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Line | From | To | |
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1642 to 1648. | 0:00:03 | 0:00:06 | |
Civil war rages throughout England, | 0:00:06 | 0:00:09 | |
and castles, just like this one here in Newark, | 0:00:09 | 0:00:12 | |
come under constant siege. | 0:00:12 | 0:00:14 | |
It can feel like that on Bargain Hunt | 0:00:14 | 0:00:16 | |
when the teams battle it out to win the biggest profit. | 0:00:16 | 0:00:19 | |
So, let combat commence. | 0:00:19 | 0:00:22 | |
So, let's arm ourselves and go bargain-hunting! | 0:00:22 | 0:00:24 | |
So, no Roundheads or Cavaliers here today, just two teams, | 0:00:47 | 0:00:51 | |
each armed with £300. | 0:00:51 | 0:00:53 | |
And the winning team will be the one that makes the biggest profit, | 0:00:53 | 0:00:56 | |
or, of course, makes the smallest loss, which can sometimes happen. | 0:00:56 | 0:01:01 | |
So, let's see what's coming up. | 0:01:01 | 0:01:03 | |
The Reds have expensive tastes... | 0:01:03 | 0:01:05 | |
-I'm asking £1,200. -Well, there we go. | 0:01:05 | 0:01:08 | |
..whilst the Blues have lower standards. | 0:01:08 | 0:01:10 | |
-What do you think? -I have no idea. | 0:01:10 | 0:01:13 | |
It looks nice. I'll go with it. | 0:01:13 | 0:01:15 | |
The auctioneer pulls out all the stops for the Reds... | 0:01:15 | 0:01:18 | |
I'm asking 15, 18, 22, 25. | 0:01:18 | 0:01:20 | |
He's doing all he can for you. | 0:01:20 | 0:01:23 | |
..and has the Blues in suspense. | 0:01:23 | 0:01:25 | |
Come on. Come on, madam. | 0:01:25 | 0:01:27 | |
Yes! | 0:01:29 | 0:01:32 | |
Before all that, let's meet the teams. | 0:01:32 | 0:01:35 | |
Now, for today's show, we have two young married couples. | 0:01:36 | 0:01:40 | |
For the Red team, we have Stuart and Anna-Marie, | 0:01:40 | 0:01:43 | |
and for the Blue team, we have Dan and Camilla. | 0:01:43 | 0:01:45 | |
-Hello, everyone. -Hello! | 0:01:45 | 0:01:47 | |
Ooh! A deafening sound! | 0:01:47 | 0:01:49 | |
Now, Stuart, you have a slightly different life nowadays to | 0:01:49 | 0:01:53 | |
-your former job, don't you? -That's correct. | 0:01:53 | 0:01:55 | |
I'm a mechanical engineer now, | 0:01:55 | 0:01:57 | |
but I was in the Royal Marines for ten years. | 0:01:57 | 0:02:01 | |
And I run military-style boot camps, | 0:02:01 | 0:02:04 | |
also, and survival schools, in my spare time. | 0:02:04 | 0:02:07 | |
-Now, you're a teacher, aren't you? -I am. -Yeah? | 0:02:07 | 0:02:10 | |
-A primary school teacher. -A primary school... But that's taken you | 0:02:10 | 0:02:13 | |
all round the world, Anna-Marie, hasn't it? | 0:02:13 | 0:02:15 | |
It has. I've been to South Africa, Cambodia, | 0:02:15 | 0:02:18 | |
and Palestine in Jerusalem, as well. | 0:02:18 | 0:02:20 | |
Really? That must have been quite challenging? | 0:02:20 | 0:02:23 | |
It really was, yeah. It was much more difficult | 0:02:23 | 0:02:25 | |
than I actually thought it would be. | 0:02:25 | 0:02:27 | |
-Really? -But I did really enjoy it. | 0:02:27 | 0:02:28 | |
Are you going to spend big or small? | 0:02:28 | 0:02:31 | |
I'd like to say big, but I think we'll go middle of the park. | 0:02:31 | 0:02:34 | |
Now, moving swiftly on to this wonderful Blue team, | 0:02:34 | 0:02:37 | |
our musicians, here on the left. | 0:02:37 | 0:02:39 | |
Now, Daniel, you're from the Potteries, aren't you? | 0:02:39 | 0:02:42 | |
I'm from Telford, around that area. | 0:02:42 | 0:02:44 | |
We live in Stoke on Trent, at the moment. | 0:02:44 | 0:02:47 | |
-And, Camilla, you come from Brazil? -Yeah, I do. | 0:02:47 | 0:02:49 | |
So, Dan, how did that happen? How did you meet? | 0:02:49 | 0:02:52 | |
We met in Brazil. My band went on tour for two weeks in 2009, | 0:02:52 | 0:02:56 | |
so we were on a two-week sell-out tour. | 0:02:56 | 0:02:58 | |
I was talking to Cam | 0:02:58 | 0:03:01 | |
probably a month beforehand, online. | 0:03:01 | 0:03:03 | |
And she met us at the airport, with the fans as well. And that's it. | 0:03:03 | 0:03:06 | |
-She came on tour with us. -The fans? You have fans? | 0:03:06 | 0:03:09 | |
-Yeah, we had fans waiting. -How exciting. | 0:03:09 | 0:03:11 | |
Yeah, it was awesome. We had fans waiting for us at the airport. | 0:03:11 | 0:03:14 | |
-What's the band called? -Waiting For Hollywood, | 0:03:14 | 0:03:16 | |
but the last band that I was in is Hill Valley High. | 0:03:16 | 0:03:19 | |
Hill Valley High, now Waiting For Hollywood. | 0:03:19 | 0:03:21 | |
-Now, you're also a musician, aren't you? -Yes, I am. | 0:03:21 | 0:03:24 | |
-But you are... -I play the bass. | 0:03:24 | 0:03:27 | |
-..right-handed or left-handed? -Right-handed. | 0:03:27 | 0:03:29 | |
When you're not doing this sort of thing, | 0:03:29 | 0:03:31 | |
-how do you relax? -Doing this. | 0:03:31 | 0:03:33 | |
-That? -Yes. -You're a photographer? | 0:03:33 | 0:03:35 | |
I love photography. | 0:03:35 | 0:03:37 | |
I did media in college, | 0:03:37 | 0:03:39 | |
so we learned how to take pictures, | 0:03:39 | 0:03:42 | |
develop them, and I love that, so when I'm doing this, I'm doing that. | 0:03:42 | 0:03:46 | |
So, have you discussed tactics for today? | 0:03:46 | 0:03:48 | |
Are you going to be spending big? Small? | 0:03:48 | 0:03:51 | |
-Big. -Middle. | 0:03:51 | 0:03:53 | |
Instant harmony. We love that. | 0:03:53 | 0:03:55 | |
Fantastic. Well, good luck today. | 0:03:55 | 0:03:58 | |
Good luck, both of you. | 0:03:58 | 0:04:00 | |
-Now, Reds. £300 for you. -Thank you. | 0:04:00 | 0:04:02 | |
Blues, just to be strictly fair about this, £300 for you. | 0:04:02 | 0:04:07 | |
-Thank you. -Off you go. Have a great time. | 0:04:07 | 0:04:10 | |
I think this could be really quite exciting. | 0:04:10 | 0:04:14 | |
And, as usual, we have a brace of experts on hand today, | 0:04:14 | 0:04:17 | |
guiding two teams, not one. | 0:04:17 | 0:04:19 | |
The Red team have the out-of-this-world Ben Cooper. | 0:04:20 | 0:04:24 | |
And for the Blues, computer says, "Yes," Natasha Raskin. | 0:04:24 | 0:04:29 | |
So, are you going to be going for the same kind of stuff? Tell me. | 0:04:33 | 0:04:36 | |
No, I don't think so. | 0:04:36 | 0:04:37 | |
I'm thinking small, something quirky, something unique. | 0:04:37 | 0:04:40 | |
What on earth are we looking for today? Dan? | 0:04:40 | 0:04:42 | |
-Anything, hopefully, music-related. -Music-related? OK. | 0:04:42 | 0:04:45 | |
-And Camilla, anything in particular? -I'll say exactly the same. | 0:04:45 | 0:04:48 | |
I'm looking for something silver. | 0:04:48 | 0:04:50 | |
-Maybe a teapot. -A bit sparkly? -A bit sparkly. | 0:04:50 | 0:04:53 | |
Well, teams. Your 60 minutes starts now, | 0:04:54 | 0:04:57 | |
so let's go! | 0:04:57 | 0:04:59 | |
And as a bass player, you're going to keep us in time? Is that right? | 0:05:00 | 0:05:03 | |
-I will try my best. -Well, time is of the essence | 0:05:03 | 0:05:06 | |
so let's not mess around. | 0:05:06 | 0:05:09 | |
-There's two violins. -Violins? | 0:05:09 | 0:05:11 | |
-I knew you'd like that. -It's a toy, isn't it? | 0:05:11 | 0:05:13 | |
-It's just a wooden toy. -No, that's rubbish. | 0:05:13 | 0:05:15 | |
You don't like it? Right, OK. Walk on. | 0:05:15 | 0:05:18 | |
Ooh! Speak your mind, Anna-Marie! | 0:05:18 | 0:05:20 | |
Here's a thing. You've got banjo barometers. | 0:05:20 | 0:05:22 | |
Nothing to do with actual musical instruments, but banjo-shaped. | 0:05:22 | 0:05:26 | |
-That doesn't appeal? -Hmm. | 0:05:26 | 0:05:28 | |
I'm trying to look for, like, metals, and stuff, you know? | 0:05:28 | 0:05:32 | |
Things made solid and sturdy. | 0:05:32 | 0:05:35 | |
What's this one, here? | 0:05:35 | 0:05:36 | |
Is that just a doorstop? | 0:05:36 | 0:05:38 | |
-Well, that's an iron. -No. That's not for us, Stu. | 0:05:38 | 0:05:42 | |
It needs to be a more precious metal, I think. | 0:05:42 | 0:05:45 | |
There's a kind of musical thing over there. | 0:05:45 | 0:05:47 | |
The deck, there, with the record player, | 0:05:47 | 0:05:49 | |
and the radio system. | 0:05:49 | 0:05:51 | |
-Probably not that one. What do you think? -Carry on. | 0:05:51 | 0:05:54 | |
-Too ugly. Too ugly. -I think so. | 0:05:54 | 0:05:56 | |
OK, teams. Slow down a bit and reflect. | 0:05:56 | 0:05:59 | |
A hairbrush and mirror set? | 0:05:59 | 0:06:01 | |
-I like this. -Is it silver? -Yeah, that's silver. | 0:06:01 | 0:06:03 | |
And it would have been part of a full set. | 0:06:03 | 0:06:05 | |
Originally, when it was first made, there would have been | 0:06:05 | 0:06:07 | |
a couple of brushes, and the mirror. | 0:06:07 | 0:06:09 | |
That's a clothes brush. You'd have also had your hairbrush. | 0:06:09 | 0:06:12 | |
There would have been lots of other parts to it. | 0:06:12 | 0:06:14 | |
Now, what's nice here is that it looks | 0:06:14 | 0:06:16 | |
in wonderful condition, the silver. | 0:06:16 | 0:06:18 | |
Very clear hallmark on the side for Birmingham. | 0:06:18 | 0:06:21 | |
I'd have thought it's around about 1910. | 0:06:21 | 0:06:23 | |
Well, it's silver and it's sparkly, so, I like it. | 0:06:23 | 0:06:27 | |
-Shall we have a look at it? -Yes, please. -Yeah? | 0:06:27 | 0:06:29 | |
We'd like to have a look at the... Yeah. | 0:06:29 | 0:06:33 | |
-Oh, look. -Thank you. | 0:06:33 | 0:06:35 | |
-Thank you. -Thank you. | 0:06:35 | 0:06:38 | |
There you go. | 0:06:38 | 0:06:39 | |
What you can see is that the brush | 0:06:39 | 0:06:41 | |
has got slightly overzealously cleaned, | 0:06:41 | 0:06:44 | |
but it's the mirror which has the main part of the value. | 0:06:44 | 0:06:47 | |
You can see that the actual mirror plate itself is in good condition. | 0:06:47 | 0:06:51 | |
Yeah. Do you want to make an offer on it? | 0:06:51 | 0:06:54 | |
-Yeah. Let's go for it. -Yeah? | 0:06:54 | 0:06:56 | |
-What is your bottom... er...bottom? -£48. | 0:06:56 | 0:06:58 | |
£48? | 0:06:58 | 0:07:01 | |
-Could you go £40? -£45? | 0:07:01 | 0:07:04 | |
-Can we go for that, then? Fantastic. -There you go. | 0:07:04 | 0:07:06 | |
That's your first one done very quickly. Marvellous. | 0:07:06 | 0:07:09 | |
Thank you very much. | 0:07:09 | 0:07:10 | |
Ten minutes gone, one item bagged. | 0:07:10 | 0:07:13 | |
Don't worry, Stuart. | 0:07:13 | 0:07:14 | |
I'm sure Anna-Marie will let you choose the next one. | 0:07:14 | 0:07:17 | |
Now, the Blues have gone back to their childhood. | 0:07:17 | 0:07:20 | |
