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BELLS PEALING | 0:00:02 | 0:00:04 | |
CHEERING AND APPLAUSE | 0:00:04 | 0:00:06 | |
Both of our teams today are in the wedding business | 0:00:07 | 0:00:11 | |
but will it be bliss or blunders? | 0:00:11 | 0:00:13 | |
Let's find out, as we go Bargain Hunting! | 0:00:13 | 0:00:16 | |
Welcome to Peterborough's Festival Of Antiques - | 0:00:38 | 0:00:42 | |
home to over 1,500 antiques stalls. | 0:00:42 | 0:00:46 | |
I can think of nothing nicer than spending the entire day | 0:00:52 | 0:00:56 | |
browsing in an antiques fair. | 0:00:56 | 0:00:58 | |
Still, we've got no time to lose. | 0:00:58 | 0:01:00 | |
Let's go and meet the teams. | 0:01:00 | 0:01:02 | |
On today's show, we have two teams of relatives. | 0:01:06 | 0:01:09 | |
For the Reds, we have Graham and Jacqueline. Welcome. | 0:01:09 | 0:01:13 | |
And for the Blues, Malcolm and Neil. | 0:01:13 | 0:01:15 | |
So, Jacqueline, tell me, how are you related to Graham? | 0:01:15 | 0:01:19 | |
Graham is actually my stepson-in-law. | 0:01:19 | 0:01:21 | |
-Your stepson-in-law. -Yes, and there's a year's age difference. | 0:01:21 | 0:01:25 | |
Unfortunately, I'm the older one. | 0:01:25 | 0:01:27 | |
Jacqueline, you're in the caring profession, aren't you? | 0:01:27 | 0:01:29 | |
That's right, Tim. I'm a ward sister at our local hospital. | 0:01:29 | 0:01:33 | |
-I've been a nurse for about 23 years now. -Have you? -Yes. | 0:01:33 | 0:01:36 | |
Do you get a medal after 23 years? | 0:01:36 | 0:01:38 | |
Sadly, no. Just more studying. I'm currently doing a master's degree | 0:01:38 | 0:01:42 | |
in research and evidence-based nursing. | 0:01:42 | 0:01:44 | |
Do you collect anything, Jacqueline? | 0:01:44 | 0:01:46 | |
-I do. I collect small, miniature teapots. -Why only small ones? | 0:01:46 | 0:01:50 | |
-I've only got a small shelf. -Oh, I see. | 0:01:50 | 0:01:52 | |
Graham, we had a bit of a hint earlier as to what you do. | 0:01:52 | 0:01:55 | |
-Tell us about it. -I'm a wedding photographer. | 0:01:55 | 0:01:57 | |
-Is that good fun? -Yes, it's very good fun. | 0:01:57 | 0:02:00 | |
People are always in a good mood at a wedding and, of course, they buy me lots of drink. | 0:02:00 | 0:02:04 | |
Brilliant. What do you collect, Graham? | 0:02:04 | 0:02:07 | |
-Do you remember the View-Master that you look through and click the pictures? -Yes. | 0:02:07 | 0:02:12 | |
I collect those. I've got quite a collection, now, of 1940s, '50s and '60s reels. | 0:02:12 | 0:02:16 | |
-Would you call yourself a lucky person? -I think I'm lucky. | 0:02:16 | 0:02:20 | |
I once did the National Lottery and got the first number and the second number, | 0:02:20 | 0:02:24 | |
-and the third and the fourth, and the fifth. -Oh, my! | 0:02:24 | 0:02:27 | |
And the last number on my ticket was number 18, and the last ball out of the machine was number 19. | 0:02:27 | 0:02:34 | |
-Oh, no! -Yeah, unfortunately. | 0:02:34 | 0:02:36 | |
Well, you never know. Today might be your lucky day on Bargain Hunt. | 0:02:36 | 0:02:40 | |
We hope so. Now for the Blues. | 0:02:40 | 0:02:41 | |
-Neil, we've seen your flash motor. -Yes. -Tell us some more about that. | 0:02:41 | 0:02:45 | |
My wife and I set up a wedding car business in about 2004. | 0:02:45 | 0:02:48 | |
-We just recently bought our sixth car... -Six cars! -..in north Suffolk, | 0:02:48 | 0:02:52 | |
and doing well and enjoying it as a family business. | 0:02:52 | 0:02:55 | |
Malcolm, are you into classic cars like your boy? | 0:02:55 | 0:02:58 | |
-No. I'm afraid I'm not. -What are you into? | 0:02:58 | 0:03:00 | |
Well, I'm a landscape gardener. | 0:03:00 | 0:03:02 | |
-So you like to operate on one wheel? -Yes. -That's the wheelbarrow wheel. -You've got it. | 0:03:02 | 0:03:07 | |
-How long have you done that for? -Over 25 years. | 0:03:07 | 0:03:09 | |
We've got some well-motivated teams today. | 0:03:09 | 0:03:11 | |
-The money moment. There you go, £300. -Thank you. -£300. -Thank you. | 0:03:11 | 0:03:15 | |
You've got an hour to find three objects which hopefully will bring a big profit. | 0:03:15 | 0:03:19 | |
Your experts await and off you go! And very, very, very good luck. | 0:03:19 | 0:03:23 | |
Helping not one but two lots of teams today are our experts. | 0:03:25 | 0:03:28 | |
For the Reds, it's Charles Hanson, | 0:03:28 | 0:03:30 | |
while battling for the Blues, it's Anita Manning. | 0:03:30 | 0:03:34 | |
Charles, what do you think about this, then, we've just found? | 0:03:38 | 0:03:42 | |
It's very decorative, Graham. | 0:03:42 | 0:03:44 | |
-It's nice! -It's rustic. | 0:03:44 | 0:03:46 | |
-It's got character. It's old. -It's bashed. | 0:03:46 | 0:03:49 | |
In the antiques market today, we like objects which have a pedigree or a provenance. | 0:03:49 | 0:03:53 | |
We can see, in this nice mellow patination on this oak, | 0:03:53 | 0:03:56 | |
almost baluster shape, it has some age to it, certainly. | 0:03:56 | 0:04:00 | |
This coopering in brass is very, very nice. | 0:04:00 | 0:04:02 | |
And these studs, certainly, are period. | 0:04:02 | 0:04:05 | |
The handle, the shape, it's decorative, it's rustic, | 0:04:05 | 0:04:08 | |
it's charming and today... the antiques market was very buoyant for that, | 0:04:08 | 0:04:12 | |
with copper and brass, about 20 years ago. | 0:04:12 | 0:04:14 | |
It has gone off the boil but this... it's coming back into vogue slowly. | 0:04:14 | 0:04:18 | |
-How much is it? -£30 but I think I can knock it down. | 0:04:18 | 0:04:22 | |
OK, so what do you think it's worth? | 0:04:22 | 0:04:24 | |
I think, to buy it between £20 and £25, there could be a profit. | 0:04:24 | 0:04:28 | |
So what do you reckon? Shall we go for that? | 0:04:28 | 0:04:30 | |
-Yep. OK, go on. You're happy. -OK, let's go and see if we can do a deal. | 0:04:30 | 0:04:34 | |
Graham bashed the jug price down to £22. | 0:04:35 | 0:04:39 | |
Look, guys! Could this world be our oyster? | 0:04:43 | 0:04:48 | |
I personally think you'll catch a crab! | 0:04:48 | 0:04:51 | |
I love terrestrial globes and they are very popular in the sale room. | 0:04:51 | 0:04:56 | |
We have two here, two quite different items. | 0:04:56 | 0:05:00 | |
We have this one here, which is actually the better item. | 0:05:00 | 0:05:04 | |
It's from the 1930s, | 0:05:04 | 0:05:06 | |
and it comes from a prestigious maker. | 0:05:06 | 0:05:11 | |
This one is a little later, from the '50. | 0:05:11 | 0:05:15 | |
It's a lamp, so it has a dual purpose. | 0:05:15 | 0:05:18 | |
This one was made by the Columbus Company in Berlin, | 0:05:18 | 0:05:22 | |
and that's a very famous company. | 0:05:22 | 0:05:25 | |
We have a difference in price. | 0:05:25 | 0:05:27 | |
£120, and we might be able to get them down a bit on that. | 0:05:27 | 0:05:32 | |
£70. | 0:05:32 | 0:05:34 | |
I think about £80 for that, I'd give. | 0:05:34 | 0:05:37 | |
The concern I've got is that's a lot of money and if there's not an instant attraction in the sale room, | 0:05:37 | 0:05:42 | |
whereas you're saying, it's a similar size, there's an age difference, | 0:05:42 | 0:05:46 | |
but they're still quite quirky with the shipping channels. But if you can get that for £50, | 0:05:46 | 0:05:51 | |
you get less of a risk and also the potential... | 0:05:51 | 0:05:54 | |
If it does grab somebody's attention, that might make us more money than the more expensive one. | 0:05:54 | 0:05:59 | |
Well, let's go. | 0:05:59 | 0:06:01 | |
Let's talk to the dealer, see how much we can get off. | 0:06:01 | 0:06:04 | |
-Yes. -Let's go! -We're all for it. | 0:06:04 | 0:06:07 | |
Their final decision was... the smaller globe, | 0:06:08 | 0:06:11 | |
because they got it for an earth-moving £50. | 0:06:11 | 0:06:15 | |
Graham, Jacqueline, within these newspapers, my treasure for you, OK? | 0:06:17 | 0:06:21 | |
And just look at the quality. | 0:06:21 | 0:06:23 | |
It's a really, really good set. | 0:06:23 | 0:06:25 | |
What we've got is very, very fine, extremely fine, late-Victorian, | 0:06:25 | 0:06:29 | |
19th-century porcelain at its very best. Look at the decoration. | 0:06:29 | 0:06:33 | |
It's what we call Imari, beautifully picked out in cobalt blue, iron red | 0:06:33 | 0:06:38 | |
and fine gilt jewelling to the edges. | 0:06:38 | 0:06:41 | |
-I -think it's lovely. It's very tactile. | 0:06:41 | 0:06:44 | |
-I like the fact that there's six plates. -Yeah. | 0:06:44 | 0:06:46 | |
-It's quite a big set. -Yeah. | 0:06:46 | 0:06:48 | |
And what sort of condition? | 0:06:48 | 0:06:50 | |
There are some minor wear and tear marks to the actual body of the wells | 0:06:50 | 0:06:55 | |
