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-Hello? Is that Bargain Hunt's executive producer? -'Yes, yes. I wanted a quick word, Tim. | 0:00:02 | 0:00:08 | |
'I think we need to toe the line with the public mood. Be a bit more downcast, sad animals, | 0:00:08 | 0:00:14 | |
'human interest stories. What do you think?' | 0:00:14 | 0:00:18 | |
-More animals?! What do you mean?! -Well, we want...less fun. Can I count on you?' | 0:00:18 | 0:00:25 | |
Count on me? More animals?! Less fun?! | 0:00:25 | 0:00:29 | |
You can blow that for a lark! Let's go bargain hunting! Oh, yes! | 0:00:30 | 0:00:35 | |
You find me on a fine day in incredibly high spirits | 0:01:03 | 0:01:06 | |
at the Grimsthorpe Castle Antiques Fair, | 0:01:06 | 0:01:09 | |
where we have a multitude, nay a myriad, even a shedful | 0:01:09 | 0:01:13 | |
of antiques for our teams to rifle through. | 0:01:13 | 0:01:16 | |
Coming up later in the show: | 0:01:16 | 0:01:19 | |
the Reds make a spectacle of themselves. | 0:01:19 | 0:01:23 | |
Hello! I see who I'm speaking to now. | 0:01:23 | 0:01:27 | |
And the Blues are reluctant to part with cash. | 0:01:27 | 0:01:31 | |
-You've got the money! -I have! -There we are. Thank you, sir. | 0:01:31 | 0:01:36 | |
-Will it sell in Derby? -'They look like a lively bunch, anyway! Frisky!' | 0:01:36 | 0:01:42 | |
Let's go and introduce ourselves formally. | 0:01:45 | 0:01:49 | |
Hello there. Today for the Reds we've got friends Nicola and Milly | 0:01:53 | 0:01:57 | |
and for the Blues we have friends Claire and Sue. | 0:01:57 | 0:02:01 | |
Well, at least they're friends now. So, you two, how did you first meet? | 0:02:01 | 0:02:06 | |
We met when Milly joined my golf club. She didn't know the rules all that brilliantly, | 0:02:06 | 0:02:12 | |
-so we steered clear of her. -Really? -Which was rather fun to see. | 0:02:12 | 0:02:17 | |
-What do you do for a living, Nicola? -I'm an embroidress. | 0:02:17 | 0:02:21 | |
-Are you? Professional? -Professional. -Are you? -Yes. | 0:02:21 | 0:02:26 | |
-What got you going with threadwork? -At 16 I went to the Royal School of Needlework. -A pukka place! -Yes. | 0:02:26 | 0:02:33 | |
You must have been pretty good to get in. Don't be modest now. They don't hand out places with sweets. | 0:02:33 | 0:02:40 | |
-No, only eight apprentices started. -Out of the nation that year. -Out of the nation. -There we go! | 0:02:40 | 0:02:48 | |
Well, I stayed there for three years, came home and started teaching privately, as I've done ever since. | 0:02:48 | 0:02:55 | |
-Have you really? -Purely traditional. No machines. Traditional embroidery. | 0:02:55 | 0:02:59 | |
It's lovely to have an expert on the programme. | 0:02:59 | 0:03:02 | |
The two of you are in the WI. | 0:03:02 | 0:03:04 | |
What sort of things do you get up to? All jam and Jerusalem? | 0:03:04 | 0:03:08 | |
-We don't sing Jerusalem. -Don't you? -We don't make jam. | 0:03:08 | 0:03:13 | |
-And you don't do calendars? -Er, we may do! | 0:03:13 | 0:03:17 | |
Oh! | 0:03:17 | 0:03:18 | |
Things are bucking up. Lovely. | 0:03:18 | 0:03:21 | |
I think you two will do brilliantly. Very, very good luck. | 0:03:21 | 0:03:26 | |
-Now for the Blues. How did you two meet? -We met at a school we teach at in Leicester. | 0:03:26 | 0:03:32 | |
-What subject were you teaching, Claire? -I was teaching Art. | 0:03:32 | 0:03:37 | |
Originally, I was trained in Fine Arts at the Ruskin School of Drawing, | 0:03:37 | 0:03:42 | |
Are you an art collector at all? | 0:03:42 | 0:03:45 | |
Yes, I do like to buy it when I go to exhibitions. | 0:03:45 | 0:03:49 | |
If I'm having an exhibition, I appreciate people buying my work, | 0:03:49 | 0:03:54 | |
-so I try to reciprocate. -It's a back scratch exercise. | 0:03:54 | 0:03:59 | |
-Yes, yes. -Good. Now, Sue, do you have much buying and selling experience? | 0:03:59 | 0:04:03 | |
Not much, but I have made a couple of good buys, I think, | 0:04:03 | 0:04:07 | |
including some Isherwood paintings in the 1960s, 1970s. | 0:04:07 | 0:04:12 | |
We paid something like £10 or £15. | 0:04:12 | 0:04:16 | |
-They are now worth several hundred, even a thousand. -Really? | 0:04:17 | 0:04:20 | |
But I haven't sold any yet. | 0:04:20 | 0:04:22 | |
Well, today is your opportunity to both buy and sell. | 0:04:22 | 0:04:27 | |
How exciting is that? | 0:04:27 | 0:04:29 | |
But first things first. £300 apiece. You standing by? | 0:04:29 | 0:04:33 | |
You know the rules, your experts await, and off you go! Good luck! | 0:04:33 | 0:04:39 | |
Well, whatever's going to happen next? | 0:04:39 | 0:04:41 | |
'For the Reds, harder than toughened glass, | 0:04:41 | 0:04:45 | |
but softer than a bathed baby, Jonathan Pratt. | 0:04:45 | 0:04:48 | |
'And the Blues benefit from the finely-tuned skills of Kate Bliss. | 0:04:48 | 0:04:52 | |
Don't they look mean? Just as well, | 0:04:52 | 0:04:54 | |
because today they'll be helping not one, but two lots of Reds and Blues. | 0:04:54 | 0:04:58 | |
OK, we've met everyone now. They've got their money. Let's get those gals out and shopping. | 0:04:59 | 0:05:05 | |
No hanging around. | 0:05:05 | 0:05:08 | |
Oh, hello! I see who I've been speaking to now! | 0:05:11 | 0:05:14 | |
Looking for anything particular? | 0:05:14 | 0:05:16 | |
That's rather nice, isn't it? | 0:05:17 | 0:05:20 | |
This is your sort of thing? | 0:05:21 | 0:05:23 | |
There's a golfing vesta there with golf clubs on. | 0:05:25 | 0:05:28 | |
The brass one? It is quite pretty. | 0:05:28 | 0:05:30 | |
-Cos it looks quite sweet, that. This little golfing vesta. -Yes. | 0:05:30 | 0:05:35 | |
-There you are. -Thank you. | 0:05:35 | 0:05:37 | |
-Look. -That's quite fun. | 0:05:37 | 0:05:40 | |
And that would be... 1930s, I suppose. It's just brass. How much does she want for it? | 0:05:40 | 0:05:46 | |
-It says 48 on it. -£48. -How much? -48. | 0:05:46 | 0:05:51 | |
-It's quite a lot, isn't it? -Well, it is an old one. | 0:05:51 | 0:05:55 | |
That's the thing that really counts. | 0:05:55 | 0:05:57 | |
People collect vestas and that's not one you see a lot. | 0:05:57 | 0:05:59 | |
It might not be bad for a first buy, | 0:05:59 | 0:06:02 | |
if the lady is agreeable at some price. | 0:06:02 | 0:06:04 | |
-Agreeable to be half price. -Well, let's not be too harsh! | 0:06:04 | 0:06:08 | |
-What is your very best...? -How much have I got on there? -£22! | 0:06:08 | 0:06:12 | |
I don't think so. | 0:06:12 | 0:06:14 | |
-48. It can be 40. -40. What do you think? | 0:06:16 | 0:06:20 | |
Have a think about that. It's a nice thing in the vein of what you've been discussing. We'll come back. | 0:06:20 | 0:06:26 | |
-It's like they've got all the time in the world. -Oh, pin cushions! Where's Nicola? | 0:06:26 | 0:06:32 | |
10 minutes in and nothing bought! | 0:06:32 | 0:06:34 | |
I like this. | 0:06:34 | 0:06:36 | |
-Kate, have you seen this rather nice box? -That's a really nice tea caddy. -Sue found that. | 0:06:36 | 0:06:42 | |
It's very neat, very... | 0:06:42 | 0:06:44 | |
-Oh, it hasn't got its... -That is actually quite good. Let's have a little look. Come round. | 0:06:44 | 0:06:51 | |
You say it hasn't got its lining, but it has traces of lead lining, which I think is quite nice. | 0:06:51 | 0:06:57 | |
The use hasn't been changed. You can see exactly what it was used for in the 19th century. | 0:06:57 | 0:07:04 | |
-Let's see it on. -We're thinking 1830-1840, really. | 0:07:04 | 0:07:09 | |
95 on there. Hmm. | 0:07:09 | 0:07:12 | |
-What do you think it'll fetch? -It's got a chance to make that, | 0:07:12 | 0:07:16 | |
but to be realistic, these have dropped in price a bit at auction. | 0:07:16 | 0:07:20 | |
It's a nice example, but I'd like to see it more like £50, £60. I'm giving this gentleman a wink. | 0:07:20 | 0:07:27 | |
So what could you do for us? | 0:07:27 | 0:07:29 | |
I hear what you are asking. | 0:07:29 | 0:07:32 | |
I was going to go at 75, but really 70. | 0:07:32 | 0:07:36 | |
What about 65? | 0:07:36 | 0:07:39 | |
< Absolute death would be 65, yes. | 0:07:39 | 0:07:41 | |
Yes? | 0:07:41 | 0:07:43 | |
-Yes, I'll do it for 65. -Thank you very much. | 0:07:43 | 0:07:46 | |
Yes! First one in the bag for the Blues. The Reds must have spotted something by now! | 0:07:46 | 0:07:53 | |
-Hat pins, they are. -Yes. | 0:07:53 | 0:07:55 | |
