golden hour. | 0:40:31 | 0:40:35 | |
It's going to look like a little exotic flower. | 0:40:35 | 0:40:38 | |
It's a bit intricate, | 0:40:38 | 0:40:39 | |
probably better to do one in no rush for time. | 0:40:39 | 0:40:42 | |
Today is a lot more focused. | 0:40:42 | 0:40:44 | |
It's been a bit hard at home, especially with my two young kids. | 0:40:44 | 0:40:49 | |
I've got my son, who's a three-year-old, | 0:40:49 | 0:40:51 | |
and he's not really liking me going for the competition, | 0:40:51 | 0:40:54 | |
but the other day I said Papa was winning, | 0:40:54 | 0:40:56 | |
so he just kind of went behind it. | 0:40:56 | 0:40:59 | |
So it's good. | 0:40:59 | 0:41:01 | |
How's the pate de fruits? It's boiling. | 0:41:05 | 0:41:07 | |
For the pate de fruits, | 0:41:08 | 0:41:09 | |
what you're looking for is a very clear and very thin paste. | 0:41:09 | 0:41:13 | |
And once it's cooked, it sets super quick. | 0:41:13 | 0:41:15 | |
We want to spread in the frame perfectly. | 0:41:15 | 0:41:17 | |
Sometimes it can be tricky, if it's too cold or it sets too fast. | 0:41:17 | 0:41:21 | |
I'm going to need help now. | 0:41:21 | 0:41:22 | |
No, please. Go, go, go, go. | 0:41:24 | 0:41:26 | |
No, no! No! | 0:41:26 | 0:41:28 | |
Please, quick, quick! | 0:41:31 | 0:41:32 | |
No, I need to make fresh. | 0:41:34 | 0:41:36 | |
No! | 0:41:39 | 0:41:40 | |
No, I need to make again. | 0:41:41 | 0:41:44 | |
So, we couldn't get the perfect spread, | 0:41:44 | 0:41:45 | |
so Gimena wanted to make it again. | 0:41:45 | 0:41:47 | |
Starting again | 0:41:50 | 0:41:52 | |
isn't really an option | 0:41:52 | 0:41:53 | |
for Thibault's sugarwork bamboo. | 0:41:53 | 0:41:55 | |
It took all night to set and there simply isn't enough time | 0:42:02 | 0:42:05 | |
to make any more. | 0:42:05 | 0:42:07 | |
I'm just trying to take out the sugar from the pipes. | 0:42:08 | 0:42:11 | |
Quite hard. | 0:42:14 | 0:42:15 | |
We trained with a bigger tube and it came out really easily, | 0:42:24 | 0:42:28 | |
but we thought it was a bit too big. | 0:42:28 | 0:42:31 | |
Doesn't really help to try something new on the day. | 0:42:31 | 0:42:33 | |
The strategy, if we get to the final, | 0:42:35 | 0:42:37 | |
don't do tubes. | 0:42:37 | 0:42:38 | |
It's not a good idea. | 0:42:38 | 0:42:40 | |
This is why I don't get involved with sugar. | 0:42:46 | 0:42:48 | |
I'll go back to my flowers. | 0:42:49 | 0:42:51 | |
Teams, you are exactly halfway through, | 0:42:53 | 0:42:56 | |
so you have 90 minutes left. | 0:42:56 | 0:42:58 | |
Having struggled with her pate de fruits, | 0:42:58 | 0:43:01 | |
things aren't getting any easier for Gimena. | 0:43:01 | 0:43:03 | |
Do you think you can manage or we have to make it again? | 0:43:08 | 0:43:11 | |
Have no time, right? | 0:43:11 | 0:43:13 | |
See if you work in your hands, you can still put it together. | 0:43:13 | 0:43:15 | |
The dough we made is slightly wet, more than we did for practices. | 0:43:15 | 0:43:21 | |
I think it's just going to have time to dry a little bit out. | 0:43:21 | 0:43:24 | |
