Browse content similar to 10th Anniversary Special 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Ten years ago saw the dawning of a new millennium. | 0:00:02 | 0:00:05 | |
But bigger, much bigger than that, | 0:00:05 | 0:00:07 | |
was the launch of something phenomenal! | 0:00:07 | 0:00:09 | |
Yes, ten years ago saw the launch of Bargain Hunt. | 0:00:11 | 0:00:14 | |
And to mark the milestone, we're going to party all the way. | 0:00:14 | 0:00:19 | |
So, stand by, and let's go Bargain-Hunting! | 0:00:19 | 0:00:23 | |
It's party time on Bargain Hunt. | 0:00:46 | 0:00:49 | |
All this week we're celebrating a glorious decade | 0:00:49 | 0:00:52 | |
of bringing our programme to you, our faithful viewers. | 0:00:52 | 0:00:56 | |
Today's programme is going to be special. | 0:00:59 | 0:01:01 | |
The rules remain the same, but we've got special teams. | 0:01:01 | 0:01:05 | |
Experts versus experts. | 0:01:05 | 0:01:08 | |
What a hoot! And there are other party treats in store for you. | 0:01:08 | 0:01:12 | |
Just take a look at this lot. | 0:01:12 | 0:01:14 | |
Kate Bliss casts her mind back. | 0:01:14 | 0:01:16 | |
I can remember that wonderful horse racing game, and that flew. | 0:01:16 | 0:01:21 | |
At the fair, James Lewis is struggling with the idea of teamwork. | 0:01:24 | 0:01:27 | |
-You've got it without me? -I just said "yes", it was automatic. | 0:01:27 | 0:01:31 | |
For the blues, we discover how Charles Hanson is a bit of a mover and shaker. | 0:01:31 | 0:01:35 | |
I do like to move. | 0:01:35 | 0:01:38 | |
And Mark Stacey's had enough at the auction. | 0:01:38 | 0:01:41 | |
-Let's be a team. -No, I won't, you've let me down. | 0:01:41 | 0:01:44 | |
Also, I take a trip through ten years of archive, picking out some of my favourite bits. | 0:01:44 | 0:01:49 | |
But, what's it a picture of? | 0:01:49 | 0:01:51 | |
But before all that, let's meet the teams. | 0:01:52 | 0:01:55 | |
For the reds today, we have the ever charming Kate Bliss. | 0:01:57 | 0:02:01 | |
And the suave James Lewis. | 0:02:01 | 0:02:04 | |
And for the blues, a very smart pair. | 0:02:04 | 0:02:07 | |
-Charles Hanson, and... what's your name again? -Mark Stacey. | 0:02:07 | 0:02:11 | |
Oh, yes, that's right, very good. | 0:02:11 | 0:02:13 | |
Now, Kate. Today, uniquely, you're going to have the pressure | 0:02:13 | 0:02:16 | |
of being your very own expert and contestant wrapped into one. | 0:02:16 | 0:02:19 | |
How is that going to be for you? | 0:02:19 | 0:02:20 | |
It's going to be interesting, actually. | 0:02:20 | 0:02:22 | |
Because we're guided by the contestants by and large. | 0:02:22 | 0:02:25 | |
So, doing it on our own might be quite tricky, actually. | 0:02:25 | 0:02:28 | |
I'm getting nervous. | 0:02:28 | 0:02:30 | |
Well, don't go doing that. | 0:02:30 | 0:02:32 | |
Now, over the years you've morphed your career slightly, haven't you? | 0:02:32 | 0:02:36 | |
By taking on these incredible examinations for the Gemmological Association. | 0:02:36 | 0:02:40 | |
-Tell us about that. -That's right. | 0:02:40 | 0:02:42 | |
Well, I started off as a general valuer, as we all did, I think. | 0:02:42 | 0:02:45 | |
I wanted to develop a specialism. | 0:02:45 | 0:02:48 | |
And I was drawn particularly to silver and jewellery, | 0:02:48 | 0:02:51 | |
because the two often go together. | 0:02:51 | 0:02:53 | |
But in order to really develop an in-depth knowledge of jewellery, you've got to study gemstones. | 0:02:53 | 0:02:58 | |
So that's what I did. To become a Fellow of the Gemmological Association. | 0:02:58 | 0:03:01 | |
But that doesn't happen in five minutes, does it? | 0:03:01 | 0:03:04 | |
It takes a long time. How long did it take you? | 0:03:04 | 0:03:06 | |
-It took me about a year ½. -Had you got the family at the same time? -Not quite. On the way, though. | 0:03:06 | 0:03:10 | |
You were building up for it. That's brilliant. | 0:03:10 | 0:03:13 | |
-That's been the biggest challenge. -Absolutely. | 0:03:13 | 0:03:15 | |
You've had your own little jewel. Or two. | 0:03:15 | 0:03:19 | |
James, give us some of the highlights of Bargain Hunt life for you. | 0:03:19 | 0:03:23 | |
I think the main one has to be some time in 2005, | 0:03:23 | 0:03:27 | |
probably around February. | 0:03:27 | 0:03:29 | |
-I actually made a profit on Bargain Hunt. -Gosh. | 0:03:29 | 0:03:32 | |
I think it's about the only time ever. | 0:03:32 | 0:03:34 | |
You're winding me up, you rascal. | 0:03:34 | 0:03:37 | |
Have you ever been recognised anywhere, James, where you wouldn't expect to be recognised? | 0:03:37 | 0:03:42 | |
-Yes. Rather strangely, in the Red Chilli backpackers' hostel in Kigali, Rwanda. -Never! | 0:03:42 | 0:03:48 | |
Yes. When I'm not Bargain Hunting, or doing auctioneering, I'm a bit of an animal freak, and an animal nut. | 0:03:48 | 0:03:54 | |
And I was out visiting the mountain gorillas, | 0:03:54 | 0:03:57 | |
and had come down from the mountainside, having been cold and wet for a few days, | 0:03:57 | 0:04:01 | |
and in this backpackers' hostel a woman suddenly said, "You. Bargain Hunt." | 0:04:01 | 0:04:06 | |
-Really? -And I just said, "Yes." | 0:04:06 | 0:04:10 | |
-Where did she come from? -Rwanda. | 0:04:10 | 0:04:11 | |
She'd never been out of Rwanda, she wasn't a tourist or anything like that. She was from Rwanda. | 0:04:11 | 0:04:16 | |
-It's amazing where this show gets to. -Isn't that extraordinary? | 0:04:16 | 0:04:19 | |
Perhaps I should say "Hello" to all our viewers in Rwanda. | 0:04:19 | 0:04:22 | |
Are you confident, James, that you and Kate are going to be able to see off these rascals today? | 0:04:22 | 0:04:26 | |
-I don't know. Maybe just. -We'll give it a go. | 0:04:26 | 0:04:29 | |
You're up for the challenge for certain. Anyway, very good luck. | 0:04:29 | 0:04:33 | |
Are you quaking in your boots, then? | 0:04:33 | 0:04:35 | |
-Absolutely. -No. -No, you're not, boys. | 0:04:35 | 0:04:37 | |
Now, Charles, you've been on the show for absolutely ages, right? | 0:04:37 | 0:04:40 | |
-Eight years. -One might like to say that you've actually grown up on this programme, is that right? | 0:04:40 | 0:04:45 | |
I have, Tim. And I keep on growing, hopefully. I bought a new suit. | 0:04:45 | 0:04:48 | |
-Yes, you came in shorts to start off with! -I did indeed. | 0:04:48 | 0:04:51 | |
This is my new three-piece suit for the show. | 0:04:51 | 0:04:53 | |
-Quite sharp that, actually. -It is. It was very cheap, a bargain. | 0:04:53 | 0:04:57 | |
-So, more than happy. -You're looking well in it, boy. That's wonderful. | 0:04:57 | 0:05:00 | |
How do you feel about being coupled with Mr Stacey today? | 0:05:00 | 0:05:03 | |
Well, I think, I'm very happy. | 0:05:03 | 0:05:06 | |
Mark, like myself, we love dancing. | 0:05:06 | 0:05:08 | |
Mark is a...he boogies hard. | 0:05:08 | 0:05:11 | |
I boogie hard as well. And I think we'll get on very well together. | 0:05:11 | 0:05:14 | |
What about you, Mark? What about having young Charles as your co-respondent? | 0:05:14 | 0:05:18 | |
Well, I dare say we'll be doing the military two-step around the auction room. | 0:05:18 | 0:05:22 | |
-If I can rein him in, that is. -I know, cos he whizzes off so. | 0:05:22 | 0:05:24 | |
He does. Every time you try and work with him, he's gone. | 0:05:24 | 0:05:27 | |
He's like a child in a sweetshop. | 0:05:27 | 0:05:29 | |
-Yes. -I'll have to be very fatherly to him, I think. | 0:05:29 | 0:05:32 | |
Now, I followed your progress over the years. | 0:05:32 | 0:05:34 | |
-We've known each other, Tim. -We've known each other for quite a long time now, haven't we? | 0:05:34 | 0:05:39 | |
-You have a very wide interest in antiques. -I do. | 0:05:39 | 0:05:41 | |
And what really gets you fired up today? | 0:05:41 | 0:05:44 | |
What lights your blue touch paper? | 0:05:44 | 0:05:45 | |
Gosh, there's so much. I love... Lalique glass at the moment. | 0:05:45 | 0:05:49 | |
I'm trying to build a collection of that, but it's rather expensive. | 0:05:49 | 0:05:53 | |
But my main passion years ago was blue and white transfer printed wares. | 0:05:53 | 0:05:57 | |
I did have a very large collection at one point. | 0:05:57 | 0:06:00 | |
-What happened to it? -I sold it, Tim. It helped me buy my first flat. | 0:06:00 | 0:06:03 | |
Did you? Is that the way it worked? | 0:06:03 | 0:06:05 | |
And do you regret the things that you ever sell? | 0:06:05 | 0:06:08 | |
Not very often. You've got to keep moving on. | 0:06:08 | 0:06:10 | |
-Translate it into cash, and move on. -Absolutely. -Very good. | 0:06:10 | 0:06:13 | |
-So, you reckon you're up to the challenge of beating the reds, anyway? -Of course, Tim. | 0:06:13 | 0:06:17 | |
-Yes. Is it going to be a piece of cake, or what? -Yes, of course it is. | 0:06:17 | 0:06:21 | |
I'm going to let Charles choose everything, because I've seen what wonderful hokums he buys! | 0:06:21 | 0:06:26 | |
-Hey, we're together. -You're going to leave it entirely to Charles? And you want to win? | 0:06:26 | 0:06:31 | |
Sorry, Charles. Right, the money moment. £300 apiece. | 0:06:31 | 0:06:34 | |
I think we'd better get out of this before we get into trouble. | 0:06:34 | 0:06:37 | |
You know the rules. Well, you ought to by now! | 0:06:37 | 0:06:40 | |
You've got no experts waiting, cos you're the experts. | 0:06:40 | 0:06:43 | |
And off you go. Very, very, very good luck. | 0:06:43 | 0:06:45 | |
I think we're in for big trouble today, don't you? | 0:06:45 | 0:06:48 | |
