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What do you get if you take two teams who have to buy three items | 0:00:08 | 0:00:12 | |
and you have two experts who have to find two bonus buys? | 0:00:12 | 0:00:17 | |
You get one excellent, one-hour special programme. | 0:00:17 | 0:00:22 | |
So, let's go bargain hunting, yeah! | 0:00:22 | 0:00:25 | |
And today, we've changed the rules a bit, because I'm going to be | 0:00:46 | 0:00:50 | |
asking each of the experts to find | 0:00:50 | 0:00:52 | |
not one, but two bonus buys. | 0:00:52 | 0:00:56 | |
And then, I'm going to be giving my opinion on which one is going | 0:00:57 | 0:01:01 | |
to be the most profitable. But which will the teams choose? | 0:01:01 | 0:01:06 | |
And who will be right? | 0:01:06 | 0:01:07 | |
Them or me? | 0:01:07 | 0:01:09 | |
And here's a quick taster of what's coming up here in Derby today. | 0:01:09 | 0:01:13 | |
-Reds are like headless chickens... -Go, go, right. | 0:01:15 | 0:01:19 | |
-Where do you want to go, that way? -Come on, then. | 0:01:19 | 0:01:21 | |
While the Blues prove easily excitable. | 0:01:21 | 0:01:24 | |
Yes! | 0:01:24 | 0:01:26 | |
But who will steal the winning prize at auction? | 0:01:26 | 0:01:29 | |
-Tim, tell us what to do. -Just tell me. -I can't tell you, you've got one lot to go | 0:01:29 | 0:01:32 | |
and you've got to make a decision. | 0:01:32 | 0:01:34 | |
Let's meet today's teams. | 0:01:34 | 0:01:36 | |
Today, on the programme, we have students who are friends - | 0:01:37 | 0:01:41 | |
Toby and Charlie. And for the Blues, | 0:01:41 | 0:01:44 | |
we have friends who are also teachers - | 0:01:44 | 0:01:47 | |
Julie and Sue. | 0:01:47 | 0:01:48 | |
-Hello, everyone. -ALL: Hello. -Good to see you. | 0:01:48 | 0:01:51 | |
Now, Tobes! It was the Church that drew you together. | 0:01:51 | 0:01:55 | |
It was indeed, yes. I was on a gap year | 0:01:55 | 0:01:57 | |
and I came back from a ski season, | 0:01:57 | 0:01:59 | |
and Charlie here was leading a boy's Bible study group in my lounge | 0:01:59 | 0:02:03 | |
with my younger brother and his friends. | 0:02:03 | 0:02:04 | |
And I turned up and there he was, sitting in my lounge | 0:02:04 | 0:02:07 | |
-with a nice cup of coffee... -Yes, you thought, "What are you doing here?" | 0:02:07 | 0:02:10 | |
Yeah, I was a little bit taken aback. I thought, "Who's this guy, taking my place in my house?" | 0:02:10 | 0:02:14 | |
-Not an immediate Christian thought, anyway. -Well, maybe not, but, you know... | 0:02:14 | 0:02:17 | |
Yeah, and we just sort of hit it off, met up for lunch a few times. | 0:02:17 | 0:02:20 | |
And we've been sort of bessies since, haven't we? | 0:02:20 | 0:02:22 | |
-It's a very romantic tale. -And what are you studying? | 0:02:22 | 0:02:24 | |
-Human Geography and French at Aberystwyth University. -Are you? | 0:02:24 | 0:02:28 | |
-Yes. -Now, Charlie, you're studying, apparently, | 0:02:28 | 0:02:30 | |
an MA in Theology at St John's Theological College in Nottingham. | 0:02:30 | 0:02:34 | |
-That's it. -Tell me more. -I read Theology at Nottingham University | 0:02:34 | 0:02:37 | |
and then I moved on to St John's in Nottingham to study an MA | 0:02:37 | 0:02:40 | |
-whilst training for the Ministry as well. -So, when you finish your training, | 0:02:40 | 0:02:44 | |
-you will be a curate? -I will... | 0:02:44 | 0:02:46 | |
-Simultaneously? -Yeah, I'll be an ordained man who carries an MA with him everywhere he goes. | 0:02:46 | 0:02:51 | |
What do you know about antiques, Tobes? | 0:02:51 | 0:02:53 | |
-Um... -Anything? Honestly? -A few things. | 0:02:53 | 0:02:56 | |
-Like what? -Me and Charlie quite enjoy... | 0:02:56 | 0:02:58 | |
-Lalique glass... -Do you? You enjoy it? | 0:02:58 | 0:03:00 | |
-We enjoy looking at it. -Oh, looking, yeah. Have you ever bought a bit? | 0:03:00 | 0:03:04 | |
-Not yet, we're hoping to today. -Oh, really? | 0:03:04 | 0:03:06 | |
I have a collection of Toby mugs as well. | 0:03:06 | 0:03:08 | |
-Well, you would do, wouldn't you? -Yeah, absolutely, which I got my grandmother. | 0:03:08 | 0:03:12 | |
-Have you got any Charlie mugs? -No Charlie mugs, no, no. -Just a mugshot. | 0:03:12 | 0:03:15 | |
-Charlie, do you know anything about antiques? -Nothing at all really. | 0:03:15 | 0:03:18 | |
-On that basis, you'll do terribly well... -Brilliant. -Thank you very much. | 0:03:18 | 0:03:21 | |
Now, moving on. Girls, you have been friends for... | 0:03:21 | 0:03:24 | |
it says here 50 years, but then, you did meet as children. | 0:03:24 | 0:03:27 | |
Well, yes. We met at the age of 11 | 0:03:27 | 0:03:30 | |
and we've been friends for 49 years. | 0:03:30 | 0:03:33 | |
-So, if you're very good at maths... -Yes. | 0:03:33 | 0:03:36 | |
It's a very significant birthday for both of us this year. | 0:03:36 | 0:03:40 | |
Yes. | 0:03:40 | 0:03:42 | |
-You wouldn't know... -Not at all. -Not at all. | 0:03:42 | 0:03:45 | |
And you both went into the teaching profession? | 0:03:45 | 0:03:47 | |
Yes, I started in 1975 and I feel | 0:03:47 | 0:03:50 | |
very privileged to have had | 0:03:50 | 0:03:52 | |
the opportunity to have an influence on many young lives. | 0:03:52 | 0:03:56 | |
You like writing ditties for special occasions, don't you? | 0:03:56 | 0:03:58 | |
I have, I did one for my son's wedding, | 0:03:58 | 0:04:00 | |
and, Tim, I've done one for you today. | 0:04:00 | 0:04:02 | |
Then let's have it! | 0:04:02 | 0:04:04 | |
OK, here we go! | 0:04:04 | 0:04:06 | |
Oh, what a joy to be here on this spot, | 0:04:06 | 0:04:09 | |
with Bargain Hunt presenter Tim Wonnacott. | 0:04:09 | 0:04:13 | |
His dashing good looks and his bright dickie bows make him | 0:04:13 | 0:04:17 | |
recognised by millions, wherever he goes. | 0:04:17 | 0:04:20 | |
Today, we're hunting for bargains galore to take to auction | 0:04:20 | 0:04:25 | |
and sell for LOADS more. | 0:04:25 | 0:04:27 | |
With an expert by our side, | 0:04:27 | 0:04:30 | |
how can we go wrong? | 0:04:30 | 0:04:31 | |
See you later, Tim. We won't be long. | 0:04:31 | 0:04:34 | |
There's an invitation. I feel like going back to school, actually. | 0:04:34 | 0:04:38 | |
Anyway, good. Now, Julie, you are also a member of the teaching profession. | 0:04:38 | 0:04:42 | |
I am. I've loved my career. | 0:04:42 | 0:04:44 | |
I've taught for...how many years? 40 years almost now. | 0:04:44 | 0:04:48 | |
And I've loved nearly every day. | 0:04:48 | 0:04:51 | |
-You're also frightfully keen on travelling? -I am, yes. | 0:04:51 | 0:04:54 | |
Got married in Las Vegas and that started a travelogue of going | 0:04:54 | 0:05:00 | |
to different places around the world. | 0:05:00 | 0:05:02 | |
And each year, on our anniversary, we do the next letter of the alphabet. | 0:05:02 | 0:05:06 | |
-That's a fun way of going about it, isn't it? -Yes. | 0:05:06 | 0:05:09 | |
-And how are you going to get on as a team today? -It'll be a laugh a minute, whatever. | 0:05:09 | 0:05:13 | |
-Absolutely. -And you won't be nervous at all, will you, or anything like that? | 0:05:13 | 0:05:16 | |
-Oh, no. -No, no, no. OK, fine. Well, now we've got to the money moment. | 0:05:16 | 0:05:19 | |
£300 apiece, you know the rules. Here you go. You know the rules, | 0:05:19 | 0:05:22 | |
your experts await, and off you go! | 0:05:22 | 0:05:24 | |
And very, very, very good luck. | 0:05:24 | 0:05:27 | |
Oh, Lordy. | 0:05:27 | 0:05:28 | |
Now, let's meet our experts. | 0:05:32 | 0:05:33 | |
Studious Nick Hall will be keeping an eye on the student Red Team. | 0:05:33 | 0:05:38 | |
And teaching our Blue teachers team | 0:05:38 | 0:05:40 | |
how to gallop ahead is Jonathan Pratt. | 0:05:40 | 0:05:43 | |
-Well, here we are, guys. We're ready to shop, yeah? -BOTH: Yep. | 0:05:45 | 0:05:47 | |
-Students against teachers. -Fired up, yeah. -OK, we're going to go to | 0:05:47 | 0:05:50 | |
-the top of the class, aren't we? -I think so, yeah. -What are we looking for today? | 0:05:50 | 0:05:53 | |
Well, I'm quite into vases and I hear the Asian market is | 0:05:53 | 0:05:56 | |
-quite strong at the moment. -Asian vases suits me. | 0:05:56 | 0:05:58 | |
Right, ladies, we're here at the fair - what do you want to buy? | 0:05:58 | 0:06:01 | |
-Something of good quality that's going to appeal to lots of people. -Good. | 0:06:01 | 0:06:04 | |
-What do you like? -Always glass, 20th-century glass, anything we've got. | 0:06:04 | 0:06:07 | |
Spot on, let's go and find some. | 0:06:07 | 0:06:09 | |
And I'd perhaps like a piece of glassware with silver. | 0:06:09 | 0:06:11 | |
OK. Right, well there's lots to choose from. I think we should go shopping. | 0:06:11 | 0:06:15 | |
Come on, let's go. | 0:06:15 | 0:06:16 | |
Right teams, your 60 minutes starts now. | 0:06:16 | 0:06:19 | |
Wait for school bell, eh? | 0:06:19 | 0:06:21 | |
BELL RINGS | 0:06:21 | 0:06:23 | |
Go, go, right. Which way do you want to go, that way? Go on, then. | 0:06:23 | 0:06:27 | |
Make your mind up, gents. | 0:06:27 | 0:06:29 | |
OK, OK. So, what have we got here, then? This looks like a nice... | 0:06:29 | 0:06:34 | |
-Actually, look - Asian vase. -Is that Asian, Nick? -No, it's English. | 0:06:34 | 0:06:38 | |
-Quality handmade in the UK. -Oh, we don't want that. | 0:06:38 | 0:06:40 | |
There's a clue there, isn't there? | 0:06:40 | 0:06:42 | |
She's a bit glam, isn't she? | 0:06:47 | 0:06:48 | |
I haven't go my lippy on today, so I'm not... | 0:06:48 | 0:06:51 | |
I can't compete with that, unfortunately, today. Definitely not. | 0:06:51 | 0:06:54 | |
There's a sort of striking resemblance. | 0:06:54 | 0:06:57 | |
Jonathan, what a star you are. | 0:06:57 | 0:06:59 | |
Charmer. | 0:06:59 | 0:07:00 | |
-What have you found? -Moser tumblers. | 0:07:01 | 0:07:04 | |
-OK, um... -What is Moser? | 0:07:04 | 0:07:06 | |
-Moser is a factory, a designer. -It's not Asian, is it? | 0:07:06 | 0:07:09 | |
No, but it's glass. | 0:07:09 | 0:07:11 | |
-It's good 20th-century glass. -Is it Lalique? -No, it's Moser. | 0:07:11 | 0:07:13 | |
