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This is the life, very relaxing. | 0:00:03 | 0:00:05 | |
But I can't hang around here all day. | 0:00:05 | 0:00:07 | |
I have got two keen teams, so let's go bargain hunting. | 0:00:07 | 0:00:11 | |
You've guessed it. We're in dock. | 0:00:23 | 0:00:24 | |
Gloucester Docks to be precise, which are based | 0:00:24 | 0:00:28 | |
beside the River Severn, Britain's longest river | 0:00:28 | 0:00:32 | |
and an important thoroughfare for trade for over 2,000 years. | 0:00:32 | 0:00:36 | |
Today's traders, our contestants, are shopping in the Gloucester | 0:00:36 | 0:00:40 | |
Antiques Centre behind me in their quest for bargains. | 0:00:40 | 0:00:46 | |
The aim of the game is to make a profit. | 0:00:49 | 0:00:51 | |
I gave each of the teams ?300 and an hour to shop for three items | 0:00:51 | 0:00:55 | |
and they get the help of their very own expert. | 0:00:55 | 0:00:58 | |
Their items get sold at auction and any profit, they keep. | 0:00:58 | 0:01:02 | |
Let's meet the teams. | 0:01:02 | 0:01:05 | |
Today we are keeping it in the family. | 0:01:05 | 0:01:08 | |
For the Reds we have got brothers-in-law, Doug and Rob. | 0:01:08 | 0:01:12 | |
And a lovely married couple called Lesley and Terry for the Blues. | 0:01:12 | 0:01:16 | |
Welcome to Bargain Hunt. | 0:01:16 | 0:01:18 | |
Thank you. | 0:01:18 | 0:01:19 | |
So, you're brothers-in-law, but who is married to who? | 0:01:19 | 0:01:23 | |
I'm married to Rob's younger sister. | 0:01:23 | 0:01:25 | |
We've been married 12 years. | 0:01:25 | 0:01:27 | |
What do you do for a living? | 0:01:27 | 0:01:28 | |
I'm an art dealer. | 0:01:28 | 0:01:31 | |
You have your own gallery? | 0:01:31 | 0:01:33 | |
I have a gallery in a little town in the Cotswolds called Winchcombe. | 0:01:33 | 0:01:36 | |
I sell art, picture frames. | 0:01:36 | 0:01:37 | |
You also have a gift shop. | 0:01:37 | 0:01:39 | |
Yes and I employ more brother-in-law a little bit to help out. | 0:01:39 | 0:01:42 | |
Is he a good shop assistant? | 0:01:42 | 0:01:43 | |
I've got an O-level in adding up. | 0:01:43 | 0:01:45 | |
That's all you need, isn't it? | 0:01:45 | 0:01:46 | |
That's the equivalent of a degree today. | 0:01:46 | 0:01:56 | |
Terry, you haven't got off to a very good start today. | 0:02:00 | 0:02:03 | |
No, we haven't. | 0:02:03 | 0:02:04 | |
I was wishing we had the red tops because it is our national colours | 0:02:04 | 0:02:07 | |
i Gibraltar, the whites and the reds. | 0:02:07 | 0:02:09 | |
You're from Gibraltar? | 0:02:09 | 0:02:10 | |
We are from Gibraltar. | 0:02:10 | 0:02:11 | |
Both of you? | 0:02:11 | 0:02:12 | |
Both of us. | 0:02:12 | 0:02:13 | |
And you've come over here especially to be on Bargain Hunt? | 0:02:13 | 0:02:15 | |
Yes, especially to be on Bargain Hunt. | 0:02:15 | 0:02:22 | |
Anyway, the ?300 moment. | 0:02:22 | 0:02:23 | |
There you go, chaps. | 0:02:23 | 0:02:24 | |
You know the rules. | 0:02:24 | 0:02:25 | |
Your experts await and off you go! | 0:02:25 | 0:02:27 | |
Helping the Reds sail the seven seas its Charles Hanson. | 0:02:27 | 0:02:29 | |
Shiver me timbers. | 0:02:29 | 0:02:31 | |
Helping the blues on the hunt for treasure it's Mark Stacey. | 0:02:31 | 0:02:38 | |
Come on, Terry, what are you doing sitting down on the job? | 0:02:41 | 0:02:44 | |
Look at his puppy face! | 0:02:44 | 0:02:48 | |
