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-And action! -Yes, we're off. | 0:00:06 | 0:00:10 | |
We've got two teams. | 0:00:10 | 0:00:11 | |
We've also got two experts. So what are we waiting for? | 0:00:11 | 0:00:14 | |
Let's go bargain hunting. | 0:00:14 | 0:00:17 | |
Welcome to the Oswestry Showground in Shropshire. | 0:00:44 | 0:00:47 | |
It's all going on in today's programme. | 0:00:47 | 0:00:50 | |
Coming up... Charles goes on the charm offensive for the Reds... | 0:00:50 | 0:00:54 | |
I like the dress you're wearing today. | 0:00:54 | 0:00:56 | |
..while Jonathan has to prove his credentials to the blue team. | 0:00:56 | 0:01:00 | |
You know what? Anybody would think you were an expert. | 0:01:00 | 0:01:02 | |
But at auction, will they all be in for a shock? | 0:01:02 | 0:01:05 | |
The ministry that is Bargain Hunt | 0:01:08 | 0:01:10 | |
are a faithful flock and they clearly know what the rules are. | 0:01:10 | 0:01:14 | |
But, for those who are inexperienced in these matters, I'll repeat them. | 0:01:14 | 0:01:18 | |
Each team gets £300 and an hour to shop for three items which are taken away and sold at auction. | 0:01:18 | 0:01:25 | |
The team that makes the most profit, wins. | 0:01:25 | 0:01:27 | |
Let's go and meet today's teams. | 0:01:27 | 0:01:31 | |
Today we have little sister Roxanne with her big brother, Lance, for the Reds. Welcome. | 0:01:31 | 0:01:38 | |
And two pastors for the Blues, Rob and Phil. | 0:01:38 | 0:01:41 | |
Welcome to Bargain Hunt. Very nice to see you. | 0:01:41 | 0:01:44 | |
So Roxanne, you're quite accustomed to this acting lark, aren't you? | 0:01:44 | 0:01:48 | |
Yes, I am. I've been in a small budget film around the local area called Vicious Culture. | 0:01:48 | 0:01:54 | |
And what were you in Vicious Culture? | 0:01:54 | 0:01:56 | |
I was a mean solicitor, and I sent down an innocent man. | 0:01:56 | 0:02:01 | |
-Did you really? -Yes, it was really bad. -That's terrible. | 0:02:01 | 0:02:05 | |
-I know. -So you're interested in cameras and all that, then? | 0:02:05 | 0:02:08 | |
I don't like them but I like what they can make me look like, if you like! | 0:02:08 | 0:02:12 | |
Well, I hope you're going to be pleased with how you appear on Bargain Hunt. | 0:02:12 | 0:02:16 | |
But you've done some driving awareness videos. | 0:02:16 | 0:02:18 | |
Yeah, I was the backing vocals for a song that a young girl wrote around my area. | 0:02:18 | 0:02:24 | |
That's hopefully going out to local schools around Wales, | 0:02:24 | 0:02:28 | |
just to basically make people be a bit more careful on the roads. | 0:02:28 | 0:02:32 | |
Good. And are you working at the moment or are you still a student? | 0:02:32 | 0:02:36 | |
I'm a full-time barmaid and waitress. | 0:02:36 | 0:02:38 | |
-Are you? -Yes. -And where do you do that? | 0:02:38 | 0:02:41 | |
Just at a local holiday camp. | 0:02:41 | 0:02:43 | |
-Uh-huh. Hi-de-hi? -Yes. -Red coat? -Hi-de-ho. | 0:02:43 | 0:02:46 | |
-No, unfortunately not. -And you take part in triathlons and all of that. | 0:02:46 | 0:02:50 | |
Yeah, I've been part of the London Triathlon 2008, | 0:02:50 | 0:02:53 | |
raising money for epilepsy charities and things like that. | 0:02:53 | 0:02:56 | |
Well, you're obviously very charitably motivated, which is lovely, Roxanne. | 0:02:56 | 0:03:00 | |
And I hope you do well today. Lance, what do you do with yourself? | 0:03:00 | 0:03:04 | |
-I'm a chef at a local hotel. -And when did you start cooking? | 0:03:04 | 0:03:07 | |
I started cooking when I was about 14, just doing starters and things, and built it up from there. | 0:03:07 | 0:03:12 | |
Do you cook for yourself at home? | 0:03:12 | 0:03:14 | |
Do you like cooking kind of for relaxation or is it just too much? | 0:03:14 | 0:03:17 | |
Yeah, I do like cooking but obviously when you're working a lot, | 0:03:17 | 0:03:21 | |
cooking with food, when you get home it's nice to just relax. | 0:03:21 | 0:03:24 | |
-And is it interesting, cooking a new dish and creating a new menu? -Definitely, yeah. | 0:03:24 | 0:03:30 | |
When you create a new menu, the menu changes probably every couple of days or so, so always busy. | 0:03:30 | 0:03:35 | |
-Good for you. Anyway, you're up for the challenge today, you two? -Yeah. -Oh, yes. | 0:03:35 | 0:03:39 | |
And I think you're a smashing couple. | 0:03:39 | 0:03:41 | |
Anyway, good luck. Now, Rob, you've been a pastor now for five years. | 0:03:41 | 0:03:45 | |
-That's right, yes. -So what lead you into this line of work? | 0:03:45 | 0:03:48 | |
For the last 21 years, I've been involved in industry | 0:03:48 | 0:03:51 | |
as an operations manager, but for the last six years, I guess, well, | 0:03:51 | 0:03:55 | |
-six years ago I felt the call of God on my life. -So what happens? | 0:03:55 | 0:03:58 | |
In the middle of the night do you get a thunderbolt come? A vision? What is it? | 0:03:58 | 0:04:02 | |
-It's something that builds over a number of months. -Oh, I see. | 0:04:02 | 0:04:06 | |
It's something that you discuss with your family. And I've got a wife and | 0:04:06 | 0:04:09 | |
three children, three daughters, so it was a big decision for the family. | 0:04:09 | 0:04:12 | |
-Were you a practising Christian before? -Yes. | 0:04:12 | 0:04:15 | |
So you had discovered God. | 0:04:15 | 0:04:17 | |
That's right. Since 1985. | 0:04:17 | 0:04:18 | |
Well, you've made your bed and now you're in it. Are you happy? | 0:04:18 | 0:04:22 | |
-Very, very happy. -That's the main thing, isn't it? | 0:04:22 | 0:04:25 | |
Good on you. And how did you meet Phil? | 0:04:25 | 0:04:27 | |
Part of the theological training that I was doing was to spend some time at a church, and that happened to be | 0:04:27 | 0:04:33 | |
in Wem, and the church was Wem Baptist Church. | 0:04:33 | 0:04:37 | |
And, lo and behold, this fella was the pastor there. | 0:04:37 | 0:04:39 | |
And I've been trying to escape ever since! | 0:04:39 | 0:04:42 | |
Phil, do you enjoy the job, then? | 0:04:42 | 0:04:45 | |
Oh, yes. Best job in the world. | 0:04:45 | 0:04:46 | |
We do stuff, it's great to be able to give good news in a bad-news world. We love doing our job. | 0:04:46 | 0:04:51 | |
You've been out and about and had a few accidents on windy days, haven't you? | 0:04:51 | 0:04:55 | |
Yeah, when I first went into the ministry a number of years ago, | 0:04:55 | 0:04:59 | |
I managed to drop my Bible at a funeral, at a graveside. | 0:04:59 | 0:05:03 | |
I dropped it in the hole. | 0:05:03 | 0:05:05 | |
Which wasn't very good. The wind caught it and it kind of fell in. | 0:05:05 | 0:05:08 | |
-What d'you do - nip in and get it back? -Fortunately, I had a very, very good funeral director | 0:05:08 | 0:05:13 | |
who fetched it back out for me. | 0:05:13 | 0:05:15 | |
I suppose he has one of those long arm type things? | 0:05:15 | 0:05:17 | |