Moser is the name of the designer, the factory, | 0:07:13 | 0:07:16 | |
the manufacturer, as is Lalique for their glass. | 0:07:16 | 0:07:18 | |
-OK. -What does it say on the ticket? How much? | 0:07:18 | 0:07:20 | |
225 quid, Nick. | 0:07:20 | 0:07:22 | |
Right. Possibly a little steep for auction purposes. | 0:07:22 | 0:07:25 | |
-Good retail price, but it's not what we want today for the auction. -You reckon? | 0:07:25 | 0:07:28 | |
Keep looking, Reds. Now, from one piece of glass to another. | 0:07:28 | 0:07:32 | |
That's very traditional. It's sort of...almost Victorian in style. | 0:07:32 | 0:07:35 | |
But I wanted to see what the label was, and the label says Val Saint Lambert. | 0:07:35 | 0:07:39 | |
Val Saint Lambert's a very good French glass factory. | 0:07:39 | 0:07:42 | |
-I mean, feel the weight of that. -Oh, gosh. | 0:07:42 | 0:07:44 | |
And how sharp that is. You squeeze that and you'll probably... you'll probably bleed. | 0:07:44 | 0:07:48 | |
-Yeah, you can... -Would it appeal to you, Julie? -I don't know. | 0:07:48 | 0:07:51 | |
I'm picking up something, putting it in front of you, and I get an idea you might not... | 0:07:51 | 0:07:55 | |
I won't point anything else out that looks at all like that. | 0:07:55 | 0:07:58 | |
-No. -OK, so point taken, thank you very much. | 0:07:58 | 0:08:00 | |
Well, that's them told by Head Teacher Jonathan. | 0:08:00 | 0:08:02 | |
This is a little ringing bell, isn't it? | 0:08:09 | 0:08:11 | |
-Yeah, you twist the top. -You twist it? | 0:08:11 | 0:08:13 | |
-Well, that slightly doesn't matter... -Yeah, the mechanism's gone a bit funny. | 0:08:13 | 0:08:17 | |
-That's going to lose a lot of profit... -So what's it on for? | 0:08:17 | 0:08:20 | |
-It's on for 60 quid. -Yes. | 0:08:20 | 0:08:21 | |
I'll tell you what, I'll give you 20 for it, because it's a bit broken. | 0:08:21 | 0:08:24 | |
-Do me 30, and it's yours. -25 and I'll shake... No. -20! | 0:08:24 | 0:08:28 | |
-20, and I'll throw... -25, and he'll shake your hand. | 0:08:28 | 0:08:30 | |
-Got my hand there, 20 and I'll shake your hand. -I'll do 25. | 0:08:30 | 0:08:33 | |
-Brilliant. -Do you want to do it? -Yeah, although we should ask Nick. -Where's Nick? | 0:08:33 | 0:08:36 | |
Yes, you should, lads. | 0:08:36 | 0:08:38 | |
Ask your expert before you get carried away. | 0:08:38 | 0:08:40 | |
Nick! | 0:08:40 | 0:08:42 | |
We've just bought something by accident. | 0:08:42 | 0:08:44 | |
-It doesn't stand out at me, though. -No. | 0:08:44 | 0:08:47 | |
No, it doesn't stand out. | 0:08:47 | 0:08:48 | |
Nick, Nick! Come on! | 0:08:50 | 0:08:53 | |
-What ARE you two up to? -Look, we've got this, right? | 0:08:53 | 0:08:55 | |
-They've just bought it. -It's nothing... -£650. -No, we haven't bought it. | 0:08:55 | 0:08:59 | |
-I wouldn't doubt that for a second. -It's not real silver, is it? | 0:08:59 | 0:09:02 | |
-The base is silver. -Hallmark silver? | 0:09:02 | 0:09:04 | |
-Yes. The base is hallmarked. -And the top? -Chrome. -Right! | 0:09:04 | 0:09:07 | |
There's a chance, then, the top might have been damaged and replaced with a non-silver part. | 0:09:07 | 0:09:11 | |
We don't know that, it seems to fit very well. How much is it? | 0:09:11 | 0:09:14 | |
-Well... -25 quid. -We made a deal with 25. | 0:09:14 | 0:09:16 | |
25... Is that the very best? | 0:09:16 | 0:09:18 | |
-It's priced at 60. -20. -Gosh, was it? -I can't do 20. | 0:09:18 | 0:09:22 | |
I tell you what, if it was 60 and it's down to 25, you have done well. You don't need me. | 0:09:22 | 0:09:26 | |
We do need you, Nick, because we need to know whether this 25 is going to make us any return. | 0:09:26 | 0:09:30 | |
'You can tell they're students, can't you?' | 0:09:30 | 0:09:32 | |
It's a nice little object. If you want it, buy it. | 0:09:32 | 0:09:34 | |
-I think you're safe. -25 quid? | 0:09:34 | 0:09:36 | |
-Job done. -You know what, I'll meet it in the middle - 22.50? | 0:09:36 | 0:09:38 | |
-I can't... -25! -All right, shake my hand. | 0:09:38 | 0:09:41 | |
-Thank you. -Thank you. | 0:09:41 | 0:09:43 | |
These two seem to be a couple of eager and cheeky chaps - 10 minutes | 0:09:43 | 0:09:47 | |
into the shop and they've made their first purchase, well done! | 0:09:47 | 0:09:50 | |
Meanwhile, the Blues are on par with Jonathan. | 0:09:50 | 0:09:53 | |
-Jonathan. -Yes? | 0:09:53 | 0:09:54 | |
The gold golf pin. | 0:09:54 | 0:09:56 | |
-That's nine carat gold. -Yeah. -That's quite nice. | 0:09:56 | 0:09:59 | |
That's a nice little pin for a golf captain's wife, or something. | 0:09:59 | 0:10:02 | |
-So it's nine carat gold. -It is. I rather like that. | 0:10:02 | 0:10:05 | |
I quite like that as well. | 0:10:05 | 0:10:07 | |
Let's see what it says. | 0:10:07 | 0:10:09 | |
It's got the age... | 0:10:10 | 0:10:11 | |
It's just about 100 years old. | 0:10:12 | 0:10:14 | |
It's got the little ball still attached to the bottom. | 0:10:14 | 0:10:17 | |
Could me make an offer on it? | 0:10:17 | 0:10:18 | |
-Go on. -30? | 0:10:18 | 0:10:20 | |
Too low. | 0:10:20 | 0:10:22 | |
-32? -Five? | 0:10:22 | 0:10:24 | |
-Oh, 32? -No, 35. -£35? | 0:10:24 | 0:10:26 | |
£35. | 0:10:26 | 0:10:27 | |
-35. 35? -Yeah. Yes, I think... | 0:10:27 | 0:10:30 | |
-Do you like that? -Yes, I do. -And you really like it? -Yes! | 0:10:30 | 0:10:32 | |
-So you're going to buy it? -I'd wear that myself... -Yes! | 0:10:32 | 0:10:35 | |
-We'll buy it. -Thank you very much. -ALL: Thank you. -Yes! | 0:10:35 | 0:10:39 | |
Calm down, Sue, it's only your first buy. | 0:10:39 | 0:10:41 | |
But the pitch works well, and shooting straight down the | 0:10:41 | 0:10:44 | |
shopping fairway, you're certainly on the right course, well done. | 0:10:44 | 0:10:47 | |
The Reds seem to have divine guidance - there's no Nick in sight. | 0:10:50 | 0:10:53 | |
What kind of price are we looking at in these kind of things here? | 0:10:53 | 0:10:56 | |
Prices start at £10. | 0:10:56 | 0:10:58 | |
-So that one... £22 for that. -What are they? | 0:10:58 | 0:11:00 | |
Old Topton ware, named after a village in Derbyshire. | 0:11:00 | 0:11:04 | |
Oh, really? Is that where you live? | 0:11:04 | 0:11:06 | |
No. They're never made there. | 0:11:06 | 0:11:08 | |
Hand-painted, tube-lined. | 0:11:09 | 0:11:11 | |
-It's all modern stuff. -It's modern stuff. -Yeah. | 0:11:11 | 0:11:13 | |
-It's not going to sell, is it? -It might sell. -Do you reckon? | 0:11:13 | 0:11:15 | |
-Yeah, absolutely. People might just like it. -Yeah... | 0:11:15 | 0:11:18 | |
It's just about making profits, Tobes. | 0:11:18 | 0:11:20 | |
Stop thinking about what it IS, just make the money. | 0:11:20 | 0:11:23 | |
That sounds like competitive talk. | 0:11:23 | 0:11:25 | |
-Great, well, we may well come back. Thanks a lot. -Thank you. | 0:11:25 | 0:11:29 | |
-What about this reticulated... What's this chap? -That's Capo. | 0:11:29 | 0:11:33 | |
-Is it really? -And that is very... | 0:11:33 | 0:11:35 | |
Have a look. | 0:11:35 | 0:11:37 | |
-I don't like that. -Do you not like that? | 0:11:37 | 0:11:39 | |
-I don't like the colour. -It's Capodimonte, Italian...porcelain. | 0:11:39 | 0:11:42 | |
£65. It looks the part, doesn't it? | 0:11:42 | 0:11:45 | |
-It does. -It does. You do have Capodimonte collectors, don't you? | 0:11:45 | 0:11:49 | |
-Yeah, you do. -What you'd want, though, is...you'd want that to be pierced. | 0:11:49 | 0:11:53 | |
From over there... I thought this would be pierced. | 0:11:53 | 0:11:55 | |
You can see through it and that's what they call reticulated, | 0:11:55 | 0:11:58 | |
Where they cut through, but this is just sort of piped on. | 0:11:58 | 0:12:00 | |
But then, Capodimonte were making very commercial pottery. | 0:12:00 | 0:12:04 | |
They did lots of figures of tramps lying on benches | 0:12:04 | 0:12:06 | |
and very cartoon-esque sort of things. | 0:12:06 | 0:12:09 | |
-I wouldn't... -I wouldn't have, no. -But somebody might... | 0:12:09 | 0:12:12 | |
-Wouldn't let that over the threshold, would you? -No. -No. | 0:12:12 | 0:12:15 | |
No, I can see that. We'll carry on looking, but thanks. | 0:12:15 | 0:12:18 | |
Thank you very much. Very nice to have met you. | 0:12:18 | 0:12:21 | |
Yep, carry on looking, Blues. | 0:12:21 | 0:12:22 | |
Meanwhile, Nick is caught up with his students. | 0:12:22 | 0:12:25 | |
I've found something for you. | 0:12:25 | 0:12:27 | |
Now, I THINK it's going to tick both your boxes. | 0:12:27 | 0:12:29 | |
-OK. -You like vases. You like 20th-century design. | 0:12:29 | 0:12:33 | |
-We do. -Well, I've found some 20th-century design vases. -Brilliant! | 0:12:33 | 0:12:36 | |
Come with me and I'll show you. | 0:12:36 | 0:12:37 | |
Now, guys... | 0:12:39 | 0:12:41 | |
Not one, but two... | 0:12:41 | 0:12:43 | |
Look at that, one each. | 0:12:45 | 0:12:47 | |
19... Late '60s, early '70s. | 0:12:47 | 0:12:50 | |
Poole Pottery, Delphis range. | 0:12:50 | 0:12:53 | |
Very desirable in the modern, chic, contemporary home. | 0:12:53 | 0:12:57 | |
-Are they actually a pair? -No, they're not a pair, they're two | 0:12:57 | 0:13:00 | |
very separate, individually made studio pieces. | 0:13:00 | 0:13:03 | |
I would suggest we put them together as one lot | 0:13:03 | 0:13:06 | |
and collectors of Poole, of Delphis, of '70s retro chic... | 0:13:06 | 0:13:09 | |
They're going to be bidding, because you've got a nice little group lot there. | 0:13:09 | 0:13:13 | |
-There's a little chip on this one. -Is there? | 0:13:13 | 0:13:15 | |
-You see that? -Oh, yeah. -Is that a chip? | 0:13:15 | 0:13:17 | |
-Oh, it's... Actually, if you feel it, it's under the glaze. -OK. | 0:13:19 | 0:13:23 | |
OK, so that happened before it left the factory. It's acceptable. | 0:13:23 | 0:13:27 | |
If they were concerned it would have been a factory seconds | 0:13:27 | 0:13:30 | |
and they would have had a slash through the mark. | 0:13:30 | 0:13:33 | |
And that there's the same? | 0:13:33 | 0:13:34 | |
