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# Frosty the snowman | 0:00:02 | 0:00:04 | |
# Was a jolly happy soul With a corncob pipe | 0:00:04 | 0:00:09 | |
# And a button nose And two eyes made out of coal... # | 0:00:09 | 0:00:12 | |
Oh ho ho, it's brass monkey weather. | 0:00:13 | 0:00:16 | |
It is freezing. | 0:00:16 | 0:00:18 | |
If there's one thing, though, that will warm the cockles of your heart... | 0:00:18 | 0:00:22 | |
let's go bargain hunting! | 0:00:22 | 0:00:24 | |
Welcome to Bargain Hunt, from the International Antiques and Collectors Fair in Newark. | 0:00:46 | 0:00:53 | |
This is Europe's largest antiques event. It is absolutely ginormous. | 0:00:53 | 0:00:59 | |
If our teams can't find what they're looking out for today, they should have stayed at home! | 0:00:59 | 0:01:04 | |
They'll be up against it though, as their one hour of shopping time will just fly by. | 0:01:04 | 0:01:10 | |
So the £300 we give them had better be spent wisely, as what they do pick up | 0:01:10 | 0:01:15 | |
will go under the hammer at auction, and any profit they do make... | 0:01:15 | 0:01:18 | |
No. Going at £38. Thank you. | 0:01:18 | 0:01:21 | |
..they get to pocket. | 0:01:21 | 0:01:23 | |
I just hope they know what they've let themselves in for. | 0:01:25 | 0:01:28 | |
Let's meet today's teams. | 0:01:28 | 0:01:31 | |
And here they are then. We've got relatives Nicola and Doug for the Reds. | 0:01:33 | 0:01:37 | |
And friends Jenna and Eddie for the Blues, welcome to Bargain Hunt. | 0:01:37 | 0:01:42 | |
So, how are you two related then? | 0:01:42 | 0:01:44 | |
-I'm Nicola's great uncle. -What's your interest in antiques? | 0:01:44 | 0:01:48 | |
I love antiques. For about 15, 16 years, I've been restoring antiques. | 0:01:48 | 0:01:53 | |
What sort of things have you restored? | 0:01:53 | 0:01:55 | |
Bureaux, linen presses, chairs, tables, you name it, I've done it. | 0:01:55 | 0:02:02 | |
Has any of this passion for antiques rubbed off on you, Nicola? | 0:02:02 | 0:02:05 | |
Yes, it has, although in a different way. | 0:02:05 | 0:02:08 | |
What I do doesn't last as long as my Uncle Doug's stuff. | 0:02:08 | 0:02:11 | |
-So what do you do then? -I'm a sculptor. -Right. | 0:02:11 | 0:02:14 | |
Yes, I carve sand, snow and ice. | 0:02:14 | 0:02:17 | |
How amazing. Have you got anything to show us? | 0:02:17 | 0:02:19 | |
Yes, I have two photos here. | 0:02:19 | 0:02:22 | |
Two pieces that I did. | 0:02:22 | 0:02:25 | |
-That is just extraordinary, girl! That's made of sand? -There were two of us working on that for two weeks. | 0:02:25 | 0:02:30 | |
-Yes, that's all sand. -However does it stay up? | 0:02:30 | 0:02:34 | |
Well, we compress the sand into wooden forms, | 0:02:34 | 0:02:36 | |
and then we work our way up to the top and we remove the wooden forms | 0:02:36 | 0:02:41 | |
and we're left with a solid block of sand. | 0:02:41 | 0:02:44 | |
You're very brave. I don't think I could bear to see it fall apart. | 0:02:44 | 0:02:47 | |
I think we're going to have rather a good competition today, you two! | 0:02:47 | 0:02:50 | |
Now for the Blues, Jenna and Eddie. | 0:02:50 | 0:02:53 | |
-Hello. -How do you two know each other? | 0:02:53 | 0:02:55 | |
-We are housemates. -At university? -Yes. -Both students at Leicester University. | 0:02:55 | 0:02:59 | |
I'm sporting my Leicester University hoodie. | 0:02:59 | 0:03:01 | |
She bought it for my birthday on Tuesday. | 0:03:01 | 0:03:03 | |
-Ah, happy birthday as of Tuesday. -Thank you. | 0:03:03 | 0:03:06 | |
So you're both students. What are you studying? | 0:03:06 | 0:03:09 | |
-Psychology and biology. -What about you, Eddie? | 0:03:09 | 0:03:11 | |
I do physics with planetary science. | 0:03:11 | 0:03:13 | |
-Phew. -Hopefully going on to do earth observational science next year, hopefully. Fingers crossed. | 0:03:13 | 0:03:19 | |
We'll cross everything for you. How did you meet? | 0:03:19 | 0:03:22 | |
I walked into my house a couple of years ago, walked into my house, | 0:03:22 | 0:03:26 | |
and discovered an orange thong in the living room. | 0:03:26 | 0:03:29 | |
-Ah. And it wasn't yours? -No! | 0:03:29 | 0:03:32 | |
I was sure of that. | 0:03:32 | 0:03:34 | |
I was bewildered as to where it came from. | 0:03:34 | 0:03:37 | |
I was walking up the stairs and at the top of the stairs, I meet Eddie. | 0:03:37 | 0:03:42 | |
Obviously never seen him in my life before, a random stranger in my house. | 0:03:42 | 0:03:46 | |
Was he looking for his thong? | 0:03:46 | 0:03:47 | |
Quite possibly. That's how we met, and became friends after that. | 0:03:47 | 0:03:53 | |
So was this your thong, Eddie, or what? | 0:03:53 | 0:03:56 | |
It wasn't mine at the start of the night. | 0:03:56 | 0:03:58 | |
I'd been out the night before with a few friends, that I know Jenna through. | 0:03:58 | 0:04:02 | |
I have a fascination with orange, as you can see I'm wearing orange here, there, on my gloves... | 0:04:02 | 0:04:07 | |
Yes, I see you've got the orange fetish. | 0:04:07 | 0:04:09 | |
I think I'd have seen it somewhere, and I was like, "Oh, orange," | 0:04:09 | 0:04:13 | |
and decided I was going to wear it for the rest of the night on top of my suit. A bit much. | 0:04:13 | 0:04:17 | |
It is strange garment just to come across, isn't it? | 0:04:17 | 0:04:20 | |
-I can understand perhaps seeing it... -We are good at finding random stuff. | 0:04:20 | 0:04:24 | |
-If you popped into our house you would see our walls... -Covered in thongs! | 0:04:24 | 0:04:28 | |
With random toys, trophies of nights out. | 0:04:28 | 0:04:32 | |
I don't think we'd better go there frankly, Eddie, it being daytime and all that. | 0:04:32 | 0:04:37 | |
Now the money moment, thank you very much, onto some safe territory! | 0:04:37 | 0:04:40 | |
£300 apiece, £300 apiece... You know the rules, and off you go. And very, very good luck. | 0:04:40 | 0:04:45 | |
So will it be the Reds carving out the big bucks? | 0:04:45 | 0:04:49 | |
Or the Blues just turning all this into another science? | 0:04:49 | 0:04:54 | |
Each team won't be alone. | 0:04:54 | 0:04:56 | |
They have exclusive rights to an expert's knowledge to help them on their way so they don't slip up. | 0:04:56 | 0:05:02 | |
For the Reds, David Harper. | 0:05:02 | 0:05:05 | |
And for the Blues, Mark Stacey. | 0:05:05 | 0:05:07 | |
Right. Off they go. What delights will our teams find today? | 0:05:07 | 0:05:12 | |
Not round here, no. | 0:05:12 | 0:05:13 | |
-Do you want a piggy back, David? -Yes, I think I do. | 0:05:13 | 0:05:16 | |
So shall we go up here? | 0:05:16 | 0:05:17 | |
I would say 1930. | 0:05:17 | 0:05:19 | |
-I'd say 1930. -You would? | 0:05:19 | 0:05:23 | |
How much is that? | 0:05:23 | 0:05:24 | |
25. | 0:05:25 | 0:05:27 | |
-What are they used for? -They are or sheltering your face from the flames of a fire. | 0:05:29 | 0:05:33 | |
