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Shopping against the clock for bargains is always a challenge. | 0:00:02 | 0:00:07 | |
Is it that time already? | 0:00:07 | 0:00:09 | |
Let's go bargain hunting. | 0:00:09 | 0:00:11 | |
Bargain Hunt is in Lincoln, | 0:00:36 | 0:00:38 | |
where dealers from all over Europe are hawking their wares. | 0:00:38 | 0:00:43 | |
Here's what to expect. | 0:00:43 | 0:00:45 | |
'Our teams are like chalk and cheese. | 0:00:45 | 0:00:48 | |
'Frank and Ella - decisive...' | 0:00:48 | 0:00:51 | |
-We're going for it. -We're going for it. | 0:00:51 | 0:00:54 | |
'..but I can't say the same about Tim and Beth.' | 0:00:54 | 0:00:57 | |
-Yeah. -Are you happy with it? -No. | 0:00:57 | 0:01:00 | |
-You don't want to do it? -We've got to do it. -We don't want to do it. | 0:01:00 | 0:01:05 | |
All that is yet to come. | 0:01:07 | 0:01:09 | |
Each team gets £300 and an hour to shop for three items. | 0:01:09 | 0:01:14 | |
The team that makes the most at auction wins. Amazingly simple. | 0:01:14 | 0:01:18 | |
So let's go and meet today's amazing teams. | 0:01:18 | 0:01:22 | |
So, competing on Bargain Hunt today we have two couples. | 0:01:23 | 0:01:28 | |
For the reds, Ella and Frank. Welcome. | 0:01:28 | 0:01:31 | |
And for the blues, Beth and Tim. Great name, Tim! | 0:01:31 | 0:01:35 | |
-Tell me, how long have you been together? -46 years. | 0:01:35 | 0:01:39 | |
-Does it seem a day too long? -Seems too long. | 0:01:39 | 0:01:43 | |
-How did you meet? -We met in Hong Kong. | 0:01:43 | 0:01:46 | |
-What were you doing in Hong Kong? -We were in the forces. | 0:01:46 | 0:01:49 | |
-What was your role? -I was looking after mail in the army post office. | 0:01:49 | 0:01:54 | |
-And you got your number one "male"? -Everybody got their mail on time! | 0:01:54 | 0:02:01 | |
So, in the telephone exchange, did you have any interesting calls? | 0:02:01 | 0:02:06 | |
-I had one from the Duchess of Kent. -Did you listen in? | 0:02:06 | 0:02:10 | |
No, I didn't listen in. | 0:02:10 | 0:02:12 | |
I thought I must listen to her voice again, so I rang her back. | 0:02:12 | 0:02:18 | |
"Did you get through to your husband all right, ma'am?" "Yes, I did!" | 0:02:18 | 0:02:23 | |
-Frank, you're retired? -I am. -Tell us about your life in the army. | 0:02:23 | 0:02:27 | |
Joined as a boy soldier, 16 and a half, and served 25 years in the Royal Engineers. | 0:02:27 | 0:02:33 | |
-Tell me about your propeller. -You've heard? -I've been prepped! | 0:02:33 | 0:02:38 | |
I've got a World War I propeller, a four-prop, | 0:02:38 | 0:02:43 | |
eight-foot span from a Hispano aeroplane made in 1914. | 0:02:43 | 0:02:48 | |
I'm the proud owner of one of these. | 0:02:48 | 0:02:51 | |
Where do you display an eight-foot propeller? | 0:02:51 | 0:02:55 | |
I had an extension built. | 0:02:55 | 0:02:58 | |
It's the only place it could fit. | 0:02:58 | 0:03:01 | |
We hope you do extraordinarily well. Now, kids... | 0:03:01 | 0:03:04 | |
You've heard the old masters. | 0:03:04 | 0:03:07 | |
-You're just about to get spliced? -Yes. | 0:03:07 | 0:03:11 | |
We've got an example of what 47 years worth of married life will do for you. | 0:03:11 | 0:03:17 | |
So we wish you all the best. What do you do for a living? | 0:03:17 | 0:03:21 | |
I'm a student at Nottingham University, studying business management. | 0:03:21 | 0:03:26 | |
Sounds just like University Challenge. | 0:03:26 | 0:03:29 | |
When you're not studying, what do you get up to? | 0:03:29 | 0:03:33 | |
I'm into music. I sing in a heavy metal band. I'm a singer-screamer. | 0:03:33 | 0:03:38 | |
And Tim is one of the guitarists in the heavy metal band. | 0:03:38 | 0:03:42 | |
-Is that how you met? -Yes, it is how we met. | 0:03:42 | 0:03:45 | |
I absolutely hated Tim the first minute I met him. | 0:03:45 | 0:03:50 | |
A couple of months later, my friend asked me to be in his heavy metal band. | 0:03:50 | 0:03:57 | |
I turned up at practice. Tim opened the door and a year later, we're engaged. | 0:03:57 | 0:04:03 | |
-You thought he was a complete swine. -Absolutely. | 0:04:03 | 0:04:07 | |
-Things turned. -Turned out to be a prince. | 0:04:07 | 0:04:10 | |
-LAUGHING: -How lovely is that? | 0:04:10 | 0:04:12 | |
-Tim, what do you do? -I work with a Christian mission organisation called the Navigators. | 0:04:12 | 0:04:19 | |
A worldwide organisation based in Nottingham, working with students | 0:04:19 | 0:04:23 | |
having meaningful conversations about what they believe in. | 0:04:23 | 0:04:28 | |
-What about hobbies? -Like Beth's mentioned, we're in a band. | 0:04:28 | 0:04:32 | |
That takes up a lot of my time. | 0:04:32 | 0:04:34 | |
-What plans have you got? -We'll stay in Nottingham for a few years. | 0:04:34 | 0:04:39 | |
Ambitions-wise, we're looking to go to Fiji and be missionaries. | 0:04:39 | 0:04:43 | |
-On the beach with coconuts! -Really? How lovely is that? | 0:04:43 | 0:04:48 | |
-Are you confident about beating the reds? -Our tactic is conservative. | 0:04:48 | 0:04:53 | |
-Spend less money, make less of a loss. -That's your strategy, is it? | 0:04:53 | 0:04:58 | |
We'll see how you get on, but now it's the money moment. £300 apiece. | 0:04:58 | 0:05:04 | |
You know the rules. Your experts await. | 0:05:04 | 0:05:07 | |
Off you go and very, very good luck. | 0:05:07 | 0:05:09 | |
'Time to meet our experts. | 0:05:12 | 0:05:13 | |
'Looking after the reds... | 0:05:13 | 0:05:17 | |
'The blues are under the safe supervision of...' | 0:05:18 | 0:05:21 | |
I'm looking for something Art Deco. I like those and I like Vesta cases. | 0:05:21 | 0:05:27 | |
Not expensive. On the cheaper side, so more money for our bonus buy. | 0:05:27 | 0:05:32 | |
-Frank, what about you? -I like Crown Derby. | 0:05:32 | 0:05:35 | |