Yeah, it's just a minor imperfection in the kiln. | 0:13:34 | 0:13:37 | |
-But actually, that's just uniqueness. -Absolutely. | 0:13:37 | 0:13:39 | |
I think there's mileage in it. | 0:13:39 | 0:13:40 | |
Now, I did have a quick chat with the owner. | 0:13:40 | 0:13:43 | |
Now, he was asking 65 quid each, but you can have to two for 80 quid. | 0:13:43 | 0:13:47 | |
It's tempting! Do you reckon it's tempting? I mean, do you reckon... | 0:13:49 | 0:13:52 | |
-Is this what we're looking for? -Well, it ticks your boxes. -It does tick our boxes, Toby. | 0:13:52 | 0:13:56 | |
I reckon the profit we make on these could put | 0:13:56 | 0:13:58 | |
those teachers on the naughty step. | 0:13:58 | 0:14:01 | |
On the naughty step? Put them back in their place, eh? Shall we just go for it? | 0:14:01 | 0:14:05 | |
-Just get on with it. -Yep. | 0:14:05 | 0:14:06 | |
-You've got one each as well. -There you go. | 0:14:06 | 0:14:08 | |
So, Nick has completed his lesson on Poole vases | 0:14:08 | 0:14:11 | |
and they become the second purchase for the Reds. | 0:14:11 | 0:14:14 | |
Go to the top of the class, guys! | 0:14:14 | 0:14:16 | |
Now, focus, please. I have a question for you. | 0:14:16 | 0:14:19 | |
When was the last time you visited the opticians? | 0:14:19 | 0:14:22 | |
Well, we're supposed to go often. | 0:14:23 | 0:14:25 | |
But what would you do in 1821 if your eyesight was a bit dicky? | 0:14:25 | 0:14:30 | |
Actually, you go to an instrument maker, who would equip you with a | 0:14:30 | 0:14:36 | |
case, if you were rich, like this. | 0:14:36 | 0:14:39 | |
A wafer-thin veneer of tortoiseshell applied to a wooden carcass and... | 0:14:39 | 0:14:45 | |
open comes the case, and out come the glasses themselves. | 0:14:45 | 0:14:51 | |
At the end of the 18th century, spectacles started, | 0:14:52 | 0:14:55 | |
in this country, to have oval lenses like this. | 0:14:55 | 0:14:59 | |
These were thought, in 1821, to be uber smart. | 0:14:59 | 0:15:04 | |
What do you think? They're not unfashionable today. | 0:15:04 | 0:15:07 | |
The frames themselves are universally good and practical. | 0:15:07 | 0:15:12 | |
What I love about this pair is the fact that they are solid silver | 0:15:12 | 0:15:16 | |
and if you look carefully, we've got the silver marks. | 0:15:16 | 0:15:19 | |
They're stamped on either side. | 0:15:19 | 0:15:21 | |
And also, in the middle of the frame, | 0:15:21 | 0:15:23 | |
on either side of the nosebridge. | 0:15:23 | 0:15:25 | |
And by a strange coincidence, and | 0:15:26 | 0:15:28 | |
that's the way with these things, | 0:15:28 | 0:15:30 | |
in the same fair, I came across these two little boxes. | 0:15:30 | 0:15:34 | |
And if I open them up, | 0:15:34 | 0:15:36 | |
they contain a whole array of opticians lenses, | 0:15:36 | 0:15:40 | |
some of which | 0:15:40 | 0:15:42 | |
actually have the prescription strength | 0:15:42 | 0:15:45 | |
written on little labels. | 0:15:45 | 0:15:46 | |
If you're a collector or a restorer of optical instruments, | 0:15:48 | 0:15:52 | |
these things are going to be worth a lot of money. | 0:15:52 | 0:15:56 | |
How much? | 0:15:56 | 0:15:57 | |
Well, you could buy them for £15, for the two boxes. | 0:15:57 | 0:16:02 | |
And the spectacles themselves? | 0:16:03 | 0:16:06 | |
Well, they're Georgian, they're solid silver, | 0:16:06 | 0:16:08 | |
they come in this spectacular case, | 0:16:08 | 0:16:10 | |
and they would cost you a slightly out-of-focus £160. | 0:16:10 | 0:16:16 | |
How's that? | 0:16:16 | 0:16:18 | |
Back to the shopping now. It's 2-1 up to the Reds. | 0:16:18 | 0:16:22 | |
With time slipping by, both teams need to get their skates on. | 0:16:22 | 0:16:26 | |
-No, you don't look enthralled. -I'll tell you why. | 0:16:26 | 0:16:28 | |
Because at auction, there's new laws, and if that is Rosewood... | 0:16:28 | 0:16:32 | |
Uh, anything post-1947, | 0:16:32 | 0:16:33 | |
if you're selling Rosewood you need a...what we call an Article 10. | 0:16:33 | 0:16:37 | |
We'll pass on that one. Thank you very much. | 0:16:37 | 0:16:40 | |
It's a protected material, so there'd be a certificate to sell it. | 0:16:40 | 0:16:43 | |
The certificate will cost £25, so... | 0:16:43 | 0:16:45 | |
Well, we've got you to advise us, so we don't need a certificate. | 0:16:45 | 0:16:48 | |
-Thanks a lot. -Thank you, bye! | 0:16:48 | 0:16:50 | |
Yes, how lucky you are. Just follow your expert, girls. | 0:16:51 | 0:16:55 | |
-You wanted some silver mounted glass. -Yes. | 0:16:55 | 0:16:57 | |
And I thought I was going to come back. | 0:16:57 | 0:16:59 | |
-Pair of little salts. -Oh, they're lovely. -London, 1912. | 0:16:59 | 0:17:02 | |
That tells us immediately, because they've put the label in there, that | 0:17:02 | 0:17:06 | |
they are silver. And so there's a mark on the edge there. | 0:17:06 | 0:17:09 | |
But that's nicely cut glass with good quality silver rims, | 0:17:11 | 0:17:14 | |
and you've got a couple of little spoons that go with it. | 0:17:14 | 0:17:17 | |
And the thing with this, you could use it. | 0:17:17 | 0:17:19 | |
You could pop it on to the dining table. | 0:17:19 | 0:17:22 | |
Is that the price? | 0:17:22 | 0:17:24 | |
-Um. -That's not the price, is it? -Well, about 70, 65. | 0:17:26 | 0:17:30 | |
-Do you want to make an offer? -50? -Yes. Yes. -Thank you very much. | 0:17:30 | 0:17:35 | |
-Thank you very much. -Number two bought. That's lovely. Thank you very much. -Thank you. | 0:17:35 | 0:17:40 | |
Well done, Blues. That's item number two ticked off the shopping list. | 0:17:40 | 0:17:43 | |
Now, how are the Reds getting on? | 0:17:43 | 0:17:46 | |
-Toby, meet Toby. Toby, this is Toby. -Hi, Toby. | 0:17:46 | 0:17:49 | |
Now, this chap, this portly fella, he's had a good breakfast, | 0:17:49 | 0:17:52 | |
hasn't he? Look at him. | 0:17:52 | 0:17:54 | |
Now he's not like a lot of Toby jugs, because they have a big | 0:17:54 | 0:17:57 | |
flagon of foaming ale, because they were tavern pieces. | 0:17:57 | 0:18:01 | |
This chappie is taking snuff. | 0:18:01 | 0:18:03 | |
Makes him a little bit rarer than the normal beer-drinking Toby jugs. | 0:18:04 | 0:18:08 | |
Date wise, he's not as early as some. | 0:18:08 | 0:18:10 | |
The really early ones are 18th century. | 0:18:10 | 0:18:13 | |
This chap is very much in the Victorian period. | 0:18:13 | 0:18:15 | |
He's probably 1860, something around there. He's been around a while. | 0:18:15 | 0:18:19 | |
They are currently asking £60. | 0:18:19 | 0:18:23 | |
Now, I think that will make easily between £50 and £80 at auction. | 0:18:23 | 0:18:28 | |
So if I can get that down to nearer the 50 mark, I think we are | 0:18:28 | 0:18:32 | |
-going to be quids in. -Lower end estimate, 50 quid at auction. | 0:18:32 | 0:18:35 | |
-40 quid. That's only a tenner. -Under the low end of the estimate. | 0:18:35 | 0:18:38 | |
-What if it makes 60, 70? -But that's only 30, 40. | 0:18:38 | 0:18:42 | |
How much profit do you think you're going to make? | 0:18:42 | 0:18:44 | |
-We reckon we can make a lot of profit on this show. -We've only got... | 0:18:44 | 0:18:47 | |
This last one really needs to be what raises those margins, | 0:18:47 | 0:18:50 | |
-and I'm not sure that's going to do that. -You tell him, lads. | 0:18:50 | 0:18:53 | |
What I'm going to do, is I'm going to put it back on the stall. | 0:18:53 | 0:18:55 | |
We'll hold it back as plan B, put him on the subs bench. | 0:18:55 | 0:18:59 | |
He may come off in the second half and score us a winner. | 0:18:59 | 0:19:01 | |
My! This pair mean business. | 0:19:01 | 0:19:04 | |
Teams, you now have under 30 minutes left. | 0:19:04 | 0:19:06 | |
We need to be bold. | 0:19:06 | 0:19:08 | |
Bigger and bolder. | 0:19:08 | 0:19:10 | |
Keen to leave no stone unturned, | 0:19:10 | 0:19:12 | |
both teams want to scour every last inch of today's fair. | 0:19:12 | 0:19:16 | |
-I think it's really dull. -I think it's dull. -Speak your mind, lads. | 0:19:17 | 0:19:21 | |
1960s. Scandinavian glass. | 0:19:21 | 0:19:24 | |
And what I do like is what's hidden underneath here. | 0:19:24 | 0:19:28 | |
The engraved details of the manufacturer, the Holmegaard Factory. | 0:19:28 | 0:19:33 | |
Very well-known. Very popular with collectors at the moment. | 0:19:33 | 0:19:36 | |
That is not a design I have seen before from this factory. | 0:19:36 | 0:19:39 | |
And I've seen a lot of it. | 0:19:39 | 0:19:41 | |
Which makes that fairly, relatively scarce. | 0:19:41 | 0:19:44 | |
-And so what price is it? -What are they asking for? | 0:19:44 | 0:19:46 | |
They are asking £80. | 0:19:46 | 0:19:49 | |
I suspect there is some movement on that. | 0:19:49 | 0:19:52 | |
I always like a bit of movement. | 0:19:52 | 0:19:54 | |
I'm here to do business. | 0:19:54 | 0:19:55 | |
There's always a bit of movement. Make me an offer. | 0:19:55 | 0:19:59 | |
-20 quid. -Get real. | 0:19:59 | 0:20:02 | |
It's a brilliant... | 0:20:02 | 0:20:03 | |
I thought that might be the reaction, | 0:20:03 | 0:20:06 | |
-so I'm going to do you a really good deal and say 25. -There you go. | 0:20:06 | 0:20:09 | |
No. Absolutely... | 0:20:09 | 0:20:10 | |
-I'm sorry. -30. -Give me 70. | 0:20:10 | 0:20:13 | |
50 is going to be the highest. | 0:20:14 | 0:20:16 | |
-If that, maybe 40. -I was going to go 40 but he's gone 50, so we will... | 0:20:16 | 0:20:20 | |
I will have to agree with Toby on 50. | 0:20:20 | 0:20:22 | |
Give me a bit of profit in it, and I'll meet you halfway. | 0:20:22 | 0:20:24 | |
-OK, 50 quid, then. -No, 60. | 0:20:24 | 0:20:26 | |
I'll meet you halfway. Between 70 and 50. I'll meet you halfway. | 0:20:26 | 0:20:30 | |
-What did you buy it for, and we'll make sure you get a bit of profit. -I'll decide that. | 0:20:30 | 0:20:34 | |
She'll decide that. Sorry, Sonia. | 0:20:34 | 0:20:36 | |
I don't think we should go lower than 50. I'm really sorry, Sonia. | 0:20:36 | 0:20:39 | |
These lads certainly push hard. Students, eh? | 0:20:39 | 0:20:42 | |
Left to their own devices, these Reds are potentially lethal. | 0:20:44 | 0:20:48 | |