They're called pole screens. | 0:05:33 | 0:05:35 | |
-I really like that. -It's got great novelty value, hasn't it? | 0:05:42 | 0:05:47 | |
-But has it got any real monetary value, this is the thing? -No. | 0:05:47 | 0:05:50 | |
It might have, in a big collection. | 0:05:50 | 0:05:52 | |
Ah, he's nice. I'm going to test you, Nicola. | 0:05:52 | 0:05:56 | |
-What do you think about him? -So cute. -He's nice, isn't he? | 0:05:56 | 0:05:59 | |
-I love it. -What would you say if I did this to him? | 0:05:59 | 0:06:02 | |
Oh my God! | 0:06:03 | 0:06:04 | |
That's awful. | 0:06:04 | 0:06:06 | |
Scent bottle. | 0:06:06 | 0:06:08 | |
-He is a scent bottle. -I love it. | 0:06:08 | 0:06:09 | |
-Can I smell it? Oh, it smells of something. -Perfume? | 0:06:09 | 0:06:15 | |
Oldness and perfume. | 0:06:15 | 0:06:17 | |
Let's have a smell. | 0:06:17 | 0:06:18 | |
-It's definitely got some... -There's definitely been some... -Well, I've got no sense of smell. | 0:06:18 | 0:06:23 | |
-Haven't you really? -How much is that? -Let's ask him. | 0:06:23 | 0:06:26 | |
What's the best on the teddy? | 0:06:26 | 0:06:28 | |
-80 quid. -Really? | 0:06:28 | 0:06:30 | |
-It's too much. -Do think it is? -Yes. -What age would you think? | 0:06:30 | 0:06:33 | |
-I think he's early to mid- 20th century. -Is he really? | 0:06:33 | 0:06:36 | |
I think forties or fifties. | 0:06:36 | 0:06:38 | |
-I think we all like him. -I do. -Well bid him, try him, go on. | 0:06:38 | 0:06:43 | |
I think Nicola should use her charms. Nicola, have a go. | 0:06:43 | 0:06:47 | |
-We want it, 50 tops. -40. -40 would be better. | 0:06:47 | 0:06:49 | |
-Go on, try him. -50 tops. | 0:06:49 | 0:06:51 | |
-OK, shall I go over and stroke his arm? -Yes, yes. Go for it, Nic. | 0:06:51 | 0:06:54 | |
Go for it, go for it. | 0:06:54 | 0:06:56 | |
Would you consider... a massive reduction on this? | 0:06:56 | 0:07:00 | |
Nicola secured a deal of £55, but they're sleeping on it. | 0:07:00 | 0:07:05 | |
Over to the Blues. Have they spotted anything so sweet? | 0:07:05 | 0:07:09 | |
That's a cool bottle opener. | 0:07:09 | 0:07:11 | |
-What is it? -It's a bottle opener. -Oh yes. Made in India. -That would be put on a bar, wouldn't it? | 0:07:11 | 0:07:17 | |
-That's actually quite fun, isn't it? -Because you'd attach that onto the bar. Yes. -There's a clamp in it. | 0:07:17 | 0:07:22 | |
The bar that I work in at the moment, we used to have one, | 0:07:22 | 0:07:25 | |
but a modern-day one where we just clamped it on the bar. | 0:07:25 | 0:07:28 | |
I just like the fact it's old style. | 0:07:28 | 0:07:30 | |
It's completely different what they do now. | 0:07:30 | 0:07:33 | |
Is almost a piece of social history, isn't it? Because I love all this decoration. | 0:07:33 | 0:07:38 | |
But, let's have a look at it. It's cast steel. I like this little turned handle. | 0:07:38 | 0:07:42 | |
That's solid wood. That would really clean up rather nicely, actually. | 0:07:42 | 0:07:46 | |
I like it. I think it's quite fun. | 0:07:46 | 0:07:48 | |
-Yes, it does look good. -I think got to be a purchase. -It's bar memorabilia! | 0:07:48 | 0:07:54 | |
Can you tell us what your very best price is on that, please? | 0:07:54 | 0:07:58 | |
Very best it could be is 130. | 0:07:58 | 0:08:00 | |
-130? -130. | 0:08:00 | 0:08:02 | |
That's quite a good lot off. | 0:08:02 | 0:08:04 | |
165, to 130. | 0:08:04 | 0:08:07 | |
I think, I mean... | 0:08:07 | 0:08:08 | |
It's an antiquey thing that people would like, and use as well. | 0:08:08 | 0:08:12 | |
Can I say just one thing to you guys? | 0:08:12 | 0:08:14 | |
You both love him. Your faces have lit up since you found it. | 0:08:14 | 0:08:18 | |
It's got to be a purchase. | 0:08:18 | 0:08:20 | |
I know, I quite like that. | 0:08:20 | 0:08:22 | |
The dealer has given you a very good discount, nearly 20% off. | 0:08:22 | 0:08:26 | |
More than 20% off, actually. | 0:08:26 | 0:08:28 | |
-That's pretty good going. -I like it. | 0:08:28 | 0:08:30 | |
-Let's do it. -Let's do it. | 0:08:30 | 0:08:32 | |
We'll take that, thank you. | 0:08:32 | 0:08:34 | |
Hats off to the Blues. They're making quick decisions. | 0:08:34 | 0:08:37 | |
But is it rubbing off on the Reds? | 0:08:37 | 0:08:39 | |
I like that teddy. | 0:08:41 | 0:08:43 | |
I can't believe it. They're still mulling over the scent bottle! | 0:08:43 | 0:08:47 | |
-I liked it. -We all like it. | 0:08:47 | 0:08:50 | |
It's a bit morbid though, with its head off. | 0:08:50 | 0:08:52 | |
We don't to rip its head of all the time. | 0:08:52 | 0:08:54 | |
-Let's go for it. -I think so. -All right then. | 0:08:54 | 0:08:56 | |
-I'd better leave it up to you. -OK. -Low as you can. | 0:08:56 | 0:09:02 | |
Not bad. Only 20 minutes gone and that's the Reds' first buy for £55. | 0:09:02 | 0:09:08 | |
To the Blues now, who've found something. | 0:09:08 | 0:09:12 | |
Shame they haven't got a clue what it actually is. | 0:09:12 | 0:09:14 | |
-It's a bit like chemistry. -Distilling things... | 0:09:14 | 0:09:17 | |
Really, it's a bit speculative for a general sale, isn't it? | 0:09:17 | 0:09:21 | |
If it was me, I would say, if it was a really bargain buy, | 0:09:21 | 0:09:27 | |
-like 30, 40, 50 quid, then I'd think, let's go for it. But at £145? -The cheapest would be £145... | 0:09:27 | 0:09:33 | |
Listen guys, forget this for now. | 0:09:33 | 0:09:35 | |
Let me show you something I've found. | 0:09:35 | 0:09:37 | |
This is a pottery charger. | 0:09:39 | 0:09:41 | |
And this is going back to, again, the early part of the 20th century, 1910. | 0:09:41 | 0:09:46 | |
This is a copy of Italian majolica, | 0:09:46 | 0:09:50 | |
which is a sort of tin-glazed earthenware. | 0:09:50 | 0:09:53 | |
But then when we turn it over, we've got "Aeneas arriving in Italy." | 0:09:53 | 0:09:58 | |
And then you have got Verona, age 1547, and Copenhagen. | 0:09:58 | 0:10:03 | |
I think the original majolica plate was painted in 1547. | 0:10:03 | 0:10:08 | |
And this has been painted by George Rowley, | 0:10:08 | 0:10:11 | |
March 1919. | 0:10:11 | 0:10:13 | |
And I think that is quite interesting actually. | 0:10:13 | 0:10:16 | |
I just feel this is something speculative. | 0:10:16 | 0:10:18 | |
Now it is a lot of money at the moment, 120, but unless you ask, you never know. | 0:10:18 | 0:10:23 | |
-Shall I just shout over and find out? -I think you should. | 0:10:23 | 0:10:25 | |
Excuse me. What's the best price we could have on this plate? | 0:10:25 | 0:10:30 | |
Well, being as I bought it with a lot of other things, I'll let you have it for £50. | 0:10:31 | 0:10:35 | |
50 quid. Come on, guys, we've got to. | 0:10:35 | 0:10:38 | |
-I'm not a fan, but for 50 quid, you can't say no. -It's worth a gamble, isn't it? -Yes. | 0:10:38 | 0:10:42 | |
-And you're the expert and you pointed that out straightaway. -I think it's worth a go. | 0:10:42 | 0:10:47 | |
