
Browse content similar to Lincoln 68. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This special comes to you today from the Lincolnshire Showground. | 0:00:06 | 0:00:11 | |
"What's so special about it?" I hear you cry. | 0:00:11 | 0:00:14 | |
Well, for your additional viewing pleasure, | 0:00:14 | 0:00:17 | |
we present one whole hour of unalloyed antique action. | 0:00:17 | 0:00:22 | |
So... Let's go bargain hunting, yeah! | 0:00:22 | 0:00:26 | |
HE LAUGHS | 0:00:26 | 0:00:28 | |
Boy, do we have a wheelie, wheelie good show for you today. | 0:00:52 | 0:00:57 | |
In this one-hour special, | 0:00:57 | 0:00:59 | |
we have a team of bikers taking on a team of cyclists. | 0:00:59 | 0:01:03 | |
Our two-wheeled warriors will be leaving | 0:01:03 | 0:01:05 | |
the comfort of their saddle to do battle around the stalls. | 0:01:05 | 0:01:08 | |
We have tweaked the rules a tad, | 0:01:10 | 0:01:12 | |
but never fear, | 0:01:12 | 0:01:13 | |
I'll fill you in on that a bit later on. But right now, | 0:01:13 | 0:01:16 | |
let's have 125 see-see | 0:01:16 | 0:01:18 | |
as to what is coming up. | 0:01:18 | 0:01:20 | |
On today's show, the Reds are less than impressed. | 0:01:22 | 0:01:25 | |
It's awful! | 0:01:25 | 0:01:26 | |
I wouldn't give it house room. It's junk. | 0:01:26 | 0:01:28 | |
And there is plenty of banter with the Blues. | 0:01:28 | 0:01:31 | |
Paul! Paul. | 0:01:31 | 0:01:33 | |
Let's see what he thinks. | 0:01:33 | 0:01:34 | |
-It's just a... No. -No. | 0:01:34 | 0:01:37 | |
-He can tell from that far away how bad it was. -Yeah. | 0:01:37 | 0:01:40 | |
Before all that, let's meet the teams. | 0:01:40 | 0:01:44 | |
So, on Bargain Hunt today, it is horsepower versus pedal power. | 0:01:44 | 0:01:49 | |
And for the Reds, we have got Marie and Trish. | 0:01:49 | 0:01:52 | |
And for the Blues, we have got Steve and John. Hello, everyone. | 0:01:52 | 0:01:55 | |
-ALL: Hello. -Hello. -Hello. | 0:01:55 | 0:01:57 | |
Now, Marie, it was your love of motorbikes that got you two girls | 0:01:57 | 0:02:00 | |
-together. -Yes, we met at a chapter night, | 0:02:00 | 0:02:02 | |
a chapter night being our meeting night for Harley-Davidson, | 0:02:02 | 0:02:05 | |
and it was Trish's first time there. | 0:02:05 | 0:02:08 | |
-And I knew she was trouble from the start. -Did you? -Absolutely. | 0:02:08 | 0:02:12 | |
So you thought, "She's going to be my mate, this girl, | 0:02:12 | 0:02:14 | |
"if she's trouble." | 0:02:14 | 0:02:16 | |
And how did your interest in motor bicycles start? | 0:02:16 | 0:02:19 | |
-Well, my brother, when I was smaller, he had a motorbike. -Oh, yeah? | 0:02:19 | 0:02:22 | |
And then when I met my husband to be, he had a motorbike. And we... | 0:02:22 | 0:02:26 | |
-Got together. -Yes. -Exactly. -Yes. -You learned how to get on the back. | 0:02:26 | 0:02:30 | |
-Oh, easily, yes. -Did you? | 0:02:30 | 0:02:32 | |
Cos there's quite a skill to ride pillion, isn't there? | 0:02:32 | 0:02:34 | |
-No. -Is there not? | 0:02:34 | 0:02:36 | |
-Not at all. -Don't you have to lean the right way? | 0:02:36 | 0:02:38 | |
-You just go with it. -Don't think about it at all. | 0:02:38 | 0:02:41 | |
-No, you just go with it. -Ever try driving it yourself, Marie? | 0:02:41 | 0:02:45 | |
-I had it go on a rolling road once. -What does that mean? | 0:02:45 | 0:02:48 | |
-They have a bike stationary on a rolling... -Oh, I see. | 0:02:48 | 0:02:52 | |
-And went to pieces. -Did you? | 0:02:52 | 0:02:55 | |
-So you thought, "The pillion is the place for me." -Yes. | 0:02:55 | 0:02:57 | |
-Provide additional comfort. -Yes. | 0:02:57 | 0:03:00 | |
Now, this riding of motor bicycles can be quite romantic, | 0:03:00 | 0:03:02 | |
can't it, Trish? | 0:03:02 | 0:03:04 | |
Yeah, it can be. Yeah, I was proposed to on the back of a bike. | 0:03:04 | 0:03:07 | |
-You weren't! -I was. | 0:03:07 | 0:03:08 | |
He shouted it over his shoulder many years ago and I said no, | 0:03:08 | 0:03:12 | |
because I didn't quite understand what he said. | 0:03:12 | 0:03:14 | |
And then when we got off, he'd got a face on him | 0:03:14 | 0:03:16 | |
and I thought, "Oh, dear, that didn't go down well. | 0:03:16 | 0:03:19 | |
-"I don't know what I have done." -Yes. | 0:03:19 | 0:03:20 | |
And I thought about it all day at work and it suddenly dawned on me. | 0:03:20 | 0:03:23 | |
So when I came out of work, I said to him, | 0:03:23 | 0:03:26 | |
you know, "Is that question that you asked me... | 0:03:26 | 0:03:28 | |
"Is the offer still on the table?" He said, "It might be." | 0:03:28 | 0:03:31 | |
So I said, "If it is, the answer is yes." | 0:03:31 | 0:03:34 | |
-How lovely. -We've been married for nearly 30 years. | 0:03:34 | 0:03:36 | |
You'll have to tell him to take his helmet off first, | 0:03:36 | 0:03:38 | |
-that's the thing. -Yes. -Anyway, good luck, girls. -Thank you. | 0:03:38 | 0:03:41 | |
-Right. Now, you know you are up against, chaps. -BOTH: Yep. | 0:03:41 | 0:03:44 | |
-You are mad about bikes, aren't you, Steve? -That's right. | 0:03:44 | 0:03:46 | |
Well, I am the British cycling coach for Nottinghamshire and Lincolnshire. | 0:03:46 | 0:03:50 | |
So it is a dream job, really. | 0:03:50 | 0:03:52 | |
So you are scouting for the next wave of British cyclists. | 0:03:52 | 0:03:54 | |
Yeah, yeah. We have already had quite a bit of success getting children - | 0:03:54 | 0:03:58 | |
-boys and girls - into the sport. -Good for you. | 0:03:58 | 0:04:00 | |
So, John, you used to be a primary school teacher and, | 0:04:00 | 0:04:04 | |
since meeting Steve, you have had a career change. | 0:04:04 | 0:04:06 | |
Probably in no small measure because of Steve, actually. | 0:04:06 | 0:04:10 | |
I was very impressed with what he did. | 0:04:10 | 0:04:11 | |
The organisation that I work for now | 0:04:11 | 0:04:14 | |
are principally known for operating the National Cycle Network. | 0:04:14 | 0:04:17 | |
They work with schools, communities. | 0:04:17 | 0:04:19 | |
And so when I was asked to go to work in all the schools, that is | 0:04:19 | 0:04:21 | |
-what I ended up doing now. -Why are you known as Dr Bike, then? | 0:04:21 | 0:04:25 | |
Because part of what we do in schools is to try | 0:04:25 | 0:04:27 | |
to encourage as many children to attend school as they can on a bike, | 0:04:27 | 0:04:31 | |
and the first step towards that is to make sure there is as many | 0:04:31 | 0:04:33 | |
working bikes as possible. | 0:04:33 | 0:04:35 | |
So I do a session, usually two or three times a year in each | 0:04:35 | 0:04:37 | |
school I go in, and I fix all the poorly bikes. | 0:04:37 | 0:04:39 | |
Because I'm going in to fix poorly bikes, I've got... | 0:04:39 | 0:04:43 | |
-It soon becomes... -Dr Bike. -Yeah. | 0:04:43 | 0:04:45 | |
Why do they call you Bike Fairy, then? | 0:04:45 | 0:04:47 | |
That is another alter ego that I am possibly not quite so proud of. | 0:04:49 | 0:04:52 | |
Once we have got them interested in cycling, | 0:04:52 | 0:04:54 | |
we want them to keep cycling. | 0:04:54 | 0:04:55 | |
So what we do is we try and...basically, we bribe them. | 0:04:55 | 0:04:58 | |
We put incentives into place. One of those incentives it that | 0:04:58 | 0:05:02 | |
if there bicycle happens to be at school that day, | 0:05:02 | 0:05:04 | |
the bike fairy might flutter down and leave them a prize. | 0:05:04 | 0:05:07 | |
Ah! | 0:05:07 | 0:05:08 | |
To make that a little bit more real, | 0:05:08 | 0:05:09 | |
occasionally there are visits from the bike fairy, | 0:05:09 | 0:05:12 | |
in his Lycra and his tutu. | 0:05:12 | 0:05:14 | |
LAUGHTER | 0:05:14 | 0:05:16 | |
You have no pride, therefore, when it comes to these things. | 0:05:16 | 0:05:20 | |
-You will stoop to any depth. -Any trick to get a kid on a bike. | 0:05:20 | 0:05:23 | |
Exactly. | 0:05:23 | 0:05:24 | |
What a wonderful story, anyway. It sounds fantastic. | 0:05:24 | 0:05:26 | |
And good on you, chaps. Here we go with the money moment. | 0:05:26 | 0:05:29 | |
Well done, teams. Here is your £300. £300 apiece. | 0:05:29 | 0:05:32 | |
You know the rules, your experts await. And off you go! | 0:05:32 | 0:05:35 | |
And very, very, very good luck. Or as they say, on your bike. | 0:05:35 | 0:05:39 | |
So, what about today's experts? For the Reds, | 0:05:41 | 0:05:43 | |
it is the one and only... | 0:05:43 | 0:05:45 | |
And hoping to spot something meteorite for the Blues, it's... | 0:05:48 | 0:05:52 | |
-Good morning. How are you? -Hi. -Hello. | 0:05:54 | 0:05:56 | |
The hour is about to start. | 0:05:56 | 0:05:59 | |
John, Steve, you guys have got to be competitive by nature, surely. | 0:05:59 | 0:06:02 | |
I am more competitive than him. | 0:06:02 | 0:06:04 | |
Let's not compete about who is the most competitive, OK? | 0:06:04 | 0:06:07 | |
-Marie, what is the plan today? -Lots of silvery things, probably. -Yes. | 0:06:07 | 0:06:10 | |
-Small things. -Yes. -And anything under £50. | 0:06:10 | 0:06:13 | |
-Look, this is our tour de...antiques. -Yes. | 0:06:13 | 0:06:19 | |
We are going to get on our bikes, that is what we are going to do. | 0:06:19 | 0:06:22 | |
-Awesome. -Come on, let's do that. | 0:06:22 | 0:06:23 | |
Yeah, let's go! | 0:06:23 | 0:06:25 | |
Right, teams, your 60 minutes starts now. | 0:06:28 | 0:06:32 | |
TYRES SCREECHING | 0:06:32 | 0:06:34 | |
If you see things which smile at you, | 0:06:34 | 0:06:36 | |
which talk to you, go over and have a look at them. | 0:06:36 | 0:06:39 | |
-Right, OK. -OK. | 0:06:39 | 0:06:41 | |
Come on, Steven. | 0:06:41 | 0:06:43 | |
-These are Carlton Ware. -Oh, are they? -Salt and pepper. | 0:06:46 | 0:06:49 | |
They are not marked, | 0:06:49 | 0:06:50 | |
but almost certainly salt and peppers in the form of an apple. | 0:06:50 | 0:06:53 | |
-Yes. -Condition is very important when it comes to collectibles. -Yes. | 0:06:53 | 0:06:57 | |
Because, Trish, what is an antique? | 0:06:57 | 0:07:00 | |
Something that is older than Marie. | 0:07:00 | 0:07:02 | |
