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Today, we're at Epsom racecourse in Surrey. | 0:00:05 | 0:00:08 | |
And the track, which is one mile and four furlongs long, has seen some | 0:00:08 | 0:00:12 | |
spectacular wins and some devastating losses. | 0:00:12 | 0:00:15 | |
And let's hope that our Reds and Blues are on track today as we go | 0:00:15 | 0:00:19 | |
Bargain Hunting! | 0:00:19 | 0:00:21 | |
We won't be placing any bets on horses here today, | 0:00:46 | 0:00:49 | |
but our teams do have one hour on the clock. | 0:00:49 | 0:00:52 | |
And they each have ?300 to take a punt on three items found here at | 0:00:52 | 0:00:58 | |
the antiques fair. | 0:00:58 | 0:00:59 | |
Now, let's hope that they all gallop home with profits at the auction. | 0:00:59 | 0:01:03 | |
But in the meantime, let's find out what lies ahead. | 0:01:03 | 0:01:06 | |
Caroline's piling on the pressure. | 0:01:08 | 0:01:11 | |
He who dithers... | 0:01:11 | 0:01:12 | |
Yes. Loses. Yeah. | 0:01:12 | 0:01:14 | |
David's feeling the pressure. | 0:01:16 | 0:01:18 | |
Next time, be quicker, right? | 0:01:18 | 0:01:20 | |
Go, go, go, go. | 0:01:20 | 0:01:22 | |
Speed! | 0:01:22 | 0:01:24 | |
And at the auction, the pressure keeps on mounting. | 0:01:24 | 0:01:26 | |
Oh, guys! And mounting. | 0:01:28 | 0:01:31 | |
Getting there. | 0:01:31 | 0:01:33 | |
That's all for later. First of all, let's meet our teams. | 0:01:33 | 0:01:37 | |
To my right, we have friends Colin and Paul on our Red team. | 0:01:37 | 0:01:40 | |
And to my left, Christina and Pauline for the Blues. | 0:01:40 | 0:01:42 | |
Hello, teams, welcome. ALL: Hello. | 0:01:42 | 0:01:45 | |
Let's start with you two, Colin and Paul. | 0:01:45 | 0:01:48 | |
Very welcome today. Now, Colin, you are a retired butcher? | 0:01:48 | 0:01:51 | |
I done butchery for 42 years. | 0:01:51 | 0:01:53 | |
Oh, wow. Had three shops. | 0:01:53 | 0:01:55 | |
Very hard work. Long hours. | 0:01:55 | 0:01:57 | |
Mm. So it's nice not to have to get up in the morning now. | 0:01:57 | 0:02:00 | |
Now you find yourself on the golf course quite a lot, is that correct? Three times a week I play. | 0:02:00 | 0:02:04 | |
I think that Paul might be a little bit jealous of that, | 0:02:04 | 0:02:07 | |
cos you're not quite a man of leisure yet, are you, Paul? No, hopefully soon! | 0:02:07 | 0:02:10 | |
What is it that you do? | 0:02:10 | 0:02:11 | |
I do some work at the golf club, | 0:02:11 | 0:02:13 | |
look after the societies and make sure they have a good time. | 0:02:13 | 0:02:16 | |
And I do a bit of security and a bit of driving. | 0:02:16 | 0:02:18 | |
How do you reckon you're going to get on today? Do you have any tactics? | 0:02:18 | 0:02:21 | |
Well, we'll buy well, cheap, sell for lots. | 0:02:21 | 0:02:25 | |
OK. And we'll take advice. And we'll take advice. Take advice. | 0:02:25 | 0:02:28 | |
Well, we've got a good expert lined up for you, | 0:02:28 | 0:02:30 | |
so I'm sure you'll be in very capable hands. | 0:02:30 | 0:02:32 | |
Now, let's head over to our Blue team. | 0:02:32 | 0:02:34 | |
Christina and Pauline. Welcome, ladies. | 0:02:34 | 0:02:36 | |
Now, you two met nowhere near here, other side of the world, | 0:02:36 | 0:02:39 | |
is that correct? That's right, yes. | 0:02:39 | 0:02:41 | |
So whereabouts did you find yourselves meeting? | 0:02:41 | 0:02:43 | |
Well, we were next door to each other, | 0:02:43 | 0:02:46 | |
living next door to each other in Teheran in Iran. | 0:02:46 | 0:02:48 | |
OK, wow! And we worked as journalists when the revolution happened and | 0:02:48 | 0:02:53 | |
then we were still there, we still managed to stay there. | 0:02:53 | 0:02:56 | |
Wow. But we had a wonderful relationship because literally, | 0:02:56 | 0:02:59 | |
she was just over a 12 foot high wall and if we needed to have a drink | 0:02:59 | 0:03:04 | |
with each other or sit out in our gardens, | 0:03:04 | 0:03:06 | |
we would just sort of pop over the wall! | 0:03:06 | 0:03:08 | |
You've given up on the journalism, you've retired now, Christina. | 0:03:08 | 0:03:11 | |
What do you do with your time these days? | 0:03:11 | 0:03:12 | |
I'm writing a memoir because my grandchildren don't believe that | 0:03:12 | 0:03:16 | |
I've lived such a rackety life! Oh, wow, a memoir! | 0:03:16 | 0:03:18 | |
What's it called? At the moment the working title is just Granny's Story. | 0:03:18 | 0:03:22 | |
Oh, it's a great title! Now, Pauline, tell me about yourself. | 0:03:22 | 0:03:25 | |
In your retirement, what do you find yourself doing? | 0:03:25 | 0:03:27 | |
I live on a boat a lot of the time. | 0:03:27 | 0:03:29 | |
I've had the boat for 40 years. It's a sailing boat. | 0:03:29 | 0:03:32 | |
And needs lots of care and attention. | 0:03:32 | 0:03:34 | |
Oh, well, like we all do. What are your tactics today? | 0:03:34 | 0:03:38 | |
Well, one of my tactics is to stop Pauline buying something utterly | 0:03:38 | 0:03:42 | |
stupid! Because she's very impulsive. | 0:03:42 | 0:03:45 | |
I tend to be the opposite. | 0:03:45 | 0:03:46 | |
I'm waiting for something to jump up and say, "Buy me!" | 0:03:46 | 0:03:50 | |
Hopefully it does! Well, in order to go shopping, | 0:03:50 | 0:03:53 | |
you're going to have to have some money. | 0:03:53 | 0:03:55 | |
And I've got ?300 for each of you. | 0:03:55 | 0:03:57 | |
So, Reds, there's your 300. | 0:03:57 | 0:03:59 | |
Blues, here is 300 for you. | 0:03:59 | 0:04:02 | |
Off you go and very good luck. | 0:04:02 | 0:04:04 | |
It's a battle of the sexes today. | 0:04:04 | 0:04:07 | |
Did someone say girl power! | 0:04:07 | 0:04:08 | |
Helping not one but two sets of teams are our experts. | 0:04:08 | 0:04:12 | |
But which ones are in the saddle today? | 0:04:12 | 0:04:14 | |
It's good odds for the Reds with Caroline Hawley. | 0:04:14 | 0:04:17 | |
And hoping for a full house for the Blues, it's David Harper. | 0:04:19 | 0:04:24 | |
Right, Colin, what are you looking for today? | 0:04:24 | 0:04:27 | |
Silver items, snuff boxes, | 0:04:27 | 0:04:29 | |
jewellery. If I find something that screams, "Buy me," then I'll do it. | 0:04:29 | 0:04:34 | |
Paul, what are you looking for? Anything! Expensive, cheap? | 0:04:34 | 0:04:37 | |
Expensive. Pauline? | 0:04:37 | 0:04:39 | |
Yeah, something very old. | 0:04:39 | 0:04:40 | |
Very old? Preferably for a boat. | 0:04:40 | 0:04:43 | |
Wow! Right, teams, you're under starter's orders, | 0:04:43 | 0:04:46 | |
and your 60 minutes start now! | 0:04:46 | 0:04:48 | |
Shall we go? Yes. Come on! | 0:04:48 | 0:04:51 | |
Let's go. | 0:04:51 | 0:04:52 | |
Eyes peeled. That's the spirit, Reds. | 0:04:55 | 0:04:58 | |
What attracts you on this stall? | 0:04:59 | 0:05:02 | |
Not a lot! Right. | 0:05:02 | 0:05:04 | |
Don't hold back, Pauline! | 0:05:04 | 0:05:05 | |
Shout if you see anything! | 0:05:07 | 0:05:09 | |
Anyone? | 0:05:09 | 0:05:11 | |
Now, is this screaming, "Buy me, Blues"? | 0:05:11 | 0:05:14 | |
Is this a biscuit barrel? | 0:05:14 | 0:05:15 | |
Yes. I haven't seen a biscuit barrel since, oh, 50 years or so. | 0:05:15 | 0:05:20 | |
Really? | 0:05:20 | 0:05:21 | |
I like that. No, I think it is more of a modern one. | 0:05:23 | 0:05:25 | |
It is a modern one. It is. | 0:05:25 | 0:05:27 | |
But I love the colours. Yes, good colours. | 0:05:27 | 0:05:29 | |
For 20 quid, it's no money, is it? I really like that. | 0:05:29 | 0:05:31 | |
OK. Are we interested? | 0:05:31 | 0:05:34 | |
It's pretty ugly, isn't it? | 0:05:34 | 0:05:36 | |
Pauline's clearly not one to mince her words. | 0:05:36 | 0:05:39 | |
Are we going somewhere else? Yes. | 0:05:39 | 0:05:41 | |
OK. We may come back for that, I really quite like that. | 0:05:41 | 0:05:44 | |
Thank you, ladies. Thank you. | 0:05:44 | 0:05:46 | |
Hm, the Reds are just as decisive! | 0:05:46 | 0:05:48 | |
I'd like to get this if we could. | 0:05:48 | 0:05:50 | |
You'd like to get that! What, you've decided? | 0:05:50 | 0:05:52 | |
Yes, I have. Hang on, have you even looked at it? | 0:05:52 | 0:05:55 | |
It's just it's cheap. | 0:05:55 | 0:05:56 | |
Cheap isn't always good! | 0:05:56 | 0:05:58 | |
I believe it's a cigar box or cigarette box. | 0:05:58 | 0:06:00 | |
I don't know. Well, it could be a jewellery box. | 0:06:00 | 0:06:03 | |
Cos people don't really smoke any more. That reminds me of a boat. | 0:06:03 | 0:06:06 | |
A ship, yeah. It does, a ship's wheel. Yeah, a ship's wheel. | 0:06:06 | 0:06:08 | |
They're asking 12. You could probably get it for, I don't know... | 0:06:08 | 0:06:12 | |
A fiver? Eight, ten, maybe? | 0:06:12 | 0:06:14 | |
Well, would you like to...? Yes. | 0:06:14 | 0:06:16 | |
Can you find the owner of this fine thing? | 0:06:16 | 0:06:18 | |
Excuse me. What are your haggling skills like, Reds? | 0:06:19 | 0:06:23 | |
Could you do eight? | 0:06:23 | 0:06:24 | |
I've got 12. I can do ten. | 0:06:24 | 0:06:26 | |
Nine? | 0:06:28 | 0:06:29 | |
That's the bottom line, ten. | 0:06:29 | 0:06:31 | |
Really? Yes. We can always come back, can't we? | 0:06:31 | 0:06:33 | |
Yeah. Yes. But we are a third of the way into the shop. | 0:06:33 | 0:06:36 | |
Thank you very much for that. We might be back. | 0:06:36 | 0:06:40 | |
With 20 minutes on the clock, | 0:06:40 | 0:06:42 | |
I wouldn't leave it much longer to bag your first item. | 0:06:42 | 0:06:45 | |
He who dithers loses. | 0:06:45 | 0:06:48 | |
Yeah. Wise words, Caroline. | 0:06:48 | 0:06:50 | |
Now, what have the Blues spotted? | 0:06:50 | 0:06:52 | |
How about this? That is ridiculously cheap. | 0:06:52 | 0:06:56 | |
I mean, I haven't even handled it. | 0:06:56 | 0:06:58 | |
?11. | 0:06:58 | 0:06:59 | |
It's damaged, but it's an imari, Japanese hand-painted plate. | 0:06:59 | 0:07:04 | |
Shipped from the port of Imari. | 0:07:04 | 0:07:07 | |
And it's two or 300 years old. | 0:07:07 | 0:07:09 | |
It's got a rather sort of intensive looking crack in it, hasn't it? | 0:07:09 | 0:07:13 | |
You know what, people say in this business, | 0:07:13 | 0:07:15 | |
"Don't touch it if it's damaged." I say exactly the opposite. | 0:07:15 | 0:07:18 | |
Because it's damaged and repaired, you buy it for no money, | 0:07:18 | 0:07:23 | |
yet it's still a beautiful object. | 0:07:23 | 0:07:25 | |
OK, let's see if we can get it for ?8. Shall we handle the object? | 0:07:25 | 0:07:28 | |
Right. Right. There we have it. Actually, you're right, it is very beautiful. | 0:07:28 | 0:07:31 | |
Look at the painting, hand-painted. I know, I was looking at that, that is beautiful. | 0:07:31 | 0:07:35 | |
That burst of oriental flowers with an oriental vase on a stand. | 0:07:35 | 0:07:39 | |
Yes, I love it. Now, Japanese pieces should be decorated on the back. | 0:07:39 | 0:07:42 | |
I wanted you to turn it over, yes. OK, there we have it, look at that. | 0:07:42 | 0:07:45 | |
