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This is good fun, isn't it? | 0:00:03 | 0:00:05 | |
Very relaxing. I hope I get a nibble and catch a big one! | 0:00:05 | 0:00:10 | |
I'm optimistic about our team's chances of landing a big fish | 0:00:10 | 0:00:14 | |
and reeling in enormous profits. | 0:00:14 | 0:00:16 | |
But we won't find out until we go bargain hunting! | 0:00:16 | 0:00:19 | |
Oh, God. | 0:00:20 | 0:00:21 | |
We're in Devon, Bargain Hunters, in the small town of Topsham. | 0:00:50 | 0:00:54 | |
Originally, this was a Roman settlement. | 0:00:54 | 0:00:57 | |
The place has a rich and varied history | 0:00:57 | 0:01:00 | |
dating back hundreds of years. | 0:01:00 | 0:01:03 | |
With £300, a time limit of an hour and an expert to help them, | 0:01:03 | 0:01:08 | |
our teams today should have all the relevant equipment | 0:01:08 | 0:01:12 | |
to enable them to trawl for the very best treasures | 0:01:12 | 0:01:16 | |
at the Topsham Quay Antiques Centre. | 0:01:16 | 0:01:18 | |
So, champing at the bit to go bargain hunting today | 0:01:24 | 0:01:27 | |
-are the Reds, Renee and Vivian... -Hello, Tim! -..and Grace... Ooh! | 0:01:27 | 0:01:32 | |
-And Grace and James. -Hello, Tim. | 0:01:32 | 0:01:35 | |
Hel-lo. | 0:01:35 | 0:01:36 | |
-Renee... -Yes, Tim. | 0:01:36 | 0:01:38 | |
-..there's something very excitable about your nature. -There is? | 0:01:38 | 0:01:42 | |
There's something that both of you are very excited about today. | 0:01:42 | 0:01:46 | |
What would that be? | 0:01:46 | 0:01:47 | |
That is to meet you! | 0:01:47 | 0:01:49 | |
Why are you so excited about meeting me? | 0:01:49 | 0:01:51 | |
-Because you're so eccentric... -And flamboyant. | 0:01:51 | 0:01:55 | |
"So fat", I thought you were going to say! | 0:01:55 | 0:01:59 | |
I detect a bit of an accent. Would you be from over the water? | 0:01:59 | 0:02:02 | |
-Yes, from Italy. -Italy. Ah, bella Italiana! | 0:02:02 | 0:02:06 | |
What do you do for a living? | 0:02:06 | 0:02:08 | |
At the moment, I'm retired, but I do a lot of voluntary work. | 0:02:08 | 0:02:12 | |
What did you first do when you worked here? | 0:02:12 | 0:02:15 | |
My first job was a beauty therapist. | 0:02:15 | 0:02:17 | |
-Really? Is that where you two met? -Yep, that's where we met. | 0:02:17 | 0:02:20 | |
She was one of my first clients. | 0:02:20 | 0:02:22 | |
-And you've been friends ever since? -Yes. | 0:02:22 | 0:02:24 | |
Isn't that great? | 0:02:24 | 0:02:26 | |
-Vivian, you're retired. -Yes. -What did you do before you retired? | 0:02:26 | 0:02:30 | |
I was a counsellor in NHS surgeries. | 0:02:30 | 0:02:32 | |
I enjoyed it very much, because it was helping people and it was very interesting. | 0:02:32 | 0:02:37 | |
But you've got a great passion and that's for antiques. | 0:02:37 | 0:02:40 | |
-Absolutely. -Lovely to have somebody who's really keen on the programme. | 0:02:40 | 0:02:44 | |
What do you like about antiques? | 0:02:44 | 0:02:45 | |
I just like looking at them and I like the feel of them, | 0:02:45 | 0:02:49 | |
the look of them, the beauty that they don't do any more, | 0:02:49 | 0:02:52 | |
as far as I'm concerned. You just don't see it around. | 0:02:52 | 0:02:56 | |
-Are you up for this bargain hunting? -We are, indeed. | 0:02:56 | 0:02:58 | |
-Are you going to beat the Blues? -Yes. -That's what we like, is fighting talk. | 0:02:58 | 0:03:02 | |
Although, the Blues don't look particularly scared, | 0:03:02 | 0:03:05 | |
-do you Grace and James? -No. | 0:03:05 | 0:03:06 | |
Grace, you're experienced in the fashion business. | 0:03:06 | 0:03:09 | |
I am, indeed. I used to own a couple of clothes shops. | 0:03:09 | 0:03:13 | |
I had one in Torquay called Glamour Puss and one called Icon in Cornwall. | 0:03:13 | 0:03:17 | |
But you're not in that business any more? | 0:03:17 | 0:03:19 | |
I sold my businesses about four years ago and I'm an estate agent now. | 0:03:19 | 0:03:23 | |
-Really? -I am. | 0:03:23 | 0:03:24 | |
Do you collect anything? | 0:03:24 | 0:03:26 | |
I like mirrors. I recently got a beautiful Art Deco mirror. | 0:03:26 | 0:03:29 | |
My house is 1930s and I've probably got about 20. | 0:03:29 | 0:03:34 | |
-20 mirrors! Not all in one room? -Not all in one room. | 0:03:34 | 0:03:37 | |
A fair amount are in the dining room. | 0:03:37 | 0:03:40 | |
-James, you're also an estate agent. -I am. | 0:03:40 | 0:03:42 | |
-Are you interested in collecting? -Oh, yes. -What do you collect? | 0:03:42 | 0:03:46 | |
I've got a large collection of watches and clocks, | 0:03:46 | 0:03:49 | |
which is borne from my father and grandfather | 0:03:49 | 0:03:51 | |
being watch and clockmakers. | 0:03:51 | 0:03:54 | |
I'm keen on collecting all round. | 0:03:54 | 0:03:56 | |
What's your favourite watch? | 0:03:56 | 0:03:58 | |
Probably, the earliest was a watch that my father showed me | 0:03:58 | 0:04:02 | |
when I was probably four or five and I took an instant liking to. | 0:04:02 | 0:04:06 | |
You're not going to buy watches today, are you? To make a profit. | 0:04:06 | 0:04:10 | |
Probably not. | 0:04:10 | 0:04:11 | |
It's the money moment. Here you go. £300. You know the rules. | 0:04:11 | 0:04:14 | |
Your experts await. Off you go! Very good luck. | 0:04:14 | 0:04:18 | |
Taking on the good cause of making profits for the Reds | 0:04:21 | 0:04:24 | |
is James Braxton | 0:04:24 | 0:04:25 | |
and estimating the correct value for the Blues | 0:04:25 | 0:04:28 | |
is Philip Serrell. | 0:04:28 | 0:04:30 | |
And today, they'll have their work cut out, helping two lots of teams. | 0:04:31 | 0:04:36 | |
-Ladies. Come on. -What have you found? | 0:04:36 | 0:04:39 | |
A rather handsome-looking swan, isn't he? | 0:04:39 | 0:04:42 | |
-I can't say I like it very much, James. Sorry. -Mixed emotions? | 0:04:42 | 0:04:46 | |
-Yes. -Not the positive feedback I was hoping for. -Oh, shame! | 0:04:46 | 0:04:50 | |
It looks like a centrepiece, a table centrepiece. | 0:04:50 | 0:04:54 | |
-Is it all in one piece? -I think it is. | 0:04:54 | 0:04:56 | |
This is the crucial thing. We'll just check it. | 0:04:56 | 0:04:59 | |
I'll just take a coin | 0:04:59 | 0:05:00 | |
and if it slides quite nicely, it means it hasn't been restored. | 0:05:00 | 0:05:04 | |
-It's made in Dartmouth. -That's quite near here, isn't it? | 0:05:04 | 0:05:09 | |
-Date? -It looks post-war. | 0:05:09 | 0:05:11 | |
It does, doesn't it? 1947. | 0:05:11 | 0:05:14 | |
-How much is it? -That's the good news. It's priced at £25. | 0:05:14 | 0:05:18 | |
At £25, I think you're getting quite a lot of bang for your bucks. | 0:05:18 | 0:05:23 | |
Give me a price, somebody. | 0:05:23 | 0:05:25 | |
You're the professional, you tell us how much it's going to make. | 0:05:25 | 0:05:28 | |
-Not a huge amount, £5, £10? -Do you think that's a profit? | 0:05:28 | 0:05:33 | |
-Not great, but it's a profit. -OK. | 0:05:33 | 0:05:36 | |
Well, I don't think Renee is convinced. | 0:05:36 | 0:05:39 | |
But James pecked the price down to £20. | 0:05:39 | 0:05:42 | |
Let's fly over to the Blues to see what's stirring. | 0:05:42 | 0:05:46 | |
How about that? | 0:05:46 | 0:05:48 | |
Got a bit of a look to it, hasn't it? | 0:05:48 | 0:05:49 | |
Why do you like that? | 0:05:49 | 0:05:51 | |
It looks like it's been hand-crafted, as a one-off. | 0:05:51 | 0:05:54 | |
Perhaps trench art or somebody using up a bit of scrap copper or brass. | 0:05:54 | 0:05:59 | |
I'm surprised you can see it from up there. You on an orange box? | 0:05:59 | 0:06:02 | |
There's some binoculars in another case. | 0:06:02 | 0:06:05 | |
It's nice, isn't it? Do you reckon that's a caddy spoon? | 0:06:05 | 0:06:08 | |
Let's have a look at it. Hold that, my love. | 0:06:08 | 0:06:11 | |
I don't know that it is a caddy spoon. | 0:06:11 | 0:06:13 | |
It's quite big and clumpy. | 0:06:13 | 0:06:14 | |
-This is clearly beaten copper. -Yeah, that's nice. | 0:06:14 | 0:06:17 | |
Brass arrowhead here and you've got these little steel buttons. | 0:06:17 | 0:06:21 | |
-What style do you think that is? -That's probably Arts and Crafts, | 0:06:21 | 0:06:25 | |
because of the way it's handmade, its decorative pattern. | 0:06:25 | 0:06:29 | |
I think you're right and that's flavour of the month at the moment. | 0:06:29 | 0:06:32 | |
Having given you the ticket, | 0:06:32 | 0:06:34 | |
-how much is it? -It's £15. | 0:06:34 | 0:06:37 | |
You probably ought to see if you can get some off, but I'd buy that anywhere. | 0:06:37 | 0:06:40 | |
It stands a chance of doubling your money. | 0:06:40 | 0:06:43 | |
So, what do you reckon, a tenner would be good? Anything in-between? | 0:06:43 | 0:06:46 | |
-You ought to go and unleash Grace on them. -Do you think? | 0:06:46 | 0:06:50 | |
-I do, yeah. -All right. | 0:06:50 | 0:06:52 | |