I know we're thinking music, but I bet that Dan | 0:07:20 | 0:07:22 | |
and I have a shared sort of memory of these kinds of desks at school. | 0:07:22 | 0:07:25 | |
And in Brazil, is this the sort of thing you would see at school? | 0:07:25 | 0:07:28 | |
-I've never seen that before. -You've never seen that before? | 0:07:28 | 0:07:31 | |
But it sounds interesting. | 0:07:31 | 0:07:33 | |
-Do you want to each take a hinge? -Yeah. Yeah. | 0:07:33 | 0:07:34 | |
See if there are any hidden treasures? | 0:07:34 | 0:07:37 | |
I mean, it looks quite good, doesn't it? | 0:07:37 | 0:07:40 | |
-A little bit of graffiti. -Oh, look. People wrote things. | 0:07:40 | 0:07:42 | |
"Dan loves Cam." That sort of thing. | 0:07:42 | 0:07:45 | |
This was my desk! | 0:07:45 | 0:07:48 | |
It's not going to be a huge auction estimate. | 0:07:48 | 0:07:50 | |
But it would be 20-40 quid. | 0:07:50 | 0:07:51 | |
So, if we could try and buy it for around that £20 mark, | 0:07:51 | 0:07:54 | |
I think we'd be doing really well. | 0:07:54 | 0:07:55 | |
But at auction, old furniture is tricky to sell. | 0:07:55 | 0:07:58 | |
But vintage furniture is sort of hot right now. | 0:07:58 | 0:08:01 | |
-Want to have a try, yeah? -You want to do it? You want to take the lead? | 0:08:01 | 0:08:04 | |
-Yeah. I'm going to take the lead. -OK. Lead singer. Take it away. | 0:08:04 | 0:08:07 | |
-OK, let's do it. Let's do it. -What's your best offer on the little desk? | 0:08:07 | 0:08:11 | |
We've got £30 on it. I'd take £25 for it. | 0:08:13 | 0:08:16 | |
Do you think...? | 0:08:17 | 0:08:19 | |
-I think £25 is very cheap. -£25 is cheap. | 0:08:19 | 0:08:21 | |
-I was thinking £12.50 a half. -That's some good pitch. | 0:08:21 | 0:08:26 | |
-Can we make a tenner each side and make it £20? -Go on, then. | 0:08:26 | 0:08:30 | |
-That's all right, isn't it? I think you should grab his hand. -Thank you. | 0:08:30 | 0:08:34 | |
That is well done. Let's carry on. Thank you, sir. | 0:08:34 | 0:08:38 | |
Well, it's not exactly musical, but they can see a profit in it. | 0:08:38 | 0:08:41 | |
Over with the Reds, and Stuart's found something right up his street. | 0:08:43 | 0:08:47 | |
I have no idea what that is. | 0:08:47 | 0:08:49 | |
Let me help you. | 0:08:49 | 0:08:51 | |
It's a surveyor's tool for measuring levels. | 0:08:51 | 0:08:54 | |
Probably would've had a stand, so it'd stand on something. | 0:08:54 | 0:08:56 | |
You'd normally have another man stood 100 metres away with | 0:08:56 | 0:08:59 | |
a marker, and then you would look through the eyepiece | 0:08:59 | 0:09:02 | |
and you'd have to size up until you get the correct | 0:09:02 | 0:09:04 | |
angle to work out your height in triangulation. | 0:09:04 | 0:09:07 | |
Now, I know, Anna, you're a teacher | 0:09:07 | 0:09:09 | |
but I think Stuart's now giving us a good lesson. | 0:09:09 | 0:09:12 | |
-This would be sort of late Victorian. -It is, yeah. It is. | 0:09:12 | 0:09:15 | |
And on the side, here, there's this beautiful copperplate script. | 0:09:15 | 0:09:21 | |
"Stanley, Great Turnstile, | 0:09:21 | 0:09:24 | |
"Holborn, London." | 0:09:24 | 0:09:25 | |
-This is a wonderful thing. -I like it. | 0:09:25 | 0:09:28 | |
I mean, there's lots of information also inside here. | 0:09:28 | 0:09:31 | |
Obviously, you get the company, as well. So this is the box it came in. | 0:09:31 | 0:09:34 | |
And it's in lovely, original condition. Anna? | 0:09:34 | 0:09:36 | |
Come on. Tell us, what are you feeling? | 0:09:36 | 0:09:39 | |
I'm not sure, actually, Stu. | 0:09:41 | 0:09:43 | |
Really? | 0:09:43 | 0:09:45 | |
It's your choice. It's your choice. | 0:09:45 | 0:09:47 | |
I think it's a nice piece. I think it's a good box. | 0:09:47 | 0:09:50 | |
And for the age, as well. I mean, looking on it, | 0:09:50 | 0:09:52 | |
I think it's got markings for... | 0:09:52 | 0:09:55 | |
-..1926. -1926? | 0:09:55 | 0:09:57 | |
Yep. And that was when it was repaired and adjusted. | 0:09:57 | 0:10:00 | |
So, it was sent back to Stanley. | 0:10:00 | 0:10:01 | |
You can see how they've changed their label. | 0:10:01 | 0:10:04 | |
They've modernised their design. | 0:10:04 | 0:10:05 | |
It's lovely to still have its original, fitted box. | 0:10:05 | 0:10:08 | |
£145 on it, which is not a lot of money | 0:10:08 | 0:10:12 | |
-for a wonderful bit of kit. -I wouldn't spend £140 on this. | 0:10:12 | 0:10:16 | |
I, personally, if I was buying this for myself, I would. | 0:10:16 | 0:10:19 | |
-How long have you two been married? -You're not buying it for yourself. | 0:10:19 | 0:10:22 | |
-Three months. -Three months? Marvellous, marvellous. | 0:10:22 | 0:10:24 | |
We'll find a divorce lawyer in a minute. | 0:10:24 | 0:10:26 | |
I think we should keep looking but I want to keep this | 0:10:26 | 0:10:28 | |
-on the back burner. -On your back burner? -Yeah. | 0:10:28 | 0:10:30 | |
-The absolute best price would be £120. -£120. OK. | 0:10:30 | 0:10:34 | |
OK, teams. Half an hour gone. | 0:10:34 | 0:10:36 | |
So, might I suggest you step up the pace? | 0:10:36 | 0:10:40 | |
That is a nice thing, isn't it? | 0:10:40 | 0:10:42 | |
For ten quid. Oh. For goodness' sake. Well, it was a lovely thing. | 0:10:42 | 0:10:47 | |
I mean, you've got two tier. | 0:10:47 | 0:10:48 | |
When it's closed, it looks like a nice occasional table. | 0:10:48 | 0:10:51 | |
It's a sewing box inside. | 0:10:51 | 0:10:53 | |
You open it up and you've got all the compartments. | 0:10:53 | 0:10:55 | |
I don't think we should go for another piece of furniture. | 0:10:55 | 0:10:58 | |
-I think we should have a look for something else. -Yeah? -Yes. | 0:10:58 | 0:11:02 | |
Good plan, Blues. I like your thinking. | 0:11:02 | 0:11:04 | |
Now, where are those Reds? | 0:11:04 | 0:11:06 | |
They also have two more items to buy. Things are getting desperate. | 0:11:06 | 0:11:10 | |
-How much have you got on the Japanese lacquer? -I'm asking 1,200. | 0:11:10 | 0:11:13 | |
Well, there we go. | 0:11:13 | 0:11:15 | |
Price wise, at the other end of the scale, | 0:11:15 | 0:11:17 | |
the Blues have found some bookends. | 0:11:17 | 0:11:20 | |
It says damaged, hence the price. | 0:11:20 | 0:11:22 | |
I think that our damage might be, if I pass that to you... | 0:11:22 | 0:11:25 | |
I think our damage might be this section here. You can see that? | 0:11:25 | 0:11:28 | |
-It's glued, yes. -So it's come right off. | 0:11:28 | 0:11:30 | |
But actually, it's been quite a clean break | 0:11:30 | 0:11:32 | |
and it could be quite easily repaired. Yeah. | 0:11:32 | 0:11:35 | |
-Is Art Deco something that you're into? -Yeah, I like it. | 0:11:35 | 0:11:39 | |
-What do you think? -I've no idea. | 0:11:39 | 0:11:42 | |
-It looks nice, I'll go with it. -I'm quite keen on these, actually. | 0:11:42 | 0:11:45 | |
-Me too. Me too. -Very defined in structure. | 0:11:45 | 0:11:49 | |
And then we've got some sort of gilded metal here. | 0:11:49 | 0:11:52 | |
It's likely to be a spelter base, so not a fine precious metal, | 0:11:52 | 0:11:56 | |
but certainly a composite metal that we can easily mould. | 0:11:56 | 0:12:00 | |
-I mean, £22, so if we can get between 10 and 15... -OK. | 0:12:00 | 0:12:04 | |
..then we're doing all right. Go for it, girl. | 0:12:04 | 0:12:07 | |
Hi. What's the best you can do for that? | 0:12:07 | 0:12:10 | |
-It's broken, I mean... -It is damaged, yes. | 0:12:10 | 0:12:13 | |
And considering the damage, I'll do those for £15. | 0:12:13 | 0:12:16 | |
-OK, best is 15. -What do you think? -I'm happy with 15. | 0:12:16 | 0:12:19 | |
-Can't really go wrong with £15. -Yeah. -Nope. | 0:12:19 | 0:12:21 | |
-I think we should go for it. -Thank you very much. -Thank you. | 0:12:21 | 0:12:25 | |
Come on, guys. Ten minutes left and one to buy. | 0:12:25 | 0:12:28 | |
And, Reds, you still have two. | 0:12:28 | 0:12:30 | |
Come on, kids. We need to buy something. | 0:12:30 | 0:12:33 | |
-Yeah, I like this. -You like that? -That's nice. | 0:12:33 | 0:12:36 | |
Satsuma ware, it's Japanese. | 0:12:36 | 0:12:38 | |
Date wise, around about 1910. | 0:12:38 | 0:12:42 | |
You've got a mark on the bottom. | 0:12:42 | 0:12:44 | |
That could well be the artist and it's not one I recognise. | 0:12:44 | 0:12:47 | |
The gilding's good. | 0:12:47 | 0:12:49 | |
We're short of time. Shall we just ask how much it is quickly? | 0:12:49 | 0:12:52 | |
-£60. -50? | 0:12:52 | 0:12:54 | |
-60. -60. | 0:12:54 | 0:12:57 | |
-That's more than what I thought, actually. -Can you manage 40? | 0:12:57 | 0:13:01 | |
No. 50. | 0:13:01 | 0:13:05 | |
45? | 0:13:05 | 0:13:06 | |
-OK, 45. Yes. -OK. | 0:13:06 | 0:13:09 | |
-Do you think? -Yes. -That was nice and quick. | 0:13:09 | 0:13:11 | |
Crack on, then! | 0:13:11 | 0:13:13 | |
One to go, with just a few minutes left. | 0:13:13 | 0:13:16 | |
Back to you as a photographer. | 0:13:16 | 0:13:18 | |
Is there anything here jumping out to you? | 0:13:18 | 0:13:20 | |
-I like that one. -That's chic, isn't it? -That looks really cool. | 0:13:20 | 0:13:23 | |
-So, collapsible lens, but also portable. -Yes. -That's quite cool. | 0:13:23 | 0:13:26 | |
-Shall we have a closer look? -Yeah, let's have a look. -OK. | 0:13:26 | 0:13:29 | |
So, we've got its model there, Kodak 66, Model 3. | 0:13:29 | 0:13:32 | |
-Wow. -It's got its case, which is nice. | 0:13:32 | 0:13:35 | |
What do we think about the price? What have we got here? | 0:13:35 | 0:13:38 | |
So £28. We've got folding camera, Kodak 66. | 0:13:38 | 0:13:41 | |
-Let's try, shall we? -Who's going to do that? | 0:13:41 | 0:13:43 | |
-With you being a photographer... -How about a joint effort? -Yeah. | 0:13:43 | 0:13:46 | |
-Yeah, let's try both. -Husband and wife together. -Marital arguments... | 0:13:46 | 0:13:50 | |
-I think I'll leave you to it. -..aside. | 0:13:50 | 0:13:52 | |
-As low as you can. -OK. | 0:13:52 | 0:13:54 | |
Make it snappy though, Blues. | 0:13:54 | 0:13:56 | |
The Reds have gone for their fall back plan of the surveyor's | 0:13:56 | 0:13:59 | |
level, which they haggled down to £120 earlier. | 0:13:59 | 0:14:02 | |
We are £10 over what we can. Do you think you could drop another £10? | 0:14:04 | 0:14:09 | |
Honestly, I couldn't. | 0:14:09 | 0:14:11 | |
-120 is the absolute... -120 is the absolute death on that. | 0:14:11 | 0:14:14 | |
That is a face which is telling the truth. | 0:14:14 | 0:14:17 | |