Paula's team, it looks like they have | 0:43:24 | 0:43:27 | |
a little problem with the confection. | 0:43:27 | 0:43:29 | |
Not little, big problem. | 0:43:29 | 0:43:31 | |
The marzipan is not smooth and very oily. | 0:43:31 | 0:43:34 | |
I don't think the recipe is correct. | 0:43:34 | 0:43:36 | |
The fudge is clearly too soft. | 0:43:36 | 0:43:38 | |
The potential redemption is the blood orange pates de fruits, | 0:43:38 | 0:43:40 | |
which they struggled to cook... | 0:43:40 | 0:43:42 | |
Yeah, I think they did it two times as long. | 0:43:42 | 0:43:44 | |
But on the other hand, they may have something | 0:43:44 | 0:43:46 | |
quite interesting with their presentation. | 0:43:46 | 0:43:48 | |
They've actually pulled all the stops in sugar | 0:43:48 | 0:43:50 | |
to try and impress us. | 0:43:50 | 0:43:52 | |
This is a sugar mix and you spread over your mat and you bake. | 0:43:52 | 0:43:56 | |
This chameleon is going to have his tongue out and he's maybe | 0:43:56 | 0:43:58 | |
grabbing a butterfly that's just passing around. | 0:43:58 | 0:44:00 | |
Jeremy is just putting some beautiful petals, | 0:44:04 | 0:44:08 | |
and it's not that it's a lot of work, but I'm loving it. | 0:44:08 | 0:44:10 | |
The problem is, focus all your energy into one little thing, | 0:44:10 | 0:44:14 | |
you need many of those things to make big things. | 0:44:14 | 0:44:16 | |
It's the moment of truth | 0:44:27 | 0:44:29 | |
for Gimena's second attempt at pate de fruits. | 0:44:29 | 0:44:31 | |
OK, I'm going to need help. Ji Sun? | 0:44:31 | 0:44:34 | |
-OK? -Yeah. | 0:44:39 | 0:44:40 | |
Thank you. | 0:44:44 | 0:44:45 | |
-Is it all right? -Yeah. | 0:44:51 | 0:44:52 | |
Guys, you've got one hour left. Just 60 minutes left now. | 0:44:54 | 0:44:58 | |
One hour, one hour. | 0:44:58 | 0:44:59 | |
-One hour to go, guys. -Yeah. | 0:44:59 | 0:45:01 | |
Right, I'll start now to build this structure. | 0:45:01 | 0:45:04 | |
Ji, could you have a look for me at that? | 0:45:04 | 0:45:07 | |
Yeah. | 0:45:07 | 0:45:09 | |
-Is it straight? -Yeah, it's straight. | 0:45:09 | 0:45:11 | |
Guys, I need your help, quickly. | 0:45:11 | 0:45:13 | |
We can start spreading our flowers and the small work. | 0:45:22 | 0:45:25 | |
I have to blowtorch it for the shine, | 0:45:29 | 0:45:31 | |
and you can see lots of traces from the mat. | 0:45:31 | 0:45:34 | |
You can't stay on the same spot every time, | 0:45:34 | 0:45:37 | |
otherwise your sugar will break. | 0:45:37 | 0:45:39 | |
I'm rolling the pate de fruits. | 0:45:39 | 0:45:41 | |
It seems like he's done a good job overnight | 0:45:41 | 0:45:43 | |
to just get it to dry out as well. | 0:45:43 | 0:45:44 | |
You want something which is a little bit firm | 0:45:44 | 0:45:47 | |
but then to melt in your mouth. | 0:45:47 | 0:45:48 | |
The pates de fruits, now she's going to portion and we roll it. | 0:45:48 | 0:45:52 | |
As soon as we roll it, we're going to dust of sugar. | 0:45:52 | 0:45:55 | |
Slightly under? | 0:45:55 | 0:45:57 | |
Or this is what you wanted? | 0:45:57 | 0:45:59 | |
She's not perfect, but she's fine. | 0:46:06 | 0:46:08 | |
