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How lovely! A party invitation! | 0:00:02 | 0:00:04 | |
"..to celebrate ten wonderful years of Bargain Hunt." | 0:00:06 | 0:00:10 | |
I do love a party! And there's so much to celebrate. | 0:00:10 | 0:00:14 | |
So, let's go Bargain Hunting! | 0:00:14 | 0:00:17 | |
This week, we're in party mood and today's bash comes from Wetherby, | 0:00:42 | 0:00:46 | |
where we're guaranteed a grand northern welcome. | 0:00:46 | 0:00:50 | |
The rules remain the same. | 0:00:50 | 0:00:52 | |
The teams are made up of experts competing against one another. | 0:00:52 | 0:00:57 | |
That's bound to make entertaining viewing. | 0:00:57 | 0:01:00 | |
If that's not enough to make the party go with a swing, | 0:01:00 | 0:01:04 | |
there are other fun things to enjoy. | 0:01:04 | 0:01:06 | |
'Tom Plant remembers an exciting moment.' | 0:01:07 | 0:01:10 | |
The contestant started to cry. She couldn't believe it. | 0:01:10 | 0:01:15 | |
'At the fair, he and David Harper hit it off | 0:01:16 | 0:01:20 | |
'when it comes to buying. | 0:01:20 | 0:01:24 | |
'We find out more about James Braxton, | 0:01:24 | 0:01:27 | |
'and what he gets up to in his spare time.' | 0:01:27 | 0:01:31 | |
I love my car, my 1952 MG, 57 years old this year. | 0:01:31 | 0:01:36 | |
'The tension mounts at the auction.' | 0:01:36 | 0:01:39 | |
One more, sir! | 0:01:39 | 0:01:41 | |
'And I take a trip through ten years of archive, | 0:01:41 | 0:01:45 | |
'picking out some of my favourite bits.' | 0:01:45 | 0:01:50 | |
Let's go and meet the teams. | 0:01:51 | 0:01:53 | |
Today, there's not a Sheila in sight. | 0:01:54 | 0:01:58 | |
It's an all-male crew. David and Tom for the reds. | 0:01:58 | 0:02:02 | |
Mark and James for the blues. What could be nicer, chaps? | 0:02:02 | 0:02:08 | |
-Tom? -Yes. -How does it feel facing the pressure, | 0:02:08 | 0:02:12 | |
as an expert and as a contestant? | 0:02:12 | 0:02:15 | |
Exhausting. So much stress. | 0:02:15 | 0:02:17 | |
-Is it? -I'm terribly worried. -Can you handle the pressure? | 0:02:17 | 0:02:21 | |
-I've got David to support me. -Better than a tablet. | 0:02:21 | 0:02:25 | |
So much easier to take! | 0:02:25 | 0:02:27 | |
David, what's your highlight of your Bargain Hunt career? | 0:02:27 | 0:02:30 | |
Tim, there's so many highlights | 0:02:30 | 0:02:33 | |
but I think, for me, it's spending quality time with you. | 0:02:33 | 0:02:38 | |
Are you confident that you're going to beat these smooth blues? | 0:02:42 | 0:02:46 | |
Well, Thomas and I have never met. I've seen him on TV. | 0:02:46 | 0:02:50 | |
I'm all in awe, stood next to the man himself. | 0:02:50 | 0:02:54 | |
You'll have to bond quickly. | 0:02:54 | 0:02:56 | |
-These two have spent ages in their company. -They dress the same! | 0:02:56 | 0:03:01 | |
Identical, isn't it? Look at that! | 0:03:01 | 0:03:04 | |
Shoes, trousers, underpants! It's just a remarkable thing, this. | 0:03:04 | 0:03:10 | |
All from a high street shop near you! | 0:03:10 | 0:03:13 | |
-You're all bonded-up already? -Yes. | 0:03:14 | 0:03:18 | |
What about you? James, you've been on the show a long time. | 0:03:18 | 0:03:22 | |
-You are one of the original babes? -Auctioneer in the first series. | 0:03:22 | 0:03:26 | |
Then invited to become an expert. My first gig was Paris in May 2001. | 0:03:26 | 0:03:32 | |
-That was the time when Bargain Hunt... -Decent budget! | 0:03:32 | 0:03:37 | |
-Paris? We only go to Powys! -And it's been every disused airfield since then! | 0:03:37 | 0:03:43 | |
I know, but it says here that you take Bargain Hunt, | 0:03:43 | 0:03:48 | |
the profit-making process, | 0:03:48 | 0:03:50 | |
-incredibly competitively, is that true? -You know me well enough... | 0:03:50 | 0:03:55 | |
Not really. No, we have a go. We try and find things. | 0:03:55 | 0:03:59 | |
I normally fall flat on my face at every auction we go to. | 0:03:59 | 0:04:04 | |
Give the contestants a fun time, hopefully bring a couple of smiles. | 0:04:04 | 0:04:09 | |
What is good about this as an experience for all experts, is that it's a levelling process. | 0:04:09 | 0:04:15 | |
We get to go to the auction. | 0:04:15 | 0:04:18 | |
You have to stand there when the sale doesn't go well, through no fault of your own. | 0:04:18 | 0:04:24 | |
I personally take my hat off to you because I think you're very brave. | 0:04:24 | 0:04:29 | |
I can do humiliation very well now. | 0:04:29 | 0:04:32 | |
Mark, how do you feel about having James? | 0:04:32 | 0:04:36 | |
It's great fun. We get on really well. | 0:04:36 | 0:04:39 | |
Although I have to keep him away from these overpriced bits of unsaleable goods he's used to. | 0:04:39 | 0:04:47 | |
-We'll do very well, I'm sure of it. -I'm sure you will. | 0:04:47 | 0:04:50 | |
Are you up to the challenge of lashing the reds into submission? | 0:04:50 | 0:04:55 | |
Of course. We've watched those two on television. Piece of cake! | 0:04:55 | 0:04:59 | |
Well, you said it. Now, the money moment. £300 each. | 0:05:01 | 0:05:05 | |
There are no experts waiting because you're the experts, and off you go! And very, very, very good luck. | 0:05:05 | 0:05:12 | |
The way these four boys are likely to misbehave it'll be less of a party and more of a riot! | 0:05:12 | 0:05:19 | |
-Ready for the off? -Absolutely. | 0:05:21 | 0:05:23 | |
-What's our tactics? -Let's go around together and in moments of desperation, split up. | 0:05:27 | 0:05:33 | |
-Have you got any tactics? -Do you normally have a tactic? I don't. | 0:05:33 | 0:05:37 | |
Do we need to establish a master and servant situation? | 0:05:37 | 0:05:42 | |
If you said you were the servant! | 0:05:42 | 0:05:44 | |
'So, ten years of Bargain Hunt, eh? | 0:05:44 | 0:05:47 | |
'The first and very best antiques show on daytime television! | 0:05:47 | 0:05:53 | |
'In that time, there have been lots of...improvements. | 0:05:53 | 0:05:57 | |
'We've had golden gavels and team surveillance. | 0:05:57 | 0:06:01 | |
'And we've even had live shows.' | 0:06:01 | 0:06:04 | |
I'm here to buy Beswick. | 0:06:04 | 0:06:06 | |
Now for something that's hardly changed over the years, our rules. | 0:06:07 | 0:06:12 | |
Each team gets £300 and an hour to shop for items which they sell later | 0:06:12 | 0:06:16 | |
and the team that makes the most profit wins. | 0:06:16 | 0:06:20 | |
'Today, any profits go to charity. | 0:06:20 | 0:06:22 | |
'Let's see if our experts can do us proud.' | 0:06:22 | 0:06:26 | |
Thomas. | 0:06:26 | 0:06:30 | |
-Probably wouldn't have it at home. -I'm a retro fan, definitely. | 0:06:30 | 0:06:35 | |
-That's very retro. -Very '50s. -"'50s teapot, never used." | 0:06:35 | 0:06:39 | |
If you had this in your house in the '50s, you'd have been pretty cool. | 0:06:39 | 0:06:44 | |
-Why never use it? Could be a wedding present. -It could have been. | 0:06:44 | 0:06:50 | |
That's original felt lining. The cover, I suppose, is a tea cosy. | 0:06:50 | 0:06:54 | |
Absolutely, keeps your tea warm. | 0:06:54 | 0:06:57 | |
What's interesting is the texture, the shiny chrome. | 0:06:57 | 0:07:00 | |
-Yeah. -And the lovely cream glaze. | 0:07:00 | 0:07:03 | |
-That's a sweet little number. -It is quite good fun. | 0:07:03 | 0:07:07 | |
£18 is £18. You need to get it for much less. Well, little bit less. | 0:07:07 | 0:07:12 | |
There's the man! What would "much less" be? | 0:07:12 | 0:07:15 | |
-15. -What about a tenner? -No. | 0:07:15 | 0:07:18 | |
Sure. 12. | 0:07:18 | 0:07:20 | |
-Shall we say we'll have it at a tenner? -Yeah. | 0:07:20 | 0:07:24 | |
-We'll have it at a tenner. -Oh. | 0:07:24 | 0:07:26 | |
-£10. -Good man. | 0:07:26 | 0:07:29 | |
'These chaps are smoking! | 0:07:29 | 0:07:31 | |
'First item bought after four minutes. That's pretty impressive. | 0:07:31 | 0:07:35 | |