-Yes. Is that a decision? -People collect them. -They do. | 0:07:55 | 0:08:00 | |
They're nine-carat gold all the way through. No other metal. You've got turquoise and scroll. | 0:08:00 | 0:08:06 | |
-You know... -Turquoise. -It fits into the style of the period. | 0:08:06 | 0:08:10 | |
The scrolling's very sinuous. There's hints of Art Nouveau. | 0:08:10 | 0:08:14 | |
What would be your very best? Ignoring that they might be gold. | 0:08:14 | 0:08:20 | |
-120. -120? | 0:08:20 | 0:08:22 | |
You wouldn't take 100? | 0:08:22 | 0:08:24 | |
-110. -110? | 0:08:24 | 0:08:25 | |
OK, ladies. In great condition. | 0:08:25 | 0:08:28 | |
-They're very unusual. What do you think? -I think they're super. | 0:08:28 | 0:08:33 | |
-It's a yes from me. -Yes from me. Absolutely gorgeous. | 0:08:33 | 0:08:38 | |
-That's real enthusiasm. -Gorgeous! Go for it, Jonathan! | 0:08:38 | 0:08:42 | |
-Go for it. -We'll have those. -Hooray! -Now can I ask you something else now, please? -Certainly. | 0:08:42 | 0:08:48 | |
-Uh-oh. What? -I just want to see if we can get a really good deal if we buy them both. | 0:08:48 | 0:08:56 | |
35. | 0:08:56 | 0:08:58 | |
-140 for them both? -Yes. Say yes! > | 0:08:58 | 0:09:01 | |
Oh, go on, then! Go on. | 0:09:01 | 0:09:04 | |
That's great. We've got two. I may come back and buy something else from you later! | 0:09:04 | 0:09:10 | |
By Jove! She's an 'ard task master is our Milly! | 0:09:11 | 0:09:16 | |
That puts the Reds ahead - two items in the bag and 140 spent. | 0:09:16 | 0:09:21 | |
-So you know I like large chunky. There's very big chunky outside. -Shall we go out in the sunshine? | 0:09:21 | 0:09:27 | |
Oh, Sue, that looks really pretty. | 0:09:32 | 0:09:35 | |
-But it hasn't got... -Oh, it's missing its back. | 0:09:35 | 0:09:39 | |
-That's a shame. It's a bit tatty on the back. Claire? -Is it Georgian? | 0:09:39 | 0:09:43 | |
No, I think it's probably... | 0:09:43 | 0:09:45 | |
sort of Edwardian, I would say, looking at that. | 0:09:45 | 0:09:48 | |
It's in the neo-classical style with that floral swag. | 0:09:48 | 0:09:52 | |
We should ask the price. | 0:09:52 | 0:09:54 | |
It's such a pretty little timepiece. Excuse me, sir. | 0:09:54 | 0:09:58 | |
-Could you tell us the best on this? -Excuse us. Thank you. | 0:09:58 | 0:10:02 | |
-80. -80? | 0:10:02 | 0:10:04 | |
-Could you do 60, just for us? -I'll do 70. | 0:10:04 | 0:10:08 | |
I think we should do it. For one thing, we're running out of time. | 0:10:08 | 0:10:11 | |
Fine. Let's do it. | 0:10:11 | 0:10:12 | |
-You've got the money. -You're the only one with pockets! Thank you. | 0:10:12 | 0:10:17 | |
Excellent. £70 and a timepiece purchased. | 0:10:19 | 0:10:22 | |
One item still to find for each team. | 0:10:22 | 0:10:26 | |
£20 for an owl. Going cheep. | 0:10:26 | 0:10:29 | |
What a hoot! | 0:10:29 | 0:10:31 | |
This is Lalique. A late piece, but a lovely colour. | 0:10:35 | 0:10:39 | |
-There are people who collect it. -It's a famous name. | 0:10:39 | 0:10:43 | |
It's after he died. It's signed Lalique, not R Lalique. | 0:10:43 | 0:10:48 | |
-This is the '40s, probably. Possibly a bit later. -What do you think to that? | 0:10:48 | 0:10:54 | |
How much is our Lalique? | 0:10:54 | 0:10:56 | |
< Well, I was asking 200. | 0:10:56 | 0:10:59 | |
What have we got left? 160? | 0:10:59 | 0:11:03 | |
We've got 160, but it's got to be less than that so I've got a couple of quid left. | 0:11:03 | 0:11:09 | |
-155, then. -For a Lalique scent bottle. | 0:11:09 | 0:11:12 | |
What about 150? | 0:11:12 | 0:11:14 | |
-Could we have 150? -150! -Gives me a tenner. OK. Happy with 150 quid? | 0:11:14 | 0:11:18 | |
-Yes. -It looks a lot of thing for 150. -They've said yes. | 0:11:18 | 0:11:23 | |
They'll take it! | 0:11:23 | 0:11:25 | |
The girls needed a little cattle prodding there, but that's it. All done for the Reds. | 0:11:25 | 0:11:30 | |
Now with 11 minutes left, the Blues need to find their final item. | 0:11:30 | 0:11:34 | |
OK, just do a quick scan. See if anything takes your eye. | 0:11:34 | 0:11:39 | |
Do I detect panic in Kate's voice? | 0:11:39 | 0:11:42 | |
I'm getting a no-no from Claire. | 0:11:42 | 0:11:45 | |
On we go! | 0:11:46 | 0:11:48 | |
-There's quite a few pictures here. -Let's have a look and see if they have any hunting ones. | 0:11:52 | 0:11:58 | |
-They go, don't they, at auction? -Is that what you like? | 0:11:58 | 0:12:02 | |
-They're lovely. -These are sort of little sketches, little vignettes of little puppy dogs. | 0:12:02 | 0:12:08 | |
-Quite commercial subjects. -Yeah. | 0:12:08 | 0:12:10 | |
I'd like a little set of them, see if we could get a little set. | 0:12:10 | 0:12:16 | |
That would look nice at auction if they were sold as one lot. | 0:12:16 | 0:12:19 | |
-How much are these, sir? -45 each. -45 each. OK. | 0:12:19 | 0:12:24 | |
-Could you do us a deal for more than one? -Yes. | 0:12:24 | 0:12:27 | |
-What could you do if we took three, sir? -£30 each. | 0:12:27 | 0:12:31 | |
So £90 for three. | 0:12:31 | 0:12:33 | |
You see, at auction I would probably estimate three at £40-£60. | 0:12:33 | 0:12:39 | |
I'll do them at 85. Another £5 off. | 0:12:39 | 0:12:41 | |
-85 for three? -Yeah. -Yeah, let's go for those three. -You happy? | 0:12:41 | 0:12:45 | |
-I'll go along with Claire, yes. -And see how it goes in auction. | 0:12:45 | 0:12:49 | |
-We've got to buy something. We'll take them. -That's it. | 0:12:49 | 0:12:55 | |
Time's up. | 0:12:55 | 0:12:56 | |
Let's have a quick reminder of what the Reds hope will win the show for them today. | 0:12:57 | 0:13:03 | |
First up for the Reds, | 0:13:03 | 0:13:05 | |
a pair of gold and turquoise hat pins, and very nice too at £110. | 0:13:05 | 0:13:10 | |
A close second, Milly negotiated £30 for the vesta case | 0:13:10 | 0:13:15 | |
with the same stall owner. | 0:13:15 | 0:13:17 | |
And, finally, they're not scared by splashing cash, these two. | 0:13:18 | 0:13:23 | |
£150 for the Lalique scent bottle. | 0:13:23 | 0:13:26 | |
-So tell me about your morning. Happy shoppers, yes? -Very happy. | 0:13:28 | 0:13:33 | |
-And we've spent nearly all your money. -All the money? -Very nearly. | 0:13:33 | 0:13:37 | |
How much Leftover Lolly is there? | 0:13:37 | 0:13:39 | |
One crisp, folded-up ten-pound note. | 0:13:39 | 0:13:44 | |
You are marvellous, you girls! £290. Down the drain or not down the drain? | 0:13:44 | 0:13:50 | |
So that's all the Leftover Lolly you're going to get. | 0:13:50 | 0:13:54 | |
You're supposed to find a Bonus Buy that will attract enormous profits for these chickens out of that £10. | 0:13:54 | 0:14:01 | |
-Is this a challenge or a challenge? -I reckon I could double my money. -Double your money. | 0:14:01 | 0:14:06 | |
Now let's recap on the Blues. | 0:14:06 | 0:14:09 | |
Their first item took a while. | 0:14:09 | 0:14:11 | |
But £65 bought them the Rosewood tea caddy. | 0:14:11 | 0:14:15 | |
Next they splashed out £70 on the silver timepiece. | 0:14:17 | 0:14:21 | |
And finally, with only minutes remaining, | 0:14:21 | 0:14:24 | |
came the Cecil Aldin prints for £85. | 0:14:24 | 0:14:27 | |
With that, Bob has become your proverbial uncle and they're done. | 0:14:27 | 0:14:32 | |
-How much did you spend? -Altogether, we spent 220. -220. | 0:14:34 | 0:14:37 | |
That's £80 of Leftover Lolly. That goes straight to Kate Bliss. | 0:14:37 | 0:14:42 | |
-Very good luck, Kate. -Thank you. | 0:14:42 | 0:14:46 | |
It's very nice to be here at Hansons Auctions | 0:14:58 | 0:15:01 | |
at the Mackworth Hotel, just outside Derby. | 0:15:01 | 0:15:04 | |
-Charles. -Great to see you. | 0:15:04 | 0:15:06 | |
Now Nicola and Milly, the Reds, they went with this very nice | 0:15:06 | 0:15:11 | |
gold hat pin set. How do you rate that, Charles? | 0:15:11 | 0:15:14 | |
I like it very much. It's got great style. In the market today, | 0:15:14 | 0:15:18 | |
these small bits of very collectable jewellery are extremely popular | 0:15:18 | 0:15:22 | |
and in the whole Arts and Crafts style, I think it sits very well and will do very well. | 0:15:22 | 0:15:28 | |
-In retail, it could be £250-£300. -Oh! -In the wholesale auction market, | 0:15:28 | 0:15:33 | |
I would certainly happily see it race away and make £150. | 0:15:33 | 0:15:38 | |
-Would you? -I really do. If not more. | 0:15:38 | 0:15:41 | |