-Get your coat! -Go get 'em, girl! | 0:06:52 | 0:06:55 | |
Gracie clawed a few quid off and spooned out £13. | 0:06:55 | 0:07:00 | |
James, what do you think of this beautiful, beautiful tray? | 0:07:00 | 0:07:04 | |
It seems as though it's got three different metals in it. | 0:07:04 | 0:07:07 | |
It is nice. It's got a sense of style about it. | 0:07:07 | 0:07:10 | |
We've got a copper body here | 0:07:10 | 0:07:12 | |
that's principal metal, and they've engraved a design there, | 0:07:12 | 0:07:16 | |
and then they've introduced the brass. | 0:07:16 | 0:07:18 | |
-The silver, I'd imagine is a pewter. -Do you think it's Arts and Crafts? | 0:07:18 | 0:07:22 | |
It has that feel, doesn't it? With this crimped edge. | 0:07:22 | 0:07:26 | |
-What's the price? -It's £48. -£48. | 0:07:26 | 0:07:29 | |
I'm hoping to be able to get it down. What do you think? | 0:07:29 | 0:07:32 | |
-Do you think it's worth it? -I think it's worth it. | 0:07:32 | 0:07:35 | |
I've seen a lot of other trays here today, most of them have been tatty. | 0:07:35 | 0:07:39 | |
This has integrity. | 0:07:39 | 0:07:40 | |
And you think we'll make a good profit? | 0:07:40 | 0:07:42 | |
I think we have the opportunity of profit. | 0:07:42 | 0:07:45 | |
I like it, it's got very pretty colours in there. | 0:07:45 | 0:07:48 | |
Vivian, let Renee do the deal. | 0:07:48 | 0:07:51 | |
-You and I, a G and T is calling us. -Good idea. | 0:07:51 | 0:07:55 | |
Poor Renee missing out on a tipple, | 0:07:55 | 0:07:57 | |
but she paid a crafty £35 for that tray. | 0:07:57 | 0:08:00 | |
Are the Blues having trouble making up their minds? | 0:08:00 | 0:08:04 | |
-Any good? -No. -Come on. | 0:08:04 | 0:08:06 | |
-How about that? -Yes. | 0:08:06 | 0:08:09 | |
-Yes? You don't even know what it is yet. -I don't know what it is. | 0:08:09 | 0:08:12 | |
You're easy to please, aren't you? It's a little box with a drug jar. | 0:08:12 | 0:08:16 | |
OK. And it turns... | 0:08:16 | 0:08:18 | |
-Ah! -Yeah? | 0:08:18 | 0:08:20 | |
It would've been wonderful | 0:08:20 | 0:08:23 | |
-if we could've had some sort of drug inscription on here. -Yeah. | 0:08:23 | 0:08:27 | |
-Is there anything on the bottom? -No. Zilch. | 0:08:27 | 0:08:30 | |
But you can tell from that mark there, that it's quite old. | 0:08:30 | 0:08:34 | |
No chips and it fits in there wonderfully well. | 0:08:34 | 0:08:37 | |
It all looks original, doesn't it? | 0:08:37 | 0:08:39 | |
The thing that appeals to me most about it? 12 quid. | 0:08:39 | 0:08:42 | |
Which means we might be able to get it for a tenner, you know, | 0:08:42 | 0:08:46 | |
and I can see that making £20 at auction. | 0:08:46 | 0:08:49 | |
-Do you like it? -It's very nice. -Why do you like it? | 0:08:49 | 0:08:51 | |
It's not too decorative, it's plain and you're not quite sure what it is. | 0:08:51 | 0:08:55 | |
And I think... it's all in one piece, isn't it? | 0:08:55 | 0:08:57 | |
-What would you pay for it at auction? -20 quid. | 0:08:57 | 0:09:00 | |
-Yeah. -There or thereabouts. | 0:09:00 | 0:09:02 | |
The thing that really appeals to me is, | 0:09:02 | 0:09:05 | |
I just think it's amazing, Grace. | 0:09:05 | 0:09:07 | |
THEY GIGGLE | 0:09:07 | 0:09:10 | |
Oh, dear, Philip. They do get worse. | 0:09:11 | 0:09:13 | |
But a tenner for the treen bottle holder ain't that bad. | 0:09:13 | 0:09:16 | |
What do you think of this? | 0:09:19 | 0:09:21 | |
-Very smart, isn't it? -Do you like it? -Not particularly. | 0:09:21 | 0:09:25 | |
-What don't you like? -Well, it looks almost, sort of, oriental, Asian or... | 0:09:25 | 0:09:31 | |
-What you think, James? Very unusual, I must say. -It is unusual. | 0:09:31 | 0:09:34 | |
Did they put this on after they made the glass? | 0:09:34 | 0:09:37 | |
Yeah. It's cased. | 0:09:37 | 0:09:38 | |
See how the green glass has been blown into a fret-cut brass skin? | 0:09:38 | 0:09:43 | |
So definitely, the brass first, the glass followed. | 0:09:43 | 0:09:48 | |
Do you think that's from abroad or are you not really sure? | 0:09:48 | 0:09:52 | |
I think it's continental, don't you? | 0:09:52 | 0:09:54 | |
It'd be nice if you could find a sort of WMF mark or something. | 0:09:54 | 0:09:58 | |
It's not looking at its best at the moment. Needs polishing up. | 0:09:58 | 0:10:01 | |
-£35. -Yeah. That's too much. | 0:10:01 | 0:10:03 | |
I wonder if we could get them to knock it down? | 0:10:03 | 0:10:05 | |
-Would it make any money? We'd need to. -Hmm, very much so. | 0:10:05 | 0:10:09 | |
If you can get it for £10, Vivian, we could maybe have some... | 0:10:09 | 0:10:15 | |
You're expecting a lot! | 0:10:15 | 0:10:17 | |
That's your challenge. | 0:10:17 | 0:10:19 | |
-Thanks. -Renee, come on. | 0:10:19 | 0:10:22 | |
That Renee doesn't ask for much, does she? | 0:10:22 | 0:10:24 | |
Vivian paid a respectable £25, but it's what it sells for that counts. | 0:10:24 | 0:10:30 | |
We found this, Phil, and we wanted to ask your advice. | 0:10:30 | 0:10:33 | |
It might be a bit damaged on the side and it's got a handle missing. | 0:10:33 | 0:10:37 | |
-Why do you like it? -Well, it's lovely. | 0:10:37 | 0:10:39 | |
I like the very simple patterns to it. | 0:10:39 | 0:10:41 | |
-Do you know what wood it is? -I'm not sure. -Rosewood? -Spot-on. | 0:10:41 | 0:10:44 | |
It's either a writing slate or a lap-desk. | 0:10:44 | 0:10:46 | |
But it's got problems. The first is staring us in the face. | 0:10:46 | 0:10:49 | |
That recessed handle is missing. | 0:10:49 | 0:10:51 | |
Are you going to find it easy to get a replacement one of those? | 0:10:51 | 0:10:55 | |
The right shape, right style? | 0:10:55 | 0:10:57 | |
Let's have a look inside, cos that'll tell us a whole load more. | 0:10:57 | 0:11:01 | |
Anything glaringly obvious there? | 0:11:01 | 0:11:03 | |
A bit worn. Fabric's worn. | 0:11:03 | 0:11:05 | |
Ink bottle. Missing. | 0:11:05 | 0:11:07 | |
Ink bottle. Missing. | 0:11:07 | 0:11:10 | |
Let's just open it up again. | 0:11:10 | 0:11:12 | |
Oh, that really is loose, isn't it? | 0:11:12 | 0:11:14 | |
I don't see that as a problem, | 0:11:14 | 0:11:15 | |
because you can easily re-base or reline this, | 0:11:15 | 0:11:19 | |
but it's certainly pretty plain, isn't it? | 0:11:19 | 0:11:21 | |
So, you've got a box here. How much is the price? | 0:11:21 | 0:11:24 | |
-£85. -£85. | 0:11:24 | 0:11:25 | |
The market for these has dipped. | 0:11:25 | 0:11:27 | |
The one thing I think the whole thing has got going for it... | 0:11:27 | 0:11:31 | |
is this colour here. | 0:11:31 | 0:11:33 | |
And I like that. So you've got to try and get that price down. | 0:11:33 | 0:11:36 | |
They did get the price down | 0:11:38 | 0:11:40 | |
and signed off the writing slope for £60. | 0:11:40 | 0:11:44 | |
Right, that's it. Shopping's over. Let's recap on what the Reds bought. | 0:11:44 | 0:11:49 | |
-GLASS SHATTERS -Oh! Seven years' bad luck. | 0:11:49 | 0:11:53 | |
The Reds got off to a flying start with the £20 ceramic swan. | 0:11:53 | 0:11:59 | |
Did they get carried away with the copper and brass tray? | 0:11:59 | 0:12:02 | |
Finally, will the brass and glass bowl dish out the dosh at auction? | 0:12:02 | 0:12:07 | |
Girls, you had a fantastic shop up? | 0:12:10 | 0:12:13 | |
-Absolutely. -Yes. | 0:12:13 | 0:12:15 | |
Which is your favourite item, Viv? | 0:12:15 | 0:12:17 | |
It's the tray we bought. | 0:12:17 | 0:12:18 | |
-What about you, Renee? -I think it could be the tray. | 0:12:18 | 0:12:21 | |
It's the favourite. | 0:12:21 | 0:12:22 | |
Although, Vivian said that the swan might make more money... | 0:12:22 | 0:12:28 | |
-And do you agree with that? -It could be. She might be right. | 0:12:28 | 0:12:31 | |
I trust Vivian, yes. | 0:12:31 | 0:12:33 | |
You only spent 80 miserable pounds, so can I have £220 back? | 0:12:33 | 0:12:37 | |
-£220 worth of leftover lolly, James. -Thank you. | 0:12:37 | 0:12:39 | |
-You'll be getting on with this quite smartly. -I will. | 0:12:39 | 0:12:42 | |
-Any ideas? -Yeah, I have seen a very nice boat outside. | 0:12:42 | 0:12:45 | |
-THEY LAUGH -So you're off to Boulogne, then? For a little supper? | 0:12:45 | 0:12:50 | |
It'll probably only buy me four horse power. | 0:12:50 | 0:12:52 | |
-Ah. Good luck anyway, James. -Thank you. -Thanks very much. | 0:12:52 | 0:12:55 | |
Let's recap on what the Blues bought. | 0:12:55 | 0:12:58 | |
Hoping it measures up, | 0:12:58 | 0:13:00 | |
the Blues bought the Arts and Crafts spoon for £13. | 0:13:00 | 0:13:03 | |
They only paid £10 for the treen bottle holder with the bottle. | 0:13:03 | 0:13:08 | |
And will the £60 writing slope, their most expensive purchase, | 0:13:08 | 0:13:10 | |
pen the largest profit? | 0:13:10 | 0:13:12 | |
So, Grace and James, was that good, that shopping experience? | 0:13:14 | 0:13:17 | |