Steady, Trish. | 0:07:02 | 0:07:03 | |
-Antique, by definition, needs to be 100 years old. -Oh, OK. | 0:07:03 | 0:07:07 | |
Well, maybe not, sorry. | 0:07:07 | 0:07:10 | |
Girls, you are meant to be on the same team. | 0:07:10 | 0:07:12 | |
What about the yoke, mate? | 0:07:12 | 0:07:14 | |
Thinking about farming communities and stuff like that. | 0:07:14 | 0:07:17 | |
We know what it is, but... | 0:07:17 | 0:07:18 | |
-Look at that. -Put it over your neck. | 0:07:20 | 0:07:22 | |
Ugh! I am just a workhorse, aren't I? | 0:07:22 | 0:07:26 | |
All right, John, don't milk it, mate. | 0:07:26 | 0:07:28 | |
What do you reckon? | 0:07:28 | 0:07:29 | |
I get the whole rustic, the whole farmhouse and pub decoration thing. | 0:07:29 | 0:07:32 | |
-Apart from that... -There is not a market, is there? | 0:07:32 | 0:07:34 | |
-Thanks very much. -Thank you very much. | 0:07:34 | 0:07:37 | |
A bit of a false start, then, for the Blues. Stick with it, fellas. | 0:07:37 | 0:07:40 | |
Time to check in with our Carlos. | 0:07:40 | 0:07:43 | |
So, when you ride the bike, is it a big bike that you ride? | 0:07:43 | 0:07:46 | |
-Oh, yeah, it is a 1600 cc. -Do you have, like, flags on the back of it? | 0:07:46 | 0:07:50 | |
We do when we go out for a chapter ride, yes. | 0:07:50 | 0:07:52 | |
-You aren't Hell's Angels, are you? -No, we're not. | 0:07:52 | 0:07:54 | |
Hm, maybe not Hell's Angels, hey, Charlie? | 0:07:54 | 0:07:57 | |
MUSIC: Charlie's Angels Theme | 0:07:57 | 0:08:01 | |
'Once upon a time, | 0:08:02 | 0:08:04 | |
'there were two girls who arrived at an antiques fair. | 0:08:04 | 0:08:07 | |
'They were assigned £300 in which to find three unique items. | 0:08:07 | 0:08:13 | |
'Only one man could help them in their quest, | 0:08:13 | 0:08:15 | |
'and now he works for them. | 0:08:15 | 0:08:17 | |
'His name is Charlie.' | 0:08:17 | 0:08:19 | |
Now, where was I? Oh, yes, back with the Blues. | 0:08:20 | 0:08:23 | |
My mum used to have some Chinese carvings. | 0:08:23 | 0:08:26 | |
Those are priests, those guys, with their prayer beads. | 0:08:26 | 0:08:29 | |
And there is a crack in one. I like them. Look at the sockets. | 0:08:29 | 0:08:32 | |
Anything Chinese, you go, "Seriously, | 0:08:32 | 0:08:34 | |
"did it just come over the water in a container | 0:08:34 | 0:08:37 | |
"or has it got some age?" | 0:08:37 | 0:08:39 | |
Da, da, da! 1930s. | 0:08:39 | 0:08:41 | |
-Do you reckon? -Of the period. And a pair... | 0:08:41 | 0:08:45 | |
They're worth 80 quid, 120 quid. | 0:08:45 | 0:08:49 | |
-That is what they'll sell for? -Yeah. Do you like...? | 0:08:49 | 0:08:51 | |
I mean, are they hideous to you? Do you like them? | 0:08:51 | 0:08:53 | |
-What about the damage, though? -Yes. | 0:08:53 | 0:08:55 | |
There is a crack there, filled, in that one. | 0:08:55 | 0:08:58 | |
That is common. A shrinkage crack over 80 years we'll forgive. | 0:08:58 | 0:09:03 | |
-Is that the kind of thing there is a niche for, then? -There is, yeah. | 0:09:03 | 0:09:06 | |
A good decorator's... A pair, believe me, a pair - uncommon. | 0:09:06 | 0:09:09 | |
It's the price... Who are we dealing with here? | 0:09:09 | 0:09:12 | |
Who deals with this table? | 0:09:12 | 0:09:13 | |
Cos I know you're a bit territorial in here. | 0:09:13 | 0:09:15 | |
-How can we help you? -Pair of lamps. | 0:09:15 | 0:09:17 | |
That pair of lamps there. They are very, very, very cheap. Very cheap. | 0:09:17 | 0:09:21 | |
The pair are £25. | 0:09:21 | 0:09:23 | |
Seriously, just do what you've got to do. | 0:09:23 | 0:09:26 | |
Just do what you've got to do. | 0:09:26 | 0:09:27 | |
-This will win the show for you, trust me. -Do you know what... | 0:09:27 | 0:09:30 | |
OK, there you go. | 0:09:30 | 0:09:31 | |
These beads work, I tell you, because I'm loving it. | 0:09:31 | 0:09:34 | |
Enjoy and win the show, OK? | 0:09:34 | 0:09:36 | |
Well done for those ten minutes in and one item down. | 0:09:36 | 0:09:39 | |
But the Reds could be closing in. | 0:09:39 | 0:09:41 | |
-How about that, Trish? -I quite like that. -Marie? -Oh. | 0:09:44 | 0:09:48 | |
-What do you think? -That's sweet. -That's nice. | 0:09:48 | 0:09:50 | |
I don't know whether you are chintzy girls. | 0:09:50 | 0:09:53 | |
-I like that. -Why? | 0:09:53 | 0:09:55 | |
It is just appealing to me. | 0:09:55 | 0:09:57 | |
Look at the transfer of the flowers, it's almost quite... I don't now. | 0:09:57 | 0:10:01 | |
-It's quite pretty. -Yes. -Wacky, isn't it? -Yeah. -What is it? | 0:10:01 | 0:10:05 | |
-Well, it's a condiment. -Exactly. -No spoon. -That doesn't matter. | 0:10:05 | 0:10:08 | |
You could easily find a mustard spoon to go in there. | 0:10:08 | 0:10:11 | |
-A bit of flower power, girls? -Yeah, absolutely. | 0:10:11 | 0:10:13 | |
-Your era, flower power, the '60s. -CHUCKLING: -Yeah. | 0:10:13 | 0:10:16 | |
What is the metal? | 0:10:16 | 0:10:18 | |
Is electroplate nickel silver, because it says so there - EPNS, OK? | 0:10:18 | 0:10:23 | |
There we go. I know a few things. | 0:10:23 | 0:10:25 | |
-But I like it because it is quite angular. -Yes. | 0:10:25 | 0:10:29 | |
And also, dare I say it, | 0:10:29 | 0:10:30 | |
-it has, like you two, style. -Oh, wow. | 0:10:30 | 0:10:34 | |
Smooth, Carlos, very smooth. | 0:10:34 | 0:10:37 | |
-Good spotting. -What was it worth? -£12. | 0:10:37 | 0:10:39 | |
-You saw the price, didn't you? -That's cheating! | 0:10:39 | 0:10:42 | |
-Shall we go for that one? -Yeah, absolutely. | 0:10:42 | 0:10:44 | |
Do you want to make an offer? | 0:10:44 | 0:10:45 | |
-What's your best price on this, please? -Ten. -Ten pounds? | 0:10:45 | 0:10:49 | |
-BOTH: Yeah. -There is a little mustard spoon here if you wanted to. | 0:10:49 | 0:10:52 | |
Oh, is there? | 0:10:52 | 0:10:53 | |
-Well, we need a mustard spoon. -There you go. | 0:10:53 | 0:10:56 | |
-Oh, perfect! -Oh, that would fit, lovely. -Put it in there. | 0:10:56 | 0:10:59 | |
You've got a nice fit. | 0:10:59 | 0:11:01 | |
-It was ten pounds, it would now cost? -£12. -Look at me... | 0:11:01 | 0:11:05 | |
-It would now cost? -Ten and two. -Ten pound plus two. | 0:11:05 | 0:11:08 | |
-Yes. -Happy? -Yes, happy. -It's a marriage? -Yes, it is. | 0:11:09 | 0:11:13 | |
-Made in heaven. -We'll take it all. -Thank you very much. Lovely. | 0:11:13 | 0:11:16 | |
-£12. -Thank you. -Nice job. -Thank you. -Excellent, we're off and running! | 0:11:16 | 0:11:20 | |
-I like your style. -Thank you. | 0:11:20 | 0:11:22 | |
Well done, Reds. The girls are cruising now. | 0:11:22 | 0:11:25 | |
Both teams have one apiece and are 20 minutes into their shop. | 0:11:25 | 0:11:29 | |
Meanwhile, the Blues are reminiscing over | 0:11:30 | 0:11:33 | |
a mid-20th-century film projector. | 0:11:33 | 0:11:35 | |
Years and years ago, we had one at my grandad's. | 0:11:35 | 0:11:37 | |
You just had to wind it. | 0:11:37 | 0:11:38 | |
You used to plug it into the lamp, the bayonet. | 0:11:38 | 0:11:41 | |
Everyone I have ever seen it's chewed the film up. | 0:11:41 | 0:11:44 | |
That's why they stopped making them. | 0:11:44 | 0:11:45 | |
That's why video games... | 0:11:45 | 0:11:47 | |
Not like today's technology. | 0:11:49 | 0:11:50 | |
Oh, hang on, the Reds have spotted something familiar. | 0:11:53 | 0:11:57 | |
-Oh, look at this. -Petrol tanks, yeah. | 0:11:57 | 0:11:59 | |
So you'd sit there, wouldn't you, like that, riding, is that right? | 0:11:59 | 0:12:02 | |
-Yes. -And you'd be on the back here, holding like that? | 0:12:02 | 0:12:05 | |
-No, we don't hold. -It's not cool to hold. -Not on Harley's. | 0:12:05 | 0:12:07 | |
Charles, you are so uncool. | 0:12:07 | 0:12:10 | |
Do you fancy buying a bit of memorabilia of a Harley nature, | 0:12:10 | 0:12:12 | |
-then? -No. -No. -OK, leave you to it. | 0:12:12 | 0:12:15 | |
Thanks. Just trying to give you a little, you know... | 0:12:15 | 0:12:18 | |
Oh, it is a tank-less job sometimes, eh, Charles? | 0:12:18 | 0:12:21 | |
Meanwhile, Paul had stumbled across a different type of tank. | 0:12:21 | 0:12:24 | |
There is a problem with this, but I like it straightaway. | 0:12:26 | 0:12:29 | |
What, the problem is that it is split and it will leak? | 0:12:29 | 0:12:31 | |
No, the problem is this hoop here is missing. So the foot is gone. | 0:12:31 | 0:12:36 | |
But what do we have left? | 0:12:36 | 0:12:38 | |
We've got a tankard, a novel tankard, | 0:12:38 | 0:12:41 | |
modelled as a staved barrel, | 0:12:41 | 0:12:45 | |
silver hoops and handle. Lovely set of assay marks. | 0:12:45 | 0:12:48 | |
Looks like Mappin & Webb made it. | 0:12:48 | 0:12:51 | |
Were they not silversmiths to the Queen at one point? | 0:12:51 | 0:12:54 | |
They had the Royal Warrant, didn't they? | 0:12:54 | 0:12:55 | |
I thought you didn't know anything about antiques. | 0:12:55 | 0:12:58 | |
Yeah, John. | 0:12:58 | 0:12:59 | |
I remember that from a Guinness Book Of Records in the 1970s, | 0:12:59 | 0:13:02 | |
and they made a golden bikini for some young lady. | 0:13:02 | 0:13:04 | |
That's the only reason I can remember that. | 0:13:04 | 0:13:06 | |
Naughty. | 0:13:06 | 0:13:07 | |
1920s. | 0:13:07 | 0:13:09 | |
-Steve. -I like it. -Even with cracks and bits missing? -Yeah. | 0:13:09 | 0:13:13 | |
It has got to be worth 30 to 50 quid, hasn't it? All day long. | 0:13:13 | 0:13:17 | |
I'd like a pint out of that. | 0:13:17 | 0:13:18 | |
I tell you what, ask me what I think it would be worth | 0:13:18 | 0:13:20 | |
if it was all there. | 0:13:20 | 0:13:22 | |
What do you think it would be worth if it was all there? | 0:13:22 | 0:13:25 | |
150 quid. | 0:13:25 | 0:13:26 | |
-All day long. -Do you reckon? -Yeah. All day long. | 0:13:26 | 0:13:30 | |
Hey, you boys are good. | 0:13:30 | 0:13:32 | |
Anthony! | 0:13:32 | 0:13:33 | |
Oh, hello, it's our fellow with the beads again. | 0:13:33 | 0:13:37 | |
I can't better the previous one. | 0:13:37 | 0:13:40 | |
It is a fabulous price, and I know there's a part missing | 0:13:40 | 0:13:43 | |
