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Yup, it's that time again. | 0:00:03 | 0:00:06 | |
Why don't you take a break, grab a coffee, relax, | 0:00:06 | 0:00:09 | |
enjoy watching the Red team and the Blue Team dash about? | 0:00:09 | 0:00:14 | |
Who knows, they might make some money today. Why not? | 0:00:14 | 0:00:17 | |
Let's go bargain hunting. Cheers. | 0:00:17 | 0:00:20 | |
Today we're in a county | 0:00:50 | 0:00:51 | |
that's spawned at least a couple of famous Brits. | 0:00:51 | 0:00:54 | |
Sir Isaac Newton hailed from these parts | 0:00:54 | 0:00:57 | |
and even the Iron Lady, Margaret Thatcher, came from down the road. | 0:00:57 | 0:01:02 | |
The county is of course Lincolnshire. | 0:01:02 | 0:01:05 | |
Today, Lincolnshire is host to bargain-hunters Kate and Claire. | 0:01:06 | 0:01:11 | |
They get on famously with their expert, but how will we get on at the auction? | 0:01:11 | 0:01:16 | |
AUCTIONEER CALLS OUT | 0:01:16 | 0:01:18 | |
Ivy is competing with her friend Glenys who has the best nose for a bargain? Find out at the auction. | 0:01:18 | 0:01:25 | |
Come on, come on, come on. | 0:01:25 | 0:01:27 | |
I'm off to Hatfield House to show you a rare oriental masterpiece. | 0:01:29 | 0:01:34 | |
So, you are two are neighbours, close neighbours. | 0:01:37 | 0:01:40 | |
Is it a bit like Ramsay Street on the box in your place? | 0:01:40 | 0:01:44 | |
Oh, no, it's far posher than that. | 0:01:44 | 0:01:47 | |
So do all your neighbours know what you're up to today? | 0:01:47 | 0:01:50 | |
They do, yes, yes. They are all rooting for us and we had a party in celebration. | 0:01:50 | 0:01:56 | |
-A champagne party to celebrate being on. -Oh, it is a posh street. | 0:01:56 | 0:01:59 | |
-Now, Kate, you work in a hairdresser's salon. -I do, yes. | 0:01:59 | 0:02:04 | |
-Lovely. -No, it's not. | 0:02:04 | 0:02:07 | |
I'd think it's a fabulous hairdo. So if I came into your hairdressing salon | 0:02:07 | 0:02:13 | |
could I look as if I'd had an electric shock like you? | 0:02:13 | 0:02:16 | |
I mean, have you spent hours crafting that? | 0:02:16 | 0:02:18 | |
No, no, it's just dry your hair upside down, it's easily done. | 0:02:18 | 0:02:22 | |
Yes, I must try it upside down. It's a really good effect. | 0:02:22 | 0:02:26 | |
Now, Claire, you've got a very different job, haven't you? | 0:02:26 | 0:02:29 | |
I have, yes, I'm a gardener. | 0:02:29 | 0:02:31 | |
I went straight from school to college to learn amenity horticulture and garden design. | 0:02:31 | 0:02:36 | |
And I also do a lot of chainsaw work in the summer, tree work and things like that. | 0:02:36 | 0:02:41 | |
You don't look like a chain sawer. | 0:02:41 | 0:02:44 | |
-I love my chain saw. -Do you? -Yes. | 0:02:44 | 0:02:46 | |
Great team. Thank you very much for coming in, good luck. | 0:02:46 | 0:02:49 | |
Now for the Blues. Are you retired then? | 0:02:49 | 0:02:52 | |
-I am. -Do you watch much telly? | 0:02:52 | 0:02:54 | |
Yes, I watch you... | 0:02:54 | 0:02:57 | |
-every day. -Oh, really. -I watch Cash In The Attic every day. | 0:02:57 | 0:03:02 | |
-Oh. -I watch Flog It every day... -Oh. | 0:03:02 | 0:03:05 | |
..and if I can't watch it, I tape it, and watch it in the evening when I'm knitting. | 0:03:05 | 0:03:10 | |
Very Good. Which is your favourite programme? | 0:03:10 | 0:03:12 | |
-Well, Bargain Hunt of course. -Just as well you said that, Ivy. | 0:03:12 | 0:03:16 | |
Now during the war you had the most interesting job, didn't you? | 0:03:16 | 0:03:19 | |
Yes, during the war I was an ammunition examiner. | 0:03:19 | 0:03:23 | |
I was doing a very dangerous job with gelignite. | 0:03:23 | 0:03:26 | |
We had to work with that 30 ft underground because the slightest | 0:03:26 | 0:03:32 | |
-little breeze would set it off and blow you up. -Oh, Lordy. | 0:03:32 | 0:03:36 | |
Now, Glenys, what do you get up to, anything dangerous with gelignite? | 0:03:36 | 0:03:39 | |
No. Never. Not dangerous. | 0:03:39 | 0:03:42 | |
I'm working in a charity shop. | 0:03:42 | 0:03:45 | |
For 10 years I've been doing charity work and I visited Russia | 0:03:45 | 0:03:49 | |
to the Russian orphanages with a group called Love Russia. | 0:03:49 | 0:03:55 | |
We went over to see the orphans and then fund raised from then. | 0:03:55 | 0:04:01 | |
-Gosh, you have done a lot, haven't you? -It's been amazing. | 0:04:01 | 0:04:03 | |
Which of you two really wanted to come on the show? | 0:04:03 | 0:04:06 | |
-Ivy. -Ivy. | 0:04:06 | 0:04:08 | |
-Did you? -I did. -And why did you want to come, Ivy? | 0:04:08 | 0:04:11 | |
Because I enjoy watching you so much, Jim, sorry, Tim! | 0:04:11 | 0:04:17 | |
-Tim! Tim! -LAUGHTER | 0:04:17 | 0:04:20 | |
That I feel that you're the sort of gentleman that my mother would have been pleased if I had brought home. | 0:04:20 | 0:04:24 | |
Isn't that sweet. | 0:04:24 | 0:04:25 | |
Well, we wish you all the very best of luck. | 0:04:25 | 0:04:28 | |
Both our marvellous teams today. | 0:04:28 | 0:04:30 | |
Now the money moment. £300 apiece. | 0:04:30 | 0:04:32 | |
There you are. You know the rules, your experts await. | 0:04:32 | 0:04:36 | |
Off you go and very, very, very good luck. | 0:04:36 | 0:04:39 | |
Well, I don't know where I've heard such compliments, I'll be blushing. | 0:04:39 | 0:04:43 | |
All we need now are our experts. | 0:04:43 | 0:04:47 | |
Ah! David Harper. | 0:04:47 | 0:04:50 | |
And Kate Bliss. | 0:04:50 | 0:04:53 | |
And if you're new to Bargain Hunt you may not know that each team gets £300 and an hour to shop | 0:04:53 | 0:04:57 | |
for three items which they sell later at auction and the team that makes the most profit wins. | 0:04:57 | 0:05:03 | |
Sounds groovy, doesn't it? | 0:05:03 | 0:05:05 | |
And both teams are go. | 0:05:05 | 0:05:08 | |
-So sparkley silver things, is this what we like? -Want to make a profit. | 0:05:08 | 0:05:12 | |
Is there anything you particularly want to look out for, Glenys? | 0:05:12 | 0:05:16 | |
A piece of silver probably. | 0:05:16 | 0:05:20 | |
I love the shape, Art Nouveau shape. | 0:05:20 | 0:05:22 | |
-It's no good, let's go. -Oh, sorry, let's go! | 0:05:22 | 0:05:24 | |
KATE: Quite delicate. Isn't it? | 0:05:24 | 0:05:26 | |
Beautiful. | 0:05:26 | 0:05:27 | |
84, it's too much for Continental, isn't it? Sorry. | 0:05:27 | 0:05:31 | |
Don't hold back, Ivy. | 0:05:31 | 0:05:34 | |
You've heard of WMF, haven't you? | 0:05:36 | 0:05:38 | |
-Yes. -So Orion were bought out by WMF. | 0:05:38 | 0:05:42 | |
-You can see you they're doing a similar sort of thing. -Yes. | 0:05:42 | 0:05:46 | |
-What do you think of that, Glenys? -Very nice. | 0:05:46 | 0:05:48 | |
What did you say, madam? | 0:05:48 | 0:05:50 | |
-£80. -£80. | 0:05:50 | 0:05:52 | |