Does anything in there strike you? | 0:20:48 | 0:20:50 | |
Oh! | 0:20:50 | 0:20:51 | |
Reunited with Nick, it's time for a team chat for the Reds. | 0:20:51 | 0:20:55 | |
It's getting close to decision time. | 0:20:56 | 0:20:58 | |
We've got just under 15 minutes left, OK. | 0:20:58 | 0:21:01 | |
We've got some back burners, we've got | 0:21:01 | 0:21:04 | |
the Toby jug, and that nice bit of glass. The Holmegaard. | 0:21:04 | 0:21:09 | |
I wanted to go for something a bit bigger, for fun. | 0:21:09 | 0:21:11 | |
-Bigger in terms of dimension or value? -Both at the same time. | 0:21:11 | 0:21:15 | |
I want to walk round again, and if anything catches our eye, | 0:21:15 | 0:21:18 | |
-let's go see it. -Not so much "walk", as maybe canter around. | 0:21:18 | 0:21:21 | |
-Because time is ticking. -Oh, hello, again. | 0:21:21 | 0:21:24 | |
Let's see if the Blues give this stallholder an easier time. | 0:21:24 | 0:21:28 | |
-I was going to point out some nice things for you. -We're in the money. -You're in the money, OK. | 0:21:28 | 0:21:32 | |
Stevens & Williams. | 0:21:32 | 0:21:33 | |
That jug is threaded glass. It's ruby glass. | 0:21:33 | 0:21:37 | |
It's really nice. | 0:21:37 | 0:21:39 | |
The skill involved in making that is phenomenal. | 0:21:39 | 0:21:41 | |
It's piped onto it. Yeah. | 0:21:41 | 0:21:43 | |
-Stevens & Williams have been going since the late Victorian years. -And how much is this? | 0:21:43 | 0:21:48 | |
-I've got 158 on that. -158 on that. | 0:21:48 | 0:21:51 | |
It's quite fashionable in the sense that the colour, | 0:21:51 | 0:21:53 | |
that almost an iridescence as it reflects the light. It's a major skill. | 0:21:53 | 0:21:57 | |
-It really is. -Honestly... | 0:21:57 | 0:21:59 | |
It's molten glass being drizzled onto it. | 0:21:59 | 0:22:02 | |
Even putting the handle on afterwards, the breakage rate would have been | 0:22:02 | 0:22:06 | |
phenomenal, because it has to cool down | 0:22:06 | 0:22:08 | |
and then reheated up again, in order to get the handle on. | 0:22:08 | 0:22:11 | |
You could use it for lemonade, or you could put some flowers in it. | 0:22:11 | 0:22:14 | |
-I think that's quite tasteful. -It is a nice object. | 0:22:14 | 0:22:17 | |
-It is a nice object. -It's different. Shall we go for that? | 0:22:17 | 0:22:20 | |
-It's a lot of money. -Yeah, see what we can get it for. | 0:22:20 | 0:22:23 | |
-Make me an offer. -Here we go again. | 0:22:25 | 0:22:28 | |
How much? | 0:22:28 | 0:22:31 | |
-80. -Get real. | 0:22:31 | 0:22:33 | |
You said, "make me an offer". | 0:22:34 | 0:22:36 | |
-110? -100. | 0:22:38 | 0:22:40 | |
120? | 0:22:40 | 0:22:42 | |
Meet me at 125, just give me a bit of leeway with it. | 0:22:42 | 0:22:46 | |
-122. -122? | 0:22:46 | 0:22:48 | |
You're going to stick at this, are you? | 0:22:48 | 0:22:49 | |
Please. | 0:22:49 | 0:22:50 | |
Go on, a bit of something's better than a lot of nothing. | 0:22:50 | 0:22:53 | |
-Thank you very much indeed. That's absolutely lovely. -Well done, ladies. | 0:22:53 | 0:22:56 | |
-We're done. -We're done. Oh, thank you so much. | 0:22:56 | 0:23:00 | |
Bit of James Brown. | 0:23:02 | 0:23:03 | |
# We feel good do-do-do-do-do | 0:23:03 | 0:23:06 | |
# I knew that we would now do-do-do-do-do. # | 0:23:06 | 0:23:09 | |
Oh, I'm loving the Blues' style, yeah. | 0:23:09 | 0:23:12 | |
As the Blues celebrate completing their shop, | 0:23:12 | 0:23:14 | |
the pressure is mounting on the Reds to find their last purchase. | 0:23:14 | 0:23:18 | |
They now have five minutes. | 0:23:21 | 0:23:23 | |
I'm slightly worried that we won't find anything. | 0:23:23 | 0:23:25 | |
Yes, I know. So am I. | 0:23:25 | 0:23:28 | |
Guys. When I said at "a canter", not that fast. | 0:23:28 | 0:23:31 | |
Now, just to confuse you even more, to add another dimension | 0:23:31 | 0:23:35 | |
to your dilemma, I've found something that's quite interesting. | 0:23:35 | 0:23:38 | |
-That's why this guy is brilliant. -This is an interesting item, | 0:23:38 | 0:23:41 | |
priced up at £87. | 0:23:41 | 0:23:44 | |
It's 19th century. | 0:23:44 | 0:23:45 | |
Russian, enamelled bronze with a really nice... | 0:23:45 | 0:23:49 | |
..theme. You've got the theological theme there, | 0:23:50 | 0:23:55 | |
and it's quite intricately decorated. | 0:23:55 | 0:23:57 | |
-You've got the Last Supper. -Jesus there. -You've got the Ascension. | 0:23:57 | 0:24:02 | |
-Oh, great. -Jairus' daughter there. | 0:24:02 | 0:24:04 | |
It's so up your street, but it's also a work of art at the same time. | 0:24:04 | 0:24:07 | |
-It kind of ticks all the boxes. -It is. It's an icon. | 0:24:07 | 0:24:10 | |
There's a limited...limited... | 0:24:10 | 0:24:13 | |
-Market. -..market for religious icons. | 0:24:13 | 0:24:15 | |
Russian works of art are doing well at the moment. | 0:24:15 | 0:24:19 | |
-There's a lot of money in Russia. -Oh, really. | 0:24:19 | 0:24:21 | |
And like the Chinese, they are buying back their works of art. | 0:24:21 | 0:24:24 | |
Putin himself might want some. | 0:24:24 | 0:24:26 | |
Well, if you've got his number, speed dial him. | 0:24:26 | 0:24:29 | |
-Maybe... -Could this be... What is this, bronze? -Yeah. | 0:24:29 | 0:24:32 | |
-Bronze with enamel work on it. -OK, so can it be cleaned up a bit? | 0:24:32 | 0:24:35 | |
I wasn't going to clean it. You would ruin it. | 0:24:35 | 0:24:37 | |
If we can get it down to 60, that's the same price as the glassware. | 0:24:37 | 0:24:41 | |
What's going to sell better, because this... | 0:24:41 | 0:24:43 | |
I would guess the glass would sell better. It's more collected. | 0:24:43 | 0:24:46 | |
It's a difficult one, because they are such different markets. | 0:24:47 | 0:24:51 | |
That, for me, stands out as an usual object that could well | 0:24:51 | 0:24:54 | |
-surprise us all. -I like it. And it's us. | 0:24:54 | 0:24:56 | |
Personally, I mean, in terms of you and me, that interests me | 0:24:56 | 0:24:59 | |
with what's it's got more than a glass bowl. | 0:24:59 | 0:25:02 | |
It's all of us, in a way, because it's got your beliefs, | 0:25:02 | 0:25:05 | |
your background, a lot of you in it. | 0:25:05 | 0:25:07 | |
And for me, it's a wonderful 19th-century work of art. | 0:25:07 | 0:25:10 | |
-I need to go and have a chat, or you need to have a chat. -Let's go have a chat. | 0:25:10 | 0:25:13 | |
So, after the guys have had a chat with our shy stallholder | 0:25:13 | 0:25:16 | |
away from the cameras, they head back to Nick with news. | 0:25:16 | 0:25:19 | |
Guys, have you had divine inspiration? What's happened? | 0:25:19 | 0:25:23 | |
I think the spirit has been dwelling among us and | 0:25:23 | 0:25:25 | |
on this lovely lady. | 0:25:25 | 0:25:27 | |
And...and has given us a great price between us all, | 0:25:27 | 0:25:30 | |
-which is a whop...a cheap £55. -Seriously? -Is that good, Nick? | 0:25:30 | 0:25:35 | |
-Oh, good news, chaps. -That's down from 87. That ain't half bad. | 0:25:35 | 0:25:39 | |
You did well. You're good at this, you two. Fantastic. | 0:25:39 | 0:25:41 | |
-Well, that is our third buy. -There you go. -We're done, we're dusted. | 0:25:41 | 0:25:44 | |
Now I need someone with an old tick-tock. | 0:25:44 | 0:25:47 | |
-Hello, hello. Have you got a watch? -I do indeed. | 0:25:47 | 0:25:50 | |
Can I see the time? Oh, look at that. Time's up. | 0:25:50 | 0:25:52 | |
Now, here's a quick reminder as to what the Reds bought. | 0:25:52 | 0:25:56 | |
A small silver counter bell caught their attention, | 0:25:56 | 0:25:58 | |
and rang out to the tune of £25. | 0:25:58 | 0:26:02 | |
A couple of Poole pottery vases cost them £80. | 0:26:03 | 0:26:07 | |
And finally, a Russian enamel and bronze devotional icon set them | 0:26:08 | 0:26:12 | |
back £55. | 0:26:12 | 0:26:14 | |
-Well, was that good fun? -Yes, absolutely. | 0:26:16 | 0:26:18 | |
-So how much did you spend between you? -160. -160. | 0:26:18 | 0:26:22 | |
I'd like £140 of leftover lolly, please. Well done. | 0:26:22 | 0:26:25 | |
There's the collection money. And what was your favourite piece? | 0:26:25 | 0:26:29 | |
-I liked the little bell. -Did you? Oh, fine. | 0:26:29 | 0:26:31 | |
-You didn't like the little bell? -It was all right. | 0:26:31 | 0:26:33 | |
-I quite liked the Russian Orthodox icon. -Oh, well done. Brilliant. | 0:26:33 | 0:26:36 | |
Which piece is going to bring the biggest profit? | 0:26:36 | 0:26:38 | |
I think the vase is more safe, but I think that the Russian Orthodox | 0:26:38 | 0:26:42 | |
-icon has got potential to surprise us. -OK. Do you agree with that? | 0:26:42 | 0:26:45 | |
-Yeah, absolutely. -Well done. We'll see what happens. | 0:26:45 | 0:26:47 | |
-There's £140 going across. -Wonderful. | 0:26:47 | 0:26:49 | |
You're going to get the extra £100 for the Tim's Ton. | 0:26:49 | 0:26:53 | |
There you go, there's Tim's Ton. Do your very best. | 0:26:53 | 0:26:56 | |
Meanwhile, we're going to check out what the Blue team bought, aren't we? | 0:26:56 | 0:26:59 | |
They teed off with a nine carat gold golf club bar brooch, | 0:26:59 | 0:27:03 | |
which set them back £35. | 0:27:03 | 0:27:06 | |
The cased pair of cut glass silver mounted condiments cost them £50. | 0:27:06 | 0:27:11 | |
And finally, they poured £122 into a | 0:27:12 | 0:27:16 | |
ribbed ruby glass lemonade jug. | 0:27:16 | 0:27:19 | |
-Well, girls. How was it for you? -Very good. Very interesting. | 0:27:19 | 0:27:22 | |
-Which is your favourite piece? -I think the gold pin. | 0:27:22 | 0:27:27 | |
The gold pin. Yeah. | 0:27:27 | 0:27:28 | |
-OK, fine. Susan, for you? -I do like the nice jug that we bought. | 0:27:28 | 0:27:32 | |
-OK, is that going to bring the biggest profit? -Perhaps. | 0:27:32 | 0:27:35 | |
-And you spent how much? -207. -I'd like £93, please. | 0:27:35 | 0:27:39 | |
Thank you very much. 93, JP. There it is. | 0:27:39 | 0:27:42 | |
Of course, you've got your double challenge now, because here | 0:27:42 | 0:27:45 | |