-It doesn't happen very often, apparently. -Apparently not. Just as well! | 0:05:17 | 0:05:21 | |
Anyway, I hope you have a great time today on Bargain Hunt. | 0:05:21 | 0:05:24 | |
We come to the money moment. Here you go. | 0:05:24 | 0:05:27 | |
£300 apiece. You know the rules. | 0:05:27 | 0:05:29 | |
Your experts await. Off you go, and very, very good luck. | 0:05:29 | 0:05:33 | |
So, will the Blues find anything of virtue, | 0:05:33 | 0:05:37 | |
or will the Reds be serving us up three tremendous courses? | 0:05:37 | 0:05:42 | |
To do that, our teams are going to need some expert help today. | 0:05:42 | 0:05:46 | |
So it's full steam ahead for the Reds with Charles Hanson, | 0:05:46 | 0:05:49 | |
and making sure that the Blues stay on track is Jonathan Pratt. | 0:05:49 | 0:05:53 | |
-Good luck. -Thank you very much. -You'll need it. | 0:05:53 | 0:05:56 | |
So they've got one hour, two experts and an abundance | 0:05:56 | 0:05:59 | |
of bargains to browse. So they'd better get cracking. | 0:05:59 | 0:06:02 | |
-Oh, wow. -Some really nice objects. | 0:06:10 | 0:06:12 | |
-Do you like them? -They're horrible. | 0:06:12 | 0:06:15 | |
You said you were looking for a violin. | 0:06:15 | 0:06:17 | |
It's about your size, isn't it? | 0:06:17 | 0:06:19 | |
-Here you are, Rob. It's a sat nav! -Let's focus. | 0:06:19 | 0:06:23 | |
Looks like Jonathan might need the patience of a saint with this pair. | 0:06:23 | 0:06:28 | |
-See that? -You know, I saw that. | 0:06:28 | 0:06:30 | |
I'm purposefully covering my thumb over that because the shape of that, | 0:06:30 | 0:06:35 | |
it shows you a little bit of the neo-classical influence of the late 19th century, and the | 0:06:35 | 0:06:40 | |
sharpness of the edge, it's not a piece of heavily cabinet made stuff. | 0:06:40 | 0:06:44 | |
It's usable but the mirror is a bit sort of mottled. | 0:06:44 | 0:06:48 | |
Small, functional items in homes are very easy. | 0:06:48 | 0:06:51 | |
That's what your missus says about you all the time. | 0:06:51 | 0:06:53 | |
-What, useless? -No, no...! -I didn't say that! | 0:06:53 | 0:06:57 | |
Anyway, look at that. Small, functional and very useful. | 0:06:58 | 0:07:02 | |
Thank you very much. | 0:07:02 | 0:07:03 | |
15 quid. At auction, you sell things rarely for less than 15 quid. | 0:07:03 | 0:07:07 | |
You know what? Anyone would think you were an expert. | 0:07:07 | 0:07:09 | |
Well, I'm convincing. I bet you get the same reaction in church. | 0:07:09 | 0:07:13 | |
Let's have a chat with the stall holder on that one. | 0:07:13 | 0:07:16 | |
So, while the blue team reflect on the oak wall mirror... | 0:07:17 | 0:07:20 | |
It's got all of its anatomy. | 0:07:20 | 0:07:22 | |
..the Reds continue their search, | 0:07:22 | 0:07:24 | |
but they don't look like they're about to make any snap decisions. | 0:07:24 | 0:07:28 | |
We'll come back and get that one if we can't find anything else. | 0:07:28 | 0:07:32 | |
The Blues, on the other hand, might just be about to make their first buy of the day. | 0:07:32 | 0:07:37 | |
We'll give you a tenner. Tell you what, 11 quid. | 0:07:37 | 0:07:41 | |
Brilliant. Nice one. | 0:07:41 | 0:07:43 | |
That's how you do it, Blues. | 0:07:43 | 0:07:45 | |
-It's OK. I didn't break it. -And that's how you DON'T do it, Reds. | 0:07:45 | 0:07:50 | |
-We'll have a think about it. -Yeah, can we come back? | 0:07:50 | 0:07:53 | |
-Thank you awfully. -My advice is, less thinking, more buying. | 0:07:53 | 0:07:57 | |
You've had over half an hour already. | 0:07:57 | 0:08:00 | |
-How often do they come up? -Not very often. It's very decorative. | 0:08:00 | 0:08:04 | |
How much is the Poole uplighter? | 0:08:04 | 0:08:08 | |
-50. -It's a colourful thing. | 0:08:08 | 0:08:11 | |
But at 45, I'd say 40, maybe. | 0:08:11 | 0:08:14 | |
-40, go on, then. -I wouldn't have said 40. | 0:08:14 | 0:08:16 | |
I'd have said 30. | 0:08:16 | 0:08:19 | |
Don't listen to him! What does he know? | 0:08:19 | 0:08:22 | |
I'll tell you what I know - you'll get 65. It all depends at auction. | 0:08:22 | 0:08:27 | |
-30 quid. -35. | 0:08:27 | 0:08:31 | |
-They're a couple of vicars. -35, go on, then. Yeah, go on. | 0:08:31 | 0:08:34 | |
It's decorative. | 0:08:34 | 0:08:38 | |
I don't like it, but it's always very popular. | 0:08:38 | 0:08:40 | |
Our ministers see the light and buy it with just £46 spent in total, thanks to some ruthless bargaining. | 0:08:43 | 0:08:48 | |
-Get a move on! -We're coming, we're coming, we're coming. | 0:08:48 | 0:08:52 | |
Charles's team, meanwhile, have yet to spend a single penny. | 0:08:52 | 0:08:56 | |
There we are. Look at that. | 0:08:56 | 0:08:58 | |
Is it Charles Horner, or do we know who it's by? | 0:08:58 | 0:09:01 | |
And the date code must be, what? | 0:09:01 | 0:09:04 | |
-I'm not sure, actually. -It's like a Blue Peter badge. | 0:09:04 | 0:09:06 | |
In fact it's Chester silver, and Chester stopped hallmarking in 1962. | 0:09:06 | 0:09:12 | |
-It's arts and crafts, quite stylish. -I used to live in Chester. | 0:09:12 | 0:09:15 | |
Fantastic. Well, there you go. | 0:09:15 | 0:09:17 | |
-Perfect. -Can I have a look? It reminds me of Blue Peter! | 0:09:17 | 0:09:22 | |
Here's one I made earlier, OK? | 0:09:22 | 0:09:24 | |
I really like that. Do you like that, Lance? | 0:09:24 | 0:09:27 | |
Very stylish. Like your earrings, aren't they, a bit? | 0:09:27 | 0:09:30 | |
I love your beads, by the way. You look very attractive in the beads. | 0:09:30 | 0:09:34 | |
Are they for sale? | 0:09:34 | 0:09:37 | |
We've got the lion passant, we all know that, sterling silver, and the maker's mark and the date code here. | 0:09:37 | 0:09:42 | |
Date letter X would make it George V, circa 1915-20. | 0:09:42 | 0:09:47 | |
What I'm doing, Lance, is making sure the actual clasp has never been obviously been re-inset. | 0:09:47 | 0:09:52 | |
I'm happy that it probably isn't. | 0:09:52 | 0:09:55 | |
The lady has said we can have it for £20 which, | 0:09:57 | 0:09:59 | |
-to me, is quite reasonable. -Would you mind buying a brooch, Lance? | 0:09:59 | 0:10:03 | |
No, I'm not buying it for myself! | 0:10:03 | 0:10:05 | |
I like it. It's very nice. | 0:10:05 | 0:10:08 | |
It's got that very sort of Celtic feel about it. The arts and crafts. | 0:10:08 | 0:10:11 | |
Is there any lower price on it? Would you do it for any lower? | 0:10:11 | 0:10:14 | |
I think 20 is a good price, really. | 0:10:14 | 0:10:16 | |
Yeah, you're going to settle on 20. | 0:10:16 | 0:10:18 | |
Not £18, maybe? | 0:10:18 | 0:10:21 | |
She's very good. | 0:10:21 | 0:10:22 | |
It's brother and sister, you see. | 0:10:22 | 0:10:24 | |
I'm looking for the best I can get for it, basically. | 0:10:24 | 0:10:28 | |
-I do 18. -Good lady. We'll take it. | 0:10:28 | 0:10:31 | |
-Thanks, madam. -Finally, after 45 minutes of indecisive dithering, | 0:10:31 | 0:10:34 | |
the red team buy their very first item. | 0:10:34 | 0:10:38 | |