What do you think it would fetch though, that's the point, is it pewter? | 0:05:52 | 0:05:58 | |
It is pewter, yes. | 0:05:58 | 0:05:59 | |
They don't tend to fetch much more than 50 maximum, do they? | 0:05:59 | 0:06:04 | |
-Yeah, it's quite a large piece though, isn't it? -It is. | 0:06:04 | 0:06:07 | |
We'll be guided by you, Kate. | 0:06:07 | 0:06:09 | |
I think £80 is fairly strong at auction, but I love the poppies on it. | 0:06:09 | 0:06:14 | |
It's very Art Nouveau, isn't it? | 0:06:14 | 0:06:15 | |
-It is. -It's typically what WMF, that German manufacturer | 0:06:15 | 0:06:19 | |
did in what was the the sort of German equivalent of Art Nouveau. | 0:06:19 | 0:06:25 | |
These motifs are typical of that and the way | 0:06:25 | 0:06:27 | |
you've got this sort of sinuous decoration as well round here. | 0:06:27 | 0:06:31 | |
This would be a gamble, Glenys. | 0:06:31 | 0:06:34 | |
-If Kate thinks it's worth. If it's only... -We could come back. | 0:06:34 | 0:06:39 | |
-If it's only a fiver, it's still a profit, isn't it? -Exactly, yes. | 0:06:39 | 0:06:45 | |
She's lovely, isn't she? | 0:06:53 | 0:06:55 | |
How much is that, please? | 0:06:55 | 0:06:57 | |
That would be 40. | 0:06:57 | 0:06:58 | |
-40? -That sort of ware, what's it called? | 0:06:58 | 0:07:03 | |
Poker work, where it's been scratched out. | 0:07:03 | 0:07:05 | |
Yes. It's quite pretty, though, isn't it? | 0:07:05 | 0:07:08 | |
It's lovely, it's a very lightweight box and the value is in this lovely Art Nouveau-style poker work. | 0:07:08 | 0:07:15 | |
And you can see the difference where it's been protected on the inside, | 0:07:15 | 0:07:21 | |
the image is much more vibrant. | 0:07:21 | 0:07:23 | |
Vibrant than the outside which has faded. Slightly. | 0:07:23 | 0:07:28 | |
Do you think she'll take 110 for the two? | 0:07:28 | 0:07:31 | |
-You ask her, Ivy. -Excuse me, lady. | 0:07:33 | 0:07:37 | |
Would you take 110 for the two? If we took the two? | 0:07:37 | 0:07:41 | |
If you can go to 115, yes, I can't do 110 for the two. | 0:07:41 | 0:07:46 | |
-115? -What d'you think? | 0:07:46 | 0:07:48 | |
You're straight in there, aren't you? | 0:07:48 | 0:07:50 | |
115, then. Is it a deal? | 0:07:50 | 0:07:52 | |
What do you think, are you sure? Are you sure? What d'you think, Glenys? | 0:07:52 | 0:07:56 | |
-I think I'd like to come back. -Oh, Ivy's done the deal. | 0:07:56 | 0:07:58 | |
Sorry, I've done the deal. I'm sorry, Glenys. | 0:07:58 | 0:08:00 | |
-Ivy's done the deal. -I'm sorry. | 0:08:00 | 0:08:02 | |
What was it, 115 for the two? | 0:08:02 | 0:08:05 | |
-Yes. -So that has cost just £35. | 0:08:05 | 0:08:07 | |
Can you see a profit in that, Glenys? What d'you think? | 0:08:07 | 0:08:11 | |
Personally, no. | 0:08:11 | 0:08:13 | |
-You're happy with that, Ivy? -I'm happy with it. | 0:08:13 | 0:08:15 | |
I've shaken hands, so I can't retract. | 0:08:15 | 0:08:18 | |
I know, we've done the deal now, too late. We're out of the bargain. | 0:08:18 | 0:08:21 | |
You should have nobbed in. | 0:08:21 | 0:08:23 | |
So, I'm getting the third item. | 0:08:23 | 0:08:26 | |
-Yes. Definitely. -You two keep quiet. | 0:08:26 | 0:08:28 | |
You put your foot down. | 0:08:28 | 0:08:30 | |
Ivy's taking no prisoners. | 0:08:30 | 0:08:31 | |
The Blues have items one and two in the bag for £115 in the less than ten minutes. | 0:08:31 | 0:08:38 | |
I have to say I wasn't expecting that. | 0:08:38 | 0:08:40 | |
It was clear from the start that Ivy had | 0:08:40 | 0:08:42 | |
very set ideas on what she wanted, but once she decides on something, boy she decides and she goes for it. | 0:08:42 | 0:08:48 | |
And Glenys and I were just left there to spectate, really, | 0:08:48 | 0:08:52 | |
before we realised exactly what had happened. | 0:08:52 | 0:08:54 | |
So, deal done all in the space of about 10 minutes. I have to say, | 0:08:54 | 0:08:58 | |
I think we've paid a bit too much. | 0:08:58 | 0:09:00 | |
Too late now. | 0:09:00 | 0:09:02 | |
Come on, Reds, the Blues are way ahead. | 0:09:02 | 0:09:04 | |
-We found some Indian stamps. -Indian stamps? | 0:09:04 | 0:09:08 | |
-Yes. -I know people sometimes collect these sort of things. | 0:09:08 | 0:09:11 | |
-You don't look impressed. -Oh sorry, was it that obvious? -Quirky objects was on the list. | 0:09:11 | 0:09:16 | |
It's what they used to use years ago, didn't they? | 0:09:16 | 0:09:20 | |
-Spit on them and carry on. -Yeah. | 0:09:20 | 0:09:22 | |
I've ironed a few shirts with them. | 0:09:22 | 0:09:25 | |
While Ivy heads off down memory lane - here's a treat. | 0:09:25 | 0:09:30 | |
This little thing is the most exquisitely made measure. | 0:09:30 | 0:09:35 | |
If I undo the thumbscrew and slide it along that bar, | 0:09:35 | 0:09:39 | |
you can see that these two teeth open up in a very precise way. | 0:09:39 | 0:09:45 | |
That's because this thing is a caliper. | 0:09:45 | 0:09:47 | |
A sort of scientific instrument that you'd use to measure | 0:09:47 | 0:09:53 | |
the circumference of a hole. | 0:09:53 | 0:09:56 | |
And I think this thing was made for a gunsmith. | 0:09:56 | 0:10:01 | |
So, if I was looking at a shotgun for example, and I wanted to tell the difference, precisely, | 0:10:01 | 0:10:06 | |
between a 12 bore, a 20 bore, a 16 bore, | 0:10:06 | 0:10:10 | |
a .410 bore, I'd insert this thing into the barrel, I'd then slide that | 0:10:10 | 0:10:17 | |
bar until these two teeth exactly fitted into the barrel, take that away, tighten up the thumbscrew, | 0:10:17 | 0:10:23 | |
put it on a measure, and that would tell me which bore of shotgun I was looking at. | 0:10:23 | 0:10:30 | |
How much is this little gadget going to cost you? | 0:10:30 | 0:10:33 | |
Well, if you play your cards right, 60 quid. Boom-boom. | 0:10:33 | 0:10:38 | |
Now, back to the action. Has David finally spotted something for the Reds? | 0:10:40 | 0:10:44 | |
-Um, what is it? -An ornament? | 0:10:44 | 0:10:48 | |
-Yes, it's a bronze. -Is it bronze? | 0:10:48 | 0:10:51 | |
-Yeah, it's bronze. -It's going a bit green isn't it? | 0:10:51 | 0:10:53 | |
-Which bronze does. -Exactly, lovely patination. | 0:10:53 | 0:10:55 | |
-Yeah, it's nice. -Late 19th, early 20th century Art Nouveau. | 0:10:55 | 0:10:59 | |
Probably French or German. | 0:10:59 | 0:11:02 | |
-No signature, but it's good quality. -How much is it? | 0:11:02 | 0:11:05 | |
-98 is the price that's on it and I'd go down to £80. -Wow. | 0:11:05 | 0:11:12 | |
-I mean, it's not my cup of tea. -It doesn't grab me. | 0:11:12 | 0:11:15 | |
But then I'm not buying it. | 0:11:15 | 0:11:16 | |
No, well you are actually. | 0:11:16 | 0:11:18 | |
-Well, I'm but I'm not buying it at an auction. -Right, yeah. | 0:11:18 | 0:11:21 | |