-So, what are we looking for? Have you got a plan? -No. Have you? -No. | 0:06:52 | 0:06:56 | |
First of all, let's put ourselves together. | 0:06:56 | 0:06:58 | |
-Because, knowing how we can meander away from each other... -Well, you do. | 0:06:58 | 0:07:01 | |
I think we just, you know, go for it, and keep an open mind. | 0:07:01 | 0:07:05 | |
That's what I tell my contestants. | 0:07:05 | 0:07:06 | |
You're going to bully me, aren't you? | 0:07:06 | 0:07:09 | |
I'm worried that if I'm too close to you, I might get battered with the old... | 0:07:09 | 0:07:13 | |
Where shall we start? There's so much here. | 0:07:13 | 0:07:16 | |
Right. As the experts get their bearings, take a look at this. | 0:07:16 | 0:07:19 | |
Because, after ten years, we've pretty much got the hang of this show. | 0:07:19 | 0:07:23 | |
But, occasionally, things go wrong. | 0:07:23 | 0:07:26 | |
-My foot, on my foot, my foot! -Gosh, sorry about that. | 0:07:31 | 0:07:36 | |
I'm so sorry about that. | 0:07:36 | 0:07:38 | |
'So, no harm done! Now, where was I?' | 0:07:39 | 0:07:41 | |
Well, it's our birthday show, so we ought to get back to the shopping, I suppose. | 0:07:41 | 0:07:45 | |
I think Kate and James have spotted something. | 0:07:45 | 0:07:47 | |
It's quite smart but I don't know how old it is. | 0:07:47 | 0:07:50 | |
He reckons it's 1900, it looks a lot later to me. | 0:07:50 | 0:07:52 | |
That's lovely quality, isn't it? | 0:07:52 | 0:07:55 | |
It is, isn't it? That's what attracted me to it. | 0:07:55 | 0:07:57 | |
They could be from anywhere, couldn't they? But it's really Adam stuff, isn't it? | 0:07:57 | 0:08:01 | |
Why would it have a hole in the bottom? | 0:08:01 | 0:08:03 | |
-I thought I could get it. -A cruet set? -It's a cruet base. | 0:08:03 | 0:08:06 | |
OK. | 0:08:06 | 0:08:08 | |
That's exactly it. There would have been a handle in the middle. | 0:08:08 | 0:08:11 | |
-And bottles. -Well done. | 0:08:11 | 0:08:13 | |
-Clever. Come on. -Keep going. | 0:08:14 | 0:08:17 | |
He's a sharp cookie, is James. | 0:08:17 | 0:08:18 | |
Just take in the ambience of the fair, first of all. | 0:08:18 | 0:08:21 | |
-The ambience of the fair? -Objects will jump out at you. | 0:08:21 | 0:08:23 | |
But I've seen the type of objects that jump out at you, Charles. | 0:08:23 | 0:08:27 | |
This is going to be fun, isn't it? | 0:08:27 | 0:08:29 | |
Ooh, Kate. | 0:08:29 | 0:08:30 | |
-Ooh, they're dead toasty. -They're not real, I'm glad to say. | 0:08:32 | 0:08:35 | |
There's some great vintage stuff here, you know. | 0:08:35 | 0:08:38 | |
Give me another hour and I could spend some serious money. | 0:08:38 | 0:08:41 | |
-What's that? -That's very nice. -Arts and crafts. | 0:08:41 | 0:08:44 | |
You're the arts and crafts king. What do you think of that? | 0:08:44 | 0:08:47 | |
To me it's free-flowing, | 0:08:47 | 0:08:49 | |
organic, mesmerising. | 0:08:49 | 0:08:51 | |
It's got that sort of Celtic knots feel about it. | 0:08:51 | 0:08:56 | |
-I think it's not quite the real McCoy. -It is only 30 quid. | 0:08:56 | 0:08:59 | |
It's nice, but do we go for it? | 0:08:59 | 0:09:01 | |
-We've only just started, we should give it a moment because I like that as well. -That's really pretty. | 0:09:01 | 0:09:06 | |
To me, I'm sure it's continental. | 0:09:06 | 0:09:08 | |
Yes, I think it is continental. | 0:09:08 | 0:09:11 | |
Probably French or German. | 0:09:11 | 0:09:13 | |
Yes, I think it's probably German. | 0:09:13 | 0:09:15 | |
What's it worth? | 0:09:15 | 0:09:17 | |
-£60-£80. -70, 80? | 0:09:20 | 0:09:21 | |
Yes. At auction. | 0:09:21 | 0:09:23 | |
-I agree. -But then you'd hope it would make maybe £100 on the day. | 0:09:23 | 0:09:27 | |
-Correct. What's on it? -150. -Right. | 0:09:27 | 0:09:29 | |
Thank you very much. We may very well be back. | 0:09:29 | 0:09:31 | |
Thank you for your help. | 0:09:31 | 0:09:32 | |
Well, the experts seem to be getting on all right. | 0:09:32 | 0:09:35 | |
And complying with the rules. | 0:09:35 | 0:09:37 | |
As well they ought to, because they've been doing it for ten years. | 0:09:37 | 0:09:41 | |
But just in case they need reminding, they each get £300 and an hour to shop for three items. | 0:09:41 | 0:09:47 | |
The team that makes the most profit at auction wins. | 0:09:47 | 0:09:50 | |
And all this week, that money will go to charity. | 0:09:50 | 0:09:53 | |
They'll also get a bonus buy, and who will hunt for that? | 0:09:53 | 0:09:56 | |
Well, me, of course. But more about that later. | 0:09:56 | 0:09:59 | |
There's some delightful Moorcroft. | 0:09:59 | 0:10:02 | |
-This is called Moorcroft over here. -It is, yes. Tube lined. | 0:10:02 | 0:10:06 | |
Tube lined. This is about 1880 in date. | 0:10:06 | 0:10:08 | |
Is it French? | 0:10:08 | 0:10:10 | |
It could be French, yes. | 0:10:10 | 0:10:12 | |
-Did you know that? -No. But thank you, Charles. | 0:10:12 | 0:10:14 | |
-That's OK. -I feel I'm learning an awful lot from you, Charles. | 0:10:14 | 0:10:18 | |
-I love that. -Yes, a good chunky one, isn't it? | 0:10:20 | 0:10:22 | |
Not exactly one for your pocket. | 0:10:22 | 0:10:24 | |
-How much is the big hip-flask? -I've got 395. | 0:10:24 | 0:10:28 | |
It's 1899. | 0:10:28 | 0:10:30 | |
-Is it? -It's lovely. | 0:10:30 | 0:10:32 | |
Can't afford it, come on. | 0:10:32 | 0:10:34 | |
-I want a bit of silver, Charles. -Me too. -I want a nice bit of silver, | 0:10:35 | 0:10:39 | |
-because I want to teach you about hallmarking. -Let's move on. | 0:10:39 | 0:10:42 | |
Charles, where are you going? Come here. | 0:10:46 | 0:10:48 | |
-Doulton Toby jugs? -No. | 0:10:53 | 0:10:54 | |
We see lots of them on the market, Doulton Toby jugs. | 0:10:54 | 0:10:57 | |
-This is Mark Stacey. -This is Charles Hanson. -Nice to meet you. | 0:10:57 | 0:11:00 | |
He's the one who always gets it wrong on television. | 0:11:00 | 0:11:03 | |
-That nice, Charles. -That's lovely. | 0:11:03 | 0:11:04 | |
Really pretty. | 0:11:04 | 0:11:06 | |
I love the quality. | 0:11:06 | 0:11:08 | |
What I want to show you, Charles, and this is very interesting. | 0:11:08 | 0:11:11 | |
Listen to this. That's what we call a hallmark. | 0:11:11 | 0:11:14 | |
Those little marks there, if you look at them very carefully, | 0:11:14 | 0:11:17 | |
-there's a little symbol there. What can you see? -A leopard. | 0:11:17 | 0:11:20 | |
-That means it's English. -Birmingham? | 0:11:20 | 0:11:23 | |
-It's London. -And that's where we are! | 0:11:23 | 0:11:25 | |
And then the date letter will tell you what date it is. | 0:11:25 | 0:11:28 | |
What's it worth? Talk to me. | 0:11:28 | 0:11:30 | |
Talk to you. If I was putting that into the sale, I'm going to | 0:11:30 | 0:11:33 | |
be honest about this, if I was putting that in a sale, | 0:11:33 | 0:11:36 | |
-I'd put a cheeky estimate on it... -I'm going to guess... -..of £50-£70. | 0:11:36 | 0:11:40 | |
-£70. -But, I'd hope it would make a bit more, because it's good quality. | 0:11:40 | 0:11:44 | |
Is the actual hinged lid OK? | 0:11:44 | 0:11:45 | |
Is there a stopper inside? No stopper. | 0:11:45 | 0:11:48 | |
That doesn't matter, it's got the little cork. | 0:11:48 | 0:11:51 | |
I think these people want us to win. So, what's your very best price? | 0:11:51 | 0:11:55 | |
As it's you, £100. | 0:11:55 | 0:11:58 | |
That's very good, isn't it? | 0:11:58 | 0:11:59 | |
It very good, but I think, I'd love to try and tweak it a little bit if we can. | 0:11:59 | 0:12:04 | |
All right, 99. | 0:12:04 | 0:12:06 | |
It's going the right direction. | 0:12:06 | 0:12:08 | |
99p? | 0:12:08 | 0:12:11 | |
I think, if we could get that for, say, £80, cash, now. | 0:12:11 | 0:12:17 | |
-80 quid. Please. -Squeeze it up to 90, and we've got a deal. | 0:12:17 | 0:12:20 | |
85, meet in the middle. | 0:12:20 | 0:12:21 | |
85, done. | 0:12:21 | 0:12:23 | |
-Are you happy with that, Charles? -Yes. | 0:12:23 | 0:12:26 | |
Well, who'd have thought that those two jokers would get one in the bag first? | 0:12:29 | 0:12:33 | |
This competition is really heating up. | 0:12:33 | 0:12:37 | |
Nice. Have they gone a bit off the boil? | 0:12:39 | 0:12:41 | |
Ivory thermometer, but Ashford marble. | 0:12:41 | 0:12:43 | |
-From Derbyshire. -And malachite. -Yes. | 0:12:43 | 0:12:47 | |
£85. | 0:12:47 | 0:12:50 | |
-Shall we ask for the best? -Let's have a look. | 0:12:50 | 0:12:52 | |
Jenkins, Torquay. | 0:12:54 | 0:12:56 | |
-So, what, 1890? -Yes. | 0:12:56 | 0:12:58 | |
Not the most commercial thing, being a thermometer. | 0:13:00 | 0:13:03 | |
But, a lovely desk item. | 0:13:03 | 0:13:04 | |
-For a collector of Ashford marble... -Exactly. | 0:13:04 | 0:13:06 | |
How do they go in your sale room at the moment? | 0:13:06 | 0:13:09 | |
That would make... | 0:13:09 | 0:13:10 | |
-£140. -£120, I was going to say, minimum. | 0:13:10 | 0:13:14 | |
-Shall we ask? -Yes. -Let's ask. -Hi. | 0:13:15 | 0:13:19 | |
-You've got £85 on that one. -Have I? | 0:13:19 | 0:13:21 | |
That's really cheap, it must be a mistake. | 0:13:21 | 0:13:24 | |
The best I can do, is this what you're asking me? | 0:13:24 | 0:13:28 | |
-Please. -Well, what do you think, David? | 0:13:28 | 0:13:32 | |
-I think £75. -Really? -What were you thinking? | 0:13:32 | 0:13:36 | |
It's got a bit of a chip on the back that's been filled badly. | 0:13:36 | 0:13:41 | |
Come on, then. | 0:13:41 | 0:13:43 | |
Less than that! | 0:13:43 | 0:13:45 | |
68. | 0:13:45 | 0:13:48 | |
-65 would be better, wouldn't it? -65. | 0:13:48 | 0:13:50 | |
-65? -65, then. -Yes! Yes? | 0:13:50 | 0:13:54 | |