-I really do. -All right. | 0:10:47 | 0:10:49 | |
-We'll do it. -Yep, go for it. | 0:10:49 | 0:10:51 | |
2-1 to the Blues. | 0:10:51 | 0:10:53 | |
The Reds are playing catch-up. | 0:10:53 | 0:10:55 | |
What's so exciting about this business is you never know what you're going to find. | 0:10:57 | 0:11:02 | |
And even here, in the frozen wastes of Nottinghamshire, | 0:11:02 | 0:11:06 | |
in a jolly nice furniture stand, I have to say, | 0:11:06 | 0:11:10 | |
I've come across this baby. So what's so special about this as a piece of brown furniture? | 0:11:10 | 0:11:15 | |
Well, it is brown, and it is a piece of furniture. | 0:11:15 | 0:11:19 | |
But there's nothing ordinary about it. If you snuggle down | 0:11:19 | 0:11:22 | |
and look at this commode from this perspective, | 0:11:22 | 0:11:25 | |
you can see the most extraordinary movement across the front. | 0:11:25 | 0:11:29 | |
That's called serpentine shape. | 0:11:29 | 0:11:33 | |
It has the sort of wave form. | 0:11:33 | 0:11:36 | |
And what we have got here is an arrangement of drawers which are very easy on the eye. | 0:11:36 | 0:11:41 | |
When you look at the piece from afar, you know that it's got three lines of drawers. | 0:11:41 | 0:11:47 | |
But what makes it so nice for your eye is that the top drawer is a little bit smaller than | 0:11:47 | 0:11:53 | |
the next drawer, which little bit smaller than the bottom drawer. | 0:11:53 | 0:11:56 | |
And the three together are very harmonious. | 0:11:56 | 0:12:00 | |
This thing has been properly designed. | 0:12:00 | 0:12:02 | |
The other thing to note is that the outside corners aren't straight, | 0:12:02 | 0:12:06 | |
which is what you get on an ordinary chest of drawers. You've got some movement there. | 0:12:06 | 0:12:10 | |
We've got carved knuckles. And again, it is a kind of serpentine shape. | 0:12:10 | 0:12:15 | |
All in all, this is a gorgeous-looking object. | 0:12:15 | 0:12:19 | |
But the big question is, how old is it? | 0:12:19 | 0:12:21 | |
Because an 18th-century example by a reputable London maker, | 0:12:21 | 0:12:27 | |
somebody like Vile and Cobb, would cost you between £25-35,000. | 0:12:27 | 0:12:32 | |
Actually, this piece, I think, was made around 1900, 1910. | 0:12:32 | 0:12:37 | |
It looks exactly like the 25 grand piece, but you could buy it for £2,000. | 0:12:37 | 0:12:45 | |
That is not a lot of money and actually it's a winner. | 0:12:45 | 0:12:50 | |
Now then. So far the Blues have been decisive. | 0:12:52 | 0:12:55 | |
They've bought two items and have £120 left to spend. | 0:12:55 | 0:13:01 | |
But the Reds have started cautiously. | 0:13:01 | 0:13:05 | |
-50 tops. -40. | 0:13:05 | 0:13:07 | |
Only buying one item and they still have £245 to go. | 0:13:07 | 0:13:11 | |
So, with 30 minutes left, it's all to play for. Ooh! | 0:13:11 | 0:13:15 | |
These are what we call stereoscopes. | 0:13:15 | 0:13:18 | |
And when we put them in the stereoscope, these will become 3D. | 0:13:18 | 0:13:21 | |
-I think it might suit me. -I love it! | 0:13:21 | 0:13:24 | |
-Do you like it? -I do, actually. | 0:13:24 | 0:13:26 | |
-You can't do it for 30, darling? -No, I couldn't. I couldn't, promise. -All right. | 0:13:26 | 0:13:31 | |
Well, I think, can you keep it for us for 10 minutes? | 0:13:31 | 0:13:34 | |
I think we need to start rushing around, scan and go. Come on. | 0:13:34 | 0:13:37 | |
-What do you think, Nicola? -I like the colours. | 0:13:43 | 0:13:47 | |
-I think it's quite nice. How much is that? -35. | 0:13:47 | 0:13:51 | |
-What's the best you can do on that? -35. | 0:13:51 | 0:13:53 | |
You can't do 30? | 0:13:53 | 0:13:56 | |
It's cheap at the price. | 0:13:56 | 0:13:59 | |
-Is it any good? -I like it. It's got a lot of flash about it. | 0:13:59 | 0:14:03 | |
-For very little money. -I think it's a lot of money. -Do you really? Why? | 0:14:03 | 0:14:06 | |
-Well, I think you could buy something similar on the high street. -Do you think so? | 0:14:06 | 0:14:11 | |
-But feel the weight of that. -Yes, OK. -It's heavy, it's not plasticky. | 0:14:11 | 0:14:15 | |
No, no, it's not. I do like it. | 0:14:15 | 0:14:19 | |
I love it. I'm not a modern person at all. I'm not, honest. | 0:14:19 | 0:14:22 | |
No-one... Doug, no-one said you were! | 0:14:22 | 0:14:26 | |
THEY LAUGH | 0:14:26 | 0:14:28 | |
I don't know where he gets that from. | 0:14:28 | 0:14:30 | |
If it's Georgian... I love it. | 0:14:30 | 0:14:32 | |
But I mean, this is a fashionable thing now. | 0:14:32 | 0:14:35 | |
I think it will look nice once there's a light underneath. | 0:14:35 | 0:14:38 | |
-That's right. A light underneath will bring it to life. -It will give it some vibrancy. | 0:14:38 | 0:14:43 | |
-Take it from me, it will look stunning. -Is it broken or anything? -It doesn't look like it. | 0:14:43 | 0:14:47 | |
Can you do it any cheaper, please? | 0:14:47 | 0:14:49 | |
-Our time is ticking. £20. -34.99. -Oh, come on. 20? | 0:14:49 | 0:14:54 | |
Best, the very best. | 0:14:55 | 0:14:57 | |
She's like a dog with a bone, this one. | 0:14:57 | 0:15:01 | |
You're the best negotiator. | 0:15:01 | 0:15:02 | |
Let me go and ask him a bit more. | 0:15:02 | 0:15:04 | |
Watch what she can do. | 0:15:04 | 0:15:06 | |
Can you do it a little bit less? | 0:15:06 | 0:15:09 | |
-Yes, he'll do 30! -Well done. -Thank you. | 0:15:09 | 0:15:12 | |
-Well done. -Thank you. | 0:15:12 | 0:15:15 | |
OK, come on. We'll have that, thanks a lot. | 0:15:15 | 0:15:17 | |
-We've got no time. -Go, go. | 0:15:17 | 0:15:19 | |
I think Nicola is the best negotiator in the room. | 0:15:19 | 0:15:23 | |
That's £30 for the light fitting. | 0:15:23 | 0:15:25 | |
Each team naturally hopes that their purchases are going to make a complete fortune over at the auction. | 0:15:28 | 0:15:33 | |
But if it doesn't, all is not lost because they've always got their experts' bonus buy to fall back on. | 0:15:33 | 0:15:40 | |
David and Mark are also under pressure to find a bonus buy | 0:15:41 | 0:15:45 | |
they think will make their team some extra profit. | 0:15:45 | 0:15:49 | |
This surprise piece will be revealed to our teams later. | 0:15:49 | 0:15:52 | |
Then, after the sale of their third item, | 0:15:52 | 0:15:55 | |
both teams will take a gamble on the money their bonus buy could make. | 0:15:55 | 0:15:59 | |
And, any profit it makes, they'll keep. | 0:15:59 | 0:16:02 | |
Yes! | 0:16:02 | 0:16:04 | |
But any loss will be deducted from their final score and that could decide who wins the day. | 0:16:04 | 0:16:10 | |
Right. Let's get back to the action and check out what the Blues are lining up next. | 0:16:10 | 0:16:16 | |
-Has it got any of them marks that you antique dealers look for? -No, because it's not silver! | 0:16:17 | 0:16:22 | |
-Excuse me, what is the very best you can do on this? 40? -This is 40. | 0:16:22 | 0:16:27 | |
