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Mm, how lovely to be out shopping. Now that I've got my lunch, | 0:00:03 | 0:00:07 | |
I'm going to head up the other end of Portobello Road, so let's go bargain hunting! | 0:00:07 | 0:00:13 | |
Welcome to Portobello Road market. | 0:00:39 | 0:00:42 | |
Famous worldwide for its market, | 0:00:42 | 0:00:46 | |
it's actually a living movie set, | 0:00:46 | 0:00:48 | |
with an incredible range of collectibles and stalls. | 0:00:48 | 0:00:52 | |
And, to take full advantage, we've got a bumper bargain hunt for you today. | 0:00:54 | 0:00:58 | |
A double-bill with not two, but four teams, trying to make a profit. | 0:00:58 | 0:01:02 | |
Before they all get heady with excitement, let's remind ourselves of the rules. | 0:01:05 | 0:01:10 | |
They each get £300 and an hour to find three items. | 0:01:10 | 0:01:14 | |
They then take their items to auction and sell them off to the highest bidder. | 0:01:14 | 0:01:18 | |
The team that makes the most money wins. Hurrah! | 0:01:18 | 0:01:21 | |
Time to meet the first two teams. | 0:01:21 | 0:01:24 | |
For the Reds, we've Mark and Tom. | 0:01:26 | 0:01:28 | |
For the Blues, we've Mark and Andrew. Welcome to Bargain Hunt. | 0:01:28 | 0:01:32 | |
You're best friends, and you agree on everything? | 0:01:32 | 0:01:37 | |
-We agree on nothing pretty much. -Not really. We agreed to come on the show today | 0:01:37 | 0:01:41 | |
and that we're going to try and find as many good things as possible. | 0:01:41 | 0:01:45 | |
-For Bargain Hunt? -Exactly. -That's a relief! | 0:01:45 | 0:01:47 | |
-Do you collect anything? -I collect horror film memorabilia. | 0:01:47 | 0:01:52 | |
Really? What's it with you and horror? | 0:01:52 | 0:01:56 | |
-I'm just a big horror fan. -Since you were a kid? | 0:01:56 | 0:01:59 | |
-I used to always watch them on TV and love them. -Snuggle up with your teddy? | 0:01:59 | 0:02:03 | |
Not a ted any more, but I still watch them. | 0:02:03 | 0:02:06 | |
-Tom, you're a salesman. -That's right. -Are those skills going to stand you in good stead? | 0:02:06 | 0:02:11 | |
I hope so. I think I know a few tricks of the trade to look out for. | 0:02:11 | 0:02:14 | |
-Like what? -Some of the leading questions, and what have you. Put a twist on it. | 0:02:14 | 0:02:19 | |
Hopefully, I'll get a few bargains. | 0:02:19 | 0:02:21 | |
-This isn't frightening you boys, is it? -No! -Not at all. | 0:02:21 | 0:02:26 | |
You don't look as if you scare easily. You're often mistaken for a policeman. | 0:02:26 | 0:02:31 | |
-Why do you think that is? -It's my shiny shoes. | 0:02:31 | 0:02:35 | |
A little bird tells me that you hate musicals | 0:02:35 | 0:02:38 | |
but the absolutely adore opera, in particular, Carmen? | 0:02:38 | 0:02:43 | |
I love Carmen. What a tramp! I like sassy women. | 0:02:43 | 0:02:48 | |
-What, sassy big fat women? -Something like that. | 0:02:48 | 0:02:51 | |
-Does that go for you, Andrew? Are you fond of big, fat, sassy woman? -I see a trend emerging! | 0:02:51 | 0:02:56 | |
I do love the opera. I'm not dragged there, I like it a lot. We go often. | 0:02:56 | 0:03:00 | |
What's the story about you going off to the south of France with a nightie and a pair of wellies? | 0:03:00 | 0:03:06 | |
I did a dreadful deed to my brother. I was sharing a flat with him at the time and we fell out. | 0:03:06 | 0:03:10 | |
-We didn't speak for months. -What sort of a dreadful deed was it? | 0:03:10 | 0:03:14 | |
-It was a dreadful deed involving his girlfriend and myself. -Oh, my! | 0:03:14 | 0:03:17 | |
I got stopped late at work, when I was going on holiday, | 0:03:17 | 0:03:20 | |
and had to ring him and ask him to pack me a suitcase quickly. | 0:03:20 | 0:03:24 | |
We then flew off to Nice. I arrived at the villa, | 0:03:24 | 0:03:27 | |
-opened the suitcase and discovered two pairs of wellies and nightie. -LAUGHTER | 0:03:27 | 0:03:31 | |
-How sweet is revenge?! No bathers? -No bathers. -No Hawaii Five-O shirts? -No. | 0:03:31 | 0:03:36 | |
Very funny. Well, that will teach you a lesson. | 0:03:36 | 0:03:39 | |
What's about you wanting to become Paul Simon? | 0:03:39 | 0:03:42 | |
My father is a musician and he lent money to struggling musicians | 0:03:42 | 0:03:46 | |
and they would leave their instruments as security. | 0:03:46 | 0:03:49 | |
We had lots of instruments to play with as children. | 0:03:49 | 0:03:51 | |
I stuck with the guitar. I play classical guitar. | 0:03:51 | 0:03:54 | |
-I wanted to be as good as Paul Simon. -That's a reasonable ambition. | 0:03:54 | 0:03:58 | |
I hope today you finish up with diamonds on your soles! Now, the money moment. £300 apiece. | 0:03:58 | 0:04:04 | |
You know the rules, your experts await. | 0:04:04 | 0:04:07 | |
Off you go! | 0:04:07 | 0:04:09 | |
Don't forget, they've only got one hour to find their three items. | 0:04:09 | 0:04:14 | |
Undeniably attractive, seductively informed and effortlessly cool - | 0:04:14 | 0:04:20 | |
that's enough about me. | 0:04:20 | 0:04:22 | |
Let's meet the experts on hand today. | 0:04:22 | 0:04:26 | |
For the Reds, he's not feral, it's just the look of him. | 0:04:26 | 0:04:29 | |
It's Philip Serrell. | 0:04:29 | 0:04:31 | |
A beast! | 0:04:31 | 0:04:33 | |
And for the Blues, adored by many, | 0:04:33 | 0:04:36 | |
revered by even more, it's the delectable David Barby. | 0:04:36 | 0:04:41 | |
It's a big throng of the market and with so many items on display, | 0:04:41 | 0:04:45 | |
our manly team should really get going with their buys. | 0:04:45 | 0:04:49 | |
There are a couple down there. | 0:04:49 | 0:04:51 | |
Guys, what do you think? | 0:04:51 | 0:04:54 | |
I thought the stallholder was just a little bit harsh, because he said there was sort of a... | 0:04:54 | 0:05:01 | |
I can see it, actually. | 0:05:01 | 0:05:03 | |
Better looking, Phil! | 0:05:03 | 0:05:05 | |
What is it? | 0:05:07 | 0:05:08 | |
It's the dog's...inkwell. | 0:05:08 | 0:05:12 | |
It's a boxer dog. It's got its collar round it. I think it's really wicked. | 0:05:12 | 0:05:16 | |
You open him up by the ears, and I just think that's really lovely. | 0:05:16 | 0:05:20 | |
I'd think it dates to about 1880. Two problems with it. | 0:05:20 | 0:05:24 | |
In that that ear, has just been chipped and perhaps flattened off a bit there. | 0:05:24 | 0:05:27 | |
It may have had glass eyes at one point in time. | 0:05:27 | 0:05:30 | |
-Collectible? -Hugely so - | 0:05:30 | 0:05:32 | |
to people who collect dog-related stuff, | 0:05:32 | 0:05:35 | |
hugely to people who collect inkwells. | 0:05:35 | 0:05:37 | |
I'd love to own it. | 0:05:37 | 0:05:39 | |
I like it. Do you like it? | 0:05:39 | 0:05:41 | |
-It would appeal to different markets. -How much is it? | 0:05:41 | 0:05:45 | |
That's the acid test. It's £120. If you can have a nice chat with the dealer, see if he'll... | 0:05:45 | 0:05:50 | |
If you can get that for anything under £100, | 0:05:50 | 0:05:55 | |
I hope we've got a result. | 0:05:55 | 0:05:56 | |
-I'm up for it. -It's the dog's...! | 0:05:56 | 0:06:00 | |
-Go on. -I'll give it a go. -Cheers, Phil. | 0:06:00 | 0:06:04 | |
The boys paid £90 for the Philip lookalike, | 0:06:04 | 0:06:06 | |
I mean, the boxer inkwell! | 0:06:06 | 0:06:09 | |
-Well, that's very indulgent. Biscuits, what sort are they? -They're cookies. | 0:06:09 | 0:06:13 | |
-I've been shopping. What do you think of this? -It's lovely. Is it a biscuit barrel? -No, it's not. | 0:06:13 | 0:06:20 | |
I think, in fact, it is for cigars. I look at this and I think of the workmanship, first of all. | 0:06:20 | 0:06:25 | |
We've got these lovely sections here, brass-banded. | 0:06:25 | 0:06:30 | |
I can't help but think that this could have been an apprentice piece by a young cooper. | 0:06:30 | 0:06:35 | |
-You know, barrel makers. -We live in Cooper's Lodge. | 0:06:35 | 0:06:39 | |
That's absolutely brilliant. It's divine intervention. | 0:06:39 | 0:06:43 | |
I think this is so good. This is a little lock here, which is Victorian. | 0:06:43 | 0:06:46 | |
If you look carefully at the little flap that goes over the keyhole, it's VR, Victoria Regina. | 0:06:46 | 0:06:53 | |
It's a lovely little box. | 0:06:55 | 0:06:56 | |
-What's the price? -It's 150. -That's a lot of money. | 0:06:56 | 0:07:00 | |
Handle it first. You'll notice that these bands of brass, | 0:07:00 | 0:07:04 | |
-they're a bit slack. -How does that happen? | 0:07:04 | 0:07:08 | |
The wood shrinks. So, a little bit of glue, I think would work wonders on that. | 0:07:08 | 0:07:13 | |
-Do you think we'd be able to get it down to 100? -We might be able to. | 0:07:13 | 0:07:16 | |
-I can smile nicely. Would that help? -I think you'd be best trying to get that off. | 0:07:16 | 0:07:21 | |
It's beautiful, isn't it? | 0:07:21 | 0:07:23 | |
-Did you like that? -I do. | 0:07:24 | 0:07:26 | |
-I think it's quite good, being from Cooper's Lodge. -Yes. | 0:07:26 | 0:07:31 | |
David's impeccable manners brought the goodies home for £100. | 0:07:31 | 0:07:37 | |
That makes the math easy, £200 to go. | 0:07:37 | 0:07:40 | |