'Are the blues as fired up?' | 0:07:35 | 0:07:37 | |
Shall I show you this thing? | 0:07:37 | 0:07:40 | |
It's silver. | 0:07:41 | 0:07:43 | |
What do you do with it? Oh, you engrave? | 0:07:43 | 0:07:47 | |
-That's probably what you would do. -Birthdays and things. | 0:07:47 | 0:07:51 | |
-That's a great idea. We could put the auction date down. -Could do! | 0:07:51 | 0:07:56 | |
On this, I'm going to be very cheeky here. | 0:07:56 | 0:08:00 | |
We're trying to beat those wretched reds. | 0:08:00 | 0:08:03 | |
Any chance of doing it for 25? < That hurts. | 0:08:03 | 0:08:06 | |
-It does hurt. -Sorry. -30 sounds better. | 0:08:06 | 0:08:10 | |
How old is it? 1994? So... Yeah. | 0:08:10 | 0:08:14 | |
Should we think about it? Sorry. It's very kind of you. | 0:08:14 | 0:08:18 | |
Good luck with the scarves, guys! | 0:08:18 | 0:08:21 | |
That's quite fun, though. | 0:08:21 | 0:08:24 | |
Let's just keep looking. | 0:08:24 | 0:08:26 | |
'They're taking their time, having a good look round. | 0:08:26 | 0:08:30 | |
'Something has caught the eye of the reds.' | 0:08:30 | 0:08:33 | |
I don't think these are opera. They're utilitarian. | 0:08:33 | 0:08:36 | |
They'd definitely be for field. | 0:08:36 | 0:08:39 | |
-You don't think they're trendy...? -Quite masculine. | 0:08:39 | 0:08:43 | |
It's not masculine to me. | 0:08:43 | 0:08:45 | |
-Are they not doing much for you? -They're not rocking my boat. | 0:08:45 | 0:08:49 | |
Thanks a lot. | 0:08:49 | 0:08:51 | |
'Mark and James are such a laid-back duo, | 0:08:53 | 0:08:56 | |
'too laid-back.' | 0:08:56 | 0:08:58 | |
-You don't see ostriches in ceramics very often. -No. | 0:08:58 | 0:09:02 | |
We don't want a lot of porcelain. | 0:09:02 | 0:09:05 | |
-How about Copenhagen? -It doesn't do very well now. | 0:09:05 | 0:09:09 | |
We're ambling a bit, James. We're losing time. | 0:09:09 | 0:09:13 | |
'While they faff around a bit, let's go and learn a bit more | 0:09:13 | 0:09:18 | |
'about one of our experts. | 0:09:18 | 0:09:21 | |
'He's been with Bargain Hunt almost from the beginning.' | 0:09:21 | 0:09:26 | |
I was working for a firm in Bath. | 0:09:26 | 0:09:28 | |
They filmed Bargain Hunt there with David. | 0:09:28 | 0:09:31 | |
I was just a junior auctioneer. | 0:09:31 | 0:09:34 | |
My manager said, "Tom, as it's your first auction do you mind doing it?" | 0:09:34 | 0:09:41 | |
I thought, "In for a penny, in for a pound." | 0:09:41 | 0:09:44 | |
And I was the auctioneer | 0:09:44 | 0:09:46 | |
in August 2000 - it was great fun. | 0:09:46 | 0:09:50 | |
£9 profit on this. | 0:09:50 | 0:09:52 | |
'Tom's still working as an auctioneer, and life's pretty busy. | 0:09:52 | 0:09:56 | |
'At home, it's just as hectic.' | 0:09:56 | 0:09:58 | |
My activities have been curtailed with the arrival of Gemima and William, | 0:09:58 | 0:10:04 | |
taking up loads of my time, which is wonderful. | 0:10:04 | 0:10:08 | |
It's the greatest thing I've ever done. | 0:10:08 | 0:10:11 | |
Well done to Angela for having the twins. They are wonderful. | 0:10:11 | 0:10:15 | |
They are the lights of my life. | 0:10:15 | 0:10:18 | |
'He and Angela have their hands full with Gemima and William, | 0:10:18 | 0:10:22 | |
'but how does Tom let off steam?' | 0:10:22 | 0:10:25 | |
I do enjoy fencing. | 0:10:27 | 0:10:29 | |
Not putting up fences. No, it's fencing with swords. | 0:10:31 | 0:10:35 | |
I'm what we call a sabreur, which is a sabre fencer. | 0:10:38 | 0:10:42 | |
That is a weapon which you cut with. | 0:10:42 | 0:10:45 | |
Rather than point. | 0:10:46 | 0:10:49 | |
With my foil fencing at university, I won the southern championships. | 0:10:49 | 0:10:54 | |
At school, I was captain. | 0:10:54 | 0:10:56 | |
I was president of the university fencing team. I really enjoyed it. | 0:10:56 | 0:11:01 | |
'Tom's adversary today, James Braxton, is also a family man. | 0:11:03 | 0:11:08 | |
'He lives in Sussex with Joanna, four children and two dogs.' | 0:11:08 | 0:11:13 | |
When I'm not on Bargain Hunt, I have a very busy home life. | 0:11:13 | 0:11:17 | |
Our big girl's at Leeds Art College. Our son is building. | 0:11:17 | 0:11:22 | |
He's about to start a big job in London. | 0:11:22 | 0:11:26 | |
Our two little ones are at school. | 0:11:26 | 0:11:29 | |
And, of course, my day job. | 0:11:29 | 0:11:31 | |
I'm a director of Dreweatts 1759, Newbury based business. | 0:11:31 | 0:11:36 | |
A light lunch! | 0:11:39 | 0:11:41 | |
'When he does have a moment, James loves being creative in his garden.' | 0:11:41 | 0:11:46 | |
I like building. I'm doing a flint obelisk at the moment. | 0:11:46 | 0:11:50 | |
I've become a course junkie. | 0:11:50 | 0:11:52 | |
I've done a green oak timber framing course. | 0:11:52 | 0:11:56 | |
My son and I did a flint walling course. It's fabulous. Love it. | 0:11:56 | 0:12:02 | |
Bit of lime mortar. | 0:12:02 | 0:12:04 | |
'There's another passion.' | 0:12:05 | 0:12:07 | |
I love my car, my 1952 MG. | 0:12:07 | 0:12:11 | |
57 years old. That keeps me occupied. | 0:12:11 | 0:12:14 | |
There's always some problem with the fuel line or distributor cap. | 0:12:14 | 0:12:18 | |
'One classy car and one classy gent. | 0:12:21 | 0:12:24 | |
'Our red boys also have a touch of class, | 0:12:26 | 0:12:29 | |
'and they're pretty savvy. | 0:12:29 | 0:12:31 | |
'20 minutes in, it's time for tactics.' | 0:12:31 | 0:12:34 | |
We are going to Derby. | 0:12:34 | 0:12:36 | |
I did see these great big pieces of Crown Derby. | 0:12:36 | 0:12:40 | |
-We've got the Imari pattern. -That's a big winning pattern. | 0:12:40 | 0:12:44 | |
-TAPS PLATE -It sounds all right. | 0:12:44 | 0:12:47 | |
-Hm... -I saw that. That is a shame. | 0:12:47 | 0:12:51 | |
It's a nice early back stamp, the '20s, | 0:12:51 | 0:12:55 | |
when they moved the England to the side. | 0:12:55 | 0:12:58 | |
-That's a good sign. -It is. | 0:12:58 | 0:13:01 | |
The quality is extreme. It's based on the Japanese Imari pattern. | 0:13:01 | 0:13:06 | |
Derby made it symmetrical. | 0:13:06 | 0:13:08 | |
-Whereas all the Imari... -It's all over the place! -Asymmetrical. | 0:13:08 | 0:13:13 | |
These classically trained artisans didn't understand it. | 0:13:13 | 0:13:18 | |
That's the sort of thing people would buy online, on the phone. | 0:13:18 | 0:13:22 | |
It's got the stamp, the design. | 0:13:22 | 0:13:25 | |
I've noticed the price, 155. | 0:13:25 | 0:13:27 | |
I think it needs to be sub £100 for us to have any chance at all. | 0:13:27 | 0:13:32 | |
-Whether they'll do it. -Shall we try? | 0:13:32 | 0:13:35 | |
-Are you sure you want to? -Yes. I'll hit hard. | 0:13:35 | 0:13:38 | |
'Tom and David are on the case, unlike Mark and James.' | 0:13:38 | 0:13:42 | |
-I'm waiting for something to leap out at me, James. Are you? -Yeah. | 0:13:42 | 0:13:47 | |
That's fun. Look. An actual hourglass. | 0:13:47 | 0:13:50 | |
-Sort of Newlyn school. -What's Newlyn about that? -Haven't a clue. | 0:13:50 | 0:13:55 | |
You and your Newlyn school! It's unusual. | 0:13:55 | 0:13:59 | |
-That's Glasgow. -It's not Newlyn? -No. | 0:13:59 | 0:14:03 | |
It's Glasgow! JAMES LAUGHS | 0:14:03 | 0:14:06 | |
-I bid her 70. -Really? -Yeah. | 0:14:08 | 0:14:10 | |
What do you reckon? I meet her halfway at 75, if you're happy. | 0:14:10 | 0:14:15 | |
-I'm happy at that. -How much would that be new? | 0:14:15 | 0:14:18 | |
-You can buy them new. -It's going to be, what, 250? -More! | 0:14:18 | 0:14:22 | |
-375? -Could be 500 quid. | 0:14:22 | 0:14:25 | |
-Oh, hello. -Why are you so confidential, you two? | 0:14:25 | 0:14:29 | |
Something's going on here. You don't want anyone else to hear. | 0:14:29 | 0:14:33 | |
This is the problem, isn't it? They watch you like hawks. | 0:14:33 | 0:14:37 | |
