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Mm, how lovely to be out shopping. Now that I've got my lunch, | 0:00:03 | 0:00:07 | |
I'm going to head up the other end of Portobello Road, so let's go bargain hunting! | 0:00:07 | 0:00:13 | |
# Some people sing about Deutsche girls and girls from California | 0:00:34 | 0:00:38 | |
# They might be all right for a night all right | 0:00:38 | 0:00:40 | |
# But don't trust them, I warn ya | 0:00:40 | 0:00:42 | |
# I've been to the east and I've been out west | 0:00:42 | 0:00:45 | |
# And I been all the world around | 0:00:45 | 0:00:47 | |
# But I've seen none come anywhere near the girls from London town. # | 0:00:47 | 0:00:52 | |
Portobello Road is one of the most distinctive and famous markets in London, | 0:00:52 | 0:00:58 | |
where you can still stroll along and hear the familiar sound of Cock-er-ney rhyming slang. | 0:00:58 | 0:01:04 | |
Right, I'm Hank Marvin and I'm going to finish my Gertie Gitanas | 0:01:04 | 0:01:11 | |
before I head off down to the Frog and Toad to meet my old chinas on today's show. | 0:01:11 | 0:01:17 | |
Let's introduce today's teams. | 0:01:24 | 0:01:26 | |
We've got Prudence and her workmate, Mitch. | 0:01:26 | 0:01:29 | |
-Oh, no, it's Michael or Mike, preferably. -Never Mitch? | 0:01:29 | 0:01:32 | |
Never Mitch, unless I'm in Baywatch maybe. | 0:01:32 | 0:01:35 | |
OK, well we're not doing Baywatch so you're safe there. | 0:01:35 | 0:01:38 | |
And for the Blues, we've got Joe and his friend, Carlie. Hiya. | 0:01:38 | 0:01:42 | |
-Hi, Tim. -Lovely. Now Prudence... | 0:01:42 | 0:01:43 | |
-Hello, Tim. -What do you do for a job at work, darling? | 0:01:43 | 0:01:46 | |
I work for a recruitment company in the City of London. | 0:01:46 | 0:01:48 | |
-But what do you do in your spare time? -I love to sing jazz, Tim. | 0:01:48 | 0:01:52 | |
-Ooh. -I do, yes, very much. -Do you do clubs and that? -I do, I go round London | 0:01:52 | 0:01:56 | |
and do different clubs and bars, and I love it. | 0:01:56 | 0:01:58 | |
Are you going to give us a little trill, | 0:01:58 | 0:02:01 | |
a little demo of your vocal skills? | 0:02:01 | 0:02:02 | |
Do you feel like doing that? | 0:02:02 | 0:02:04 | |
How about we do a little private show later? | 0:02:04 | 0:02:07 | |
I see, it's like that, is it? Now what sort of track record have you got, Michael? | 0:02:07 | 0:02:11 | |
Oh, what, in terms of collecting things? | 0:02:11 | 0:02:13 | |
Yeah, buying and selling. | 0:02:13 | 0:02:15 | |
Oh, OK, I've done a bit of online bidding recently, bought a few cars online. | 0:02:15 | 0:02:19 | |
Um, had a few good experiences, a few bad experiences, and at one stage I owned about five VWs. | 0:02:19 | 0:02:25 | |
-You didn't. -Yeah. -That's a fleet, that is. | 0:02:25 | 0:02:28 | |
I was living at home as well, so I had to hide one round | 0:02:28 | 0:02:30 | |
a neighbour's house, one was outside my house... | 0:02:30 | 0:02:32 | |
Popular with your parents, I should think. | 0:02:32 | 0:02:34 | |
-Five motor cars. -Quite expensive, yeah. | 0:02:34 | 0:02:37 | |
You've got a lot of time on your hands to build up this collection, | 0:02:37 | 0:02:40 | |
because of the longevity of your family, which is extraordinary. | 0:02:40 | 0:02:44 | |
-Now tell me about that. -Well, my great grandmother, she turned 102 in December, December the 15th. | 0:02:44 | 0:02:50 | |
-She didn't? -Yeah, 102. She lives in Belize, which is where my mum's from originally. | 0:02:50 | 0:02:55 | |
And I think her mother lived to be, I think, 104. | 0:02:55 | 0:02:59 | |
So, yeah, it's pretty good. I'm only 25, I've got a few years to go. | 0:02:59 | 0:03:02 | |
Hopefully it's in your genes. | 0:03:02 | 0:03:04 | |
Best place to keep it. Now for the Blues. | 0:03:04 | 0:03:07 | |
How are you two? How did you two meet? | 0:03:07 | 0:03:10 | |
I'm best mates with her boyfriend, and we actually met | 0:03:10 | 0:03:13 | |
at an American football game that he was actually involved in here in London. | 0:03:13 | 0:03:17 | |
Lovely. I can tell that you're not from these shores. Where do you come from? | 0:03:17 | 0:03:20 | |
-From New Jersey in the US. -What are you doing here? | 0:03:20 | 0:03:22 | |
I was brought over here by a master's programme at King's College London | 0:03:22 | 0:03:26 | |
in criminology and criminal justice. | 0:03:26 | 0:03:28 | |
Criminology and criminal justice. | 0:03:28 | 0:03:31 | |
Yes. I plan to go in the FBI, so... | 0:03:31 | 0:03:33 | |
But you haven't got the suit or the shiny shoes. | 0:03:33 | 0:03:36 | |
No, right, no, I'm trying to blend in into London, you know, with the dull shoes and the jeans. | 0:03:36 | 0:03:41 | |
You're obviously incognito, aren't you? | 0:03:41 | 0:03:44 | |
Right. No, that's CIA. That's a whole other story. | 0:03:44 | 0:03:46 | |
-Oh, is that not...? -Mum's the word. | 0:03:46 | 0:03:48 | |
FBI, they never do incognito? | 0:03:48 | 0:03:51 | |
And why have you chosen Carlie rather than her boyfriend? | 0:03:51 | 0:03:55 | |
Well, I thought of using her boyfriend, but when I thought, "Who looks best on camera?" | 0:03:55 | 0:04:00 | |
-It was Carlie by far. -Do you know, you're right. | 0:04:00 | 0:04:02 | |
So Carlie, were you flattered to be asked? | 0:04:02 | 0:04:05 | |
I was, absolutely, absolutely, I thought it'd be a lot of fun. | 0:04:05 | 0:04:08 | |
Of course he's got all these brains, hasn't he? | 0:04:08 | 0:04:10 | |
I mean, master's, criminology... | 0:04:10 | 0:04:13 | |
Does he knows everything about everything? | 0:04:13 | 0:04:14 | |
He does know everything about everything. He's... | 0:04:14 | 0:04:17 | |
an encyclopaedia of knowledge, is Joe, so I thought I might learn something. | 0:04:17 | 0:04:22 | |
Do you collect anything? | 0:04:22 | 0:04:24 | |
Not what you would regard as antiques as yet. | 0:04:24 | 0:04:26 | |
I've got a bit of a shoe passion. | 0:04:26 | 0:04:28 | |
-Fetish? -Fetish? Maybe. | 0:04:28 | 0:04:31 | |
How many pairs you got? | 0:04:31 | 0:04:33 | |
I've probably got on the last count over 60, 70 pairs of shoes. | 0:04:33 | 0:04:36 | |
-That's a fetish, don't worry about it. -Potentially. | 0:04:36 | 0:04:39 | |
And what will you be looking out for today? Not shoes, I hope. | 0:04:39 | 0:04:43 | |
Not shoes, not shoes. I've kind of left the master plan down to Joe, as I said Joe's got the knowledge, | 0:04:43 | 0:04:48 | |
-I'm just going to see something, if I like it, I'm going to buy it. -Just so long as it's pretty. | 0:04:48 | 0:04:52 | |
-Indeed. -Now, the money moment. | 0:04:52 | 0:04:54 | |
Here's your sausage and mash. You know the rules, off you go! | 0:04:54 | 0:04:58 | |
Watch out for the apples and pears. | 0:04:58 | 0:05:00 | |
Today's fruit cocktail of experts is comprised of the a-peel-ing | 0:05:05 | 0:05:09 | |
Philip Serrell and the totally bananas David Barby. | 0:05:09 | 0:05:14 | |
So, tell me, princess... | 0:05:22 | 0:05:24 | |
No, I don't wear it like this, I think I prefer it like this. | 0:05:24 | 0:05:27 | |