comes Tim's Ton, the extra £100 to find the extra bonus buy. | 0:27:45 | 0:27:49 | |
-So you're doubly challenged. -Thank you very much. | 0:27:49 | 0:27:51 | |
Go have a nice cup of tea, girls. | 0:27:51 | 0:27:53 | |
Now, how's Nick getting on finding those two bonus buys? | 0:27:53 | 0:27:56 | |
The first of which is the team's bonus buy. | 0:27:56 | 0:27:59 | |
Well, I couldn't leave Toby behind, could I? | 0:27:59 | 0:28:01 | |
I showed him to the boys earlier. Toby is part of the team, the Red team. | 0:28:01 | 0:28:05 | |
And at £40, I think there's profit in this. | 0:28:05 | 0:28:07 | |
He's coming with us to the auction. | 0:28:07 | 0:28:09 | |
-And how about your Tim's Ton, Nick? -I love these char... | 0:28:12 | 0:28:15 | |
-Are they a pair? -They are a mirror pair. | 0:28:15 | 0:28:18 | |
Japanese. About 1900. | 0:28:18 | 0:28:21 | |
I like the hand-painted signature and the impressed mark as well. | 0:28:21 | 0:28:25 | |
-The big question is, how much do you want for them? -Well, I'd really like 90. | 0:28:25 | 0:28:29 | |
-75, how is that? -No, that's a little too far. | 0:28:29 | 0:28:33 | |
I'll tell you what, if we round it up and call it 80 for the pair. | 0:28:33 | 0:28:36 | |
-OK, we've got a deal. -Happy with that? -That's fine. | 0:28:36 | 0:28:38 | |
£80, I'm over the moon. | 0:28:38 | 0:28:40 | |
Now, let's have a chat with Nick about both bonus buys. | 0:28:40 | 0:28:43 | |
-Well, this is exciting, Nick, isn't it? -Isn't it just. | 0:28:44 | 0:28:47 | |
You're being put on the line here, old fruit. | 0:28:47 | 0:28:49 | |
Now, for the team's bonus buy, you have bought the Toby jug, yes? | 0:28:49 | 0:28:54 | |
I did indeed, yes. For dear old Toby, of course. | 0:28:54 | 0:28:57 | |
-Did you spend the whole 140? -No. Very frugal. | 0:28:57 | 0:29:00 | |
-£40 only. -Did you? -Yes. | 0:29:00 | 0:29:02 | |
Now, so, that doesn't seem a lot of money, | 0:29:02 | 0:29:04 | |
because Toby jugs can make a lot, can't they? | 0:29:04 | 0:29:06 | |
-But this one isn't very old, is it? -No, no. -This was made when? | 0:29:06 | 0:29:09 | |
Do you think in 1920? | 0:29:09 | 0:29:11 | |
Yeah, I think that sort of early 20th-century, Victorian Revival. | 0:29:11 | 0:29:15 | |
-And it's in good condition. -Yeah. I like the fact that he's taking snuff as well. | 0:29:15 | 0:29:19 | |
-Makes it a little bit different. -Two drugs. Alcohol and tobacco. | 0:29:19 | 0:29:23 | |
So Tim's Ton, I gave you £100 for, and you bought the two chargers. | 0:29:23 | 0:29:26 | |
I did indeed, yeah. | 0:29:26 | 0:29:28 | |
Again, it all comes down to the age. | 0:29:28 | 0:29:29 | |
They've got the look, but they're not old. | 0:29:29 | 0:29:32 | |
And, frankly, they could have come over in a container, with | 0:29:32 | 0:29:36 | |
-a whole lot of other ones 20 years ago. -Might be going back yet. | 0:29:36 | 0:29:39 | |
Yes, exactly. | 0:29:39 | 0:29:41 | |
Well, my judgment is the judgment of Solomon, because I have to predict | 0:29:41 | 0:29:45 | |
which one I think is going to make the biggest amount of profit. | 0:29:45 | 0:29:49 | |
I cannot bring myself to predict that the modern Chinese | 0:29:49 | 0:29:54 | |
ceramics is going to do it. I can't bring myself. | 0:29:54 | 0:29:57 | |
I could easily be proven wrong. | 0:29:57 | 0:30:00 | |
I'm going to put my little sticker, for my prediction | 0:30:00 | 0:30:03 | |
as to which is going to bring the biggest profit. | 0:30:03 | 0:30:05 | |
You do rise to quite a considerable challenge, | 0:30:05 | 0:30:07 | |
because this isn't a big fair, is it? So, you've done well. | 0:30:07 | 0:30:10 | |
Thank you very much. | 0:30:10 | 0:30:12 | |
And, of course, | 0:30:12 | 0:30:13 | |
the teams only have one choice, to go with one or the other. | 0:30:13 | 0:30:16 | |
So the one they don't pick will be sold, | 0:30:16 | 0:30:19 | |
and if it makes a profit, it will go to charity. | 0:30:19 | 0:30:21 | |
If the teams don't pick either of these bonus buys, | 0:30:21 | 0:30:24 | |
-they'll both be sold and all profits go to charity. -Wonderful, good. | 0:30:24 | 0:30:28 | |
-It's a double win-win for you. -Completely. -Hopefully. | 0:30:28 | 0:30:32 | |
Anyway, right now, why don't we check out how JP is getting on, | 0:30:32 | 0:30:36 | |
shopping for his bonus buys? | 0:30:36 | 0:30:38 | |
Remember, Jonathan had £93 of leftover lolly for his team's | 0:30:38 | 0:30:42 | |
bonus buy. With their special anniversary in mind, | 0:30:42 | 0:30:45 | |
what are your thoughts, JP? | 0:30:45 | 0:30:47 | |
I've seen something that might help celebrate that for them. | 0:30:47 | 0:30:50 | |
And I know they like glass, and this auction will be glass as well. | 0:30:50 | 0:30:53 | |
So I'm going to go for, I think, a piece of glass. | 0:30:53 | 0:30:58 | |
There we are. Job done. Really pleased with this. | 0:30:58 | 0:31:00 | |
I think the ladies are going to absolutely love it. And at £58, | 0:31:00 | 0:31:03 | |
I think there's a really good deal. I'll drink to that, anyway. | 0:31:03 | 0:31:06 | |
So how do you plan to spend your Tim's Ton, JP? | 0:31:06 | 0:31:09 | |
I've been around this round building so many times | 0:31:09 | 0:31:13 | |
and, do you know what, I'm fed up with buying ceramics now. | 0:31:13 | 0:31:16 | |
I want to buy something different. I'd like to have a go at this chappie here. | 0:31:16 | 0:31:19 | |
-Is this is the 100mph sign? -It is. -The railway sign. | 0:31:19 | 0:31:22 | |
-Is that what it is? -Yes. Speed, you know, like Flying Scotsman, | 0:31:22 | 0:31:25 | |
100mph, that's it. | 0:31:25 | 0:31:27 | |
Ah! That's more interesting. | 0:31:27 | 0:31:30 | |
-I didn't think it was English, you see. -Oh, yes. -Oh, brilliant. | 0:31:30 | 0:31:33 | |
That makes it, sort of, railwayana. | 0:31:33 | 0:31:36 | |
-I'd like to make you an offer on it. -OK. | 0:31:37 | 0:31:39 | |
-See what you think. I'd like to offer you £60. -No. -Can't do 60 on it? | 0:31:39 | 0:31:44 | |
-Can do very close. -I'm very close. | 0:31:44 | 0:31:46 | |
Obviously not 100. 65? 60s... | 0:31:48 | 0:31:52 | |
-Get the speed up a bit. Just a fraction. -OK. | 0:31:52 | 0:31:56 | |
-£70? -We can do 70. -Thank you very much. Brilliant, OK. | 0:31:56 | 0:31:59 | |
Now, let me catch up with Jonathan about these bonus buys. | 0:31:59 | 0:32:03 | |
-Well, JP. You have gone to town, haven't you? -I'm afraid so. | 0:32:05 | 0:32:08 | |
Now, the girls, | 0:32:08 | 0:32:10 | |
they gave you £93 of leftover lolly for the team's bonus buy. | 0:32:10 | 0:32:14 | |
And there we have it. | 0:32:14 | 0:32:16 | |
Yeah. You know, reasonably nice quality. | 0:32:16 | 0:32:19 | |
Spent £58 on all of it. | 0:32:19 | 0:32:21 | |
£58. Really? | 0:32:21 | 0:32:24 | |
Shows how reasonable things are out there. | 0:32:24 | 0:32:28 | |
-And they're all in good nick? -All in good nick. -OK, fine. | 0:32:28 | 0:32:30 | |
And then we've gone from one extreme to the other. | 0:32:30 | 0:32:33 | |
Uber-chic in suburban homes, to this thing. | 0:32:33 | 0:32:37 | |
Retro in modern homes. | 0:32:37 | 0:32:39 | |
-Where's it come from? -I'm led to believe it's off a railway. | 0:32:39 | 0:32:43 | |
-Oh, really. 100mph. Really. That's the business. -Racing girls, you see. | 0:32:43 | 0:32:47 | |
There you go. And modernism is everything, | 0:32:47 | 0:32:49 | |
-and funky collectables are everything, so how much? -Cost me 70. | 0:32:49 | 0:32:53 | |
OK. Well, I'm going to take a punt on how to make my prediction, | 0:32:53 | 0:32:56 | |
and I'm going to ditch the boring green glasses | 0:32:56 | 0:32:59 | |
-and I'm going with the 100mph sign. -Oh! -Brilliant. | 0:32:59 | 0:33:02 | |
Anyway, next, we're off somewhere completely different. | 0:33:02 | 0:33:05 | |
We're going to the Museum of Childhood, where we are going | 0:33:05 | 0:33:08 | |
to have a look at some teaching aids. | 0:33:08 | 0:33:10 | |
Today I'm at the V&A's Museum of Childhood, | 0:33:20 | 0:33:24 | |
here in Bethnal Green. | 0:33:24 | 0:33:26 | |
It was opened in 1872, and from the outset has proved to be | 0:33:26 | 0:33:32 | |
a valuable part of the area's educational system. | 0:33:32 | 0:33:36 | |
Having originally opened as the Bethnal Green Museum, | 0:33:38 | 0:33:42 | |
it was buildings like this one that suggested | 0:33:42 | 0:33:45 | |
a world of the unknown to both adults and children alike. | 0:33:45 | 0:33:49 | |
The idea that people could improve their education by visiting museums | 0:33:49 | 0:33:53 | |
and galleries in their leisure time became extremely popular. | 0:33:53 | 0:33:57 | |
In 1974 the museum finally found its identity, | 0:33:58 | 0:34:03 | |
and reopened as the Museum of Childhood. | 0:34:03 | 0:34:06 | |
There are literally thousands of artefacts here, which illustrate | 0:34:06 | 0:34:11 | |
the way that children played and lived | 0:34:11 | 0:34:15 | |
over the last 400 years. | 0:34:15 | 0:34:17 | |
But right now, I'm going to piece together some of those | 0:34:17 | 0:34:21 | |
childhood favourites from the 18th-century, | 0:34:21 | 0:34:25 | |
and to do that, I'm going to visit the museum's basement store. | 0:34:25 | 0:34:29 | |
So, what has dragged me into the bowels, | 0:34:37 | 0:34:41 | |
the storage area underneath the museum? | 0:34:41 | 0:34:45 | |
Well, to start off with, it's this rather unprepossessing | 0:34:45 | 0:34:50 | |
mahogany cabinet on stand, | 0:34:50 | 0:34:52 | |
that dates from the 1760s | 0:34:52 | 0:34:54 | |
but on the face of it is a pretty standard issue. | 0:34:54 | 0:34:59 | |
Open up the doors. | 0:34:59 | 0:35:02 | |
And revealed are a number of drawers. | 0:35:02 | 0:35:06 | |
The clue lies in the label pasted on the door inside. | 0:35:06 | 0:35:10 | |
"Cabinet belonging to Lady Charlotte Finch, | 0:35:10 | 0:35:14 | |
"sister to Lady Penn, | 0:35:14 | 0:35:16 | |
"governess to the children of George III." | 0:35:16 | 0:35:20 | |
Oh, this is where it starts to get interesting. | 0:35:20 | 0:35:24 | |