-of the dishes, where they've been stacked over time. -Right. | 0:06:55 | 0:06:58 | |
And on this base, for example, we can see there's a tiny chip taken out | 0:06:58 | 0:07:02 | |
the actual bottom. | 0:07:02 | 0:07:03 | |
-But that's really it. -Right. | 0:07:03 | 0:07:05 | |
But this was made at Royal Crown Derby. | 0:07:05 | 0:07:08 | |
And in the late 19th century, in the 1880s, 1890s, | 0:07:08 | 0:07:11 | |
the factory was really at the forefront of quality, | 0:07:11 | 0:07:14 | |
and to have a set here complete is a joy to see. | 0:07:14 | 0:07:18 | |
So, Charles, how much is this? | 0:07:18 | 0:07:20 | |
It's priced at £150. | 0:07:20 | 0:07:23 | |
But I do feel there's room to negotiate there. | 0:07:23 | 0:07:26 | |
-Get it down quite substantially. -If it was coming into your sale room, what would you...? | 0:07:26 | 0:07:30 | |
Bearing in mind I'm a Derbyshire man, my guide price would be | 0:07:30 | 0:07:34 | |
between £120 and £180, quite happily, | 0:07:34 | 0:07:38 | |
off we go. | 0:07:38 | 0:07:40 | |
Fantastic. Do you like that? | 0:07:40 | 0:07:42 | |
-Yes. -Yeah, if I can lower that slightly, | 0:07:42 | 0:07:44 | |
I think there's a real chance of me making a name for myself with you. | 0:07:44 | 0:07:48 | |
-Yeah. -Indeed. You'd be very popular, Charles! | 0:07:48 | 0:07:51 | |
Well, Charles, I think all we need now is some cake, | 0:07:51 | 0:07:54 | |
so if you go and do the deal, we'll get the cake. | 0:07:54 | 0:07:57 | |
-Yeah. -Terrific. | 0:07:57 | 0:07:59 | |
Charles got the Derby set for £115, but has Anita been copying him? | 0:07:59 | 0:08:05 | |
Well, I've found something very nice for you to look at | 0:08:07 | 0:08:12 | |
and it might be a little bit of a tactical buy. | 0:08:12 | 0:08:16 | |
We're selling at Grantham, | 0:08:16 | 0:08:18 | |
which is quite near Derby, and what we have here is an old Derby plate. | 0:08:18 | 0:08:25 | |
-Yes. How old is old? -Mid 1800s. -Wow, OK. | 0:08:25 | 0:08:28 | |
It's colourful and it's quality. | 0:08:28 | 0:08:31 | |
-Yeah. -This would have been part of a bigger set. -OK. | 0:08:31 | 0:08:35 | |
But it will stand on its own, | 0:08:35 | 0:08:37 | |
because we have the pattern in the middle as well as round the side. | 0:08:37 | 0:08:41 | |
So you think we'll get a profit on that one? | 0:08:41 | 0:08:44 | |
-Well, it's £55 on the ticket. -OK. | 0:08:44 | 0:08:48 | |
-But I can get it for 35 if you want me to go ahead. -OK. | 0:08:48 | 0:08:53 | |
-Well, that'll do us. -Shall I go for it? -You go for it, girl, yes. -OK. | 0:08:53 | 0:08:57 | |
Charles. What about this? I really like it. | 0:09:05 | 0:09:08 | |
Yeah. I do as well. | 0:09:08 | 0:09:10 | |
-I really like it. The colours are so vibrant. -It's stunning. -What is it? | 0:09:10 | 0:09:14 | |
It's what we commonly call a farmer's jug. | 0:09:14 | 0:09:17 | |
-How old you think it actually is? -Well, you have a guess. | 0:09:17 | 0:09:21 | |
-Oh, I don't know. Victorian, sometime? -100 years? | 0:09:21 | 0:09:25 | |
Yes. Well, 100 years plus. | 0:09:25 | 0:09:28 | |
-Oh, really? -Because it dates as far back as about 1825. | 0:09:28 | 0:09:31 | |
It's probably either a Yorkshire or Staffordshire-made jug, | 0:09:31 | 0:09:35 | |
and I love the decoration on it as well. | 0:09:35 | 0:09:37 | |
The spout, which is a weak part, appears to be in good condition. | 0:09:37 | 0:09:40 | |
There's been no restoration. | 0:09:40 | 0:09:43 | |
When you handle these jugs, always be careful. | 0:09:43 | 0:09:45 | |
Hold this ovoid-shaped body by the body, | 0:09:45 | 0:09:47 | |
because over time the handle can fracture under central heating. | 0:09:47 | 0:09:52 | |
-I can't see a thing wrong with it. -It's pristine. | 0:09:52 | 0:09:54 | |
-Well, on the ticket it's £195. -Right. -Which seems a lot of money. | 0:09:54 | 0:09:59 | |
Yeah. Well, being realistic, I think | 0:09:59 | 0:10:01 | |
it would do well in any sale room | 0:10:01 | 0:10:03 | |
because of its archaic merits, | 0:10:03 | 0:10:04 | |
and I would say its market value would be £150 plus. | 0:10:04 | 0:10:09 | |
-So I think... -We need to get it under that. | 0:10:09 | 0:10:12 | |
Yeah, I think so. And if you can, because its condition is so pristine, you're on to a good thing. | 0:10:12 | 0:10:17 | |
Charles, I shall tell them I'm a Webster and go and do a deal. | 0:10:17 | 0:10:21 | |
Graham "Webster" got the jug for Jacqueline for £130. | 0:10:23 | 0:10:29 | |
-What do you think of this quirky little item? -That's a lovely wee thing! | 0:10:37 | 0:10:41 | |
-Let's see it. -What is it, then? | 0:10:41 | 0:10:43 | |
It's what we call an aide-memoire. | 0:10:43 | 0:10:46 | |
It's the type of thing that a young lady would wear at the ball. | 0:10:46 | 0:10:53 | |
And on these little ivory panels, | 0:10:53 | 0:10:55 | |
you would write the name of your boyfriend. | 0:10:55 | 0:10:58 | |
-Is it silver? -I can't find any hallmark | 0:10:58 | 0:11:02 | |
on it and I don't think... | 0:11:02 | 0:11:05 | |
-It's a wee bit harsh. Often in silver there's a wee bit of give. -Yeah. | 0:11:05 | 0:11:09 | |
-Yeah. -In silver. And it doesn't seem to have any give, | 0:11:09 | 0:11:12 | |
so it's some sort of white metal or plated metal. | 0:11:12 | 0:11:15 | |
What I noticed as well, this quirky little head. | 0:11:15 | 0:11:18 | |
It looks a bit like a father with a big moustache. | 0:11:18 | 0:11:20 | |
That's right, it's her dad keeping his eye on her. LAUGHTER | 0:11:20 | 0:11:24 | |
So, what sort of price is it? | 0:11:24 | 0:11:26 | |
It's on at £35. Is that a good price? | 0:11:26 | 0:11:29 | |
I think it might be a wee bit too dear. | 0:11:29 | 0:11:32 | |
If it were silver it would be a different story, | 0:11:32 | 0:11:34 | |
so we've got to get it down to, say, about 20. Do you think you could do that? | 0:11:34 | 0:11:39 | |
Yes, I can do that for 20! Let's go for tea. | 0:11:39 | 0:11:41 | |
Let's see if we can get it down to 20. We'll have a cup of tea first and then we'll do some bargaining. | 0:11:41 | 0:11:47 | |
If we can't get it down for 20, we won't have it. Simple as that. | 0:11:47 | 0:11:50 | |
Malcolm's charm worked a treat and they got it for £20. | 0:11:52 | 0:11:56 | |
Time's up. Let's recap on what the Reds bought. | 0:12:02 | 0:12:05 | |
All right, doll? | 0:12:05 | 0:12:06 | |
Yes, first up was Graham's battered jug but they only paid £22. | 0:12:08 | 0:12:13 | |
Charles's loyalty to Crown Derby | 0:12:15 | 0:12:18 | |
meant they bought the dessert service for a sweet £115. | 0:12:18 | 0:12:22 | |
And Jacqueline's Staffordshire jug cost £130, | 0:12:22 | 0:12:26 | |
but will there be a Webster bidding at the sale? | 0:12:26 | 0:12:29 | |
Did you have a great time? | 0:12:29 | 0:12:31 | |
-Fantastic. -It is good fun, isn't it? -Fabulous. | 0:12:31 | 0:12:33 | |
Which is your favourite piece, Jacqueline? | 0:12:33 | 0:12:36 | |
-The Webster jug. -Webster jug. Graham? | 0:12:36 | 0:12:39 | |
-The Crown Derby for me, Tim. -Very good. Which piece is going to bring the biggest profit? | 0:12:39 | 0:12:44 | |
I thought it would be the Webster jug but actually I'm now verging on the Crown Derby. | 0:12:44 | 0:12:48 | |
-Yes. Women's prerogative, right? -Yes, indeed. | 0:12:48 | 0:12:51 | |
-What about you, Graham? -I'm going to stick with the Crown Derby. | 0:12:51 | 0:12:55 | |
Very good. Well, you spent a magnificent £267, | 0:12:55 | 0:12:58 | |
so I'll have 33 smackers, please, | 0:12:58 | 0:13:00 | |
-which is a relatively small amount of money to give to Charles Hanson. -Thank you. | 0:13:00 | 0:13:05 | |
-What are you going to buy with the £33? -I think something to sparkle, to shimmer. | 0:13:05 | 0:13:09 | |
-I've seen a few things, so I'm quite confident. -Good luck. | 0:13:09 | 0:13:12 | |
Let's remind ourselves what the Blues bought. | 0:13:12 | 0:13:14 | |
The Blues were torn between two worlds, | 0:13:16 | 0:13:18 | |
but bought the cheaper one at £50. | 0:13:18 | 0:13:20 | |
They all liked the Derby plate, at £35. | 0:13:20 | 0:13:25 | |
They got the aide-memoire for £20, thanks to Malcolm's haggling. | 0:13:26 | 0:13:31 | |
-So, boys, did you have a good shop up? -We had a fantastic day. | 0:13:31 | 0:13:35 | |
-Which piece will bring the biggest profit? -I think the aide-memoire. | 0:13:35 | 0:13:38 | |
-I think the plate. -You think... I love that. That's fantastic. | 0:13:38 | 0:13:42 | |
You only spent a pathetic £105, | 0:13:42 | 0:13:45 | |
so I'll have £195 back, please, and that's a great wodge of cash, | 0:13:45 | 0:13:49 | |