-from the bottom... -There is. | 0:13:43 | 0:13:44 | |
-..but just take it when I tell you the price. -Go on. | 0:13:44 | 0:13:47 | |
£40. | 0:13:47 | 0:13:48 | |
The law of errors, you've looked after us before. | 0:13:48 | 0:13:51 | |
Yeah, and I think I am looking after you now, very much so. | 0:13:51 | 0:13:53 | |
-Never... -Can I tell you, if it had a bottom on it, | 0:13:53 | 0:13:55 | |
it would be £150. | 0:13:55 | 0:13:57 | |
-That's what we just said! -He just said that very same sentence. | 0:13:57 | 0:14:01 | |
And I know nothing about this stuff. | 0:14:01 | 0:14:02 | |
-See, I'm just guessing. OK? -Thanks once again, sir. -Thank you. | 0:14:02 | 0:14:07 | |
We're going to wear your hand out at this rate. | 0:14:07 | 0:14:09 | |
Crikey, are these chaps ever going to venture away from this store? | 0:14:09 | 0:14:13 | |
You do know there is a whole fair out there, don't you? | 0:14:13 | 0:14:15 | |
Now, how are Charlie and his angels getting on? | 0:14:16 | 0:14:19 | |
-Ladies. -Yes! -This is a big one. | 0:14:19 | 0:14:21 | |
It certainly is, Charles. | 0:14:21 | 0:14:22 | |
I like that. | 0:14:22 | 0:14:24 | |
Excuse me, sir, how much is this? | 0:14:24 | 0:14:26 | |
-Ten pounds. -Ten pounds. | 0:14:26 | 0:14:27 | |
Do you know what, I love it because you have got this | 0:14:27 | 0:14:30 | |
sort of format of a cathedral and it is what you call | 0:14:30 | 0:14:34 | |
Staffordshire pottery mantelpiece pocket watch holder. | 0:14:34 | 0:14:37 | |
Just hold it there because, Trish, back in the heyday of 1870, | 0:14:37 | 0:14:42 | |
a gentleman would come home from work in middleclass England, | 0:14:42 | 0:14:45 | |
you'd take your pocket watch off your fob and then put it | 0:14:45 | 0:14:49 | |
-just behind here, where it would sit maybe on a mantelpiece. -OK. | 0:14:49 | 0:14:53 | |
-I haven't seen a bigger one before of this type. -OK. | 0:14:53 | 0:14:57 | |
So to me, it is quite rare. | 0:14:57 | 0:15:00 | |
You have got a big crack across here. | 0:15:00 | 0:15:02 | |
You know, I am an old-fashioned guy here. | 0:15:02 | 0:15:05 | |
And, Trish, don't forgot, it is a true antique. Which is...? | 0:15:05 | 0:15:09 | |
-Over 100 years old. -Yeah. | 0:15:09 | 0:15:11 | |
And to me, for a tenner, it is a guaranteed profit. | 0:15:11 | 0:15:15 | |
Are you sure? What would it make? | 0:15:15 | 0:15:17 | |
I'll be very disappointed if it doesn't make £35 to £45. | 0:15:17 | 0:15:21 | |
-What do you think? -I think we should go for it. | 0:15:21 | 0:15:23 | |
I'll trust you, and we'll go for it. | 0:15:23 | 0:15:26 | |
-Yeah? -Get on then. -I really rate it. -If you really rate it, Charles... | 0:15:26 | 0:15:30 | |
I have to say, if you rate it, then great. | 0:15:30 | 0:15:32 | |
-I would personally have walked past it. -Sold? -Sold. -Yeah. | 0:15:32 | 0:15:36 | |
Sir, we will take it. Thanks a lot. | 0:15:36 | 0:15:38 | |
I'm not sure if the girls are with you on this one, Charlie boy. Psst! | 0:15:38 | 0:15:42 | |
So, girls, what are your thoughts? | 0:15:42 | 0:15:43 | |
-It's awful! -I wouldn't give it house room. | 0:15:43 | 0:15:46 | |
-It is cracked to pieces. -It's junk. | 0:15:46 | 0:15:49 | |
-Yeah. -I think they are really quite impressed. | 0:15:51 | 0:15:54 | |
I think they can see I am a discerning expert who likes | 0:15:54 | 0:15:57 | |
traditional antiques. And I think they're quite impressed. | 0:15:57 | 0:16:00 | |
Are you sure about that? | 0:16:00 | 0:16:01 | |
It's a typical ju... | 0:16:01 | 0:16:03 | |
-But if it makes a profit, then hey-hey. -Exactly. | 0:16:04 | 0:16:07 | |
-Cos if it doesn't... -We are coming after him. -Yeah, we are. | 0:16:07 | 0:16:10 | |
One more thing to find. | 0:16:10 | 0:16:12 | |
The chintzy stand is just a little runner, | 0:16:12 | 0:16:14 | |
but hopefully now the big one is coming up, | 0:16:14 | 0:16:16 | |
the big find to really impress the girls with some glamour. | 0:16:16 | 0:16:20 | |
Well, time to pull something out of the old bag, Charles. | 0:16:20 | 0:16:22 | |
Maybe some reputation and a touch of dignity. | 0:16:22 | 0:16:26 | |
40 minutes in and two apiece for our teams, | 0:16:26 | 0:16:29 | |
a perfect time for me to motor off. | 0:16:29 | 0:16:31 | |
How do you fancy a bit of automobilia? | 0:16:33 | 0:16:36 | |
Well, if you do, you might fancy this. What is it? | 0:16:36 | 0:16:40 | |
Well, it kind of says it on the face. | 0:16:40 | 0:16:44 | |
Because we have got two scales here. | 0:16:44 | 0:16:47 | |
The one on the left says pounds per tonne | 0:16:47 | 0:16:49 | |
and the one on the right says gradient one in. | 0:16:49 | 0:16:54 | |
And if I tilt it one way, it acts as an inclinometer | 0:16:54 | 0:16:59 | |
and you see a change in reading. | 0:16:59 | 0:17:00 | |
And if I tip it the other way, ditto. | 0:17:00 | 0:17:03 | |
All of that happens in an instrument that is precision made. | 0:17:03 | 0:17:08 | |
The bezel itself is bright chromium plated and we have got two | 0:17:08 | 0:17:13 | |
little holes here, look, with a square bit in the middle. | 0:17:13 | 0:17:16 | |
And glory be to God, | 0:17:16 | 0:17:18 | |
this thing still has the original key attached to a piece | 0:17:18 | 0:17:22 | |
of string that you put into those holes | 0:17:22 | 0:17:24 | |
so that you can recalibrate each of the gauges as necessary. | 0:17:24 | 0:17:29 | |
And it was used for assessing the performance of your motorcar | 0:17:29 | 0:17:33 | |
because the left-hand scale represents pulling power. | 0:17:33 | 0:17:37 | |
Depending on the gradient that you were going up or down, | 0:17:37 | 0:17:41 | |
you could assess the pulling power of your car | 0:17:41 | 0:17:44 | |
and whether it was running efficiently and effectively or not. | 0:17:44 | 0:17:49 | |
What did it cost? Well, off a stall, it could be yours for £40. | 0:17:49 | 0:17:54 | |
That has to be cheap. | 0:17:54 | 0:17:56 | |
I reckon this thing in the correct automobile section of a sale | 0:17:56 | 0:18:01 | |
could realise as much as £250 to £400. | 0:18:01 | 0:18:05 | |
Now, that is what you call pulling power. | 0:18:05 | 0:18:07 | |
Back to the fair. And it is horsepower versus pedal power. | 0:18:10 | 0:18:14 | |
The teams have 15 minutes left and one item each to find. | 0:18:14 | 0:18:17 | |
Hold on, the Blues haven't even left that tent yet. | 0:18:17 | 0:18:20 | |
You're having a right rummage, Steve, aren't you? | 0:18:20 | 0:18:23 | |
I just look up and you're... | 0:18:23 | 0:18:25 | |
Where is Paul? I need to get his opinion on it. | 0:18:25 | 0:18:28 | |
Paul! Paul! | 0:18:28 | 0:18:31 | |
-What do you think of this? -Just that? No. -No. | 0:18:31 | 0:18:36 | |
See, he could tell from that far away how bad it was. | 0:18:36 | 0:18:39 | |
So, the Blues are struggling a bit. | 0:18:39 | 0:18:41 | |
And with only ten minutes to go, the Reds need to get motoring, too. | 0:18:41 | 0:18:45 | |
Oh, look at that! | 0:18:46 | 0:18:48 | |
-Oh, look at that! -We've got to get going. -Come on! | 0:18:48 | 0:18:51 | |
Get on the back. | 0:18:51 | 0:18:53 | |
# Get your motor running. # | 0:18:53 | 0:18:56 | |
-Sit on the back? -Come on. -Hold on, I think three is a crowd here. | 0:18:56 | 0:19:00 | |
Hold on. I can't get moving anywhere. It is 450, this bike. | 0:19:00 | 0:19:04 | |
-How much? -450. | 0:19:04 | 0:19:06 | |
-£4.50? -£450. -Get off it quick. | 0:19:06 | 0:19:09 | |
# Born to be wild! # | 0:19:09 | 0:19:13 | |
Maybe you're born to be mild, hey, Charlie? | 0:19:13 | 0:19:17 | |
So, our cyclists have finally left the tent. | 0:19:17 | 0:19:20 | |
Come on, lads, one item to go. | 0:19:20 | 0:19:22 | |
-An accordion. Awesome! -Look at that. | 0:19:23 | 0:19:27 | |
I want it. | 0:19:27 | 0:19:29 | |
-That is just a thing of beauty, isn't it? -You like it seriously? | 0:19:29 | 0:19:34 | |
-Are you being...? -I'm the guy who's got a jukebox at home. | 0:19:34 | 0:19:37 | |
I get the aesthetic then. | 0:19:37 | 0:19:39 | |
-Um... -But you are never, ever going to sell that. | 0:19:39 | 0:19:42 | |
It is worth 40 on a bad day, 80 on a good day. | 0:19:42 | 0:19:46 | |
Ask what the price is. If the price is 20 or 30 quid, | 0:19:47 | 0:19:50 | |
you're going to go, "Well, seriously?" | 0:19:50 | 0:19:52 | |
HE PLAYS THE ACCORDION | 0:19:55 | 0:19:58 | |
I think you are probably | 0:19:58 | 0:19:59 | |
-more than half the way there. -I'm in love. -You're in love? | 0:19:59 | 0:20:02 | |
-You have got a problem, you do know that, don't you? -Yeah. Yeah. | 0:20:02 | 0:20:06 | |
Ask the price. | 0:20:06 | 0:20:08 | |
Can you not spend any money with anybody else? | 0:20:08 | 0:20:10 | |
No, I don't mind. | 0:20:10 | 0:20:12 | |
This thing of...possibly debatable beauty. | 0:20:12 | 0:20:16 | |
This here, you can have it for £65. | 0:20:16 | 0:20:21 | |
Oooh... | 0:20:21 | 0:20:23 | |
-How much do you love it now? -What are you thinking? Come on. | 0:20:23 | 0:20:26 | |
-How about 50? -Where have you gone on it? -50. | 0:20:26 | 0:20:30 | |
More generous than me, but that is an offer. | 0:20:30 | 0:20:33 | |
Is that an offer? | 0:20:33 | 0:20:35 | |
Can he retract it? You can't, that's bad manners. | 0:20:35 | 0:20:38 | |
I think it is 40 quid's worth to be honest with you. | 0:20:38 | 0:20:40 | |
-There are clearly issues with it. -I tell you what you are going to do. | 0:20:40 | 0:20:43 | |
I am going to be very, very nice here and I'm going to say, | 0:20:43 | 0:20:46 | |
stand on Paul's advice and you can take it for £40. | 0:20:46 | 0:20:49 | |
Great. OK, you can let go now. | 0:20:49 | 0:20:52 | |
Awkward or what? | 0:20:52 | 0:20:54 | |
Have we just bought that for £40? | 0:20:54 | 0:20:56 | |
-What I do want you to do, when you win... -Yeah. | 0:20:56 | 0:20:58 | |
-I want a share. -Absolutely. | 0:20:58 | 0:21:00 | |
PAUL LAUGHS | 0:21:00 | 0:21:02 | |
You could have done a deal on a job lot with this dealer. | 0:21:02 | 0:21:05 | |