-That's reassuring because Jonathan paid £110. -Yes. | 0:15:41 | 0:15:45 | |
Next, my tummy drops... the brass vesta case. | 0:15:45 | 0:15:49 | |
We are happy it's probably mid-20th century, so it has a certain vintage about it that aids value. | 0:15:49 | 0:15:56 | |
-However, it is decorative. -What's your handicap? | 0:15:56 | 0:15:59 | |
Em...24. | 0:15:59 | 0:16:01 | |
Is that all it's worth?! No, seriously, what's the estimate? | 0:16:01 | 0:16:05 | |
Wind blowing, on a good day, | 0:16:05 | 0:16:07 | |
-between £20 and £30. -That would be a hole in one. | 0:16:07 | 0:16:10 | |
-At a push. -£30 they paid. | 0:16:10 | 0:16:13 | |
-Now this little blue joker here. It's got the right name. -It has. | 0:16:13 | 0:16:17 | |
Lalique. Beautifully moulded with the masks and the outline. | 0:16:17 | 0:16:21 | |
-My guide price is £60-£100. -Oh! Lordy, Charles. | 0:16:21 | 0:16:25 | |
I had a horrible feeling you'd say that. £150 they paid. | 0:16:25 | 0:16:30 | |
We have had interest. Two or three parties overseas are expressing interest, | 0:16:30 | 0:16:37 | |
-so hopefully we'll sell it well. -Well, confident about the hat pin, | 0:16:37 | 0:16:41 | |
-frankly it's neither here nor there about the golfing job. You'll just swoop that off. -Correct. | 0:16:41 | 0:16:47 | |
This fellow could be a problem and if it is, they're going to need the Bonus Buy, so let's look at it. | 0:16:47 | 0:16:54 | |
-Ah! -It is! -An owl! | 0:16:57 | 0:17:00 | |
-It must be a Bavarian owl! -An owl! -They're Sheffield Wednesday fans. | 0:17:00 | 0:17:05 | |
-They kept saying, "We're looking for an owl." That's... What is it? It's the mascot. -We are the Owls. | 0:17:05 | 0:17:13 | |
-Yes. -And this will be... This will be the... -Marvellous! -..the money raiser. | 0:17:13 | 0:17:19 | |
It's about 100 years old, Bavarian, carved pine. I've called it a desk tidy. | 0:17:19 | 0:17:25 | |
A little pot for putting stuff in. | 0:17:25 | 0:17:27 | |
-Oh, it's marvellous. Isn't it? -I think you've done fantastically well. -For a tenner. Well done. | 0:17:27 | 0:17:34 | |
-I paid a tenner. -You like it, girls? You don't have to decide right now. You can decide later. | 0:17:34 | 0:17:41 | |
But for the viewers at home, let's find out what the auctioneer thinks about Jonathan's little owl. | 0:17:41 | 0:17:47 | |
I think he's done very well. With my guide price at £20-£30, | 0:17:47 | 0:17:52 | |
it might fly away and make 30, but it could make 5. | 0:17:52 | 0:17:55 | |
It might fly high, fly low. It's a good job. | 0:17:55 | 0:17:59 | |
We'll shove him down to roost. That's the Reds. Now for the Blues, | 0:17:59 | 0:18:04 | |
-Our Claire and Sue. -Yes. -They all went with this rosewood tea caddy. -Yes, yes. | 0:18:04 | 0:18:10 | |
Why I don't know, cos it's a pretty standard job. | 0:18:10 | 0:18:14 | |
-I quite like it. -Do you? | 0:18:14 | 0:18:16 | |
I disagree, Tim. I think it's a really attractive example | 0:18:16 | 0:18:20 | |
-of its type, which must be, I suppose, 1820, 1825. -What's your estimate? | 0:18:20 | 0:18:27 | |
-I hope it would make £70-£100. -Do you? £65 paid. | 0:18:27 | 0:18:32 | |
-Fine. -That's fine, isn't it? -I foresee profit. | 0:18:32 | 0:18:36 | |
Now the wee timepiece in front there. | 0:18:36 | 0:18:39 | |
Again, I like the form of it, the sort of window shape. | 0:18:39 | 0:18:44 | |
And it's in fairly good order. I think it's a good, small, attractive timepiece | 0:18:44 | 0:18:50 | |
-and it ought to do quite well. -How much, then? -I hope it would make £60, £70, wind blowing £80. | 0:18:50 | 0:18:57 | |
-We need a positive gale. £70 is what they paid. -Fine. -So give it a good puff. -I will. | 0:18:57 | 0:19:04 | |
Now, the three Cecil Aldin prints. | 0:19:04 | 0:19:07 | |
They're nicely framed, nicely mounted and ready to go, really. | 0:19:07 | 0:19:11 | |
-They are good. They're more interior decorators' pieces. -Yes. -But with a good name, Aldin. | 0:19:11 | 0:19:18 | |
I would say their market value would be £40-£60. | 0:19:18 | 0:19:23 | |
£85 paid. They could be the problem. | 0:19:23 | 0:19:26 | |
If they are the problem we think they could be, they'll need their Bonus Buy, so let's look at it. | 0:19:26 | 0:19:32 | |
We shied away from ceramics, | 0:19:34 | 0:19:36 | |
so I went for the pearlware supper dish, | 0:19:36 | 0:19:39 | |
-which we did cast our eyes on very briefly. -Yes. | 0:19:39 | 0:19:43 | |
For collectors of blue and white it's a very good buy and I paid £50. | 0:19:43 | 0:19:48 | |
-We saw it, didn't we? And we asked her how much it was. -I like it. | 0:19:48 | 0:19:54 | |
-Do you think it will make a profit? -Well, I think it has a slim chance. | 0:19:54 | 0:19:59 | |
If the right buyers are here, I can see somebody paying more. I think I paid a fair price. | 0:19:59 | 0:20:05 | |
It's not a huge bargain. But it's got a chance to make a teensy bit more. | 0:20:05 | 0:20:10 | |
Now, though, for the audience at home, let's find out what the auctioneer thinks of Kate's dish. | 0:20:10 | 0:20:15 | |
I like it. It's the willow pattern. We think of 1795. | 0:20:15 | 0:20:20 | |
This, I suspect, is 15 or 20 years later. 1820-ish, thereabouts. | 0:20:20 | 0:20:25 | |
-It's a good object to a collector. -How good an object? | 0:20:25 | 0:20:29 | |
-I would say my value would be £40-£60. -£40-£60. -In the auction market. | 0:20:29 | 0:20:34 | |
-Well, Kate paid 50. -I saw one quite similar about two months ago. -How much did you get? -£65. | 0:20:34 | 0:20:40 | |
-There is some hope, then. -I hope so. -It springs eternal. | 0:20:40 | 0:20:44 | |
-Correct. -Jolly good, Charles. Good luck on the rostrum. We can't wait to see you perform. | 0:20:44 | 0:20:50 | |
Now, Nicola and Milly, we are on the edge of the abyss. Are you feeling at all nervy? | 0:21:00 | 0:21:06 | |
-Not at all. I'm very excited. -Are you? -Yes. | 0:21:06 | 0:21:10 | |
It's very exciting. | 0:21:10 | 0:21:12 | |
-It's not our money, fortunately. -No! | 0:21:12 | 0:21:16 | |
The first item up - don't get too excited - is the hat pins. Here they come. | 0:21:17 | 0:21:22 | |
A delightful lot. I've got lots of interest here. | 0:21:22 | 0:21:27 | |
I'm going to start this lot at £100. Do I see 110, please? | 0:21:27 | 0:21:32 | |
At £100. Do I see 110 now? | 0:21:32 | 0:21:35 | |
At £100. I'll take 110. Fair warning. All done? | 0:21:35 | 0:21:39 | |
I look for £110. All done at £100? Yes, we are. | 0:21:39 | 0:21:44 | |
Done! | 0:21:44 | 0:21:46 | |
No! I don't believe it! £100, all that build up. Minus £10. | 0:21:46 | 0:21:51 | |
Now the vesta case. Stand by for this. | 0:21:51 | 0:21:54 | |
Stylish, collectable, we like it...a lot. | 0:21:54 | 0:21:59 | |
And we've got two bids. And I'll start here at £28. | 0:21:59 | 0:22:02 | |
Do I see 30 now? | 0:22:02 | 0:22:04 | |
28. 30. 2. 5. | 0:22:04 | 0:22:06 | |
-You're in profit. -40. 5. 50. One more? | 0:22:06 | 0:22:10 | |
50. 5, madam? | 0:22:10 | 0:22:12 | |
Are you sure? 55. 60. | 0:22:12 | 0:22:15 | |
5. | 0:22:15 | 0:22:16 | |
One more. Madam? | 0:22:16 | 0:22:18 | |
Are you sure? Really sure? | 0:22:18 | 0:22:21 | |
It's your bid, sir. I'll take 5. | 0:22:21 | 0:22:24 | |
5. 70. 5! | 0:22:24 | 0:22:27 | |
-Are you sure? -I'm frightened! | 0:22:27 | 0:22:30 | |
"No," she says. No? Fair warning, we'll sell. You're in, sir. | 0:22:30 | 0:22:35 | |
The lady is out. 5! 80! | 0:22:35 | 0:22:37 | |
-5? -This is ridiculous! -She shakes her head. | 0:22:37 | 0:22:42 | |
80. All done? We'll sell. Fair warning. | 0:22:42 | 0:22:45 | |
80 to you, sir. It's a sale. | 0:22:45 | 0:22:48 | |
-Was that £80? -£80. -That's plus £50 on that. | 0:22:48 | 0:22:53 | |
How can you make £50 on a miserable little vesta? | 0:22:53 | 0:22:57 | |
A lovely Lalique soap bottle. | 0:22:57 | 0:22:59 | |
There we are. A disk cover. We have got some interest here. | 0:22:59 | 0:23:04 | |
I have one, two, three bids and I am straight in at 45. | 0:23:04 | 0:23:08 | |
55. 65. | 0:23:08 | 0:23:11 | |
£75. Do I see 80? | 0:23:11 | 0:23:14 | |
Come on. 80. 5. 90. | 0:23:14 | 0:23:17 | |
I'm out. Do I see 5? Surely. | 0:23:17 | 0:23:19 | |
90. I'll take 5 now. 90. | 0:23:19 | 0:23:22 | |
I'll take 5. Do I see 5? | 0:23:22 | 0:23:25 | |
5! 100? Come on! | 0:23:25 | 0:23:28 | |
Are you sure? £100? No, she says. You're in, sir, at £95. | 0:23:28 | 0:23:35 | |