Oh, it's so pretty. | 0:07:45 | 0:07:47 | |
It is. Do you know what these little marks are? | 0:07:47 | 0:07:50 | |
It stood in the kiln on five tiny, little, thin pieces of wood, | 0:07:50 | 0:07:55 | |
maybe slivers of bamboo, stood there two or 300 years ago to fire it. | 0:07:55 | 0:08:00 | |
Oh, we have to have it. And it hasn't changed in all that time apart from | 0:08:00 | 0:08:03 | |
the big whacking crack. Let's have it. | 0:08:03 | 0:08:05 | |
Oh, let's have it. Yeah, no, no, I... | 0:08:05 | 0:08:07 | |
We want it, we're going to buy it. | 0:08:07 | 0:08:08 | |
Let's see how good you are at negotiating down. | 0:08:08 | 0:08:11 | |
Hello. Hello. Hi, there. | 0:08:11 | 0:08:13 | |
We love this, but it does have a very serious crack. | 0:08:13 | 0:08:17 | |
Could you do it for ?8? | 0:08:17 | 0:08:20 | |
A lot of work's gone into restoring it so it's stable. | 0:08:20 | 0:08:23 | |
But it's your lucky day. | 0:08:23 | 0:08:26 | |
?8. Thank you very much. We've done the deal. | 0:08:26 | 0:08:29 | |
Thank you very much indeed. Marvellous. It is so pretty. | 0:08:29 | 0:08:33 | |
Right, you two, one purchase in. | 0:08:33 | 0:08:34 | |
Next time, be quicker. Right? Go, go, go, go, go. | 0:08:34 | 0:08:38 | |
Speed! Then we might miss something important and interesting. | 0:08:38 | 0:08:41 | |
No, it's all about speed. | 0:08:41 | 0:08:44 | |
Good advice, David. But I think it's probably fallen on deaf ears. | 0:08:44 | 0:08:47 | |
So, one in the bag for the Blues. | 0:08:50 | 0:08:52 | |
Are the Reds about to cut their first deal? | 0:08:52 | 0:08:54 | |
Fruit knife. Now, is that a silver one? | 0:08:54 | 0:08:59 | |
Yes, it is. The hallmark's silver. | 0:08:59 | 0:09:01 | |
How old? How old? Now, that is Sheffield, 1921. | 0:09:01 | 0:09:08 | |
?12. | 0:09:08 | 0:09:09 | |
Now, really, for a bit of silver, that's cheap. | 0:09:09 | 0:09:14 | |
It's not a lot of money. | 0:09:14 | 0:09:15 | |
I think... Now, is that damage? | 0:09:15 | 0:09:17 | |
I always say this, but feel with your fingers as well as your eyes. | 0:09:17 | 0:09:21 | |
It is a little bit of damage, yeah. | 0:09:21 | 0:09:23 | |
A tiny bit. Really, that's not bad. | 0:09:23 | 0:09:27 | |
What do we need to try and get this for? | 0:09:27 | 0:09:30 | |
He'll do ten. That's cheap. See if it can be eight. | 0:09:30 | 0:09:33 | |
Says me running away! | 0:09:33 | 0:09:35 | |
The expert, the expert says six to eight. | 0:09:35 | 0:09:38 | |
Ten is the best. Could you do eight for these really nice guys? | 0:09:38 | 0:09:43 | |
We need to make a profit and we haven't bought a thing yet. | 0:09:43 | 0:09:47 | |
Sorry, ten I can get all day long. Nine. Just to give us a chance. | 0:09:47 | 0:09:51 | |
No. He's not going to move, I can tell he's not. | 0:09:51 | 0:09:53 | |
He's not going to move! He's not going to move. | 0:09:53 | 0:09:55 | |
OK. We'll go for it, shall we? | 0:09:55 | 0:09:57 | |
Yes, we should. Yes, you're happy with that? | 0:09:57 | 0:09:59 | |
Yeah. Brilliant. Yeah? ?10? Yes. | 0:09:59 | 0:10:01 | |
All done. All done. Excellent. Thank you so much. | 0:10:01 | 0:10:04 | |
So Colin has his silver knife. | 0:10:06 | 0:10:08 | |
Well done, Reds. It's 1-1. | 0:10:08 | 0:10:10 | |
But we're halfway through, teams, you might want to step it up a gear. | 0:10:10 | 0:10:14 | |
Have our journalists found a potential scoop with this mysterious box? | 0:10:14 | 0:10:18 | |
Oh, it's broken. Oh! | 0:10:18 | 0:10:22 | |
Oh, still, it gets worse! OK. | 0:10:22 | 0:10:26 | |
Look at that. Oh, I see. And then you... | 0:10:26 | 0:10:29 | |
Put this in the centre like this. | 0:10:29 | 0:10:32 | |
It is like a miniature kneehole desk. | 0:10:32 | 0:10:34 | |
Yes. Yes. This comes open. | 0:10:34 | 0:10:37 | |
What I love, my favourite bit, | 0:10:39 | 0:10:42 | |
look at the condition of this lacquer work in there. | 0:10:42 | 0:10:45 | |
Isn't that amazing? Oh, that is beautiful. | 0:10:45 | 0:10:47 | |
And the Japanese are master craftsman. | 0:10:47 | 0:10:50 | |
Absolutely. The carpentry inlays here, the way it's put together. | 0:10:50 | 0:10:53 | |
And the condition as well. It is not very old, though, is it? | 0:10:53 | 0:10:55 | |
Oh, it is. It is 19th century, yeah. It is, yeah. It is a true antique. | 0:10:55 | 0:10:59 | |
Oh, yeah. How do you know? Well, you can... Well, | 0:10:59 | 0:11:01 | |
because I've been in the business for 500,000 years, | 0:11:01 | 0:11:05 | |
and I can tell from 40 feet away that it was made in the 19th century. | 0:11:05 | 0:11:09 | |
I caught sight of the price, you see. | 0:11:09 | 0:11:12 | |
How much is it? The ticket says ?240, David, so is that the best price? | 0:11:12 | 0:11:17 | |
The best price would be ?180. 180. 180. | 0:11:17 | 0:11:21 | |
It is a bit specialist. | 0:11:21 | 0:11:22 | |
I think... In a general sale it probably wouldn't fly, would it? | 0:11:22 | 0:11:26 | |
No. I've just had the nod to say I can do 150. | 0:11:26 | 0:11:30 | |
150? Who are you talking to? | 0:11:30 | 0:11:31 | |
The spirits? Yes. No, my husband's over there. | 0:11:31 | 0:11:34 | |
Oh, is he? | 0:11:34 | 0:11:36 | |
It leaves us too short, really. Does it? 140. | 0:11:36 | 0:11:39 | |
Well, 145 is the best. | 0:11:39 | 0:11:41 | |
You won't go to 142? | 0:11:41 | 0:11:44 | |
It is only three quid. | 0:11:44 | 0:11:45 | |
That's a cup of tea. I know, that's what I am thinking... | 0:11:45 | 0:11:48 | |
THEY LAUGH | 0:11:48 | 0:11:50 | |
Right. It's 145. | 0:11:50 | 0:11:54 | |
Or walk away. | 0:11:54 | 0:11:55 | |
You could lose ?50. | 0:11:55 | 0:11:58 | |
You could, very easily. | 0:11:58 | 0:11:59 | |
But if you're risk-takers, do it. | 0:11:59 | 0:12:01 | |
We'll do it. Do it! | 0:12:01 | 0:12:03 | |
We'll live through it. Marvellous. Thank you very much. Well sold. | 0:12:03 | 0:12:07 | |
These ladies are risk-takers. | 0:12:07 | 0:12:09 | |
Well done, Blues, that's your second item. | 0:12:09 | 0:12:11 | |
With under half an hour left, | 0:12:11 | 0:12:13 | |
you'll need to keep it together to clinch your third. | 0:12:13 | 0:12:15 | |
Where is our partner in crime? | 0:12:15 | 0:12:17 | |
Oh, dear. | 0:12:17 | 0:12:19 | |
Pauline has wandered off. | 0:12:19 | 0:12:20 | |
Now, Reds, are you about to balance things up? | 0:12:20 | 0:12:24 | |
I like that. What do you like? This. | 0:12:24 | 0:12:27 | |
That is brass, is it? No, no, it's bronze. | 0:12:28 | 0:12:30 | |
Bronze. The scales of Justice. | 0:12:30 | 0:12:34 | |
She is blindfolded. | 0:12:34 | 0:12:37 | |
On a marble base. | 0:12:37 | 0:12:39 | |
I don't think she has got a lot of age, but she's rather sexy, isn't she? | 0:12:39 | 0:12:43 | |
She is. I would put 60-80. | 0:12:43 | 0:12:46 | |
What's the price? 80. 80. Oh, well. That is the best price. | 0:12:48 | 0:12:53 | |
It was 100. Was it? | 0:12:53 | 0:12:54 | |
Yeah. Let's be fair, think of Justice. Yeah, that's right. 80. | 0:12:54 | 0:12:58 | |
That's justice. Oh! | 0:12:58 | 0:12:59 | |
Could you do her a little bit less? | 0:12:59 | 0:13:02 | |
79. Oh, no. | 0:13:02 | 0:13:06 | |
Yeah, there's a couple of people interested in that. | 0:13:06 | 0:13:08 | |
You really like it, do you? | 0:13:08 | 0:13:10 | |
I liked it, yes, but I think for 70 maybe, not for 80. | 0:13:10 | 0:13:13 | |
And do you want it at 70? At 70 I think... | 0:13:13 | 0:13:16 | |
Well, if Colin is OK with that. Shake on your hand at 70? | 0:13:16 | 0:13:20 | |
Right in the middle at 75. | 0:13:20 | 0:13:22 | |
If we get 70, I don't think we'll lose money. | 0:13:22 | 0:13:25 | |
I think, hopefully, we'll get our money back. Come on. | 0:13:25 | 0:13:27 | |
No, I'm holding at 75. | 0:13:27 | 0:13:29 | |
74. 74. | 0:13:29 | 0:13:32 | |
Well, go on, because I'm tired. | 0:13:32 | 0:13:35 | |
Go on, then. 74. 74. | 0:13:35 | 0:13:38 | |
Well done. Two in the bag. | 0:13:38 | 0:13:40 | |
So we've got one more item left and we haven't got that long to go. | 0:13:40 | 0:13:45 | |
Lead on. Let's follow you, man. | 0:13:45 | 0:13:48 | |
No, you don't. There are less than 20 minutes remaining. | 0:13:48 | 0:13:52 | |
Now, are you happy with how things are going, Caroline? | 0:13:53 | 0:13:56 | |
It looked for one second they weren't going to buy anything at all, | 0:13:56 | 0:13:59 | |
but they have managed to catch up. Fortunately, Paul just spotted something, | 0:13:59 | 0:14:03 | |
she happened to be a semi-naked female, but whatever, we've got it, | 0:14:03 | 0:14:06 | |
so it is going well. | 0:14:06 | 0:14:08 | |
Excellent. Now this looks a bit kind of ethnicy, does that? | 0:14:09 | 0:14:12 | |
I like that. What's all this about? | 0:14:12 | 0:14:14 | |
So everything on the table, 5-25. | 0:14:14 | 0:14:18 | |
Pauline, what are your thoughts? I like this, you see. I think it is a nice piece. | 0:14:18 | 0:14:21 | |
That's your biscuit barrel. It is pewter. Yes. | 0:14:21 | 0:14:25 | |
It is lovely. Tell me why you are drawn to that. | 0:14:25 | 0:14:28 | |
The shape. OK. And the fact that it is pewter. | 0:14:28 | 0:14:32 | |
Do you like pewter? I love pewter. | 0:14:32 | 0:14:33 | |
Any impressed marks? There normally are. There are. | 0:14:33 | 0:14:37 | |
There are some pewter marks in there. | 0:14:37 | 0:14:39 | |
They are well and truly rubbed, no maker. | 0:14:39 | 0:14:41 | |
And its purpose? | 0:14:41 | 0:14:44 | |
Well, it would be a biscuit barrel. I think biscuits. | 0:14:44 | 0:14:47 | |
You like your biscuit barrels. I like my biscuits. | 0:14:47 | 0:14:49 | |
And I like my biscuit barrels. | 0:14:49 | 0:14:51 | |
How much would you like to pay for it? Five. Eight. | 0:14:51 | 0:14:54 | |
Five. Eight. Five, eight. Something like that. I'll go and find out. | 0:14:54 | 0:14:57 | |
Wait there. Even ten. | 0:14:57 | 0:14:59 | |
Would you have it at ten? Yes. Yes. Christina? OK, wait there. | 0:14:59 | 0:15:03 | |
Yes. | 0:15:03 | 0:15:05 | |
Go and work your magic, then, David. | 0:15:05 | 0:15:07 | |
So, Reds, are you still trotting along nicely? | 0:15:07 | 0:15:11 | |
What do you think of this, Paul? | 0:15:11 | 0:15:13 | |
I like that, actually. Caroline, what do you think? | 0:15:13 | 0:15:15 | |
I do like that. Well, that's a lot of horse for your money, isn't it? | 0:15:15 | 0:15:18 | |
What's it made of? I would think that's spelter. | 0:15:18 | 0:15:20 | |
OK. Late 19th, early 20th century. | 0:15:20 | 0:15:23 | |
Originally it would have been one of a pair. | 0:15:23 | 0:15:25 | |
OK. Rearing horse. Now, if it was in bronze, that would be lots of money. | 0:15:25 | 0:15:30 | |
Yeah. Spelter was the cheaper way, a way of making things, | 0:15:30 | 0:15:34 | |
affordable to the masses, but still looking magnificent. | 0:15:34 | 0:15:38 | |
Yeah. I like it. I do. It would still make a statement today, wouldn't it? | 0:15:38 | 0:15:42 | |