Oh, you're after a cool look. | 0:05:27 | 0:05:29 | |
-Where is she? -Pru? I don't know, She should be coming soon. | 0:05:29 | 0:05:32 | |
-Oh. -She's over here. -Look what I found. -What's that? | 0:05:32 | 0:05:34 | |
Isn't it rather gorgeous? It's a lovely silver handbag. | 0:05:34 | 0:05:37 | |
I thought it's lovely. I thought I'd see what Phil thought | 0:05:37 | 0:05:41 | |
and see what's the best price according to our expert. | 0:05:41 | 0:05:44 | |
How do you know it's silver? | 0:05:44 | 0:05:46 | |
-Mm, because of that stamp. -That stamp there. | 0:05:46 | 0:05:49 | |
-And what does that stamp there mean? -No idea. | 0:05:49 | 0:05:51 | |
That stamp there's a little lion, | 0:05:51 | 0:05:53 | |
that tells us that it is indeed silver. | 0:05:53 | 0:05:55 | |
-OK. -That leopard's head tells us that it was assayed in London. | 0:05:55 | 0:05:58 | |
That F is the date code, which is, I would guess is around 1900. | 0:05:58 | 0:06:02 | |
-OK. -So you've got a silver frame, and this mesh bag here, and actually what is quite nice... -Yeah. | 0:06:02 | 0:06:08 | |
-I'm sure you spotted this. -Of course I did, yes. | 0:06:08 | 0:06:11 | |
Is that each of these links is separately hallmarked. | 0:06:11 | 0:06:14 | |
-That's lovely. -Which is really cool. | 0:06:14 | 0:06:16 | |
Yeah, I did notice that, I was just about to say. | 0:06:16 | 0:06:18 | |
-Right. -It's quite heavy, isn't it? | 0:06:18 | 0:06:21 | |
What do you reckon, princess? Is that...? | 0:06:21 | 0:06:24 | |
I think it's quite heavy. | 0:06:24 | 0:06:26 | |
Heavy should mean quite costly I think. It's got a fair bit of silver to it... | 0:06:26 | 0:06:31 | |
On that basis I'm worth a fortune, if anything's costly. | 0:06:31 | 0:06:34 | |
It's got marks on all of it, so that must be quite a good sign. | 0:06:34 | 0:06:37 | |
Bargain Hunt's about your day, and I want you to buy what you want to buy. | 0:06:37 | 0:06:42 | |
I think, if this came into my sale room, I'd estimate it | 0:06:42 | 0:06:45 | |
at £50 to £80, £60 to £90, that sort of region. How much is it? | 0:06:45 | 0:06:49 | |
185. | 0:06:49 | 0:06:51 | |
# There may be trouble ahead... # | 0:06:51 | 0:06:53 | |
Ha, Prudence got £50 off, but she'll have to face the music at the auction. | 0:06:56 | 0:07:00 | |
Excuse me, sir. Guys, come here, come here. | 0:07:11 | 0:07:15 | |
What's that? | 0:07:15 | 0:07:16 | |
-Look at that. -Ooh. -Those are very nice, aren't they? | 0:07:16 | 0:07:19 | |
They're fantastic, aren't they? | 0:07:19 | 0:07:21 | |
-Oh, look, Poile and Smith, court jewellers. -What does that mean? | 0:07:21 | 0:07:25 | |
Well, that company produced jewellery for the court. | 0:07:25 | 0:07:29 | |
It could have been court regalia, it could have been court awards. | 0:07:29 | 0:07:33 | |
If you wore expensive buttons like this it would show that you're quite affluent. | 0:07:33 | 0:07:37 | |
In the Georgian period they even had diamonds in buttons, | 0:07:37 | 0:07:40 | |
so they were a quite important piece of dress. | 0:07:40 | 0:07:42 | |
They're in the style of that period, are they? | 0:07:42 | 0:07:45 | |
They're not art nouveau, they're looking back to the Georgian style | 0:07:45 | 0:07:49 | |
with all these sort of rococo scroll works. | 0:07:49 | 0:07:51 | |
-They are lovely. -I think they're gorgeous. | 0:07:51 | 0:07:54 | |
Yeah, my only concern is the fact that the hallmarks, where they're present, | 0:07:54 | 0:07:58 | |
where the makers' marks are present, they're a bit worn. | 0:07:58 | 0:08:01 | |
So consistency might be an issue. | 0:08:01 | 0:08:03 | |
Oh, not at all, these are collectors' items. | 0:08:03 | 0:08:06 | |
-I have seen people use them as brooches... -Really? -Earrings... | 0:08:06 | 0:08:09 | |
-Earrings, yeah. -Because you can get a special adaptor for earrings. | 0:08:09 | 0:08:13 | |
-They're really... -Aren't they beautiful? | 0:08:13 | 0:08:15 | |
I think they're very pretty. | 0:08:15 | 0:08:17 | |
I think they're exquisite actually, and the very fact that we've got them in the original box, | 0:08:17 | 0:08:22 | |
and they're by Poile and Smith here. I think they're going to sell extremely well. | 0:08:22 | 0:08:27 | |
-So how much were they? -They were £85. | 0:08:27 | 0:08:30 | |
£85. I think they're cheap at £85. | 0:08:30 | 0:08:32 | |
-Really? -Yeah. They're very good collectors' items, particularly with the court jewellers. | 0:08:32 | 0:08:36 | |
I'd pay £85 for them. If you can get them less... | 0:08:36 | 0:08:38 | |
-I think we can. -All well and good. | 0:08:38 | 0:08:40 | |
-And you think they're stunning. -I do. | 0:08:40 | 0:08:42 | |
-I think they're stunning. -I think they're stunning. | 0:08:42 | 0:08:45 | |
-Good, we agree. -Let's go haggle. -Let's do it. -Come on! | 0:08:45 | 0:08:48 | |
Carlie loved Joe's crown jewels, and managed to get them down to £65. | 0:08:48 | 0:08:53 | |
I don't know where Philip is. Let's go and have a look for him. | 0:09:06 | 0:09:10 | |
-Why don't we use our compass to find him? -Oh, there he is, there. | 0:09:10 | 0:09:13 | |
Oh, there he is. | 0:09:13 | 0:09:15 | |
-Hi. -Well, well, it works. | 0:09:15 | 0:09:18 | |
I think that's absolutely lovely. | 0:09:18 | 0:09:20 | |
-I've just bought it. -You've bought it? | 0:09:20 | 0:09:22 | |
-Don't tell me how much. -Let me sell it into you a little bit. | 0:09:22 | 0:09:24 | |
Go on, then, tell me all about it. | 0:09:24 | 0:09:26 | |
-Solid mahogany wood. -Yeah. | 0:09:26 | 0:09:28 | |
What other sort of mahogany would you have? | 0:09:28 | 0:09:31 | |
Solid mahogany wood, | 0:09:32 | 0:09:34 | |
hinges still intact... | 0:09:34 | 0:09:36 | |
-Yeah. -Quite often the hinges go on these. | 0:09:36 | 0:09:38 | |
He's good isn't he, yeah, yeah? | 0:09:38 | 0:09:41 | |
-Nice, possibly brass edging there to the compass. -He's is good. | 0:09:41 | 0:09:44 | |
Reset button there still works if you want to check that, it's there. | 0:09:44 | 0:09:47 | |
No, what that is, that's... Reset! | 0:09:47 | 0:09:50 | |
What that actually does... | 0:09:50 | 0:09:53 | |
Now listen, princess. Right, what this actually does is when you shut the lid, | 0:09:53 | 0:09:58 | |
it just lifts up like that. So as you shut the lid, it pushes it down, and just rests it. | 0:09:58 | 0:10:03 | |
-How old did he tell you it was? -I think he said 1950s, possibly. | 0:10:03 | 0:10:06 | |
-No, it's earlier than that. -Is it? | 0:10:06 | 0:10:08 | |
Yeah. I would think it was earlier than that. | 0:10:08 | 0:10:10 | |
I should have paid more attention to it, when I was... I just liked it. | 0:10:10 | 0:10:14 | |
On an antique programme, a question like, "How old do you think it is?" | 0:10:14 | 0:10:17 | |
Always worth listening to the answer. | 0:10:17 | 0:10:19 | |
Can't remember, it's old, it's really old. | 0:10:19 | 0:10:21 | |
-It's older than me! -It looks old. | 0:10:21 | 0:10:23 | |
I would think that perhaps it's more like 1900 or even a bit earlier. | 0:10:23 | 0:10:27 | |
-OK. -I think it's probably £30 to £50 worth. | 0:10:27 | 0:10:30 | |