-It would be interesting to find a piece to sell in Derby. -Bang-on. | 0:05:35 | 0:05:41 | |
Are you in agreement? | 0:05:41 | 0:05:43 | |
I'm trying to be realistic. I think we'll make a loss. | 0:05:43 | 0:05:47 | |
-So negative! -I still want to win! | 0:05:47 | 0:05:50 | |
Three, two, one... One hour starts now. | 0:05:50 | 0:05:53 | |
We'd better get started. Let's cheer him up. | 0:05:53 | 0:05:56 | |
-You like the decoration? -How about that one? | 0:05:59 | 0:06:03 | |
-A mock Vesta? -Open it from the side and you'll see. -Oh, I say! | 0:06:03 | 0:06:08 | |
-That's very sweet. -< That's not my mother and father. | 0:06:10 | 0:06:15 | |
It's very Victorian, but it could be later. | 0:06:15 | 0:06:20 | |
That design is incredibly Victorian but you find them made in the 1930s, | 0:06:20 | 0:06:25 | |
even in the 1940s, in the Victorian style | 0:06:25 | 0:06:28 | |
for older people whose taste was still Victorian. What date is that? | 0:06:28 | 0:06:33 | |
I can only say "vintage" cos I haven't got a date on it. | 0:06:33 | 0:06:37 | |
-It is silver. I think it could even be, er... -Continental. -Yes. | 0:06:37 | 0:06:42 | |
It's continental but it was imported into this country and stamped 925. | 0:06:42 | 0:06:47 | |
925 being the Sterling silver stamp. so it's a British grade of silver. | 0:06:47 | 0:06:52 | |
-How much is that? -< 38. | 0:06:52 | 0:06:55 | |
< £10 off that. | 0:06:55 | 0:06:58 | |
-Do it 25 and we'll have it. -Can we make the difference at 28? | 0:06:58 | 0:07:02 | |
-Over to you. -You're buying it. That's fine. -You liked it, Ella. | 0:07:02 | 0:07:07 | |
-Do you think it'll make a profit? -I don't see why it shouldn't. | 0:07:07 | 0:07:11 | |
-We'll accept that. -That's lovely. I would buy that myself. | 0:07:11 | 0:07:15 | |
-Little spoons? -Yes, maybe. I don't know if they would be useable. | 0:07:20 | 0:07:24 | |
I think they're nice. They're coffee spoons and they are silver. | 0:07:24 | 0:07:29 | |
They've got the hallmark there. | 0:07:29 | 0:07:32 | |
The finials are simulated and made to look like coffee beans. | 0:07:32 | 0:07:37 | |
People do buy them. Some still use nice silver. | 0:07:37 | 0:07:41 | |
They also make good presents. £28. I don't think that's bad for six. | 0:07:41 | 0:07:47 | |
-Do you think they would sell? -Yes. It's just a question of how much. | 0:07:47 | 0:07:52 | |
-What could you do on those, please? -25 would be the best on those. -OK. | 0:07:52 | 0:07:57 | |
I don't think we would get 25 in an auction room. | 0:07:57 | 0:08:01 | |
We could come back later, depending on what else we see. | 0:08:01 | 0:08:05 | |
-Keep them up there. -Yeah. -Good plan. | 0:08:05 | 0:08:08 | |
'Fair enough, but I hope no-one snaps them up while you're away.' | 0:08:08 | 0:08:13 | |
You do come across some unusual objects in these fairs. | 0:08:13 | 0:08:18 | |
What do you think this dirty great joker is? | 0:08:18 | 0:08:22 | |
If I let this end down and try not to trip up too many people... | 0:08:22 | 0:08:27 | |
Sorry, sir. | 0:08:27 | 0:08:29 | |
..we get to reveal this distant end. | 0:08:29 | 0:08:32 | |
We've got a galvanised ring and a brass ferrule | 0:08:32 | 0:08:36 | |
that connects up to an ash shaft. | 0:08:36 | 0:08:39 | |
If you're a coarse angler... And you've got to think piscatorial. | 0:08:39 | 0:08:44 | |
..what you'd like to do is to insert your line into this galvanised ring | 0:08:44 | 0:08:49 | |
and then this tremendous pole will enable you | 0:08:49 | 0:08:53 | |
to take your line, if you're a coarse fisherman, | 0:08:53 | 0:08:57 | |
out over a canal or a river or a lake and get the lure | 0:08:57 | 0:09:02 | |
that much further out over the water. | 0:09:02 | 0:09:05 | |
It's a kind of fisherman's extension pole. Look how clever this is. | 0:09:05 | 0:09:11 | |
We've got brass sections and an iron screw-up ring. | 0:09:11 | 0:09:16 | |
If I unscrew it, you can see how that ring fits into the groove. | 0:09:16 | 0:09:21 | |
Then you can take it apart. | 0:09:21 | 0:09:23 | |
It's socketed in such a way that all four pieces fit beautifully | 0:09:23 | 0:09:29 | |
and securely cos what you'd not want | 0:09:29 | 0:09:32 | |
is for this thing to fall apart when you've got it over the river. | 0:09:32 | 0:09:36 | |
It's a really interesting piece of fishing kit. | 0:09:36 | 0:09:40 | |
What's it worth? | 0:09:40 | 0:09:42 | |
Sadly, this is not stamped by the great maker of fishing tackle, Hardy. | 0:09:42 | 0:09:48 | |
Because it isn't marked by the maker, the dealer is asking £60. | 0:09:48 | 0:09:53 | |
But if it had the magical "Hardy's of Alnwick" on it, | 0:09:53 | 0:09:58 | |
it would be worth the top end of 200. | 0:09:58 | 0:10:02 | |
A little egg cruet, but it's silver plate rather than silver. | 0:10:04 | 0:10:09 | |
Silver plate won't sell as well in a saleroom. | 0:10:09 | 0:10:12 | |
-There's a market for this, especially from America. -Yeah? | 0:10:12 | 0:10:16 | |
-I heard the other day, on one of your programmes. -No?! | 0:10:16 | 0:10:20 | |
-I wouldn't believe a word. -This is selling well in America. | 0:10:20 | 0:10:25 | |
-What do you think of this, Kate? -Well, it's a shame about the damage. | 0:10:25 | 0:10:31 | |
-Kate, what do you think of this? -A little sugar hod or a salt. | 0:10:31 | 0:10:35 | |
Again, it's silver plate. | 0:10:35 | 0:10:37 | |
-It's not going to make a great deal. -It's so weird! | 0:10:37 | 0:10:41 | |
'Don't take it personally, Beth.' | 0:10:41 | 0:10:44 | |
-That's nice. -A scent bottle, is it? | 0:10:48 | 0:10:51 | |
-Nice shape. -Scent bottles always go down well. | 0:10:51 | 0:10:55 | |
They do, but it's difficult to date. Are you confident it's '30s? | 0:10:55 | 0:10:59 | |
I know it's before '50s because I know the house myself. | 0:10:59 | 0:11:04 | |
-I remember it as a boy. Giving my age away! -That's a good provenance. | 0:11:04 | 0:11:09 | |