What a top stall holder, eh? And a top-shop team. Well done. | 0:21:05 | 0:21:10 | |
All three items are bought. | 0:21:10 | 0:21:11 | |
I'm thinking with that beer tankard, | 0:21:11 | 0:21:13 | |
-I think we need to sell the brewery. -Fill it. -Are we going? | 0:21:13 | 0:21:15 | |
-Let's do it. -Come on. Well done, guys. | 0:21:15 | 0:21:17 | |
Cheers, chaps. | 0:21:17 | 0:21:18 | |
Right, girls, five minutes left on the clock, | 0:21:18 | 0:21:20 | |
time to get your motors running. | 0:21:20 | 0:21:22 | |
-Charles. -Yes. -What do you think to that to the back? -Yeah. | 0:21:24 | 0:21:28 | |
I mean, again, you girls like striking objects, don't you? | 0:21:28 | 0:21:31 | |
It is a clock garniture. | 0:21:31 | 0:21:32 | |
I suspect the actual pottery is Continental. | 0:21:32 | 0:21:37 | |
It could be French or German. It is 1920s. | 0:21:37 | 0:21:39 | |
I love the fact that the three are altogether still. | 0:21:39 | 0:21:42 | |
And if you have an Art Deco home, it will... | 0:21:42 | 0:21:45 | |
it would sit so well on that oak 1920s fireplace. | 0:21:45 | 0:21:49 | |
My only issue I can see... What can you see from where you are? | 0:21:49 | 0:21:54 | |
On the vases, it looks like there is some sort of cracked glaze. | 0:21:54 | 0:21:57 | |
-Oh, right, on the top of that one on the right. -I love the form. | 0:21:57 | 0:22:02 | |
That radiating blue and red form is what you call an anthemion. | 0:22:02 | 0:22:06 | |
Good luck. How much? | 0:22:06 | 0:22:08 | |
-Don't know. -Let's find out. -Excuse me. Hi. | 0:22:08 | 0:22:12 | |
How much for the garniture set? | 0:22:13 | 0:22:16 | |
It can be... I wanted 50 for it, it can be £40. | 0:22:16 | 0:22:19 | |
Could it be 30 because it has a chip in it? | 0:22:19 | 0:22:22 | |
You drive a very hard bargain. | 0:22:22 | 0:22:24 | |
She does. | 0:22:24 | 0:22:25 | |
-Yes, I'll do that for you. -I love you. | 0:22:25 | 0:22:29 | |
-Again? -Is four a crowd? Is four a crowd? -You can come in. -I agree. | 0:22:29 | 0:22:33 | |
-Thank you. -Thank you. | 0:22:33 | 0:22:35 | |
Well, this is all very cosy, team, | 0:22:35 | 0:22:37 | |
but time to put the brakes on because time is well and truly up. | 0:22:37 | 0:22:41 | |
Let's check out what the Reds bought, eh? | 0:22:41 | 0:22:43 | |
First up was the cracking cruet sets. They paid £12. | 0:22:44 | 0:22:48 | |
Beauty is in the eye of the beholder. | 0:22:50 | 0:22:52 | |
The next purchase was the watch holder, for ten pounds. | 0:22:52 | 0:22:55 | |
And finally, they spent £30 on the Deco garniture set. | 0:22:56 | 0:23:00 | |
-OK, girls, this is fun, isn't it? -It is. -Yes. | 0:23:02 | 0:23:04 | |
-Now, which is your favourite piece? -It's the condiment set. -OK. | 0:23:04 | 0:23:09 | |
-And for you, Marie? -The same. -OK, very good. -Yes. | 0:23:09 | 0:23:12 | |
-And is that going to bring the biggest profit, Marie? -Yes! | 0:23:12 | 0:23:15 | |
-Yes, it is. -Definitely. -It is all condiment set with you, isn't it? | 0:23:15 | 0:23:18 | |
-Yeah. -It is. -All seasoning. -A bit of spice. -And pep. OK. | 0:23:18 | 0:23:23 | |
-And how much did you spend in total? -£52. -On the whole lot? -Yeah. | 0:23:23 | 0:23:27 | |
You are girls, you go out shopping with £300 and you only spend £52. | 0:23:27 | 0:23:31 | |
It is the first and it probably will be the only time that has ever | 0:23:31 | 0:23:34 | |
-happened. -I rather suspect that is the case, Trish. | 0:23:34 | 0:23:37 | |
Anyway, please may I have £248 of leftover lolly? | 0:23:37 | 0:23:41 | |
Thank you very much. Lovely nails. | 0:23:41 | 0:23:43 | |
248... | 0:23:43 | 0:23:45 | |
248... £248? | 0:23:45 | 0:23:47 | |
It frightens me, Tim. | 0:23:47 | 0:23:49 | |
-It frightens me! You'll need security. -Absolutely. -Exactly. | 0:23:49 | 0:23:53 | |
Anyway, that is not all, you've got | 0:23:53 | 0:23:55 | |
Tim's tonne coming out of the tum. | 0:23:55 | 0:23:58 | |
Oooh! | 0:23:58 | 0:23:59 | |
-Especially for you, Charles. -It's still warm! | 0:23:59 | 0:24:02 | |
It's a little baby Tim! | 0:24:02 | 0:24:04 | |
It happens to be £100 and it is yours to spend wisely, | 0:24:04 | 0:24:09 | |
as I know you will do. | 0:24:09 | 0:24:11 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:24:11 | 0:24:13 | |
Their first by was the pair of Chinese table lamps. | 0:24:14 | 0:24:17 | |
They paid £25. | 0:24:17 | 0:24:19 | |
Next up, they paid £40 for the oak and silver tankard. | 0:24:21 | 0:24:24 | |
And lastly, they are hoping to hit a high note at the auction with | 0:24:26 | 0:24:30 | |
the accordion. They paid £40. | 0:24:30 | 0:24:32 | |
-OK, chaps, did you have a fantastic time? -We did, yeah. | 0:24:33 | 0:24:36 | |
-Awesomely good, yeah. -Awesomely good! -Absolutely. | 0:24:36 | 0:24:40 | |
And now, Jonathan, tell me, which is your favourite piece? | 0:24:40 | 0:24:43 | |
-It's...the accordion. -Is it? And do you agree with that, Steve? | 0:24:43 | 0:24:47 | |
No, I, um... | 0:24:47 | 0:24:50 | |
-I prefer the tankard. -Do you? -Yeah. | 0:24:50 | 0:24:52 | |
Which piece is going to bring the biggest profit do you think, Steve? | 0:24:52 | 0:24:55 | |
-I still think the tankard. -Lovely. | 0:24:55 | 0:24:57 | |
And what do you think is going to bring the burst? | 0:24:57 | 0:24:59 | |
Got a sneaking feeling it'll be the lamp bases | 0:24:59 | 0:25:01 | |
cos I don't like them. Usually when I don't like something, | 0:25:01 | 0:25:04 | |
-it's worth a fortune. -OK, fine. That's logical. -Kiss of death. | 0:25:04 | 0:25:07 | |
-How much did you spend in to-to? -105. | 0:25:07 | 0:25:10 | |
£105, I'd like £195 of leftover lolly, please. | 0:25:10 | 0:25:14 | |
-There you go. -£195. Thank you very much, Steve, my friend. | 0:25:14 | 0:25:16 | |
That goes straight over to Paul Laidlaw, | 0:25:16 | 0:25:18 | |
who has got a double challenge today because it is a special programme | 0:25:18 | 0:25:21 | |
and he gets Tim's tonne - the extra £100 to buy the extra | 0:25:21 | 0:25:25 | |
bonus buy, which hopefully he'll find in a minute or two. | 0:25:25 | 0:25:28 | |
Good luck, Paul, with that multiple task. | 0:25:28 | 0:25:30 | |
Meanwhile, how is young Carlos getting on with his first bonus buy? | 0:25:32 | 0:25:36 | |
So, for Maria and Trish, my concern is I've got so much to spend, | 0:25:36 | 0:25:39 | |
I've got £248 which is frightening | 0:25:39 | 0:25:43 | |
because Mr Wonnacott likes to see good spends. | 0:25:43 | 0:25:46 | |
I don't dare spend, like, £40 or £50. | 0:25:46 | 0:25:48 | |
If I said to you, I have got £248, | 0:25:50 | 0:25:56 | |
could I buy that? | 0:25:56 | 0:25:57 | |
-Not for that money, you couldn't. -Look at me. | 0:25:57 | 0:25:59 | |
This is a gorgeous porcelain plaque. | 0:25:59 | 0:26:01 | |
This is probably almost certainly Berlin. | 0:26:01 | 0:26:05 | |
Put it down, Charles, it's too expensive. | 0:26:05 | 0:26:07 | |
There we are. Mother's spoken. Back to loss. Oh, she's nice. | 0:26:07 | 0:26:13 | |
Now, what we have got here is a gorgeous lady. | 0:26:13 | 0:26:15 | |
She is an oval porcelain probably bohemian... How much is she? | 0:26:15 | 0:26:19 | |
-It has got 290. -Really? -What was your budget? Remind me. | 0:26:19 | 0:26:23 | |
-Would you take 220? -No. | 0:26:23 | 0:26:25 | |
Honest to goodness, I've been battling with this Italian. | 0:26:25 | 0:26:28 | |
Look at me. She's gorgeous, almost a similarity there as well, | 0:26:28 | 0:26:31 | |
in this flowing locks. | 0:26:31 | 0:26:32 | |
What is your best price? | 0:26:32 | 0:26:34 | |
Look, I'll take 230 cos I don't want to have another argument | 0:26:34 | 0:26:36 | |
with my Italian. | 0:26:36 | 0:26:38 | |
I think she is really nice and sometimes in the market | 0:26:38 | 0:26:43 | |
for such commercial wares, you have got to speculate. That is a sale. | 0:26:43 | 0:26:47 | |
-Thanks ever so much. -Thanks. -230. 230. | 0:26:47 | 0:26:50 | |
What about that extra £100 for Tim's tonne? | 0:26:50 | 0:26:53 | |
What has caught my eye is this jockey here. | 0:26:53 | 0:26:57 | |
Is it a car mascot? | 0:26:57 | 0:26:59 | |
-It is indeed. Yes. From the 1950s. -Isn't that neat? | 0:26:59 | 0:27:03 | |
This, to me, is a really popular object in the auction market | 0:27:03 | 0:27:07 | |
at the moment. | 0:27:07 | 0:27:08 | |
I think for the girls, it's shiny, it's quite glamorous | 0:27:08 | 0:27:12 | |
and it all depends, really, if it falls within Tim's tonne. | 0:27:12 | 0:27:18 | |
-How much is it, please? -Well, it is competitively priced. | 0:27:18 | 0:27:22 | |
£125. | 0:27:22 | 0:27:24 | |
The best I could do would be 100. | 0:27:24 | 0:27:26 | |
-Really? -Yeah. | 0:27:26 | 0:27:28 | |
Ordinarily, dealers give 10%, and that is quite right, | 0:27:28 | 0:27:31 | |
-but you are saying I can have this for £100? -Yes. | 0:27:31 | 0:27:33 | |
And that falls within Tim's tonne. Thanks a lot, I'll take it, sir. | 0:27:33 | 0:27:36 | |
-Good luck. -Thanks a lot. Brilliant. | 0:27:36 | 0:27:38 | |
Very good, Mr Hanson. | 0:27:38 | 0:27:40 | |
Both bonus buys bought. Has Paul made any purchases yet? | 0:27:40 | 0:27:44 | |
Remember, Paul, you have £195 of leftover lolly | 0:27:46 | 0:27:49 | |
and the additional £100 from Tim's tonne. | 0:27:49 | 0:27:51 | |
I am looking to spend some of Steve and John's leftover lolly. | 0:27:51 | 0:27:54 | |
They bought a cracking pair of lamps. | 0:27:54 | 0:27:57 | |
But I have got an altogether different kind of lamp. | 0:27:57 | 0:28:01 | |
Yes, it's me and it is military, but, look, it is a hot market | 0:28:01 | 0:28:05 | |
and I have expertise in that field, and I generally get it right. | 0:28:05 | 0:28:09 | |
Forget your table lamps, this is for signalling. | 0:28:09 | 0:28:12 | |
And we look down here to another ship, which through the fog | 0:28:12 | 0:28:15 | |
and the rain is... How old else are we going to communicate? | 0:28:15 | 0:28:18 | |
There they are. That's the ship. | 0:28:18 | 0:28:20 | |