OK. We've got good news and bad news. | 0:10:30 | 0:10:32 | |
-OK, so what's the good news? -The good news is that I did some mean... | 0:10:32 | 0:10:36 | |
-Mean negotiating. -Mean haggling, yeah. | 0:10:36 | 0:10:39 | |
-So what was he asking for it? -He was asking 80 for it. | 0:10:39 | 0:10:42 | |
-Right, when I said 30 to 50 I meant 30 to 50, not 30 and 50. -Oh, OK. | 0:10:42 | 0:10:46 | |
Well, he was asking 80 for it, so... | 0:10:46 | 0:10:48 | |
What are you laughing at? | 0:10:48 | 0:10:50 | |
And I got it for 65. | 0:10:50 | 0:10:54 | |
-Oh, good negotiation. -Yeah. | 0:10:54 | 0:10:57 | |
-Right... -I was only 15 quid off the top, the top... | 0:10:57 | 0:11:00 | |
No, honestly, I like your style, princess, I do like your style, | 0:11:00 | 0:11:04 | |
but I'm just a bit bothered actually that we might be in trouble here. | 0:11:04 | 0:11:08 | |
All we can do really is just live in hope, isn't it? | 0:11:08 | 0:11:12 | |
-Well, I think it's... -I think it's rather nice, yeah. | 0:11:12 | 0:11:15 | |
Now, don't forget the bonus buy. | 0:11:24 | 0:11:27 | |
That's where the money not spent by the teams is given to the expert, | 0:11:27 | 0:11:30 | |
who goes to find another item which hopefully will make even more at auction. | 0:11:30 | 0:11:36 | |
More of that later, right now it's on with the shopping. | 0:11:36 | 0:11:40 | |
Watch yourself, yeah. | 0:11:40 | 0:11:42 | |
-I love it, I think it's really nice. -Dave's going to love it. -He will. -Yeah. | 0:11:42 | 0:11:46 | |
It's classic, who wouldn't like it? Everybody'd like that. | 0:11:46 | 0:11:48 | |
-I know. -I love it, I love it. | 0:11:48 | 0:11:50 | |
-Put it back, you don't know where it's been. -Oh, I love it. | 0:11:50 | 0:11:53 | |
You haven't bought it, have you? | 0:11:53 | 0:11:55 | |
You haven't bought it? | 0:11:55 | 0:11:56 | |
You have, haven't you? | 0:11:56 | 0:11:59 | |
Well, what would you say if we had? | 0:11:59 | 0:12:01 | |
I'd like to have seen it first. How much did you pay for it? | 0:12:01 | 0:12:04 | |
We paid £36.50 I think in the end. | 0:12:04 | 0:12:08 | |
-£36.50. -But it...but it was 40. | 0:12:08 | 0:12:11 | |
-48 actually. -Was it 48? -Yeah. | 0:12:11 | 0:12:13 | |
OK. Just tell me why you went for it. | 0:12:13 | 0:12:15 | |
Because I think any girl would like it. | 0:12:15 | 0:12:18 | |
It's practical, you could put rings in it, you could put jewellery in it... | 0:12:18 | 0:12:22 | |
This is a tourist piece. | 0:12:22 | 0:12:24 | |
Late 19th early, 20th century, bought in Bavaria, | 0:12:24 | 0:12:26 | |
probably they paid a visit to Oberammergau, something like that. | 0:12:26 | 0:12:30 | |
And they thought, "We'll take that back to Louise," their daughter | 0:12:30 | 0:12:33 | |
back home. This is what it is, a tourist piece. | 0:12:33 | 0:12:36 | |
It has got some concessions, I like this element of carving here which | 0:12:36 | 0:12:40 | |
is reminiscent of art nouveau, but they're almost commonplace. | 0:12:40 | 0:12:44 | |
It's nothing exceptional. | 0:12:44 | 0:12:46 | |
But it is quite cheap. | 0:12:46 | 0:12:48 | |
If it's commonplace a lot of people would like it, people will bid for it. | 0:12:48 | 0:12:52 | |
That's true. Not to mention that even with the age, the carving itself is perfect, it's immaculate. | 0:12:52 | 0:12:57 | |
There's nothing, no dinks or anything. | 0:12:57 | 0:13:00 | |
-And that's the important thing. -There's an element missing here. | 0:13:00 | 0:13:02 | |
That's probably a flower head missing there, the finial to lift it open. | 0:13:02 | 0:13:06 | |
It's cheap enough, I quite agree. | 0:13:06 | 0:13:08 | |
-I like it. -You just bought it because it was cheap? | 0:13:08 | 0:13:10 | |
-No, I like it. -You like it, good. | 0:13:10 | 0:13:12 | |
I'm sure it'll make a profit. | 0:13:12 | 0:13:13 | |
I'll tell you something, if it does make a profit, I'll eat my hat. | 0:13:13 | 0:13:18 | |
I'll hold you to it. | 0:13:18 | 0:13:20 | |
The Portobello Market is the most extraordinary place. | 0:13:29 | 0:13:32 | |
You get the wacky, you get the obscure, and you also get | 0:13:32 | 0:13:36 | |
the exquisite top quality object that you wouldn't find anywhere better | 0:13:36 | 0:13:42 | |
in the West End, for example this piece. | 0:13:42 | 0:13:47 | |
They say that diamonds are a girl's best friend, you'd get lots of girls | 0:13:47 | 0:13:52 | |
who'd be mighty friendly if you presented them with this little baby. | 0:13:52 | 0:13:56 | |
This would have been made around 1920 to 1930 and might have graced | 0:13:56 | 0:14:03 | |
the greatest of actresses' or aristocrats' wrists. | 0:14:03 | 0:14:09 | |
It's a most sophisticated design. | 0:14:09 | 0:14:12 | |
We start off with a socking great diamond | 0:14:12 | 0:14:15 | |
in the middle that leads your eye | 0:14:15 | 0:14:17 | |
into this tapering spine of diamonds, each one a little bit smaller than | 0:14:17 | 0:14:23 | |
the other, which gives it this gorgeous rich tapering effect. | 0:14:23 | 0:14:28 | |
Outside that are a multitude of smaller stones in the outer links, | 0:14:28 | 0:14:33 | |
and just occasionally you come across a baguette cut diamond. | 0:14:33 | 0:14:38 | |
That's this long thin shaped diamond, | 0:14:38 | 0:14:41 | |
which just jollies up the overall visual appearance. | 0:14:41 | 0:14:44 | |
There are apparently 28 carats of diamonds in this bracelet, | 0:14:44 | 0:14:50 | |
and it would cost you here today at Portobello £28,000. | 0:14:50 | 0:14:55 | |
That's right, 28 grand, wow. | 0:14:55 | 0:14:59 | |
Phil, what have you found? | 0:15:02 | 0:15:03 | |
Look, great thing, Georgian tea caddy, mahogany, 150 quid. | 0:15:03 | 0:15:07 | |
-Yes? -Too expensive. | 0:15:07 | 0:15:08 | |
-Nah, nah, I don't think so Phil. -Too expensive. -Good try, good try. | 0:15:08 | 0:15:12 | |
This is a great thing, look. | 0:15:18 | 0:15:20 | |
Victorian three piece tea set, £70. Can't fail. | 0:15:20 | 0:15:23 | |
No, I'm more of a coffee man, Phil. | 0:15:23 | 0:15:25 | |
Hi, there's a really lovely big pewter... | 0:15:29 | 0:15:32 | |
It's actually a really lovely pewter tankard, and they've walked past me. | 0:15:34 | 0:15:39 | |
At a distance that looks like Faberge. | 0:15:48 | 0:15:53 | |
-That's a bit more like it. -Faberge, Faberge. | 0:15:53 | 0:15:56 | |
Yeah, the trouble is the distance is about 300 yards. | 0:15:56 | 0:15:59 | |
-Well, how big's the auction house? -Not that big. | 0:15:59 | 0:16:01 | |
Why do you like that? | 0:16:01 | 0:16:04 | |
We were a little bit out of time, Phil... | 0:16:04 | 0:16:05 | |
Little bit out of time, about three minutes left! | 0:16:05 | 0:16:08 | |
We had three minutes to find something, and it caught my eye, | 0:16:08 | 0:16:11 | |
and I just think it's a rather nice thing. | 0:16:11 | 0:16:13 | |
-I don't know what it is. -What about you, princess? | 0:16:13 | 0:16:15 | |
I don't know, it's quite cool. I could find a use for it, a shot glass. | 0:16:15 | 0:16:18 | |
-Good man, big shot glass. -Big shot glass. I think it's quite nice, it's quite bright and vibrant. | 0:16:18 | 0:16:23 | |