Honestly, 120 would be the absolute best. | 0:14:17 | 0:14:20 | |
-Stuart. -Yeah, I think we'd like to go ahead and purchase it. -Fantastic. | 0:14:20 | 0:14:24 | |
-Thank you very much. -Thank you. -Well, there we go. -All done. | 0:14:24 | 0:14:28 | |
That's three items done, we've got | 0:14:28 | 0:14:29 | |
about three minutes left, not even time for an ice cream. | 0:14:29 | 0:14:32 | |
Did you hear that, Blues? Three minutes! | 0:14:32 | 0:14:35 | |
What's the best offer that you can do on this? | 0:14:35 | 0:14:39 | |
I've got it marked 28, but you can have it for 20. | 0:14:39 | 0:14:42 | |
18? | 0:14:42 | 0:14:44 | |
Yeah, go on... OK, go on, then. | 0:14:44 | 0:14:46 | |
-18 quid. Are you happy to shake on that? -Yes. -Yes. -OK. | 0:14:46 | 0:14:49 | |
-Fantastic, thank you. -Thank you very much. -Thank you. | 0:14:49 | 0:14:52 | |
Stop! | 0:14:52 | 0:14:53 | |
Your time is up! | 0:14:53 | 0:14:55 | |
Let's go and get a cup of tea. | 0:14:55 | 0:14:56 | |
I don't know about you, but I need a sit down. Come on now. | 0:14:56 | 0:14:59 | |
It's now time to sell. | 0:14:59 | 0:15:01 | |
Today, our teams' lots are going before the bidders of Derbyshire | 0:15:01 | 0:15:04 | |
at Hansons Auctioneers in Etwall. | 0:15:04 | 0:15:06 | |
But first, let's remind ourselves what the Red team have bought. | 0:15:06 | 0:15:11 | |
First up was the Georgian silverback mirror and brush for £45. | 0:15:11 | 0:15:15 | |
Next was the early 20th century Japanese satsuma sugar | 0:15:17 | 0:15:21 | |
bowl for another £45. | 0:15:21 | 0:15:24 | |
Finally, the boxed Stanley surveying sight and level was bought for £120. | 0:15:25 | 0:15:30 | |
-How much did you leave him with? -£90. | 0:15:33 | 0:15:35 | |
£90. Did you feel happy leaving him with £90? | 0:15:35 | 0:15:38 | |
No, I wanted to leave him less. | 0:15:38 | 0:15:41 | |
Ben, were you happy to have £90? | 0:15:41 | 0:15:43 | |
-Well, it was enough to go out and buy something interesting. -Yep. | 0:15:43 | 0:15:46 | |
But I also decided that I had to go and find something which I think | 0:15:46 | 0:15:50 | |
Anna-Marie will go, "Ooh!" | 0:15:50 | 0:15:53 | |
-Anna-Marie, no pressure, but let's have a look. -Right. | 0:15:53 | 0:15:57 | |
Ooh! | 0:15:57 | 0:15:58 | |
LAUGHTER You see?! | 0:15:58 | 0:16:01 | |
While we were going around, I spotted this. | 0:16:01 | 0:16:03 | |
I mean, it's a kettle. So, it's got the burner. | 0:16:03 | 0:16:05 | |
It's in good condition. | 0:16:05 | 0:16:07 | |
It's a bit yesterday's antique, in one respect, but then again, | 0:16:07 | 0:16:10 | |
these used to be well over £100. | 0:16:10 | 0:16:13 | |
-150. -They were. What is it, about 1900? | 0:16:13 | 0:16:15 | |
-I'd have thought so. 1890-1900, yeah. -Yeah. | 0:16:15 | 0:16:18 | |
You know, there's room for a bit of profit, I hope. | 0:16:18 | 0:16:22 | |
What do you reckon I paid for it? | 0:16:22 | 0:16:24 | |
-What do you think? I think...45? -No. -50? -Maybe a bit more. | 0:16:24 | 0:16:28 | |
-50. -50. -Mm. -Not bad. Happy with that? | 0:16:28 | 0:16:32 | |
-Yeah, I think so. -Yeah. -That wasn't unqualified, was it?! | 0:16:32 | 0:16:37 | |
-It's silver plated. -What do you think it could make? | 0:16:37 | 0:16:40 | |
It could squeeze up to 60-65. | 0:16:40 | 0:16:43 | |
You don't seem too sure, Reds. But not to worry, decide later. | 0:16:43 | 0:16:47 | |
Now for the Blues. | 0:16:47 | 0:16:49 | |
They chalked up the wooden double school desk for £20. | 0:16:50 | 0:16:54 | |
Next, they fawned over the Art Deco bookends, paying £15 for the pair. | 0:16:56 | 0:17:01 | |
In the dying seconds, they purchased the folding Kodak camera for £18. | 0:17:03 | 0:17:08 | |
You left Natasha with £247! | 0:17:09 | 0:17:14 | |
Is that not a dangerous tactic?! | 0:17:14 | 0:17:17 | |
What do you think, Natasha? | 0:17:17 | 0:17:18 | |
Well, I was quite excited to have all that money. | 0:17:18 | 0:17:21 | |
I fact, it is probably the largest amount | 0:17:21 | 0:17:23 | |
of leftover lolly I have ever been left, so I thought, | 0:17:23 | 0:17:27 | |
"Now is my opportunity to spend." | 0:17:27 | 0:17:29 | |
And spend, I did, on... | 0:17:29 | 0:17:32 | |
-Oh! -..our favourite little work table. | 0:17:32 | 0:17:35 | |
Do you remember it? | 0:17:35 | 0:17:36 | |
-Yes, I do, yeah. -Let me reveal the interior to you again. | 0:17:36 | 0:17:39 | |
-Oh! -See, it just glides... -Oh! -..so beautifully... -Gosh. | 0:17:39 | 0:17:45 | |
..to reveal all sorts of bobbins and things. | 0:17:45 | 0:17:48 | |
It comes with some accessories. I actually couldn't believe | 0:17:48 | 0:17:52 | |
-how much I spent on it. -Yeah. | 0:17:52 | 0:17:55 | |
£8. | 0:17:55 | 0:17:56 | |
LAUGHTER | 0:17:56 | 0:17:57 | |
You know what's a nice thing? When we looked at this, I thought, | 0:17:57 | 0:18:01 | |
"Oh, well, 19, maybe, '50s, '60s." I think, in hindsight, | 0:18:01 | 0:18:04 | |
-probably a wee bit earlier. -It's earlier. If we said 1940, | 0:18:04 | 0:18:07 | |
I don't think we'd be far off. | 0:18:07 | 0:18:08 | |
It could do with a wee French polish on the wood. | 0:18:08 | 0:18:10 | |
I'm not sure - mahogany, walnut. It's a good-quality thing, anyway. | 0:18:10 | 0:18:13 | |
And the design of tapering legs, it just never goes out of fashion. | 0:18:13 | 0:18:17 | |
How much do you think we are going to make with this at auction? | 0:18:17 | 0:18:20 | |
A pretty penny. We cannot fail to make a profit on this. | 0:18:20 | 0:18:23 | |
Confident words. But will Natasha be right? | 0:18:23 | 0:18:27 | |
It's now time to sell. Charles Hanson, take it away! | 0:18:27 | 0:18:31 | |
-Stuart and Anna-Marie. Have you been to a sale before? -No. -No. | 0:18:31 | 0:18:34 | |
-Never been to an auction? -No. -Oh, how exciting is that?! | 0:18:34 | 0:18:38 | |
We've got a good full room, which does help. | 0:18:38 | 0:18:40 | |
And we've got a good buzz. | 0:18:40 | 0:18:41 | |
Here comes your matching mirror and brush. | 0:18:41 | 0:18:44 | |
Very finely-embossed hand mirror and matching brush. | 0:18:44 | 0:18:48 | |
I am only bid £12. | 0:18:48 | 0:18:50 | |
I am asking 15, 18, 20, 22. 5. | 0:18:50 | 0:18:53 | |
25, madam? 25, in pink. | 0:18:53 | 0:18:55 | |
I have got 8. Bid 30. Bid 30. | 0:18:55 | 0:18:58 | |
I'm out. 30, I'm bid. Do I see 2 now? £30. Surely 2? | 0:18:58 | 0:19:01 | |
Surely 2? | 0:19:01 | 0:19:03 | |
Come on! Fair warning... | 0:19:03 | 0:19:06 | |
2, 5. | 0:19:06 | 0:19:07 | |
-35. -He's doing all he can for you! -Yes! -Come on! | 0:19:07 | 0:19:11 | |
Bid 40... | 0:19:11 | 0:19:13 | |
..or I sell it. That's it. Out online, | 0:19:14 | 0:19:16 | |
at £38. All done. | 0:19:16 | 0:19:19 | |
Well. Minus £7. People have done a lot worse with their first lots. | 0:19:20 | 0:19:26 | |
Historically, I would say that is something of a triumph. | 0:19:26 | 0:19:30 | |
Now, we have the Satsuma pottery twin-handled sucrier and cover. | 0:19:30 | 0:19:33 | |
I am only bid...£12. | 0:19:33 | 0:19:36 | |
-I am asking £15. -£12?! -15, 18, 20. | 0:19:36 | 0:19:39 | |
£20. 22, 25. | 0:19:39 | 0:19:41 | |
I'm out. Come on, it's a good object this. | 0:19:41 | 0:19:44 | |
Full of Eastern vigour. 25. | 0:19:44 | 0:19:46 | |
Surely 8? | 0:19:46 | 0:19:48 | |
I sell to the lady. That's it. | 0:19:48 | 0:19:50 | |
-He's begging! -25. Going once...going twice... | 0:19:50 | 0:19:53 | |
-At £25. -25. | 0:19:53 | 0:19:55 | |
That's minus 20. | 0:19:56 | 0:19:57 | |
So, we are down 27, but now, we've got | 0:19:57 | 0:20:00 | |
the Stanley surveying sight and level. | 0:20:00 | 0:20:03 | |
Look at this. It is a really good object. 40, I'm bid. Do I see 5 now? | 0:20:03 | 0:20:08 | |
40, I'm bid. Surely 5? | 0:20:08 | 0:20:09 | |
50, 5, 60, 5, 70, 5. How about 85. Do I see 2? | 0:20:09 | 0:20:14 | |
Got to go. Fair warning. Bid me 2. | 0:20:14 | 0:20:16 | |
-80. -By commission. I'll take 2. | 0:20:16 | 0:20:19 | |
For the first time... I'll take 2. Good object. | 0:20:19 | 0:20:23 | |
-We're only losing £40(!) -I'm out. Surely, a fiver? | 0:20:23 | 0:20:25 | |
Good object. Make no mistake. | 0:20:25 | 0:20:29 | |
We're live in the saleroom. Fair warning. | 0:20:29 | 0:20:31 | |
At £82. | 0:20:31 | 0:20:33 | |
£82. Goodness me. | 0:20:35 | 0:20:36 | |
That means you have lost £65. | 0:20:36 | 0:20:39 | |
Now, you have this big choice. | 0:20:39 | 0:20:42 | |
Do you go with Ben's super | 0:20:42 | 0:20:44 | |
bonus buy, the electro-plated kettle on a stand? He paid £50 for it. | 0:20:44 | 0:20:50 | |
-Yep. -OK. -You're going with the bonus buy? You have confidence | 0:20:50 | 0:20:54 | |
-in this man? -No, I think it's desperation! | 0:20:54 | 0:20:56 | |
There we are. This wonderful kettle. 57. Late Victorian, | 0:20:58 | 0:21:02 | |
could be Edwardian, just. | 0:21:02 | 0:21:04 | |
And I am bid here only £10. | 0:21:04 | 0:21:07 | |
Oh, no! £10. | 0:21:07 | 0:21:09 | |
12, 15, 18, 20, 2. | 0:21:09 | 0:21:11 | |
I'm out. Look at this object. At £22. Surely a fiver now? At 22. | 0:21:11 | 0:21:16 | |
At 22. Surely 5? | 0:21:16 | 0:21:18 | |
-It's a lot for the money. -Are you sure, sir? 25. Bid 8 | 0:21:18 | 0:21:22 | |
or I sell to the lady seated. Fair warning. I am asking 8 | 0:21:22 | 0:21:26 | |
or I sell, at £25. | 0:21:26 | 0:21:30 | |
-That's it. -GAVEL BANGS | 0:21:30 | 0:21:32 | |
Well, that's a loss of 25. | 0:21:32 | 0:21:33 | |
That rounds you up to a very neat minus 90. | 0:21:33 | 0:21:37 | |
Now, don't worry. 90 can be a winning score | 0:21:37 | 0:21:41 | |
and, remember, not a word to the Blues. | 0:21:41 | 0:21:45 | |
-Have you seen the auctioneer? -Yeah. -He's a performer. Like yourselves, | 0:21:52 | 0:21:55 | |
he is a performer. Like Natasha. She's a performer. | 0:21:55 | 0:21:59 | |
This is the moment. | 0:21:59 | 0:22:00 | |
We can't put it off any more. We're coming up, with the school desk. | 0:22:00 | 0:22:04 | |
A wooden double school pine desk, | 0:22:04 | 0:22:08 | |
with inkwell, recesses and a hinged writing surface. | 0:22:08 | 0:22:11 | |
Where do we start this? | 0:22:11 | 0:22:13 | |
£10. Just look at this desk. 10, 12, 15, 18, 20, 22. | 0:22:13 | 0:22:18 | |
25. Are you sure, madam? 25, and it's gone. 28. | 0:22:18 | 0:22:23 | |
30. Are you sure, madam? Not one for the road? | 0:22:23 | 0:22:26 | |
I'm asking 30. 5. It's a cracking desk. 35. | 0:22:26 | 0:22:30 | |