-Um, you think that's a good buy? -I just think it's quality. | 0:11:21 | 0:11:25 | |
What about 70? | 0:11:25 | 0:11:27 | |
If we could get it for 70. | 0:11:27 | 0:11:29 | |
-OK. -I think we ought to go for it. | 0:11:29 | 0:11:31 | |
-Are you happy? -Yes. -Oh, yes. | 0:11:31 | 0:11:33 | |
-Are you? -Oh yes. | 0:11:33 | 0:11:35 | |
The Reds have scored. | 0:11:35 | 0:11:37 | |
One item for £70. | 0:11:37 | 0:11:40 | |
But time is ticking away, 20 minutes gone already. | 0:11:40 | 0:11:43 | |
WMF. | 0:11:44 | 0:11:46 | |
It's a German. This guy will be able to pronounce it properly. Come here. | 0:11:46 | 0:11:49 | |
How do you pronounce WMF? | 0:11:49 | 0:11:51 | |
Wurttembergische Metallwarenfabrik. | 0:11:51 | 0:11:55 | |
Repeat that one. | 0:11:55 | 0:11:57 | |
Wurttembergische Metallwarenfabrik. | 0:11:57 | 0:12:00 | |
-That's why we just call it WMF. -WMF. | 0:12:00 | 0:12:02 | |
What ho! Glenys has taken a fancy to a jardiniere. | 0:12:04 | 0:12:08 | |
D'you like that? | 0:12:08 | 0:12:09 | |
-I like that. -Do you, Glenys? -Yeah. | 0:12:09 | 0:12:12 | |
-I am pleased. -It's different. | 0:12:12 | 0:12:14 | |
Yes, it is different, Glenys. | 0:12:14 | 0:12:16 | |
-I think it's pretty hideous. -Really? | 0:12:16 | 0:12:18 | |
Yes. What can you do it for? | 0:12:18 | 0:12:22 | |
Well, I was asking 45. | 0:12:22 | 0:12:24 | |
But you can have it for 35. | 0:12:24 | 0:12:27 | |
Do you really like it, Glenys? | 0:12:27 | 0:12:29 | |
-Yes. But... -You're going to tell me that's too much money? | 0:12:29 | 0:12:32 | |
What would you pay for it? | 0:12:32 | 0:12:33 | |
-25. -Realistically. -25. -25? | 0:12:33 | 0:12:36 | |
I'll split the difference with you, 30. | 0:12:36 | 0:12:39 | |
What do you think of it? | 0:12:39 | 0:12:41 | |
-I wouldn't buy it myself. -Why not? | 0:12:41 | 0:12:44 | |
Because I don't think that that colour will appeal. | 0:12:44 | 0:12:47 | |
-Right. -But if Glenys wants it, I'm quite happy for her to buy it. | 0:12:47 | 0:12:51 | |
-Would you mind just saving it? -No, that's OK. What, you're going to think about it are you? -Yes. | 0:12:51 | 0:12:56 | |
-Anything you like? -No. | 0:13:00 | 0:13:03 | |
-Let's go. -THEY LAUGH | 0:13:03 | 0:13:05 | |
Hang on, has Glenys found something else she likes? | 0:13:05 | 0:13:08 | |
-Have you seen these before? -I have. | 0:13:08 | 0:13:12 | |
They're called samplers. | 0:13:12 | 0:13:14 | |
These were usually done by children because they studied needlework in school. | 0:13:14 | 0:13:20 | |
And often have a religious overtone. | 0:13:20 | 0:13:23 | |
"This is a precious book indeed happy the child that loves to read." | 0:13:23 | 0:13:27 | |
But it's beautifully done, isn't it? | 0:13:27 | 0:13:29 | |
And then she's signed it down here, Sarah-Jane Hodder July 1863. | 0:13:29 | 0:13:35 | |
I think that's a really good find. | 0:13:35 | 0:13:37 | |
-Yes, so do I. -It just depends what the price is. -What the price is. | 0:13:37 | 0:13:41 | |
D'you want to go and see if you can see the gentleman, Ivy? | 0:13:41 | 0:13:44 | |
They are very collectable. | 0:13:46 | 0:13:48 | |
-Kate! -Oh yes? -I've got £20 off. -Right. | 0:13:48 | 0:13:52 | |
I'll take 100, it won't be any less. | 0:13:52 | 0:13:55 | |
-100. -I think it's a lot of money, £100, don't you? | 0:13:55 | 0:13:58 | |
-For what it is? -Mmm. | 0:13:58 | 0:14:00 | |
They are very collectable. | 0:14:00 | 0:14:03 | |
-The verse is beautiful. -What do you think, Ivy? Well done for getting £20 off. | 0:14:03 | 0:14:07 | |
-What do you think for £100? -That's great. | 0:14:07 | 0:14:09 | |
-Do you think that's a better buy than the the jardiniere? -Definitely. | 0:14:09 | 0:14:13 | |
What do you think, Glenys? Or are you still hankering after your jardiniere? | 0:14:13 | 0:14:17 | |
We've got 25 minutes which is a long time. | 0:14:17 | 0:14:21 | |
Shall we hide it? | 0:14:22 | 0:14:24 | |
-No. -Shall we hide it! Good plan. I don't think we're allowed to do that. | 0:14:24 | 0:14:28 | |
I tell you what, stick it down there. | 0:14:28 | 0:14:30 | |
Let's have a mosey up that way. | 0:14:30 | 0:14:32 | |
Come on, Reds, two items to buy and only half-an-hour to go. | 0:14:33 | 0:14:37 | |
A painted bowl on a stand, I don't know. | 0:14:37 | 0:14:41 | |
No, you're not excited are you? | 0:14:41 | 0:14:44 | |
No, we're not. We're not excited. | 0:14:44 | 0:14:46 | |
How's Glenys doing? | 0:14:47 | 0:14:50 | |
It looks quite nice with the reels in it, doesn't it? | 0:14:50 | 0:14:52 | |
These cottons look like they came from 1800s, don't they? | 0:14:52 | 0:14:58 | |
While Glenys continues her search Ivy tells us what's on her mind. | 0:14:58 | 0:15:02 | |
This shop's been harder than I thought, | 0:15:02 | 0:15:05 | |
because having to choose jointly | 0:15:05 | 0:15:08 | |
is obviously harder than choosing individually. | 0:15:08 | 0:15:12 | |
And tastes differ between different people. | 0:15:14 | 0:15:18 | |
And although when we started Glenys said, | 0:15:18 | 0:15:20 | |
"I'll be ruled by what you're going to do," | 0:15:20 | 0:15:24 | |
she's deviated. | 0:15:24 | 0:15:26 | |
So, we're deciding between the jardiniere and the sampler. | 0:15:26 | 0:15:30 | |
-Yes. -Which one? | 0:15:30 | 0:15:33 | |
I'm looking at the end product, you know - will it sell? | 0:15:33 | 0:15:36 | |
And I'm perfectly sure the sampler will. | 0:15:36 | 0:15:40 | |
What were the jardiniere? | 0:15:40 | 0:15:41 | |
Jardiniere he came down to 30, didn't he? But you wanted 25. | 0:15:41 | 0:15:45 | |
-Yeah, of course. -And he's come down to 100 on the sampler. | 0:15:45 | 0:15:48 | |
Time for me to pay a little visit, I think. | 0:15:48 | 0:15:50 | |
I bought two items and now Glenys is deliberating about the third one. | 0:15:50 | 0:15:56 | |
-Oh, Lordy. -I want her to get a sampler. | 0:15:56 | 0:15:59 | |
I've got £20 knocked off of it, down to 100. | 0:15:59 | 0:16:04 | |
And I can remember a couple of sales where Charles has been - | 0:16:04 | 0:16:07 | |
and it's his show we're going to be selling at... | 0:16:07 | 0:16:10 | |
-She's strategising. -..where he sold them quite well. | 0:16:10 | 0:16:13 | |
-Yes. -So I think if we let him know there is a sampler | 0:16:13 | 0:16:18 | |
-dating back to the 1800s... -Yes. | 0:16:18 | 0:16:20 | |
..that he will notify his customers who are sample-minded. | 0:16:20 | 0:16:24 | |
You see - strategist, I tell you. | 0:16:24 | 0:16:26 | |
Low cunning and strategy mixed. | 0:16:26 | 0:16:30 | |
-Coupled with years of experience, right, Ivy? -That's right. | 0:16:30 | 0:16:33 | |
That's right. 82 years of 'em. | 0:16:33 | 0:16:35 | |
82 years' worth of experience. | 0:16:35 | 0:16:38 | |
£590! | 0:16:42 | 0:16:44 | |
I've got such good taste. | 0:16:44 | 0:16:47 | |
£90. | 0:16:47 | 0:16:48 | |