Is he licensed? | 0:02:48 | 0:02:51 | |
So, what do we know about it? | 0:02:51 | 0:02:54 | |
It says "Beswick". | 0:02:54 | 0:02:55 | |
That's the model number there, 2,300. | 0:02:55 | 0:02:59 | |
Beswick specialised in this type of thing, making models | 0:02:59 | 0:03:02 | |
of animals and birds. | 0:03:02 | 0:03:03 | |
They're not terribly old. | 0:03:03 | 0:03:09 | |
How much is it? | 0:03:09 | 0:03:10 | |
?140. | 0:03:10 | 0:03:11 | |
That's a bit high, isn't it? | 0:03:11 | 0:03:12 | |
So it's your job to smile sweetly and get | 0:03:12 | 0:03:14 | |
that price down, OK? | 0:03:14 | 0:03:15 | |
Shall do. | 0:03:15 | 0:03:16 | |
Off you go. | 0:03:16 | 0:03:17 | |
Woof Woof. | 0:03:17 | 0:03:18 | |
Thank you! | 0:03:18 | 0:03:19 | |
Terry's smile did the job and she got the Beswick dog for ?120. | 0:03:19 | 0:03:25 | |
What have you got? | 0:03:25 | 0:03:26 | |
This is quite nice. | 0:03:26 | 0:03:30 | |
What we've got are a really stunning pair | 0:03:30 | 0:03:32 | |
of Japanese Satsuma vases. | 0:03:32 | 0:03:33 | |
120 years old. | 0:03:33 | 0:03:34 | |
What I like so much is the detail in them. | 0:03:34 | 0:03:36 | |
Can you see that? | 0:03:36 | 0:03:42 | |
There's no real signs of losses, damage or wear and tear. | 0:03:42 | 0:03:52 | |
What sort of money are we looking at? | 0:03:52 | 0:03:53 | |
It's half of our | 0:03:53 | 0:03:54 | |
overall figure to spend. | 0:03:54 | 0:03:55 | |
They're ?200 on, but we can buy them for ?150. | 0:03:55 | 0:03:58 | |
We'll trust you. | 0:03:58 | 0:03:59 | |
If you can get them for ?150, buy them. | 0:03:59 | 0:04:01 | |
We'll go and find something else. | 0:04:01 | 0:04:02 | |
Sure enough, Charles got the Satsuma vases for ?150. | 0:04:02 | 0:04:07 | |
What we've got are what appear to be a pair of Staffordshire figures. | 0:04:07 | 0:04:10 | |
What concerns me slightly are the stands. | 0:04:10 | 0:04:12 | |
One is a foliate base in a green, brown, enamel and the other one | 0:04:12 | 0:04:16 | |
is purely gilt-lined. | 0:04:16 | 0:04:17 | |
To me, they've been matched up. | 0:04:17 | 0:04:18 | |
What concerns me slightly here is maybe her hand has had | 0:04:18 | 0:04:21 | |
some slight restoration. | 0:04:21 | 0:04:22 | |
Can you see that? | 0:04:22 | 0:04:23 | |
Yes. | 0:04:23 | 0:04:24 | |
Otherwise they're in pretty good order. | 0:04:24 | 0:04:27 | |
They're busy, they're vibrant, but they're Victoriana | 0:04:27 | 0:04:30 | |
and the market today isn't so buoyant. | 0:04:30 | 0:04:33 | |
The stallholder wants ?160 for them. | 0:04:33 | 0:04:35 | |
I think in the current market downturn, my value to you would be | 0:04:35 | 0:04:39 | |
between 80 and 120 or 100 to 130. | 0:04:39 | 0:04:43 | |
I trust you. | 0:04:43 | 0:04:45 | |
I think they're a bit of quality and I'll take responsibility. | 0:04:45 | 0:04:47 | |
I'll go an see if I can knock something off. | 0:04:47 | 0:04:50 | |
I think they're quite expensive, but if you can get a good figure | 0:04:50 | 0:04:53 | |
for them we could be in luck. | 0:04:53 | 0:04:54 | |
Rob did get a good figure for them. | 0:04:54 | 0:04:56 | |
?150. | 0:04:56 | 0:04:57 | |
MUSIC: "9 To 5" by Dolly Parton | 0:04:57 | 0:04:58 | |
?115. | 0:05:02 | 0:05:04 | |
I liked the shape of it and this sort of leafy flower. | 0:05:04 | 0:05:08 | |
It is very flowing, isn't it? | 0:05:08 | 0:05:13 | |