-I think it's really nice, right. -Oh, thanks. | 0:16:23 | 0:16:25 | |
And these colours look like it might be Russian, so it looks like | 0:16:25 | 0:16:29 | |
-a little Russian drinking glass. -OK. -OK. | 0:16:29 | 0:16:31 | |
-Possibly by Faberge, but I don't think it's Russian. -It's got a small marking there. | 0:16:31 | 0:16:35 | |
There's a mark on the bottom which I don't understand at all. | 0:16:35 | 0:16:38 | |
-Gold? Gold mark? -No. Absolutely not. | 0:16:38 | 0:16:39 | |
I would think it's European, might be Italian. | 0:16:39 | 0:16:43 | |
I don't think it's as old as it wants you to think it is, | 0:16:43 | 0:16:46 | |
and it's trying to be Faberge which it isn't. | 0:16:46 | 0:16:49 | |
So in my eyes, at auction, that's £15 to £30. | 0:16:49 | 0:16:53 | |
-On a bad day it's a tenner. So how much did you pay? -You can tell him. | 0:16:53 | 0:16:59 | |
-50 quid. -What? -SHE CHUCKLES | 0:16:59 | 0:17:03 | |
Well, we were in a bit of a rush, Phil, you see. | 0:17:03 | 0:17:06 | |
We though, "Well, we'll take it." | 0:17:06 | 0:17:07 | |
It's all gone rather well today, hasn't it? | 0:17:07 | 0:17:10 | |
We look like we're going to make a mint, Phil. | 0:17:10 | 0:17:13 | |
I'm just going to go and find myself a huge hole | 0:17:13 | 0:17:15 | |
to see if I can bury myself in it. | 0:17:15 | 0:17:17 | |
-Do you want a drink? -No, I'm fine, thanks. | 0:17:17 | 0:17:19 | |
Well, despite Philip's disapproval, the Red Team snapped up the tumbler for £50. | 0:17:19 | 0:17:25 | |
Now, let's see what Agent Scully has sniffed out for the Blues' final item. | 0:17:25 | 0:17:30 | |
-Oh, that sounds promising. -Oh, Joe... | 0:17:35 | 0:17:37 | |
-Is it decent? -Well, I think so. | 0:17:37 | 0:17:40 | |
I think that's quite good. Now, tell me what you think about it. | 0:17:40 | 0:17:43 | |
-It's a really charming piece. -So what do you put in it? | 0:17:43 | 0:17:46 | |
I don't know, a port, red wine, maybe even a hard liquor of some sort, like Scotch or something? | 0:17:46 | 0:17:51 | |
-I think it's what is termed as a claret jug. -A claret jug. | 0:17:51 | 0:17:55 | |
So the actual wine could breathe. | 0:17:55 | 0:17:57 | |
-Right, OK. -OK, I look at this, and I date it towards the end of the 19th, beginning of the 20th century. | 0:17:57 | 0:18:04 | |
This is German. At that particular time there was a move towards nationalism, | 0:18:04 | 0:18:08 | |
particularly in the arts, and they were looking back to the past. | 0:18:08 | 0:18:13 | |
And this type of ware where you're looking at something quite rural | 0:18:13 | 0:18:17 | |
and romantic they've adopted as a piece of furnishing on the table. | 0:18:17 | 0:18:21 | |
I think it's lovely. What I like also, do you see that, Carlie? | 0:18:21 | 0:18:24 | |
-Uh-huh. -What is it? -A wooden... -A wood strip. -Strip. | 0:18:24 | 0:18:30 | |
So they've used something so simple as a wood strip there | 0:18:30 | 0:18:33 | |
to emphasise the design point. I think it's lovely. | 0:18:33 | 0:18:37 | |
Nothing expensive or blingy, just a strip of wood. | 0:18:37 | 0:18:40 | |
The wood piece is what caught my eye originally. | 0:18:40 | 0:18:43 | |
-That really does stand out to me. -What do you think, Carlie? | 0:18:43 | 0:18:45 | |
I'm just not sure, I just think I probably wouldn't have it in my house. | 0:18:45 | 0:18:49 | |
-Why not? -Take a look. -I just think... | 0:18:49 | 0:18:52 | |
Let it speak to you. | 0:18:52 | 0:18:55 | |
-It's not really saying much. -It's not saying much, great, great. | 0:18:56 | 0:19:01 | |
-To me it speaks of a period. -Yeah, absolutely. | 0:19:01 | 0:19:03 | |
How much would you pay for it though? That's the thing. | 0:19:03 | 0:19:05 | |
I'm going to ask for under 100. | 0:19:05 | 0:19:07 | |
I wouldn't pay more than 100, so I think maybe 80. | 0:19:07 | 0:19:11 | |
-OK. -Let's see what we can get around that. -OK, best of luck. | 0:19:11 | 0:19:15 | |
-Thank you, guys, I'm off. -Thank you. | 0:19:15 | 0:19:17 | |
Are you as bad as that when you go shopping for clothes? | 0:19:17 | 0:19:20 | |
Yeah, absolutely! | 0:19:20 | 0:19:22 | |
Time's up. Let's remind ourselves of what the Reds bought. | 0:19:22 | 0:19:27 | |
The headstrong Reds knew what they wanted, | 0:19:27 | 0:19:31 | |
starting with this mesh purse for £135. | 0:19:31 | 0:19:35 | |
Has Michael lost his way with the Victorian compass? | 0:19:35 | 0:19:38 | |
And it's not Faberge, it's not gold, it's not likely | 0:19:38 | 0:19:41 | |
to make them a profit at £50. Poor old Phil. | 0:19:41 | 0:19:44 | |
-Have a good time shopping? -Quality. -Yes, brilliant. | 0:19:45 | 0:19:48 | |
-Quality, I love it. -Quality. | 0:19:48 | 0:19:49 | |
Which is your favourite item, Prudence? | 0:19:49 | 0:19:51 | |
It's got to be the silver handbag, Tim, I love it. | 0:19:51 | 0:19:54 | |
Which piece is going to bring the biggest profit? CHUCKLING | 0:19:54 | 0:19:57 | |
-Enough of that, Serrell. -All of them. They're all going to make a lot of money. | 0:19:57 | 0:20:01 | |
No, you've got to pick one. Which one is going to make the most profit, | 0:20:01 | 0:20:04 | |
-Prudence? -OK, my favourite, the silver handbag. | 0:20:04 | 0:20:07 | |
You spent £250, which is fantastic. | 0:20:07 | 0:20:09 | |
£50 of leftover lolly goes to Philip. Now I should say, Philip, there's been a bit of a struggle today. | 0:20:09 | 0:20:14 | |
They've spent £250 on about 120 quid's worth of stuff, | 0:20:14 | 0:20:17 | |
that was the problem. | 0:20:17 | 0:20:18 | |
-That's your prediction, is it? -Yeah, we might be doomed here. | 0:20:18 | 0:20:21 | |
-Do you know what you're going to have to do with that £50? -Work miracles. | 0:20:21 | 0:20:24 | |
Miracle, miracle. Off you go Phil, and good luck. | 0:20:24 | 0:20:27 | |
Let's remind ourselves of what the Blues bought. | 0:20:27 | 0:20:29 | |
Joe pressed all the right buttons | 0:20:34 | 0:20:36 | |
when he snapped this little lot up for £65. | 0:20:36 | 0:20:40 | |
Carlie's box had David eating his hat for £36.50, and finally, | 0:20:40 | 0:20:45 | |
Joe uncovered this claret jug for less than a ton. | 0:20:45 | 0:20:49 | |
Now Carlie and Joe, you had a great time, didn't you? | 0:20:49 | 0:20:52 | |
Fantastic time. | 0:20:52 | 0:20:54 | |
Did it live up to your expectations, this shopping lark? | 0:20:54 | 0:20:57 | |
-Yeah, it was excellent. -Absolutely. -Really good. -Fun. | 0:20:57 | 0:20:59 | |
-Carlie, which is your favourite piece? -I like the pretty button set. | 0:20:59 | 0:21:05 | |
-Button set is your favourite. -Yeah. | 0:21:05 | 0:21:07 | |
-And what's your favourite? -I like them all. I mean... | 0:21:07 | 0:21:11 | |
But if you had to make a prediction, which is your favourite? | 0:21:11 | 0:21:14 | |
Which gets you in your tummy, what really excites you? | 0:21:14 | 0:21:16 | |
I have to say that wooden box, just to poke fun at David, who really hates it. | 0:21:16 | 0:21:20 | |
-You'd say the box. -I'll say the box. -Is that the truth? -It is. | 0:21:20 | 0:21:23 | |
