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ROMANTIC LIGHT MUSIC | 0:00:02 | 0:00:04 | |
I've had enough of this mushy romantic stuff! | 0:00:07 | 0:00:11 | |
It's time to redirect all this passion | 0:00:11 | 0:00:14 | |
and let us go bargain hunting! | 0:00:14 | 0:00:16 | |
This is Grimsthorpe Castle in Lincolnshire, | 0:00:46 | 0:00:49 | |
home to the Eresby family since 1516. | 0:00:49 | 0:00:53 | |
The beautiful grounds surrounding the castle | 0:00:53 | 0:00:57 | |
are the location for today's antiques fair. | 0:00:57 | 0:01:00 | |
It's a lovely place. I wouldn't mind calling it home! | 0:01:00 | 0:01:03 | |
We may be at a grand location, | 0:01:09 | 0:01:11 | |
but that doesn't change the rules. | 0:01:11 | 0:01:13 | |
As usual, the teams get 60 minutes | 0:01:13 | 0:01:15 | |
and the princely sum of £300. | 0:01:15 | 0:01:18 | |
They'll be assisted by their expert | 0:01:18 | 0:01:21 | |
who will guide them through the protocol | 0:01:21 | 0:01:23 | |
of how to bag the very best bargain. | 0:01:23 | 0:01:26 | |
But which team is going to be champions today? | 0:01:26 | 0:01:30 | |
I don't know. I think we'd better meet them, don't you? Proper, like. | 0:01:30 | 0:01:34 | |
Lurv is in the air today. | 0:01:41 | 0:01:43 | |
Our red team have only recently got engaged. | 0:01:43 | 0:01:47 | |
They are Keith and Denise. | 0:01:47 | 0:01:49 | |
Our blue team, on the other hand, | 0:01:49 | 0:01:52 | |
Carol and Richard, have been married for 43 years. | 0:01:52 | 0:01:55 | |
-It don't seem a day too long. -That's right. | 0:01:55 | 0:01:58 | |
Glad you said that! Now, it says here | 0:01:58 | 0:02:01 | |
that you two have got more fizz than a bottle of champagne! | 0:02:01 | 0:02:04 | |
-That's correct. -We're a good team. | 0:02:04 | 0:02:07 | |
Denise is sweet and full of energy | 0:02:07 | 0:02:09 | |
and she sometimes says I'm like the bubbles - gets up her nose! I can't see it. | 0:02:09 | 0:02:14 | |
No, no. Naturally. | 0:02:14 | 0:02:15 | |
-It's a good start. You're both quite entrepreneurial. -Yes. | 0:02:15 | 0:02:19 | |
-You each run your own business. -My business sells wedding gowns into bridal stores across the UK. | 0:02:19 | 0:02:26 | |
-That's appropriate as you're about to get married. So you've got a good frock? -Very good, yes. | 0:02:26 | 0:02:31 | |
-What's your business, Keith? -We provide promotional products | 0:02:31 | 0:02:35 | |
for businesses and clubs - banners, flags, clothing. | 0:02:35 | 0:02:40 | |
I could do you a good deal on these, Tim. | 0:02:40 | 0:02:42 | |
We get through a few every year. | 0:02:42 | 0:02:44 | |
He's out for a deal. I think you'll do very, very well. | 0:02:44 | 0:02:48 | |
But anyway, very good luck. Now the blues. | 0:02:48 | 0:02:50 | |
-A couple who've been married for 43 years. -That's right. | 0:02:50 | 0:02:54 | |
Carol, you're a big dog lover. | 0:02:54 | 0:02:56 | |
Yes. I've bred golden retrievers for 30 years and I judge them. | 0:02:56 | 0:03:01 | |
I had Best in Show at the Breed Club Championship back in 1984. | 0:03:01 | 0:03:04 | |
Well done. Have you got this passion for canines too, Richard? | 0:03:04 | 0:03:09 | |
Well, I judge Petit Basset Griffon Vendeens. | 0:03:09 | 0:03:13 | |
-Right. -I judged them at Crufts in 2004, my most honoured occasion in the dog world. -Well done. | 0:03:13 | 0:03:20 | |
-Richard, what do you collect? -I'm interested in 18th- and early 19th-century ceramics | 0:03:20 | 0:03:26 | |
because they're incredibly good value at the moment. | 0:03:26 | 0:03:29 | |
Nobody else seems to be terribly interested. | 0:03:29 | 0:03:32 | |
You can pick up something with real historical interest | 0:03:32 | 0:03:35 | |
for a sum that wouldn't buy you a piece of yesterday's tat. | 0:03:35 | 0:03:39 | |
Interesting. No tat bought on today's programme. | 0:03:39 | 0:03:42 | |
Not with this £300 I'm about to give you. £300 apiece. | 0:03:42 | 0:03:45 | |
You know the rules. Your experts await. Off you go. Good luck! | 0:03:45 | 0:03:49 | |
# Love shack, yeah, yeah... # | 0:03:49 | 0:03:53 | |
Foreseeing a successful working relationship with the reds | 0:03:53 | 0:03:57 | |
is Mark Stacey. | 0:03:57 | 0:03:59 | |