When we have a look at it, it says Royal Winton, | 0:05:13 | 0:05:16 | |
Royal Winton is the trade name. | 0:05:16 | 0:05:17 | |
The firm that made it is Grimwades, who were based in Stoke-on-Trent. | 0:05:17 | 0:05:20 | |
That could well have been made in the 1930s, | 0:05:20 | 0:05:23 | |
but my hunch is that it was probably made just after the war, | 0:05:23 | 0:05:29 | |
What I like even better is it's only ?18. | 0:05:29 | 0:05:31 | |
I actually paid ?15 for it. | 0:05:31 | 0:05:33 | |
No, he's bought it already! | 0:05:33 | 0:05:38 | |
Let's hope it makes a lustrous profit | 0:05:38 | 0:05:39 | |
at the auction. | 0:05:39 | 0:05:40 | |
Come on. | 0:05:40 | 0:05:42 | |
Charles? | 0:05:42 | 0:05:43 | |
Rob? | 0:05:43 | 0:05:44 | |
What do you think of this? | 0:05:44 | 0:05:45 | |
A bit of Whitefriars glass. | 0:05:45 | 0:05:48 | |
It's what we call a finger vase. | 0:05:48 | 0:05:50 | |
We know it's Geoffrey Baxter, it's that gnarled, bark effect, | 0:05:50 | 0:05:52 | |
which was fairly mass produced post-1967 and pre-1980. | 0:05:52 | 0:05:56 | |
Importantly, any collector would pay ?10 to ?20. | 0:05:56 | 0:06:03 | |
It's 28. | 0:06:03 | 0:06:04 | |
Not a huge outlay. | 0:06:04 | 0:06:06 | |
And I'm going to knock him down big time, so I've not got | 0:06:06 | 0:06:09 | |
a lot left to spend. | 0:06:09 | 0:06:10 | |
True to his word, Doug knocked the price down to ?18. | 0:06:10 | 0:06:14 | |
We need to find that third item, because we're running out of time. | 0:06:14 | 0:06:17 | |
Exactly. | 0:06:17 | 0:06:18 | |
We have about five minutes. | 0:06:18 | 0:06:19 | |
I would've found a needle in a haystack. | 0:06:19 | 0:06:22 | |
What is that? | 0:06:22 | 0:06:26 | |
That's a needle holder. | 0:06:26 | 0:06:27 | |
Is it? | 0:06:27 | 0:06:28 | |
Now, how does it work? | 0:06:28 | 0:06:29 | |
Just pull it out, put your needles in. | 0:06:29 | 0:06:31 | |
That's it. | 0:06:31 | 0:06:32 | |
And there's a little mark there. | 0:06:32 | 0:06:33 | |
It looks French, it looks continental. | 0:06:33 | 0:06:35 | |
What do you like about it, Terry? | 0:06:35 | 0:06:38 | |
So how much is it marked up at? | 0:06:38 | 0:06:40 | |
47. | 0:06:40 | 0:06:42 | |
Well, we are running out of time, so we have little choice, | 0:06:42 | 0:06:45 | |
and I don't want to needle you, but I think we have | 0:06:45 | 0:06:48 | |
to get on with it. | 0:06:48 | 0:06:49 | |
OK. | 0:06:49 | 0:06:50 | |
Fair enough. | 0:06:50 | 0:06:51 | |
I'm happy with it, even if we don't make a profit. | 0:06:51 | 0:06:54 | |
I'm happy as well. | 0:06:54 | 0:06:55 | |
Perfect. | 0:06:55 | 0:06:56 | |
HOOTER IMITATES DUCK | 0:06:56 | 0:06:57 | |
Time's up. | 0:06:57 | 0:06:58 | |
Let's check out what the Reds bought. | 0:06:58 | 0:07:02 | |
So, boys, did you have a good time? | 0:07:02 | 0:07:03 | |
Terrific. | 0:07:03 | 0:07:05 | |
Wonderful. | 0:07:05 | 0:07:06 | |
And so which was your favourite piece? | 0:07:06 | 0:07:07 | |
The pair of Satsuma vases. | 0:07:07 | 0:07:09 | |
That's your favourite? | 0:07:09 | 0:07:10 | |
Yes. | 0:07:10 | 0:07:11 | |
Which piece is going to bring the biggest profit? | 0:07:11 | 0:07:13 | |
Uh, probably the Satsuma vases. | 0:07:13 | 0:07:21 | |
That was a really sterling effort. | 0:07:21 | 0:07:22 | |
Well done! | 0:07:22 | 0:07:23 | |
?17 for Charles. | 0:07:23 | 0:07:25 | |