-Have you ever been chatted up by a better-looking bloke than that? -Yes. -Yes. | 0:16:48 | 0:16:52 | |
Have you? | 0:16:52 | 0:16:54 | |
-What do you think? -Oh, Red Arrows are after us. Wow, can you see them out there? | 0:17:00 | 0:17:04 | |
The Red team need to buck up with some of the Red Arrows' va-va-vroom. | 0:17:06 | 0:17:11 | |
-The owl's nice. I like him. -What is he, then? -I don't know. | 0:17:11 | 0:17:15 | |
-Do you think his head comes off? -I bet it does. -Oh, I like that. | 0:17:15 | 0:17:19 | |
It's a shaker. | 0:17:19 | 0:17:21 | |
-Is it sugar? Pepper? -It's a salt. -Pepper, salt, anything granule. | 0:17:21 | 0:17:26 | |
Almost right. What's the trade on that one? | 0:17:26 | 0:17:29 | |
-TRADER: -I'll do it for 40. | 0:17:29 | 0:17:31 | |
30 is what I had in my mind. | 0:17:31 | 0:17:33 | |
Did you? | 0:17:33 | 0:17:34 | |
-It's not silver. -I think it's for sand or chalk, you know. | 0:17:34 | 0:17:38 | |
-To dry the ink? -Yes. -That makes it more interesting, doesn't it? -Yes. | 0:17:38 | 0:17:43 | |
So you fill it with a chalk or a sand and then when you're writing with your nice quill pen - | 0:17:43 | 0:17:47 | |
you've got a nice big posh mahogany desk, | 0:17:47 | 0:17:50 | |
you pick up the owl and sprinkle the sand over the ink to help it along. | 0:17:50 | 0:17:54 | |
-It's a lovely idea. -I quite like that. It's got a nice feel about it. | 0:17:54 | 0:17:57 | |
It has, and you know | 0:17:57 | 0:17:59 | |
it's been handled millions of times, hasn't it? | 0:17:59 | 0:18:03 | |
-Yes, I like him. -25? -No. -Oh, dear. | 0:18:03 | 0:18:07 | |
-I gave you a price, I'm sorry. -What do you think? -I like him. I do. | 0:18:07 | 0:18:11 | |
-I do like it. Yeah. -Yeah. | 0:18:11 | 0:18:12 | |
-Do you want to have him? -Yeah, let's have him. | 0:18:12 | 0:18:15 | |
All right, we'll have him at 40. | 0:18:15 | 0:18:16 | |
-TIM: -Done deal. | 0:18:16 | 0:18:18 | |
The Reds have just one more item to get, so both teams are now head-to-head. | 0:18:18 | 0:18:23 | |
The Blues, nearly out of time, are heading back to the stall with the jardiniere and the sampler. | 0:18:23 | 0:18:28 | |
Still here. | 0:18:28 | 0:18:30 | |
So it's meant to be if it's still here. | 0:18:31 | 0:18:34 | |
Are you sure you don't want the jardiniere? It's a lot less money. | 0:18:34 | 0:18:38 | |
Right, ip, dip, ip. | 0:18:38 | 0:18:41 | |
This. | 0:18:41 | 0:18:42 | |
-TRADER: -So you're going to buy that, are you? -Happy? | 0:18:44 | 0:18:46 | |
I've not decided yet. | 0:18:46 | 0:18:48 | |
Oh, Glenys! | 0:18:48 | 0:18:50 | |
It's a lady's prerogative to keep men waiting. | 0:18:50 | 0:18:53 | |
You know that. | 0:18:53 | 0:18:54 | |
This one. | 0:18:56 | 0:18:58 | |
-OK. -Final answer? -Get your money out, then. | 0:18:58 | 0:19:01 | |
Could I have it wrapped in gold paper please? | 0:19:01 | 0:19:03 | |
-TIM: -Ah, Glenys and Ivy are all done | 0:19:03 | 0:19:06 | |
and with just six minutes to go, it's decision time for the Reds. | 0:19:06 | 0:19:11 | |
Now, do you know the WMF piece that we saw, that we really liked and we couldn't afford? | 0:19:11 | 0:19:15 | |
-Yes. -Again, similar kind of things. What have you got for... | 0:19:15 | 0:19:19 | |
reasonable money that we might do OK with in auction? | 0:19:19 | 0:19:22 | |
-The best thing I think in your sort of price range is this little WMF dog. -Is it WMF? | 0:19:22 | 0:19:27 | |
Yeah, it was designed in 1905. | 0:19:27 | 0:19:30 | |
It's in the 1905/1906 catalogue as a desk weight. | 0:19:30 | 0:19:34 | |
WMF. | 0:19:34 | 0:19:36 | |
Two words. Go on, then. | 0:19:36 | 0:19:38 | |
What does WMF stand for? | 0:19:38 | 0:19:40 | |
Oh, I can't remember. | 0:19:40 | 0:19:41 | |
Wurttembergische Metallwarenfabrik. | 0:19:41 | 0:19:44 | |
THEY MUTTER | 0:19:44 | 0:19:47 | |
-I know. -Three minutes. -How much is it? -What's trade on it? | 0:19:49 | 0:19:52 | |
Absolute death is 100. | 0:19:52 | 0:19:54 | |
And I can't go less than that. | 0:19:54 | 0:19:56 | |
Well, it's early 19th Century and doggies are always great. | 0:19:57 | 0:20:00 | |
Dogs are always collectable, aren't they? People like dogs. | 0:20:00 | 0:20:03 | |
And he's a good shape, isn't he? | 0:20:03 | 0:20:05 | |
-He's, he's on the hunt. -It's quite amazing - the markings on his fur and his muscles on him | 0:20:05 | 0:20:10 | |
-look really good. -Yeah. | 0:20:10 | 0:20:12 | |
Yes, we'll go for him. | 0:20:12 | 0:20:13 | |
-Deal done, thank you very much. -Thank you. | 0:20:13 | 0:20:15 | |
-30 seconds left. -Hey, hey! | 0:20:15 | 0:20:18 | |
-Well done. -I wanted to go down to the last second. | 0:20:18 | 0:20:20 | |
That's it. Stop the shop. | 0:20:22 | 0:20:24 | |
Let's remind ourselves what the Reds bought. | 0:20:27 | 0:20:31 | |
They bought the bronze bust of a lady for £70. | 0:20:31 | 0:20:34 | |
The pewter owl for £40. Too-wit! | 0:20:34 | 0:20:39 | |
And the doggy desk weight for £100. | 0:20:39 | 0:20:43 | |
So I've caught you two on the balcony! | 0:20:43 | 0:20:46 | |
This is the leftover-lolly moment. You've had a fab shop, yeah? | 0:20:46 | 0:20:49 | |
-We have, fantastic. -I think you did very, very well. What's your favourite piece? | 0:20:49 | 0:20:53 | |
The little owl shaker. | 0:20:53 | 0:20:55 | |
That's your favourite? What about you, Kate? | 0:20:55 | 0:20:58 | |
The dog, I think. It's got to be the dog, yes. | 0:20:58 | 0:21:00 | |
-What did you spend overall? -We spent £210. | 0:21:00 | 0:21:03 | |
-Quite sure about that? -Yes, positive. | 0:21:03 | 0:21:05 | |
-Are you quite sure about that? -Yeah, round about that! | 0:21:05 | 0:21:08 | |
-Maths is not... -I don't do the maths! | 0:21:08 | 0:21:10 | |
Fine! We'll accept the £210, fab. So you've got 90 smackers? | 0:21:10 | 0:21:14 | |
-I have, yes. -Very good, £90, lovely. | 0:21:14 | 0:21:17 | |
-That goes to you, David. -Thank you very much. | 0:21:17 | 0:21:19 | |
Have you got anything in mind to spend the £90 on, David? | 0:21:19 | 0:21:21 | |
Yes, I've always got something in mind, Tim, but whether I can | 0:21:21 | 0:21:24 | |
actually get it for the price I really want in my mind... | 0:21:24 | 0:21:27 | |
I often live in a fantasy world. | 0:21:27 | 0:21:28 | |
-Really? -Yes. -I'd never have guessed that! | 0:21:28 | 0:21:31 | |
Really?! And these two are included! | 0:21:31 | 0:21:34 | |
I don't blame you on that! Good luck, David. | 0:21:34 | 0:21:36 | |
Why don't we check out what the Blues have bought? | 0:21:36 | 0:21:39 | |
Ivy steamed right in and bought the Art Nouveau dish for £80, | 0:21:39 | 0:21:44 | |
along with the pokerwork box for £35. | 0:21:44 | 0:21:49 | |
And they eventually plumped for the sampler, which cost them 100. | 0:21:49 | 0:21:53 | |