George III, the longest reigning monarch of the 18th-century, | 0:35:24 | 0:35:28 | |
is associated directly with this cabinet. | 0:35:28 | 0:35:33 | |
And what did it contain? | 0:35:33 | 0:35:35 | |
It contained a whole group of jigsaws, | 0:35:35 | 0:35:39 | |
except they weren't called "jigsaws" in the 18th century. | 0:35:39 | 0:35:42 | |
These were called dissected maps. | 0:35:42 | 0:35:46 | |
The label says, "It was the invention of dissecting maps, | 0:35:46 | 0:35:51 | |
"and these in the cabinet were expressly made for, | 0:35:51 | 0:35:56 | |
"and always used in, the teaching of geography to George IV | 0:35:56 | 0:36:01 | |
"and his brothers and sisters." | 0:36:01 | 0:36:04 | |
How about that? | 0:36:04 | 0:36:06 | |
And this is how Africa looked to a cartographer in the middle | 0:36:06 | 0:36:10 | |
of the 18th century. | 0:36:10 | 0:36:12 | |
This particular one was produced by a Frenchman, and the bits | 0:36:12 | 0:36:15 | |
they didn't know anything about are inscribed, | 0:36:15 | 0:36:18 | |
"Pais inconnu." | 0:36:18 | 0:36:21 | |
"Unknown lands." Isn't that extraordinary? | 0:36:21 | 0:36:25 | |
What is the survival of puzzles of this type? | 0:36:25 | 0:36:28 | |
Very, very small. | 0:36:28 | 0:36:30 | |
What is the survival of a Royal dissected puzzle case, | 0:36:30 | 0:36:35 | |
complete with its puzzles? I mean, it's unheard of. | 0:36:35 | 0:36:39 | |
Now, it came up for sale at auction, five or so years ago. | 0:36:39 | 0:36:44 | |
What do you think it realised? | 0:36:44 | 0:36:47 | |
£20,000? £50,000? | 0:36:47 | 0:36:50 | |
Or £100,000? | 0:36:50 | 0:36:53 | |
Now, there's a puzzle for you? | 0:36:53 | 0:36:55 | |
Stay with me because I'll tell you in a moment. | 0:36:56 | 0:36:59 | |
Scrolling forward into the 19th century, | 0:36:59 | 0:37:01 | |
this early Victorian puzzle shows the chronological order of kings and | 0:37:01 | 0:37:07 | |
queens of Britain, finishing with the young Victoria at the bottom. | 0:37:07 | 0:37:12 | |
As the century progressed, | 0:37:12 | 0:37:14 | |
so the technology allowed the cutting | 0:37:14 | 0:37:18 | |
out from layered plywood, jigsaw puzzles as we know | 0:37:18 | 0:37:23 | |
them today. Here's a good example, look. | 0:37:23 | 0:37:26 | |
Showing the Royal Family before the Second World War. | 0:37:26 | 0:37:29 | |
We've got George VI, look, with his two daughters, | 0:37:29 | 0:37:33 | |
including Queen Elizabeth II on her favourite pony. | 0:37:33 | 0:37:38 | |
But if you wanted to do a really difficult puzzle, | 0:37:38 | 0:37:41 | |
you might have a go at this one. | 0:37:41 | 0:37:44 | |
Produced by Raphael Tuck and Co. | 0:37:44 | 0:37:48 | |
It's of a type that Raphael Tuck described as a zag-zaw. | 0:37:48 | 0:37:52 | |
Zag-zaw puzzles are more complicated | 0:37:52 | 0:37:55 | |
and of course to make it more difficult, | 0:37:55 | 0:37:58 | |
Raphael Tuck didn't provide the picture | 0:37:58 | 0:38:01 | |
for you to use to make up the puzzle. | 0:38:01 | 0:38:04 | |
Almost as tough as the puzzle I put to you just now. | 0:38:04 | 0:38:08 | |
Did that royal puzzle cabinet make £20,000, £50,000 or £100,000? | 0:38:08 | 0:38:14 | |
You'd be right if you said... | 0:38:14 | 0:38:17 | |
£100,000. Actually, it was sold for £120,000. | 0:38:17 | 0:38:22 | |
And the final question today? | 0:38:22 | 0:38:24 | |
Well, how are our teams going to puzzle out | 0:38:24 | 0:38:27 | |
how to make a profit over at the auction? | 0:38:27 | 0:38:30 | |
Well, we've crossed the county line from Derbyshire to Staffordshire | 0:38:45 | 0:38:50 | |
and we've come to Lichfield to be with Richard Winterton. | 0:38:50 | 0:38:53 | |
-Richard, great to be in your sale room. -Fantastic. | 0:38:53 | 0:38:55 | |
-Pleased to have you. -Very nice, too. | 0:38:55 | 0:38:57 | |
Now, the Reds have gone with the silver counter bell, | 0:38:57 | 0:39:00 | |
which has to be one of the most miserable silver counter bells | 0:39:00 | 0:39:02 | |
-I think I've ever seen. -I quite liked it. -Oh, did you? | 0:39:02 | 0:39:06 | |
-We've got £40-£50. -It's not got silver on the top. | 0:39:06 | 0:39:10 | |
-To me, it's a £20 note on a good day with a wind up its tail. -Oh, dear. | 0:39:10 | 0:39:14 | |
But it clearly rings your bell. | 0:39:14 | 0:39:15 | |
Now, the Poole Pottery. I know you're very fond of these | 0:39:15 | 0:39:19 | |
Uranium orange and yellow splodgey. You like those, don't you? | 0:39:19 | 0:39:22 | |
Dreadful things, aren't they? | 0:39:22 | 0:39:24 | |
-What's your estimate? -£30-£50. | 0:39:24 | 0:39:26 | |
I had a horrible feeling you were going to say that. £80 was paid. | 0:39:26 | 0:39:29 | |
-That is tough, isn't it? -Yeah. | 0:39:29 | 0:39:31 | |
Now we pop off to what was the USSR. | 0:39:31 | 0:39:35 | |
-It looks like a bit of tourist market stuff to me. -It does. | 0:39:35 | 0:39:38 | |
It took a bit of debate, actually, to get the date - how old | 0:39:38 | 0:39:41 | |
we think it is. Personally, I don't think it's particularly very old, | 0:39:41 | 0:39:44 | |
but I have a team of experts and they're all looking at it | 0:39:44 | 0:39:46 | |
and they think the enamel has been rubbed quite a bit | 0:39:46 | 0:39:49 | |
and don't be put off just because | 0:39:49 | 0:39:51 | |
the back of it looks as clean as though it was made yesterday. | 0:39:51 | 0:39:54 | |
-We've got £40-£50. -£55 they paid. | 0:39:54 | 0:39:57 | |
So, that's pretty well spot-on. | 0:39:57 | 0:39:59 | |
Overall, though, I fancy there could be some trouble here, | 0:39:59 | 0:40:02 | |
in which case they're going to need their bonus buy, so let's go and have a look at it. | 0:40:02 | 0:40:06 | |
-Well, how exciting is this, right? -Very exciting. | 0:40:06 | 0:40:09 | |
We have got that many bonus buys here for you, | 0:40:09 | 0:40:12 | |
you're going to be spoiled for choice. | 0:40:12 | 0:40:14 | |
First off, we have the leftover lolly, | 0:40:14 | 0:40:16 | |
this is the team's bonus buy leftover lolly, which was £140. | 0:40:16 | 0:40:21 | |
Being the studious types that you are, | 0:40:21 | 0:40:23 | |
-study this chap. -Oh, my word. -I remember that. | 0:40:23 | 0:40:26 | |
-You recognise him, don't you? -Oh, yeah. -We saw this at the fair. | 0:40:26 | 0:40:28 | |
-Do you like him? -I don't like him. -I do, because he's a toby jug | 0:40:28 | 0:40:32 | |
-and I'm a Toby, so I am happy with him. -I paid £40 for that. | 0:40:32 | 0:40:35 | |
-That's not too bad, actually. -It's all right. -It's all right, you know? | 0:40:35 | 0:40:39 | |
That is a Victorian one, it's not an early one. | 0:40:39 | 0:40:41 | |
It's not a modern reproduction from Taiwan, that's the point, | 0:40:41 | 0:40:44 | |
so it's got its degree of age, so thanks for that. That's brilliant. | 0:40:44 | 0:40:48 | |
And did you ask him how much it's going to bring? | 0:40:48 | 0:40:50 | |
-Could make £60-£80. -That wouldn't be too bad. | 0:40:50 | 0:40:54 | |
What does the auctioneer think about this team's bonus buy? | 0:40:54 | 0:40:57 | |
So, Richard, there's the team's bonus buy. | 0:40:59 | 0:41:02 | |
Yeah, it's a bit of fun, isn't it? | 0:41:02 | 0:41:04 | |
-It dates from the end of the 19th century. -It does, yeah. | 0:41:04 | 0:41:07 | |
-So what's your estimate on that? -We've gone £50-£80. | 0:41:07 | 0:41:09 | |
OK, well, that's brilliant. | 0:41:09 | 0:41:11 | |
Time to see what the Reds think about their Tim's Ton item. | 0:41:11 | 0:41:15 | |
OK. Now we come to the special moment, which is Tim's Ton. | 0:41:16 | 0:41:20 | |
You were given £100 to go and find something that you really rate. | 0:41:20 | 0:41:23 | |
-So we'd like to see what that is, please. -He doesn't look confident. | 0:41:23 | 0:41:27 | |
I'm not convinced I invested your ton wisely, Tim. | 0:41:27 | 0:41:29 | |
I might actually have wasted it, but you never know. | 0:41:29 | 0:41:33 | |
Now, when I bought these, I thought | 0:41:33 | 0:41:35 | |
"Good, a nice pair of 19th-century | 0:41:35 | 0:41:38 | |
"Japanese-Chinese export ware chargers." | 0:41:38 | 0:41:41 | |
They might actually be into the 20th century, | 0:41:41 | 0:41:44 | |
but they're decorative, they're a pair and they're not damaged. | 0:41:44 | 0:41:47 | |
Loosely, this stuff's called Famille Noire. | 0:41:47 | 0:41:49 | |
Because the colour scheme's basically black. | 0:41:49 | 0:41:51 | |
It may have had a stencil design | 0:41:51 | 0:41:53 | |
and then the hand enamelling around a stencil design. | 0:41:53 | 0:41:55 | |
-Cos these aren't terribly old, are they, Nick? -No, no. | 0:41:55 | 0:41:58 | |
-And how much did you pay for them? -Well, out of Tim's Ton, I blew 80. | 0:41:58 | 0:42:03 | |
-80 quid? -Not each, for the pair. -£40 each. | 0:42:03 | 0:42:06 | |
And how much do you reckon we're going to get for these? | 0:42:06 | 0:42:08 | |
-Oh, a good 80. -Now come on, Nick, | 0:42:08 | 0:42:10 | |
they could make £100, they could make £150. | 0:42:10 | 0:42:12 | |
"Could" is the primary word there, isn't it? | 0:42:12 | 0:42:15 | |
Have a think about it. You don't pick right now, you pick later. | 0:42:15 | 0:42:18 | |
'Now what does the auctioneer think about Tim's Ton?' | 0:42:18 | 0:42:22 | |
-How do you rate those? -We've gone £40-£50. | 0:42:22 | 0:42:25 | |
It looks very... | 0:42:25 | 0:42:26 | |
-..tacky, doesn't it? -Slightly Chinese restaurant to me. | 0:42:27 | 0:42:30 | |
Yes, that's what I meant, yeah, tacky. | 0:42:30 | 0:42:32 | |
Could be dating from the 1950s or 1960s, that sort of period. | 0:42:32 | 0:42:37 | |
-OK, well, you're £40-£50... -Yeah. -Nick, he paid £80. | 0:42:37 | 0:42:42 | |
So the team, if they decide to go with Tim's Ton bonus buy, | 0:42:42 | 0:42:47 | |
could be in a bit of a difficulty. | 0:42:47 | 0:42:49 | |
I had to make a prediction. | 0:42:49 | 0:42:51 | |
My prediction was that the profit potential | 0:42:51 | 0:42:54 | |
was better on the Toby jug than it was on the plates, so we'll see. | 0:42:54 | 0:42:57 | |
Now for the Blues. | 0:42:57 | 0:43:00 | |