-Done. -Done. Thank you very much. | 0:13:54 | 0:13:56 | |
That's our first purchase. | 0:13:56 | 0:13:59 | |
-Well done. -Is this a different take on it? | 0:13:59 | 0:14:01 | |
Yes, it is, it's to celebrate the tenth anniversary of the programme. | 0:14:01 | 0:14:05 | |
-Right, OK. -I've celebrated Bargain Hunt | 0:14:05 | 0:14:07 | |
by putting a stone on for every year that I've been doing it. | 0:14:07 | 0:14:11 | |
Well, I think we're all a bit plumper, James. | 0:14:11 | 0:14:14 | |
So, as they reminisce, let's discover a bit more about our Kate. | 0:14:14 | 0:14:18 | |
I've grown up with antiques. My parents had old things in the house, | 0:14:19 | 0:14:23 | |
and I grew up going to my father's sale room, | 0:14:23 | 0:14:26 | |
because at one point he was selling chattels and antiques | 0:14:26 | 0:14:29 | |
at his little auction house just down the road from where we lived. | 0:14:29 | 0:14:33 | |
I just had it in the blood, I suppose. | 0:14:33 | 0:14:35 | |
I came back to Herefordshire, after being at university, | 0:14:35 | 0:14:39 | |
for some work experience at the local saleroom, | 0:14:39 | 0:14:41 | |
and as soon as I started, I thought, "I've got to be doing this." | 0:14:41 | 0:14:45 | |
When I'm not doing Bargain Hunt, I'm a full-time mother, pretty much. | 0:14:49 | 0:14:53 | |
I do have my own business, as a fine art valuer, and broker and agent. | 0:14:53 | 0:14:57 | |
But I haven't really got a lot of time for that at the moment, | 0:14:57 | 0:15:00 | |
because I have two little ones. | 0:15:00 | 0:15:02 | |
Lily is three and Benjamin is 17 months. | 0:15:02 | 0:15:05 | |
And they're quite a handful, really, so they keep me fairly busy. | 0:15:05 | 0:15:08 | |
So sweet! Now, Kate's life seems pretty hectic, | 0:15:08 | 0:15:11 | |
but one of her opponents today, young Charlie Hanson, | 0:15:11 | 0:15:15 | |
is making some big mushy plans himself at the moment. | 0:15:15 | 0:15:18 | |
Well, believe it or not, Rebecca and I are getting married. | 0:15:18 | 0:15:22 | |
I'm very excited. Rebecca and I, we met not long ago. | 0:15:22 | 0:15:25 | |
About two ½ years ago. | 0:15:25 | 0:15:27 | |
And we clicked. Rebecca, I suppose, in many respects, understands me. | 0:15:27 | 0:15:32 | |
She knows my passions. | 0:15:32 | 0:15:34 | |
She likes antiques, which is wonderful. | 0:15:34 | 0:15:37 | |
She helps me now and again with my work. | 0:15:37 | 0:15:40 | |
Primarily, she's a radiographer and works in Nottingham. | 0:15:40 | 0:15:43 | |
In my spare time I enjoy playing golf, obviously walking the dogs. | 0:15:45 | 0:15:49 | |
We've got my parents' big dog, Bentley. | 0:15:49 | 0:15:53 | |
We've got the small dog, | 0:15:53 | 0:15:54 | |
which is a cross between a chihuahua and a terrier, and that's Oscar, | 0:15:54 | 0:15:58 | |
and he's great fun and very, very quick, almost as quick as I am. | 0:15:58 | 0:16:02 | |
I love the countryside. | 0:16:02 | 0:16:03 | |
The great rural district, the Peak District, so I'm very pleased to be slap-bang in the middle of England. | 0:16:03 | 0:16:09 | |
I'm known for my dancing in private circles. | 0:16:14 | 0:16:18 | |
And I do like to move, because when the music plays, | 0:16:18 | 0:16:23 | |
and you feel the rhythm, it takes you. | 0:16:23 | 0:16:26 | |
And I become alive. | 0:16:26 | 0:16:27 | |
Like my father, we seem to just love to jive and move, baby. | 0:16:27 | 0:16:31 | |
I'm a good mover, if I say so. | 0:16:33 | 0:16:35 | |
And I just ignore anyone around me. | 0:16:35 | 0:16:39 | |
And I just boogie hard. I love it. | 0:16:39 | 0:16:42 | |
Just shows, you never know what people get up to in private, behind closed doors. | 0:16:45 | 0:16:49 | |
However, all of them now will have to get moving to find two more items. | 0:16:49 | 0:16:54 | |
You've got to find the next item. | 0:16:54 | 0:16:57 | |
-Yes! -Stop strutting. | 0:16:57 | 0:17:00 | |
This way, this way. | 0:17:02 | 0:17:04 | |
-What's that? -A giant stick insect. | 0:17:04 | 0:17:06 | |
-Poor thing. -Gosh, it's enormous. | 0:17:06 | 0:17:08 | |
Charles, where are you going? | 0:17:08 | 0:17:10 | |
Come on, Charles, we've got 35 minutes left. | 0:17:10 | 0:17:13 | |
-Let's go down here, then. -OK. | 0:17:13 | 0:17:15 | |
-Ooh, look. Head rest. -A head rest? | 0:17:15 | 0:17:17 | |
Yes, it's a tribal head rest. Kenya probably, isn't it? | 0:17:17 | 0:17:21 | |
What, a head rest as in..? | 0:17:21 | 0:17:24 | |
No, for sleeping. | 0:17:24 | 0:17:26 | |
-Really? -Imagine you're a nomadic tribesman, walking through the bush. | 0:17:26 | 0:17:30 | |
You don't put your head down in the same place every night. | 0:17:30 | 0:17:33 | |
-How long is this story going to take? -Not very long. | 0:17:33 | 0:17:36 | |
-What you'd do, you'd carry this with you over your shoulder. -Right. | 0:17:36 | 0:17:39 | |
And you'd smear that in goat's grease, and you'd sleep with your head on there. | 0:17:39 | 0:17:43 | |
-I see, like that. -And the goats grease stops all the nasty insects | 0:17:43 | 0:17:47 | |
coming up and landing up in your ears. | 0:17:47 | 0:17:49 | |
-You sound as if you speak from experience. -I've used one. | 0:17:49 | 0:17:52 | |
Have you seriously? | 0:17:52 | 0:17:54 | |
Yes, I have. How much is that? | 0:17:54 | 0:17:56 | |
I've got 35 on it, I could do 30. | 0:17:56 | 0:17:58 | |
Whoa, whoa, whoa. Hang on. This isn't for us. | 0:17:58 | 0:18:02 | |
Do you not think that would be a fabulous thing for Chiswick? | 0:18:02 | 0:18:05 | |
No. Put it back. Come on. | 0:18:05 | 0:18:07 | |
Ooh! Kate is taking control! | 0:18:08 | 0:18:10 | |
-You like Royal Worcester don't you, Charles? -Yes. Oh, I love them. | 0:18:13 | 0:18:17 | |
-They're lovely. -They're stunning. They're signed, aren't they? | 0:18:17 | 0:18:20 | |
Royal Worcester mark. | 0:18:20 | 0:18:22 | |
-With three circles, what date are we talking? -1920s, I think. | 0:18:22 | 0:18:25 | |
Correct. What concerns me a bit, the scenes are quite unusual. | 0:18:25 | 0:18:28 | |
-They're almost impressionistic, aren't they? -Yes. | 0:18:28 | 0:18:31 | |
I don't know of any Worcester painter who really did that. | 0:18:31 | 0:18:34 | |
-But they are right, though, Charles. -Do you think they are? | 0:18:34 | 0:18:37 | |
-Oh, I do. I think those are fine. -Mine is signed, is yours signed? | 0:18:37 | 0:18:41 | |
-Yes. H... -E-J-A-M-S. Never heard of that bloke, have you? | 0:18:41 | 0:18:45 | |
-No, but I know... -A man who will? | 0:18:45 | 0:18:47 | |
-I know somebody, I might give him a ring. -Forsell? | 0:18:47 | 0:18:51 | |
No, I know the chap who used to be the... | 0:18:51 | 0:18:53 | |
-Harry Frost? -Yes. -Yes, Harry Frost. | 0:18:53 | 0:18:56 | |
-You know Harry Frost? -I know of Harry Frost. -Shall we ring him? | 0:18:56 | 0:18:59 | |
Give him a quick call, yes. | 0:18:59 | 0:19:01 | |
Harry, listen, a really quick call. | 0:19:03 | 0:19:05 | |
I'm filming Bargain Hunt with Charlie Hanson. | 0:19:05 | 0:19:07 | |
We've found a pair of Royal Worcester plates. | 0:19:07 | 0:19:09 | |
They're signed, what are they signed, Charlie?. | 0:19:09 | 0:19:12 | |
-H, E... -H, E. -J. -J. -A. -A. | 0:19:12 | 0:19:16 | |
-M. -M. -S. -S. | 0:19:16 | 0:19:19 | |
-Impressionistic. -Evans? H. Evans? | 0:19:19 | 0:19:22 | |
For a pair? | 0:19:22 | 0:19:25 | |
Lovely, thanks, Harry. I'll talk to you later. Bye. | 0:19:25 | 0:19:28 | |
He thinks they would be quite a good buy if we could negotiate on them. | 0:19:28 | 0:19:31 | |
-OK, fine. -He said they should do reasonably well at auction. | 0:19:31 | 0:19:35 | |
-What price have we got? -£85, the pair. | 0:19:35 | 0:19:37 | |
-75 for the two, because they cost quite a lot. -We're really close. | 0:19:37 | 0:19:40 | |
-I think we need to think about it. -Why? -Could we hold for ten minutes? | 0:19:40 | 0:19:43 | |
-Is that OK with you? -Would you mind holding it, just for ten minutes? -That's really kind, thank you. | 0:19:43 | 0:19:48 | |
I hope the reds didn't see that. | 0:19:48 | 0:19:50 | |
Phoning a friend, eh? So much for fair play and sportsmanship. | 0:19:50 | 0:19:53 | |
-Who have you found? -What do you think? | 0:19:53 | 0:19:55 | |
She's pretty. Where's my eyeglass? | 0:19:55 | 0:19:57 | |
Hang on a sec. | 0:19:57 | 0:19:59 | |
She's nice, isn't she? | 0:20:00 | 0:20:03 | |
Look, on the top of the frame. | 0:20:03 | 0:20:05 | |
Oooh. Hallmark. | 0:20:05 | 0:20:07 | |
That's nice, isn't it? | 0:20:07 | 0:20:09 | |
Silver gilt frame. | 0:20:09 | 0:20:10 | |
That's worth a bit in itself. | 0:20:10 | 0:20:12 | |
I don't think £125 is a lot anyway. | 0:20:12 | 0:20:14 | |
£125? Have you tried to negotiate? | 0:20:14 | 0:20:18 | |
I've already got her down to 100. | 0:20:18 | 0:20:20 | |
-Right, OK. -I've said 80. -80 would be good. | 0:20:20 | 0:20:24 | |
80 would be good, wouldn't it? She said no. | 0:20:24 | 0:20:26 | |
I think we might get there, £90, £95, something like that. | 0:20:26 | 0:20:29 | |
Mmm, I think that's worth a shout. She what she can do. | 0:20:29 | 0:20:32 | |
See what her rock bottom is. It is nice, though. | 0:20:32 | 0:20:35 | |
You tell 'em, girl! Let's see what he comes back to you with. | 0:20:35 | 0:20:39 | |
We only bought one thing, we've only spent 85. | 0:20:39 | 0:20:42 | |
Come on, you're not telling me anything here, Charles. | 0:20:42 | 0:20:45 | |
I like to just wander. | 0:20:45 | 0:20:47 | |
Have a good wander for 50 minutes and then we can go and acquire. | 0:20:47 | 0:20:52 | |