-Fantastic. -You had a good time. | 0:13:17 | 0:13:19 | |
Now, Grace, which is your favourite piece? | 0:13:19 | 0:13:22 | |
We've got a lovely Arts and Craft spoon. | 0:13:22 | 0:13:24 | |
-The spoon! That's your favourite. Do you agree, James? -I do, I do. | 0:13:24 | 0:13:27 | |
Which item's going to bring the biggest profit? | 0:13:27 | 0:13:30 | |
-Oh, I think the spoon might just do it. -Spoon? | 0:13:30 | 0:13:33 | |
If not, the medicine bottle. | 0:13:33 | 0:13:35 | |
-Ah, you're hedging your bets. -Could go either way. | 0:13:35 | 0:13:38 | |
Well, you only spent £83, so I'd like £217 worth of leftover lolly. | 0:13:38 | 0:13:43 | |
Thank you very much, James. That goes across to the man. | 0:13:43 | 0:13:46 | |
-Happy about that? -Over the moon. -OVER the moon. -Absolutely. | 0:13:46 | 0:13:50 | |
Any ideas as to what you'll spend it on? | 0:13:50 | 0:13:52 | |
-No, but it'll be done with Grace. -It'll be done with Grace. | 0:13:52 | 0:13:55 | |
Martin McIlroy's our man here at Bearne's auction house in Exeter. Good morning. | 0:14:00 | 0:14:04 | |
Good morning, Tim. | 0:14:04 | 0:14:06 | |
Renee and Vivian, who are live wires, I have to tell you, | 0:14:06 | 0:14:09 | |
have shopped hard and their first item is this Dartmouth swan vase, | 0:14:09 | 0:14:14 | |
-which is very much of a period, isn't it? -It is. | 0:14:14 | 0:14:16 | |
-And is very unpopular! -Is it? -It is. | 0:14:16 | 0:14:19 | |
-Dartmouth pottery, you'd see a lot here. -We see a lot here. | 0:14:19 | 0:14:22 | |
-And it's normally very poorly modelled. -Cheap. | 0:14:22 | 0:14:24 | |
-Cheap. -Nice beak, though, isn't it? | 0:14:24 | 0:14:27 | |
Lovely beak. Just not worth a great deal, I'm afraid. | 0:14:27 | 0:14:30 | |
About £10 or £15. | 0:14:30 | 0:14:32 | |
-£10, £15. OK, fine, they paid 20. -Too much. | 0:14:32 | 0:14:34 | |
Well, probably a bit too much, but somebody might get swept away with it. | 0:14:34 | 0:14:38 | |
What do you make of this tray? | 0:14:38 | 0:14:40 | |
Interesting tray. Superb piece of workmanship. | 0:14:40 | 0:14:42 | |
So you rate it, then? | 0:14:42 | 0:14:43 | |
I'd love to rate it. As a piece of craftsmanship | 0:14:43 | 0:14:46 | |
it is absolutely wonderful, | 0:14:46 | 0:14:47 | |
but the market just doesn't want it. | 0:14:47 | 0:14:49 | |
And again, £20 to £30 for all that hard work that has gone into that. | 0:14:49 | 0:14:53 | |
£35 they paid. | 0:14:53 | 0:14:55 | |
-Yep. -Their last item is this green, blown glass and brass overlay bowl. | 0:14:55 | 0:15:01 | |
Quite unusual. | 0:15:01 | 0:15:02 | |
It's just dreadful. | 0:15:02 | 0:15:03 | |
It's got no great commercial worth at all. | 0:15:03 | 0:15:07 | |
It is probably from Turkey. | 0:15:07 | 0:15:08 | |
We've got these half crescent designs round the side. | 0:15:08 | 0:15:11 | |
Yeah, the little Islamic presence. | 0:15:11 | 0:15:13 | |
We'll be doing well if we get £10. | 0:15:13 | 0:15:15 | |
You'd do well if you got £10? Oh, dear. £25 they paid. | 0:15:15 | 0:15:18 | |
-Too much. -Doesn't sound too bad if you say it quickly. | 0:15:18 | 0:15:22 | |
They're going to need their bonus buy. Let's have a look at it. | 0:15:22 | 0:15:25 | |
This is onyx from the Atlas mountains. | 0:15:25 | 0:15:28 | |
This is a rather nice silver collar round it. | 0:15:28 | 0:15:31 | |
Just to tidy...needles, whatever. | 0:15:31 | 0:15:34 | |
-Is it marked? -It is. Round the other side from the dent, there we are. | 0:15:34 | 0:15:37 | |
-Where's it from? -It's English-made. | 0:15:37 | 0:15:39 | |
Birmingham makers. Just a lovely piece of precious stone. | 0:15:39 | 0:15:42 | |
How much did you pay for it, James? | 0:15:42 | 0:15:45 | |
£20. | 0:15:45 | 0:15:47 | |
Really? Is that all? | 0:15:47 | 0:15:48 | |
Well, girls. Look at that! | 0:15:48 | 0:15:51 | |
How much do you think it's going to get us? That's the important thing. | 0:15:51 | 0:15:55 | |
I think it can make £20 or £30. | 0:15:55 | 0:15:57 | |
There might be a tenner in it. | 0:15:57 | 0:15:59 | |
That's his prediction. But you don't have to decide right now. | 0:15:59 | 0:16:02 | |
You decide after the sale of your first three items. | 0:16:02 | 0:16:05 | |
But for the viewers at home, | 0:16:05 | 0:16:07 | |
let's find out what the auctioneer thinks about James' tidy. | 0:16:07 | 0:16:10 | |
Unfortunately, there is a dent to it, just there, | 0:16:10 | 0:16:14 | |
which does detract from it slightly and will push the value down on it. | 0:16:14 | 0:16:19 | |
We will probably get somewhere in the region of about £15. | 0:16:19 | 0:16:21 | |
It's decorative, but it's that damage. | 0:16:21 | 0:16:24 | |
Old Braxton paid £20. He might just get out of trouble. He might do. | 0:16:24 | 0:16:28 | |
That's it for the Reds, now for the Blues. | 0:16:28 | 0:16:30 | |
Quite exciting, I think, that Arts and Crafts caddy spoon. | 0:16:30 | 0:16:34 | |
I like that. | 0:16:34 | 0:16:35 | |
Yes. The Arts and Craft Movement is a wonderful period of decoration. | 0:16:35 | 0:16:38 | |
It is always difficult to put down to who it was by. | 0:16:38 | 0:16:41 | |
Anybody could've done that in metal work in school, couldn't they? | 0:16:41 | 0:16:45 | |
That's it. Part of the idea was it was back to basics and practicality | 0:16:45 | 0:16:50 | |
and I think we'll get something in the region of £20 for it. | 0:16:50 | 0:16:53 | |
OK, £13 they paid, so they should be in for a profit on that. | 0:16:53 | 0:16:57 | |
We should do well with that. | 0:16:57 | 0:16:59 | |
Next is the little treen bottle holder. | 0:16:59 | 0:17:00 | |
It's in good order, it hasn't got any splits to it, which is half the battle with treen. | 0:17:00 | 0:17:05 | |
It should fetch somewhere in the region of about £15. | 0:17:05 | 0:17:09 | |
-£10 paid. So, another potential profit, which is great. -Yep. | 0:17:09 | 0:17:12 | |
And lastly is the brass-bound rosewood campaign box. Any good? | 0:17:12 | 0:17:17 | |
Boxes, especially writing slopes, have taken a bad dive over the past few years. | 0:17:17 | 0:17:22 | |
We will get probably about £40 to £60. | 0:17:22 | 0:17:25 | |
Well, that's not too bad because they only paid £60. | 0:17:25 | 0:17:28 | |
I think there's some hope, some light at the end of the tunnel, | 0:17:28 | 0:17:31 | |
but in any event, we'll have a look at their bonus buy next. | 0:17:31 | 0:17:35 | |
Grace and James, you spent £83. | 0:17:35 | 0:17:38 | |
You gave Phillip Serrell £217, what did he spend it on? | 0:17:38 | 0:17:42 | |
For what we are about to receive, say grace. | 0:17:42 | 0:17:44 | |
THEY LAUGH | 0:17:44 | 0:17:46 | |
-Oh, dear. -I spent 25 quid on... | 0:17:46 | 0:17:49 | |
him. | 0:17:49 | 0:17:51 | |
The look on your face is absolutely priceless! | 0:17:51 | 0:17:53 | |
That's...remarkable... | 0:17:53 | 0:17:54 | |
He's 19th century, | 0:17:54 | 0:17:56 | |
I paid £25 for him and I think he ought to make 30-50 quid. | 0:17:56 | 0:18:00 | |
Garden statuary - and we'll be polite and call it that - | 0:18:00 | 0:18:03 | |
is back in now, isn't it? | 0:18:03 | 0:18:06 | |
-Don't try and humour me, now. -I think James likes it, definitely. | 0:18:06 | 0:18:10 | |
You don't have to decide now, but for the viewers at home, | 0:18:10 | 0:18:13 | |
let's find out what the auctioneer thinks of Philip's little gnome. | 0:18:13 | 0:18:17 | |
-Does it G-do anything for you? -It doesn't. | 0:18:17 | 0:18:21 | |
They are extremely popular little people and this one | 0:18:21 | 0:18:25 | |
has pins where it would've been placed on another stone in the garden. | 0:18:25 | 0:18:29 | |
-As part of an arrangement of these characters. -Exactly. | 0:18:29 | 0:18:32 | |
And again, we have a piece of wood or something in his hand, | 0:18:32 | 0:18:36 | |
which may have been a spade. | 0:18:36 | 0:18:38 | |
but the features to the face are very good. | 0:18:38 | 0:18:40 | |
Personally, I can't get on with it, I don't like it, | 0:18:40 | 0:18:43 | |
but I'm more than happy to be proved wrong on this. | 0:18:43 | 0:18:46 | |
I think it's only worth somewhere in the region of £20-25. | 0:18:46 | 0:18:49 | |
Well, Phillip Serrell loved it, he paid £25. | 0:18:49 | 0:18:52 | |
If the person's here who's got their eye in for early gnomes | 0:18:52 | 0:18:56 | |
and dates it around 1880-1900, they'll be truly excited | 0:18:56 | 0:19:00 | |
-and they might well bid a reasonable sum for it. -I would think so. | 0:19:00 | 0:19:04 | |
The excitement of the programme, | 0:19:04 | 0:19:05 | |
we're standing on the edge of our bed here, | 0:19:05 | 0:19:08 | |
longing for the auction result. | 0:19:08 | 0:19:10 | |
-Thank you, Martin. -A pleasure, Tim. | 0:19:10 | 0:19:12 | |
Renee, why are you gripping my hand like this? | 0:19:19 | 0:19:22 | |