And hoping to avoid being in the dog house with the blues | 0:03:59 | 0:04:02 | |
is David Harper. | 0:04:02 | 0:04:04 | |
# The love shack is a little old place where | 0:04:06 | 0:04:10 | |
# We can get together... # | 0:04:10 | 0:04:14 | |
Denise, Keith, I think that's out of our budget range. | 0:04:16 | 0:04:19 | |
That's a shame. | 0:04:19 | 0:04:21 | |
But I've found something you might be interested in. | 0:04:21 | 0:04:24 | |
It's a novelty little item. It's a bedroom jar and cover. I've never seen anything quite like it, | 0:04:24 | 0:04:30 | |
Because look. | 0:04:30 | 0:04:31 | |
When I go like that, you can flick it over. | 0:04:31 | 0:04:34 | |
How cool's that? | 0:04:34 | 0:04:35 | |
It's a bedroom jar to put your hairgrips in | 0:04:35 | 0:04:39 | |
or cut locks of hair and store it in there. | 0:04:39 | 0:04:41 | |
When you need to, you can use it as a mirror. | 0:04:41 | 0:04:45 | |
-How old is it? -It's got a hallmark, so we can tell exactly. | 0:04:45 | 0:04:48 | |
-Birmingham, 1912. -How much is it? | 0:04:48 | 0:04:51 | |
Well, it's marked up at £135, so we need to knock that down a bit. | 0:04:51 | 0:04:56 | |
I'd put something like 60 to 80, 70 to £90. Something like that. | 0:04:56 | 0:05:01 | |
You can never tell with these quirky collectors' items. | 0:05:01 | 0:05:05 | |
If we can get it down to that ballpark, we might have a chance. | 0:05:05 | 0:05:09 | |
-I think we should give it a go. -I think so too. | 0:05:09 | 0:05:12 | |
-OK. Shall I go and see what I can do? -Yes. -See you later. | 0:05:12 | 0:05:16 | |
Always drawn to something a bit quirky, Mark negotiated £90 for the unusual bedroom jar. | 0:05:16 | 0:05:22 | |
But what have Carol and Richard served up for David to look at? | 0:05:22 | 0:05:27 | |
David, we've found this. We like it. What do you think about it? | 0:05:27 | 0:05:31 | |
I recognise it instantly. You tell me about it. | 0:05:31 | 0:05:34 | |
It's Charlotte Rhead. | 0:05:34 | 0:05:36 | |
I think it's a really distinctive piece. | 0:05:36 | 0:05:39 | |
It looks remarkably modern. | 0:05:39 | 0:05:41 | |
Charlotte Rhead is instantly recognisable, | 0:05:41 | 0:05:44 | |
as is Susie Cooper and Clarice Cliff, her two main contemporaries, | 0:05:44 | 0:05:48 | |
all famous in their own lifetime. | 0:05:48 | 0:05:50 | |
Let's have a look at the back. There's Charlotte's signature. | 0:05:50 | 0:05:54 | |
Crown Ducal. OK. "Made in England". | 0:05:54 | 0:05:56 | |
So I would put this somewhere in the 1930s, pre-Second World War. | 0:05:56 | 0:06:00 | |
So pre-'39. OK. Price. What are we looking at? | 0:06:00 | 0:06:04 | |
We know it's popular. We know it will always sell. | 0:06:04 | 0:06:07 | |
We negotiated with the dealer to see what we could do it for. He says we can have it for 115. | 0:06:07 | 0:06:12 | |
-Is that the absolute death? -Yes. | 0:06:12 | 0:06:14 | |
I stood on my head, turned cartwheels. | 0:06:14 | 0:06:16 | |
-She's very determined. -OK. | 0:06:16 | 0:06:19 | |
115. It's over to you. There's nothing wrong with it. | 0:06:19 | 0:06:22 | |
No-one can criticise you for buying it. | 0:06:22 | 0:06:24 | |
Whether it makes a profit, who knows? | 0:06:24 | 0:06:26 | |
It's a bit of quality, so I think we'll take it. | 0:06:26 | 0:06:30 | |
-Happy? -Take it as a star item. -Let's do it. -Yeah. | 0:06:30 | 0:06:33 | |
Hmm. I wonder. | 0:06:33 | 0:06:35 | |
£115 for the Charlotte Rhead plate. What do you reckon, bargain hunters? | 0:06:35 | 0:06:40 | |
Boom or bust? | 0:06:40 | 0:06:43 | |
Look what I've found. I think it's amazing. | 0:06:43 | 0:06:45 | |
-Amazing colour, isn't it? -Yes. | 0:06:45 | 0:06:47 | |
Almost the colour that oil goes on water. | 0:06:47 | 0:06:50 | |
-Yes, a petrol sort of thing. -Very iridescent. -Very eye-catching. -Very. | 0:06:50 | 0:06:55 | |
A very deep rainbow effect. | 0:06:55 | 0:06:58 | |
It's marked on the back. Let's have a look. | 0:06:58 | 0:07:01 | |
-Murano. -Oh, yes! Murano. | 0:07:01 | 0:07:04 | |
Murano is a little island off Venice | 0:07:04 | 0:07:07 | |
which specialises in producing glassware. | 0:07:07 | 0:07:09 | |
It's really exciting. | 0:07:09 | 0:07:11 | |
-In terms of date, it's not that old. It's not an antique. -No. | 0:07:11 | 0:07:15 | |