..Oh! My nose! | 0:10:38 | 0:10:40 | |
And now it looks like the blue team are more focused on mucking about, | 0:10:40 | 0:10:44 | |
-this could be a chance for the Reds to catch up. -More tea, vicar? | 0:10:44 | 0:10:48 | |
More tea, vicar! That is a good idea! | 0:10:48 | 0:10:50 | |
-That's nice, isn't it? That's beautiful. -Silver flask. | 0:10:56 | 0:11:01 | |
What you've got first and foremost is an enamel lid. | 0:11:01 | 0:11:04 | |
It quite clearly screws open like that. | 0:11:04 | 0:11:07 | |
There you've got, you'd have had a stopper inside. | 0:11:07 | 0:11:11 | |
It's, I suppose, a little decanter, a little spirit flask. | 0:11:11 | 0:11:15 | |
Sweet. Look at that wonderful chaste design. Can you see in the light? | 0:11:15 | 0:11:19 | |
-Nice find, that. -So it's supposed to have the stopper in it? | 0:11:19 | 0:11:22 | |
It would have a stopper originally. It wouldn't be difficult to replace. | 0:11:22 | 0:11:25 | |
I've never really seen them with enamel as the lid before. | 0:11:25 | 0:11:28 | |
-Normally it's... -It's unusual, isn't it? | 0:11:28 | 0:11:31 | |
The hallmark is London. It must be about 1918, | 0:11:33 | 0:11:36 | |
so it's George V. A nice object. | 0:11:36 | 0:11:38 | |
Do you think something like that would do well in auction? | 0:11:38 | 0:11:41 | |
I think it would. Maybe all you're missing also, you may have had a silver cup on here. | 0:11:41 | 0:11:46 | |
You'd then serve yourself. | 0:11:46 | 0:11:48 | |
Would you agree, madam? Exactly. | 0:11:48 | 0:11:49 | |
Your price, £75. | 0:11:49 | 0:11:52 | |
Hopefully you've got your book there and you can... | 0:11:52 | 0:11:54 | |
60? | 0:11:57 | 0:11:59 | |
The sweet thing is, the quality is superb. | 0:11:59 | 0:12:02 | |
-But it's just that silver sleeve. -Would 50 help? | 0:12:02 | 0:12:06 | |
I do like that. I do like that a lot. | 0:12:06 | 0:12:09 | |
You like it. So why don't you buy it, Roxy? | 0:12:09 | 0:12:11 | |
Anyway, let's take a breather now from the teams and have a look at MY catch of the day. | 0:12:11 | 0:12:16 | |
Hello. Here's trouble. | 0:12:17 | 0:12:20 | |
Well, there would be trouble if you'd one of these in your pond. | 0:12:20 | 0:12:23 | |
These pike are vicious killers. Just look at the teeth on this thing. | 0:12:23 | 0:12:28 | |
Of course, the French like to eat them. | 0:12:28 | 0:12:31 | |
Anyway, this thing doesn't particularly appeal to me | 0:12:31 | 0:12:35 | |
as a culinary delight, | 0:12:35 | 0:12:38 | |
but it is a bit of a delight when it comes to the old taxidermy. | 0:12:38 | 0:12:41 | |
I'm endlessly fascinated by how the old fashioned taxidermist | 0:12:41 | 0:12:45 | |
went about removing all the flesh and bones from a dead specimen, and then replaced | 0:12:45 | 0:12:52 | |
the interior with kapok, having wrapped the surface in arsenic | 0:12:52 | 0:12:58 | |
to prevent the actual scaly skin from decomposing. | 0:12:58 | 0:13:03 | |
The fellow that did this one, I reckon, did it in about 1880, | 0:13:03 | 0:13:07 | |
but he has made an attempt | 0:13:07 | 0:13:09 | |
at the river bed, with scattering a few mussel shells along the bottom | 0:13:09 | 0:13:14 | |
and inserting some dried grass to give you the semblance of weed | 0:13:14 | 0:13:18 | |
on the bottom of the riverbed. | 0:13:18 | 0:13:21 | |
It's a handsome fish. Taxidermy is ever more collectible, | 0:13:21 | 0:13:26 | |
particularly the older pieces. | 0:13:26 | 0:13:28 | |
This has got the right age. | 0:13:28 | 0:13:31 | |
The case needs a bit of tickling up, but I reckon this thing, | 0:13:31 | 0:13:34 | |
at £200, which is what it would cost you to buy, isn't too bad. | 0:13:34 | 0:13:40 | |
In fact, one might say that it's a bit of a fishy bargain. | 0:13:40 | 0:13:45 | |
Now, let's see if those teams are still fishing around for their last items. | 0:13:45 | 0:13:49 | |
Got any local watches or anything? Anything made locally? | 0:13:54 | 0:13:58 | |
It's difficult, because they're usually big, city-made things. | 0:13:58 | 0:14:01 | |
To me, that looks new. | 0:14:01 | 0:14:02 | |
-Yeah, yeah. -Like, spanking. | 0:14:02 | 0:14:05 | |
Just cleaned the surface. That has had very little use. | 0:14:05 | 0:14:09 | |
-What's that going for? -He's asking 75 for it. | 0:14:10 | 0:14:14 | |
If I have a gold plated pocket watch which comes in, | 0:14:14 | 0:14:17 | |
I'll immediately say | 0:14:17 | 0:14:19 | |
30-40, £40-£60. | 0:14:19 | 0:14:22 | |
Whatever the guy's best price on that would be... | 0:14:22 | 0:14:24 | |
We can debate that. | 0:14:24 | 0:14:26 | |
That's the Liverpool one, you see. | 0:14:26 | 0:14:27 | |
That one is better. Do you know why? | 0:14:27 | 0:14:30 | |
Because it ticks with the right accent. | 0:14:30 | 0:14:32 | |
-You've got to be kidding! -It does. | 0:14:32 | 0:14:34 | |
-It goes, "Tick, tock." -Personally, I'd say the gold plated one would be easier to sell. | 0:14:34 | 0:14:40 | |
So we might come back and have a discussion about that one. | 0:14:40 | 0:14:44 | |
Can we keep that somewhere? | 0:14:44 | 0:14:47 | |
We will come back. But that helps us. That's a nice start. | 0:14:47 | 0:14:50 | |
Nice one, good start. | 0:14:50 | 0:14:52 | |
It looks like indecision could be catching today. | 0:14:52 | 0:14:55 | |
-We've only got seven minutes left, and we've got two objects to find. -OK. | 0:14:55 | 0:15:00 | |
If I were you, I'd go back to the flask! | 0:15:00 | 0:15:03 | |
-Your sort of thing, that... -Hello. | 0:15:03 | 0:15:06 | |
Get a move on! What are these here? | 0:15:06 | 0:15:09 | |
We've got three minutes. | 0:15:09 | 0:15:11 | |
Finally... | 0:15:11 | 0:15:13 | |
-Hello. We're back for this. -We've only got two minutes. | 0:15:13 | 0:15:16 | |
-How much did you say you could do this for? -50. -50? Yes, we'll do it. | 0:15:16 | 0:15:20 | |
-We've only got 45 left. We haven't got £50. -Have we not? | 0:15:20 | 0:15:22 | |
-No. -We've only got £45 left, would that be OK? | 0:15:22 | 0:15:25 | |
Will that be OK? Oh, brilliant. | 0:15:25 | 0:15:27 | |
Nice object. Yeah, nice object. | 0:15:27 | 0:15:29 | |
Pressure, pressure! Right, one more to find. | 0:15:29 | 0:15:32 | |
Well, look at that, the little minx! | 0:15:32 | 0:15:35 | |
Roxanne, according to my maths, you've still got £237 left! | 0:15:35 | 0:15:40 | |
-That's a Brixton number! -Is that your parish? | 0:15:40 | 0:15:42 | |
Yeah, it's calling home. I worked in Brixton. | 0:15:42 | 0:15:44 | |
Did you? | 0:15:44 | 0:15:46 | |
I was just looking at that. | 0:15:46 | 0:15:47 | |
-1892. -That's really pretty, isn't it? Isn't that lovely? -Yeah. | 0:15:47 | 0:15:51 | |
-What's this, then, in the middle? -That's tortoiseshell. | 0:15:51 | 0:15:53 | |
That's tortoiseshell. | 0:15:53 | 0:15:55 | |
Erm... But in fact, it's hallmarked for London 1892. | 0:15:55 | 0:16:00 | |
It's actually a very pretty item. | 0:16:00 | 0:16:02 | |