They see you pick something up and think it's going to be good. | 0:14:37 | 0:14:42 | |
When I pick it up, they run away from me! | 0:14:42 | 0:14:46 | |
You've bought one item, which is fab, and you're on with the second? | 0:14:46 | 0:14:50 | |
-We're discussing. -Oh, discussing. | 0:14:50 | 0:14:53 | |
I'll shove off, then. Good luck. | 0:14:53 | 0:14:55 | |
I think it's cheap. I think she's going to meet halfway at 75. | 0:14:55 | 0:14:59 | |
-If I can't get it for 75, I'll agree on 80, are you happy? -Very happy. | 0:14:59 | 0:15:04 | |
'Goodness! These guys are ruthless!' | 0:15:04 | 0:15:07 | |
Yes, of course you can. Can you stop the clock, please? | 0:15:07 | 0:15:11 | |
-There we are. -Thank you. -I hope you're having a good day. | 0:15:13 | 0:15:17 | |
-James, another person didn't recognise you! -No. I've done mine! | 0:15:17 | 0:15:21 | |
-How are you doing? -I got it for 75. -Brilliant! | 0:15:21 | 0:15:25 | |
-I don't think I could have done that. -It's the dealer, you see. | 0:15:25 | 0:15:30 | |
-That is brilliant. I'm really impressed. -Good. I'm very pleased. | 0:15:30 | 0:15:34 | |
'The blues should take note. That's the way to do it.' | 0:15:34 | 0:15:38 | |
Like all our experts, I spend time scouring the stalls, | 0:15:40 | 0:15:44 | |
finding things, sometimes of high value, which I share with you, | 0:15:44 | 0:15:49 | |
sometimes of historic interest, which I share with you, | 0:15:49 | 0:15:53 | |
and sometimes I find things that I just find interesting! | 0:15:53 | 0:15:57 | |
One of the things that I found at a fair like this | 0:15:59 | 0:16:04 | |
is a little joker that I wear on the end of my chain every day. | 0:16:04 | 0:16:09 | |
At the time that I bought it, it was a mystery. | 0:16:09 | 0:16:14 | |
A curious end of a watch chain, what's called a "fob". | 0:16:14 | 0:16:20 | |
What I found most peculiar was the bark-like engraving, | 0:16:20 | 0:16:26 | |
and the fact that a little branch sticks out | 0:16:26 | 0:16:30 | |
that provides the support for the ring that supported the chain. | 0:16:30 | 0:16:34 | |
The other oddball feature is the engraving on the fob. | 0:16:34 | 0:16:38 | |
On one end it says September 23 1901. | 0:16:38 | 0:16:43 | |
At the other, HRH Duke of Cornwall and York. | 0:16:43 | 0:16:48 | |
That's peculiar. HRH means His or Her Royal Highness. | 0:16:48 | 0:16:53 | |
But Cornwall AND York? Two royal dukedoms? | 0:16:53 | 0:16:57 | |
That was a big question mark in my mind. | 0:16:57 | 0:17:00 | |
So I wrote to the royal archive at Windsor Castle. | 0:17:00 | 0:17:04 | |
I got a lovely letter back. | 0:17:04 | 0:17:07 | |
They confirm, in this letter, | 0:17:07 | 0:17:09 | |
that on September 23 1901, | 0:17:09 | 0:17:12 | |
the Duke of York was visiting Canada. | 0:17:12 | 0:17:16 | |
For nine months of that year, | 0:17:16 | 0:17:19 | |
the future Prince of Wales and King of England, George V, | 0:17:19 | 0:17:23 | |
was known as the Duke of Cornwall and York. | 0:17:23 | 0:17:26 | |
Suddenly, the jigsaw started to come together. | 0:17:26 | 0:17:30 | |
On that day, he visited a lumber yard at Rockcliffe, outside Ottawa, | 0:17:30 | 0:17:36 | |
and it's recorded that he was presented with a watch and chain. | 0:17:36 | 0:17:41 | |
This is the fob off that watch and chain | 0:17:41 | 0:17:44 | |
and that's why it looks like a section of log. | 0:17:44 | 0:17:48 | |
So, the future King and Emperor | 0:17:48 | 0:17:50 | |
once owned this little trinket and wore it. | 0:17:50 | 0:17:54 | |
And now, I wear it. | 0:17:54 | 0:17:57 | |
Every day. How sweet is that? | 0:17:57 | 0:18:00 | |
'Right, with 30 minutes gone, have the blues actually found something?' | 0:18:02 | 0:18:08 | |
What's that unusual Doulton figure? | 0:18:08 | 0:18:11 | |
-The Sandcastles. -Do you mind if I look? | 0:18:11 | 0:18:15 | |
-Brand new, is it? -Adrian Hughes. | 0:18:15 | 0:18:18 | |
I worked with his son at Bonhams. | 0:18:18 | 0:18:20 | |
Yeah. It's not very much. 68. | 0:18:20 | 0:18:24 | |
-1983. -Have a go. | 0:18:24 | 0:18:27 | |
We have to be a bit cheeky, I'm afraid, cos we have to win. | 0:18:27 | 0:18:31 | |
I would offer James to give you a kiss, but you'd put the price up. | 0:18:31 | 0:18:36 | |
-WOMAN: -Oh, I don't know! > | 0:18:36 | 0:18:39 | |
-Ooh! Let me move out of the frame. -I can feel 25 coming on. | 0:18:39 | 0:18:44 | |
-I can feel a "double it" coming on. -Really? 50? | 0:18:44 | 0:18:47 | |
-Well, let's think about it. -We'll think about it... | 0:18:47 | 0:18:51 | |
'What? I don't believe it! | 0:18:51 | 0:18:53 | |
'You'd think that after ten years they'd know they won't win unless they actually buy something.' | 0:18:53 | 0:19:00 | |
-Ah, country chairs. -Country chairs! | 0:19:01 | 0:19:04 | |
I've got to say, they make my heart warm. | 0:19:04 | 0:19:08 | |
-What date do you put on these? -The design is 1770. -Yes. | 0:19:08 | 0:19:12 | |
Because they're obviously country, they could be as late as 1820, 1830. | 0:19:12 | 0:19:17 | |
It's interesting, in those days, if a design was penned in London, | 0:19:17 | 0:19:22 | |
by the time it was made in any numbers, | 0:19:22 | 0:19:25 | |
-in Durham, it could have been 50 years later. -Really? | 0:19:25 | 0:19:30 | |
Often these chairs were quite light. | 0:19:30 | 0:19:32 | |
Look! They've put a new foot on! | 0:19:32 | 0:19:35 | |
There's an example of a good quality repair. | 0:19:35 | 0:19:38 | |
They were so valued by somebody | 0:19:38 | 0:19:40 | |
they sent them to a good cabinet maker and had them restored. | 0:19:40 | 0:19:45 | |
Because they were made to last for ever. | 0:19:45 | 0:19:48 | |
What furniture can you buy that'll be around in 200 years? | 0:19:48 | 0:19:52 | |
-Not unless you get something made and is going to cost you a fortune. -Good point. | 0:19:52 | 0:19:58 | |
So whatever these chairs are... I'll find out. | 0:19:58 | 0:20:02 | |
-What have you got on the chairs, please...? 100 quid. -Yeah. | 0:20:02 | 0:20:06 | |
-£100. -£33 each. | 0:20:06 | 0:20:09 | |
-It's madly cheap. -You couldn't buy the cheapest of cheap for that. -No. | 0:20:09 | 0:20:15 | |
-It's pathetic. -Have you got an idea...? | 0:20:15 | 0:20:18 | |
-It'd be great for 50 quid. -I was thinking the same! | 0:20:18 | 0:20:22 | |
Are you brave enough to bid him? | 0:20:22 | 0:20:24 | |
-Shall I have a go? -Charm him. You can do it. | 0:20:24 | 0:20:27 | |
'Hm, I'm not so sure about those, but see what you can do, Tom, eh? | 0:20:27 | 0:20:32 | |
'Parting the blues from their cash is no easy task.' | 0:20:32 | 0:20:36 | |
-Looks like Royal Worcester. -It does. | 0:20:36 | 0:20:39 | |
-Little house. -Blush ground. | 0:20:39 | 0:20:42 | |
I'm always intrigued by scenes. | 0:20:42 | 0:20:44 | |
Oh, that's nice. It's titled. What does that say? | 0:20:44 | 0:20:49 | |
-"Dove Nest" or could it be "Dore Nest"? -It is D-O-R. | 0:20:49 | 0:20:54 | |
-Dore Nest. -Ambleside. -It must be the name of the house. | 0:20:54 | 0:20:59 | |
-Where is Ambleside? -Cumbria. So, Lake District. -It's quite nice. | 0:20:59 | 0:21:04 | |
-It's 1905, so good age to it. -Yeah. | 0:21:04 | 0:21:07 | |
Plus, at the moment, it's only 38 quid. | 0:21:07 | 0:21:11 | |
If we can get that for 25, that would be worth buying, I reckon. | 0:21:11 | 0:21:16 | |
Royal Worcester collectors would love this. | 0:21:16 | 0:21:19 | |
-Yeah. -Shall I have a word with the dealer? -Go on. Secure it. | 0:21:19 | 0:21:24 | |
We really like this. What's the very best you can do? | 0:21:24 | 0:21:28 | |
If I say 28, you'll come back at me. > | 0:21:28 | 0:21:30 | |
-25? -Can we say 26, in the middle? > | 0:21:30 | 0:21:34 | |
-Really, 26? -Yes, go on. > -Fantastic. | 0:21:34 | 0:21:37 | |