-How much is it? -The dealer wants £75 for it. | 0:07:15 | 0:07:18 | |
-It doesn't sound a lot, does it? -No, I think it's good. | 0:07:18 | 0:07:21 | |
-I thought it would be more. -So did I. | 0:07:21 | 0:07:23 | |
But this is Bargain Hunt and we do like to negotiate. | 0:07:23 | 0:07:26 | |
-We need to make a profit. -Have a word with the dealer. -I'll see what I can do. | 0:07:26 | 0:07:31 | |
So, while the boys kicked back, Denise took charge, | 0:07:31 | 0:07:35 | |
forking out £65 for the plate. | 0:07:35 | 0:07:38 | |
And it seems the blues have the same idea | 0:07:38 | 0:07:41 | |
of getting the ladies to do all the work. | 0:07:41 | 0:07:44 | |
Look what I've found. | 0:07:44 | 0:07:45 | |
It's a box iron. | 0:07:45 | 0:07:47 | |
It's an iron. My gosh. | 0:07:47 | 0:07:49 | |
I'll tell you what that is. | 0:07:49 | 0:07:51 | |
It's a fantastic example | 0:07:51 | 0:07:53 | |
-of great Victorian inventiveness. -It's called Edna. -It's called Edna. How wonderful is that? | 0:07:53 | 0:08:00 | |
It's got a heat shield to protect your knuckles. | 0:08:00 | 0:08:02 | |
Let's open her up. OK. Now, look at that. | 0:08:02 | 0:08:05 | |
Do you fill that with coal or charcoal? | 0:08:05 | 0:08:08 | |
-Charcoal, I think. -And let the ashes out the hole at the back. | 0:08:08 | 0:08:12 | |
Put the coal in there till it's red-hot. Wham! Off you go. | 0:08:12 | 0:08:15 | |
Imagine using that. | 0:08:15 | 0:08:16 | |
-It's decorative, isn't it? -Very decorative. It's really a museum piece. | 0:08:16 | 0:08:20 | |
-A piece of social -How much is it? | 0:08:20 | 0:08:24 | |
-He's currently asking £10 for it. -Oh, come on! | 0:08:24 | 0:08:27 | |
But I think I can knock him down a bit. | 0:08:27 | 0:08:29 | |
-As long as you don't use that to knock him down with! -I'll try. -We'll look over here. | 0:08:29 | 0:08:34 | |
Carol ironed the price down to a fiver. Now, that's what I call a bargain. | 0:08:34 | 0:08:39 | |
-What have you found there, Keith? -I think it's a sort of buckle. | 0:08:39 | 0:08:43 | |
Yes, it is, isn't it? | 0:08:43 | 0:08:45 | |
-Does it come apart? -Yes, it does. -Yes, it does. | 0:08:45 | 0:08:48 | |
-Have a look, Denise. -See the little masks on there. | 0:08:48 | 0:08:51 | |
And these nice stylised scrolls. | 0:08:51 | 0:08:54 | |
If you look in the centre, there's a stylised creature as well. | 0:08:54 | 0:08:58 | |
See the paws and the head turning in. | 0:08:58 | 0:09:00 | |
It has got that Celtic feel, almost Arts and Crafts feel, really. | 0:09:00 | 0:09:04 | |
I'm almost sure it's continental. | 0:09:04 | 0:09:07 | |
-Is it silver? -It's interesting you say that. It's got a number there. | 0:09:07 | 0:09:12 | |
I think it's 8808 or 808, which is not a silver mark. | 0:09:12 | 0:09:17 | |
Then it has a little trident-type mark on there as well, | 0:09:17 | 0:09:20 | |
none of which are familiar to me, | 0:09:20 | 0:09:23 | |
although it does have the feel of silver. | 0:09:23 | 0:09:25 | |
-Do you think it's very old? -I guess it could be any time from sort of 1900, 1920, I suppose. | 0:09:25 | 0:09:32 | |
-How much is it? -£115. | 0:09:32 | 0:09:34 | |
Gosh! No, no, no. I think we need to tighten our belts on that, you know. | 0:09:34 | 0:09:39 | |
-You need to bargain with him a bit. -We need to get him down. | 0:09:39 | 0:09:42 | |
Go on. Off you go. I'm sure you won't buckle under the pressure! | 0:09:42 | 0:09:46 | |
Clasping the challenge with both hands, | 0:09:46 | 0:09:49 | |
Keith secured the buckle for £90. | 0:09:49 | 0:09:52 | |
Let's hope they aren't caught with their trousers down at auction! | 0:09:52 | 0:09:56 | |
-Ah, he's got an eye for design and style, your husband. -Very stylish, isn't it? | 0:09:56 | 0:10:00 | |
Very stylish indeed. Sometimes less is... Oh, dear! That's nice. | 0:10:00 | 0:10:04 | |
..less is more sometimes. Why do you like it? | 0:10:04 | 0:10:06 | |
I think it's simple. It appears to be English. | 0:10:06 | 0:10:10 | |
-Mmm. -It is stylish, as you said. | 0:10:10 | 0:10:12 | |
-From what period, do you think? -About 1880s, 1890s. | 0:10:12 | 0:10:14 | |
It's bang-on Arts and Crafts. | 0:10:14 | 0:10:17 | |
-Maybe a bit later? -1880 to 1900, that kind of style. | 0:10:17 | 0:10:21 | |