Jeremy's flower is really beautiful, so I wanted to just... | 0:46:10 | 0:46:15 | |
It'll be the first thing you see. | 0:46:15 | 0:46:16 | |
Ji, lovely centre, love the little detail. Very nice. | 0:46:18 | 0:46:22 | |
I'm making a mygale... | 0:46:22 | 0:46:24 | |
A tarantula, those big spiders from the jungle. | 0:46:24 | 0:46:27 | |
We talked about it last night | 0:46:27 | 0:46:29 | |
and Jeremy just had a look on the internet. | 0:46:29 | 0:46:32 | |
-Are you all right there? -Just saying hello to Angus. -OK. | 0:46:37 | 0:46:40 | |
-So, how long have we got? -15 minutes to go now, | 0:47:04 | 0:47:07 | |
just 15 minutes. | 0:47:07 | 0:47:08 | |
15 minutes. We can move now to the table. | 0:47:12 | 0:47:14 | |
-Let's do it. -Where can I make a hold, here? | 0:47:14 | 0:47:17 | |
One hand underneath, you hold this structure. | 0:47:18 | 0:47:21 | |
-Erm... -Just underneath. | 0:47:25 | 0:47:27 | |
It's OK. | 0:47:27 | 0:47:29 | |
Help. | 0:47:36 | 0:47:37 | |
Yeah, done. | 0:47:39 | 0:47:40 | |
OK. | 0:47:43 | 0:47:44 | |
Let's start plating up. | 0:47:47 | 0:47:48 | |
Careful where you walk, girls. | 0:47:51 | 0:47:52 | |
Which one was that? | 0:48:01 | 0:48:02 | |
We're running out of time. | 0:48:06 | 0:48:08 | |
Two minutes to finish your jungles. | 0:48:16 | 0:48:19 | |
-Give colour to the chameleon. -We've done, we've done, we've done. | 0:48:19 | 0:48:22 | |
Clear, clear. Everything. | 0:48:27 | 0:48:28 | |
That's it, guys. | 0:48:37 | 0:48:38 | |
Time is up. | 0:48:40 | 0:48:42 | |
Please step away from your sugary jungles. | 0:48:42 | 0:48:46 | |
That's it. | 0:48:54 | 0:48:56 | |
240 exotically flavoured confections | 0:49:08 | 0:49:12 | |
and two stunning jungle-themed sugar showpieces | 0:49:12 | 0:49:16 | |
made in just four hours. | 0:49:16 | 0:49:17 | |
The ball, super big ball. | 0:49:26 | 0:49:29 | |
It's time for the judging now, so let's begin with Laurian's team. | 0:49:29 | 0:49:32 | |
I really love the idea that you bring another flower. | 0:49:49 | 0:49:53 | |
Having said that, started doing one nice large one, | 0:49:53 | 0:49:57 | |
which takes a lot of work, | 0:49:57 | 0:49:58 | |
and a very small leaf, which takes little work. | 0:49:58 | 0:50:02 | |
It is a quick competition, | 0:50:02 | 0:50:03 | |
so therefore you need to bring volume very efficiently. | 0:50:03 | 0:50:06 | |
Now, I would have wished, perhaps, | 0:50:06 | 0:50:08 | |
to have larger leaves to match your large flower. | 0:50:08 | 0:50:11 | |
That will help fill up the blanks within your piece, | 0:50:11 | 0:50:14 | |
gives a lot more elegance, and not much more work. | 0:50:14 | 0:50:17 | |
It's missing something. | 0:50:17 | 0:50:19 | |
Though I know that you made your spider last-minute, | 0:50:19 | 0:50:21 | |
I was hoping that you'd pull a little bit of sugar | 0:50:21 | 0:50:24 | |
so that you make string of spider web, | 0:50:24 | 0:50:26 | |
so create a little bit more drama in your waterfall. | 0:50:26 | 0:50:30 | |
It looks more like a crystal ball to me. | 0:50:30 | 0:50:32 | |