Because I just want to. | 0:19:22 | 0:19:24 | |
-Because I'm very nervous. -Are you nervy? | 0:19:24 | 0:19:27 | |
-Yes, yes. -No, not really. -You're not nervy? -Not today. | 0:19:27 | 0:19:30 | |
-She's very laid-back today. -You're pretty cool. | 0:19:30 | 0:19:32 | |
All right. Lovely. I think we better run through your lots. | 0:19:32 | 0:19:36 | |
I've chatted with the auctioneer. The Dartmouth pottery swan, | 0:19:36 | 0:19:39 | |
you paid £20, the auctioneer has put £20 on that. | 0:19:39 | 0:19:42 | |
So we're full of hope here and here it comes. | 0:19:42 | 0:19:45 | |
Lot 138, which is a Dartmouth pottery flower holder | 0:19:45 | 0:19:48 | |
in the form of a swan. Again, £10 to start me. | 0:19:48 | 0:19:51 | |
-Yes, sir. -Ten I'm bid, £10. | 0:19:51 | 0:19:53 | |
12 anywhere now? At £10. 12. | 0:19:53 | 0:19:56 | |
14, darling? 14, at £14, out in the doorway at £14. 16 anywhere? | 0:19:56 | 0:20:02 | |
-At £14. 16 a no? -Come on! | 0:20:02 | 0:20:04 | |
At £14, are you all done? | 0:20:04 | 0:20:06 | |
Selling then at £14. | 0:20:06 | 0:20:09 | |
£14, minus £6. Bad luck, girls. | 0:20:09 | 0:20:12 | |
Now, your oval tray, sweet pea. Stand by. | 0:20:12 | 0:20:15 | |
This copper brass oval tray, super thing, and again, £20 to start me. | 0:20:15 | 0:20:19 | |
£10? | 0:20:19 | 0:20:21 | |
Oh, dear. | 0:20:21 | 0:20:22 | |
£10, anywhere? £5. | 0:20:22 | 0:20:24 | |
Five I am bid. Thank you, sir, at £5. | 0:20:24 | 0:20:26 | |
Six anywhere now? At £5. Six. | 0:20:26 | 0:20:29 | |
Seven. Eight. Nine. | 0:20:29 | 0:20:32 | |
-At £9. Ten, anywhere? -Come on, yes. | 0:20:32 | 0:20:35 | |
At £9, beside me at £9. | 0:20:35 | 0:20:37 | |
Ten anywhere now? At £9. Ten a no? | 0:20:37 | 0:20:39 | |
Selling at nine, then. £9. | 0:20:39 | 0:20:41 | |
I don't know what to say, sweetie. I really don't. £9 is very low. | 0:20:41 | 0:20:45 | |
-I can't believe it. -That's minus 26, look out. | 0:20:45 | 0:20:49 | |
Lot 140, the brass case and green glass bowl of circular form. | 0:20:49 | 0:20:54 | |
There we are. | 0:20:54 | 0:20:55 | |
And again, £10 for this one. £10 anywhere? | 0:20:55 | 0:20:58 | |
£5. Interesting bowl, £5? | 0:20:58 | 0:21:01 | |
Couple of pounds? Two I'm bid, thank you. | 0:21:01 | 0:21:03 | |
I can't believe this, I can't. | 0:21:03 | 0:21:05 | |
Three. Four. Five. | 0:21:05 | 0:21:07 | |
Six anywhere? | 0:21:07 | 0:21:09 | |
At £5, are you sure? | 0:21:09 | 0:21:10 | |
-Oh, my. -At £5. | 0:21:10 | 0:21:13 | |
The lady seated, at £5. | 0:21:13 | 0:21:14 | |
Six anywhere? Six. | 0:21:14 | 0:21:16 | |
Seven. Eight. Nine. Ten. | 0:21:16 | 0:21:20 | |
12. 14. | 0:21:20 | 0:21:23 | |
16. Nope, shake of the head. | 0:21:23 | 0:21:25 | |
At £16, in front, with the lady seated, at £16. 18 a no? | 0:21:25 | 0:21:30 | |
At £16, the lady in front and seated, and selling, then, at 16. | 0:21:30 | 0:21:34 | |
£16 is minus £9. | 0:21:34 | 0:21:36 | |
26, 32, 41. | 0:21:36 | 0:21:39 | |
Minus 41. | 0:21:39 | 0:21:41 | |
You are minus £41. Minus 41 overall. | 0:21:41 | 0:21:43 | |
-Minus 41 overall. -OK. | 0:21:43 | 0:21:46 | |
So what are you going to do about the little dish for £20? | 0:21:46 | 0:21:49 | |
-We're going to go with it. -Nothing to lose. -You're going to go with it? | 0:21:49 | 0:21:53 | |
Yes, absolutely. | 0:21:53 | 0:21:54 | |
-Anyway, here it comes. -The onyx and silver-rimmed circular dish. | 0:21:54 | 0:21:57 | |
Hallmark for Birmingham, 1904. And again, £10 for this one? | 0:21:57 | 0:22:01 | |
Little dish, £10? | 0:22:01 | 0:22:03 | |
£5? | 0:22:03 | 0:22:04 | |
Five I'm bid, thank you, sir. £5. Six anywhere now? | 0:22:04 | 0:22:08 | |
At £5. Six. Seven. | 0:22:08 | 0:22:10 | |
Eight anywhere now? At £7, the little dish. At £7. | 0:22:10 | 0:22:13 | |
£7 in the silver section. | 0:22:13 | 0:22:15 | |
All done and selling then for £7. | 0:22:15 | 0:22:17 | |
£7. £7. That's minus £13, | 0:22:19 | 0:22:22 | |
That's minus 54. Minus 54. | 0:22:22 | 0:22:25 | |
Listen, that could be a winning score, let's be optimistic. | 0:22:25 | 0:22:28 | |
-OK, yes. -It could be a winning score. Don't tell the Blues a scrap. | 0:22:28 | 0:22:31 | |
-We won't, no. -Will you keep quiet? -Yes. | 0:22:31 | 0:22:33 | |
You will. Renee, will you? | 0:22:33 | 0:22:35 | |
-I'll try. -You're going to try hard. | 0:22:35 | 0:22:38 | |
-Really hard. -Really, really hard to keep quiet. | 0:22:38 | 0:22:40 | |
-Yes! -Yeah, just for a second or two. | 0:22:40 | 0:22:42 | |
-Yes. -OK, darling. | 0:22:42 | 0:22:45 | |
-Now, James, how are you feeling, are you excited? -Pensive. | 0:22:52 | 0:22:55 | |
Pensive? Is it just like the contracts are about to be exchanged | 0:22:55 | 0:22:59 | |
on a large country home and you are not quite sure whether the buyer's going to do it or not? | 0:22:59 | 0:23:03 | |
-A little. -A little bit like that. | 0:23:03 | 0:23:05 | |
-Because you just never know, do you? -No, no. | 0:23:05 | 0:23:08 | |
They could back out, they might go forward, we're at that moment. | 0:23:08 | 0:23:11 | |
How are you feeling, Gracey? | 0:23:11 | 0:23:13 | |
Yeah, I'm quite excited, I think we're going to do all right. | 0:23:13 | 0:23:16 | |
James, your Arts and Crafts-style spoon, I personally rate, | 0:23:16 | 0:23:19 | |
I think it is a fantastic thing. | 0:23:19 | 0:23:21 | |
Here it comes. | 0:23:21 | 0:23:22 | |
The copper spoon in the Arts and Crafts style. | 0:23:22 | 0:23:24 | |
And starting at £30 for it. 20 somewhere? | 0:23:24 | 0:23:26 | |
Arts and Crafts-style spoon, £20? £10? | 0:23:26 | 0:23:30 | |
-Five, sir. -Five, I'm bid. At £5. 6 anywhere now? -It's a start. | 0:23:30 | 0:23:34 | |
Six. Seven. Eight. | 0:23:34 | 0:23:36 | |
Nine. At £9. Ten anywhere, for the Arts & Crafts spoon? | 0:23:36 | 0:23:40 | |
-Oh, dear. -At £9, if you're all done and selling, then, for £9. | 0:23:40 | 0:23:44 | |
£9. You are minus £4 on that. It's not right, but it's happened. | 0:23:44 | 0:23:48 | |
-Next is your bottle in its case. -...Bottle holder with screw top. | 0:23:48 | 0:23:52 | |
There we are. Glass bottle and stopper. | 0:23:52 | 0:23:54 | |
Again, £20 for this one? £10? | 0:23:54 | 0:23:57 | |
£5? Where's that gentleman gone? | 0:23:57 | 0:24:00 | |
-£5. Couple of pounds. -Is he facing the right way? -Nice one! | 0:24:00 | 0:24:04 | |
Two I'm bid, at £2. | 0:24:04 | 0:24:05 | |
Three anywhere now? | 0:24:05 | 0:24:06 | |
At £2, three. At £3, four a no. | 0:24:06 | 0:24:09 | |
At £3, all done at £3 and selling, then, at three. | 0:24:09 | 0:24:15 | |
You got £3 for it. | 0:24:15 | 0:24:16 | |
He never got three, did he really?! | 0:24:16 | 0:24:18 | |
That's minus 7. | 0:24:18 | 0:24:21 | |
Now, stand by for your lovely slope, darling. | 0:24:21 | 0:24:23 | |
The rosewood and brass writing slope and we start here at £30. | 0:24:23 | 0:24:26 | |
20 for the writing slope? | 0:24:26 | 0:24:28 | |
Ten? £10 for the writing slope. | 0:24:28 | 0:24:31 | |
I'll take it home for firewood, it'll be all right! | 0:24:31 | 0:24:33 | |
No, £5? £5, five, I'm bid. | 0:24:33 | 0:24:36 | |
At £5. Six anywhere now. Six, there's competition. | 0:24:36 | 0:24:39 | |
-Seven? Seven. Eight anywhere now? -I'd rather set it alight! | 0:24:39 | 0:24:43 | |
At £7 and selling, then, for seven. | 0:24:43 | 0:24:46 | |
That's minus £53. Woohoo! | 0:24:46 | 0:24:49 | |
I'm going to have a kiss for that, because it just about takes the... | 0:24:49 | 0:24:53 | |
No! Let's have another one. | 0:24:53 | 0:24:56 | |
That is pretty good going, isn't it? | 0:24:56 | 0:24:58 | |
Minus £53, minus £7, £64. | 0:24:58 | 0:25:01 | |
Have they changed the rules of this game and no-one's told us? | 0:25:01 | 0:25:04 | |
Minus £64. What about the gnome? Are we feeling confident about it? | 0:25:04 | 0:25:09 | |
-We like the gnome. -Might as well! | 0:25:09 | 0:25:10 | |
You're minus £64. Are you going to go with the bonus buy? | 0:25:10 | 0:25:14 | |
-I think we are. -Brilliant. | 0:25:14 | 0:25:15 | |
We're going with the bonus buy, then, and here it comes. | 0:25:15 | 0:25:17 | |
For you garden lovers. | 0:25:17 | 0:25:19 | |
It should read zinc, not reconstituted stone, | 0:25:19 | 0:25:21 | |
this is a zinc example of a gnome, | 0:25:21 | 0:25:23 | |
and with various commissions, we dash straight in at a mighty £6. | 0:25:23 | 0:25:26 | |
-The bid's with me at £6. -Oh, get out of here. | 0:25:26 | 0:25:29 | |
7. 8. 9. | 0:25:29 | 0:25:31 | |
10. At £10, commission bid has it. Anywhere out in the room at £10? | 0:25:31 | 0:25:36 | |
12 anywhere now? | 0:25:36 | 0:25:37 | |
For the gnome, £10, I have. | 0:25:37 | 0:25:39 | |
Commission bid at £10. Take 11 if they like. | 0:25:39 | 0:25:42 | |
At £10. 11 or no? With me then at £10 and selling then for £10. | 0:25:42 | 0:25:49 | |
£10 and I'm gutted for you. | 0:25:49 | 0:25:51 | |