You could have it in the garden. Yeah. Love it or hate it. | 0:15:42 | 0:15:45 | |
Yeah. Now, do you both love it? Do you like it? | 0:15:45 | 0:15:48 | |
I do like it. I would like to make an offer on it anyway. | 0:15:48 | 0:15:50 | |
Would you? What could be your very best? | 0:15:50 | 0:15:52 | |
STALLHOLDER: 25. 25. | 0:15:52 | 0:15:54 | |
And that's your best price? Could you do it a bit better? | 0:15:54 | 0:15:56 | |
OK, I'll do it for 20. Can we shake your hand on that? | 0:15:56 | 0:15:59 | |
Red's my colour. | 0:15:59 | 0:16:01 | |
Thank you very much. My golly goodness. Thank you very much. Thank you. Appreciate that. | 0:16:01 | 0:16:07 | |
Well, hey, guys. Woohoo! | 0:16:07 | 0:16:09 | |
Well done. I'm pleased with that. That is three items bought. | 0:16:09 | 0:16:12 | |
God, you were slow burners, I have to say. | 0:16:12 | 0:16:15 | |
But once you got off the starting blocks... That's it. ..you did it. | 0:16:15 | 0:16:19 | |
We're done. | 0:16:19 | 0:16:20 | |
Come on. Woohoo!. Cup of tea. | 0:16:20 | 0:16:22 | |
Cup of tea. Well done, Reds. | 0:16:22 | 0:16:24 | |
Go and grab yourself a well-deserved cuppa. | 0:16:24 | 0:16:27 | |
Now, David, what's the best price for the biscuit barrel? | 0:16:30 | 0:16:33 | |
OK, I have some news for you. | 0:16:33 | 0:16:35 | |
Yes. She thinks it's a tea caddy. | 0:16:35 | 0:16:37 | |
Now, it could be a tea caddy. It's a caddy of some sort, for biscuits, tea, whatever. | 0:16:37 | 0:16:41 | |
Yes. How much do you think it is? | 0:16:41 | 0:16:44 | |
I would... 15. 10? 8? | 0:16:44 | 0:16:47 | |
15 is the best price. | 0:16:47 | 0:16:49 | |
Not a pound less. It's take it or leave it time. | 0:16:49 | 0:16:53 | |
I'd take it. The caddy, yeah. Yeah. | 0:16:55 | 0:16:58 | |
You want the caddy? Yeah. I want the caddy. Shall I go back and say we've done it? | 0:16:58 | 0:17:01 | |
Yes. Marvellous. | 0:17:01 | 0:17:02 | |
Pauline, well done, you. | 0:17:02 | 0:17:05 | |
Well done. Christina, well done. | 0:17:05 | 0:17:07 | |
KLAXON I'll pass that on. | 0:17:07 | 0:17:09 | |
News just in. Time is up. | 0:17:09 | 0:17:11 | |
It's now time to sell, | 0:17:13 | 0:17:15 | |
and we've whizzed over from Epson to Wisborough Green in West Sussex | 0:17:15 | 0:17:18 | |
for the auction. But first, let's remind ourselves what the Red team bought. | 0:17:18 | 0:17:23 | |
First up, will this fruit knife cut the Reds a profit? | 0:17:23 | 0:17:26 | |
?10 paid. | 0:17:26 | 0:17:27 | |
Next, will the jury be out with the scales of Justice statue, | 0:17:29 | 0:17:33 | |
bought for ?74? | 0:17:33 | 0:17:35 | |
And in the final furlong, | 0:17:37 | 0:17:38 | |
they cantered home with this horse and rider statue for ?20. | 0:17:38 | 0:17:43 | |
Hello, Paul and Colin. Well, this is the exciting bit. | 0:17:43 | 0:17:46 | |
You had ?196 of leftover lolly. | 0:17:46 | 0:17:50 | |
Caroline, what did you spend it on? Do you have any ideas? | 0:17:50 | 0:17:54 | |
None whatsoever. Right. | 0:17:54 | 0:17:56 | |
There you go. Oh, we're getting married! | 0:17:56 | 0:17:58 | |
Congratulations. Yes, I should be down on one knee, shouldn't I? | 0:17:58 | 0:18:02 | |
Let me tell you what it is. | 0:18:02 | 0:18:03 | |
Sapphire, two diamonds, 18-carat gold. | 0:18:03 | 0:18:08 | |
Gold? I would think that's sort of 1920s, '30s. | 0:18:08 | 0:18:12 | |
What would be the estimate at auction? I paid 140. | 0:18:12 | 0:18:16 | |
I think it has got to make 150, 160, | 0:18:16 | 0:18:20 | |
so there's not going to be a huge profit, | 0:18:20 | 0:18:22 | |
but I think there will be a profit on it. | 0:18:22 | 0:18:25 | |
You can decide later, Reds. | 0:18:25 | 0:18:26 | |
Now for the Blues. | 0:18:26 | 0:18:28 | |
And let's remind ourselves what the team bought with their ?300. | 0:18:28 | 0:18:31 | |
First up, will this Japanese plate serve up a profit for the Blues? | 0:18:33 | 0:18:37 | |
?8 paid. | 0:18:37 | 0:18:39 | |
Sticking with the oriental theme, | 0:18:39 | 0:18:41 | |
our journalists bought this writing desk for ?145. | 0:18:41 | 0:18:45 | |
And finally, let's hope they don't crumble with this biscuit tin, | 0:18:47 | 0:18:51 | |
?15 paid. | 0:18:51 | 0:18:53 | |
Well, this is thrilling stuff, Chris and Pauline, | 0:18:54 | 0:18:57 | |
because you left David Harper ?132 of leftover lolly. | 0:18:57 | 0:19:02 | |
What did you buy? Are you ready, you two? | 0:19:02 | 0:19:04 | |
I've got one each, | 0:19:04 | 0:19:06 | |
and I think you are going to be devastatingly impressed. | 0:19:06 | 0:19:09 | |
Oh, look at this. Well... | 0:19:09 | 0:19:12 | |
We have here an airship, a Zeppelin, flying over a mountain range. | 0:19:12 | 0:19:17 | |
First World War. | 0:19:17 | 0:19:19 | |
And marked on the back, WMF. A famous German maker. | 0:19:19 | 0:19:24 | |
Particularly known for Art Nouveau. I think they're incredibly rare. | 0:19:24 | 0:19:28 | |
How much did you spend? Oh, you have shown so much enthusiasm. | 0:19:28 | 0:19:31 | |
I love it. We give you a lot of money. | 0:19:31 | 0:19:33 | |
Well, I did spend a lot. How much do you think? Oh, goodness me, I don't know. 25. | 0:19:33 | 0:19:37 | |
Oh, my God. ?20. 70. THEY LAUGH | 0:19:37 | 0:19:40 | |
Oh, Lord! What is it going to make at auction? | 0:19:40 | 0:19:43 | |
They are either worth a five or ?10 note, or a couple of hundred. | 0:19:43 | 0:19:48 | |
It all depends on whether we capture the right market. | 0:19:48 | 0:19:51 | |
Well, David, let's hope for the latter. | 0:19:51 | 0:19:53 | |
Right, we're now off to auction, and Jonathan Pratt is at the helm. | 0:19:53 | 0:19:57 | |
One more? Selling. | 0:19:57 | 0:19:59 | |
Colin and Paul, tell me how you're feeling? | 0:20:00 | 0:20:02 | |
We're here, we're in the auction room, what are you thinking? | 0:20:02 | 0:20:05 | |
Very excited. You're very excited! | 0:20:05 | 0:20:07 | |
We're going to make loads of money. Loads of lolly. | 0:20:07 | 0:20:10 | |
Listen, gentlemen, the fruit knife is going under the hammer right now. | 0:20:10 | 0:20:13 | |
Let's watch JP in action. | 0:20:13 | 0:20:14 | |
It's a small folding fruit knife with silver blade, | 0:20:14 | 0:20:17 | |
mother-of-pearl handle. Sheffield, 1921. | 0:20:17 | 0:20:20 | |
I've got three bids on the book. | 0:20:20 | 0:20:22 | |
Three bids to start me, I've got 5, I've got ten, I've got ?12. | 0:20:22 | 0:20:26 | |
Yes! You are instantly in profit. Well done. | 0:20:26 | 0:20:29 | |
20... Here we go. 25. | 0:20:29 | 0:20:32 | |
25 has it here. 30, to the left of you. | 0:20:32 | 0:20:34 | |
30. Do you want to go one more? 35? | 0:20:34 | 0:20:37 | |
35. | 0:20:37 | 0:20:39 | |
I'll sell at 35. | 0:20:39 | 0:20:40 | |
Your last chance, sir. It's ?35. Fair warning at 35. | 0:20:40 | 0:20:43 | |
Oh, my goodness! ?25 profit. Ha! | 0:20:44 | 0:20:47 | |
That's brilliant. Well done. | 0:20:47 | 0:20:50 | |
Right, here comes your favourite lot, the bronze figure. | 0:20:50 | 0:20:52 | |
A modern patinated bronze figure of Themis. | 0:20:52 | 0:20:56 | |
I've got bids to 25, 35, 40 I have. | 0:20:56 | 0:20:59 | |
OK. Paid ?74. 74. | 0:20:59 | 0:21:02 | |
Starting at... Oh! | 0:21:02 | 0:21:04 | |
55 now. 55, who's got 60? | 0:21:04 | 0:21:06 | |
Cost a lot more on the internet, these. ?50 here. | 0:21:06 | 0:21:10 | |
Come on. ?55. | 0:21:10 | 0:21:11 | |
Another bid. Who's going to stick their hand up? | 0:21:11 | 0:21:14 | |
I'm selling, yours, sir, 55. | 0:21:14 | 0:21:17 | |
GAVEL BANGS 55. 55! | 0:21:17 | 0:21:19 | |
OK, so ?19 loss. | 0:21:19 | 0:21:21 | |
But you're still plus six. Oh, right, it's OK, it's OK. | 0:21:21 | 0:21:24 | |
We're in the money. | 0:21:24 | 0:21:25 | |
This is, you think, is going to be your biggest profit? Yes. | 0:21:25 | 0:21:28 | |
After Cousteau, Marley horse here being restrained by a groom. | 0:21:28 | 0:21:32 | |
Spelter model. We've got ?25 straight in. | 0:21:32 | 0:21:35 | |
Straight in at 25. | 0:21:35 | 0:21:37 | |
30. Five. 35 there. | 0:21:37 | 0:21:40 | |
This could be it. We're looking for 40 now. | 0:21:40 | 0:21:43 | |
30. 40. New bidder. | 0:21:43 | 0:21:44 | |
Five. 45 still on the right, at 45. One more, sir? | 0:21:44 | 0:21:49 | |
I think you're going to come away with a good profit. | 0:21:49 | 0:21:51 | |
Fair warning, it's going, ?45. | 0:21:51 | 0:21:54 | |
45! Brilliant. | 0:21:54 | 0:21:56 | |
Plus 25, it means, overall, plus 31. | 0:21:56 | 0:21:59 | |
Gentlemen, well done! | 0:21:59 | 0:22:01 | |
But this, this is decision time, | 0:22:01 | 0:22:04 | |
because it all rests now on whether or not you go for the bonus buy. | 0:22:04 | 0:22:08 | |
We're going to go with it because we trust her. | 0:22:08 | 0:22:11 | |
You trust her? Of course you do. | 0:22:11 | 0:22:12 | |
Let's see how it goes. | 0:22:12 | 0:22:14 | |
18-carat gold sapphire and diamond three-stone ring. | 0:22:14 | 0:22:17 | |
I've got bids at 40, 50, 60, ?65 on the book. | 0:22:17 | 0:22:20 | |
At ?65. Looking for 70. | 0:22:20 | 0:22:23 | |
Thank you. 70. But I'm out now at ?70. | 0:22:23 | 0:22:25 | |
5. 80. | 0:22:25 | 0:22:28 | |
85. 90. | 0:22:28 | 0:22:30 | |
95. 100. And 10. | 0:22:30 | 0:22:32 | |
Yes! And 10... Oh, a couple more needed. | 0:22:32 | 0:22:35 | |
One more, madam. Go on, 120? 115? | 0:22:35 | 0:22:38 | |
115. 120. | 0:22:38 | 0:22:40 | |
One more. OK. ?120 on the left. | 0:22:40 | 0:22:43 | |
At 120, any more at ?120? | 0:22:43 | 0:22:45 | |
Selling ?120, fair warning. | 0:22:45 | 0:22:48 | |
Oh! A valiant effort. | 0:22:50 | 0:22:53 | |
Don't worry, only ?20 lost, which means it is plus 11. | 0:22:53 | 0:22:58 | |
I cannot believe you've come to Bargain Hunt and you made a profit. | 0:22:58 | 0:23:01 | |
Very well done. Plus 11 could be a winning score, | 0:23:01 | 0:23:03 | |
so, don't say a word to the Blues, OK? | 0:23:03 | 0:23:07 | |
Keep it mum. | 0:23:07 | 0:23:08 | |
Right, here we are. Chris, Polly, David. | 0:23:14 | 0:23:16 | |
We're here at the auction. The time has come. | 0:23:16 | 0:23:18 | |
Tell me, how are you feeling? | 0:23:18 | 0:23:20 | |
Very curious. Curious? | 0:23:20 | 0:23:22 | |
Better than nervous. | 0:23:22 | 0:23:23 | |
And how about you, Chris? Yes, curious, a bit nervous. | 0:23:23 | 0:23:26 | |
You're well-travelled ladies, you don't fear anything! | 0:23:26 | 0:23:29 | |
So, our first lot under the hammer, | 0:23:29 | 0:23:31 | |
it's our 18th-century Japanese plate. Let's see how it goes. | 0:23:31 | 0:23:35 | |
Japanese porcelain plate, early 18th century. | 0:23:35 | 0:23:37 | |
I've got to start 5, 8, ?10, straight in at 10. | 0:23:37 | 0:23:41 | |
Profit straightaway. Profit. | 0:23:41 | 0:23:43 | |
We me at ?10. 12 at the front. 15 anywhere? | 0:23:43 | 0:23:45 | |
Go on! | 0:23:45 | 0:23:47 | |
?12 is getting it. OK. | 0:23:47 | 0:23:49 | |
