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Derbyshire is a place | 0:00:02 | 0:00:03 | |
famous for peaks, pottery
and period dramas. | 0:00:03 | 0:00:07 | |
So, are our teams going to find it
an uphill struggle today, | 0:00:07 | 0:00:11 | |
are they going to have a smashing
time or will it all finish in tears? | 0:00:11 | 0:00:16 | |
There's only one way to find out. | 0:00:16 | 0:00:17 | |
Let's go bargain hunting, yeah! | 0:00:17 | 0:00:20 | |
The Derby Roundhouse plays host
to our Reds and Blues today. | 0:00:42 | 0:00:46 | |
With numerous stalls
to root through, | 0:00:46 | 0:00:49 | |
will they run rings
around the opposition | 0:00:49 | 0:00:52 | |
or simply get into a spin? | 0:00:52 | 0:00:53 | |
Also, I'll be asking our experts
to find not one | 0:00:54 | 0:00:58 | |
but two bonus buys and then
I'll express an opinion | 0:00:58 | 0:01:01 | |
as to which one I think is going
to make the biggest profit. | 0:01:01 | 0:01:05 | |
And then the teams get to pick. | 0:01:05 | 0:01:08 | |
But what happens to the
one that they don't pick? | 0:01:08 | 0:01:11 | |
Easy. If it makes a profit,
we'll give it to a charity. | 0:01:11 | 0:01:15 | |
Now, let's have a quick squint
as to what's coming up. | 0:01:15 | 0:01:18 | |
On today's programme, the Reds
know exactly where their level is. | 0:01:19 | 0:01:24 | |
We've got expensive taste,
haven't we? | 0:01:24 | 0:01:25 | |
Yeah, champagne taste
on a beer budget. | 0:01:25 | 0:01:28 | |
Yeah, you're not wrong there. | 0:01:28 | 0:01:29 | |
And the Blues are here
to make merry. | 0:01:30 | 0:01:33 | |
Parties now are, "Make your
own cocktails!" you know, so... | 0:01:33 | 0:01:36 | |
Well, maybe not. | 0:01:38 | 0:01:39 | |
I gauge from the reaction | 0:01:39 | 0:01:40 | |
that you're not taking
the bait there, so... | 0:01:40 | 0:01:43 | |
That's awkward. | 0:01:43 | 0:01:44 | |
Let's find out more, eh? | 0:01:44 | 0:01:46 | |
Well, we're in safe hands today
as we've pitted two teams | 0:01:47 | 0:01:52 | |
against one another with medical
qualifications because, | 0:01:52 | 0:01:56 | |
for the Reds, we've got Donna
and Pauline who are nurses | 0:01:56 | 0:01:59 | |
and, for the Blues, | 0:01:59 | 0:02:00 | |
we've got Andy and Jason
who are paramedics. | 0:02:00 | 0:02:02 | |
Hello, everyone. ALL: Hello.
Hello, hello, hello. | 0:02:02 | 0:02:05 | |
Now, Donna... Yes.
..how did you two meet? | 0:02:05 | 0:02:08 | |
We met during our nurse's training
at York University. | 0:02:08 | 0:02:11 | |
We were both late bloomers.
Late developers? | 0:02:11 | 0:02:15 | |
Mature students, so to speak. | 0:02:15 | 0:02:17 | |
So to speak. And we've been
qualified ten years now. | 0:02:17 | 0:02:20 | |
And what do you do in the nursing
profession right now? | 0:02:20 | 0:02:22 | |
I work at York Hospital on a busy
gynaecology and breast surgery ward. | 0:02:22 | 0:02:27 | |
Do you? Yes. Stressful? | 0:02:27 | 0:02:28 | |
Uh, can be at times, yes. | 0:02:28 | 0:02:30 | |
You feel for them, you do
your best for them and, | 0:02:30 | 0:02:34 | |
hopefully, they feel a lot better
by what you're doing. | 0:02:34 | 0:02:38 | |
That's what makes you a great nurse. | 0:02:38 | 0:02:40 | |
Oh, OK. It's because
you feel all that, | 0:02:40 | 0:02:41 | |
and they know you feel all that. | 0:02:41 | 0:02:43 | |
Yeah, yeah. It's not just a job,
it's a vocation, | 0:02:43 | 0:02:46 | |
in the old-fashioned way. | 0:02:46 | 0:02:47 | |
Yeah, if I stop feeling,
it's time to get out. | 0:02:47 | 0:02:49 | |
Exactly right. Yeah. | 0:02:49 | 0:02:51 | |
Now, Pauline, like Donna, | 0:02:51 | 0:02:52 | |
you went into the nursing field
later in life. | 0:02:52 | 0:02:55 | |
Do you have the same
vocational feel for it? | 0:02:55 | 0:02:57 | |
I do, I absolutely love it. | 0:02:57 | 0:02:58 | |
I count it a privilege to be
doing the job that I do. | 0:02:58 | 0:03:02 | |
I work with the elderly and
it is a joy to be around them. | 0:03:02 | 0:03:06 | |
These are two gorgeous ladies,
aren't they? | 0:03:06 | 0:03:09 | |
Oh, I can't bear it. | 0:03:09 | 0:03:10 | |
And when you're not
caring for others, | 0:03:10 | 0:03:13 | |
what do you like to got up to? | 0:03:13 | 0:03:14 | |
Well, I like to sit on the back of
my husband's motorcycle. Do you? | 0:03:14 | 0:03:18 | |
Yes. And we love to
go touring around. | 0:03:18 | 0:03:20 | |
We've toured England, we've toured
South Africa, New Zealand, | 0:03:20 | 0:03:25 | |
the most wonderful time.
Very relaxing. | 0:03:25 | 0:03:28 | |
Now, what about antiques? Do you two
know anything about antiques? | 0:03:28 | 0:03:30 | |
The only thing I know about antiques
is I married mine. | 0:03:30 | 0:03:34 | |
OK, fine. That's fair enough. | 0:03:34 | 0:03:36 | |
And what about you? | 0:03:36 | 0:03:38 | |
Absolutely nothing.
I'm a blank copy book, so... | 0:03:38 | 0:03:40 | |
OK, so you're going to rely
on your expert? Mm-hm. | 0:03:40 | 0:03:43 | |
HE LAUGHS | 0:03:43 | 0:03:45 | |
Anyway, we're looking forward to it. | 0:03:43 | 0:03:45 | |
Thank you very much, girls. | 0:03:45 | 0:03:46 | |
Now, chaps, you two met at work,
right? Yes. | 0:03:46 | 0:03:50 | |
We met about five years ago
at Stratford Ambulance Station | 0:03:50 | 0:03:53 | |
and then we sort of found out that
we had the same sort of interests. | 0:03:53 | 0:03:57 | |
You know, a bit of dog walking,
beer, stuff like that. | 0:03:57 | 0:04:01 | |
You're going to have a good time
today. Yeah, looking forward to it. | 0:04:01 | 0:04:04 | |
Yeah, brilliant, so are we.
Now, Jason, you've been called out | 0:04:04 | 0:04:06 | |
to some queer old incidents,
haven't you? | 0:04:06 | 0:04:09 | |
Yes, yes, I have. | 0:04:09 | 0:04:10 | |
I've been called out to
pass the remote control... | 0:04:10 | 0:04:13 | |
They get the ambulance out
to pass... Yes. | 0:04:13 | 0:04:15 | |
What, he can't get up out of the
chair to go and get a remote? | 0:04:15 | 0:04:18 | |
Well, it was a bedbound patient | 0:04:18 | 0:04:22 | |
and they couldn't quite
reach the remote control. | 0:04:22 | 0:04:24 | |
Well, I suppose if it was
about 12 o'clock | 0:04:24 | 0:04:26 | |
they wanted to watch Bargain Hunt
and couldn't get the remote | 0:04:26 | 0:04:28 | |
to get over from another channel,
it would be an emergency. It would. | 0:04:28 | 0:04:31 | |
That's fair enough. So, what is
your expectation from today? | 0:04:31 | 0:04:35 | |
Do you expect to make
loads of money? | 0:04:35 | 0:04:37 | |
We originally said we'd just | 0:04:37 | 0:04:38 | |
like to get the petrol money home,
wouldn't we? | 0:04:38 | 0:04:41 | |
Yeah. And we said about 40 quid,
that'll be nice... Yes. | 0:04:41 | 0:04:43 | |
..but then we thought...
So half a tank? | 0:04:43 | 0:04:45 | |
Yeah, but then we thought we were
diesel, so it'd be 70 quid. | 0:04:45 | 0:04:48 | |
Yes, exactly. Now we're
up against nurses. | 0:04:48 | 0:04:51 | |
Now you're up against nurses, I
know. Yeah, a bit of a game changer. | 0:04:51 | 0:04:54 | |
This means that the spirit
of the competition | 0:04:54 | 0:04:56 | |
that beats in your bosom is going
to be beating even faster, isn't it? | 0:04:56 | 0:05:00 | |
We have so many colleagues out there
that have said, "You best win." | 0:05:00 | 0:05:03 | |
You best win. | 0:05:03 | 0:05:07 | |
So we're going to try our hardest. | 0:05:03 | 0:05:07 | |
OK, well, this the... The gauntlet
is thrown down, girls. | 0:05:07 | 0:05:09 | |
No problem. We're going to have a
competition today, I can tell you. | 0:05:09 | 0:05:12 | |
Anyway, £300 apiece.
There's your £300. | 0:05:12 | 0:05:14 | |
You know the rules,
your experts await, and off you go! | 0:05:14 | 0:05:17 | |
And very, very, very good luck. | 0:05:17 | 0:05:19 | |
We're in safe hands today,
thank God for them. | 0:05:19 | 0:05:22 | |
Great teams. So, which experts
are here to inject some know-how? | 0:05:22 | 0:05:26 | |
Proving he's all heart is
Red team expert Nick Hall. | 0:05:27 | 0:05:31 | |
He'd like to stop and chat
but he really moustache. | 0:05:31 | 0:05:36 | |
The Blues have Jonathan Pratt. | 0:05:36 | 0:05:38 | |
So, ladies, we've got a right
royal battle today, haven't we? | 0:05:38 | 0:05:41 | |
Nurses against paramedics. Exactly.
Bit of a needle match. | 0:05:41 | 0:05:44 | |
Oh, that was bad. | 0:05:44 | 0:05:46 | |
So, what are looking for today?
Maybe a bit of silver. | 0:05:46 | 0:05:50 | |
So, chaps, we're in this wonderful
building in Derby. | 0:05:50 | 0:05:52 | |
What's your inspiration today? | 0:05:52 | 0:05:55 | |
My inspiration is you, JP. Oh, OK. | 0:05:55 | 0:05:59 | |
Pauline, what do you think?
Possibly glassware or something. | 0:05:59 | 0:06:02 | |
Glassware is a good seller.
Crystal or something. | 0:06:02 | 0:06:04 | |
20th-century glassware, great. Yes. | 0:06:04 | 0:06:06 | |
Well, look, the fair is huge. | 0:06:06 | 0:06:07 | |
Let's get stuck in,
see what we can find. | 0:06:07 | 0:06:09 | |
All right, let's go. | 0:06:09 | 0:06:11 | |
Jonathan, we've got to beat
the nurses so, today, | 0:06:11 | 0:06:16 | |
for today only, you're our
honorary paramedic, OK? | 0:06:16 | 0:06:19 | |
Brilliant. Let's go.