What's the trade on that? | 0:11:09 | 0:11:12 | |
I mean, it's speculative, isn't it? | 0:11:12 | 0:11:15 | |
It is. Everybody's so critical, they'll say, "How old is it?" | 0:11:15 | 0:11:19 | |
The gilding is hardly rubbed. | 0:11:19 | 0:11:21 | |
It's crystal with gold gild. | 0:11:21 | 0:11:23 | |
It's probably gold leaf. At least gold paper. It could be gold leaf. | 0:11:23 | 0:11:28 | |
What about £25, then? | 0:11:28 | 0:11:30 | |
20 would be great. I'm just saying. | 0:11:30 | 0:11:32 | |
-Can you do 20? -Yeah. Go on, then. | 0:11:32 | 0:11:35 | |
-It can be 20. -OK. | 0:11:35 | 0:11:38 | |
You are a gentleman. Thank you very much. | 0:11:38 | 0:11:41 | |
We've had 34 and a half minutes. | 0:11:43 | 0:11:46 | |
-Just over half. -All right, let's find something. | 0:11:46 | 0:11:50 | |
But don't panic. We're going to find something. | 0:11:50 | 0:11:53 | |
'The red team have made two purchases | 0:11:55 | 0:11:58 | |
'but the blues have bought nothing. | 0:11:58 | 0:12:02 | |
'Tim and Beth are heading back for the coffee spoons.' | 0:12:02 | 0:12:06 | |
I don't even remember where they were. | 0:12:06 | 0:12:09 | |
-Are they in one of these? -I think they're back here, guys. | 0:12:09 | 0:12:13 | |
Can you see them? No, I've sold them. > | 0:12:13 | 0:12:17 | |
-Sorry, guys. -They've gone. | 0:12:17 | 0:12:20 | |
-We'd better crack on, then. -Gutted. | 0:12:20 | 0:12:23 | |
There's always another one. | 0:12:23 | 0:12:25 | |
Oh, well. That's fine. | 0:12:25 | 0:12:27 | |
'Oh, dear. Things aren't going too well. | 0:12:28 | 0:12:32 | |
'You need some help - and I know just the man.' | 0:12:32 | 0:12:36 | |
Have that. I want you just to handle this. | 0:12:36 | 0:12:39 | |
Come here and have a look at these. | 0:12:39 | 0:12:42 | |
I'll ask Kate what she thinks. | 0:12:42 | 0:12:45 | |
They look miserable on the outside. | 0:12:45 | 0:12:48 | |
This stuff is Satsuma, Japanese earthenware. | 0:12:48 | 0:12:52 | |
It's made about 1910 and what I really like is that. | 0:12:52 | 0:12:56 | |
That gold and iron-red mark, that's the Satsuma decorator's mark. | 0:12:56 | 0:13:02 | |
That is a signed piece. | 0:13:02 | 0:13:04 | |
It's priced up at £8. She might let you have it for a fiver. | 0:13:04 | 0:13:09 | |
There's a signed piece. It's priced up at £18. | 0:13:09 | 0:13:13 | |
I've got a feeling in my waterworks. | 0:13:13 | 0:13:15 | |
You should have a cogitate, otherwise I get the wallet out. | 0:13:15 | 0:13:19 | |
I know I shouldn't do this but you haven't bought anything! | 0:13:19 | 0:13:24 | |
You're over halfway through and you come in from the freezing cold. | 0:13:24 | 0:13:29 | |
-I think it's a Christian act. -Absolutely. | 0:13:29 | 0:13:32 | |
-Just to even mention it. Anyway, I'm off. -Thank you very much. | 0:13:32 | 0:13:37 | |
'At last! They took the plunge and bought the Satsuma ware for £20. | 0:13:37 | 0:13:42 | |
'But the clock's ticking and they still need two more bargains.' | 0:13:42 | 0:13:46 | |
-The lady says Liberty. -Liberty. I say. | 0:13:46 | 0:13:49 | |
It's very Art Nouveau. It's pewter. | 0:13:49 | 0:13:52 | |
1900, maybe 1910 in date. | 0:13:52 | 0:13:55 | |
Prior to the First World War. | 0:13:55 | 0:13:57 | |
There you go, Tudric, the Liberty design sold through Liberty's. | 0:13:57 | 0:14:02 | |
That was their "brand". | 0:14:02 | 0:14:04 | |
That is lovely. The 19th hole. | 0:14:04 | 0:14:08 | |
I've just realised, there's only 18 holes in golf. | 0:14:08 | 0:14:12 | |
-You do know what the 19th hole is? -There's me, a golfer! | 0:14:12 | 0:14:16 | |
That's got a golfing feel. You've got Liberty's, Tudric. | 0:14:16 | 0:14:20 | |
-And you've got a bit of humour. -Yes. | 0:14:20 | 0:14:23 | |
A lovely ancient golfer from the early 20th century. | 0:14:23 | 0:14:28 | |
-Do you think only golfers will buy this? -No. | 0:14:28 | 0:14:31 | |
You'll appeal to the golfer, | 0:14:31 | 0:14:33 | |
to people who collect Liberty's Tudric range. | 0:14:33 | 0:14:37 | |
You'll appeal to Art Nouveau collectors. | 0:14:37 | 0:14:40 | |
-Absolute best price? -70. | 0:14:40 | 0:14:42 | |
That's what the lady wants. The absolute death. | 0:14:42 | 0:14:45 | |
-I think we've got to have it. -Rather than your Crown Derby? -Yes. | 0:14:45 | 0:14:50 | |
-You agree with that? -Yeah. I like it. | 0:14:50 | 0:14:53 | |
'Wow! The reds have bagged their three items. The blues have some serious catching-up to do.' | 0:14:54 | 0:15:01 | |
-Is it a nut-cracker? -I don't think that's what it was made for. | 0:15:01 | 0:15:06 | |
I think it's a sewing clamp. | 0:15:06 | 0:15:09 | |
This would be used to clamp your piece of material. | 0:15:09 | 0:15:13 | |
Rather than a nutcracker? | 0:15:13 | 0:15:16 | |
It's quite a delicate thing to crack nuts with. | 0:15:16 | 0:15:20 | |
It's treen, turned wood. I think it's boxwood. | 0:15:20 | 0:15:23 | |
Then we've got a transfer print | 0:15:23 | 0:15:25 | |
titled "The Tower of London from Tower Hill". | 0:15:25 | 0:15:31 | |
This is known as Mauchline ware, which is souvenir ware. | 0:15:31 | 0:15:36 | |
It started off up in Mauchline in Scotland. | 0:15:36 | 0:15:40 | |
You see all sorts of turned treen objects - | 0:15:40 | 0:15:43 | |
little boxes, often sewing-related items. | 0:15:43 | 0:15:48 | |
Is it something you'd be interested in? | 0:15:48 | 0:15:52 | |
-You can make the call. -Don't put the pressure on me. | 0:15:52 | 0:15:56 | |
-UNSURE: Yeah. -You're the expert. What do you reckon? | 0:15:56 | 0:16:01 | |
-What can you do, madam, on that? -20. | 0:16:01 | 0:16:04 | |
-20 sounds good. -I think that sounds good. Are you happy? -Go for it. | 0:16:04 | 0:16:08 | |
We'll take that as well, please. Once we get going, we can't stop! Thank you very much. | 0:16:08 | 0:16:15 | |
'Minutes to go, Tim and Beth need one more item. Come on, blues! Chop, chop!' | 0:16:15 | 0:16:22 | |