17 miserable little... | 0:07:25 | 0:07:26 | |
It's not an awful lot. | 0:07:26 | 0:07:31 | |
Over to you, then, Carlos, and good luck. | 0:07:31 | 0:07:40 | |
Tell me, which is your favourite piece? | 0:07:40 | 0:07:41 | |
The dog. | 0:07:41 | 0:07:42 | |
Do you agree with that? | 0:07:42 | 0:07:43 | |
I agree. | 0:07:43 | 0:07:44 | |
It's my favourite piece too. | 0:07:44 | 0:07:46 | |
It reminds me of a dog that one of my neighbours had. | 0:07:46 | 0:07:49 | |
Well, that's nice, isn't it? | 0:07:49 | 0:07:50 | |
?175 you spent, ?125 of leftover lolly, Mark. | 0:07:50 | 0:07:52 | |
Thank you very much. | 0:07:52 | 0:07:53 | |
How about that, then? | 0:07:53 | 0:07:54 | |
It's a lot of money, isn't it? | 0:07:54 | 0:07:55 | |
It's a big responsibility, Tim. | 0:07:55 | 0:07:57 | |
So what are you going to spend it on? | 0:07:57 | 0:07:59 | |
I've got three or four items and I can't quite pin it down. | 0:07:59 | 0:08:02 | |
Oh, Lord, well, you better go off and have a go, then. | 0:08:02 | 0:08:05 | |
Get pinning. | 0:08:05 | 0:08:06 | |
Well, it's gorgeous to be in the heart of Gloucestershire, | 0:08:06 | 0:08:08 | |
at Moore Allen and Innocent saleroom, with Philip Allwood. | 0:08:08 | 0:08:12 | |
Good morning. | 0:08:12 | 0:08:19 | |
Now, the Red Team, Doug and Rob, their first item is the pair | 0:08:19 | 0:08:23 | |
of Satsuma vases, genuine Japanese. | 0:08:23 | 0:08:24 | |
They're bright and colourful, they'v got everything | 0:08:24 | 0:08:25 | |
going for them, apart from quality. | 0:08:25 | 0:08:27 | |
And the lower end of this market isn't particularly brilliant | 0:08:27 | 0:08:29 | |
at the moment. | 0:08:29 | 0:08:30 | |
I think we've said about ?30-?50, they're decorative pieces. | 0:08:30 | 0:08:33 | |
They paid 150 for them. | 0:08:33 | 0:08:35 | |
?150. | 0:08:35 | 0:08:41 | |
Moving on, we've got these perfectly jolly little | 0:08:41 | 0:08:42 | |
Staffordshire figures here... | 0:08:42 | 0:08:43 | |
Yeah. | 0:08:43 | 0:08:46 | |
nick, aren't they? | 0:08:46 | 0:08:47 | |
Apart from the severe restoration to her arm, which is what we call | 0:08:47 | 0:08:50 | |
an agricultural repair. | 0:08:50 | 0:08:51 | |
So, with the damage and this and that, you're gonna | 0:08:51 | 0:08:54 | |
tell me they're worth ?80. | 0:08:54 | 0:08:55 | |
Or less. | 0:08:55 | 0:08:57 | |
I think we've officially said 40-60. | 0:08:57 | 0:08:58 | |
?40-60. | 0:08:58 | 0:09:01 | |
?115 paid. | 0:09:01 | 0:09:02 | |
Really? | 0:09:02 | 0:09:03 | |
Yeah. | 0:09:03 | 0:09:04 | |
We can always back up for their last item, which is the Whitefriars | 0:09:04 | 0:09:07 | |
glass vase. | 0:09:07 | 0:09:11 | |
Yes. | 0:09:11 | 0:09:12 | |
?10, ?20, maybe. | 0:09:12 | 0:09:13 | |
Something like that. | 0:09:13 | 0:09:14 | |
Well, they paid ?18. | 0:09:14 | 0:09:17 | |
They paid around the right money. | 0:09:17 | 0:09:18 | |
I can tell you that with two whopping great losses, | 0:09:18 | 0:09:23 | |
Whitefriars, this team are definitely going | 0:09:23 | 0:09:26 | |
to need their bonus buy, so let's go and have a look at it! | 0:09:26 | 0:09:30 | |
The fascination of the box, here, I've got not one | 0:09:30 | 0:09:33 | |
box but two boxes. | 0:09:33 | 0:09:36 | |
There we go. | 0:09:36 | 0:09:37 | |
They're functional and for ?17, I thought the red box, | 0:09:37 | 0:09:41 | |