It's an emergency. | 0:06:19 | 0:06:22 | |
OK, time to get those pulses racing. | 0:06:22 | 0:06:24 | |
We haven't got a clue
what we're doing. OK. | 0:06:26 | 0:06:28 | |
Let's just get dived in,
see what we can find. | 0:06:28 | 0:06:31 | |
Go for what you like, that's
the most important thing. Yeah. | 0:06:31 | 0:06:35 | |
Now the Blues certainly
are taking the lead. | 0:06:35 | 0:06:37 | |
You're both dog lovers, aren't you?
I'm a dog lover, too. | 0:06:37 | 0:06:40 | |
And you've got a pair of spaniels.
Yeah, King Charles spaniels. | 0:06:40 | 0:06:43 | |
They're not terribly old,
I don't think. | 0:06:43 | 0:06:46 | |
So they're a modern reproduction | 0:06:46 | 0:06:47 | |
of a Staffordshire...
19th-century Staffordshire dog. | 0:06:47 | 0:06:50 | |
And the origins of these dogs | 0:06:50 | 0:06:51 | |
goes back into the sort of the
late 18th, early 19th century | 0:06:51 | 0:06:56 | |
as a sort of a mantelpiece ornament. | 0:06:56 | 0:06:58 | |
For one buy, decorative lot,
sticking it in a ceramic sale | 0:06:58 | 0:07:01 | |
and you both like dogs. One each.
Yeah, one each, isn't it? | 0:07:01 | 0:07:04 | |
Yeah, we do like those dogs. | 0:07:04 | 0:07:06 | |
They're unique. | 0:07:08 | 0:07:09 | |
Honest. | 0:07:09 | 0:07:12 | |
THEY LAUGH | 0:07:09 | 0:07:12 | |
Can't vouch for how many were made, | 0:07:12 | 0:07:13 | |
but I'm sure there was
more than that pair. | 0:07:13 | 0:07:15 | |
Well, that and the other
14 million pairs. | 0:07:15 | 0:07:18 | |
You're not going to lose on them
if you got them for a sensible | 0:07:18 | 0:07:20 | |
amount of money with giving us a
small profit of course. Yes. Yeah? | 0:07:20 | 0:07:24 | |
Yeah, shall we go and ask?
Do you want to do it? Yeah. | 0:07:24 | 0:07:28 | |
Yeah, let's have a chat with them.
Go on, then. | 0:07:28 | 0:07:30 | |
We do really like these dogs. | 0:07:31 | 0:07:33 | |
Um, what would be your best on them? | 0:07:33 | 0:07:35 | |
I could do 12. | 0:07:35 | 0:07:36 | |
12, yeah, brilliant.
Thank you very much. | 0:07:36 | 0:07:39 | |
OK. Thank you. Thank you, cheers.
Bye. That's number one. | 0:07:39 | 0:07:43 | |
So, chaps, how much was it?
£12. That's very good. Yeah. | 0:07:43 | 0:07:46 | |
£12. Yeah, very good.
Nice buy, first lot done. | 0:07:46 | 0:07:48 | |
So, where...?
We've got loads of time. | 0:07:48 | 0:07:50 | |
Now I thought this might be a really
interesting lot for you. | 0:07:53 | 0:07:56 | |
Do you like? | 0:07:58 | 0:07:59 | |
Different. I think that's a no, Nick. | 0:08:00 | 0:08:03 | |
This is Japanese. | 0:08:03 | 0:08:05 | |
Late 19th century,
early 20th century, | 0:08:06 | 0:08:09 | |
for export to the West. | 0:08:09 | 0:08:10 | |
I just love the shape, the fact
that the lid is intact. Yeah. | 0:08:10 | 0:08:14 | |
This is all hand-painted on
with coloured enamels. Yeah. | 0:08:14 | 0:08:17 | |
A lot of work went into this.
Oh, yeah. | 0:08:17 | 0:08:19 | |
What's your heart telling you? | 0:08:19 | 0:08:21 | |
Are you getting those palpitations? | 0:08:21 | 0:08:23 | |
Do you know something?
I would say yeah. Yeah. Yeah. | 0:08:23 | 0:08:27 | |
Do you need a paramedic?
It's eye pleasing, isn't it? It is. | 0:08:27 | 0:08:30 | |
What's the price on it? 140...
140. ..is the asking price. | 0:08:30 | 0:08:33 | |
OK. You two need to work your
charm on this gentleman. | 0:08:33 | 0:08:37 | |
Do you want to offer or
shall I tell you... Um... | 0:08:37 | 0:08:40 | |
..where we've got to be? | 0:08:40 | 0:08:41 | |
What is your very, very, very best? | 0:08:41 | 0:08:46 | |
110 is the very best. Can you... | 0:08:46 | 0:08:50 | |
go 100? | 0:08:50 | 0:08:51 | |
Hmm, no. Please? But I'll do 105.
Yeah? Do you agree with him? | 0:08:52 | 0:08:56 | |
Yes, definitely. I'll agree
with you. I'll defer to you. | 0:08:56 | 0:08:58 | |
Thank you very much. Thank you.
Thank you. Thanks a lot. | 0:08:58 | 0:09:01 | |
Good luck. Much appreciated.
RED TEAM: Thank you. | 0:09:01 | 0:09:03 | |
Well done. Are you pleased
with that? BOTH: Yes. | 0:09:03 | 0:09:05 | |
So, item one bought. Exactly.
We've got plenty of time. Yes. | 0:09:05 | 0:09:08 | |
Still plenty of money. Oh, yeah.
Let's go do some more hunting. | 0:09:08 | 0:09:11 | |
All right. Sounds great.
Come on. ALL: Thank you. | 0:09:11 | 0:09:13 | |
What a lovely bedside manner, eh?
A well-deserved first buy. | 0:09:13 | 0:09:17 | |
This is sort of an entry-level
cocktail shaker. Yeah. | 0:09:21 | 0:09:23 | |
People don't drink spirits
in the way they do, | 0:09:23 | 0:09:25 | |
but everyone wants a party,
and parties now are, | 0:09:25 | 0:09:27 | |
"Make your own cocktails!"
you know, so... | 0:09:27 | 0:09:30 | |
Something like that might be
interesting. Yeah. | 0:09:30 | 0:09:32 | |
I gauge from the reaction that
you're not taking the bait there, | 0:09:32 | 0:09:35 | |
so... Oh, that's awkward.
..we can move on. | 0:09:35 | 0:09:38 | |
Really awkward. Right. | 0:09:39 | 0:09:41 | |
Returning the favour,
Donna has found something for Nick. | 0:09:41 | 0:09:44 | |
Nick! | 0:09:46 | 0:09:47 | |
It just jumped out and grabbed me. | 0:09:48 | 0:09:51 | |
Right. I'll pop it back. | 0:09:51 | 0:09:52 | |
Just before you grab me,
I'm going to head off | 0:09:52 | 0:09:54 | |
to see if I can find you
something else. | 0:09:54 | 0:09:56 | |
All right, thank you.
Keep up, you two. | 0:09:56 | 0:09:58 | |
Keep up. BOTH: All right. | 0:09:58 | 0:09:59 | |
Come on, Donna. All right, I got
to put it back on its head. | 0:09:59 | 0:10:02 | |
Don't lose your head. | 0:10:02 | 0:10:03 | |
JP really is pushing
this drinking theme. | 0:10:08 | 0:10:11 | |
So you've got a nice green-facetted,
glass sort of mallet-shape decanter, | 0:10:11 | 0:10:15 | |
and six glasses of good size. | 0:10:15 | 0:10:17 | |
That jumps out at me and says
they're nice, interesting objects. | 0:10:17 | 0:10:20 | |
It did jump out at me when
I looked over here, the green. | 0:10:20 | 0:10:23 | |
They're not terribly old.
No, we're thinking '60s. '50s, '60s. | 0:10:23 | 0:10:26 | |
I mean, the faceting on there
is simpler done. | 0:10:26 | 0:10:29 | |
It's not Victorian faceting.
No. Oh, no. | 0:10:29 | 0:10:31 | |
It's not Victorian weight.
No, no, no. | 0:10:31 | 0:10:32 | |
We've got six glasses and a
decanter, and the asking price... | 0:10:32 | 0:10:36 | |
The starting price,
I should say, is £68. | 0:10:36 | 0:10:39 | |
Nurses, JP, we're up against nurses. | 0:10:39 | 0:10:42 | |
I'll ask him... I'll just ask him
what he did would do it for. | 0:10:42 | 0:10:44 | |
What would be the best price
on these chappies? | 0:10:44 | 0:10:47 | |
Rock bottom, no other price,
I'll do 58. | 0:10:47 | 0:10:51 | |
They're paramedics, did you know? | 0:10:51 | 0:10:54 | |
THEY LAUGH | 0:10:54 | 0:10:55 | |
How's your heart? | 0:10:55 | 0:10:57 | |
It's going all right. Go lower. | 0:10:57 | 0:10:59 | |
Crikey, JP, talk about
heart pressure. | 0:10:59 | 0:11:02 | |
Are those teams any closer
to their second buys? | 0:11:07 | 0:11:10 | |
These buttons, are they silver? | 0:11:10 | 0:11:12 | |
They're Georgian huntsman's buttons. | 0:11:13 | 0:11:15 | |
£650. | 0:11:15 | 0:11:17 | |
Ooh! Right. We've got
expensive taste, haven't we? | 0:11:17 | 0:11:19 | |
Champagne taste on a beer budget.
Yeah, you're not wrong there. | 0:11:19 | 0:11:23 | |
Seems the Blues have
equally lavish tastes. | 0:11:23 | 0:11:26 | |
Look, a jug in the form of a bear. | 0:11:26 | 0:11:29 | |
It's quite unusual. | 0:11:29 | 0:11:31 | |
Majolica, Victorian, £550. | 0:11:31 | 0:11:35 | |
Whoa. | 0:11:35 | 0:11:37 | |
I agree, JP, nearer the mark
if they remove the zero. | 0:11:37 | 0:11:40 | |
Reds, you about to earn
your second buy? | 0:11:40 | 0:11:44 | |
Ladies... Oh, wait a minute. | 0:11:44 | 0:11:45 | |
..what about if we go
for a real theme today? | 0:11:45 | 0:11:48 | |
Another piece of Japanese art
but in bronze this time. | 0:11:48 | 0:11:52 | |
Early 20th century... Right. It gets
more exciting than that. OK. | 0:11:52 | 0:11:56 | |
It's £25. Oooh. | 0:11:56 | 0:11:59 | |
Sh, don't tell anyone.