-That's quite good. -That's good. | 0:16:27 | 0:16:30 | |
40, it's not expensive. | 0:16:30 | 0:16:31 | |
-I think we want to keep it in reserve. If we can get a better price... -OK. | 0:16:31 | 0:16:35 | |
-Come back to it in the last five minutes. -OK. | 0:16:35 | 0:16:38 | |
And you obviously put something in here, press it down. | 0:16:45 | 0:16:48 | |
That's all very nice, but what about these? | 0:16:48 | 0:16:51 | |
Those are nice, aren't they? You like your napkin rings, don't you? | 0:16:51 | 0:16:54 | |
It's because they're sparkly. | 0:16:54 | 0:16:57 | |
-I like them, but they're only silver plate. -Are they numbered? -Yes. One to six. | 0:16:57 | 0:17:01 | |
Which is nice because that shows they are all of the same set. | 0:17:01 | 0:17:06 | |
And these are Victorian. | 0:17:06 | 0:17:07 | |
But they are only silver plate. | 0:17:07 | 0:17:10 | |
They're quite nice quality, the way they're decorated. | 0:17:10 | 0:17:13 | |
It is kind of a simple but effective design on it. | 0:17:13 | 0:17:16 | |
Yes, it is, and I suppose if you're having people for dinner, six is normal. | 0:17:16 | 0:17:21 | |
Because we don't use these sort of things very often. | 0:17:21 | 0:17:24 | |
In auction, I would probably put something like £30-50. | 0:17:24 | 0:17:27 | |
But this does have a nice little fitted case and this is the original case. | 0:17:27 | 0:17:31 | |
But I don't think he'll go for that. But you can ask him, go on. | 0:17:31 | 0:17:34 | |
-What am I asking? -Ask him what his very, very best price is. | 0:17:34 | 0:17:38 | |
Whilst Jenna sorts out a deal, let's see if the Reds are any closer to their final piece. | 0:17:38 | 0:17:44 | |
It is unusual, do you like that? | 0:17:44 | 0:17:46 | |
-What is it? -A little match holder. A Vesta. You keep your matches in there. | 0:17:46 | 0:17:50 | |
And if you turn the base over, that little groove, that indentation was the strike. | 0:17:50 | 0:17:55 | |
Vesta cases are collected, just by silver collectors. | 0:17:55 | 0:17:58 | |
And round ones are really very rare. | 0:17:58 | 0:18:00 | |
Very rare. Guess how much it is. | 0:18:00 | 0:18:02 | |
-A fiver. -You're horrible, you are. | 0:18:02 | 0:18:05 | |
-Mind you, you'll be a very good buyer if you can buy things for that. 88. -£88! | 0:18:05 | 0:18:09 | |
Don't worry, Anne is a wonderful woman, Anne, aren't you wonderful? | 0:18:09 | 0:18:12 | |
-You are wonderful. You are wonderful, Anne. -What do you think, Doug? | 0:18:12 | 0:18:16 | |
-Yeah, I'll go with him. -What's the best price on that? | 0:18:16 | 0:18:18 | |
-75. -Ah, Anne. -It's dented. -I know, I know. | 0:18:18 | 0:18:23 | |
Well, really, I think it's got to be over to you. | 0:18:23 | 0:18:26 | |
It's whatever is the best bargain between this and... | 0:18:26 | 0:18:29 | |
I'd keep that in abeyance and come straight back to it, | 0:18:29 | 0:18:31 | |
but I'd like to see what we can get that...salt and pepper set... | 0:18:31 | 0:18:34 | |
-Is that OK, Anne, can I just put that aside and I'll see you later? -Thanks a lot. | 0:18:34 | 0:18:38 | |
Come on then, Jenna. What deal did you get? | 0:18:38 | 0:18:40 | |
-I got him down to 55. -55? Well, you did get him down. | 0:18:40 | 0:18:44 | |
Guys, we have got a few minutes left. Let's look at the options. | 0:18:44 | 0:18:47 | |
We've got your piano for 35. | 0:18:47 | 0:18:49 | |
The violin for 25. | 0:18:49 | 0:18:51 | |
The stereoscope box and slide but without stereoscope, for 100. | 0:18:51 | 0:18:57 | |
Or these for 55. | 0:18:57 | 0:18:58 | |
-And we've got about five or eight minutes left, so we need to make some decisions. -What do you think? | 0:18:58 | 0:19:04 | |
-I reckon we do it. -Go for them? | 0:19:04 | 0:19:06 | |
I like them, I mean, I'd have them. | 0:19:06 | 0:19:08 | |
-Are you happy? -All right, if I was a rich person I'd buy them, yes. | 0:19:08 | 0:19:12 | |
-Is that case closed? -Case closed. -Case closed. | 0:19:12 | 0:19:14 | |
Top stuff. | 0:19:14 | 0:19:16 | |
So, with five minutes to go, all we need now is a Red decision. | 0:19:16 | 0:19:20 | |
Vesta or cruet? | 0:19:20 | 0:19:22 | |
-What do you think? -I'm mixed with it. A, I don't like the cigarette side. | 0:19:22 | 0:19:27 | |
-That's what I don't like. -But it is collectible. But these are things that are used. | 0:19:27 | 0:19:32 | |
I think you've got to discount the smoking thing. | 0:19:32 | 0:19:34 | |
When you're buying and selling to make money, | 0:19:34 | 0:19:37 | |
whether it's got anything to do with smoking has nothing to do with making money. | 0:19:37 | 0:19:41 | |
-My gut feeling is you've got to go with the experts. -No, don't, don't! | 0:19:41 | 0:19:45 | |
I want to try and step aside. I want you to decide. I prefer that. | 0:19:45 | 0:19:49 | |
Excuse me. What is the very, very, very best... | 0:19:49 | 0:19:52 | |
-You can't do it a little bit cheaper? -Not for the silver one... | 0:19:52 | 0:19:56 | |
Come on, there's no time for this. Make up your minds! | 0:19:56 | 0:19:59 | |
-Come on. -35. | 0:19:59 | 0:20:02 | |
This way, this way! | 0:20:02 | 0:20:04 | |
Can we do 35? Please? | 0:20:05 | 0:20:08 | |
-OK. -Oh, you are, you are...! -Thank you. | 0:20:08 | 0:20:13 | |
That's it. Stop the watch. | 0:20:13 | 0:20:15 | |
None of the teams got lost. | 0:20:15 | 0:20:17 | |
They each got their three items. | 0:20:17 | 0:20:19 | |
Let's have a reminder of what the Red Team's bought. | 0:20:19 | 0:20:22 | |
-Teddy bear. -Yeah, we both love it. | 0:20:25 | 0:20:26 | |
We fell in love with it straightaway. | 0:20:26 | 0:20:28 | |
Well, let's hope the saleroom loves the teddy bear scent bottle as much. | 0:20:28 | 0:20:32 | |
Next up was the mid-20th century glass lampshade. | 0:20:34 | 0:20:37 | |
-We think the matchstick thing is a bit of a gamble. -Yes. | 0:20:37 | 0:20:41 | |
Matchstick thing? | 0:20:41 | 0:20:42 | |
Of course, Nicola's talking about the early-20th-century silver Vesta case. | 0:20:42 | 0:20:47 | |
-Now, Doug and Nicola, it wasn't exactly plain sailing for you that shopping was it? -No, not quite. | 0:20:47 | 0:20:52 | |
-I mean, the disagreements! -Yes, well... -And you're relations! -Yes, quite. | 0:20:52 | 0:20:57 | |
Anyway, you spent £120, which is vaguely miserable. | 0:20:57 | 0:21:00 | |
-Sorry about that. -That's all right. I'm only joking. | 0:21:00 | 0:21:02 | |
180 of leftover lolly to go to David Harper to find the bonus buy. | 0:21:02 | 0:21:06 | |
I know, but 180, Tim, that's pressure, isn't it? | 0:21:06 | 0:21:10 | |
-Why? -Well, I don't know. I feel obliged to spend quite a lot of it. | 0:21:10 | 0:21:14 | |
It's always safe when you haven't got much because you can blame the contestants... | 0:21:14 | 0:21:19 | |
-Because you haven't got much cash. -Exactly! | 0:21:19 | 0:21:22 | |