Are you sure? | 0:22:30 | 0:22:32 | |
Make a memory. | 0:22:32 | 0:22:34 | |
-I've got 30. I'll take 5, standing. -Look at him go! -40. | 0:22:34 | 0:22:38 | |
-Ooh! -Bid now 40 or I sell to the lady who is standing, | 0:22:38 | 0:22:42 | |
at £35. Madam, well done. | 0:22:42 | 0:22:45 | |
It's yours. | 0:22:45 | 0:22:46 | |
Plus £15! | 0:22:46 | 0:22:47 | |
What a solid start! | 0:22:49 | 0:22:50 | |
-Feels good. -Bookends coming up next. | 0:22:50 | 0:22:52 | |
Art Deco-style bookends. I am only bid £10. I am asking 12 now. | 0:22:52 | 0:22:57 | |
They're charming. 12, 15, 18. I'm out. 18 bid. | 0:22:57 | 0:23:00 | |
I'm asking 20 now. Come on, they're charming. | 0:23:00 | 0:23:02 | |
18. 20 bid online. We're live online. | 0:23:02 | 0:23:04 | |
Online! You are positively printing money, Camilla! | 0:23:04 | 0:23:08 | |
£28. I'm asking 30 online. For the first time... | 0:23:08 | 0:23:12 | |
Bid 30. For the second time... Bid 30. | 0:23:12 | 0:23:15 | |
There's another man bidding down there, look! He's waving like mad! | 0:23:15 | 0:23:18 | |
I'll take 2, Lenny. 32. 35 down here. 35. 38. | 0:23:18 | 0:23:22 | |
Are you sure? | 0:23:22 | 0:23:24 | |
£35. All done? | 0:23:24 | 0:23:26 | |
Sing it, Charlie. Well done! | 0:23:26 | 0:23:29 | |
£35. It's another £20. You've got | 0:23:29 | 0:23:33 | |
£35 profit. This is very consistent work, team. | 0:23:33 | 0:23:37 | |
Now, we are coming up with the Kodak camera. | 0:23:37 | 0:23:39 | |
1958, the last folding camera. | 0:23:39 | 0:23:42 | |
Start me at £5. 5, I'm bid. | 0:23:42 | 0:23:45 | |
Do I see 6 now? At a fiver. | 0:23:45 | 0:23:47 | |
6, 7. 7, I'm bid. I'm asking 8 now. | 0:23:47 | 0:23:50 | |
Good camera, this. 7, 8, 9. | 0:23:50 | 0:23:52 | |
Come on! 8, I'm bid. 9, 10, 12. £12. | 0:23:52 | 0:23:55 | |
Come on, it's a good camera. | 0:23:55 | 0:23:56 | |
-It's cheap. 12, 15, 18. -Come on! | 0:23:56 | 0:23:58 | |
-£18. -Come on! We need 18! -Come on, madam! 18, 20. -Yes! | 0:23:58 | 0:24:02 | |
£20. I'll take 2 or I sell it. | 0:24:02 | 0:24:05 | |
That's it. 22, 25, 28. | 0:24:05 | 0:24:08 | |
28. 25, I sell to the lady. | 0:24:08 | 0:24:10 | |
It's yours, madam. | 0:24:10 | 0:24:12 | |
It's extraordinary! | 0:24:12 | 0:24:14 | |
It's amazing! | 0:24:14 | 0:24:16 | |
£7 for the camera. | 0:24:16 | 0:24:18 | |
You've got £42, | 0:24:18 | 0:24:21 | |
so you've got a decision to make, because the bonus buy is coming up. | 0:24:21 | 0:24:24 | |
It's the walnut work table. | 0:24:24 | 0:24:28 | |
-What do you think? -I think we should go for it. | 0:24:28 | 0:24:30 | |
-Go for it? -Yeah, I think so. -Yeah. | 0:24:30 | 0:24:32 | |
-Let's go for it. -Here we go. -A very good washed work table. 12, I'm bid. | 0:24:32 | 0:24:36 | |
Do I see 15? 18, 20. 20, I'm out. | 0:24:36 | 0:24:39 | |
I'm asking 2 now. Come on! At 22. | 0:24:39 | 0:24:42 | |
5. This is a good object. | 0:24:42 | 0:24:44 | |
Let's hold at 25? 28. | 0:24:44 | 0:24:45 | |
30. | 0:24:45 | 0:24:47 | |
2... 5... | 0:24:47 | 0:24:50 | |
I'm asking 5 now. | 0:24:50 | 0:24:51 | |
Fair warning! I shall sell it. | 0:24:51 | 0:24:53 | |
Bid 5 or I sell to you, sir, | 0:24:53 | 0:24:56 | |
at £32. Well done, sir. It's yours. | 0:24:56 | 0:24:59 | |
Guys, this is so good! | 0:25:00 | 0:25:02 | |
24 plus. | 0:25:02 | 0:25:05 | |
£66! | 0:25:05 | 0:25:07 | |
Clickety-click! | 0:25:07 | 0:25:10 | |
And the £66 was a winning score, | 0:25:10 | 0:25:14 | |
and with Golden Gavels on top. | 0:25:14 | 0:25:16 | |
Well done, Blues! | 0:25:16 | 0:25:17 | |
Coming up, two more teams battling it out at the fair and auction. | 0:25:18 | 0:25:22 | |
-Will they be up for a challenge? -What are they? -They're dumps. | 0:25:22 | 0:25:25 | |
-Dumps! -They're called dumps. | 0:25:25 | 0:25:27 | |
Meanwhile, I'm off to Burton for a beverage. | 0:25:27 | 0:25:29 | |
Famous the world over, | 0:25:35 | 0:25:37 | |
the great British pub is an unique institution. | 0:25:37 | 0:25:42 | |
However, the concept of a drinking venue was first | 0:25:42 | 0:25:45 | |
introduced by the Romans some 2,000 years ago. | 0:25:45 | 0:25:48 | |
Now, the Romans called these drinking venues tabernae and they | 0:25:50 | 0:25:54 | |
were built for the Roman army at a time when ale was the local brew. | 0:25:54 | 0:25:58 | |
The tabernae became tavern, which became pub, | 0:25:59 | 0:26:03 | |
a place with which we're very familiar today. | 0:26:03 | 0:26:06 | |
# Another little drink and another little drink | 0:26:06 | 0:26:09 | |
# Another little drink won't do us any harm... # | 0:26:09 | 0:26:12 | |
And of course, it's the pub that's home to the humble pint. | 0:26:12 | 0:26:15 | |
I'm here to meet Des McGonigle at the National Brewery Museum | 0:26:16 | 0:26:20 | |
in Burton upon Trent. | 0:26:20 | 0:26:22 | |
Des, you're the head guide here. | 0:26:22 | 0:26:24 | |
Tell me more about beer production in Burton upon Trent. | 0:26:24 | 0:26:27 | |
By the 1880s, we had 30 breweries in Burton upon Trent. | 0:26:27 | 0:26:31 | |
Bass, William Bass, has got his first brewery in 1777. | 0:26:31 | 0:26:35 | |
Within 100 years, it's one of the biggest | 0:26:35 | 0:26:37 | |
brewers in the world, producing over one million barrels of beer a year. | 0:26:37 | 0:26:41 | |
-A million barrels. -A million barrels of beer a year. | 0:26:41 | 0:26:43 | |
How was all the beer distributed to the pubs? | 0:26:43 | 0:26:46 | |
By horses, mostly Shire horses. | 0:26:46 | 0:26:49 | |
They would also use Clydesdales and Suffolks as well. | 0:26:49 | 0:26:52 | |
So, bigger horses, bigger wagons, smaller horses, smaller wagons. | 0:26:52 | 0:26:55 | |
-Yeah. And they were called drays? -Drays, yes. | 0:26:55 | 0:26:58 | |
-Could we have a look at a dray? -Of course you can. | 0:26:58 | 0:27:00 | |
-There's one over there waiting for us. -Thank you. | 0:27:00 | 0:27:03 | |
Just how important were these drays to the brewery? | 0:27:09 | 0:27:12 | |
The drays were really important, | 0:27:12 | 0:27:13 | |
not just for actually delivering the beer to the local pubs, | 0:27:13 | 0:27:16 | |
but also for use within the brewery yards to transport material from | 0:27:16 | 0:27:20 | |
one side of the yard to the other, | 0:27:20 | 0:27:21 | |
-but also from different breweries. -Yeah, yeah. | 0:27:21 | 0:27:24 | |
And when were horses superseded by a different sort of horsepower? | 0:27:24 | 0:27:28 | |
The big decline came after the First World War. | 0:27:28 | 0:27:30 | |
A number of horses were taken off obviously to serve | 0:27:30 | 0:27:34 | |
in the First World War and by about 1919, Bass had 120 horses left. | 0:27:34 | 0:27:38 | |
By this time, a lot of movement within the brewery yards was | 0:27:38 | 0:27:42 | |
-done by tractors. -Yes. | 0:27:42 | 0:27:44 | |
And then some of the wagons were used to deliver beer, | 0:27:44 | 0:27:46 | |
also tractors were used to pull them around. | 0:27:46 | 0:27:49 | |
The last Bass horse was a horse called Monty. | 0:27:49 | 0:27:53 | |
He actually died in the 1960s, | 0:27:53 | 0:27:54 | |
but his last working day was in the '50s. | 0:27:54 | 0:27:57 | |
-In the '50s, as late as that? -Yes. -Yeah. | 0:27:57 | 0:28:00 | |
So, Des, can you talk me through these two vehicles behind? | 0:28:00 | 0:28:03 | |
The vehicle to the left is a Leyland Beaver. | 0:28:03 | 0:28:06 | |
It was built in 1949, belonged Mitchell and Butler's brewery, | 0:28:06 | 0:28:08 | |
at Cape Hill in Birmingham, and that vehicle is roadworthy today. | 0:28:08 | 0:28:12 | |
ALE 1, which is the correct numberplate for that vehicle... | 0:28:12 | 0:28:15 | |
It's a real numberplate? | 0:28:15 | 0:28:17 | |
Yeah, we use this one daily | 0:28:17 | 0:28:18 | |
and that is basically based on a Ford Transit van. | 0:28:18 | 0:28:21 | |
Looks like a Model T Ford, not a Ford Transit. | 0:28:21 | 0:28:24 | |
Inside, sometimes we have a bar put in, | 0:28:24 | 0:28:26 | |
so we put the hatch down, have some beers in there. | 0:28:26 | 0:28:29 | |
Well, I don't know if you can arrange this, | 0:28:29 | 0:28:31 | |
but could I have a lift, please? | 0:28:31 | 0:28:33 | |
-Course you can. -Thank you. -Barry, off you go. -Ooh! | 0:28:33 | 0:28:37 | |
Quite exciting! | 0:28:37 | 0:28:39 | |
Yes, I'm off to the Newark and Nottinghamshire Showground | 0:28:39 | 0:28:42 | |
where another set of teams are waiting for me. | 0:28:42 | 0:28:44 | |
The Reds are game for a laugh... | 0:28:46 | 0:28:48 | |
-How's the action? -Let's have a look and see. Is he going to score there? | 0:28:48 | 0:28:51 | |
Oh, yes! | 0:28:51 | 0:28:52 | |
...whilst the Blues hit a bum note. | 0:28:54 | 0:28:55 | |
Also known as...the bum nut. | 0:28:55 | 0:28:58 | |
Oh, of course, yes! | 0:28:58 | 0:28:59 | |
-When you turn it over... -Look at them cheeks! | 0:28:59 | 0:29:02 | |
Now for today's programme, we have two pairs of great friends. | 0:29:04 | 0:29:09 | |
For the Red team, we have Marianne and Pat. | 0:29:09 | 0:29:12 | |
And for the Blue team, we have Liz and Jane. Hello, all of you. | 0:29:12 | 0:29:15 | |
-ALL: -Hello! -Oh, my goodness gracious me, that was positively deafening. | 0:29:15 | 0:29:20 | |
-Now Pat, you're a retired teacher? -Yes. | 0:29:20 | 0:29:23 | |
-What age group did you teach? -Well, I taught every age group. | 0:29:23 | 0:29:27 | |
-I started off in the primary sector. -Yeah? | 0:29:27 | 0:29:30 | |
I went on to teach teachers in IT | 0:29:30 | 0:29:32 | |
in the early days of IT. | 0:29:32 | 0:29:34 | |
I taught in secondary school as well. | 0:29:34 | 0:29:36 | |
Goodness gracious me. So, you really have an amazing CV. | 0:29:36 | 0:29:40 | |
-Now, Marianne, you also taught as well, didn't you? -I did, yes. | 0:29:40 | 0:29:44 | |
I went into teaching quite late on in life. | 0:29:44 | 0:29:47 | |
-Well, recently, I went to university when I was about 45. -Did you? -Yes. | 0:29:47 | 0:29:51 | |
-A mature student? -A very mature student. | 0:29:51 | 0:29:54 | |
And I had some wonderful years training. | 0:29:54 | 0:29:56 | |
Now you're also something of an action girl, aren't you? | 0:29:56 | 0:29:58 | |
Well, I do like doing lots of things in the fresh air | 0:29:58 | 0:30:02 | |
and in the outdoors. | 0:30:02 | 0:30:03 | |
And, um... | 0:30:03 | 0:30:05 | |
After my husband died, I wanted to start doing things off my own bat. | 0:30:05 | 0:30:10 | |