I'm a budding criminologist, I can tell, there's a waver of doubt in your mind. | 0:21:23 | 0:21:27 | |
Maybe you should join too then. | 0:21:27 | 0:21:29 | |
-I should put you on the lie detector. -Maybe you should. | 0:21:29 | 0:21:32 | |
Seriously, your favourite is the box? | 0:21:32 | 0:21:34 | |
-Yeah. -OK, fine. You spent £191.50, which is a really queer number, but | 0:21:34 | 0:21:38 | |
there you go, £108.50 comes across to you, David Barby. | 0:21:38 | 0:21:44 | |
Right. They're quite a handful, you know, Tim. | 0:21:44 | 0:21:47 | |
-Are they? -Really, yes. I've got to find something, cos they're so determined to make profit. | 0:21:47 | 0:21:53 | |
Well, you usually do make a profit on your bonus buy, so you just have to relax up. | 0:21:53 | 0:21:58 | |
You're the genius that goes and finds these things. | 0:21:58 | 0:22:01 | |
Am I going to get out of this door? | 0:22:01 | 0:22:03 | |
I don't know, is your head small enough? | 0:22:03 | 0:22:05 | |
For me, I'm going to head somewhere really special now. | 0:22:05 | 0:22:09 | |
We're off to no less a place than the Victoria And Albert Museum. Ooh. | 0:22:09 | 0:22:15 | |
I'm starting on Northumberland Avenue in London. | 0:22:15 | 0:22:18 | |
In the 1600s this and the neighbouring area, the Strand | 0:22:18 | 0:22:22 | |
would have been filled with mansions belonging to London's richest. | 0:22:22 | 0:22:27 | |
If you were of noble stock, | 0:22:27 | 0:22:29 | |
then this spot would have made the ideal location for a grand home. | 0:22:29 | 0:22:36 | |
What a shame though, because the grandest of Jacobean country houses, belonging to the Percy family, | 0:22:36 | 0:22:43 | |
otherwise known as the Duke and Duchess of Northumberland, used to be situated exactly here. | 0:22:43 | 0:22:51 | |
Northumberland House, the Percys' London ancestral home, | 0:22:55 | 0:22:59 | |
was built in 1605. | 0:22:59 | 0:23:01 | |
By the 1870s it had been demolished, to make way for this road. | 0:23:01 | 0:23:06 | |
The problem was that by the Victorian period, | 0:23:15 | 0:23:18 | |
this area simply wasn't fashionable for a duke and duchess to live in. | 0:23:18 | 0:23:23 | |
The other ancestral houses up the Strand were being developed, | 0:23:23 | 0:23:27 | |
and the old duke was given £500,000 to shove off. | 0:23:27 | 0:23:34 | |
This redevelopment coincided with the movement around the early 1900s | 0:23:34 | 0:23:37 | |
for tearing down grand mansions, or redeveloping them | 0:23:37 | 0:23:43 | |
into service apartments, removing along with the buildings | 0:23:43 | 0:23:47 | |
exquisite original architectural fittings. | 0:23:47 | 0:23:50 | |
But all is not lost. I've come here, to the Victoria And Albert Museum. | 0:23:50 | 0:23:56 | |
Robert Adam, the renowned Scottish-born architect, | 0:24:03 | 0:24:07 | |
was commissioned by the Duke of Northumberland to refurbish some of | 0:24:07 | 0:24:11 | |
the state rooms at Northumberland House, which he did in the 1770s. | 0:24:11 | 0:24:16 | |
Those interiors would have been lost to the public today, | 0:24:16 | 0:24:21 | |
were it not for the V&A. | 0:24:21 | 0:24:23 | |
The panelling that was ripped out when the structure was | 0:24:24 | 0:24:28 | |
demolished in Northumberland Avenue went into store for 50 years. | 0:24:28 | 0:24:33 | |
And what we see behind me is a surviving fragment of what was called the glass drawing room. | 0:24:33 | 0:24:40 | |
Why the glass drawing room? | 0:24:40 | 0:24:41 | |
Well, if you look carefully, nearly all that surface is made up | 0:24:41 | 0:24:46 | |
of individual large sheets of glass, | 0:24:46 | 0:24:48 | |
with coloured material behind them to give this exotic effect. | 0:24:48 | 0:24:53 | |
What Robert Adam is trying to achieve is the effect of Roman marble, | 0:24:53 | 0:24:57 | |
because that's what Robert Adam was trying to emulate, | 0:24:57 | 0:25:01 | |
the marble from Roman villas that he had seen in the excavations | 0:25:01 | 0:25:06 | |
at Pompeii, and all part of his passion for the Classical revival. | 0:25:06 | 0:25:11 | |
We've got candelabra ornament going up and down these panels. | 0:25:11 | 0:25:15 | |
Those are made of cast gilt lead, | 0:25:15 | 0:25:18 | |
and just look at the dense encrustation | 0:25:18 | 0:25:21 | |
around for example that door frame. | 0:25:21 | 0:25:24 | |
What an incredible effect. | 0:25:24 | 0:25:26 | |
But what would the whole room have looked like? Well, the V&A have constructed a model. | 0:25:26 | 0:25:32 | |
This sheet of glass represents this end wall. | 0:25:32 | 0:25:36 | |
If you went through that door this is what you'd see. | 0:25:36 | 0:25:40 | |
Spectacular. | 0:25:40 | 0:25:41 | |
The big question is today, will our teams make a spectacular profit over at the auction? Robert. | 0:25:41 | 0:25:48 | |
Well, we're in a grand county, West Sussex, Wisborough Green | 0:25:59 | 0:26:03 | |
to be precise, and at Bellmans Auction House with Jonathan Prior. | 0:26:03 | 0:26:06 | |
-Good morning, Jon. -Good morning, Tim. -Great to be here. -Thank you. | 0:26:06 | 0:26:09 | |
Now, this hallmarked silver bag from Prudence and Michael, | 0:26:09 | 0:26:13 | |
it must have been a great fashion then, cos there are quite a few | 0:26:13 | 0:26:16 | |
-of these mesh bags about, aren't they? -Yeah. | 0:26:16 | 0:26:18 | |
But what would somebody do with it today, | 0:26:18 | 0:26:21 | |
because no girl's going to wear that out and about much, is she? | 0:26:21 | 0:26:24 | |
Yeah, you're not going to head out to Horsham with that, you'll get laughed at, won't you? | 0:26:24 | 0:26:28 | |
You'll get your mobile phone in there, that's it. | 0:26:28 | 0:26:31 | |
-Mobile phone and your lipstick, and you're away. Quite. -Absolutely. | 0:26:31 | 0:26:34 | |
I've priced it at £40 to £60. | 0:26:34 | 0:26:37 | |
-Have you? -Yeah. -£135 paid. -That does seem optimistic to me. | 0:26:37 | 0:26:41 | |
£135 is a lot. | 0:26:41 | 0:26:44 | |
Then we've got this travelling compass in a crude mahogany box. | 0:26:44 | 0:26:49 | |
Nothing wrong with it. It's from that period, early 19th century. | 0:26:49 | 0:26:52 | |
-Paper scale, it's very simple though. -Yes. | 0:26:52 | 0:26:55 | |
So how much, is it worth £20? | 0:26:55 | 0:26:56 | |
-Yeah, 30, £30 to £50 on that. -That's your estimate, £30 to £50? -Yeah. | 0:26:56 | 0:26:59 | |
That's not too bad, £65 paid. | 0:26:59 | 0:27:01 | |
Now Prudence got very hot under the collar about her little vodka tumbler. | 0:27:01 | 0:27:07 | |
Tell us about that. | 0:27:07 | 0:27:09 | |
Well, crikey, you know the Russians have been buying big until recently. | 0:27:09 | 0:27:15 | |
-Would they be going for that? -No, it's base metal and enamel. I mean, it really... -Yes. | 0:27:15 | 0:27:19 | |
It's not silver gilt, which one would hope it would be at least. | 0:27:19 | 0:27:22 | |
I think, you know, if we're talking about entry level, | 0:27:22 | 0:27:25 | |
this is your entry level vodka cup, isn't it? | 0:27:25 | 0:27:28 | |
-Oh, lordy. -Sadly. | 0:27:28 | 0:27:29 | |