25? 25 quid. | 0:11:59 | 0:12:01 | |
When I asked, "Why is it £25?"
somebody has drilled a hole | 0:12:01 | 0:12:05 | |
and they've made a lamp out of it. | 0:12:05 | 0:12:08 | |
But... That's... But surely that
will decrease the value of it? | 0:12:08 | 0:12:11 | |
Yeah, but without that,
and it's £125. | 0:12:11 | 0:12:14 | |
But, for £25, a solid lamp,
Japanese bronze that was made... | 0:12:14 | 0:12:17 | |
See the weight of that. Ah, the old
weight-equals-quality test. | 0:12:17 | 0:12:21 | |
Wonder if there might be a
bit more movement on that? | 0:12:21 | 0:12:23 | |
Well, there might be,
that was just the first price... | 0:12:23 | 0:12:26 | |
Oh, yeah. ..when I enquired.
I'll have a chat with the lady. OK. | 0:12:26 | 0:12:28 | |
Wait here and I'll tell
you what's happening. | 0:12:28 | 0:12:30 | |
Great. Great, thanks. | 0:12:30 | 0:12:32 | |
Is this a sign of things
to come for the Reds? | 0:12:32 | 0:12:34 | |
The Blues are not pratting
about...or are they? | 0:12:34 | 0:12:37 | |
What's taken you about these signs? | 0:12:37 | 0:12:40 | |
Bright, bold... It's your namesake.
..racing, your namesake. | 0:12:40 | 0:12:43 | |
Absolutely, yeah, yeah, yeah. | 0:12:43 | 0:12:45 | |
They're really collectable.
They are... It's nostalgia. | 0:12:45 | 0:12:48 | |
It harks back to that romantic,
you know, | 0:12:48 | 0:12:50 | |
days of racing in the
'30s, '40s and '50s. | 0:12:50 | 0:12:52 | |
That's our chap here. | 0:12:52 | 0:12:55 | |
I think they're going
to be expensive. | 0:12:55 | 0:12:57 | |
Yeah. They're eyeing up
your Pratt signs. | 0:12:57 | 0:12:59 | |
MAN: I mean, personally, I think
this one is the better one. | 0:12:59 | 0:13:03 | |
This is the one that everyone wants.
It's double sided. | 0:13:03 | 0:13:06 | |
And that is quite... For its
condition, that's quite acceptable. | 0:13:07 | 0:13:12 | |
I mean, they're big money to buy
because it's a collector's market. | 0:13:12 | 0:13:16 | |
Got a weight to them, haven't they? | 0:13:16 | 0:13:17 | |
Let's have a look.
We haven't got time to waste. | 0:13:18 | 0:13:20 | |
Crikey, they're both at it now.
We've got 20 minutes. | 0:13:20 | 0:13:24 | |
We need to get on with it, don't we?
Yeah. | 0:13:24 | 0:13:26 | |
How much is your best on it?
I can do it for 150. | 0:13:26 | 0:13:29 | |
I reckon, in an auction, you'd
get well over 200. Seriously. | 0:13:29 | 0:13:32 | |
If I had a pound for every time
that was said... | 0:13:32 | 0:13:34 | |
No, but...that's true. | 0:13:34 | 0:13:36 | |
I think 150 is... | 0:13:36 | 0:13:38 | |
I appreciate you've got
to earn a living | 0:13:38 | 0:13:40 | |
and what have you, but I think
it's just a touch too much. | 0:13:40 | 0:13:44 | |
Did I explain that
these chaps are paramedics? | 0:13:44 | 0:13:46 | |
Well, paramedics,
I owe my life to them... | 0:13:46 | 0:13:48 | |
I see. ..because I've had a
transplant, and the paramedics, | 0:13:48 | 0:13:51 | |
I tell you what, if it was charity,
I'd give you this, but it's not. | 0:13:51 | 0:13:55 | |
Oh, thought we were
in for a deal then. | 0:13:55 | 0:13:58 | |
You both seem to like this. | 0:13:58 | 0:14:00 | |
And I do too, but I'm sort of...in
my own way because I'm swayed by it. | 0:14:00 | 0:14:04 | |
We could see that you don't
want to barter, but... | 0:14:04 | 0:14:07 | |
..140, could you manage that? | 0:14:08 | 0:14:11 | |
Because you're paramedics
it'd be my considered pleasure. | 0:14:11 | 0:14:14 | |
Done deal. | 0:14:14 | 0:14:16 | |
Thank you very much.
Thank you for... | 0:14:16 | 0:14:18 | |
It's been a pleasure.
..helping saving people's lives. | 0:14:18 | 0:14:21 | |
Hear, hear. One item left with
just over 15 minutes to go, Blues. | 0:14:21 | 0:14:25 | |
Nick, can you come
to your team's rescue? | 0:14:25 | 0:14:27 | |
Now, my little
Florence Nightingales, | 0:14:29 | 0:14:30 | |
I have performed
a major operation for you. | 0:14:30 | 0:14:33 | |
Have you? Right.
£22 if you want it here and now. | 0:14:33 | 0:14:36 | |
Yeah. Yeah, let's go for it. Let's go
for it. Let's live dangerously. | 0:14:37 | 0:14:40 | |
You sure? BOTH: Yeah. We're going
all Japanesey today, aren't we? | 0:14:40 | 0:14:43 | |
Exactly. All Japanesey. | 0:14:43 | 0:14:44 | |
I'll go and pay the lady and we'll
do some shopping. Brilliant. | 0:14:44 | 0:14:47 | |
Sounds wonderful. Great. | 0:14:47 | 0:14:48 | |
That was painless and you've
drawn level with the Blues. | 0:14:48 | 0:14:52 | |
Now, I've got a question for you. | 0:14:52 | 0:14:53 | |
What's that there? | 0:15:02 | 0:15:02 | |
Well, for the uninitiated, this is
a model of a road-crossing sign. | 0:15:04 | 0:15:10 | |
This thing is crudely made. | 0:15:10 | 0:15:12 | |
It's got a turned beechwood bottom
and then a metal cylinder | 0:15:12 | 0:15:16 | |
with the black and white bands on it
and a red painted beechwood top. | 0:15:16 | 0:15:22 | |
So what this thing actually does
is the top comes off like that | 0:15:22 | 0:15:26 | |
and then, if I give it a little tip,
not surprisingly, | 0:15:26 | 0:15:30 | |
out comes some spools of cotton
and a thimble on the end. | 0:15:30 | 0:15:35 | |
This thing was made as a novelty
sewing accessory in the 1930s | 0:15:35 | 0:15:41 | |
and, as such,
is a very rare example. | 0:15:41 | 0:15:44 | |
Indeed, an auctioneer
in Warwickshire | 0:15:44 | 0:15:47 | |
is so specialist in the sale of
sewing accessories that he just | 0:15:47 | 0:15:52 | |
sells them and he only has
two auctions per annum | 0:15:52 | 0:15:56 | |
and they make a lot of money. | 0:15:56 | 0:15:58 | |
The dealer that had this
on his stand for £20 | 0:15:59 | 0:16:04 | |
wasn't aware of the worldwide boom
in sewing accessories. | 0:16:04 | 0:16:09 | |
Cos I think, in a special sale
in Warwickshire, | 0:16:09 | 0:16:13 | |
this thing would be likely
to realise | 0:16:13 | 0:16:15 | |
somewhere between 100 and £150. | 0:16:15 | 0:16:19 | |
Some beacon. | 0:16:20 | 0:16:22 | |
Some sewing accessory. | 0:16:22 | 0:16:23 | |
Our teams
have two items apiece with less | 0:16:30 | 0:16:32 | |
than ten minutes left. | 0:16:32 | 0:16:34 | |
With a mixture of ceramics here,
what I would choose, | 0:16:35 | 0:16:38 | |
if it were me, you know, | 0:16:38 | 0:16:39 | |
there are things which have
very definite prices like Doulton | 0:16:39 | 0:16:42 | |
and things like that,
but one thing that grabs me | 0:16:42 | 0:16:44 | |
is this little chappie over here.
I like that. | 0:16:44 | 0:16:47 | |
OK. So, it's a little porcelain
teapot. It's cute. | 0:16:47 | 0:16:50 | |
This is a pattern in blue
and white that you'd get | 0:16:50 | 0:16:53 | |
in the 18th and 19th century. | 0:16:53 | 0:16:56 | |
It's very much copying Delft,
essentially, and Chinese. | 0:16:56 | 0:16:58 | |
Really, the origins of which
are from the Chinese. | 0:16:58 | 0:17:01 | |
I'd love to think it's
a Chinese teapot. | 0:17:01 | 0:17:02 | |
It's got a mark on the bottom there,
which is I think a capital T. | 0:17:02 | 0:17:05 | |
It's only £22 at the moment.
You've got a chance... | 0:17:05 | 0:17:07 | |
You might steal a fiver out of it,
you might steal 20 for it. | 0:17:07 | 0:17:10 | |
It might be... Who knows? But, to
me, it seems like a really good buy. | 0:17:10 | 0:17:13 | |
Shall we see if she'll do it
for 15 or something? OK. | 0:17:13 | 0:17:15 | |
Mind that lid. Do you want to hold
it? I'll have a word with her. | 0:17:15 | 0:17:18 | |
Yeah. See what you can do. OK. | 0:17:18 | 0:17:19 | |
Excuse me, what's your best on this? | 0:17:20 | 0:17:23 | |
Um, I can do less for you. | 0:17:23 | 0:17:24 | |
15. I would like 15 for it, please. | 0:17:24 | 0:17:27 | |
What's that? 15. | 0:17:27 | 0:17:29 | |
£15? Yeah. | 0:17:29 | 0:17:30 | |
OK. Personally, I think...
And you're quite... | 0:17:30 | 0:17:33 | |
I'd be very happy with that
myself in a sense of | 0:17:33 | 0:17:36 | |
if I were buying an expert buy,
I would go with that. | 0:17:36 | 0:17:38 | |
Let's do it. Which is a problem now
cos I've got to find something. | 0:17:39 | 0:17:42 | |
Life is hard, JP. | 0:17:42 | 0:17:44 | |
Let's do it. Go for it, go for it.
Thank you. Thank you very much. | 0:17:44 | 0:17:47 | |
Right, chaps. Wicked, done.
Three items down. | 0:17:47 | 0:17:50 | |
Big spend, two very econ...you know,
economic spends. Yeah. | 0:17:50 | 0:17:53 | |
Well done. I think we did all right.
Thank you very much. | 0:17:53 | 0:17:55 | |
It is a bit eclectic, isn't it?
No, thank you. Well done, chaps. | 0:17:55 | 0:17:58 | |
Cheers, Jon. | 0:17:58 | 0:18:00 | |
In search of their final buy, | 0:18:00 | 0:18:02 | |
the Reds have found a whole box
of silver delights. | 0:18:02 | 0:18:05 | |
Now, I tell you what, there's some
nice little silverware in here. | 0:18:06 | 0:18:09 | |
I love that elephant. | 0:18:09 | 0:18:12 | |
It's a pincushion. Yeah. | 0:18:12 | 0:18:16 | |
Gosh, it's £210. Ooh, ouch. Yeah. | 0:18:16 | 0:18:19 | |
That's a pretty one. Yeah, I
was thinking... That is nice. | 0:18:19 | 0:18:22 | |
It's actually a very
good maker as well. | 0:18:22 | 0:18:25 | |
William Comyns, he's...