for the Red team, it's typical lacquer, early 20th century, | 0:09:41 | 0:09:44 | |
export ware, and likewise a good decorative French box | 0:09:44 | 0:09:49 | |
with a bevel top. | 0:09:49 | 0:09:52 | |
I mean, my guide price would honestly be an auctioneer has | 0:09:52 | 0:09:54 | |
a low but wide girth, so ?15-?25, to me, I can see | 0:09:54 | 0:09:58 | |
an itsy-bitsy profit. | 0:09:58 | 0:10:00 | |
OK, we're very impressed. | 0:10:00 | 0:10:03 | |
Anyway, let us find out what the auctioneer | 0:10:03 | 0:10:05 | |
thinks about the boxes. | 0:10:05 | 0:10:07 | |
It looks every inch a piece of Chinese | 0:10:07 | 0:10:10 | |
lacquer, doesn't it? | 0:10:10 | 0:10:11 | |
Yes. | 0:10:11 | 0:10:12 | |
Lovely little box, enamelled inside, with a little French | 0:10:12 | 0:10:15 | |
dressing table box there, which is not very old, | 0:10:15 | 0:10:17 | |
and not very pretty. | 0:10:17 | 0:10:20 | |
So that's worth a pound or two? | 0:10:20 | 0:10:22 | |
Maybe three or four. | 0:10:22 | 0:10:24 | |
Right. | 0:10:24 | 0:10:25 | |
And this, if it were that lovely lacquer that you see | 0:10:25 | 0:10:28 | |
produced by those wonderful Chinese people in the 18th, | 0:10:28 | 0:10:31 | |
19th centuries, would be worth a reasonable sum, | 0:10:31 | 0:10:36 | |
but it's a look-alike, you might possibly get | 0:10:36 | 0:10:39 | |
?10-?20 from somebody that doesn't really care. | 0:10:39 | 0:10:45 | |
That's it for the Red Team, moving seamlessly to the Blues, | 0:10:45 | 0:10:48 | |
Terry and Leslie, their first item is this Winton jug. | 0:10:48 | 0:10:54 | |
It is, we've seen a few of them, this sort of lustreware | 0:10:54 | 0:10:57 | |
is not uncommon. | 0:10:57 | 0:10:58 | |
But that said, it's a jug. | 0:10:58 | 0:11:00 | |
It's a nice enough jug in reasonable condition. | 0:11:00 | 0:11:02 | |
10 or 20 quid. | 0:11:02 | 0:11:03 | |
?15, they paid. | 0:11:03 | 0:11:04 | |
Fair enough. | 0:11:04 | 0:11:05 | |
Now, there's a big woofer for you. | 0:11:05 | 0:11:13 | |
and would make ?50-?80, something like that. | 0:11:13 | 0:11:16 | |
Now, from the sublime to the ridiculous, we've got | 0:11:16 | 0:11:19 | |
that fiddling little bit of silver there. | 0:11:19 | 0:11:20 | |
Yes. | 0:11:20 | 0:11:21 | |
The top, I don't think belongs to the bottom. | 0:11:21 | 0:11:24 | |
I suspect that it actually was a pencil cover originally, | 0:11:24 | 0:11:26 | |
that somebody's put a needle case top on, to try and make it | 0:11:26 | 0:11:29 | |
look more interesting. | 0:11:29 | 0:11:31 | |
What's your estimate, then? | 0:11:31 | 0:11:32 | |
We've been I think a little optimistic at ?5-?10. | 0:11:32 | 0:11:35 | |
Oh, Lordy, ?40 paid. | 0:11:35 | 0:11:37 | |
Was it? | 0:11:37 | 0:11:38 | |
Overall they're gonna need their bonus buy, | 0:11:38 | 0:11:40 | |
so let's go and have a look at it. | 0:11:40 | 0:11:43 | |
Leslie and Terri, the bonus-buy moment. | 0:11:43 | 0:11:46 | |
You spent 175, Mark had ?125, what did he spend it on? | 0:11:46 | 0:11:51 | |
I spent it on this. | 0:11:51 | 0:11:54 | |
Japanese Satsuma earthenware vase. | 0:11:54 | 0:11:57 | |
Should have been one of a pair, but I thought it was nicely | 0:11:57 | 0:12:00 | |
decorated with these immortals around here. | 0:12:00 | 0:12:03 | |
And it's got a little signature on the bottom as well | 0:12:03 | 0:12:06 | |