And I've got a trigger here and a big bulb in there. | 0:28:20 | 0:28:23 | |
Morse, simple as that. | 0:28:23 | 0:28:25 | |
I need a bargain to save our souls. It is all labelled up. | 0:28:27 | 0:28:31 | |
It is Second World War dated. | 0:28:31 | 0:28:33 | |
And it is probably one of the better examples I've seen. | 0:28:33 | 0:28:36 | |
That said, they are not uncommon and they are not uber glamorous. | 0:28:36 | 0:28:39 | |
It would have to be cheap. Well, I'll find out. | 0:28:41 | 0:28:44 | |
Hurry off and have a haggle, then, Paul. | 0:28:45 | 0:28:48 | |
Yours for £25. | 0:28:49 | 0:28:51 | |
I'd reckon that's worth £30 to £50 all day long. | 0:28:51 | 0:28:54 | |
Great stuff, that'll do. | 0:28:54 | 0:28:56 | |
And as they say in the Navy... | 0:28:57 | 0:28:59 | |
MORSE CODE BEEPING | 0:28:59 | 0:29:02 | |
Don't you agree? | 0:29:06 | 0:29:07 | |
Now, I've got Tim's tonne to spend, and I want to spend it well. | 0:29:10 | 0:29:16 | |
What do we have? | 0:29:16 | 0:29:18 | |
It's a Victorian silver cased half hunter fob watch, | 0:29:18 | 0:29:22 | |
complete with a huge guard chain. | 0:29:22 | 0:29:26 | |
Price-wise, well, there is no price on this material. | 0:29:26 | 0:29:29 | |
I would like to get this for half of Tim's tonne, | 0:29:29 | 0:29:33 | |
to be honest with you. | 0:29:33 | 0:29:34 | |
To stand a good chance at making money. | 0:29:34 | 0:29:37 | |
But it is worth asking, yeah? Give me two ticks. | 0:29:37 | 0:29:40 | |
Two ticks, ha. Let me be in charge of the puns, thank you, Paul. | 0:29:40 | 0:29:45 | |
Well, I've parted with my cash. | 0:29:45 | 0:29:47 | |
I've paid all of £60 for this. | 0:29:47 | 0:29:50 | |
Profit? Oh, I hope so. I think so, too. | 0:29:50 | 0:29:53 | |
Great! | 0:29:53 | 0:29:55 | |
Well done, Paul, just the ticket. | 0:29:55 | 0:29:57 | |
Now, before the auction, I think this may be a good time for me | 0:29:57 | 0:30:00 | |
to pop off and look at some tickets of a different variety. | 0:30:00 | 0:30:04 | |
I am in the Jeffrey Museum in the East End of London today, | 0:30:11 | 0:30:16 | |
set within arms houses, | 0:30:16 | 0:30:20 | |
which were built in 1714 for the benefit of the elderly and needy. | 0:30:20 | 0:30:26 | |
They were acquired by the London Borough Council in 1914 | 0:30:26 | 0:30:31 | |
to establish this museum, which tells the story of everyday | 0:30:31 | 0:30:36 | |
life from the 1600s to the present day. | 0:30:36 | 0:30:39 | |
All the interiors through the museum, | 0:30:46 | 0:30:48 | |
in all their varieties of styles, | 0:30:48 | 0:30:51 | |
have been furnished with pieces | 0:30:51 | 0:30:53 | |
that have been bought at auction or from a dealer. | 0:30:53 | 0:30:56 | |
And unlike, say, a piece of silver which is hallmarked | 0:30:56 | 0:31:00 | |
or a painting which is signed, | 0:31:00 | 0:31:02 | |
furniture is incredibly difficult to place as to who made it | 0:31:02 | 0:31:08 | |
and where it came from unless you are lucky enough to find | 0:31:08 | 0:31:12 | |
a piece of furniture with a label. | 0:31:12 | 0:31:14 | |
This room dates from the 1690s and is dominated down at this | 0:31:19 | 0:31:24 | |
end by a rather interesting piece of furniture designed | 0:31:24 | 0:31:28 | |
for storage of your little precious and also for writing. | 0:31:28 | 0:31:34 | |
On the face of it, this flat front doesn't scream writing, does it? | 0:31:34 | 0:31:40 | |
But if we open the front, though... | 0:31:40 | 0:31:43 | |
It reveals the most gorgeous fitted interior. | 0:31:44 | 0:31:49 | |
This type of furniture is called an escritoire or scritoire. | 0:31:49 | 0:31:54 | |
And the cabinet maker has created a fitted interior with all | 0:31:54 | 0:31:58 | |
sorts of interesting bits. | 0:31:58 | 0:32:00 | |
A row of pigeonholes with pull-out sections. | 0:32:00 | 0:32:04 | |
A central tabernacle-type door. | 0:32:04 | 0:32:07 | |
A very practical and convenient piece of furniture. | 0:32:07 | 0:32:12 | |
For most people buying a piece of 17th-century walnut | 0:32:12 | 0:32:15 | |
furniture, that is about it. | 0:32:15 | 0:32:18 | |
Except in this case, there is a further surprise. | 0:32:18 | 0:32:22 | |
Inside the drawer, pasted, is a miraculous survival - | 0:32:23 | 0:32:28 | |
an original makers label. | 0:32:28 | 0:32:31 | |
The maker here is John Guilbaud - "cabinet maker at the Crown | 0:32:31 | 0:32:37 | |
"and Looking Glass," which I guess is a pub, in Long Acre, in London. | 0:32:37 | 0:32:42 | |
So he is a London cabinet-maker. | 0:32:42 | 0:32:44 | |
And effectively, | 0:32:44 | 0:32:45 | |
he is advertising his wares by sticking this label | 0:32:45 | 0:32:49 | |
inside the piece of furniture and positively identifying it for us | 0:32:49 | 0:32:53 | |
and future generations as a result. | 0:32:53 | 0:32:56 | |
How important is this label? | 0:32:56 | 0:32:58 | |
Well, it transforms this piece of furniture into the earliest | 0:32:58 | 0:33:03 | |
known piece of English furniture with a label. Ha! | 0:33:03 | 0:33:07 | |
And that is pretty important. | 0:33:07 | 0:33:09 | |
Now, let's travel 50 years. Just like that! | 0:33:10 | 0:33:15 | |
And we find ourselves in a reconstructed interior | 0:33:15 | 0:33:19 | |
of a room as it might have looked | 0:33:19 | 0:33:21 | |
around 1740 to 1750, | 0:33:21 | 0:33:25 | |
basically at the height of the Georgian period of elegance. | 0:33:25 | 0:33:31 | |
One of the earliest pieces in this room is this chair. | 0:33:31 | 0:33:36 | |
And if you look at the back in relation to other | 0:33:36 | 0:33:40 | |
backs of chairs in this room, it is a peculiar shape. | 0:33:40 | 0:33:44 | |
Very, very plain, upright. | 0:33:44 | 0:33:46 | |
And then on a traditional early Georgian base with cabriole legs | 0:33:46 | 0:33:51 | |
and nice turned stretchers. | 0:33:51 | 0:33:54 | |
The interesting thing for us, though, lies hidden within. | 0:33:54 | 0:33:59 | |
If you are sharp-eyed and eager, if you are viewing a sale, | 0:33:59 | 0:34:03 | |
take out the drop-in seat and look at the frame that is revealed. | 0:34:03 | 0:34:09 | |
Because if you are really sharp, as in this case, | 0:34:09 | 0:34:13 | |
you might spot one of those - a label for Old and Oddy. | 0:34:13 | 0:34:19 | |
Old and Oddy, London chair makers. | 0:34:19 | 0:34:23 | |
And here we can see the vestige of one of their labels that has | 0:34:23 | 0:34:28 | |
had a later red stencil that says J5 painted over the top. | 0:34:28 | 0:34:35 | |
That is a label that looks utterly genuine to me. | 0:34:35 | 0:34:39 | |
It is in the right place. It has suffered some damage. | 0:34:39 | 0:34:43 | |
And would form part of the 1% of English furniture | 0:34:43 | 0:34:49 | |
that has got identification of this type, which | 0:34:49 | 0:34:53 | |
makes it really, really rare. | 0:34:53 | 0:34:55 | |
The big question today for us, though, | 0:34:55 | 0:34:57 | |
is are our teams going to make their own mark over at the auction? | 0:34:57 | 0:35:02 | |
Well, we've stayed in the County of Lincolnshire just gone a tad | 0:35:10 | 0:35:14 | |
south to Bourne to be at Golding, Young, Mawer's saleroom | 0:35:14 | 0:35:19 | |
-with Colin Young. Hello, Colin. -Good to see you, Tim. | 0:35:19 | 0:35:22 | |
Very nice to see you too. | 0:35:22 | 0:35:23 | |
Now, the Reds first of all what with that miserable-looking cruet. | 0:35:23 | 0:35:28 | |
-Yeah. -My least favourite object, I have to say. -Very chintzy, isn't it? | 0:35:28 | 0:35:32 | |
Yeah, it is, really. Not in great condition. | 0:35:32 | 0:35:34 | |
It's got some paint on it, but they only paid £12. | 0:35:34 | 0:35:37 | |
Well, they're fine then. I put an estimate of 10 to 30, | 0:35:37 | 0:35:39 | |
so it might make a profit. | 0:35:39 | 0:35:41 | |
Next is the Staffordshire watch holder. Completely smashed top. | 0:35:41 | 0:35:46 | |
Lots of bits missing. Will you be able to sell it | 0:35:46 | 0:35:49 | |
for a £5-note do you think? | 0:35:49 | 0:35:50 | |
-I think we well. -Do you? -Yeah, big, bold estimate on it. | 0:35:50 | 0:35:53 | |
Let's go for broke, seeing as it already is, of £25 to 40. | 0:35:53 | 0:35:57 | |
You never know, somebody might go for it. | 0:35:57 | 0:36:00 | |
Well, that's a good strategy, Colin. Thank you. | 0:36:00 | 0:36:02 | |
They paid £10 for it and in my book, | 0:36:02 | 0:36:05 | |
they'll be jolly lucky to get their money back. | 0:36:05 | 0:36:07 | |
And the last item is the really, really cheap clock garniture. | 0:36:07 | 0:36:11 | |
Yeah, it's very cheap, very poor quality and of course, | 0:36:11 | 0:36:16 | |
there's damage on it as well. | 0:36:16 | 0:36:17 | |
Yep, with a combination like that got to be worth £10 a unit, | 0:36:17 | 0:36:20 | |
so I put an estimate of £30 to 50. | 0:36:20 | 0:36:22 | |
-Well, actually it only needs to make more than £30. -OK. | 0:36:22 | 0:36:25 | |
So, maybe didn't do too badly paying £30 for that. | 0:36:25 | 0:36:28 | |
But overall, it is a package that doesn't inspire me | 0:36:28 | 0:36:33 | |
in which case the excitement may come from the bonus buys. | 0:36:33 | 0:36:37 | |
So let's go and have a look at them. | 0:36:37 | 0:36:39 | |
OK, team, this is fun, isn't it? | 0:36:39 | 0:36:41 | |
-Two bonus buys. -Yes. | 0:36:41 | 0:36:42 | |
You spent practically nothing, you girls, £52. | 0:36:42 | 0:36:45 | |
You gave £248 to Charles, a massive amount. | 0:36:45 | 0:36:48 | |
Charles, what did you buy? | 0:36:48 | 0:36:50 | |
-I went really big, OK? -I can see that. | 0:36:50 | 0:36:52 | |
I only had £18 left over after my buy. | 0:36:52 | 0:36:55 | |
-So I spent 230. -230? -OK. | 0:36:55 | 0:36:59 | |
230 on this most wonderful, wonderful of antiques, | 0:36:59 | 0:37:02 | |
with a huge capital A. Look at that! | 0:37:02 | 0:37:06 | |
Oh... | 0:37:07 | 0:37:09 | |
-Isn't she gorgeous, you know? -£230! | 0:37:09 | 0:37:12 | |
-She's a floozy. -Sorry? -She's a floozy. -Why is she a floozy? | 0:37:12 | 0:37:15 | |