-Yeah. -And I decided that the first thing I would do would be | 0:30:10 | 0:30:14 | |
to cycle from John O'Groats to Land's End. | 0:30:14 | 0:30:17 | |
How long did it take you? | 0:30:17 | 0:30:18 | |
It was about two weeks. | 0:30:18 | 0:30:20 | |
I think that's phenomenal! SHE LAUGHS | 0:30:20 | 0:30:23 | |
Now when it comes to the nitty-gritty, to the shopping, | 0:30:23 | 0:30:25 | |
are you going to be spending enormous | 0:30:25 | 0:30:27 | |
-or just in miserable little bits? -I'd like to think enormous. | 0:30:27 | 0:30:30 | |
I don't often get the opportunity to go and spend enormous like that. | 0:30:30 | 0:30:33 | |
Well, I'm going to be giving you a lot of money | 0:30:33 | 0:30:35 | |
and make sure you spend it. | 0:30:35 | 0:30:36 | |
Now, Elizabeth and Jane. | 0:30:36 | 0:30:38 | |
Elizabeth, it was your husbands, I think, | 0:30:38 | 0:30:40 | |
that brought you together, wasn't it? | 0:30:40 | 0:30:42 | |
That's right, they both belong to the same running club. | 0:30:42 | 0:30:44 | |
So, we used to turn up to support, do a bit of coat holding. | 0:30:44 | 0:30:47 | |
Then they moved on to cycling so we trundled along to the cycling. | 0:30:47 | 0:30:51 | |
So we started having coffee and cake while they were out and... | 0:30:51 | 0:30:54 | |
-They did the running and cycling and you did the coffee and cake? -Yeah. | 0:30:54 | 0:30:59 | |
-Sounds my sort of exercise. -I think we got a better deal, yeah. | 0:30:59 | 0:31:01 | |
Now, Liz, you're not a cycling widow any more | 0:31:01 | 0:31:03 | |
because you cycle yourself, don't you? | 0:31:03 | 0:31:05 | |
Yeah, I ride the back half of a tandem. | 0:31:05 | 0:31:07 | |
Now, Jane, you're a school cook, aren't you? | 0:31:07 | 0:31:09 | |
Which must mean you're a busy girl. | 0:31:09 | 0:31:11 | |
I am. Every day, term time, I cook for about 500 children. | 0:31:11 | 0:31:17 | |
Goodness me. | 0:31:17 | 0:31:18 | |
And you also like a bit of kitchenalia, don't you? As well. | 0:31:18 | 0:31:20 | |
-Yeah, bits and pieces. -Do you just collect them or do you use them? | 0:31:20 | 0:31:23 | |
No, I just like looking at them. | 0:31:23 | 0:31:25 | |
-Would you be looking for those sort of things today? -Well, maybe. | 0:31:25 | 0:31:27 | |
-But you're going to have fun, aren't you? -Of course we are! | 0:31:27 | 0:31:30 | |
-You're going to enjoy it, everyone? -Indeed. | 0:31:30 | 0:31:32 | |
-Now, girls, I've got 300 of the best for you. -Thank you. | 0:31:32 | 0:31:35 | |
-300 of the best for you. -Oh, thank you. -Off you go. -Thank you! | 0:31:35 | 0:31:40 | |
These girls are going to have a lot of fun. | 0:31:40 | 0:31:42 | |
Right, girls. We're here so have you got any idea what you'd like to buy? | 0:31:45 | 0:31:48 | |
I'd quite like something small and silver. | 0:31:48 | 0:31:50 | |
But truly, as long as we beat the Reds, I'm not really bothered. | 0:31:50 | 0:31:54 | |
I do like Victorian jewellery. | 0:31:54 | 0:31:56 | |
Well, if she's going small and silver, | 0:31:56 | 0:31:59 | |
-I'm going to go big and rusty. -DEEP GROWL | 0:31:59 | 0:32:01 | |
Your 60 minutes starts straight away. | 0:32:01 | 0:32:04 | |
Shop! KLAXON HOOTS | 0:32:04 | 0:32:06 | |
Let's not waste any time. Let's go, let's go. | 0:32:06 | 0:32:09 | |
Let's head off and see what we can buy. | 0:32:09 | 0:32:11 | |
OK, Jane's straight in. No, she's not. She's out. | 0:32:13 | 0:32:15 | |
-Well, it's just... -She's in, she's out. | 0:32:15 | 0:32:17 | |
Well, our girls are raring to go today. | 0:32:17 | 0:32:20 | |
Use your eyes and see what talks to you. | 0:32:20 | 0:32:22 | |
-Shame about the chandeliers! -Oh! | 0:32:24 | 0:32:26 | |
-Got to think profit at auction. -Yes. | 0:32:28 | 0:32:31 | |
That's the general idea, Ben. | 0:32:31 | 0:32:33 | |
-Two cabinets. -Something that talked to me at this stall. | 0:32:37 | 0:32:39 | |
The bagatelle has caught my eye | 0:32:39 | 0:32:41 | |
and it's probably just childhood memories of playing it. | 0:32:41 | 0:32:44 | |
-Would you like to have a closer look? -That would be lovely. -Right. | 0:32:44 | 0:32:48 | |
So...now there we go. | 0:32:48 | 0:32:50 | |
-Yeah, it's quite good condition, isn't it? -Yes, yes. | 0:32:51 | 0:32:54 | |
It's in lovely condition. And you slide back here. | 0:32:54 | 0:32:57 | |
-So you can sit there and... -Yeah. -How's the action? -Right. | 0:32:57 | 0:33:01 | |
There's a question! | 0:33:01 | 0:33:03 | |
Let's have a look and see. Is he going to score there? | 0:33:03 | 0:33:07 | |
-Oh! Yes! -40! Yeah! -HE LAUGHS | 0:33:07 | 0:33:10 | |
-Well done. -Why don't we...? -Can I feel? | 0:33:10 | 0:33:12 | |
-It's like a leather surface. -Yeah, and it's... | 0:33:12 | 0:33:15 | |
obviously the original covering. | 0:33:15 | 0:33:17 | |
-Because of the way you've got the numbers on. -Yeah. | 0:33:17 | 0:33:19 | |
-The one I used to play with was all wood. -Yeah. | 0:33:19 | 0:33:22 | |
-Shall we ask the gent what he's got on it? -Yes, please. Yes. | 0:33:22 | 0:33:26 | |
Hi, there, can you tell us what have you got on it? | 0:33:26 | 0:33:28 | |
-£25. -£25? | 0:33:28 | 0:33:31 | |
Now, what do you think, girls? | 0:33:31 | 0:33:32 | |
What's your best price? | 0:33:32 | 0:33:34 | |
Oh, I can do £20. | 0:33:34 | 0:33:36 | |
-What do you think? -Well, put it this way. | 0:33:36 | 0:33:40 | |
-At £20, you're not going to lose an awful lot. -Mm-hm. | 0:33:40 | 0:33:43 | |
-I wouldn't say you're going to make an awful lot. -No. | 0:33:43 | 0:33:46 | |
But at the same time, it's quite nice you're both agreeing. | 0:33:46 | 0:33:48 | |
BOTH LAUGH | 0:33:48 | 0:33:50 | |
You end up with absolutely no agreement. | 0:33:51 | 0:33:53 | |
-It's up to you, girls. -Yeah, go for it, shall we? | 0:33:53 | 0:33:56 | |
-Do you want to go with it? -Yes, I'm very happy. | 0:33:56 | 0:33:58 | |
-You better shake the gent's hand, then. -A really nice price. | 0:33:58 | 0:34:01 | |
-Thank you! -Thank you so much. -Thank you. -And thank you! | 0:34:01 | 0:34:04 | |
That's all right. Thank you. Well, that was all a bit quick. | 0:34:04 | 0:34:08 | |
We're only a couple of minutes down, we've got at least 50 minutes to go. | 0:34:08 | 0:34:12 | |
We've got two more things to buy. | 0:34:12 | 0:34:13 | |
-We've got plenty of money to play with. -Bye-bye! | 0:34:13 | 0:34:16 | |
Have they bagged a bargain with the bagatelle? Only time will tell. | 0:34:17 | 0:34:22 | |
Anyway, well done, Reds. That's your first buy. | 0:34:22 | 0:34:25 | |
What have you clocked? | 0:34:25 | 0:34:26 | |
-The big seed pod. -Oh, the seed pod. Also known as...? | 0:34:26 | 0:34:30 | |
-No, it's a coco... -Coco de mer. Also know as...? | 0:34:30 | 0:34:34 | |
-I don't know the other name for it. -The bum nut. | 0:34:34 | 0:34:37 | |
-Ha-ha! -Oh, of course, yes! -Because... -When you turn it over. | 0:34:37 | 0:34:40 | |
-Look at them cheeks! -SHE LAUGHS | 0:34:40 | 0:34:42 | |
So good, is it not? I mean, it's a little bit naughty looking. | 0:34:42 | 0:34:45 | |
And they grow in the Seychelles. | 0:34:45 | 0:34:47 | |
That's the only place from which they originate. | 0:34:47 | 0:34:49 | |
They fall off the tree and they float on the water. | 0:34:49 | 0:34:51 | |
So, quite often, sailors would pluck these out of the water | 0:34:51 | 0:34:54 | |
and they would carve intricate tea caddies and all sorts out of them. | 0:34:54 | 0:34:58 | |
This one here has become a kind of basket of sorts, hasn't it, | 0:34:58 | 0:35:00 | |
with the handle? But still, it's been quite nicely worked. | 0:35:00 | 0:35:04 | |
-Now... -There's no price. | 0:35:04 | 0:35:05 | |
There is no price on it and we need to find out what it's worth. | 0:35:05 | 0:35:08 | |
-£140. -£140 and that's the absolute death? -£140? -Yeah. | 0:35:08 | 0:35:13 | |
I would say at auction, | 0:35:13 | 0:35:14 | |
because of the way it's been worked, probably... | 0:35:14 | 0:35:16 | |
It's not going to get that. | 0:35:16 | 0:35:18 | |
..we'll be talking about £80-120, £70-90, something like that. | 0:35:18 | 0:35:21 | |
-But £140... -No. -I don't know, do you want to splash that much cash? | 0:35:21 | 0:35:25 | |
-No. -No? -No. | 0:35:25 | 0:35:28 | |
Well, you certainly have an eye for finding quality, Blues. | 0:35:28 | 0:35:30 | |
Whilst the Reds have an eye for something else. | 0:35:30 | 0:35:33 | |
-BOTH LAUGH -Calm down, calm down. | 0:35:33 | 0:35:36 | |
I don't want it but... it caught my eye! | 0:35:36 | 0:35:40 | |
Hmm, matron! Just move on, Ben. | 0:35:40 | 0:35:43 | |
Going straight to the back room. | 0:35:43 | 0:35:44 | |
OK, Liz. You're in like Flynn. Show me what you're looking at. | 0:35:45 | 0:35:48 | |
I really like that little heart-shaped perfume bottle. | 0:35:48 | 0:35:51 | |
-I think it's really attractive. -Very attractive, isn't it? | 0:35:51 | 0:35:54 | |
And what's handy is that our stall holder has put the date on it, | 0:35:54 | 0:35:57 | |
so we are literally turn of the century, | 0:35:57 | 0:35:59 | |
first year of the 20th century. | 0:35:59 | 0:36:01 | |
We're 1900, we're marked in Birmingham. | 0:36:01 | 0:36:04 | |
So, it's a big major assay office but it also has | 0:36:04 | 0:36:07 | |
-quite a hefty price tag. -It does have a hefty price tag. | 0:36:07 | 0:36:09 | |
I've got expensive tastes! | 0:36:09 | 0:36:11 | |
Well, I'm sure you've been told that before. | 0:36:11 | 0:36:13 | |
Another pricey item! Time for a rethink, perhaps? | 0:36:13 | 0:36:18 | |
-Well, that brooch is quite nice. -I like that. | 0:36:19 | 0:36:21 | |
-It's not a gold one. -Oh, right. | 0:36:21 | 0:36:23 | |
And what is the cost of that then? | 0:36:23 | 0:36:25 | |
-Well, the best on that will be £90. -Do you mind if I have a look? | 0:36:25 | 0:36:28 | |
-I do rather like that, Marianne. -Yes, I do as well. | 0:36:30 | 0:36:32 | |
This is, I would have thought, is around about 1860, 1850 in date? | 0:36:32 | 0:36:36 | |
I agree. | 0:36:36 | 0:36:38 | |
What's useful with earlier jewellery like this, | 0:36:38 | 0:36:40 | |
you feel the weight of it. | 0:36:40 | 0:36:42 | |
-It actually is quite lightweight. -Oh, yes! | 0:36:42 | 0:36:45 | |
-Which means it can be worn on modern fabrics. -Yeah. | 0:36:45 | 0:36:47 | |
So it is a very wearable piece. | 0:36:47 | 0:36:50 | |
-So it could be worn either way, couldn't it? -Yeah. | 0:36:50 | 0:36:52 | |
-And it also could be put onto a pendant, even. -Yeah. -Yeah... | 0:36:52 | 0:36:56 | |