-Thank you, boys! -Ooh, I think she's pleased with you. -CHUCKLING | 0:13:49 | 0:13:54 | |
Are you going to spend the lot, Anita? | 0:13:54 | 0:13:56 | |
Oh, I'm going to do my very, very best! | 0:13:56 | 0:13:59 | |
Today we're with auctioneer Jan Squires, | 0:14:08 | 0:14:11 | |
at Golding Young in Grantham, and it's great to be here. | 0:14:11 | 0:14:15 | |
-Nice to see you, Tim. -Our team Graham and Jacqueline first of all. | 0:14:15 | 0:14:19 | |
They went with this oak jug. | 0:14:19 | 0:14:21 | |
-What do you think about that? -It's not old. | 0:14:21 | 0:14:23 | |
It may look it but it isn't, and somebody's dropped it on its head. | 0:14:23 | 0:14:28 | |
Mm-hm. How much is it going to bring? | 0:14:28 | 0:14:30 | |
-20 to 40, we've estimated. -Well, that's brilliant. | 0:14:30 | 0:14:33 | |
Anything over £22 will suit us very nicely, thank you very much. | 0:14:33 | 0:14:36 | |
-Ah. -Now, what about this Derby little dessert service? | 0:14:36 | 0:14:41 | |
Very pretty. Not quite the quality of the real top-notch Royal Derby. | 0:14:41 | 0:14:46 | |
-We've estimated 50 to 80. -Is that all? | 0:14:46 | 0:14:49 | |
I thought that was quite generous. | 0:14:49 | 0:14:51 | |
Oh, dear! We have a diversity of opinion here because they paid £115. | 0:14:51 | 0:14:56 | |
Charles Hanson is pretty passionate about this stuff. | 0:14:56 | 0:14:59 | |
So £50 to £80 is our estimate there. | 0:14:59 | 0:15:02 | |
If you're right and he's wrong, | 0:15:02 | 0:15:04 | |
they'll make a stonking loss on that. | 0:15:04 | 0:15:06 | |
-What about the pearlware jug? -That I like. -It's handsome, isn't it? | 0:15:06 | 0:15:10 | |
-Yes, it's a lovely jug. -What's your estimate? -That's 50 to 80. -Is that all? | 0:15:10 | 0:15:14 | |
Oh, dear. They paid £130 for it. | 0:15:14 | 0:15:16 | |
Well, we will put out a little teaser and hopefully it'll go a lot higher than that, then. | 0:15:16 | 0:15:21 | |
Oh, well, that's what I like to hear. | 0:15:21 | 0:15:23 | |
But on the face of the estimates, | 0:15:23 | 0:15:25 | |
they're going to need their bonus buy, | 0:15:25 | 0:15:27 | |
so let's go and have a look at it. | 0:15:27 | 0:15:30 | |
Look at them. What do you think? | 0:15:30 | 0:15:33 | |
-Have one, Graham. There we go. -Um... -Thank you. What do you think? | 0:15:33 | 0:15:36 | |
-Um, what are they? -Well, I'll tell you. | 0:15:36 | 0:15:39 | |
They're Christmas tree decorations, | 0:15:39 | 0:15:41 | |
or certainly festive hangings from the late 19th century. | 0:15:41 | 0:15:44 | |
-You've done something that doesn't happen very often. I'm speechless! -HE CHUCKLES | 0:15:44 | 0:15:49 | |
-What d'you think they'll make? -I think they're quite speculative. | 0:15:49 | 0:15:53 | |
Yes, there is some damage, and my evaluation on them would be | 0:15:53 | 0:15:56 | |
certainly, wind blowing, Graham, 30 or so pounds. So I can see a profit. | 0:15:56 | 0:16:00 | |
-Only small, but there's a profit. -Right. I don't know what to say. | 0:16:00 | 0:16:05 | |
The big thing is you don't have to say anything right now. | 0:16:05 | 0:16:08 | |
You'll decide after the sale of your first three items. | 0:16:08 | 0:16:11 | |
But for the viewers at home, let's find out what the auctioneer thinks of the Christmas decorations. | 0:16:11 | 0:16:17 | |
Oh, dear, oh, dear, oh, dear. | 0:16:17 | 0:16:18 | |
-Mm. -Any good? | 0:16:18 | 0:16:20 | |
-In a word, no. -No? | 0:16:20 | 0:16:23 | |
-We've estimated 5 to 15 and that's being, um... -Really generous? | 0:16:23 | 0:16:28 | |
-Yes. -Charles's bonus buy, then. | 0:16:28 | 0:16:30 | |
£20 well spent? | 0:16:30 | 0:16:32 | |
We shall see in the auction. That's it for the Reds. | 0:16:32 | 0:16:35 | |
Now for the Blues, Malcolm and Neil. | 0:16:35 | 0:16:37 | |
Their first item is that globe. German? | 0:16:37 | 0:16:39 | |
-Definitely German. Got nice German labels on. -Mm-hm. | 0:16:39 | 0:16:43 | |
But our estimate is very low. | 0:16:43 | 0:16:45 | |
-Ah. -And I know you're going to tell me it's very low, | 0:16:45 | 0:16:49 | |
because it's only £10 to £30. | 0:16:49 | 0:16:51 | |
-Gosh. £50, they paid. -Hm. | 0:16:51 | 0:16:54 | |
I'm feeling a bit gloomy about this. | 0:16:54 | 0:16:56 | |
My next question is the Derby bowl. | 0:16:56 | 0:16:59 | |
The Derby bowl. | 0:16:59 | 0:17:00 | |
Well, we think this one might make 20 to 40, being a single. | 0:17:00 | 0:17:04 | |
You can imagine that a table laid with the entire selection would look fantastic. | 0:17:04 | 0:17:08 | |
Perhaps someone's going to need a replacement. | 0:17:08 | 0:17:10 | |
-Do you know somebody or other? -No. -No. Afraid I don't, either. | 0:17:10 | 0:17:14 | |
Things not looking so brilliant on that. £20 to £40 is your estimate. £35, they paid, | 0:17:14 | 0:17:18 | |
Next is the aide-memoire, found by Anita. | 0:17:18 | 0:17:22 | |
The original went walkabout so she found another. | 0:17:22 | 0:17:25 | |
I actually like this. It's got its little pad inside. It's hallmarked. | 0:17:25 | 0:17:29 | |
Got its own little pencil. | 0:17:29 | 0:17:31 | |
With pencil. Fits in the side. | 0:17:31 | 0:17:33 | |
-I mean, it's a perfectly delectable object, isn't it? -Mm. | 0:17:33 | 0:17:36 | |
We've put a conservative 20 to 40. | 0:17:36 | 0:17:40 | |
-Does that mean it'll make more than that? -Seriously hope so. | 0:17:40 | 0:17:43 | |
Well, it needs to make more than £50. | 0:17:43 | 0:17:45 | |
We're in real trouble if it doesn't make more than £50. | 0:17:45 | 0:17:48 | |
In fact, it looks as if they're going to need their bonus buy, so let's go and have a look at it. | 0:17:48 | 0:17:54 | |
Well. | 0:17:55 | 0:17:57 | |
What we have here | 0:17:57 | 0:17:59 | |
is a lovely piece of quality porcelain | 0:17:59 | 0:18:03 | |
from the best of the factories, Worcester. | 0:18:03 | 0:18:07 | |
It was made in 1896 so it's a good old age. | 0:18:07 | 0:18:12 | |
It cost me £100. | 0:18:12 | 0:18:15 | |
Does that seem like a lot of money? | 0:18:15 | 0:18:18 | |
A heck of a lot. | 0:18:18 | 0:18:19 | |
But I'm hoping that the buyers of Worcester will be there | 0:18:19 | 0:18:23 | |
and that the quality will come through. | 0:18:23 | 0:18:25 | |
But what do you think the value is? It's Worcester, so... | 0:18:25 | 0:18:28 | |
I'm hoping that it will go to £100 and a little more. | 0:18:28 | 0:18:33 | |
Taking a little bit of a chance on it. | 0:18:33 | 0:18:36 | |
But let's hope that quality comes through. | 0:18:36 | 0:18:39 | |
It's terribly difficult to predict | 0:18:39 | 0:18:41 | |
-in the auction, though, isn't it? -Yeah, sure. | 0:18:41 | 0:18:43 | |
You don't have to decide right now. You decide later. | 0:18:43 | 0:18:46 | |
For the audience at home, let's see what the auctioneer thinks of Anita's vase. | 0:18:46 | 0:18:50 | |
So, here it is. | 0:18:50 | 0:18:52 | |
It's a little Worcester potpourri, | 0:18:52 | 0:18:56 | |
without the potpourri pot. | 0:18:56 | 0:18:58 | |
-Right. -Unfortunately. | 0:18:58 | 0:19:00 | |
The potpourri pierced top isn't there. | 0:19:00 | 0:19:05 | |
You would take off the inner cover | 0:19:05 | 0:19:08 | |
and your perfumes would waft around | 0:19:08 | 0:19:10 | |
-through the pierced top. -Mm-hm. | 0:19:10 | 0:19:12 | |
And then when you didn't want it to perfume the room, | 0:19:12 | 0:19:16 | |
you'd just put your little cover back on | 0:19:16 | 0:19:19 | |
to conserve the perfumes. | 0:19:19 | 0:19:20 | |
Yes, so that's a shame, then, isn't it? Not having the pierced cover. | 0:19:20 | 0:19:24 | |
Yes, although it still does look very attractive. | 0:19:24 | 0:19:27 | |
What's your estimate? | 0:19:27 | 0:19:28 | |
Taking everything into consideration... | 0:19:28 | 0:19:31 | |
-Yes? -..we would say 40 to 60. | 0:19:31 | 0:19:32 | |
Oh, dear. £100 paid. Still, it isn't over until it's over. | 0:19:32 | 0:19:38 | |
-Are you taking the auction, Jan? -I am. -We'll look forward to that. | 0:19:38 | 0:19:41 | |
-Jacqueline, Graham, how you feeling? -Excited. -Yes, very good. | 0:19:50 | 0:19:53 | |
That's good. That's what we like to see. | 0:19:53 | 0:19:55 | |
First up is going to be your coopered jug, | 0:19:55 | 0:19:58 | |
Graham, and here it comes now. | 0:19:58 | 0:20:00 | |
Lot number 70, an early 20th century oak and brass coopered jug. | 0:20:00 | 0:20:05 | |
Nice-looking thing. Start me at... | 0:20:05 | 0:20:08 | |
-I have 20. 22 anywhere? -Let's go. | 0:20:08 | 0:20:10 | |
I have 20. Anyone at 22? | 0:20:10 | 0:20:13 | |
Its maiden bid, then, at £20 and all done at 20. | 0:20:13 | 0:20:16 | |
Yes! Oh! Bid here! Bid here. | 0:20:16 | 0:20:19 | |
-Bid here, madam. -I'm sorry. I put the hammer down. | 0:20:19 | 0:20:22 | |