Could you please explain to us why some is open and some is closed? | 0:50:32 | 0:50:36 | |
The marzipan started breaking the petals. | 0:50:36 | 0:50:39 | |
Not all the flowers open at the same time. | 0:50:39 | 0:50:41 | |
-Exactly, that's the real reason. -He's making it up. | 0:50:41 | 0:50:43 | |
I like the fact that you guys are so adaptable as a team. | 0:50:43 | 0:50:47 | |
Should we talk about the presentation? | 0:50:47 | 0:50:49 | |
Fudge needs to be very nicely cut - | 0:50:49 | 0:50:52 | |
it is actually a very inconsistent and not precise at all. | 0:50:52 | 0:50:56 | |
It's quite nice to see that the seed of the kiwi | 0:50:56 | 0:50:59 | |
is in the pates de fruits. | 0:50:59 | 0:51:00 | |
Is that sophisticated enough? | 0:51:00 | 0:51:01 | |
You could argue you wish you could have had done something else | 0:51:01 | 0:51:04 | |
and perhaps not use a toothpick. | 0:51:04 | 0:51:06 | |
Round, as you see. | 0:51:06 | 0:51:08 | |
-OK, shall we try? -Yes, please. | 0:51:10 | 0:51:12 | |
Lovely textures. | 0:51:22 | 0:51:23 | |
For me, the coating of the sugar is not necessary | 0:51:23 | 0:51:25 | |
because it's naturally quite sweet already. | 0:51:25 | 0:51:27 | |
But the key element, the kiwi, is not there. | 0:51:27 | 0:51:30 | |
I have to disagree with you. | 0:51:30 | 0:51:33 | |
When you eat the kiwi, | 0:51:33 | 0:51:34 | |
you have this ticklish kind of sensation on your taste buds. | 0:51:34 | 0:51:39 | |
This is what I get and I actually quite like it. | 0:51:39 | 0:51:41 | |
If I blindfold and eat, I'd be very happy eating this. | 0:51:50 | 0:51:54 | |
The chocolate that you chose blends very well, | 0:51:54 | 0:51:57 | |
and then the crunch on the inside, I really enjoy eating that. | 0:51:57 | 0:52:00 | |
Personally, I'm not overly keen on the taste of your fudge. | 0:52:00 | 0:52:04 | |
The cocoa nibs inside, when you crack through it, | 0:52:04 | 0:52:07 | |
it stays and stays, so that you finish with the fudge, | 0:52:07 | 0:52:11 | |
you still have bits of the cocoa nib. | 0:52:11 | 0:52:13 | |
Mmm-mmm-mmm. | 0:52:17 | 0:52:18 | |
The flavour of the orange blossom is pleasant. Not too strong. | 0:52:18 | 0:52:22 | |
I really think it's a good marzipan. | 0:52:22 | 0:52:24 | |
I quite like the idea of making it into a flower. | 0:52:24 | 0:52:28 | |
It's just a bit dry. | 0:52:28 | 0:52:29 | |
-That was -BLEEP. | 0:52:38 | 0:52:39 | |
I think it's beautiful. | 0:52:57 | 0:52:58 | |
If you had to take a little postcard of | 0:52:58 | 0:53:00 | |
a corner of the Brazilian jungle, then you brought it to us. | 0:53:00 | 0:53:04 | |
And I really like that little fellow there, the chameleon. | 0:53:04 | 0:53:07 | |
And a little butterfly. There is a little bit of a story. | 0:53:07 | 0:53:12 | |
You've made movement, you've brought life to it. | 0:53:12 | 0:53:14 | |
Technically, you would wish that some of the flowers would be | 0:53:14 | 0:53:17 | |
a little bit more worked on, | 0:53:17 | 0:53:19 | |
a little bit more finesse in some of the petals, but this is academic. | 0:53:19 | 0:53:22 | |