-I really like that. -It's pretty, isn't it? | 0:16:02 | 0:16:04 | |
-Yeah, it's the kind of thing I was kind of looking for. -Really? | 0:16:04 | 0:16:06 | |
-Would it have been a part of a set at any time? -No, I don't think so. | 0:16:06 | 0:16:10 | |
I think it's just purely ornamental. | 0:16:10 | 0:16:13 | |
For a calling card, or maybe for sweets. | 0:16:13 | 0:16:16 | |
It's in fairly good condition. There's some slight loss of silver. | 0:16:16 | 0:16:20 | |
But even so, it's a pretty tray. | 0:16:20 | 0:16:22 | |
-Yeah, I like it. -What's the best price, sir? | 0:16:22 | 0:16:24 | |
-What have we got on the ticket? -£75. | 0:16:24 | 0:16:26 | |
Oh, well... | 0:16:26 | 0:16:28 | |
Obviously, you want to make a profit, don't you? | 0:16:28 | 0:16:30 | |
-My guide price on this, Roxy, would be between £50 and £70, Lance. -Right. -So my friend over here, | 0:16:30 | 0:16:36 | |
in his very nice white cap, hat, might be able to give us a discount. | 0:16:36 | 0:16:40 | |
We'll do it for 60. | 0:16:40 | 0:16:42 | |
I was thinking around £60, you know, to ask for it. | 0:16:42 | 0:16:45 | |
-I'll do it for 60, yeah. -I really like it. | 0:16:45 | 0:16:47 | |
-There's a lot of work gone into the work on the silver. -Quite right. | 0:16:47 | 0:16:52 | |
-You know... -Could we squeeze an extra five pounds out, do you think? | 0:16:52 | 0:16:56 | |
-55? -I'll tell you what we'll do... -Yes. -..we'll do it for 58. | 0:16:56 | 0:16:59 | |
-We'll come back to you, sir. -Definitely come back. -Thanks. | 0:16:59 | 0:17:01 | |
Come back?! You've got to be kidding! | 0:17:01 | 0:17:05 | |
-There's less than two minutes to go! -That's pretty, isn't it? | 0:17:05 | 0:17:07 | |
It's very pretty. I like that one. | 0:17:07 | 0:17:09 | |
We've got a minute left. The clock is ticking. | 0:17:14 | 0:17:16 | |
-So why don't we...? -Get a watch? | 0:17:16 | 0:17:18 | |
-Very good. -At least the Blues have got the right idea. | 0:17:18 | 0:17:22 | |
Remember, there are just seconds left to go, Reds! | 0:17:22 | 0:17:26 | |
God, we've got a minute and a half! | 0:17:27 | 0:17:29 | |
Could you just whip out the clock we looked at before? | 0:17:33 | 0:17:37 | |
We like the watch, we like the case. | 0:17:37 | 0:17:38 | |
-We've got a minute left. -45 quid. -With the chain? | 0:17:38 | 0:17:42 | |
-Will you throw a chain in? -Nice chain? A decent chain. | 0:17:42 | 0:17:44 | |
I wouldn't go with the chain, to be honest with you. | 0:17:44 | 0:17:48 | |
-Wouldn't go with the chain. -£40 without the chain. | 0:17:48 | 0:17:49 | |
-40 quid without a chain. -Go on. -Come on. | 0:17:49 | 0:17:51 | |
-It's nearly Christmas. -Yeah? Great, thanks a lot. | 0:17:51 | 0:17:53 | |
-Good man. -Top man. -Sold. | 0:17:53 | 0:17:56 | |
Excellent. Job done, son. | 0:17:56 | 0:17:58 | |
-D'you know what? That's a bargain. -That's a bargain. Nice one! | 0:17:58 | 0:18:00 | |
I definitely want to go for that. We haven't got much time. | 0:18:00 | 0:18:03 | |
-Got about 10 seconds. -It's yours! -Yeah! | 0:18:03 | 0:18:06 | |
Thank you very much. That's for you. | 0:18:06 | 0:18:09 | |
Oh, thank God! | 0:18:09 | 0:18:11 | |
Right, time on our hands. | 0:18:11 | 0:18:13 | |
-Thank you very much. -Time up! | 0:18:13 | 0:18:15 | |
-High five! -We had two seconds left. | 0:18:15 | 0:18:18 | |
Now the shopping's over, I want to tell you all about the bonus buy. | 0:18:21 | 0:18:25 | |
Any leftover lolly from that shopping will be given to the experts to go and find a bonus buy, | 0:18:25 | 0:18:30 | |
a mystery item that will be revealed at auction, | 0:18:30 | 0:18:33 | |
and the teams have to decide whether they want to gamble and potentially boost their profits. | 0:18:33 | 0:18:38 | |
Right now, though, let's go and see what the Reds are up to. | 0:18:38 | 0:18:42 | |
After a slow start, the Red team sail off | 0:18:42 | 0:18:45 | |
with the arts and crafts brooch for £18. | 0:18:45 | 0:18:48 | |
Lance took a shine to the George V scent bottle and snapped it up | 0:18:50 | 0:18:53 | |
with just five minutes to go. | 0:18:53 | 0:18:54 | |
And after more dilly-dallying, | 0:18:54 | 0:18:57 | |
the Reds finally bought a decorative tortoiseshell tray, priced at £58. | 0:18:57 | 0:19:02 | |
We've spent all that money. It's not a bad job, really. | 0:19:03 | 0:19:07 | |
You don't be congratulating yourself straight off! | 0:19:07 | 0:19:10 | |
-It took you 45 minutes to buy your first item! -Yeah. | 0:19:10 | 0:19:12 | |
That's just ridiculous! | 0:19:12 | 0:19:13 | |
Well, we've not spent a lot of money, so that's quite good. | 0:19:13 | 0:19:15 | |
-How much did you spend? -£121. | 0:19:15 | 0:19:17 | |
-Is that all? -Yes. -£121? -I know. | 0:19:17 | 0:19:20 | |
Leave it for me, the big finale, the final curtain, I shall spend it all. | 0:19:20 | 0:19:23 | |
£121, that means, do I want £179? | 0:19:23 | 0:19:27 | |
-179. -Yeah, and I have it here. -179... | 0:19:27 | 0:19:29 | |
There you go, there's a lot there. | 0:19:29 | 0:19:31 | |
-OK. -Thank you very much. | 0:19:31 | 0:19:34 | |
There's my week in Corfu! | 0:19:34 | 0:19:36 | |
Well, it is, isn't it? A week in Corfu currently for four people! | 0:19:36 | 0:19:39 | |
-Well, come along! -Oh, thank you very much. | 0:19:39 | 0:19:42 | |
-What do you want Charles to buy for the bonus? -Anything quirky. | 0:19:42 | 0:19:46 | |
-Yeah. -Mysterious and quirky, there's your challenge. | 0:19:46 | 0:19:49 | |
-And maybe Chinese as well, Tim. -Oh, Chinese, mysterious and quirky! | 0:19:49 | 0:19:52 | |
There's a big hint. | 0:19:52 | 0:19:54 | |
Now, let's see what the Blues bought. | 0:19:54 | 0:19:56 | |
They got off to a raring start | 0:19:56 | 0:19:58 | |
with a compact oak wall mirror priced at £11. | 0:19:58 | 0:20:02 | |
After a bit of haggling, they paid £35 for the Poole Pottery light. | 0:20:03 | 0:20:07 | |
And finally, in the last minute, they bought themselves | 0:20:07 | 0:20:11 | |
a bit of time, literally, in the form of a gold-plated pocket watch. | 0:20:11 | 0:20:15 | |
-We've done it. -Here we are. | 0:20:17 | 0:20:19 | |
-Ah, the man himself! -What do you mean, ah?! | 0:20:19 | 0:20:22 | |
-Ah! -Are you looking for divine intervention, you chaps? | 0:20:22 | 0:20:24 | |
-We're doing our best. -We've been trying all day. | 0:20:24 | 0:20:27 | |
Did you have any pulpit talk? | 0:20:27 | 0:20:29 | |
-Well... -We used every minute to talk and talk and talk. | 0:20:29 | 0:20:32 | |
-We did try to work on Jonathan. -Yeah. | 0:20:32 | 0:20:34 | |
When I started, I thought I was anti-pasta! | 0:20:34 | 0:20:38 | |
Ah, very good! Now you're very pro-pasta. | 0:20:38 | 0:20:40 | |
Now I'm pastor-ised! | 0:20:40 | 0:20:43 | |
He wore the collar, didn't he? | 0:20:43 | 0:20:44 | |
Shall we just do it? | 0:20:44 | 0:20:47 | |
He even got dressed for the occasion. | 0:20:47 | 0:20:50 | |
Now listen, how much did you spend? | 0:20:50 | 0:20:52 | |
Well, we spent in total £86. | 0:20:52 | 0:20:55 | |