I mean, I don't know... | 0:36:56 | 0:36:58 | |
I mean, are the stones... | 0:36:58 | 0:36:59 | |
They're just paste, are they? I would have thought. | 0:36:59 | 0:37:02 | |
This would look lovely on something dark, wouldn't it? | 0:37:02 | 0:37:04 | |
-I go to sort of things... -And when it's... | 0:37:04 | 0:37:06 | |
-It looks nice on there. -It looks very nice on you. | 0:37:06 | 0:37:09 | |
-It would look a bit odd. I mean, it does look... -It suits you. | 0:37:09 | 0:37:11 | |
-Does it? -It looks beautiful. -It brings out my eyes? -Yes, it does! | 0:37:11 | 0:37:14 | |
-I mean, the lady has already quoted us £90. -Right. | 0:37:14 | 0:37:17 | |
She might be able to do a little bit more. We can have a... | 0:37:17 | 0:37:20 | |
I mean, is there any chance you can do any better for us? | 0:37:20 | 0:37:22 | |
We'll do it for £80. There is a ticket price of a hundred and... | 0:37:22 | 0:37:26 | |
-£135 on it. -Oh, I didn't see that. -130, yes! Yes! | 0:37:26 | 0:37:29 | |
-Well, at £80, I think the lady is being... -Very reasonable. | 0:37:29 | 0:37:32 | |
-..very fair. -I can't... -So what are you thinking, girls? | 0:37:32 | 0:37:36 | |
-So is it a yes? -Yes. -Yes. -Would you like to shake the lady's hand? | 0:37:36 | 0:37:39 | |
-Indeed! Thank you so much. -Thank you so much. | 0:37:39 | 0:37:42 | |
Thank you for the information. | 0:37:42 | 0:37:43 | |
I say, ladies. That's two buys in 25 minutes, | 0:37:43 | 0:37:46 | |
which is more than can be said for our Blues | 0:37:46 | 0:37:48 | |
who haven't bought a single thing. | 0:37:48 | 0:37:50 | |
So, they're talking tactics. | 0:37:50 | 0:37:52 | |
It's quite expensive in here. We should perhaps go back outside. | 0:37:53 | 0:37:56 | |
Shall we give Natasha a call? | 0:37:56 | 0:37:57 | |
-Natasha? -Yes. | 0:37:57 | 0:37:59 | |
-We're going back outside. We think it's a bit too much. -Back outside? | 0:37:59 | 0:38:02 | |
-Too expensive? -Yeah. | 0:38:02 | 0:38:04 | |
We all like a plan, especially a good one. | 0:38:04 | 0:38:07 | |
-The clock! -Don't look at the boxes, they're too expensive. | 0:38:07 | 0:38:09 | |
Don't look at the boxes, get out. Thank you! | 0:38:09 | 0:38:11 | |
-They're worth it but they're too expensive. -They're so cute. | 0:38:11 | 0:38:14 | |
Will you stop stopping? | 0:38:14 | 0:38:15 | |
Yes, focus, ladies. | 0:38:15 | 0:38:17 | |
You guys are going to fall out, are you? | 0:38:17 | 0:38:19 | |
They may not fall out but they may run out of time. | 0:38:19 | 0:38:22 | |
Lead the way, Natasha. | 0:38:22 | 0:38:23 | |
We don't even have one thing under our belt. | 0:38:23 | 0:38:25 | |
-We don't have anything! -We don't have anything. -Right. | 0:38:25 | 0:38:28 | |
Maybe we could appeal to the gentleman. | 0:38:28 | 0:38:29 | |
-Is there anything interesting that we're missing? -The decanter. | 0:38:29 | 0:38:32 | |
The silver collar. It's pretty chic, isn't it? | 0:38:32 | 0:38:34 | |
OK, let's have a little look. | 0:38:34 | 0:38:36 | |
I mean, that's got a serious weight to it | 0:38:36 | 0:38:38 | |
so we're talking lead crystal here. | 0:38:38 | 0:38:40 | |
OK, not so scary. | 0:38:40 | 0:38:41 | |
I'm not so scared of your price tag. Do we have a hallmark on it? | 0:38:41 | 0:38:44 | |
-Oh, we do. Mappin & Webb. -Oh, that's really... | 0:38:44 | 0:38:46 | |
So we have here a designer decanter. 1937. | 0:38:46 | 0:38:50 | |
OK, so we are in that sort of mid-war period. | 0:38:50 | 0:38:54 | |
It's 1937, we've got a beautiful piece of cut glass here | 0:38:54 | 0:38:58 | |
which no doubt would have been on display on the mantelpiece | 0:38:58 | 0:39:01 | |
because this is not a piece to hide. | 0:39:01 | 0:39:04 | |
Mappin & Webb is a piece to display and to show your wealth. | 0:39:04 | 0:39:08 | |
-And it is lovely, isn't it? It's super attractive. -It's beautiful. | 0:39:08 | 0:39:11 | |
-So, it's marked up at £95. -£95. And the best you can do, sir, is? | 0:39:11 | 0:39:16 | |
I'll do it for 80. | 0:39:16 | 0:39:18 | |
Let me tell you, I reckon auction estimate for this | 0:39:18 | 0:39:21 | |
-is going to be 60 to 80, 50 to 70. -Go on, then, Natasha. | 0:39:21 | 0:39:24 | |
-It's sort of all the money at £80. -Yeah. We'll go for it. | 0:39:24 | 0:39:26 | |
-You're quite happy to go for it? -We're happy! | 0:39:26 | 0:39:28 | |
Yeah, we'll go for it, we'll feel happier when we've got something | 0:39:28 | 0:39:31 | |
-under our belts. -OK. It's risky but you're keen? | 0:39:31 | 0:39:33 | |
-Yeah, we'll risk it. -Yeah. -OK. -We'll risk it for a Swisskit. | 0:39:33 | 0:39:36 | |
Well, I would say shake the gentleman's hand. | 0:39:36 | 0:39:38 | |
Thank you very much. So I'll put that back down there. | 0:39:38 | 0:39:41 | |
They'll keep it aside for us. And thank you ever so much, bye-bye. | 0:39:41 | 0:39:45 | |
Oh, at last! But that's only your first item, Blues. | 0:39:45 | 0:39:49 | |
You need to get a move on. | 0:39:49 | 0:39:51 | |
You have another two to find and time is ticking. | 0:39:51 | 0:39:54 | |
-43 minutes gone. -No! -No! -Probably... | 0:39:54 | 0:39:58 | |
ALL LAUGH | 0:39:58 | 0:39:59 | |
Probably 44 by the end of that "no"! | 0:39:59 | 0:40:02 | |
It's all a little bit frantic though, isn't it? | 0:40:03 | 0:40:06 | |
-That's quite cool, isn't it? The baby's sort of pen. -Yeah. | 0:40:07 | 0:40:10 | |
Does that... Do you hate that? | 0:40:10 | 0:40:11 | |
You hate that, OK. | 0:40:11 | 0:40:13 | |
Nice try though, Natasha. | 0:40:14 | 0:40:16 | |
At long last, the Blues have got their hands on something - | 0:40:16 | 0:40:19 | |
a tea caddy marked up at £42. | 0:40:19 | 0:40:23 | |
Here's a sarcophagus-shaped box. | 0:40:23 | 0:40:25 | |
Let's have a look inside. | 0:40:25 | 0:40:26 | |
We've got silk lining but we don't have any compartments. | 0:40:26 | 0:40:30 | |
Little bit of staining, French polish would sort that out. | 0:40:30 | 0:40:33 | |
Let's have a little look. | 0:40:33 | 0:40:34 | |
We've got nice cross-banding across the front. | 0:40:34 | 0:40:37 | |
We've got a nice, clean brass escutcheon. | 0:40:37 | 0:40:39 | |
-That's all there, no problem. We've got bun feet. -Four bun feet. | 0:40:39 | 0:40:42 | |
We've got four of them, they're all there. Yes! | 0:40:42 | 0:40:45 | |
It's veneered wood and you can see it's quite crudely done. | 0:40:45 | 0:40:49 | |
But I think that if we take this to our stallholder, plead with him | 0:40:49 | 0:40:53 | |
-and say... -Greatly. | 0:40:53 | 0:40:54 | |
-.."Kind sir, we want this for less than half price." -Yes. | 0:40:54 | 0:40:58 | |
-"It's in a bad way and so are we." -Yeah. | 0:40:58 | 0:41:00 | |
-"Give it to us for 20 quid, no more." -Go for it, Jane! | 0:41:00 | 0:41:02 | |
-I was going £15? -Go for it. -Go for it, Jane! | 0:41:02 | 0:41:05 | |
Jane, take the lead. | 0:41:05 | 0:41:06 | |
Don't come back here without that box! | 0:41:06 | 0:41:08 | |
-How do you think she's going to get on? -She's going to do it. | 0:41:08 | 0:41:11 | |
She's going to come out of that really well. | 0:41:11 | 0:41:14 | |
That's the spirit, Blues! | 0:41:14 | 0:41:16 | |
What kind of a face is that? You're hard to read, Jane. | 0:41:16 | 0:41:19 | |
-You're hard to read here. -Sorry. | 0:41:19 | 0:41:21 | |
-The bad news - the lowest he'll take is £30. -What do you think? | 0:41:21 | 0:41:26 | |
We're running out of time, missus! | 0:41:26 | 0:41:28 | |
Do we take it? | 0:41:28 | 0:41:29 | |
-You can do it and we'll go back to plan A. -Oh, what's plan A? | 0:41:29 | 0:41:33 | |
That was to go up and ask for the cheapest thing on the next stall. | 0:41:33 | 0:41:36 | |
SHE LAUGHS | 0:41:36 | 0:41:38 | |
That's not a plan of which I was aware! | 0:41:38 | 0:41:40 | |
But I tell you what, at this stage, it's a plan I like. | 0:41:40 | 0:41:43 | |
Maybe it's a plan that could have been put to use earlier, girls. | 0:41:43 | 0:41:47 | |
Right, let's take it and run because listen, we've got ten minutes left. | 0:41:47 | 0:41:50 | |
We need to find one more item and we need to do it pronto. | 0:41:50 | 0:41:53 | |
-Couldn't have put it better myself, Natasha. -Go, go, go. -Go, go! | 0:41:53 | 0:41:56 | |
Choose your stall wisely. | 0:41:56 | 0:41:58 | |
Talking of final buys, our Reds seem to have slowed right down, too. | 0:41:58 | 0:42:02 | |
We're down to our last ten minutes. | 0:42:02 | 0:42:04 | |
It was all going so well and we seem to have kind of lost time. So... | 0:42:04 | 0:42:08 | |
-Refocus. -We need to refocus, look carefully | 0:42:08 | 0:42:11 | |
and we need to buy something. | 0:42:11 | 0:42:12 | |
-Marianne, what do you think about the glass? -Yeah. | 0:42:15 | 0:42:18 | |
-I like them, you know, very much. -What are they? -They're dumps. | 0:42:18 | 0:42:21 | |
-Dumps? -Called dumps. -All right. -They're paperweights. -Right. | 0:42:21 | 0:42:25 | |
Condition's important. | 0:42:25 | 0:42:26 | |
So, some you can see... And they're priced accordingly, | 0:42:26 | 0:42:28 | |
-because they've been bruised and what have you. -Right, yes. | 0:42:28 | 0:42:31 | |
Well, we're quite short on time. | 0:42:31 | 0:42:33 | |
Shall we see if the gentleman has got much movement in his prices? | 0:42:33 | 0:42:36 | |
-So, is the guy there? -Yes. You all right there? | 0:42:36 | 0:42:39 | |
-Do you mind...? -Yes, it's my stall. -We're really very desperate. | 0:42:39 | 0:42:42 | |
-I shall help you out. -Right. -Good. | 0:42:42 | 0:42:44 | |
And these, sort of five or six years ago, | 0:42:44 | 0:42:47 | |
-were probably about £120. -Yeah. | 0:42:47 | 0:42:49 | |
-They've come down a lot. -Yes, but we're talking... | 0:42:49 | 0:42:51 | |
-It's all relative. -Indeed. -And what kind of movement have you got? | 0:42:51 | 0:42:55 | |
-Say for the large one? -Uh, £55. Yes. -£55. -It's in lovely nick. | 0:42:55 | 0:43:00 | |
You know, it's in lovely nick. They use them as doorstops. | 0:43:00 | 0:43:03 | |
-You know, it's too damaged. -Windowsills. | 0:43:03 | 0:43:05 | |
-I rather like that one there. -You like this one? | 0:43:05 | 0:43:08 | |
-This one has got a bit of a bish... -Oh, right. OK. | 0:43:08 | 0:43:10 | |
-..on it and bished on the side. -Oh, even more so. | 0:43:10 | 0:43:12 | |
-What about that one there? -Ooh. -Whatever. | 0:43:12 | 0:43:15 | |
-He's actually... -He's not bad. -Not bad. What can that chap be? | 0:43:17 | 0:43:22 | |