I think you did very well and I'll tell you what, I really, | 0:53:22 | 0:53:25 | |
-really like the poison frog over there. -The poison frog? | 0:53:25 | 0:53:28 | |
It looks freaky. It's, like, staring at me. | 0:53:28 | 0:53:31 | |
-It brings a little bit of fun. -Let's move on, shall we? | 0:53:32 | 0:53:35 | |
This is where the perhaps not so positive starts, | 0:53:35 | 0:53:38 | |
-and I'm looking at you, Gimena. -Yeah, I know. | 0:53:38 | 0:53:41 | |
There is clearly an issue on every single one of them | 0:53:41 | 0:53:43 | |
as far as the presentation is concerned. | 0:53:43 | 0:53:46 | |
If this looks like a cherry, it's pretty rough. | 0:53:46 | 0:53:50 | |
It looks pretty dry as well. | 0:53:50 | 0:53:52 | |
I think it's lucky that we got some paper, | 0:53:52 | 0:53:54 | |
otherwise it would be all over the plate. | 0:53:54 | 0:53:57 | |
And I struggle still to grab the pates de fruits. | 0:53:57 | 0:54:00 | |
You can see that the sugar's actually melted. | 0:54:00 | 0:54:03 | |
If you cook your pate de fruits perfectly, | 0:54:03 | 0:54:05 | |
this should not be happening. | 0:54:05 | 0:54:07 | |
We ask for consistency and precision, | 0:54:07 | 0:54:10 | |
but I can't see it over here. | 0:54:10 | 0:54:11 | |
I like the blood orange flavour. Nice and fresh. | 0:54:19 | 0:54:22 | |
The texture is lovely because it's undercooked, | 0:54:22 | 0:54:25 | |
so it melts in your mouth. | 0:54:25 | 0:54:27 | |
As far as flavour is concerned, it's quite nice. | 0:54:27 | 0:54:29 | |
It's just too mushy on my palate. | 0:54:29 | 0:54:31 | |
All right, next. | 0:54:31 | 0:54:32 | |
It is not the most pleasant marzipan I've had in my life. | 0:54:40 | 0:54:44 | |
I've got that little kick of kirsch element in there, | 0:54:44 | 0:54:47 | |
but the texture is not great. | 0:54:47 | 0:54:49 | |
You've got all that non-stable fat of the almond, | 0:54:49 | 0:54:53 | |
which goes into your mouth and it's not pleasant. | 0:54:53 | 0:54:56 | |
You eat with your eye. | 0:54:56 | 0:54:58 | |
That is asking me not to eat me. | 0:54:58 | 0:55:00 | |
The oil just ooze out. I've really lost my appetite. | 0:55:00 | 0:55:03 | |
I love my Earl Grey fudge, | 0:55:15 | 0:55:17 | |
I was so looking forward to eat this, | 0:55:17 | 0:55:20 | |
but I just could not pick up any Earl Grey in there. | 0:55:20 | 0:55:24 | |
Disappointment for me. | 0:55:24 | 0:55:25 | |
I think the sweetness level is quite pleasant. | 0:55:25 | 0:55:28 | |
The texture, it's undercooked. | 0:55:28 | 0:55:29 | |
It's our most you are having a different experience altogether. | 0:55:29 | 0:55:32 | |
Put that kind of feeling in a different kind of confection, | 0:55:32 | 0:55:35 | |
it might actually work. | 0:55:35 | 0:55:37 | |
As a fudge, it's not a texture I was looking for. | 0:55:37 | 0:55:39 | |
Sorry. | 0:55:45 | 0:55:46 | |
Shh! | 0:55:46 | 0:55:48 | |
60 points are on offer for the showpiece. | 0:55:48 | 0:55:51 | |
Once added to the scores for the first challenge, | 0:55:51 | 0:55:53 | |
the team with the highest overall tally out of 100 | 0:55:53 | 0:55:56 | |