Do I see 100 now? | 0:23:35 | 0:23:37 | |
Fair warning. You're in, you're out. At £95, we say sale. | 0:23:37 | 0:23:43 | |
-£95. -£55. -Dear, oh, dear. That is minus £55. | 0:23:43 | 0:23:48 | |
You were plus £40. You're now minus £15. | 0:23:48 | 0:23:52 | |
-Right. -That's not too bad. What are you going to do about the old Bavarian, you know, owl? | 0:23:52 | 0:23:59 | |
-Definitely going Bavarian! -Going for it. | 0:23:59 | 0:24:02 | |
It's an owl with glass eyes. We've got two bids. | 0:24:02 | 0:24:07 | |
A bit of interest and I've got conflicting bids. | 0:24:07 | 0:24:11 | |
So I must start with conflicting bids at £45. | 0:24:11 | 0:24:15 | |
-Jonathan! -Do I see 50? | 0:24:16 | 0:24:19 | |
Surely, come on. At £45 now. Do I see 50? | 0:24:19 | 0:24:24 | |
I'll take £50. Surely somewhere. | 0:24:24 | 0:24:26 | |
At £45. All done? | 0:24:26 | 0:24:29 | |
All out? Going once, going twice. Three times. At £45. | 0:24:29 | 0:24:34 | |
We say sale. | 0:24:34 | 0:24:36 | |
-Jonathan, you've redeemed yourself. -Yes! -Well done. | 0:24:36 | 0:24:40 | |
So that is plus £35, right? | 0:24:40 | 0:24:43 | |
Which means overall, girls, | 0:24:43 | 0:24:46 | |
you have got £20 of profit. | 0:24:46 | 0:24:48 | |
-Yes! -That's the bus fare home. -That is something else from the golfing duo. | 0:24:48 | 0:24:54 | |
-Amazing! -It is amazing. | 0:24:54 | 0:24:57 | |
The big trick now is don't tell the Blues a thing. | 0:24:57 | 0:25:02 | |
-Claire and Sue, do you know how the Reds got on? -No. -No idea. Good. We don't want you to know. | 0:25:07 | 0:25:13 | |
Now first up is the tea caddy and here it comes. | 0:25:13 | 0:25:17 | |
Rosewood tea caddy. I will start at £45. | 0:25:17 | 0:25:22 | |
Do I see 50, please? 45. | 0:25:22 | 0:25:25 | |
-50. -Lord! -55. 60. | 0:25:25 | 0:25:29 | |
-5 I am bid. Do I see 70? -Come on! -At £65. | 0:25:29 | 0:25:33 | |
Surely 70. Come on! At £65. | 0:25:33 | 0:25:36 | |
Fair warning, we sell. All out on the book. You're out. | 0:25:36 | 0:25:40 | |
We say sale. | 0:25:40 | 0:25:42 | |
Wiped its face. £65. No profit, no loss. No shame. | 0:25:42 | 0:25:47 | |
-All right? -OK. -Here we go. Now the timepiece. | 0:25:47 | 0:25:52 | |
This is your choice, Sue. | 0:25:52 | 0:25:54 | |
A lovely silver arched timepiece. There we are, lovely example. | 0:25:54 | 0:25:58 | |
And I am bid straight in here at 45. Do I see 50 now? | 0:25:58 | 0:26:02 | |
50. 5. 60. 5. | 0:26:02 | 0:26:05 | |
70. 5. 80. | 0:26:05 | 0:26:07 | |
I'm out. Do I see 5? 90. 5. | 0:26:07 | 0:26:11 | |
100. 110. 120? | 0:26:11 | 0:26:14 | |
I'll take 115, sir. He walked away. | 0:26:14 | 0:26:18 | |
At 110. Do I see 115? | 0:26:18 | 0:26:22 | |
At 110. Fair warning. | 0:26:22 | 0:26:24 | |
We'll sell to you, sir, at £110. Sold. | 0:26:24 | 0:26:28 | |
£110. You made 40 smackers just like that, which is super. | 0:26:28 | 0:26:32 | |
Well done! Now it's down to you, Claire. | 0:26:32 | 0:26:36 | |
There we are. We've got these delightful pictures. | 0:26:36 | 0:26:40 | |
Cecil Aldin. Three humorous animal prints. | 0:26:40 | 0:26:44 | |
I am bid here straight in at £25. Do I see 8? | 0:26:44 | 0:26:48 | |
30. 2. 5. 8. I'm out. | 0:26:48 | 0:26:52 | |
40. 2. Are you sure? One more, come on. | 0:26:52 | 0:26:56 | |
42. 5. 8. | 0:26:56 | 0:26:59 | |
50. 5? | 0:26:59 | 0:27:02 | |
Oh, walks away. 50 here. Miss Hornblower, your place. | 0:27:02 | 0:27:06 | |
At 50, fair warning. We say sale. | 0:27:06 | 0:27:09 | |
£50. Did he sell that at 50? That is minus £35. | 0:27:09 | 0:27:14 | |
Minus £35. You were plus 40. | 0:27:14 | 0:27:17 | |
-That means overall you are plus £5. -You did say that you didn't think they were going to go for much. | 0:27:17 | 0:27:24 | |
Listen, you've got a £5 profit. What about the willow pattern dish? | 0:27:24 | 0:27:28 | |
You could take that £5 profit or are you going to risk it...? | 0:27:28 | 0:27:33 | |
-We'll go for it. -You're going with the Bonus Buy? Yes? Thank goodness! Here it comes. | 0:27:33 | 0:27:39 | |
Nice object in good condition. Circa 1815. | 0:27:39 | 0:27:43 | |
I've got plenty of interest. I'll start here at £35. | 0:27:43 | 0:27:49 | |
Do I see 40 now? | 0:27:49 | 0:27:51 | |
35. Miss Hornblower. 40. 5. 50. | 0:27:51 | 0:27:54 | |
5. 60. | 0:27:54 | 0:27:56 | |
And I'm out. 60. I'll take 5 now. Come on! | 0:27:56 | 0:28:00 | |
-Come on! -Where's 5? Come on! | 0:28:00 | 0:28:03 | |
60, all done? It's your bid, Miss Hornblower, at £60. | 0:28:03 | 0:28:08 | |
£60 to Miss Hornblower! | 0:28:08 | 0:28:11 | |
She's a dream, this woman. Anyway, plus £10. | 0:28:11 | 0:28:17 | |
£10 of profit. Well done, Kate. | 0:28:17 | 0:28:20 | |
And you had a fiver anyway, which means overall you are plus £15. | 0:28:20 | 0:28:25 | |
I have to tell you, girls, plus £15 could be a winning score. | 0:28:25 | 0:28:30 | |
And the big thing is don't talk to the Reds at all! | 0:28:30 | 0:28:34 | |
So, a nice little profit of £15 for the Blues, | 0:28:34 | 0:28:37 | |
but they're pipped at the post by the Reds, | 0:28:37 | 0:28:39 | |
who, remember, made a profit of £20. | 0:28:39 | 0:28:42 | |
Coming up, two more teams go on the hunt for bargains, but first, | 0:28:44 | 0:28:48 | |
I'm off to somewhere holy. | 0:28:48 | 0:28:50 | |
Very holy indeed. | 0:28:52 | 0:28:55 | |
I've come to Lincoln Cathedral. | 0:28:55 | 0:28:57 | |
Much of the cathedral dates back to the 13th century, | 0:28:57 | 0:29:00 | |
when it was given a gothic makeover, the must-have look of the day. | 0:29:00 | 0:29:05 | |
A defining characteristic of your average English cathedral | 0:29:05 | 0:29:09 | |
is the bishop's chair. | 0:29:09 | 0:29:12 | |
Lincoln houses a grand example of what's called a cathedra. | 0:29:12 | 0:29:18 | |
The word itself is derived from the Greek "cathedra," meaning, | 0:29:18 | 0:29:21 | |
literally, "a teacher's chair." | 0:29:21 | 0:29:26 | |
And right next door, this is St Hugh's Choir, | 0:29:31 | 0:29:35 | |
which was created in 1141. | 0:29:35 | 0:29:38 | |
It's the space that's effectively the heart and hub | 0:29:38 | 0:29:42 | |
of the cathedral. | 0:29:42 | 0:29:44 | |
Running round the perimeter are 53 stalls. | 0:29:44 | 0:29:48 | |
There are 53 canon connected with the cathedral, | 0:29:48 | 0:29:53 | |
and each of them would have their own individual space. | 0:29:53 | 0:29:57 | |
We've got cusps, we've got arches, we've got crocketed finials, | 0:29:57 | 0:30:02 | |
and above that sits a saint, | 0:30:02 | 0:30:05 | |
in all his splendour. | 0:30:05 | 0:30:09 | |
I want you to imagine that you're a peasant | 0:30:13 | 0:30:16 | |
who's come in to recieve the sacrament in the cathedral | 0:30:16 | 0:30:19 | |
in 1500. In your whitewashed hovel that you call home, | 0:30:19 | 0:30:24 | |
there is absolutely no decoration at all. | 0:30:24 | 0:30:28 | |
You come to the cathedral to take your sacrament | 0:30:28 | 0:30:31 | |
and kneel, looking up at this screen. | 0:30:31 | 0:30:35 | |
With the gentle light pouring through these towering pinnacles, | 0:30:35 | 0:30:41 | |
your breath would be taken away. | 0:30:41 | 0:30:44 | |
Not all the carvings in the Choir date back to the 1400s. | 0:30:55 | 0:30:59 | |
Just look at this splendid example of a pulpit. | 0:30:59 | 0:31:04 | |
Here, we've got something that was designed by Sir George Gilbert Scott | 0:31:04 | 0:31:08 | |
and erected in 1863. | 0:31:08 | 0:31:11 | |
On the outset corners, we've got standing figures | 0:31:11 | 0:31:15 | |
of Matthew, Mark, Luke and John, | 0:31:15 | 0:31:18 | |
all carved expertly out of a single block of oak, | 0:31:18 | 0:31:22 | |
and in between are panels carved alto relievo with our Lord, | 0:31:22 | 0:31:28 | |
going about his sermons. Just goes to show, | 0:31:28 | 0:31:30 | |
the Victorians knew a thing or two about carving, also. | 0:31:30 | 0:31:35 | |
Meanwhile, back at Grimsthorpe, | 0:31:37 | 0:31:39 | |
let's hope our two new teams know a thing or two about finding bargains. | 0:31:39 | 0:31:42 | |
Time to meet our next pairs of Reds and Blues. | 0:31:42 | 0:31:45 | |
For the Reds, we've got John and Andy, | 0:31:47 | 0:31:50 | |
and for the Blues, Gemma and Sam. | 0:31:50 | 0:31:52 | |
Welcome to Bargain Hunt, everybody. | 0:31:52 | 0:31:54 | |
Very nice to see you. Good. | 0:31:54 | 0:31:56 | |
John, how did you two first meet? | 0:31:56 | 0:31:57 | |