But it is very simple, very plain and beautifully made. Traditionally made. | 0:10:21 | 0:10:24 | |
What excited me when I turned it upside down is it's stamped "London". | 0:10:24 | 0:10:29 | |
I thought, "Goodness me". | 0:10:29 | 0:10:32 | |
If that could have a Liberty anywhere near it or you could attribute it to Christopher Dresser. | 0:10:32 | 0:10:37 | |
-That's asking a bit much! -It is, but I can see it's just London, which is unusual. | 0:10:37 | 0:10:42 | |
Whether it was made in London or retailed out of a store, but it is of that style, | 0:10:42 | 0:10:46 | |
Liberty, Christopher Dresser, 1880, Arts and Crafts, hand-made. | 0:10:46 | 0:10:50 | |
But it is so simple, but so devastatingly stylish | 0:10:50 | 0:10:53 | |
and really of its time. | 0:10:53 | 0:10:55 | |
What kind of price is it? | 0:10:55 | 0:10:57 | |
It's £48, but I haven't haggled yet. | 0:10:57 | 0:11:00 | |
-Well, for £48.... Where would you find another one? -True. | 0:11:00 | 0:11:04 | |
-Let's go for it. -Let's. I'll see what I can do. | 0:11:04 | 0:11:08 | |
Richard fawned up to the dealer and hammered out a £30 deal. | 0:11:08 | 0:11:11 | |
I hereby pronounce that the teams are finally married to their objects. | 0:11:13 | 0:11:17 | |
Time's up. Let's check out what the red team bought. | 0:11:17 | 0:11:21 | |
The reds sealed a £90 deal | 0:11:21 | 0:11:23 | |
for their novelty silver and glass jar. | 0:11:23 | 0:11:25 | |
They paid a smashing £65 for the glass charger. | 0:11:27 | 0:11:31 | |
And, finally, they're hoping to hook as much profit as possible | 0:11:33 | 0:11:37 | |
with the Arts and Crafts metal buckle. | 0:11:37 | 0:11:40 | |
-Keith and Denise, was that good fun? -Great fun. | 0:11:41 | 0:11:44 | |
-Which is your favourite? -The Murano glass. -What about you, Keith? | 0:11:44 | 0:11:48 | |
-I quite like the belt buckle. -Do you? -Mmm. | 0:11:48 | 0:11:51 | |
-Which will bring the biggest profit? -Murano. -Murano glass. | 0:11:51 | 0:11:54 | |
-I'd agree. -You've got to agree? -Yes. | 0:11:54 | 0:11:56 | |
You spent a magnificent £245. | 0:11:56 | 0:11:58 | |
I want 55 smackers to hand over to Mark. There you go. | 0:11:58 | 0:12:01 | |
-£55 is fair enough. -I think so. Not too much, not too little. | 0:12:01 | 0:12:05 | |
-No. -Don't have to exercise the grey cells too much for 55, do you? | 0:12:05 | 0:12:10 | |
I don't know. You might have to work extremely hard! | 0:12:10 | 0:12:13 | |
Depends on what you go for. | 0:12:13 | 0:12:15 | |
Do you know what you're going to go for at this moment? Do you know what you're going to punch into? | 0:12:15 | 0:12:20 | |
No idea whatsoever. | 0:12:20 | 0:12:22 | |
So it's a no-grey-cell moment? | 0:12:22 | 0:12:24 | |
No grey cell! | 0:12:24 | 0:12:26 | |
Good luck, Mark. Let's remind ourselves what the blues bought. | 0:12:26 | 0:12:31 | |
The blues had an expensive first course, | 0:12:31 | 0:12:33 | |
paying £115 for the Charlotte Rhead plate. | 0:12:33 | 0:12:36 | |
They hope to flatten out the competition | 0:12:36 | 0:12:39 | |
with the decorative iron. | 0:12:39 | 0:12:42 | |
And finally, will they be proposing a toast | 0:12:42 | 0:12:45 | |
after selling the copper ale pitcher? | 0:12:45 | 0:12:47 | |
-Did you have a good time? -Wonderful. -A great time. -It's a laugh. | 0:12:49 | 0:12:53 | |
-What is your favourite piece? -I think the iron. | 0:12:53 | 0:12:56 | |
-Richard? -The Charlotte Rhead charger. -That's your favourite? -Yes. | 0:12:56 | 0:13:00 | |
-Which piece will bring the biggest profit? -The iron. | 0:13:00 | 0:13:03 | |
You're not predicting much on the rest of it! | 0:13:03 | 0:13:06 | |
-We think the Charlotte Rhead is a bit tight on the cash. -OK. | 0:13:06 | 0:13:11 | |
You may well be right. We'll find out at auction. | 0:13:11 | 0:13:13 | |
-You only spent £150, which is miserable! -I'm sorry. -That's OK. | 0:13:13 | 0:13:17 | |
-£150 of leftover lolly. -Thank you. -You'll need Securicor to escort you! | 0:13:17 | 0:13:22 | |
To be even more miserable, I'm going to break the mould | 0:13:22 | 0:13:25 | |
and buy a piece of brown furniture. | 0:13:25 | 0:13:29 | |
Something really heavy? | 0:13:29 | 0:13:30 | |