Charles. You and your wandering. | 0:20:52 | 0:20:55 | |
-Hi, there. -Hello, you all right? -You said 100. | 0:20:55 | 0:20:58 | |
-Right, yeah. -I said 80. | 0:20:58 | 0:21:01 | |
Best we can do is 90. | 0:21:01 | 0:21:04 | |
-£85? -No. 90. | 0:21:04 | 0:21:06 | |
On the dot. I am serious. | 0:21:06 | 0:21:08 | |
-OK. You sound it! That's a deal. -Thank you very much. That's lovely. | 0:21:08 | 0:21:12 | |
-Brilliant. Will you wrap it for me? -Yeah, sure. -Thank you. | 0:21:12 | 0:21:15 | |
Well done, James. I do hope Kate approves. | 0:21:15 | 0:21:17 | |
I'm sure you were supposed to check with her first, though. | 0:21:17 | 0:21:21 | |
-It's really funky. -How old is it? -'70s? | 0:21:22 | 0:21:26 | |
-'70s. -'70s. Wonder how much it is. | 0:21:26 | 0:21:28 | |
-Shall I call them over? -Yes, you go over. | 0:21:28 | 0:21:31 | |
-He's a big guy, though, isn't he? -Yeah. -I'll ask him, OK? | 0:21:31 | 0:21:34 | |
-Hello, sir. -Hi. -Excuse me, we're just admiring this nice table down here. | 0:21:34 | 0:21:37 | |
And is it 1970s? | 0:21:37 | 0:21:40 | |
-No! It's 1930s. -Oh, really? So it's quite expensive? | 0:21:40 | 0:21:44 | |
-It's £450. -I think it's lovely, Charles. -It's delightful. | 0:21:44 | 0:21:49 | |
There's no real negotiation in that figure? | 0:21:49 | 0:21:53 | |
-Uh...a little bit but probably not as much as you want. -I like it! | 0:21:53 | 0:21:56 | |
We haven't got the budget for it, honestly. I love it. | 0:21:56 | 0:21:59 | |
Even half price is out of your budget. | 0:21:59 | 0:22:02 | |
-We couldn't. -Thank you for your time. -Thank you so much. | 0:22:02 | 0:22:04 | |
Have a good day. | 0:22:04 | 0:22:06 | |
-What's going on then? -What would say if they said 90? | 0:22:06 | 0:22:10 | |
I'd say pretty good-ish. | 0:22:10 | 0:22:13 | |
-Phew! -You got it! -Yes, I got it! -You got it without me? | 0:22:13 | 0:22:16 | |
I just said yes. It was just automatic and it was, you know... | 0:22:16 | 0:22:19 | |
-So much for teamwork. -I'm sorry! | 0:22:19 | 0:22:21 | |
Let's go over here, come on! | 0:22:23 | 0:22:25 | |
-We've been over there, Charles. We've been down there. -We haven't! | 0:22:25 | 0:22:28 | |
Yes we have. We came in down... | 0:22:28 | 0:22:30 | |
Oh, yes. Sorry, it's the restaurant over there. | 0:22:30 | 0:22:32 | |
-Are you enjoying it? -It's an experience, Charles. | 0:22:36 | 0:22:39 | |
-How do you find the hunting experience? -Ah...tiring. | 0:22:39 | 0:22:42 | |
Whenever I go to a fair or a centre on Bargain Hunt, | 0:22:46 | 0:22:50 | |
I try to find something that's interesting to talk to you about | 0:22:50 | 0:22:54 | |
and the production team calls these Tim's Finds. | 0:22:54 | 0:22:58 | |
Do you remember these? | 0:22:58 | 0:23:00 | |
Is that not the most extraordinary picture? What is it? | 0:23:00 | 0:23:05 | |
Well, it's an original watercolour | 0:23:05 | 0:23:08 | |
painted by this man, L R Cooke, in November, 1860. | 0:23:08 | 0:23:12 | |
But what's it a picture of? | 0:23:12 | 0:23:14 | |
Got it? Its an ovary. | 0:23:14 | 0:23:17 | |
This is a genuine watercolour. | 0:23:17 | 0:23:19 | |
It dates from that period and I think it's very rare. | 0:23:19 | 0:23:23 | |
If this picture was to be sold on, almost certainly, the collector, | 0:23:23 | 0:23:28 | |
at the end of the day, would be from the medical profession. | 0:23:28 | 0:23:31 | |
The other thing about it that is lovely is the price. | 0:23:31 | 0:23:34 | |
The thing could be yours on a stall down the road for £120. | 0:23:34 | 0:23:40 | |
Is that a lot of money? Not really. | 0:23:40 | 0:23:44 | |
So here's a little something that I've picked up, | 0:23:44 | 0:23:47 | |
something I've had my eye on for a bit. | 0:23:47 | 0:23:49 | |
It looks like a pretty boring, oval tin box. | 0:23:49 | 0:23:52 | |
Actually, when you come to open it up, there's this little gem inside. | 0:23:52 | 0:23:59 | |
Why ever what I want to buy a glass eye? | 0:23:59 | 0:24:02 | |
It reminds me at a time at the school. | 0:24:02 | 0:24:04 | |
We had a boy who had a glass eye, poor thing, and he used to put it | 0:24:04 | 0:24:07 | |
in a mug at the end of the wash hand basins. | 0:24:07 | 0:24:10 | |
I went to bed late one night. | 0:24:10 | 0:24:11 | |
I wanted a glass of water. | 0:24:11 | 0:24:13 | |
I went to the mug but I felt a rattle in the bottom. | 0:24:13 | 0:24:16 | |
I shone my torch inside the mug and there was this eye glaring back at me. | 0:24:16 | 0:24:21 | |
Well, happy days. | 0:24:21 | 0:24:22 | |
Somebody suggested that this eye is exactly the same colour as mine | 0:24:22 | 0:24:27 | |
but it's a bit less bloodshot. | 0:24:27 | 0:24:29 | |
People can be so unkind, can't they? | 0:24:29 | 0:24:32 | |
And keeping their eyes open for those elusive bargains are our experts. | 0:24:32 | 0:24:37 | |
It's important they pick well because any profits made this week are going to charity. | 0:24:37 | 0:24:42 | |
However, methinks tempers are starting to fray as the search continues. | 0:24:42 | 0:24:47 | |
-I'm quite relaxed. -I'm not, Charles. | 0:24:47 | 0:24:49 | |
-If we flunk this, I'm putting it down to you. -Oh, right. Thanks. | 0:24:49 | 0:24:53 | |
We haven't done that side at all. | 0:24:53 | 0:24:55 | |
I'm worried about time. We've only got 20 minutes left and keep going for things we can't afford. | 0:24:55 | 0:25:00 | |
Let's keep going, Mark. | 0:25:00 | 0:25:02 | |
I haven't gotten a chance to look at anything. | 0:25:02 | 0:25:04 | |
Right or left? Right. | 0:25:04 | 0:25:07 | |
Where's he gone? Charles! | 0:25:07 | 0:25:09 | |
Oi! Charles. | 0:25:09 | 0:25:11 | |
-I thought we were supposed to be together. -Sorry! Look. | 0:25:11 | 0:25:14 | |
Stay together with me, OK? | 0:25:14 | 0:25:16 | |
-What are the WMF? -Unusual. | 0:25:16 | 0:25:19 | |
I'm trying to keep up with you! | 0:25:19 | 0:25:21 | |
-How much we got? -We got about quarter of an hour. | 0:25:23 | 0:25:25 | |
-Right. -Not that long. | 0:25:25 | 0:25:26 | |
Charles. Charles! | 0:25:26 | 0:25:29 | |
-Will you look at this? -Sorry. | 0:25:29 | 0:25:31 | |
We're going to lose our whole budget again! It's all your fault. | 0:25:31 | 0:25:34 | |
The love each other, really. | 0:25:34 | 0:25:36 | |
James has got bored and deserted me. | 0:25:36 | 0:25:38 | |
Charles, you're rushing but not looking. | 0:25:38 | 0:25:41 | |
-James, ten minutes. -Fine. | 0:25:41 | 0:25:43 | |
If you try and keep up with me. | 0:25:43 | 0:25:45 | |
I'm trying but you're not looking at anything. You're just rushing in the middle. | 0:25:45 | 0:25:49 | |
James. James. | 0:25:49 | 0:25:51 | |
Nice glovebox, there. | 0:25:53 | 0:25:55 | |
Look at it. Don't look at this. | 0:25:55 | 0:25:56 | |
We've got to look at things! If we don't look, we don't know. | 0:25:56 | 0:25:59 | |
They're normally so calm and collected when they've got contestants. | 0:25:59 | 0:26:03 | |
-Here's a caddy. -It's lost all its silver. | 0:26:03 | 0:26:05 | |
It has lost it's silver on the top. | 0:26:05 | 0:26:07 | |
-What's your best, madam? -£140. | 0:26:07 | 0:26:09 | |
140. I still think it's too much. | 0:26:09 | 0:26:12 | |
-Let's keep looking. -All right. -We know it's there. | 0:26:12 | 0:26:15 | |
That's beautiful. That is stunning. | 0:26:15 | 0:26:17 | |
But it's not silver, is it? | 0:26:17 | 0:26:20 | |
-It looks like silver. -It looks like it but it's £24. | 0:26:20 | 0:26:23 | |
-It can't be silver, Charles. -No. | 0:26:23 | 0:26:25 | |
Look at the extremities here. | 0:26:25 | 0:26:28 | |
Charles, we have to make decisions. | 0:26:28 | 0:26:31 | |
Relax. Yes. | 0:26:31 | 0:26:33 | |
-Madam, could we maybe offer... -15. | 0:26:37 | 0:26:39 | |
-£15? -No, you can't. Honestly, it has to be £20. Sorry. | 0:26:39 | 0:26:42 | |
-Can you not meet us halfway? -Let's get it. -Are you sure? | 0:26:42 | 0:26:45 | |
-Should we think about it? -Let's get it, Charles. | 0:26:45 | 0:26:48 | |
-Let's think about it. -Let's get it. | 0:26:48 | 0:26:49 | |
-Sure? -Positive. We'll take it, madam, £20. | 0:26:49 | 0:26:52 | |
-That was your item. -No, you just bought it! | 0:26:52 | 0:26:55 | |
Yes but I'm, I'm... Time, Charles! | 0:26:55 | 0:26:59 | |
I think we need a time out as we hark back to less stressful times. | 0:26:59 | 0:27:04 | |
It's very difficult to pick out key moments | 0:27:04 | 0:27:07 | |
because it all is quite a blur but I can remember that wonderful horse racing game | 0:27:07 | 0:27:12 | |
that two great contestants spotted at the antiques fair at Hexham Racecourse. | 0:27:12 | 0:27:17 | |
It was very fitting that we should buy a horse racing game. | 0:27:17 | 0:27:21 | |
Manifesto, it's called, the new race game. | 0:27:21 | 0:27:23 | |
Isn't that super? It looks to be all complete. | 0:27:23 | 0:27:27 | |
-It's all lain. -Now, tell me, what's the price? -£140. | 0:27:27 | 0:27:32 | |
-That's a lot of our money, isn't it? -He won't come down. | 0:27:32 | 0:27:36 | |
I can see somebody paying £150, £160 maybe? | 0:27:36 | 0:27:40 | |
That flew. | 0:27:40 | 0:27:41 | |
£150, £160, £170, £180, £190, £200. | 0:27:41 | 0:27:47 | |
I think it made well over £100 profit if not more. | 0:27:47 | 0:27:51 | |
I don't believe it. | 0:27:51 | 0:27:53 | |
-Hang on. He hasn't finished yet. -£380. | 0:27:53 | 0:27:56 | |
Gentleman in the hat still at £380. Are we all done? I'll sell for £380. | 0:27:56 | 0:28:01 | |
-Absolutely magical! -Brilliant! | 0:28:05 | 0:28:07 | |
'So, that was very exciting.' | 0:28:07 | 0:28:10 | |