-Are you dog lovers? -Not a fan of dogs but Beth likes them. -OK. | 0:16:24 | 0:16:30 | |
Take a look at this, guys. | 0:16:30 | 0:16:32 | |
What do you think of that? | 0:16:32 | 0:16:35 | |
It's not something I would buy, but for the right dog lover. | 0:16:35 | 0:16:39 | |
Let me tell you what it is. | 0:16:39 | 0:16:41 | |
This is hand-painted. I think it's an Alsatian dog. | 0:16:41 | 0:16:46 | |
Not only is it hand-painted on this porcelain tile, it's also signed. | 0:16:46 | 0:16:50 | |
Now, Bryan Cox was a decorator at the Worcester porcelain factory. | 0:16:50 | 0:16:56 | |
He's a well-known Worcester artist. | 0:16:56 | 0:16:59 | |
So people who collect Worcester may go for something like this, | 0:16:59 | 0:17:04 | |
as well as people who love dogs because even if you don't like dogs | 0:17:04 | 0:17:08 | |
it is a nicely painted object. | 0:17:08 | 0:17:11 | |
The stall holder says we can have it for £80. | 0:17:11 | 0:17:15 | |
-What would you be looking at it fetching at auction? -Between 70 and 100. | 0:17:15 | 0:17:21 | |
I like the sound of that. | 0:17:21 | 0:17:23 | |
If the right people were there, or we'll be hard pushed to get £60. | 0:17:23 | 0:17:28 | |
-I'll put my trust in you, Kate. -Ooh, dear. | 0:17:28 | 0:17:32 | |
I don't think you'll get too short of £80. | 0:17:32 | 0:17:36 | |
-BOTH: OK. -She says... | 0:17:36 | 0:17:38 | |
Right, that's it. Time's up. | 0:17:41 | 0:17:44 | |
It's up to the experts to spend the leftover lolly on the bonus buy item | 0:17:44 | 0:17:49 | |
which will be revealed at auction. | 0:17:49 | 0:17:51 | |
If the teams select it, it can make the difference between winning and losing. | 0:17:51 | 0:17:57 | |
Before the bonus buy handover, let's check out what the reds bought. | 0:17:57 | 0:18:03 | |
'The reds started well with this silver travelling picture frame. | 0:18:04 | 0:18:09 | |
'A 1930s scent bottle was picked up. | 0:18:10 | 0:18:14 | |
'And, finally, Emma and Frank bought a Tudric tankard.' | 0:18:16 | 0:18:21 | |
-You're pretty relaxed, you Speedy Gonzalez two. -Yeah. | 0:18:23 | 0:18:27 | |
-Are you happy? -Very happy. -30 minutes to spare, I'm told. | 0:18:27 | 0:18:31 | |
I didn't realise. | 0:18:31 | 0:18:33 | |
Which is your favourite piece, Frank? | 0:18:33 | 0:18:36 | |
-Without a shadow of a doubt the pewter mug. -Do you agree? | 0:18:36 | 0:18:41 | |
No, I like my little Vesta thing I bought. A little Vesta... | 0:18:41 | 0:18:46 | |
-Vesta... -Case. -Case, even. -With photographs in it. | 0:18:46 | 0:18:50 | |
-Oh, is it? Not dirty photographs? -No, no. | 0:18:50 | 0:18:53 | |
Right. Pity. Now, um... | 0:18:53 | 0:18:56 | |
-How much did you spend? -£118. -£118. | 0:18:56 | 0:18:58 | |
-I want £182 off you. -Do you want it now? | 0:18:58 | 0:19:02 | |
I'll take it from you now. | 0:19:02 | 0:19:05 | |
You've got £182 and a pavilion full of stuff and very good luck. | 0:19:05 | 0:19:10 | |
Meanwhile, why don't we remind ourselves what the blues bought? | 0:19:10 | 0:19:14 | |
'I rather like the collection of Satsuma ware. | 0:19:14 | 0:19:17 | |
'They spent the same amount on this Mauchline ware sewing clamp. | 0:19:20 | 0:19:25 | |
'And finally, they spent £80 | 0:19:25 | 0:19:28 | |
'on this hand-painted porcelain plaque. Woof. | 0:19:28 | 0:19:32 | |
-How fab was that? -Brilliant. | 0:19:32 | 0:19:35 | |
Five minutes to spare! | 0:19:35 | 0:19:38 | |
-Did you have fun, Timbo? -Absolutely. Yeah. -What was your favourite bit? | 0:19:38 | 0:19:43 | |
My favourite piece, I think, was the jasmine... the teapots. | 0:19:43 | 0:19:48 | |
-The two teapots that we managed to find. -MY tea set! -Yes. | 0:19:48 | 0:19:53 | |
-Very good luck with that. How much did you spend? -120 altogether. | 0:19:53 | 0:19:58 | |
-So have got £180 of leftover lolly? -We do, indeed. -Who's got it? | 0:19:58 | 0:20:02 | |
You've got £180? Very good. Hand that straight over. | 0:20:02 | 0:20:07 | |
-Look at that! Crisp notes! -£180. Well done. | 0:20:07 | 0:20:10 | |
-You've got your boots on. -I have. I'm not taking any chances! | 0:20:10 | 0:20:16 | |
-Have fun! -So, while the experts are off finding their bonus buy, | 0:20:16 | 0:20:20 | |
I'm off on a Jacobean jaunt. | 0:20:20 | 0:20:23 | |
'Hatfield House in Hertfordshire- | 0:20:26 | 0:20:28 | |
'where hurricanes hardly happen - has an impressive history. | 0:20:28 | 0:20:33 | |
'It was built in the 17th century by Robert Cecil, | 0:20:33 | 0:20:36 | |
'the first Earl of Salisbury. | 0:20:36 | 0:20:39 | |
'It was designed to entertain great figures of politics and royalty.' | 0:20:39 | 0:20:45 | |
This is the grand kitchen which, of course, is the engine room of the whole place. | 0:20:45 | 0:20:52 | |
An army does not march on an empty stomach. | 0:20:52 | 0:20:55 | |
Cooking for a function here for the top end of 500 people | 0:20:55 | 0:21:00 | |
would require considerable equipment and commitment. | 0:21:00 | 0:21:04 | |
This fire grate dates from before about 1800, | 0:21:04 | 0:21:07 | |
because the hearth is entirely open. | 0:21:07 | 0:21:10 | |
Effectively, you can't bake anything in this fire. | 0:21:10 | 0:21:14 | |
It's entirely set up for roasting. | 0:21:14 | 0:21:17 | |
The most important piece of kit is the spit work. | 0:21:17 | 0:21:21 | |
What we've got up here is a fan inserted up this flue. | 0:21:21 | 0:21:25 | |
The hot air rises. It turns the fan, which turns the iron bar, | 0:21:25 | 0:21:31 | |
which turns the cog, which turns the wheel, | 0:21:31 | 0:21:34 | |
which turns the spit, | 0:21:34 | 0:21:37 | |
which turns the beast impaled on these prongs. | 0:21:37 | 0:21:41 | |
So how did you do your baking? You come to these subsidiary ovens. | 0:21:41 | 0:21:46 | |
This is a warming oven. In the bottom, you'd stick some charcoal. | 0:21:46 | 0:21:51 | |