Whatever you are gonna find, whether it does well or badly, we can blame these two. | 0:21:22 | 0:21:26 | |
-Anybody but yourself! -Of course! -Perfect! | 0:21:26 | 0:21:28 | |
-I've learnt that from you. -And you went to the right school, too. | 0:21:28 | 0:21:32 | |
Now, in order to remind ourselves what these Reds are up against, let's see what the Blues bought. | 0:21:32 | 0:21:38 | |
I love the corkscrew, I absolutely love it. | 0:21:41 | 0:21:44 | |
Ah, no surprises for the students. | 0:21:44 | 0:21:47 | |
Their first piece was booze-related. | 0:21:47 | 0:21:50 | |
The plate, I'm really unsure of but... | 0:21:50 | 0:21:52 | |
-We got it for 50 quid, so... -Yeah. Hopefully it'll go well. | 0:21:52 | 0:21:55 | |
We're hoping so too. | 0:21:55 | 0:21:57 | |
So will the 20th-century hand painted charger deliver the goods? | 0:21:57 | 0:22:01 | |
And, of course, the same goes for the six silver-plate napkin rings. | 0:22:01 | 0:22:07 | |
So, you two, how tough was that shopping? | 0:22:07 | 0:22:09 | |
-It was hard. -It was very intense, yeah. | 0:22:09 | 0:22:11 | |
I mean, you rush round, you've got hardly any time. | 0:22:11 | 0:22:14 | |
You think you got more when you watch it on TV. | 0:22:14 | 0:22:16 | |
There you go, that's the reality of it all. | 0:22:16 | 0:22:18 | |
Well you didn't do too badly, you spent £235, pleased with that. | 0:22:18 | 0:22:22 | |
-£65 of leftover lolly... -Jenna's got it. -Thank you very much. You don't like handing it over! | 0:22:22 | 0:22:27 | |
-£65, then, Mark, which you're gonna use to find the bonus buy. -Absolutely. | 0:22:27 | 0:22:32 | |
How tough are you gonna find that? | 0:22:32 | 0:22:34 | |
I don't think so, they're really strong characters, Tim. | 0:22:34 | 0:22:37 | |
-There's a lot to play on there. -Yes. | 0:22:37 | 0:22:39 | |
I've learnt a lot from them, so I'm gonna grow my hair very long and the next time I might have dreadlocks. | 0:22:39 | 0:22:45 | |
Well, that's something to look forward to! | 0:22:45 | 0:22:47 | |
So don't go to the hairdresser for about a couple of years. | 0:22:47 | 0:22:50 | |
-Perfect! We'll look forward to that. -Thanks, Tim. -Thanks very much, Mark. | 0:22:50 | 0:22:54 | |
Now, do you fancy a stroll around somewhere absolutely charming? | 0:22:54 | 0:22:58 | |
If you do, then follow me. | 0:22:58 | 0:23:00 | |
Described as the most complete example of a typical country house, | 0:23:10 | 0:23:16 | |
Belton was the home to the Brownlow and Cust families for 300 years. | 0:23:16 | 0:23:24 | |
In 1679, Sir John Brownlow died childless | 0:23:24 | 0:23:27 | |
leaving his estates at Belton to his great nephew, also John Brownlow. | 0:23:27 | 0:23:32 | |
With his inheritance, Sir John set about building | 0:23:32 | 0:23:35 | |
this spanking great house on his newly-acquired land. | 0:23:35 | 0:23:39 | |
No country house in those days was complete without its very own chapel | 0:23:39 | 0:23:45 | |
and these places were often sumptuously decorated. | 0:23:45 | 0:23:49 | |
Not so much to aid you spiritually but more to show off. | 0:23:49 | 0:23:54 | |
For example, this magnificent marble reredos. | 0:23:54 | 0:23:59 | |
A reredos is the decorated panel immediately behind the altar. | 0:23:59 | 0:24:04 | |
Just look at this thing, incredibly elaborate and classically inspired | 0:24:04 | 0:24:10 | |
with a broken-arched pediment, centred by an elaborate cartouche | 0:24:10 | 0:24:15 | |
and those two little baby angels that look as if they're about to fall off the shelf | 0:24:15 | 0:24:21 | |
and come down at us from the firmament. | 0:24:21 | 0:24:24 | |
Below that, there are two clustered pairs of Corinthian columns | 0:24:24 | 0:24:30 | |
each with a Corinthian capital | 0:24:30 | 0:24:33 | |
and then pendant are two incredibly elaborate carved festoons, | 0:24:33 | 0:24:39 | |
and all, you think, in marble. | 0:24:39 | 0:24:41 | |
Well, if I tap it... | 0:24:41 | 0:24:43 | |
HOLLOW KNOCKING | 0:24:43 | 0:24:45 | |
See that, that's not made of marble, it's made of wood. | 0:24:45 | 0:24:49 | |
This gorgeous marble effect is entirely created using paint. | 0:24:49 | 0:24:54 | |
The focal point, the centrepiece of the altar is, of course, the cross. | 0:24:54 | 0:25:00 | |
What a wonderful example this thing is. | 0:25:00 | 0:25:04 | |
Made of solid silver, the whole thing looks as if it was made at one time | 0:25:04 | 0:25:10 | |
and as a piece. | 0:25:10 | 0:25:12 | |
Actually, it's in two parts and if I cunningly slide the top part away, | 0:25:12 | 0:25:20 | |
it reveals at the bottom a shaft of iron. | 0:25:20 | 0:25:24 | |
That shaft of iron runs up to the top, | 0:25:24 | 0:25:29 | |
making this cruciform ornament, so that the silversmith is able to cut down | 0:25:29 | 0:25:35 | |
on the amount of solid silver, but it is the most brilliant bit of workmanship. | 0:25:35 | 0:25:40 | |
This is thought to be Spanish, 16th/17th century. | 0:25:40 | 0:25:45 | |
It's not hallmarked but the lower part, | 0:25:45 | 0:25:49 | |
which is so beautifully made and heavy, | 0:25:49 | 0:25:53 | |
that it looks as if it was en suite with that top piece, | 0:25:53 | 0:25:58 | |
but actually the silversmith, here, in the 1830s | 0:25:58 | 0:26:02 | |
has reconstructed the lower part so that it matches the upper part | 0:26:02 | 0:26:07 | |
and then created a most elaborate trefoil-shaped plinth | 0:26:07 | 0:26:13 | |
and here is the maker's mark, RG, for Robert Garrard, | 0:26:13 | 0:26:20 | |
the Royal Silversmiths and Goldsmiths. | 0:26:20 | 0:26:24 | |
All in all, then, a most appropriate and delicious centrepiece | 0:26:24 | 0:26:30 | |
for this gorgeous chapel. | 0:26:30 | 0:26:33 | |
The big question is, are we all going to have to say a prayer for our teams now over at the auction? | 0:26:33 | 0:26:40 | |
'Still to come... | 0:26:41 | 0:26:43 | |
'Will the Reds' spend low, sell high tactics pay off?' | 0:26:43 | 0:26:47 | |
That's a good start. Well done, you two, you found it. | 0:26:47 | 0:26:50 | |
'Will the Blues find selling as easy as buying?' | 0:26:50 | 0:26:53 | |
Oh dear, this has not gone to plan. | 0:26:53 | 0:26:56 | |
'We'll find out soon, but first let's check in with Golding Young Auctioneers in Grantham, Lincolnshire | 0:26:56 | 0:27:01 | |
'to see how our old mate, Colin Young, values today's items.' | 0:27:01 | 0:27:06 | |
Now, teddy bear perfume bottle, that's whacky, isn't it? | 0:27:09 | 0:27:12 | |
It is, a nice little lot. There are plenty of teddy bear collectors | 0:27:12 | 0:27:15 | |
-that'll have a go for that and spend a little bit of money. -Good. Will they pay £55, do you think? | 0:27:15 | 0:27:20 | |
No. Well, we've put an estimate not far from that. | 0:27:20 | 0:27:23 | |
I suppose 30 to 50 is a reasonable estimate on it. | 0:27:23 | 0:27:26 | |
OK, fine, so they might be a bit shy. | 0:27:26 | 0:27:28 | |