Oh! Shame! | 0:20:22 | 0:20:24 | |
Robbed. | 0:20:24 | 0:20:26 | |
-Oh, no! -Lot number 71, a Royal Crown Derby eight-piece dessert set, | 0:20:26 | 0:20:31 | |
and I have an opening bid of £45. | 0:20:31 | 0:20:33 | |
50 anywhere else? | 0:20:33 | 0:20:35 | |
50 at the back. 55? | 0:20:35 | 0:20:37 | |
55 bid. 60. 65? No? | 0:20:37 | 0:20:40 | |
Oh, dear! | 0:20:40 | 0:20:41 | |
-65, 70, 75, 80, 85... -Come on! 90. | 0:20:41 | 0:20:46 | |
No? 80 I have. Anyone at 85? | 0:20:46 | 0:20:50 | |
All done and fin... | 0:20:50 | 0:20:52 | |
85. 90? | 0:20:52 | 0:20:54 | |
Are we all done and finished at £85? | 0:20:54 | 0:20:57 | |
-Well, £85. -Shame. | 0:20:57 | 0:21:00 | |
Right, that's 50 minus 30 on that... | 0:21:00 | 0:21:03 | |
Very close, very close. It deserved a bit more really but never mind. | 0:21:03 | 0:21:07 | |
-You win some, you lose some. -Here comes the jug. | 0:21:07 | 0:21:10 | |
Lot 72, an early 19th century Staffordshire pottery jug, | 0:21:10 | 0:21:14 | |
and I have multiple commissions and I start at £100. | 0:21:14 | 0:21:19 | |
-Good. Let's go. -105 anywhere? 100 I have. | 0:21:19 | 0:21:23 | |
Any further bids? £100, then. | 0:21:23 | 0:21:25 | |
-Yes, hello! -105. 110? | 0:21:25 | 0:21:28 | |
105, I've got you. | 0:21:28 | 0:21:29 | |
110 anywhere else? | 0:21:29 | 0:21:31 | |
-Come on! -105. All done at 105? | 0:21:31 | 0:21:35 | |
£105. | 0:21:35 | 0:21:38 | |
Minus £25 on that. | 0:21:38 | 0:21:40 | |
I make that minus 57. | 0:21:40 | 0:21:42 | |
-That's not bad. -Very tough. | 0:21:42 | 0:21:45 | |
I'm glad you're so pleased! | 0:21:45 | 0:21:47 | |
What about the Christmas decs? Are you going to risk those? | 0:21:47 | 0:21:49 | |
They absolutely have to go. | 0:21:49 | 0:21:51 | |
-Absolutely. -We need some fireworks. | 0:21:51 | 0:21:53 | |
-Yes. -Really get these burning brightly for us. | 0:21:53 | 0:21:55 | |
-You don't have to. -No, but we only get this chance once. | 0:21:55 | 0:21:57 | |
That'll put us back into credit, that will. | 0:21:57 | 0:22:01 | |
That's really optimistic, Graham. | 0:22:01 | 0:22:03 | |
I love that, don't you? So, that's what were going to do? | 0:22:03 | 0:22:06 | |
We're going to go with the bonus buy? | 0:22:06 | 0:22:07 | |
-We're going with the Christmas decs. -Sure. | 0:22:07 | 0:22:09 | |
All right, fine. Are you sure? | 0:22:09 | 0:22:11 | |
-Absolutely. -Absolutely. -They're not going to be persuaded. | 0:22:11 | 0:22:14 | |
We're going with the Christmas decorations. | 0:22:14 | 0:22:16 | |
Lot number 76, a set of four vintage glass Christmas decorations. | 0:22:16 | 0:22:22 | |
Shall we start the bidding at £10? | 0:22:22 | 0:22:25 | |
£10 I have. 12 anywhere? | 0:22:25 | 0:22:28 | |
-Come on! -Anyone at 12? | 0:22:28 | 0:22:30 | |
£10 I have. If you're interested, make... | 0:22:30 | 0:22:33 | |
Ah, 12! | 0:22:33 | 0:22:35 | |
14, 16, 18, 20? Are you sure? | 0:22:35 | 0:22:39 | |
18 I've got, then. Nobody at 20? | 0:22:39 | 0:22:42 | |
-Fantastic! One more! -18, then. I'm trying really hard! | 0:22:42 | 0:22:46 | |
Thank you, auctioneer! | 0:22:46 | 0:22:48 | |
All done at £18. | 0:22:48 | 0:22:50 | |
£18. | 0:22:50 | 0:22:52 | |
Brilliant! | 0:22:52 | 0:22:54 | |
-Oh, dear. -Thanks. -Bad luck, Charles. | 0:22:54 | 0:22:56 | |
-Dear me, it's a wipe-out. -I wanted to wipe your face. -I know. | 0:22:56 | 0:23:00 | |
We all wanted to wipe our face. Never mind. | 0:23:00 | 0:23:03 | |
It's minus £59. Don't despair. It could be a winning score. | 0:23:03 | 0:23:07 | |
-Just don't tell the Blues a thing, all right? -Sure. | 0:23:07 | 0:23:09 | |
Malcolm and Neil, d'you know how the Reds got on? | 0:23:23 | 0:23:26 | |
-Not the foggiest. -Not the foggiest? -Not the foggiest! -Just as well. | 0:23:26 | 0:23:30 | |
-And how are you feeling? Are you feeling a bit shifty? -Yes, I'm always shifty! | 0:23:30 | 0:23:34 | |
-Always shifty? -Yes. | 0:23:34 | 0:23:35 | |
-What about you, Neil? -I'm feeling quite confident. | 0:23:35 | 0:23:38 | |
-Are you? -Yeah. -We come to the first lot, and it's your globe. | 0:23:38 | 0:23:42 | |
A 20th century JRO Globus German terrestrial globe lamp. | 0:23:42 | 0:23:47 | |
-And I can start the bidding on it at £20. -Yes! -22 anywhere? | 0:23:47 | 0:23:51 | |
20 I have. Anyone at 22? | 0:23:51 | 0:23:53 | |
At £20, it's 22. | 0:23:53 | 0:23:55 | |
24 in the room? | 0:23:55 | 0:23:57 | |
22 I have. Anybody like 24? 22, then, and all done at £22. | 0:23:57 | 0:24:02 | |
£22 is minus £28. Bad luck, boys! | 0:24:02 | 0:24:07 | |
Lot 95, a Derby soup bowl in the Japan pattern. | 0:24:07 | 0:24:12 | |
Start me off at £20 for that? £20? | 0:24:12 | 0:24:16 | |
Anyone at 20? Ten I have. | 0:24:16 | 0:24:19 | |
Ten I have. Anyone at 12? Ten, then. | 0:24:19 | 0:24:20 | |
Anyone at 12? Ten I have. 12. | 0:24:20 | 0:24:23 | |
14 in the room? 14 on the book. | 0:24:23 | 0:24:25 | |
16? No? 14 with me, then. | 0:24:25 | 0:24:27 | |
16 anywhere else? | 0:24:27 | 0:24:29 | |
14 I have and all done at 14. | 0:24:29 | 0:24:32 | |
-Commission bid. -£14. | 0:24:32 | 0:24:34 | |
It's minus £21 on that. | 0:24:34 | 0:24:36 | |
96 is an early 20th century silver aide-memoire with the pencil. | 0:24:36 | 0:24:41 | |
Lovely little lot for collectors, this. Start me at £20 for this lot. | 0:24:41 | 0:24:46 | |
£20 bid. 25 anywhere? 25. 30? | 0:24:46 | 0:24:49 | |
30 bid. 35? 40? 40 bid. 45? | 0:24:49 | 0:24:53 | |
Anyone at 45? | 0:24:53 | 0:24:56 | |
40 I have. Last time, then, at £40 and all done. | 0:24:56 | 0:25:01 | |
£40. £40 minus £10 on that. | 0:25:01 | 0:25:05 | |
28, 48, 49. Minus £59. | 0:25:05 | 0:25:10 | |
That could be a winning score, minus £59. | 0:25:10 | 0:25:12 | |
But what are you going to do about the Worcester vase? | 0:25:12 | 0:25:14 | |
-Are you going to go with it? -Yes, I do that. I'd say yes. | 0:25:14 | 0:25:17 | |
-I'm a definite yes. -You're a definite yes? | 0:25:17 | 0:25:19 | |
-A definite yes. Why not? -OK, we're going with the bonus buy, then. | 0:25:19 | 0:25:22 | |
Lot 100, a Worcester ovoid vase with moulded garland decoration there. | 0:25:22 | 0:25:28 | |
It's a pretty thing. Start me... I can start at £40 I have. | 0:25:28 | 0:25:32 | |
40 I have. 45 anywhere? | 0:25:32 | 0:25:34 | |
40 I have. 45? 50? 50. 55? | 0:25:34 | 0:25:38 | |
In the room at 55? | 0:25:38 | 0:25:42 | |
50 I have, seated there. | 0:25:42 | 0:25:44 | |
Anyone at 55? | 0:25:44 | 0:25:46 | |
All done? Hammer's going down. | 0:25:46 | 0:25:49 | |
£50. | 0:25:49 | 0:25:51 | |
Minus £50. | 0:25:51 | 0:25:53 | |
-99, 109. -We've had a good time. | 0:25:53 | 0:25:56 | |
We've had a good time. | 0:25:56 | 0:25:59 | |
-I said we'd make 50! -Well, done, Malcolm, on your predictions. | 0:25:59 | 0:26:05 | |
-Yeah. -Overall, then, you are minus £109 but for goodness' sake, | 0:26:05 | 0:26:08 | |
don't tell the Reds a thing! | 0:26:08 | 0:26:10 | |
So it's a loss of a whopping minus £109 for the Blue team | 0:26:11 | 0:26:16 | |
which means the Reds win, as they came in with a loss of only £59. | 0:26:16 | 0:26:23 | |
Coming up, two more teams go Bargain Hunting. | 0:26:23 | 0:26:25 | |
But first, I'm going on the hunt for some local history. | 0:26:25 | 0:26:29 | |
Not all antiques come from a happy background, but most have an interesting story behind them. | 0:26:32 | 0:26:38 | |
Today, I'm at Peterborough Museum to look at some exquisite | 0:26:38 | 0:26:41 | |
artefacts made behind bars and we're not talking drinking here. | 0:26:41 | 0:26:46 | |
The prison at Norman Cross, near Peterborough, was the world's first, purpose built prisoner-of-war camp | 0:26:54 | 0:27:01 | |
constructed to house all those Dutch and French prisoners taken during the Napoleonic wars. | 0:27:01 | 0:27:08 | |
To pass the time, the prisoners employed themselves | 0:27:08 | 0:27:12 | |
making all sorts of elaborate trinkets and works of art. | 0:27:12 | 0:27:16 | |
Indeed, the guards encouraged them to do this, so that it would keep them out of mischief. | 0:27:16 | 0:27:21 | |
Once a month, at the East Gate of the camp, they set up a market | 0:27:21 | 0:27:26 | |
where they bartered or traded or sold for cash their various wares. | 0:27:26 | 0:27:32 | |
Most of the work currently on display consists of objects of carved bone. | 0:27:32 | 0:27:37 | |
Prisoners would keep bones from their salt meat rations, | 0:27:37 | 0:27:41 | |
usually pork or beef, then polish them heavily to look like ivory. | 0:27:41 | 0:27:45 | |
Here, we've got a little selection. | 0:27:47 | 0:27:49 | |
First up, is this cockerel. | 0:27:49 | 0:27:51 | |