-Did you have a nice time? -Wonderful. -Was it good, Ivy? | 0:21:53 | 0:21:56 | |
-Very good. -Yes. -Really enjoyed it. | 0:21:56 | 0:21:58 | |
We know all about your strategic buying plans now, | 0:21:58 | 0:22:01 | |
which is rather good. | 0:22:01 | 0:22:03 | |
They didn't fall out or anything? | 0:22:03 | 0:22:05 | |
-Not quite. -Not quite! -Brilliant. | 0:22:05 | 0:22:08 | |
How much did you spend? Can you remember? | 0:22:08 | 0:22:10 | |
-215. -£215? So that means you've got £85, is that right? | 0:22:10 | 0:22:16 | |
-Yes. -£85. Got the £85? | 0:22:16 | 0:22:18 | |
-I have. -You have? Good, £85. | 0:22:18 | 0:22:21 | |
That's what we like to see. That goes straight, of course, to Kate. | 0:22:21 | 0:22:24 | |
Thank you very much. | 0:22:24 | 0:22:25 | |
Hatfield House is in the most beezer location, | 0:22:27 | 0:22:30 | |
just 20 miles outside London, | 0:22:30 | 0:22:32 | |
and it's home to the Seventh Marquis and Marchioness of Salisbury. | 0:22:32 | 0:22:37 | |
Stand by your beds! | 0:22:37 | 0:22:39 | |
This is the Great Hall - | 0:22:43 | 0:22:45 | |
the space that, if you were visiting Hatfield 400 years ago, | 0:22:45 | 0:22:50 | |
you would have first entered. | 0:22:50 | 0:22:52 | |
A communal living chamber, which literally would have been set out | 0:22:52 | 0:22:56 | |
with these tables for all their meals, | 0:22:56 | 0:22:59 | |
but might occasionally be cleared, | 0:22:59 | 0:23:01 | |
and then the whole space would become an entertainment area | 0:23:01 | 0:23:05 | |
for their masks and revels. | 0:23:05 | 0:23:07 | |
It's not just the Great Hall, though, that we've come to see. | 0:23:13 | 0:23:16 | |
Actually, I want to introduce you to this tour de force | 0:23:16 | 0:23:20 | |
of the Chinese ivory carver's art. | 0:23:20 | 0:23:23 | |
Isn't this magnificent? | 0:23:23 | 0:23:25 | |
You'll travel many a long mile before you find a better one. | 0:23:25 | 0:23:28 | |
So delicate is this structure that | 0:23:28 | 0:23:32 | |
when Lady Salisbury decided that she wanted it here at Hatfield House, | 0:23:32 | 0:23:37 | |
she employed Beckwith and France, her cabinet makers, | 0:23:37 | 0:23:41 | |
to have two men walk it the 20 miles from London, | 0:23:41 | 0:23:46 | |
because that was the safest way of bringing it here. | 0:23:46 | 0:23:49 | |
But just look at how fantastic the object is itself. | 0:23:49 | 0:23:54 | |
It's referred to by the family as the temple of the moon. | 0:23:54 | 0:23:59 | |
If you look at the individual elements of ivory, | 0:23:59 | 0:24:02 | |
none of them are particularly large. | 0:24:02 | 0:24:04 | |
In other words, the Chinese have taken small sections of ivory - | 0:24:04 | 0:24:07 | |
almost veneers - and have applied them, for example, on these steps. | 0:24:07 | 0:24:12 | |
The little black dots you see are little nails. Except they're not made of iron, they're made of ivory. | 0:24:12 | 0:24:17 | |
There are two kiosks either side of the entrance, before you progress over a bridge and a moat. | 0:24:17 | 0:24:23 | |
I just love this moat. Look at this. | 0:24:23 | 0:24:25 | |
We've got a sheet of glass. | 0:24:25 | 0:24:27 | |
It's probably mica with silvering underneath it, which represents the water, | 0:24:27 | 0:24:32 | |
and then drifting around on the water are these lily pads, | 0:24:32 | 0:24:35 | |
the odd crab, a couple of storks and so forth. | 0:24:35 | 0:24:39 | |
We've got trees, all made of stained ivory - with this brown trunk | 0:24:39 | 0:24:44 | |
and spiky pine cones, before you get to the two-tier structure itself. | 0:24:44 | 0:24:50 | |
Each of the tiers is divided by these charming shaped roofs, | 0:24:50 | 0:24:56 | |
and I just love the sliding screens inside. | 0:24:56 | 0:25:00 | |
Delicious. | 0:25:00 | 0:25:01 | |
Meanwhile, our experts have been shopping for their bonus buys. | 0:25:03 | 0:25:06 | |
Let's see what David's found for the Reds. | 0:25:06 | 0:25:09 | |
So, Kate and Claire, you spent £210, which is a good total. | 0:25:10 | 0:25:14 | |
You gave David £90 of leftover lolly. | 0:25:14 | 0:25:16 | |
I've bought a little sweetie for a pair of sweeties. | 0:25:16 | 0:25:19 | |
-Oh! -Oh! | 0:25:19 | 0:25:21 | |
Maybe not as sweet as I remember him! | 0:25:21 | 0:25:24 | |
OK! | 0:25:24 | 0:25:26 | |
Go on, have a look. | 0:25:26 | 0:25:28 | |
There's a little surprise there. See if you can find the surprise. | 0:25:28 | 0:25:31 | |
-Does it squeak? -Pull his tongue. | 0:25:31 | 0:25:34 | |
Oh, God! | 0:25:34 | 0:25:35 | |
-DAVID CHUCKLES It's a tape measure! -Oh! | 0:25:35 | 0:25:38 | |
What did you think it was?! | 0:25:38 | 0:25:40 | |
THEY CHUCKLE | 0:25:40 | 0:25:42 | |
-Quite zany, hey? -Zany and very, very sweet. | 0:25:42 | 0:25:45 | |
I think he's gorgeous. | 0:25:45 | 0:25:46 | |
He's not my... I wouldn't buy him and take him home, | 0:25:46 | 0:25:49 | |
-but a lot of people would, and I think for the money... Have I told you what I paid yet? -No. | 0:25:49 | 0:25:54 | |
Ah. 15. Oh, come on! It can't be bad for that! | 0:25:54 | 0:25:58 | |
I think it would have to make more than £15, I'm sure. | 0:25:58 | 0:26:01 | |
-You think he would? -I think he might, yes. | 0:26:01 | 0:26:03 | |
-Charles, your sale room is humming as usual. -Hope so, Tim. -Yes. | 0:26:10 | 0:26:14 | |
Kate and Claire and David went out and got | 0:26:14 | 0:26:16 | |
three quite similar-looking items, actually. | 0:26:16 | 0:26:19 | |
-Yes! -First up is this so-called Art Nouveau bust, | 0:26:19 | 0:26:23 | |
which I fancy is no more Art Nouveau than you or me, actually. | 0:26:23 | 0:26:27 | |
In terms of its period, when would you date that, Charles? | 0:26:27 | 0:26:30 | |
20th Century. I wasn't overly sure, Tim. | 0:26:30 | 0:26:33 | |
It's very badly cast, hand coloured, so I'd date it at 2000, not 1900. | 0:26:33 | 0:26:38 | |
I would suspect, because it's decorative, | 0:26:38 | 0:26:43 | |
that with our decorative pool of buyers, | 0:26:43 | 0:26:46 | |
they might pay £30 or £40 for it, but bearing in mind it's one of many, many, is it worth that? | 0:26:46 | 0:26:51 | |
We'll see. | 0:26:51 | 0:26:52 | |
The next item is this so-called desk shaker, | 0:26:52 | 0:26:56 | |
-which is just a pepper pot, isn't it? -It is, Tim. | 0:26:56 | 0:26:59 | |
It's definitely not to take pounce, | 0:26:59 | 0:27:02 | |
that ground-up lava stuff that you'd have on a desk instead of blotting paper. | 0:27:02 | 0:27:06 | |
But they're desirable things, it has to be said. | 0:27:06 | 0:27:09 | |
Yes, and I'm of the opinion this one is period. | 0:27:09 | 0:27:11 | |
I'm quite happy, it would be probably George V, | 0:27:11 | 0:27:14 | |
could be Edwardian, could even be late, late Victorian. | 0:27:14 | 0:27:17 | |
But it's sweet. | 0:27:17 | 0:27:19 | |