-£86?! -Yes. | 0:20:55 | 0:20:58 | |
Does that mean there's £214 in the collection plate? | 0:20:58 | 0:21:01 | |
-There is a lot in the collection plate. -£214. | 0:21:01 | 0:21:03 | |
-But as always, with the collection plate, hand it over. -To ME! | 0:21:03 | 0:21:07 | |
-There you go! -Thank you very much. -Now, you've got the cash, yes? | 0:21:08 | 0:21:11 | |
-Thank you very much, yes. -May your God go with you. | 0:21:11 | 0:21:14 | |
And for me, I'm heading off somewhere right stately. | 0:21:14 | 0:21:17 | |
Attingham Park in Shropshire was built in 1785 | 0:21:24 | 0:21:28 | |
for Noel Hill, the first Lord Berwick. | 0:21:28 | 0:21:31 | |
It was inherited by his son, Thomas, second Lord Berwick, in 1789. | 0:21:33 | 0:21:39 | |
His story is one of obsession, extravagance | 0:21:39 | 0:21:43 | |
and ultimate great financial loss. | 0:21:43 | 0:21:46 | |
Thomas just loved to spend money, and he did it very well. | 0:21:46 | 0:21:50 | |
Too well, in fact. Nothing pleased him more than to visit Italy or London | 0:21:50 | 0:21:54 | |
and return laden with works of art to furnish his new home. | 0:21:54 | 0:21:59 | |
Needing a suitably grand place to display his collection of pictures, | 0:21:59 | 0:22:04 | |
he commissioned the architect John Nash to design him this spectacular picture gallery, | 0:22:04 | 0:22:09 | |
with its novel, illuminated ceiling with iron elements, | 0:22:09 | 0:22:14 | |
rich red walls to show off the gorgeous pictures and columns. | 0:22:14 | 0:22:18 | |
Ooo-ar! | 0:22:18 | 0:22:20 | |
Thomas's extravagant spending continued unchecked, | 0:22:24 | 0:22:27 | |
and he finally met his downfall | 0:22:27 | 0:22:30 | |
in the shape of one 17-year-old French courtesan, Sophia Dubochet. | 0:22:30 | 0:22:36 | |
He promptly married her, unsuitably, | 0:22:36 | 0:22:38 | |
social ignominy and unhappiness ensued, | 0:22:38 | 0:22:41 | |
but the two of them nevertheless managed to work their way through the family coffers, | 0:22:41 | 0:22:46 | |
and eventually Thomas was declared bankrupt. | 0:22:46 | 0:22:50 | |
In 1827, Thomas had to watch practically the entire contents of Attingham | 0:22:50 | 0:22:56 | |
being sold off in an enormous 16-day auction. | 0:22:56 | 0:23:00 | |
But one of the pieces which was not sold was retained, | 0:23:00 | 0:23:04 | |
is this little delight, which was a gift from Thomas | 0:23:04 | 0:23:09 | |
to his succulent young wife. | 0:23:09 | 0:23:12 | |
Now, the central element is of course a harp, | 0:23:12 | 0:23:16 | |
but a harp that's been most exquisitely crafted. | 0:23:16 | 0:23:20 | |
If you look at the strings, each of those are graduated, | 0:23:20 | 0:23:24 | |
as they would be in a real harp, | 0:23:24 | 0:23:27 | |
and the detailing in, for example, | 0:23:27 | 0:23:30 | |
the metalwork on this scroll top piece, is extraordinary. | 0:23:30 | 0:23:35 | |
And in front of the harp, we've got a most curious | 0:23:35 | 0:23:38 | |
patinated metal little monkey, who's chained to the stool. | 0:23:38 | 0:23:44 | |
You see he's got a collar, and a very fine chain, | 0:23:44 | 0:23:48 | |
which goes down to the stool, where there's a purpose-built little loop. | 0:23:48 | 0:23:52 | |
The whole creation sits on a sheet of mother of pearl. | 0:23:52 | 0:23:57 | |
And then a concave-sided base which has been cast | 0:23:57 | 0:24:01 | |
and raised with lyres and strands of foliage. | 0:24:01 | 0:24:05 | |
All in all, a massive amount of workmanship | 0:24:05 | 0:24:09 | |
has been used to create this thing. | 0:24:09 | 0:24:12 | |
Concealed within the base is a musical movement. | 0:24:12 | 0:24:16 | |
And the clue to that, of course, | 0:24:16 | 0:24:19 | |
is this little key sticking out on the side. | 0:24:19 | 0:24:22 | |
So, let's give it a tweak and see what happens. | 0:24:22 | 0:24:25 | |
Half a turn, I think. | 0:24:25 | 0:24:27 | |
MUSIC BOX TINKLES | 0:24:29 | 0:24:33 | |
Isn't that charming? | 0:24:42 | 0:24:44 | |
All in all, an absolute tour de force of Swiss workmanship. | 0:24:44 | 0:24:49 | |
No wonder they didn't put it in the sale. | 0:24:49 | 0:24:51 | |
The big question is today | 0:24:51 | 0:24:53 | |
will there be any monkey business over at the auction with our teams? | 0:24:53 | 0:24:58 | |
Today we are with Halls' Auctioneers in Shrewsbury, with Jeremy Lamont. | 0:25:11 | 0:25:16 | |
-Very nice to see you Jeremy. -Nice to see you too. | 0:25:16 | 0:25:18 | |
Now, Lance and Roxanne for the Reds went with this brooch. | 0:25:18 | 0:25:22 | |
Bit of a valkyrie brooch here. | 0:25:22 | 0:25:26 | |
Yes, it looks very Georg Jensen, doesn't it? | 0:25:26 | 0:25:29 | |
-Yes. -Looking at the Viking theme, | 0:25:29 | 0:25:31 | |
certainly a Scandinavian theme to it. | 0:25:31 | 0:25:33 | |
One would think it was perhaps Art Nouveau. | 0:25:33 | 0:25:36 | |
But it's actually 1948. | 0:25:36 | 0:25:38 | |
Iona style I suppose you'd say. | 0:25:38 | 0:25:40 | |
Really? 1948, it really doesn't look as late as that, does it? | 0:25:40 | 0:25:43 | |
Anyway, it's a stylish thing. How much do you think it's worth? | 0:25:43 | 0:25:47 | |
-30 to 50? -Great. | 0:25:47 | 0:25:49 | |
-£18 was paid by Charles Hanson. -I think that was good. | 0:25:49 | 0:25:53 | |
That's not a bad buy in silver, is it? Nicely made. | 0:25:53 | 0:25:56 | |
Next is the scent or gin flask. | 0:25:56 | 0:26:01 | |
This is quite a decorative one. | 0:26:01 | 0:26:03 | |
It has been wheel cut. | 0:26:03 | 0:26:05 | |
But it is incomplete as you can see, there's no cup. | 0:26:05 | 0:26:08 | |
We've put 40 to 60 on it. | 0:26:08 | 0:26:10 | |
-If it had the bottom you'd be looking at 150, 200. -Yes. | 0:26:10 | 0:26:14 | |
40 - 60 is fine though because Lance paid £45 for it. | 0:26:14 | 0:26:19 | |
-That's OK. -That's not too bad, is it? | 0:26:19 | 0:26:21 | |
Next is this little tray. | 0:26:21 | 0:26:25 | |
We've called it a pin tray | 0:26:25 | 0:26:26 | |
-but could it be a desk stand for a little ink bottle? -Could be. | 0:26:26 | 0:26:30 | |
It's an unusual little item and very decorative so we think £30 to £50. | 0:26:30 | 0:26:35 | |
£58 paid by Roxanne for that so she may have just gone over the top | 0:26:35 | 0:26:40 | |
-but the strange thing is, odd little bits of silver, isn't it? -Yeah. | 0:26:40 | 0:26:43 | |
There are people who are intrigued. | 0:26:43 | 0:26:45 | |
They're always in vogue, aren't they? | 0:26:45 | 0:26:47 | |
In the meanwhile, | 0:26:47 | 0:26:48 | |
let me just check out what's going on with the bonus buy. | 0:26:48 | 0:26:52 | |
Now, Lance and Roxanne, | 0:26:52 | 0:26:53 | |
you are not a couple who like to spend money, are you? | 0:26:53 | 0:26:57 | |
-No. -Well you will be delighted to know that as you only spent £121 | 0:26:57 | 0:27:02 | |
and you handed £179 to Charles Hanson... | 0:27:02 | 0:27:08 | |
And you know what? I spent every last penny. | 0:27:08 | 0:27:12 | |