That you'd use for warming plates. | 0:21:51 | 0:21:54 | |
If you were doing a souffle and wanted a more controllable heat, | 0:21:54 | 0:21:59 | |
the charcoal would go in there | 0:21:59 | 0:22:02 | |
and you'd shove the dishes in there. | 0:22:02 | 0:22:04 | |
Ditto, this little lot up here. That's more particularly for bread. | 0:22:04 | 0:22:11 | |
And spread around this central cooking area | 0:22:11 | 0:22:15 | |
are a number of specialist rooms for different culinary subjects. | 0:22:15 | 0:22:20 | |
In here's the pastry making department. | 0:22:21 | 0:22:24 | |
I like it crusty! | 0:22:24 | 0:22:26 | |
This is the still room. | 0:22:26 | 0:22:28 | |
Strictly, the space where distillation of spirits took place. | 0:22:28 | 0:22:34 | |
In other words, they made hooch. | 0:22:34 | 0:22:36 | |
They also used it for pickling and preserving. | 0:22:36 | 0:22:40 | |
This big fellow was made to hold ice. | 0:22:40 | 0:22:43 | |
You'd use that ice to chill down ice cream and jellies. | 0:22:43 | 0:22:50 | |
Now, talking of jellies, no jelly's any good without a mould. | 0:22:51 | 0:22:55 | |
Every kitchen, from the 18th century onwards, | 0:22:55 | 0:22:59 | |
had a battery of these fellows. | 0:22:59 | 0:23:02 | |
They're tinned because copper, if you get it wet, goes green. | 0:23:02 | 0:23:06 | |
That called verdigris and it's poison. | 0:23:06 | 0:23:09 | |
To make sure you didn't poison yourself, | 0:23:09 | 0:23:13 | |
the tinner would put tin inside then you could put edibles in it. | 0:23:13 | 0:23:18 | |
Ooh, I do like a good grind! | 0:23:21 | 0:23:23 | |
This has to be one of the biggest mortars you've seen in a kitchen. | 0:23:23 | 0:23:28 | |
We've got this lump of white marble | 0:23:28 | 0:23:31 | |
and an amazing turned mahogany pestle. | 0:23:31 | 0:23:34 | |
Isn't that superb? | 0:23:34 | 0:23:36 | |
Inside here, if you give it a bit of a niff... | 0:23:36 | 0:23:40 | |
Smell that. It's curry powder. Curry powder! | 0:23:40 | 0:23:43 | |
Imported from the east from the early part of the 18th century | 0:23:43 | 0:23:47 | |
and used to spice up your cuisine. | 0:23:47 | 0:23:51 | |
So how did you control all the massive expenditure of this, the engine room of the house? | 0:23:51 | 0:23:58 | |
One of the methods was to fill in an enormous ledger like this, | 0:23:58 | 0:24:03 | |
which I know looks a bit like the parliamentary expenses claim forms. | 0:24:03 | 0:24:10 | |
Actually, this is something | 0:24:10 | 0:24:12 | |
that Lord Salisbury would approve every week. | 0:24:12 | 0:24:15 | |
In this particular week, they had a beano. | 0:24:15 | 0:24:19 | |
This week ending 24th October 1846, | 0:24:19 | 0:24:22 | |
no less a personage than Queen Victoria visited Hatfield. | 0:24:22 | 0:24:27 | |
They consumed a deuce of a lot of stuff that week. | 0:24:27 | 0:24:31 | |
1,754 pounds of beef, for example. | 0:24:31 | 0:24:36 | |
They ate 1,600 eggs | 0:24:36 | 0:24:39 | |
and consumed 709 bottles of wine. | 0:24:39 | 0:24:43 | |
At the end of the day, the dear old Marquis puts his initials down | 0:24:43 | 0:24:48 | |
and says, "Pay the lot." | 0:24:48 | 0:24:50 | |
'Whilst I've been off on my travels, | 0:24:52 | 0:24:55 | |
'our experts have been shopping for their bonus buy, so let's look at what David has bought.' | 0:24:55 | 0:25:02 | |
-Ella and Frank, you spent a miserable £118. -We thought that was good. | 0:25:02 | 0:25:07 | |
Not too bad, actually. £182 went to David Harper. | 0:25:07 | 0:25:11 | |
Oh. That surprised me. | 0:25:13 | 0:25:16 | |
-I like to try and trick you. -Surprise us. | 0:25:17 | 0:25:20 | |
-BOTH: What is it? -Well, it's a padlock. | 0:25:20 | 0:25:23 | |
-Look what it's made of. Solid silver. -Wow. | 0:25:23 | 0:25:27 | |
A frivolous item. Why would you make a padlock out of silver? | 0:25:27 | 0:25:31 | |
You might as well spend a fraction on a steel one. | 0:25:31 | 0:25:35 | |
-Do you have a key? -No. You don't need a key. | 0:25:35 | 0:25:39 | |
-Not difficult to get into. -It's not secure but it looks flash. | 0:25:39 | 0:25:43 | |
Quite. So it doesn't work as a padlock. | 0:25:43 | 0:25:46 | |
No. | 0:25:46 | 0:25:48 | |
-It's frivolous. -Completely. -It's made of silver. -It's useless. | 0:25:48 | 0:25:52 | |
-I love it! -How much did it cost? -How much do you think? -£25. | 0:25:52 | 0:25:57 | |
I'd go with 30, 35. | 0:25:57 | 0:25:59 | |
It should be 30, 35. It was made in 1985 and it cost me £15. | 0:25:59 | 0:26:05 | |
-1985? -It's quite modern. | 0:26:05 | 0:26:08 | |
If that doesn't make money at 15 quid... | 0:26:08 | 0:26:11 | |
-How much is it going to make? -£10, £20. -So £25, £30? | 0:26:11 | 0:26:15 | |
-All day long. -All right, fine. -That'll do us. | 0:26:15 | 0:26:20 | |
You don't have to decide right now. | 0:26:20 | 0:26:22 | |
It depends on your financial position, having sold three items. | 0:26:22 | 0:26:28 | |
It's grand to be back in Derbyshire | 0:26:32 | 0:26:35 | |
at the Mackworth Hotel with Charles Hanson auctions. | 0:26:35 | 0:26:39 | |
-Here is the man - Carlos. -Good morning, Tim. | 0:26:39 | 0:26:42 | |
You've got a nice crowded room and we've got some nice goods to sell. | 0:26:42 | 0:26:47 | |
First up is this absolutely charming | 0:26:47 | 0:26:49 | |
Vesta case-like photo frame. Don't you think that's a nice thing? | 0:26:49 | 0:26:54 | |
-I thought the great Roman goddess, Vesta, but it isn't. -No. | 0:26:54 | 0:26:59 | |
It's a lovely photo frame. | 0:26:59 | 0:27:01 | |
It's collectable. | 0:27:01 | 0:27:03 | |
I thought it might be a Vesta case that's chopped in half. It's not. | 0:27:03 | 0:27:08 | |
-Correct. -It was made as a photo frame. | 0:27:08 | 0:27:11 | |
It's continental, 925 marked. | 0:27:11 | 0:27:13 | |
However, it is early 20th century. | 0:27:13 | 0:27:16 | |