Charles has bought some corkers, too. Well, kind of. | 0:28:10 | 0:28:14 | |
We've acquired all sorts of interesting, peculiar objects. | 0:28:14 | 0:28:18 | |
For example, the carnival glass punch bowl which was horrific. | 0:28:18 | 0:28:22 | |
-Look at that. -Oh, no way. | 0:28:22 | 0:28:24 | |
Do you really like that? | 0:28:24 | 0:28:26 | |
It's wicked. Look at it, it's marvellous. | 0:28:26 | 0:28:28 | |
It's a punch bowl and it's a monstrous punch bowl. | 0:28:28 | 0:28:31 | |
It's completely disgusting. | 0:28:31 | 0:28:33 | |
It was horrendous. | 0:28:33 | 0:28:35 | |
I could not believe that myself, as an expert, could buy something as bad. | 0:28:35 | 0:28:39 | |
It's no earlier than 1950s, '60s. | 0:28:39 | 0:28:42 | |
The base perhaps a bit earlier. | 0:28:42 | 0:28:44 | |
At auction, next to nothing. | 0:28:44 | 0:28:46 | |
We've got to have it, haven't we? | 0:28:46 | 0:28:48 | |
We've got to have that in our auction. | 0:28:48 | 0:28:50 | |
-I can't believe it. -It's called Harvest. | 0:28:50 | 0:28:52 | |
It's by the Indiana Glass Company in America. It's about 1960s. | 0:28:52 | 0:28:56 | |
I'll tell you one thing about it, it's in full working order. | 0:28:56 | 0:28:59 | |
-See, they're all there. -All there, nothing's broken. | 0:28:59 | 0:29:02 | |
I'm lost for words. There's three against one here. | 0:29:02 | 0:29:05 | |
We did, | 0:29:05 | 0:29:06 | |
and even now, I can't believe that this awful object made a profit. | 0:29:06 | 0:29:11 | |
All we all finished on £85? | 0:29:11 | 0:29:13 | |
Do I see £90? | 0:29:13 | 0:29:18 | |
-£90. £95. -Fantastic. | 0:29:18 | 0:29:20 | |
£95. | 0:29:20 | 0:29:21 | |
Story of my life. | 0:29:21 | 0:29:23 | |
Objects which often won't be valuable to me, | 0:29:23 | 0:29:26 | |
with my fairly narrow mind set about antiques, | 0:29:26 | 0:29:29 | |
to the audience and public in seller rooms, it can make a profit. | 0:29:29 | 0:29:34 | |
We all finished now at the back of the room at £100? | 0:29:34 | 0:29:37 | |
I don't believe it. Fancy a job? | 0:29:40 | 0:29:42 | |
So what do I know? | 0:29:42 | 0:29:43 | |
Oh, Charles, we've seen you pick some splendid pieces. | 0:29:43 | 0:29:47 | |
Don't be so hard on yourself. | 0:29:47 | 0:29:49 | |
This programme wouldn't be the same without you. | 0:29:49 | 0:29:52 | |
However, it's the final push at the fair and with only minutes left, | 0:29:52 | 0:29:56 | |
each team has one item to find. | 0:29:56 | 0:29:58 | |
Six minutes to go. | 0:29:58 | 0:29:59 | |
Six minutes to go, and we've bought two items, Charles. | 0:29:59 | 0:30:02 | |
It takes ten seconds to buy an item. | 0:30:02 | 0:30:03 | |
Yes, but it's taking us 55 minutes to find it. | 0:30:03 | 0:30:07 | |
Have we been up here? How much is your hip flask? | 0:30:07 | 0:30:11 | |
I have vision on both sides. | 0:30:13 | 0:30:15 | |
You have no vision. | 0:30:15 | 0:30:17 | |
Probably a bit too much, I'm afraid. | 0:30:17 | 0:30:19 | |
We've been up here. Have we been down this section here, Charles? | 0:30:19 | 0:30:22 | |
Four minutes? | 0:30:22 | 0:30:25 | |
James, four minutes. Four minutes. | 0:30:25 | 0:30:27 | |
Charles, you've got to find it because I'm doing all the finding here. | 0:30:27 | 0:30:31 | |
Hurry up, teams. | 0:30:31 | 0:30:32 | |
What about that, 1912? | 0:30:32 | 0:30:35 | |
I quite like that, as Vestas go. | 0:30:35 | 0:30:37 | |
They're cutting it fine. | 0:30:37 | 0:30:39 | |
-That's lovely, Charles. -I bet it'll be 220. -80. Isn't that lovely? | 0:30:39 | 0:30:43 | |
Oh, yes. I think this is great. A little desk centrepiece. | 0:30:43 | 0:30:47 | |
Inkwell and stand, 1900, 1910? | 0:30:47 | 0:30:50 | |
What would you put on it as an estimate? | 0:30:50 | 0:30:52 | |
-I think we could buy it for £60. -I think we might get a tenner profit. -Good object, that. | 0:30:52 | 0:30:57 | |
-What's the best on the best at? -Can I see it? | 0:30:57 | 0:31:01 | |
50. | 0:31:03 | 0:31:04 | |
Would 48 be any good? | 0:31:04 | 0:31:05 | |
Not saying we'd have it, but just so we can... | 0:31:05 | 0:31:08 | |
Excuse me, we like... | 0:31:08 | 0:31:10 | |
We're running out of time. | 0:31:10 | 0:31:12 | |
Let me speak to him. | 0:31:12 | 0:31:13 | |
Quickly! | 0:31:13 | 0:31:14 | |
It's OK, he's my friend. We're very short of time. | 0:31:16 | 0:31:20 | |
We both like the inkstand very, very much, the desk centrepiece. | 0:31:20 | 0:31:23 | |
-Lovely quality, 1900. -Get to the point, Charles! | 0:31:23 | 0:31:26 | |
-1910, look I want to try a last minute, OK? -OK. | 0:31:26 | 0:31:29 | |
We like it very much, we're really short of time. How long now, eight seconds? | 0:31:29 | 0:31:33 | |
-Yes, 30 seconds maximum. -What's your best price, sir? | 0:31:33 | 0:31:37 | |
You say you liked it very, very much, it's just gone up to 150. | 0:31:37 | 0:31:41 | |
I wanted to offer 50 cash. Please? | 0:31:41 | 0:31:47 | |
Give me 55, and it's yours. | 0:31:48 | 0:31:50 | |
We shall take it. Thank you, sir. Appreciate it. | 0:31:50 | 0:31:53 | |
Let's shake hands. Very kind of you. | 0:31:53 | 0:31:55 | |
-Which one are you going to go for? -I think the dog's more commercial. | 0:31:55 | 0:32:00 | |
-Dog? Like it? -No! -No, nor me! | 0:32:00 | 0:32:01 | |
I think the dog, please. | 0:32:01 | 0:32:03 | |
We'll have it, thank you. God! | 0:32:03 | 0:32:06 | |
Where did all that time go? | 0:32:06 | 0:32:08 | |
-Well played, partner. -Well done, Charles. -Thank you, sir. | 0:32:08 | 0:32:11 | |
That's it, time's up. Let's remind ourselves what the Reds bought. | 0:32:11 | 0:32:16 | |
First up, Kate and James thought £65 for the desk thermometer | 0:32:16 | 0:32:21 | |
was a red hot deal. | 0:32:21 | 0:32:23 | |
Next, they paid £90 for a miniature portrait of a young lady. | 0:32:23 | 0:32:27 | |
And in the final seconds, they plumped for a George V Vesta case. | 0:32:27 | 0:32:32 | |
But were they barking, paying £48? | 0:32:32 | 0:32:35 | |
Our happy hunters. | 0:32:38 | 0:32:40 | |
I think you make a lovely couple anyway, which is lovely. | 0:32:40 | 0:32:43 | |
So you've pretty well spent up, yes? | 0:32:43 | 0:32:45 | |
We're spent up. What do we spend in the end? 200 and something. | 0:32:45 | 0:32:48 | |
-Three. -203. | 0:32:48 | 0:32:50 | |
That's a good number to spend. | 0:32:50 | 0:32:51 | |
Ordinarily, I'd take your leftover lolly. | 0:32:51 | 0:32:54 | |
But I'm not going to cos I've already been given some money to find you something. | 0:32:54 | 0:32:58 | |
I've found something really rather sweet. | 0:32:58 | 0:33:00 | |
Anyway, I think you're wonderful, you two. Fantastic job. | 0:33:00 | 0:33:03 | |
But for the viewers, let's check out how the Blue team are getting on. | 0:33:03 | 0:33:06 | |
Mark and Charles must have imbibed a few | 0:33:06 | 0:33:09 | |
before paying £85 for the glass hip-flask. | 0:33:09 | 0:33:12 | |
Confusingly, they paid £20 for a silver-plated jewellery box. | 0:33:12 | 0:33:17 | |
Gosh. And in the nick of time, they handed over £55 | 0:33:17 | 0:33:20 | |
for a glass inkwell on a brass-mounted stand. | 0:33:20 | 0:33:23 | |
You're looking happy, aren't you? | 0:33:27 | 0:33:29 | |
-Two boys that have just had a socking great bowl of cream, I'd say. -Yes, I think we have. | 0:33:29 | 0:33:34 | |
We're very happy with our purchases. | 0:33:34 | 0:33:35 | |
Got slightly flaky towards the end when the time ran out, I thought. | 0:33:35 | 0:33:40 | |
I'm not sure about flaky, but try to keep up with him, Tim. | 0:33:40 | 0:33:43 | |
-He's waltzing off. -Always sloping off. -I know. | 0:33:43 | 0:33:45 | |
But it's a way to unearth things, you've got to go round quick. | 0:33:45 | 0:33:49 | |
Mark's a bit slow. | 0:33:49 | 0:33:50 | |
This business about phoning a friend, | 0:33:50 | 0:33:52 | |
I'm sorry to interrupt you rudely. | 0:33:52 | 0:33:53 | |
I'm not altogether sure that should be permitted on the programme. | 0:33:53 | 0:33:56 | |
What's the audience think? | 0:33:56 | 0:33:58 | |
Do you think it should be? You don't think it should be. | 0:33:58 | 0:34:00 | |
Anyway, you never bought the object, | 0:34:00 | 0:34:02 | |
but phoning a friend is really pushing the rules, we feel. | 0:34:02 | 0:34:06 | |
-Me and the audience. -I've no phone on me. | 0:34:06 | 0:34:08 | |
-You've got no phone? -I didn't think about that, Tim. | 0:34:08 | 0:34:11 | |
I thought, insider knowledge. | 0:34:11 | 0:34:13 | |
-It's who you know! -I won't do it again. | 0:34:13 | 0:34:16 | |
No, no, no. Only joking, but it's an interesting one. | 0:34:16 | 0:34:20 | |
Anyway, good luck, you chaps. Brilliant. | 0:34:20 | 0:34:22 | |
On Bargain Hunt over the years, I've seen some brilliant houses, and I've seen some brilliant collections. | 0:34:22 | 0:34:29 | |
A lot of these are privately owned but I have to tell you, | 0:34:29 | 0:34:33 | |
occasionally we've visited national collections or museums | 0:34:33 | 0:34:37 | |
and some of the things there are just brilliant. | 0:34:37 | 0:34:40 | |
The V&A welcomes over two million visitors a year through its doors | 0:34:42 | 0:34:47 | |
and is arguably the world's greatest museum of art and design. | 0:34:47 | 0:34:52 | |
It houses over 17,500 sculptures and 10,500 oil paintings. | 0:34:52 | 0:35:00 | |
The question is, how do you fill all these corridors with all these exhibits? | 0:35:02 | 0:35:08 | |
The answer is, with generous bequests, in part, | 0:35:08 | 0:35:12 | |
from benefactors like Constantine Alexander Ionides. | 0:35:12 | 0:35:16 | |