12. All done at 12? | 0:23:49 | 0:23:50 | |
Got to be one more. Down the front here, ?12. Come on, bit more! | 0:23:50 | 0:23:53 | |
Fair warning, selling ?12. Bit more. Selling, ?12. | 0:23:53 | 0:23:56 | |
GAVEL BANGS | 0:23:56 | 0:23:58 | |
Ladies, it sold for 12. Plus ?4. | 0:23:58 | 0:24:00 | |
You're in profit. | 0:24:00 | 0:24:01 | |
That's 50%. Ha-ha! Sounds much better, the 50%. | 0:24:01 | 0:24:05 | |
Here comes the traveller's chest. | 0:24:05 | 0:24:07 | |
A small parquetry traveller's cabinet. | 0:24:07 | 0:24:09 | |
And I've got bids to start me at ?60. Ooh. | 0:24:09 | 0:24:13 | |
?60. Got to be worth more than this. ?60. | 0:24:13 | 0:24:15 | |
Where's 5, now? | 0:24:15 | 0:24:17 | |
?60 with me. 65 and 70 with me. | 0:24:17 | 0:24:20 | |
70. 75? 80 with me. | 0:24:20 | 0:24:24 | |
Shall we go one more? 80 with me. Come on. | 0:24:24 | 0:24:26 | |
85 gets it now, at ?85. Commission's out at ?85. | 0:24:26 | 0:24:29 | |
Looking for 90, though. | 0:24:29 | 0:24:31 | |
90. Oh, 90, new. | 0:24:31 | 0:24:33 | |
Down the front, now, my right, at 90. Come on! | 0:24:33 | 0:24:35 | |
Any more at 90? No. | 0:24:35 | 0:24:37 | |
90? Ouch, ouch, ouch. | 0:24:37 | 0:24:39 | |
377. Thank you. | 0:24:39 | 0:24:40 | |
It is all your fault! I know. ?90, what have we lost there? | 0:24:40 | 0:24:43 | |
We've lost ?55 which makes you minus 51. | 0:24:43 | 0:24:47 | |
So we are depending on the biscuit barrel. | 0:24:47 | 0:24:50 | |
Oh, right. Here it comes. | 0:24:50 | 0:24:52 | |
A late 19th-century pewter biscuit barrel. | 0:24:52 | 0:24:54 | |
I've already got a fiver. | 0:24:54 | 0:24:56 | |
Not a lot, but it's ?5 to start me. I'll take ?8. A Lady Godiva! | 0:24:56 | 0:24:59 | |
Eight here. Where's 10? | 0:24:59 | 0:25:00 | |
Come on. It's got to be worth a tenner, come on! | 0:25:00 | 0:25:03 | |
Only need ?2 more. Eight down the front here, on the sofa. | 0:25:03 | 0:25:07 | |
10. 12. | 0:25:07 | 0:25:08 | |
15! 15, go on! 15 is bid. | 0:25:08 | 0:25:11 | |
18. Ooh, you're in profit! | 0:25:11 | 0:25:13 | |
Seated. 20. One more, 22? | 0:25:13 | 0:25:15 | |
?20 on my right and selling. Last chance, 20? | 0:25:15 | 0:25:17 | |
GAVEL BANGS | 0:25:17 | 0:25:19 | |
?20. It's a profit on that fiver | 0:25:19 | 0:25:21 | |
which means that we are minus ?46. | 0:25:21 | 0:25:26 | |
I don't want to know! Oh, dear. Minus 46. Don't worry about it. | 0:25:26 | 0:25:30 | |
You look so devastated. No, we're going to make it on the Zeppelins. | 0:25:30 | 0:25:34 | |
Do you reckon? Because that is now the decision. | 0:25:34 | 0:25:37 | |
It is whether or not we go with David's bonus buy. | 0:25:37 | 0:25:40 | |
The trench art WMF plates. | 0:25:40 | 0:25:42 | |
You hated them. You hated them. Yeah, but we'll go with it. | 0:25:42 | 0:25:45 | |
You're going to go with them. And here they come. | 0:25:45 | 0:25:47 | |
It is a pair of World War I brass trench art plates. | 0:25:47 | 0:25:50 | |
Very nice little things, these. | 0:25:50 | 0:25:51 | |
Bids starting with me at, straight in at ?55. | 0:25:51 | 0:25:55 | |
Straight in at 55, ladies. What? | 0:25:55 | 0:25:59 | |
Ah, look at that. ?60 here. Looking for another 5. | 0:25:59 | 0:26:01 | |
?60. Come on, another fiver. Keep going. | 0:26:01 | 0:26:04 | |
?60 here. Any more? | 0:26:04 | 0:26:05 | |
Two Zeppelins for 60 quid? | 0:26:05 | 0:26:07 | |
Any more? | 0:26:07 | 0:26:08 | |
No? All done. It's going. Last chance. 60. | 0:26:08 | 0:26:11 | |
Well, it could have been worse. | 0:26:12 | 0:26:14 | |
It's minus ?10. It means that you are minus 56 overall, ladies. | 0:26:14 | 0:26:20 | |
And you should be proud of that, I tell you. Minus 56. | 0:26:20 | 0:26:22 | |
But, do you know what? | 0:26:22 | 0:26:24 | |
On Bargain Hunt, a loss can sometimes be a win. | 0:26:24 | 0:26:27 | |
So, you never know, it could be a winning score. | 0:26:27 | 0:26:29 | |
Promise me you won't say anything to the Reds. | 0:26:29 | 0:26:32 | |
Don't worry, ladies. Keep your chin up. | 0:26:32 | 0:26:33 | |
Not a word, zipped! Ha! | 0:26:33 | 0:26:35 | |
Two very different results today. | 0:26:35 | 0:26:38 | |
Minus ?56 for the runners-up, | 0:26:38 | 0:26:40 | |
but an enormous ?11 for the winning Reds. | 0:26:40 | 0:26:43 | |
Well done, them! | 0:26:43 | 0:26:45 | |
Coming up. | 0:26:45 | 0:26:46 | |
Will our next two teams fare any better? | 0:26:46 | 0:26:48 | |
We'll see. | 0:26:48 | 0:26:50 | |
Meanwhile, I'm off to Parham House in Sussex, | 0:26:50 | 0:26:52 | |
a well-loved Elizabethan home. | 0:26:52 | 0:26:54 | |
Believe it or not, | 0:26:57 | 0:26:58 | |
only three families have lived here | 0:26:58 | 0:27:00 | |
since the foundation stone was laid in 1577. | 0:27:00 | 0:27:03 | |
I've come to meet Lady Emma Barnard | 0:27:04 | 0:27:07 | |
whose great-grandfather bought this house in 1922. | 0:27:07 | 0:27:11 | |
Lady Emma and her family have lived here since 1993. | 0:27:11 | 0:27:15 | |
Hello. Well, I have to say, wow, and hello, nice to meet you. | 0:27:15 | 0:27:20 | |
Welcome to Parham. Thank you very much. | 0:27:20 | 0:27:22 | |
Well, here we are in your home, and please do tell me the story, | 0:27:22 | 0:27:24 | |
the history of Parham. | 0:27:24 | 0:27:26 | |
Well, Parham used to belong to the monastery at Westminster. | 0:27:26 | 0:27:29 | |
But, in 1540, after the dissolution of the monasteries, | 0:27:29 | 0:27:32 | |
a chap called Robert Palmer bought it. | 0:27:32 | 0:27:34 | |
And his son decided that he needed a slightly grander house. | 0:27:34 | 0:27:38 | |
And, in 1577, his grandson, little Thomas, aged two-and-a-half, | 0:27:38 | 0:27:43 | |
laid the foundation stone of this house. | 0:27:43 | 0:27:45 | |
Anyway, that little boy grew up, but didn't really like Parham very much, | 0:27:45 | 0:27:49 | |
I don't think, so, eventually, in 1601, | 0:27:49 | 0:27:51 | |
he actually sold Parham to Thomas Bishopp. | 0:27:51 | 0:27:55 | |
Your family bought the property from the Bishopps in 1922, didn't they? | 0:27:55 | 0:28:00 | |
That's right. My great-grandfather Clive Pearson and his wife Alicia | 0:28:00 | 0:28:03 | |
completely fell in love with it. | 0:28:03 | 0:28:05 | |
And it was in rather a sorry state by then, | 0:28:05 | 0:28:07 | |
and my great-grandfather was an engineer, | 0:28:07 | 0:28:09 | |
so, I think he saw a wonderful project. | 0:28:09 | 0:28:12 | |
And my great-grandmother loved paintings and chattels and books, | 0:28:12 | 0:28:15 | |
so, they were the most amazing team to take Parham on, | 0:28:15 | 0:28:19 | |
and that's what they did. | 0:28:19 | 0:28:20 | |
One of the rooms Lady Emma is keen to show me is the Long Gallery. | 0:28:23 | 0:28:27 | |
Now, close your eyes. | 0:28:27 | 0:28:29 | |
Close my eyes? OK. | 0:28:29 | 0:28:31 | |
Eyes are closed, eyes are closed. | 0:28:33 | 0:28:35 | |
Open them. | 0:28:35 | 0:28:35 | |
Oh, wow! | 0:28:35 | 0:28:38 | |
Oh, Lady Emma, this is amazing! | 0:28:38 | 0:28:40 | |
It just goes on and on and on! | 0:28:40 | 0:28:42 | |
The room is 158 foot long, | 0:28:42 | 0:28:44 | |
I think it's the third longest in a privately-owned house in England. | 0:28:44 | 0:28:48 | |
Centuries ago, it would have been open to the rafters | 0:28:48 | 0:28:50 | |
and they would have done all sorts of things up here, | 0:28:50 | 0:28:53 | |
walked on rainy days, they would have played games. | 0:28:53 | 0:28:56 | |
And there was one chap, one of the Cecil Bishopps | 0:28:56 | 0:28:58 | |
who lived here during the Napoleonic Wars, | 0:28:58 | 0:29:01 | |
and he used to drill his troop of soldiers up and down this room | 0:29:01 | 0:29:05 | |
when the roads were too bad and the weather was awful. | 0:29:05 | 0:29:08 | |
This ceiling is amazing. | 0:29:08 | 0:29:10 | |
Now, this was your great-grandparents' legacy. | 0:29:10 | 0:29:13 | |
This was. The thing is, when they put it in, | 0:29:13 | 0:29:15 | |
people raised their eyebrows and thought it was | 0:29:15 | 0:29:17 | |
absolutely horrible, but I don't agree with them. | 0:29:17 | 0:29:19 | |
Lady Emma, thank you so much for having us along. You're welcome. | 0:29:19 | 0:29:23 | |
Back at Epsom racecourse, | 0:29:26 | 0:29:28 | |
we're about to find out whether our next two teams | 0:29:28 | 0:29:31 | |
can pick three objects capable of making a profit at auction. | 0:29:31 | 0:29:34 | |
Let's meet them. | 0:29:34 | 0:29:36 | |
To my right on the Red team, we've got very good friends Mark and Vip. | 0:29:39 | 0:29:42 | |
And to my left, for the Blue team, | 0:29:42 | 0:29:44 | |
we've got very good friends Simon and Steven. | 0:29:44 | 0:29:45 | |
Welcome to you all. Hello. ALL: Hello. Hi. | 0:29:45 | 0:29:48 | |
Well, let's start with our Red team. | 0:29:48 | 0:29:50 | |
Mark, tell us what you do? | 0:29:50 | 0:29:51 | |
You're into coding and the like, is that correct? | 0:29:51 | 0:29:53 | |
Yes, I'm a computer programmer. | 0:29:53 | 0:29:55 | |
So, anything from online movies to pension funds. | 0:29:55 | 0:29:58 | |
So, seriously varied? Yes, I'll do anything. | 0:29:58 | 0:30:00 | |
OK, computer coding and programming is what you do day-to-day, | 0:30:00 | 0:30:03 | |
but you also have quite a social conscience, don't you? | 0:30:03 | 0:30:05 | |
Yes, I do some volunteering at Freightliners Farm in Islington. | 0:30:05 | 0:30:08 | |
It's just a great way of locals being able to interact | 0:30:08 | 0:30:11 | |
and learn on the farm. It's run by some very hard-working | 0:30:11 | 0:30:14 | |
dedicated people, and I urge anyone in the area to take a visit. | 0:30:14 | 0:30:17 | |
Will do. Vip, tell us what you do? You're also professional. | 0:30:17 | 0:30:20 | |
Yes, that's right. I'm a doctor in the NHS. Oh, fantastic. | 0:30:20 | 0:30:22 | |
I have been for 14 years. | 0:30:22 | 0:30:24 | |
OK. And had to travel the world with it, and see a lot of things, | 0:30:24 | 0:30:28 | |
so I've enjoyed myself. And Vip, you've you have recently taken part | 0:30:28 | 0:30:32 | |
in another challenge that, similarly to Bargain, Hunt, | 0:30:32 | 0:30:34 | |
was against the clock, is that right? Yeah. | 0:30:34 | 0:30:36 | |
We got dragged into an event called Tough Mudder. | 0:30:36 | 0:30:40 | |
It was over, I think, 12 miles of muddy assault course, | 0:30:40 | 0:30:45 | |
over barbed wire, electric shocks. | 0:30:45 | 0:30:47 | |
I think today is going to be slightly tougher than that. | 0:30:47 | 0:30:50 | |
Do you reckon? Cleaner! Much cleaner! | 0:30:50 | 0:30:52 | |
Don't get any mud on these fleeces. They're expensive, you know! | 0:30:52 | 0:30:54 | |
So what about tactics? | 0:30:54 | 0:30:56 | |
Do you reckon you're going to work well together as a team? | 0:30:56 | 0:30:58 | |
No. Not at all. | 0:30:58 | 0:30:59 | |
No. No, we never have done, to be fair. | 0:30:59 | 0:31:01 | |
THEY LAUGH | 0:31:01 | 0:31:03 | |