I don't know. Where has he gone? | 0:07:40 | 0:07:43 | |
He's around here somewhere. I presume he's out scouring for bargains. | 0:07:43 | 0:07:46 | |
I hope so. There he is. | 0:07:46 | 0:07:48 | |
-I found a nice little silver object. -How do you know it's silver? -Because of the hallmark. | 0:07:48 | 0:07:51 | |
The boy is cute, isn't he? | 0:07:51 | 0:07:53 | |
This indeed has got a hallmark, just in here. | 0:07:53 | 0:07:56 | |
Assayed in Birmingham. The lion pattern says it's silver. | 0:07:56 | 0:07:58 | |
There's a little E there, I'd think this is early 20th century. | 0:07:58 | 0:08:04 | |
-We don't actually know what it does, do we? -Is it a clip of some sort? | 0:08:04 | 0:08:07 | |
-How much is it? -She wants £45 for it. | 0:08:07 | 0:08:10 | |
-What do you think it's worth? -Hopefully a lot more than that, but... | 0:08:10 | 0:08:15 | |
-What do you reckon at auction? -You're asking me what it's going to make at auction | 0:08:15 | 0:08:19 | |
-but you don't know what it is. -It's nice. -It's nice but we don't know what it is. What is it? | 0:08:19 | 0:08:23 | |
You're going to have to tell us. | 0:08:23 | 0:08:25 | |
-It's a napkin clip. -Oh, right. | 0:08:25 | 0:08:26 | |
So, just when you're about to sit down to your eight-course meal, | 0:08:26 | 0:08:31 | |
you slide your napkin in there and pull the clip down and hook it into your collar just there. | 0:08:31 | 0:08:37 | |
-Now you know what that is, does it make you feel better? -I like to know what it is. | 0:08:37 | 0:08:42 | |
-So you're happy you want to buy it? -I like it. -I'm happy. | 0:08:42 | 0:08:45 | |
-You're both convinced that you can get a profit on that? -It'll go well. | 0:08:45 | 0:08:49 | |
-If we get it down a tenner or even more? -If you can do it. -Even more. | 0:08:49 | 0:08:53 | |
-I'll try. -Give it your best. Good luck, mate. | 0:08:53 | 0:08:56 | |
-How do you think he'll get on? -He's not a bad negotiator. | 0:08:56 | 0:08:59 | |
I hope he is, for your sake! | 0:08:59 | 0:09:00 | |
That's faith for you! | 0:09:03 | 0:09:05 | |
Mark picked up the napkin holders for £35, leaving the Reds £175 still to spend. | 0:09:05 | 0:09:12 | |
What do you think? | 0:09:12 | 0:09:14 | |
-He looks so sad. -Rather poignant. -What do you think of this? -I think that's a better bet than this thing. | 0:09:14 | 0:09:20 | |
Look at that. It's like a spy plane. | 0:09:20 | 0:09:23 | |
Yes. What date do you think it is? | 0:09:23 | 0:09:25 | |
-1950s? -1940s, 1950s. -It's got some Art-Deco step features coming off down here. | 0:09:25 | 0:09:31 | |
-Look, the lighter comes out here. -I thought it was an ejector seat! | 0:09:31 | 0:09:35 | |
You've got the flint going in there and I guess the gas goes in there. | 0:09:37 | 0:09:40 | |
-That's right. -It fits quite snugly. | 0:09:40 | 0:09:43 | |
-So what kind of money are we talking about? -I think they wanted £75? | 0:09:43 | 0:09:47 | |
It's quite a lot of money, isn't it, even for a collector's piece? | 0:09:47 | 0:09:50 | |
I think you ought to get it down to about 60, maybe £50. That sort of price range. | 0:09:50 | 0:09:54 | |
-We should go for it. -I like it. -I like it very much. -As long as you don't play with it! | 0:09:54 | 0:09:59 | |
At £52, let's hope it soars at auction. | 0:10:04 | 0:10:08 | |
-He's got something. -Flying saucer! | 0:10:08 | 0:10:10 | |
Here's Tom. | 0:10:10 | 0:10:12 | |
-What do you think, guys? -I quite like it, it's an advertising tray for a well-known whisky brand. | 0:10:12 | 0:10:17 | |
-People collect this. -That's what I thought. -Do you like it? -I do. | 0:10:17 | 0:10:21 | |
What's it made of? | 0:10:21 | 0:10:23 | |
-Copper. -Top shout. How old is it? | 0:10:23 | 0:10:25 | |
-Not sure. That's where I was hoping you would come in. -I would think it is probably 1950s, '60s. | 0:10:25 | 0:10:30 | |
-How much is it? -It's on for 25 quid. -What would you pay for this? | 0:10:30 | 0:10:34 | |
Would we turn a profit on 15 quid, d'you reckon? | 0:10:34 | 0:10:37 | |
-Get a tenner off it? -Who is going to pay that for it? | 0:10:37 | 0:10:40 | |
-People who collect. -People that have pubs, might like old drink memorabilia, country pubs. | 0:10:40 | 0:10:45 | |
You're absolutely right, this has got two markets, really, | 0:10:45 | 0:10:47 | |
one is to decorate a pub. | 0:10:47 | 0:10:49 | |
The other is there are people who collect alcohol-related items. | 0:10:49 | 0:10:53 | |
It's £25, and you're gonna get it down. | 0:10:53 | 0:10:56 | |
Get a tenner off, 15 quid. | 0:10:56 | 0:10:58 | |
You won't lose a lot, will you? Might make a bit. | 0:10:58 | 0:11:00 | |
See what you can do. Whatever you can get knocked off, | 0:11:00 | 0:11:03 | |
go and spend it on three large brandies for us. | 0:11:03 | 0:11:06 | |
OK, will do. Cheers! | 0:11:06 | 0:11:08 | |
-He's enthusiastic, isn't he? -Anything to do with alcohol, yeah. | 0:11:08 | 0:11:11 | |
That enthusiasm must have rubbed off. Tom's purchase, £15. | 0:11:11 | 0:11:17 | |
Hang on, guys, what do you think of this? | 0:11:17 | 0:11:20 | |
I know why you like that. | 0:11:20 | 0:11:22 | |
It's an elephant and a monkey, what's not to like? | 0:11:22 | 0:11:26 | |
That's nice. It's got its original glass as well. | 0:11:26 | 0:11:29 | |
What d'you think of that? | 0:11:29 | 0:11:30 | |
Again, it's one of these quirky objects. And it makes me think of Queen Victoria. | 0:11:30 | 0:11:37 | |
The British Empire, yeah. | 0:11:37 | 0:11:41 | |
Originally, it would have been all silver plate, you can see, and that has worn off. | 0:11:41 | 0:11:45 | |
We've got a base metal which I think is spelter. | 0:11:45 | 0:11:48 | |
-But it's beautifully carved. -It is. What's the price, the label's there? | 0:11:48 | 0:11:51 | |
The price is scary, the price is 250. | 0:11:51 | 0:11:54 | |
-Oh! -That's way, way too much. | 0:11:54 | 0:11:57 | |
-Far too much. -A tiny dent there. | 0:11:57 | 0:11:59 | |
I don't think it's anything to worry about considering its age. | 0:11:59 | 0:12:03 | |
I'd date that around 1860, 1870. | 0:12:03 | 0:12:07 | |
OK. I'm going to leave you two to negotiate, but you've got to get it down considerably, almost by half. | 0:12:07 | 0:12:13 | |
-You won't do that. -I've never paid full price for anything. | 0:12:13 | 0:12:17 | |
-I don't want to know about your personal life. Do your very best. -I will! | 0:12:17 | 0:12:21 | |
Andrew didn't shy away from David's challenge, getting the inkwell for £120. | 0:12:21 | 0:12:29 | |
5, 4, 3, 2, whoops, 1. | 0:12:29 | 0:12:33 | |
That's it, the time is up. | 0:12:33 | 0:12:35 | |
Let's recap on what the Reds bought. | 0:12:35 | 0:12:37 | |
Philip's convinced that someone, somewhere, will want the inkwell in the form of a boxer dog. | 0:12:37 | 0:12:43 | |
Let's hope so. £90 paid. | 0:12:43 | 0:12:46 | |
Mark's natty little napkin-holder only set him back £35. | 0:12:46 | 0:12:52 | |
So thrifty. | 0:12:52 | 0:12:54 | |
And the Reds' final item, something tipple-inspired, | 0:12:54 | 0:12:58 | |
Tom whisked up a deal on the tray and paid £15. | 0:12:58 | 0:13:04 | |
-Boys, did you have a good time shopping? -Wicked time. | 0:13:04 | 0:13:06 | |
-"Wicked time"? -Wicked time! | 0:13:06 | 0:13:09 | |
-Which is your favourite piece? -I like the piece that I found, the silver serviette clip. | 0:13:09 | 0:13:14 | |
-Oh, yes. What about you? -The dog head, the inkwell, I like that. | 0:13:14 | 0:13:21 | |
You spent a pretty mean £140. | 0:13:21 | 0:13:23 | |
So I'll take 160 off you. Thank you. | 0:13:23 | 0:13:25 | |
Now, Philip, your challenge, to go and find that bonus buy with that cash, how are you going to get on? | 0:13:25 | 0:13:31 | |
I'm going to box clever and come up something that might just do a turn. | 0:13:31 | 0:13:35 | |
-Would this "box clever" be a bit of a hint? -Couldn't say. | 0:13:35 | 0:13:38 | |
Couldn't possibly say, could you? | 0:13:38 | 0:13:40 | |
Let's remind ourselves of what the Blues bought. | 0:13:40 | 0:13:44 | |
Only time will tell | 0:13:44 | 0:13:46 | |
whether there was a whiff of a profit with the £100 cigar box. | 0:13:46 | 0:13:51 | |
A soaring silver sensation, | 0:13:51 | 0:13:54 | |
the cigarette plane lighter swooped in at £52. | 0:13:54 | 0:13:58 | |
And what price for a piece of Victoriana? | 0:13:58 | 0:14:01 | |
£120 brought the Blues a novelty elephant's head inkwell. | 0:14:01 | 0:14:07 | |
Unforgettable! | 0:14:07 | 0:14:09 | |
So, you two boys, did you enjoy the shopping? | 0:14:09 | 0:14:11 | |
-Absolutely. A fantastic time. -It was very good. Lovely time. | 0:14:11 | 0:14:15 | |
-Spending somebody else's money. -Always the best kind. | 0:14:15 | 0:14:20 | |
You spent a magnificent £272. So proud of that. We'd like £28 to go across to David. | 0:14:20 | 0:14:27 | |
Not an awful lot, is it? | 0:14:27 | 0:14:28 | |
No, but you've made all sorts of wonderful profits out of small value items. | 0:14:28 | 0:14:33 | |
Well, that's true. | 0:14:33 | 0:14:35 | |
I want something small, quirky and emblematic of Andrew's interest. | 0:14:35 | 0:14:41 | |
-Oh, Lord! -Better not elaborate on that. | 0:14:41 | 0:14:45 | |