It's very pretty, isn't it? | 0:18:25 | 0:18:27 | |
Super pretty. And is really
well-known for these embossed | 0:18:27 | 0:18:31 | |
and pierced designs. | 0:18:31 | 0:18:33 | |
It's marked up at 195. Right, yeah. | 0:18:33 | 0:18:35 | |
I'd like to get it down to
just under the 150 mark. OK, yeah. | 0:18:35 | 0:18:39 | |
It's got a bit of a stone in it,
doesn't it? | 0:18:39 | 0:18:41 | |
Yeah, it's got a turquoise
sat in the top. Yeah. | 0:18:41 | 0:18:44 | |
If that could be just under the
100 mark. It's marked at 125. | 0:18:44 | 0:18:48 | |
That's a good buy. Now, Paul has
got the key to the cabinet. Ooh. | 0:18:48 | 0:18:51 | |
We're going to have a look
at these things. | 0:18:51 | 0:18:53 | |
The elephant pincushion, that could
come down to how much do you think? | 0:18:53 | 0:18:56 | |
The death on it would be
something like 175. | 0:18:56 | 0:18:59 | |
Well, we don't have that much
in our kitty. | 0:18:59 | 0:19:02 | |
What about the pierced box
by Comyns? | 0:19:03 | 0:19:05 | |
Yeah, we can work something on that. | 0:19:05 | 0:19:08 | |
Um, make that...say 170. | 0:19:08 | 0:19:10 | |
That can come down to one... | 0:19:10 | 0:19:12 | |
Again, it's close to what
you've got left. Exactly. | 0:19:12 | 0:19:14 | |
What about the final box? | 0:19:14 | 0:19:16 | |
The one with the little cabochon
turquoise? Yeah, yeah, yeah. | 0:19:16 | 0:19:20 | |
We could bring that down
just below 100. | 0:19:20 | 0:19:22 | |
It's 125 on at the moment,
but we can get it just below 100. | 0:19:22 | 0:19:25 | |
So, I mean, can we take it down
to...say £90? | 0:19:25 | 0:19:28 | |
Let's do a little bit better
than that and meet, say, at 92, | 0:19:28 | 0:19:32 | |
and that would be the end of it,
I'm afraid. | 0:19:32 | 0:19:34 | |
So that's not bad at 92. | 0:19:34 | 0:19:36 | |
Yeah. Let's make a decision. | 0:19:36 | 0:19:37 | |
Let's go for that because then it
leaves you... A bit to play with. | 0:19:37 | 0:19:40 | |
That's a quick decision. Gosh. | 0:19:40 | 0:19:43 | |
And it's also got my silver
that I wanted. | 0:19:43 | 0:19:46 | |
You did say you wanted some silver.
Yeah, yeah, yeah. | 0:19:46 | 0:19:48 | |
OK. That's absolutely perfect.
So £92? Yeah. £92. | 0:19:48 | 0:19:51 | |
This man deserves, I think,
a big shake. | 0:19:51 | 0:19:53 | |
Yes. Thank you very much.
MAN: Thank you. | 0:19:53 | 0:19:55 | |
Thank you so much, thank you.
Thanks very much. | 0:19:55 | 0:19:57 | |
So, £92. Wonderful. Third thing
bought. Exactly. Well done, you. | 0:19:57 | 0:20:00 | |
And that's without getting it
out of the cabinet. | 0:20:00 | 0:20:02 | |
Let's catch up with what
the Red team bought, eh? | 0:20:04 | 0:20:06 | |
Although, initially unsure, | 0:20:08 | 0:20:10 | |
they spent £105 on the
Japanese temple vase. | 0:20:10 | 0:20:14 | |
Remaining in the Orient, they bought | 0:20:14 | 0:20:16 | |
the Meiji-period bronze
twin-handled vase for £22. | 0:20:16 | 0:20:20 | |
Finally, they return to these shores | 0:20:20 | 0:20:23 | |
with the London 19th-century
silver trinket box, £92. | 0:20:23 | 0:20:28 | |
Sterling. | 0:20:28 | 0:20:29 | |
So, girls, was that fun?
It was a blast. | 0:20:29 | 0:20:32 | |
Was it? Yeah.
What is your favourite piece? | 0:20:32 | 0:20:34 | |
I like the Japanese brass vase. | 0:20:34 | 0:20:37 | |
Japanese brass vase. Very good. | 0:20:37 | 0:20:39 | |
And Pauline, for you? | 0:20:39 | 0:20:41 | |
I like the Japanese brass vase
as well, yeah. Do you? | 0:20:41 | 0:20:43 | |
And what will bring the
biggest profit, Pauline? | 0:20:43 | 0:20:46 | |
I think maybe the silver box
that we purchased might just... | 0:20:46 | 0:20:52 | |
Make the biggest profit. Might just.
OK. Do you agree with that? | 0:20:52 | 0:20:55 | |
No, it's the brass vase. Is it? Yeah.
It's all brass vases for you? | 0:20:55 | 0:20:59 | |
Oh, yeah, yeah.
And how much did you spend? | 0:20:59 | 0:21:01 | |
£219. £219. | 0:21:01 | 0:21:04 | |
Then I would like £81, please,
of leftover lolly. | 0:21:04 | 0:21:07 | |
Here you go. There's my £81. | 0:21:07 | 0:21:09 | |
Goes straight across to Nicholas.
Wonderful, thank you, Tim. | 0:21:09 | 0:21:12 | |
One whole hour with these girls, | 0:21:12 | 0:21:13 | |
I don't know how you've managed
to stay vertical. | 0:21:13 | 0:21:16 | |
One word, Tim - Valium.
Is that what it is? | 0:21:16 | 0:21:18 | |
No - valiant, sorry. | 0:21:18 | 0:21:20 | |
THEY LAUGH | 0:21:20 | 0:21:21 | |
Plenty of it. Yes. | 0:21:20 | 0:21:21 | |
Anyway, here comes your Tim's Ton. | 0:21:21 | 0:21:24 | |
The extra £100 to and go and buy
the extra bonus buy. | 0:21:24 | 0:21:27 | |
You are armed, you are dangerous
and off you go, Nicholas. | 0:21:27 | 0:21:30 | |
Meanwhile, why don't we check out
what the Blue team bought, eh? | 0:21:30 | 0:21:33 | |
They walked off with the
Staffordshire-style pottery spaniels | 0:21:33 | 0:21:37 | |
for £12. | 0:21:37 | 0:21:39 | |
They paid £140 for the Pratt's
Perfection spirit enamel sign. | 0:21:39 | 0:21:43 | |
And lastly, the miniature blue and
white teapot was bought for £15. | 0:21:45 | 0:21:48 | |
Well, you enjoyed zooming around,
didn't you? Loved it. | 0:21:50 | 0:21:52 | |
Great time. Really enjoyed it. | 0:21:52 | 0:21:54 | |
Jolly good.
What's your favourite piece? | 0:21:54 | 0:21:56 | |
The motor memorabilia sign that
we've bought. You've seen the sign? | 0:21:56 | 0:21:59 | |
Yeah, we have. | 0:21:59 | 0:22:01 | |
HE LAUGHS | 0:21:59 | 0:22:01 | |
And what's your favourite piece? | 0:22:01 | 0:22:03 | |
I think it's going to be the dogs. | 0:22:03 | 0:22:04 | |
Is it? Oh, yes. You've gone
to the dogs. Classic, yes. | 0:22:04 | 0:22:07 | |
Lovely, good. | 0:22:07 | 0:22:08 | |
And which piece is going to bring
the biggest profit, the woofers? | 0:22:08 | 0:22:11 | |
BOTH: The teapot. The teapot.
In unison, very nice. | 0:22:11 | 0:22:15 | |
So you've spent in total how much? | 0:22:15 | 0:22:16 | |
£167, Tim. | 0:22:16 | 0:22:18 | |
Thank you, I'd like 133.
There you are. OK, that's three. | 0:22:18 | 0:22:21 | |
I've no need to bother to count
cos I trust you. | 0:22:21 | 0:22:23 | |
You are a paramedic after all. | 0:22:23 | 0:22:25 | |
Now, guys, you get your
double challenge today, JP. | 0:22:25 | 0:22:29 | |
Thank you.
You've got all that lot... | 0:22:29 | 0:22:30 | |
And even more. ..and that's Tim's
Ton for the special bonus buy. | 0:22:30 | 0:22:35 | |
Anyway, how do you feel about this? | 0:22:35 | 0:22:37 | |
Do you think there's going
to be enough here | 0:22:37 | 0:22:38 | |
for you to pick over, JP? | 0:22:38 | 0:22:40 | |
Oh, these guys are easily pleased.
I've got lots to choose from. | 0:22:40 | 0:22:42 | |
Right, get to it, chaps, | 0:22:50 | 0:22:51 | |
and, remember, you've got
two bonus buys to root out. | 0:22:51 | 0:22:54 | |
Nick, you've got £81 for
your team's bonus buy. | 0:22:56 | 0:22:59 | |
I'm really quite interested
in your Victorian glass dome. | 0:23:01 | 0:23:05 | |
You've got £78 on it. I have. | 0:23:05 | 0:23:08 | |
I mean, could I buy it
for around about £45, £50? | 0:23:08 | 0:23:11 | |
No. We can come down. I can take
it down to...shall we say 58? | 0:23:11 | 0:23:16 | |
What about 50? | 0:23:16 | 0:23:18 | |
No, you're trying to bit too hard. | 0:23:18 | 0:23:20 | |
But I'll try one more go to sell it
because I'm happy to move it on... | 0:23:20 | 0:23:23 | |
Yeah. ..and say 52, but that
would be the end at 52. | 0:23:23 | 0:23:26 | |
£52. Go on, then, 52. | 0:23:26 | 0:23:28 | |
Well done. Well bought. Brilliant.
Thank you very much. Cheers. | 0:23:28 | 0:23:31 | |
Great work, Nick.
That's your bonus buy. | 0:23:31 | 0:23:33 | |
What's your Tim's Ton going on? | 0:23:35 | 0:23:38 | |
Now... | 0:23:38 | 0:23:39 | |
Don't you think they're just
going to absolutely love that? | 0:23:40 | 0:23:43 | |
An Edwardian solid silver
nurse's buckle. | 0:23:43 | 0:23:46 | |
Great thing. It's even got the
original sash on it as well. | 0:23:46 | 0:23:50 | |
The only thing I'm slightly
concerned about is the price tag - | 0:23:50 | 0:23:54 | |
£85. | 0:23:54 | 0:23:55 | |
Sir, hello there. Hi. Hi. | 0:23:55 | 0:23:59 | |
You've got £85 on there. Yeah.
I'm going to come straight. | 0:23:59 | 0:24:02 | |
I'll be honest with you.
Can I buy it for £60? | 0:24:02 | 0:24:04 | |
And don't give me a heart attack
cos the nurses aren't here. | 0:24:04 | 0:24:08 | |
Can't do 60. OK, what can you do? | 0:24:08 | 0:24:10 | |
67 is... £67? 67.