-For chocolate. > -I'll send you two bars of chocolate. | 0:21:37 | 0:21:41 | |
-I promise you. 26, James. -Great. | 0:21:41 | 0:21:44 | |
-That's a done deal. -Thank you. | 0:21:44 | 0:21:46 | |
'It's a miracle! They've bought something! | 0:21:46 | 0:21:50 | |
-Are we stuck at 90? -< We're stuck at 90. -Wow! | 0:21:51 | 0:21:54 | |
Why don't we have a wander around and if we're down to one minute, | 0:21:54 | 0:21:59 | |
-we'll run and give him 90 quid. -I think that's very fair. | 0:21:59 | 0:22:03 | |
All you regular Bargain Hunters know about the bonus buy. | 0:22:06 | 0:22:11 | |
That piece found by the experts at the end of shopping, | 0:22:11 | 0:22:15 | |
using up the team's leftover lolly. | 0:22:15 | 0:22:18 | |
It's produced at the auction and they decide whether to go with it. | 0:22:18 | 0:22:23 | |
It can make the difference between winning and losing. | 0:22:23 | 0:22:27 | |
Hang on! Today, we've got no experts to find the bonus buy, | 0:22:27 | 0:22:31 | |
so it has to be me. | 0:22:31 | 0:22:33 | |
I've been given £100 to find a bonus buy for each team. | 0:22:33 | 0:22:38 | |
So stand by for a bit of fun. | 0:22:38 | 0:22:41 | |
That's pretty, James. | 0:22:42 | 0:22:44 | |
Little inkstand. | 0:22:44 | 0:22:46 | |
1897. | 0:22:46 | 0:22:48 | |
-What's that, James? -Nice simple fellow. | 0:22:48 | 0:22:52 | |
-What's the mark? -I've forgotten. Who's R&B? | 0:22:52 | 0:22:56 | |
JAMES: How much is on this fellow? DEALER: 195. | 0:22:56 | 0:23:00 | |
Well, let's have a little think. | 0:23:00 | 0:23:03 | |
'Mark and James are doing what they do best, thinking about it.' | 0:23:03 | 0:23:07 | |
-What do you think about that? -It is fun. | 0:23:07 | 0:23:10 | |
I have no idea how to value that. | 0:23:10 | 0:23:13 | |
Is he meant to have a handle? | 0:23:13 | 0:23:15 | |
-To sort of wheel it around? -Probably. | 0:23:15 | 0:23:19 | |
Or you strap it to your Chihuahua! | 0:23:19 | 0:23:21 | |
BOTH LAUGH I wouldn't know how to value it. | 0:23:21 | 0:23:24 | |
I find that fascinating. Is it 50 quid or 500? | 0:23:24 | 0:23:28 | |
-Shall we speculate? I reckon that's 250. -I think it might be more. | 0:23:28 | 0:23:33 | |
-Shall we look at the price tag? -375. | 0:23:33 | 0:23:36 | |
-You want to go 375? -I'm going to bomb! -We don't know. Let's look. | 0:23:36 | 0:23:41 | |
295! | 0:23:41 | 0:23:43 | |
-Ooh! -You were closer! -In the middle. | 0:23:43 | 0:23:46 | |
'Tom and David are so confident, they're just having fun. | 0:23:46 | 0:23:52 | |
'Mark and James can't muck about. This is getting serious.' | 0:23:52 | 0:23:56 | |
James? What's he doing? | 0:23:56 | 0:23:59 | |
-You and your stuffed birds! Can you keep on track? -I am. | 0:23:59 | 0:24:03 | |
We're struggling here, you know. | 0:24:03 | 0:24:06 | |
We've only bought one item and only spent £26! | 0:24:07 | 0:24:11 | |
I was relying on you to find all the bargains. | 0:24:11 | 0:24:15 | |
Unusual colours. | 0:24:18 | 0:24:21 | |
-It's not quite the traditional Imari. -No. | 0:24:21 | 0:24:25 | |
What's the mark? | 0:24:25 | 0:24:27 | |
It's got to be 1910 or so. | 0:24:27 | 0:24:30 | |
I suppose that's a cabaret. | 0:24:30 | 0:24:32 | |
-A teapot and things. -Yeah. It's quite a nice tray. How much? | 0:24:32 | 0:24:36 | |
-About 100. -100 or less. -Really? | 0:24:36 | 0:24:39 | |
-Shall we ask them the best price? -Yeah. | 0:24:39 | 0:24:43 | |
Well, don't ask the best price. | 0:24:43 | 0:24:45 | |
Let's negotiate shall we? I was going to say 60. | 0:24:45 | 0:24:49 | |
DEALER: No. 80 would be my best. | 0:24:49 | 0:24:52 | |
70 for cash, please? If I beg? I'll give you a kiss! | 0:24:52 | 0:24:57 | |
-DEALER: 75. -Go on, 70. -Go on, 70. | 0:24:57 | 0:25:00 | |
-Are you sure? -That's really kind. -We've got to have it for 70. | 0:25:00 | 0:25:04 | |
It is Derby. If it doesn't sell in Derby it won't sell anywhere. | 0:25:04 | 0:25:09 | |
-Come on! We could be... -In a lot of trouble! -Gassing all day! | 0:25:11 | 0:25:16 | |
'The penny's dropped with David. Down to business. | 0:25:16 | 0:25:20 | |
'After all, there's no bigger thrill than when things make a profit.' | 0:25:20 | 0:25:25 | |
One of my favourite objects was the Pilkington bowl. | 0:25:25 | 0:25:30 | |
I thought, "This is really good." | 0:25:30 | 0:25:32 | |
This is made in Britain at the height of the art pottery movement by Richard Joyce. | 0:25:32 | 0:25:38 | |
That's what the shield and the R is. | 0:25:38 | 0:25:41 | |
'The team was not keen. They really needed pushing into this.' | 0:25:41 | 0:25:45 | |
-Now, this is on at £255. -That is a lot. We only have 300. | 0:25:45 | 0:25:51 | |
-I have got it down already to 200. -200? OK. | 0:25:51 | 0:25:54 | |
'But they went with it.' | 0:25:54 | 0:25:57 | |
Then we saw it at the auction. I think the estimate was pretty low. | 0:25:57 | 0:26:01 | |
AUCTIONEER: 204, lots of interest. I shall start on my book at £100. | 0:26:01 | 0:26:06 | |
'Then the bids came in.' | 0:26:06 | 0:26:09 | |
300, 20, 340, 60... | 0:26:09 | 0:26:13 | |
The phone came in. | 0:26:13 | 0:26:14 | |
..540 on the phone. 560. 580. | 0:26:14 | 0:26:18 | |
600. | 0:26:18 | 0:26:21 | |
The greatest thing was | 0:26:21 | 0:26:23 | |
the contestant started to cry, she couldn't believe it. | 0:26:23 | 0:26:27 | |
At £680, the phone bid takes it. BANGS GAVEL | 0:26:27 | 0:26:31 | |
It was wonderful. | 0:26:32 | 0:26:33 | |
£680! | 0:26:33 | 0:26:37 | |
'Just as well they trusted Tom. I'm not sure I trust James Braxton.' | 0:26:37 | 0:26:42 | |
It was at Wetherby in Yorkshire, a lovely sunny day. | 0:26:42 | 0:26:47 | |
And we decided wouldn't it be fun to play a hoax on Tim? | 0:26:47 | 0:26:52 | |
-How did you get on? -Caught the sun. -You did! | 0:26:52 | 0:26:56 | |
-What did you buy? -I had a trip down memory lane... | 0:26:56 | 0:26:59 | |
So, we got these plates, and I pretended that I'd been round, | 0:26:59 | 0:27:04 | |
I'd been looking for ever and a day | 0:27:04 | 0:27:07 | |
for plates matching a pattern my grandmother had. | 0:27:07 | 0:27:10 | |
I remember having banana sandwiches, cake, off it. | 0:27:10 | 0:27:15 | |
I haven't seen a bit ever since. | 0:27:15 | 0:27:17 | |
You're so romantic! | 0:27:17 | 0:27:19 | |
I showed these things to Tim with great glee, and as I handed it to him, I affected that they dropped. | 0:27:19 | 0:27:26 | |
God! | 0:27:28 | 0:27:30 | |
-LAUGHING HYSTERICALLY: -This is just terrible! | 0:27:30 | 0:27:34 | |
Florence blue bit the dust! | 0:27:36 | 0:27:41 | |
Tim was very apologetic. Everybody was in on the joke apart from poor Tim. | 0:27:41 | 0:27:46 | |
Lucky, Tim, I bought another. | 0:27:46 | 0:27:49 | |
I don't believe it! | 0:27:51 | 0:27:53 | |
And another! | 0:27:53 | 0:27:55 | |
That's a terrible thing to do to anybody, even on television. | 0:27:57 | 0:28:02 | |
'It's taken me a long time to forgive the old rogue. | 0:28:03 | 0:28:07 | |
'Back to our anniversary special. | 0:28:07 | 0:28:09 | |
'The final ten minutes, and both teams have an item to buy.' | 0:28:09 | 0:28:13 | |
-I'm running out of ideas. Are you? -We should give that bowl a go. | 0:28:13 | 0:28:18 | |
Let's dash over there. Have a quick scout round. Look at your bowl. | 0:28:18 | 0:28:23 | |
-Then we'll have to make our decision. -OK. Done. | 0:28:23 | 0:28:26 | |
We've lost two minutes getting into the lift. | 0:28:28 | 0:28:30 | |
'Lift going down.' No, lift going up. | 0:28:30 | 0:28:34 | |
That's 11 quid. | 0:28:34 | 0:28:36 | |
< That's a sugar block cutter. | 0:28:36 | 0:28:39 | |
-- There's always that. -Oh, no. -- -Is that a greaser? | 0:28:39 | 0:28:42 | |
-What about that coffee pot? -I prefer the tray. | 0:28:43 | 0:28:47 | |
Oh, no! | 0:28:47 | 0:28:49 | |
-It's lovely quality. I love it. -Who's going to buy it? | 0:28:49 | 0:28:53 | |