-Something unsuitable. -Yes, a very brown...! Yes. | 0:13:30 | 0:13:34 | |
I hope it hasn't sold already. Good luck, David. | 0:13:34 | 0:13:37 | |
I can think of no nicer place to be than at Charles Hanson sale room with Charles himself. | 0:13:44 | 0:13:49 | |
-Good morning. -Morning, Charles. Very nice to see you. | 0:13:49 | 0:13:53 | |
We have high expectations today, as usual. | 0:13:53 | 0:13:56 | |
Keith and Denise, the red team, their first item, | 0:13:56 | 0:13:59 | |
this novelty, I suppose it's a cotton wool pot, isn't it? | 0:13:59 | 0:14:02 | |
I think it is, Tim. It oozes quality as well. | 0:14:02 | 0:14:05 | |
The strawberry cutting is superb. | 0:14:05 | 0:14:08 | |
Typically early 20th century, George V, and it's novelty as well. | 0:14:08 | 0:14:12 | |
-I really rate it. -How much do you rate it? | 0:14:12 | 0:14:14 | |
Guide price about £30. | 0:14:14 | 0:14:16 | |
£30?! That's not enough! £90 they paid for that. | 0:14:16 | 0:14:20 | |
It is very novel and I do hope a lady of leisure might decide to take it home with her. | 0:14:20 | 0:14:26 | |
Next is this glass charger. | 0:14:26 | 0:14:29 | |
-It's got a nice lustrey colour to it, but... -Yes, it has. | 0:14:29 | 0:14:32 | |
It's obviously Murano, Italian. | 0:14:32 | 0:14:34 | |
There is a big Murano following. Let's not forget that. | 0:14:34 | 0:14:37 | |
My guide price, Tim, on this very large charger | 0:14:37 | 0:14:40 | |
will be between 20 and £30. | 0:14:40 | 0:14:42 | |
-Right. £65 they paid. -Right. -They've got high expectations for this. | 0:14:42 | 0:14:47 | |
Again, Tim, we want to fuel the market, basically. | 0:14:47 | 0:14:50 | |
That's why you've put these low estimates on? No, fair enough. | 0:14:50 | 0:14:54 | |
-That's your strategy. Now, what about this extraordinarily well done silver belt buckle? -Indeed. | 0:14:54 | 0:15:00 | |
I think that's a Beezer object. | 0:15:00 | 0:15:02 | |
-You think Georg Jensen, that Norwegian Viking inspiration. -I'm Norwegian, I absolutely am. | 0:15:02 | 0:15:09 | |
Not so fashionable to wear, but they are collectible as works of art in their own right. | 0:15:09 | 0:15:15 | |
I'm hoping it will be fashionable enough to buy | 0:15:15 | 0:15:17 | |
and our guide price will be between 30 and £50. | 0:15:17 | 0:15:19 | |
-30 to £50. OK, £90 paid. -Right. | 0:15:19 | 0:15:22 | |
-There's a distance to travel for all of these. -There is! | 0:15:22 | 0:15:26 | |
I think they're going to need their bonus buy. Let's have a look at it. | 0:15:26 | 0:15:30 | |
So, Keith and Denise. The leftover lolly moment. | 0:15:31 | 0:15:34 | |
You spent £245. You gave Mark £55. | 0:15:34 | 0:15:38 | |
-Did he spend the lot? -I didn't, Tim. | 0:15:38 | 0:15:41 | |
I spent £35 on this. | 0:15:41 | 0:15:45 | |
-A-ha! -I know they love Italian glass and this is Murano. | 0:15:45 | 0:15:49 | |
Probably from the '60s or '70s, I would have thought, but quite a nice funky shape. | 0:15:49 | 0:15:54 | |
It's a nice strong design, a nice cobalt blue with the yellow decoration on it. | 0:15:54 | 0:15:59 | |
-£35 is not a lot of money. -No. -I'd hope to see a fiver or tenner profit. -Yeah. | 0:15:59 | 0:16:05 | |
Still, don't decide until after the sale of your three items. | 0:16:05 | 0:16:08 | |
For viewers, let's find out what the auctioneer thinks about it. | 0:16:08 | 0:16:12 | |
It has a great look about it. It's vibrant, it's quite garish. | 0:16:13 | 0:16:17 | |
-Yes. -It is this wonderful Murano heavy glass object. | 0:16:17 | 0:16:21 | |
It is what it is, really. | 0:16:21 | 0:16:23 | |
-What would you put on it? -My guide price would be between 20 and £30. | 0:16:23 | 0:16:27 | |
£35, Mark went with that. | 0:16:27 | 0:16:30 | |
-He's got slightly carried away. -He always gets carried away! | 0:16:30 | 0:16:33 | |
Now for the blue team. | 0:16:33 | 0:16:35 | |
We've got Carol and Richard with the Charlotte Rhead charger. | 0:16:35 | 0:16:39 | |
-Yes. -So that tube line stuff used to make a lot of money by Charlotte Rhead. | 0:16:39 | 0:16:44 | |
-Does it today? -I think the market's dropped somewhat | 0:16:44 | 0:16:47 | |
for Charlotte Rhead. Why, I don't know, because it's the epitome of taste in the '30s. | 0:16:47 | 0:16:52 | |