Me and Andy were next-door neighbours, | 0:31:57 | 0:32:00 | |
but it was the wives that got to know each other first. | 0:32:00 | 0:32:03 | |
What will your tactics be today, John? | 0:32:03 | 0:32:05 | |
Haggle really hard, find some real bargains and hopefully make some money at the end of it. | 0:32:05 | 0:32:10 | |
Good. And what are your interests in antiques, Andy? | 0:32:10 | 0:32:14 | |
I collect a lot of film memorabilia. | 0:32:14 | 0:32:18 | |
I also collect Satsuma vases. | 0:32:18 | 0:32:20 | |
And are you well-trained in the combat of bargain hunting, do you reckon? | 0:32:20 | 0:32:24 | |
They had better watch out, cos we're going to be moving around. We'll get these items as quickly as we can. | 0:32:24 | 0:32:29 | |
-We'll dig in and we'll get some good bargai#ns. -Moving on to the Blues. | 0:32:29 | 0:32:33 | |
How do you two know each other then? | 0:32:33 | 0:32:35 | |
Gemma and I, we met at college. | 0:32:35 | 0:32:38 | |
We left our jobs and went to pursue a career in beauty. | 0:32:38 | 0:32:42 | |
-Ah! -We met there. We didn't really see eye to eye to start with. | 0:32:42 | 0:32:47 | |
I thought she was a bit of an emo and she thought I was an airhead, | 0:32:47 | 0:32:50 | |
-and she didn't like me very much. -But something happened, because you bonded up and became friends. | 0:32:50 | 0:32:55 | |
We had a night out and realised we had loads in common, and, yeah, | 0:32:55 | 0:33:00 | |
we've been really good friends ever since. | 0:33:00 | 0:33:02 | |
Sam, have you now finished in college, then? | 0:33:02 | 0:33:05 | |
Yes, we have. We're now qualified beauty therapists. | 0:33:05 | 0:33:09 | |
So, Gems, if I came into your salon, what would you recommend for me? | 0:33:09 | 0:33:13 | |
-Obviously you're very handsome, so there's not much we can do to improve! -Say no more! | 0:33:13 | 0:33:18 | |
Moving on, then! | 0:33:18 | 0:33:20 | |
No, seriously, there must be something that you could dredge up that would be a suitable treatment. | 0:33:20 | 0:33:25 | |
-We could tint your moustache for you, maybe. -Tint my moustache?! -Yeah. | 0:33:25 | 0:33:28 | |
What would you do if you were to tint my moustache? Put some dye on it or something? | 0:33:28 | 0:33:32 | |
It's a bit like having your hair dyed. | 0:33:32 | 0:33:35 | |
-I've never done that. -Your regrowth might look a bit funny on your face! | 0:33:35 | 0:33:38 | |
Brilliant. We've now come to the money moment. | 0:33:38 | 0:33:41 | |
The £300. Here's your £300. | 0:33:41 | 0:33:43 | |
-300 smackers. -Thank you. | 0:33:43 | 0:33:45 | |
There you go. You know the rules. Your experts await. And off you go! | 0:33:45 | 0:33:48 | |
And they're away! One hour and three bargains to find. | 0:33:50 | 0:33:53 | |
Couldn't be easier, could it? | 0:33:53 | 0:33:56 | |
I think it's always better to go for silver, girls. | 0:33:56 | 0:33:58 | |
It's just got a bit more quality and weight to it. | 0:33:58 | 0:34:01 | |
You see an awful lot of silver-plated ones. | 0:34:01 | 0:34:03 | |
That is actually in lovely condition. | 0:34:03 | 0:34:06 | |
You've got the Roman numerals, and then the subsidiary dial for the seconds. | 0:34:06 | 0:34:10 | |
If you turn it over, it's all polished up and looking beautiful. If we just open it up, | 0:34:10 | 0:34:15 | |
press the button on the top, | 0:34:15 | 0:34:18 | |
and that should spring open. | 0:34:18 | 0:34:20 | |
There we go - we've got silver hallmarks on the inside. 1907. | 0:34:20 | 0:34:24 | |
So it's Edward VII in date, well over 100 years old. | 0:34:24 | 0:34:29 | |
-It's lovely. -How much is it? | 0:34:29 | 0:34:32 | |
-85. -85! I was thinking more like 60? | 0:34:32 | 0:34:35 | |
Go on, then. | 0:34:35 | 0:34:38 | |
Should have asked for 50, shouldn't I! | 0:34:38 | 0:34:40 | |
-I was going to say, won't you sell it for 50?! -Not 50, no. | 0:34:40 | 0:34:43 | |
-Cos we're going to have to clean it! -Don't dip it in oil! | 0:34:43 | 0:34:47 | |
Is that your best, seriously? | 0:34:47 | 0:34:49 | |
Eh... Yes. 55. | 0:34:49 | 0:34:52 | |
-50, go on. -50's such a nice round figure. | 0:34:52 | 0:34:55 | |
-Help three lovely girls! -Yeah, go on. | 0:34:55 | 0:34:59 | |
-£50? -Yeah, go on. -Do you like that, girls? -Yeah. | 0:34:59 | 0:35:01 | |
Well, they've bought it, but they don't sound so convinced. | 0:35:01 | 0:35:05 | |
I think we've done the right thing. | 0:35:05 | 0:35:07 | |
Yeah, I do. I like it, I think it's a nice item. I think we did well. | 0:35:07 | 0:35:11 | |
Do you know what? Sometimes, the first thing you see is the best buy. | 0:35:11 | 0:35:15 | |
You never know. We've got loads more to do, so come on! | 0:35:15 | 0:35:19 | |
So that's the Blues up and running. Have the Reds bought anything yet? | 0:35:22 | 0:35:26 | |
Yes, it is Tunbridge ware banding. Well done. | 0:35:26 | 0:35:30 | |
-I've got an expert with me! -THEY LAUGH | 0:35:30 | 0:35:33 | |
-Here we go. -That's a nice-quality one, isn't it? It's a writing slope. | 0:35:37 | 0:35:40 | |
You've got rosewood, and this wood is birch, I think. | 0:35:40 | 0:35:46 | |
Date-wise, you're looking at... The style of it, it's early Victorian. | 0:35:46 | 0:35:51 | |
£72 asking. | 0:35:51 | 0:35:53 | |
A straightforward rosewood writing slope in good condition is £30-40. | 0:35:53 | 0:35:58 | |
-OK. -But you've got this nice pattern on it. -It's beautiful, I really do like it. | 0:35:58 | 0:36:02 | |
-So at auction I'd probably quote £40-60. -OK. | 0:36:02 | 0:36:04 | |
So you stand a chance if you get it in at 60. | 0:36:04 | 0:36:07 | |
'Well, John, you said you were going to haggle hard, now's your chance.' | 0:36:07 | 0:36:11 | |
I could go down to 60 on that. | 0:36:11 | 0:36:13 | |
Will you go down to about 50? | 0:36:13 | 0:36:15 | |
-Erm, no. I can go a little bit lower, but not much. -55? | 0:36:15 | 0:36:19 | |
Yeah, 55 I'll go. | 0:36:19 | 0:36:21 | |
-You really like that. Do you want to just go for that, just to get one in the bag? -Yeah. | 0:36:21 | 0:36:25 | |
Cos it's a good decorative thing. Are you happy with that? OK. | 0:36:25 | 0:36:28 | |
That's number one done! | 0:36:28 | 0:36:30 | |
It's like Challenge Anneka, isn't it! "Quick, find something!" | 0:36:33 | 0:36:37 | |
Now then, this could be interesting. Both teams are eyeing up cruet sets. | 0:36:40 | 0:36:45 | |
Nice. Walker and Hall are really well-known makers, good quality. | 0:36:45 | 0:36:48 | |
Sheffield. It's a Walker and Hall, so it's a good local maker as well. Selling it in Derby. | 0:36:50 | 0:36:54 | |
The only thing is, these aren't that commercial. People don't tend to buy them so much. | 0:36:54 | 0:37:00 | |
-Mark's a little bit rubbed. Quite pretty, actually. -Very nice. | 0:37:00 | 0:37:04 | |
-This chap's got a little dent in it, but... -This one's fairly clean. | 0:37:04 | 0:37:07 | |
-They're a nice shape, they're in nice condition. -Yep. -The hallmarks are crisp, you know. | 0:37:07 | 0:37:13 | |
There's nothing obvious of damage. | 0:37:13 | 0:37:15 | |
Often you see a foot's been dropped off or bent over, stuff like that. | 0:37:15 | 0:37:19 | |
So, £30, you say? | 0:37:19 | 0:37:21 | |
-Best. -Best is 30 quid? | 0:37:21 | 0:37:23 | |
-I do like it. -You make a decision. -Yes. Let's go for it. | 0:37:23 | 0:37:26 | |
So, the Reds bought theirs. Have the Blues bagged theirs? | 0:37:26 | 0:37:29 | |
Is it going to break the bank, though? | 0:37:29 | 0:37:32 | |
-125 for the set. -Shall we have a look around and come back, maybe? | 0:37:32 | 0:37:35 | |
-I think that's a very good idea, Sam. -We know where it is. | 0:37:35 | 0:37:39 | |
Thanks for your help. | 0:37:39 | 0:37:41 | |
Now, girls, don't take too long to decide. | 0:37:41 | 0:37:43 | |
With just 20 minutes remaining and £250 to blow, | 0:37:43 | 0:37:46 | |
the Blues still need two more items. | 0:37:46 | 0:37:49 | |
-What do you think, girls? -That's nice. Is it silver? | 0:37:49 | 0:37:52 | |
It is silver. I have to say, | 0:37:52 | 0:37:55 | |
I've never seen a rattle in the form of an apple like that. | 0:37:55 | 0:37:58 | |
A little novelty piece. | 0:37:58 | 0:38:00 | |
-It's really sweet. -There is a little bit of damage. | 0:38:00 | 0:38:03 | |
Do you see, they've put the actual bell in here, through this slot, | 0:38:03 | 0:38:08 | |