I can live with that. | 0:24:10 | 0:24:14 | |
At £67, if you give me the buckle,
I'll give you my hand | 0:24:14 | 0:24:17 | |
and we've got a deal, my friend. | 0:24:17 | 0:24:19 | |
Quick worker. | 0:24:19 | 0:24:21 | |
Job done. So, there we are,
Tim's Ton is spent. | 0:24:21 | 0:24:23 | |
I think it's spent very well. | 0:24:23 | 0:24:25 | |
I think my nurses, my Red team,
will love this. | 0:24:25 | 0:24:28 | |
I'm going to go and try it on. | 0:24:28 | 0:24:29 | |
Oh, matron. | 0:24:30 | 0:24:31 | |
Before that, let's have a chat
about your buys. | 0:24:31 | 0:24:34 | |
Well, Nick, this is exciting.
Isn't it just? Double bonus buys. | 0:24:36 | 0:24:40 | |
Now, the team's bonus buy
is that fellow, yes? It was. | 0:24:40 | 0:24:43 | |
You had £81 of leftover lolly.
Yes. | 0:24:43 | 0:24:46 | |
And you bought that jobbie.
I did indeed. | 0:24:46 | 0:24:49 | |
And I spent £52 on it. | 0:24:49 | 0:24:51 | |
These Victorian glass paperweights
are quite collectible still. | 0:24:51 | 0:24:55 | |
So, I think there's a margin left
in that. £52, eh? £52 paid, yeah. | 0:24:55 | 0:24:59 | |
Very good. And for Tim's Ton,
you had the £100... I did. | 0:24:59 | 0:25:02 | |
..and you bought this buckle. I did
indeed. And that I spent £67 on. | 0:25:02 | 0:25:07 | |
But of course, I bought it
because the girls are nurses. | 0:25:07 | 0:25:10 | |
Yes, that won't necessarily
make it make any more profit. | 0:25:10 | 0:25:13 | |
My decision has to be which one
is likely to bring | 0:25:13 | 0:25:16 | |
the most profit, and I guess
I will go for the nurse's buckle. | 0:25:16 | 0:25:21 | |
The judgment of Solomon.
Well, thanks very much, Nick. | 0:25:21 | 0:25:24 | |
Right now, let's check out how poor
Jonathan Pratt is getting on | 0:25:24 | 0:25:27 | |
with his bonus buys. | 0:25:27 | 0:25:29 | |
So, that's £133 for his bonus buys | 0:25:30 | 0:25:34 | |
and the additional
£100 for Tim's Ton. | 0:25:34 | 0:25:37 | |
And what's he found? | 0:25:37 | 0:25:38 | |
So, what I've got here
is a pair of spill vases, | 0:25:40 | 0:25:42 | |
which I...I love them | 0:25:42 | 0:25:44 | |
because these blue and white stripes
are really fun, really jazzy | 0:25:44 | 0:25:47 | |
and I think it kind of has a sort
of hint of modern style about it, | 0:25:47 | 0:25:49 | |
but in the tradition of English
porcelain, you've got these | 0:25:49 | 0:25:52 | |
lovely landscape vignettes,
which are actually signed, | 0:25:52 | 0:25:55 | |
initialled on them as a sort
of copying Derby or the like | 0:25:55 | 0:25:57 | |
in the early part
of the 19th century. | 0:25:57 | 0:26:00 | |
These are reproductions by Aynsley,
but I think they are a great look. | 0:26:00 | 0:26:04 | |
Now... | 0:26:04 | 0:26:06 | |
the thing is I need to get
a good price for these. | 0:26:06 | 0:26:09 | |
And I'm going to go in... | 0:26:09 | 0:26:10 | |
I'm going to go in for £20
and see if I can get them. | 0:26:10 | 0:26:12 | |
Crikey, JP,
that shows a bit of brass neck. | 0:26:12 | 0:26:14 | |
Do you think you'll take £20?
I mean, they're... | 0:26:14 | 0:26:16 | |
There's a little bit damage on this
one. I mean, they are decorative. | 0:26:16 | 0:26:19 | |
Go on, then. Brilliant!
Thank you very much. | 0:26:19 | 0:26:22 | |
Ticket price was £60!
That seemed too easy. | 0:26:23 | 0:26:26 | |
This object here, this is going
to be my Tim's Ton buy. | 0:26:31 | 0:26:34 | |
It's a bit of glass. It's the right
sort of thing for the sale. | 0:26:34 | 0:26:37 | |
Very decorative
and actually quite modern still. | 0:26:37 | 0:26:39 | |
The label gives it away,
which is why I like it. | 0:26:39 | 0:26:41 | |
Not only just the price,
but it says Baccarat. | 0:26:41 | 0:26:44 | |
And so, this mark here, | 0:26:44 | 0:26:47 | |
nice bit of old, patinated brass. | 0:26:47 | 0:26:48 | |
It says Baccarat.
The stamp for Baccarat. | 0:26:48 | 0:26:51 | |
Baccarat were - well, still are - | 0:26:51 | 0:26:53 | |
one of the leading French glass
manufacturers. | 0:26:53 | 0:26:56 | |
The label says 50 and the lady
will sell it to me for...? | 0:26:56 | 0:26:59 | |
£40. £40. I've got it for £40. | 0:26:59 | 0:27:03 | |
I'm going to take that.
Thank you very much. | 0:27:03 | 0:27:06 | |
Because that, I think,
is a perfect little deal. | 0:27:06 | 0:27:10 | |
Perfect little deal from
a perfect little expert. | 0:27:10 | 0:27:13 | |
He's taller in real life, you know? | 0:27:13 | 0:27:15 | |
OK, JP, for Andy and Jason for the
team's bonus buy, you bought what? | 0:27:16 | 0:27:22 | |
I bought this... I think a rather
lovely pair of Aynsley vases. | 0:27:22 | 0:27:26 | |
OK, I gave you £133.
You're keen on blowing the lot. | 0:27:26 | 0:27:28 | |
How much did you spend on these?
£20. Really? Yeah. | 0:27:28 | 0:27:31 | |
What's the matter with them? One's
had a little bit of restoration. | 0:27:31 | 0:27:34 | |
OK. But, you know, they're nice
quality... They look lovely. | 0:27:34 | 0:27:38 | |
£20 is not a lot of money. OK, fine.
And then I gave you Tim's Ton... | 0:27:38 | 0:27:41 | |
Yes. ..which you spent
on this joker. Yes. | 0:27:41 | 0:27:43 | |
And that's a candlestick. | 0:27:43 | 0:27:45 | |
Yeah, but it's by Baccarat. OK.
Baccarat, top French glass factory. | 0:27:45 | 0:27:48 | |
Righto. Well, I've got to make
my judgment... | 0:27:48 | 0:27:50 | |
Do you want to know how much I spent
on that one? How much did you spend? | 0:27:50 | 0:27:53 | |
I spent £40 on it. Did you? Yeah.
Irrespective, I'm not going... | 0:27:53 | 0:27:56 | |
I'm not going for restoration. I'll
go with Baccarat. It's a big name! | 0:27:56 | 0:27:59 | |
And I like these...kind of
Chinese base on it. | 0:27:59 | 0:28:02 | |
Very nice Chinese base,
so my punt is Baccarat candlestick. | 0:28:02 | 0:28:06 | |
Thank you very much. | 0:28:06 | 0:28:07 | |
Lovely to be here, Richard.
Absolutely delighted to have you. | 0:28:14 | 0:28:17 | |
Very good. Now, first up for the
Reds, Donna and Pauline, we've got | 0:28:17 | 0:28:22 | |
the Fukagawa vase.
Does that do it for you? | 0:28:22 | 0:28:25 | |
30 to 50, and it doesn't do
anything for me at all. | 0:28:25 | 0:28:27 | |
I don't think there's really
anything much going into it. | 0:28:27 | 0:28:30 | |
£105 paid... | 0:28:30 | 0:28:33 | |
HE GASPS | 0:28:30 | 0:28:33 | |
..for the single vase, which is... | 0:28:33 | 0:28:35 | |
Fairly takes your breath away,
doesn't it? | 0:28:35 | 0:28:37 | |
It does take your breath away, yeah. | 0:28:37 | 0:28:38 | |
Then we've got the Meiji bronze vase
on its own. | 0:28:38 | 0:28:41 | |
Should be one of a pair
in that archaic style, | 0:28:41 | 0:28:44 | |
the Japanese copying the Chinese.
All very complicated, | 0:28:44 | 0:28:47 | |
but it only cost £22. That's good. | 0:28:47 | 0:28:49 | |
That's the right price to pay,
isn't it? That is OK and...and... | 0:28:49 | 0:28:52 | |
What will you get? We've got
20 to 40. 20 to 40. | 0:28:52 | 0:28:55 | |
Yeah, and it's... People are buying
them, so that's good to go on that. | 0:28:55 | 0:28:59 | |
All right, lovely. And what about
the Arts and Crafts style, | 0:28:59 | 0:29:02 | |
silver trinket box. | 0:29:02 | 0:29:05 | |
Again, it's pretty.
It's pretty, isn't it? | 0:29:05 | 0:29:07 | |
It's pretty and it's standard.
And it's 1891. £40 - £50. | 0:29:07 | 0:29:12 | |
Is that all? It's got a bit there,
but I can't see it making any more. | 0:29:12 | 0:29:15 | |
All right, fine. £92 they paid. | 0:29:15 | 0:29:17 | |
So, that could be a bit
overpaid on that. Yeah. | 0:29:17 | 0:29:19 | |
Definitely overpaid on that
Japanese pot and cover, | 0:29:19 | 0:29:21 | |
I quite agree with you there. | 0:29:21 | 0:29:23 | |
In which case, they're going
to need their bonus buys. | 0:29:23 | 0:29:25 | |
So, let's go and have a look at it. | 0:29:25 | 0:29:27 | |
Donna, Pauline, this is exciting,
isn't it? Oh, it is. | 0:29:28 | 0:29:31 | |
It's a bit like Emergency -
Ward 10. Ooh! Ooh! | 0:29:31 | 0:29:35 | |
Anyway, there was £81 of leftover
lolly, which you gave to Nick. | 0:29:35 | 0:29:39 | |
Nick has gone out and expertly
teased out a very superior | 0:29:39 | 0:29:43 | |
bargain for you. Right, Nick? | 0:29:43 | 0:29:45 | |
And the team's bonus buy is what? | 0:29:45 | 0:29:47 | |
Da-da-da-da! | 0:29:47 | 0:29:51 | |
Oh, right. Right. Now, don't look
overenthusiastic. | 0:29:51 | 0:29:54 | |
No. OK. Know what it is? | 0:29:54 | 0:29:56 | |
It's a paperweight? Yes, specifically
it's called a dump because... | 0:29:56 | 0:30:01 | |
the Stourbridge bottle-makers, | 0:30:01 | 0:30:03 | |
at the end of the day,
the glass that was leftover | 0:30:03 | 0:30:06 | |
that was going to be dumped | 0:30:06 | 0:30:07 | |
was turned into making
these little beauties. | 0:30:07 | 0:30:09 | |
Is it getting better? Erm...
Yeah. How much did you pay for it? | 0:30:09 | 0:30:12 | |
Yeah? Look into it, look into it.