I spent the whole, the full £179. | 0:27:12 | 0:27:15 | |
-Are you ready? -Yes. | 0:27:15 | 0:27:17 | |
Look at that. | 0:27:19 | 0:27:20 | |
Oh, wow. | 0:27:20 | 0:27:21 | |
Is that a beer keg? | 0:27:21 | 0:27:24 | |
-Well... -Is it for brandy or something?! | 0:27:24 | 0:27:27 | |
I would say, first and foremost, it's beautifully cut. | 0:27:27 | 0:27:30 | |
Look at this hobnail decoration | 0:27:30 | 0:27:32 | |
on this barrel-shaped spirit decanter on this wonderful stand, | 0:27:32 | 0:27:36 | |
very much in the period 1885, 1890. | 0:27:36 | 0:27:39 | |
-Late Victorian and I think it's delightful. -What do you think? | 0:27:39 | 0:27:43 | |
Get down and look at it proper. | 0:27:43 | 0:27:45 | |
If you come down... Crouchy, crouchy down. | 0:27:45 | 0:27:48 | |
Come on, Lance. Down you come. | 0:27:48 | 0:27:50 | |
Cos you've got to look at this thing from side on, | 0:27:50 | 0:27:52 | |
-we've got very chunky legs like you'd get in a pub. -Correct. | 0:27:52 | 0:27:57 | |
-A sweet little tap down this end. -Correct. | 0:27:57 | 0:28:00 | |
Cork bung hole in the top complete with Cork, how about that? | 0:28:00 | 0:28:04 | |
-Is it hallmarked silver as well? -It's not silver, it's silver plate. | 0:28:04 | 0:28:07 | |
-Oh. -Even so, it's just an object of great quality. | 0:28:07 | 0:28:11 | |
To late Victorians, when it came to novelty and quality, | 0:28:11 | 0:28:14 | |
I think this oozes that. | 0:28:14 | 0:28:15 | |
It also has a certain modern feel. | 0:28:15 | 0:28:17 | |
There we go. There's a big question you need to ask. | 0:28:17 | 0:28:22 | |
Will it make a profit? | 0:28:22 | 0:28:24 | |
Gosh. That's a good question. | 0:28:24 | 0:28:26 | |
Well, I think this ordinarily ought to make between £200 and £300. | 0:28:26 | 0:28:31 | |
-Think about it. -Yeah. | 0:28:31 | 0:28:33 | |
Very exciting moment to hang on to. | 0:28:33 | 0:28:35 | |
-OK. -But for the audience at home | 0:28:35 | 0:28:38 | |
let's find out what the auctioneer thinks about Charles' little barrel. | 0:28:38 | 0:28:43 | |
Jeremy, Here's something to warm the cockles of your heart. | 0:28:43 | 0:28:46 | |
Isn't that splendid? | 0:28:46 | 0:28:48 | |
-It's been made with spirit, hasn't it? -It has. -It's very heavy. | 0:28:48 | 0:28:52 | |
I'm going to put it down. | 0:28:52 | 0:28:55 | |
It's a silver-plated spirit barrel and when researching this lot | 0:28:55 | 0:29:01 | |
we found one that had sold in London a couple of years ago, | 0:29:01 | 0:29:05 | |
retailed by Ospreys with a silver stand exactly the same as this, | 0:29:05 | 0:29:09 | |
-made £5,000. -How much?! | 0:29:09 | 0:29:11 | |
-£5,000. -£5,000?! | 0:29:11 | 0:29:14 | |
But this is a plate one. | 0:29:14 | 0:29:15 | |
-However that's a pretty good start, isn't it? -Well, it is. | 0:29:15 | 0:29:19 | |
I think we've put a couple of hundred pounds on this, 150, 250, | 0:29:19 | 0:29:23 | |
I think it will take off, this. | 0:29:23 | 0:29:25 | |
It ought to. Thank you very much for researching that. | 0:29:25 | 0:29:28 | |
That's most interesting. Isn't it? | 0:29:28 | 0:29:30 | |
That's it now for the Reds. | 0:29:30 | 0:29:32 | |
Now, for the Blues, first up for them in their wacky mix | 0:29:32 | 0:29:36 | |
is this Arts and Crafts wall mirror | 0:29:36 | 0:29:39 | |
which I quite like from the point of view of the style of the thing. | 0:29:39 | 0:29:42 | |
I can see that in a modern home. | 0:29:42 | 0:29:44 | |
Really nice to put your gloves or keys or something | 0:29:44 | 0:29:47 | |
when you come in through the front door. | 0:29:47 | 0:29:49 | |
A little wall mirror. Always useful. | 0:29:49 | 0:29:51 | |
Yes. | 0:29:51 | 0:29:53 | |
Jonathan paid a handsome prize for that. £11. | 0:29:53 | 0:29:57 | |
I think he'll get his money back. I think £20 or £30 easily. | 0:29:57 | 0:30:01 | |
That's what we like to hear. Very good. | 0:30:01 | 0:30:04 | |
Rob found the Poole Pottery wall light. | 0:30:04 | 0:30:06 | |
I'm slightly on record as not being the greatest fan of Poole Pottery. | 0:30:06 | 0:30:12 | |
-How do you rate this piece? -It's a very striking thing. | 0:30:12 | 0:30:16 | |
It's what we might cynically call an antique of the future | 0:30:16 | 0:30:19 | |
but there will be collectors for it. I think £30 to £50. | 0:30:19 | 0:30:23 | |
Very good. £35 is paid. So they'll be well pleased with that estimate. | 0:30:23 | 0:30:27 | |
Jeremy, thank you. | 0:30:27 | 0:30:29 | |
And the pocketwatch. | 0:30:29 | 0:30:30 | |
Gold-plated, pretty standard keyless lever pocketwatch. | 0:30:30 | 0:30:36 | |
-Yes, in a presentation case. -What's the estimate on that? | 0:30:36 | 0:30:39 | |
-20 to 30. -Gosh. They paid 40. | 0:30:39 | 0:30:42 | |
Things are getting tight. They might need their bonus buy. | 0:30:42 | 0:30:45 | |
Let's go and have a look at it. | 0:30:45 | 0:30:47 | |
OK, our boys in blue, you spent a parsimonious £86. | 0:30:47 | 0:30:51 | |
Shocking! | 0:30:51 | 0:30:53 | |
You gave £214 to Jonathan, and you look in pain there, Jonathan, | 0:30:53 | 0:30:58 | |
so I'm just going to give this a tweak. | 0:30:58 | 0:31:00 | |
We're going to reveal it...now! | 0:31:00 | 0:31:03 | |
-Look at that. -It's a very nicely painted picture | 0:31:03 | 0:31:06 | |
of a couple of spaniels, in the Victorian style. | 0:31:06 | 0:31:10 | |
There's a great collector's market for this sort of thing | 0:31:10 | 0:31:13 | |
and when I saw it I thought it was a wonderful object. | 0:31:13 | 0:31:17 | |
So the big question is, how much did you pay? | 0:31:17 | 0:31:19 | |
I was doing a bit of a Charles Hanson. I felt rather rich | 0:31:19 | 0:31:22 | |
and I should have gone for 214 quid but I went for £210. | 0:31:22 | 0:31:26 | |
That was negotiating... | 0:31:26 | 0:31:28 | |
I had to hand over blood at that point as well! | 0:31:28 | 0:31:30 | |
What would you say this would go for? | 0:31:30 | 0:31:34 | |
Uh...I'm on the spot now! | 0:31:36 | 0:31:38 | |
That's the question! | 0:31:38 | 0:31:39 | |
Well, erm... I bought it in a bit of a hurry | 0:31:39 | 0:31:43 | |
and I think that in hindsight it may not be as old as I first thought. | 0:31:43 | 0:31:46 | |
So "Victorian style" is STYLE. | 0:31:46 | 0:31:48 | |
Yeah, sadly so. | 0:31:48 | 0:31:51 | |
Hence why it's like this in the frame because the picture expert | 0:31:51 | 0:31:54 | |
had to have the opportunity to look at the back properly, | 0:31:54 | 0:31:56 | |
which I only got a snip of. | 0:31:56 | 0:32:00 | |
-Not whilst buying it, anyway. -What would you value it at? | 0:32:00 | 0:32:03 | |
Ballpark. | 0:32:03 | 0:32:04 | |
-Do you...? -That's the worry! | 0:32:06 | 0:32:08 | |
I'm not liking this! | 0:32:08 | 0:32:09 | |
The hesitation there! | 0:32:09 | 0:32:11 | |
On this happy note, boys... | 0:32:11 | 0:32:14 | |
Why don't you park those thoughts and we'll ask the auctioneer | 0:32:14 | 0:32:17 | |