but can you see the silver has torn slightly here and here? | 0:38:08 | 0:38:12 | |
Would that affect its value? | 0:38:12 | 0:38:14 | |
It would affect the value. For a collector who likes things perfect, that might put them off. | 0:38:14 | 0:38:19 | |
I have to say it wouldn't bother me, because I think the novelty shape of it, being an apple, | 0:38:19 | 0:38:24 | |
outweighs the little bit of damage on it. | 0:38:24 | 0:38:27 | |
-How much is it? -Got 62 on there. | 0:38:27 | 0:38:30 | |
I could do it for 58. | 0:38:30 | 0:38:32 | |
-Because of that damage, I'd like to see it at sort of... -40. -Mmm. | 0:38:32 | 0:38:36 | |
If we meet in the middle at 45... | 0:38:36 | 0:38:39 | |
It's a gamble. You might get a collector saying, "Gosh, I've never seen a little apple before," | 0:38:39 | 0:38:43 | |
and he's prepared to pay a bit more despite the damage. | 0:38:43 | 0:38:46 | |
I think we're running out of time, I think we take the risk. | 0:38:46 | 0:38:49 | |
I do as well. VENDOR: I think, to be honest... | 0:38:49 | 0:38:51 | |
-45? -If you get two collectors after it, I think it could fly. -OK. | 0:38:51 | 0:38:55 | |
It might not, but it could. | 0:38:55 | 0:38:57 | |
Thank you very much. I think we'll take it. | 0:38:57 | 0:38:59 | |
Well, that was great, because for the first time, I saw the girls coming out of their shells | 0:39:01 | 0:39:06 | |
and I think Sam is a bit of a hard bargainer underneath. | 0:39:06 | 0:39:09 | |
She really got stuck in. And we got a pretty good price. | 0:39:09 | 0:39:11 | |
So, with 12 minutes to go, I think they're finally on a mission. | 0:39:11 | 0:39:16 | |
Time's ticking away but Jonathan has spotted something he likes. | 0:39:18 | 0:39:22 | |
So far, a superb name. | 0:39:24 | 0:39:27 | |
The big French factory of the 18th century. | 0:39:27 | 0:39:29 | |
We've got plenty of time, so there's no rush. | 0:39:29 | 0:39:31 | |
-I'm not even panicking yet. -Yes, we've got about ten minutes. | 0:39:31 | 0:39:34 | |
-Plenty of time. -£100 for the two. | 0:39:34 | 0:39:37 | |
I don't think you stand to lose very much. | 0:39:37 | 0:39:40 | |
I think that's one you should run back for. | 0:39:40 | 0:39:42 | |
You may not be panicking, Andy, but Jonathan sure is. | 0:39:42 | 0:39:46 | |
I don't know. They're cool as cucumbers. | 0:39:47 | 0:39:50 | |
What do you think about this, girls? | 0:39:54 | 0:39:56 | |
That's quite good, isn't it? | 0:39:56 | 0:39:58 | |
-Is it a coal bucket? -I think it probably is. | 0:39:58 | 0:40:01 | |
Have a closer look. | 0:40:01 | 0:40:02 | |
What I love is this lovely thistle decoration embossed on the side. | 0:40:02 | 0:40:08 | |
Almost Art Nouveau in date. 1900. | 0:40:08 | 0:40:11 | |
But you've got lovely paw feet and lion mask handles with rings, | 0:40:11 | 0:40:17 | |
which are reminiscent of the Regency period of the 1820s. | 0:40:17 | 0:40:22 | |
-It's quite nice. -The price is 150... | 0:40:22 | 0:40:25 | |
Yes, £150. | 0:40:25 | 0:40:28 | |
It's quite high. | 0:40:28 | 0:40:30 | |
It is a lot. If it said 80, I'd say go straight away. | 0:40:30 | 0:40:35 | |
But then we haven't seen anything else and time is ticking on. | 0:40:35 | 0:40:38 | |
I know! We need to find something. | 0:40:38 | 0:40:41 | |
-Shall we think about it? Look a bit further? -Yes. | 0:40:41 | 0:40:44 | |
But bear that in mind, girls, because it's a good thing. | 0:40:44 | 0:40:47 | |
Don't leave it too late, girls. There's just ten minutes to go. | 0:40:47 | 0:40:50 | |
But how are the Reds doing? | 0:40:50 | 0:40:52 | |
We've got a fair amount of money left. | 0:40:54 | 0:40:57 | |
I think we have the best part of £270 left. So... | 0:40:57 | 0:41:00 | |
I'm now going to try and encourage them to blow some large money on their last object, | 0:41:00 | 0:41:05 | |
which I think they ought to choose, with a bit of guidance. | 0:41:05 | 0:41:09 | |
It's quite simply done and it's very much the 1930s. | 0:41:12 | 0:41:16 | |
I quite like that. How much is that? | 0:41:16 | 0:41:19 | |
-That one? -Yes. | 0:41:19 | 0:41:20 | |
I'm doing that at 35. | 0:41:20 | 0:41:22 | |
-That's Whitby. -That's so nicely done. | 0:41:24 | 0:41:27 | |
-How much is that one? -65. | 0:41:27 | 0:41:29 | |
I like that. That's a possible. | 0:41:29 | 0:41:31 | |
I like that, little ship scenes. | 0:41:31 | 0:41:33 | |
-I think the Whitby scene is pretty. Brilliant. -Thank you. | 0:41:33 | 0:41:37 | |
We'll wonder that way but you may hear us running back. Cheers. | 0:41:37 | 0:41:41 | |
Especially when we run out of time. | 0:41:41 | 0:41:43 | |
Both teams have us hanging on a limb | 0:41:43 | 0:41:45 | |
but with just two minutes to go, | 0:41:45 | 0:41:47 | |
the Blues are back at the brass coal bucket. | 0:41:47 | 0:41:50 | |
So, we're really short of time and we'd love to buy... | 0:41:50 | 0:41:54 | |
You can buy it but I can't sell it for less than £150. | 0:41:54 | 0:41:57 | |
-Oh! -That's rock-bottom, honestly, it really is. | 0:41:57 | 0:42:01 | |
You can squeeze me to another £5 note but I can't go any lower than that. | 0:42:01 | 0:42:05 | |
I just can't see it at that at auction. | 0:42:05 | 0:42:07 | |
All I can say is, you don't have to buy it, ladies. | 0:42:07 | 0:42:10 | |
Oh, yes, they do. There's about three minutes left. | 0:42:10 | 0:42:14 | |
-140, just for us? -I can't. | 0:42:14 | 0:42:15 | |
I'll buy you a cup of tea. | 0:42:15 | 0:42:17 | |
Come on, she'll give you a big kiss. | 0:42:17 | 0:42:19 | |
Will she? Is it worth a big kiss? | 0:42:19 | 0:42:22 | |
-All right, 140. -And a big kiss. | 0:42:22 | 0:42:24 | |
-140? -Thank you. | 0:42:24 | 0:42:28 | |
At last, the Blues have finished. | 0:42:28 | 0:42:30 | |
How close are the Reds away? | 0:42:30 | 0:42:33 | |
-You've got two minutes, Jonathan. -Two minutes?! | 0:42:33 | 0:42:36 | |
-OK, I think, in that respect, you've just got to go and buy those vases. -Vases or pictures? | 0:42:36 | 0:42:41 | |
-It's your decision. -Vases or pictures? | 0:42:41 | 0:42:43 | |
I'll go with what you say is the best. I can run up to the pictures now, it'll take 30 seconds. | 0:42:43 | 0:42:48 | |
-It's your decision. -OK. -We've talked enough about both of them. | 0:42:48 | 0:42:51 | |
-I've given you enough information about both of them. -Pictures? | 0:42:51 | 0:42:54 | |
-Which do you like the best? -The pictures. -We'll go for pictures. | 0:42:54 | 0:42:57 | |
OK. Leg it. You've got to get there and buy it within two minutes. | 0:42:57 | 0:43:01 | |
They're cutting it fine. | 0:43:02 | 0:43:04 | |
Is the man here? | 0:43:07 | 0:43:09 | |
Yep, he's here. | 0:43:09 | 0:43:10 | |
-OK. -Local. | 0:43:10 | 0:43:12 | |
-It was the one underneath. -The Whitby one? | 0:43:12 | 0:43:15 | |
The Whitby one, the windmill and the boats. | 0:43:15 | 0:43:17 | |
Yes. Them three. How much is it again, sir? | 0:43:17 | 0:43:19 | |
-100 quid. -Let's go for it. | 0:43:19 | 0:43:22 | |
-So we're buying three pictures, one lot, £100. -Yes. -Brilliant. | 0:43:22 | 0:43:26 | |
At last. All three items in the bag | 0:43:26 | 0:43:29 | |
for both teams. Let's remind ourselves what the Red team bought. | 0:43:29 | 0:43:32 | |
First in the can for Andy and John | 0:43:32 | 0:43:34 | |
was the Victorian wooden writing slope. | 0:43:34 | 0:43:37 | |
Walker and Hall was the name | 0:43:37 | 0:43:39 | |
on the pair of silver salt cellars from 1902 that Andy found. | 0:43:39 | 0:43:43 | |
And the boys made a sweat over the last item. | 0:43:43 | 0:43:45 | |
Let's hope their mad dash | 0:43:45 | 0:43:47 | |
for the set of three pencil-signed engravings was worth it. | 0:43:47 | 0:43:51 | |
How much did you spend overall? | 0:43:53 | 0:43:55 | |
We spent £185. | 0:43:55 | 0:43:58 | |
That's brilliant. Which is your favourite piece? | 0:43:58 | 0:44:02 | |
My favourite piece is probably the three pictures. | 0:44:02 | 0:44:05 | |
I like the salts. I think they'll do well. | 0:44:05 | 0:44:07 | |
But I also like the pictures. On the day, we'll see what happens. | 0:44:07 | 0:44:10 | |
Quite right too. You spent 185. | 0:44:10 | 0:44:12 | |
-I'd like £115. -I have this. | 0:44:12 | 0:44:15 | |
-You have to give it to me. -Oh! | 0:44:15 | 0:44:17 | |
And then the good Lord gives with one hand and he... | 0:44:17 | 0:44:19 | |
..Takes away with the other. | 0:44:19 | 0:44:21 | |