This legacy, comprising 1,158 pictures, drawings, prints and old masters | 0:35:18 | 0:35:24 | |
came to the museum in 1901 and is the collection of one wealthy, | 0:35:24 | 0:35:30 | |
Anglo-Greek, art-loving, shipping family. | 0:35:30 | 0:35:34 | |
And what a stunning collection it is. | 0:35:34 | 0:35:37 | |
Ionides was specific as to how his bequest was to be treated. | 0:35:37 | 0:35:42 | |
He wanted it to stay altogether. | 0:35:42 | 0:35:44 | |
He didn't want any pieces to go out on loan, | 0:35:44 | 0:35:47 | |
and he would have particularly liked this two-tier arrangement of hanging the paintings, | 0:35:47 | 0:35:53 | |
because it was just like they would have looked in his home. | 0:35:53 | 0:35:57 | |
He also wanted these pictures to be enjoyed and available to students, | 0:35:57 | 0:36:02 | |
and, at the time, this picture was cutting edge British contemporary art. | 0:36:02 | 0:36:08 | |
This masterpiece is by Sir Edward Burne-Jones, and, interestingly, | 0:36:08 | 0:36:13 | |
Ionides knew all four of the figures that you see in the picture. | 0:36:13 | 0:36:18 | |
In fact, his cousin, Mary, this girl on the left, | 0:36:18 | 0:36:21 | |
was having a passionate affair with Burne-Jones | 0:36:21 | 0:36:25 | |
at the time the picture was painted. | 0:36:25 | 0:36:27 | |
It's a Pre-Raphaelite picture, but what do you like about it? | 0:36:27 | 0:36:31 | |
What I rather like is the rather geometric forms of this mill building in the background. | 0:36:31 | 0:36:37 | |
Just look at the outline of those buildings. | 0:36:37 | 0:36:40 | |
That could Corbusier in the early part of the 20th century. | 0:36:40 | 0:36:44 | |
But, Burne-Jones didn't just do paintings, | 0:36:44 | 0:36:47 | |
he was truly a polymath of the applied arts, too. | 0:36:47 | 0:36:50 | |
He designed jewellery. He designed ceramics. | 0:36:50 | 0:36:53 | |
He designed textiles, including tapestries. | 0:36:53 | 0:36:57 | |
And, believe it or not, he would responsible for the decoration on this grand piano. | 0:36:57 | 0:37:03 | |
Amazing, isn't it? | 0:37:03 | 0:37:04 | |
You've got that salon, which is what the Ionides family had, | 0:37:04 | 0:37:09 | |
and they wanted just the decorated object to fit in. | 0:37:09 | 0:37:13 | |
And this is it. | 0:37:13 | 0:37:15 | |
We really do have some fantastic museums in Britain, don't we? | 0:37:15 | 0:37:19 | |
Now it's time to head to the saleroom, and see how our expert teams fared at the fair. | 0:37:19 | 0:37:25 | |
So, we've popped from Ally Pally to Chiswick Auctions in West London | 0:37:25 | 0:37:29 | |
to be with William Rice, our auctioneer today. | 0:37:29 | 0:37:33 | |
William, this is your first appearance this week on the Tuesday anniversary programme, | 0:37:33 | 0:37:37 | |
and you're going to be our auctioneer for the programme on Friday, too, is that right? | 0:37:37 | 0:37:41 | |
It is indeed, and very exciting. | 0:37:41 | 0:37:43 | |
Well, it is a different programme, | 0:37:43 | 0:37:45 | |
to have two pairs of experts fighting against one another. | 0:37:45 | 0:37:48 | |
And, for Kate and James, the first item they've come up with is this | 0:37:48 | 0:37:53 | |
charming little desk thermometer encrusted in polished stones. | 0:37:53 | 0:37:59 | |
It's said to be Ashford marble. What do you think about that? | 0:37:59 | 0:38:02 | |
It does say Torquay on the thermometer, and, | 0:38:02 | 0:38:04 | |
although that wouldn't necessarily be the place that it was made, | 0:38:04 | 0:38:08 | |
in this case I think it probably is, | 0:38:08 | 0:38:10 | |
because there is a well-known stone factory in Torquay. | 0:38:10 | 0:38:13 | |
The Torquay marble works. | 0:38:13 | 0:38:15 | |
So, made in Torquay, for the West Country tourists, and then retailed by this joker on the ivory plaque. | 0:38:15 | 0:38:21 | |
Isn't that interesting? It's in good nick, isn't it? | 0:38:21 | 0:38:23 | |
-Yes, it is. -So, is it going to raise the temperature, do you think, in the saleroom? | 0:38:23 | 0:38:27 | |
I think we should see £100 for it easily, I'd put 80 to 120 on it. | 0:38:27 | 0:38:30 | |
-But it's definitely worth £100. -Okay, well they paid £65. | 0:38:30 | 0:38:33 | |
-Well, that's good. -And who knows? It might just go and do a little better. | 0:38:33 | 0:38:38 | |
Next up is the miniature, which is of a handsome woman, | 0:38:38 | 0:38:41 | |
-probably 19th century, do you think? -Possibly sort of Jane Austen time. | 0:38:41 | 0:38:45 | |
Yes, she's got that kind of rather flowing look, if you know what I mean. | 0:38:45 | 0:38:48 | |
Yes. It's a lovely framed, though. | 0:38:48 | 0:38:50 | |
Although it is a little bit tarnished on the back, | 0:38:50 | 0:38:53 | |
it is silver gilt, | 0:38:53 | 0:38:54 | |
and there's a little silver mark at the very top here. | 0:38:54 | 0:38:57 | |
-Oh, yes, that's good, isn't it? -Which suddenly puts it into a different league, I think. | 0:38:57 | 0:39:01 | |
If anything, the frame is the best part about it, really. | 0:39:01 | 0:39:04 | |
-And what do you think it's going to bring? -It should be a good £70-100. | 0:39:04 | 0:39:07 | |
Well, they paid 90. | 0:39:07 | 0:39:08 | |
OK, well that might be a bit of a conservative estimate. | 0:39:08 | 0:39:11 | |
-And their third item is the Vesta case, which is in good nick. -It is. | 0:39:11 | 0:39:18 | |
I have to say that we're slightly worried about this in that there are | 0:39:18 | 0:39:23 | |
plenty around of a similar sort which have added decoration to them. | 0:39:23 | 0:39:27 | |
So it could be that this dog, which is, after all, | 0:39:27 | 0:39:30 | |
quite attractive, is something which was put on afterwards. | 0:39:30 | 0:39:34 | |
Well, that is a possibility, isn't it? | 0:39:34 | 0:39:36 | |
I mean, an absolutely plain Vesta case with nothing on it is worth £20 or £30. | 0:39:36 | 0:39:40 | |
Shove one of these things on and it makes it worth a bit more. | 0:39:40 | 0:39:44 | |
How much do you think this is going to bring in the auction? | 0:39:44 | 0:39:47 | |
I think it's still a £40-60 lot. | 0:39:47 | 0:39:49 | |
Do you? Well, they only paid £48, you see. | 0:39:49 | 0:39:51 | |
So there you go. I mean, the big question is, how much is the Torquay marble thermometer going to bring? | 0:39:51 | 0:39:58 | |
If it does really well, they're out of trouble. | 0:39:58 | 0:40:00 | |
On the other hand, they might be in trouble, in which case they're going | 0:40:00 | 0:40:02 | |
to need their bonus buy, which of course has been found by me. | 0:40:02 | 0:40:07 | |
Okay, lads. This is the moment critique. | 0:40:07 | 0:40:10 | |
You managed to spend £203, which is pretty good. | 0:40:10 | 0:40:14 | |
Ordinarily there would be £97 worth of leftover lolly, | 0:40:14 | 0:40:17 | |
but I've been allowed £100 to buy you something super special | 0:40:17 | 0:40:20 | |
as your bonus buy, which we hope is going to turn out to be really fab. | 0:40:20 | 0:40:24 | |
-So, are you going to give it a yank? -I'm itching. -Good, give it a yank. | 0:40:24 | 0:40:28 | |
Oh! It's a baby's plate! I love these! | 0:40:28 | 0:40:32 | |
-Now listen, both of you have got babies, you are both in need of one of these. -Teddy Tale? | 0:40:32 | 0:40:39 | |
Do you know anything about Teddy Tale, because, quite frankly, | 0:40:39 | 0:40:42 | |
until I bought this baby plate, if I'm being perfectly honest with you, | 0:40:42 | 0:40:46 | |
I knew nothing about Teddy Tale. | 0:40:46 | 0:40:47 | |
-I haven't got a clue. -Teddy Tale was the first strip cartoon character, daily, | 0:40:47 | 0:40:53 | |
anywhere in the world, and he came onboard for the Daily Mail in 1915. | 0:40:53 | 0:40:58 | |
I thought it was really sweet. | 0:40:58 | 0:41:00 | |
You've got this lovely transfer printed thingummyjig in the middle of the baby's plate that says... | 0:41:00 | 0:41:05 | |
What does the verse say, James? | 0:41:05 | 0:41:07 | |
-"And use a baby plate." -Well, there you go. | 0:41:13 | 0:41:16 | |
-As far as the money is concerned... -Exactly! | 0:41:16 | 0:41:21 | |
I had my £100, and I hope you don't think I overpaid when I paid £90 for it. | 0:41:21 | 0:41:26 | |
Look at their faces! | 0:41:26 | 0:41:29 | |
Only joking, I paid 20, actually. | 0:41:29 | 0:41:32 | |
-Oh, good! Yes, that's fine. -See what I mean? | 0:41:32 | 0:41:34 | |
See the reaction at 90! Yes, £20. | 0:41:34 | 0:41:36 | |
-Happy with that. -Now, you don't have to take it. | 0:41:36 | 0:41:40 | |
But for the viewers at home, let's find out what the auctioneer thinks about my little Teddy Tale. | 0:41:40 | 0:41:45 | |
-Over to you then, baby. -It is a very nice plate. | 0:41:45 | 0:41:48 | |
-Not bad, is it? -It's very decorative, | 0:41:48 | 0:41:51 | |
the cartoon is really good and from a well-known cartoonist, | 0:41:51 | 0:41:55 | |
so it seems to have everything going for it. | 0:41:55 | 0:41:57 | |
I don't imagine it was wildly expensive... | 0:41:57 | 0:42:00 | |
Yes, £20, actually. Do you think that's wildly expensive? | 0:42:00 | 0:42:02 | |
No, I think we can certainly do a bit better than that. | 0:42:02 | 0:42:05 | |
Well, that would be brilliant. So, what sort of money, then? | 0:42:05 | 0:42:08 | |
Are you putting £20-30 on it? | 0:42:08 | 0:42:10 | |
I think we've put, perhaps, £30 or £40 on it. | 0:42:10 | 0:42:12 | |
Well, that's lovely. That's it for the Reds, Kate and James. | 0:42:12 | 0:42:16 | |
Now for Mark and Charles, our dynamic blue duo. | 0:42:16 | 0:42:19 | |
We've got the silver and faceted glass hip flask, nicely engine turned, | 0:42:19 | 0:42:25 | |