I think we're going to argue quite a lot, | 0:31:03 | 0:31:04 | |
but I think that's why we will do well, I think. | 0:31:04 | 0:31:07 | |
Vip's a good talker, I think we'll get good prices. | 0:31:07 | 0:31:09 | |
You're going to get along better than you make out | 0:31:09 | 0:31:11 | |
and, hopefully, it goes very well for you. | 0:31:11 | 0:31:13 | |
Now these guys are the Tough Mudders. | 0:31:13 | 0:31:15 | |
But Simon and Steven, tell me about your love of mud? | 0:31:15 | 0:31:18 | |
That's right, it's called mud larking. | 0:31:18 | 0:31:20 | |
LAUGHTER | 0:31:20 | 0:31:22 | |
We go down the River Thames and we search around in the mud | 0:31:22 | 0:31:24 | |
to try and find lost treasures from days gone by, | 0:31:24 | 0:31:26 | |
so, you'd find things from coins to buttons to pipes. | 0:31:26 | 0:31:29 | |
We'll eventually be forming a Thames Museum | 0:31:29 | 0:31:32 | |
in the way that we're going to contribute some of our finds | 0:31:32 | 0:31:34 | |
as well as other members of the public. | 0:31:34 | 0:31:36 | |
So, that's just actually got charity status at the moment. Wow! | 0:31:36 | 0:31:39 | |
That's going to go up imminently. That's fantastic. | 0:31:39 | 0:31:41 | |
Watch this space. What a wonderful thing. | 0:31:41 | 0:31:42 | |
And what is it you do for a living | 0:31:42 | 0:31:44 | |
when you're not larking around in the mud? | 0:31:44 | 0:31:45 | |
I'm a graphic designer. So I design anything for print, | 0:31:45 | 0:31:48 | |
so, it can be banners, posters, brochures and leaflets, | 0:31:48 | 0:31:51 | |
that sort of thing. | 0:31:51 | 0:31:52 | |
Now, Steven, I believe you have to climb great heights | 0:31:52 | 0:31:55 | |
to get on with your day job? I do, yes. | 0:31:55 | 0:31:57 | |
It's not the most glamourous job in the world, but I'm a roofer. | 0:31:57 | 0:32:00 | |
I have been for, what, 20 years now. | 0:32:00 | 0:32:02 | |
OK. And I've found quite a few things underneath the eaves, | 0:32:02 | 0:32:04 | |
as you sort of strip the roof off. | 0:32:04 | 0:32:07 | |
Roofers and builders, I suppose, in days gone by, | 0:32:07 | 0:32:10 | |
they'd just throw things in and then tile over it. | 0:32:10 | 0:32:12 | |
Have you found anything particularly interesting? | 0:32:12 | 0:32:14 | |
I have, yeah. | 0:32:14 | 0:32:15 | |
I once found a 17th-century slating hammer | 0:32:15 | 0:32:17 | |
with someone's initials engraved onto it. | 0:32:17 | 0:32:20 | |
Brilliant! So, a detective, a mud larker, you guys are quite the team. | 0:32:20 | 0:32:24 | |
I hope that it's a great, great buy for you all today. | 0:32:24 | 0:32:27 | |
I think it's going to be quite competitive today. | 0:32:27 | 0:32:29 | |
Now, listen, you can't do any shopping without money, | 0:32:29 | 0:32:32 | |
so, let me hand ?300 to you, Mark and Vip. | 0:32:32 | 0:32:35 | |
Simon and Steven, ?300 for you also. | 0:32:35 | 0:32:38 | |
Now, off you go. Very good luck to you both. | 0:32:38 | 0:32:41 | |
Listen, it's all about being macho and being muddy today, | 0:32:41 | 0:32:44 | |
so, let's see them get down and dirty. | 0:32:44 | 0:32:48 | |
All right, mud larkers, what are we going to be looking, Simon? | 0:32:51 | 0:32:54 | |
Buried treasure. Early glass, if you can find some. | 0:32:54 | 0:32:56 | |
I'd like to buy something relatively low in cost. | 0:32:56 | 0:32:59 | |
Definitely early glass. | 0:32:59 | 0:33:00 | |
Something might catch my eye. I want to keep it low-cost. | 0:33:00 | 0:33:03 | |
All right, teams, there are 60 minutes on the clock, | 0:33:03 | 0:33:06 | |
and time starts now. | 0:33:06 | 0:33:07 | |
OK, we've got one hour to go mud-larking, with no mud. | 0:33:08 | 0:33:11 | |
Ready for shopping? Yes. Yes, we are. Come on. | 0:33:11 | 0:33:13 | |
Right, where do you want to start? | 0:33:19 | 0:33:20 | |
We want to go and see a few things, you know, quickly. Yeah, OK. | 0:33:20 | 0:33:25 | |
Right, lead the way. | 0:33:25 | 0:33:27 | |
Interesting tactics from the Reds. | 0:33:27 | 0:33:29 | |
Do the Blues have the same considered approach? | 0:33:29 | 0:33:32 | |
That is a bit of mud-larking treasure, is it not? | 0:33:32 | 0:33:35 | |
It is indeed, yes. Tell us what it is. | 0:33:35 | 0:33:37 | |
I found one of these before. It's a cased gin bottle. | 0:33:37 | 0:33:39 | |
So, these have been part of a set of maybe 12 in a wooden case. | 0:33:39 | 0:33:42 | |
Is that because it's shaped like that? | 0:33:42 | 0:33:44 | |
It's designed to fit more in, so they don't wobble over. | 0:33:44 | 0:33:47 | |
So, that's why they're called cased gin. Cased gin, yeah. | 0:33:47 | 0:33:49 | |
OK. What are we looking for, to spot, you know, a genuine article? | 0:33:49 | 0:33:53 | |
Bubbles, usually. Air bubbles in the way it's been free-blown. | 0:33:53 | 0:33:56 | |
Yeah. So, you can hold it up to the light. | 0:33:56 | 0:33:59 | |
You might see that, yeah, you can see some bubbles in there. Yeah. | 0:33:59 | 0:34:03 | |
You can see some creases where it's been hand-blown. | 0:34:03 | 0:34:05 | |
I'm trying to read what the seal says. | 0:34:05 | 0:34:07 | |
That's definitely applied lip, as well. | 0:34:07 | 0:34:09 | |
What do you mean by "applied lip"? | 0:34:09 | 0:34:11 | |
The lip was applied after. And dating to 18th century. | 0:34:11 | 0:34:14 | |
1820 because of the lip. | 0:34:14 | 0:34:16 | |
Oh, later? Later, then? 19th century. | 0:34:16 | 0:34:18 | |
No, no, pre-1820. Pre-1820, why? | 0:34:18 | 0:34:21 | |
Because of the lip. After that, the lip got more... | 0:34:21 | 0:34:23 | |
Conical. Conical, yeah. Brilliant. Brilliant information, guys. | 0:34:23 | 0:34:26 | |
I've got to say, this is fantastic. This is feeding my soul. | 0:34:26 | 0:34:30 | |
Are you happy it's genuine? Yeah, I'm happy it's genuine. | 0:34:30 | 0:34:33 | |
All right, come on, guys, if you found this today, in the Thames, | 0:34:33 | 0:34:36 | |
how much money are we looking at? | 0:34:36 | 0:34:38 | |
I would say, if it didn't have a seal on, maybe, sort of, 50-80. | 0:34:38 | 0:34:42 | |
But, as the seal might add value, | 0:34:42 | 0:34:44 | |
then, we could be looking, maybe, 100. | 0:34:44 | 0:34:46 | |
OK. Can we have a chat to you about the price of the bottle? | 0:34:46 | 0:34:50 | |
It's up for 70. Yeah. But I'll take 50. | 0:34:50 | 0:34:53 | |
You'll take 50? OK, is that the best? What about 40? 48. | 0:34:53 | 0:34:57 | |
Yeah, 48! | 0:34:57 | 0:34:58 | |
THEY LAUGH | 0:34:58 | 0:34:59 | |
Well, honestly, haven't you just been steam-rolled? | 0:34:59 | 0:35:02 | |
Have you bought it at 48? | 0:35:02 | 0:35:04 | |
Yeah. First object we see, bizarrely, is related | 0:35:04 | 0:35:06 | |
exactly to what you do as a passion. | 0:35:06 | 0:35:08 | |
And we buy it within a few minutes. Excellent. | 0:35:08 | 0:35:11 | |
Well done, Blues. You've got your early glassware. | 0:35:11 | 0:35:14 | |
These boys certainly know their stuff, | 0:35:14 | 0:35:17 | |
and knowledge is power in this game. | 0:35:17 | 0:35:19 | |
David, you're going to have an easy ride today. But will Caroline? | 0:35:19 | 0:35:23 | |
Do you want to look down here? | 0:35:23 | 0:35:25 | |
Maybe go for them? The tea set. | 0:35:25 | 0:35:27 | |
Do you have afternoon tea? Yes. Sometimes. | 0:35:27 | 0:35:30 | |
I like a nice china set, if I'm going to. Do you? | 0:35:30 | 0:35:32 | |
When was the last time you had a cup of tea in the afternoon? | 0:35:32 | 0:35:34 | |
I invite you all the time. You never come! | 0:35:34 | 0:35:36 | |
This looks like a nice little set here. | 0:35:36 | 0:35:38 | |
There are six of them. | 0:35:38 | 0:35:39 | |
Originally, I think that would have been part of a 12-place setting | 0:35:39 | 0:35:43 | |
with two sandwich plates, a milk, a sugar | 0:35:43 | 0:35:46 | |
and sometimes a slop bowl which was for slopping out the tea. | 0:35:46 | 0:35:50 | |
It looks nice. Very eye-catching. Good colour. | 0:35:50 | 0:35:51 | |
You have to check, for a start, if it's perfect, | 0:35:51 | 0:35:53 | |
because people do not want broken pots, usually, | 0:35:53 | 0:35:56 | |
and the million-dollar question is, how much is it? | 0:35:56 | 0:35:59 | |
We best ask our shy stallholder. | 0:35:59 | 0:36:01 | |
Hi there. Just interested in the tea set. How much are we looking at? | 0:36:01 | 0:36:05 | |
I've got 39 on it, but I could let it go for 30. | 0:36:05 | 0:36:08 | |
OK. Let me have a word with my friend over here. OK. | 0:36:08 | 0:36:11 | |
OK, 30. What do you think? | 0:36:11 | 0:36:12 | |
We said we were going to haggle hard. | 0:36:12 | 0:36:14 | |
We were going to haggle hard. | 0:36:14 | 0:36:15 | |
What would your lowest acceptable price to be? | 0:36:15 | 0:36:18 | |
Harder than that, Vip! | 0:36:18 | 0:36:20 | |
24.95. | 0:36:20 | 0:36:21 | |
Forget your bedside manner, go for it! | 0:36:21 | 0:36:24 | |
I'd let it go for 25. 25? 25, is the best, yeah. | 0:36:24 | 0:36:27 | |
OK. I did haggle very hard, and he does seem like a nice chap, so... | 0:36:27 | 0:36:31 | |
Are we having it? I think that's a sold. | 0:36:31 | 0:36:33 | |
Yeah? | 0:36:33 | 0:36:34 | |
Sold? Yeah, I'm happy with that. Excellent. Thank you, sir. | 0:36:34 | 0:36:37 | |
Thank you. Thanks very much. Cheers. Cheers, thank you. Well done! | 0:36:37 | 0:36:40 | |
Hurray. Five minutes into the shop and you've bought. Yes! | 0:36:40 | 0:36:43 | |
We should go for a cup of tea, shouldn't we? | 0:36:43 | 0:36:45 | |
No! Not yet. Well-spotted. | 0:36:45 | 0:36:48 | |
Right. One down, two to go. | 0:36:48 | 0:36:51 | |
Well, the Reds aren't getting stuck in the mud. | 0:36:51 | 0:36:53 | |
And the Blues aren't larking about, either. | 0:36:53 | 0:36:55 | |
They're on the scent with their second item. | 0:36:55 | 0:36:58 | |
There's a bronze censer there, | 0:36:58 | 0:36:59 | |
which I like the look of. I like the workmanship in that. | 0:36:59 | 0:37:01 | |
You say a bronze censer, you've been watching this show, haven't you? | 0:37:01 | 0:37:04 | |
I do watch it from time to time, it has to be said. | 0:37:04 | 0:37:07 | |
Because he comes up with the technical terminology there. | 0:37:07 | 0:37:09 | |
So, with it being a censer, | 0:37:09 | 0:37:11 | |
does that make it a Japanese item or a Chinese item? | 0:37:11 | 0:37:13 | |
Looking at it, I would guess Chinese. That's pretty good | 0:37:13 | 0:37:16 | |
because, strictly speaking, I think, if it was Japanese, | 0:37:16 | 0:37:19 | |
it would be called a koro. OK. That's cool. | 0:37:19 | 0:37:21 | |
Do you know what it's used for? | 0:37:21 | 0:37:23 | |
To burn smelly stuff! | 0:37:23 | 0:37:25 | |
THEY LAUGH | 0:37:25 | 0:37:26 | |
You're dead right! Yeah. Absolutely. | 0:37:26 | 0:37:28 | |
I couldn't think of a more technical term. No. Do you know what? | 0:37:28 | 0:37:31 | |