-Yeah. -Personally, I don't rate it very highly at all. | 0:27:29 | 0:27:32 | |
-What would be your estimate then? -I'd say between £10 and £20. | 0:27:32 | 0:27:36 | |
Oh, £40 paid. | 0:27:36 | 0:27:37 | |
So we've got three entry level objects, all of which seem to have been acquired for too much money. | 0:27:37 | 0:27:44 | |
So they're going to need their bonus buy, let's go and have a look at it. | 0:27:44 | 0:27:49 | |
-Prudence and Mick, how are you both? -Good, Tim, how are you? -Good. | 0:27:49 | 0:27:52 | |
Look, you told us in the shopping, that little beaker, that rusty job... | 0:27:52 | 0:27:56 | |
-Yeah. -Right, that you paid £50 for that. | 0:27:56 | 0:27:59 | |
-Yeah. -You didn't pay £50 for that at all, you paid £40 for it. -Did I? | 0:27:59 | 0:28:02 | |
-Yeah, you paid £40. -Sorry, got it wrong! | 0:28:02 | 0:28:04 | |
So, actually, overall you spent £240, | 0:28:04 | 0:28:08 | |
so Philip Serrell had £60 of leftover money. | 0:28:08 | 0:28:11 | |
-So what did you spend it on, Phil? -Oh, nice! | 0:28:11 | 0:28:14 | |
Wow. Oh, yeah, we talked about these things. | 0:28:14 | 0:28:17 | |
I see no ships. Do you like that? | 0:28:17 | 0:28:19 | |
-Yeah, I definitely like it. -You do? -Does it work? | 0:28:19 | 0:28:21 | |
-What do you mean, does it work? -I mean, does it work? | 0:28:21 | 0:28:24 | |
-Have a look. -It's very nice. | 0:28:24 | 0:28:26 | |
-Bearing in mind your eyesight... -Yeah, I was just...I feel really old now. | 0:28:26 | 0:28:31 | |
Kids, eh? You feel really old? | 0:28:31 | 0:28:33 | |
I tell you, you want to stand in these shoes. | 0:28:33 | 0:28:36 | |
-It's... -How much? -£45. | 0:28:36 | 0:28:38 | |
It's about 1880, there or thereabouts, a little two drawer | 0:28:38 | 0:28:41 | |
telescope, and I think at auction that's going to make £40 to £60. | 0:28:41 | 0:28:44 | |
-I like it. -You do. -Yeah. | 0:28:44 | 0:28:46 | |
You're going to let Prudence handle it then, or not? Let the girl have a go! | 0:28:46 | 0:28:49 | |
It's very nice. Well chosen, Phil, I think. | 0:28:49 | 0:28:52 | |
Oh, gosh! That's the seal of approval, isn't it? | 0:28:52 | 0:28:55 | |
Go on, try opening it up, Pru. | 0:28:55 | 0:28:57 | |
-Right, there we go. -Give it the business. | 0:28:57 | 0:29:00 | |
-Arr! -Emma Hamilton. -Yeah, definitely old, yeah. | 0:29:00 | 0:29:05 | |
-I'm sorry? What are you talking? -No, I just looked up a bit closer, Phil, sorry. | 0:29:05 | 0:29:09 | |
-Chuh! -So, guys, you don't decide right now. | 0:29:09 | 0:29:13 | |
You decide after the sale of your first three items, | 0:29:13 | 0:29:15 | |
but for the viewers at home, let's find out what the auctioneer thinks about Philip's spyglass. | 0:29:15 | 0:29:19 | |
Well, that seems to be quite clean and tidy. | 0:29:19 | 0:29:22 | |
Yeah, it's rather neat, isn't it? | 0:29:22 | 0:29:24 | |
Lacquered brass three drawer telescope, mahogany sleeve, | 0:29:24 | 0:29:27 | |
it's right for the end of the 19th century, sort of circa 1880. | 0:29:27 | 0:29:31 | |
The drawback here is just that little split that | 0:29:31 | 0:29:34 | |
runs down the mahogany, but it's survived pretty well, hasn't it? | 0:29:34 | 0:29:37 | |
-You like it, then? -Well, it's kind of... -You rate it. | 0:29:37 | 0:29:40 | |
It's neat, isn't it, nice and small and dinky example, you know, £30 to £50. | 0:29:40 | 0:29:44 | |
-£30 to £50 your estimate. -Yes. -Thank you, fine. | 0:29:44 | 0:29:46 | |
Philip Serrell paid £45, it's his bonus buy, he's hoping for the best, | 0:29:46 | 0:29:50 | |
and why shouldn't he, with a jolly little thing like that? | 0:29:50 | 0:29:53 | |
That's it for the Reds, now for the Blues. | 0:29:53 | 0:29:55 | |
Their first item is the jug. | 0:29:55 | 0:29:58 | |
It's quite a smart thing, nicely moulded to look like a barrel, | 0:29:58 | 0:30:02 | |
probably made on the Continent, probably Austria or Germany or something like that. | 0:30:02 | 0:30:06 | |
-A manufactured product? -Yeah. | 0:30:06 | 0:30:08 | |
-So it's out of a factory, isn't it? -Absolutely. | 0:30:08 | 0:30:10 | |
But they've got the glass and the metalwork nicely unified. | 0:30:10 | 0:30:14 | |
Quite a tight fit to the thing. I mean, it works well from that point of view. | 0:30:14 | 0:30:18 | |
What's the estimate, Jonathan? | 0:30:18 | 0:30:20 | |
I think probably we'll get between sort of £60 and £90 for that. | 0:30:20 | 0:30:24 | |
Well, good, I mean you need to kick on cos £90 is paid. | 0:30:24 | 0:30:28 | |
-Yeah. -But it's got a chance anyway. -Absolutely. -And it's got the look. | 0:30:28 | 0:30:32 | |
What about this Bavarian carved touristy novelty box? | 0:30:32 | 0:30:35 | |
People do collect this sort of carved wood, and it's nice, this high relief | 0:30:35 | 0:30:39 | |
-floral bocage of edelweiss. -Alpine flowers, yeah, yeah. | 0:30:39 | 0:30:42 | |
Alpine flowers, edelweiss. | 0:30:42 | 0:30:45 | |
£20 to £40 is the estimate for this one. | 0:30:45 | 0:30:47 | |
£36.50 they paid. | 0:30:47 | 0:30:50 | |
-They might just get that. -You might, which is good. | 0:30:50 | 0:30:52 | |
Now what about the buttons, they look flash, don't they? | 0:30:52 | 0:30:54 | |
They do, aren't they smart? Nice big ones, | 0:30:54 | 0:30:57 | |
sort of rococo-type scrolling to it, it's very smart, really. | 0:30:57 | 0:31:00 | |
-Yes. -I think we're going to get somewhere between £50 | 0:31:00 | 0:31:03 | |
and £70 pounds for them for sure. | 0:31:03 | 0:31:04 | |
-Oh, that's great, £65 paid, and who knows, you might make 80 which'd be brilliant. -Yeah, yeah. | 0:31:04 | 0:31:09 | |
Overall though, they might well need their bonus buy, so let's go and have a look at it. | 0:31:09 | 0:31:14 | |
So you two cats, you OK? | 0:31:14 | 0:31:16 | |
-We're good. -Yeah, yeah. -You're good. | 0:31:16 | 0:31:17 | |
You spent £191.50, you should be good, you gave David £108.50, what did he spend all that money on? | 0:31:17 | 0:31:25 | |
-Let's see. -Well, a cornucopia of riches. | 0:31:25 | 0:31:28 | |
-Rather like that. -Interesting. Why did you purchase this? | 0:31:28 | 0:31:31 | |
I had ten minutes. | 0:31:31 | 0:31:35 | |
They told me I would have half an hour to do shopping, | 0:31:35 | 0:31:38 | |
and when I got to the shops they'd all closed down except for one, | 0:31:38 | 0:31:41 | |
and there was this on the shelf, I thought, "That's absolutely beautiful." | 0:31:41 | 0:31:45 | |
They originally wanted £70 for it, I got it down for £40. | 0:31:45 | 0:31:48 | |
-Really? -I think it's rather nice. | 0:31:48 | 0:31:50 | |
It's sort of late Regency coming into William the Fourth. | 0:31:50 | 0:31:53 | |
There should be a pair of them. | 0:31:53 | 0:31:56 | |
I would find though not having the other one might be a problem. | 0:31:56 | 0:32:00 | |
If the other one was there, they'd be considerably more. | 0:32:00 | 0:32:03 | |
This is a typical forensic scientist this, looking at this. | 0:32:03 | 0:32:06 | |
This is a criminologist looking for a fingerprint. | 0:32:06 | 0:32:10 | |
-Sorry. -Every crack... | 0:32:10 | 0:32:11 | |