We've got a golf club bar brooch. | 0:43:00 | 0:43:03 | |
-It's in nine-carat gold. -Yeah. -Many golfers around these parts? | 0:43:03 | 0:43:07 | |
We have quite a few. | 0:43:07 | 0:43:09 | |
I'm not a golfer myself, but we certainly have quite a few | 0:43:09 | 0:43:11 | |
and there's a bit of a following for it. | 0:43:11 | 0:43:13 | |
It's nice that it is nine carat and £30-£50 all day long. | 0:43:13 | 0:43:18 | |
-OK, £35 paid. -That's OK. -I think they did well with that. | 0:43:18 | 0:43:23 | |
OK, and then you've got the salts. | 0:43:23 | 0:43:25 | |
And we see hundreds of them. £20-£30. | 0:43:25 | 0:43:28 | |
That all? They paid 50. OK, well, there we go, then. | 0:43:28 | 0:43:33 | |
Lastly, is the ribbed, cranberry lemonade jug. | 0:43:33 | 0:43:37 | |
-We were doing so well. -We were, won't we? -Yeah. | 0:43:37 | 0:43:40 | |
Stevens and Williams is the factory that is normally associated | 0:43:40 | 0:43:45 | |
with this ribbed stuff. But I'm not so sure it's a lemonade jug. | 0:43:45 | 0:43:49 | |
To me, it hasn't got the quality of that, either. | 0:43:49 | 0:43:52 | |
I don't think it's a lemonade jug. I think it's just water jug. | 0:43:52 | 0:43:55 | |
-Just a jug. -Just a jug. -£40-£50 -Have you? | 0:43:55 | 0:43:57 | |
Yeah, and I think probably overcooked it. | 0:43:57 | 0:43:59 | |
OK, well, I have to say £122 was paid for that. And I can't see it. | 0:43:59 | 0:44:04 | |
They were doing so well. | 0:44:04 | 0:44:05 | |
-Well, they weren't doing that well, actually. -No, well... | 0:44:05 | 0:44:08 | |
Thinking about the salts, which you just dissed at £20-£30. | 0:44:08 | 0:44:12 | |
No, but we're not far away and I think they might make a profit | 0:44:12 | 0:44:15 | |
on the others, but they've completely ruined it. | 0:44:15 | 0:44:17 | |
-I think you'll be lucky if you get £40 for that water jug. -I agree. | 0:44:17 | 0:44:20 | |
So, on that basis, they're absolutely torpedoed | 0:44:20 | 0:44:23 | |
and it's just as well they're going to have the choice | 0:44:23 | 0:44:26 | |
of two bonus buys. Let's go and have a look at them. | 0:44:26 | 0:44:29 | |
We'll start off, JP, please, with the team's bonus buy. | 0:44:31 | 0:44:34 | |
Well, as a couple of teachers, | 0:44:34 | 0:44:36 | |
I'm sure you get a lot of stress from all your students. | 0:44:36 | 0:44:38 | |
So I thought what more could you want than... | 0:44:38 | 0:44:41 | |
-something to entertain yourselves with in the evening. -You mean have a drink? -Have a drink. Have a tipple. | 0:44:41 | 0:44:46 | |
This is basically a decanter and six glasses | 0:44:46 | 0:44:48 | |
that are made in clear glass, they're dipped into a green glass | 0:44:48 | 0:44:52 | |
and then they are cut through. But we've got this lovely decanter, sort of mallet shape with a stopper. | 0:44:52 | 0:44:56 | |
Always have to check. There's a little nibble on the bottom, | 0:44:56 | 0:44:59 | |
but that's not bad, because normally there are chips | 0:44:59 | 0:45:02 | |
all around the rim, because they have too much to drink | 0:45:02 | 0:45:04 | |
and then they can see the hole and they just go and whack it in! | 0:45:04 | 0:45:07 | |
-Are you on about teachers? -Yes! | 0:45:07 | 0:45:09 | |
-It's nice quality. -What do you think, Sue? | 0:45:09 | 0:45:14 | |
-Yes... -You like? -Erm... | 0:45:14 | 0:45:17 | |
-Not much. -Not really my cup of tea, but... -No, you don't put tea in it. | 0:45:17 | 0:45:20 | |
-Julie, what do you think? -I'm not struck on green, I have to say. | 0:45:20 | 0:45:25 | |
I'd bet you get two bottles in there. | 0:45:25 | 0:45:28 | |
-A bottle and a half to two bottles, actually. -The thing is... | 0:45:28 | 0:45:32 | |
clear glass decanters, they're not selling terribly well, | 0:45:32 | 0:45:34 | |
cos people don't use spirits like they used to. | 0:45:34 | 0:45:36 | |
What you've got here is the novelty of a colour, plus six glasses. | 0:45:36 | 0:45:39 | |
And the six glasses are in good nick, are they? | 0:45:39 | 0:45:41 | |
-Yeah, they're in good nick. -How much do you think? | 0:45:41 | 0:45:44 | |
-You gave me £93. -Right, yeah. -I spent £58. | 0:45:44 | 0:45:48 | |
-Right. -I think an auctioneer will say £40-£60, £50-£80. | 0:45:48 | 0:45:51 | |
I think we're on the cusp of a profit | 0:45:51 | 0:45:53 | |
and it might prove us a good one. | 0:45:53 | 0:45:56 | |
But what does the auctioneer think about the Blues' team bonus buy? | 0:45:56 | 0:46:01 | |
Six wine glasses like that and the green-flashed decanter. | 0:46:01 | 0:46:06 | |
OK. Look good in a cabinet with a bit of light behind it. It's OK. | 0:46:06 | 0:46:11 | |
-They'll do OK. -Like how OK? | 0:46:11 | 0:46:13 | |
-£50-£80, something like that. -£58 paid. -That's OK. | 0:46:13 | 0:46:17 | |
Yeah, yeah, yeah. Half a chance. | 0:46:17 | 0:46:19 | |
Jonathan's done pretty well with that. | 0:46:19 | 0:46:21 | |
What do the Blues make of their Tim's Ton item? | 0:46:21 | 0:46:24 | |
JP's been entrusted with 100 extra pounds, Tim's Ton, | 0:46:26 | 0:46:29 | |
to find the extra bonus buy. | 0:46:29 | 0:46:31 | |
Come and have a look, quickly, while he does his reveal. | 0:46:31 | 0:46:34 | |
I was given £100 and what did I buy? | 0:46:34 | 0:46:36 | |
How about that? | 0:46:38 | 0:46:40 | |
Now, it caught my eye, because again it's a novelty. | 0:46:40 | 0:46:42 | |
It was sold to me as a railway sign for 100mph. | 0:46:42 | 0:46:46 | |
That may be questionable, but the idea of it being from the railways | 0:46:46 | 0:46:49 | |
adds interest and value, let's hope. | 0:46:49 | 0:46:52 | |
-I think it's British. -I'm hoping it's British, yeah. | 0:46:52 | 0:46:55 | |
How much did you pay for our big sign? | 0:46:55 | 0:46:58 | |
Well, I didn't pay £100, | 0:46:58 | 0:47:00 | |
-I paid £70. -70? | 0:47:00 | 0:47:02 | |
Now, what does the auctioneer think about the Blues' Tim's Ton? | 0:47:02 | 0:47:08 | |
It's the 100 mile an hour sign, | 0:47:08 | 0:47:11 | |
presumably from a railway line. | 0:47:11 | 0:47:13 | |
Some railway signs, I can see it, but when it's just got "100" | 0:47:13 | 0:47:17 | |
-it doesn't do it for me. -So how much? | 0:47:17 | 0:47:19 | |
-£30, £30-£40. -£30-£40. OK, fine. | 0:47:19 | 0:47:23 | |
Well, we're in a contention here, | 0:47:23 | 0:47:25 | |
because I was asked to make my prediction as to which | 0:47:25 | 0:47:28 | |
one I thought would do better and I opted for the railway sign. | 0:47:28 | 0:47:31 | |
You think there's plenty of people out there | 0:47:31 | 0:47:33 | |
-who want to put a sign like that in their kitchen? -Yeah. | 0:47:33 | 0:47:36 | |
Why not? Anyway, I've made my punt. | 0:47:36 | 0:47:39 | |
I think that'll do better than this glass set, | 0:47:39 | 0:47:42 | |
but, now you've described it, I'm not so sure you might not be right. | 0:47:42 | 0:47:46 | |
Anyway, I've made my prediction. That's exciting, isn't it? | 0:47:46 | 0:47:49 | |
We'll see what happens at the auction. | 0:47:49 | 0:47:51 | |
Now, Toby, Charlie, happy? | 0:47:55 | 0:47:58 | |
-Ish. -What do you mean, "ish"? -Well, ish. | 0:47:58 | 0:48:01 | |
-I don't know what's going to happen. -Nor do we. -Well, there we go. | 0:48:01 | 0:48:04 | |
-Don't worry about that. -Nerves, Tim, nerves. -Is that what it is? | 0:48:04 | 0:48:06 | |
We've got this in the bag. | 0:48:06 | 0:48:07 | |
Now we go to lot 932, | 0:48:07 | 0:48:10 | |
little miniature counter bell. There it is, lot 932. | 0:48:10 | 0:48:14 | |
Nothing on mind, so maybe going to be £20. | 0:48:14 | 0:48:16 | |
£20, £10 to start me. £10 at the back, £10. | 0:48:16 | 0:48:20 | |
£12. £15, £18... | 0:48:20 | 0:48:23 | |
-Yes, yes. -£20 at the very back. -Uh-oh. -£30 in the room. | 0:48:23 | 0:48:27 | |
-Yes, come on. -Room's at 30. Room's at 30, the back at 30. | 0:48:27 | 0:48:31 | |
-35 in the room. -Yes, here we go. -35, 40 in the room. -Yes, here we go! | 0:48:31 | 0:48:35 | |
45 in the room. 50 in the room. | 0:48:35 | 0:48:38 | |
50 in the back, at 50, in the room at 50... | 0:48:38 | 0:48:41 | |
All done, sold at £50. | 0:48:41 | 0:48:44 | |
Yes! You've doubled your money. Doubled your money, plus 25. Lovely. | 0:48:44 | 0:48:49 | |
-We're doing it. -Now, Paul. | 0:48:49 | 0:48:51 | |
Lot 933, a lot of interest, actually. | 0:48:51 | 0:48:54 | |
I'm starting at 40, I've got 50, I've got £60. | 0:48:54 | 0:48:57 | |
£60 I'm bid. £70. | 0:48:57 | 0:49:00 | |
£70 I'm bid. Internet at £70. | 0:49:00 | 0:49:03 | |
Internet at 70. | 0:49:03 | 0:49:04 | |
-Internet at 70, room's out, we are sold at £70. -You're having a laugh. | 0:49:04 | 0:49:10 | |
I never liked that stuff. | 0:49:10 | 0:49:12 | |
£70 is minus £10, miserable. | 0:49:12 | 0:49:15 | |
Plus 15, you are. Now, here we go. Here comes the icon. | 0:49:15 | 0:49:18 | |
Again, quite a lot of interest. | 0:49:18 | 0:49:21 | |
I have nine bids, a lot of it, all over it. | 0:49:21 | 0:49:24 | |
I'm 40, 50, 60, 70, 80, 90, 100. | 0:49:24 | 0:49:29 | |
-Get away! -100 I am bid, 100. | 0:49:29 | 0:49:32 | |
Top of all the bids at 100. At 100... 110, the internet. | 0:49:32 | 0:49:36 | |
110, the internet, 120, the internet. 120, the internet. | 0:49:36 | 0:49:41 | |
120, the internet. 120, all finished then... | 0:49:41 | 0:49:45 | |
Sold at 120. | 0:49:45 | 0:49:47 | |
-You are a genius. -Nice one. -£120. | 0:49:47 | 0:49:51 | |
5 off 60, that is plus 65, yeah? | 0:49:51 | 0:49:54 | |
65, 75 plus £80. | 0:49:54 | 0:49:56 | |
Just like that, it's like falling off a log, isn't it? | 0:49:56 | 0:49:58 | |
-That's given us a pub round. -£80. | 0:49:58 | 0:50:00 | |
You only spent £160 and you've made £80 profit, how good is that, Toby? | 0:50:00 | 0:50:04 | |
-Yeah, oh, yes. -Oh, yes. | 0:50:04 | 0:50:06 | |
Now, what are you going to do about these bonus buys? | 0:50:06 | 0:50:09 | |
You've got £80 in the bank. | 0:50:09 | 0:50:11 | |
You can either go with one bonus buy, the team bonus buy, | 0:50:11 | 0:50:14 | |
-which is the Toby Jug... -Can we call a friend? -No. | 0:50:14 | 0:50:16 | |