If you look at the way this has been made it's quite extraordinary. | 0:27:51 | 0:27:55 | |
It's composed of literally hundreds of little piece of bone | 0:27:55 | 0:28:00 | |
which have been cut and shaped and engraved and given a feathered edge, | 0:28:00 | 0:28:06 | |
so that when it's pinned, and you can just see the end of a pin there, | 0:28:06 | 0:28:10 | |
onto the cotton wool and wooden carcass, | 0:28:10 | 0:28:15 | |
each feather overfolds on each other and creates this delicious effect. | 0:28:15 | 0:28:21 | |
Next, is an object that every 18th, early 19th century household | 0:28:21 | 0:28:26 | |
would have had - a wee tea caddy. | 0:28:26 | 0:28:29 | |
If you look carefully at it, though, the carved bone covering is all in short sections. | 0:28:29 | 0:28:34 | |
That's because the prisoners only had relatively small and short lengths of bone to use. | 0:28:34 | 0:28:41 | |
If I open up the lid you can see... | 0:28:41 | 0:28:44 | |
Wow! Look at that. | 0:28:44 | 0:28:47 | |
With two divisions for two types of tea, | 0:28:47 | 0:28:49 | |
you can actually see what the outer surface would have looked like | 0:28:49 | 0:28:53 | |
when this thing was made. All rich and golden. | 0:28:53 | 0:28:57 | |
That's because the prisoners put a golden foil | 0:28:57 | 0:29:01 | |
underneath their carved and pierced bone sections | 0:29:01 | 0:29:05 | |
and it gives it that rich and exotic effect. | 0:29:05 | 0:29:08 | |
And if you were at all religious, | 0:29:08 | 0:29:11 | |
you would have been attracted to this item. | 0:29:11 | 0:29:14 | |
It's a wee diorama, | 0:29:14 | 0:29:16 | |
effectively a 3-D display, contained in a vertical glazed box. | 0:29:16 | 0:29:22 | |
And in the centre, of course, you've got the Crucifixion of our Lord, | 0:29:22 | 0:29:26 | |
with a rather convenient carved bone ladder leaning up in the corner. | 0:29:26 | 0:29:32 | |
Quite exquisite. | 0:29:32 | 0:29:34 | |
The big question is, are our teams today, over at the auction, | 0:29:34 | 0:29:38 | |
going to make any exquisite profits? | 0:29:38 | 0:29:40 | |
Well, there's plenty of potential bargains that could turn a profit | 0:29:40 | 0:29:44 | |
for our next two teams back at the Peterborough Festival of Antiques. | 0:29:44 | 0:29:48 | |
So, let's meet our new sets of Reds and Blues. | 0:29:48 | 0:29:52 | |
And here they are. | 0:29:52 | 0:29:53 | |
For the Reds, we've got husband and wife, Peter and Carol. | 0:29:53 | 0:29:56 | |
Welcome. for the Blues, we've got friends, Imogen and Gary. Or should I call you Immie? | 0:29:56 | 0:30:02 | |
-Whatever you like. -Aw, how sweet. | 0:30:02 | 0:30:04 | |
Peter, what exactly have you done in the antiques business? | 0:30:04 | 0:30:07 | |
20 years as an auctioneer in the late '70s through to the '90s. | 0:30:07 | 0:30:12 | |
And then motor trade. | 0:30:12 | 0:30:14 | |
And then, after that, wheeling and dealing. | 0:30:14 | 0:30:16 | |
That's a nice rounded career for today. What about you, Carol? | 0:30:16 | 0:30:20 | |
Well, I'm retired now, but I used to run an antiques fair. | 0:30:20 | 0:30:25 | |
-Did you? A fair like this? -Yes. | 0:30:25 | 0:30:28 | |
Very similar, but not on this scale. Only small. | 0:30:28 | 0:30:31 | |
There's no pressure on you today - not much! Now for the Blues. | 0:30:31 | 0:30:36 | |
-So, you two are no strangers to the antiques fairs, are you? -No. | 0:30:36 | 0:30:39 | |
I had a stall in a small antiques fair, nothing on this scale. | 0:30:39 | 0:30:44 | |
I met Gary there. I was just selling bits and pieces. | 0:30:44 | 0:30:47 | |
And what exactly do you do, Gary? | 0:30:47 | 0:30:49 | |
I am a full-time antiques dealer. | 0:30:49 | 0:30:52 | |
One of the things we do is run a weekly antique fair in central Norwich. | 0:30:52 | 0:30:55 | |
That's an old-fashioned, traditional fair, is it? | 0:30:55 | 0:30:58 | |
It is. It's a traditional fair, part of the community. | 0:30:58 | 0:31:00 | |
It's been there for 30, 40 years. | 0:31:00 | 0:31:02 | |
You've got a bit internet savvy, haven't you? | 0:31:02 | 0:31:04 | |
-Yeah, I think the modern trade has to embrace the internet. -And what sort of things do you sell on? | 0:31:04 | 0:31:11 | |
We sell all sorts, but predominantly we sell books. | 0:31:11 | 0:31:13 | |
-How many books have you got? -12,000 or so. -12,000 books! That puts this competition in context. | 0:31:13 | 0:31:20 | |
Now, £300 apiece. The money moment. You know the rules. | 0:31:20 | 0:31:24 | |
Your experts await and off you go! And very, very, very good luck. | 0:31:24 | 0:31:28 | |
Now, what have the Reds found first? | 0:31:32 | 0:31:35 | |
They're extremely attractive, aren't they, Carol? | 0:31:35 | 0:31:38 | |
-I don't know what make they are. -See if Charles...Charles will know. | 0:31:38 | 0:31:42 | |
-How are you getting on? -Charles, what make are these, do you think? | 0:31:42 | 0:31:44 | |
I ought to ask you, shouldn't I? | 0:31:44 | 0:31:47 | |
As experts in your respective fields, what do you think? | 0:31:47 | 0:31:49 | |
-That's right. -I'm not sure. But they look a bit Doultonish, don't they? | 0:31:49 | 0:31:53 | |
Yeah, they do. I think first and foremost they're a pair. | 0:31:53 | 0:31:56 | |
And obviously a pair is always important when it comes to vases to maximise a return on investment. | 0:31:56 | 0:32:01 | |
The condition, look. They look to be perfect. | 0:32:01 | 0:32:04 | |
I'm amazed they haven't been damaged or restored. | 0:32:04 | 0:32:07 | |
But you're right, they are very much in that Doulton style of the late 19th century. | 0:32:07 | 0:32:11 | |
And they really are forward-thinking vases. | 0:32:11 | 0:32:14 | |
But they're actually made by Thomas Forester and Sons, | 0:32:14 | 0:32:17 | |
who were a Burslem, Staffordshire factory working in the late 19th century or thereabouts. | 0:32:17 | 0:32:22 | |
They really are characterised in their works by this powder gilding on the base | 0:32:22 | 0:32:28 | |
and matched on the slender necks. | 0:32:28 | 0:32:31 | |
And, importantly, that gilding hasn't worn. | 0:32:31 | 0:32:33 | |
-I would say they are certainly 1880, 1890. -Are they? | 0:32:33 | 0:32:37 | |
Yeah, 110 years old. What are they worth? | 0:32:37 | 0:32:40 | |
Shall we say they're worth about 150? | 0:32:40 | 0:32:43 | |
They want 155, so we've got to buy them for around 100. | 0:32:43 | 0:32:47 | |
My guide price would be between 100 and 150. | 0:32:47 | 0:32:51 | |
Yes, they're stylish, a great point. They're in good condition, another good point, and they are a pair. | 0:32:51 | 0:32:56 | |
I really like them. So, if we can perhaps negotiate down a bit... | 0:32:56 | 0:33:00 | |
-Shall I try? OK. -We'll try. | 0:33:00 | 0:33:03 | |
Carol and Peter got off to a great start. | 0:33:03 | 0:33:07 | |
They whittled the aesthetic movement Oriental style vases down to £110. | 0:33:07 | 0:33:13 | |
But what are the Blues lining up? | 0:33:13 | 0:33:16 | |
-That one's quite nice. That one is nice. -Do you like him? | 0:33:18 | 0:33:21 | |
-I do, I like that. -He's got a hump on the back. -That means he's old. Anita! | 0:33:21 | 0:33:25 | |
This looks like a right old teddy bear. | 0:33:26 | 0:33:29 | |
This one is lovely and he has this hump. | 0:33:29 | 0:33:32 | |
Tell me, Imogen, | 0:33:32 | 0:33:34 | |
why did you pick out him when you had handsome fellows like that? | 0:33:34 | 0:33:41 | |
I think because it doesn't have a name on it, but it does have this hump. | 0:33:41 | 0:33:45 | |
And, if you turn it over, I think it might have a little growl. | 0:33:45 | 0:33:51 | |
A tiny little growl. | 0:33:51 | 0:33:53 | |
Imogen, you have picked out all the elements that we'll be looking for in a bear. | 0:33:53 | 0:33:58 | |
First thing, the hump. That's good. | 0:33:58 | 0:34:01 | |
We have the glass eyes here, we have the threaded nose and we have a growler. | 0:34:01 | 0:34:08 | |
It's not very loud, but it's still there. | 0:34:08 | 0:34:12 | |
-It doesn't matter that he's threadbare, does it? -He's been cuddled a lot. | 0:34:12 | 0:34:16 | |
He's been cuddled. He's not my kind of thing, but I can see we could make some money on him. | 0:34:16 | 0:34:21 | |
Let's look at the price. We have £70 on him. | 0:34:21 | 0:34:26 | |
I think that's a wee bit dear. | 0:34:26 | 0:34:27 | |
So, we'll need to get something off of that. | 0:34:27 | 0:34:31 | |
Now, the collectibles market is strong and people love teddy bears. | 0:34:31 | 0:34:37 | |
They love collecting them. So we have a good chance, but we have to get some money off. | 0:34:37 | 0:34:42 | |
-Definitely. -Do you think you can do that? -I will do my best. | 0:34:42 | 0:34:46 | |