How much on this? 150. Each. | 0:28:53 | 0:28:57 | |
OK, do we go with the chairs? | 0:28:57 | 0:28:59 | |
-I'd buy the chairs and I'd like to take the risk. -OK. | 0:28:59 | 0:29:04 | |
-If the chairs have gone... -We're coming straight back! | 0:29:04 | 0:29:08 | |
Try him at 80. Halfway at 85? | 0:29:08 | 0:29:11 | |
We have to rush, James. | 0:29:11 | 0:29:13 | |
If they have gone, Thomas, we're in trouble. | 0:29:15 | 0:29:19 | |
And your price? Best price would be 150. | 0:29:20 | 0:29:24 | |
-It's a good weight, nice foot, good maker. -It is a good maker. | 0:29:24 | 0:29:29 | |
Could you do 110 on it? | 0:29:29 | 0:29:33 | |
Now, we don't want him to know that we're desperate. | 0:29:33 | 0:29:37 | |
-More stalls this way. -Is it one more? | 0:29:38 | 0:29:42 | |
Where is he? Can you do them at 80? | 0:29:47 | 0:29:50 | |
-DEALER: -No. -Meet us halfway and we're happy. 85. | 0:29:50 | 0:29:54 | |
-All right. -Yes! -Good man! | 0:29:54 | 0:29:57 | |
James, we've got one and a half minutes. | 0:29:57 | 0:30:00 | |
-And counting. -125... | 0:30:00 | 0:30:02 | |
I'll support you, whatever happens. | 0:30:02 | 0:30:05 | |
Yeah. That's kind. Thank you. | 0:30:05 | 0:30:08 | |
Oh, my gosh! That was VERY tight. Scarf's come off and everything! | 0:30:08 | 0:30:13 | |
-And a minute to spare, James! -Really? -A minute to spare! | 0:30:13 | 0:30:18 | |
Time's up. Let's remind ourselves what the reds bought. | 0:30:18 | 0:30:23 | |
'Is the 1950s teapot a good retro thing? Or were they potty to buy it? | 0:30:23 | 0:30:29 | |
'That Crown Derby Imari cabaret tray has got to be a good buy. | 0:30:29 | 0:30:34 | |
'Those chairs may be Georgian, but who wants three damaged seats? | 0:30:36 | 0:30:41 | |
'Crikey, Moses!' | 0:30:41 | 0:30:43 | |
You've finished your shopping, which is fantastic! | 0:30:43 | 0:30:47 | |
-You gossiped like crazy through the process. -I know! -Terrible, really. | 0:30:47 | 0:30:52 | |
-You spent £170. Are you quite confident? -Very confident. | 0:30:52 | 0:30:57 | |
-We got three really different items we had great fun buying. -Absolutely. | 0:30:57 | 0:31:02 | |
It's not just fun for you guys. It's not just entertainment! | 0:31:02 | 0:31:07 | |
-We want profits! -We have discussed this at great length. | 0:31:07 | 0:31:11 | |
As you will see. We reckon that each item has a profit to be shown. | 0:31:11 | 0:31:16 | |
Meanwhile, let's remind ourselves what the blues bought. | 0:31:16 | 0:31:20 | |
'The 1905 Royal Worcester pin dish is both sweet and a little dear. | 0:31:20 | 0:31:26 | |
'They also found a Crown Derby tray, similar size, different design. | 0:31:27 | 0:31:34 | |
'And they bought this classy Sheffield silver bowl. | 0:31:34 | 0:31:39 | |
'But they may struggle to make a profit.' | 0:31:39 | 0:31:43 | |
-A minute to spare. -One minute to go? -One minute left. | 0:31:43 | 0:31:48 | |
Now we know what terrible trauma we put our contestants through. | 0:31:48 | 0:31:52 | |
-You've been beastly to your contestants for ten years. -I know. | 0:31:52 | 0:31:58 | |
You've got your three items. What did you spend overall? | 0:31:58 | 0:32:02 | |
-Two hundred and...? -21. | 0:32:02 | 0:32:04 | |
-221? That's very good. -Heads held high. Played the game. | 0:32:04 | 0:32:09 | |
My task is to find your bonus buy. I've been given £100 to do that. | 0:32:09 | 0:32:13 | |
Before that, the audience and I are going to head off somewhere special. | 0:32:13 | 0:32:19 | |
'We've been lucky enough | 0:32:20 | 0:32:23 | |
'to visit some of Britain's magnificent stately homes, | 0:32:23 | 0:32:27 | |
'hear their stories and look at their gorgeous contents. Oh, yes.' | 0:32:27 | 0:32:33 | |
This grand house is Eyam Hall in Derbyshire's Hope Valley. | 0:32:33 | 0:32:38 | |
It was built for an economical price because Eyam was in depression, | 0:32:38 | 0:32:43 | |
having lost one-third of its population in the plague. | 0:32:43 | 0:32:47 | |
Here is a very beautiful love poem inscribed to Fanny, | 0:32:47 | 0:32:51 | |
etched with a diamond on this window pane. | 0:32:51 | 0:32:56 | |
It's thought to have been done by Robert Wright, | 0:32:56 | 0:33:00 | |
owner in the late 1700s. | 0:33:00 | 0:33:02 | |
The curious thing is that neither of Robert Wright's wives were Fanny. | 0:33:02 | 0:33:08 | |
Eyam Hall has been home for the same family, the Wright family, for over 300 years. | 0:33:08 | 0:33:14 | |
It was built by John Wright in 1671, | 0:33:14 | 0:33:18 | |
when he married local heiress Elizabeth Kniveton. | 0:33:18 | 0:33:22 | |
She must have been a shrewd housekeeper. | 0:33:22 | 0:33:26 | |
Almost the first thing she did was to commission these bacon settles. | 0:33:26 | 0:33:32 | |
They're rare things. | 0:33:32 | 0:33:34 | |
The rare bit is this whole panelled piece. | 0:33:34 | 0:33:39 | |
If I open it up, you can see some later shelves | 0:33:39 | 0:33:43 | |
that have been fitted into it. | 0:33:43 | 0:33:45 | |
When this was made as a bacon settle | 0:33:45 | 0:33:48 | |
you'd have hung, on this rank of secret hooks, | 0:33:48 | 0:33:52 | |
the flitches of bacon. | 0:33:52 | 0:33:54 | |
Dear old Mr Wright had a socking great lock and made quite sure | 0:33:54 | 0:34:00 | |
that nobody nicked that bacon, probably all their meat to survive the winter. | 0:34:00 | 0:34:07 | |
Fascinating piece of social history. | 0:34:07 | 0:34:09 | |
The next thing to get into is this. | 0:34:09 | 0:34:12 | |
Yes, you've got it, a delicious bacon sandwich! | 0:34:12 | 0:34:17 | |
Cheers. | 0:34:17 | 0:34:18 | |
'Back at the fair, I found something special, too.' | 0:34:18 | 0:34:22 | |
Finding these bonus buys isn't easy. Let's try this on for size. | 0:34:22 | 0:34:27 | |
Nice little piece of jewellery | 0:34:27 | 0:34:30 | |
in its original box, 1960s style. | 0:34:30 | 0:34:33 | |
I'll tell you more when I reveal it to the experts. | 0:34:33 | 0:34:36 | |
Let's see what the gold is worth in this thing. Shove it on the scales. | 0:34:36 | 0:34:41 | |
Up it comes with 7.2 grams. | 0:34:41 | 0:34:45 | |
Gold's worth about £8 a gram. Seven eights are 56, plus a bit. | 0:34:45 | 0:34:50 | |
There's £60 of gold in this brooch. What did I buy it for? | 0:34:50 | 0:34:55 | |
You'll have to wait till I tell the boys. | 0:34:55 | 0:34:58 | |
'With that in my pocket, time to see whether we can raise some money for charity in today's sale.' | 0:35:00 | 0:35:08 | |
It's grand to be back in Mackworth | 0:35:08 | 0:35:11 | |
at Charles Hanson's saleroom with the supremo himself. | 0:35:11 | 0:35:15 | |
Great to see you, Tim. | 0:35:15 | 0:35:17 | |
-Let us run through our contestants, who happen to be experts. -Indeed. | 0:35:17 | 0:35:23 | |
Who will be waiting nervously on your every word. | 0:35:23 | 0:35:27 | |
For poor David and Thomas, their first item from Wetherby | 0:35:27 | 0:35:32 | |
was this handsome 1950s, chromium plated case, insulated teapot. | 0:35:32 | 0:35:37 | |
Yes, it's iconic in period. Yes, it's got that Scandinavian touch. | 0:35:37 | 0:35:44 | |
This wonderful hammered finish. | 0:35:44 | 0:35:46 | |
For any good late decorative art, condition is everything. | 0:35:46 | 0:35:51 | |
-What's it worth? -It's marked Made In England. We know it's late. | 0:35:51 | 0:35:56 | |
-If they bought it for £15, £20, it'll make a profit. -£10 was paid. | 0:35:56 | 0:36:02 | |
-Oh, great. -By David, which is pretty reasonable. -Yes, it is. | 0:36:02 | 0:36:07 | |
In your heartland on the outskirts of Derby, this must be the place | 0:36:07 | 0:36:12 | |
to sell a cabaret tray like this. | 0:36:12 | 0:36:14 | |
We're not far away from the Osmaston Rd museum and the factory. | 0:36:14 | 0:36:19 | |
This is Imari. | 0:36:19 | 0:36:21 | |