My guide price will be between 50 and £80. | 0:16:52 | 0:16:55 | |
Oh, Lord. £115 they paid. | 0:16:55 | 0:16:58 | |
-That's a lot, really, Tim. -Isn't it? -Yep. | 0:16:58 | 0:17:00 | |
What about this box iron? | 0:17:00 | 0:17:03 | |
It's a great weight and has a great look about it, | 0:17:03 | 0:17:05 | |
this burnished worn gilding, it's marked "Edna" in two places. | 0:17:05 | 0:17:10 | |
Patent mark as well. | 0:17:10 | 0:17:12 | |
-Um... -You're struggling here! | 0:17:12 | 0:17:14 | |
-I quite rate it, though. -Do you? -What paid for it? | 0:17:14 | 0:17:16 | |
-£5. -Right. Well, my auction guide is between 20 and 40. | 0:17:16 | 0:17:21 | |
-Is it, really? -Yes. -We're predicting a straight profit on this? | 0:17:21 | 0:17:25 | |
-Absolutely. -Things are turning up round here! | 0:17:25 | 0:17:28 | |
What about the so-called Arts and Crafts copper pitcher? | 0:17:28 | 0:17:31 | |
To me, it's quite cobbled together. | 0:17:31 | 0:17:33 | |
It looks an amalgam of styles. | 0:17:33 | 0:17:35 | |
-So, how much? -Again, 15 to £20. | 0:17:35 | 0:17:39 | |
OK. £30 paid, so it's not so far off, is it? | 0:17:39 | 0:17:42 | |
It's the market. Copper and brassware is going through a difficult time. | 0:17:42 | 0:17:46 | |
It's cheap at that. | 0:17:46 | 0:17:47 | |
Out of the three pieces, it's the Charlotte Rhead that might get them into trouble. | 0:17:47 | 0:17:53 | |
Let's see their bonus buy. | 0:17:53 | 0:17:56 | |
-Ah. -Yeah. Right. -Indo-Persian, yeah? | 0:17:56 | 0:18:00 | |
It's an Anglo-Indian or Anglo-Persian campaign table. | 0:18:00 | 0:18:04 | |
-It folds up. It's got hinges. -Good girl. It does fold up. | 0:18:04 | 0:18:07 | |
That's what campaign furniture does. | 0:18:07 | 0:18:10 | |
-Campaign furniture has been with us for centuries. -Can I pick it up? | 0:18:10 | 0:18:13 | |
-You do it, if you know. -I don't know, but I can take the top off. | 0:18:13 | 0:18:17 | |
You simply pack it away, something like that, bung the top on, | 0:18:17 | 0:18:22 | |
put it on your camel or elephant and off you go. When you pitch your tent, | 0:18:22 | 0:18:27 | |
your servants can furnish the tent with all the luxuries you're used to, Tim. | 0:18:27 | 0:18:33 | |
Dining tables, four-poster beds, all those things! Including wine tables. | 0:18:33 | 0:18:38 | |
-How much did you pay for it? -How much do you think? | 0:18:38 | 0:18:41 | |
-25? -Oh, very close. £20. | 0:18:41 | 0:18:43 | |
Campaign furniture is so undervalued. | 0:18:43 | 0:18:46 | |
It was us in the 19th century that mass-produced it for ourselves | 0:18:46 | 0:18:50 | |
in the colonies, Africa. | 0:18:50 | 0:18:51 | |
It's a lovely item. The price was right. But we need two people that want it. | 0:18:51 | 0:18:55 | |
-Unfortunately, one of them would be me, and I can't bid. -And one would be me | 0:18:55 | 0:19:00 | |
so we'd be outbidding each other to 100 quid for that! | 0:19:00 | 0:19:03 | |
But are you two guys unique? If you're not, there'll be two others out there. | 0:19:03 | 0:19:08 | |
There might well be. | 0:19:08 | 0:19:10 | |
Don't decide until the sale of your three items. | 0:19:10 | 0:19:13 | |
For viewers at home, let's find out what the auctioneer thinks of this sweet little table. | 0:19:13 | 0:19:20 | |
It makes my heart just feel very empty. | 0:19:20 | 0:19:23 | |
-Does it? -Yes. -Well, it's described as a campaign table. | 0:19:23 | 0:19:28 | |
Well. | 0:19:28 | 0:19:30 | |
I mean, it's what it is, Tim. I'm sure it's Persian. | 0:19:30 | 0:19:34 | |
Came over from 1890, 1930. They were mass-produced. | 0:19:34 | 0:19:38 | |
But that's as far as we go with it. | 0:19:38 | 0:19:40 | |
-My guide price is actually between 20 and £30. -That's amazing! | 0:19:40 | 0:19:45 | |
So it might make five, it might make £15. | 0:19:45 | 0:19:48 | |
-It might make 25. -Right. That is leading to a lot of confusion! | 0:19:48 | 0:19:53 | |
-Whether it will make a profit remains to be seen. -Correct. | 0:19:53 | 0:19:58 | |
Good luck in the auction. | 0:19:58 | 0:20:00 | |
-I'll need it. -Yes! | 0:20:00 | 0:20:01 | |
Now, Denise and Keith. How are you both feeling? | 0:20:10 | 0:20:14 | |
-Excited. -Are you? | 0:20:14 | 0:20:16 | |
No nerves at all, Keith? | 0:20:16 | 0:20:17 | |