what he thinks about Jonathan's picture. | 0:32:17 | 0:32:21 | |
What do you make of this joker? | 0:32:21 | 0:32:24 | |
On the face of it, on first glance, | 0:32:24 | 0:32:28 | |
we were quite excited about it, | 0:32:28 | 0:32:29 | |
compared to what had been paid for it. | 0:32:29 | 0:32:32 | |
However, if you turn it over and have a look, | 0:32:32 | 0:32:35 | |
unusually, it's got a piece of modern hardboard on the back. | 0:32:35 | 0:32:40 | |
-And a bit of brown paper which has been stained. -Artificially aged? | 0:32:40 | 0:32:47 | |
Artificially aged. | 0:32:47 | 0:32:49 | |
So it immediately the antennae are up. | 0:32:49 | 0:32:51 | |
But the painting itself | 0:32:51 | 0:32:54 | |
is painted, but if you can see, | 0:32:54 | 0:32:57 | |
it's painted on hardboard, modern hardboard. | 0:32:57 | 0:33:01 | |
So if you look at the front of the picture out of the frame, | 0:33:01 | 0:33:05 | |
some of the paint has been thinned in areas around here | 0:33:05 | 0:33:10 | |
to make it look like natural wear, and if you bought this in a fair | 0:33:10 | 0:33:14 | |
it would be very easy to think this was a Victorian oil. | 0:33:14 | 0:33:18 | |
So we put a decorative estimate on it of £100 to £200. | 0:33:18 | 0:33:24 | |
Jonathan paid £210. | 0:33:24 | 0:33:26 | |
But he soon realised the error of his ways, having paid the money, | 0:33:26 | 0:33:31 | |
but it's too late to go back. | 0:33:31 | 0:33:33 | |
So he's explained to his team, | 0:33:33 | 0:33:35 | |
we're going to run it through the sale anyway. | 0:33:35 | 0:33:38 | |
But it's very interesting, you analysing it like this, | 0:33:38 | 0:33:41 | |
just as a fair warning to anybody going out there to buy. | 0:33:41 | 0:33:44 | |
-Caveat emptor. -That's it. | 0:33:44 | 0:33:47 | |
What does that mean again? | 0:33:47 | 0:33:48 | |
-Buyer beware. -There we go. | 0:33:48 | 0:33:50 | |
Be interesting to see what happens in the auction. Thank you. | 0:33:50 | 0:33:53 | |
And taking the auction today is Christina Trevanion. | 0:33:53 | 0:33:56 | |
-How are you feeling? -Nervous. | 0:33:58 | 0:34:00 | |
Excited. | 0:34:00 | 0:34:02 | |
-Why are you nervous? -I don't know. | 0:34:02 | 0:34:04 | |
I just really want the items to do well. | 0:34:04 | 0:34:07 | |
-What about you, Lancey? -Anxious. We've been waiting for a while. | 0:34:07 | 0:34:11 | |
-A bit like visiting the dentist? -Yeah! | 0:34:11 | 0:34:13 | |
Not quite sure what's going to happen. | 0:34:13 | 0:34:15 | |
Here we go. Here comes the brooch. | 0:34:15 | 0:34:18 | |
264. How about that for £30 for the brooch? | 0:34:18 | 0:34:23 | |
Little Arts and Crafts style brooch. 30 is bid. At £30. | 0:34:23 | 0:34:26 | |
Are we all done at 30? | 0:34:26 | 0:34:28 | |
I will sell, make no mistake, at £30. If we're all done, at 30. | 0:34:28 | 0:34:33 | |
-GAVEL THUMPS -£30! Not bad, Charles. | 0:34:33 | 0:34:35 | |
Plus £12. That's a good kick off. | 0:34:35 | 0:34:39 | |
Now... | 0:34:39 | 0:34:41 | |
Silver-mounted ladies' flask. George Carlsberg and Son. | 0:34:41 | 0:34:44 | |
London, 1931. | 0:34:44 | 0:34:46 | |
How about that for £30 anywhere, for the flask at 30? | 0:34:46 | 0:34:51 | |
At £30, the ladies' flask. At 30. | 0:34:51 | 0:34:54 | |
20 is bid. On my right at £20. | 0:34:54 | 0:34:56 | |
At 20. Any further interest at 20? | 0:34:56 | 0:34:58 | |
I will sell, make no mistake. | 0:34:58 | 0:35:00 | |
And two against you, sir? | 0:35:00 | 0:35:03 | |
25, 28, 30. | 0:35:03 | 0:35:06 | |
That's £30 right, then, at £30. Are we all done at 30?. | 0:35:06 | 0:35:11 | |
-GAVEL THUMPS -Oh, we want a bit more than that! | 0:35:11 | 0:35:13 | |
Oh, no. £30. That's minus £15. | 0:35:13 | 0:35:16 | |
You're now minus £3. Oh, dear. | 0:35:16 | 0:35:20 | |
It's down to your pin tray, baby. | 0:35:20 | 0:35:22 | |
Who will start me at £20 for the little pin tray? | 0:35:22 | 0:35:25 | |
20 is bid. Thank you. | 0:35:25 | 0:35:26 | |
At £20 with the lady at £20. | 0:35:26 | 0:35:28 | |
Are we all done at 20? And two. | 0:35:28 | 0:35:31 | |
25, 28, 30, 32, 35, 38, 40, | 0:35:31 | 0:35:37 | |
5, 50, at £50, at the back, then, at £50. | 0:35:37 | 0:35:40 | |
Are we all done at 50? | 0:35:40 | 0:35:42 | |
-Selling, then, at £50. -More, more, more! | 0:35:42 | 0:35:45 | |
GAVEL THUMPS | 0:35:45 | 0:35:47 | |
You're so right, Roxanne! She sold it for £50, | 0:35:47 | 0:35:50 | |
which is minus eight. | 0:35:50 | 0:35:51 | |
Which overall means you're minus £11. | 0:35:51 | 0:35:55 | |
That's ridiculous. Minus £11. | 0:35:55 | 0:35:58 | |
-That is disappointing. -Lot 271. -I think you've done jolly well. | 0:35:58 | 0:36:01 | |
What are you going to do? Are you going go with the spirit barrel? | 0:36:01 | 0:36:04 | |
Are you going to risk £179? | 0:36:04 | 0:36:06 | |
-Go for it. -OK, I'll leave it up to the lads. | 0:36:06 | 0:36:08 | |
-It's not my fault. -Fine. | 0:36:08 | 0:36:11 | |
A family decision. We're going with the barrel. Here it comes. | 0:36:11 | 0:36:14 | |
Lot 270 is the hobnail cut glass spirit barrel | 0:36:14 | 0:36:18 | |
with plated mount, circa 1890. | 0:36:18 | 0:36:20 | |
Interesting thing, this, lot 270. | 0:36:20 | 0:36:23 | |
And who will start me at £100 for it? For the spirit barrel. | 0:36:23 | 0:36:26 | |
At £100 anywhere? At 100? | 0:36:26 | 0:36:28 | |
At £100? At 80 anywhere? | 0:36:28 | 0:36:32 | |
£80. Surely £80 somewhere. | 0:36:32 | 0:36:36 | |
60 I'm bid, on my right at £60 and I will take at £60. All done at 60? | 0:36:36 | 0:36:42 | |
I will sell, make no mistake. If you're all done at £60. | 0:36:42 | 0:36:46 | |
-GAVEL THUMPS -She's going to sell it! | 0:36:46 | 0:36:48 | |
£60, well, I tell you, I'm speechless. | 0:36:48 | 0:36:54 | |
-I'm amazed. -That's minus £119. | 0:36:54 | 0:36:58 | |
I don't believe it. | 0:36:58 | 0:37:00 | |
-Not too bad. -It could still be a winning score! | 0:37:00 | 0:37:03 | |
So that's £130, overall losses. | 0:37:04 | 0:37:09 | |
Isn't that amazing? The joy of the auction, eh? | 0:37:09 | 0:37:12 | |
Yes, the joys of the auction. | 0:37:12 | 0:37:13 | |
It just goes to show you never can tell. | 0:37:13 | 0:37:15 | |
Do not tell the Blues a thing, | 0:37:15 | 0:37:17 | |
because personally, I'm still in shock. | 0:37:17 | 0:37:20 | |
-Now, Rob and Phil, how did the Reds get on? Do you know? -Don't know. | 0:37:27 | 0:37:31 | |
I haven't got a clue. Wouldn't tell us. | 0:37:31 | 0:37:33 | |
No divine intervention here? | 0:37:33 | 0:37:34 | |
-None at all. -No messages beaming down from on high? | 0:37:34 | 0:37:39 | |
-We often do but not yet. -Just wait and see what happens. -Perfect. | 0:37:39 | 0:37:42 | |
First up is going to be Jonathan's mirror. | 0:37:42 | 0:37:44 | |
Here it comes. | 0:37:44 | 0:37:46 | |
Lot 286 and I have interest here with me on commission at £25. | 0:37:46 | 0:37:53 | |
On commission at £25. With me at 25. Are we all done at 25? | 0:37:53 | 0:37:57 | |