-On you go. -OK, thanks. | 0:34:46 | 0:34:48 | |
# Me and my teddy bear just play and play all day... # | 0:34:48 | 0:34:51 | |
The dealer didn't have the hump and let the Blues have the bear for £50. | 0:34:54 | 0:34:59 | |
Oh, my. | 0:34:59 | 0:35:00 | |
Peter, you found something you're looking for. | 0:35:02 | 0:35:04 | |
I'm very excited with this. This is a very, very good make, Charles. | 0:35:04 | 0:35:08 | |
It's an extremely good quality microscope. | 0:35:08 | 0:35:12 | |
Scientifically it's not my field, but sell it to me. | 0:35:12 | 0:35:15 | |
It's from the Leica factory, German made, and I'm really hopeful with this one. | 0:35:15 | 0:35:21 | |
I think it's that magical name, Leitz, Carol, and it really | 0:35:21 | 0:35:24 | |
is a magical name to conjure with when it comes to scientific objects. | 0:35:24 | 0:35:28 | |
To collectors this name and registration number is all-important. | 0:35:28 | 0:35:32 | |
It's been well used, hasn't it, so it's going to be Victorian, Edwardian period, I would think. | 0:35:32 | 0:35:38 | |
The burnished gilt work is slightly worn. | 0:35:38 | 0:35:41 | |
It does come with lenses, some are light, some aren't. | 0:35:41 | 0:35:44 | |
It makes a nice, fresh market object which I think ought to do quite well. | 0:35:44 | 0:35:49 | |
Well the dealer is asking £60 for it, Charles, which I think is | 0:35:49 | 0:35:54 | |
very reasonable, but hopefully we're going to negotiate on that. | 0:35:54 | 0:35:58 | |
My guide price would be between £70 and £100, on a bad day 60 because of the condition. | 0:35:58 | 0:36:03 | |
I'm hoping that's going to make £150 to £200. | 0:36:03 | 0:36:07 | |
-Really? -I'm probably optimistic. | 0:36:07 | 0:36:09 | |
This isn't a '70s auctioneer talking a colourful price here? | 0:36:09 | 0:36:12 | |
-Not really, no, not really. -THEY LAUGH | 0:36:12 | 0:36:15 | |
Well, the proof is in the pudding, we'll see at the auction. | 0:36:15 | 0:36:18 | |
They bagged the microscope for £50, so let's hope Peter's estimate | 0:36:21 | 0:36:25 | |
of 150 to 200 rings true later at the auction. | 0:36:25 | 0:36:29 | |
Wow! | 0:36:29 | 0:36:31 | |
Look at this big beast, | 0:36:31 | 0:36:33 | |
a bronze bull. Isn't he beautiful, don't you think? | 0:36:33 | 0:36:37 | |
Absolutely fine. | 0:36:37 | 0:36:38 | |
Very well cast, he's beautifully made...does he have a maker's name? | 0:36:38 | 0:36:43 | |
I haven't been able to see a maker's name, but I think he is quite old. They say he's Victorian. | 0:36:43 | 0:36:48 | |
I thought he would be around that time. | 0:36:48 | 0:36:50 | |
Well, he could be, it would have helped if we had a maker's name. | 0:36:50 | 0:36:55 | |
-Yeah, sure. -But, having said that, I look at him and I do see some quality and I like that. | 0:36:55 | 0:37:03 | |
-Now what price is it? -He is £200. | 0:37:03 | 0:37:06 | |
-That's a lot of money, isn't it? -He looks... | 0:37:06 | 0:37:08 | |
He looks like a prize bull. | 0:37:08 | 0:37:11 | |
He does, he is a prize bull. | 0:37:11 | 0:37:14 | |
-A lot of money. -It's a lot of money but we could probably get some money off, couldn't we? | 0:37:14 | 0:37:18 | |
-What would you expect this to make in the saleroom? -I'd like to get it 150, 160, 170. | 0:37:18 | 0:37:24 | |
-At that we might have a chance of making a profit. -OK. | 0:37:24 | 0:37:29 | |
Let's go and show 'em. | 0:37:29 | 0:37:31 | |
-Let's go and do it. -On we go. | 0:37:31 | 0:37:33 | |
The Blues are in a fighting mood | 0:37:35 | 0:37:38 | |
and they're not scared of splashing the cash either. | 0:37:38 | 0:37:41 | |
£175, no bull! | 0:37:41 | 0:37:44 | |
So that leaves them £75 to find their final item. | 0:37:44 | 0:37:49 | |
I rather like this, Carol, this is a nice 1960s piece. | 0:37:49 | 0:37:54 | |
-It's like a retro look, don't you think? -It is. | 0:37:54 | 0:37:56 | |
-It's the right colour, Charles. -Fantastic, Peter, | 0:37:56 | 0:37:59 | |
I'm pleased to say we're being patriotic here with the Red team and by golly it's red. | 0:37:59 | 0:38:05 | |
-We can see this in someone's little flat, bachelor's flat. -Yeah. | 0:38:05 | 0:38:09 | |
-Really? -Something sort of 1960s. | 0:38:09 | 0:38:12 | |
I think, in addition, we want to see a name. | 0:38:12 | 0:38:14 | |
Is there a name? Yes, down here. | 0:38:14 | 0:38:16 | |
It says Falks Caprice, made in England. | 0:38:16 | 0:38:19 | |
Looking at that label it is going to be 1960s, it could even be early '70s. It's in really good condition. | 0:38:19 | 0:38:26 | |
OK, Peter, how much is this object? | 0:38:26 | 0:38:28 | |
They're asking £45 for it. | 0:38:28 | 0:38:31 | |
-Really? -How does that seem to you? | 0:38:31 | 0:38:33 | |
You're a young man, much younger than us. | 0:38:33 | 0:38:36 | |
-Well, thank you... -It's a young man's piece. | 0:38:36 | 0:38:38 | |
You're right, to a young person today it has got a great influence of design but will that buyer be there? | 0:38:38 | 0:38:45 | |
I think it's decorative. I think it has a look but in the wrong saleroom it could flop. OK? | 0:38:45 | 0:38:51 | |
On a really good day it could make £40 or £50, even a bit more, on a bad day it could make 5 or 10. | 0:38:51 | 0:38:56 | |
Let's see what we can get the price down to, shall we? | 0:38:56 | 0:38:58 | |
-It's worth a gamble. -Yes, our quirky piece. | 0:38:58 | 0:39:01 | |
Yes, you're quirky people, thanks for coming. | 0:39:01 | 0:39:04 | |
Priced at £50, Peter and Carol managed to turn the heater down to £35. | 0:39:06 | 0:39:12 | |
Gary, we need your opinion on this. | 0:39:15 | 0:39:18 | |
Now, Imogen and I both love Poole, tell me, what do you think? | 0:39:18 | 0:39:24 | |
It's not really my type of thing but I do appreciate the colours and I can see why people collect them. | 0:39:24 | 0:39:30 | |
Now, these are from the Poole factory and if we look at the backstamp here, | 0:39:30 | 0:39:36 | |
we see Poole Pottery, the recognisable dolphin, | 0:39:36 | 0:39:41 | |
-These were made in the 1960s. -Right. | 0:39:41 | 0:39:45 | |
They are called Delphis. | 0:39:45 | 0:39:47 | |
They were designed by a chap called Robert Jefferson | 0:39:47 | 0:39:52 | |
who came to Poole in the 1950s and went onto develop this wonderful, colourful range. | 0:39:52 | 0:40:00 | |
'30s Poole has been very popular in the past but now this is the stuff that's hot. | 0:40:00 | 0:40:06 | |
There is a price of £35 on them for the pair. | 0:40:06 | 0:40:10 | |
But Imogen and I have haggled and haggled. | 0:40:10 | 0:40:15 | |
First of all he went to 25 and we were still wondering and then he just said 20, didn't he? | 0:40:15 | 0:40:22 | |
-And I think 20 is good. -For £20 they've got to be a good buy, haven't they? | 0:40:22 | 0:40:26 | |
I think we must make a small profit on that, surely. | 0:40:26 | 0:40:29 | |
I would think £25, £30... | 0:40:29 | 0:40:32 | |
-It would be a small profit, but it would be a profit. -Yeah, I think you're absolutely right. | 0:40:32 | 0:40:37 | |
-Good. We agree! -Yes! | 0:40:37 | 0:40:39 | |
-Let's go and give the dealer the money. -OK. -Come on. | 0:40:39 | 0:40:42 | |
That's it, both teams have spent up, but have they spent wisely? | 0:40:47 | 0:40:53 | |
Let's remind ourselves of what the Reds bought. | 0:40:53 | 0:40:57 | |
First in the bag for the Reds was the pair of Thomas Forrester | 0:40:57 | 0:41:00 | |
oriental style vases at 110. | 0:41:00 | 0:41:04 | |
Up next was the Leitz microscope for 50. | 0:41:05 | 0:41:10 | |
And it matched their colours, but will it be red hot at the auction? | 0:41:12 | 0:41:16 | |
-How did your shopping go with Charles? -Lovely. -All right? -Really enjoyed it. | 0:41:16 | 0:41:21 | |
-Which is your favourite piece, Carol? -Victorian vases. | 0:41:21 | 0:41:24 | |
Victorian vases. What about you, Pete? | 0:41:24 | 0:41:26 | |
-The microscope. -It's your favourite. | 0:41:26 | 0:41:28 | |
-Yes. -Which will bring the biggest profit, Carol? | 0:41:28 | 0:41:31 | |
-The microscope. -The microscope, right. | 0:41:31 | 0:41:34 | |
-You're pretty spot on with that? -I hope so. | 0:41:34 | 0:41:36 | |
OK, yes. You spent £195, which is not too bad. | 0:41:36 | 0:41:39 | |
£105 coming over to you, Charles. This is quite a responsibility? | 0:41:39 | 0:41:45 | |
It is, Tim, and I've seen a few nice objects. | 0:41:45 | 0:41:47 | |
A very nice curvaceous thing I want to buy which Carol might like. | 0:41:47 | 0:41:51 | |
Like female curvaceous? | 0:41:51 | 0:41:52 | |
Just a good object with good lines. | 0:41:52 | 0:41:55 | |
I'm already intrigued. Better go and snaffle it up. | 0:41:55 | 0:41:58 | |