It's the great variant of the Imari, called the Witches, | 0:36:21 | 0:36:25 | |
2451 pattern, rather than the 1128. | 0:36:25 | 0:36:28 | |
And, of course, we think Derby began producing Imari in 1800, 1810. | 0:36:28 | 0:36:35 | |
-But this thing dates to about 1920. -It is, Tim. | 0:36:35 | 0:36:39 | |
From the date code, 1917, 1918. | 0:36:39 | 0:36:42 | |
It's expensive stuff. It's flashy and in good condition. | 0:36:42 | 0:36:46 | |
My guide price, Tim, would be £100. | 0:36:46 | 0:36:49 | |
-That's great. £75 paid. -Good. -They'll be chuffed by that. -Pleased. | 0:36:49 | 0:36:54 | |
Now, the three country chairs. | 0:36:54 | 0:36:56 | |
I like the chairs very much. They are fairly wide seats. | 0:36:56 | 0:37:01 | |
In my experience, the wider the seat | 0:37:01 | 0:37:04 | |
I tend to think we are rolling back into the Georgian period. | 0:37:04 | 0:37:08 | |
-Rather than them being from the 1820s, I think they're probably late 18th century. -Fair enough. | 0:37:08 | 0:37:15 | |
A sort of loose Hepplewhite design. | 0:37:15 | 0:37:18 | |
I can't, quite frankly, understand why our experts spent £85 on these. | 0:37:18 | 0:37:23 | |
They're uncomfortable. They have a period look. | 0:37:23 | 0:37:27 | |
-I would use them as hall chairs, but I like them. -You like them? | 0:37:27 | 0:37:32 | |
-That's great. What's your estimate? -We have been quite low, between £40 and £60. -Ah! | 0:37:32 | 0:37:39 | |
That reflects the current market. | 0:37:39 | 0:37:41 | |
David and Thomas have been very cute to buy them so we'll wait and see. | 0:37:41 | 0:37:46 | |
They're trying to make a profit on 85 and they may have difficulty. | 0:37:46 | 0:37:51 | |
Overall, I think they've done well but the chairs might drag them back, | 0:37:51 | 0:37:55 | |
in which case they're going to need MY bonus buy. | 0:37:55 | 0:37:59 | |
Let's have a look at this joker! | 0:37:59 | 0:38:01 | |
Now we come to the bonus buy moment. | 0:38:01 | 0:38:05 | |
I'll reveal it - and this is particularly aimed at you, Tom. | 0:38:05 | 0:38:09 | |
-Look at that! Wow! -This man knows about 20th-century decorative art. | 0:38:09 | 0:38:14 | |
-That is one of the pulses that gets Thomas Plant up in the morning. -Yes. | 0:38:14 | 0:38:20 | |
-Let me feel. It's going! -Have we got boomety boomety boom? | 0:38:20 | 0:38:25 | |
-These leaping... These are gazelles, aren't they? -Antelope. Ibex. | 0:38:25 | 0:38:30 | |
Leaping Art Deco gazelles, one of the seminal classic designs. | 0:38:30 | 0:38:36 | |
-These leaping... -It certainly is Art Deco. It's period. -Yeah. | 0:38:36 | 0:38:40 | |
-Any markings, Tim? -"Made in France", so presumably it's French. | 0:38:40 | 0:38:46 | |
-It's not Lalique, then? -How far off Lalique do you think it is? | 0:38:46 | 0:38:51 | |
-Well, Lalique... -It's got a Lalique feel. -It has. | 0:38:51 | 0:38:54 | |
Lalique is moulded glass, when you look at it that way. | 0:38:54 | 0:38:58 | |
It's not that far off, actually. How much was it? | 0:38:58 | 0:39:02 | |
-What do you think it's worth, Tom? -I would put that in between... | 0:39:02 | 0:39:06 | |
-£60 and £80 in an Art Deco sale. -What about you? -It should do £100. | 0:39:06 | 0:39:10 | |
Really, in a good sale. | 0:39:10 | 0:39:13 | |
50 quid would be absolutely bang-on. | 0:39:13 | 0:39:16 | |
-£50 paid. They're very good. -That's brilliant! | 0:39:16 | 0:39:19 | |
-I reckon that's got a good chance of making a profit. -Dead right. | 0:39:19 | 0:39:24 | |
-We'll have to hope for the best. -I'm chuffed you got that for us. | 0:39:24 | 0:39:29 | |
On that happy note, let's find out, for the viewers, what the auctioneer thinks about my bonus buy. | 0:39:30 | 0:39:36 | |
-Charles, what do you make of that? -Tell me about it. | 0:39:36 | 0:39:40 | |
This is Lalique style, | 0:39:40 | 0:39:42 | |
but close as close can be to Mr Lalique. | 0:39:42 | 0:39:46 | |
It's not pretending to be Lalique, but it's close enough to Lalique. | 0:39:46 | 0:39:51 | |
Close enough to one of his ibex form pots which would cost £1,000 | 0:39:51 | 0:39:56 | |
if you were to buy it signed by Lalique. | 0:39:56 | 0:39:59 | |
-To find that for £50... -You paid £50 for it? -..is pretty masterful! | 0:39:59 | 0:40:05 | |
-What's it worth? -I think it's worth £150 to £250 on a good day. | 0:40:05 | 0:40:11 | |
-Do you think £100 to £150? -Yes, I do. -That's all I need. | 0:40:11 | 0:40:15 | |
That's it for the reds. Interesting this. Now, for the blues. | 0:40:15 | 0:40:19 | |
Mark found this Royal Worcester dish. £26 he paid for this joker. | 0:40:19 | 0:40:25 | |
I don't know where you come from, but the blush, | 0:40:25 | 0:40:28 | |
around the outside, is not the most popular. | 0:40:28 | 0:40:34 | |
-No. -But any sort of hand-painted middle scene, | 0:40:34 | 0:40:38 | |
particularly if its named, makes it interesting. | 0:40:38 | 0:40:41 | |
Obviously, we can look in Henry Sandon's bible on Royal Worcester, | 0:40:41 | 0:40:46 | |
we can check out the shape number, | 0:40:46 | 0:40:48 | |
decipher its correct definition, I'm sure a pin dish. | 0:40:48 | 0:40:52 | |
With the number of dots from 1892, | 0:40:52 | 0:40:55 | |
we arrive at...six, 12, 13, 14... | 0:40:55 | 0:41:00 | |
1892 plus 14 is 1906, so it's that period. | 0:41:00 | 0:41:04 | |
-What's your estimate, then? -It ought to make £40 or £50. | 0:41:04 | 0:41:09 | |
Brilliant. Now, isn't life peculiar? | 0:41:09 | 0:41:12 | |
Here we are on the outskirts of Derby and another Derby cabaret. | 0:41:12 | 0:41:18 | |
We're always told that Imari pattern is more commercial... | 0:41:18 | 0:41:23 | |
-Yes. -..than this Louis XV rococo-y type. | 0:41:23 | 0:41:28 | |
-Didn't this ought to make more? -But because of this cartouche shape, | 0:41:28 | 0:41:34 | |
I've been a bit daring and put a guide price of £80 to £120. | 0:41:34 | 0:41:38 | |
Same estimate, then, on both trays? | 0:41:38 | 0:41:41 | |
I feel it will make bottom estimate, while this one | 0:41:41 | 0:41:44 | |
will make £40, £50 more, and will make perhaps 120, 130. | 0:41:44 | 0:41:48 | |
-That's the logic. -We cannot predict it. | 0:41:48 | 0:41:52 | |
-£70 was paid. -Good. -There's hope there. | 0:41:52 | 0:41:55 | |
-Lastly, found by James, is this silver bowl. -Yes. | 0:41:55 | 0:41:59 | |
The bowl, very simple, very refined. | 0:41:59 | 0:42:02 | |
The base, with this wonderful almost Vitruvian, wavy cast foot rim. | 0:42:02 | 0:42:08 | |
It's hallmarked Sheffield 1945. | 0:42:08 | 0:42:10 | |
-To a collector, it's extremely commercial. -What's it worth? | 0:42:10 | 0:42:16 | |
I would value it at between £100 and £120. | 0:42:16 | 0:42:20 | |
-Very good. £125 was paid by James. -Good. | 0:42:20 | 0:42:25 | |
-He rates it. He sees it as a potential present. -Yes. | 0:42:25 | 0:42:29 | |
If one thing is going to go wrong, not make the price that was paid, it's that bowl. | 0:42:29 | 0:42:36 | |
They may need their bonus buy and, as I found it, let's have a look. | 0:42:36 | 0:42:41 | |
-Now, boys, you spent £221. -Yup. | 0:42:42 | 0:42:45 | |
I have been given £100 to spend on your bonus buy. | 0:42:45 | 0:42:50 | |
I've been out and bought you this. | 0:42:50 | 0:42:53 | |
-Ooh! -Ooh, I like a box! | 0:42:54 | 0:42:56 | |
"I like the box!" | 0:42:56 | 0:42:59 | |
-We'll open the box like this and... -Ooh! -Ooh! | 0:42:59 | 0:43:03 | |
-Now, that is rather special. -That IS nice. | 0:43:03 | 0:43:08 | |
-Gold? -Gold. | 0:43:08 | 0:43:10 | |
-What period is it, Tim? -'50s? Early '60s, that sort of thing. | 0:43:10 | 0:43:15 | |
-How much did it cost you? -It cost me £70. | 0:43:15 | 0:43:19 | |
I like that a lot. | 0:43:19 | 0:43:21 | |
-It's a bit of quality, compared to what we bought! -Yeah! | 0:43:21 | 0:43:25 | |
You pick later. | 0:43:25 | 0:43:28 | |