I will sell, make no mistake. If we're all done at 25. | 0:37:57 | 0:38:02 | |
£25. Plus £14. | 0:38:02 | 0:38:05 | |
£14 profit. Look at that. | 0:38:05 | 0:38:08 | |
The Poole Pottery wall uplighter, decorated by Nicola Massarella. | 0:38:08 | 0:38:13 | |
Lot 287. | 0:38:13 | 0:38:15 | |
And who'll start me at £20 for it? | 0:38:15 | 0:38:17 | |
At 20. 20 is bid. Thank you. | 0:38:17 | 0:38:19 | |
And two, 25. 28, 30, 32, | 0:38:19 | 0:38:23 | |
-35, 38, 40, 5, 50... -Well done, Bob! -..5, 60. | 0:38:23 | 0:38:29 | |
-Look at this! -At £60. With you, madam, at £60. | 0:38:29 | 0:38:32 | |
-If we're all done at 60. -£60! | 0:38:32 | 0:38:34 | |
-Fantastic. Well done, the lighting department. -£60! | 0:38:34 | 0:38:38 | |
That's brilliant. Plus £25 on that. | 0:38:38 | 0:38:40 | |
That's not bad, is it? Now, the watch. | 0:38:40 | 0:38:43 | |
Lot 288 in its fitted case there, as well. Lot 288. | 0:38:43 | 0:38:47 | |
Who will start me at £20 for it? £20. 20 is bid. Thank you, madam. | 0:38:47 | 0:38:51 | |
£20 at the very back, then, at £20. | 0:38:51 | 0:38:54 | |
And two. 25. | 0:38:54 | 0:38:57 | |
28, 30, 32, 35, 38. | 0:38:57 | 0:39:03 | |
-Yes! -Thank you anyway. At £38 with you, sir, at £38. -One more! | 0:39:03 | 0:39:06 | |
If we're all done at 38. | 0:39:06 | 0:39:09 | |
-GAVEL THUMPS -£38. £2 loss. 38 minus 2. | 0:39:09 | 0:39:12 | |
That means you're plus £37. | 0:39:12 | 0:39:14 | |
It's like you almost had a crystal ball there. That's fantastic. | 0:39:14 | 0:39:18 | |
£37 up. | 0:39:18 | 0:39:20 | |
-Are you sure all your parishioners aren't there? -No. | 0:39:20 | 0:39:23 | |
They haven't been having a bit of a whip round? | 0:39:23 | 0:39:26 | |
Last week's offering! | 0:39:26 | 0:39:28 | |
Seriously, boys, what are we going to do about this picture? | 0:39:28 | 0:39:31 | |
It's a toughie, this. | 0:39:31 | 0:39:33 | |
Do you know what, I think we might be barking up the wrong tree | 0:39:33 | 0:39:36 | |
if we go for the two dogs. | 0:39:36 | 0:39:38 | |
But have they got any collars on? | 0:39:38 | 0:39:39 | |
-No. -No dog collars. | 0:39:39 | 0:39:41 | |
-No dog collars! -Dog in the manger. | 0:39:41 | 0:39:43 | |
You've been working this, haven't you, boys? | 0:39:43 | 0:39:46 | |
Much as we admire Jonathan, we think no. This one is a bit of a dog. | 0:39:46 | 0:39:50 | |
As they say in the trade, if there's any element of doubt, | 0:39:50 | 0:39:53 | |
you have to leave it. | 0:39:53 | 0:39:54 | |
There's an element of doubt here. | 0:39:54 | 0:39:57 | |
And we're leaving it. Is that right? Here it comes. | 0:39:57 | 0:39:59 | |
..is this picture here, in the manner of Colin Graham. | 0:40:01 | 0:40:04 | |
Two setters in a landscape, oil on board. | 0:40:04 | 0:40:06 | |
It's modern. Lot 292. | 0:40:06 | 0:40:09 | |
Who will start me at £80 for it, for this decorative picture here? | 0:40:09 | 0:40:14 | |
At £80. | 0:40:14 | 0:40:15 | |
Setters in a landscape at 80. | 0:40:15 | 0:40:17 | |
At £80 anywhere? 60, then. | 0:40:17 | 0:40:19 | |
£60 for the setters, at £60. 50? | 0:40:19 | 0:40:23 | |
£50, surely, for this picture, here. | 0:40:23 | 0:40:25 | |
It's an oil on board at £50. | 0:40:25 | 0:40:27 | |
40, then. £40. 40 is bid. | 0:40:27 | 0:40:32 | |
-Thank you, sir. At £40. -Phew! | 0:40:32 | 0:40:35 | |
All we all done at 40? I will sell, make no mistake, at £40. | 0:40:35 | 0:40:39 | |
-And five. Against you, sir. -Another bidder, here? | 0:40:39 | 0:40:42 | |
At £45 on the internet, and 50. | 0:40:42 | 0:40:44 | |
On the internet! | 0:40:44 | 0:40:46 | |
At £50 at the very back, at £50. | 0:40:46 | 0:40:49 | |
At 55 against you. At £55 on the internet, then. At 55. | 0:40:49 | 0:40:55 | |
GAVEL THUMPS | 0:40:55 | 0:40:56 | |
£55! Gosh. | 0:40:56 | 0:40:59 | |
-Good decision. -I make that... | 0:40:59 | 0:41:02 | |
That's £155 down the proverbial, isn't it? Minus 155. | 0:41:02 | 0:41:07 | |
That's got to be my best yet, I think, on one lot! | 0:41:07 | 0:41:11 | |
£155. I think you're quite grateful you didn't go with it. | 0:41:11 | 0:41:16 | |
I think you make the right decision, there. | 0:41:16 | 0:41:18 | |
Definitely divine intervention. | 0:41:18 | 0:41:20 | |
Definitely was divine. | 0:41:20 | 0:41:22 | |
Anyway, you've parked your £37 profit. | 0:41:22 | 0:41:25 | |
You've ring-fenced it, very sensibly. | 0:41:25 | 0:41:28 | |
And for the moment, | 0:41:28 | 0:41:30 | |
don't say a word to the Reds. | 0:41:30 | 0:41:32 | |
Well, today it's a question of going with the bonus buy | 0:41:39 | 0:41:43 | |
and not going with the bonus buy. | 0:41:43 | 0:41:45 | |
-Talking, you chaps? Have you been talking at all? -No. | 0:41:45 | 0:41:48 | |
Very good. It is my duty to reveal today that the runners up, | 0:41:48 | 0:41:54 | |
pretty substantially, are the Reds. | 0:41:54 | 0:41:58 | |
-Oh, no! -Whoa! Yeah! | 0:41:58 | 0:42:01 | |
We're not going to dwell on the spirit barrel. | 0:42:01 | 0:42:04 | |
It was minus £11, all right? And then the spirit barrel came along | 0:42:04 | 0:42:07 | |
and it finished up as being minus £130. | 0:42:07 | 0:42:10 | |
Which is incredible! | 0:42:10 | 0:42:11 | |
I have to say, in Charles' defence, I rated that thing. | 0:42:11 | 0:42:16 | |
-I thought it was a pretty good, high-octane object. -Quite right. | 0:42:16 | 0:42:19 | |
-That just failed to ignite today. So bad luck. -It's still his fault! | 0:42:19 | 0:42:23 | |
It's still his fault. | 0:42:23 | 0:42:24 | |
I think we'll leave the bickering to the children, shall we? | 0:42:26 | 0:42:29 | |
And turn to the victors. It is very respectable, isn't it? | 0:42:29 | 0:42:32 | |
-You are plus £37. -Fantastic. -By not going with the bonus buy. | 0:42:32 | 0:42:35 | |
We were very generously not going with the bonus buy. | 0:42:35 | 0:42:39 | |
But, Jonathan, your mirror made a good price. Which is nice. | 0:42:39 | 0:42:42 | |
With a profit of £14. And you made a nice profit on the Poole. | 0:42:42 | 0:42:45 | |
-I did. -Which was great. Nearly made it on the pocketwatch but not quite. | 0:42:45 | 0:42:50 | |
Which means you're going to wander home with £37. | 0:42:50 | 0:42:53 | |
Fantastic! | 0:42:53 | 0:42:55 | |
Got 35 there. Got a couple of quid coming out there, look. | 0:42:55 | 0:42:59 | |
There you go, son. | 0:42:59 | 0:43:00 | |
I thought you were going to give that to Jonathan for a moment. | 0:43:00 | 0:43:03 | |
Completely unprompted. | 0:43:03 | 0:43:05 | |
-But you had a good time, I hope. -We've had a great time. -Fantastic. | 0:43:05 | 0:43:07 | |
It's lovely to go home with profits and I congratulate you on that. | 0:43:07 | 0:43:10 | |
Thank you very much for joining us. | 0:43:10 | 0:43:12 | |
-We had a great day. Join us soon for some more bargain hunting, yes? -Yes! | 0:43:12 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:24 | 0:43:27 | |
E-mail [email protected] | 0:43:27 | 0:43:30 |