Depends how you interpret nerves. No, I don't think so. | 0:20:17 | 0:20:21 | |
-Apprehension, perhaps. -A little bit apprehensive. | 0:20:21 | 0:20:24 | |
-But you're determined to make profits. -We are, yes. -That goes without saying! | 0:20:24 | 0:20:29 | |
First up, the novelty bedroom jar. Here it comes. | 0:20:29 | 0:20:32 | |
A lovely novel George V jar and cover. | 0:20:32 | 0:20:37 | |
It really is very, very nice. There we are. | 0:20:37 | 0:20:39 | |
I've got 50 on my book. | 0:20:39 | 0:20:42 | |
£50 bid. Do I see two? | 0:20:42 | 0:20:44 | |
50 bid. Surely to you all out in the room. | 0:20:44 | 0:20:48 | |
It's my commission bid. Fair warning. All done? | 0:20:48 | 0:20:51 | |
Going at 50. | 0:20:51 | 0:20:53 | |
£50 is not a big price. Minus £40. Bad luck, Mark. | 0:20:53 | 0:20:57 | |
Next up is the glass charger. | 0:20:57 | 0:20:59 | |
It's Murano, it's lustred. A slightly mottled feel. | 0:20:59 | 0:21:03 | |
There we are. I'm bid here £15. | 0:21:03 | 0:21:07 | |
18, 20 and two? Two. Five. | 0:21:07 | 0:21:10 | |
The lady. Your bid at £25. I'll take eight. Come on! | 0:21:10 | 0:21:13 | |
Surely eight? 30? | 0:21:13 | 0:21:15 | |
-Madam, one more. A lovely smile. Are you sure? -Yes. -Thank you. 30. | 0:21:15 | 0:21:19 | |
Thanks for coming. 30 and two, sir, now? | 0:21:19 | 0:21:21 | |
You're out. You're in. All done? | 0:21:21 | 0:21:24 | |
At £30 sale. Yours. | 0:21:24 | 0:21:26 | |
£35. Bad luck, darling. | 0:21:26 | 0:21:28 | |
Now, Keith. | 0:21:28 | 0:21:30 | |
Is the buckle going to take you out? | 0:21:30 | 0:21:32 | |
Has anybody spotted it? | 0:21:32 | 0:21:35 | |
We have got this very stylish, probably Norwegian, | 0:21:35 | 0:21:38 | |
Arts and Crafts style buckle. | 0:21:38 | 0:21:40 | |
We have got interest here. | 0:21:40 | 0:21:42 | |
At five, eight, 30, do I see two? Five. | 0:21:42 | 0:21:45 | |
Eight. 42. I'm out. | 0:21:45 | 0:21:47 | |
Five over here. 48. | 0:21:47 | 0:21:50 | |
50. Five. 60. Five. | 0:21:50 | 0:21:52 | |
70. Five. 80. Five. £85. | 0:21:52 | 0:21:55 | |
-Come on! -Do I see 90? -A bit more, please! | 0:21:55 | 0:21:58 | |
To you, sir. Yours. | 0:21:58 | 0:22:00 | |
£85. That's minus £5. Bad luck, chaps. | 0:22:00 | 0:22:03 | |
40, 75. Minus 80, OK? | 0:22:03 | 0:22:05 | |
Minus £80. What are you doing about the Murano? Go with it? | 0:22:05 | 0:22:09 | |
-It's a winning score, isn't it? -Yes. Could be a winning score. | 0:22:09 | 0:22:12 | |
-If it goes as badly for the blues as it has for you... -We said if the Murano didn't go... No, not going. | 0:22:12 | 0:22:18 | |
-No bonus buy. No bonus buy? -No. | 0:22:18 | 0:22:20 | |
It's a very stylish retro thing, if you like it. | 0:22:20 | 0:22:24 | |
There we are. I like it. Bit of interest here. | 0:22:24 | 0:22:27 | |
£20. Do I see two, please? | 0:22:27 | 0:22:29 | |
£20 I'm bid. Two. I'm out. | 0:22:29 | 0:22:31 | |
At £22. Five. 28. | 0:22:31 | 0:22:35 | |
30. Two. | 0:22:35 | 0:22:36 | |
One more, madam? Are you sure? No? Thank you. | 0:22:36 | 0:22:39 | |
Your bid, sir, at 30. I'll take two now. Come on. At £30. | 0:22:39 | 0:22:43 | |
-We say sale. -£30. | 0:22:43 | 0:22:45 | |
-Minus £5. -We'd have lost about five. | 0:22:45 | 0:22:47 | |
You did well not to take it, actually. | 0:22:47 | 0:22:49 | |
You've preserved your losses at only £80. | 0:22:49 | 0:22:53 | |
You've ring-fenced the debt. | 0:22:53 | 0:22:55 | |
Will it beat the blues? That's the big question. | 0:22:55 | 0:22:58 | |
-Don't tell them a thing. -No, no. | 0:22:58 | 0:23:00 | |
-Zip up, look confident, if you see them. -Always! -Always! | 0:23:00 | 0:23:04 | |
-Carol and Richard, do you know how the reds got on? -No idea. -Very good. | 0:23:16 | 0:23:20 | |
-So are you feeling at all shifty or nervous? -No. | 0:23:20 | 0:23:23 | |
-No? -No, we either win or lose. We don't really care. | 0:23:23 | 0:23:26 | |
We've been playing the game and had great fun. | 0:23:26 | 0:23:30 | |
That's a very sensible attitude, Carol. | 0:23:30 | 0:23:32 | |
Pleased to hear it. First, the Charlotte Rhead charger. | 0:23:32 | 0:23:35 | |
-Here it is. -Where do we start? I'm bid here | 0:23:35 | 0:23:38 | |
25. 28. 32. Five? | 0:23:38 | 0:23:41 | |