There you go, Jonathan. What are you going to do with £115? | 0:44:21 | 0:44:25 | |
I've seen some very nice little things. I think something portable, that I can put in my pocket. | 0:44:25 | 0:44:30 | |
All responsibility sits with you, Jonathan. | 0:44:30 | 0:44:34 | |
Let's remind ourselves what the Blues bought. | 0:44:34 | 0:44:36 | |
Sam and Gemma wanted to buy sparkly | 0:44:36 | 0:44:39 | |
and they did just that, first with | 0:44:39 | 0:44:41 | |
the silver-cased pocket watch | 0:44:41 | 0:44:43 | |
and secondly, with the 1920s apple-shaped silver baby's rattle. | 0:44:43 | 0:44:48 | |
Last up, they swapped silver for brass | 0:44:48 | 0:44:51 | |
in the shape of an oval coal bin. | 0:44:51 | 0:44:53 | |
How much did you spend? | 0:44:53 | 0:44:55 | |
£235. | 0:44:55 | 0:44:57 | |
£235 well spent. | 0:44:57 | 0:44:59 | |
Which is your favourite piece? | 0:44:59 | 0:45:01 | |
The watch, the pocket watch. | 0:45:01 | 0:45:04 | |
-What about you? -I'm split between the watch and the apple. | 0:45:04 | 0:45:07 | |
I think the apple is a bit of a risk but it might be good. | 0:45:07 | 0:45:10 | |
That's it, then. I'd like £65 of leftover lolly, which goes straight to Kate. | 0:45:10 | 0:45:14 | |
-Thank you. -You're going to spend this very speedily, aren't you? | 0:45:14 | 0:45:17 | |
I'm going to go and make a snappy decision. | 0:45:17 | 0:45:20 | |
So, we've come 58 miles south of Grimsthorpe to the Derbyshire village of Mackworth | 0:45:27 | 0:45:33 | |
-to be with Charles Hanson. How are you? -Very well, thank you. | 0:45:33 | 0:45:37 | |
-John and Andy, these Reds, they went with this Victorian rosewood and maple writing slope. -Yes. | 0:45:37 | 0:45:43 | |
It's a bit tatty, Tim. It's got the crack running across the centre horizontally. | 0:45:43 | 0:45:48 | |
It's a bit tired and it's fairly middle of the road. | 0:45:48 | 0:45:51 | |
My guide price is between £40 and £60. | 0:45:51 | 0:45:54 | |
That's not too bad. They paid £55. The matched pair of silver salts. | 0:45:54 | 0:45:59 | |
They're beautifully cast with the sea scrolls. | 0:45:59 | 0:46:02 | |
-My guide price is £30 to £50. -Brilliant. £30 paid. | 0:46:02 | 0:46:06 | |
What about these three prints? | 0:46:06 | 0:46:09 | |
They're good quality but they're a fairly restricted market. | 0:46:09 | 0:46:13 | |
For the three, between £50 and £60. | 0:46:13 | 0:46:16 | |
£100 was paid. | 0:46:16 | 0:46:17 | |
If there's a problem with that they're going to need | 0:46:17 | 0:46:20 | |
their bonus buy, frankly, so let's go and have a look at it. | 0:46:20 | 0:46:22 | |
-Oh! -It could be slightly painful, this. | 0:46:24 | 0:46:28 | |
-That is a big one. -It stuck in the end. | 0:46:28 | 0:46:30 | |
Lovely reveal, that. One of our better ones. | 0:46:30 | 0:46:33 | |
You'd better tell the boys about it before they break it. | 0:46:33 | 0:46:37 | |
It's a desk blotter. | 0:46:37 | 0:46:39 | |
It's fantastic. | 0:46:39 | 0:46:40 | |
It's just nicely carved. There's a lot of detail in it. | 0:46:40 | 0:46:45 | |
-I paid £70. -£70? -Yeah. | 0:46:45 | 0:46:49 | |
Is it going to make a profit for us? | 0:46:49 | 0:46:51 | |
I think it stands a chance. It's an unusual thing | 0:46:51 | 0:46:53 | |
and these Bavarian pieces can be quite unpredictable. | 0:46:53 | 0:46:55 | |
On that happy note, that's what you hang on to. | 0:46:55 | 0:46:58 | |
You decide later, after the sale of your first three items, | 0:46:58 | 0:47:02 | |
but for the viewers at home, | 0:47:02 | 0:47:04 | |
let's find out what they think about Jonathan's blotter. | 0:47:04 | 0:47:07 | |
The bear is really well carved. | 0:47:07 | 0:47:08 | |
-I do like it. -What's your estimate? | 0:47:08 | 0:47:10 | |
-My guide price would be between £50 and £70. -Jonathan paid £70. | 0:47:10 | 0:47:15 | |
-Fine. -That's it for the Reds. | 0:47:15 | 0:47:17 | |
Now for the Blues, and what a wacky mix they've got. | 0:47:17 | 0:47:20 | |
They have. | 0:47:20 | 0:47:21 | |
Fairly standard, open-faced, key-wound silver pocket watch. | 0:47:21 | 0:47:26 | |
It is. Edwardian, good condition. | 0:47:26 | 0:47:29 | |
No real signs of wear and tear. | 0:47:29 | 0:47:31 | |
They tend to make between £40 and £45. | 0:47:31 | 0:47:34 | |
-£50 on a good day. -We need a good day because they paid £55. | 0:47:34 | 0:47:38 | |
The baby's rattle in the form of an apple. | 0:47:38 | 0:47:41 | |
It's well hallmarked. | 0:47:41 | 0:47:43 | |
-My guide price would be between £25 and £35. -Kate paid 45. | 0:47:43 | 0:47:48 | |
It ought to hopefully get there. | 0:47:48 | 0:47:50 | |
-This oval boiler. -Yes. -Do you like it? -It's a good lump. | 0:47:50 | 0:47:54 | |
I think it has great style. | 0:47:54 | 0:47:56 | |
It sits well but I'm not sure what its use would have been originally. | 0:47:56 | 0:47:59 | |
They bought it as a coal tub | 0:47:59 | 0:48:02 | |
but a more impractical and ridiculous coal tub, | 0:48:02 | 0:48:05 | |
you can't imagine, can you? | 0:48:05 | 0:48:07 | |
I think it's Dutch and it started off life completely plain and what they did was | 0:48:07 | 0:48:12 | |
to bring over a lot of continental metalwork in the 19th century and emboss it up around about 1900. | 0:48:12 | 0:48:19 | |
And some Scottish embosser embossed this with the thistles, | 0:48:19 | 0:48:24 | |
and it could date from the late 18th century, early 19th century. | 0:48:24 | 0:48:29 | |
-I see that now. -Can you see that? | 0:48:29 | 0:48:31 | |
The whole thing with how it sits in the style doesn't sit so well | 0:48:31 | 0:48:35 | |
-but in the Arts and Crafts format, it has that presence. -It does. | 0:48:35 | 0:48:38 | |
Imagine it without any feet. | 0:48:38 | 0:48:41 | |
Because the feet were put on at the time it was embossed. | 0:48:41 | 0:48:44 | |
Then think about it as a fish kettle. | 0:48:44 | 0:48:46 | |
Think about it as a cookery object | 0:48:46 | 0:48:49 | |
-that you'd shove in your Dutch oven, with a lobster in it. -Got it, yes. | 0:48:49 | 0:48:54 | |
That's what it started off life as. | 0:48:54 | 0:48:56 | |
And now, poor thing, it's become a coal tub. The ultimate insult. | 0:48:56 | 0:49:01 | |
-It tells a story. -It tells a story. | 0:49:01 | 0:49:04 | |
But anyway, having said that... | 0:49:04 | 0:49:06 | |
Today the market for copper and brass is quite difficult. | 0:49:06 | 0:49:09 | |
My guide price would be £50 to £70, which might seem | 0:49:09 | 0:49:12 | |
a bit expensive | 0:49:12 | 0:49:14 | |
but I hope the audience will see its true merits in the period. | 0:49:14 | 0:49:18 | |
They paid £140 for this. | 0:49:18 | 0:49:20 | |
-There could be a big loss, Tim, unfortunately. -Oh, my Lordy. | 0:49:20 | 0:49:24 | |
One thing is for certain, they're going to need their bonus buy. So let's go and have a look at it. | 0:49:24 | 0:49:29 | |
I've gone for something a little scientific. | 0:49:30 | 0:49:34 | |
It's a little desk brass-cased aneroid barometer. | 0:49:34 | 0:49:38 | |
What I like is you can see the workings. | 0:49:38 | 0:49:42 | |
So I thought that was a rather sweet little thing. £60 is what I paid. | 0:49:42 | 0:49:46 | |
-I like it. -I like it. It's nice. How much do you think it's worth? | 0:49:46 | 0:49:50 | |
I would estimate it at 50 to 80. | 0:49:50 | 0:49:52 | |
So I think it's got room for some profit. | 0:49:52 | 0:49:55 | |
-I like it. -I do. | 0:49:55 | 0:49:57 | |
Well done, Kate. You decide later. | 0:49:57 | 0:50:00 | |
For the viewers at home, let's find out what the auctioneer thinks about the barometer. | 0:50:00 | 0:50:04 | |
It would have had its friend originally, | 0:50:04 | 0:50:06 | |
-maybe its time companion. -Yes, off a desk. | 0:50:06 | 0:50:09 | |
As part of a set on a desktop. | 0:50:09 | 0:50:11 | |
I think it's going to realise between £40 and £70. | 0:50:11 | 0:50:17 | |
-Kate paid £60. -Right. | 0:50:17 | 0:50:20 | |
So we could be heading for stormy weather. | 0:50:20 | 0:50:23 | |
Andrew and John. | 0:50:29 | 0:50:31 | |
Are you feeling positive? | 0:50:31 | 0:50:33 | |
Absolutely fantastic. | 0:50:33 | 0:50:34 | |
First up is the writing slope and here it comes. | 0:50:34 | 0:50:37 | |
-We now go on to number 135. -Ooh. | 0:50:37 | 0:50:41 | |
Victorian rosewood and maple inlaid writing slope. | 0:50:41 | 0:50:45 | |
Nice box. I am bid straight in here on my book at 40. | 0:50:45 | 0:50:50 | |