-Probably equates to George V without the hallmark. -What's your estimate? | 0:27:16 | 0:27:21 | |
The decoration is good. My guide price between £20 and £30. | 0:27:21 | 0:27:25 | |
-They paid £28. It could take off. -I can see it making a bit more. | 0:27:25 | 0:27:30 | |
This scent bottle. Once upon a time had eau de Cologne in it. | 0:27:30 | 0:27:34 | |
What we're left with is this cheaply made moulded glass jobby | 0:27:34 | 0:27:38 | |
-with hideous gold stripes. -I quite agree. -Yes. | 0:27:38 | 0:27:42 | |
I'll be calling it decorative. It's frivolous. | 0:27:42 | 0:27:46 | |
-It's not a great object. -No. | 0:27:46 | 0:27:49 | |
-It cost £20. What's your estimate? -It looks to be 1950s. | 0:27:49 | 0:27:53 | |
My guide price on a really, really good day, £25. Bad day, 15. | 0:27:53 | 0:27:59 | |
-There could be a smell about. -Right. -Now, the Tudric tankard. | 0:27:59 | 0:28:03 | |
-It's very stylish. Do you like it? -Tim, I do. | 0:28:03 | 0:28:07 | |
It's hammered. We think back to the great Arthur Lasenby Liberty. | 0:28:07 | 0:28:11 | |
1875 and from that period, the great arts and crafts, | 0:28:11 | 0:28:16 | |
epitomises those wonderful names, Archibald Knox, his Tudric range. | 0:28:16 | 0:28:21 | |
I like this bifurcated handle. It's such a smart thing. | 0:28:21 | 0:28:25 | |
-They paid 70. What's your estimate? -My guide price is £40 to £60. | 0:28:25 | 0:28:30 | |
-That's cautious, realistic, Tim. -That's not so terribly optimistic. | 0:28:30 | 0:28:35 | |
-They'll need their bonus buy. -Thank you very much. | 0:28:35 | 0:28:38 | |
-Slightly strange modern object. -It is strange. | 0:28:38 | 0:28:41 | |
It's a rectangular padlock, really, hallmarked silver, fairly modern. | 0:28:41 | 0:28:46 | |
The only thing of great curiosity is what this mark is for. | 0:28:46 | 0:28:50 | |
Bit corporate. I think it's from one of those weekends when you went off | 0:28:50 | 0:28:55 | |
to a grand country house. | 0:28:55 | 0:28:57 | |
-But it is silver. -It only cost that cunning monkey Harper £15. | 0:28:57 | 0:29:03 | |
He's very shrewd. You could melt that down and get £15 back. | 0:29:03 | 0:29:07 | |
It's a screw lock. It's novelty value, worth between £20 and £30. | 0:29:07 | 0:29:12 | |
20 to 30. He paid £15. That's a good bonus buy. | 0:29:12 | 0:29:16 | |
Anyway, now for the blues. | 0:29:16 | 0:29:18 | |
I own up to having a vested interest in the Satsuma | 0:29:18 | 0:29:22 | |
little pot and two bowls. | 0:29:22 | 0:29:24 | |
We kind of came together, Tim and Beth and I, over this. | 0:29:24 | 0:29:29 | |
I'm intrigued that they bought it. They paid a modest £20. | 0:29:29 | 0:29:33 | |
I quite rate this. It's a bit brown and crazed. | 0:29:33 | 0:29:37 | |
-Which is not good, but it's got a look, I think. Don't you? -It has. | 0:29:37 | 0:29:42 | |
It's got a very good character mark. | 0:29:42 | 0:29:44 | |
We think of the great Kinkozans, the Yabu Meizans of the Satsuma world. | 0:29:44 | 0:29:50 | |
It's certainly Meiji period. I'm going to say 1890, 1900. | 0:29:50 | 0:29:54 | |
Sparsely decorated, which we don't associate with the finest type. | 0:29:54 | 0:29:59 | |
-It is good quality. -How much? | 0:29:59 | 0:30:01 | |
We like to be cautious, to maximise returns to our clients | 0:30:01 | 0:30:05 | |
and to create interest in the saleroom. | 0:30:05 | 0:30:08 | |
-My guide price is between 20 and 30. -Right. -If that makes sense. | 0:30:08 | 0:30:13 | |
-I've got the message. Perfect. -Yes. -Won't make £100? | 0:30:13 | 0:30:18 | |
With the right buyers, it might creep up. | 0:30:18 | 0:30:21 | |
That's your attitude and I like it. Now, clamp coming up. | 0:30:21 | 0:30:26 | |
This so-called Mauchline clamp. It's a sewing accoutrement. | 0:30:26 | 0:30:32 | |
It has the worse printed image, but apart from that it's lovely. | 0:30:32 | 0:30:36 | |
It's a nice piece of treen. | 0:30:36 | 0:30:38 | |
We know about Mauchline ware, Scotland from the 1820s. | 0:30:38 | 0:30:42 | |
We saw the termination of Mauchline ware by about 1933. | 0:30:42 | 0:30:46 | |
It's decorative. I would say it's circa 1910. | 0:30:46 | 0:30:50 | |
-Made for a great tourist market. -Yes. How much is it worth, Charles? | 0:30:50 | 0:30:56 | |
I hope it will make between £30 and £35. | 0:30:56 | 0:30:59 | |
They paid £20 for it. It is a pretty poor specimen. | 0:30:59 | 0:31:03 | |
That's a price that you'd be lucky to get, in my view. | 0:31:03 | 0:31:07 | |
Lastly, is this dog plaque. | 0:31:07 | 0:31:10 | |
-It's an Alsatian. -It is. It's a German shepherd. | 0:31:10 | 0:31:14 | |
You'll be judging Crufts before you know where you are. | 0:31:14 | 0:31:17 | |
Definitely an Alsatian. That is a popular breed and that is the point. | 0:31:17 | 0:31:23 | |
The enamel is superb. It is hand-painted by Bryan Cox. | 0:31:23 | 0:31:28 | |
He worked at the factory from 1946 until he retired in 1995. | 0:31:28 | 0:31:32 | |
-What's it worth? -Between £40 and £60. -That's a good come-on price because they paid 80. -OK. | 0:31:32 | 0:31:39 | |
Anyway, they've got lots of potential. | 0:31:39 | 0:31:43 | |
They might need their bonus buy so let's have a look at it. | 0:31:43 | 0:31:47 | |
Beth and Tim. Great name. Now, Kate. | 0:31:48 | 0:31:51 | |
You had £180 to spend. What did you blow it on? | 0:31:51 | 0:31:56 | |
Beth, you might have to be my assistant. | 0:31:56 | 0:31:59 | |
-Look at that! -It is a clock - or a timepiece. | 0:31:59 | 0:32:03 | |
I think it's probably around 1900. | 0:32:03 | 0:32:06 | |
A little damage to the painting but it has got some age. | 0:32:06 | 0:32:10 | |
-Shall I take it from you? -Thank you. It is a bit of a lump. | 0:32:10 | 0:32:15 | |
It's got its workings. A fairly bog-standard movement. | 0:32:15 | 0:32:20 | |
An attractive piece to put on your wall. | 0:32:20 | 0:32:23 | |