-I think we'll do quite well, between £50 and £70. -I quite agree with you. They paid £40. -Good. | 0:27:19 | 0:27:24 | |
-So that was a good buy, and should show them a reasonable profit. -Yes. | 0:27:24 | 0:27:27 | |
The next item is this so-called setter. Do you rate this thing? | 0:27:27 | 0:27:32 | |
Tim, WMF, in that first half of the 20th Century, were famous for their | 0:27:32 | 0:27:36 | |
-Jugendstil forms of design, Art Nouveau. This isn't. -No. -I'm just slightly wary of its period. | 0:27:36 | 0:27:41 | |
It doesn't have the Art Nouveau style. | 0:27:41 | 0:27:44 | |
No. In that regard, Tim, one really values it between £30 and £50. | 0:27:44 | 0:27:47 | |
-Yeah, I'd agree with you. £100. -Right, OK. -£100 is too much. -Yes. | 0:27:47 | 0:27:51 | |
So, there are some deep and sincere black holes, I think, under this trio, | 0:27:51 | 0:27:56 | |
and they're definitely going to need their bonus buys. | 0:27:56 | 0:27:59 | |
Tim, believe it or not, we've had an interest in this teddy bear. I think he'll do quite well. | 0:27:59 | 0:28:04 | |
-It's grubby. -It is. -1950s. -Yes. | 0:28:04 | 0:28:06 | |
But, of course, it's a tape measure. | 0:28:06 | 0:28:10 | |
Tape measure. | 0:28:10 | 0:28:11 | |
My guide price was between £20 and £30. | 0:28:11 | 0:28:14 | |
I think it'll make more. | 0:28:14 | 0:28:16 | |
-Do you really? -I hope so, Tim, because I've said that now. -David paid £15 for it. | 0:28:16 | 0:28:20 | |
-I'm amazed. I'm mesmerised, Tim. -Mesmerised and amazed? -I am. -I'm with you there with that. | 0:28:20 | 0:28:25 | |
That's it for the Reds. Now for the Blues. | 0:28:25 | 0:28:27 | |
Ivy and Glenys. Their first item is the pewter dish. | 0:28:27 | 0:28:30 | |
-Yes. -Which is, I think, very handsome. | 0:28:30 | 0:28:34 | |
-It is, Tim. -Very satisfactory design, and in good condition. | 0:28:34 | 0:28:37 | |
And remarkably, Tim, the factory who made this in Germany, called Orion, | 0:28:37 | 0:28:41 | |
a manufacturer who only survived for three years - | 0:28:41 | 0:28:44 | |
1903 to 1906 - and was founded by George Friedrich Schmitt. | 0:28:44 | 0:28:49 | |
-It's in good condition. -Yeah. -It's a nice, pattenated period piece. | 0:28:49 | 0:28:53 | |
I quite agree with you, Charles. That's lovely. | 0:28:53 | 0:28:55 | |
£80 was paid by Ivy for this. | 0:28:55 | 0:28:57 | |
-Ivy's been quite determined in her shopping. -Yes. | 0:28:57 | 0:29:00 | |
£80 paid. | 0:29:00 | 0:29:02 | |
Well, Tim, I think for a piece of metalware from a three-year reign, | 0:29:02 | 0:29:06 | |
it's not a lot, but my guide price is between 40 and £60. | 0:29:06 | 0:29:09 | |
-40 to £60. -Yes. -That will be very disappointing to Ivy. | 0:29:09 | 0:29:12 | |
I will deflect onto you, Charles, | 0:29:12 | 0:29:15 | |
any criticism she may have of the estimating process, | 0:29:15 | 0:29:19 | |
-if you don't mind. -That's fine, Tim! | 0:29:19 | 0:29:20 | |
Next up is the pokerwork box. Do you rate that? | 0:29:20 | 0:29:24 | |
Tim, I'm not sure what period it is. | 0:29:24 | 0:29:26 | |
To me, it looks almost 1930s, in an Art Nouveau style. | 0:29:26 | 0:29:30 | |
You might say this period. I'm not sure. | 0:29:30 | 0:29:33 | |
But it's a good cigar box, we like it. | 0:29:33 | 0:29:35 | |
-Good. -I could really see it racing away and making £30. | 0:29:35 | 0:29:38 | |
Ivy paid 35 for it, so you're going to have to have a fair old race on there. Yes? | 0:29:38 | 0:29:42 | |
Dear me. Yes, I will. | 0:29:42 | 0:29:44 | |
-Glenys pitched forward. She went very strongly with the sampler. -Yes. | 0:29:44 | 0:29:49 | |
-Which is not too bad, is it? -No, Tim. | 0:29:49 | 0:29:53 | |
I really feel samplers tell a story. | 0:29:53 | 0:29:55 | |
They tell a story of ladies of great leisure | 0:29:55 | 0:29:59 | |
who were educated in the 19th Century | 0:29:59 | 0:30:01 | |
to prepare and produce such wonderful masterpieces, | 0:30:01 | 0:30:05 | |
which are unique. | 0:30:05 | 0:30:06 | |
I really, really like it. So much, our guide price is between £50 and £80. | 0:30:06 | 0:30:11 | |
£100 paid by Glenys, I tell you. | 0:30:11 | 0:30:14 | |
-She's going to be coming at you too, Charles. -Yes. | 0:30:14 | 0:30:17 | |
-Put your flak jacket on. -I will. | 0:30:17 | 0:30:19 | |
-I will be selling quick. -On this basis, these girls are definitely going to need their bonus buys, | 0:30:19 | 0:30:24 | |
so let's go and have a look at it. | 0:30:24 | 0:30:26 | |
So, Glenys, Ivy, you spent up - that was lovely - you spent £215. | 0:30:26 | 0:30:30 | |
You gave £85 to Kate. Whatever did she buy? Kate, reveal all. | 0:30:30 | 0:30:34 | |
Well, before I reveal all, Ivy, I think it's fair to say | 0:30:34 | 0:30:38 | |
you had a pretty good innings fairly early on in the shop, didn't you? | 0:30:38 | 0:30:41 | |
-I did. -And we bought two things which you chose which you liked. -Yes. | 0:30:41 | 0:30:46 | |
And poor Glenys was left a little bit on the back foot. | 0:30:46 | 0:30:48 | |
-Quite. -So, in my bonus buy, | 0:30:48 | 0:30:52 | |
as well as trying to get you something that will make a profit, | 0:30:52 | 0:30:55 | |
I've evened up the score a little bit. | 0:30:55 | 0:30:58 | |
What did you say? | 0:30:58 | 0:31:00 | |
Glenys loved this jardiniere, didn't you, Glenys? | 0:31:00 | 0:31:03 | |
-And you thought it were hideous. -I do think it's hideous! | 0:31:03 | 0:31:07 | |
So, Glenys, you have your jardiniere, | 0:31:07 | 0:31:09 | |
and now we will really see whether it makes a profit or not... | 0:31:09 | 0:31:13 | |
-We will. -..whether you were right, as well as whether I was right. | 0:31:13 | 0:31:16 | |
And how much did you get it for, though? | 0:31:16 | 0:31:19 | |
Well, I twisted and twisted his arm, but it had to be £30. | 0:31:19 | 0:31:23 | |
-Well done. -How much do you think it will fetch? | 0:31:23 | 0:31:26 | |
£35... | 0:31:26 | 0:31:29 | |
-on a good day. -Brilliant! | 0:31:29 | 0:31:32 | |
I think it has a chance. I mean, it really is quite an eyeful, isn't it? | 0:31:32 | 0:31:37 | |
-Yes. -My only dissension from this item was actually the colour. | 0:31:37 | 0:31:42 | |
-And I love the colour. -You love the colour. Well, isn't that great? | 0:31:42 | 0:31:45 | |
It just shows how people's tastes can be poles apart. | 0:31:45 | 0:31:49 | |
That's what makes Bargain Hunt endlessly riveting, because we genuinely do not know | 0:31:49 | 0:31:54 | |
what's going to happen in the auction in five minutes' time. | 0:31:54 | 0:31:58 | |
-No. -But for the audience at home, let's find out what the auctioneer | 0:31:58 | 0:32:01 | |
thinks about Kate's seriously hideous jardiniere. | 0:32:01 | 0:32:05 | |
There we go, Charles. Pass the sick-bag. | 0:32:08 | 0:32:11 | |