which we haven't been able to translate but I thought | 0:12:06 | 0:12:08 | |
it was attractive, and only ?70. | 0:12:08 | 0:12:18 | |
little piece so maybe ?10-?15 profit. | 0:12:20 | 0:12:21 | |
Fine, fine. | 0:12:21 | 0:12:22 | |
That's not bad. | 0:12:22 | 0:12:24 | |
That's a nice prediction. | 0:12:24 | 0:12:25 | |
But you decide later, after the sale of your first three items, | 0:12:25 | 0:12:27 | |
but for the viewers at home, let's find out what | 0:12:27 | 0:12:30 | |
the auctioneer thinks about Mark's little pot. | 0:12:30 | 0:12:31 | |
vases in a way. | 0:12:31 | 0:12:35 | |
Well, we've sort of covered it with the previous | 0:12:35 | 0:12:37 | |
vases in a way. | 0:12:37 | 0:12:38 | |
I mean... | 0:12:38 | 0:12:40 | |
Are those the same quality as that, that sort of period...? | 0:12:40 | 0:12:42 | |
I think much of a muchness, it's a bit more interesting cos | 0:12:42 | 0:12:45 | |
you've got these deities or theatrical figures here, | 0:12:45 | 0:12:47 | |
?20-?30 or so, something like that. | 0:12:47 | 0:12:48 | |
Oh, Lordy, he paid 70 for that. | 0:12:48 | 0:12:50 | |
So he could be crying into his beer. | 0:12:50 | 0:12:52 | |
You'll be up there doing the stuff? | 0:12:52 | 0:12:54 | |
We'll certainly do our very best with them, and you never know. | 0:12:54 | 0:12:57 | |
You can't ask for more than that. | 0:12:57 | 0:12:58 | |
Thanks so much, Phil. | 0:12:58 | 0:13:02 | |
So, Doug and Rob, here we are on the edge of | 0:13:06 | 0:13:08 | |
the auction. | 0:13:08 | 0:13:12 | |
First up, your Satsuma vases, here they come. | 0:13:12 | 0:13:14 | |
Lot number 134, the pair of Satsuma pottery vases. | 0:13:14 | 0:13:22 | |
?30. | 0:13:22 | 0:13:26 | |
Five, 40, at ?40? | 0:13:26 | 0:13:28 | |
Lady has bid here, 45, 50... | 0:13:28 | 0:13:30 | |
Let's go. | 0:13:30 | 0:13:31 | |
At 50. | 0:13:31 | 0:13:32 | |
Five anywhere now? | 0:13:32 | 0:13:33 | |
At ?50, lady's bid at ?50. | 0:13:33 | 0:13:35 | |
5 anywhere? | 0:13:35 | 0:13:36 | |
At ?50, are you all done? | 0:13:36 | 0:13:40 | |
I don't believe it. | 0:13:40 | 0:13:40 | |
Charles! | 0:13:40 | 0:13:41 | |
That's minus ?100. | 0:13:41 | 0:13:44 | |
Ssh! | 0:13:44 | 0:13:45 | |
Staffordshire figures of musicians, where are you going with those? | 0:13:45 | 0:13:49 | |
50? | 0:13:49 | 0:13:51 | |
?30. | 0:13:51 | 0:13:52 | |
20, then, it's got to be 20. | 0:13:52 | 0:13:54 | |
I don't believe this! | 0:13:54 | 0:13:55 | |
Mr Allwood! | 0:13:55 | 0:13:56 | |
?20 I'm bid there, lady's bid at ?20. | 0:13:56 | 0:13:58 | |
Anyone else? | 0:13:58 | 0:14:01 | |
This is ridiculous. | 0:14:01 | 0:14:02 | |
Let's go! | 0:14:02 | 0:14:03 | |
30 if you like, at 25, 30. | 0:14:03 | 0:14:04 | |
Five, ?35, 40 anywhere now? | 0:14:04 | 0:14:06 | |
At ?35. | 0:14:06 | 0:14:07 | |
Are you all sure, selling then at 35... | 0:14:07 | 0:14:11 | |
?35, that's minus ?80. | 0:14:11 | 0:14:16 | |
Here we go, here comes Whitefriars. | 0:14:16 | 0:14:17 | |
Number 136 is the Whitefriars vase, pretty little piece there, | 0:14:17 | 0:14:21 | |
Must be 20. | 0:14:21 | 0:14:24 | |
10, then, to get on. | 0:14:24 | 0:14:25 | |
10 I'm bid. | 0:14:25 | 0:14:26 | |
At ?10, 12, 15, 18, 20, two, 25. | 0:14:26 | 0:14:30 | |
28 now? | 0:14:30 | 0:14:34 | |
At ?25, right in front of me, then. | 0:14:34 | 0:14:36 | |
At 25... | 0:14:36 | 0:14:37 | |
Hang on, not over yet. | 0:14:37 | 0:14:38 | |