Do I see five now? Come on. 40. | 0:50:50 | 0:50:53 | |
I'll take 5, 50, 5, 60, 5. I'm out. | 0:50:53 | 0:50:58 | |
-Please. -Do I see 70? | 0:50:58 | 0:51:01 | |
£65. Make a name for yourself. Going once, | 0:51:01 | 0:51:04 | |
going twice, to you, sir, standing. | 0:51:04 | 0:51:06 | |
At £65. | 0:51:06 | 0:51:09 | |
-Get in there. -Come on! | 0:51:09 | 0:51:11 | |
Plus £10, Jonathan, I like it! | 0:51:11 | 0:51:13 | |
136, a lovely pair of silver salt cellars, matched. | 0:51:13 | 0:51:16 | |
Lots of interest, here. | 0:51:16 | 0:51:19 | |
I'm bid 30. Do I see 5 now? Come on. | 0:51:19 | 0:51:23 | |
5, 40, 5... | 0:51:23 | 0:51:25 | |
I've got eight. 50. And I'm out. | 0:51:25 | 0:51:29 | |
50 there. | 0:51:29 | 0:51:30 | |
-Come on. At 50... -Come on! | 0:51:32 | 0:51:35 | |
We sell at £50. | 0:51:35 | 0:51:39 | |
£20 profit on that plus 20 on that. | 0:51:39 | 0:51:41 | |
-You're 30 overall. -I tell you what, ooh!. | 0:51:41 | 0:51:43 | |
-Steady now. -They're being shown for you now, three of them, | 0:51:43 | 0:51:47 | |
and they're very nice engravings, in their original frames, I'm sure. | 0:51:47 | 0:51:52 | |
And they're very, very nice. | 0:51:52 | 0:51:55 | |
I have interest here. | 0:51:55 | 0:51:57 | |
-Good. -I'll start with a bid at £30. | 0:51:57 | 0:52:00 | |
-Come on, come on! -Do I see 2? | 0:52:00 | 0:52:04 | |
Come on. 30, I'll take two. Four? | 0:52:04 | 0:52:06 | |
Oh, dear. | 0:52:06 | 0:52:08 | |
-What?! -I'll take 2, 5, 8. | 0:52:08 | 0:52:10 | |
40, 5, are you sure? I'll take 2 if it helps. | 0:52:10 | 0:52:14 | |
2, thank you. 45, sir? | 0:52:14 | 0:52:18 | |
Yes. 48, go on! | 0:52:18 | 0:52:20 | |
This is not looking good. | 0:52:20 | 0:52:22 | |
OK, £45 to you, sir. | 0:52:22 | 0:52:26 | |
I'll take 8. The gavel falls. | 0:52:26 | 0:52:28 | |
You're minus £55. | 0:52:28 | 0:52:30 | |
-Got a good deal there. -Minus £55, | 0:52:30 | 0:52:33 | |
which means overall, you're minus £25. | 0:52:33 | 0:52:37 | |
After all that initial success. | 0:52:37 | 0:52:39 | |
Minus £25. | 0:52:39 | 0:52:41 | |
Listen, what are you going to do about the blotter? | 0:52:41 | 0:52:44 | |
As we're down, we might as well go for it. | 0:52:44 | 0:52:47 | |
It's a very nice | 0:52:47 | 0:52:49 | |
Bavarian carved desk blotter and we have got some interest here. | 0:52:49 | 0:52:53 | |
I will start with a bid conflicting at 22, 5, 8, 30 on my book. | 0:52:53 | 0:53:00 | |
Do I see 2 for it? | 0:53:00 | 0:53:02 | |
Surely 2. Come on. 32, 5, 8. | 0:53:02 | 0:53:06 | |
40, 5. Come on, Sir Paul. | 0:53:06 | 0:53:09 | |
No? Are you sure? | 0:53:09 | 0:53:11 | |
40. I'll take 5 now, surely. | 0:53:11 | 0:53:14 | |
Going once, twice, three times, lady, we go. | 0:53:14 | 0:53:17 | |
At £40 we sell it. | 0:53:17 | 0:53:20 | |
£40. That's minus 30 on that. Turned out to be a rotter, not a blotter. | 0:53:20 | 0:53:25 | |
And it is now minus £55. | 0:53:25 | 0:53:28 | |
That's a proper losing score! | 0:53:28 | 0:53:30 | |
You're not mucking about, are you? | 0:53:30 | 0:53:32 | |
-No, no, no. -All or nothing. | 0:53:32 | 0:53:34 | |
Well, listen, don't tell the Blues a thing. | 0:53:34 | 0:53:37 | |
-I'd go out looking victorious if I were you. -We will. | 0:53:37 | 0:53:40 | |
That might depress them, at least. | 0:53:40 | 0:53:42 | |
-And we'll see what happens. -Excellent. | 0:53:42 | 0:53:44 | |
-Do you know how the Reds have done, those naughty boys? -No. | 0:53:50 | 0:53:54 | |
Because they've been pretty bullish, haven't they? | 0:53:54 | 0:53:57 | |
They've been pretty positive about what they're going to do to beat you girls up. | 0:53:57 | 0:54:02 | |
And are they going to win, do you think? | 0:54:02 | 0:54:04 | |
-Or are you going to win? -We're going to win. | 0:54:04 | 0:54:06 | |
-We're going to win. -I think it's a bit of hare and tortoise here. | 0:54:06 | 0:54:09 | |
And who won in the end? | 0:54:09 | 0:54:11 | |
Quite right, too. That's a very nice analogy there, Kate. | 0:54:11 | 0:54:15 | |
Anyway, it's about having a laugh | 0:54:15 | 0:54:17 | |
and the first laugh we'll have is about the watch. Here it comes. | 0:54:17 | 0:54:21 | |
155, a delightful Chester silver hallmarked pocket watch. | 0:54:21 | 0:54:26 | |
And I am bid £25. | 0:54:26 | 0:54:29 | |
8, 30, 2, 5, 8, 40, 5, I'm out. | 0:54:29 | 0:54:33 | |
-50, 5, one more, sir. -You're in profit. | 0:54:33 | 0:54:37 | |
I'll take 2. 2, 5, 8? Are you sure? | 0:54:37 | 0:54:41 | |
55, now. Do I see 8, surely? 8, 60? | 0:54:41 | 0:54:46 | |
You're in, sir, at £58, seated. | 0:54:46 | 0:54:48 | |
At £58 to you, sir. | 0:54:48 | 0:54:51 | |
We say sale. | 0:54:51 | 0:54:53 | |
58. You're £8 up. | 0:54:53 | 0:54:55 | |
That's brilliant. Plus £8. | 0:54:55 | 0:54:57 | |
-Well done. -That's a good start. Now your rattle. | 0:54:57 | 0:54:59 | |
My number is now 156. | 0:54:59 | 0:55:01 | |
Delightful rattle. | 0:55:01 | 0:55:03 | |
Silver. And I am bid 18, 22, 5, 8. | 0:55:03 | 0:55:08 | |
Do I see £30 for it? | 0:55:08 | 0:55:11 | |
At £28, do I see 30 now? All done. | 0:55:11 | 0:55:14 | |
I look for 30, surely. Come on! | 0:55:14 | 0:55:17 | |
-Gosh, that's nothing! -At £28, all done at £28. | 0:55:17 | 0:55:23 | |
We say sale. | 0:55:23 | 0:55:25 | |
That's two off 30. | 0:55:25 | 0:55:28 | |
That means you're minus 17 on that. | 0:55:28 | 0:55:31 | |
It means you're minus £9 at this point. | 0:55:31 | 0:55:35 | |
157 is a delightful Scottish | 0:55:35 | 0:55:38 | |
Arts and Crafts later-embossed or chased... | 0:55:38 | 0:55:41 | |
maybe a kettle tin, or fish. | 0:55:41 | 0:55:44 | |
-Good man. -I've got one, two, three bids for it. | 0:55:44 | 0:55:47 | |
-Ooh. -So I will start at £60 | 0:55:47 | 0:55:52 | |
and go 5, 75, 85, 95 and 100. | 0:55:52 | 0:55:58 | |
Do I see 105 for it? | 0:55:58 | 0:55:59 | |
At 100, 105, 110, 15, no? | 0:55:59 | 0:56:05 | |
You're out at 110. Do I see 115 now? | 0:56:05 | 0:56:09 | |
At £110, all done? | 0:56:09 | 0:56:12 | |
Yes, we have. | 0:56:12 | 0:56:14 | |
£110. It's not as bad as it might have been. | 0:56:14 | 0:56:17 | |
That could have been a lot worse. | 0:56:17 | 0:56:20 | |
That's minus £30. | 0:56:20 | 0:56:21 | |
Overall, you're minus £39. | 0:56:21 | 0:56:24 | |
You could stick at that or you could have a punt at the barometer. | 0:56:24 | 0:56:29 | |
-So what do you fancy doing? -I think no. I think we shouldn't. | 0:56:29 | 0:56:35 | |
-You think you shouldn't? -Yeah. | 0:56:35 | 0:56:37 | |
A very nice Edwardian brass aneroid desk barometer. There it is. | 0:56:37 | 0:56:41 | |
I am bid here only £25. | 0:56:41 | 0:56:46 | |
Do I see 8 for it? Come on. | 0:56:46 | 0:56:48 | |
8, ma'am. 30, 2, and I'm out. | 0:56:48 | 0:56:52 | |
Do I see 5? Surely 5? Come on. | 0:56:52 | 0:56:55 | |
At £32. Do I see 5 now? | 0:56:55 | 0:56:59 | |
I'll take 5 from somebody. We sell to you, the front row, at £32. | 0:56:59 | 0:57:05 | |
£32. | 0:57:05 | 0:57:06 | |
A good decision, girls. | 0:57:06 | 0:57:08 | |
I think you did well, there. Because that's minus £28 on that, isn't it? | 0:57:08 | 0:57:12 | |
You don't have those minus £28 cos you clever girls didn't go with it. | 0:57:12 | 0:57:17 | |
That's so good. So overall, | 0:57:17 | 0:57:19 | |
you're minus £39, all right? That could be a winning score. | 0:57:19 | 0:57:23 | |
Don't tell those beastly boys, the Blues, a thing. | 0:57:23 | 0:57:28 | |
And I have to reveal that the runners-up today | 0:57:35 | 0:57:38 | |
are the Reds. I'm so sorry. You are minus £55. | 0:57:38 | 0:57:43 | |
It started off so well for you guys. | 0:57:43 | 0:57:47 | |
-It did. -But, oh boy, did it go wrong. | 0:57:47 | 0:57:50 | |
-But have you had a good time? -Very good time. -Brilliant time. | 0:57:50 | 0:57:54 | |
We've loved having you on the programme. Bad luck for being runners up. But the victors today, | 0:57:54 | 0:57:58 | |
look at these girls! All giggling and very, very pleased. | 0:57:58 | 0:58:02 | |
Overall you're minus £39. | 0:58:02 | 0:58:06 | |
So there's no great plus score here to counterbalance your minus score | 0:58:06 | 0:58:11 | |
but nevertheless, it's a winning score and I congratulate you. | 0:58:11 | 0:58:14 | |
So nice to see you on the show. | 0:58:14 | 0:58:16 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:58:16 | 0:58:20 | |
Subtitles by Red Bee Media Ltd | 0:58:26 | 0:58:29 |