What do you see? | 0:30:12 | 0:30:15 | |
How much did you pay for it? | 0:30:15 | 0:30:16 | |
Now, I paid the pretty sum of £52
for this. Ooh. Ooh. | 0:30:16 | 0:30:20 | |
But I like that internal
decoration... Yeah. | 0:30:20 | 0:30:22 | |
..which is no mean feat
to produce that. No. | 0:30:22 | 0:30:26 | |
They used to used silver foil
and baking powder. | 0:30:26 | 0:30:28 | |
It's a labour of love, this.
Well...yeah. Are you loving it yet? | 0:30:28 | 0:30:32 | |
Pauline, take it, darling.
Feel how heavy it is. | 0:30:32 | 0:30:35 | |
I'm kind of loving it. Erm... | 0:30:35 | 0:30:38 | |
How much do you think it'll make?
Yeah, that's...that's the key. | 0:30:38 | 0:30:41 | |
They are erratic at auction,
I'll be honest with you. | 0:30:41 | 0:30:43 | |
It's the luck of the gods,
but it's a good example of its time. | 0:30:43 | 0:30:45 | |
Well, it is a good weight, isn't it?
It's a good weight. | 0:30:45 | 0:30:48 | |
I'm not over enthused with it.
Donna, you have a feel. It's... | 0:30:48 | 0:30:51 | |
his favourite piece.
He says the market's up-and-down. | 0:30:51 | 0:30:54 | |
He's hedged his bets as to what it
might particularly bring | 0:30:54 | 0:30:57 | |
in the way of profit... Right.
..which might be a question | 0:30:57 | 0:30:59 | |
you could put to him specifically. | 0:30:59 | 0:31:02 | |
Yes... How much profit will we see?
Yeah. | 0:31:02 | 0:31:05 | |
Well, that's the key, yeah. Yes.
I've seen them make £80. | 0:31:05 | 0:31:07 | |
I've seen them make £30. Right, OK. | 0:31:07 | 0:31:09 | |
And you've pitched
right in the middle at £52. | 0:31:09 | 0:31:11 | |
I'm right smack bang in the middle.
So, there you go. Yeah, OK. | 0:31:11 | 0:31:13 | |
That is the honest answer.
Thank you, Nicholas, for that. | 0:31:13 | 0:31:16 | |
Back to Richard for his thoughts. | 0:31:16 | 0:31:18 | |
There you go, Richard.
Oh, very good. | 0:31:20 | 0:31:22 | |
And we see quite a few of these, and
do actually have quite a following. | 0:31:22 | 0:31:25 | |
Surprisingly, but they do,
and it'll make 20 or 30. | 0:31:25 | 0:31:29 | |
We could push 40-ish on the thing
because we do see quite a few | 0:31:29 | 0:31:32 | |
come in and there is people
out there who want them. | 0:31:32 | 0:31:35 | |
OK, well, Nick had £81 of leftover
lolly, and he spent £52 on that. | 0:31:35 | 0:31:41 | |
That's all the money.
And you have estimated 20 to 30. OK. | 0:31:41 | 0:31:45 | |
Now, we have the additional bonus
buy, which is called Tim's Ton. | 0:31:47 | 0:31:51 | |
We gave Nick £100 of extra dosh
to go out and find another | 0:31:51 | 0:31:57 | |
special bonus buy. And what did you
find for the £100, Nick? | 0:31:57 | 0:32:00 | |
Well, I went shopping with my little
Florence Nightingales in mind. | 0:32:00 | 0:32:06 | |
And I came back with... Ah. | 0:32:06 | 0:32:08 | |
..a hallmarked,
solid silver nurse's buckle. | 0:32:08 | 0:32:12 | |
Right. OK. Now, how appropriate
is that? Yes. Oh, and I like that. | 0:32:12 | 0:32:16 | |
Yeah. I can mop my brow now.
Oh, good. | 0:32:16 | 0:32:19 | |
How much did you pay for that one?
Yeah. | 0:32:19 | 0:32:21 | |
£67. Right. It's around 100
years old. It is solid silver. | 0:32:21 | 0:32:25 | |
It's fully hallmarked and even
engraved by hand on the little | 0:32:25 | 0:32:30 | |
areas of silver there. Right. | 0:32:30 | 0:32:31 | |
So, how much do you think that would
potentially make at auction? | 0:32:31 | 0:32:34 | |
It should make... | 0:32:34 | 0:32:37 | |
£70, £80. Right, OK. OK. | 0:32:37 | 0:32:39 | |
I do like that. Hm. | 0:32:39 | 0:32:41 | |
What do you think?
Yeah, I like that. You like it? Good. | 0:32:41 | 0:32:44 | |
Well, I got something right.
You did. | 0:32:44 | 0:32:46 | |
THEY LAUGH | 0:32:46 | 0:32:48 | |
Now, well done, Nick.
Anyway, you don't decide now, girls. | 0:32:48 | 0:32:50 | |
You decide later, after the sale
of your first three items. | 0:32:50 | 0:32:53 | |
Now, for the audience at home, | 0:32:53 | 0:32:55 | |
let's find out what Richard
thinks about it. | 0:32:55 | 0:32:57 | |
And now we've got Tim's Ton. | 0:32:59 | 0:33:00 | |
This is the £100 special bonus buy.
OK. | 0:33:00 | 0:33:04 | |
And you've got that rather special,
solid silver nurse's buckle. | 0:33:04 | 0:33:09 | |
I do. And, Tim, we see
a lot of these come through, | 0:33:09 | 0:33:12 | |
a lot come through. | 0:33:12 | 0:33:13 | |
And they make £20 to £30
all-day long. | 0:33:13 | 0:33:16 | |
It depends what they paid for it. | 0:33:16 | 0:33:17 | |
He had my £100 and what he did was
to spend £67 on it. £67 that cost. | 0:33:17 | 0:33:24 | |
And I was obliged to
give my prediction. | 0:33:24 | 0:33:26 | |
And I said I thought the buckle
would do better than the dump. | 0:33:26 | 0:33:30 | |
And that's where I stand on it,
OK? OK. | 0:33:30 | 0:33:33 | |
Now for the Blues, Andy and Jason. | 0:33:33 | 0:33:36 | |
Their first item
are the Staffordshire dogs. | 0:33:36 | 0:33:38 | |
Now, I know you're very, very fond
of these being a Staffordshire man. | 0:33:38 | 0:33:42 | |
All right, you love your dog,
don't you? | 0:33:42 | 0:33:44 | |
If they were Staffordshire. Where
do you think they come from them? | 0:33:44 | 0:33:47 | |
Taiwan? Yeah. | 0:33:47 | 0:33:49 | |
I really... I am speechless.
You don't like them? | 0:33:49 | 0:33:53 | |
They are really...are bad.
So, for joke value... Yes, OK. | 0:33:53 | 0:33:58 | |
We've got £20 on it, but
if they get anywhere close to that, | 0:33:58 | 0:34:01 | |
anywhere close, they've done well. | 0:34:01 | 0:34:03 | |
OK, well, they have done well
because they only paid £12. | 0:34:03 | 0:34:06 | |
That's £6 each. And what do you
make of Pratt's sign? OK. | 0:34:06 | 0:34:12 | |
Jonathan Pratt, obviously, had to
buy this sign, didn't he? He did. | 0:34:12 | 0:34:15 | |
I just hope you didn't get suckered
in to paying too much for it. | 0:34:15 | 0:34:19 | |
Now, these signs. | 0:34:19 | 0:34:20 | |
There is a growing market for these
signs and they do...they do do OK. | 0:34:20 | 0:34:25 | |
And the condition is dreadful
as well, isn't it? | 0:34:25 | 0:34:27 | |
But they do have a following
at a price. | 0:34:27 | 0:34:30 | |
OK, so what's your price?
30 to 40, could get to 50 to 60. | 0:34:30 | 0:34:34 | |
Well, if I told you he paid £140, | 0:34:34 | 0:34:37 | |
would you regard
that as suckered in? | 0:34:37 | 0:34:39 | |
I would say that you are pulling
my leg on it. | 0:34:39 | 0:34:42 | |
No, I'm not. I'm dead... | 0:34:42 | 0:34:43 | |
deadly serious. Moving on then,
that's not so hot. | 0:34:43 | 0:34:46 | |
And lastly, we've got the onion
pattern, little sake pot. | 0:34:46 | 0:34:51 | |
It's 20th-century. | 0:34:51 | 0:34:53 | |
£15 Jonathan paid for it,
so no money at all. | 0:34:53 | 0:34:56 | |
Will it bring £20? Could do.
Might do. Yeah. | 0:34:56 | 0:34:58 | |
They might get a small profit
on that, but for certain | 0:34:58 | 0:35:01 | |
they are not going to make up
the money on the enamel sign. No. | 0:35:01 | 0:35:03 | |
Is that your prediction? Yes. | 0:35:03 | 0:35:05 | |
OK, and it may all go downhill
from there, and if it does, | 0:35:05 | 0:35:07 | |
they're going to need the bonus buy. | 0:35:07 | 0:35:09 | |
So, let's go and have a look at it. | 0:35:09 | 0:35:10 | |
Jason, Andy, you up
for the challenge? Oh, yes! Oh, yes! | 0:35:12 | 0:35:16 | |
First up, the team's bonus buy where
you gave JP £133 of leftover lolly. | 0:35:16 | 0:35:22 | |
And JP's gone off
and bought something, which is | 0:35:22 | 0:35:25 | |
under his little rag there. | 0:35:25 | 0:35:27 | |
Yeah, I'm being very careful
with holding these. | 0:35:27 | 0:35:29 | |
You gave me a lot of money
and I chickened out... | 0:35:29 | 0:35:33 | |
And what I bought was
trumpet-shaped vases. | 0:35:35 | 0:35:38 | |
HE LAUGHS | 0:35:38 | 0:35:40 | |
This is quite ambulance driver's
stuff, isn't it? Yeah, yeah, yeah. | 0:35:40 | 0:35:43 | |
Let's have a little bird's-eye,
then. So, we've got an Aynsley mark | 0:35:43 | 0:35:46 | |
underneath, right? That's the
backstamp for the factory, | 0:35:46 | 0:35:49 | |
right, JP? Yeah. I mean, that's
very much a kind of Lake District | 0:35:49 | 0:35:52 | |
vignette moment in oval. | 0:35:52 | 0:35:54 | |
Now, I've got some rubbing
here on the gilding | 0:35:54 | 0:35:57 | |
on the trumpet foot.
What's yours like? | 0:35:57 | 0:35:59 | |
Yeah, it is worn a little bit, too.
But they are so tactile, | 0:35:59 | 0:36:02 | |
aren't they? Mm. And otherwise
in ace condition? No, one is broken. | 0:36:02 | 0:36:05 | |
OK. I'm afraid to say. | 0:36:05 | 0:36:07 | |
THEY LAUGH | 0:36:05 | 0:36:07 | |
That one there possibly. One
of these has got restoration. OK. | 0:36:07 | 0:36:10 | |
This one here....