She's got her boobies out. | 0:37:15 | 0:37:17 | |
Oh, yeah, well, I think that's part of the attraction really. | 0:37:17 | 0:37:19 | |
She's painted on porcelain. | 0:37:19 | 0:37:21 | |
She's Continental and all the more important | 0:37:21 | 0:37:24 | |
is the fact that she is German, Berlin. | 0:37:24 | 0:37:27 | |
And she will date to around 1870, 1880. And just look at her. | 0:37:27 | 0:37:32 | |
Look at her eyes. Look into her. | 0:37:32 | 0:37:34 | |
-Look deep. -Look deep. | 0:37:34 | 0:37:36 | |
-She's meaningful. -I'm looking at £230! -Yeah. | 0:37:36 | 0:37:39 | |
Hand on heart, on a really, really racy day, she could make £400. | 0:37:39 | 0:37:44 | |
On a really bad day, hand on heart, she could make 80. | 0:37:44 | 0:37:47 | |
So, we either take on a journey or we don't? | 0:37:47 | 0:37:50 | |
-What are you giggling about, Marie? -Well, it's £230 for this! | 0:37:50 | 0:37:54 | |
So, I'm not sure the girls are that convinced. | 0:37:54 | 0:37:57 | |
What about Colin, the auctioneer? | 0:37:57 | 0:37:58 | |
Right, then, Colin. There we go. | 0:38:00 | 0:38:02 | |
The most desirable of porcelain plaques of this type | 0:38:02 | 0:38:05 | |
are supposed to be Berlin and that's a Berlin one. | 0:38:05 | 0:38:07 | |
-So, it's got to be well painted, isn't it? -It is. | 0:38:07 | 0:38:10 | |
You can just see the quality oozing from it. It's a... | 0:38:10 | 0:38:13 | |
just a really nice face that's painted. | 0:38:13 | 0:38:16 | |
The locks... Just everything about it and... | 0:38:16 | 0:38:20 | |
and she's a very pretty lady. | 0:38:20 | 0:38:21 | |
Charles Hanson spent £230 on this and he really rates it. | 0:38:21 | 0:38:26 | |
I wouldn't rate it there. I've put estimate on this now of... | 0:38:27 | 0:38:34 | |
80 to 120. | 0:38:34 | 0:38:35 | |
-Oh, right. -It is a long way away from it, but if it made double, | 0:38:35 | 0:38:40 | |
triple that... | 0:38:40 | 0:38:42 | |
Yeah, I could see why. | 0:38:42 | 0:38:44 | |
We will have to wait and see, but remember we have Tim's tonne. | 0:38:44 | 0:38:48 | |
So, let's go and have a look at it. | 0:38:48 | 0:38:50 | |
Tell the girls about what you bought this time. | 0:38:50 | 0:38:53 | |
Yeah, auctions very much is a canter. | 0:38:53 | 0:38:56 | |
It can be a gallop to the finishing line, | 0:38:56 | 0:38:57 | |
so I thought for the auction here in Bourne, Lincolnshire, | 0:38:57 | 0:39:00 | |
this wonderful racing horse or car mascot, chrome plated, and French, | 0:39:00 | 0:39:05 | |
and probably 1930s, might take your fancy. Look at me. | 0:39:05 | 0:39:09 | |
-Go nice on a motorbike, wouldn't it? -Yeah, absolutely. | 0:39:09 | 0:39:12 | |
-I was just thinking that right now. -Guess what it cost me. -30 quid. | 0:39:12 | 0:39:16 | |
-Sorry? -30 quid. | 0:39:16 | 0:39:18 | |
-Times by three, add a tenner. 100. -It was £100. | 0:39:18 | 0:39:22 | |
Yeah, it was £100. | 0:39:22 | 0:39:24 | |
-Right. -I quite like it. Actually, I quite like that. | 0:39:24 | 0:39:26 | |
To me, I think it might make 100 to 150. | 0:39:26 | 0:39:30 | |
-OK. -Yeah. Happy? -BOTH: Yes. -Oh, good. | 0:39:30 | 0:39:33 | |
Anyway, treasure the moment cos right now we're going to check | 0:39:33 | 0:39:36 | |
with the auctioneer whether he likes Charles' bonus buy. | 0:39:36 | 0:39:41 | |
Now it's a very common example that does come to auction. | 0:39:41 | 0:39:46 | |
We've had many, many of these. | 0:39:46 | 0:39:48 | |
Sometimes there actually polychrome finished as well as just | 0:39:48 | 0:39:51 | |
being in that sort of chrome solid finish. | 0:39:51 | 0:39:54 | |
And, you know, you can get over £100 for the coloured ones, | 0:39:54 | 0:39:57 | |
but these ones generally £40 to 60. | 0:39:57 | 0:40:00 | |
They can make a fraction more than that, | 0:40:00 | 0:40:02 | |
but they are fairly much stayed and stable market. | 0:40:02 | 0:40:05 | |
Are they? OK. | 0:40:05 | 0:40:07 | |
Well, Charles, bless him, | 0:40:07 | 0:40:08 | |
paid £100 for it and therefore, he may have gone over the top. | 0:40:08 | 0:40:13 | |
On these programmes, I have a choice, | 0:40:13 | 0:40:16 | |
which one of the two bonus buys do I think in proportion | 0:40:16 | 0:40:19 | |
to the price paid will make the best money | 0:40:19 | 0:40:22 | |
and I have to say I distrust the Berlin plaque | 0:40:22 | 0:40:26 | |
because of the subject and I've gone with the car mascot. There we go. | 0:40:26 | 0:40:30 | |
Now, that's it from the Reds. Now moving on to the Blues. | 0:40:30 | 0:40:34 | |
We have a pair of Chinese hardwood table lamps, which are chunky | 0:40:34 | 0:40:40 | |
-and really quite nicely carved, aren't they? -They are. | 0:40:40 | 0:40:42 | |
They are not too bad. There's a few splits down some of them, | 0:40:42 | 0:40:45 | |
but overall, the image is good. | 0:40:45 | 0:40:47 | |
Maybe £40 to 60 for them. How does that sound? | 0:40:47 | 0:40:50 | |
Very good. £25 paid. I think it's remarkable. | 0:40:50 | 0:40:52 | |
We now move on to the silver mounted oak tankard, | 0:40:52 | 0:40:57 | |
-which I think is beautiful object, actually. -It is. | 0:40:57 | 0:41:00 | |
I mean, those things are always really popular. | 0:41:00 | 0:41:03 | |
OK, it's not in the greatest order. | 0:41:03 | 0:41:04 | |
There's some big splits down it, but nevertheless, | 0:41:04 | 0:41:07 | |
there should be plenty of people bidding £40 to £60 for it. | 0:41:07 | 0:41:10 | |
OK. Mappin & Webb, 1924, solid silver, honest English oak, | 0:41:10 | 0:41:16 | |
£40 paid. I mean, that could easily make £60 or 80 or 90, couldn't it? | 0:41:16 | 0:41:21 | |
-Yeah, very easily. -If the silver trade take a shine to it. -Yeah. | 0:41:21 | 0:41:24 | |
-That is quite a cool object. -Yeah. | 0:41:24 | 0:41:27 | |
Next is the piano accordion. | 0:41:27 | 0:41:29 | |
Not so sure about that. | 0:41:29 | 0:41:31 | |
-Been well-used, hasn't it? -It has. | 0:41:31 | 0:41:33 | |
It's been strummed a few times as they say. | 0:41:33 | 0:41:36 | |
And I think really condition-wise, | 0:41:36 | 0:41:39 | |
-it's not good. I've put an estimate of 40 to 60 on it. -OK. | 0:41:39 | 0:41:44 | |
£40 they paid and based on those estimates, | 0:41:44 | 0:41:47 | |
this team is going to do jolly well. | 0:41:47 | 0:41:49 | |
They're going to need their bonus buys, | 0:41:49 | 0:41:51 | |
but let's go and have a look at them anyway. | 0:41:51 | 0:41:54 | |
OK, guys, special day. Double bonus buy. | 0:41:55 | 0:41:58 | |
The team's bonus buy, Paul had £195 to spend. | 0:41:58 | 0:42:03 | |
Show us what you bought, Paul, please. | 0:42:03 | 0:42:05 | |
-Come see this hardware here, chaps. -Oh! -OK. | 0:42:05 | 0:42:09 | |
It comes in its transit case, but what do we have there in? | 0:42:09 | 0:42:14 | |
We have... Well, what do you think they have? | 0:42:14 | 0:42:16 | |
A lamp from a battleship where they signal. | 0:42:16 | 0:42:19 | |
-You're good! You're good! -I've seen a few war films. | 0:42:19 | 0:42:23 | |
That's exactly what we've got and Aldis type signalling lamp. | 0:42:23 | 0:42:27 | |
This is an admiral... A Royal Naval issued piece. | 0:42:27 | 0:42:30 | |
And our little signaller using Morse, he spies the other vessel | 0:42:30 | 0:42:34 | |
and he's signalling away, yeah? Or ship to aircraft, yeah? | 0:42:34 | 0:42:40 | |
What do you think of that? Striking object! But very evocative. | 0:42:40 | 0:42:45 | |
How much did you blow? | 0:42:45 | 0:42:47 | |
-£25. -What? -How much? -£25! | 0:42:47 | 0:42:52 | |
I'm guessing there's like a really big following for military | 0:42:52 | 0:42:55 | |
-stuff, isn't there? -There is. There is. | 0:42:55 | 0:42:58 | |
I suspect it's only going to make £30 to 50. | 0:42:58 | 0:43:01 | |
But that one, you're doubling your money. | 0:43:01 | 0:43:03 | |
In Bargain Hunt world, that works for me. | 0:43:03 | 0:43:07 | |
Well, there you go. You've got his estimate then. Maybe 30 to 50. | 0:43:07 | 0:43:10 | |
He paid £25. That's the team's bonus buy sorted out. | 0:43:10 | 0:43:14 | |
Let's get Colin's thoughts. | 0:43:14 | 0:43:16 | |
Right then, Colin. I hope this is going to send you the right signal. | 0:43:16 | 0:43:19 | |
Ah! It is. Something I recognise. | 0:43:19 | 0:43:22 | |
-I've had a few of these through the sales. -Have you? -Mm. | 0:43:22 | 0:43:24 | |
-Gosh, I've never seen one before. What fun! -Really? -No. -Ah. | 0:43:24 | 0:43:28 | |
In fact, we've had them in fairly recently on the basis | 0:43:28 | 0:43:31 | |
of the last two we've sold. One made 25, one made 38. | 0:43:31 | 0:43:36 | |
So, my estimate today is £25 to 38. | 0:43:36 | 0:43:39 | |
That's a very precise message. | 0:43:39 | 0:43:40 | |
-You could almost send it in Morse. Ha! -You could. | 0:43:40 | 0:43:43 | |
Anyway, it's a typical Paul Laidlaw purchase. | 0:43:43 | 0:43:45 | |
It comes with a kind of carrying box. He paid £25 for it. | 0:43:45 | 0:43:50 | |
He really rates it. | 0:43:50 | 0:43:52 | |
'Excellent, let's hope the buyers will be in the room then.' | 0:43:52 | 0:43:55 | |
Now we move on to Tim's tonne, which Paul Laidlaw's going to reveal now. | 0:43:55 | 0:43:59 | |
-Well, I give the... A combination lot here. -It's nice. | 0:43:59 | 0:44:03 | |
Cos we have a little silver half hunter. | 0:44:03 | 0:44:08 | |
And that in its own right is a pretty, little watch, | 0:44:08 | 0:44:12 | |
but with it we have rather a substantial Belcher link. Whoa! | 0:44:12 | 0:44:19 | |
-Well, that ain't an Albert, is it? -Nope! | 0:44:19 | 0:44:22 | |
-Depending on your girth, of course. -Ha! | 0:44:22 | 0:44:24 | |
This is a guard chain. | 0:44:24 | 0:44:26 | |
This is how a lady carries her fob watch. | 0:44:26 | 0:44:29 | |
And indeed, this is rather a diminutive little affair, is it not? | 0:44:29 | 0:44:33 | |
In this instance, we've got a bit of substance there. You feel that. | 0:44:33 | 0:44:36 | |
That's a good silver guard chain. Here you go. Yours for... | 0:44:37 | 0:44:42 | |