..or you can go with Tim's Ton which is those Famille Rose plates... | 0:50:16 | 0:50:20 | |
-No. -..or you can do nothing. -Let's go for the Toby Jugs. | 0:50:20 | 0:50:23 | |
-Shall we just do it? -Why not just keep your money? | 0:50:23 | 0:50:25 | |
-What if we lose everything? -No, you won't! | 0:50:25 | 0:50:28 | |
You can't, because it only costs 40 and you've got £80 in the bank. | 0:50:28 | 0:50:32 | |
-Come on, Tim, tell us what to do. -Listen, I can't tell you. | 0:50:32 | 0:50:35 | |
You've got one lot to go and you've got to make a decision. | 0:50:35 | 0:50:38 | |
-Are you going with the bonus buy or not? -OK, fine, do it. Oh, God. | 0:50:38 | 0:50:41 | |
-Toby, are you doing with Toby or not? -All right, then. | 0:50:41 | 0:50:44 | |
-OK, you're going with Toby. You're going with Toby? -Yeah. -Yeah, OK. | 0:50:44 | 0:50:47 | |
OK, they're going to have a punt on Toby. | 0:50:47 | 0:50:49 | |
They're going to go with the team's bonus buy and here it comes. | 0:50:49 | 0:50:52 | |
The Toby Jug. Nothing on my book, they're going to be 50...40...£20. | 0:50:52 | 0:50:57 | |
£20 to start me. £20. £20, £10? | 0:50:57 | 0:51:00 | |
£10, I've got you, sir. £10 I'm bid. | 0:51:01 | 0:51:04 | |
-£10 I'm bid. -Oh, no. | 0:51:04 | 0:51:06 | |
Far left at £10. £12. £15. | 0:51:06 | 0:51:11 | |
-I don't like the look of this. -£15 on my left, at 15. 15, 15... | 0:51:11 | 0:51:15 | |
It's in the room at 15. Everything is out. | 0:51:15 | 0:51:17 | |
We're having to sell it and sold at £15. | 0:51:17 | 0:51:22 | |
£15? That is minus £25. | 0:51:22 | 0:51:25 | |
Now, you didn't go with the Tim's Ton... Hey! | 0:51:27 | 0:51:31 | |
You didn't go with the Tim's Ton bonus buy but we're going | 0:51:31 | 0:51:33 | |
to sell it anyway, and let's see if we can make a profit on this. | 0:51:33 | 0:51:36 | |
WE don't get it, do we? | 0:51:36 | 0:51:37 | |
£60 a bid, £60, £60. | 0:51:37 | 0:51:41 | |
£60 I'm bid. All done, sold at 60. | 0:51:41 | 0:51:45 | |
Well, by £5. | 0:51:48 | 0:51:49 | |
£60, that made a loss of £20, all right? | 0:51:49 | 0:51:52 | |
So there was no profits with these bonus buys at all. | 0:51:52 | 0:51:55 | |
Overall, guys, you are plus £55. You're in profit for £55. | 0:51:55 | 0:52:01 | |
That could be a winning score. | 0:52:01 | 0:52:03 | |
-Don't say a word to the Blues, all right, lads? -All right. | 0:52:03 | 0:52:06 | |
OK, Jules, Sue. Are you feeling incredibly crushed with nerves? | 0:52:11 | 0:52:16 | |
Are you? Everything is crossed. OK, here it comes. | 0:52:16 | 0:52:21 | |
Nine-carat golf club bar brooch, there. | 0:52:21 | 0:52:23 | |
This time we're going to be £20, £10. £10 to start me. £10 I'm bid. | 0:52:23 | 0:52:28 | |
£10 I'm bid. £10, £20 up on the internet. £20 I'm bid. £20 I'm bid. | 0:52:28 | 0:52:33 | |
Internet at £20. Nine-carat little golf thing at £20, internet only. | 0:52:33 | 0:52:38 | |
£20...25, madam. | 0:52:38 | 0:52:40 | |
£30, internet. £30. 35 in the middle. | 0:52:40 | 0:52:44 | |
35, 35...£40, the internet. | 0:52:44 | 0:52:47 | |
-You're in profit, well done. -£40, the internet. You're all out, now. | 0:52:47 | 0:52:51 | |
It's internet at 40 and it's sold at £40. We're going internet bid £40. | 0:52:51 | 0:52:56 | |
-Plus £5. Lovely, I'm loving it. Loving it. -So am I. | 0:52:56 | 0:52:59 | |
-Condiments and ladles. -10, 12, 15, 18, 20, 25, 30... | 0:53:00 | 0:53:06 | |
£30 I'm bid. | 0:53:06 | 0:53:07 | |
£30 I'm bid. £30... With me at £30. Internet, you are out. Room is out. | 0:53:07 | 0:53:12 | |
£30... 35. | 0:53:12 | 0:53:13 | |
£40, sir? | 0:53:15 | 0:53:16 | |
-Keep going. -Yes, £40. Ignore her. 45. | 0:53:17 | 0:53:21 | |
£45 a bid, £45 there on my left. | 0:53:21 | 0:53:24 | |
-Sold at 45. -Oh... | 0:53:24 | 0:53:27 | |
Honeybunch, 45 is minus 5. You're absolutely nowhere. | 0:53:27 | 0:53:33 | |
At this stage in the game, no profit, no loss. Another jug. | 0:53:33 | 0:53:37 | |
There's the jug. There you're going to be £20... | 0:53:37 | 0:53:40 | |
Bid. 25, 30... £30 I'm bid. £30, £30, £30. | 0:53:40 | 0:53:46 | |
At £30 I'm bid, at £30 on my left at £30. At £30, at £30. | 0:53:46 | 0:53:51 | |
In the room at £30. | 0:53:51 | 0:53:52 | |
Nothing's coming in the internet, it's cold as anything. | 0:53:52 | 0:53:55 | |
£30 on my left, sold at 30. Thank you, sir. | 0:53:55 | 0:53:59 | |
That's minus £92, chickens. | 0:53:59 | 0:54:02 | |
They have come home to roost. | 0:54:02 | 0:54:04 | |
-Oh, never mind. -OK, you're minus 92. Let's be positive now. | 0:54:04 | 0:54:08 | |
What about these bonus buys? | 0:54:08 | 0:54:09 | |
You can't have both of them, you don't have to have either of them. | 0:54:09 | 0:54:12 | |
What are you going to do? Are you going with the decanter and glasses | 0:54:12 | 0:54:16 | |
or might you go with the railway sign, or might you go with neither? | 0:54:16 | 0:54:20 | |
Well, we'll have to go with one. | 0:54:20 | 0:54:22 | |
We'll go with the decanter and glasses. | 0:54:22 | 0:54:24 | |
-He chose green, we'll go green. -We'll go green. -We'll go green. | 0:54:24 | 0:54:27 | |
You're going to go? | 0:54:27 | 0:54:28 | |
-We'll go green. -You're going to do it? Team bonus buy, then? | 0:54:28 | 0:54:31 | |
-We'll stick together. -OK, then. | 0:54:31 | 0:54:33 | |
They're going with the decanter and glasses | 0:54:33 | 0:54:35 | |
and rejecting the speed sign. | 0:54:35 | 0:54:38 | |
Well, now you've made your decision, | 0:54:38 | 0:54:40 | |
I can tell you that his estimate on the glasses | 0:54:40 | 0:54:42 | |
is £50-£80 and you paid £58. | 0:54:42 | 0:54:45 | |
So on the face of it, girls, you've made the right decision. | 0:54:45 | 0:54:48 | |
The sign that you've rejected Jay paid £70 for | 0:54:49 | 0:54:53 | |
and his estimate is £30-£40. | 0:54:53 | 0:54:55 | |
So all the money is with the decanters | 0:54:55 | 0:54:58 | |
and it seems you have done the right thing. | 0:54:58 | 0:55:01 | |
Anyway, let's find out, because here they come. | 0:55:01 | 0:55:04 | |
The green glass decanter and the six matching wine. | 0:55:04 | 0:55:06 | |
A lot for your money, where are you going to be? 50, 40, £20. | 0:55:06 | 0:55:10 | |
Nothing on my book, £20. £10 to start me. | 0:55:10 | 0:55:14 | |
£10 to start me, £10. | 0:55:14 | 0:55:17 | |
£15, £20, £25. | 0:55:17 | 0:55:21 | |
£30. | 0:55:21 | 0:55:22 | |
£30, the internet. £30, £30... | 0:55:22 | 0:55:24 | |
-Come on. -I'm not liking this. -Internet at £30. | 0:55:24 | 0:55:28 | |
Internet at £30. All finished now, the internet... | 0:55:28 | 0:55:31 | |
Sold at 30. | 0:55:31 | 0:55:33 | |
Minus £28, that is minus £120 is your overall score. | 0:55:33 | 0:55:40 | |
That's good, isn't it? | 0:55:40 | 0:55:42 | |
Now, we're going to sell the speed sign and here it comes. | 0:55:42 | 0:55:45 | |
£25. £30 on the internet. | 0:55:45 | 0:55:49 | |
£30 on the internet, 35. | 0:55:49 | 0:55:51 | |
£40 on the internet. | 0:55:53 | 0:55:55 | |
-£40 on the internet at £40. -We're getting up to speed here. | 0:55:55 | 0:55:59 | |
-At £40 on the internet. £40 on the internet, they're all out... -Uh-oh. | 0:55:59 | 0:56:03 | |
A red load, isn't it, near enough. | 0:56:03 | 0:56:05 | |
Not fast enough. £40 is minus £30. | 0:56:05 | 0:56:10 | |
Anyway, you didn't go with that joker. | 0:56:10 | 0:56:12 | |
You achieved less loss by going with the decanters, | 0:56:12 | 0:56:17 | |
so you did the right thing, girls. Overall, you are minus £120. | 0:56:17 | 0:56:20 | |
Some you win, some you don't. | 0:56:20 | 0:56:22 | |
-We still love you, Jamie, we still love you. -I hope so. -Well, I know. | 0:56:22 | 0:56:26 | |
It's good fun, isn't it? | 0:56:26 | 0:56:27 | |
Now, don't say a word to those brutish boys, all right? | 0:56:27 | 0:56:30 | |
-No, we won't. -Because we want them to think that they're still teachers' pet. | 0:56:30 | 0:56:34 | |
Well, what about this, eh? Teachers versus students. | 0:56:40 | 0:56:44 | |
-You been chatting between yourselves at all? -No. -No? Not at all. | 0:56:45 | 0:56:49 | |
No chats... | 0:56:49 | 0:56:50 | |
Well, there is a chasm between the teams today | 0:56:50 | 0:56:52 | |
-and I regret to say that the teachers are the runners up. -Ah! | 0:56:52 | 0:56:58 | |
Unfortunately, by a combination of bad luck, | 0:56:59 | 0:57:02 | |
-£120 you are down the drain. -Oh, my giddy aunt. | 0:57:02 | 0:57:07 | |
-We went down in style. -You certainly did. | 0:57:07 | 0:57:10 | |
Apart from your golf club bar brooch, | 0:57:10 | 0:57:13 | |
which did produce a small profit, I'm afraid there was nothing doing. | 0:57:13 | 0:57:17 | |
I made a prediction which I thought the railway sign would bring | 0:57:17 | 0:57:21 | |
the biggest proportion of profit and I was completely wrong, | 0:57:21 | 0:57:24 | |
so nothing to be proud of there. | 0:57:24 | 0:57:27 | |
In fact, neither of the bonus buys did any good, but not to worry. | 0:57:27 | 0:57:30 | |
-Did you have a good time? -Great time. -Lovely. | 0:57:30 | 0:57:32 | |
We've loved having you on the show | 0:57:32 | 0:57:34 | |
-but the boys have done incredibly well, the students. -Or the lads. | 0:57:34 | 0:57:37 | |
-And the lads. £55 profit, there you go, £55... -That's all right. | 0:57:37 | 0:57:43 | |
..principally made up with your great victory with the Russian icon, | 0:57:43 | 0:57:46 | |
-which was seriously good, wasn't it? -Oh, yes. | 0:57:46 | 0:57:49 | |
The miniature bell did brilliantly, so well done for that. | 0:57:49 | 0:57:53 | |
When it comes to predicting proportions of profits | 0:57:53 | 0:57:57 | |
or losses, I'm glad to say that the snuff taking bonus buy did not | 0:57:57 | 0:58:02 | |
fulfil its potential in my prediction. Anyway, so there we go. | 0:58:02 | 0:58:06 | |
-Have you had a good time? -Great time. -Oh, great time. | 0:58:06 | 0:58:09 | |
It has been super. | 0:58:09 | 0:58:10 | |
In fact, so much fun, join us soon for some more bargain hunting, yes? | 0:58:10 | 0:58:14 | |
Oh, yeah! | 0:58:14 | 0:58:16 |