Do I see eight? Let's have a bit more. | 0:23:41 | 0:23:43 | |
Eight. 45. | 0:23:43 | 0:23:45 | |
55. | 0:23:45 | 0:23:46 | |
I've got 50. I'll take five. I'll take two if it helps. At £50. | 0:23:46 | 0:23:50 | |
Two. I'm out. At £52. Takes my bid. | 0:23:50 | 0:23:53 | |
-Come on! More! -Do I see five, surely? Worth more than that, surely? | 0:23:53 | 0:23:57 | |
Fair warning. | 0:23:57 | 0:24:00 | |
-Well. -That's terrible, isn't it? £52. -That's awful. | 0:24:00 | 0:24:04 | |
-Terrible! -That's £63 off. | 0:24:04 | 0:24:06 | |
Yes, something like 63. | 0:24:06 | 0:24:08 | |
-63. -We're going for the world's greatest loss. | 0:24:08 | 0:24:11 | |
-Not so good, is it? -No. -Now, here comes Edna. | 0:24:11 | 0:24:13 | |
An interesting patented Number 7 box iron, | 0:24:13 | 0:24:18 | |
stamped Edna, late Victorian. | 0:24:18 | 0:24:20 | |
I have got interest. Make no mistake, I am bid here £10. | 0:24:20 | 0:24:24 | |
15. 18. 20. 22. Five, eight. I'm out. | 0:24:26 | 0:24:30 | |
Now, come on! | 0:24:30 | 0:24:32 | |
At £28, surely 30? | 0:24:32 | 0:24:34 | |
At £28. | 0:24:34 | 0:24:35 | |
She's gorgeous. She's gorgeous! | 0:24:35 | 0:24:37 | |
Standing and selling at £28. | 0:24:37 | 0:24:41 | |
-Hooray! -Marvellous. Plus £23. | 0:24:41 | 0:24:43 | |
-Perfect, isn't it? Marvellous. -Absolutely great. | 0:24:43 | 0:24:46 | |
So you are down to minus 40. | 0:24:46 | 0:24:49 | |
-Here we go. Now your pitcher, Richard. -A very nice jug. | 0:24:49 | 0:24:53 | |
I'm bid £5 for it. | 0:24:53 | 0:24:55 | |
Come on! | 0:24:55 | 0:24:57 | |
Eight, ten, 12, 15, £18. I'm out. Do I see 20 now? | 0:24:57 | 0:25:01 | |
-£18. I look for 20. -Come on! -I've got 20. And two, madam? | 0:25:01 | 0:25:05 | |
Two. Out. At £20. | 0:25:05 | 0:25:08 | |
-More! -All done! Selling. Fair warning. It's yours at that price. | 0:25:08 | 0:25:11 | |
£22. That's minus £8. | 0:25:11 | 0:25:14 | |
Minus 48. Minus £48. What about the campaign table? | 0:25:14 | 0:25:19 | |
-Going with that? -Yes. -David's been absolutely tremendous. We're going with him. | 0:25:19 | 0:25:23 | |
Great. Going with the bonus buy. The campaign table. | 0:25:23 | 0:25:27 | |
There we are. 231. Where do we start? | 0:25:27 | 0:25:30 | |
I am bid here £12. Do I see 15, please? | 0:25:30 | 0:25:34 | |
At £12. Do I see 15? | 0:25:34 | 0:25:36 | |
All I'm bid 12. 15, 18, 20, I'm out. | 0:25:36 | 0:25:40 | |
-Come on! -Do I see two now? | 0:25:40 | 0:25:42 | |
Come on. I'm bid 20. Where's two? | 0:25:42 | 0:25:45 | |
Surely two! You're all out here. Come on! | 0:25:45 | 0:25:47 | |
20. It's going. | 0:25:47 | 0:25:49 | |
-£20. -At least we broke even. -We did. | 0:25:49 | 0:25:52 | |
Well done. Wipe your face. Overall, | 0:25:52 | 0:25:54 | |
you went with the bonus buy, made no score on the bonus buy | 0:25:54 | 0:25:58 | |
so you're still minus £48. | 0:25:58 | 0:26:00 | |
It could be a winning score, so don't tell the reds a thing. | 0:26:00 | 0:26:03 | |
-Not a word. -Good on you. | 0:26:03 | 0:26:05 | |
Well, what an interesting programme, eh? | 0:26:15 | 0:26:18 | |
Not much in the way of profits. Largely losses, actually. | 0:26:18 | 0:26:21 | |
I know that you are a particularly competitive girl. | 0:26:21 | 0:26:25 | |
I know you hate to be the runners-up. | 0:26:25 | 0:26:28 | |
So I'm going to make your day by saying the runners-up are the reds! | 0:26:28 | 0:26:31 | |
CHEERING | 0:26:31 | 0:26:34 | |
You've made a couple over there extremely happy! | 0:26:34 | 0:26:38 | |
Sadly, you finished up with losses on every item. Minus 80. | 0:26:38 | 0:26:42 | |
You didn't go with the bonus buy, a wise move. So losses of minus 80. | 0:26:42 | 0:26:47 | |
The programme wishes you all the best for your forthcoming nuptials. | 0:26:47 | 0:26:51 | |
We hope all goes well with that. | 0:26:51 | 0:26:53 | |
Better than the bargain hunting, we hope! | 0:26:53 | 0:26:55 | |
-But for the victors today, the blues, which is really super. -It is. | 0:26:55 | 0:27:00 | |
So you've won today with a score of minus £48. | 0:27:00 | 0:27:03 | |
-Well done. You've been a great team. -We've done good. | 0:27:03 | 0:27:06 | |
-Join us soon for more bargain hunting. Yes? -ALL: Yes! | 0:27:06 | 0:27:10 |