-Gosh, Tim! -That's something else, isn't it? -Crikey me! | 0:32:11 | 0:32:14 | |
-I mean, what gave Victorian works of art a bad name, eh? -I'm mesmerised. | 0:32:14 | 0:32:18 | |
I think it will be bought by somebody with a unique taste. | 0:32:18 | 0:32:23 | |
-So do I. -It captures an age of fussy, Victorian, revived rococo. | 0:32:23 | 0:32:28 | |
But this is typical of you, Charles, because you can only see the best side of everything. | 0:32:28 | 0:32:33 | |
It has some artistic merit, Tim. | 0:32:33 | 0:32:34 | |
It does indeed. | 0:32:34 | 0:32:36 | |
It is absolutely hideous but it's rather wonderful in its hideousness. | 0:32:36 | 0:32:41 | |
It's an icon of the period. | 0:32:41 | 0:32:42 | |
The perennial question is, what's it worth? | 0:32:42 | 0:32:45 | |
Well, Tim, with the right pool of buyers, the right ambience, upbeat enthusiasm, £30. | 0:32:45 | 0:32:50 | |
Without it, it's a lot which could only make £5. | 0:32:50 | 0:32:53 | |
Well, I think Kate's great because she paid £30 for it. It's down to you, Charles. | 0:32:53 | 0:32:57 | |
-I can't wait. -Yeah, I can't wait either. | 0:32:57 | 0:32:59 | |
So what are you going to do with the upside of money from today's programme - if you make any? | 0:33:06 | 0:33:13 | |
-Well, I've got quite a big trip planned at the end of the year down to South America. -Right. | 0:33:13 | 0:33:17 | |
So all funding welcome for that one. | 0:33:17 | 0:33:19 | |
Yeah, you might get enough to pay for one or two gallons of gas. | 0:33:19 | 0:33:22 | |
-This is it. -What about you, Kate? | 0:33:22 | 0:33:25 | |
I'll just be grateful to eat tonight, I think, really. Yes. | 0:33:25 | 0:33:29 | |
First is the little bust, the Art Nouveau-style bust. | 0:33:29 | 0:33:32 | |
-Here it comes. -Lot number five. | 0:33:32 | 0:33:34 | |
Shoulder length bust of a lady. There she is. A wavy outline, | 0:33:34 | 0:33:38 | |
20th century, say buyer beware, we think of her as 20th century. | 0:33:38 | 0:33:44 | |
There she is. Very, very nice. Please, start me off. Do I see £25? | 0:33:44 | 0:33:49 | |
I look for £25. A very fine bust. | 0:33:49 | 0:33:51 | |
£25, I'm out. Do I see eight now? | 0:33:51 | 0:33:54 | |
Come on, 25. I look for eight. | 0:33:54 | 0:33:57 | |
It is bronze. It is quality. | 0:33:57 | 0:33:58 | |
-It's bronze. -25, I look for eight now. Come on, surely? | 0:33:58 | 0:34:02 | |
Make no mistake, | 0:34:02 | 0:34:04 | |
we are falling. At £25. | 0:34:04 | 0:34:08 | |
-Minus 45. -Oh, no. -Sorry, girls. | 0:34:08 | 0:34:10 | |
But look forward to the shaker. | 0:34:10 | 0:34:12 | |
-We didn't like the head. -You didn't, you didn't. I know. | 0:34:12 | 0:34:16 | |
-Here we go with the owl. -Oh, come on, owl. We like the owl. | 0:34:16 | 0:34:18 | |
Very, very nice. A great late-Victorian owl pepper pot | 0:34:18 | 0:34:22 | |
with a screw-head cover, beaded glass eyes. | 0:34:22 | 0:34:25 | |
A great novelty and what the market thrives on. | 0:34:25 | 0:34:28 | |
Do I see £40, please? 35, I'll take eight. | 0:34:28 | 0:34:32 | |
35, do I see eight now? | 0:34:32 | 0:34:33 | |
Eight and 40 and two. | 0:34:33 | 0:34:35 | |
And five and eight and 50 and two. | 0:34:35 | 0:34:39 | |
I've got 50. Do I see two now? | 0:34:39 | 0:34:41 | |
-50, I'll take two. Come on, surely. -We're in profit, guys. | 0:34:41 | 0:34:44 | |
-I'll take two. -We need more than that. -We really need this, Charles. | 0:34:44 | 0:34:47 | |
50, come on. We are selling at £50. The gavel's falling. | 0:34:47 | 0:34:52 | |
Yeah, well done. That is plus £10. | 0:34:52 | 0:34:55 | |
Plus £10, t-wit, t-woo. | 0:34:55 | 0:34:58 | |
Next is the Labrador. | 0:34:58 | 0:35:00 | |
There we are, a lovely WMF German, silver-plated retriever. | 0:35:00 | 0:35:04 | |
I'm bid 25, 28, 30. Do I see two now? | 0:35:04 | 0:35:09 | |
For 30, I'll take two. Five, eight. | 0:35:09 | 0:35:11 | |
I've got 40, and two. And I'm out. | 0:35:11 | 0:35:14 | |
There's a long way to go yet. But he's getting on with it. | 0:35:14 | 0:35:17 | |
42, where's five? Let's see five, surely. | 0:35:17 | 0:35:19 | |
At 45, 48, 50, two. | 0:35:19 | 0:35:24 | |
-We need to double. -Come on. -At 50, the lady. | 0:35:24 | 0:35:27 | |
I'll take two now, sir. You're out, the lady isn't. I'll take two. | 0:35:27 | 0:35:31 | |
"No," he says. At 50, fair warning. | 0:35:31 | 0:35:33 | |
two, five. | 0:35:33 | 0:35:35 | |
58, | 0:35:35 | 0:35:36 | |
-60. -Keep going, keep going! | 0:35:36 | 0:35:39 | |
62. Are you sure, sir? Shakes his head. Thank you very much. | 0:35:39 | 0:35:44 | |
We say sold at £60. | 0:35:44 | 0:35:46 | |
£60. Minus £40. I'm sorry about that. | 0:35:46 | 0:35:50 | |
I'm in big trouble. That was pathetic. | 0:35:50 | 0:35:53 | |
-Well, it's nothing like as bad as stopping at £27, I have to tell you. -True. | 0:35:53 | 0:35:58 | |
Frankly, let's not worry about it. | 0:35:58 | 0:36:00 | |
It's 85 less ten...is minus £75. | 0:36:00 | 0:36:05 | |
Is there any kind of response to... | 0:36:05 | 0:36:08 | |
-Shall we go with the teddy bear? -I think we've got to. -Yes. | 0:36:08 | 0:36:11 | |
-You're going to go with that? -Yes. | 0:36:11 | 0:36:13 | |
-We can't do any worse. -Well, you can. | 0:36:13 | 0:36:15 | |
It's £15. But you never know. | 0:36:15 | 0:36:18 | |
-You going to go with that? -Oh, yes. In for a penny in for a pound. | 0:36:18 | 0:36:21 | |
They're going with the bonus buy. | 0:36:21 | 0:36:22 | |
There we are, 181, it's a very nice, novelty interest. | 0:36:22 | 0:36:25 | |
It's a teddy-bear tape measure with extending tape measure tongue. | 0:36:25 | 0:36:29 | |
We had lots of e-mail inquiries but nothing further, unfortunately. | 0:36:29 | 0:36:33 | |
-Oh, no! -Anyway, that's life. I have got interest here, though, at £18. | 0:36:33 | 0:36:36 | |
22, five. | 0:36:36 | 0:36:39 | |
I've got eight and 30. I'm out. | 0:36:39 | 0:36:41 | |
30. I'll take two for a fine teddy. | 0:36:41 | 0:36:43 | |
-I'll take two. -Come on. -Come on. | 0:36:43 | 0:36:45 | |
30, I'll take two now. 30, where's two? | 0:36:45 | 0:36:48 | |
Look at me. 32, do I see 34 now? | 0:36:48 | 0:36:52 | |
£32 we sell at. I'll take four. | 0:36:52 | 0:36:56 | |
-You've doubled your money. -Fair warning. All done? | 0:36:56 | 0:36:58 | |
We are selling and standing at £32. | 0:36:58 | 0:37:00 | |
-To you, sir. -Well done. | 0:37:00 | 0:37:03 | |
-Well done. He's redeemed himself -Yes, definitely. | 0:37:03 | 0:37:06 | |
So that is plus £17, so that's a good result, I would say, on that teddy. | 0:37:08 | 0:37:12 | |
And we've all learned something with this ruddy thing, | 0:37:12 | 0:37:15 | |
I have to tell you. So 75 is 65, I make that minus 58. | 0:37:15 | 0:37:20 | |
-Is that right? Minus 58. -Oh, well. | 0:37:20 | 0:37:22 | |