-£60. -60 quid. -Right. -Lovely. Well, there we go. Thank you, chaps. | 0:44:42 | 0:44:47 | |
Plenty of choice. Right now, though, let's find out from the auctioneer | 0:44:47 | 0:44:50 | |
for the benefit of the viewers at home what he thinks. | 0:44:50 | 0:44:53 | |
Now for Tim's tonne, and he's bought the silver watch and chain. | 0:44:54 | 0:44:59 | |
That's rather nice. So we've got the silver half hunter. | 0:44:59 | 0:45:03 | |
So, it's a quite nice little thing. | 0:45:03 | 0:45:05 | |
I mean, that's got a be worth a good sort of, | 0:45:05 | 0:45:07 | |
-I suppose, £35, 45 on its own. -Yes. | 0:45:07 | 0:45:10 | |
Then we stopped the chain to go with it as well, | 0:45:10 | 0:45:12 | |
which is quite a long chain. | 0:45:12 | 0:45:14 | |
I suppose, it's more the sort of muff-type chain | 0:45:14 | 0:45:17 | |
-or long guard, they are often called. -Yes, they are. | 0:45:17 | 0:45:19 | |
That's quite nice. So, I'm going to go with 40 to 60 | 0:45:19 | 0:45:22 | |
and that should get everybody excited. | 0:45:22 | 0:45:24 | |
OK, well, fine. Thanks very much for that. £60 was paid. | 0:45:24 | 0:45:27 | |
I have to make my prediction | 0:45:27 | 0:45:29 | |
and my prediction is that the Aldis lamp will be the piece | 0:45:29 | 0:45:33 | |
that would be likely to bring the most profit. | 0:45:33 | 0:45:36 | |
It's a flip of the coin between the two of them. | 0:45:36 | 0:45:38 | |
Excellent. And you'll be doing the flipping. Thank you, Colin. | 0:45:38 | 0:45:42 | |
Right, now, Mr Young, grab your gavel and give it a go. | 0:45:42 | 0:45:45 | |
Let's get this sale under way. | 0:45:45 | 0:45:46 | |
GAVEL BANGS | 0:45:48 | 0:45:49 | |
Now, Marie, Trish, here we are. We are on the edge of the auction. | 0:45:49 | 0:45:52 | |
-Isn't this exciting? -Yes. -It is exciting. | 0:45:52 | 0:45:55 | |
-You can't wait, can you, Marie? -No! -No? Quite right, me neither. | 0:45:55 | 0:45:58 | |
OK, now, first up is going to be the Newport pottery cruet set. | 0:45:58 | 0:46:03 | |
-Here it comes. -Good luck. -Yes! | 0:46:03 | 0:46:04 | |
There we go. Lovely chintz pattern to this with a plated mount on it. | 0:46:04 | 0:46:07 | |
Who's going to start me at £20 for it? | 0:46:07 | 0:46:09 | |
20. I'll take 10 to go then. 10. | 0:46:09 | 0:46:10 | |
Anybody going to start me at £10 for it? 10, anybody at 10? Fiver to go. | 0:46:10 | 0:46:14 | |
Surely, fiver. Come on £1, then. 2 bid. 4 bid. 6 bid. 8 bid. 10 bid. | 0:46:14 | 0:46:17 | |
-12 bid. 15, 18... -Yes! -20 do I see? | 0:46:17 | 0:46:20 | |
£20? 20 bid. 22. 25. 5 bid? 22. | 0:46:20 | 0:46:23 | |
25... Another one at five? Have another one? No. 22. | 0:46:23 | 0:46:26 | |
Front row has it at 22. 5 is a last call then. Selling. All done. | 0:46:26 | 0:46:30 | |
-Yours, sir, at £22. -Yes! | 0:46:30 | 0:46:32 | |
Plus £10. Well done, kids. Now, the watch holder. | 0:46:32 | 0:46:36 | |
There we go. A flat-back Fielding Group there. | 0:46:36 | 0:46:38 | |
Who's going to start me at £40 for it? 40. | 0:46:38 | 0:46:41 | |
£40. House your watch collection in that. £40, anyone. 40. | 0:46:41 | 0:46:44 | |
-30 to go, then. 30. -Come on. Oh, come on. | 0:46:44 | 0:46:48 | |
All right, 20 to go. | 0:46:48 | 0:46:49 | |
We know it needs a structural survey. | 0:46:49 | 0:46:51 | |
-£20, anybody? £10 to go. -Oh, it's painful. -£10? 10 there. | 0:46:51 | 0:46:56 | |
10, 12 anywhere else now? 12 bid. 15 bid. 18 bid. 18 bid. 20 bid. | 0:46:56 | 0:47:01 | |
2 bid now. At £20 bid now. 2 now do I see? £20 bid. Any more now? At 20. | 0:47:01 | 0:47:06 | |
Last call. Done and finished at £20. | 0:47:06 | 0:47:08 | |
Yes! Plus £10. | 0:47:08 | 0:47:10 | |
-Well done for that. -One to go. -(Oh, that's fantastic!) | 0:47:10 | 0:47:13 | |
Now your garniture. | 0:47:13 | 0:47:14 | |
French Ceranord pottery clock garniture this time. | 0:47:14 | 0:47:17 | |
Who's going to start me at £80 for it? £80, anybody? 80. 80. | 0:47:17 | 0:47:21 | |
60 if you like. £60, anybody? 60? | 0:47:21 | 0:47:23 | |
Start me at 50, then. 50. | 0:47:23 | 0:47:25 | |
OK, then. Don't really want to go any lower than 30, | 0:47:25 | 0:47:28 | |
but 30 will do as a start if we've got to. | 0:47:28 | 0:47:30 | |
(Come on, please). | 0:47:30 | 0:47:32 | |
Anybody going to put me in at 30? 30 over there. | 0:47:32 | 0:47:34 | |
Now he's got it. | 0:47:34 | 0:47:35 | |
32 now surely. At 30 bid. 32 on the internet. 32. | 0:47:35 | 0:47:38 | |
35 now. No. | 0:47:38 | 0:47:39 | |
32 it's on the internet at 32. 35 now surely. | 0:47:39 | 0:47:42 | |
At 32. Last call. Done and finished and selling then on the net at £32. | 0:47:42 | 0:47:46 | |
Plus £2. Well done, girls, you've done it. | 0:47:46 | 0:47:48 | |
A profit on each object. This is now £22. | 0:47:48 | 0:47:52 | |
-Plus £22 and you get a Golden Gavel. -Yes. | 0:47:52 | 0:47:56 | |
-And you spent practically nothing... -Yeah. -That seems to be the strategy. | 0:47:56 | 0:47:59 | |
Now what are you going to do with these two bonus buys? | 0:47:59 | 0:48:01 | |
Are you going to go with the Berlin plaque | 0:48:01 | 0:48:04 | |
-and risk £230... -BOTH: No. | 0:48:04 | 0:48:05 | |
..or are you going to go with the mascot job and risk 100? | 0:48:05 | 0:48:09 | |
-I'll let you... -No. -What's that? | 0:48:09 | 0:48:12 | |
-No to either of them. -OK fine. Good. | 0:48:12 | 0:48:15 | |
Well, you've made your decision - for better or for worse, | 0:48:15 | 0:48:17 | |
but we are going to sell both bonus buys. | 0:48:17 | 0:48:20 | |
And if the bonus buys realise a profit, | 0:48:20 | 0:48:22 | |
-then that profit will go to charity. -Fantastic. -Lovely. | 0:48:22 | 0:48:25 | |
That's the way it works. OK? | 0:48:25 | 0:48:27 | |
Now, I'm supposed to make a pick. Which one is going to bring | 0:48:27 | 0:48:30 | |
the biggest profit or the smallest loss? | 0:48:30 | 0:48:33 | |
And my assessment of that is today the mascot, | 0:48:33 | 0:48:37 | |
but first up is the porcelain plaque. | 0:48:37 | 0:48:40 | |
We're going to sell it and here comes. | 0:48:40 | 0:48:42 | |
An exquisite 19th-century Berlin porcelain plaque there. There we go. | 0:48:42 | 0:48:45 | |
What should we say for this one? | 0:48:45 | 0:48:47 | |
Who's going to start me straight in at bottom estimate 80? | 0:48:47 | 0:48:49 | |
Should be starting there. 50 to go then. 50. 50 with you. 50, 60 now. | 0:48:49 | 0:48:53 | |
Make it at 60. 70. 80. 90 now, do I see? | 0:48:53 | 0:48:56 | |
90? 100. | 0:48:56 | 0:48:58 | |
10 now. 110. 110. 120 now. 120. | 0:48:58 | 0:49:00 | |
-Come on now. Let's go. -130 now. 30. 140. | 0:49:00 | 0:49:04 | |
-At 140. 150 now. 50. 160. -Could move. -170. 180. 190. 200. | 0:49:04 | 0:49:10 | |
-At £200 bid. At 200. 220. 240 now. -Come on! -220 bid. | 0:49:10 | 0:49:16 | |
It's the last call for you all. At 220. We are all done. | 0:49:16 | 0:49:19 | |
We're finished. It's on the market. I will sell at £220. | 0:49:19 | 0:49:23 | |
Marvellous. It's only minus £10. You are vindicated. | 0:49:23 | 0:49:27 | |
Your pick was right, Charles. Well done. Congratulations. | 0:49:27 | 0:49:30 | |
To within a whisker. Now, here comes the car mascot. | 0:49:30 | 0:49:33 | |
Who's going to start me at £100? 100, anybody? 100. 100. | 0:49:33 | 0:49:37 | |
80 to go then. Good condition. £80. 50 to go then surely. | 0:49:37 | 0:49:40 | |
-£50, anybody? -Come on. -£50, anybody? 40, if you like. | 0:49:40 | 0:49:42 | |
40, look at what we're selling. It's here to be sold. £40 bid. | 0:49:42 | 0:49:45 | |
5 do I see now? At £40 I'm bid now. 2 now surely. 42. | 0:49:45 | 0:49:48 | |
45. 45, thank you, madam. 45? 48. 48 bid. | 0:49:48 | 0:49:51 | |
50 now. £50 bid. 50. And 5? | 0:49:51 | 0:49:54 | |
55. Bid 60 now. 60. At £55 bid. | 0:49:54 | 0:49:59 | |
Anymore for the horse and jockey? 55 bid. | 0:49:59 | 0:50:01 | |
Is there 60 anywhere else now? | 0:50:01 | 0:50:03 | |
At 55. This is the last call then. | 0:50:03 | 0:50:04 | |
-It's an market on the end of the row... -That's disappointing. | 0:50:04 | 0:50:07 | |
55, but it's minus 45. | 0:50:07 | 0:50:10 | |
But frankly our girls have made the right decision | 0:50:10 | 0:50:14 | |
despite unbelievable pressure being put upon them | 0:50:14 | 0:50:17 | |
-to pick one way or the other. -Oh, yes! -Our girls... | 0:50:17 | 0:50:20 | |
our girls remain pure and upright. | 0:50:20 | 0:50:23 | |
They walk away with a £22-profit, which is marvellous. | 0:50:23 | 0:50:27 | |
And neither of the bonus buys were much cop and neither was | 0:50:27 | 0:50:31 | |
my prediction as to which one of the bonus buys was going to do any good. | 0:50:31 | 0:50:34 | |
So, there we have it, but you girls are very, very smart, right? | 0:50:34 | 0:50:38 | |
-Yes. -The thing is don't say a word to the Blues. -No. -No. | 0:50:38 | 0:50:41 | |
-We don't want to spoil their day. And... -Well done. Thank you. | 0:50:41 | 0:50:44 | |
-Good luck. -Yes, thank you. | 0:50:44 | 0:50:45 | |
Will it be a winning score on not? We'll find out in a minute. | 0:50:45 | 0:50:47 | |
-OK, chaps, this is riveting. Yes? You riveted, John? -Utterly. | 0:50:54 | 0:50:58 | |
-Utterly riveted. And what about you, Steve? -Excited. -OK, fine. | 0:50:58 | 0:51:00 | |
Now, first up will be the hardwood lamps and here they come. | 0:51:00 | 0:51:04 | |
19th century Chinese hardwood table lamps | 0:51:04 | 0:51:06 | |
and who's going to start me at £80, please? £80, anybody? 80. | 0:51:06 | 0:51:09 | |
£80 some good quality carving there. 80. Then 50 to go then. £50 anybody? | 0:51:09 | 0:51:13 | |
50. 30 to go then. 30. £30 bid. At £30 bid, now two. | 0:51:13 | 0:51:16 | |
-Make 32 now surely. At £30. -You are in profit already. | 0:51:16 | 0:51:20 | |
32, surely. At £30 maiden bid has it. Anymore now from the net? | 0:51:20 | 0:51:23 | |
From anywhere else now? At £30 bid. Maiden bid takes it then. | 0:51:23 | 0:51:26 | |
Not very exciting, is it? At 30 bid. Two now. | 0:51:26 | 0:51:28 | |