Let's find out what the auctioneer thinks about my brooch. | 0:43:28 | 0:43:32 | |
Charles, feast your eyes on that little treasure. | 0:43:33 | 0:43:36 | |
It's my bonus buy. I invested a whole £70. | 0:43:36 | 0:43:41 | |
Why did I do it? Not because, perhaps, | 0:43:41 | 0:43:44 | |
this is the most popular period of jewellery right now. | 0:43:44 | 0:43:48 | |
But if you look at this brooch in any detail, | 0:43:48 | 0:43:52 | |
it's a complicated construction, not just some stamped-out form. | 0:43:52 | 0:43:57 | |
It's solid 9-carat gold. | 0:43:57 | 0:44:00 | |
I'm intrigued that it comes in its original box. | 0:44:00 | 0:44:04 | |
And I rate it as a little piece of 1950s, early 1960s design. | 0:44:04 | 0:44:09 | |
-It has a lovely feel. It's weighty. It's crisp. -And it will endure. | 0:44:09 | 0:44:14 | |
The next collecting period for jewellery is going to be the '50s. | 0:44:14 | 0:44:19 | |
It's all there as a present | 0:44:19 | 0:44:22 | |
to a lady of leisure who will come to our sale... And taste! | 0:44:22 | 0:44:25 | |
-Discernment. -We have lots of ladies with taste. -And they love you! | 0:44:25 | 0:44:30 | |
-Well, Tim... -It's why we're here! And very good luck with your hammer. | 0:44:30 | 0:44:34 | |
'Good man, Carlos. I know you'll do your best for us. | 0:44:34 | 0:44:39 | |
'It's David and Tom first for the reds.' | 0:44:39 | 0:44:42 | |
This is a turn-up for the books! The other side of the fence. | 0:44:42 | 0:44:46 | |
-For us all! -I'm just as nervous as you are about the old bonus buy. | 0:44:46 | 0:44:51 | |
First up is your teapot. | 0:44:51 | 0:44:53 | |
CHARLES: Have a good look, please. | 0:44:53 | 0:44:56 | |
1950s, a real icon of the period. | 0:44:56 | 0:44:58 | |
I've got one, two, three bids. | 0:44:58 | 0:45:01 | |
< I will start... Go on! | 0:45:01 | 0:45:03 | |
..at 12, 15, 18... | 0:45:03 | 0:45:07 | |
..£20. Do I see two, now? | 0:45:07 | 0:45:12 | |
£20. I'll take two. Come on! I'll take two, surely. Two! | 0:45:12 | 0:45:16 | |
Five. Eight? | 0:45:16 | 0:45:19 | |
One more! 28? | 0:45:19 | 0:45:21 | |
"No," she says. I've got 25. Do I see eight? | 0:45:24 | 0:45:27 | |
One more, do I see? We say sale at £25. Eight! | 0:45:27 | 0:45:31 | |
You're in, sir, at £28. | 0:45:31 | 0:45:34 | |
Do I see 30, now? At £28, sir, we say sale. | 0:45:34 | 0:45:38 | |
-Give yourselves a clap. -Well done for spotting that. | 0:45:39 | 0:45:43 | |
-Well done! -Nobody predicted that. It really is a world record price. | 0:45:43 | 0:45:48 | |
-Fine and rare. -This is your banker. | 0:45:48 | 0:45:51 | |
Delightful Imari Crown Derby 2451 cabaret tray... | 0:45:51 | 0:45:55 | |
-It's a good tray that. -It really is. | 0:45:55 | 0:45:59 | |
..Delightful object in good condition. | 0:45:59 | 0:46:02 | |
I've got conflicting bids... | 0:46:02 | 0:46:05 | |
I like it. He's got to go straight in. | 0:46:05 | 0:46:08 | |
-..at £120... -Ooh! | 0:46:08 | 0:46:10 | |
..Do I see 125? | 0:46:10 | 0:46:12 | |
120. Do I see 125 now? Delightful cabaret tray. | 0:46:12 | 0:46:17 | |
I'll take 125 or I shall sell. Surely 125. | 0:46:17 | 0:46:21 | |
At 120, I am bid... | 0:46:21 | 0:46:24 | |
-Go on! -Go on! -Go on! | 0:46:24 | 0:46:26 | |
..120. Are we all done? We say sale. All done? Fair warning. | 0:46:26 | 0:46:31 | |
You're all out? On the book, we say sale. | 0:46:31 | 0:46:34 | |
-That's still good going, though. -That's plus £45. | 0:46:34 | 0:46:39 | |
CHARLES: Three George III oak country chairs. Nice saddle seats. | 0:46:39 | 0:46:44 | |
A fine type for a nice hallway. There we are. In my opinion! | 0:46:44 | 0:46:49 | |
Where do we start? | 0:46:50 | 0:46:53 | |
I'm only bid £30. 30, for three Georgian chairs. Unbelievable. | 0:46:53 | 0:46:59 | |
-30 I'm bid. They are delightful chairs... -More! -..Surely... | 0:46:59 | 0:47:04 | |
-No, no. Please. -< ..Come on! | 0:47:04 | 0:47:06 | |
30. I'll take two. Come on. Two. | 0:47:06 | 0:47:09 | |
Five. Eight. 40. | 0:47:09 | 0:47:12 | |
Two. And I'm out. I'll take five, for these delightful chairs. | 0:47:12 | 0:47:16 | |
We are selling to you, madam, | 0:47:16 | 0:47:19 | |
at £42, down we go, to the lady. | 0:47:19 | 0:47:22 | |
You're minus £43, so the good Lord gives with one hand | 0:47:22 | 0:47:27 | |
and takes away with another. | 0:47:27 | 0:47:29 | |
You had 63. You've just lost 43. | 0:47:29 | 0:47:32 | |
-You have got plus £20. -We're gamblers! -We play the game. | 0:47:32 | 0:47:36 | |
-What you...? -We're going with it! | 0:47:36 | 0:47:38 | |
-Bonus buy! -Lalique style frosted glass globular lamp base. | 0:47:38 | 0:47:44 | |
In relief with this wonderful Art Deco form. A very nice example. | 0:47:44 | 0:47:49 | |
I've got one, two, three, four bids. | 0:47:49 | 0:47:52 | |
I shall start this lot at £45. | 0:47:52 | 0:47:55 | |
50. Five. 60. Five. 70. | 0:47:55 | 0:47:59 | |
That's my underbid. Do I see five? 70. I'll take five, surely? | 0:47:59 | 0:48:05 | |
Come on! 70... | 0:48:05 | 0:48:07 | |
ALL CHEER | 0:48:07 | 0:48:09 | |
..Five. 80. Five. 90. | 0:48:09 | 0:48:11 | |
Five? | 0:48:11 | 0:48:14 | |
I've got 100... | 0:48:14 | 0:48:16 | |
A bit of telegraphing there. Like a boxer! "I've got 100!" | 0:48:16 | 0:48:20 | |
..£100 on the book. We are selling. At £100, the gavel falls. | 0:48:20 | 0:48:26 | |
-Yes! -Well done, you. -A very good thing. -Very smart thing. | 0:48:26 | 0:48:30 | |
-Nicely spotted. -I always thought it was fake! -No! | 0:48:30 | 0:48:34 | |
-That is plus 50. -Excellent. -Overall, then, you are plus £70. | 0:48:34 | 0:48:39 | |
-How's that? -You have £70. -Wow! | 0:48:39 | 0:48:42 | |
Is it a winning score? It deserves to be a winning score. | 0:48:42 | 0:48:46 | |
-So don't chat to our mates outside. -We don't chat to them, anyway. | 0:48:46 | 0:48:51 | |
'What a result, eh? | 0:49:00 | 0:49:02 | |
'All that excitement has left me feeling a little pale. | 0:49:02 | 0:49:06 | |
'But not as pale as something I found at Charles's sale some years ago.' | 0:49:06 | 0:49:12 | |
It's described as "a case of moles". Quite a serious case, actually. | 0:49:12 | 0:49:17 | |
Particularly for the moles involved. | 0:49:17 | 0:49:20 | |
We've got an attractive blonde job wandering down the slope, | 0:49:20 | 0:49:25 | |
with her compatriots, one burying himself and one popping up. | 0:49:25 | 0:49:30 | |
There we go. Taxidermy. | 0:49:30 | 0:49:32 | |
What's it worth? Well, apparently, £25 to £35. | 0:49:32 | 0:49:36 | |
But would you want it in your home? That's the question. | 0:49:36 | 0:49:40 | |
'I can answer that question!' | 0:49:42 | 0:49:44 | |
You're not going to believe this, but I've still got 'em! | 0:49:44 | 0:49:49 | |
Unbeknown to you, I bought this case of moles for £35 | 0:49:49 | 0:49:53 | |
from Charles Hanson's auction. | 0:49:53 | 0:49:56 | |
I've been intrigued by it ever since. | 0:49:56 | 0:49:59 | |
An albino mole, with its friend, | 0:49:59 | 0:50:03 | |
has sat in my kitchen for six years. | 0:50:03 | 0:50:06 | |
A couple of years ago, a man came up to me at a fair and said, | 0:50:06 | 0:50:11 | |
"You know that albino mole?" I said, "Yes." | 0:50:11 | 0:50:15 | |
He said, "They're very rare, them albino moles. | 0:50:15 | 0:50:18 | |
"One sold on the internet for £600!" | 0:50:18 | 0:50:21 | |
Oh-ho! £600 for an albino mole! | 0:50:21 | 0:50:25 | |
Not surprisingly, | 0:50:25 | 0:50:27 | |
this has excited in me an interest in taxidermy. | 0:50:27 | 0:50:31 | |
But only of the albino variety. | 0:50:31 | 0:50:34 | |
Last year, I came across this albino rat. | 0:50:35 | 0:50:39 | |
How good is that? What's he worth? | 0:50:39 | 0:50:43 | |
You'll have to ask him. "I'm not telling you, you dirty rat!" | 0:50:43 | 0:50:48 | |
Our teams today may not have bought any stuffed animals, | 0:50:48 | 0:50:52 | |