-Later, perhaps! -OK. | 0:14:45 | 0:14:47 | |
Auction time. Let's get started. | 0:14:49 | 0:14:52 | |
Well, we've staggered down from London to West Sussex, to Wisborough Green, Bellman's Saleroom, | 0:14:54 | 0:15:01 | |
to be with Jonathan at our auction. | 0:15:01 | 0:15:03 | |
-Good morning. -Good morning. | 0:15:03 | 0:15:06 | |
Tom and Mark, their first item is this little inkwell - do you rate that? | 0:15:06 | 0:15:09 | |
It's nicely carved. These novelties are quite good fun. | 0:15:09 | 0:15:12 | |
He's a little bit incomplete. His ears have been chewed away. | 0:15:12 | 0:15:15 | |
That's a pity, because some of these things do make big sums of money, particularly the larger ones. | 0:15:15 | 0:15:21 | |
-What's your estimate? -£50 to £70. -Oh, dear, £90 they paid. | 0:15:21 | 0:15:25 | |
Now, the hallmarked silver little napkin-holder. | 0:15:25 | 0:15:29 | |
Are you fond of a big French dinner? | 0:15:29 | 0:15:32 | |
Well, you know, un oeuf is un oeuf. | 0:15:32 | 0:15:34 | |
Yes, quite. But for the big Frenchman, | 0:15:34 | 0:15:36 | |
traditionally, he'd have a socking great damask napkin and he'd pin it up with that, which is handy. | 0:15:36 | 0:15:43 | |
-What's your estimate on it? -£15 to £20. | 0:15:43 | 0:15:46 | |
Oh, right. £35 they paid. And lastly is the Johnnie Walker's copper tray. | 0:15:46 | 0:15:52 | |
No well-dressed pub would be without one of these in the '20s and '30s. | 0:15:52 | 0:15:56 | |
I think people are less likely to be wanting to clean these things today. | 0:15:56 | 0:16:01 | |
-So I find that a bit of a tough one. -What's the estimate? | 0:16:01 | 0:16:03 | |
I've still said £20 - £30. | 0:16:03 | 0:16:05 | |
Oh, that's great, they paid 15. | 0:16:05 | 0:16:07 | |
So there is some hope with one of these objects. | 0:16:07 | 0:16:10 | |
So I think they're going to need their bonus buy. Let's go and have a look at it. | 0:16:10 | 0:16:13 | |
So, tell me, Mark - you spent £140, you gave Philip £160, what did he spend it on? | 0:16:15 | 0:16:20 | |
Isn't that lovely? | 0:16:20 | 0:16:24 | |
It's a snuff box, French, probably about 1820. | 0:16:24 | 0:16:27 | |
It's elm. I paid £65 for that. | 0:16:27 | 0:16:31 | |
-What'll it make at auction? -What d'you reckon? | 0:16:31 | 0:16:34 | |
I'd put an estimate on that of £60-£90. I wouldn't be surprised if it topped £100. | 0:16:34 | 0:16:38 | |
-It's all right, isn't it? What do you reckon? -If there's enough snuff collectors out there | 0:16:38 | 0:16:41 | |
that come to the auction, then, yeah. | 0:16:41 | 0:16:43 | |
-You can see them running away... -I don't know! | 0:16:43 | 0:16:46 | |
You don't have to decide to take it right now. | 0:16:46 | 0:16:51 | |
But for the viewers at home, let's find out what the auctioneer thinks about Philip's little snuffbox. | 0:16:51 | 0:16:57 | |
-That's rather fun, Jonathan, isn't it? -Absolutely. Nice snuffbox there. French one. | 0:16:57 | 0:17:03 | |
I know it's French, because it says "la pie voleuse"! | 0:17:03 | 0:17:05 | |
-Sounds painful. -You can get tablets for that, can't you? -Yes. | 0:17:05 | 0:17:09 | |
It's something to do with the magpie nicking something. | 0:17:09 | 0:17:12 | |
Absolutely. There's our magpie there, he's got a spoon in his beak. | 0:17:12 | 0:17:16 | |
They're collectible things. | 0:17:16 | 0:17:19 | |
It's going to be something which in that respect is going to be a rarity as such. | 0:17:19 | 0:17:23 | |
-You might get £40 to £60. -Philip Serrell paid £65, and he's hopeful. | 0:17:23 | 0:17:26 | |
That's it for the Reds. Now for the Blues - Mark and Andrew. | 0:17:26 | 0:17:30 | |
Their first item is this rather fun cigar box. | 0:17:30 | 0:17:33 | |
I like the contrasting woods, gives it that extra definition. | 0:17:33 | 0:17:37 | |
It is made in the way you'd expect a barrel to be coopered. | 0:17:37 | 0:17:41 | |
-Yeah. -It's got a lovely lock on the front here which is stamped VR | 0:17:41 | 0:17:45 | |
for Victoria's cipher, which is a nice period feature as well. | 0:17:45 | 0:17:48 | |
We'll get between £40 and £60 for it. | 0:17:48 | 0:17:50 | |
Ah. David Barby will be distrait. | 0:17:50 | 0:17:53 | |
£100 paid. How are you on spy planes? | 0:17:53 | 0:17:56 | |
I know nothing about spy planes. | 0:17:56 | 0:17:58 | |
-I know a little bit about decorative lighters. -This is a popular theme, isn't it? | 0:17:58 | 0:18:03 | |
You get different periods, different planes, contemporary aeroplanes modelled as table lighters. | 0:18:03 | 0:18:09 | |
-Absolutely. -It's down as a spy plane, cos I suppose it looks like the U2 | 0:18:09 | 0:18:12 | |
which crashed over Russia when the Cuban Missile Crisis was going on. | 0:18:12 | 0:18:16 | |
The novelty element, the fact it is a plane and it's a lighter, | 0:18:16 | 0:18:20 | |
and certainly the fact you've got this sort of stylised Deco feel to it, it's late-'40s styling on it. | 0:18:20 | 0:18:27 | |
We are looking at about £20 or £30 for it. | 0:18:27 | 0:18:29 | |
Is that all? £52 paid. And now we've got a heffalump down the end, | 0:18:29 | 0:18:34 | |
with a monkey on its head playing a flute, | 0:18:34 | 0:18:38 | |
which is a bit bizarre! | 0:18:38 | 0:18:39 | |
Again, novelty inkwells, your market is the gentleman, the desk. | 0:18:39 | 0:18:44 | |
Of course there is a strong market for that sort of thing. | 0:18:44 | 0:18:47 | |
-And what we will get for that? Well, crikey. £30 to £50, I would say. -Crikey. | 0:18:47 | 0:18:52 | |
£120 they paid. | 0:18:52 | 0:18:54 | |
One thing's for certain here, they are going to need their bonus buy, so let's have a look at it. | 0:18:54 | 0:18:59 | |
Mark and Andrew, you spent £272, quite magnificent, | 0:18:59 | 0:19:03 | |
leaving David with a miserable £28 to go and try and find something. | 0:19:03 | 0:19:07 | |
-David, what did you find? -Well, I like it. | 0:19:07 | 0:19:09 | |
-Oh. -"Oh"! -TIM LAUGHS | 0:19:09 | 0:19:13 | |
-It's something you put your nuts in, you see? -I quite like the glass. | 0:19:13 | 0:19:17 | |
And you're a cat lover, aren't you? | 0:19:17 | 0:19:19 | |
Well, it died. | 0:19:19 | 0:19:21 | |
But, yeah, I WAS a cat lover till it died. | 0:19:23 | 0:19:25 | |
Poor thing. This is ideal for ashes! | 0:19:25 | 0:19:28 | |
-It's very sweet. How much was it? -£15. -That's a bargain. How much do you reckon people would pay? | 0:19:28 | 0:19:34 | |
Well, it's the stylised cat, I think it's quite attractive. | 0:19:34 | 0:19:37 | |
-Probably round about £20, £25. -Let the man have a handle. -I like that actually, yeah. | 0:19:37 | 0:19:44 | |
You've done the right thing there, David, obviously. | 0:19:44 | 0:19:45 | |
Let's find out what the auctioneer thinks about David's little cat. | 0:19:45 | 0:19:51 | |
-Right then. There you go. -OK. -You a cat lover yourself? | 0:19:51 | 0:19:56 | |
I've got two dogs. | 0:19:56 | 0:19:57 | |
-Then you're the right man to ask about this(!) -Exactly. | 0:19:57 | 0:20:01 | |
Whether it's '70s, I don't know. | 0:20:01 | 0:20:04 | |
Moulded glass, cats. Whatever it might be, | 0:20:04 | 0:20:06 | |
I suppose you could grow watercress in it and give it a trim! | 0:20:06 | 0:20:09 | |
What are you going to do with it? | 0:20:09 | 0:20:11 | |
Barby's bought it as his bonus buy. He only paid £15 for it. | 0:20:11 | 0:20:15 | |
Might he just... might he get a profit on it? | 0:20:15 | 0:20:17 | |
-I think probably there's about a fiver's loss in this one. -And that's being optimistic, is it? | 0:20:17 | 0:20:23 | |
I've put £10 to £15 on it, and that's probably fair. | 0:20:23 | 0:20:26 | |
It'll be interesting to see what happens in the auction. Thank you, Jonathan. | 0:20:26 | 0:20:30 | |
-Tom and Mark, are you feeling cool? -Pretty cool. -Relaxed. | 0:20:36 | 0:20:40 | |
-Come on, there must be a bit of nerves. -I'm feeling it now. | 0:20:40 | 0:20:45 | |
I'm feeling it a bit now. Holding it together. | 0:20:45 | 0:20:48 | |
-It is nervous process, isn't it? You know about auctions. What about you, Mark? -I've never been. | 0:20:48 | 0:20:54 | |
Just online auctions, which is a lot more relaxed. | 0:20:54 | 0:20:57 | |
-Not full of people. -Nothing like this? -No. | 0:20:57 | 0:20:59 | |
The treen inkwell. | 0:20:59 | 0:21:00 | |
Philip found it. | 0:21:00 | 0:21:02 | |
£90 paid. | 0:21:02 | 0:21:03 | |
The auctioneer has estimated £50 to £70. | 0:21:03 | 0:21:07 | |
And here it comes. | 0:21:07 | 0:21:09 | |
Inkwell modelled as a boxer dog's head. | 0:21:09 | 0:21:12 | |
I've got a lot of interest in this, and I can start straight in at £70. | 0:21:12 | 0:21:16 | |
Bid with me at 70. Looking for 75. It's £70. 75, and 80? | 0:21:16 | 0:21:20 | |
85, and 90? 95, 100? | 0:21:20 | 0:21:25 | |
£100 against you, sir, at £100. | 0:21:25 | 0:21:27 | |
110 if you like. 110, standing close to commission now at £110. | 0:21:27 | 0:21:30 | |
120, anyone? £110 then, in the tartan at £110, and selling, 120 behind. | 0:21:30 | 0:21:35 | |
Look, he's going on. | 0:21:35 | 0:21:36 | |
-130. -Yes! -140. | 0:21:36 | 0:21:41 | |
150. 160. | 0:21:41 | 0:21:44 | |
£160, behind then still at 160. | 0:21:44 | 0:21:47 | |