And quite commercial. People like them for their kitchens. | 0:32:23 | 0:32:27 | |
Shall we have a look up its bottom? | 0:32:27 | 0:32:30 | |
-One of those German open-frame movements. See that? -Yeah. | 0:32:30 | 0:32:35 | |
The English ones have solid brass plates. | 0:32:35 | 0:32:39 | |
Imported, I guess, and sold here. | 0:32:39 | 0:32:42 | |
-How much do you think we'll get? -I'll tell you what I paid. | 0:32:42 | 0:32:46 | |
I paid the grand price of £90. So I had a good go at spending £120. | 0:32:46 | 0:32:52 | |
I'll be honest. I would put an estimate of £80 to £100 on it. | 0:32:52 | 0:32:56 | |
We're right in the middle. | 0:32:56 | 0:32:58 | |
-Would you put it in your kitchen? -No, I wouldn't. Definitely not! | 0:32:58 | 0:33:03 | |
No. | 0:33:03 | 0:33:05 | |
It's interesting because it's just the sort of thing somebody in a country cottage would want. | 0:33:05 | 0:33:12 | |
-If you had an older style house. -Yes. | 0:33:12 | 0:33:16 | |
-Are you happy? -Yep. | 0:33:16 | 0:33:18 | |
You don't have to decide now. | 0:33:18 | 0:33:20 | |
Let's find out what the auctioneer thinks about Kate's dial clock. | 0:33:20 | 0:33:25 | |
Is this something that'll sell? | 0:33:26 | 0:33:28 | |
Nice honey oak glow to it, Tim. | 0:33:28 | 0:33:30 | |
-It's got a wonderful old tavern, schoolhouse look. -It's dirty. | 0:33:30 | 0:33:35 | |
-Enamel dial and stylish but what do you think? -I think this is rubbed. | 0:33:35 | 0:33:41 | |
It's a perfectly nice kitchen dial type. I don't love it. | 0:33:41 | 0:33:46 | |
I think this will stand very proud and I quite like it. | 0:33:46 | 0:33:50 | |
I see it in a fine Derbyshire kitchen. | 0:33:50 | 0:33:53 | |
I'm glad it appeals to your youthful eye. That's where the market is. | 0:33:53 | 0:33:59 | |
-What is your estimate? -The auctioneer's favourite - 80 to 120. | 0:33:59 | 0:34:04 | |
Kate Bliss paid £90 and she hopes it's going to clock up a profit. | 0:34:04 | 0:34:10 | |
-You're in charge, Charles? -Yes, Tim. I'm in charge. -Well done, boy. | 0:34:10 | 0:34:14 | |
-Ella and Frank, are you excited? -Yes. -Very excited. | 0:34:19 | 0:34:24 | |
Your first lot is the picture frame that looks like a Vesta case. | 0:34:24 | 0:34:29 | |
It's estimated at £20 to £30. You paid £20. | 0:34:29 | 0:34:32 | |
-I think it's going to do well. Here it comes. -I hope so. | 0:34:32 | 0:34:36 | |
A very nice novelty silver mock Vesta case. | 0:34:36 | 0:34:41 | |
I will start this lot at £25. Do I see eight now? | 0:34:41 | 0:34:46 | |
Do I see eight? Eight. 30. | 0:34:46 | 0:34:49 | |
Two. Five. Eight. I'm out... | 0:34:49 | 0:34:51 | |
-Come on! -..40. | 0:34:51 | 0:34:54 | |
Five. 50, madam? | 0:34:54 | 0:34:55 | |
-Five, sir. Against you... -Come on, Charles! | 0:34:55 | 0:34:59 | |
..Your bid, sir, at 60. I'll take five now. Five. 70? | 0:34:59 | 0:35:03 | |
70. Five? Are you sure? No more. 70. | 0:35:03 | 0:35:07 | |
I'll take five. Fair warning. We say sale. All out...? | 0:35:07 | 0:35:11 | |
That's very good, isn't it? That's marvellous. That's £42. | 0:35:12 | 0:35:18 | |
You haven't even started! The scent bottle. | 0:35:18 | 0:35:21 | |
Flamboyant, decorative. | 0:35:21 | 0:35:23 | |
Decorative. Cut-glass and gilt scent bottle with stopper. | 0:35:23 | 0:35:27 | |
I am bid £16. Do I see £17? | 0:35:27 | 0:35:31 | |
I'm out, so £17. Come on. 18. 20. Two. | 0:35:31 | 0:35:35 | |
Lady in red. Two. Four. 26. 28. | 0:35:35 | 0:35:37 | |
32. Five and one more. | 0:35:37 | 0:35:40 | |
35 and it could be yours. 35. | 0:35:40 | 0:35:43 | |
38? One more? You've come so far. | 0:35:43 | 0:35:45 | |
You're out. The lady in red at £35. All done? We say sale at £35... | 0:35:45 | 0:35:51 | |
-Yes! -How much did we pay? -£20, you paid. | 0:35:51 | 0:35:55 | |
You paid 20 so you are £15 up. | 0:35:55 | 0:35:59 | |
Overall, you're £57 up. Plus 57. | 0:35:59 | 0:36:03 | |
The Tudric tankard. This could scupper you. | 0:36:03 | 0:36:06 | |
Early 20th century, hammered outline with a golfing roundel. | 0:36:06 | 0:36:11 | |
-I have got interest here at £35... -No! | 0:36:11 | 0:36:14 | |
..40? 45. Come on. Surely? 40. | 0:36:14 | 0:36:17 | |
Do I see five now? I'm out. | 0:36:17 | 0:36:21 | |
Make no mistake, we are selling it to the lady at £40. Once, twice... | 0:36:21 | 0:36:25 | |
three times. | 0:36:25 | 0:36:27 | |
ALL GROAN We thought that was the best buy. | 0:36:27 | 0:36:30 | |
Minus 30 on that. You are overall... | 0:36:30 | 0:36:33 | |
-plus £27. -That's not bad. | 0:36:33 | 0:36:35 | |
-That's all right. -£27 up is not so bad. | 0:36:35 | 0:36:39 | |
What are you doing about the padlock? | 0:36:39 | 0:36:41 | |
-We're going for it. -Yes. -Oh, brilliant. | 0:36:41 | 0:36:45 | |
-No hesitation here. -In for a penny. In for a pound. | 0:36:45 | 0:36:49 | |
-No debate? -No, we thought about it. | 0:36:49 | 0:36:52 | |
You're going with the bonus buy. | 0:36:52 | 0:36:55 | |
It's interesting, intriguing, a silver padlock made in Birmingham. | 0:36:55 | 0:37:01 | |
I am bid £10. Quite rare. 10. 12. 15. | 0:37:01 | 0:37:04 | |
I'm out. Do I see 18? | 0:37:04 | 0:37:07 | |
16. 17. 18. 19. | 0:37:07 | 0:37:09 | |
20. Two. Four. One more. I'll take three, sir. | 0:37:09 | 0:37:12 | |
Three. Four. 25? Are you sure? | 0:37:13 | 0:37:16 | |
-£24. Do I see five...? -Yes! | 0:37:16 | 0:37:19 | |
..One more? Look at me! £25, standing at the back. | 0:37:19 | 0:37:24 | |
Fair warning. Do we say sale at £25? Yes, we are... | 0:37:24 | 0:37:27 | |
£25. He really encouraged them. | 0:37:28 | 0:37:31 | |
That was brilliant. So, £25. £10 up on the bonus buy. Well done, David. | 0:37:31 | 0:37:36 | |
-Thank you, David. -Overall, you are up £37. -Excellent. | 0:37:36 | 0:37:40 | |
Thank you, David! | 0:37:40 | 0:37:42 | |
-Cheers, David. -You know the big trick now? | 0:37:42 | 0:37:46 | |
Don't say a thing to the blues. | 0:37:46 | 0:37:48 | |