but let's hope that they manage to ferret out a bargain or two. Ferret? | 0:50:52 | 0:50:56 | |
-Do you know how those reds got on? -No idea. -We don't want you to. | 0:51:00 | 0:51:05 | |
-We're going to make a profit? -Of course! | 0:51:05 | 0:51:09 | |
First is your Worcester named view pin dish. Here it comes. | 0:51:09 | 0:51:13 | |
CHARLES: Blush ivory. Painted with a brick house, Dore Nest Ambleside. | 0:51:13 | 0:51:18 | |
I'm bid 18. 20. Two. Five. | 0:51:18 | 0:51:22 | |
< Eight. | 0:51:22 | 0:51:24 | |
Do I see 30 for it? 28. | 0:51:24 | 0:51:26 | |
Do I see £30? 30, and two. Five? | 0:51:26 | 0:51:30 | |
One more I'll be out, madam. Are you sure? Really sure? | 0:51:30 | 0:51:34 | |
I've got 32. It could be yours... | 0:51:34 | 0:51:37 | |
-Go on! -LAUGHTER | 0:51:37 | 0:51:40 | |
-..And I'm out...! -Yes! Well done, madam! | 0:51:40 | 0:51:43 | |
..Do I see eight, now? 35. One more, surely? I'll take eight. | 0:51:43 | 0:51:48 | |
All done at 35? Once. Twice. | 0:51:48 | 0:51:50 | |
Three times to a lady. | 0:51:50 | 0:51:52 | |
We are selling to you, ma'am. | 0:51:52 | 0:51:54 | |
Was that £35, after all that? | 0:51:54 | 0:51:57 | |
-It was, Tim? -Very good. That's all right, plus £9. OK, cabaret tray. | 0:51:57 | 0:52:02 | |
Nice oval cabaret tray, decorated with a shaped cartouche, | 0:52:02 | 0:52:07 | |
rococo Edwardian revived style. | 0:52:07 | 0:52:09 | |
Royal Crown Derby. Home, sweet home. | 0:52:09 | 0:52:12 | |
I am bid, straight in, | 0:52:12 | 0:52:15 | |
at £75. | 0:52:15 | 0:52:17 | |
Do I see 80? | 0:52:17 | 0:52:19 | |
Delightful thing. | 0:52:19 | 0:52:21 | |
Do I see 80? Come on! Fair warning. | 0:52:21 | 0:52:24 | |
Sorry. Out we go at £75. Yes, we are! | 0:52:24 | 0:52:29 | |
-You're fired! -He's such a nice man! | 0:52:29 | 0:52:32 | |
That's plus £5. Nothing the matter with that. Plus 14 overall. | 0:52:32 | 0:52:36 | |
Now, the silver bowl. | 0:52:36 | 0:52:38 | |
Sheffield, post-war. I've got one, two, three, four, five, six bids. | 0:52:38 | 0:52:44 | |
A bid here at £90. 92. 95. | 0:52:44 | 0:52:49 | |
Do I see 98, please? 95... | 0:52:49 | 0:52:53 | |
-Yes, please! -..Do I see eight for it? Eight! | 0:52:53 | 0:52:57 | |
100. 105. 110. | 0:52:57 | 0:53:00 | |
115? Are you sure...? JAMES: Come on! Come on! | 0:53:00 | 0:53:05 | |
..110, now. Do I see 115? A delightful bowl for that. 110. | 0:53:05 | 0:53:10 | |
Do I see 115? One more. 115! | 0:53:10 | 0:53:12 | |
-I've got 120... -Go on! One more, sir! | 0:53:12 | 0:53:16 | |
..125? Look at me! | 0:53:16 | 0:53:18 | |
We need a profit! | 0:53:18 | 0:53:21 | |
120. I'll take 125... | 0:53:21 | 0:53:23 | |
We're teetering. | 0:53:23 | 0:53:25 | |
..Once, twice. We go on commission at £120. | 0:53:25 | 0:53:28 | |
We're all out in the room... | 0:53:28 | 0:53:31 | |
Go on! One more! | 0:53:31 | 0:53:33 | |
..We are all out. | 0:53:33 | 0:53:35 | |
£120, so close! | 0:53:36 | 0:53:38 | |
-Very close. -Minus five. You are still plus nine. | 0:53:38 | 0:53:42 | |
This is a difficult one. £9 profit. It could be a winning score. | 0:53:42 | 0:53:47 | |
What will you do about your bonus buy, my £70 gold brooch? | 0:53:47 | 0:53:52 | |
-It's a no-brainer. -No-brainer? -We're definitely going for it. | 0:53:52 | 0:53:56 | |
We're going for it, Tim. | 0:53:56 | 0:53:58 | |
-You're quite sure you want to? -Course we are. | 0:53:58 | 0:54:01 | |
-We've got confidence in you. -Fine. | 0:54:01 | 0:54:04 | |
They're going with the bonus buy, this gorgeous 9-carat gold brooch. | 0:54:04 | 0:54:09 | |
An impressive, magnificent, concentric sunburst brooch. | 0:54:09 | 0:54:15 | |
-It really is very, very nice... -It's wonderful. | 0:54:15 | 0:54:19 | |
Where do we start? There we are. One, two, three bids. | 0:54:19 | 0:54:23 | |
25. 30. Five. | 0:54:23 | 0:54:27 | |
40. Five. 50. Five. 60. Five. | 0:54:27 | 0:54:31 | |
-70. Five I'm bid... -Yes! | 0:54:31 | 0:54:35 | |
..£75... | 0:54:35 | 0:54:36 | |
-I'm not humiliated. -THEY LAUGH | 0:54:36 | 0:54:40 | |
..£75. Do I see 80? Surely. | 0:54:40 | 0:54:43 | |
£75. Do I see 80? Surely, one more. Fair warning. | 0:54:43 | 0:54:48 | |
I'll take one more. All done at £75? | 0:54:48 | 0:54:52 | |
Once, twice, three times. Yes, we are. | 0:54:52 | 0:54:55 | |
-Well done, Tim. -£75. | 0:54:55 | 0:54:58 | |
I'll make a cheque out in the morning! | 0:54:58 | 0:55:01 | |
-Seriously, £75. -I'm happy with that. -You've got a £5 profit. | 0:55:01 | 0:55:05 | |
I haven't been humiliated, but I thought it might have made a bit more, but don't we all? | 0:55:05 | 0:55:11 | |
-Quite frankly, a profit is a profit. -Exactly. -You've got £14. -Fantastic. | 0:55:11 | 0:55:16 | |
It's been a journey which I've been proud to accompany you on. | 0:55:16 | 0:55:20 | |
We shall reveal whether that's a winning score in just a mo. | 0:55:20 | 0:55:25 | |
-What fun is this? Been chatting? -EVERYONE: No! | 0:55:30 | 0:55:34 | |
They always say that. | 0:55:34 | 0:55:36 | |
It is lovely to be able to hand out profits to both teams. | 0:55:36 | 0:55:40 | |
It's all a question of scale, as per usual. | 0:55:40 | 0:55:44 | |
It's incredibly sad to reveal that the team that is slightly under par | 0:55:44 | 0:55:49 | |
-are the blues. -REDS LAUGH | 0:55:49 | 0:55:51 | |
I love it when it goes like this! | 0:55:51 | 0:55:55 | |
-Don't get too chippy! You got a lovely profit on the Worcester. -Yes. | 0:55:55 | 0:56:00 | |
-A lovely profit on the Crown Derby. -Yeah. | 0:56:00 | 0:56:04 | |
The silver bowl let you down, only marginally. So you were up £9. | 0:56:04 | 0:56:08 | |
A considerable achievement, as we know, on Bargain Hunt. | 0:56:08 | 0:56:12 | |
A small profit on the bonus buy, which took you to £14. | 0:56:12 | 0:56:16 | |
I am going to give you £14. | 0:56:16 | 0:56:18 | |
-We hope you've had a nice time. -Good time. | 0:56:18 | 0:56:21 | |
But the champions today are the reds. | 0:56:21 | 0:56:25 | |
-£70 of profits! -Yes! -Clever team! | 0:56:25 | 0:56:29 | |
Before you get too cocky, they were only £20 up till the bonus buy. | 0:56:29 | 0:56:33 | |
Which gave them 50 of their 70. So... | 0:56:33 | 0:56:36 | |
Let's be generous about this. | 0:56:36 | 0:56:38 | |
-You got £18 on that ghastly teapot. -Yeah. -Yeah. | 0:56:38 | 0:56:42 | |
£45 on THEIR tray! Funny, isn't it? Same factory, same place. | 0:56:42 | 0:56:46 | |
£45, so it's thumbs up for the Imari pattern. | 0:56:46 | 0:56:50 | |
Then those stinking chairs let you down. They lost £43 on the chairs. | 0:56:50 | 0:56:56 | |
Anyway, plus 70 is plus 70. There's £70. | 0:56:56 | 0:56:59 | |
-Thank you very much. -You don't have to split that because we're going to shove it in the pot. | 0:56:59 | 0:57:06 | |
-Have you had a good time? -Wonderful. -Fabulous. | 0:57:06 | 0:57:09 | |
-Join us soon for some more Bargain Hunting, yes? -YES! | 0:57:09 | 0:57:13 | |
'How brilliant is that? Four days of anniversary Bargain Hunts and four profits for charity, totalling £691. | 0:57:13 | 0:57:21 | |
'Let's hope we do as well for our final 10th anniversary programme, | 0:57:21 | 0:57:26 | |
'which comes from London. | 0:57:26 | 0:57:28 | |
'We'll see how the lovely Anita Manning keeps herself so bright...' | 0:57:28 | 0:57:33 | |
I need colour in my life. Scotland can be a dark place in the winter. | 0:57:33 | 0:57:37 | |
'..and Jonathan Pratt so fit. | 0:57:37 | 0:57:40 | |
'And how they fare in a battle between youth and experience.' | 0:57:40 | 0:57:44 | |
Chill. That's the way. Threshing around at our time is not good. | 0:57:44 | 0:57:49 | |
-That way? -That way. -Come on, then. | 0:57:49 | 0:57:51 | |
'See you tomorrow.' | 0:57:51 | 0:57:53 | |
Subtitling by Red Bee Media Ltd | 0:58:12 | 0:58:14 |