Last chance and selling for £160. GAVEL BANGS | 0:21:47 | 0:21:50 | |
160, plus £70. Well done, boys. | 0:21:50 | 0:21:53 | |
We have a silver baby's bib clip, | 0:21:53 | 0:21:56 | |
a nice, interesting lot, this. And I have to start at £20. | 0:21:56 | 0:22:00 | |
It's bid with me at £20. | 0:22:00 | 0:22:01 | |
I'll take 22. 22, 25. 28, and 30. | 0:22:01 | 0:22:04 | |
£30, against you then at £30. Do I see 32? | 0:22:04 | 0:22:08 | |
On the book and against you all at £30, last chance at 30. | 0:22:08 | 0:22:12 | |
£30, bad luck, that's minus £5. You're still plus 65. Here we go. | 0:22:12 | 0:22:18 | |
We have the copper advertising tray. Start me at 10. 10 is bid. | 0:22:18 | 0:22:22 | |
Thank you, sir. At 10. Do I see 12? | 0:22:22 | 0:22:24 | |
£10, seated right. £10. 12, anyone? | 0:22:24 | 0:22:26 | |
At £10, surely worth more than a tenner? I'll sell at £10. | 0:22:26 | 0:22:30 | |
Maiden bid at £10. | 0:22:30 | 0:22:32 | |
Blast it. £10, minus 5 on that. | 0:22:33 | 0:22:37 | |
You are still plus £60. £60 up, thanks to you-know-who. | 0:22:37 | 0:22:42 | |
-Amazing. -It's pretty good, isn't it? | 0:22:42 | 0:22:44 | |
What are we going to do then? Are we going to risk anything for this bonus buy? | 0:22:44 | 0:22:48 | |
-I think we should stick, mate. -Stick, yeah. -No offence, Phil. | 0:22:48 | 0:22:51 | |
-No. -No bonus buy. They are determined, these boys. We're going to sell it anyway. Here it comes. | 0:22:51 | 0:22:56 | |
A carved elm circular snuffbox. | 0:22:56 | 0:22:59 | |
Early 19th century, | 0:22:59 | 0:23:00 | |
with this interesting scene. | 0:23:00 | 0:23:02 | |
And I've got bids to start me in at £45. | 0:23:02 | 0:23:06 | |
Is bid at £45, looking for 50, now. And 50, and 55. 60, and 65. | 0:23:06 | 0:23:10 | |
70, and 75. 80, and 85. | 0:23:10 | 0:23:13 | |
£85 commission against you at £85. | 0:23:13 | 0:23:16 | |
Do I see 90 now? At £85, and I'll sell at £85. | 0:23:16 | 0:23:19 | |
Last chance, £85. | 0:23:19 | 0:23:22 | |
Well done. You made your decision, you're £60 up. | 0:23:23 | 0:23:26 | |
You deserved your £60. | 0:23:26 | 0:23:27 | |
-It's very good, isn't it? -We are happy about that. | 0:23:27 | 0:23:30 | |
To make a profit on Bargain Hunt is an achievement. | 0:23:30 | 0:23:33 | |
The thing now is not to tell the Blues anything. Don't say a word. | 0:23:33 | 0:23:36 | |
-In fact, go out looking miserable. -OK. -It's not hard. | 0:23:36 | 0:23:40 | |
Rubbish. You've done well. And well done, Phil. | 0:23:40 | 0:23:43 | |
-Yeah, thank you. -Cheers, Phil. | 0:23:43 | 0:23:44 | |
So, Mark and Andrew, do you know how the Reds got on? | 0:23:53 | 0:23:56 | |
-No. No idea at all. -That's good. | 0:23:56 | 0:23:58 | |
Cos we don't want you to. How are you rating your little cigar box? | 0:23:58 | 0:24:04 | |
Do you still think that's a good choice of David's? | 0:24:04 | 0:24:07 | |
-I think so, yeah. -Very confident. | 0:24:07 | 0:24:09 | |
The auctioneer has only put £40 to £60 on it, which I think is pretty miserable, actually. | 0:24:09 | 0:24:14 | |
-Yes, so do I. -We all rate it. | 0:24:14 | 0:24:16 | |
It's a nice crowded room. Here it comes. | 0:24:16 | 0:24:19 | |
We have a Victorian brass coopered tobacco cigar box | 0:24:19 | 0:24:23 | |
And I've got a flurry of bids, and I'll start at 45, 55, | 0:24:23 | 0:24:28 | |
£60 on the book with me, at £60, I'm bid at £60. | 0:24:28 | 0:24:32 | |
£60, looking for 65. At £60, 65, anyone? | 0:24:32 | 0:24:35 | |
On the book against you all at £60. | 0:24:35 | 0:24:37 | |
65. And 70. £70 it is then. | 0:24:37 | 0:24:39 | |
Against you all at £70. At 70, I'll sell then. | 0:24:39 | 0:24:42 | |
£70, last chance, at 70? | 0:24:42 | 0:24:45 | |
-Bad luck. Minus 30 on that. -It's not looking good. | 0:24:45 | 0:24:49 | |
Maybe not. Here comes the plane. | 0:24:49 | 0:24:52 | |
A chromium plated table lighter in the form of a spy plane. | 0:24:52 | 0:24:55 | |
Mid-20th century example, this. Where can I start? | 0:24:55 | 0:24:59 | |
-I've got £60. -Yes! | 0:24:59 | 0:25:01 | |
Looking for 65, now. 65, and 70. | 0:25:01 | 0:25:05 | |
£70 and stopping straightaway at £70. 5 anywhere else? | 0:25:05 | 0:25:08 | |
At £70, I'll sell. All done at 70. | 0:25:08 | 0:25:11 | |
Well, that makes you £18. | 0:25:11 | 0:25:13 | |
-It's not all doom and gloom. -All is not lost. -The inkwell. | 0:25:13 | 0:25:18 | |
Victorian spelter novelty inkwell modelled as an elephant's head | 0:25:18 | 0:25:22 | |
with this little monkey sitting on the top. | 0:25:22 | 0:25:24 | |
And I've got bids to start me in at £30, £35, £40 is bid. | 0:25:24 | 0:25:29 | |
At £40, 45. 50, 55, | 0:25:29 | 0:25:32 | |
-60, 65, 70, £70 against you. 75, anyone? -Come on! | 0:25:32 | 0:25:38 | |
£70 against you all at 70. I'll sell at £70. | 0:25:38 | 0:25:41 | |
Last chance at £70. All done? No more. £70. | 0:25:41 | 0:25:45 | |
That is minus 50 quid on that. | 0:25:49 | 0:25:51 | |
-You're minus £62. -Dear, oh, dear. -Minus £62. | 0:25:51 | 0:25:57 | |
What are you going to do about the cat? | 0:25:57 | 0:25:59 | |
-Let's just go for it. -Definitely going to go for it. | 0:25:59 | 0:26:02 | |
What's the worst that could happen? | 0:26:02 | 0:26:04 | |
-Let's go for it. -Are you going to do it? | 0:26:04 | 0:26:08 | |
-Yes, definitely. -You're determined. -Absolutely, yes. Let's do it. | 0:26:08 | 0:26:13 | |
We have this wonderful moulded clear glass bowl modelled as a cat, | 0:26:13 | 0:26:17 | |
and I have a bid to start me at £12. | 0:26:17 | 0:26:20 | |
£12 is bid. £12, I'll take 15 if you wish to bid. | 0:26:20 | 0:26:24 | |
15 standing at the back waving now. | 0:26:24 | 0:26:26 | |
Left on commission at 15. Looking for 18. | 0:26:26 | 0:26:30 | |
At £15, with the lady, dead ahead at £15 and selling. | 0:26:30 | 0:26:33 | |
-Last chance, £15. -£15. Wiped its face. | 0:26:33 | 0:26:41 | |
Well, chaps. What a roller coaster, eh? | 0:26:41 | 0:26:45 | |
-Dear oh dear. -Well done for the plane, anyway. | 0:26:45 | 0:26:48 | |
That was really super. I'll tell you what, Mum's the word. | 0:26:48 | 0:26:51 | |
We'll reveal all in a minute. | 0:26:51 | 0:26:55 | |
Bad luck for the Blues, the Reds are top dogs! | 0:27:04 | 0:27:07 | |
But don't go away, because coming up, we have two more teams waiting at Portobello Market. | 0:27:07 | 0:27:14 | |
-If it does make a profit, I'll eat my hat. -I'll hold you to it! | 0:27:14 | 0:27:18 | |
Something tells me the experts will have their work cut out with this little lot. | 0:27:18 | 0:27:23 | |
-Tell me about it. -Solid mahogany wood. -Yeah. | 0:27:23 | 0:27:26 | |
What other sort of mahogany would you have?! | 0:27:26 | 0:27:31 | |
We'll meet those jokers very shortly. | 0:27:31 | 0:27:34 | |
First, I'd like to take you in a detour across town. | 0:27:34 | 0:27:37 | |
In London, in 1851, Hyde Park bore witness to the grand opening of the first ever international exhibition, | 0:27:40 | 0:27:48 | |
enthusiastically championed by Prince Albert. | 0:27:48 | 0:27:51 | |
The Great Exhibition of the Works of Industry of All Nations in 1851, to give it its full title, | 0:27:51 | 0:27:57 | |
was designed to appeal to all classes. | 0:27:57 | 0:28:01 | |
The exhibition was such a huge success that at the finish, | 0:28:01 | 0:28:04 | |
the organisers found that they'd got a profit of £186,000, | 0:28:04 | 0:28:10 | |
largely made up by 4.5 million people investing in one shilling tickets. | 0:28:10 | 0:28:17 | |
And it was with the profit that Prince Albert was ultimately able to fund what became this place, | 0:28:17 | 0:28:23 | |
the Victoria and Albert Museum. | 0:28:23 | 0:28:26 | |
Here we are in the National Art Library, at the V&A, | 0:28:34 | 0:28:38 | |
who've got the complete set of the original exhibition catalogue, | 0:28:38 | 0:28:43 | |
100,000 odd objects. | 0:28:43 | 0:28:45 | |
The exhibits were recorded, and this is just one volume out of that massive set. | 0:28:45 | 0:28:53 | |
What was so special about the objects in the Great Exhibition? | 0:28:53 | 0:28:57 | |
Let's find out. | 0:28:57 | 0:29:00 | |
Some of the exhibits were made for mass manufacture. | 0:29:00 | 0:29:04 | |
40 countries were exhibiting, in addition to the United Kingdom, in the Great Exhibition, | 0:29:04 | 0:29:09 | |
including a German firm who came up with this novel idea for a rocking armchair. | 0:29:09 | 0:29:15 | |
We've got some central-heating pipe here, | 0:29:15 | 0:29:18 | |
that's been bent into this shaped rocker form, | 0:29:18 | 0:29:23 | |
then all joined-up with an upholstered section, | 0:29:23 | 0:29:26 | |
which is extremely comfortable, and this went into mass production. | 0:29:26 | 0:29:31 | |
Funnily enough, I've got one at home, and they work. | 0:29:31 | 0:29:35 | |
The big question is, will our teams come up with anything that's going to be popular with the masses? | 0:29:35 | 0:29:40 | |
We've got a double-bill today | 0:29:40 | 0:29:43 | |
which means double trouble for our experts. | 0:29:43 | 0:29:47 | |
So let's head back to London's Portobello Market | 0:29:47 | 0:29:49 | |
for our second helping of bargain hunting! | 0:29:49 | 0:29:53 | |