Surely somebody else is going to join in. | 0:51:28 | 0:51:30 | |
Nobody else is going to see the light? | 0:51:30 | 0:51:32 | |
And we're there at 30 bid. Selling at £30. | 0:51:32 | 0:51:35 | |
£30 is plus £5. Well done, chaps. | 0:51:35 | 0:51:39 | |
Now, the ale tankard... | 0:51:39 | 0:51:41 | |
-Here comes the ale tankard. -The George V tankard this time. | 0:51:41 | 0:51:45 | |
There we go. A really, really lovely lot, this, | 0:51:45 | 0:51:47 | |
with the silver bounding around it. | 0:51:47 | 0:51:49 | |
And we start the bidding on this one, multiple bids, | 0:51:49 | 0:51:52 | |
I'll start at the lowest, which is 15 bid. | 0:51:52 | 0:51:54 | |
At 15 bid. 18 bid. 20 now. | 0:51:54 | 0:51:56 | |
20 bid. 22. 25. 28. Bid 30. | 0:51:56 | 0:52:01 | |
32. 35, 38 bid. At 38 bid. 40 now do I see? 40 bid. | 0:52:01 | 0:52:06 | |
-At 40. 42 now. At £40 bid. -Come on, only £2. | 0:52:06 | 0:52:11 | |
Don't stick at 40. | 0:52:11 | 0:52:12 | |
Two now do I see? At £40 bid. Two anywhere else, then? | 0:52:12 | 0:52:14 | |
-Two. -Come on, another couple of quid. | 0:52:14 | 0:52:17 | |
-Selling this time at £42. -42's a profit. I don't care. It's a profit. | 0:52:17 | 0:52:21 | |
Plus £2. That's fair enough. Now... | 0:52:21 | 0:52:22 | |
You promised us a fortune off of that. | 0:52:22 | 0:52:24 | |
Hey, it is a fortune £2. | 0:52:24 | 0:52:26 | |
-Around these parts. -I've been looking at houses abroad. | 0:52:26 | 0:52:29 | |
Round these parts, £2 is a fortune, all right? Now, come on, lads. | 0:52:29 | 0:52:33 | |
Here comes the accordion. | 0:52:33 | 0:52:34 | |
The Italian Soprani accordion this time. There we go. | 0:52:34 | 0:52:37 | |
Very nice looking accordion, this one. What should we say for this? | 0:52:37 | 0:52:40 | |
Who's going to start me at £80? We are at 80. 50 to go then. 50. 30. | 0:52:40 | 0:52:45 | |
20 to go then surely. £20, anybody? 20. £20. Anybody going to put me in? | 0:52:45 | 0:52:49 | |
-£20 you've all seen it... -Oh, come on. That's less than £1 a key. | 0:52:49 | 0:52:52 | |
10 to go then. 10. £10. | 0:52:52 | 0:52:54 | |
-£10. On your bike, eh? -Anymore than? £10. -You joking. -No. | 0:52:54 | 0:52:59 | |
Is anybody going to make me an offer? 10 over there. 10. | 0:52:59 | 0:53:01 | |
We are in at 10. He wants to get home early. | 0:53:01 | 0:53:03 | |
If I couldn't get it early... 12! Late surge in the bidding | 0:53:03 | 0:53:06 | |
right in the back at 12. 15. 18 now. | 0:53:06 | 0:53:08 | |
I knew we shouldn't have gone for the accordion. | 0:53:08 | 0:53:10 | |
No. That was short-lived, then. | 0:53:10 | 0:53:11 | |
At 15 bid. We are back at the front then, | 0:53:11 | 0:53:13 | |
but it is on the market. | 0:53:13 | 0:53:14 | |
It is going to sell at £15. | 0:53:14 | 0:53:17 | |
£15 he sold it for, which is minus £25 and you had seven. | 0:53:17 | 0:53:21 | |
You are now minus £18. | 0:53:21 | 0:53:25 | |
You're minus 18, right? Let's not be gloomy about this. | 0:53:25 | 0:53:27 | |
It's a great shame. It started out very nicely, | 0:53:27 | 0:53:29 | |
but the accordion let us down. | 0:53:29 | 0:53:31 | |
-That's my fault. -So, we are now on with the bonus buys. | 0:53:31 | 0:53:33 | |
-Fortunately, we've got two of them. How lovely is that? -Yeah. | 0:53:33 | 0:53:36 | |
You got the Aldis signalling lamp, which is risking you 25, | 0:53:36 | 0:53:40 | |
or you've got the watch and chain, which is risking you 60. Or neither. | 0:53:40 | 0:53:45 | |
Do you think you want to go with either bonus buy? | 0:53:45 | 0:53:47 | |
That's the first decision. | 0:53:47 | 0:53:48 | |
-I think we should kind of stick with that. -Stick with that? -And still... | 0:53:48 | 0:53:52 | |
-Yeah, we can still win with that. -Stick with minus 18? -Yeah. | 0:53:52 | 0:53:54 | |
-Yeah, we can still win. -Come on, grow some. -Let's go for silver, then. | 0:53:54 | 0:53:57 | |
-Silver, then? -Yeah. -Go ahead and do it then. -Silver. -That's your choice. | 0:53:57 | 0:54:01 | |
-That's your pick. You're going with it, quickly, or not? -Yes. -Yes. | 0:54:01 | 0:54:04 | |
Yes, we are going with the silver half hunter. | 0:54:04 | 0:54:06 | |
First up, though, is the Aldis lamp. | 0:54:06 | 0:54:08 | |
And we are going to sell that | 0:54:08 | 0:54:09 | |
and if it makes a profit, we'll give the profit to charity, all right? | 0:54:09 | 0:54:12 | |
-OK. -OK. -So, the team's bonus buy is coming up and here it comes. | 0:54:12 | 0:54:16 | |
Signalling lamp. There we go. The signalling lamp there. | 0:54:16 | 0:54:18 | |
What should we say for this? A lot of interest in this already. | 0:54:18 | 0:54:21 | |
Who's going to start me at £40 for it? 40. 30 to go then, surely. | 0:54:21 | 0:54:24 | |
£30, anyone? 30. 10 to go then. 10. 10. 12. Make it 12. | 0:54:24 | 0:54:27 | |
15, 18, 20 bid, 22, 25, 28. 28 bid. 30. At 32, 35, 38. 38 bid. | 0:54:27 | 0:54:32 | |
40 do I see now? 38 bid. 40 now surely. At £38 bid. | 0:54:32 | 0:54:36 | |
40 from anywhere else now? 40 surely. No, 38. | 0:54:36 | 0:54:39 | |
-It's a lady's bid there at the back. Selling that at £38. -£38. | 0:54:39 | 0:54:44 | |
Anyway, there we go. Plus 13 to the lady who needs to send the signal. | 0:54:44 | 0:54:48 | |
So, you missed out on that one. | 0:54:48 | 0:54:49 | |
Now the next lot is the lot of silver and here it comes. | 0:54:49 | 0:54:52 | |
Victorian silver half hunter pocket watch | 0:54:52 | 0:54:54 | |
and you also get that wonderful guard chain to go with as well. | 0:54:54 | 0:54:57 | |
-"Wonderful guard chain." -Multiple bids already. | 0:54:57 | 0:54:59 | |
They obviously know exactly what it's worth | 0:54:59 | 0:55:01 | |
cos I've got 42, 44, 46, 48 and 50. | 0:55:01 | 0:55:06 | |
And five. Who's joining in next? There's a lot of chain there. | 0:55:06 | 0:55:09 | |
At £50 bid. Five now surely. At £50 bid. Five surely. At 50 bid. | 0:55:09 | 0:55:13 | |
-I'll take two, then. -A bit more. -Come on, man. | 0:55:13 | 0:55:16 | |
Two anywhere else now surely. At £50. | 0:55:16 | 0:55:19 | |
All the bids are within a shilling of each other at 50. | 0:55:19 | 0:55:21 | |
Two do you have for me now? At 50? | 0:55:21 | 0:55:23 | |
Done and finished. I'll sell then at £50. | 0:55:23 | 0:55:25 | |
£50 is minus £10. Bad luck. Bad luck. | 0:55:25 | 0:55:28 | |
So minus 10 makes you minus 28. | 0:55:28 | 0:55:31 | |
-There we go. What a pity, eh? -We can still win with that, though? | 0:55:31 | 0:55:34 | |
-Hm? -We could still win with that. -You could still win with minus 28, | 0:55:34 | 0:55:37 | |
but it's very difficult to make these picks, isn't it? | 0:55:37 | 0:55:39 | |
On this programme, I'm required to make a pick myself | 0:55:39 | 0:55:43 | |
between the two bonus buys. | 0:55:43 | 0:55:45 | |
And my pick today was the Aldis signalling lamp | 0:55:45 | 0:55:49 | |
cos I rated it slightly more than the silver watch and chain. | 0:55:49 | 0:55:52 | |
Anyway, there we are. Thanks, lads. | 0:55:52 | 0:55:54 | |
It means there's a profit going to charity, which is no downside. | 0:55:54 | 0:55:57 | |
So, that will go from the signalling lamp. Well done, Paul, for that. | 0:55:57 | 0:56:00 | |
Bad luck on the bonus buy, | 0:56:00 | 0:56:02 | |
but as you say minus £28 could be a winning score. | 0:56:02 | 0:56:04 | |
Say not a word to the Reds. All will be revealed in a moment! | 0:56:04 | 0:56:07 | |
Well, I feel some tension in the air. | 0:56:15 | 0:56:17 | |
In fact, you could cut the atmosphere in here | 0:56:17 | 0:56:19 | |
with a knife between these two teams. | 0:56:19 | 0:56:22 | |
Anyway, I have to reveal that there's quite a gap | 0:56:22 | 0:56:25 | |
between the two teams. | 0:56:25 | 0:56:26 | |
This is not going to go down terribly well. | 0:56:26 | 0:56:29 | |
Anyway, the runners-up today just happened to be... | 0:56:29 | 0:56:33 | |
the Blues. | 0:56:33 | 0:56:34 | |
THEY CHEER | 0:56:34 | 0:56:37 | |
-See what I mean? -Yeah, it's not the winning, it's the second part. | 0:56:42 | 0:56:45 | |
It's exactly the sentiment that's in my heart here, John. | 0:56:45 | 0:56:48 | |
Anyway, John and Steve, | 0:56:48 | 0:56:50 | |
you unfortunately didn't have a great day in the auction. | 0:56:50 | 0:56:54 | |
And you finish up with a score which is minus 28, | 0:56:54 | 0:56:57 | |
but one of the things was you failed to pick the correct bonus buy, | 0:56:57 | 0:57:02 | |
the bonus buy that turned in the profit of £13. | 0:57:02 | 0:57:06 | |
So, that's £13, which I have about my person here, | 0:57:06 | 0:57:10 | |
I will congratulate Paul about because that was a good pick, Paul. | 0:57:10 | 0:57:13 | |
Thank you for finding it. | 0:57:13 | 0:57:14 | |
It will go to charity, so we are in a little win-win here. | 0:57:14 | 0:57:17 | |
I'm sorry, chaps, that you're not going home with folded money, | 0:57:17 | 0:57:20 | |
but the victors today who are going home by motor bicycle, | 0:57:20 | 0:57:24 | |
£22 is what the girls take. | 0:57:24 | 0:57:25 | |
There you go, girls. £22 which is just stunning. | 0:57:25 | 0:57:29 | |
-Thank you. -You spent practically nothing. £52. | 0:57:29 | 0:57:32 | |
You made £22 worth of profit on £52, so that's an achievement | 0:57:32 | 0:57:37 | |
and you made a profit on all three items, | 0:57:37 | 0:57:38 | |
which gets you the Golden Gavel Award. | 0:57:38 | 0:57:41 | |
-Yes! -The Golden Gavel Award, which is a very special thing. -Thank you. | 0:57:41 | 0:57:45 | |
Take that one. And here we go. Thank you, Charles. | 0:57:45 | 0:57:49 | |
-To go for your collection. -Thanks a lot. Absolutely. -She's really nice. | 0:57:49 | 0:57:52 | |
OK, never have I seen two women look happier, which is really good. | 0:57:52 | 0:57:55 | |
-Charles, then you look pretty peaky yourself. -Over the moon. | 0:57:55 | 0:57:58 | |
Anyway, had a good time? Yes, we have. OK. | 0:57:58 | 0:58:00 | |
So join us soon for some more bargain-hunting, yes? | 0:58:00 | 0:58:04 | |
ALL: Yes! | 0:58:04 | 0:58:05 |