and what they call "ready to go". | 0:42:25 | 0:42:27 | |
It's nice. And the critical thing is that it's in perfect condition. Like you say, it's ready to go. | 0:42:27 | 0:42:32 | |
Yes, I know. And I've always liked the flask | 0:42:32 | 0:42:35 | |
that has the detachable cup at the bottom. | 0:42:35 | 0:42:38 | |
I think that's such a civilised thing, | 0:42:38 | 0:42:41 | |
to be able to pour out your nip, | 0:42:41 | 0:42:43 | |
rather than swigging it like some... | 0:42:43 | 0:42:45 | |
-Practical. -Yes, quite. | 0:42:45 | 0:42:47 | |
-How much do you think it is worth? -£50-80? -£85 they paid. | 0:42:47 | 0:42:51 | |
So, they are not going to get a wodge of money out of that, | 0:42:51 | 0:42:55 | |
but they should at least cover themselves. | 0:42:55 | 0:42:57 | |
Next is the plated and enamel inset box. | 0:42:57 | 0:43:00 | |
How do you find this sort of stuff goes? | 0:43:00 | 0:43:03 | |
Well, a silver one of these is a totally different kettle of fish, really. They are very sellable. | 0:43:03 | 0:43:08 | |
I am not sure that a silver-plated one has got quite the same appeal. | 0:43:08 | 0:43:12 | |
Yes, I can't remember the last time I saw a plated one, to be perfectly frank. | 0:43:12 | 0:43:15 | |
They are usually silver. | 0:43:15 | 0:43:18 | |
They are. What do you think it's worth? | 0:43:18 | 0:43:20 | |
-£20-30? -OK, £20 paid. So they should be just about all right with that. | 0:43:20 | 0:43:25 | |
And their last item is this handsome oak and brass mounted inkwell. | 0:43:25 | 0:43:30 | |
It's really good. And actually, so often with these, the tips of these little oak bits have gone. | 0:43:30 | 0:43:36 | |
This is intact. I think it's a very attractive object. | 0:43:36 | 0:43:39 | |
Yes, good chunky thing, isn't it? What sort of amount is it worth? | 0:43:39 | 0:43:42 | |
I think I'd put an estimate on it of £70-100 on it. | 0:43:42 | 0:43:45 | |
Well, that's great, they paid £55. | 0:43:45 | 0:43:47 | |
So that's a really good buy, actually, at £55 retail, and then coming to auction. | 0:43:47 | 0:43:52 | |
So, we've got them covered on two items, | 0:43:52 | 0:43:54 | |
potentially making a reasonable profit on the other, | 0:43:54 | 0:43:56 | |
but let's not get cocky. | 0:43:56 | 0:43:58 | |
Let's go and have a look at the bonus buy. | 0:43:58 | 0:44:01 | |
So now, boys, your bonus buy moment, yes? | 0:44:01 | 0:44:03 | |
-Can't wait. -You spent £160, and I trotted off to find your bonus buy. | 0:44:03 | 0:44:07 | |
Now, Charles, it's slightly awkward to hold, so do us a favour and ripped it off, will you? | 0:44:07 | 0:44:11 | |
Crikey, me. What a lady. | 0:44:11 | 0:44:14 | |
Well, is it? | 0:44:14 | 0:44:15 | |
What do you mean, "is it?" | 0:44:15 | 0:44:19 | |
Well, Tim. What can one say? | 0:44:19 | 0:44:23 | |
-I can tell you love it. -She's a fine lady, Tim. | 0:44:23 | 0:44:25 | |
-Is she a pastel? -She's a pastel, yes. | 0:44:25 | 0:44:28 | |
Well done with that, Charles. | 0:44:28 | 0:44:29 | |
-That's a very good start. -Is she, what, around 1900? | 0:44:29 | 0:44:33 | |
She'd be about 1900, Charles, that's two points to Charles. Mark, zero. | 0:44:33 | 0:44:37 | |
-Comments? -Well, it's in a gilt frame. -Yes. That's one. 2-1. | 0:44:37 | 0:44:41 | |
That's the clincher. And it's oval, of course. | 0:44:41 | 0:44:44 | |
That's two-all! Yes, chaps, you are level pegging, that's so brilliant. | 0:44:44 | 0:44:48 | |
-Tim, who's the artist? -Anna Nordgren. | 0:44:48 | 0:44:50 | |
-Right. -Ooh, a known artist. | 0:44:50 | 0:44:53 | |
The Anna Nordgren. | 0:44:53 | 0:44:56 | |
This is, basically, a very nicely executed pastel. | 0:44:56 | 0:44:59 | |
And how much did you pay for this? | 0:44:59 | 0:45:00 | |
What's it worth, Mark? If you saw that at a fair, what would you pay for it? | 0:45:00 | 0:45:04 | |
In a good fair, that would be £300 or £400. | 0:45:04 | 0:45:08 | |
-I'd have to say, yes, £400. -Well, if you've got the name attached to it. | 0:45:08 | 0:45:11 | |
But as it had no name attached to it, I bought it for £30. | 0:45:11 | 0:45:14 | |
-He's our man. -I tell you what, I take it all back. | 0:45:14 | 0:45:18 | |
I think it's charming! | 0:45:18 | 0:45:20 | |
-There you are, you see. -It's got great potential! -You little rat, you! | 0:45:20 | 0:45:23 | |
-Well done. -Seriously, £30, so a little bit of research. | 0:45:23 | 0:45:27 | |
You may not need to use this as a bonus buy, because you may be so ahead that you needn't be bothered | 0:45:27 | 0:45:32 | |
-with the bonus buy. Right? -Quite right. | 0:45:32 | 0:45:35 | |
But, for the viewers at home, let's find out what the auctioneer thinks about Anna Nordgren. | 0:45:35 | 0:45:41 | |
So, Will, what do you make of her? | 0:45:41 | 0:45:43 | |
Well, the artist is Anna Nordgren, who's quite a well-known artist | 0:45:43 | 0:45:48 | |
from the turn of the last century from Sweden, working over here. | 0:45:48 | 0:45:51 | |
She's been well exhibited, as well. | 0:45:51 | 0:45:55 | |
It's a bit of a dark picture, but it has got a certain look. | 0:45:55 | 0:45:58 | |
Be nice to know who she is, and she remains anonymous, which is, again, not the best thing | 0:45:58 | 0:46:02 | |
from the point of view of selling it, | 0:46:02 | 0:46:05 | |
but, really good that she's exhibited and done all this stuff in the past. | 0:46:05 | 0:46:09 | |
-That does make a difference. -Really helpful. | 0:46:09 | 0:46:11 | |
-Good, what's your estimate? -I have put £80-120 on it. | 0:46:11 | 0:46:15 | |
That's brilliant. I mean, I paid 30. | 0:46:15 | 0:46:17 | |
Brilliant, you're going to be taking the sale in a minute. | 0:46:17 | 0:46:20 | |
-That's right. -We're in safe hands. Thanks, Will. | 0:46:20 | 0:46:22 | |
Well, this is exciting, isn't it? Here we are on the edge of our anniversary auction, | 0:46:28 | 0:46:33 | |
and, I don't know about you, but this is a stuffed up room, | 0:46:33 | 0:46:36 | |
but are you getting a warm and comfortable feeling from this room? | 0:46:36 | 0:46:40 | |
-How's it going for you? -I would say a cold and uncomfortable feeling, actually. | 0:46:40 | 0:46:45 | |
-Very definitely. -It's funny, isn't it? But, there we go. | 0:46:45 | 0:46:48 | |
First up is the Ashford marble thermometer, and here it comes. | 0:46:48 | 0:46:51 | |
And what's it worth? Start me, nice lot this, £50 to go? | 0:46:51 | 0:46:56 | |
Surely for 50. | 0:46:56 | 0:46:58 | |
£50 I am bid, do you want 55? | 0:46:58 | 0:47:01 | |
Thank you. 60, 65, 70, 75. | 0:47:01 | 0:47:07 | |
In front of me here at £75. It would be nice to have a bit more. | 0:47:07 | 0:47:10 | |
Here at £75. Anybody else? | 0:47:10 | 0:47:13 | |
-At £75. Selling it then for £75... -Not expensive. | 0:47:13 | 0:47:15 | |
A cheap lot for £75. | 0:47:15 | 0:47:18 | |
It's the £75, that is plus £10. | 0:47:18 | 0:47:21 | |
And, in this market, you've done amazingly well. | 0:47:21 | 0:47:25 | |
Well done. So, the miniature on ivory next. Here we go. | 0:47:25 | 0:47:28 | |
A Georgian portrait miniature | 0:47:28 | 0:47:29 | |
of a young women in a silver gilt oval frame. | 0:47:29 | 0:47:32 | |
A nice lot. I'm glad to say I've got some interest in it. | 0:47:32 | 0:47:34 | |
-I can start already straight off at £80. -Oh, good. | 0:47:34 | 0:47:37 | |
With me at £80. 85, thank you. 90? | 0:47:37 | 0:47:43 | |
95, 100, 110, | 0:47:43 | 0:47:46 | |
120, 130, 140, 150, 160... | 0:47:46 | 0:47:52 | |
-£160, still with me... -That's better. -I like the smell of that! | 0:47:52 | 0:47:55 | |
-Anybody else? £160 then, going at £160. -Well done, James. | 0:47:55 | 0:48:02 | |
-Good boy. -Good boy, plus 70 on that. That is a good price. | 0:48:02 | 0:48:08 | |
That's a good price. In this market, it's a good price. | 0:48:08 | 0:48:12 | |
This, on the other hand, was not a good buy. | 0:48:12 | 0:48:14 | |
Well, you paid £48 for it, his estimate is 40-60. | 0:48:14 | 0:48:17 | |
So, you're right in the middle. If he's right with his estimate, you will be fine. | 0:48:17 | 0:48:21 | |
It's a silver Vesta. A little lot there, is it worth, start me at £40? | 0:48:21 | 0:48:27 | |
I'm bid 40. 45... | 0:48:27 | 0:48:29 | |
Look at this! | 0:48:29 | 0:48:31 | |
-50, 55, 60... -Come on, chicken... | 0:48:31 | 0:48:33 | |
65. £65 anybody else? | 0:48:33 | 0:48:37 | |
In the doorway at £65. | 0:48:37 | 0:48:40 | |
That's a cracker. | 0:48:41 | 0:48:43 | |
£65. | 0:48:43 | 0:48:45 | |
That's 15 plus... | 0:48:45 | 0:48:47 | |
That's £17, 80... That's £97. | 0:48:47 | 0:48:50 | |
Plus £97. | 0:48:50 | 0:48:52 | |
-97! -That is very nice. £97. | 0:48:52 | 0:48:54 | |
Now, are you going to risk £20 of your £97 on this baby plate? | 0:48:54 | 0:48:58 | |
-Going with it or not? Quickly, it's coming up. Yes, or not. Quick! -BOTH: Yes. | 0:48:58 | 0:49:02 | |
We're going with it, here we go, a vote of confidence. | 0:49:02 | 0:49:06 | |
Showing for you upstairs, with the the cartoon on it, 124A. | 0:49:06 | 0:49:09 | |
Let's start this low. | 0:49:09 | 0:49:10 | |
Who will start me at £20 for it? | 0:49:10 | 0:49:13 | |
-20 I'm bid, thank you. -ALL: Yes! | 0:49:13 | 0:49:15 | |
A maiden bid of 20. | 0:49:15 | 0:49:17 | |
22, thank you. | 0:49:17 | 0:49:21 | |
24, 26, | 0:49:21 | 0:49:23 | |
£26 in the doorway. | 0:49:23 | 0:49:25 | |
It doesn't seem very much money, £26 for that little plate. | 0:49:25 | 0:49:29 | |
At £26, are you all done? | 0:49:29 | 0:49:31 | |
£26 and going, then... | 0:49:31 | 0:49:34 | |