We've got Prudence and her workmate, Mitch. | 0:29:58 | 0:30:01 | |
-Oh, no, it's Michael or Mike, preferably. -Never Mitch? | 0:30:01 | 0:30:03 | |
Never Mitch, unless I'm in Baywatch maybe. | 0:30:03 | 0:30:06 | |
OK, well we're not doing Baywatch so you're safe there. | 0:30:06 | 0:30:08 | |
And for the Blues, we've got Joe and his friend, Carlie. Hiya. | 0:30:08 | 0:30:12 | |
-Hi, Tim. -Lovely. Now Prudence... | 0:30:12 | 0:30:13 | |
-Hello, Tim. -What do you do for a job at work, darling? | 0:30:13 | 0:30:17 | |
I work for a recruitment company in the City of London. | 0:30:17 | 0:30:19 | |
-But what do you do in your spare time? -I love to sing jazz, Tim. | 0:30:19 | 0:30:22 | |
-Ooh. -I do, yes, very much. -Do you do clubs and that? -I do, I go round London | 0:30:22 | 0:30:26 | |
and do different clubs and bars, and I love it. | 0:30:26 | 0:30:29 | |
Are you going to give us a little trill? | 0:30:29 | 0:30:32 | |
How about we do a little private show later? | 0:30:32 | 0:30:34 | |
I see, it's like that, is it? Now what sort of track record have you got, Michael? | 0:30:34 | 0:30:39 | |
I've done a bit of online bidding recently, bought a few cars online. | 0:30:39 | 0:30:43 | |
Um, had a few good experiences, a few bad experiences, and at one stage I owned about five VWs. | 0:30:43 | 0:30:49 | |
That's a fleet, that is. | 0:30:49 | 0:30:52 | |
I was living at home as well, so I had to hide one round | 0:30:52 | 0:30:54 | |
a neighbour's house, one was outside my house... | 0:30:54 | 0:30:56 | |
Popular with your parents, I should think. Five motor cars! | 0:30:56 | 0:31:01 | |
Now for the Blues. How are you two? How did you two meet? | 0:31:01 | 0:31:05 | |
I'm best mates with her boyfriend, and we actually met | 0:31:05 | 0:31:08 | |
at an American football game that he was actually involved in. | 0:31:08 | 0:31:11 | |
I can tell that you're not from these shores. Where do you come from? | 0:31:11 | 0:31:13 | |
-From New Jersey in the US. -What are you doing here? | 0:31:13 | 0:31:15 | |
I was brought over here by a Master's programme at King's College London | 0:31:15 | 0:31:20 | |
in Criminology and Criminal Justice. | 0:31:20 | 0:31:21 | |
Criminology and criminal justice. | 0:31:21 | 0:31:24 | |
Yes. I plan to go in the FBI, so... | 0:31:24 | 0:31:26 | |
But you haven't got the suit or the shiny shoes. | 0:31:26 | 0:31:29 | |
No, right, no, I'm trying to blend in into London, you know, with the dull shoes and the jeans. | 0:31:29 | 0:31:34 | |
You're obviously incognito, aren't you? | 0:31:34 | 0:31:36 | |
Right. No, that's CIA. That's a whole other story. | 0:31:36 | 0:31:39 | |
-Oh, is that not...? -Mum's the word. | 0:31:39 | 0:31:41 | |
FBI, they never do incognito? | 0:31:41 | 0:31:43 | |
And why have you chosen Carlie rather than her boyfriend? | 0:31:43 | 0:31:48 | |
Well, I thought of using her boyfriend, but when I thought, "Who looks best on camera?" | 0:31:48 | 0:31:53 | |
-It was Carlie by far. -Do you know, you're right. So Carlie, were you flattered to be asked? | 0:31:53 | 0:31:56 | |
I was, absolutely, absolutely, I thought it'd be a lot of fun. | 0:31:56 | 0:31:59 | |
Do you collect anything? | 0:31:59 | 0:32:01 | |
Not what you would regard as antiques as yet. | 0:32:01 | 0:32:03 | |
I've got a bit of a shoe passion. | 0:32:03 | 0:32:05 | |
-How many pairs you got? -I've probably got on the last count over 60, 70 pairs of shoes. | 0:32:05 | 0:32:09 | |
-That's a fetish, don't worry about it. -Potentially. | 0:32:09 | 0:32:12 | |
Now, the money moment. | 0:32:12 | 0:32:14 | |
Here's your sausage and mash. You know the rules, off you go! | 0:32:14 | 0:32:18 | |
Watch out for the apples and pears. | 0:32:18 | 0:32:20 | |
So, tell me, princess... | 0:32:34 | 0:32:36 | |
No, I don't wear it like this, I think I prefer it like this. | 0:32:36 | 0:32:39 | |
Oh, you're after a cool look. | 0:32:39 | 0:32:41 | |
-Where is she? -Pru? I don't know, She should be coming soon. | 0:32:41 | 0:32:44 | |
-Oh. -She's over here. -Look what I found. -What's that? | 0:32:44 | 0:32:46 | |
Isn't it rather gorgeous? It's a lovely silver handbag. | 0:32:46 | 0:32:49 | |
I thought it's lovely. I thought I'd see what Phil thought | 0:32:49 | 0:32:53 | |
and see what's the best price according to our expert. | 0:32:53 | 0:32:56 | |
How do you know it's silver? | 0:32:56 | 0:32:58 | |
-Mm, because of that stamp. -That stamp there. | 0:32:58 | 0:33:01 | |
-And what does that stamp there mean? -No idea. | 0:33:01 | 0:33:03 | |
That stamp there's a little lion, | 0:33:03 | 0:33:05 | |
that tells us that it is indeed silver. | 0:33:05 | 0:33:07 | |
-OK. -That leopard's head tells us that it was assayed in London. | 0:33:07 | 0:33:10 | |
That F is the date code, which is, I would guess is around 1900. | 0:33:10 | 0:33:14 | |
-OK. -So you've got a silver frame, and this mesh bag here, and actually what is quite nice... -Yeah. | 0:33:14 | 0:33:20 | |
-I'm sure you spotted this. -Of course I did, yes. | 0:33:20 | 0:33:22 | |
Is that each of these links is separately hallmarked. | 0:33:22 | 0:33:25 | |
-That's lovely. -Which is really cool. | 0:33:25 | 0:33:27 | |
Yeah, I did notice that, I was just about to say. | 0:33:27 | 0:33:30 | |
-Right. -It's quite heavy, isn't it? | 0:33:30 | 0:33:33 | |
What do you reckon, princess? Is that...? | 0:33:33 | 0:33:36 | |
I think it's quite heavy. | 0:33:36 | 0:33:38 | |
Heavy should mean quite costly. It's got marks on all of it, so that must be quite a good sign. | 0:33:38 | 0:33:43 | |
Bargain Hunt's about your day, and I want you to buy what you want to buy. | 0:33:43 | 0:33:47 | |
If this came into my sale room, I'd estimate it | 0:33:47 | 0:33:51 | |
at £50 to £80, £60 to £90, that sort of region. How much is it? | 0:33:51 | 0:33:54 | |
185. | 0:33:54 | 0:33:56 | |
# There may be trouble ahead... # | 0:33:56 | 0:33:59 | |
Ha, Prudence got £50 off, but she'll have to face the music at the auction. | 0:34:01 | 0:34:05 | |
Excuse me, sir. Guys, come here, come here. | 0:34:12 | 0:34:15 | |
What's that? | 0:34:15 | 0:34:16 | |
-Look at that. -Ooh. -Those are very nice, aren't they? | 0:34:16 | 0:34:19 | |
They're fantastic, aren't they? | 0:34:19 | 0:34:21 | |
-Oh, look, Poile and Smith, court jewellers. -What does that mean? | 0:34:21 | 0:34:25 | |
Well, that company produced jewellery for the court. | 0:34:25 | 0:34:29 | |
It could have been court regalia, it could have been court awards. | 0:34:29 | 0:34:34 | |
If you wore expensive buttons like this it would show that you're quite affluent. | 0:34:34 | 0:34:37 | |
So they were a quite important piece of dress. | 0:34:37 | 0:34:40 | |
They're looking back to the Georgian style with all these sort of Rococo scroll works. | 0:34:40 | 0:34:44 | |
-They are lovely. -I think they're gorgeous. | 0:34:44 | 0:34:46 | |
Yeah, my only concern is the fact that the hallmarks, where they're present, | 0:34:46 | 0:34:50 | |
where the makers' marks are present, they're a bit worn. | 0:34:50 | 0:34:53 | |
So consistency might be an issue. | 0:34:53 | 0:34:55 | |
Oh, not at all, these are collectors' items. | 0:34:55 | 0:34:58 | |
I think they're going to sell extremely well. | 0:34:58 | 0:35:00 | |
-So how much were they? -They were £85. | 0:35:00 | 0:35:03 | |
£85. I think they're cheap at £85. | 0:35:03 | 0:35:05 | |
-Really? -Yeah. They're very good collectors' items, particularly with the court jewellers. | 0:35:05 | 0:35:09 | |
I'd pay £85 for them. If you can get them less... | 0:35:09 | 0:35:11 | |
-I think we can. -All well and good. | 0:35:11 | 0:35:13 | |
-And you think they're stunning. -I do. | 0:35:13 | 0:35:15 | |
-I think they're stunning. -I think they're stunning. | 0:35:15 | 0:35:18 | |
-Good, we agree. -Let's go haggle. -Let's do it. -Come on! | 0:35:18 | 0:35:21 | |
Carlie loved Joe's crown jewels, and managed to get them down to £65. | 0:35:21 | 0:35:26 | |
?I don't know where Philip is. Let's go and have a look for him. | 0:35:33 | 0:35:37 | |
-Why don't we use our compass to find him? -Oh, there he is, there. | 0:35:37 | 0:35:40 | |
Oh, there he is. | 0:35:40 | 0:35:42 | |
-Hi. -Well, well, it works. | 0:35:42 | 0:35:45 | |
I think that's absolutely lovely. | 0:35:45 | 0:35:47 | |
-I've just bought it. -You've bought it? | 0:35:47 | 0:35:49 | |
-Don't tell me how much. -Let me sell it into you a little bit. | 0:35:49 | 0:35:51 | |
Go on, then, tell me all about it. | 0:35:51 | 0:35:53 | |
-Solid mahogany wood. -Yeah. | 0:35:53 | 0:35:55 | |
What other sort of mahogany would you have? | 0:35:55 | 0:35:58 | |
Solid mahogany wood, | 0:35:59 | 0:36:01 | |
hinges still intact... | 0:36:01 | 0:36:03 | |
-Yeah. -Quite often the hinges go on these. | 0:36:03 | 0:36:05 | |
-Nice, possibly brass edging. -How old did he tell you it was? -I think he said 1950s, possibly. | 0:36:05 | 0:36:10 | |
-No, it's earlier than that. -Is it? | 0:36:10 | 0:36:12 | |
I would think that perhaps it's more like 1900 or even a bit earlier. | 0:36:12 | 0:36:15 | |
-OK. -I think it's probably £30 to £50 worth. | 0:36:15 | 0:36:20 | |