Minus £15 on that, which means you are minus £79 overall. | 0:25:51 | 0:25:55 | |
-How much do we owe you? -No, it's fine, we take cheques! | 0:25:55 | 0:26:00 | |
That's what you call a great sense of humour, actually. We like that, Grace! | 0:26:00 | 0:26:04 | |
You are minus £79. Even in these circumstances, you remain jolly and upbeat, which is lovely. | 0:26:04 | 0:26:11 | |
Super-duper, minus 79, could be a winning score, | 0:26:11 | 0:26:14 | |
-don't tell the Reds. -OK. -OK. -Great. | 0:26:14 | 0:26:16 | |
But alas, for the Blues, minus £79 isn't a winning score. | 0:26:16 | 0:26:20 | |
Remember, the Red ladies lost just minus £54. | 0:26:20 | 0:26:24 | |
Coming up - two more teams are fishing for bargains in Topsham, | 0:26:24 | 0:26:28 | |
but first, I'm heading inland. | 0:26:28 | 0:26:30 | |
Spanning most of the 18th century and the beginning of the 19th, | 0:26:31 | 0:26:35 | |
the Georgian era was the age of the grand country house | 0:26:35 | 0:26:39 | |
and there aren't many finer examples than this - Saltram. | 0:26:39 | 0:26:44 | |
It was also a time that was culturally vibrant, | 0:26:44 | 0:26:48 | |
and the Parkers, who were both wealthy and aristocratic, | 0:26:48 | 0:26:52 | |
were well-read and enjoyed the highbrow pleasures of their library. | 0:26:52 | 0:26:58 | |
They also weren't averse to a bit of rough, lowbrow pleasures, | 0:26:58 | 0:27:03 | |
including gambling. | 0:27:03 | 0:27:06 | |
The Parkers absolutely loved it, | 0:27:06 | 0:27:07 | |
and in particular, John Parker, 1st Lord Boringdon. | 0:27:07 | 0:27:11 | |
He even had his own racecourse on the estate | 0:27:11 | 0:27:13 | |
and one of his horses, Saltram, won the Derby in 1783. | 0:27:13 | 0:27:18 | |
You really wouldn't expect, in a grand library like this, | 0:27:21 | 0:27:25 | |
to come across anything associated | 0:27:25 | 0:27:28 | |
with the really rough end of gambling, | 0:27:28 | 0:27:31 | |
but actually, that's exactly what this chair does. | 0:27:31 | 0:27:35 | |
You have to go back to a time when there was the most despicable | 0:27:35 | 0:27:39 | |
form of animal inhumanity connected with gambling | 0:27:39 | 0:27:43 | |
and that's cock fighting, because it's a cock-fighting chair. | 0:27:43 | 0:27:47 | |
In the 18th and 19th centuries, cock fighting was a passionate | 0:27:47 | 0:27:52 | |
interest for both poor and ordinary people and aristocrats alike. | 0:27:52 | 0:27:58 | |
They'd have a large, sunken oval pit, | 0:27:58 | 0:28:02 | |
into which two armed cockerels would be thrust. | 0:28:02 | 0:28:06 | |
The idea being that they would fight to the death. | 0:28:06 | 0:28:09 | |
They'd be armed with metal spurs strapped to their legs | 0:28:09 | 0:28:14 | |
and they would literally attack one another, | 0:28:14 | 0:28:16 | |
and vast wagers could be placed on the outcome. | 0:28:16 | 0:28:19 | |
You could lose a fortune if the cockerel that you chose died first. | 0:28:19 | 0:28:24 | |
The aristocrat would have attended a cock-fighting meeting | 0:28:24 | 0:28:29 | |
and sat in a chair like this. | 0:28:29 | 0:28:32 | |
It's got a peculiarly-shaped seat | 0:28:32 | 0:28:34 | |
and that's so that you could straddle it. | 0:28:34 | 0:28:37 | |
But first, you'd adjust the position | 0:28:37 | 0:28:40 | |
that you want the table to sit at. | 0:28:40 | 0:28:43 | |
Let's say we want it there. | 0:28:43 | 0:28:46 | |
You'd raise the table like that, bring up the ratchet | 0:28:46 | 0:28:48 | |
and adjust it like that. | 0:28:48 | 0:28:51 | |
Straddle the seat, and on the table, you'd have | 0:28:51 | 0:28:54 | |
a list of the cockerels, you'd have a list of the bets, | 0:28:54 | 0:28:57 | |
and you would avidly attend this awful prospect in front of you. | 0:28:57 | 0:29:03 | |
And fortunately, of course, cock fighting has been banned | 0:29:03 | 0:29:07 | |
since the 19th century in this country, | 0:29:07 | 0:29:10 | |
but it's a beautiful example of a piece of furniture | 0:29:10 | 0:29:13 | |
dating from that time. | 0:29:13 | 0:29:16 | |
Another interesting chair in this room | 0:29:16 | 0:29:18 | |
represents the highbrow interests. | 0:29:18 | 0:29:20 | |
It looks like a pretty standard Regency library armchair | 0:29:20 | 0:29:25 | |
with a typically curved rail, | 0:29:25 | 0:29:28 | |
these lovely reeded scrolled arms | 0:29:28 | 0:29:30 | |
and nice sabre supports. | 0:29:30 | 0:29:33 | |
The giveaway, though, are these two brass hinges on the front. | 0:29:33 | 0:29:37 | |
If I give it an oink and go carefully, | 0:29:37 | 0:29:40 | |
the whole thing hinges open, not as a chair, | 0:29:40 | 0:29:44 | |
but to reveal its second purpose, as a set of library steps. | 0:29:44 | 0:29:49 | |
This type of chair was patented by the London cabinet makers, | 0:29:49 | 0:29:53 | |
Morgan and Saunders, | 0:29:53 | 0:29:55 | |
and every single one that they made looks exactly like this, | 0:29:55 | 0:29:59 | |
with insert green Morocco leather treads to take the wear, | 0:29:59 | 0:30:03 | |
as you trot up the stairs, | 0:30:03 | 0:30:06 | |
perhaps to reach for a book from the top shelf. | 0:30:06 | 0:30:09 | |
Now, keeping up the highbrow theme, we're back in Topsham, | 0:30:11 | 0:30:14 | |
as two more teams go in search of bargains. | 0:30:14 | 0:30:19 | |
Today's teams have something very unusual in common, nay, I might say unique, | 0:30:19 | 0:30:25 | |
because both sets of spouses met at Heathrow Airport. Isn't that extraordinary? | 0:30:25 | 0:30:30 | |
For the Reds, Nina and Peter. And for the Blues, | 0:30:30 | 0:30:33 | |
Molly and David. Welcome to Bargain Hunt. | 0:30:33 | 0:30:36 | |
Now, Nina, explain to us how it is that you two met. | 0:30:36 | 0:30:39 | |
Well, I was taking a group of travel agents to Luxembourg. | 0:30:39 | 0:30:43 | |
Peter was one of the lucky travel agents. We sat next to each other on the aircraft | 0:30:43 | 0:30:50 | |
-and he made his move quite soon, quite early. -On the aeroplane? -On the aeroplane. -Did he? -Oh, yes. | 0:30:50 | 0:30:56 | |
-You know, needing to climb over to go to the loo. -Those old tricks(!) | 0:30:56 | 0:31:01 | |
-And wore me down. -Yeah. -And we did get married | 0:31:01 | 0:31:05 | |
on February 29th, very Scottish, | 0:31:05 | 0:31:07 | |
so we only have to have an anniversary once every four years. | 0:31:07 | 0:31:11 | |
Now, Peter, you're from Scotland? | 0:31:11 | 0:31:14 | |
-Yes. -And you have a collection of pen and ink drawings and etchings. | 0:31:14 | 0:31:18 | |
They're all of Edinburgh Castle. And what's good about it is, many of them were done in Victorian times, | 0:31:18 | 0:31:24 | |
and today, I can look at Edinburgh and think, "That has changed a bit or not very much." | 0:31:24 | 0:31:29 | |
I suppose I've got about 18 or 19. | 0:31:29 | 0:31:32 | |
-So that's fun. And I have 200 teddy bears. -Oh, do you? -Just for fun. | 0:31:32 | 0:31:38 | |
-Don't ask me why I collect them, cos I don't know. -It just happened. -People kept giving them to me. | 0:31:38 | 0:31:44 | |
David, you're a retired headmaster. But during your studies, | 0:31:44 | 0:31:48 | |
you took some time to work at WH Smith's shop at Heathrow Airport | 0:31:48 | 0:31:54 | |
and you spotted Molly from afar. | 0:31:54 | 0:31:57 | |
That's true. I was, I suppose, a typical 18-year-old, having a cup of coffee on my tea break, | 0:31:57 | 0:32:03 | |
-and I was sitting up on the balcony looking at the talent that was going by below me. -Oh, yes? | 0:32:03 | 0:32:11 | |
And I spotted this attractive young lady down there. And I thought, "I wouldn't mind a slice of that." | 0:32:11 | 0:32:19 | |
-Oh! -So I went down and came up with the somewhat unoriginal line of, "Are you lost?" -How sweet. | 0:32:19 | 0:32:27 | |
-Molly, you were a teacher for a few years. -Yes. -Then you gave it all up and you took up local government. | 0:32:27 | 0:32:33 | |
Well, I just thought, "It's a job. If I don't like it, I'll give it up." | 0:32:33 | 0:32:37 | |
So then 18 years later, I was still there. But now I write booklets for them, leaflets, | 0:32:37 | 0:32:45 | |
explaining aspects of business rates, council tax, benefits. | 0:32:45 | 0:32:49 | |
-What do you collect yourself, Molly? -I'm always looking for books, particularly directories. | 0:32:49 | 0:32:55 | |
We've a Kelly's Directory of 1923, but they're very hard to find. | 0:32:55 | 0:32:58 | |
-That is a street directory? -Yes, but you have all the old ads in there | 0:32:58 | 0:33:03 | |
and they are fascinating to read. | 0:33:03 | 0:33:05 | |
Now, the money moment. £300 apiece. And you know the rules. Your experts await. And off you go. | 0:33:05 | 0:33:12 | |
What about this, you two guys? | 0:33:14 | 0:33:16 | |