-Yeah. -OK. What about this Tiffany-style lamp? | 0:27:28 | 0:27:32 | |
Yeah, it's more Tiffany off EastEnders, I'm afraid. | 0:27:32 | 0:27:35 | |
-Oh, right. -Erm, not very old. Not very good... | 0:27:35 | 0:27:39 | |
So why's it got this old finish to it, do you think? | 0:27:39 | 0:27:43 | |
It's probably been in a pub for the last 15 years with nicotine. | 0:27:43 | 0:27:47 | |
Right, so that's just pub smoke that's given it that kind of aged look. OK, so a lookalike? | 0:27:47 | 0:27:53 | |
-Mmm. -Not a very good copy of the Tiffany but it's in quite good nick, isn't it? | 0:27:53 | 0:27:57 | |
It is, we've put an estimate of 25 to 40. | 0:27:57 | 0:28:00 | |
-That's something, £30 they paid. -It's got a chance. | 0:28:00 | 0:28:03 | |
Yeah, you get a top end, Colin, they'll be pleased with you. | 0:28:03 | 0:28:07 | |
The Vesta case, that's a little horror, that thing. | 0:28:07 | 0:28:10 | |
I mean, I call it a horror cos it's got these dents in it. | 0:28:10 | 0:28:13 | |
I don't know, circular ones always make a little bit more than the bog standard ones which usually make £20 | 0:28:13 | 0:28:20 | |
-so we've put an estimate of 20 to 30, but it's not gonna sparkle beyond that. -£35 they paid. | 0:28:20 | 0:28:25 | |
There's no question at all here, they're gonna need their bonus buy so let's go and have a look at it. | 0:28:25 | 0:28:30 | |
So, team, you spent £120 which is vaguely pathetic... No! | 0:28:30 | 0:28:35 | |
£180 went to David Harper, what did he spend it on? | 0:28:35 | 0:28:39 | |
Well, I hope you're gonna like it, Nicola, you particularly, I hope. | 0:28:39 | 0:28:44 | |
-Oh! -Grand, posh piece, what do you think it is? | 0:28:44 | 0:28:50 | |
-Pass! -It looks like something you'd put some dead person's ashes in. | 0:28:50 | 0:28:53 | |
-Ooh! -No, you wouldn't! -Now, there's a good sales technique. | 0:28:53 | 0:28:58 | |
There's a good sign... Yeah. | 0:28:58 | 0:29:00 | |
-It's a censer, so you'd burn incense. -Incense. -Oh... | 0:29:00 | 0:29:03 | |
-If you look inside it's -nicely green and burnt. | 0:29:03 | 0:29:06 | |
It's been used an awful lot. | 0:29:06 | 0:29:07 | |
-So bronze, yes. -Bronze. | 0:29:07 | 0:29:09 | |
Japanese, Meiji period, so late 19th century, probably 1895 | 0:29:09 | 0:29:13 | |
and would look stunning on a nice, Georgian table with a lamp. | 0:29:13 | 0:29:17 | |
-It'll look a million dollars. How much would you pay for it? -I would guess at about £100. | 0:29:17 | 0:29:23 | |
I would pay £80-100 for it, I really like it. | 0:29:23 | 0:29:26 | |
-OK, well you're very close both of you, 75. -Oh! | 0:29:26 | 0:29:29 | |
-Now, I would have paid a lot more. I'd pay 150 quid for it. -Yeah. -I really would. -It's gorgeous. | 0:29:29 | 0:29:34 | |
Well, you don't have to decide right now, you decide later after the sale of your first three items | 0:29:34 | 0:29:40 | |
but, for the viewers at home, let's find out what the auctioneer thinks about David's bronze pot. | 0:29:40 | 0:29:45 | |
So this is the bonus buy, Colin. | 0:29:45 | 0:29:47 | |
-Right. -Does that inspire you with that little thrill? -Not really, no. | 0:29:47 | 0:29:53 | |
I mean, sometimes you look at these and the quality is stunning, | 0:29:53 | 0:29:56 | |
but the first thing you notice on this is it's fairly poorly cast. | 0:29:56 | 0:30:00 | |
But it has got a couple of things you can say in its favour. | 0:30:00 | 0:30:03 | |
I haven't seen a thatch like that on the top of one of these before and a birdcage. | 0:30:03 | 0:30:07 | |
There's not a lot more I can say, really. | 0:30:07 | 0:30:10 | |
-It is what it is. -It is what it is. | 0:30:10 | 0:30:12 | |
But perfectly genuine. A kind of 1900 version. | 0:30:12 | 0:30:16 | |
For a bronze object that does date from 1900, | 0:30:16 | 0:30:19 | |
over 100 years old, you get quite a lot for your money, don't you? | 0:30:19 | 0:30:23 | |
You do. We put an estimate on it of £30 to £50. | 0:30:23 | 0:30:25 | |
It should be worth all of its money at that level, I would have thought. | 0:30:25 | 0:30:29 | |
Well, David Harper paid 75, you see. And he really rates it. | 0:30:29 | 0:30:33 | |
Anyway, that's it for the Reds. | 0:30:33 | 0:30:35 | |
Now for the Blues. What about this bottle opener? | 0:30:35 | 0:30:38 | |
Love it. I think it's a brilliant item. | 0:30:38 | 0:30:40 | |
If they were out looking for something a different, | 0:30:40 | 0:30:42 | |
that's the ideal object that they should buy at a fair. | 0:30:42 | 0:30:46 | |
The estimate we've put on it is £80 to £120. | 0:30:46 | 0:30:48 | |
OK, £130 they paid, so... They're saleable things, I mean, they're avidly collected, aren't they? | 0:30:48 | 0:30:54 | |
They are. There will certainly be lots of people after it. | 0:30:54 | 0:30:57 | |
It's just they'll probably all know the price to the shilling, and that's where they'll stop. | 0:30:57 | 0:31:01 | |
OK, fine. Thank you for that. | 0:31:01 | 0:31:03 | |
Now, we've got the hand-painted charger which has | 0:31:03 | 0:31:08 | |
a sort of majolica, historiato feel to it, doesn't it? | 0:31:08 | 0:31:12 | |
That what he's trying to do, yeah. That's it. | 0:31:12 | 0:31:16 | |
Its a 1920s version of historiato dishes, but... | 0:31:16 | 0:31:21 | |
-It ain't 1480, I can tell you that! -I'm afraid it's not, is it? | 0:31:21 | 0:31:25 | |
But nevertheless, it's still a good decorative pot. | 0:31:25 | 0:31:28 | |
It's certainly got to be worth £40 to £60. | 0:31:28 | 0:31:31 | |
OK. £50 they paid, you see, so that's pretty well on the button, isn't it? | 0:31:31 | 0:31:35 | |
What about the plated napkin rings? | 0:31:35 | 0:31:36 | |
People still use them, so yeah, they're going to be fine. | 0:31:36 | 0:31:39 | |
They're not going to just sit in the sideboard like a lot of these case pieces. They will actually be used. | 0:31:39 | 0:31:44 | |
But yes, the fact that they're plated is going to bring them down in value to the low tens, really. | 0:31:44 | 0:31:49 | |
-Oh, low tens. How low? -Well, sort of 20, 40, that sort of range. | 0:31:49 | 0:31:53 | |
Well, sadly, £55 they paid. | 0:31:53 | 0:31:55 | |
-Well, it's not a tenner a ring, is it, so... -No. Good. | 0:31:55 | 0:31:59 | |
They could need their bonus buy. We'd better go and have a look at it! | 0:31:59 | 0:32:03 | |
Now, Jenna, Eddie, how are you feeling? Alright? | 0:32:03 | 0:32:05 | |
-Fantastic, yeah. -Well, you spent £235, you ought to feel fantastic! | 0:32:05 | 0:32:09 | |
You gave £65 to Mark. What did you spend it on, Mark? | 0:32:09 | 0:32:11 | |
I spent it on this lovely little box here. | 0:32:11 | 0:32:14 | |
-Oh, that's nice. -It's Oriental. | 0:32:14 | 0:32:16 | |
I rather like it, it's got a wise owl on the top there. | 0:32:16 | 0:32:19 | |
-I think it's rather charming. And it was only £20. -Really? | 0:32:19 | 0:32:24 | |