OK. We've got good news and bad news. | 0:36:20 | 0:36:22 | |
-OK, so what's the good news? -The good news is that I did some mean... | 0:36:22 | 0:36:26 | |
-Mean negotiating. -Mean haggling, yeah. | 0:36:26 | 0:36:29 | |
-So what was he asking for it? -He was asking 80 for it. And I got it for 65. | 0:36:29 | 0:36:33 | |
-Oh, good negotiation. -Yeah. | 0:36:33 | 0:36:35 | |
-Right... -I was only 15 quid off the top, the top... | 0:36:35 | 0:36:39 | |
No, honestly, I like your style, princess, I do like your style, | 0:36:39 | 0:36:42 | |
but I'm just a bit bothered actually that we might be in trouble here. | 0:36:42 | 0:36:46 | |
All we can do really is just live in hope, isn't it? | 0:36:46 | 0:36:51 | |
-Well, I think it's... -I think it's rather nice, yeah. | 0:36:51 | 0:36:53 | |
Now, don't forget the bonus buy. | 0:37:00 | 0:37:02 | |
That's where the money not spent by the teams is given to the expert, | 0:37:02 | 0:37:06 | |
who goes to find another item which hopefully will make even more at auction. | 0:37:06 | 0:37:12 | |
More of that later, right now it's on with the shopping. | 0:37:12 | 0:37:16 | |
Watch yourself, yeah. | 0:37:16 | 0:37:17 | |
-I love it, I love it. -Put it back, you don't know where it's been. -Oh, I love it. | 0:37:17 | 0:37:20 | |
You haven't bought it, have you? | 0:37:20 | 0:37:22 | |
You haven't bought it? | 0:37:22 | 0:37:23 | |
You have, haven't you? | 0:37:23 | 0:37:26 | |
Well, what would you say if we had? | 0:37:26 | 0:37:28 | |
I'd like to have seen it first. How much did you pay for it? | 0:37:28 | 0:37:32 | |
We paid £36.50 I think in the end. | 0:37:32 | 0:37:36 | |
-£36.50. -But it...but it was 40. | 0:37:36 | 0:37:39 | |
-48 actually. -Was it 48? -Yeah. -OK. Just tell me why you went for it. | 0:37:39 | 0:37:42 | |
Because I think any girl would like it. | 0:37:42 | 0:37:46 | |
This is a tourist piece. Late 19th early, 20th century, bought in Bavaria, | 0:37:46 | 0:37:49 | |
probably they paid a visit to Oberammergau, something like that. | 0:37:49 | 0:37:53 | |
And they thought, "We'll take that back to Louise," their daughter | 0:37:53 | 0:37:56 | |
back home. This is what it is, a tourist piece. | 0:37:56 | 0:37:59 | |
It has got some concessions, I like this element of carving here which | 0:37:59 | 0:38:04 | |
is reminiscent of art nouveau, but they're almost commonplace. It's nothing exceptional. | 0:38:04 | 0:38:08 | |
But it is quite cheap. If it's commonplace a lot of people would like it, people will bid for it. | 0:38:08 | 0:38:12 | |
That's true. I'm sure it'll make a profit. | 0:38:12 | 0:38:13 | |
-I'll tell you something, if it does make a profit, I'll eat my hat. -I'll hold you to it. | 0:38:13 | 0:38:19 | |
Phil, what have you found? | 0:38:21 | 0:38:23 | |
Look, great thing, Georgian tea caddy, mahogany, 150 quid. | 0:38:23 | 0:38:27 | |
-Yes? -Too expensive. | 0:38:27 | 0:38:28 | |
-Nah, nah, I don't think so Phil. -Too expensive. -Good try, good try. | 0:38:28 | 0:38:32 | |
This is a great thing, look. | 0:38:38 | 0:38:39 | |
Victorian three piece tea set, £70. Can't fail. | 0:38:39 | 0:38:43 | |
No, I'm more of a coffee man, Phil. | 0:38:43 | 0:38:44 | |
Hi, there's a really lovely big pewter... | 0:38:49 | 0:38:52 | |
It's actually a really lovely pewter tankard, and they've walked past me. | 0:38:54 | 0:38:59 | |
At a distance that looks like Faberge. | 0:39:08 | 0:39:13 | |
-That's a bit more like it. -Faberge, Faberge. | 0:39:13 | 0:39:16 | |
Yeah, the trouble is the distance is about 300 yards. | 0:39:16 | 0:39:18 | |
-Well, how big's the auction house? -Not that big. | 0:39:18 | 0:39:21 | |
-Why do you like that? -I just think it's a rather nice thing. -What about you, princess? | 0:39:21 | 0:39:25 | |
I don't know, it's quite cool. I could find a use for it, a shot glass. | 0:39:25 | 0:39:29 | |
Big shot glass. I think it's quite nice, it's quite bright and vibrant. | 0:39:29 | 0:39:34 | |
-I think it's really nice, right. -Oh, thanks. | 0:39:34 | 0:39:36 | |
And these colours look like it might be Russian, so it looks like | 0:39:36 | 0:39:39 | |
-a little Russian drinking glass. -OK. -OK. | 0:39:39 | 0:39:41 | |
-Possibly by Faberge, but I don't think it's Russian. -It's got a small marking there. | 0:39:41 | 0:39:45 | |
There's a mark on the bottom which I don't understand at all. | 0:39:45 | 0:39:48 | |
-Gold? Gold mark? -No. Absolutely not. | 0:39:48 | 0:39:50 | |
I would think it's European, might be Italian. | 0:39:50 | 0:39:53 | |
I don't think it's as old as it wants you to think it is, | 0:39:53 | 0:39:56 | |
and it's trying to be Faberge which it isn't. | 0:39:56 | 0:39:59 | |
So in my eyes, at auction, that's £15 to £30. | 0:39:59 | 0:40:03 | |
-On a bad day it's a tenner. So how much did you pay? -You can tell him. | 0:40:03 | 0:40:08 | |
-50 quid. -What? -SHE CHUCKLES | 0:40:08 | 0:40:11 | |
Well, we were in a bit of a rush, Phil, you see. | 0:40:11 | 0:40:14 | |
We though, "Well, we'll take it." | 0:40:14 | 0:40:16 | |
It's all gone rather well today, hasn't it? | 0:40:16 | 0:40:18 | |
We look like we're going to make a mint, Phil. | 0:40:18 | 0:40:21 | |
I'm just going to go and find myself a huge hole | 0:40:21 | 0:40:24 | |
to see if I can bury myself in it. | 0:40:24 | 0:40:25 | |
-Do you want a drink? -No, I'm fine, thanks. | 0:40:25 | 0:40:28 | |
Well, despite Philip's disapproval, the Red Team snapped up the tumbler for £50. | 0:40:28 | 0:40:33 | |
Now, let's see what Agent Scully has sniffed out for the Blues' final item. | 0:40:33 | 0:40:38 | |
-Oh, that sounds promising. -Oh, Joe... | 0:40:43 | 0:40:46 | |
-Is it decent? -Well, I think so. | 0:40:46 | 0:40:48 | |
I think that's quite good. Now, tell me what you think about it. | 0:40:48 | 0:40:52 | |
-It's a really charming piece. -So what do you put in it? | 0:40:52 | 0:40:54 | |
I don't know, a port, red wine, maybe even a hard liquor of some sort, like Scotch or something? | 0:40:54 | 0:40:59 | |
-I think it's what is termed as a claret jug. -A claret jug. | 0:40:59 | 0:41:03 | |
So the actual wine could breathe. | 0:41:03 | 0:41:05 | |
-Right, OK. -OK, I look at this, and I date it towards the end of the 19th, beginning of the 20th century. | 0:41:05 | 0:41:12 | |
This is German. At that particular time there was a move towards nationalism, | 0:41:12 | 0:41:17 | |
particularly in the arts, and they were looking back to the past. | 0:41:17 | 0:41:21 | |
And this type of ware where you're looking at something quite rural | 0:41:21 | 0:41:25 | |
and romantic they've adopted as a piece of furnishing on the table. | 0:41:25 | 0:41:29 | |
I think it's lovely. What I like also, do you see that, Carlie? | 0:41:29 | 0:41:33 | |
-Uh-huh. -What is it? -A wooden... -A wood strip. -Strip. | 0:41:33 | 0:41:38 | |
So they've used something so simple as a wood strip there | 0:41:38 | 0:41:42 | |
to emphasise the design point. I think it's lovely. | 0:41:42 | 0:41:46 | |
Nothing expensive or blingy, just a strip of wood. | 0:41:46 | 0:41:49 | |
The wood piece is what caught my eye originally. | 0:41:49 | 0:41:51 | |
-That really does stand out to me. -What do you think, Carlie? | 0:41:51 | 0:41:54 | |
I'm just not sure, I just think I probably wouldn't have it in my house. | 0:41:54 | 0:41:58 | |
-Why not? -Take a look. -I just think... | 0:41:58 | 0:42:00 | |
Let it speak to you. | 0:42:00 | 0:42:03 | |
-It's not really saying much. -It's not saying much, great, great. | 0:42:05 | 0:42:09 | |
How much would you pay for it though? That's the thing. | 0:42:09 | 0:42:11 | |
I'm going to ask for under 100. | 0:42:11 | 0:42:14 | |
I wouldn't pay more than 100, so I think maybe 80. | 0:42:14 | 0:42:17 | |
-OK. -Let's see what we can get around that. -OK, best of luck. -Thank you, guys, I'm off. -Thank you. | 0:42:17 | 0:42:23 | |
-Are you as bad as that when you go shopping for clothes? -Yeah, absolutely! | 0:42:23 | 0:42:27 | |
Time's up. Let's remind ourselves of what the Reds bought. | 0:42:29 | 0:42:34 | |
The headstrong Reds knew what they wanted, | 0:42:34 | 0:42:38 | |
starting with this mesh purse for £135. | 0:42:38 | 0:42:42 | |
Has Michael lost his way with the Victorian compass? | 0:42:42 | 0:42:45 | |
And it's not Faberge, it's not gold, it's not likely | 0:42:45 | 0:42:48 | |
to make them a profit at £50. Poor old Phil. | 0:42:48 | 0:42:51 | |
-Have a good time shopping? -Quality. -Yes, brilliant. | 0:42:51 | 0:42:53 | |
-Quality, I love it. -Quality. | 0:42:53 | 0:42:56 | |
You spent £250, which is fantastic. | 0:42:56 | 0:42:57 | |
£50 of leftover lolly goes to Philip. Now I should say, Philip, there's been a bit of a struggle today. | 0:42:57 | 0:43:04 | |
They've spent £250 on about 120 quid's worth of stuff, | 0:43:04 | 0:43:06 | |
that was the problem. | 0:43:06 | 0:43:08 | |
-Do you know what you're going to have to do with that £50? -Work miracles. | 0:43:08 | 0:43:10 | |
Miracle, miracle. Off you go Phil, and good luck. | 0:43:10 | 0:43:11 | |
Let's remind ourselves of what the Blues bought. | 0:43:11 | 0:43:14 | |
Joe pressed all the right buttons | 0:43:18 | 0:43:21 | |