Thank goodness I'm not holding it, otherwise I'd be shaking! | 0:32:11 | 0:32:15 | |
You're definitely guilty I'd say looking at you. Just look at his shifty eyes. | 0:32:15 | 0:32:18 | |
Well, how much profit do you think it'll make? | 0:32:18 | 0:32:21 | |
I would think probably somewhere between 60 and 70. | 0:32:21 | 0:32:24 | |
60 and 70, OK. | 0:32:24 | 0:32:26 | |
And all you have to do is to hold that thought. | 0:32:26 | 0:32:29 | |
You heard him say £60 to £70, you may or may not need to take | 0:32:29 | 0:32:32 | |
this cornucopia of delights, but for the viewers at home, let's find out what the auctioneer thinks about it. | 0:32:32 | 0:32:38 | |
So, is this a cornucopia of delights? | 0:32:38 | 0:32:42 | |
A cornucopia of something. | 0:32:42 | 0:32:44 | |
As a pair it would be very nice in top order, but one or two minor imperfections to the rim there... | 0:32:44 | 0:32:51 | |
-Yes. -With a big chunk out of somewhere else... | 0:32:51 | 0:32:54 | |
Well, you see that is such a bad lump to lose, isn't it? | 0:32:54 | 0:32:57 | |
And there are lots of places you can go to get chipped glass | 0:32:57 | 0:33:00 | |
polished out and whatnot, | 0:33:00 | 0:33:02 | |
but that's a great lump out of a scolloped edge | 0:33:02 | 0:33:05 | |
that's already been nibbled. | 0:33:05 | 0:33:06 | |
Look at that nibble. So your most bullish and brave estimate on this is how much, Jonathan? | 0:33:06 | 0:33:11 | |
-£40 to £60. -£40 to £60. | 0:33:11 | 0:33:14 | |
Splendid fellow. Well, good luck. | 0:33:14 | 0:33:17 | |
Last chance. | 0:33:24 | 0:33:26 | |
-Now, Mike and Pru. -Yes. | 0:33:27 | 0:33:28 | |
-How are you feeling? -Bit nervous. | 0:33:28 | 0:33:30 | |
-A bit nervous. -What have you got to be nervous about? | 0:33:30 | 0:33:33 | |
Nothing, I'm quite confident. | 0:33:33 | 0:33:35 | |
-You just said you were nervous! -No, changed my mind. | 0:33:35 | 0:33:38 | |
-Confidently nervous. -Positive mental attitude. | 0:33:38 | 0:33:40 | |
-Is that was it is? -Yeah. -Is that your secret weapon today? | 0:33:40 | 0:33:44 | |
The silver handbag's going to make a fortune. | 0:33:44 | 0:33:46 | |
You reckon? Well, you paid £135 for that bag, right? | 0:33:46 | 0:33:49 | |
-Yeah. -Prudence, you found it. | 0:33:49 | 0:33:51 | |
-Yeah. -You're very bullish about that bag, aren't you? -I was. | 0:33:51 | 0:33:53 | |
-The auctioneer's put £40 to £60 on it. -It's a bit worrying, isn't it? | 0:33:53 | 0:33:57 | |
But you never know what's going to happen until the hammer's down. | 0:33:57 | 0:34:01 | |
-You must have watched this programme before, darling. -I have. | 0:34:01 | 0:34:04 | |
It is true though at auction, Philip will collaborate with me here, you just don't know, do you? | 0:34:04 | 0:34:10 | |
No, you just want two people who want it. | 0:34:10 | 0:34:12 | |
Let's hope they're here today. | 0:34:12 | 0:34:14 | |
14-90A, a silver mesh purse, London, 1921 with the engraved clasp, | 0:34:14 | 0:34:20 | |
and I've got a flurry of bids once again. To start me in at 30...35... | 0:34:20 | 0:34:26 | |
£55, £55, it's bid with me at £55, | 0:34:26 | 0:34:31 | |
60, 65, 70, 75, 80, 85, | 0:34:31 | 0:34:37 | |
£85, against you then at £85. Do you wish to bid £90? | 0:34:37 | 0:34:40 | |
Are we all done at £85? I'll sell, last chance at 85. | 0:34:40 | 0:34:45 | |
£85. | 0:34:46 | 0:34:47 | |
-That's not bad. -That's 50 short. | 0:34:47 | 0:34:49 | |
That's minus £50, that. | 0:34:49 | 0:34:51 | |
Look out, here comes the compass. | 0:34:51 | 0:34:53 | |
Now we've got 14-91A, a mahogany case pocket compass circa 1830, | 0:34:53 | 0:34:58 | |
and again this time I've got bids to start me at 40... | 0:34:58 | 0:35:02 | |
55, 60, 65, £70, straight in at £70. | 0:35:02 | 0:35:05 | |
-I don't believe it. -£70 and I'll take five. | 0:35:05 | 0:35:08 | |
Straight in, then, lots of interest, at £70 I'll sell. | 0:35:08 | 0:35:11 | |
Two in the book, it's £70, you're all done. | 0:35:11 | 0:35:14 | |
I don't believe it, £70, plus £5. | 0:35:14 | 0:35:18 | |
Minus £45. | 0:35:18 | 0:35:21 | |
-Look out. -All to play for. | 0:35:21 | 0:35:23 | |
Lot 14-92A, a Russian gilt metal and enamel spirit tumbler. | 0:35:23 | 0:35:29 | |
-I have to start at £10. -£10. | 0:35:29 | 0:35:31 | |
Do we have ten, £10? | 0:35:31 | 0:35:34 | |
12, 15, 18, 20, 22... | 0:35:34 | 0:35:39 | |
25. | 0:35:39 | 0:35:41 | |
£28 anywhere else, with me at £25. | 0:35:41 | 0:35:44 | |
At 25 against you then, at £25, and I'll sell at £25. | 0:35:44 | 0:35:48 | |
£25, Pru, this has not gone your way today, has it? Minus £15 on that. | 0:35:48 | 0:35:54 | |
So far Pru, on your choices you've lost £65. Right. | 0:35:54 | 0:35:59 | |
But Mick the hero has made a £5 profit, so overall you are just minus £60. Minus £60. | 0:35:59 | 0:36:08 | |
-So what about this telescope lark? -Gotta go for it. | 0:36:08 | 0:36:10 | |
-We'll go for it. -We've got to go for it. | 0:36:10 | 0:36:12 | |
Lot 14-95A, we have a lacquered brass two drawer telescope | 0:36:12 | 0:36:16 | |
circa 1880 with a mahogany sleeve. | 0:36:16 | 0:36:18 | |
I've got to start straight in at £25 is bid. 28 and 30. 32, 35. | 0:36:18 | 0:36:26 | |
38 and 40. | 0:36:26 | 0:36:28 | |
42, 45, £48 courtesy commission. | 0:36:28 | 0:36:30 | |
£48, 50 anyone? £48 dead centre and 48. | 0:36:30 | 0:36:35 | |
Well, two of us were all right. | 0:36:35 | 0:36:37 | |
£48, and I'm selling at £48. | 0:36:37 | 0:36:40 | |
£48, good man. And that is a £2 profit, no it isn't, that is a £3 | 0:36:40 | 0:36:45 | |
profit, which is great, so you are £57 down the drain. | 0:36:45 | 0:36:50 | |
Now that could be a winning score, it's very difficult to make a profit on Bargain Hunt, we know that, | 0:36:50 | 0:36:56 | |
-so don't tell the Blues a thing, all right? -OK, we won't. | 0:36:56 | 0:37:00 | |
Carlie, Joe, have you been talking to the Reds? No, not at all? | 0:37:04 | 0:37:07 | |
-You don't know how they got on? -No. -Good, we don't want you to. | 0:37:07 | 0:37:10 | |
-Now the first item that comes up is yours, Joe. -Yes. | 0:37:10 | 0:37:12 | |
-That nice jug, it's a beautifully made thing, isn't it? -Absolutely. | 0:37:12 | 0:37:16 | |
-It's a peach of a jug. -It really is. | 0:37:16 | 0:37:17 | |
A late 19th century German glass and pewter banded claret jug | 0:37:17 | 0:37:21 | |
of coopered design. Start me at £50 for this... | 0:37:21 | 0:37:25 | |
-Start me at £50... 30, then. -Oh. | 0:37:25 | 0:37:27 | |
£30 waving at the back, at £30. | 0:37:27 | 0:37:29 | |
£30, I'll take two. | 0:37:29 | 0:37:32 | |
32 now, 35, 38, and 40, 45. And 50. | 0:37:32 | 0:37:38 | |
-£50, gentleman by the flowers. -Oh, come on, come on. | 0:37:38 | 0:37:42 | |
£50, £5 anywhere else? At £50 by the flowers, at £50. | 0:37:42 | 0:37:45 | |
At £50 and I'll sell at 50, last chance, at £50, all done. | 0:37:45 | 0:37:48 | |
£50 pounds then. | 0:37:48 | 0:37:50 | |
-That is minus £40. -That's so disappointing. | 0:37:50 | 0:37:53 | |
-Sorry about that, Joe. -It's all right. -Joe... -I know. | 0:37:53 | 0:37:56 | |