-Gosh. That's nice. -A sugar sifter? -Very nice, isn't it? Beautifully cut there. | 0:33:16 | 0:33:21 | |
-Plate or silver plate? -I think it's silver. | 0:33:21 | 0:33:23 | |
Let's have a look. The hallmark will tell all. | 0:33:23 | 0:33:26 | |
-This one is London, 1929. -Right. | 0:33:26 | 0:33:31 | |
And always worth checking... | 0:33:31 | 0:33:33 | |
Just take the lid off and make sure that the date letters are the same. | 0:33:33 | 0:33:37 | |
-Yeah, so they both match. -It's the same? -It's worth checking. | 0:33:37 | 0:33:39 | |
-And they fit quite well, so we knew it was... -Nicely stylised. | 0:33:39 | 0:33:44 | |
-I like the way it's like a lighthouse on the coast here. It's quite nice. -Yes. -Nautical looking. | 0:33:44 | 0:33:49 | |
-Do you know how much it is? -Yes. | 0:33:49 | 0:33:51 | |
It's says 59 on the ticket. I think that's a little bit expensive. | 0:33:51 | 0:33:55 | |
This sort of thing would have an estimate of £30-£50. Silver's doing very well at the moment, | 0:33:55 | 0:34:02 | |
-especially with the scrap value booming. -I think we should get that. -We need to get a bit of a discount. | 0:34:02 | 0:34:09 | |
Do you want to go and chat to the ladies? | 0:34:09 | 0:34:14 | |
-Will I have a word with them? -That would be great. -Thank you very much. -Two more to go. | 0:34:14 | 0:34:19 | |
Nina was thrifty and made sure she got a few quid off the price tag. | 0:34:19 | 0:34:23 | |
She paid just £45. | 0:34:23 | 0:34:26 | |
-What do you think? -Oh, 'elp! | 0:34:26 | 0:34:29 | |
-Why are you going to choose this? -One of the reasons I like it is because I've made some ceramics. | 0:34:29 | 0:34:36 | |
And I've made pots that shape. | 0:34:36 | 0:34:37 | |
Yeah. And you like Denby ware? | 0:34:37 | 0:34:39 | |
We've got some Denby at home. And I quite like Denby, yes. | 0:34:39 | 0:34:43 | |
You've got this sort of quite nice leaf design here, which almost looks like it's stencilled on, doesn't it? | 0:34:43 | 0:34:49 | |
-Yes. -And that sort of quite nice, mottled, stoneware neck, almost. | 0:34:49 | 0:34:53 | |
-And they make it up near where my daughter lives. -Where does she live? -She lives in Staffordshire. | 0:34:53 | 0:34:59 | |
-You've been to the factory? -We've been to the Denby factory. -How much is it? -It's £35. So... | 0:34:59 | 0:35:07 | |
I'd probably estimate that at £20 to £40 and a £15 reserve. | 0:35:07 | 0:35:11 | |
-Right. -Keep everything crossed. -If we can get some off... | 0:35:11 | 0:35:14 | |
-Don't ever begrudge them a profit, but get some off. -We'll see what we can do. -Good luck. Do your best. | 0:35:14 | 0:35:21 | |
David was gentle with the dealers, but found room for a little negotiation. They settled on £30. | 0:35:21 | 0:35:29 | |
-Lovely. -Fabulous box, isn't it? -Very nice. | 0:35:30 | 0:35:33 | |
-Where haven't you been? -I've not been to Antarctica, but everywhere else in the world I've been, | 0:35:33 | 0:35:38 | |
which sounds really grand, but what's good about this is | 0:35:38 | 0:35:42 | |
-it's got all the places. -And starting from Plymouth. -Wonderful. -What is it? Is it a cigarette box? | 0:35:42 | 0:35:46 | |
Definitely a cigarette box. Missing its division there, but sound hinges. | 0:35:46 | 0:35:51 | |
But the silver parts and the fact that the map is there... | 0:35:51 | 0:35:55 | |
The silver's good. We've got a silver mark down here. | 0:35:55 | 0:35:59 | |
-So we've got a, "Birmingham 1928". -Is it? -I think it's great. | 0:35:59 | 0:36:03 | |
And only slightly rubbed. It's in pretty good condition for 80 years. | 0:36:03 | 0:36:08 | |
The price is £48. | 0:36:08 | 0:36:09 | |
-Lovely. OK. What do you reckon on that then? -I think that's fine. Our eyes immediately alighted on it. | 0:36:09 | 0:36:16 | |
-What price do you think? -I think as near to the £30 as possible. -OK. | 0:36:16 | 0:36:21 | |
-Lovely. -I've absolutely got to buy this. I don't care what you think. | 0:36:21 | 0:36:25 | |
-Buy that for me as cheap as you can. -OK. So as near as possible to 30, | 0:36:25 | 0:36:30 | |
-I'll try and get this secure. -OK. -Lovely. -Thank you. -Good luck, James. | 0:36:30 | 0:36:34 | |
With Peter's words ringing in his ears, James made sure he bought it, but got the price down to £38. | 0:36:34 | 0:36:41 | |
-This is quirky. -What have we got here? | 0:36:43 | 0:36:45 | |
-This takes me back to my place of birth. -You used to lie on carpets? | 0:36:45 | 0:36:49 | |
No. Egypt. | 0:36:49 | 0:36:51 | |
I think it's a lot closer to England than the subject suggests. | 0:36:51 | 0:36:56 | |
I think it's probably European. It's a little matchbox holder. | 0:36:56 | 0:36:59 | |
-And this little chap, I love him. -Yes, I like his face. I love it. How old is it, do you think? | 0:36:59 | 0:37:05 | |
I would think it's probably turn of the last century. That's not 2000. | 0:37:05 | 0:37:10 | |
-It's the one before that. -Yes! | 0:37:10 | 0:37:12 | |
If you look at the face, all of the features are quite finely defined. | 0:37:12 | 0:37:17 | |
-It's a bit Tommy Cooper. -It is a bit. -He's great. -I like his little feet | 0:37:17 | 0:37:21 | |
sticking out the end. I think that's just really cute. | 0:37:21 | 0:37:24 | |
-It's £14? -And if we can get a little bit off that? -I think that's nice. | 0:37:24 | 0:37:30 | |
It's got to make £15 to £30 all day long. | 0:37:30 | 0:37:33 | |
-Well, we'll go and see if we can find something else. You do the deal on that. And we'll catch up. -Right. | 0:37:33 | 0:37:40 | |
And just like that, David bought it for ten pounds. | 0:37:40 | 0:37:45 | |
Well, I don't know, but I love the shape. | 0:37:47 | 0:37:51 | |
-I think that's absolutely gorgeous. -It's sweet, isn't it? It's obviously a piece of Doulton. | 0:37:51 | 0:37:55 | |
And typified by these flowers here. And this mottled green body. | 0:37:55 | 0:38:00 | |
And you've got these really lovely, almost like Celtic knots. | 0:38:00 | 0:38:04 | |
And if we just turn this over here, | 0:38:04 | 0:38:06 | |
we can see there we've got the Doulton impress mark. | 0:38:06 | 0:38:10 | |
And just there, which is LW... That's probably the artist's mark. | 0:38:10 | 0:38:17 | |
-The value of that at auction? You would have an estimate of sort of £50 to £80. How much is it? -125. | 0:38:17 | 0:38:24 | |
In a way, I think that's possibly got yesterday's price on it. | 0:38:24 | 0:38:29 | |
Doulton, 15 years ago, was making more money then than it is now, | 0:38:29 | 0:38:33 | |
-So we need to get this price down, basically? -You have indeed. Right. Are you going to buy it? | 0:38:33 | 0:38:40 | |
-It's worth a try. -OK. Am I going to do the deal on this one? | 0:38:40 | 0:38:43 | |
Well, I tell you what, we've now got, like, | 0:38:43 | 0:38:46 | |
-just minutes left. So try and buy it quick or we are doomed. -OK. | 0:38:46 | 0:38:50 | |
So run but don't drop it. Bye! | 0:38:50 | 0:38:54 | |
Molly kept a good grip on the vase and managed to bring the price bang up to date at £100. | 0:38:54 | 0:39:01 | |
James, Peter, this probably isn't your style of thing, but we are running out of time, big time. | 0:39:01 | 0:39:08 | |
-A chunk of Denby - what do you think? -Nina, what a lovely piece(!) -I think you're jesting! | 0:39:08 | 0:39:15 | |
-Tell me a bit about it. -Well, it's a piece of Denby and made by a chap called Glyn Colledge. | 0:39:15 | 0:39:20 | |
It's a bit dull in colour, isn't it, James? | 0:39:20 | 0:39:23 | |
It is. It's a bit greeny, isn't it? | 0:39:23 | 0:39:26 | |
Well, what else can we do? We've got five minutes. | 0:39:26 | 0:39:29 | |
-Any damage? -Undamaged. | 0:39:29 | 0:39:32 | |
And I think it's about the 1950s, is it? | 0:39:32 | 0:39:35 | |
Whenever Glyn Colledge was at his peak. | 0:39:35 | 0:39:38 | |
-If you are going to buy something like this, I think big is good. -OK. | 0:39:38 | 0:39:43 | |
-So the bigger the better. It's either going to make £20 or £60. -We need to try to get this price down. | 0:39:43 | 0:39:50 | |
-What is it? -It's 85. That is way too expensive. -Yeah. | 0:39:50 | 0:39:55 | |
-It doesn't appeal to my Scottish nature, 85. -What do you think? | 0:39:55 | 0:40:01 | |
-That is too high. -OK. -You know, 50, 60, even 70 would be nice. -Yeah. I'll see what I can do. | 0:40:01 | 0:40:07 | |
-OK. Good luck. -Thank you. -Excellent. | 0:40:07 | 0:40:09 | |
Big might be good but when it comes to the price, low is definitely better. | 0:40:09 | 0:40:14 | |
The jug cost them £69. | 0:40:14 | 0:40:16 | |
-PHONE RINGS -Hello? | 0:40:16 | 0:40:20 | |
Time's up. Time's up. Our teams may have got carried away and need bringing back to Earth, | 0:40:20 | 0:40:27 | |
but let's check out what they bought. | 0:40:27 | 0:40:30 | |
Nina sweet-talked the dealer and got the price down to £45 | 0:40:30 | 0:40:34 | |