This one's been restored. | 0:36:10 | 0:36:12 | |
I got them for what I think was
a quite good price. | 0:36:12 | 0:36:14 | |
How much did you pay? | 0:36:14 | 0:36:16 | |
I paid £20 for them. | 0:36:16 | 0:36:18 | |
Come on, Jase. You may not like
them, but hang on a minute. | 0:36:18 | 0:36:20 | |
They're themed after my...after my
football team West Bromwich Albion, | 0:36:20 | 0:36:23 | |
do you know what I mean?
That's why I went for those colours. | 0:36:23 | 0:36:26 | |
What do you think
we're going to get for them? | 0:36:26 | 0:36:28 | |
Well, look, I...I...
We could double our money. | 0:36:28 | 0:36:30 | |
What, £40? Could do, yeah.
OK, lovely. | 0:36:30 | 0:36:32 | |
What does the auctioneer
think about this team's bonus buy? | 0:36:32 | 0:36:36 | |
Now, team's bonus buy. There you go.
That's what was bought. | 0:36:36 | 0:36:41 | |
These two Aynsley vases.
How do you rate those? | 0:36:41 | 0:36:45 | |
They've got a look to them. | 0:36:45 | 0:36:47 | |
And they've been restored,
but they are quite decorative. | 0:36:47 | 0:36:50 | |
It's nice they're a pair.
I don't think they are too bad. | 0:36:50 | 0:36:53 | |
I don't think they're too bad.
We've gone 40 to 50. Have you? Hm. | 0:36:53 | 0:36:57 | |
Well, JP had £133 of leftover lolly
and he spent £20 on them. | 0:36:57 | 0:37:03 | |
That's OK because they've got half
a chance. They've got a look. | 0:37:03 | 0:37:07 | |
OK, fine. Well, that's jolly nice.
That's your prediction, then. | 0:37:07 | 0:37:10 | |
£40 to £50. Yep. £20 paid. Good. | 0:37:10 | 0:37:12 | |
There is an additional bonus buy.
So, let's have a look. | 0:37:12 | 0:37:15 | |
OK, JP, show us Tim's Ton. | 0:37:17 | 0:37:19 | |
Something else equally masculine. | 0:37:21 | 0:37:23 | |
THEY LAUGH | 0:37:21 | 0:37:23 | |
This is glass
and it's this sort of spiral column. | 0:37:23 | 0:37:27 | |
Gilt brass base, very much in a sort
of Chinese stand sort of form this, | 0:37:27 | 0:37:32 | |
but the key is with this - | 0:37:32 | 0:37:35 | |
there's a mark there,
and the mark there is Baccarat. | 0:37:35 | 0:37:40 | |
Baccarat were,
in the 19th century, in France, | 0:37:40 | 0:37:44 | |
one of the glass factories
held in the highest regard. | 0:37:44 | 0:37:46 | |
So, it's got a name
and it's nice quality. | 0:37:46 | 0:37:48 | |
You'd stick a candle in there,
would you? | 0:37:48 | 0:37:50 | |
Yeah, might as well. Yeah? | 0:37:50 | 0:37:53 | |
THEY LAUGH | 0:37:50 | 0:37:53 | |
And is it all original? Yeah.
And it's in... | 0:37:53 | 0:37:56 | |
I could tell you're an expert
in this sort of thing, aren't you? | 0:37:56 | 0:37:58 | |
Yeah, you've done this before
haven't you? | 0:37:58 | 0:38:00 | |
How much did you pay for it?
I paid £40. | 0:38:00 | 0:38:03 | |
£40 is that all? Ask them how much
it's going to bring. How much... | 0:38:04 | 0:38:08 | |
how much will this make at auction? | 0:38:08 | 0:38:09 | |
If I were to be sensible, | 0:38:09 | 0:38:10 | |
I think I've probably hit it
in the mid-estimate, £30 to £50. | 0:38:10 | 0:38:13 | |
I think there's a chance it
could wash its face, | 0:38:13 | 0:38:15 | |
a chance it could make a profit.
Well, it's all going to be all right | 0:38:15 | 0:38:19 | |
cos we've got the dogs, don't we? | 0:38:19 | 0:38:21 | |
HE LAUGHS | 0:38:21 | 0:38:22 | |
You've gone to the dogs. | 0:38:21 | 0:38:22 | |
That's what you've done.
There are your two choices. | 0:38:22 | 0:38:25 | |
You don't have to take
either of these bonus buys, | 0:38:25 | 0:38:28 | |
but I'll give you an opportunity | 0:38:28 | 0:38:29 | |
after the sale
of your first three items. | 0:38:29 | 0:38:31 | |
Now, for the audience at home, | 0:38:31 | 0:38:33 | |
let's find out what Richard thinks
about the Baccarat candlestick. | 0:38:33 | 0:38:37 | |
And how do you rate
this candlestick? | 0:38:37 | 0:38:40 | |
For us, it had a bit of style
and I had to make my prediction | 0:38:40 | 0:38:44 | |
and I saw more profit-potential
in that than in the pair of vases. | 0:38:44 | 0:38:49 | |
Well, we've got 20 to 30 on it. | 0:38:49 | 0:38:51 | |
I can see where you're coming from
on it. He spent £40 on it, actually. | 0:38:51 | 0:38:54 | |
OK. Again, that's not...that's not
silly, is it? Not really. | 0:38:54 | 0:38:58 | |
I think it has a special look, | 0:38:58 | 0:39:00 | |
but whether your audience
will agree is another matter. | 0:39:00 | 0:39:02 | |
We will soon find out.
Which will the teams go for? | 0:39:02 | 0:39:06 | |
This is exciting.
Thank you, Richard. | 0:39:06 | 0:39:08 | |
25, 25, 25, 25,
in the room at 25 at the back. | 0:39:11 | 0:39:14 | |
How do you rate your chances now,
eh? | 0:39:16 | 0:39:17 | |
Erm... Yeah, hopeful. | 0:39:17 | 0:39:20 | |
Hopeful. Hopeful. Yeah.
OK. Positive thoughts. Come on! | 0:39:20 | 0:39:23 | |
Yes, yes, good vibes. Positive vibes. | 0:39:23 | 0:39:25 | |
You've got the dump to think about | 0:39:25 | 0:39:27 | |
and you've got your buckle
to think about. OK. | 0:39:27 | 0:39:30 | |
First up, we are going to do
the Fukagawa, and here it comes. | 0:39:30 | 0:39:33 | |
Bids on the book. I'm in at five. | 0:39:33 | 0:39:35 | |
Ten, 15, 20, 25... | 0:39:35 | 0:39:38 | |
This is just for the lid? I hope so. | 0:39:38 | 0:39:40 | |
25. £25, I'm bid on commission. | 0:39:40 | 0:39:42 | |
Come on! Everyone else out. | 0:39:42 | 0:39:43 | |
We are sold then for 25. | 0:39:43 | 0:39:46 | |
£25 is minus £80. Ouch! | 0:39:46 | 0:39:50 | |
Now here comes your temple vase. | 0:39:50 | 0:39:52 | |
Five pounds, I'm bid. | 0:39:52 | 0:39:54 | |
Ten, 15 and 20. | 0:39:54 | 0:39:55 | |
£20, I'm bid. | 0:39:55 | 0:39:57 | |
25, the internet. 25, I'm bid. | 0:39:57 | 0:39:59 | |
30 in the room. | 0:39:59 | 0:40:01 | |
35 in the room. | 0:40:01 | 0:40:02 | |
40 in the room. | 0:40:02 | 0:40:04 | |
I know, I know, but we are getting up
there. | 0:40:04 | 0:40:06 | |
45 the internet. 45 and sold. | 0:40:06 | 0:40:09 | |
At £50, the internet. Ooh! | 0:40:09 | 0:40:12 | |
£50, the internet.
£50, the internet. | 0:40:12 | 0:40:14 | |
We are selling now on the internet. | 0:40:14 | 0:40:16 | |
All finished. You're hovering. | 0:40:16 | 0:40:17 | |
We are selling at 50. | 0:40:17 | 0:40:19 | |
£50 is plus £28. | 0:40:20 | 0:40:23 | |
Right. Wow! Which is good. | 0:40:23 | 0:40:25 | |
Now here comes your trinket box. | 0:40:25 | 0:40:27 | |
Nicely decorated. | 0:40:27 | 0:40:28 | |
Bit of interest on this. | 0:40:28 | 0:40:29 | |
20, 30, 40, 50, | 0:40:29 | 0:40:31 | |
60, 70, 80. | 0:40:31 | 0:40:33 | |
Ooh! £80, I'm bid. | 0:40:33 | 0:40:34 | |
£80, I'm bid. At £80. | 0:40:34 | 0:40:36 | |
A little bit more, though. | 0:40:36 | 0:40:38 | |
At £80 with me. | 0:40:38 | 0:40:39 | |
At £80 with me. You're all out. | 0:40:39 | 0:40:41 | |
Come on, it needs a bit more! | 0:40:41 | 0:40:42 | |
Sold at 80. Oh, no. | 0:40:42 | 0:40:45 | |
Blast it! £80 is minus £12. | 0:40:45 | 0:40:49 | |
You were minus £52. | 0:40:49 | 0:40:50 | |
That is minus £64. | 0:40:50 | 0:40:53 | |
What are we going to do
about the dump? | 0:40:53 | 0:40:55 | |
Do you want to go with the dump
bonus buy or do you want to go | 0:40:55 | 0:40:58 | |
with the belt bonus buy or do you
want to go with nothing? | 0:40:58 | 0:41:00 | |
BOTH: Belt. | 0:41:00 | 0:41:01 | |
Is it? Yes. Definitely? Unanimous
decision. Nurse's belt buckle. | 0:41:01 | 0:41:06 | |
Now, you've made that decision,
you're going | 0:41:06 | 0:41:08 | |
with the bonus buy, which is the...
Nurse's belt buckle. | 0:41:08 | 0:41:10 | |
..which is Tim's Ton.
Thank you very much. | 0:41:10 | 0:41:13 | |
I can tell you that his estimate
is miserable on that. | 0:41:13 | 0:41:15 | |
He's put £20 to £30 on it. Really? | 0:41:15 | 0:41:17 | |
No, surely not. | 0:41:17 | 0:41:19 | |
But the first lot up is going to be
the dump paperweight, | 0:41:19 | 0:41:22 | |
the one you've rejected,
which you paid £52 for. | 0:41:22 | 0:41:25 | |
His estimate on that is £20 to £30,
too. | 0:41:25 | 0:41:28 | |
So, two miserable estimates,
but we are going to sell the dump | 0:41:28 | 0:41:32 | |
paperweight first just to see
what happens. And here it comes. | 0:41:32 | 0:41:35 | |
A 19th-century glass paperweight.
Commissions on the book, | 0:41:35 | 0:41:38 | |
five and a bid. Five, six, ten, | 0:41:38 | 0:41:41 | |
15, 20, five, | 0:41:41 | 0:41:44 | |
25 in the room.
Have you...? 30 in the room. | 0:41:44 | 0:41:47 | |
35 in the room.
40 in the room, 45 in the room. | 0:41:47 | 0:41:51 | |
45 right there. At 45.
At 45 in the room. | 0:41:51 | 0:41:54 | |
More like it. Yeah, better.
Sold at 45. | 0:41:54 | 0:41:57 | |
£45, it's minus seven pounds.