-Uh, £40. -£40. -What do you reckon, Marianne? -That is a definite. | 0:43:22 | 0:43:26 | |
-Are we short of time? -We're short on time. | 0:43:26 | 0:43:28 | |
-So are we going to make a profit? -I don't think we're going to... | 0:43:28 | 0:43:31 | |
I think they're going to be a bit of a break even. | 0:43:31 | 0:43:33 | |
I don't think there's going to be much to be made. | 0:43:33 | 0:43:35 | |
-But I think the gent's being very generous. -Right. | 0:43:35 | 0:43:37 | |
I think it's about time you shake your hand before the big gong goes | 0:43:37 | 0:43:40 | |
-and we've failed. -Done! -Thank you. -Thank you. | 0:43:40 | 0:43:43 | |
Thank you very much, sir. Cheers. | 0:43:43 | 0:43:45 | |
Well done, Reds. Now with just a few minutes to go, | 0:43:45 | 0:43:47 | |
panic well and truly kicks in with the Blues. | 0:43:47 | 0:43:50 | |
I don't know, I couldn't make a decision. | 0:43:50 | 0:43:52 | |
You'll have to make the decision. | 0:43:52 | 0:43:54 | |
Ladies, we haven't gone back to the coco de mer. | 0:43:54 | 0:43:56 | |
-The bum nut, we've abandoned the bum. -We have. -What do you think? | 0:43:56 | 0:43:59 | |
-Plan B for bum. -Plan B for bum! -And we're running. -Go for it. | 0:43:59 | 0:44:01 | |
-OK, I'm following you, ladies. -Let's go! | 0:44:01 | 0:44:04 | |
-Don't even know where it was! -It wasn't on this row. | 0:44:04 | 0:44:07 | |
It wasn't on this row? | 0:44:07 | 0:44:08 | |
If they chuck us out, don't worry, I'll vouch for you. | 0:44:08 | 0:44:11 | |
Right. | 0:44:11 | 0:44:12 | |
-Oh, found it! -Oh, she's found it. Right. There we go. | 0:44:13 | 0:44:17 | |
There she is! Ha, ha! | 0:44:17 | 0:44:18 | |
-Wielding a bottom. Normal. Here we are. -Bum, bum! | 0:44:18 | 0:44:22 | |
We didn't meet you before, sir. | 0:44:22 | 0:44:23 | |
Hello, we are the Blue team, collectively, | 0:44:23 | 0:44:25 | |
it's how we're known. | 0:44:25 | 0:44:26 | |
And we like this lovely coco de mer. | 0:44:26 | 0:44:29 | |
-Ladies, take it away. -What is your best price on this, please, sir? | 0:44:29 | 0:44:33 | |
Very best, I think that'd cost £140. | 0:44:33 | 0:44:35 | |
£130 would be the absolute best. | 0:44:35 | 0:44:37 | |
-Can we not just do a round £100? -No. -It's the end of the day. | 0:44:37 | 0:44:40 | |
End of the day. | 0:44:40 | 0:44:41 | |
-No, I've owned it a week. -It may well be the end of the day | 0:44:41 | 0:44:44 | |
but that's the gentleman's best price so we have to respect that. | 0:44:44 | 0:44:47 | |
So...three minutes left on the clock. What do you reckon? | 0:44:47 | 0:44:51 | |
-Yeah, three minutes. We can't take the strain! -Can't take the strain? | 0:44:51 | 0:44:55 | |
-I say if that's as far as he's going, go for it. -Take it. -Why not? | 0:44:55 | 0:44:58 | |
Yes. £130, sir. | 0:44:58 | 0:45:00 | |
-Thank you very much. -Thank you very much. | 0:45:00 | 0:45:02 | |
Ah! | 0:45:02 | 0:45:03 | |
HORN BLOWS | 0:45:04 | 0:45:06 | |
Right, teams. Stop clowning around. Your time is up. | 0:45:06 | 0:45:09 | |
Hey! Oh, brilliant. Well done. | 0:45:09 | 0:45:11 | |
The shopping's done. Time to go to auction | 0:45:11 | 0:45:15 | |
and we've returned to Hansons Auctioneers in Etwall. | 0:45:15 | 0:45:18 | |
But first let's remind ourselves what the Red team bought. | 0:45:18 | 0:45:23 | |
First, they picked up the bagatelle game for £20. | 0:45:23 | 0:45:26 | |
Their second buy came in the shape of a yellow metal | 0:45:29 | 0:45:32 | |
and red paste brooch for which they paid £80. | 0:45:32 | 0:45:35 | |
And lastly, they paid £40 for the glass dump paperweight. | 0:45:36 | 0:45:40 | |
Marianne and Pat, this is the exciting moment. | 0:45:42 | 0:45:45 | |
What's under the cloth? | 0:45:45 | 0:45:47 | |
Shall we have a look? | 0:45:47 | 0:45:49 | |
-Ooh! -Ooh, yes! -SHE GIGGLES | 0:45:49 | 0:45:52 | |
-Ooh, you'll like that, Marianne? -Well, yes, I do. | 0:45:52 | 0:45:54 | |
-With £160, how much do you think I actually spent? -Oh, my gosh. | 0:45:54 | 0:45:58 | |
-Well, I'm going to say about £60. -No idea. | 0:45:58 | 0:46:02 | |
-I actually spent £30. -Ooh! | 0:46:02 | 0:46:06 | |
-Well, that's why I'm... -Now, it's a true antique. Three pieces. | 0:46:06 | 0:46:10 | |
They date to around about 1810, 1820. | 0:46:10 | 0:46:14 | |
Not 100% sure of the factory but it's very much after Worcester. | 0:46:14 | 0:46:18 | |
But each piece at only a tenner. | 0:46:18 | 0:46:20 | |
So, how much do you think it's going to make? | 0:46:20 | 0:46:23 | |
Well, I hope it should double its money. | 0:46:23 | 0:46:26 | |
-It might not. -OTHERS LAUGH | 0:46:28 | 0:46:30 | |
But fingers crossed. | 0:46:31 | 0:46:33 | |
Hm. Will the Reds gamble? We'll see. | 0:46:33 | 0:46:37 | |
Now for the Blues' three items, and here's a reminder. | 0:46:37 | 0:46:40 | |
They bought the Mappin & Webb silver collar glass decanter for £80. | 0:46:41 | 0:46:45 | |
And next, they somewhat panic-purchased the wooden box | 0:46:46 | 0:46:49 | |
for £30. | 0:46:49 | 0:46:51 | |
Finally, they splashed out £130 on the coco de mer. | 0:46:52 | 0:46:56 | |
-Elizabeth and Jane, you were spenders, weren't you? -We did, yes. | 0:46:57 | 0:47:01 | |
Spend, spend, spend! | 0:47:01 | 0:47:03 | |
Leaving lovely Natasha with just £60. | 0:47:03 | 0:47:06 | |
Did she spend it all? | 0:47:06 | 0:47:08 | |
I thought to myself, we need an opportunity to claw back. | 0:47:08 | 0:47:11 | |
-Because what if it all just goes south? -Downhill? | 0:47:11 | 0:47:14 | |
So, I played it a little safe but sparkly too. | 0:47:14 | 0:47:19 | |
-Ah! -Lovely... -OTHERS: -Ooh! | 0:47:19 | 0:47:21 | |
-..barred brooch. -Oh, I like it. -And it's pretty, isn't it? | 0:47:21 | 0:47:24 | |
-Do you want to have a hold? So, what do you think? -Gorgeous. | 0:47:24 | 0:47:27 | |
-Love it, love it, love it. -Is it Victorian? | 0:47:27 | 0:47:29 | |
Well, probably slightly later than that. It's 20th century. | 0:47:29 | 0:47:33 | |
I think for its age, it's in lovely condition. | 0:47:33 | 0:47:35 | |
What do you think it's worth, girls? | 0:47:35 | 0:47:37 | |
-I think you probably paid about £30 for it. -OK. | 0:47:37 | 0:47:40 | |
Yeah, I'll go with that. | 0:47:40 | 0:47:41 | |
Quite chuffed with that because I paid £25. | 0:47:41 | 0:47:43 | |
Oh! I love you, love you! | 0:47:43 | 0:47:46 | |
-And it's going to make 30, 35. -Yeah? | 0:47:46 | 0:47:48 | |
-It's just I think it's so commercial. -It is. | 0:47:48 | 0:47:51 | |
The Blues can make their final decision during the auction, | 0:47:51 | 0:47:54 | |
so let's go there now. | 0:47:54 | 0:47:56 | |
Charles Hanson is on the rostrum and raring to go. | 0:47:56 | 0:47:58 | |
-Are you excited, girls? -Yes, yes! Bit apprehensive. | 0:48:00 | 0:48:03 | |
Well, you look as if you're absolutely ecstatic! | 0:48:03 | 0:48:06 | |
Have you been to an auction before? | 0:48:06 | 0:48:07 | |
Many years ago when I was first married | 0:48:07 | 0:48:09 | |
and I've also been to car auctions. | 0:48:09 | 0:48:11 | |
Oh, have you? What about you, Pat? | 0:48:11 | 0:48:13 | |
-I've been to livestock auctions. -Oh. | 0:48:13 | 0:48:16 | |
Well, first up today is the bagatelle board, | 0:48:16 | 0:48:19 | |
-which I think you chose, Marianne, didn't you? -I did, yes. | 0:48:19 | 0:48:21 | |
There you are, we like this. | 0:48:21 | 0:48:23 | |
There we are, it's a wonderful 1930s bagatelle board. And a nice frame. | 0:48:23 | 0:48:27 | |
Where do we start this? | 0:48:27 | 0:48:30 | |
I'm bid 5, 8, 10, 12, £15. | 0:48:30 | 0:48:32 | |
Bid 18 now. 18, I'm out. | 0:48:32 | 0:48:34 | |
18 bid, look at this object. | 0:48:34 | 0:48:36 | |
-18, 22. -Yes! -2, 5, 8. | 0:48:36 | 0:48:38 | |
Man with the dog. 8, 30. | 0:48:38 | 0:48:40 | |
-Girls! -For our bagatelle! | 0:48:40 | 0:48:41 | |
The exotic excitement of your bagatelle! | 0:48:41 | 0:48:44 | |
£30? No. 35, madam? | 0:48:44 | 0:48:48 | |
You've come so far. Are you sure? | 0:48:48 | 0:48:50 | |
Bid me a fiver, | 0:48:50 | 0:48:51 | |
or I sell to you, sir, your lady and the dog. All out at £32. | 0:48:51 | 0:48:56 | |
Going, going...sold! | 0:48:56 | 0:48:59 | |
Plus £12, girls. | 0:48:59 | 0:49:02 | |
Now hold on, don't get too excited cos the brooch is coming up. | 0:49:02 | 0:49:05 | |
A really gorgeous, gorgeous brooch. And I'm bid £30. | 0:49:05 | 0:49:09 | |
Do I see £5 now? It's gorgeous. 35? | 0:49:09 | 0:49:12 | |
35, madam? 35. 40? 45? | 0:49:13 | 0:49:17 | |
Were it gold... They're doing better. It cost £80! | 0:49:17 | 0:49:19 | |
Are you sure, madam? It will suit you so much as well. | 0:49:19 | 0:49:21 | |
Just look at the brooch and look at me. No? Thank you. | 0:49:21 | 0:49:24 | |
-Halfway to paradise. -Right at the back. | 0:49:24 | 0:49:26 | |
-Do I see 5 now? Or I sell it? -Oh. | 0:49:26 | 0:49:29 | |
-£40, going, all out. -Do you know...? | 0:49:29 | 0:49:32 | |
At £40 right at the back. | 0:49:32 | 0:49:35 | |
-Fair warning. -Oh! | 0:49:35 | 0:49:38 | |
You've just demonstrated how to divide the price by two. | 0:49:38 | 0:49:41 | |
Minus £40. | 0:49:41 | 0:49:42 | |
So you're overall minus £28. But here comes your wonderful weight. | 0:49:42 | 0:49:48 | |
It's a very nice Victorian dump of circa 1880. | 0:49:48 | 0:49:52 | |
And I'm only bid for this great object, £12, I'm bid. | 0:49:52 | 0:49:55 | |
Do I see £15 now? | 0:49:55 | 0:49:57 | |
15, 18, 22, 5, 8. 25... | 0:49:57 | 0:50:00 | |
I've got 8 here, sir. 32, 5. | 0:50:00 | 0:50:03 | |
8, 40, I'm out. 40, I'm bid. | 0:50:03 | 0:50:05 | |
Do I see 2 now? I'll take 2. | 0:50:05 | 0:50:07 | |
40, I'm bid. Do I see 2 online? | 0:50:07 | 0:50:09 | |
-At £40. Come on! -Which is better than a loss, girls. -For the dump. | 0:50:09 | 0:50:12 | |
Do I see 2? | 0:50:12 | 0:50:14 | |
At £40 for the first, second, third time. | 0:50:14 | 0:50:16 | |
You've got the dump. It's yours! | 0:50:16 | 0:50:18 | |
Yeah, there we go. £40. | 0:50:18 | 0:50:20 | |
Plus and minus nought, so overall, minus £28. | 0:50:20 | 0:50:24 | |
-That's not too bad. -That's quite good. | 0:50:24 | 0:50:26 | |
The bonus buy. Do you want to go with it or not? | 0:50:26 | 0:50:30 | |
-What do you think? -I think we should just go for it. | 0:50:30 | 0:50:32 | |
-I've got every faith in you. -Well, thank you, girls. | 0:50:32 | 0:50:35 | |
-Do you know? -Fingers crossed! | 0:50:35 | 0:50:36 | |