for the George V glass sugar caster. | 0:40:34 | 0:40:38 | |
The 1920s oak cigarette box really did light their fire, | 0:40:38 | 0:40:42 | |
so James made sure he struck a deal and paid £38. | 0:40:42 | 0:40:47 | |
With minutes to go, Nina took a risk on the Denby jug. | 0:40:47 | 0:40:53 | |
It cost them £69. | 0:40:53 | 0:40:55 | |
So, you two lovebirds, | 0:40:55 | 0:40:58 | |
you had a good old shop up, yes? | 0:40:58 | 0:41:00 | |
-Loved every minute of it. Fantastic. -Which is your favourite piece? | 0:41:00 | 0:41:04 | |
I think the lovely, travel-related box | 0:41:04 | 0:41:08 | |
-That's very nice. -So, that's your favourite? | 0:41:08 | 0:41:10 | |
-What about you, Peter? -I think that's got to be my favourite, too. It'll make a huge profit. | 0:41:10 | 0:41:16 | |
-So that's your prediction for the biggest profit too, is it? -Yes. -Absolutely. -It'll wipe the Blues. | 0:41:16 | 0:41:21 | |
-£152 you spent. £148-worth of leftover lolly for James. -Thank you. -There you go. | 0:41:21 | 0:41:29 | |
-All right with that? -Yeah, very well. | 0:41:29 | 0:41:31 | |
-There's a minefield of goodies out there. -Minefield? -Yeah. | 0:41:31 | 0:41:37 | |
I think we've bought a very nice item. That cruise box was lovely. | 0:41:37 | 0:41:41 | |
-And if I can find something silver and oak, I'll replicate it. -That's what we want. Replication. -Yeah. | 0:41:41 | 0:41:48 | |
-And very good luck. -Not repetition. -No. No hesitation either. Thank you. | 0:41:48 | 0:41:53 | |
So, let's recap on what the Blues bought. | 0:41:53 | 0:41:57 | |
The Denby vase didn't thrill Molly, | 0:41:57 | 0:42:00 | |
but hopefully the price did at £30. | 0:42:00 | 0:42:03 | |
The metal matchbox holder sparked off memories for David. | 0:42:03 | 0:42:09 | |
He did a deal for just £10. | 0:42:09 | 0:42:11 | |
Molly took a shine to the stoneware vase | 0:42:11 | 0:42:14 | |
and nibbled the price down to £100. | 0:42:14 | 0:42:17 | |
-So, you guys, have a good shop? -We did. -Great. -You had good fun? -Great fun. | 0:42:17 | 0:42:23 | |
-Molls, which is your favourite item? -The Royal Doulton vase is my favourite item. -Is it? -Yes. | 0:42:23 | 0:42:29 | |
-And do you agree with that, David? -Yes. -You've been married a long time, that's fair enough. | 0:42:29 | 0:42:33 | |
-And which piece will bring the biggest profit? -The matchbox holder. -Do you agree, David? -Yes, I do. | 0:42:33 | 0:42:40 | |
You have been married a long time! £140 you spent. £160 of leftover lolly, please. Here we go. | 0:42:40 | 0:42:48 | |
-Excellent. Thank you. -All right? -Yes. I'm going to get one of Molly's books about how to claim benefits. | 0:42:48 | 0:42:54 | |
-We're at Bearne's saleroom with Martin McIlroy, our auctioneer. Good morning. -Good morning, Tim. | 0:43:07 | 0:43:14 | |
Lovely to be here. Now the Reds, Peter and Nina, they went with this silver-topped shaker. | 0:43:14 | 0:43:20 | |
-Pretty standard item that, isn't it? -It is. | 0:43:20 | 0:43:23 | |
And beautifully done. Wonderfully clear and cut. | 0:43:23 | 0:43:26 | |
Pierced top. At the end of the day, it's nice | 0:43:26 | 0:43:28 | |
but nowadays, not very practical. Not many people use them. | 0:43:28 | 0:43:30 | |
But at auction, it should fetch somewhere in the region of about £25 to £30. | 0:43:30 | 0:43:36 | |
OK. £45 paid. | 0:43:36 | 0:43:38 | |
The next lot I find absolutely fascinating, this oak and silver-mounted cigarette box. | 0:43:38 | 0:43:44 | |
On the face of it, this is a pretty ordinary object. But those two discs relate to a splendid voyage. | 0:43:44 | 0:43:51 | |
-Yes. -Now whether this is a royal tour, which they used to do in the '20s and '30s for royal offspring... | 0:43:51 | 0:43:59 | |
Stick them on a battleship and send them round the Empire. So I think there's a story behind that box. | 0:43:59 | 0:44:03 | |
There is. It could be royalty. | 0:44:03 | 0:44:06 | |
-So what do you think this is worth? -Until you can tie up what the voyage, where the voyage relates to, | 0:44:06 | 0:44:12 | |
as a silver-mounted cigarette box, it's worth about £30. | 0:44:12 | 0:44:17 | |
Right. Well, they paid £38, actually. | 0:44:17 | 0:44:20 | |
Their last item is the Denby jug. | 0:44:20 | 0:44:22 | |
How do you find these things sell? | 0:44:22 | 0:44:26 | |
-Very badly. -Very badly. Oh, dear. -It's a bit kind of '70s looking. | 0:44:26 | 0:44:32 | |
-So at auction, we would probably get in the region of about £40-£50, just pure decoration. -£69 they paid. | 0:44:32 | 0:44:38 | |
Good. Well, overall, depending on how somebody might value the royal tourist box, | 0:44:38 | 0:44:46 | |
they may or may not need their bonus buy. Let's go and have a look at it. | 0:44:46 | 0:44:50 | |
-Now, you gave James Braxton £148. -We did. -You did. -Yes. -Yes? He's gone and bought you a modest offering | 0:44:50 | 0:44:57 | |
-and would like to show it to you. -Wow! Coffee and buns. | 0:44:57 | 0:45:01 | |
-Is that walnut? -It is. You're spot-on. Lovely bit of walnut, this. | 0:45:01 | 0:45:05 | |
It's probably, I think, pre-war. | 0:45:05 | 0:45:08 | |
-Which war?! -Pre-war. -Falklands War, we're talking about here? -Iraq(!) -What about the damage on the top? | 0:45:08 | 0:45:14 | |
-No, we're not! -There's a little... -There's blistering here. -Yeah. | 0:45:14 | 0:45:20 | |
It's lifted. Don't dwell on that. That'll be covered in coffee cups. | 0:45:20 | 0:45:25 | |
-So what did you pay? About £20? -Slightly more than that. -Slightly more, OK. -30. -30 only? | 0:45:25 | 0:45:31 | |
-You do get a lot for £30, don't you? -£30, I thought, was a deal. | 0:45:31 | 0:45:36 | |
I mean, the veneering may need a bit of restoration. But the legs are all right. And you like it? | 0:45:36 | 0:45:43 | |
-Yes. -Love it. Really nice. -Well, you can decide after the sale of the first three items. | 0:45:43 | 0:45:49 | |
But for the viewers at home, let's find out what the auctioneer thinks. | 0:45:49 | 0:45:54 | |
And here it is, Martin. A reproduction walnut coffee table to make your pulses race. | 0:45:54 | 0:45:59 | |
-The veneer is actually lifting. It's had water damage at some point. -Gin and tonic damage. | 0:45:59 | 0:46:07 | |
More than likely. The lifting of the veneer kills it, so maybe £20-£30, purely decorative table. | 0:46:07 | 0:46:15 | |
Well, Brackers paid £30. He might get out of trouble with that one. | 0:46:15 | 0:46:19 | |
That's it for the Reds, now for the Blues. | 0:46:19 | 0:46:21 | |
Here we go. How exciting is this? Another Denby vase | 0:46:21 | 0:46:26 | |
by the same geezer that did this one, old Mr Colledge(?) | 0:46:26 | 0:46:29 | |
-And the same thing applies! -Just a simple question, then - how much? | 0:46:29 | 0:46:34 | |
-About £30 to £40. -£30 to £40. Great. Well, they only paid £30 for theirs, | 0:46:34 | 0:46:39 | |
so they're in the frame, perhaps, for making a bit of a profit, which would be beezer. | 0:46:39 | 0:46:45 | |
Next up is the Bergman lookalike matchbox holder. Is that any good? | 0:46:45 | 0:46:50 | |
-No. -No. | 0:46:50 | 0:46:52 | |
-This is actually cheap man's bronze and it's spelter. -Spelter, right. | 0:46:52 | 0:46:57 | |
Fun thing, decorative. | 0:46:57 | 0:47:00 | |
-But because it's only spelter, it is only but a few pounds, £5, £10. -They only paid £10 for it. -Yeah. | 0:47:00 | 0:47:07 | |
-You never know, it might light somebody up. -Yes. | 0:47:07 | 0:47:10 | |
And lastly, they've got their Royal Doulton vase. | 0:47:10 | 0:47:12 | |
Now, we see a lot of Royal Doulton on Bargain Hunt. | 0:47:12 | 0:47:15 | |
-How does it sell here? -It's on the decline at the moment. | 0:47:15 | 0:47:19 | |
Certain pieces by certain artists will still sell very, very well. There's nothing special about it. | 0:47:19 | 0:47:25 | |
-We see it all the time. You'll be looking somewhere in the region of about £40 to £50. -£40 to £50? -Yes. | 0:47:25 | 0:47:31 | |
Oh, Lordy. They paid £100 for that. | 0:47:31 | 0:47:35 | |
This could be a Doulton disaster. We'd better look at their bonus buy. | 0:47:35 | 0:47:39 | |
I bought this. It's not a campaign set, it's a little travelling set. | 0:47:41 | 0:47:45 | |
-We've got our knife, our spoon, and our little fork here. -How old is it? | 0:47:45 | 0:47:50 | |
I would think it's probably late 1930s. | 0:47:50 | 0:47:54 | |
-It fits into this little chamois purse here. But isn't that sweet? 20 quid. -Who would've used that? | 0:47:54 | 0:48:00 | |
I think anybody from a boy scout to a soldier, really. | 0:48:00 | 0:48:03 | |
-So this one's nickel on the outside? -Yes. I would suspect that these two... | 0:48:03 | 0:48:09 | |
This is the first thing that's just been popped into the set, really. But I think they're really sweet. | 0:48:09 | 0:48:16 | |