will be through to the grand final. | 0:55:56 | 0:55:59 | |
The scores are in. | 0:56:00 | 0:56:01 | |
Unfortunately, only one team can go through to the final, | 0:56:01 | 0:56:04 | |
so good luck to you both. | 0:56:04 | 0:56:06 | |
In no particular order, | 0:56:07 | 0:56:10 | |
Paula's team, the judges awarded you | 0:56:10 | 0:56:13 | |
32 points out of 60, | 0:56:13 | 0:56:16 | |
giving you a combined total of 44 out of 100. | 0:56:16 | 0:56:20 | |
And Laurian's team... | 0:56:21 | 0:56:23 | |
..the judges awarded you... | 0:56:24 | 0:56:26 | |
..35 points, giving you a combined total of 55 out of 100, | 0:56:31 | 0:56:35 | |
which means that it's Laurian's team that goes through to the final. | 0:56:35 | 0:56:38 | |
Congratulations. | 0:56:38 | 0:56:40 | |
And condolences to Paula's team. | 0:56:41 | 0:56:43 | |
-Come on, girls. -Well done. | 0:56:43 | 0:56:45 | |
-Thank you very much. -Congratulations on getting this far. | 0:56:45 | 0:56:49 | |
I'm really surprised we got this far. | 0:56:49 | 0:56:51 | |
We did amazing. | 0:56:51 | 0:56:53 | |
I'm so proud of my girls, I'm super happy with everything we did. | 0:56:53 | 0:56:56 | |
We're going to miss you guys. | 0:56:56 | 0:56:58 | |
-And next year, I think they're going to get in again. -No! -No way. | 0:56:58 | 0:57:02 | |
One of you will have to be the next captain because I'm retiring, | 0:57:02 | 0:57:06 | |
I'm retiring, I'm not captain any more. | 0:57:06 | 0:57:09 | |
The pink team! | 0:57:09 | 0:57:10 | |
Allez pink team, allez pink team! | 0:57:10 | 0:57:13 | |
Bon, allez. | 0:57:13 | 0:57:14 | |
I personally miss my kids, miss my wife and it's... | 0:57:14 | 0:57:17 | |
But then suddenly it makes it all worth it, | 0:57:17 | 0:57:19 | |
because we're in the final and this is... | 0:57:19 | 0:57:22 | |
At least it was all the effort for something. | 0:57:22 | 0:57:24 | |
Just the three guys, we just enjoy what we're doing. | 0:57:37 | 0:57:40 | |
So, the end is in sight, and what a clash of giants | 0:57:47 | 0:57:50 | |
the final promises to be, with Laurian's French dragons | 0:57:50 | 0:57:53 | |
taking on Liam's military boys | 0:57:53 | 0:57:55 | |
in an epic two-day France versus England tussle | 0:57:55 | 0:57:58 | |
to decide who will become the creme de la creme de 2017. | 0:57:58 | 0:58:03 | |
As for Paula's team, what can one do | 0:58:03 | 0:58:06 | |
other than offer condolences, sympathies | 0:58:06 | 0:58:08 | |
and a lift to the station? | 0:58:08 | 0:58:10 | |
We'll see you next week for the final. | 0:58:10 | 0:58:12 | |
Bye for now. | 0:58:12 | 0:58:13 | |
Next time... | 0:58:14 | 0:58:15 | |
It is time now to reveal the winner. | 0:58:15 | 0:58:18 | |
Let's do it, boys, yeah? | 0:58:18 | 0:58:19 | |
If you'd like to step forward. | 0:58:19 | 0:58:21 | |
It was incredibly close. | 0:58:23 | 0:58:24 | |
It looks amazing. | 0:58:24 | 0:58:26 | |
This is what our final is about. | 0:58:26 | 0:58:28 | |
The winner of Bake Off Creme De La Creme is... | 0:58:30 | 0:58:35 | |
-BLEEP -my life. | 0:58:40 | 0:58:41 |