Let's remind ourselves of what the Blues bought. | 0:41:58 | 0:42:01 | |
He did look like he had a bit of a sore head, | 0:42:03 | 0:42:05 | |
but the Blues laid out £50 for old Ted. | 0:42:05 | 0:42:08 | |
Gary kept the animal theme going | 0:42:08 | 0:42:11 | |
and they charged off with the bull for £175. | 0:42:11 | 0:42:14 | |
And lastly, the 1960s Poole vases came in at just £20. | 0:42:14 | 0:42:19 | |
So, Anita, how was the team? | 0:42:19 | 0:42:21 | |
They were absolutely wonderful. | 0:42:21 | 0:42:24 | |
Good, cos they're pros, you know. | 0:42:24 | 0:42:26 | |
-Yes. -Yes. So Imogen which was your favourite piece? | 0:42:26 | 0:42:30 | |
-I'd have to say the teddy bear. -What about you, Gary? | 0:42:30 | 0:42:33 | |
The bronze bull. It's a stunner. | 0:42:33 | 0:42:35 | |
And the biggest profit, Immy? | 0:42:35 | 0:42:37 | |
I think it's going to have to be the bull, that'll bring the most. | 0:42:37 | 0:42:40 | |
-And you're going bullish with the bull? -Bullish with the bull! | 0:42:40 | 0:42:44 | |
OK, you spent a magnificent £245 and I'm very, very pleased about that. | 0:42:44 | 0:42:49 | |
-£55 of leftover lolly, please, goes across to A Manning. -Thank you. | 0:42:49 | 0:42:53 | |
Is this going to be a struggle, cos it's a great fair? | 0:42:53 | 0:42:57 | |
Wonderful fair, it's going to be no trouble at all, Tim. | 0:42:57 | 0:43:00 | |
Got a theme to your purchase? | 0:43:00 | 0:43:02 | |
Well we've had bulls, we've had dolphins, | 0:43:02 | 0:43:06 | |
we've had teddy bears, I think I will continue with the animal theme. | 0:43:06 | 0:43:11 | |
Don't give anything else away! | 0:43:11 | 0:43:13 | |
-And good luck with your shopping. -Thank you. | 0:43:13 | 0:43:15 | |
We're at Golding Young auctioneers in Grantham with Jan Squires, our auctioneer. Good morning, Jan. | 0:43:26 | 0:43:32 | |
-Good morning, Tim. -Very nice to see you again. -And you. | 0:43:32 | 0:43:35 | |
Peter and Carol, their first item are these enormous vases. | 0:43:35 | 0:43:39 | |
-Is this the sort of thing that lights your fuse, Jan? -Not at all. | 0:43:39 | 0:43:43 | |
But they have a certain style to them. | 0:43:43 | 0:43:45 | |
I mean, they are slim and attenuated and art nouveau-ish. | 0:43:45 | 0:43:50 | |
-Ish... -Ish. | 0:43:50 | 0:43:52 | |
Right, what sort of estimate, then? | 0:43:52 | 0:43:55 | |
I think 40 to 60 might be your mark. | 0:43:55 | 0:43:58 | |
40 to 60... £110 paid. | 0:43:58 | 0:44:00 | |
So that, on the face of it, is going to be a disaster. Oh dear, oh dear. | 0:44:00 | 0:44:04 | |
Next the microscope... | 0:44:04 | 0:44:06 | |
They paid £50, what's your estimate? | 0:44:06 | 0:44:08 | |
It would have been an absolutely wonderful piece when it was perfect. | 0:44:08 | 0:44:12 | |
40 to 60, so it might just... | 0:44:12 | 0:44:14 | |
Yes, at least it's not a stonking loss, which is where you stand with regard to these vases. | 0:44:14 | 0:44:21 | |
Lastly, the red 1960s fire. | 0:44:21 | 0:44:25 | |
-I think it's a good lot. -Do you? -Mmm. | 0:44:25 | 0:44:28 | |
It's an iconic type of piece, isn't it? | 0:44:28 | 0:44:30 | |
Yeah, oh definitely, it says I'm a heater from the 1960s, doesn't it? | 0:44:30 | 0:44:35 | |
Will it be hot in the auction? | 0:44:35 | 0:44:38 | |
We've decided 30 to 50. | 0:44:38 | 0:44:41 | |
Oh, well, that's great. £35 is all they paid. | 0:44:41 | 0:44:44 | |
Oh, it stands a good chance then. | 0:44:44 | 0:44:45 | |
-It's going to make more? -Always a chance. | 0:44:45 | 0:44:48 | |
That's what you call sitting on the fence! | 0:44:48 | 0:44:50 | |
-Yes. -Very sensible. | 0:44:50 | 0:44:52 | |
Well whilst we're still on the fence let's go and have a look at their bonus buy. | 0:44:52 | 0:44:56 | |
Well, I went for something curvaceous and here she is. | 0:44:56 | 0:45:00 | |
-Look at her. -Wow! -I've had one of those. | 0:45:01 | 0:45:04 | |
-Have you really? -It's a speed nymph! | 0:45:04 | 0:45:07 | |
It's a speed nymph. | 0:45:07 | 0:45:09 | |
1920s, '30s, chrome plated, untouched, Desmo French... | 0:45:09 | 0:45:13 | |
-Desmo French. -Yeah. It's a nice example. | 0:45:13 | 0:45:16 | |
I've paid quite a handsome price for her. | 0:45:16 | 0:45:18 | |
She's cost me £65 and to me she's worth, certainly in a saleroom, between £70 and £100. | 0:45:18 | 0:45:25 | |
-What sort of car? -Any sort of car, Tim? | 0:45:25 | 0:45:27 | |
Yeah, just a bolt-on accessory. | 0:45:27 | 0:45:29 | |
-I like it very much. -Good. | 0:45:29 | 0:45:31 | |
-I think, you know... -She's in good condition. | 0:45:31 | 0:45:33 | |
-We'll see how we go. -And, I think, with the in-set today, she's a great chance of pulling in the punters. | 0:45:33 | 0:45:39 | |
Yeah. She looks like me 30 years ago. | 0:45:39 | 0:45:41 | |
That's why I bought her! | 0:45:41 | 0:45:43 | |
You are so grubby sometimes, Charles, honestly! | 0:45:45 | 0:45:48 | |
I'm going to be sick! | 0:45:48 | 0:45:50 | |
You don't have to decide right now. You decide after the sale of the first three items, | 0:45:50 | 0:45:54 | |
but for the audience at home, let's find out what the auctioneer things about the mascot. | 0:45:54 | 0:45:59 | |
-She's not quite the Spirit Of Ecstasy, if she? -No, no. | 0:45:59 | 0:46:03 | |
She's getting there. Every man's favourite subject. | 0:46:03 | 0:46:06 | |
You love anything to do with automobilia. | 0:46:06 | 0:46:09 | |
-I do like my cars. -Yes. -But this, I think, might go for 80 to 100. | 0:46:09 | 0:46:13 | |
£80-£100. Charles only paid £65. | 0:46:13 | 0:46:16 | |
-So he will be really chuffed about that. -He will, indeed. | 0:46:16 | 0:46:19 | |
That's it for the reds. Now for the blues. Imogen and Gary. | 0:46:19 | 0:46:24 | |
Imogen went with this teddy bear. | 0:46:24 | 0:46:26 | |
I think he's too far gone | 0:46:26 | 0:46:28 | |
-to be of real interest to the collectors. -What's it worth? | 0:46:28 | 0:46:32 | |
20-40. | 0:46:32 | 0:46:34 | |
Good guess, that. £50, they paid. | 0:46:34 | 0:46:36 | |
So I'm afraid old Imo's going to be very disappointed about that. | 0:46:36 | 0:46:40 | |
-What about the bull? -Ah. | 0:46:40 | 0:46:43 | |
I was afraid you were going to say that. | 0:46:43 | 0:46:46 | |
The big question with these bronzes is, how old are they? | 0:46:46 | 0:46:49 | |
It always boils down to the age of the cast. | 0:46:49 | 0:46:53 | |
If you believe that that was by Rosa Bonheur and dated from | 0:46:53 | 0:46:57 | |
the best Animalier period, in the 1840s, you'd think perhaps it was worth £4,000. | 0:46:57 | 0:47:04 | |
Yes. It would be wonderful. | 0:47:04 | 0:47:06 | |
-So, how much? -40 to 60. -Pounds, is it? | 0:47:06 | 0:47:11 | |
-Afraid so. -Yeah. £175 paid. | 0:47:11 | 0:47:14 | |
-Ouch. -That is a mortal blow, isn't it? | 0:47:14 | 0:47:17 | |
-Definitely. -No matter how brilliant you think the third item is, | 0:47:17 | 0:47:21 | |
-the Poole pots, there are not going to retrieve the balance. -No. | 0:47:21 | 0:47:26 | |
Not my favourite pottery, Poole, I have to say. | 0:47:26 | 0:47:29 | |
Where do we go with value here? | 0:47:29 | 0:47:32 | |
-Much in the same way as we have done with the other things. Quite low. -Yes. -Cos we are on a 20-40. | 0:47:32 | 0:47:37 | |
Well, actually, that's not too bad, because they only paid £20, you see. | 0:47:37 | 0:47:41 | |
So if you can get between 20 and 40, they will be over the moon. | 0:47:41 | 0:47:45 | |
But they have got this huge chasm opening up underneath this bull, | 0:47:45 | 0:47:49 | |
so they are definitely going to need their bonus buy Let's have a look at it. | 0:47:49 | 0:47:54 | |
LAUGHTER | 0:47:56 | 0:47:58 | |
Blimey. | 0:47:58 | 0:48:00 | |
Black Beauty this is not. | 0:48:00 | 0:48:03 | |
But toy collectors are looking | 0:48:03 | 0:48:07 | |
for something different. | 0:48:07 | 0:48:09 | |
I have never seen a rocking horse like this. With this sort of fabric. | 0:48:09 | 0:48:13 | |
What has happened is it's been recovered, lovingly, at one point. | 0:48:13 | 0:48:18 | |
It is a Victorian horse, it has been used by children, everything has been a bit rough and tumble | 0:48:18 | 0:48:24 | |
and somebody has covered it with this, what looks like a blanket. | 0:48:24 | 0:48:28 | |
I paid £50. | 0:48:28 | 0:48:30 | |
I think he is absolutely super. | 0:48:30 | 0:48:32 | |
-See how it goes. -I think we got that nicely solved, Anita. | 0:48:32 | 0:48:36 | |
-You don't have to take it at all. -No. -You can decide after the sale of your first three. | 0:48:36 | 0:48:41 | |
Let's find out what the auctioneer thinks about Anita's old nag. | 0:48:41 | 0:48:44 | |
It's going to really struggle. | 0:48:46 | 0:48:48 | |