That's absolutely a perfect description, it burns smelly stuff. | 0:37:31 | 0:37:34 | |
You've got the holes in the top to allow the smoke to come out. | 0:37:34 | 0:37:36 | |
The thing I like about it is, you could actually use it today. | 0:37:36 | 0:37:39 | |
You could pot pourri in it right now, | 0:37:39 | 0:37:40 | |
just leave it in there, let the aromas come out. Yeah. | 0:37:40 | 0:37:43 | |
Now, Steven, how old is it? I don't think there's a lot of age to it. | 0:37:43 | 0:37:46 | |
You don't? Because nothing's worn down. | 0:37:46 | 0:37:48 | |
I've actually found one in the Thames, it's in my front room. | 0:37:48 | 0:37:51 | |
You haven't? I have. Have you, really? | 0:37:51 | 0:37:53 | |
You see, I... You two have got a natural eye here, | 0:37:53 | 0:37:55 | |
and it's developed with experience. Because you talk about patination. | 0:37:55 | 0:37:58 | |
You know instantly how to recognise real age. | 0:37:58 | 0:38:01 | |
And you're right, that doesn't have any real age. | 0:38:01 | 0:38:04 | |
How old do you think it is? Are we talking 20th-century? | 0:38:04 | 0:38:06 | |
I think... What day is it today? | 0:38:06 | 0:38:08 | |
I think it was made last Tuesday. Oh, really? That recent? OK, then. | 0:38:08 | 0:38:11 | |
Maybe we can see what she can come down to, it might give us an idea | 0:38:11 | 0:38:14 | |
of whether we want to go for it. Yeah. | 0:38:14 | 0:38:15 | |
Well, you've got two beautiful ladies over there. Do your best. | 0:38:15 | 0:38:18 | |
How much would your bronze censer be, at best? | 0:38:18 | 0:38:22 | |
That's Mother's one. | 0:38:22 | 0:38:23 | |
Hello, Mother. | 0:38:23 | 0:38:25 | |
I have got it up for...55. | 0:38:25 | 0:38:28 | |
Yeah. I could let you have it for 40. | 0:38:28 | 0:38:30 | |
Ooh, OK. | 0:38:30 | 0:38:32 | |
Maybe we could go down to 30, if possible? | 0:38:32 | 0:38:34 | |
35? Almost there. Almost. | 0:38:34 | 0:38:37 | |
How about a couple of quid more? 33? | 0:38:37 | 0:38:39 | |
Yes, OK. Yeah? OK, got a deal. | 0:38:39 | 0:38:41 | |
Cheers. | 0:38:41 | 0:38:42 | |
I've done the deal, guys. I hope you don't mind. | 0:38:42 | 0:38:44 | |
How much? 33. 33, great. | 0:38:44 | 0:38:46 | |
A quick tip. Don't call women "Mother", right? She's her mother. | 0:38:46 | 0:38:49 | |
No, seriously. If you're going to charm them, it doesn't work. | 0:38:49 | 0:38:52 | |
I've tried it all. That one doesn't work. | 0:38:52 | 0:38:55 | |
Seriously, well done, guys. | 0:38:55 | 0:38:56 | |
It's smelling good, Blues. | 0:38:56 | 0:38:58 | |
Two in the bag, it must be the least muddy treasure hunt you've ever had. | 0:38:58 | 0:39:02 | |
Now, Reds, what's caught your eye? | 0:39:02 | 0:39:04 | |
Do you like anything there? Yeah. I like them. | 0:39:04 | 0:39:06 | |
I may not like the price. Right. That one's only 85. | 0:39:06 | 0:39:08 | |
With your superior haggling skills, you could get in there for 25. | 0:39:08 | 0:39:11 | |
Job done! That is not haggling. That's daylight robbery! | 0:39:11 | 0:39:16 | |
So, you like that one? Yeah. | 0:39:16 | 0:39:17 | |
Excuse me. Could I ask how much the mother-of-pearl? Yeah. | 0:39:17 | 0:39:21 | |
What would your lowest price on that be? | 0:39:21 | 0:39:23 | |
It's got to be 70. That's the best I can do. | 0:39:23 | 0:39:26 | |
That's quite... That's a 20% discount. | 0:39:26 | 0:39:29 | |
Yeah, which is a very good discount. It is. | 0:39:29 | 0:39:32 | |
I don't know, maybe take a gamble on the mother-of-pearl? | 0:39:32 | 0:39:35 | |
I did say that maybe I'd get seduced by something a bit shiny. | 0:39:35 | 0:39:39 | |
Well, that is a bit shiny. | 0:39:39 | 0:39:41 | |
Now, while we... There's some boxes on here. | 0:39:41 | 0:39:43 | |
Do you want to look next door first, and can come back? Thank you. | 0:39:43 | 0:39:47 | |
Choosing a box appears to be tough-going for the Reds. | 0:39:47 | 0:39:50 | |
Blues, are you using your knowledge to find your next item? | 0:39:50 | 0:39:54 | |
Wow. Look at those. | 0:39:54 | 0:39:55 | |
I say. He doesn't mess about, does he? | 0:39:55 | 0:39:58 | |
Straight in there! They're awesome. | 0:39:58 | 0:40:01 | |
How would you describe this, Simon? | 0:40:01 | 0:40:03 | |
Er, a mantique. | 0:40:03 | 0:40:04 | |
A mantique! Yeah. You have been watching the show! | 0:40:04 | 0:40:07 | |
It is a mantique. | 0:40:07 | 0:40:09 | |
Fantastic. | 0:40:09 | 0:40:11 | |
What would you do with them, Steve? | 0:40:11 | 0:40:13 | |
I don't think it is broadcastable! | 0:40:13 | 0:40:15 | |
THEY LAUGH | 0:40:15 | 0:40:17 | |
They are quite cool. Yeah. | 0:40:17 | 0:40:18 | |
Something to think about, isn't it? | 0:40:18 | 0:40:20 | |
At the halfway mark, it's 2-1 to the Blues. | 0:40:20 | 0:40:23 | |
The pressure's on for the Reds. | 0:40:23 | 0:40:25 | |
So, we're still looking at boxes, yeah? | 0:40:25 | 0:40:27 | |
Yeah. Now here's a silver-topped little box. | 0:40:27 | 0:40:31 | |
1904. Cut-glass. Silver. | 0:40:31 | 0:40:34 | |
That looks nice. What would it be used for? | 0:40:34 | 0:40:36 | |
I was going to say, is that ticking your boxes? It is. | 0:40:36 | 0:40:38 | |
I said, "mm", and he said it as well, so that's two "mms". | 0:40:38 | 0:40:41 | |
I think two "mms" are good! What is the absolute death? 30, is it? | 0:40:41 | 0:40:46 | |
It's silver, cut-glass. We are running out of time. | 0:40:46 | 0:40:48 | |
Maybe we have to leave it just for the moment, I think. | 0:40:48 | 0:40:51 | |
OK. Well, we've got a few frontrunners now, so, | 0:40:51 | 0:40:53 | |
we'll think about it. Bye. Thank you very much. Thanks very much. | 0:40:53 | 0:40:56 | |
Dr Vip's remaining calm but, whatever you prescribe, | 0:40:57 | 0:41:00 | |
remember, you're on the clock. | 0:41:00 | 0:41:02 | |
With that in mind, Blues, where are you up to with your final item? | 0:41:02 | 0:41:05 | |
Great stall, though, don't you think? Yeah. | 0:41:05 | 0:41:08 | |
How much money have we got left? Enough. | 0:41:08 | 0:41:10 | |
Come on, keep the momentum up, Blues. | 0:41:10 | 0:41:12 | |
How much is enough? | 0:41:12 | 0:41:14 | |
We must have over 200, I think. Have we? Yeah. All right. | 0:41:14 | 0:41:17 | |
Actually, you have a whopping ?247. | 0:41:17 | 0:41:21 | |
Go and spend some money. | 0:41:21 | 0:41:23 | |
Now, Reds, are you boxing yourself into a corner? | 0:41:23 | 0:41:26 | |
I think the boxes are taking our liking, | 0:41:26 | 0:41:28 | |
and I think we just need to make a decision on one of them. | 0:41:28 | 0:41:31 | |
And the first one we saw was quite nice. | 0:41:31 | 0:41:34 | |
That's the mother-of-pearl one? The mother-of-pearl one, | 0:41:34 | 0:41:36 | |
so, we might go back and see if we can wrestle the gentleman down. | 0:41:36 | 0:41:40 | |
What did it come down to, 70? Mm. Yeah. | 0:41:40 | 0:41:42 | |
The other one, the silver one, has got a really lovely | 0:41:42 | 0:41:45 | |
Art Nouveau design. It's ?30. | 0:41:45 | 0:41:48 | |
I don't know, it's your call. | 0:41:48 | 0:41:49 | |
I know, I've completely changed my mind, I like, yes, the cheaper one. | 0:41:49 | 0:41:52 | |
You like the cheaper one? OK. Let's do it. | 0:41:52 | 0:41:55 | |
What made you change your mind? | 0:41:55 | 0:41:56 | |
I think, listening to the auctioneer, I think, | 0:41:56 | 0:41:58 | |
and I can see him doing... I'm not selling it, though. | 0:41:58 | 0:42:01 | |
I know. I'm not selling it. He sold it to us. | 0:42:01 | 0:42:02 | |
He sold it to us, though, yeah. Right, go and buy it, then. | 0:42:02 | 0:42:05 | |
See if you can pshh-pshh. OK. | 0:42:05 | 0:42:07 | |
I think that means, go and get a wee bit off the price, Reds. | 0:42:07 | 0:42:10 | |
Very best would be 28. 28. OK. | 0:42:10 | 0:42:15 | |
Let me just...confer. | 0:42:15 | 0:42:18 | |
Shall we do it? Yeah. OK. Great. | 0:42:18 | 0:42:20 | |
Thank you very much. Pleasure, an absolute pleasure. OK, Cheers. | 0:42:20 | 0:42:23 | |
Yes. Well done. | 0:42:24 | 0:42:26 | |
Two down. Excellent. | 0:42:26 | 0:42:28 | |
So, the Reds finally have a box. | 0:42:28 | 0:42:31 | |
And it's two-all, with only 20 minutes left. | 0:42:31 | 0:42:33 | |
The Blues have spotted some 18th-century tobacco tins. | 0:42:33 | 0:42:37 | |
Are these the kind of things that you might find in the river? | 0:42:37 | 0:42:40 | |
I have found one. The one I found was Dutch, 18th century, | 0:42:40 | 0:42:43 | |
and I wouldn't be surprised if that was around the same sort of time. | 0:42:43 | 0:42:46 | |
Were these things kept by sailors? Were they common amongst... | 0:42:46 | 0:42:49 | |
Pipe tobacco. Everyone had a pipe | 0:42:49 | 0:42:51 | |
and their tobacco had to go somewhere, so... | 0:42:51 | 0:42:54 | |
But the quality in those would have meant they would have been held | 0:42:54 | 0:42:56 | |
by a more prestige member of the, you know... Why is that? | 0:42:56 | 0:43:00 | |
Because these are good quality, you think? Yeah. | 0:43:00 | 0:43:02 | |
They're hand-engraved. They're brass. | 0:43:02 | 0:43:04 | |
So it wouldn't have been the run-of-the-mill, | 0:43:04 | 0:43:06 | |
otherwise we'd have found a lot more. | 0:43:06 | 0:43:08 | |
OK, and are these the kind of things that somebody would decorate | 0:43:08 | 0:43:10 | |
themselves, a bit like scrimshaw, you know, the sailors carved whales. | 0:43:10 | 0:43:14 | |
Yeah, sometimes a sailor would, yeah. | 0:43:14 | 0:43:16 | |
What do you expect to get for that? 100, 150. | 0:43:16 | 0:43:18 | |
As much as that? Depends on its rarity. | 0:43:18 | 0:43:20 | |
What's your opinion? What do you think about these? | 0:43:20 | 0:43:23 | |
I think...30, 50, 50 to 70. | 0:43:23 | 0:43:26 | |
Let's get a price. OK. | 0:43:26 | 0:43:27 | |
Hi, there. Can we just get a quick price on that one? | 0:43:27 | 0:43:30 | |
70 to buy it, if you want it. 70? 70. | 0:43:30 | 0:43:32 | |
So, we're talking 70 quid. Yeah. I mean, really, I'm going to have | 0:43:32 | 0:43:36 | |
to bow to your expertise here. | 0:43:36 | 0:43:38 | |
We want you to take the rap for something, if it all goes wrong! | 0:43:38 | 0:43:40 | |
No! I refuse. I refuse! | 0:43:40 | 0:43:43 | |
HE LAUGHS It's all down to you two. | 0:43:43 | 0:43:45 | |
No, no, no. OK, I'll take the rap. | 0:43:45 | 0:43:47 | |
I think it's worth about 100 but would people see the beauty in that? | 0:43:47 | 0:43:51 | |
I think they would. | 0:43:51 | 0:43:52 | |
What would make you feel happy? 50, 60 quid? | 0:43:52 | 0:43:54 | |
50, I'd be, yeah, more than happy. | 0:43:54 | 0:43:56 | |
Whilst the Blues negotiate a price, | 0:43:56 | 0:43:59 | |
the Reds are going tea potty, | 0:43:59 | 0:44:01 | |
and have returned to the tea service stall. | 0:44:01 | 0:44:03 | |
So, we've got these two teapots. | 0:44:03 | 0:44:05 | |
Yeah. We've heard good things about the one on the right, | 0:44:05 | 0:44:08 | |