when he snapped this little lot up for £65. | 0:43:21 | 0:43:25 | |
Carlie's box had David eating his hat for £36.50, and finally, | 0:43:25 | 0:43:29 | |
Joe uncovered this claret jug for less than a ton. | 0:43:29 | 0:43:33 | |
Now Carlie and Joe, you had a great time, didn't you? | 0:43:33 | 0:43:36 | |
-Fantastic time. -Did it live up to your expectations, this shopping lark? | 0:43:36 | 0:43:41 | |
-Yeah, it was excellent. -Absolutely. -Really good. -Fun. | 0:43:41 | 0:43:44 | |
You spent £191.50, which is a really queer number, but | 0:43:44 | 0:43:47 | |
there you go, £108.50 comes across to you, David Barby. | 0:43:47 | 0:43:53 | |
Right. They're quite a handful, you know, Tim. | 0:43:53 | 0:43:55 | |
-Are they? -Really, yes. I've got to find something, cos they're so determined to make profit. | 0:43:55 | 0:44:02 | |
Well, you usually do make a profit on your bonus buy, so you just have to relax up. | 0:44:02 | 0:44:06 | |
You're the genius that goes and finds these things. | 0:44:06 | 0:44:10 | |
Am I going to get out of this door? | 0:44:10 | 0:44:11 | |
I don't know, is your head small enough(?) | 0:44:11 | 0:44:14 | |
It's time to make our final trip to the auction. | 0:44:16 | 0:44:19 | |
Well, we're in a grand county, West Sussex, Wisborough Green | 0:44:24 | 0:44:28 | |
to be precise, and at Bellmans Auction House with Jonathan Prior. | 0:44:28 | 0:44:31 | |
-Good morning, Jon. -Good morning, Tim. -Great to be here. -Thank you. | 0:44:31 | 0:44:34 | |
Now, this hallmarked silver bag from Prudence and Michael, | 0:44:34 | 0:44:37 | |
it must have been a great fashion then, cos there are quite a few | 0:44:37 | 0:44:40 | |
-of these mesh bags about, aren't they? -Yeah. | 0:44:40 | 0:44:43 | |
But what would somebody do with it today, | 0:44:43 | 0:44:46 | |
because no girl's going to wear that out and about much, is she? | 0:44:46 | 0:44:49 | |
Yeah, you're not going to head out to Horsham with that, you'll get laughed at, won't you? | 0:44:49 | 0:44:52 | |
You'll get your mobile phone in there, that's it. I've priced it at £40 to £60. | 0:44:52 | 0:44:56 | |
-Have you? -Yeah. -£135 paid. -That does seem optimistic to me. | 0:44:56 | 0:45:00 | |
Then we've got this travelling compass in a crude mahogany box. | 0:45:00 | 0:45:04 | |
Nothing wrong with it. It's from that period, early 19th century. | 0:45:04 | 0:45:07 | |
-It's very simple though. Yeah, 30, £30 to £50 on that. -That's your estimate? | 0:45:07 | 0:45:10 | |
That's not too bad, £65 paid. | 0:45:10 | 0:45:12 | |
Now Prudence got very hot under the collar about her little vodka tumbler. | 0:45:12 | 0:45:18 | |
Tell us about that. | 0:45:18 | 0:45:20 | |
Well, crikey, you know the Russians have been buying big until recently. | 0:45:20 | 0:45:26 | |
-Would they be going for that? -No, it's base metal and enamel. I mean, it really... -Yes. | 0:45:26 | 0:45:29 | |
It's not silver gilt, which one would hope it would be at least. | 0:45:29 | 0:45:32 | |
-What would be your estimate then? -I'd say between £10 and £20. | 0:45:32 | 0:45:35 | |
Oh, £40 paid. | 0:45:35 | 0:45:37 | |
So they're going to need their bonus buy, let's go and have a look at it. | 0:45:37 | 0:45:41 | |
-Prudence and Mick, how are you both? -Good, Tim, how are you? -Good. | 0:45:41 | 0:45:45 | |
Look, you told us in the shopping, that little beaker, that rusty job... | 0:45:45 | 0:45:49 | |
-Yeah. -Right, that you paid £50 for that. | 0:45:49 | 0:45:52 | |
-Yeah. -You didn't pay £50 for that at all, you paid £40 for it. -Did I? | 0:45:52 | 0:45:56 | |
-Yeah, you paid £40. -Sorry, got it wrong! | 0:45:56 | 0:45:58 | |
So, actually, overall you spent £240, | 0:45:58 | 0:46:01 | |
so Philip Serrell had £60 of leftover money. | 0:46:01 | 0:46:04 | |
-So what did you spend it on, Phil? -Oh, nice! | 0:46:04 | 0:46:07 | |
-Do you like that? -Yeah, I definitely like it. -It's... -How much? -£45. | 0:46:07 | 0:46:11 | |
It's about 1880, there or thereabouts, a little two drawer | 0:46:11 | 0:46:15 | |
telescope, and I think at auction that's going to make £40 to £60. | 0:46:15 | 0:46:18 | |
You're going to let Prudence handle it then, or not? Let the girl have a go! | 0:46:18 | 0:46:21 | |
It's very nice. Well chosen, Phil, I think. | 0:46:21 | 0:46:23 | |
Oh, gosh! That's the seal of approval, isn't it? | 0:46:23 | 0:46:26 | |
So, guys, you don't decide right now. | 0:46:26 | 0:46:28 | |
You decide after the sale of your first three items, | 0:46:28 | 0:46:31 | |
but for the viewers at home, let's find out what the auctioneer thinks about Philip's spyglass. | 0:46:31 | 0:46:34 | |
Well, that seems to be quite clean and tidy. | 0:46:34 | 0:46:38 | |
Yeah, it's rather neat, isn't it? | 0:46:38 | 0:46:39 | |
Lacquered brass three-drawer telescope, mahogany sleeve, | 0:46:39 | 0:46:43 | |
it's right for the end of the 19th century, sort of circa 1880. | 0:46:43 | 0:46:45 | |
-You like it, then? -It's neat, isn't it, nice and small and dinky example, you know, £30 to £50. | 0:46:45 | 0:46:51 | |
Philip Serrell paid £45, it's his bonus buy, he's hoping for the best. | 0:46:51 | 0:46:55 | |
That's it for the Reds, now for the Blues. | 0:46:55 | 0:46:57 | |
Their first item is the jug. | 0:46:57 | 0:47:00 | |
It's quite a smart thing, nicely moulded to look like a barrel, | 0:47:00 | 0:47:05 | |
probably made on the Continent, probably Austria or Germany or something like that. | 0:47:05 | 0:47:08 | |
-What's the estimate, Jonathan? -I think probably we'll get between sort of £60 and £90 for that. | 0:47:08 | 0:47:12 | |
Well, good, I mean you need to kick on cos £90 is paid. | 0:47:12 | 0:47:16 | |
-Yeah. -But it's got a chance anyway. What about this Bavarian carved touristy novelty box? | 0:47:16 | 0:47:22 | |
People do collect this sort of carved wood, and it's nice, this high relief | 0:47:22 | 0:47:26 | |
floral bocage of edelweiss. £20 to £40 is the estimate for this one. | 0:47:26 | 0:47:31 | |
£36.50 they paid. | 0:47:31 | 0:47:33 | |
-They might just get that. -Now what about the buttons, they look flash, don't they? | 0:47:33 | 0:47:37 | |
They do, aren't they smart? Sort of rococo-type scrolling to it, it's very smart, really. | 0:47:37 | 0:47:41 | |
-Yes. -I think we're going to get somewhere between £50 and £70 pounds for them for sure. | 0:47:41 | 0:47:44 | |
Oh, that's great, £65 paid, and who knows, you might make 80! | 0:47:44 | 0:47:48 | |
Overall though, they might well need their bonus buy, so let's go and have a look at it. | 0:47:48 | 0:47:52 | |
So you two cats, you OK? | 0:47:52 | 0:47:54 | |
-We're good. -Yeah, yeah. -You're good. | 0:47:54 | 0:47:56 | |
You spent £191.50, you should be good, you gave David £108.50, what did he spend all that money on? | 0:47:56 | 0:48:01 | |
-Let's see. -Well, a cornucopia of riches. | 0:48:01 | 0:48:04 | |
-Rather like that. -Interesting. Why did you purchase this? | 0:48:04 | 0:48:07 | |
I had ten minutes. | 0:48:07 | 0:48:11 | |
They told me I would have half an hour to do shopping, | 0:48:11 | 0:48:14 | |
and when I got to the shops they'd all closed down except for one, | 0:48:14 | 0:48:17 | |
and there was this on the shelf, I thought, "That's absolutely beautiful." | 0:48:17 | 0:48:21 | |
They originally wanted £70 for it, I got it down for £40. I think it's rather nice. | 0:48:21 | 0:48:24 | |
It's sort of late Regency coming into William the Fourth. | 0:48:24 | 0:48:27 | |
-Well, how much profit do you think it'll make? -Somewhere between 60 and 70. | 0:48:27 | 0:48:31 | |
And all you have to do is to hold that thought. | 0:48:31 | 0:48:33 | |
You heard him say £60 to £70, you may or may not need to take | 0:48:33 | 0:48:37 | |
this cornucopia of delights, | 0:48:37 | 0:48:39 | |
but for the viewers at home, let's find out what the auctioneer thinks about it. | 0:48:39 | 0:48:45 | |
So, is this a cornucopia of delights? | 0:48:45 | 0:48:48 | |
A cornucopia of something. | 0:48:48 | 0:48:51 | |
As a pair it would be very nice in top order, but one or two minor imperfections to the rim there... | 0:48:51 | 0:48:57 | |
That's a great lump out of a scalloped edge | 0:48:57 | 0:49:00 | |
So your most bullish and brave estimate on this is how much, Jonathan? | 0:49:00 | 0:49:05 | |
-£40 to £60. -£40 to £60. Well, good luck. | 0:49:05 | 0:49:08 | |
Last chance. | 0:49:16 | 0:49:17 | |
-Now, Mike and Pru. -Yes. | 0:49:17 | 0:49:19 | |
-How are you feeling? -Bit nervous. | 0:49:19 | 0:49:21 | |
-A bit nervous. -What have you got to be nervous about? | 0:49:21 | 0:49:24 | |
Nothing, I'm quite confident. | 0:49:24 | 0:49:25 | |
-You just said you were nervous! -No, changed my mind. | 0:49:25 | 0:49:28 | |
-Confidently nervous. -Positive mental attitude. | 0:49:28 | 0:49:31 | |
-Is that was it is? -Yeah. -Is that your secret weapon today? | 0:49:31 | 0:49:35 | |
-The silver handbag's going to make a fortune. -You reckon? | 0:49:35 | 0:49:38 | |
A silver mesh purse, London, 1921 with the engraved clasp, | 0:49:38 | 0:49:41 | |
To start me in at £55, £55, it's bid with me at £55, | 0:49:41 | 0:49:45 | |