At 25. | 0:14:38 | 0:14:39 | |
Now, it is. | 0:14:39 | 0:14:40 | |
?25. | 0:14:40 | 0:14:41 | |
That's brilliant. | 0:14:41 | 0:14:42 | |
You've made plus ?7, which means overall | 0:14:42 | 0:14:44 | |
you are minus ?173. | 0:14:44 | 0:14:46 | |
?173. | 0:14:46 | 0:14:49 | |
What are you going to do? | 0:14:49 | 0:14:50 | |
Are you going with this? | 0:14:50 | 0:14:51 | |
We've got to. | 0:14:51 | 0:14:55 | |
OK, fine, we're going with the bonus buy, then. | 0:14:55 | 0:14:58 | |
Yes, absolutely. | 0:14:58 | 0:14:59 | |
Selection made, and here it comes. | 0:14:59 | 0:15:00 | |
140 is the gilt metal jewellery box and the trinket box there. | 0:15:00 | 0:15:05 | |
Well, 20 to get on? | 0:15:05 | 0:15:06 | |
Pretty little boxes, at ?20. | 0:15:06 | 0:15:08 | |
They are pretty. | 0:15:08 | 0:15:09 | |
A tenner? | 0:15:09 | 0:15:09 | |
Let's go. | 0:15:09 | 0:15:10 | |
At ?10 I'm bid on my right. | 0:15:10 | 0:15:12 | |
12, 15, at 15... | 0:15:12 | 0:15:13 | |
18 if you like now. | 0:15:13 | 0:15:14 | |
At ?15. | 0:15:14 | 0:15:15 | |
Selling on my right at ?15. | 0:15:15 | 0:15:17 | |
18 anywhere now? | 0:15:17 | 0:15:18 | |
Are you all sure? | 0:15:18 | 0:15:19 | |
It's at ?15, are you all done? | 0:15:19 | 0:15:21 | |
Oh, Charles! | 0:15:21 | 0:15:24 | |
?15, that is bad luck, minus ?2. | 0:15:24 | 0:15:27 | |
That was a good selection, lads! | 0:15:27 | 0:15:31 | |
Minus 175, all right? | 0:15:31 | 0:15:33 | |
Didn't we get to 180? | 0:15:33 | 0:15:35 | |
A round ton and three quarters! | 0:15:35 | 0:15:40 | |
Terri and Leslie, do you know how the Reds got on? | 0:15:50 | 0:15:52 | |
Have they said anything? | 0:15:52 | 0:15:53 | |
No, nothing. | 0:15:53 | 0:15:54 | |
Good, we don't want you to, either. | 0:15:54 | 0:15:58 | |
First lot up, Leslie, is your jug, here it comes. | 0:15:58 | 0:16:00 | |
Good-looking piece in good condition, where will | 0:16:00 | 0:16:02 | |
you be for that? | 0:16:02 | 0:16:03 | |
Who'll start me, ?20 or ?30? | 0:16:03 | 0:16:04 | |
10 to get on...?10? | 0:16:04 | 0:16:05 | |
Come on! | 0:16:05 | 0:16:07 | |
Yes, ?10 I'm bid there. | 0:16:07 | 0:16:08 | |
12 if you like now... | 0:16:08 | 0:16:09 | |
?10 I have in front of me here. | 0:16:09 | 0:16:11 | |
At ?10. | 0:16:11 | 0:16:12 | |
12. | 0:16:12 | 0:16:13 | |
15, 18, 20, two... | 0:16:13 | 0:16:14 | |
At ?22 on my left here. | 0:16:14 | 0:16:16 | |
Five anyone? | 0:16:16 | 0:16:17 | |
At ?22, on my left. | 0:16:17 | 0:16:19 | |
?22, good boy, plus ?7, well done, Leslie. | 0:16:19 | 0:16:23 | |
Now, Terri... | 0:16:23 | 0:16:25 | |
160 is the Beswick figure of a Beagle, good size this piece, | 0:16:25 | 0:16:30 | |
?50. | 0:16:30 | 0:16:31 | |
30 to get on, then... | 0:16:31 | 0:16:33 | |
Yes, ?30 I'm bid there. | 0:16:33 | 0:16:34 | |
At 30. | 0:16:34 | 0:16:35 | |
In front of me now, at ?30. | 0:16:35 | 0:16:36 | |
Five, 40, 5, 50. | 0:16:36 | 0:16:37 | |
At ?50 in front of me now. | 0:16:37 | 0:16:40 | |
Five anywhere? | 0:16:40 | 0:16:41 | |
?50. | 0:16:41 | 0:16:42 | |
In the room with me at 50. | 0:16:42 | 0:16:44 | |
55 here. | 0:16:44 | 0:16:45 | |
At 55, 60 anywhere? | 0:16:45 | 0:16:46 | |
At ?55, are you all sure at 55? | 0:16:46 | 0:16:51 | |
?55, that's not so good, is it? | 0:16:51 | 0:16:56 | |
Nope. | 0:16:56 | 0:16:57 | |
That's minus ?65, that. | 0:16:57 | 0:16:58 | |