-What would it be used for? -Oh, you could use it for anything. | 0:32:24 | 0:32:27 | |
I mean, you'd probably put, you know, paperclips in it, if you're a student, I suppose. | 0:32:27 | 0:32:31 | |
-Or put your pound coins in there! -Put your hair rollers in it! | 0:32:31 | 0:32:34 | |
How much do you reckon it will take at auction, then? | 0:32:34 | 0:32:37 | |
Well, on a good day, we might get £30 - £40 for it. | 0:32:37 | 0:32:41 | |
So we might see a bit of profit there. | 0:32:41 | 0:32:43 | |
See what we do on the other lots, is my advice. | 0:32:43 | 0:32:45 | |
Wait and see how you get on with your first three items. | 0:32:45 | 0:32:48 | |
But right now, for the viewers at home, let's find out | 0:32:48 | 0:32:51 | |
what the auctioneer thinks about Mark's wise old owl. | 0:32:51 | 0:32:54 | |
-T-wit t-woo! -Well, interesting and different acquisition, really, for an expert choice. | 0:32:54 | 0:33:01 | |
That's Mark Stacey for you! | 0:33:01 | 0:33:04 | |
At least he's going for something different and not the type of thing | 0:33:04 | 0:33:08 | |
that you're going to find in every sale. | 0:33:08 | 0:33:10 | |
Origin, Indian. Only silver plated, but the fabulous work that's on there, | 0:33:10 | 0:33:16 | |
even though it's not one of the most desirable things, | 0:33:16 | 0:33:18 | |
low tens value. £20 to £40. It certainly should do that sort of region. | 0:33:18 | 0:33:23 | |
Great. He paid 20. So he should be in the money there for a bonus buy. | 0:33:23 | 0:33:27 | |
-You would hope so. -And it's difficult enough, that job, isn't it? | 0:33:27 | 0:33:30 | |
Good. Almost as difficult as your job. | 0:33:30 | 0:33:32 | |
-You're taking the sale today? -I am indeed. | 0:33:32 | 0:33:34 | |
-But I've got the easy job! -Have you? -Just take everybody's money! | 0:33:34 | 0:33:37 | |
Good on you, Colin! | 0:33:37 | 0:33:39 | |
-You're looking a bit nervy, darling, what's the matter? -I'm just so excited! | 0:33:46 | 0:33:50 | |
-Adrenalin pumping through my body! -Very excited and let's get going. Let's do it. | 0:33:50 | 0:33:54 | |
Are you predicting great profits, Doug? | 0:33:54 | 0:33:56 | |
-No, not great profits. A profit. -A profit. What about you, David, how do you see things going? | 0:33:56 | 0:34:02 | |
Well, I see my legs quivering, as they always do! | 0:34:02 | 0:34:05 | |
I don't know, Tim. This is the exciting thing about an auction. | 0:34:05 | 0:34:08 | |
-There's a good crowd. -It's a great crowd! Brilliant. | 0:34:08 | 0:34:11 | |
Three people and you'd be worried, but you couldn't get many more bods in this sale room, | 0:34:11 | 0:34:15 | |
so that's a very good sign. | 0:34:15 | 0:34:17 | |
-First lot up is your teddy bottle, and here it comes. -Lot number 120. | 0:34:17 | 0:34:21 | |
1940s, '50s perfume bottle in the form of a golden plush teddy bear. | 0:34:21 | 0:34:26 | |
What shall we say for this? Start me at £50 for it. | 0:34:26 | 0:34:29 | |
40 to go, then. 40? 30 if we must. £30 bid. | 0:34:29 | 0:34:31 | |
35 do I see now? 35 bid. 40? 40 bid. | 0:34:31 | 0:34:34 | |
45. 50. 50 bid. 5. 55. 60. 60 bid. | 0:34:34 | 0:34:38 | |
-Yes! -Anywhere else now? At 60 bid. | 0:34:38 | 0:34:39 | |
Five anywhere else? At 60, this is no money. 60 bid. | 0:34:39 | 0:34:42 | |
Five anywhere else? I'll take two. As a last call, at £60. | 0:34:42 | 0:34:45 | |
Are we done? We're finished. It's in the room and I'm selling at £60. | 0:34:45 | 0:34:48 | |
Well, that's brilliant, isn't it? £60! Plus £5, that's a good start. | 0:34:48 | 0:34:52 | |
Well done, you two. You found it. | 0:34:52 | 0:34:54 | |
Next lot, here comes your lampshade. | 0:34:54 | 0:34:57 | |
A Tiffany style modern hanging centre light this time. | 0:34:57 | 0:35:01 | |
Who's going to start me at £30 for this? 30? 10 to go, then. | 0:35:01 | 0:35:04 | |
Your bid, sir. 10 bid. At 10. | 0:35:04 | 0:35:05 | |
10 bid. At 12 anywhere else now do I see? | 0:35:05 | 0:35:08 | |
-Come on! -£12 may I say? | 0:35:08 | 0:35:09 | |
At £10 bid. 12. 12 bid. 15? 15 bid. | 0:35:09 | 0:35:12 | |
18 bid. 20. And two now. | 0:35:12 | 0:35:14 | |
Have another one? No? £20 I'm bid. | 0:35:14 | 0:35:17 | |
It's in the front here, at 20 bid. | 0:35:17 | 0:35:18 | |
Two anywhere else now? I need more. | 0:35:18 | 0:35:20 | |
Last call then, we're going to sell. | 0:35:20 | 0:35:21 | |
-All done and finished at £20. -Ow! | 0:35:21 | 0:35:24 | |
Bad luck, that's minus £10 on that. | 0:35:24 | 0:35:27 | |
You are now minus five. | 0:35:27 | 0:35:29 | |
Next up is your Vesta case. | 0:35:29 | 0:35:31 | |
Lot number 122. | 0:35:31 | 0:35:32 | |
An Edwardian silver case of circular form, London 1903. 20 to go, then. | 0:35:32 | 0:35:38 | |
-£20. 10, if we must. -Oh, come on! | 0:35:38 | 0:35:39 | |
£10. Who's going to be first in at 10 for it? At 10? | 0:35:39 | 0:35:41 | |
£5 if we must. I've got five. | 0:35:41 | 0:35:43 | |
Eight bid. 10 on the net. 10. | 0:35:43 | 0:35:45 | |
10 bid. 12 bid. 15 do I see? | 0:35:45 | 0:35:47 | |
-At 12 in the middle of the room. -Oh, please! | 0:35:47 | 0:35:50 | |
15. 18 with the lady. 20 now. 20 bid. | 0:35:50 | 0:35:53 | |
-Come on, it's worth a lot more than that. -£20 bid. Two now do I see? | 0:35:53 | 0:35:57 | |
Two anywhere? 22 on the net. At 22. Five anywhere else now? At 22. | 0:35:57 | 0:36:00 | |
Five or not now, then going at £22 on the internet. | 0:36:00 | 0:36:05 | |
-How much? -£22. | 0:36:05 | 0:36:06 | |
You're minus £13 on that, which means overall you're minus 18 smackers. | 0:36:06 | 0:36:11 | |
SHE LAUGHS | 0:36:11 | 0:36:12 | |
-18's my lucky number! -She's laughing like a drain! | 0:36:12 | 0:36:16 | |
This answers all our questions now! | 0:36:16 | 0:36:18 | |
She's laughing like a drain! | 0:36:18 | 0:36:20 | |
-Thank you, Tim! -This says everything! | 0:36:20 | 0:36:23 | |
-It doesn't say everything. -I'm going home. | 0:36:23 | 0:36:25 | |
No, I think you've done extraordinarily well. | 0:36:25 | 0:36:28 | |
-Minus 18 is no miserable score, I can tell you. -David will save us! | 0:36:28 | 0:36:32 | |
Well, are you going to go with it? | 0:36:32 | 0:36:34 | |
-Yeah! -You are? -Yeah! Love it! | 0:36:34 | 0:36:36 | |
-You are going to go with it? -Yes. -I'd buy it. | 0:36:36 | 0:36:38 | |
Lot number 126 is a Japanese bronze censer, this time, | 0:36:38 | 0:36:42 | |
with a cast birdcage finial cover. I'll take 20 to go. | 0:36:42 | 0:36:45 | |
£20. 20 bid. Two now do I see? | 0:36:45 | 0:36:47 | |
At £20 I'm bid. Two anywhere else now? At £20 I'm bid. | 0:36:47 | 0:36:50 | |
-Two anywhere else now? -Oh, come on! | 0:36:50 | 0:36:53 | |
28 now. 28 bid. 30. | 0:36:53 | 0:36:55 | |
Yes! Yes! Come on! | 0:36:55 | 0:36:57 | |
38. 38 bid. 40. £40 bid. 42 now. | 0:36:57 | 0:37:00 | |
-42. 45. 48. 48 bid. 50? No. -Yes! Yes! | 0:37:00 | 0:37:05 | |
48 bid. At 48. Selling then at £48. | 0:37:05 | 0:37:09 | |