1511, a late 19th century Continental carved walnut box. | 0:37:56 | 0:38:01 | |
-Tenner. -Oh, god. | 0:38:01 | 0:38:02 | |
Ten is bid, thank you, at ten, £10, | 0:38:02 | 0:38:05 | |
looking for 12 now, 12 with the lady, 15 he's gone, 20, 22... | 0:38:05 | 0:38:09 | |
-Come on. -Come on. -25? | 0:38:09 | 0:38:11 | |
No, he says. £22, on the left there was someone. | 0:38:11 | 0:38:14 | |
£22 standing left, on the right there, 25, there we go. | 0:38:14 | 0:38:17 | |
-Yes! -28, 30. £30 to the lady. | 0:38:17 | 0:38:20 | |
Do you bid at the front? Yes, he does. 32, 35, 38... | 0:38:20 | 0:38:25 | |
Yes! | 0:38:25 | 0:38:26 | |
£38 the gentleman now, at £38. | 0:38:26 | 0:38:28 | |
-Go on! Go on, go on. -Any further interest at £38? | 0:38:28 | 0:38:31 | |
It's gone to 40. | 0:38:31 | 0:38:34 | |
-Yes! -No, he's shaking his head now. With the lady at £40. | 0:38:34 | 0:38:36 | |
£40 it is then and selling, last chance. £40... | 0:38:36 | 0:38:41 | |
-Yes. £40, thank goodness. -I did dislike that one! | 0:38:41 | 0:38:45 | |
That's £3.50. | 0:38:45 | 0:38:47 | |
-£3.50 is a heck of a profit. -It's good though, it's good. | 0:38:47 | 0:38:51 | |
Lot 15-12 A, a set of boxed silver buttons | 0:38:51 | 0:38:53 | |
of scroll form. | 0:38:53 | 0:38:55 | |
-I've got a nice flurry of bids here to start me at 20, 50, £100. -Yes! | 0:38:56 | 0:39:02 | |
Start me straight in at £100. | 0:39:02 | 0:39:04 | |
£100 is bid. Do I see ten, £100, with me at £100. | 0:39:04 | 0:39:07 | |
-110, 120. Do you want 130? -Yes, keep going. | 0:39:07 | 0:39:10 | |
Something's happening. | 0:39:10 | 0:39:12 | |
Are you sure? £120 then, 120. | 0:39:12 | 0:39:13 | |
-Keep going, keep going. -30 anywhere else? | 0:39:13 | 0:39:16 | |
All done, £120, last chance, 120. | 0:39:16 | 0:39:20 | |
Yes! | 0:39:20 | 0:39:22 | |
£120 pounds, I don't believe that, look. Well done. That is something. | 0:39:22 | 0:39:26 | |
-Absolutely. -That was good, that was good, that was good. | 0:39:26 | 0:39:29 | |
You are £18.50 up, how good is that? | 0:39:29 | 0:39:32 | |
-Not bad. -Yes. -It's not bad. | 0:39:32 | 0:39:33 | |
£18.50. Perfect. Now what are you going to do about the bonus buy? | 0:39:33 | 0:39:37 | |
This is so difficult, because frankly you were... | 0:39:37 | 0:39:40 | |
When you're up... | 0:39:40 | 0:39:42 | |
You're up £18.50, yes? | 0:39:42 | 0:39:44 | |
-Shall we go for it? -I hate it, but... | 0:39:44 | 0:39:46 | |
-You hate it? -Yeah. -You really do hate it? | 0:39:46 | 0:39:48 | |
-What's to lose, right? -£40 to lose actually. | 0:39:48 | 0:39:50 | |
And it could be a winning score, this £18.50. | 0:39:50 | 0:39:53 | |
-We're only doing this once. -I don't think so. | 0:39:53 | 0:39:55 | |
You don't think we should do it? | 0:39:55 | 0:39:56 | |
-You're not going to go for it? -No. -Definitely? -Definitely. | 0:39:56 | 0:39:58 | |
Right. No for the bonus buy, but we're going to sell it anyway. | 0:39:58 | 0:40:02 | |
Let's find out whether David's right or wrong. | 0:40:02 | 0:40:04 | |
Lot 15-15A, early Victorian glass cornucopia spill vase. | 0:40:04 | 0:40:09 | |
Who'll start me at 40 for this? Start me at £20 then... | 0:40:09 | 0:40:12 | |
£20, he's bid on the left at £20, do I see two? | 0:40:12 | 0:40:14 | |
Maiden bid of £20, two anywhere else? | 0:40:14 | 0:40:16 | |
At £20, at £20, this is it at 20. | 0:40:16 | 0:40:20 | |
22 now with the lady, 25, 28, 30... | 0:40:20 | 0:40:22 | |
-No, no, no, no, no. -£30 still with the gentleman. | 0:40:22 | 0:40:25 | |
-Standing still at £30. Two anywhere else? -No. | 0:40:25 | 0:40:27 | |
-£30 with the gentleman then, selling at 30, last chance at £30. -Yes. | 0:40:27 | 0:40:33 | |
-Yes. -You were right! | 0:40:33 | 0:40:34 | |
-Good call. -£30. Now that was not an easy shout for you, was it? | 0:40:34 | 0:40:39 | |
-No, it wasn't. -It wasn't. -You really didn't like it. | 0:40:39 | 0:40:41 | |
-No, I didn't. -And you wanted it. | 0:40:41 | 0:40:43 | |
-Absolutely. -You would have persuaded her. | 0:40:43 | 0:40:45 | |
That's true, but I went with her, and I trusted her, and it won. It did well. | 0:40:45 | 0:40:49 | |
So minus £10, but you did very well not to go with that. | 0:40:49 | 0:40:52 | |
-Excellent. -So, minus £10, but it doesn't count. | 0:40:52 | 0:40:55 | |
Overall, then, you are £18.50 up, you conserved your profits and | 0:40:55 | 0:41:02 | |
it's been a very good game. | 0:41:02 | 0:41:03 | |
Now don't tell the Reds a thing, right? | 0:41:03 | 0:41:06 | |
-OK. -Cos £18.50 could be a winning score. | 0:41:06 | 0:41:09 | |
Well, well, well, well, well, what fun, eh? Everybody had a good time? | 0:41:13 | 0:41:18 | |
-Yes! -Brilliant time. -Been talking to one another have we, comparing notes? -No. | 0:41:18 | 0:41:22 | |
-Keeping stumm. -We never speak to them. | 0:41:22 | 0:41:24 | |
I asked you to, and if you've done that then that's really good, | 0:41:24 | 0:41:27 | |
because this is the moment to reveal the winner and the runner up. | 0:41:27 | 0:41:31 | |
And the runner up today are the Reds. | 0:41:31 | 0:41:35 | |
-Ooh! -Minus £57 is not a great score, is it? | 0:41:35 | 0:41:39 | |
It's not bad, I've heard worse. | 0:41:39 | 0:41:41 | |
You've heard worse. But not good enough, I'm afraid. | 0:41:41 | 0:41:43 | |
-Apparently not. -You've got a nice £5 profit out of the compass, that was unexpected, magic. | 0:41:43 | 0:41:48 | |
-Certainly unexpected. -You got a nice little profit out of the telescope, | 0:41:48 | 0:41:52 | |
thank you very much, Mr Sorell, but overall it turned out at minus 57. | 0:41:52 | 0:41:57 | |
So bad luck on that, all right. | 0:41:57 | 0:41:59 | |
They're obviously having hysterics in the background here, | 0:41:59 | 0:42:03 | |
cos they just can't contain themselves with the joy of it all. | 0:42:03 | 0:42:06 | |
£55 profit on those buttons, Joe, that is a stonker, isn't it? | 0:42:06 | 0:42:10 | |
-That's right, absolutely. -And not bad Carlie, £3.50, | 0:42:10 | 0:42:13 | |
-darling, on the little box. -Indeed, it's all right. | 0:42:13 | 0:42:16 | |
Which was loathed at various times, so congratulations on that. | 0:42:16 | 0:42:20 | |
Overall then, it finished up at £18.50. | 0:42:20 | 0:42:23 | |
There is £18, yes... | 0:42:23 | 0:42:26 | |
-Excellent. -And not quite, there you go, there's £18.50. | 0:42:26 | 0:42:29 | |
-How you feeling about that, you two? -Delighted. -Very good, excellent. | 0:42:29 | 0:42:33 | |
-Well, I hope you'll report favourably to the FBI about it when you make it back to America. -Absolutely. | 0:42:33 | 0:42:39 | |
Anyway, both teams have been fantastic, great fun, can't thank you enough for coming on the programme. | 0:42:39 | 0:42:45 | |
-But join us soon for some more bargain hunting, yes? -Yes! | 0:42:45 | 0:42:48 | |
For more information about Bargain Hunt, including how the programme | 0:42:48 | 0:42:53 | |
was made, visit the website at bbc.co.uk/lifestyle | 0:42:53 | 0:42:58 | |
Subtitles by Red Bee Media Ltd | 0:42:58 | 0:43:02 | |
E-mail [email protected] | 0:43:02 | 0:43:07 |