but we're worried it's a bit too damaged. | 0:44:08 | 0:44:09 | |
That's an 18th-century teapot. | 0:44:09 | 0:44:11 | |
I mean, it's a good thing. Chinese. | 0:44:11 | 0:44:12 | |
Is that OK despite the damage? The spout's been taken off. | 0:44:12 | 0:44:15 | |
It's been taken off and it's been stapled back together | 0:44:15 | 0:44:18 | |
which, I think, just the art and the want to staple it | 0:44:18 | 0:44:22 | |
makes it something that somebody's loved. | 0:44:22 | 0:44:25 | |
But, you're dead right, any damage knocks the price enormously. | 0:44:25 | 0:44:30 | |
And you definitely prefer that one over the one on the left. | 0:44:30 | 0:44:32 | |
It's what you prefer. This is trying to be agateware, | 0:44:32 | 0:44:35 | |
but it's put on with a transfer. | 0:44:35 | 0:44:37 | |
That'll be late 19th century, I would think. | 0:44:37 | 0:44:39 | |
That's a century earlier. | 0:44:39 | 0:44:41 | |
Yeah. How much is this one? | 0:44:41 | 0:44:43 | |
This is going to be more of a gamble. | 0:44:43 | 0:44:45 | |
It would be a gamble at ?49, definitely. Definitely. | 0:44:45 | 0:44:47 | |
Yeah, that's too much at 49. So, I think... | 0:44:47 | 0:44:50 | |
I think we all agree that ?20 would be almost... | 0:44:50 | 0:44:53 | |
almost a winner. | 0:44:53 | 0:44:55 | |
The stallholder won't budge from ?28. | 0:44:55 | 0:44:58 | |
So, you're both agreed? Yeah. Let's go. Good! Do the deal! | 0:44:58 | 0:45:02 | |
Excellent. Sir. Thank you very much. | 0:45:02 | 0:45:04 | |
Well done, Reds, job done. | 0:45:04 | 0:45:06 | |
So, Blues, it's all down to you. | 0:45:06 | 0:45:09 | |
Can you get a good price for the tobacco tins? | 0:45:09 | 0:45:11 | |
What would be your best for two? | 0:45:11 | 0:45:13 | |
140. But that's it. | 0:45:13 | 0:45:15 | |
It's a bit too much at the moment. | 0:45:15 | 0:45:17 | |
I mean, I appreciate you coming down. | 0:45:17 | 0:45:19 | |
David, any help, what do you think? Er, well... It's... It's a gamble. | 0:45:19 | 0:45:23 | |
This is the one I think is more interesting, personally. | 0:45:23 | 0:45:25 | |
So, decision time. | 0:45:25 | 0:45:27 | |
Right, go for it. OK. Happy? Yeah. Shake his hand. | 0:45:27 | 0:45:30 | |
?70. Thank you. Cheers, young man. Thank you. | 0:45:30 | 0:45:32 | |
Well done. Three fabulous items. | 0:45:32 | 0:45:35 | |
Fabulous. And five minutes left to spare. | 0:45:35 | 0:45:38 | |
Let's have a coffee. Let's do it. | 0:45:38 | 0:45:40 | |
BELL RINGS | 0:45:40 | 0:45:41 | |
Right, teams, time is up! | 0:45:41 | 0:45:43 | |
After the shopping comes the auction, | 0:45:46 | 0:45:48 | |
and we've returned to Bellmans auction house in West Sussex. | 0:45:48 | 0:45:51 | |
But, first, let's remind ourselves of what the Red team bought. | 0:45:51 | 0:45:55 | |
First up, the Reds laid out ?25 for this 19th-century tea service. | 0:45:57 | 0:46:02 | |
Next, ?28 was paid for this silver trinket box. | 0:46:03 | 0:46:08 | |
And, finally, they're hoping a profit will be pouring in | 0:46:08 | 0:46:11 | |
with this Chinese teapot, another ?28 paid. | 0:46:11 | 0:46:15 | |
Mark and Vip, this is particularly thrilling, this section. | 0:46:15 | 0:46:19 | |
I'll tell you why, because you left Caroline Hawley | 0:46:19 | 0:46:22 | |
?219 of leftover lolly. | 0:46:22 | 0:46:24 | |
And, I tell you what, I'm desperate, I don't know about you, | 0:46:24 | 0:46:27 | |
to know what you blew it all on, Caroline. | 0:46:27 | 0:46:29 | |
Or, did she? Please reveal your bonus buy. | 0:46:29 | 0:46:31 | |
Ooh! Girlie, ha! | 0:46:32 | 0:46:34 | |
A purse! OK. | 0:46:34 | 0:46:35 | |
Not just any old purse. Silver, hallmarked, 1922. | 0:46:35 | 0:46:39 | |
Look at this chainmail. | 0:46:39 | 0:46:41 | |
Each single link is marked with a lion | 0:46:41 | 0:46:45 | |
to say it's British sterling silver. And no breaks. | 0:46:45 | 0:46:48 | |
It's gorgeous. Now, this was bought for, do you want to guess? | 0:46:48 | 0:46:52 | |
Five grand! | 0:46:52 | 0:46:53 | |
Ah... No! | 0:46:53 | 0:46:54 | |
Very generous, Mark, very generous. | 0:46:54 | 0:46:57 | |
?150. | 0:46:57 | 0:46:57 | |
What do you think it will bring at auction? | 0:46:57 | 0:46:59 | |
I would think just a little bit more than that, maybe 160, 170. | 0:46:59 | 0:47:04 | |
It's definitely interesting. It's not something that I would jump to. | 0:47:04 | 0:47:07 | |
I know Mark knows his handbags more than I do. Do you, Mark? | 0:47:07 | 0:47:11 | |
But we're in your hands, I guess, Caroline. | 0:47:11 | 0:47:13 | |
Well, it could be in yours. | 0:47:13 | 0:47:15 | |
Pass it over. | 0:47:15 | 0:47:16 | |
Oh, it is quite heavy! Yeah. | 0:47:16 | 0:47:18 | |
And, is this going to help us beat the Blue team? | 0:47:18 | 0:47:20 | |
Well, I think if two ladies fall in love with this, | 0:47:20 | 0:47:24 | |
it could be handbags at dawn. | 0:47:24 | 0:47:25 | |
Hm. Handbags at dawn, indeed. | 0:47:25 | 0:47:28 | |
The boys aren't completely convinced, | 0:47:28 | 0:47:30 | |
but they can decide later. | 0:47:30 | 0:47:32 | |
In the meantime, let's discuss the Blue team's three items. | 0:47:32 | 0:47:35 | |
Let's have a little reminder. | 0:47:35 | 0:47:37 | |
First up for the Blues at ?48, will this gin bottle be the tonic? | 0:47:39 | 0:47:43 | |
Next up, this Chinese bronze censer burned a hole in their pockets. | 0:47:46 | 0:47:49 | |
?33 paid. | 0:47:49 | 0:47:50 | |
And finally, will this tobacco box be smoking hot? Bought for ?70. | 0:47:52 | 0:47:57 | |
Well, Simon and Steven, after larking about at Epsom, | 0:47:58 | 0:48:01 | |
you left David Harper ?149. | 0:48:01 | 0:48:05 | |
What did you spend it on? OK, boys, I think you're going to like this. | 0:48:05 | 0:48:08 | |
Particularly the condition of it, | 0:48:08 | 0:48:10 | |
bearing in mind what you two do for a hobby. | 0:48:10 | 0:48:12 | |
Mm. Yep. Looks like it has been done up yesterday. Exactly. | 0:48:12 | 0:48:15 | |
You've nailed it. | 0:48:15 | 0:48:16 | |
Grab a hold of that. | 0:48:16 | 0:48:18 | |
Look at the shape of the body. What is it? It looks like a bottle. | 0:48:18 | 0:48:20 | |
Of course it is. Yeah. It's pub advertising. | 0:48:20 | 0:48:23 | |
It's memorabilia. It's really fun. | 0:48:23 | 0:48:25 | |
It is in dreadful condition, | 0:48:25 | 0:48:27 | |
I don't think you're ever going to restore him. | 0:48:27 | 0:48:29 | |
And it's a great thing, it would have stood on a bar, | 0:48:29 | 0:48:32 | |
I don't know, 1930s, 1950s maybe, something like that. | 0:48:32 | 0:48:37 | |
Are you not loving this? | 0:48:37 | 0:48:38 | |
Um... No. | 0:48:38 | 0:48:40 | |
Come on, Steven, if you'd dug that up in the mud near the Thames, | 0:48:40 | 0:48:42 | |
you would be delighted. I think I'd throw it back. | 0:48:42 | 0:48:44 | |
Oh! I can't believe it. | 0:48:44 | 0:48:46 | |
Hand it over to this man. He's got much more style and sophistication. | 0:48:46 | 0:48:49 | |
Yeah, I like it. I like advertising. How much did you pay? | 0:48:49 | 0:48:52 | |
55. 55. | 0:48:52 | 0:48:53 | |
And do you reckon that's going to make a profit? I don't know. | 0:48:53 | 0:48:56 | |
It is a bit of a gamble, yeah? It's always a gamble. | 0:48:56 | 0:48:58 | |
I love buying things that are gambles. | 0:48:58 | 0:49:00 | |
We'll see if they have the "bottle" to gamble in a bit. | 0:49:00 | 0:49:03 | |
But now, Jonathan Pratt, the auctioneer, is good to go. | 0:49:03 | 0:49:06 | |
JP, take it away. | 0:49:06 | 0:49:08 | |
Lads, here we are, we're in the auction. | 0:49:10 | 0:49:12 | |
And, tell me, how are you feeling? | 0:49:12 | 0:49:14 | |
Excited. It's not like I expected at all, but it is interesting. | 0:49:14 | 0:49:18 | |
A bit more buzz than you expected? Definitely, yeah. | 0:49:18 | 0:49:20 | |
Very busy auction room. Vip, how do you feel? | 0:49:20 | 0:49:22 | |
We are going to be making some money! | 0:49:22 | 0:49:25 | |
Let's start at the top. | 0:49:25 | 0:49:26 | |
Time to find out how the china goes under the hammer. | 0:49:26 | 0:49:28 | |
Late 19th-century Clifton China porcelain tea service, | 0:49:28 | 0:49:31 | |
complete for six, cups and saucers, etc. | 0:49:31 | 0:49:34 | |
And the bid's with me starting at ?10. | 0:49:34 | 0:49:37 | |
Ooh. ?10, I'll take 12, though. | 0:49:37 | 0:49:38 | |
10 is bid. 12 is bid. | 0:49:38 | 0:49:41 | |
15, 18. OK, watch it climb. | 0:49:41 | 0:49:44 | |
18 standing. 20. | 0:49:44 | 0:49:46 | |
25. 25. | 0:49:46 | 0:49:48 | |
No, she says. ?25 is bid. Looking for 30 now. | 0:49:48 | 0:49:52 | |
?25, looking for 30. Come on, come on. | 0:49:52 | 0:49:54 | |
?25, I'll take 28 if it helps? | 0:49:54 | 0:49:57 | |
25 here. ?25 is getting it. | 0:49:57 | 0:49:58 | |
Any more at ?25? Surely worth a little bit more. | 0:49:58 | 0:50:01 | |
?25, and selling, fair warning at 25. | 0:50:01 | 0:50:04 | |
Oh, can you believe it? | 0:50:05 | 0:50:06 | |
You paid on the money. ?25 paid and it made ?25. | 0:50:06 | 0:50:11 | |
Zero made, zero lost. | 0:50:11 | 0:50:12 | |
Item number two is our trinket box. | 0:50:12 | 0:50:14 | |
Birmingham, 1904, this lovely little daisy flower on the top, | 0:50:14 | 0:50:18 | |
embossed on the top. | 0:50:18 | 0:50:19 | |
With me, starting at 20 I've got. | 0:50:19 | 0:50:22 | |
25, 30, 35. | 0:50:22 | 0:50:25 | |
Yes! 40, who's going to go 40? | 0:50:25 | 0:50:27 | |
Come on, lads! Are you going 40? | 0:50:27 | 0:50:29 | |
40. 42. | 0:50:29 | 0:50:31 | |
I need 45 now. | 0:50:31 | 0:50:32 | |
That's 42 commission, they won't believe me, it's 42. | 0:50:32 | 0:50:35 | |
45, go on, one of you go 45. | 0:50:35 | 0:50:37 | |
Go on. down the front here, you really love it, I know you do, ?45. | 0:50:37 | 0:50:40 | |
No? 42. 45, thank you, commission's out now at ?45. | 0:50:40 | 0:50:45 | |
Looking for 50. | 0:50:45 | 0:50:46 | |
?45. | 0:50:46 | 0:50:47 | |
GAVEL BANGS | 0:50:47 | 0:50:49 | |
Gentlemen, you've just made ?17. Yes! | 0:50:49 | 0:50:51 | |
Very well done. | 0:50:51 | 0:50:53 | |
It's party time. | 0:50:53 | 0:50:55 | |
Here comes... | 0:50:55 | 0:50:56 | |
our broken-spout china teapot. | 0:50:56 | 0:51:00 | |
A nice antique piece this, a nice antique piece this. | 0:51:00 | 0:51:02 | |
I guess you've all seen it, straight in at ?20. | 0:51:02 | 0:51:05 | |
Straight in at ?20, I'll take 5, though. | 0:51:05 | 0:51:08 | |
With me at ?20. Who's got 5 for it? | 0:51:08 | 0:51:10 | |
On the net at 25, and I'm out at 25. | 0:51:10 | 0:51:13 | |
30 in the room now, come on. | 0:51:13 | 0:51:15 | |
25 on the net. 25 on the net, looking for 30, now. | 0:51:15 | 0:51:19 | |
Any bids in the room at 30? Surely worth another bid? | 0:51:19 | 0:51:21 | |
It's 25, internet bidder. Just a bit more! | 0:51:21 | 0:51:23 | |
They know what they're looking at, it's ?25. Any more? | 0:51:23 | 0:51:26 | |
Selling to the internet, then, at ?25, fair warning everyone. | 0:51:26 | 0:51:29 | |