-It was £20. -It was 20, was it? -It was £20. -That is lovely. Thank you very much. -Good. | 0:48:16 | 0:48:24 | |
I think you've done rather well, there. Have you got a prediction as to what it might make at auction? | 0:48:24 | 0:48:30 | |
-£10 to £20? -It'll make £20 to £40. -20 to 40. -So there might be £20 in it. Anyway, hold that in your minds | 0:48:30 | 0:48:37 | |
because for the viewers at home, let's find out what the auctioneer thinks about Phil's lot. | 0:48:37 | 0:48:43 | |
Beautifully made. | 0:48:43 | 0:48:45 | |
Not a lot you can say about them. They probably date from either late 19th or early 20th century. | 0:48:45 | 0:48:52 | |
And it just happens to come with this spoon jobby, which has nothing to do with it, has it, Martin? | 0:48:52 | 0:48:58 | |
No. The handles are different. The whole thing is wrong. | 0:48:58 | 0:49:03 | |
And again, probably at auction... They're fun things. They're novel things. But about £10 to £15. | 0:49:03 | 0:49:09 | |
Serrell paid 20. And he's not really grown-up, terribly, Philip Serrell. He should still be in shorts. | 0:49:09 | 0:49:16 | |
Anyway, we'll see you on the rostrum. Thank you very much. | 0:49:16 | 0:49:20 | |
-Nina and Peter, here we are again. Are we as happy as can be? -Absolutely. -Very happy. | 0:49:28 | 0:49:34 | |
First up, then, is the caster. | 0:49:34 | 0:49:37 | |
We go on to the George V silver-top sugar caster. £30 to start me? | 0:49:37 | 0:49:43 | |
-£30 for the cut-glass sugar caster? 20? -Gosh. -£20? | 0:49:43 | 0:49:48 | |
-£10? Five, sir. -Five I'm bid. Thank you. At five pounds. | 0:49:48 | 0:49:52 | |
-Six anywhere? -I'm feeling nervy. -So am I. -Six. Seven. | 0:49:52 | 0:49:57 | |
Eight. Nine. Ten. | 0:49:57 | 0:49:59 | |
12. 14. 16. | 0:49:59 | 0:50:03 | |
18. 20. Shake of the head at £20. With you down at £20. | 0:50:03 | 0:50:07 | |
Just another five. | 0:50:07 | 0:50:10 | |
-Take one if you like? All done and selling, then, at £20. -Oh, dear. | 0:50:10 | 0:50:14 | |
-Minus £25. -1077. -1077 got it. And lucky old him. Now, this box. -Yes. | 0:50:14 | 0:50:20 | |
1920s oak and silver-mounted commemorative cigarette box. | 0:50:20 | 0:50:24 | |
-There we are, showing there. We start here at £24. -£24. | 0:50:24 | 0:50:28 | |
The bid's with me at £24. | 0:50:28 | 0:50:30 | |
-26 anywhere now? -Come on. -26. 28. 30. 32. | 0:50:30 | 0:50:35 | |
-32. -Now with me at £32. -Go on! -Come on! -Still with me at £32. 34. | 0:50:35 | 0:50:39 | |
36. 38. | 0:50:39 | 0:50:41 | |
-40. -You're in profit, boy. -Yes! | 0:50:41 | 0:50:43 | |
-This is unheard of. -42. 44. 46. 48. | 0:50:43 | 0:50:47 | |
-Come on! -Yes! -Go on! | 0:50:47 | 0:50:50 | |
At £48. 50 anywhere now? With me, commission bid still has it. | 0:50:50 | 0:50:54 | |
-Well, there's a lot of potential there. You're plus £10. -Plus 10! | 0:50:54 | 0:50:58 | |
-Now, the Denby jug. -Lot number 184 is a large Denby pottery jug. | 0:50:58 | 0:51:02 | |
-Nice, big jug. £20? -Five, sir. | 0:51:02 | 0:51:05 | |
-OK. -20. -Five I'm bid. Six anywhere now? | 0:51:05 | 0:51:09 | |
Six. Seven. Eight. Nine. | 0:51:09 | 0:51:12 | |
10. 12. 14. | 0:51:12 | 0:51:14 | |
16. 18. At £18. | 0:51:14 | 0:51:18 | |
In front at £18. | 0:51:18 | 0:51:20 | |
-20 - new place. 22. 24. -(Come on!) -26. 28. | 0:51:20 | 0:51:24 | |
30. Shake of the head. £30. Gentleman seated. | 0:51:24 | 0:51:29 | |
All done and selling at £30. | 0:51:29 | 0:51:31 | |
£30 is minus £39. I'm sorry about that. | 0:51:31 | 0:51:36 | |
39, 29... | 0:51:36 | 0:51:39 | |
-Look at it any way you like. 25 minus 10 is 15. -Yes. | 0:51:39 | 0:51:43 | |
39. 49. Minus 54. Minus 54 smackers. | 0:51:43 | 0:51:47 | |
Minus 54. Now that could be a winning score today. | 0:51:47 | 0:51:50 | |
-It could be. Yeah, it could be. OK? On the other hand, do you go with the repro table? -Right. | 0:51:50 | 0:51:56 | |
-Do you see a lot of furniture buyers in this room? -No. I seriously don't think we should go for it. | 0:51:56 | 0:52:01 | |
-So you're not going with the bonus buy? -No. -But anyway, we'll sell James's table and here it comes. | 0:52:01 | 0:52:07 | |
188 is a reproduction coffee table. Decorative piece. £20? | 0:52:07 | 0:52:12 | |
Nice occasional table. £10? | 0:52:12 | 0:52:15 | |
Five pounds? Two pounds anywhere for the table? | 0:52:15 | 0:52:20 | |
A pound? | 0:52:20 | 0:52:22 | |
Coffee table - one pound. | 0:52:22 | 0:52:24 | |
You made a very wise decision not to go with the bonus buy. | 0:52:24 | 0:52:28 | |
That is minus £29 on that. | 0:52:28 | 0:52:30 | |
But you didn't go with the bonus buy, so you did well. | 0:52:30 | 0:52:33 | |
-Now, don't tell the Blues a thing. -We won't. -So your lips are sealed? | 0:52:33 | 0:52:39 | |
-Now, Molls and Dave, do you know how the Reds got on? -No. -David, how are you feeling? -Slightly optimistic. | 0:52:51 | 0:52:56 | |
Anyway, the first lot up is the Glyn Colledge Denby pot. Here it comes. | 0:52:56 | 0:53:00 | |
On to 204 now. We have the Denby Pottery slim, ovoid vase. | 0:53:00 | 0:53:05 | |
-And who'll start me at £20? -10, sir. -10 I'm bid. Thank you. At £10. | 0:53:05 | 0:53:09 | |
12 anywhere now? 12. 14. 16. | 0:53:09 | 0:53:12 | |
18. 20. | 0:53:12 | 0:53:15 | |
At £20. Gentleman in front, at £20. | 0:53:15 | 0:53:17 | |
-22, new place. 24. 26. -This is good. -This is brilliant. | 0:53:17 | 0:53:21 | |
30. 32. 34. | 0:53:21 | 0:53:24 | |
-We're in profit. -36. 38. 40. -Something's going wrong here. | 0:53:24 | 0:53:28 | |
-I like this. -In front at £40. 42 anywhere? | 0:53:28 | 0:53:32 | |
I just hope they collect Doulton as well. | 0:53:32 | 0:53:36 | |
At £40 in front, seated. I'm selling at £40. | 0:53:36 | 0:53:40 | |
£40, David. This is amazing! Plus £10. I love it! | 0:53:40 | 0:53:44 | |
On to 205 now, which is the cold-painted, metal matchbox holder | 0:53:44 | 0:53:48 | |
in the form of a carpet seller. | 0:53:48 | 0:53:50 | |
£10? Surely! | 0:53:50 | 0:53:53 | |
Five I'm bid. Thank you, Diana. Six anywhere now? | 0:53:53 | 0:53:55 | |
-At £5 for the matchbox holder. Six anywhere? -Go on! -At £5. | 0:53:55 | 0:54:00 | |
Selling, then, for five pounds. | 0:54:00 | 0:54:03 | |
£5. Bad luck. Minus £5 on that. You're still plus £5 though. | 0:54:03 | 0:54:08 | |
Now, the stoneware vase. | 0:54:08 | 0:54:10 | |
Now the Royal Doulton stoneware vase. The bid's with me at £40. 42? | 0:54:10 | 0:54:15 | |
42. 44. | 0:54:15 | 0:54:18 | |
46. 48. 50. 5. 60. 5. | 0:54:18 | 0:54:22 | |
Still with me at £65. 70 anywhere? 70. | 0:54:22 | 0:54:28 | |
5. No. Still with me at £75. The commission bid still has it. | 0:54:28 | 0:54:32 | |
80 or no? Selling, then, for £75. | 0:54:32 | 0:54:35 | |
-Well done, Molly, I'd say. -Brilliant! -Minus £25. | 0:54:35 | 0:54:39 | |
I always knew it would do well. | 0:54:39 | 0:54:41 | |
How you can stand there, Serrell, I don't know. | 0:54:41 | 0:54:45 | |
You're only minus £20, which could be a winning score. Do you want to go with the bonus buy? | 0:54:45 | 0:54:51 | |
-Quickly! Are you going to go with it? -No. -No? -No. -I'm hurt. Absolutely mortified. | 0:54:51 | 0:54:56 | |
On to 210 now, the two-piece folding knife and fork set. | 0:54:56 | 0:55:00 | |
There we are. With a spoon in a case. £20, somebody? | 0:55:00 | 0:55:04 | |
£10? | 0:55:04 | 0:55:07 | |
-Five pounds? -Molly! | 0:55:07 | 0:55:10 | |
-No? Five pounds? Two pounds anywhere? -Can I bid? -Molly! | 0:55:10 | 0:55:15 | |
-A pound? -One pound, sir. | 0:55:15 | 0:55:19 | |
Thank you. At one pound. Two anywhere now? Are you all done at one pound? | 0:55:19 | 0:55:24 | |
-He's sold it for a pound. -You were right. -That is minus £19. | 0:55:26 | 0:55:30 | |
You would be in a deep, dark hole if Molly hadn't stood firm here, David. | 0:55:30 | 0:55:37 | |
We understand how your marriage has been such a success over this long period of time now. | 0:55:37 | 0:55:43 | |
-Listen to me. -Yes, that's right. | 0:55:43 | 0:55:44 | |
-Well, well, well. Have you been talking, you lot? -No! -Because you've got awfully friendly otherwise. | 0:55:56 | 0:56:01 | |
Well, we have had great fun. | 0:56:01 | 0:56:03 | |
But I'm afraid the runners-up, by a good old chunk, | 0:56:03 | 0:56:07 | |
-happen to be the Reds. -Aw! -You had a funny feeling about this? -We did. | 0:56:07 | 0:56:13 | |
£54 you are down the drain, which is nothing. You've been good sports. | 0:56:13 | 0:56:18 | |
But the victors today, with that lovely profit, David, on your Denby pot, which was a relief, wasn't it? | 0:56:18 | 0:56:24 | |
-It was. -Overall then, you are only minus £20, which is a gnat's, really, which is nothing. | 0:56:24 | 0:56:30 | |
-Have you had a good time? -We've had a wonderful time. -Join us soon for some more bargain hunting! Yes? | 0:56:30 | 0:56:37 | |
ALL: Yes! | 0:56:37 | 0:56:39 |