-Is it? -Yes. It's really going to be a 10 to 30. | 0:48:48 | 0:48:51 | |
£50, Anita paid. | 0:48:51 | 0:48:53 | |
She'll be seriously cut up. Still, we can't help that, can we? | 0:48:53 | 0:48:56 | |
-No. -You can only do what you can do, Jan. | 0:48:56 | 0:48:58 | |
Yes. If people raise their arms, I count them, but other than that, | 0:48:58 | 0:49:03 | |
I can't do much at all. | 0:49:03 | 0:49:04 | |
So, Peter and Carol, how is it? | 0:49:09 | 0:49:10 | |
Absolutely fantastic, and I am so excited! | 0:49:10 | 0:49:13 | |
-You're auctioneers, too. What's it like on the other side of the fence? Peter? -Terrifying! | 0:49:13 | 0:49:18 | |
That's at least honest! | 0:49:18 | 0:49:21 | |
And we're on. Here it is. | 0:49:21 | 0:49:23 | |
Right, lot 117, a pair of Thomas Forrester blue and gilt vases. | 0:49:23 | 0:49:28 | |
Elegant things. Start me at... | 0:49:28 | 0:49:31 | |
I have 30. 32 anywhere? | 0:49:31 | 0:49:33 | |
30 I have. Anyone at 32? 32. | 0:49:33 | 0:49:36 | |
34? Is there a 34? I have a 32. | 0:49:36 | 0:49:40 | |
All done and finished, then, at £32. | 0:49:40 | 0:49:45 | |
Thank you. | 0:49:45 | 0:49:46 | |
-Oh, dear! -It's eight short of 40, | 0:49:48 | 0:49:51 | |
so that's...68, that's minus 78. | 0:49:51 | 0:49:54 | |
Lot 118 is an early 20th-century light monocular microscope | 0:49:54 | 0:50:00 | |
with extra lenses, and I start the bidding on that at 30. 30 I have. | 0:50:00 | 0:50:05 | |
35 anywhere? 40 at the back. | 0:50:05 | 0:50:07 | |
-Come on! -45. 50. | 0:50:07 | 0:50:10 | |
Anyone at 55? 50 I have in the doorway. | 0:50:10 | 0:50:12 | |
All done and finished then, at £50 in the door. | 0:50:12 | 0:50:17 | |
£50. | 0:50:17 | 0:50:20 | |
-Now, your electric fire. -This could be interesting. | 0:50:20 | 0:50:24 | |
119 is a Caprice red-painted, electric converter heater. | 0:50:24 | 0:50:30 | |
It's 1960s, '70s, iconic piece there. | 0:50:30 | 0:50:34 | |
Very nice. Start me at... Wow! | 0:50:34 | 0:50:36 | |
I start at 140. | 0:50:36 | 0:50:39 | |
140 I have. 150 anywhere? | 0:50:39 | 0:50:42 | |
140 I have. | 0:50:42 | 0:50:44 | |
You're all done and finished then at £140, on commission. | 0:50:44 | 0:50:48 | |
That's brilliant, that's a profit of £105 out of nowhere. | 0:50:52 | 0:50:57 | |
I think that was a good lot, yes. | 0:50:57 | 0:50:59 | |
-So you are £27 up. Are you going to go with the bonus buy or not? -No. | 0:50:59 | 0:51:03 | |
No bonus buy? You are not going with the bonus buy? We'll sell it anyway, and here it comes. | 0:51:03 | 0:51:08 | |
Lot 123 is a chrome-plated 1930s car mascot of a naked lady. | 0:51:08 | 0:51:14 | |
Start me at... I have 70. 70 bid. | 0:51:14 | 0:51:17 | |
75 anywhere? | 0:51:17 | 0:51:19 | |
70 I have. Anyone at 75? | 0:51:19 | 0:51:21 | |
75 I have in the front here. | 0:51:21 | 0:51:23 | |
80 anywhere else? 75, then, and all done at £75. | 0:51:23 | 0:51:30 | |
Well done, Charles! £75! | 0:51:30 | 0:51:33 | |
-That is plus £10. -Very good. | 0:51:33 | 0:51:37 | |
Big thing is, don't say anything to the blues. Not a word to the blues. | 0:51:37 | 0:51:42 | |
We don't want them to know. Shtoom. | 0:51:42 | 0:51:44 | |
130... | 0:51:46 | 0:51:48 | |
-Imogen and Gary, d'you know how the reds got on? -No. | 0:51:56 | 0:51:59 | |
-No. -We don't want you to know, quite frankly. | 0:51:59 | 0:52:02 | |
And you shouldn't be scared by any stories that you've heard. | 0:52:02 | 0:52:05 | |
We've heard nothing. | 0:52:05 | 0:52:07 | |
The first lot up, though, is your old growler. Here it comes. | 0:52:07 | 0:52:10 | |
-You love that bear, don't you? -I do. | 0:52:10 | 0:52:12 | |
140 is a no-hair... Sorry, no! | 0:52:12 | 0:52:15 | |
LAUGHTER | 0:52:15 | 0:52:18 | |
A mohair teddy bear with a hump - the first might have been right! | 0:52:18 | 0:52:23 | |
We can start this one at £20. 20 I have. 22 anywhere? | 0:52:23 | 0:52:26 | |
22. 24. 26. 28. | 0:52:26 | 0:52:30 | |
30. 32. 34. | 0:52:30 | 0:52:32 | |
36. 38. 40. Can I say 45? | 0:52:32 | 0:52:36 | |
No. 42. 44. 46? No. | 0:52:36 | 0:52:40 | |
44 with you. 46 anywhere else? | 0:52:40 | 0:52:43 | |
Anyone at 46? | 0:52:43 | 0:52:45 | |
We are all done and finished then. With you. | 0:52:45 | 0:52:49 | |
44. You're only £6 off, that's great! | 0:52:49 | 0:52:53 | |
-Here comes the bull. -Lot 141 is a bronze model of a bull. | 0:52:53 | 0:52:57 | |
Here we are. I can start the bidding at £40. | 0:52:57 | 0:53:02 | |
40 I have. 50 anywhere? | 0:53:02 | 0:53:04 | |
50 bid. 60 I have got. 70 bid. | 0:53:04 | 0:53:07 | |
80 anywhere? | 0:53:07 | 0:53:09 | |
80 bid. 90? | 0:53:09 | 0:53:12 | |
80 I have. Anyone at 90? | 0:53:12 | 0:53:15 | |
80 with the gentleman in the hat. | 0:53:15 | 0:53:17 | |
90. 100? | 0:53:17 | 0:53:19 | |
100 with the gentlemen, 110 anywhere? | 0:53:19 | 0:53:22 | |
All done and finished then at £100. | 0:53:22 | 0:53:27 | |
That's minus 75. | 0:53:27 | 0:53:29 | |
Overall, you are minus 81. This is tense. | 0:53:29 | 0:53:33 | |
A pair of Poole vases. Start me at 10 for those. | 0:53:33 | 0:53:38 | |
-10 for the vases? -That's a surprise. | 0:53:38 | 0:53:41 | |
10 at the back, thank you. 12 seated. 14? No? 12 seated. 14 anywhere else? | 0:53:41 | 0:53:46 | |
14 I have got. Anyone at 16? | 0:53:46 | 0:53:48 | |
All done then. | 0:53:48 | 0:53:51 | |
£14. | 0:53:51 | 0:53:53 | |
14 smackers. Bad luck. | 0:53:53 | 0:53:56 | |
You're minus £6 on that. | 0:53:56 | 0:53:57 | |
It's not been your day, has it? | 0:53:57 | 0:54:00 | |
You are, at the moment, minus 87, OK? No great shame in that. | 0:54:00 | 0:54:05 | |
-That's not good. -I don't know. | 0:54:05 | 0:54:07 | |
It looked a lot worse! | 0:54:07 | 0:54:09 | |
I tell you. It looked as if your bull was only going to make 40 quid. | 0:54:09 | 0:54:13 | |
Actually, you sold it for £100, which is respectable. Don't be depressed about that. | 0:54:13 | 0:54:17 | |
-What are we doing about this rocker? -We're going with it. | 0:54:17 | 0:54:19 | |
Well, let's cross everything cos here it comes. | 0:54:19 | 0:54:22 | |
146 is a rocking horse. There he is. Start me at, um... | 0:54:22 | 0:54:27 | |
£20 for the rocking horse? | 0:54:27 | 0:54:29 | |
£10? | 0:54:29 | 0:54:31 | |
£2? | 0:54:31 | 0:54:33 | |
Anyone at four? | 0:54:35 | 0:54:37 | |
Four at the back. Six. Eight. | 0:54:37 | 0:54:39 | |
Ten. 12. No? Oh... | 0:54:39 | 0:54:43 | |
12 anywhere else? | 0:54:43 | 0:54:45 | |
That's where we stop then. All done and finished at £10. | 0:54:45 | 0:54:49 | |
The wee soul! | 0:54:49 | 0:54:51 | |
That's 40. I could burst into tears! | 0:54:51 | 0:54:54 | |
So sad, that. | 0:54:54 | 0:54:56 | |
It's going to be crying. | 0:54:56 | 0:54:58 | |
-I'm crying. -I'm crying. | 0:54:58 | 0:55:01 | |
I'm howling! | 0:55:01 | 0:55:02 | |
I can't believe it. | 0:55:02 | 0:55:04 | |
I find that unbelievable. | 0:55:04 | 0:55:06 | |
Anyway. It sold for £10. | 0:55:06 | 0:55:08 | |
That means, overall, you're minus £127. | 0:55:08 | 0:55:12 | |
Oh, dear. | 0:55:12 | 0:55:13 | |
£127. Let's be positive about this. | 0:55:13 | 0:55:16 | |
Six anywhere else? | 0:55:24 | 0:55:25 | |
Well, what fun this has been, hasn't it? | 0:55:30 | 0:55:33 | |
Such interest on this bonus buy lark. | 0:55:33 | 0:55:37 | |
I have to reveal who the winners and runners-up are. | 0:55:37 | 0:55:40 | |
-Have you talked to one another? -No. -Nothing of any significance has passed between you? | 0:55:40 | 0:55:45 | |
Well, I have to reveal that it is today the blues who are the runners-up. | 0:55:45 | 0:55:51 | |
Pretty substantially, actually. | 0:55:51 | 0:55:53 | |
You have minus £127. | 0:55:53 | 0:55:57 | |
As a total. | 0:55:57 | 0:55:58 | |
And you went with the bonus buy, which contributed £40 to the total. | 0:55:58 | 0:56:03 | |
But minus £127, which is not so very bad, is it? | 0:56:03 | 0:56:08 | |
Seriously, it's been great. Thank you very much for joining us. | 0:56:10 | 0:56:13 | |
But the victors today, who are actually going to take home some cash, | 0:56:13 | 0:56:18 | |
which is wonderful, you're going to take home £27 worth of cash. | 0:56:18 | 0:56:22 | |
The interesting thing with the bonus buy is you could be taking 37, if only you'd trusted Charles! | 0:56:22 | 0:56:28 | |
He made a lovely £10 profit. | 0:56:28 | 0:56:30 | |
And here is the £27 hot from my pocket. | 0:56:30 | 0:56:33 | |
Two little warm coins. Congratulations anyway. | 0:56:33 | 0:56:36 | |
Great programme! Join us soon for some more bargain hunting! Yes?! | 0:56:36 | 0:56:40 | |
Yes! | 0:56:40 | 0:56:42 | |
Subtitles by Red Bee Media Ltd | 0:56:52 | 0:56:55 |