-No! -Oh! -Come on! -£48. | 0:37:09 | 0:37:11 | |
That is two shy of 50. | 0:37:11 | 0:37:13 | |
That means you're minus £27 on that. | 0:37:13 | 0:37:16 | |
OK, 27, 37, £45. | 0:37:16 | 0:37:20 | |
You're minus £45 overall. | 0:37:20 | 0:37:22 | |
Not bad! | 0:37:22 | 0:37:23 | |
SHE LAUGHS | 0:37:23 | 0:37:25 | |
-Jens, are you feeling confident about today? -Erm... Yes! | 0:37:30 | 0:37:34 | |
-Yes? -Possibly, I don't know! I think the corkscrew is kind of worrying! | 0:37:34 | 0:37:39 | |
What's worrying you about that corkscrew? | 0:37:39 | 0:37:41 | |
The amount of money we might have spent on a corkscrew! | 0:37:41 | 0:37:44 | |
130 quid for a corkscrew! | 0:37:44 | 0:37:46 | |
You spent £130 on it. Well, Eddie found it. You found it... | 0:37:46 | 0:37:49 | |
-At least I can blame him! -You're responsible! £130 you paid. | 0:37:49 | 0:37:52 | |
The auctioneer thinks it's a great object. He's put £80 to £120 on it. | 0:37:52 | 0:37:57 | |
-My God! -He's got lots of confidence in that corkscrew. | 0:37:57 | 0:38:00 | |
He's got corkscrew buyers till they're coming out of his ear holes. | 0:38:00 | 0:38:03 | |
The thing is connected up with the internet, | 0:38:03 | 0:38:05 | |
and there are a lot of internet buyers keen on these corkscrews. | 0:38:05 | 0:38:08 | |
-So, don't despair about that. -Fingers crossed! -It's your first lot up. | 0:38:08 | 0:38:12 | |
Lot number 145. | 0:38:12 | 0:38:14 | |
The original safety trademark cast iron bar corkscrew. | 0:38:14 | 0:38:19 | |
What shall we say for this? Who is going to start me at £50 for it? | 0:38:19 | 0:38:23 | |
£50, anyone? 50? | 0:38:23 | 0:38:24 | |
30, then! Come on, 30. | 0:38:24 | 0:38:26 | |
-£30 bid. Five now do I see? -Oh dear. -At 30 bid. Five anywhere else now? | 0:38:26 | 0:38:31 | |
30 bid. Five anywhere else now? | 0:38:31 | 0:38:33 | |
38. Multiple bids on the net. 38 bid. At 38. 40 in the room? 40. | 0:38:33 | 0:38:39 | |
42 now? 42. 45 now? | 0:38:39 | 0:38:42 | |
It's going. Just another 80 quid to go! | 0:38:42 | 0:38:47 | |
45 anywhere else now? At £42, are we all done? | 0:38:47 | 0:38:50 | |
Going at £42. | 0:38:50 | 0:38:53 | |
Oh dear, this has not gone to plan! | 0:38:53 | 0:38:55 | |
-It's disappointing, isn't it? -£42, not good. | 0:38:55 | 0:38:58 | |
That's eight shy of 50. | 0:38:58 | 0:39:00 | |
I think that's £88 down the drain, actually! Minus £88. | 0:39:00 | 0:39:05 | |
Oh dear, oh dear! | 0:39:05 | 0:39:06 | |
Over to you Mark, with the charger. | 0:39:06 | 0:39:08 | |
Lot 146, a John Maddock & Sons vitreous china plaque, | 0:39:08 | 0:39:12 | |
very nice scene, presumably Verona. | 0:39:12 | 0:39:15 | |
£20 anyone? 10? | 0:39:15 | 0:39:17 | |
-THEY LAUGH -Thank you. 10 bid. At 10. | 0:39:17 | 0:39:20 | |
12 now do I see? 12 bid. 15. | 0:39:20 | 0:39:22 | |
15. 18 I've got. At 18. 20 I've got. At 20. At 20 bid. Two now? Two. | 0:39:22 | 0:39:25 | |
Five bid. 28 bid. 30 bid. 32 now. | 0:39:25 | 0:39:28 | |
32? 32. 35? 38. 38. | 0:39:28 | 0:39:30 | |
Bid 40 now? No? At 38 bid. 40 anywhere else now? | 0:39:30 | 0:39:33 | |
£38. Any more now? Selling at £38. | 0:39:33 | 0:39:38 | |
Bad luck! That's minus £12, all right to back which, overall, | 0:39:38 | 0:39:42 | |
means you're minus £100. | 0:39:42 | 0:39:44 | |
With one lot to go. Here it comes. | 0:39:44 | 0:39:47 | |
Lot number 147, set of Edwardian six electroplate napkin rings. | 0:39:47 | 0:39:53 | |
What shall we say for these? I have quite a lot of bids. | 0:39:53 | 0:39:56 | |
I just have to figure out where we'll start. | 0:39:56 | 0:39:59 | |
£22. | 0:39:59 | 0:40:01 | |
-Oh! -25, 28? 30, 32, 35, 38, bid 40. | 0:40:01 | 0:40:05 | |
42, 45? 42 on the book. At 42. | 0:40:05 | 0:40:09 | |
Five anywhere else? At £42 bid, any more now? | 0:40:09 | 0:40:11 | |
Are we all done? | 0:40:11 | 0:40:13 | |
Selling at £42. | 0:40:13 | 0:40:16 | |
£42 is minus £13. | 0:40:16 | 0:40:20 | |
So you are minus 113. Minus 113. | 0:40:20 | 0:40:25 | |
This is not how it's supposed to go. | 0:40:25 | 0:40:28 | |
I think we might have broken the record for most money lost. | 0:40:28 | 0:40:31 | |
Have you ever lost more than that? | 0:40:31 | 0:40:33 | |
It's difficult, isn't it? | 0:40:33 | 0:40:35 | |
Anyway, don't worry about it. | 0:40:35 | 0:40:38 | |
It's minus £113. What are you going to do about the wise old owl box? | 0:40:38 | 0:40:42 | |
-We can't lose much more. -Let's try and lose some more so let's go for the owl. | 0:40:42 | 0:40:47 | |
Lot number 151 is the Indian silver-plated cylindrical patch box | 0:40:47 | 0:40:52 | |
with hinge cover, embossed with an owl's mask. | 0:40:52 | 0:40:56 | |
Let's give it a go, 30. Who's first? | 0:40:56 | 0:40:58 | |
-10 anyone? £10. -Oh... -10? | 0:40:58 | 0:41:02 | |
Thank you. 10, you've put me out of my misery. | 0:41:02 | 0:41:05 | |
Put us out of ours! | 0:41:05 | 0:41:07 | |
12. Late surge in the bidding. 13? | 0:41:07 | 0:41:09 | |
13! That's the spirit! | 0:41:09 | 0:41:11 | |
14, do I see? 14 bid. 15? | 0:41:11 | 0:41:15 | |
No? At 14, bid. 15, do I see? | 0:41:15 | 0:41:18 | |
15, bid. 16, do I see? It's the last call then, going at £15. | 0:41:18 | 0:41:27 | |
£15, bad luck, that's minus £5 on that. | 0:41:27 | 0:41:31 | |
Overall then you are minus £118. | 0:41:31 | 0:41:35 | |
Result(!) | 0:41:35 | 0:41:36 | |
It's so sad when we've got two such wonderful teams and we can only have one team of winners. | 0:41:41 | 0:41:47 | |
-You haven't talked to one another? -No. | 0:41:47 | 0:41:49 | |
-No. -Well, you won't be aware that both teams have made whopping great losses, | 0:41:49 | 0:41:54 | |
but just one team has made a seriously whopping loss and that is of course the Blues. | 0:41:54 | 0:41:59 | |
That was a victory dance over there. | 0:42:06 | 0:42:08 | |
Control yourself. Yes. Anyway, £118. | 0:42:08 | 0:42:13 | |
I'm afraid the score all the way down the line is minus, minus, minus, but you've had a great time? | 0:42:13 | 0:42:20 | |
-Yes, it's been awesome. -Yeah! | 0:42:20 | 0:42:21 | |
Awesome? | 0:42:21 | 0:42:23 | |
Quite(!) Now, the Reds did manage to get a profit of £5 on one item | 0:42:23 | 0:42:29 | |
and then it was a series of minuses too, but it just happens that your total minuses are only minus 45. | 0:42:29 | 0:42:36 | |
-That's not bad. -Which in the scale of things is, as they say, not so bad. | 0:42:36 | 0:42:44 | |
-Very good. -You've had a lovely time? | 0:42:44 | 0:42:46 | |
-Yes. -You've had a lovely time? -Yes! -That's what it's all about. | 0:42:46 | 0:42:49 | |
-Join us soon for some more bargain hunting. Yes? -Yes! | 0:42:49 | 0:42:52 | |
For more information about Bargain Hunt, including how the programme was made, | 0:43:00 | 0:43:04 | |
visit the website at bbc.co.uk/lifestyle | 0:43:04 | 0:43:07 | |
Subtitles by Red Bee Media Ltd | 0:43:11 | 0:43:13 |