-Are you nervous, Beth? -A little bit. | 0:37:55 | 0:37:58 | |
-I don't think our Alsatian's going to do well. -That's your big worry? | 0:37:58 | 0:38:03 | |
-What do you think, Timbo? -I'm excited. Bring it on. | 0:38:03 | 0:38:06 | |
-Do you know how the reds got on? -No idea. -We don't want you go know. | 0:38:06 | 0:38:11 | |
You've got three splendid chances. | 0:38:11 | 0:38:14 | |
I've got a vested interest in your tea set. | 0:38:14 | 0:38:18 | |
I think that's pretty fab. | 0:38:18 | 0:38:21 | |
First, the Satsuma. Here it comes. | 0:38:21 | 0:38:23 | |
Three component parts, Satsuma teapot and cover. | 0:38:23 | 0:38:27 | |
Slightly marked, but never mind, they're old. Where do we start? | 0:38:27 | 0:38:33 | |
I have interest at £22. Do I see five? Come on. | 0:38:33 | 0:38:37 | |
22. 25. 28, ma'am? 30. | 0:38:37 | 0:38:39 | |
I've got two. And five? | 0:38:39 | 0:38:41 | |
No. At £32. | 0:38:41 | 0:38:43 | |
All out in the room? We sell it. | 0:38:43 | 0:38:46 | |
£22 is plus 12. You can't argue with that, can you? | 0:38:46 | 0:38:51 | |
Plus 12. Great. The sewing clamp. | 0:38:51 | 0:38:54 | |
The Mauchline ware treen | 0:38:54 | 0:38:58 | |
sewing clamp, we believe.... | 0:38:58 | 0:39:00 | |
-This is quite stressful! -Are you stressed? -Yeah. | 0:39:00 | 0:39:04 | |
..Start me at £15? 15. 18. 20. | 0:39:04 | 0:39:07 | |
Two. Five. Eight. 30. Two. Five. | 0:39:07 | 0:39:11 | |
At £32. Five. Eight. 40. | 0:39:11 | 0:39:14 | |
Five. 48. 50? | 0:39:14 | 0:39:16 | |
One more, ma'am. Are you sure? You've come so far. | 0:39:16 | 0:39:20 | |
50, new place. Two? | 0:39:20 | 0:39:22 | |
Do I see two now? Fair warning. All done at £50. | 0:39:22 | 0:39:26 | |
£50, the gavel falls... | 0:39:26 | 0:39:28 | |
That's £30 profit. That's £30 up. | 0:39:30 | 0:39:33 | |
Overall, plus 42. | 0:39:33 | 0:39:35 | |
-Come on! -The Alsatian. Let's be positive. | 0:39:35 | 0:39:39 | |
Delightful plaque with an Alsatian, I believe. | 0:39:39 | 0:39:43 | |
Nice dog. I will start with a bid of 30. | 0:39:43 | 0:39:47 | |
Hand-painted. Do I see two now? | 0:39:47 | 0:39:49 | |
I'll take two. Five. Eight? I've got 40. And two? | 0:39:49 | 0:39:53 | |
I'm out. Do I see five now? Come on! | 0:39:53 | 0:39:57 | |
Do I see five, surely? At £42... | 0:39:57 | 0:40:00 | |
To the lady at £42. The gavel will fall. | 0:40:00 | 0:40:05 | |
£42! I'm sorry, loves, but that is minus 38. | 0:40:05 | 0:40:10 | |
-Overall, you are plus £4. -LAUGHTER | 0:40:10 | 0:40:14 | |
-Hooray! -At least we're plus. | 0:40:14 | 0:40:17 | |
-What are you going to do about the clock? -Oh, my goodness! | 0:40:17 | 0:40:21 | |
You've got £4 in the bank, in the Bargain Hunt bank. | 0:40:21 | 0:40:25 | |
Are you going to stick with the banker | 0:40:25 | 0:40:28 | |
or are you going to twist and have a run? | 0:40:28 | 0:40:31 | |
Don't look away, Kate! | 0:40:31 | 0:40:33 | |
What do you think, Kate? Shall we do it? | 0:40:33 | 0:40:37 | |
-I can't make up your mind. -I'm not good in crisis situations. | 0:40:37 | 0:40:42 | |
-Let's just do it. -Why not? -You're happy? | 0:40:42 | 0:40:45 | |
-No. -You don't want to do it? | 0:40:45 | 0:40:48 | |
-We've got to do it. -No. We don't want to do it. -We do. -No. | 0:40:48 | 0:40:52 | |
-Let's not do it. -I'm up for it now. | 0:40:52 | 0:40:55 | |
Are you going to go with him? | 0:40:55 | 0:40:57 | |
I would like to state that I don't want to do it but I'll go with him. | 0:40:57 | 0:41:02 | |
-We're going with the bonus buy. -See what happens. -And here it comes. | 0:41:02 | 0:41:06 | |
Look at this delightful wall clock. | 0:41:06 | 0:41:11 | |
Do I see 70, now? Surely. Come on. | 0:41:11 | 0:41:13 | |
70. Five. 80. I've got five. And 90? | 0:41:13 | 0:41:17 | |
One more it'll be yours. 85. Do I see 90? | 0:41:17 | 0:41:20 | |
- Fair warning... - Come on! | 0:41:20 | 0:41:23 | |
..90, I'm out. Do I see five now? | 0:41:23 | 0:41:25 | |
90 fair warning. Once, twice. Three times, we sell. | 0:41:25 | 0:41:29 | |
At £90 to you, sir. | 0:41:29 | 0:41:31 | |
-It's gone at 90. Wiped its face. -Sorry, guys. -Wasn't that exciting? | 0:41:32 | 0:41:39 | |
I'd do it again. | 0:41:39 | 0:41:41 | |
-Well done for taking a punt, quite frankly. -Yeah. | 0:41:41 | 0:41:45 | |
Because that's right on the edge. Overall, you are plus four. | 0:41:45 | 0:41:50 | |
It could be a winning score. All will be revealed in a moment. | 0:41:50 | 0:41:55 | |
-What a show today! You been chatting? -Not at all. | 0:42:01 | 0:42:05 | |
No chats at all? | 0:42:05 | 0:42:07 | |
It's no secret that we have both teams making profits | 0:42:07 | 0:42:12 | |
which, on Bargain Hunt, is a rare enough occurrence. | 0:42:12 | 0:42:15 | |
It's a question of scale. We don't have losers. We have runners-up. | 0:42:15 | 0:42:20 | |
And the runners-up today are... the blues. | 0:42:20 | 0:42:22 | |
-GROANS AND CHEERS -Yes! -We did it! | 0:42:22 | 0:42:26 | |
Well done. | 0:42:26 | 0:42:27 | |
You, nevertheless, go home with £4. | 0:42:27 | 0:42:30 | |
-It's a hot dinner. -A hot dinner! Thank you, Timbo, for that. | 0:42:32 | 0:42:37 | |
-I hope you had a nice time. -Absolutely. -Fantastic. | 0:42:37 | 0:42:40 | |
You've been excellent contestants. Thank you very much. | 0:42:40 | 0:42:44 | |
But the victors today... Here we go. | 0:42:44 | 0:42:47 | |
Here's your £37. There's 35 of them. Here's a couple of smackers. | 0:42:47 | 0:42:52 | |
-What are you going to spend that on? -We're sending it to Help The Heroes. | 0:42:52 | 0:42:58 | |
Good for you. A very worthwhile cause. They'll be pleased for that. | 0:42:58 | 0:43:03 | |
-You've had a nice time? -A great time. | 0:43:03 | 0:43:06 | |
Join us soon for some more bargain hunting. Yes? | 0:43:06 | 0:43:09 | |
ALL: Yes! | 0:43:09 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:32 |