Which, overall, could well be a winning score. | 0:37:22 | 0:37:25 | |
Ivy and Glenys, do you know how the Reds got on? | 0:37:41 | 0:37:43 | |
-No, no idea. -They never told you? -No. | 0:37:43 | 0:37:46 | |
First lot up is going to be the pewter Orion dish. | 0:37:46 | 0:37:48 | |
And here it comes. | 0:37:48 | 0:37:50 | |
Circa 1905. Where do we start? | 0:37:50 | 0:37:53 | |
I am only bid £25. | 0:37:53 | 0:37:56 | |
-Come on. -Do I see eight now? | 0:37:56 | 0:37:59 | |
30 and two, five and eight. | 0:37:59 | 0:38:01 | |
I've got £35. Do I see eight now? | 0:38:01 | 0:38:06 | |
-Come on. -Come on, come on, | 0:38:06 | 0:38:08 | |
-come on! -Do I see eight? | 0:38:08 | 0:38:10 | |
At £35, surely one more? Fair warning, all done. I'll take eight. | 0:38:10 | 0:38:14 | |
All done at £35. | 0:38:14 | 0:38:16 | |
All done. We say sale. | 0:38:16 | 0:38:19 | |
£35, that's minus 45. | 0:38:19 | 0:38:23 | |
Early 20th century with a portrait of a lady in profile. | 0:38:23 | 0:38:28 | |
Lots of interest here. I will start at £15. | 0:38:28 | 0:38:31 | |
Do I see 18? I've got a way to go, though. | 0:38:31 | 0:38:33 | |
£15, got 18, 20, and two, | 0:38:33 | 0:38:36 | |
-five, eight, 30, and two, do I see five now? -Come on! | 0:38:36 | 0:38:41 | |
£32, do I see five? £32, surely five, come on. | 0:38:41 | 0:38:45 | |
-Nearly there, nearly there. -£32, I'll take five now. | 0:38:45 | 0:38:48 | |
At £32, gone. | 0:38:48 | 0:38:51 | |
Bad luck, Ivy. That's just minus £3. | 0:38:51 | 0:38:54 | |
-It's not bad, Ivy. -No. -Don't worry. | 0:38:54 | 0:38:57 | |
There we are. We do like these because they tell a story. | 0:38:57 | 0:39:00 | |
Mid-Victorian needlework, ever so nice. I will start at £50. | 0:39:00 | 0:39:05 | |
-Yes. -258. | 0:39:05 | 0:39:07 | |
I've got 60 and two. I'm out. | 0:39:07 | 0:39:09 | |
Do I see five now? | 0:39:09 | 0:39:12 | |
I look for 65. Come on, surely. | 0:39:12 | 0:39:14 | |
Five and 70, five, 80, five. | 0:39:14 | 0:39:16 | |
-Come on, come on! -90. | 0:39:16 | 0:39:18 | |
It's a good one. Are you sure, sir? One more. 85, do I see 90? Come-on. | 0:39:18 | 0:39:22 | |
Go on! Go on! | 0:39:22 | 0:39:24 | |
£85, I look for 90. We say sale. | 0:39:24 | 0:39:28 | |
-The lady. -Bad luck, Glenys. | 0:39:28 | 0:39:30 | |
That is £15 off on that. We're minus 63. | 0:39:30 | 0:39:34 | |
What are you going to do about | 0:39:34 | 0:39:36 | |
-the jardiniere? -What do we think? -Yes? | 0:39:36 | 0:39:38 | |
-Going with it? -Glenys wants to, so I'll agree. | 0:39:38 | 0:39:41 | |
-Yes? You're going with it? -Yes. -Here it comes. | 0:39:41 | 0:39:43 | |
Number 202. You might like it. | 0:39:43 | 0:39:46 | |
-You do like it. -You might not. | 0:39:46 | 0:39:48 | |
I quite like it. | 0:39:48 | 0:39:51 | |
Victorian-style, green and gilt porcelain jardiniere. | 0:39:51 | 0:39:54 | |
It could almost melt in your hands. In a rococo style... | 0:39:54 | 0:39:58 | |
-It's attracting attention. -It's beautiful. | 0:39:58 | 0:40:01 | |
So I will start at £20, I'm bid. | 0:40:01 | 0:40:05 | |
Two, five, eight, 30, and two, | 0:40:05 | 0:40:09 | |
five, eight. | 0:40:09 | 0:40:11 | |
I've got 40 and two. | 0:40:11 | 0:40:14 | |
And I'm out. At £42, I'm bid. | 0:40:14 | 0:40:18 | |
-Five, 48... -Come on, 50. | 0:40:18 | 0:40:21 | |
50, two. | 0:40:21 | 0:40:23 | |
No, the lady here at £50, second row. | 0:40:23 | 0:40:25 | |
Do I see two now? | 0:40:25 | 0:40:28 | |
Come on. 50 I'll take. | 0:40:28 | 0:40:30 | |
It really is a delight to sell these jardinieres. 50, I'll take two. | 0:40:30 | 0:40:35 | |
I'll take two now, surely. | 0:40:35 | 0:40:37 | |
At £50, the lady. Yours. | 0:40:37 | 0:40:40 | |
Well done, Glenys. Well done. | 0:40:40 | 0:40:42 | |
£50. That is plus 20. | 0:40:42 | 0:40:43 | |
-Isn't that phenomenal? -Come on! Come on! | 0:40:43 | 0:40:46 | |
That is perfect, plus £20. And people were so sniffy about that. | 0:40:46 | 0:40:50 | |
Anyway, overall minus 43. | 0:40:50 | 0:40:53 | |
That might be a winning score. | 0:40:53 | 0:40:55 | |
All will be revealed in a moment. | 0:40:55 | 0:40:57 | |
Well, what fun! We have had serious and superior losses on Bargain Hunt today, from both teams. | 0:41:05 | 0:41:12 | |
I mean, we have had what they call "schtonking" losses. | 0:41:12 | 0:41:16 | |
It's just a question of the scale of loss. Have you been chatting? | 0:41:16 | 0:41:19 | |
-No. -You haven't, no. Well, it's been great fun, I have to tell you. | 0:41:19 | 0:41:23 | |
Now the team that marginally managed to score slightly more losses are... | 0:41:23 | 0:41:30 | |
-the Reds, actually. -Oh, no! | 0:41:30 | 0:41:32 | |
The only thing is that, when you turn to the Reds, there is a bit of a smell about. | 0:41:32 | 0:41:37 | |
I don't know whether, Kate, you're responsible for something, are you? | 0:41:37 | 0:41:41 | |
It is me that's responsible because I have | 0:41:41 | 0:41:43 | |
brought you a piece of cheese from our local dairy. | 0:41:43 | 0:41:46 | |
And how long has this piece of cheese been knocking around for? | 0:41:46 | 0:41:50 | |
-It has been humming around all day. -Humming around. | 0:41:50 | 0:41:52 | |
Well, if you don't mind my saying so, I think it could have been humming around for some weeks. | 0:41:52 | 0:41:57 | |
I read on the internet that you are partial to a bit of cheese. | 0:41:57 | 0:42:00 | |
Most of my television appearances involve cheese. | 0:42:00 | 0:42:03 | |
No, seriously, thank you very much. | 0:42:03 | 0:42:06 | |
Minus £58 you managed to score, which is really my job now. | 0:42:06 | 0:42:09 | |
Minus 58. It's not too bad, is it? No. | 0:42:09 | 0:42:13 | |
You come away from this stinking almost as much as the cheese that's been presented to me. | 0:42:13 | 0:42:18 | |
Thank you very much, Kate. I'll enjoy eating that in the car going south. | 0:42:18 | 0:42:22 | |
Now, you two, the victors who won today by only managing to lose £43. | 0:42:22 | 0:42:27 | |
-Yes. -It's pretty good, isn't it? | 0:42:27 | 0:42:29 | |
-It is. -Not bad, Ivy. Are you pleased with that? -Yes, I am. | 0:42:29 | 0:42:31 | |
You got a minus score on absolutely everything all the way through, with the exception | 0:42:31 | 0:42:36 | |
of Kate's brilliant profit of £20 on her bonus buy, which was with that meringue-encrusted jardiniere. | 0:42:36 | 0:42:43 | |
And Glenys's choice. | 0:42:43 | 0:42:45 | |
-Absolutely right. -Yes. | 0:42:45 | 0:42:47 | |
We have had a wonderful show today. | 0:42:47 | 0:42:48 | |
-Thank you very much for joining us, and indeed, join us soon for some more bargain hunting. Yes? -Yes! | 0:42:48 | 0:42:54 | |
Subtitles by Red Bee Media Ltd | 0:43:11 | 0:43:14 | |
E-mail [email protected] | 0:43:14 | 0:43:17 |