We'll scrap that one | 0:41:57 | 0:42:01 | |
because what you're doing is going
with the Ton. | 0:42:01 | 0:42:03 | |
You're going with the belt,
and here it comes. | 0:42:03 | 0:42:06 | |
Nurse's belt buckle. Five and a bid. | 0:42:06 | 0:42:07 | |
Five and a bid. Five, six, ten, | 0:42:07 | 0:42:10 | |
15, 20... | 0:42:10 | 0:42:11 | |
35 on the internet.
35. 40 in the room. 40 in the room. | 0:42:13 | 0:42:17 | |
In the room at 40, all done.
Sold at 40. No. No. | 0:42:17 | 0:42:23 | |
£40 is minus £27. | 0:42:23 | 0:42:25 | |
People have...people have no taste. | 0:42:25 | 0:42:27 | |
That is 70, 80.
That is minus £91 overall. | 0:42:27 | 0:42:33 | |
At least it wasn't the Ton.
No, it wasn't the Ton. | 0:42:33 | 0:42:37 | |
You are quite right. Anyway, good. | 0:42:37 | 0:42:40 | |
Now, say not a word to the Blues,
all right, | 0:42:40 | 0:42:42 | |
because the way things are going,
that could be a winning score. | 0:42:42 | 0:42:45 | |
Well, like my prediction,
the belt buckle came undone. | 0:42:45 | 0:42:48 | |
I don't know whether we need first
aid or resuscitation here. | 0:42:55 | 0:42:58 | |
We are standing by
for your special skills, all right? | 0:42:58 | 0:43:00 | |
First of all you've got the
Staffordshire-style pottery dogs. | 0:43:00 | 0:43:04 | |
They may be hideous...
I mean, lovely and modern | 0:43:04 | 0:43:07 | |
and everything else, but he's put 20
to 30 on them. Good lad, good lad. | 0:43:07 | 0:43:10 | |
See he rates them. My dogs.
Your dogs, yeah. | 0:43:10 | 0:43:13 | |
Good for you. And here they come. | 0:43:13 | 0:43:15 | |
Ten pounds. Five? | 0:43:15 | 0:43:17 | |
Two pounds? | 0:43:19 | 0:43:20 | |
Bid. Four, six, eight, ten, 12. | 0:43:20 | 0:43:25 | |
15 in the room. 15 in the room. | 0:43:25 | 0:43:28 | |
15 in the room. All done. | 0:43:28 | 0:43:30 | |
Sold at 15. | 0:43:30 | 0:43:32 | |
£15 is plus three pounds. Well done. | 0:43:32 | 0:43:35 | |
Now here comes the sign. Stand by. | 0:43:35 | 0:43:39 | |
25 bid. | 0:43:39 | 0:43:40 | |
I'm bid. 30, 40, 50, 60. | 0:43:40 | 0:43:45 | |
Bid here at 60. Double his estimate. | 0:43:45 | 0:43:48 | |
Bid here at 60. Here at 60. | 0:43:48 | 0:43:50 | |
Everyone else out at 60. Sold at 60. | 0:43:50 | 0:43:54 | |
Uh-oh! £60 is a good deal, | 0:43:54 | 0:43:57 | |
better than his estimate,
I have to tell you. | 0:43:57 | 0:43:59 | |
So, guys, that means overall
now you are minus £77. | 0:43:59 | 0:44:04 | |
£20. 15. Ten to go. | 0:44:04 | 0:44:06 | |
Nothing on my book. Five pounds. | 0:44:06 | 0:44:08 | |
Five. | 0:44:08 | 0:44:10 | |
Six, seven, eight, nine, | 0:44:10 | 0:44:14 | |
ten, 12, 15. | 0:44:14 | 0:44:17 | |
15 here at 15. 15. | 0:44:17 | 0:44:19 | |
15. 15. 15, second row.
At £20, the internet. | 0:44:19 | 0:44:21 | |
Oh, thank goodness for that.
You're in profit again. | 0:44:21 | 0:44:24 | |
You've made two profits. | 0:44:24 | 0:44:25 | |
25 in the room. Oh, look at that! | 0:44:25 | 0:44:27 | |
25 in the room. 25 in the room. | 0:44:27 | 0:44:29 | |
All done, sold. Well done, lads. | 0:44:29 | 0:44:31 | |
That is marvellous. | 0:44:31 | 0:44:33 | |
£25 is plus ten pounds, | 0:44:33 | 0:44:35 | |
which means overall
you are minus £67. | 0:44:35 | 0:44:38 | |
Now, what do you want to do
about either of these bonus buys? | 0:44:38 | 0:44:41 | |
Do you want to take one
or the other or none at all? | 0:44:41 | 0:44:43 | |
West Brom vases,
I'm all over them. Are you? | 0:44:43 | 0:44:45 | |
We are going with the trumpet vases | 0:44:45 | 0:44:47 | |
and we are not going with the
Baccarat candlestick, is that right? | 0:44:47 | 0:44:50 | |
That's right. OK, fine.
The decision is made. | 0:44:50 | 0:44:52 | |
I can tell you now that his estimate
on those vases is 40 to 50. | 0:44:52 | 0:44:56 | |
You paid £20, JP.
He is very comfortable about that. | 0:44:56 | 0:45:00 | |
You're not going with
the Baccarat candlestick | 0:45:00 | 0:45:02 | |
and his estimate on that is
20 to 30. You paid £40. | 0:45:02 | 0:45:04 | |
But we are going to sell both. We're
going to sell your bonus buy pick | 0:45:04 | 0:45:08 | |
first, which is the trumpet vases. | 0:45:08 | 0:45:10 | |
And here come the trumpet vases. | 0:45:10 | 0:45:12 | |
£20. Nice little decoration piece,
then. | 0:45:12 | 0:45:14 | |
20. 22, 24, 26, 28. | 0:45:14 | 0:45:18 | |
These are nice things. At £28. £28. | 0:45:18 | 0:45:20 | |
28. £28 I'm bid here in the room. | 0:45:20 | 0:45:22 | |
£30. £30! Look at this, J. | 0:45:22 | 0:45:26 | |
That's the pick! | 0:45:26 | 0:45:28 | |
45. 45. To you at 45. | 0:45:28 | 0:45:32 | |
£45! One more, one more. | 0:45:32 | 0:45:34 | |
£50 in the room. | 0:45:34 | 0:45:35 | |
Look at that. 50's in the room. | 0:45:35 | 0:45:37 | |
In the room at 50. Sold at 50. | 0:45:37 | 0:45:41 | |
£50 is plus £30. | 0:45:41 | 0:45:43 | |
That is a very nice... | 0:45:43 | 0:45:45 | |
That's a very nice bonus buy. Now,
we're going to sell the Baccarat. | 0:45:45 | 0:45:49 | |
I've got interest on the book
at 30, 40, £50. | 0:45:49 | 0:45:52 | |
£50, I'm bid. £50, I'm bid. | 0:45:52 | 0:45:54 | |
At £50. 60, 70. Look at this. | 0:45:54 | 0:45:57 | |
Here at 70. At £70. At £70. | 0:45:57 | 0:46:01 | |
Internet, you are out.
Room, you're out £70. | 0:46:01 | 0:46:04 | |
We are sold then at £70. | 0:46:04 | 0:46:06 | |
Well done, J, double whammy. | 0:46:06 | 0:46:08 | |
You made £30 profit on each piece. | 0:46:08 | 0:46:11 | |
Oh, OK, that's fair enough.
Yes? Which is very nice. | 0:46:11 | 0:46:14 | |
So, £30 profit, guys,
from your trumpet vases takes your | 0:46:14 | 0:46:17 | |
overall score to minus £37, which is
barely a wink in this business. | 0:46:17 | 0:46:23 | |
I'll tell you. That could be
a winning score, no trouble at all. | 0:46:23 | 0:46:27 | |
I'm glad to be able to
say that the £30 profit | 0:46:27 | 0:46:29 | |
on the candlestick will be
donated to charity. | 0:46:29 | 0:46:31 | |
So, that's a double winnings here. | 0:46:31 | 0:46:33 | |
Well, teams, fun? | 0:46:44 | 0:46:45 | |
Yeah. Brilliant.
Very good. Perfect. | 0:46:45 | 0:46:48 | |
Nobody's going home
with folding money. | 0:46:48 | 0:46:50 | |
In fact, nobody is going home
with any money, | 0:46:50 | 0:46:53 | |
which is not so nifty, | 0:46:53 | 0:46:54 | |
but on the other hand, it's just a
question of the scale of the losses. | 0:46:54 | 0:46:59 | |
And one team has made almost double
the losses of the other | 0:46:59 | 0:47:02 | |
and that team that's doubled up
on the losses are the Reds. | 0:47:02 | 0:47:06 | |
Oh! Oh! | 0:47:06 | 0:47:07 | |
Minus...minus £91
is your total tally. | 0:47:07 | 0:47:12 | |
You got a jolly nice profit out
of your Japanese bronze... | 0:47:12 | 0:47:15 | |
Yes. Yes. ..which was £28. | 0:47:15 | 0:47:16 | |
I predicted that the belt buckle was
going to do particularly well. Ha! | 0:47:16 | 0:47:20 | |
And it made a loss of £27. So, I got
that wrong, for which I apologise. | 0:47:20 | 0:47:25 | |
But anyway, you had a good time.
Yeah, brilliant. Perfect. | 0:47:25 | 0:47:28 | |
So, the boys in blue, | 0:47:28 | 0:47:30 | |
our very nice paramedics have
managed to win by losing £37. | 0:47:30 | 0:47:35 | |
How about that?
That's all right. It's a win. | 0:47:35 | 0:47:37 | |
It was the profit
on the West Bromwich Albion-coloured | 0:47:37 | 0:47:42 | |
trumpet vases that gave you
a real thrill, didn't it? | 0:47:42 | 0:47:46 | |
£30 profit on that,
so well-picked on that. | 0:47:46 | 0:47:49 | |
And I was reassured that the
Baccarat did a £30 profit, too. | 0:47:49 | 0:47:53 | |
So, double whammy of profits there,
J. Well done for that. | 0:47:53 | 0:47:56 | |
My prediction was that
the Baccarat would do well | 0:47:56 | 0:47:59 | |
and within the spit,
they did the same. | 0:47:59 | 0:48:00 | |
So, very, very pleased with that. | 0:48:00 | 0:48:02 | |
OK, so, no money being handed out, | 0:48:02 | 0:48:05 | |
but because you didn't go
with the Baccarat candlestick | 0:48:05 | 0:48:09 | |
and we sold it and it made a profit,
there is a resultant bit of cash. | 0:48:09 | 0:48:13 | |
My plus £30 here, which is
going straight back into my pocket, | 0:48:13 | 0:48:17 | |
because that goes into the charity
pot. OK. Thank you very much. | 0:48:17 | 0:48:20 | |
You had a great time? Yeah.
We've had a great time. | 0:48:20 | 0:48:22 | |
In fact, it's been so great, | 0:48:22 | 0:48:24 | |
why don't you join us soon
for some more bargain hunting, yes?! | 0:48:24 | 0:48:26 | |
ALL: Yes! | 0:48:26 | 0:48:28 |