When I first met you girls, I thought, | 0:50:36 | 0:50:38 | |
"They are girls that are going to go for it." | 0:50:38 | 0:50:41 | |
And they're going for it. | 0:50:41 | 0:50:42 | |
And I can say that the auctioneer Charles Hanson | 0:50:42 | 0:50:45 | |
is a passionate porcelain lover. | 0:50:45 | 0:50:48 | |
He will do his utmost to get you a profit off this. | 0:50:48 | 0:50:51 | |
This late 18th-century porcelain | 0:50:51 | 0:50:54 | |
in a great neoclassical style. | 0:50:54 | 0:50:57 | |
Very interesting lot, this. | 0:50:57 | 0:50:59 | |
We like it. Where do we start this? | 0:50:59 | 0:51:01 | |
How many, bid? I've got 12, 15, £18 here. | 0:51:01 | 0:51:04 | |
I'm asking 20 now. | 0:51:04 | 0:51:05 | |
Circa 1790, where were you? | 0:51:05 | 0:51:07 | |
18, I'm bid. I'm asking... | 0:51:07 | 0:51:09 | |
It's phenomenal value for a true piece of English porcelain. | 0:51:09 | 0:51:13 | |
I'm asking at 20 now. 18, come on! | 0:51:13 | 0:51:15 | |
-Bid 20. -Come on. -It's got to go? | 0:51:15 | 0:51:17 | |
I'm asking 20. Fair warning. | 0:51:17 | 0:51:21 | |
You're all out. I shall sell it. | 0:51:21 | 0:51:23 | |
Are we sure? That's it, at £18. | 0:51:23 | 0:51:27 | |
Going...going... | 0:51:27 | 0:51:29 | |
..sold! | 0:51:29 | 0:51:31 | |
Sold at £18. | 0:51:31 | 0:51:32 | |
You've lost another juicy £12, which added to the £28, | 0:51:32 | 0:51:36 | |
makes a loss of £40. | 0:51:36 | 0:51:38 | |
It's a nice round number. | 0:51:38 | 0:51:39 | |
It's a lovely round number and remember, girls, | 0:51:39 | 0:51:42 | |
-minus 40 is really, in the overall swing of things, not too bad. -Oh. | 0:51:42 | 0:51:47 | |
-You may have won. But remember, not a mutter to the Blue team. -OK. | 0:51:47 | 0:51:52 | |
Zippo! Thank you. | 0:51:52 | 0:51:54 | |
-Well, girls. Are we all excited? -Nervous. -Very, very. -Very excited? | 0:52:02 | 0:52:06 | |
-Been to an auction before? -No. Liz has. -Yeah, I have. -Have you? | 0:52:06 | 0:52:10 | |
-Do you like auctions? -Yeah, they're all right. | 0:52:10 | 0:52:12 | |
-You just get a bit carried away sometimes. -You can do. | 0:52:12 | 0:52:15 | |
-Don't get carried away today. Don't try buying your own things. -No. | 0:52:15 | 0:52:18 | |
That could be fatal. Enjoy the moment because here is the decanter. | 0:52:18 | 0:52:23 | |
Showing it for you there, | 0:52:23 | 0:52:24 | |
a lovely decanter and stopper. | 0:52:24 | 0:52:26 | |
It's heavy, it's cut | 0:52:26 | 0:52:28 | |
and it's mighty fine. | 0:52:28 | 0:52:29 | |
116, where do we start this? | 0:52:29 | 0:52:32 | |
I'm only bid £20. It's silver. | 0:52:32 | 0:52:35 | |
22, 25, 28, 30, 5. I'm out. | 0:52:35 | 0:52:38 | |
I'm asking 40 now. | 0:52:38 | 0:52:40 | |
I can't believe this, girls. Come on! | 0:52:40 | 0:52:42 | |
-What did we pay for this, Charlie? -£30? You paid £80. -Oh! -50. -Ooh, ooh. | 0:52:42 | 0:52:45 | |
-Are you sure? -He estimated 40 to 60. -55. We've come so far. | 0:52:45 | 0:52:49 | |
-Yeah, come on! -I'll take one more. -Come on! -Is that a yes? | 0:52:49 | 0:52:51 | |
-55, 60. -Yes, come on! | 0:52:51 | 0:52:53 | |
Are you sure, madam? | 0:52:53 | 0:52:55 | |
I'm asking online, 60. | 0:52:55 | 0:52:56 | |
Fair warning, I sell to the lady. | 0:52:56 | 0:52:58 | |
Oh, no! | 0:52:58 | 0:52:59 | |
All out, we are at 55. | 0:52:59 | 0:53:01 | |
You're out, the lady here is in. | 0:53:01 | 0:53:03 | |
That's it, fair warning. | 0:53:03 | 0:53:04 | |
-What do you think, girls? -Ah! -Oh, £55. | 0:53:04 | 0:53:07 | |
-Minus £25. -It wasn't as bad as we thought. | 0:53:07 | 0:53:09 | |
Girls, girls, girls. Here comes the caddy. | 0:53:09 | 0:53:12 | |
It's a magnificent, again, late George III | 0:53:12 | 0:53:15 | |
satinwood banded mahogany tea caddy. | 0:53:15 | 0:53:18 | |
It's not bad at all. | 0:53:18 | 0:53:20 | |
And it's got a lovely silk lining. | 0:53:20 | 0:53:21 | |
I'm only bid £20. | 0:53:21 | 0:53:23 | |
I'm asking 5 for it now. | 0:53:23 | 0:53:25 | |
-It's gorgeous. -Oh! -Shh! | 0:53:25 | 0:53:26 | |
-25, 35, ma'am. 35? -Oh, oh! | 0:53:26 | 0:53:28 | |
I've got 30 here. | 0:53:28 | 0:53:30 | |
-I'll take 2. -Ooh... | 0:53:30 | 0:53:32 | |
I'm out. | 0:53:32 | 0:53:33 | |
2 I'm bid, takes my commission. | 0:53:33 | 0:53:35 | |
Do I see 5 now? Come on! | 0:53:35 | 0:53:37 | |
-£32, I'm bid. Surely a fiver? -£32! £32! | 0:53:37 | 0:53:39 | |
Look at this caddy. | 0:53:39 | 0:53:41 | |
-5, 8, 40! -£40? | 0:53:41 | 0:53:43 | |
-5! Madam, you were so near. -Aw! | 0:53:43 | 0:53:47 | |
£40 I'm bid. | 0:53:47 | 0:53:49 | |
Or I sell to you, lady. Thanks for coming. | 0:53:49 | 0:53:53 | |
All out at £40 today. | 0:53:53 | 0:53:56 | |
-Sold! -Yes! -Plus a tenner! -Yes. | 0:53:56 | 0:53:58 | |
-You're only down £15. -We've clawed some back. -And here comes your... | 0:53:58 | 0:54:03 | |
Lodoicea maldivica! | 0:54:03 | 0:54:06 | |
Your coco de mer. | 0:54:06 | 0:54:07 | |
A most magnificent coco de mer, | 0:54:07 | 0:54:10 | |
Seychelles, carved as a basket. | 0:54:10 | 0:54:13 | |
I am bid £65. | 0:54:13 | 0:54:15 | |
I'm asking £70 for it now. Come on! | 0:54:15 | 0:54:18 | |
Bid £70? | 0:54:18 | 0:54:20 | |
Really good Seychelles basket carved from that coco de mer. | 0:54:21 | 0:54:25 | |
-70, 5, 80... -Oh, here we go. | 0:54:25 | 0:54:28 | |
5, one more? 90. I'll be out. | 0:54:28 | 0:54:32 | |
85, I'm bid, 90. | 0:54:32 | 0:54:34 | |
-You're in? It's cheap. -Gone very quiet. | 0:54:34 | 0:54:37 | |
90, I'm bid. Do I see 5 now? | 0:54:37 | 0:54:39 | |
-Go on! -A rare object. £90? | 0:54:39 | 0:54:41 | |
Surely 5 online? | 0:54:41 | 0:54:43 | |
Or I shall sell to the lady. Bid 5? | 0:54:43 | 0:54:45 | |
-You're all out, to the lady. -Uh-oh. -That's it. | 0:54:45 | 0:54:48 | |
-That's it. -At £90. -And good night. | 0:54:48 | 0:54:51 | |
-Fair warning. -Oh! -Minus £40. | 0:54:51 | 0:54:54 | |
-That's minus £55. -A valiant effort. | 0:54:54 | 0:54:58 | |
So, before we get too excited... | 0:54:58 | 0:55:01 | |
..we have the little matter of the bonus buy. | 0:55:01 | 0:55:05 | |
We've got the bar brooch. It cost £25. | 0:55:05 | 0:55:08 | |
-I'm not going to lead you but what are you going to do? -Yeah. | 0:55:08 | 0:55:11 | |
-We're going to go with it. -Going to go with it? | 0:55:11 | 0:55:13 | |
Well, the estimate the auctioneer's put on this is £20-£50. | 0:55:13 | 0:55:17 | |
-Oh! -OK. | 0:55:17 | 0:55:19 | |
So, I think you could nibble away at your loss here. | 0:55:19 | 0:55:22 | |
A bar brooch set with oval facet-cut amethyst | 0:55:22 | 0:55:25 | |
in its lovely brown Morocco box. | 0:55:25 | 0:55:28 | |
I'm only bid for this... | 0:55:28 | 0:55:31 | |
12, 15, 18, 20, 22, 5, 8, 30. | 0:55:31 | 0:55:35 | |
It's so attractive! 30, madam. | 0:55:35 | 0:55:37 | |
No, 28 down here, 30. 2. | 0:55:37 | 0:55:40 | |
It's really attractive, come on! | 0:55:40 | 0:55:44 | |
£32, 5, 8. Ooh! 8, madam? | 0:55:44 | 0:55:46 | |
Either of you? 8, 40. 45. | 0:55:46 | 0:55:48 | |
Now we're going! | 0:55:48 | 0:55:49 | |
Good object, this. 45, 50. | 0:55:49 | 0:55:51 | |
-A lovely, lovely bar brooch. -Yes. | 0:55:51 | 0:55:53 | |
45 I am bid, madam. 50 on the front row? | 0:55:53 | 0:55:55 | |
No more? 45, the lady standing. | 0:55:55 | 0:55:58 | |
Bid 50 out online. | 0:55:58 | 0:56:00 | |
-And we sell to a lady. -No! | 0:56:00 | 0:56:03 | |
Good morning. So, at £45... | 0:56:03 | 0:56:07 | |
-..it's yours. -£45! -£45! | 0:56:07 | 0:56:09 | |
So, plus £20. | 0:56:09 | 0:56:10 | |
-You lost £55 so you're only down 35 smackers. -Only down 35! | 0:56:10 | 0:56:16 | |
THEY LAUGH | 0:56:16 | 0:56:18 | |
But we bought big so that's all right. | 0:56:18 | 0:56:20 | |
You've done really well. | 0:56:20 | 0:56:21 | |
You spent a lot of money, you've had an absolute ball and frankly, | 0:56:21 | 0:56:24 | |
-at £35, have you ever had such value for money? -No. | 0:56:24 | 0:56:28 | |
-Entertainment for 35 quid. -Absolutely. | 0:56:28 | 0:56:31 | |
-Anyway, not a word to the Reds. -No. | 0:56:31 | 0:56:33 | |
-Because you never know, you may well have won. -Ooh! | 0:56:33 | 0:56:36 | |
Sometimes on Bargain Hunt, girls and boys, there is a massive gulf. | 0:56:44 | 0:56:49 | |
This time, the difference is wafer thin. | 0:56:49 | 0:56:53 | |
-Did you think you'd done well? -No. | 0:56:53 | 0:56:55 | |
-Did you think you'd done well? -No! | 0:56:55 | 0:56:57 | |
Well, I can tell you you're both right. | 0:56:57 | 0:56:59 | |
ALL LAUGH | 0:56:59 | 0:57:00 | |
Neither of you did well. But one team... | 0:57:00 | 0:57:03 | |
..did slightly worse than the other one. And they are... | 0:57:03 | 0:57:07 | |
..the Red team. OTHERS YELP | 0:57:07 | 0:57:09 | |
Extraordinary. You started so well, girls. | 0:57:09 | 0:57:13 | |
You went off out of the blocks like the clappers. | 0:57:13 | 0:57:15 | |
Plus £12. | 0:57:15 | 0:57:17 | |
Then the brooch. | 0:57:17 | 0:57:19 | |
And then you broke even with that weight, the dumpy weight. Yeah. | 0:57:19 | 0:57:24 | |
And then you decided to go with Ben's, | 0:57:24 | 0:57:26 | |
and I have to say it was lovely, cup, the saucer and the plate | 0:57:26 | 0:57:29 | |
and you lost £12. | 0:57:29 | 0:57:31 | |
-Have you enjoyed it, Reds? -Enormously. -Yes. -Enormously? | 0:57:31 | 0:57:34 | |
-Immensely. -Oh, that's charming. -Thank you. -Well, Blues. Well done. | 0:57:34 | 0:57:38 | |
-Thank you. -You were down £55 and you were losing. | 0:57:38 | 0:57:42 | |
-Until... -Natasha! | 0:57:42 | 0:57:43 | |
..over the brow of the hill with the cavalry came Miss Natasha Raskin, | 0:57:43 | 0:57:49 | |
-who bought that wonderful brooch, which you both liked. -We did, yes. | 0:57:49 | 0:57:52 | |
-Sensibly went with it. -Loved it. -It cost £25 and it made £45! | 0:57:52 | 0:57:56 | |
£45! Whoo! High-five. | 0:57:56 | 0:57:58 | |
So that 20 quid did it for you. So, well done. | 0:57:58 | 0:58:02 | |
-I have to say that my pockets are empty. -Ah! | 0:58:02 | 0:58:05 | |
No money to dish out but never mind. Lovely having you on board. | 0:58:05 | 0:58:10 | |
Both teams have been absolute stars. | 0:58:10 | 0:58:12 | |
And don't forget to have a look at our website | 0:58:12 | 0:58:15 | |
or indeed follow us on Twitter. | 0:58:15 | 0:58:17 | |
But of course most importantly, | 0:58:17 | 0:58:18 | |
join us for more Bargain Hunting, yes? | 0:58:18 | 0:58:20 | |
-ALL: -Yes! | 0:58:20 | 0:58:21 |