26. | 0:49:34 | 0:49:35 | |
£26, that's lovely. Plus £6, I'm not complaining. | 0:49:35 | 0:49:38 | |
It's a profit, thank you, Tim. | 0:49:38 | 0:49:40 | |
That is £103 profit. | 0:49:40 | 0:49:44 | |
That's well worth having. | 0:49:44 | 0:49:46 | |
Now, will the Blues perform as well? | 0:49:46 | 0:49:48 | |
We'll find out, but don't talk to them, all right? Not a word. | 0:49:48 | 0:49:52 | |
A great result there. But before we see how the Blues do, take a seat, I've got something to show you. | 0:49:59 | 0:50:06 | |
Well, not bad. Swedish, I'd say. | 0:50:06 | 0:50:09 | |
But an original or a reproduction? | 0:50:09 | 0:50:12 | |
At least you could sit on it if all else fails, unlike some of these chairs you find at auction. | 0:50:12 | 0:50:18 | |
If your house is already full with furniture and you want to continue collecting, | 0:50:18 | 0:50:23 | |
then why not think about one or two miniatures | 0:50:23 | 0:50:27 | |
like this delightful little lot that I've just found? | 0:50:27 | 0:50:30 | |
Here we've got five distinct styles of pieces of furniture, | 0:50:30 | 0:50:35 | |
all made out of solid silver, hallmarked in Birmingham in 1910. | 0:50:35 | 0:50:40 | |
Except there's an additional delightful feature. | 0:50:40 | 0:50:44 | |
This one is inscribed "Shakespeare", this one is inscribed "Tennyson", | 0:50:44 | 0:50:50 | |
this chap "Bulwer-Lytton", this chap "Dickens" | 0:50:50 | 0:50:55 | |
and this chap "Thackeray". So how's that? | 0:50:55 | 0:50:59 | |
Well, my theory is that the Birmingham maker of these chairs has selected the actual | 0:50:59 | 0:51:06 | |
chairs that these literary giants did their compositions and created their master works | 0:51:06 | 0:51:12 | |
and has simply reduced them into miniature in silver, as a collectible. | 0:51:12 | 0:51:18 | |
The other resonance they have is a cash call, | 0:51:18 | 0:51:22 | |
because the estimate is £125-£160 for all five of these, | 0:51:22 | 0:51:27 | |
and I have a funny feeling that they're worth nearly £100 each. | 0:51:27 | 0:51:32 | |
Start at 140 and we're looking for 150. | 0:51:32 | 0:51:35 | |
Silver chairs, 150. | 0:51:35 | 0:51:37 | |
150, 160. 170. | 0:51:37 | 0:51:39 | |
180 on commission. 190. | 0:51:39 | 0:51:41 | |
200. 210, £200 with me. Who's 210? | 0:51:41 | 0:51:45 | |
-Any more? 200 and selling. -£200. | 0:51:45 | 0:51:49 | |
That's not so bad, is it? £200. | 0:51:49 | 0:51:52 | |
I hope the owner will be very happy. | 0:51:52 | 0:51:55 | |
Someone had a lucky find with that lot. | 0:51:55 | 0:51:58 | |
I wonder who it was? | 0:51:58 | 0:52:00 | |
Right now, though, let's find out whether Mark and Charles are going to be equally lucky. | 0:52:00 | 0:52:04 | |
-So, boys, do you know how the Reds got on? -No, not at all. -No idea. | 0:52:09 | 0:52:12 | |
You don't want to know, I tell you. | 0:52:12 | 0:52:14 | |
So, you guys. How are you feeling? | 0:52:14 | 0:52:17 | |
-Quite confident? -Yeah, I think we bought some nice items. | 0:52:17 | 0:52:20 | |
On the face of it you're not too bad, and the first item up is that nice flask. Let's go for it. | 0:52:20 | 0:52:26 | |
Nice, engine-turned cup on it, | 0:52:26 | 0:52:27 | |
148 and we've got some interest in it as well. | 0:52:27 | 0:52:30 | |
-Oh, good. -I've got a bid in straight off of £50. | 0:52:30 | 0:52:34 | |
55. 60. 65. 70. 75. 80. 85. | 0:52:35 | 0:52:40 | |
90. 95. 95. Anybody else, 95? | 0:52:40 | 0:52:44 | |
A hip flask at £95? | 0:52:44 | 0:52:47 | |
-That's a scorcher. -£95, are you all done? | 0:52:47 | 0:52:49 | |
At £95, going for 95... | 0:52:49 | 0:52:51 | |
That's £10. That's very, very nice. | 0:52:51 | 0:52:55 | |
Mark Stacey. Thank you very much. | 0:52:55 | 0:52:57 | |
Now, Charles, here comes your plated jewellery box. | 0:52:57 | 0:53:00 | |
Is it worth £10? Little enamelled box, for £10 I'm bid £10. | 0:53:00 | 0:53:05 | |
£10. It can be sold for £10. | 0:53:05 | 0:53:08 | |
Oh, no, don't say that! | 0:53:08 | 0:53:11 | |
At £10, for £10... | 0:53:11 | 0:53:13 | |
Surely, anybody can have £10 I'm bid, on my far left. | 0:53:13 | 0:53:16 | |
-Oh, no. -£10 and going. | 0:53:16 | 0:53:19 | |
-This is a disaster, Charles. -You've just destroyed my profit. | 0:53:19 | 0:53:22 | |
-That's minus £10. -We're united, we're together. -Not after this. | 0:53:22 | 0:53:25 | |
-It doesn't matter. -You had £10. You've just lost £10. | 0:53:25 | 0:53:29 | |
You're back to square one. | 0:53:29 | 0:53:31 | |
-Square one. -Stick together, OK? | 0:53:31 | 0:53:33 | |
-I'm not working with you again. -Oh, please. | 0:53:33 | 0:53:36 | |
Let's be a team. | 0:53:36 | 0:53:37 | |
-You've let me down. -No bickering about it. Here it comes. | 0:53:37 | 0:53:40 | |
A Victorian Standish. There we go. A nice looking lot. | 0:53:40 | 0:53:43 | |
Is it worth £30? | 0:53:43 | 0:53:45 | |
I'm sure it is. | 0:53:45 | 0:53:47 | |
Again, we've got charity lot. £30? Silence in the room. | 0:53:47 | 0:53:50 | |
I can't believe it. Thank you. 30, and now it's all happening. | 0:53:50 | 0:53:53 | |
30, 35. 40. 45 there. | 0:53:53 | 0:53:56 | |
50. 55. | 0:53:56 | 0:53:58 | |
60. 65. 70. | 0:53:58 | 0:54:01 | |
-£70 there. -Should be £100. -Come on, a bit more. | 0:54:01 | 0:54:05 | |
Anyone else? £70 and gone. | 0:54:05 | 0:54:08 | |
-He's gone at £70. -Yes, well, that's profit. | 0:54:08 | 0:54:10 | |
65, 75, plus £15, all right, £15. | 0:54:10 | 0:54:15 | |
That's all right. You have £15 at the end of your sale. | 0:54:15 | 0:54:19 | |
Now, that could be a winning score. | 0:54:19 | 0:54:22 | |
Are you going to preserve your £15, your hard sweated £15? | 0:54:22 | 0:54:26 | |
-What do you think? -We're in. | 0:54:26 | 0:54:29 | |
-We're in. -Well, thanks, lads, for that vote of confidence. | 0:54:29 | 0:54:33 | |
Personally, I'm feeling a bit gippy about it. | 0:54:33 | 0:54:36 | |
But then, for a change, I'm in a safer position then you are, | 0:54:36 | 0:54:39 | |
hopping from one foot to the other, and here it comes. | 0:54:39 | 0:54:43 | |
Nice portrait there, pastel. | 0:54:43 | 0:54:45 | |
Accomplished artist. What's it worth? Is it worth £40? | 0:54:45 | 0:54:50 | |
£40 for the portrait? Surely, for 40. £30 then, to go? | 0:54:50 | 0:54:54 | |
Thank you, £30. 35. | 0:54:56 | 0:54:59 | |
40. 45. | 0:54:59 | 0:55:01 | |
50. 55. | 0:55:01 | 0:55:03 | |
60. 65. | 0:55:03 | 0:55:05 | |
70. 75. | 0:55:05 | 0:55:08 | |
-80... -Oh, Tim. -£80 there. | 0:55:08 | 0:55:11 | |
It should make more than that. | 0:55:11 | 0:55:14 | |
-Come on. -90. 95. 100. 110. | 0:55:14 | 0:55:18 | |
At £110. £110. | 0:55:18 | 0:55:21 | |
Should make 500, this. I'm disappointed. | 0:55:21 | 0:55:26 | |
110. | 0:55:26 | 0:55:29 | |
£110. £110, gives you guys 80 quid. | 0:55:29 | 0:55:33 | |
-Fantastic. -Is that £80? | 0:55:33 | 0:55:35 | |
It is. £80, that gets you up to £95. | 0:55:35 | 0:55:38 | |
Now, listen, lads, £95 could be a winning score. | 0:55:38 | 0:55:41 | |
Just between us guys, it could be a winning score. | 0:55:41 | 0:55:44 | |
So don't say anything to those brutes, the Reds, all right? | 0:55:44 | 0:55:47 | |
-We're delighted, thank you. -Very good. Lovely. | 0:55:47 | 0:55:50 | |
That's all right, isn't it? They're a couple of players, I tell you. | 0:55:50 | 0:55:53 | |
Well, what a smashing programme we've had today. | 0:56:00 | 0:56:03 | |
It's been so exciting, hasn't it? | 0:56:03 | 0:56:05 | |
I can't thank you contestants for driving this competition to such a | 0:56:05 | 0:56:09 | |
close finish, because there's only £8 between these characters. | 0:56:09 | 0:56:14 | |
-Now, have you been talking to one another? -No. | 0:56:14 | 0:56:17 | |
You don't know where you're up to. | 0:56:17 | 0:56:19 | |
You both know, though, that you're substantially in profit, which is a considerable achievement | 0:56:19 | 0:56:23 | |
on Bargain Hunt, and the runners up, who have done incredibly well, I must say, are the Blues. | 0:56:23 | 0:56:29 | |
-£8 only. I mean, lovely profit on the flask, right? -Yes, your find. | 0:56:31 | 0:56:36 | |
-Lovely profit on the desk stand. -Our find. -Lovely profit from me. | 0:56:36 | 0:56:42 | |
Seriously, £95 is absolutely splendido. There we go. 95. | 0:56:42 | 0:56:47 | |
-Thank you. -I'll take that. | 0:56:47 | 0:56:49 | |
Which is for you not to keep because I'm going to take that back straight away. That's sorted out. | 0:56:49 | 0:56:55 | |
The good Lord gives with one hand and he takes away with it the other. Anyway, congratulations. | 0:56:55 | 0:57:00 | |
BUT the winners overall, by making a profit on every single item today, | 0:57:00 | 0:57:04 | |
which is just extraordinary, £103, here you go. | 0:57:04 | 0:57:08 | |
-£103 coming out. -I won't even bother. | 0:57:08 | 0:57:14 | |
How does it feel to have it, Kate? | 0:57:14 | 0:57:17 | |
-Great. -Not for long. | 0:57:17 | 0:57:20 | |
Anyway, thank you so much, congratulations all round. | 0:57:20 | 0:57:22 | |
Join us soon for some more bargain hunting, yes? Yes! | 0:57:22 | 0:57:26 | |
What a cracking show, eh? | 0:57:26 | 0:57:29 | |
We've loads more tomorrow as Charles and Kate team up with different partners... | 0:57:29 | 0:57:33 | |
And Philip Sorrell reveals his past. | 0:57:33 | 0:57:36 | |
My real passions are sport, because I started life as a PE teacher. | 0:57:36 | 0:57:40 | |
And his feminine side. | 0:57:41 | 0:57:44 | |
What? | 0:57:47 | 0:57:48 | |
Subtitles by Red Bee Media Ltd | 0:58:07 | 0:58:10 | |
E-mail: [email protected] | 0:58:10 | 0:58:13 |