Now, your needle case, Terri. | 0:16:58 | 0:16:59 | |
161 is the needle case. | 0:16:59 | 0:17:02 | |
?10? | 0:17:02 | 0:17:03 | |
?5 to get on. | 0:17:03 | 0:17:04 | |
At ?5, a bid on my right. | 0:17:04 | 0:17:06 | |
At five, seven, 10, 12 if you like. | 0:17:06 | 0:17:08 | |
At ?10 on my right. | 0:17:08 | 0:17:10 | |
That's not enough. | 0:17:10 | 0:17:12 | |
15, 18, 20, two, 25, 28. | 0:17:12 | 0:17:16 | |
30, 5. | 0:17:16 | 0:17:18 | |
At ?35 on my right here. | 0:17:18 | 0:17:20 | |
At ?35. | 0:17:20 | 0:17:21 | |
40 anywhere now? | 0:17:21 | 0:17:23 | |
At 35, are you all sure? | 0:17:23 | 0:17:27 | |
That is very good! | 0:17:27 | 0:17:29 | |
?35! | 0:17:29 | 0:17:31 | |
That's only minus ?5 on that, which means, | 0:17:31 | 0:17:33 | |
overall, you're minus ?63. | 0:17:33 | 0:17:38 | |
I think ?63 could be a winning score. | 0:17:38 | 0:17:41 | |
?63 could be a winning score. | 0:17:41 | 0:17:42 | |
That's the prediction. | 0:17:42 | 0:17:44 | |
From the only man who has made a profit so far. | 0:17:44 | 0:17:48 | |
So, are we going to listen to Leslie here? | 0:17:48 | 0:17:50 | |
Are we gonna listen to our man? | 0:17:50 | 0:17:52 | |
Yes, we are. | 0:17:52 | 0:17:53 | |
Lot number 165, the Satsuma vase... | 0:17:53 | 0:17:57 | |
20? | 0:17:57 | 0:17:58 | |
?10 to get on. | 0:17:58 | 0:18:00 | |
At ?10 a bid there. | 0:18:00 | 0:18:01 | |
12 if you like. | 0:18:01 | 0:18:02 | |
?10 a bid here. | 0:18:02 | 0:18:03 | |
At ?10. | 0:18:03 | 0:18:05 | |
12, 15, 18, 20, two, 25. | 0:18:05 | 0:18:09 | |
At ?25 on my left here. | 0:18:09 | 0:18:12 | |
28 now, at 28... | 0:18:12 | 0:18:14 | |
30, 5, 40, at ?40 on my left here. | 0:18:14 | 0:18:18 | |
At ?40. | 0:18:18 | 0:18:20 | |
Five anywhere now, then? | 0:18:20 | 0:18:21 | |
At ?40, are you all sure at 40? | 0:18:21 | 0:18:24 | |
?40, bad luck. | 0:18:24 | 0:18:26 | |
Sorry. | 0:18:26 | 0:18:27 | |
You were right not to do it. | 0:18:27 | 0:18:29 | |
You got more than was predicted. | 0:18:29 | 0:18:31 | |
Good! | 0:18:31 | 0:18:32 | |
It is minus ?30 and you did well to pass on that. | 0:18:32 | 0:18:42 | |
Well, it's no big secret that today our teams have not made much | 0:18:49 | 0:18:52 | |
in the way of profit. | 0:18:52 | 0:18:53 | |
So it's a question of scale of loss And it is my duty to tell | 0:18:53 | 0:18:57 | |
you that the team with the greatest losses are the Reds. | 0:18:57 | 0:19:04 | |
Yes, you did really well, guys - minus ?175, which, | 0:19:04 | 0:19:09 | |
in the scale of things, is quite an achievement. | 0:19:09 | 0:19:12 | |
But you've been such good sports, and you've had a great day. | 0:19:12 | 0:19:14 | |
I've had a wonderful day, fantastic. | 0:19:14 | 0:19:16 | |
Thank you very much for joining us. | 0:19:16 | 0:19:18 | |
But the victors today are the Blues, our team from Gibraltar, | 0:19:18 | 0:19:21 | |
the rock over the water. | 0:19:21 | 0:19:22 | |
Your best move today was not taking the bonus buy. | 0:19:22 | 0:19:25 | |
Which means that you retained your overall loss of minus ?63, | 0:19:25 | 0:19:30 | |
which is indeed a winning score. | 0:19:30 | 0:19:31 | |
So well done. | 0:19:31 | 0:19:34 | |
We have had the most extraordinary day today, | 0:19:34 | 0:19:36 | |
join us soon for some more bargain hunting, | 0:19:36 | 0:19:38 | |
yes? | 0:19:38 | 0:19:39 | |
Yes! | 0:19:39 | 0:19:42 |