60, 65, 70, 75, 80, 85, | 0:49:45 | 0:49:51 | |
£85, against you then at £85. Do you wish to bid £90? | 0:49:51 | 0:49:54 | |
Are we all done at £85? I'll sell, last chance at 85. | 0:49:54 | 0:49:58 | |
£85. | 0:49:58 | 0:50:00 | |
-That's not bad. -That's 50 short. | 0:50:00 | 0:50:02 | |
That's minus £50, that. | 0:50:02 | 0:50:04 | |
Look out, here comes the compass. | 0:50:04 | 0:50:06 | |
Now we've got 14-91A, a mahogany case pocket compass circa 1830. | 0:50:06 | 0:50:10 | |
-Start me £70, straight in at £70. -I don't believe it. -£70 and I'll take five. | 0:50:10 | 0:50:13 | |
Straight in, then, lots of interest, at £70 I'll sell. | 0:50:13 | 0:50:16 | |
Two in the book, it's £70, you're all done. | 0:50:16 | 0:50:19 | |
I don't believe it, £70, plus £5. | 0:50:19 | 0:50:23 | |
Minus £45. | 0:50:23 | 0:50:25 | |
All to play for. | 0:50:25 | 0:50:28 | |
A Russian gilt metal and enamel spirit tumbler. | 0:50:28 | 0:50:30 | |
-I have to start at £10. -£10. | 0:50:30 | 0:50:32 | |
Do we have ten, £10? | 0:50:32 | 0:50:34 | |
12, 15, 18, 20, 22... | 0:50:34 | 0:50:40 | |
25. | 0:50:40 | 0:50:41 | |
£28 anywhere else, with me at £25. | 0:50:41 | 0:50:44 | |
At 25 against you then, at £25, and I'll sell at £25. | 0:50:44 | 0:50:49 | |
£25, Pru, this has not gone your way today, has it? Minus £15 on that. | 0:50:49 | 0:50:55 | |
So far Pru, on your choices you've lost £65. Right. | 0:50:55 | 0:51:00 | |
But Mick the hero has made a £5 profit, so overall you are just minus £60. Minus £60. | 0:51:00 | 0:51:08 | |
-So what about this telescope lark? -Gotta go for it. -We've got to go for it. | 0:51:08 | 0:51:11 | |
We have a lacquered brass two drawer telescope | 0:51:11 | 0:51:15 | |
circa 1880 with a mahogany sleeve. | 0:51:15 | 0:51:17 | |
I've got to start straight in at £25 is bid. 28 and 30. 32, 35. | 0:51:17 | 0:51:25 | |
38 and 40. | 0:51:25 | 0:51:26 | |
42, 45, £48 courtesy commission. | 0:51:26 | 0:51:29 | |
-£48, 50 anyone? -Well, two of us were all right. | 0:51:29 | 0:51:33 | |
£48, and I'm selling at £48. | 0:51:33 | 0:51:39 | |
£48, good man. And that is a £2 profit, no it isn't, that is a £3 | 0:51:39 | 0:51:44 | |
profit, which is great, so you are £57 down the drain. | 0:51:44 | 0:51:47 | |
Now that could be a winning score, it's very difficult to make a profit on Bargain Hunt, we know that, | 0:51:47 | 0:51:53 | |
-so don't tell the Blues a thing, all right? -OK, we won't. | 0:51:53 | 0:51:56 | |
Carlie, Joe, have you been talking to the Reds? No, not at all? | 0:52:00 | 0:52:03 | |
-You don't know how they got on? -No. -Good, we don't want you to. | 0:52:03 | 0:52:06 | |
-Now the first item that comes up is yours, Joe. -Yes. | 0:52:06 | 0:52:08 | |
A late 19th century German glass and pewter banded claret jug of coopered design. | 0:52:08 | 0:52:15 | |
-Start me at £50 for this... Start me at £50... 30, then. -Oh. | 0:52:15 | 0:52:20 | |
£30 waving at the back, at £30. £30, I'll take two. | 0:52:20 | 0:52:24 | |
32 now, 35, 38, and 40, 45. And 50. | 0:52:24 | 0:52:30 | |
-£50, gentleman by the flowers. -Oh, come on, come on. | 0:52:30 | 0:52:34 | |
£50, £5 anywhere else? At £50 by the flowers, at £50. | 0:52:34 | 0:52:37 | |
At £50 and I'll sell at 50, last chance, at £50, all done. | 0:52:37 | 0:52:40 | |
-That is minus £40. -That's so disappointing. | 0:52:40 | 0:52:44 | |
-Sorry about that, Joe. -It's all right. -Joe... -I know. | 0:52:44 | 0:52:46 | |
A late 19th century Continental carved walnut box. | 0:52:46 | 0:52:48 | |
-Tenner. -Oh, god. -Ten is bid, thank you, at ten, £10, | 0:52:48 | 0:52:51 | |
looking for 12 now, 12 with the lady, 15 he's gone, 20, 22... | 0:52:51 | 0:52:57 | |
-Come on. -Come on. -25? | 0:52:57 | 0:53:00 | |
No, he says. £22, on the left there was someone. | 0:53:00 | 0:53:01 | |
£22 standing left, on the right there, 25, there we go. | 0:53:01 | 0:53:05 | |
-Yes! -28, 30. £30 to the lady. | 0:53:05 | 0:53:08 | |
Do you bid at the front? Yes, he does. 32, 35, 38... | 0:53:08 | 0:53:12 | |
Yes! | 0:53:12 | 0:53:14 | |
£38 the gentleman now, at £38. | 0:53:14 | 0:53:16 | |
-Go on! Go on, go on. -Any further interest at £38? | 0:53:16 | 0:53:19 | |
It's gone to 40. | 0:53:19 | 0:53:21 | |
-Yes! -No, he's shaking his head now. With the lady at £40. | 0:53:21 | 0:53:24 | |
£40 it is then and selling, last chance. £40... | 0:53:24 | 0:53:29 | |
-Yes. £40, thank goodness. -I did dislike that one! | 0:53:29 | 0:53:33 | |
That's £3.50. | 0:53:33 | 0:53:34 | |
-£3.50 is a heck of a profit. -It's good though, it's good. | 0:53:34 | 0:53:38 | |
Lot 15-12 A, a set of boxed silver buttons | 0:53:38 | 0:53:41 | |
of scroll form. | 0:53:41 | 0:53:44 | |
Start me straight in at £100. | 0:53:44 | 0:53:47 | |
£100 is bid. Do I see ten, £100, with me at £100. | 0:53:47 | 0:53:51 | |
-110, 120. Do you want 130? -Yes, keep going. | 0:53:51 | 0:53:53 | |
Something's happening. | 0:53:53 | 0:53:55 | |
Are you sure? £120 then, 120. | 0:53:55 | 0:53:57 | |
-Keep going, keep going. -30 anywhere else? | 0:53:57 | 0:53:59 | |
All done, £120, last chance, 120. | 0:53:59 | 0:54:04 | |
Yes! | 0:54:04 | 0:54:05 | |
£120 pounds, I don't believe that, look. | 0:54:05 | 0:54:08 | |
You are £18.50 up, how good is that? | 0:54:08 | 0:54:12 | |
-Not bad. -Yes. -It's not bad. -£18.50. Perfect. Now what are you going to do about the bonus buy? | 0:54:12 | 0:54:16 | |
This is so difficult, because frankly you were... | 0:54:16 | 0:54:19 | |
When you're up... | 0:54:19 | 0:54:21 | |
You're up £18.50, yes? | 0:54:21 | 0:54:23 | |
-Shall we go for it? -I hate it, but... | 0:54:23 | 0:54:25 | |
-You hate it? -Yeah. -You really do hate it? | 0:54:25 | 0:54:27 | |
-What's to lose, right? -£40 to lose actually. | 0:54:27 | 0:54:29 | |
And it could be a winning score, this £18.50. | 0:54:29 | 0:54:31 | |
-We're only doing this once. -I don't think so. | 0:54:31 | 0:54:34 | |
You don't think we should do it? | 0:54:34 | 0:54:35 | |
-You're not going to go for it? -No. -Definitely? -Definitely. | 0:54:35 | 0:54:37 | |
-Right. No for the bonus buy, -Early Victorian glass cornucopia spill vase. | 0:54:37 | 0:54:43 | |
Who'll start me at 40 for this? Start me at £20 then... | 0:54:43 | 0:54:46 | |
£20, he's bid on the left at £20, do I see two? | 0:54:46 | 0:54:48 | |
Maiden bid of £20, two anywhere else? | 0:54:48 | 0:54:50 | |
At £20, at £20, this is it at 20. | 0:54:50 | 0:54:54 | |
22 now with the lady, 25, 28, 30... | 0:54:54 | 0:54:56 | |
-No, no, no, no, no. -£30 still with the gentleman. | 0:54:56 | 0:54:59 | |
-Standing still at £30. Two anywhere else? -No. | 0:54:59 | 0:55:01 | |
-£30 with the gentleman then, selling at 30, last chance at £30. -Yes. | 0:55:01 | 0:55:06 | |
-Yes. -You were right! | 0:55:06 | 0:55:08 | |
-Good call. -£30. Now that was not an easy shout for you, was it? | 0:55:08 | 0:55:13 | |
-No, it wasn't. -It wasn't. -You really didn't like it. | 0:55:13 | 0:55:15 | |
-No, I didn't. -And you wanted it. | 0:55:15 | 0:55:17 | |
-Absolutely. -You would have persuaded her. | 0:55:17 | 0:55:19 | |
That's true, but I went with her, and I trusted her, and it won. It did well. | 0:55:19 | 0:55:23 | |
So minus £10, but you did very well not to go with that. | 0:55:23 | 0:55:26 | |
-Excellent. -So, minus £10, but it doesn't count. | 0:55:26 | 0:55:29 | |
Overall, then, you are £18.50 up, you conserved your profits and | 0:55:29 | 0:55:35 | |
it's been a very good game. | 0:55:35 | 0:55:37 | |
Now don't tell the Reds a thing, right? | 0:55:37 | 0:55:39 | |
-OK. -Cos £18.50 could be a winning score. | 0:55:39 | 0:55:42 | |
This is the moment to reveal the winner and the runner up. | 0:55:47 | 0:55:51 | |
And the runner up today are the Reds. | 0:55:51 | 0:55:55 | |
-Ooh! -Minus £57 is not a great score, is it? | 0:55:55 | 0:55:59 | |
It's not bad, I've heard worse. | 0:55:59 | 0:56:01 | |
You've heard worse. But not good enough, I'm afraid. | 0:56:01 | 0:56:03 | |
-Apparently not. -So bad luck on that, all right. | 0:56:03 | 0:56:07 | |
They're obviously having hysterics in the background here, | 0:56:07 | 0:56:12 | |
cos they just can't contain themselves with the joy of it all. | 0:56:12 | 0:56:15 | |
£55 profit on those buttons, Joe, that is a stonker, isn't it? | 0:56:15 | 0:56:19 | |
-That's right, absolutely. -And not bad Carlie, £3.50, | 0:56:19 | 0:56:21 | |
-darling, on the little box. -Indeed, it's all right. | 0:56:21 | 0:56:24 | |
Which was loathed at various times, so congratulations on that. | 0:56:24 | 0:56:28 | |
Overall then, it finished up at £18.50. | 0:56:28 | 0:56:32 | |
There is £18, yes... | 0:56:32 | 0:56:34 | |
-Excellent. -And not quite, there you go, there's £18.50. | 0:56:34 | 0:56:37 | |
-Well, I hope you'll report favourably to the FBI about it when you make it back to America. -Absolutely. | 0:56:37 | 0:56:44 | |
Anyway, both teams have been fantastic, great fun, can't thank you enough for coming on the programme. | 0:56:44 | 0:56:48 | |
-But join us soon for some more bargain hunting, yes? -Yes! | 0:56:48 | 0:56:52 | |
Subtitles by Red Bee Media Ltd | 0:57:04 | 0:57:08 |