GAVEL BANGS | 0:51:29 | 0:51:30 | |
Oh! Can't believe it! Oh, no! | 0:51:30 | 0:51:32 | |
It's lost just ?3. | 0:51:32 | 0:51:34 | |
But it means that, overall, you're plus 14. | 0:51:34 | 0:51:37 | |
Now, it comes down to Caroline's item. | 0:51:37 | 0:51:40 | |
What do you think? I don't know. | 0:51:40 | 0:51:42 | |
It would be nice to finish in profit, but... | 0:51:42 | 0:51:44 | |
It's a bit boring, isn't it, not going for that handbag? | 0:51:44 | 0:51:46 | |
OK, tell me, I need a definite answer. | 0:51:46 | 0:51:48 | |
OK. We'll go..."no". It's a "no"? 100% "no"? | 0:51:48 | 0:51:53 | |
Caroline? | 0:51:53 | 0:51:54 | |
There's no pressure on me now! | 0:51:55 | 0:51:57 | |
It's a 100% "no" from you, you're not going to the bonus buy. | 0:51:57 | 0:52:00 | |
Let's see how it gets on. | 0:52:00 | 0:52:02 | |
A silver mesh purse, London 1922, nice good size, this one. | 0:52:02 | 0:52:05 | |
I've got ?65 to start, 65. | 0:52:05 | 0:52:09 | |
70 and 5, 80 and 5, 90 and 5, | 0:52:09 | 0:52:12 | |
110, and 20. | 0:52:12 | 0:52:14 | |
130. | 0:52:14 | 0:52:16 | |
Ooh, we're nearly there. 120, one more bid, sir. | 0:52:16 | 0:52:19 | |
130. 130 on the net. Go on! 140. | 0:52:19 | 0:52:22 | |
140's bid. Against you, internet, 140. | 0:52:22 | 0:52:25 | |
Any more, net? | 0:52:25 | 0:52:26 | |
150 on the net. No, he says. | 0:52:26 | 0:52:28 | |
150 internet bid now. ?150 it is. | 0:52:28 | 0:52:31 | |
Caroline, you're a star! I'm selling, last chance, 150 all done. | 0:52:31 | 0:52:35 | |
I cannot believe it! It's made ?150, exactly what Caroline paid for it. | 0:52:35 | 0:52:40 | |
So, in the end, it didn't really make a difference, | 0:52:40 | 0:52:43 | |
no profit, no loss. So, it means you have come away from Bargain Hunt | 0:52:43 | 0:52:46 | |
with ?14. You will go away with folding money. | 0:52:46 | 0:52:48 | |
Can you believe it? But I need something from you. | 0:52:48 | 0:52:51 | |
I need you to promise me you won't say a word to the Blues. | 0:52:51 | 0:52:53 | |
Promise. We won't. Promise? Thank you ever so much. | 0:52:53 | 0:52:56 | |
Caroline, I can't believe this! | 0:52:56 | 0:52:57 | |
?60 with me them, who's got 5? | 0:52:59 | 0:53:01 | |
Steven, Simon, David. | 0:53:08 | 0:53:10 | |
All in a row, and all looking pretty excited. | 0:53:10 | 0:53:13 | |
How are you feeling? Yeah, all right, yeah. | 0:53:13 | 0:53:15 | |
Just can't wait for it to start now. | 0:53:15 | 0:53:16 | |
Are you quite relaxed about the whole thing? Yeah. | 0:53:16 | 0:53:19 | |
Quite a cool character, I tell you, I hope it'll rub off on me! | 0:53:19 | 0:53:21 | |
How about you, Simon, how are you feeling? Yeah, excited. | 0:53:21 | 0:53:23 | |
A bit apprehensive as well, because I don't want to make a loss. | 0:53:23 | 0:53:26 | |
Even though you were in the care of THE David Harper... | 0:53:26 | 0:53:29 | |
Oh, thanks for the build-up! Here we go! | 0:53:29 | 0:53:31 | |
..how could you be apprehensive? | 0:53:31 | 0:53:33 | |
Now, the next item under the hammer is your soda glass gin bottle. | 0:53:33 | 0:53:36 | |
The Blankenheym Nolet green soda glass gin bottle. | 0:53:36 | 0:53:40 | |
Bids on the book, I've got ?20. | 0:53:40 | 0:53:44 | |
?20. Who's got 5? 25. | 0:53:44 | 0:53:45 | |
That's me out now at ?25. | 0:53:45 | 0:53:47 | |
I've got to go for 30 now. | 0:53:47 | 0:53:49 | |
Any more interest? Going to come in on the net now. | 0:53:49 | 0:53:51 | |
?25. | 0:53:51 | 0:53:52 | |
Interesting gin bottle, this is. ?25. | 0:53:52 | 0:53:54 | |
Come on, will him on, will him on. Come on. | 0:53:54 | 0:53:56 | |
25, fair warning. | 0:53:56 | 0:53:58 | |
GAVEL BANGS Oh! ?25. | 0:53:58 | 0:54:00 | |
Cheap! For nothing. | 0:54:00 | 0:54:02 | |
Well, ?25 hammer price means that you've lost 23. | 0:54:02 | 0:54:06 | |
I thought it would do better. | 0:54:06 | 0:54:07 | |
Yeah. All right. Not the end of the world. | 0:54:07 | 0:54:09 | |
We can claw it back, perhaps, with our senser. | 0:54:09 | 0:54:11 | |
20th century Chinese bronze senser, after the antique, | 0:54:11 | 0:54:14 | |
very nice quality. | 0:54:14 | 0:54:15 | |
?30 I have, ?30 I have. Who's got 5? 30. | 0:54:15 | 0:54:18 | |
35. I'm out now at ?35. 40 somewhere else? | 0:54:18 | 0:54:21 | |
It's ?35 here. Go on, go on, JP! | 0:54:21 | 0:54:23 | |
Come on, ?40. It's 35 here. | 0:54:23 | 0:54:24 | |
It's worth more than this. Come on, ?35. | 0:54:24 | 0:54:26 | |
Someone else go 40, where are you? Come on, 40. | 0:54:26 | 0:54:29 | |
Yes! Oh, gosh, he's got it on the left with 40. | 0:54:29 | 0:54:31 | |
It's just one at a time now. I'm working hard here. | 0:54:31 | 0:54:33 | |
One more bid, 45. | 0:54:33 | 0:54:35 | |
?40 it is, selling 40, then. It's on the left at ?40, fair warning. | 0:54:35 | 0:54:39 | |
GAVEL BANGS | 0:54:39 | 0:54:40 | |
That's all right. Marvellous! ?40 plus seven. | 0:54:40 | 0:54:43 | |
You needed that profit. | 0:54:43 | 0:54:44 | |
It means that you are still under, you're minus 16, | 0:54:44 | 0:54:46 | |
but we could claw it all back with our tobacco tin. | 0:54:46 | 0:54:49 | |
Let's see what happens. | 0:54:49 | 0:54:50 | |
A bronze tobacco box, 18th century, Dutch, nicely decorated. | 0:54:50 | 0:54:53 | |
Popular lot, this, well, my estimate's gone, anyway. | 0:54:53 | 0:54:56 | |
55, 75, 95. Yes! | 0:54:56 | 0:54:59 | |
?95 to start! 95. | 0:54:59 | 0:55:01 | |
I have to start at 110. | 0:55:01 | 0:55:03 | |
?110. Looking for 120. It's a nice example, this. | 0:55:03 | 0:55:05 | |
?110 with me. Surely it wants to go, one more bid? | 0:55:05 | 0:55:08 | |
Really well. It's ?110. | 0:55:08 | 0:55:10 | |
Internet's quiet now. Fair warning, I'm selling at ?110! | 0:55:10 | 0:55:14 | |
GAVEL BANGS | 0:55:14 | 0:55:15 | |
110! 110! | 0:55:15 | 0:55:17 | |
That means you've made a profit of ?40 on the tobacco tin, | 0:55:17 | 0:55:20 | |
your favourite item. | 0:55:20 | 0:55:21 | |
And, overall... And it's still cheap! | 0:55:21 | 0:55:23 | |
Yeah. You have a profit of ?24, can you believe it? There we go. | 0:55:23 | 0:55:26 | |
?24 overall! Marvellous. I'm so pleased for you. | 0:55:26 | 0:55:30 | |
But it doesn't stop there, because will you or will you not go with | 0:55:30 | 0:55:33 | |
David's bonus buy? | 0:55:33 | 0:55:34 | |
It's up to you, Simon! It's up to me? Well, you don't like it. | 0:55:34 | 0:55:37 | |
I think it might be a bit rich for 55, so, I think we'll say no. | 0:55:37 | 0:55:41 | |
Thank you very much... No, no. Thank you, guys, goodbye! | 0:55:41 | 0:55:44 | |
THEY LAUGH | 0:55:44 | 0:55:45 | |
Well, "goodbye" could be the word of the day, | 0:55:45 | 0:55:48 | |
because it could be a good buy or it could not. | 0:55:48 | 0:55:50 | |
Let's find out if you've made the right decision. | 0:55:50 | 0:55:52 | |
We have this painted metal Whitbread pale ale advertising figure | 0:55:52 | 0:55:54 | |
inscribed, "Good for him and good for you since 1742". | 0:55:54 | 0:55:59 | |
?25 on the book, at ?25. | 0:55:59 | 0:56:01 | |
25. 30 waving on my right, at 30. | 0:56:01 | 0:56:04 | |
Now, where's a fiver? Come on, one more bid. Go on! | 0:56:04 | 0:56:06 | |
30 on my right. We need several more bids. Come on, ?30! | 0:56:06 | 0:56:09 | |
Selling at 30, it's going on the right at ?30. | 0:56:09 | 0:56:12 | |
Last chance and selling, all done. | 0:56:12 | 0:56:13 | |
GAVEL BANGS | 0:56:13 | 0:56:15 | |
Boys, you made the right decision. It made ?30. | 0:56:15 | 0:56:18 | |
It would have been a loss of 25, and you would have been ?1 under! | 0:56:18 | 0:56:22 | |
Oh, there you go! Good decision. You are ?24 over. | 0:56:22 | 0:56:25 | |
I tell you what, that was a roller-coaster. | 0:56:25 | 0:56:28 | |
We got it. Very well done. | 0:56:28 | 0:56:29 | |
Finishing Bargain Hunt with folding money is no mean feat. | 0:56:29 | 0:56:32 | |
And, of course, it's not a lot of money, | 0:56:32 | 0:56:35 | |
but it could be a winning sum. Let's hope so. | 0:56:35 | 0:56:38 | |
Please don't say anything to the Reds, | 0:56:38 | 0:56:39 | |
we are just about to find out who won and who lost. | 0:56:39 | 0:56:42 | |
Well, here we are, Reds and Blues, it's crunch time. | 0:56:52 | 0:56:56 | |
I have some good news for both of you. | 0:56:56 | 0:56:58 | |
Both teams are in profit, OK! | 0:56:58 | 0:57:01 | |
THEY CHEER | 0:57:01 | 0:57:02 | |
I feel a little bit of a competitive edge. | 0:57:02 | 0:57:04 | |
THEY LAUGH | 0:57:04 | 0:57:06 | |
I wonder who came out in front. Let me tell you there's a tenner in it. | 0:57:06 | 0:57:08 | |
ALL: No! | 0:57:08 | 0:57:10 | |
And our runners-up today... | 0:57:11 | 0:57:13 | |
are the Reds! | 0:57:13 | 0:57:14 | |
THEY LAUGH | 0:57:14 | 0:57:17 | |
Look at these boys. | 0:57:17 | 0:57:18 | |
Let's turn to you, Reds. | 0:57:18 | 0:57:20 | |
It means so much! Don't, don't! | 0:57:20 | 0:57:22 | |
Mark and Vip, look at this man. You did really well, come on. | 0:57:22 | 0:57:26 | |
But you did enjoy yourselves | 0:57:26 | 0:57:27 | |
because you had great reactions during the auction. | 0:57:27 | 0:57:29 | |
Yes, it was our first auction and, actually, | 0:57:29 | 0:57:32 | |
very, very tense and exciting at the same time. | 0:57:32 | 0:57:34 | |
Yeah, that's the way to do it, in style, on Bargain Hunt. | 0:57:34 | 0:57:36 | |
Let me give you some money because I have a wee bit of folding, | 0:57:36 | 0:57:39 | |
?10. Lovely. | 0:57:39 | 0:57:40 | |
And then I have got four coins. So, split down the middle, | 0:57:40 | 0:57:44 | |
seven quid, a couple of pints? Yeah. | 0:57:44 | 0:57:45 | |
I suppose in London that's only one! | 0:57:45 | 0:57:47 | |
THEY LAUGH | 0:57:47 | 0:57:48 | |
But very well done! | 0:57:48 | 0:57:50 | |
Let's turn to our winners today, Simon and Steven. | 0:57:50 | 0:57:52 | |
Very well done. A tenner in it, as I said, and it's ?24 profit. | 0:57:52 | 0:57:56 | |
Let me hand over your money, because I have got two tens for you | 0:57:56 | 0:57:59 | |
and then, just like the boys, they had slightly more folding stuff, | 0:57:59 | 0:58:02 | |
sorry about that, we've got, oh, there we are, four coins. Excellent. | 0:58:02 | 0:58:05 | |
So, you had a great time? Lovely, yeah, fantastic. Yeah, fantastic. | 0:58:05 | 0:58:08 | |
Really good fun! Me too! | 0:58:08 | 0:58:10 | |
And if you want to learn more about Bargain Hunt, | 0:58:10 | 0:58:12 | |
why not visit our website or follow us on Twitter. | 0:58:12 | 0:58:15 | |
All the information you need is on your screen now. | 0:58:15 | 0:58:17 | |
But, better yet, join us next time for some more Bargain Hunting. Yes? | 0:58:17 | 0:58:21 | |
ALL: Yes! | 0:58:21 | 0:58:23 | |
Princess Diana's been killed in a car crash. | 0:58:52 | 0:58:54 | |
The tragedy that affected so many of us... | 0:58:54 | 0:58:56 |